A Day in Nantucket: How a Tiny Isolated Island Became a Global Powerhouse (With Lessons for Contemporary America)

The tall ship Lynx, an 1812 privateer, sails past the Brant Point Lighthouse, Nantucket, second oldest lighthouse in America, first built in 1746 © Karen Rubin/ goingplacesfarandnear.com

by Karen Rubin and Martin D. Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

Nantucket, a porkchop-shaped island just 14 by 3½-miles with just a few thousand inhabitants, hangs 30 miles out to sea off Massachusetts’ mainland. That creates a special kind of isolation and 350 years ago, made for a special incubator for culture and industry.

“Nantucket has been a microcosm of America for 350 years, a magnet and unique laboratory for some of our most powerful impulses…People around the globe knew of Nantucket whalers,” says the narrator of a documentary, “Nantucket” by Ric Burns. Nantucket, he says, has a history of reinventing itself.

“Nantucket was created by sea. In as little as 400 years, it will be taken by the sea. We are on borrowed time.”

That alone sets up the drama before our visit to Nantucket. The documentary is an evening’s activity aboard Blount Small Ship Adventures’ Grand Caribe, and now, we sail into Nantucket’s harbor in a dense fog, on the last day of our week-long voyage that has taken us to the New England islands.

Picturesque Nantucket © Karen Rubin/goingplacesfarandnear.com

This tiny place, we learn, became a global powerhouse because of whaling, which itself required technological innovations and produced a revolution in the way people lived: “Nantucket was the first global economic engine America would know.”

Indeed, here in Nantucket, we realize how revolutionary candlelight was, extending people’s days into the darkness of night. “Nantucket sperm oil made the Industrial Revolution happen.”

It also proves to be a lesson in the importance of globalization and immigration.

“In 1820, Nantucket entered its golden age. The entire Pacific its backyard, America as world power.” The square-rigged whaling ships we think of as quaint today “were state of art, decades into development, a perfect factory ship to render oil. They could go anywhere, withstand horrible conditions, serve as the home for dozens of men for three to four years at a time. They were vessels of exploration, the space ships of their day, they could travel to unknown worlds…Nantucketers were astronauts of their day.”

(I appreciate this all the more after having seen the “Spectacle of Motion: “The Grand Panorama of a Whaling Voyage ‘Round the World,”  at the New Bedford Whaling Museum, a few days before on our own voyage. See story)

But here on Nantucket, we are introduced to another aspect of the story: Quakerism and feminism.

Whaling, it turns out, became a thriving industry because of the Quakers who settled Nantucket, peacefully coexisting with the Wampanoags who had lived here for thousands of years (their numbers were decimated, though, by the diseases the Europeans brought). The Wampanoags knew how to harpoon whales that were beached and introduced the English to whaling.

But it was the Quakers’ open-mindedness, their values of modest living, hard work and practice of reinvesting money into the industry rather than on lavish living that produced the innovations. Even more significantly, Nantucket could become so successful in whaling because of the Quaker sense of egalitarianism, seeing women as having equal ability. How else could Nantucket men go off for years at a time, leaving their home, business and community to be run by the women they left behind (one street is known as Petticoat Row because of all the women-owned businesses)? Quaker women, including Lucretia Coffin Mott (who was from Nantucket) became leaders of the Woman’s Suffrage Movement.

So it is no wonder that Nantucket enabled a woman, Maria Mitchell, to thrive.

Portrait of Maria Mitchell, America’s first female astronomer, in an exhibit at the Nantucket Whaling Museum © Karen Rubin/goingplacesfarandnear.com

Born in 1818 on Nantucket, Maria Mitchell became America’s first woman astronomer (famous for discovering a comet in 1847, which was named “Miss Mitchell’s Comet”), the first woman elected Fellow of the American Academy of Arts and Sciences (1848) and of the American Association for the Advancement of Science (1850).  She was Vassar’s first professor of astronomy, president of the American Association for the Advancement of Women, and active in the Women’s Suffrage movement.

We first are introduced to her on “Gail’s Tours” of the island, then when we visit the Whaling Museum which has a whole gallery devoted to her, and after, I am so fascinated with her, I follow a self-guided “Walking in the Footsteps of Maria Mitchell”  which takes me to the Quaker Meeting House. (Ironically, Mitchell  was too skeptical and outspoken for the Quakers and “written out” so she joined the Unitarian Church instead, which today shares its building with the Congregation Shirat Ha Yam, “a pluralistic Jewish congregation”).

Nantucket has a land area of about 45 square miles (about half the size of Martha’s Vineyard), yet seems larger, somehow, to get around.  The best way to experience Nantucket when you only have a day and when mobility may be somewhat limited, is to take an island tour.

Grand Caribe passengers take the launch into Nantucket © Karen Rubin/ goingplacesfarandnear.com

So we take the launch boat into Straight Wharf (this is the only stop on the New England Islands cruise where we anchor instead of dock), and walk along the cobblestone streets about half-mile to where Gail Nickerson Johnson has her van parked in front of the Visitor Center.

The first impression of Nantucket is how much it looks like a movie set with its quaint shops and cobblestone streets. Indeed, the one square-mile National Historic District is the largest concentration of antebellum structures in the United States. I take note of a mural on the side of a building that shows how many miles from places like Iceland, Pitcairn and Cape Town are from Nantucket, as if the center of the world.

A map on the side of a building shows how many miles from places like Iceland, Pitcairn and Cape Town are from Nantucket, as if the center of the world © Karen Rubin/goingplacesfarandnear.com

We have been recommended to Gail’s Tours, and what a find this is. Gail, it turns out, is a 6th generation Nantucket native, descended from the Nickersons (her family line includes the Gardners, Coffins, Foulgers), was raised here, and knows just about everybody and every house we pass. She took over the tour business from her mother, who, she says, used to summer here before marrying her father. Her mother used to take visiting friends and relatives around in a woodie, and then got the idea to turn it into a tourist business, which she ran for 40 years.

Gail points out all the local sights:” I remember when….” “We used to ….,” “When we were kids….” “That used to be ….”

She notes that some 10,000 to 15,000 people live on Nantucket year-round, quite a jump from the 3,000 people who lived here year-round when she was growing up.

Gail jokes that Nantucket is on shaky ground – it is predicted to be under water in 400 years time. “In 300, I’m outta here.”

The Coffin House, oldest on Nantucket, dates from 1686 © Karen Rubin/ goingplacesfarandnear.com

We pass all the important sights: the island’s oldest house, built as a wedding present for Jethro Coffin and Mary Gardner Coffin in 1686. It has been restored after lightening struck the house, splitting it in two; the Old Windmill (1746); the Quaker cemetery where there some 5,000 people are buried but few headstones, so it looks more like a rolling field; the Maria Mitchell Observatory; cranberry bogs; the Life Saving Museum.

She points to the house that Frank Bunker Gilbreth owned – the efficiency expert depicted in his son’s book, “Cheaper by the Dozen.” “They found among his papers Morse code for how to take bath in 1 ½ minutes.” The family still owns the house. She points to where Peter Benchley (“Jaws”) lived, the house where John Steinbeck stayed when he wrote “East of Eden.”

The 70-foot tall Sankaty Head Lighthouse was built of brick in 1850 but moved to its location next to the fifth hole Sankaty Head Golf Course in 2007 © Karen Rubin/goingplacesfarandnear.com

We stop at Sankaty Head Lighthouse so we can get out for a closer look. The 70-foot tall lighthouse was built of brick in 1850 and automated in 1965; its beacon can be seen 26 miles away. It had to be moved and was re-lighted in its new location, just next to the fifth hole of the Sankaty Head Golf Course in November 2007.

The tour finishes just around the corner from the Nantucket Whaling Museum. We pick up phenomenal sandwiches from Walter’s, have lunch on benches outside the museum.

Gail’s Tours, 508-257-6557.

Nantucket Whaling Museum

We had been to the excellent New Bedford Whaling Museum and now come to the renowned Nantucket Whaling Museum. Interestingly, the presentations and focus are very different – so the two are like bookends that add to the telling of this dramatic story.

We arrive as a historian is describing the hunt for whales, and then join the docent-led highlights tour, which is sensational.

The sperm whale oil, she says, “is a light source, power source and lubricant and could be used in winter. Artificial light in winter revolutionized life for 3 to 4 months of the year. It was used throughout the United States and Europe, prized the world over.”

The earliest whaling industry was created by Quakers, who were austere, not vain, and reinvested income into growing the industry. Portraits were not permitted (the portraits that decorate the entire wall are made later), but by the 19th century, they were not practicing Quakerism. She points to one of the earliest portraits which, without a tradition of art education in colonial America, was probably made by a housepainter, and probably an authentic representation of her likeness without artifice. She has one blue and one brown eye, which was a genetic trait among some of the earliest Nantucket settlers.

She points to a portrait of Susan Veeder, one of the women who accompanied their husbands on a whaling voyage. She kept records of the day-to-day life. “Her journals are anthropological, whereas the men’s journals were mainly about weather, tides and number of whales caught. She is the reason we know so much about life on whaling ship.” The docent adds that Veeder delivered a baby daughter while on board, but it died. “While British whalers had to have a surgeon on board, American whalers were not required to. The ship had a medical kit with numbered vials and instructions. But if they ran out of #11 vial, a captain might just add #5 and #6 together.”

Another painting shows a wife standing beside her husband seated at a desk. “It’s a rare image. Women had roles in Nantucket – they ran the town, home and business. Her husband was a whaling captain who brought back artifacts; she set up a display in house and charged admission fee and told stories. This was the first museum on the island. The contents went to the Atheneum and now are part of the Historical society collection.”

She points to a jaw bone that is the height of the room. It would have come from 80-ft whale such as rammed the Essex (the event that inspired the story of “Moby Dick”).”For people of Nantucket (most of whom had never seen a whale) would have been seen as a sea monster. For the captain to make the decision to keep this onboard for two years or so of the journey, taking up precious space on ship, speaks to how important it was.”

We go into the part of the museum that was originally a candle factory, built by the Mitchell family immediately following the Great Fire of 1846, where there is the only surviving spermaceti lever press left in the world.

She explains, “When the ship returned to Nantucket harbor, filled with as many as 2000 barrels of oil, each holding 31.5 gallons apiece, the oil would be put in storage.

“They would wait for winter to begin processing because only highest quality oil would remain liquid in winter; then process the lowest quality in spring and summer. They kept the lowest quality in Nantucket and sold first and second pressings.

“The best oil was used for lighthouses. What was left was used for spermaceti candles.These were the best candles – they burned with no odor, no smoke, no drip. They were prized throughout US and Europe. They changed the quality of life because of having a reliable light source.”

At its height, there were 36 candle factories in Nantucket.

You become aware of hearing sea chanties in the background.

Detail of the “Ann Alexander teeth” scrimshaw in the Nantucket Whaling Museum. The Ann Alexander was also sunk by a whale, but the men were rescued © Karen Rubin/goingplacesfarandnear.com

She leads us up to the second-floor Scrimshaw gallery (those who have difficulty with steps can ask to use an elevator). “It was a way for captains to keep their sailors entertained and occupied (so they didn’t get into fights). They would soak whale teeth, burnish with shark skin (like sandpaper); sharks would be attracted to ship when processed whale – and they would kill sharks for food and use the skin.

“Sailors may be illiterate. They would trace designs from newspaper images and advertising. Victorian woman a common subject for scrimshaw because they were commonly used in fashion ads they traced.”

Some scrimshaw was functional – like pie crimpers. The men would fashion corset stays as tokens of love (they were worn close to heart). Only captains would have the space to make swifts – tools to wind skein of yarn.

Today, she says, the scrimshaw is priceless.

She notes that the Essex was not the only ship that was sunk by a whale: the Ann Alexander also was sunk by whale, but the sailors were rescued the next day and returned home.

“Another ship in the Pacific found a whale with a harpoon from the Ann Alexander in it – killed the whale and made scrimshaw out of its teeth, known as the Ann Alexander teeth” that we see here in the gallery.

There is a small room devoted to Essex story, and we come upon a storyteller retelling the story of the Essex, sunk by a whale – the event that inspired Herman Melville’s “Moby Dick” – from the point of view of the actual events as documented in Nathaniel Philbrick’s book, “In the Heart of the Sea” which ended with the men so desperate, they committed cannibalism.

The cabin boy on the Essex who 30 years later wrote his memoir, was Thomas Nickerson (one of Gail’s ancestors? I wonder).

This was the first known incident of an unprovoked whale ramming a ship. But, he says, they now believe that it was hammering to quickly repair one of the chase boats used when they go after the whale, that caused the whale to charge.

Melville, it turns out, only visited Nantucket for the first time in 1852, after he wrote Moby Dick.

Most interesting is the room devoted to Maria Mitchell’s Legacy, where we are introduced to her biography and achievements.

The Nantucket Historical Association which operates the museum also operates several other attractions which are included on an “all access ticket”($20/adult, $18/senior/student, $5/youth 6-17): the Oldest House & Kitchen Garden (the 1686 Coffin House); the 1746 Old Mill (you go inside and meet the miller); the Old Gaol (1806), the Quaker Meeting House (1836), the Fire Hose Cart House (1886, the last remaining 19th century fire hose cart on the island); and Greater Light.

Nantucket Whaling Museum, 13 Broad Street, 508-228-1894, https://nha.org/visit/museums-and-tours/whaling-museum/   Allocate at least two hours here.

In Search of Maria Mitchell

Nantucket is dramatic, of course, because of the whaling industry – an invention that revolutionized life by bringing light into winter’s darkness and what the oil meant to enabling the Industrial Revolution.

But for me, the most fascinating thing is being introduced to Maria Mitchell – we are shown important sites associated with her on the island tour and at the museum. I am so inspired that I follow a self-guided walking tour that is delightful to give structure to exploring the town.

I meet her again in a storefront display dedicated to her, and then follow the Maria Mitchell Foundation sites: the Nantucket Atheneum (she became the first librarian, at age 18); the Pacific Bank where her father was president; the Unitarian Universalist Church which she joined after leaving the Quakers; Mitchell’s House where she was born, the Observatory built after her death in 1908 and the natural history museum operated by the Maria Mitchell Foundation (mariamitchell.org).

The Maria Mitchell Observatory on Nantucket © Karen Rubin/ goingplacesfarandnear.com

This leads me to the Quaker Meeting House where I have a most unexpected – and fascinating – discussion of Quaker religion sitting in a pew.

“Quakers were the social cement of the community.” You couldn’t do business without being Quaker, but you could pretend to be Quaker.

“Quakers were seen as activists, the hippies of their day,” because they were free thinking and were egalitarian in their treatment of women and people of other races.

The Quakers were considered heretics and banned by the Puritans because they believed in an “inner light”. They refused to pay taxes to the church or accept authority, or take oaths (for this reason, they couldn’t become doctors or lawyers). It went counter to the control mandated by the Puritans, Anglicans.

“They would show up naked at an Anglican Church,” she tells me which sparks a thought: why isn’t Quakerism being revived today? It seems more consistent with modern-day approaches to organized religion.

Most heretical of all: they did not require those they sought to convert to accept Jesus. “They did not require personal knowledge or acceptance of Jesus, just to find God through Inner Light.”

“The Quakers were hanged, branded, their noses split.”

But they found safe haven in Nantucket and Martha’s Vineyard, because in 1661, Charles II ordered that all trials of Quakers had to take place in England. “They were safe in America since they wouldn’t be shipped back to England.”

And over time, the Quakers toned down the “dangerous” rhetoric.

“They were excellent businessmen. They valued education (to this day): boys were educated to 13 or 14 when they were expected to join the whaling ships; but girls were educated to 17 or 18, so they had more formalized education than men.”

The women, therefore, were left in charge of home, businesses and community when the men left for their whaling voyages. Centre Street was nicknamed Petticoat Row because women owned all the businesses.

On the other hand, Maria Mitchell must have stepped over the line, because in 1843, even though her father was an elder, her “skepticism and outspokenness resulted in her leaving Quaker Meeting and being ‘written out’ by the Society.”

A pair of Greek Revival houses tell of the heyday of Nantucket’s whaling industry © Karen Rubin/goingplacesfarandnear.com

The decline of Quakers in Nantucket followed the decline of the whaling business. A great fire in 1846 destroyed much of Nantucket’s infrastructure and the livelihoods of 8 out of 10 Nantucketers. When gold was found in California, in 1849, scores of whaling ships sailed for San Francisco and were sunk in the harbor there rather than return; when petroleum was discovered in Pennsylvania in 1859 as a cheaper, easier fuel, scores of Nantucketers went there. The ships, which had to be built bigger and bigger for the longer journeys, had trouble coming into Nantucket’s harbor because of a build-up of silt. Then the Civil War came – more than 300 Nantucket men joined the Union and 73 were killed; the whaling ships were easy targets for the Confederates. The last whaling ship sailed from Nantucket in 1869.

“By that point, Nantucket well out of picture,” the “Nantucket” documentary notes. “The city in the middle of the ocean was evacuated. It went from a population of 10,000 to 3000 in a matter of decades, like a sleeping beauty castle, waiting 100 years with only the memories of whaling.”

Now, the docent says, there is only one full-time Nantucket resident who is Quaker. “We get 5 to 8 people for Sunday meeting.” During that time, people sit and meditate; they do not even read a Bible.

I stop in at the Research Library where there is a stunning exhibition of needlepoint on display.

A display of carvings in one of the Nantucket shops © Karen Rubin/ goingplacesfarandnear.com

There is so much more to see; I make notes for my return visit:

Nantucket Lightship Basket Museum  (49 Union Street, 508-228-1177, https://www.nantucketlightshipbasketmuseum.org )

Nantucket Shipwreck & Lifesaving Museum (158 Polpis Road, 508-228-2505, http://eganmaritime.org/shipwreck-lifesaving-museum/.  The museum is located at some distance from the town; you can obtain a free Wave bus pass to the Museum at Visitor Services at 25 Federal Street in downtown Nantucket. Nantucket Regional Transit Authority is on 20 South Water Street not far from the Whaling Museum)

Cisco Brewers  (5 Bartlett Farm Road, 508-325-5929, http://ciscobrewers.com/ . The brewery operates its own free shuttle, noon to 6:30 pm daily on the half-hour, from Visitor Services at 25 Federal Street downtown.)

Bartlett’s Farm (33 Bartlett’s Farm Road, 508-228-9403, https://bartlettsfarm.com/; located about 10-minute walk from Cisco Brewers.)

There is easy access to Nantucket’s beachfront and coastline; half of the island is protected from development © Karen Rubin/goingplacesfarandnear.com

The ever-shifting sandbars lurking beneath the waters around Nantucket have caused between 700 and 800 shipwrecks, making lighthouses necessary navigational aids. Besides the Sankaty Head Lighthouse which we have seen there are two others that are worthwhile visiting:

Brant Point Lighthouse, standing at the entrance to Nantucket harbor, is the second oldest lighthouse in North America, first built in 1746 (the oldest is Boston Harbor Light c. 1716). Over the years, it has been moved and rebuilt more times than any other lighthouse in the country. The present lighthouse is the ninth one built on Brant Point. It is 26 feet tall wooden tower topped with a fifth-order Fresnel lens that was built in 1901. Still in active use, it is owned by the US Coast Guard and closed to the public, but you can visit the grounds (www.nps.gov/nr/travel/maritime).

Great Point Lighthouse (also called Nantucket Lighthouse), New England’s most powerful lighthouse, sits at the extreme northeast end of the island. A wooden tower was quickly built and the station with a light was activated in October 1784 (and destroyed by fire in 1816). The following year a stone tower was erected which stood until toppled in a storm in March 1984. The Lighthouse was rebuilt again in 1986, the stone tower was built to replicate the old one, and still remains in operation today. Modern additions include solar panels to recharge the light’s batteries, and a sheet pile foundation and 5-foot thick concrete mat to help withstand erosion.

Nantucket also offers miles upon miles of beach open to all. And thanks in large part to the early efforts of the Nantucket Conservation Foundation, nearly half of the island’s 30,000 acres are protected. A network of beautiful cycling paths wind through the island.

Contact the Nantucket Chamber of Commerce, Zero Main Street, Nantucket, MA 02554, 508-228-3643.

Now it is time to return to the Grand Caribe. (they make it very easy to step from the launch boat onto the stern of the ship through an open bay).

I’m back in time for the farewell cocktail reception, an open bar with delicious hors d’oeuvres. Dinner is lobster tail or prime rib (both fantastic); vanilla gelato or crème brule.

Fog envelops Nantucket harbor © Karen Rubin/goingplacesfarandnear.com

We are eating dinner when the fog starts rolling in most dramatically. Within minutes, it is difficult to see even the boats anchored nearby. The foghorn blasts every few minutes – which is funny as we sit in the lounge watching the movie, “Overboard,” when the blasts seem coordinated. (Jasmine, the cruise director, has opted for this romantic comedy instead of the movie “Perfect Storm.”)

It will be a nine-hour sail back to Warren, Rhode Island where the Blount Small Ship Adventures is based. Captain Patrick Moynihan tells us to anticipate three to four foot seats for about an hour when we reach Rhode Island waters.

Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955, info@blountsmallshipadventures.com, www.blountsmallshipadventures.com). 

Blount Small Ship Adventures’ Grand Caribe anchored in Nantucket harbor © Karen Rubin/goingplacesfarandnear.com

See also:

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

Endlessly Fascinating, Newport RI, Playground for the Rich, Makes its Attractions Accessible

Cruising into Martha’s Vineyard’s Warm Embrace

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Cruising into Martha’s Vineyard’s Warm Embrace

 

Viewing the sunset over Vineyard Haven, Martha’s Vineyard from the bow of Blount Small Ship Adventures’ Grand Caribe © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

What I love most about Martha’s Vineyard, Massachusetts, is that this single island, just 100 square miles, holds such diversity of culture, heritage, ecology. You can find a place on this island to suit whatever mood or craving you have – Edgartown’s austere conformity; Oak Bluffs’ color and whimsy; Vineyard Haven’s seagoing tradition; Wampanoag Indian reservation; fishing villages, beaches, nature preserves, lighthouses, farms. Go a few miles and it’s like crossing a border to another state or state of mind.

Tossing out the line to dock at Martha’s Vineyard © Karen Rubin/ goingplacesfarandnear.com

We arrive after a two-hour sail from New Bedford aboard Blount Small Ship Adventures’ Grande Caribe at 7:30 in the morning. I watch with great admiration how Captain Patrick Moynihan maneuvers us into the Tisbury Marina in Vineyard Haven, where billionaires have their yachts (our 84-passenger ship is about the size of the more ambitious of them), swinging us around so we are perpendicular to the pier. The first mate throws out a line to lasso the pylon.

Across the way, we can see where the big ferries come in from Falmouth, Hyannis, Nantucket, New Bedford, MA; Quonset Point, RI and New York.

The tall ship, Shenandoah, moored in Vineyard Haven, Martha’s Vineyard © Karen Rubin/goingplacesfarandnear.com

We see historic sailing vessels, like the tall ship Shenandoah, that add to the ambiance. Docked at the marina, we can go on and off the ship at will.It’s our third day of our New England Islands cruise – an itinerary that had to be completely rearranged because of storms at sea.

The best way to experience Martha’s Vineyard if you only have a day and especially if there are mobility issues is with an island tour. I am traveling with my brother who has some difficulty walking. We are recommended to Oak Bluffs Wharf & Land Company’s island tour, and we recommend it for both its length and scope. You come away feeling you really know Martha’s Vineyard from end to end, and more significantly, its people.

The tour company operates out of the Dockside Inn, an absolutely charming place a short walk from the ferry terminal; the inn (which I take note of for a return visit) and the tour company are both owned by John Tiernan (9 Circuit Avenue Ext., Oak Bluffs, MA, 508-684-8595, www.DocksideInnMV.com)

We hail an Uber and arrive at the charming inn in plenty of time to enjoy rocking in a wicker chair on the porch and watching the world go by (at least the people coming and going from the ferry) before we start the tour.

In the course of 2 ½ hours (more like 3) we get to visit all six of the island’s towns and go as far as Aguinnah and the Gay Head Cliffs.

Our guide, Linda, has lived on Martha’s Vineyard for 25 years but says her teenage grandkids still refer to her as a “washashore.” She is vivacious and interesting, as she drives the van and narrates about the points of interest, but also, gives us a real feeling for the people who live here and have been drawn here since the first European settlers arrived in 1642.

East Chop Lighthouse on Telegraph Hill © Karen Rubin/goingplacesfarandnear.com

Martha’s Vineyard is home to some 17,000 people year-round (I envy them); the population swells to 100,000 in summer. Traffic at the five-corners intersection (there are only two traffic lights on the island and these are on the bridges; no parking meters, neon signs, or billboards either) becomes a dance and a test of neighborly good will.

I could definitely live here. I’d be right at home among all the writers, journalists, musicians, artists, political people – the diversity of their backgrounds is laudable:

There’s Gloria Swanson’s house given to her by Joseph Kennedy. At West Chop, she ticks off prominent people who lived here (I note the media people and writers); Mike Wallace, Walter Cronkite, Lillian Hellman, Carly Simon. She points to where Charles Lindbergh and wife came for respite after their baby was kidnapped and killed; where John Kerry just bought property; She clicks off names of people who live in the area: Diane Sawyer (“Chip Chop” house); Mia Farrow; Katherine Graham (Washington Post), Beverly Sills; here’s where Princess Diana stayed here while divorcing; here’s a horse farm that was owned by James Cagney (still in his family); and here’s Lambert’s Cove, where Carly Simon is a regular (she always stops to ask for directions).

Michael J Fox had a home in Aquinnah, even named his daughter Aquinnah; Jackie Kennedy Onassis bought 400-acre spread, now owned by Caroline Kennedy Schlossberg and Obama, who had regularly vacationed on Martha’s Vineyard during his presidency, just bought a piece of it. Driving through Chilmark, Bob Villa (“This Old House); author David McCullough (“John Adams”), Judi Blum, Susan Bronck, Philip Craig, Tom Clancy, Geraldine Brooks, and Jim Belushi; in Oak Bluffs, Harvard Professor Henry Louis Gates Jr. (PBS “Finding Your Roots”), Obama adviser Valerie Jarrett.

It’s the atmosphere, the vibe, the ingrained culture of this place that makes it so accepting, so comfortable. I see it, feel it myself as I walk about.

It starts with Martha’s Vineyard’s early European settlement – not the Puritans who settled Plymouth, but Quakers who were more tolerant and respectful of the Wampanoag Indians and later the Cape Verdeans who were recruited to whaling, and still later African Americans and Jews who were barred elsewhere.

Soldiers’ Memorial Fountain, Oak Bluffs, erected in 1891 by MV Herald newspaper editor Charles Strahan, an ex-Confederate soldier, to honor local Union veterans © Karen Rubin/goingplacesfarandnear.com

It is most emblematic for me when I come upon the statue of a Union soldier in Ocean Park. Soldiers’ Memorial Fountain was dedicated in 1891 by Martha’s Vineyard Herald editor Charles Strahan, who had served in a Virginia regiment of the Confederate Army. He wanted to express gratitude and remorse in his adopted home and erected the statue in honor of local Union veterans. Then, in 1925, residents reciprocated by adding a tablet in recognition of Confederate soldiers. The statue, with a fountain-fed water trough for horses, originally stood at the foot of Circuit Avenue; it was restored in 2001 and rededicated at this site on its 110th anniversary. It is one of the few expressions of reconciliation after the Civil War that I have ever found.

Linda notes that Martha’s Vineyard has a rich African American history; a heritage trail through the island has 20 sites, including the Shearer Cottages, an inn to accommodate African American visitors, which was started by Charles Shearer, a freed slave who came to the Vineyard and started a laundry service, which is still run by his great granddaughter Doris Jackson. There is also Adam Clayton Powell Jr.’s  house. And, Linda later points out when we are in Aquinnah, “The first African American woman to own her own property. Rebecca Amos, was a former slave married to Wampanoag, and when her husband died, she acquired his home.”

Inkwell Beach, the town beach in Oak Bluffs, Linda notes, was the first beach to be integrated. Indeed, when I return on my own, as I look around at the gatherings of people, you see genuine integration, not just neighbors –as in the historic Methodist camp meeting grounds – but in gatherings of friends and multi-racial families along the beach, the promenade, the main street, sitting on a bench at the Union Chapel.

As we travel in the comfortable van, Linda relates the island’s history:

Martha’s Vineyard was visited by Scandinavians as long ago as 1000 AD, naming it Vineland. The Italian explorer Verrazano sighted the island in 1524. But the most significant explorer was Bartholomew Gosnold of Falmouth, England, who in 1602 sailed into the Elizabeth Islands (he named), naming Cape Cod, and Martha’s Vineyard (named for his mother-in-law who financed the voyage).

In October 1641 Thomas Mayhew, an English merchant and settler of Watertown, Massachusetts, bought Martha’s Vineyard, Nantucket and Elizabeth Islands for 40 pounds from Lord Stirling and Sir Ferdinando Gorges, who had been granted ownership by the English Crown. Mayhew, who made himself governor for life, sent his son, Thomas Jr. with a few families to settle the island; Thomas required that the settlers purchase their land from the natives and from all accounts, treated the Wampanoag fairly and with respect. (This is likely why Martha’s Vineyard did not suffer the same violence as Plymouth did in the bloody King Philip’s War, 1675–76, in which native Americans made a final stab at forcing English settlers out of New England). “The diverse peoples lived in peace and the island also became a haven for people of color, those of African and Cape Verdean descent.”

Mayhew sent his son, Thomas Mayhew Jr., a missionary, “to ‘take savage out of natives’ so they would be more forthcoming with land (to sell to settlers),” Linda relates. Mayhew learned to speak Algonquin from an Indian man named Hiacoomes. Mayhew was Quaker, who believed in the “inner light” and that it was not necessary to believe in Jesus (as I subsequently learn in Nantucket). The converted Indians settled in their own village, “Christiantown”, where could live separately. They had their own meeting house and cemetery where Christianized natives were buried.

“Many natives died of disease but not the Christian ones, so they were more amenable to conversion,” Linda says.

Still, their numbers suffered after European settlement: in 1642, there were 3,000 Wampanoag; by 1764, their numbers had dwindled to just 300.

We pass an indigenous great white oak tree simply called “The Oldest Tree”, which is 400 years old (Alfred Eisenstadt took a famous photo of the tree).

Linda points to a dirt road named Tea Lane, the oldest road to the ocean. “Martha’s Vineyard had its own Tea Party – smuggled tea, buried it. Later, during Prohibition, they smuggled rum, and in 1970s, smuggled marijuana.”

We drive into Menemsha, a working fishing village (scenes from “Jaws” were filmed here and the Harrison Ford movie version of “Sabrina” used a charming cottage. Linda, who mentions that she is the daughter of a lobsterman, says it is popular for people to buy a fresh fish dinner and watch the sunset.

As we come into Aquinnah, where the Wampanoag reservation still exists, and where most of the remaining native population live, Linda relates how the whaling captains, knowing of the natives’ prowess harpooning whales that got beached, would try to recruit them. Herman Melville spent a lot of time talking with Amos Smalley, the first Indian to harpoon a whale single-handedly, who was very likely the model for his Queequeg character in “Moby Dick.”

Indigenous Wampanoag (“people of the first light”) have lived on Martha’s Vineyard for millennia. Nearly 1,000 are still listed on tribal rolls and, of these, 150 live in the southwestern 3,400-acre peninsula of Aquinnah, designated a reservation, and another 150 live elsewhere on the island.

The town of Aquinnah ends in cliffs once called Gay Head (because of the ‘gay’ appearance given to it by stripes of variegated clay and sand of which it is composed) and now called Clay Cliffs at Aquinnah. The one mile of exposed cliffs rise dramatically 150 feet feet above sea level.

Gay Head Cliffs: the pre-glacial sedimentary formation shows a cross section of strata from the Cretaceous through Pleistocene Ages, documenting geologic phases on the continental shelf from 100 million years ago © Karen Rubin/goingplacesfarandnear.com

The pre-glacial sedimentary formation shows a cross section of strata from the Cretaceous through Pleistocene Ages, documenting geologic phases on the continental shelf from 100 million years ago. The cliffs are one of the Island’s biggest tourist attractions.  Erosion, though, has forced the island to move the lighthouse, at a cost of $2 million.

Linda stops here to let us explore for about a half hour – take in the stunning view that includes a lighthouse (that had to be moved further inland) and visit a small market that includes a shop operated by Wampanoag, the first permanent settlers of the island.

The stunning view of Gay Head Cliffs and lighthouse at Aquinnah © Karen Rubin/ goingplacesfarandnear.com

The hiking sticks (versus a cane as an assist for those who have trouble walking) really come in handy here, to make it up even the short, but pebbly slope. I meet a woman who is also using hiking sticks instead of a cane, and she confirms my theory: they provide better balance, let you stand up erect and walk more naturally, and use the upper body, relieving some pressure on the legs; added benefit: you look more like an athlete. “And I’m a nurse,” she exclaims.

You can buy wampum jewelry in one of the shops at the cliffs, where there are also food stands, and restrooms.

There also is a trail to the lighthouse and you can climb up to the light, or (with more time), hike a steep path down to water. We opt to take the short path that takes us to a fabulous view of the cliffs and the lighthouse.

There is also a relatively new Aquinnah Wampanoag Indian Museum (in what was the Vanderhoop residence, a large Wampanoag family who run a fishing charter business).

Aquinnah Wampanoag Indian Museum at the Gay Head Cliffs © Karen Rubin/ goingplacesfarandnear.com

“Jackie [Onassis who purchased 400 acres of property in Aquinnah] had to negotiate with Wampanoags for beach access from her property.”

As we drive through Chilmark, known for its sheep, Linda relates how, in September 1778, a British fleet of 40 ships sailed into Vineyard Haven harbor,  after having burned New Bedford and Fairhaven. Soldiers burned and pillaged vessels and farms.

“The British said there wouldn’t be bloodshed in Martha’s Vineyard if the settlers delivered 10,000 sheep and cattle in five days.” They had no choice but to comply, but one, where we pass the Alan Sheep Farm, hid six sheep in the basement (we see descendants of those sheep in the fields today). But the economy was decimated.

Quitsa Pound, 1877, an animal jail where stray animals would be confined until the owner paid a fine © Karen Rubin/goingplacesfarandnear.com

Linda relates one of the most interesting aspects that go to the heart of Martha’s Vineyard culture: Some early Vineyard settlers carried a gene for deafness (the first known deaf one was Jonathan Lambert, 1694), and over years of marriage, generation after generation was born with hearing loss. At one point, one in four children was born deaf. There were so many deaf people on the Vineyard (the greatest concentration in Chilmark) that they developed a sign language, Martha’s Vineyard Sign Language (MVSL), which was later incorporated with mainland signs to form American Sign Language.

Sign language was so accepted on the Vineyard that a newspaper marveled in 1895 at the way the spoken and signed languages were used by both deaf and hearing residents. People moving to Chilmark actually had to learn sign language in order to live in the community. Deafness was so common, it was never considered to be a handicap. “The intermarriages persisted and the deaf population of Chilmark and the rest of the Vineyard continued to propagate. It would have kept growing if not for the growth of deaf education on the mainland. As deaf Vineyard children attended schools off-island, they tended to settle off-island, married mainland mates, and gradually the deaf Vineyard population died out. The last deaf Vineyard native passed away in the 1950s.”

There are other aspects of Chilmark: Chilmark Chocolates, which attained national renown after Ted Danson and Mary Steenburgen presented a box to Ellen DeGeneres, is notable because the couple that own the chocolate company had a disabled son who enjoyed working in the store; now they only hire disabled.

The island also has Camp Jaberwocky. Founded in 1950 by the Lemb family it was the first overnight camp for children with cerebral palsy. “We see the kids every year. It still costs same as in 1950.” (Later I see the red bus carrying children to the camp.)

John Belushi’s grave on Martha’s Vineyard: “I may be gone, but/Rock and Roll lives on.” © Karen Rubin/goingplacesfarandnear.com

Linda stops at John Belushi’s grave where people often leave bottles of Jack Daniels and rocks – not because of the Jewish tradition, but a reference to his chosen epitaph: “I may be gone, but/Rock and Roll lives on.”

“He had said, ‘Martha’s Vineyard is the only place I can get good rest’.”

Several of the sights she points out were used in making the movie “Jaws,” (despite the setting supposedly being Nantucket). One of them is a bridge where there is a prominent sign, “No jumping,” that everyone jumps off.

Beginning in 1765, Vineyard men became engaged in whaling, but when the numbers of whales near the island were exhausted, the ships sailed further and further away, with voyages lasting three to five years. By 1850, Vineyard whaling ships were found on every ocean; there would have been 50 ships out of Edgartown at any one time.

“No jumping.” Jumping off the “Jaws” bridge on Martha’s Vineyard © Karen Rubin/ goingplacesfarandnear.com

Edgartown reflects the Vineyard’s whaling tradition the most – in the many captain’s houses; the Old Whaling Church (now a performance venue); the lighthouse. There is a uniformity in Edgartown that is mandated by town code: the houses have to be white or shingled, the trim can only be black, green or navy blue.

Even Duke’s County Jail and House of Correction, conforms to Edgartown’s architectural regimen © Karen Rubin/goingplacesfarandnear.com

But in the 1860s whaling collapsed – the ships had to travel further and further away, petroleum was discovered in Pennsylvania in 1859, the Civil War came and ships were blockaded – and the Vineyard had to look again for a new industry. It turned out to be tourism. For Martha’s Vineyard, that began in Oak Bluffs.

Perhaps one of the quaintest institutions on the Vineyard is the Martha’s Vineyard Camp-Meeting Association, which held its first camp-meeting in August 1835 in the Wesleyan Grove, in what is today Oak Bluffs where the Tabernacle stands.

Founded by the Methodist church, the campground began with pitched tents, then canvas on wood platforms, and then cottages that were gorgeously decorated in gingerbread patterns (like family crests, the patterns usually make a statement) and gay colors. These homes have been in their families for generations (they own the cottage, but not the land).

A row of charming cottages of the Camp Ground in Oak Bluffs © Karen Rubin/ goingplacesfarandnear.com

It was, in its way, the beginning of tourism, and when whaling fell apart for Edgartown, Linda says, Edgartown wanted in on Oak Bluffs’ good fortune. A railroad was built in 1874 between Oak Bluffs wharf to Edgartown, then to Katama and on to South Beach (still the best beach on the island). The railroad operated until 1897; eventually, a rail line was linked to New York (discontinued in 1917 and the rails sold to the government for iron). (Today, Martha’s Vineyard has an excellent public bus system.)

We arrive back into Oak Bluffs. Linda points out Inkwell Beach – one of the first integrated beaches in the country. “There is no discrimination here.”

Oak Bluffs, she says, is where Martin Luther King Jr. wrote some of his speeches.

Linda’s tour finishes at the Martha’s Vineyard Campmeeting Association’s Cottage Museum.

Oak Bluffs Wharf & Land Company, 9 Circuit Avenue Ext. Oak Bluffs, MA, 508-684-8595, http://vineyardhistory.com/.

The Cottage Museum, Oak Bluffs © Karen Rubin/goingplacesfarandnear.com

A Free Day

Grand Caribe’s Captain Patrick Moynihan has reshuffled our New England Islands voyage because of a storm which would make reaching Nantucket, 30 miles out to sea, too uncomfortable (10 foot seas) if not outright dangerous. But by staying over in Martha’s Vineyard for an extra day, he expects the weather to improve so we can sail there on Friday, as our last port of call.

The unexpected second day in Martha’s Vineyard is a gift, as if you had been given all these extra hours to do anything you want.

After two active days and anticipating another active day in Nantucket, Marty opts to spend the day relaxing on the ship.

The Cinderella Cottage, one of the points on the self-guided walking tour of Oak Bluffs © Karen Rubin/goingplacesfarandnear.com

I opt to return to one of my favorite places on the planet: Oak Bluffs. I love the color, the whimsy, the vibe. I have never seen a more open, welcoming place anywhere – it isn’t a coincidence that this is where Valerie Jarrett had her summer home, or that President Obama would summer on the Vineyard here every year during his presidency, or that there are so many media stars and celebrities (many who happen to be Jewish) who had vacation homes here.

Gorgeous detail of the Victorian cottages in the Camp Ground in Oak Bluffs © Karen Rubin/goingplacesfarandnear.com

I cross the street from the marina where we are tied up at the pier, and hop the #13 bus to Oak Bluffs (it makes a loop to Edgartown).

I pick up the “Historic Walking Tour of Oak Bluffs” brochure from the information center at the bottom of Circuit Avenue, and find myself on what seems a scavenger hunt to find all the places.

I tour of the famous Campground, with all those gorgeous gingerbread cottages with names like Respite, Time Remembered, Alice’s Wonderland, and the Tabernacle, which can seat 2000 for a service.

Inkwell Beach, Oak Bluffs © Karen Rubin/goingplacesfarandnear.com

I make most of the 20 sites on the map, enjoying the notes about history, architecture and people.

I enjoy wandering along the Oak Bluffs Harbor promenade, and Inkwell Beach and take in the lovely shops along Circuit Avenue.

I stop in at the Flying Horses Carousel, the nation’s oldest platform carousel (a national landmark), that was constructed in 1876 by Charles Dare, and today is one of only two Dare carousels still in existence. Originally operated as a Coney Island, NY amusement, it was moved to its red barn in Oak Bluffs in 1884, delighting generations ever since. The carousel was acquired by the Preservation Trust in 1986 to prevent it from being dismantled and sold piecemeal to collectors of antique carved horses. The Trust undertook an extensive restoration to return the carousel to its original appearance, complete with the historic panel paintings that were done by a Dare factory artist. The horses were individually restored and feature real horsehair manes and tails, and distinctive objects in their glass eyes. The 1923 Wurlitzer Band Organ plays old-timey tunes on original paper rolls. The highlight of every ride is the chance to grab the lucky Brass Ring to win a free ride.

Grab for the brass ring on the Flying Horses Carousel, Oak Bluffs, the nation’s oldest platform carousel © Karen Rubin/goingplacesfarandnear.com

Flying Horses Carousel is one of 20 historic properties owned and managed by The Vineyard Trust. Among them: Alleys and The Grange in West Tisbury; The Old Whaling Church and Daniel Fisher House in Edgartown; and Union Chapel in Oak Bluffs.

I take the bus back to Vineyard Haven, getting off opposite the ferry terminal, and walk up to the village’s main street which has many charming boutiques. The local movie theater has a poster of “Jaws.”

It’s a short walk back to the ship – I pass the Benjamin & Gannon ship building and repair company – actually a small shack, but Linda had mentioned that they are very welcoming to visitors, and sure enough, am invited to look inside.

Sunset at Vineyard Haven, Martha’s Vineyard © Karen Rubin/ goingplacesfarandnear.com

There’s so much to do on Martha’s Vineyard: with more time, I would bike (the island has 44 miles of bike and multi-user paths; several of our passengers took advantage of the rental bikes on board); 19 named beaches, 125 miles of coastline, fishing piers, kayaking, canoeing, windsurfing; horseback riding; guided cycling, natural, ecological, birding, historical, ghost and aerial tours; dozens of art galleries and boutiques, potters and artisans workshops and bookstores; visit an alpaca farm; wildlife and nature preserves, reptile and bird park, sanctuaries, arboretums, reservations; take the On-Time ferry to Chappaquiddick Island to explore Cape Poge and Wasque Reservations; visit Mytoi Japanese garden; the Vineyard’s Native American Wampanoag people at the Aquinnah Cultural Center, explore the Wampanoag Way, an Aquinnah Cultural Trail; follow the African American Heritage Trail; take in a performance at Vineyard Playhouse in Vineyard Haven or at the Old Whaling Church in Edgartown; take a cooking, dance, yoga, pilates,  landscape painting class; circumnavigate the island or its surrounding waters aboard a sailboat, schooner, catamaran or motorboat; take a charter fishing or sailing excursion or lesson; attend a film, food & wine, artisans or other festival.

Blount Small Ship Adventures’ Grand Caribe tied to the pier at Tisbury Marina, Vineyard Haven © Karen Rubin/goingplacesfarandnear.com

For more information, and to help plan a visit, contact Martha’s Vineyard Chamber of Commerce, 24 Beach Road, Vineyard Haven, MA 02568, 508-693-0085, 800-505-4815, info@mvy.com, www.mvy.com.

The Grande Caribe sails on to Nantucket. Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955, info@blountsmallshipadventures.com, www.blountsmallshipadventures.com). 

See also:

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

Endlessly Fascinating, Newport RI, Playground for the Rich, Makes its Attractions Accessible

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Endlessly Fascinating, Newport RI, Playground for the Rich, Makes its Attractions Accessible

 

The Gold Room at Alva Vanderbilt’s Marble House in Newport, Rhode Island, epitomizes the Gilded Age © Karen Rubin/goingplacesfarandnear.com

 

by Karen Rubin & Martin D. Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

Each time I visit Newport, Rhode Island, the guided tours of these Gilded Age mansions get better and better, more immersive into the lives upstairs and downstairs, more intriguing, and the relevance to society today more apparent. The gap between rich and poor hasn’t been this great since Cornelius Vanderbilt II built his palatial summer “cottage,” The Breakers.

Newport is still a playground for the rich – it is the reason it is the home to the International Tennis Hall of Fame and considered the sailing capital of the country, why it is so associated with classic cars – but the interesting thing is you don’t have to be rich to play, too.

This most recent visit to Newport comes as a port of call on the second day of Blount Small Ship Adventures’ week-long voyage to New England islands. We have a full day to explore, and sailing in gives a very different perspective.

We also are able to experience Newport from the perspective of how well the destination accommodates visitors with mobility issues.

Our ship, Grand Caribe, docks at Fort Adams State Park, “America’s largest coastal fortification,” a short stroll to a launch or a water taxi to the “downtown”.

Many of our fellow passengers are taking the island tour that the ship offers, which will include a stop at The Breakers, and the cruiseline had also arranged a 2-hour sail aboard an America’s Cup classic yacht (which had to be canceled because of weather). But I have some particular goals for our day in Newport.

We are met by Andrea McHugh from Discover Newport who has organized an itinerary to maximize our time gives us our own island tour (as well as the gossip of which tech billionaire has just bought which house, and how Jay Leno, who visited and attended events at the new Audrain Automobile Museum (which we will visit), passed an oceanfront mansion he liked and bought it on the spot, and now is seen regularly tooling around).

The gorgeous coastal views along Newport’s 10-mile Ocean Drive © Karen Rubin/ goingplacesfarandnear.com

We drive along the magnificent 10-mile long Ocean Drive with its scenic views and rocky shore, and pass the driveway into Hammersmith Farm, the Auchincloss estate where Jackie married John Kennedy. It used to be open to the public with a fantastic exhibit of the Kennedys but was acquired by Peter Kiernan (notable for the Robin Hood Foundation, funded by John Jr.), and is no longer open.

We pass Beechwood, a mansion once owned by the Astors and for many years, where actors played their parts in period dress. It is now owned by Larry Elllison (Oracle), who, we are told, is planning to open part of the mansion as an art museum.

We pass Belcourt, once owned by Oliver H. P. Belmont (who became the second husband of Alva Vanderbilt), which was purchased in 2012, by Carolyn Rafaelian, who has spent a considerable sum on a multi-year restoration and has reopened it for public tours.

The Breakers

The Breakers, the 70-room summer “cottage” built by Cornelius Vanderbilt II in 1895 © Karen Rubin/goingplacesfarandnear.com

We arrive at The Breakers, probably the most famous (and emblematic) of the Newport Gilded Age mansions that line Bellevue Avenue. It has a new visitor center which is really well done – barely visible from the street, it blends in wonderfully architecturally while affording a very comfortable (air conditioned) place to pick up tickets (take advantage of the multi-ticket options offered by The Preservation Society, which operates 10 of these glittering Newport Mansions, each with special exhibitions and presentations (see NewportMansions.org), refresh at a delightful café (sandwiches, $9.95), and utilize accessible restrooms (before, it was difficult for people with mobility issues to access a bathroom on property).

The new visitors center at The Breakers has a lovely café and sitting areas and is particularly helpful for visitors with mobility issues © Karen Rubin/ goingplacesfarandnear.com

Each time I visit, I find new things to appreciate and understand– audio-guides, for example, which replace the scheduled docent-led tours so let you tour at your own pace, are endlessly fascinating with opportunities to click on specialized topics. (A free app, Newport Mansions, let you download the commentary on a smart phone even when you aren’t touring the property.)

(The audio-guide lets you know that people who can’t climb the stairs can ask a docent to escort them upstairs in an elevator.)

Built by Cornelius Vanderbilt II (the grandson of “The Commodore,” the founder of the fortune, who turned a ferry boat into a shipping empire into a railroad empire), this breathtakingly grand, eye-popping, 70-room Italian Renaissance “cottage,” designed by Richard Morris Hunt, replaced a wooden structure that burned down. This was 1895, and the United States was jockeying for a position as an industrial power on the global stage. Hunt, the commentary relates, had a vision for an architecture expressing an American Renaissance, one that was classic, grand in scale, but that which reflected the hope and optimism of America.

Eye-popping grandeur at The Breakers, Newport © Karen Rubin/ goingplacesfarandnear.com

It is mind-boggling to recall when you see the gilding, the carefully carved wood, the marble, the artwork, that this palace (they called it a “cottage”) was only used about eight weeks of the year, during “the season.” The Breakers would have had 40 staff in summer (Newport had 2,000 servants, mostly immigrants).

The Breakers is as much an architectural and artistic treasure as a touchstone to social, cultural and political currents of the Gilded Age.

We learn about the family and the social structure of Newport: Mrs. Alice Claypoole Gwynne Vanderbilt’s bedroom, for example, also functioned as an office from which she ran the home.

Newport was actually run by women, we learn. These grand homes were designed to present their wealthy daughters (heiresses) to be snapped up for a favorable marriage.

Dressing was important. Women would have to change something like seven times a day (a riding habit, tea gown, bathing outfit, tennis, golf, sailing). Newport was the first place women played outdoor sports; whole new fashions were created.

The Breakers had 15 bedrooms and 20 bathrooms (we see one bathtub, carved from a single block of marble that was so cold, it had to be fully filled and drained several times before it would be warm enough to bathe in.)

We see the servants corridors, hidden closets and back stairs. “Female servants were invisible.”

When we arrive in daughter Gertrude Vanderbilt’s bedroom, we learn that she was upset to learn she was an heiress. She preferred to be an artist, and became a sculptor, an art collector and patron and, in 1931, founded the Whitney Museum. (Here, I click the audio guide for more detail on specific things: Gertrude was on the forefront of the New Woman, an educated girl. The idea to become an artist came to her in a dream.)

We come to the mezzanine overlooking the grand staircase. (People who cannot climb stairs can ask to be escorted to an elevator.) “Gilded Age Newport was built, managed, and maintained by women. It was the backdrop for the presentation of women” at a time when a woman’s fortune depended upon making a favorable marriage.

The Breakers’ Grand Staircase – the steps were made two inches shorter so the debutantes would not trip on their gowns © Karen Rubin/goingplacesfarandnear.com

We learn that the grand staircase stairs were built (and even rebuilt) to be two inches shorter, so the young debutantes could be presented in their gowns without fear of tripping.

At this portion of the tour, you can click on the audio guide to hear more detail about how the Vanderbilt’s attained such wealth and privilege (but it is really, really hard to keep the players straight without a scorecard – so many have the same name like British royalty).

The Commodore left the vast majority of his enormous fortune to his eldest son, William Henry Vanderbilt (“Any fool can make a fortune; it takes a man of brains to hold onto it,” Cornelius Vanderbilt said.) Though he outlived his father by just eight years, in that time William doubled the Vanderbilt wealth from $100 million to $200 million.

In the oddest quote on the audio-guide, William Henry Vanderbilt explains why he sold controlling stock of the Vanderbilt empire to a syndicate headed by JP Morgan: “The care of $200 million is too great a load for any brain or back to bear. It is enough to kill a man. I have no son whom I am willing to afflict with the terrible burden.” The commentary adds, “Without a single visionary leader like the Commodore, there was no one to invest in the next new technology. Automobiles and airplanes replaced the railroads, the once vast fortune was split and shared among generations of descendants.”

When we visit the kitchen, we get to appreciate some of the modern innovations of the house. The first Breakers burned down so when Cornelius II rebuilt it, he had the kitchen separated from house and no burners. Zinc, the stainless steel of its day, covered the worktable. There was a separate, smaller room which could be kept cool, for preparing pastry.

The Music Room at The Breakers, Newport © Karen Rubin/ goingplacesfarandnear.com

It is worthwhile to appreciate that as we see the trappings of obscene wealth, privilege and power, we also get to appreciate that the servants – who were mainly immigrants – saw their position in these mansions as improvements, and many were able to embrace the American Dream and move up in station and class.  The Breakers’ chef, we learn, started as a kitchen boy and became known as the Omelette King.

The Butler’s pantry, a two-story affair, had a safe for the butler to lock the silver away. The butler, we are told, was like the captain of ship.

Leaving The Breakers, we walk down to the Cliff Walk, the most visited attraction in Rhode Island, and for good reason. This is a delightful walkway along the cliffs (mostly paved and accessible for someone who uses a cane or, as I urge instead, hiking sticks), behind the grand mansions such as The Breakers, and free to enjoy. It extends 3.5 miles all the way to Doris Duke’s Rough Point (where the walkway becomes more scrappy). Today, we only get a taste of it, in order to conserve time and energy.

The 3.5 mile Cliff Walk goes behind many of the magnificent Newport mansions and provides stunning views of the ocean © Karen Rubin/goingplacesfarandnear.com

Marble House

If The Breakers is about patriarchal wealth, power and privilege, Marble House, built before The Breakers by Cornelius II’s sister-in-law, Alva Erskine Smith Vanderbilt, tells the story of burgeoning feminism and what happens when a smart, ambitious woman has few outlets for her vast talents beyond making an advantageous marriage.

Of the $11 million spent to build Marble House was built for Alva Vanderbilt, $7 million was spent on 500,000 cubic feet of marble © Karen Rubin/goingplacesfarandnear.com

Marble House (which we reach by hopping Newport’s delightful trolley-style bus) was designed by the architect Richard Morris Hunt (who also designed The Breakers). Inspired by the Petit Trianon at Versailles, Marble House was built between 1888-1892 at a cost of $11 million of which $7 million was spent on 500,000 cubic feet of marble. When it was finished, William Kissam Vanderbilt, the Commodore’s grandson, gave the house to his wife as a 39th birthday present.

Alva built Marble House to be “a cottage like nothing Newport had ever seen.” As it turns out, Alva Vanderbilt was also like nothing Newport had never seen.

At a time before there were public museums, The Gothic Room at Marble House, which Alva Vanderbilt purchased “en bloc” in Europe, became a private museum © Karen Rubin/goingplacesfarandnear.com

The Gothic Room featured an important Gothic collection from Europe, which Alva purchased “en bloc” – the whole caboodle. “She considered herself equal to European collectors but didn’t want to collect over generations.” The room was designed and executed in Paris – then reassembled here piece by piece.

At a time before there were public museums, this room became a private museum.

The most revealing room into Alva’s soul is the library (the “morning room”), where you see photos of Alva’s children and a portrait of Harold, born when her oldest, Consuelo was 7, who came back one day to find she had a baby brother and was told “God had sent him to us.”

The room is Alva’s feminist declaration, decorated with images of goddesses representing beauty, wealth and power. She wove into the frame and the fabric of the room images of women’s accomplishment – women holding a quill pen, Cleo, the Greek muse of history, female images of learning and the arts – the four corners showing (mythical) women in chemistry, botany, astronomy.

Part of the ceiling decoration in the Marble House Morning Room, depicting women in intellectual roles, part of Alva Vanderbilt’s declaration of women’s rights. She later was a leader and benefactor of the Women’s Suffrage movement, holding rallies at Marble House © Karen Rubin/goingplacesfarandnear.com

“In education, women have made tremendous strides,” she said. “It is not so long since women freed themselves from their man-made belief that it was unwomanly for a woman to have an idea of her own.”

She also said, “A man’s brain is not half a brain and we are the other half. Blending of the two will make a better whole.”

Her bedroom also was a display of the power she coveted – a bed on a throne-like platform, and images of Athena – goddess of wisdom and war.In this period, though, she saw social standing – that is, marriage to wealth – as a woman’s only means to power and independence. She applied this to her daughter, Consuelo, and raised the child to marry royalty.

Alva Vanderbilt’s throne-like bedroom in Marble House © Karen Rubin/ goingplacesfarandnear.com

Consuelo seems to have been Alva’s obsessive focus. You hear how she was groomed to be married off to European royalty – from childhood forced to wear a steel rod from her neck to waist with a strap around her shoulders, to force her to sit up straight.

From her quotes, Consuelo seems to be fully aware of how she was being dominated by her mother, yet was a dutiful daughter, very close to her mother and understanding. We visit her  austere room decorated by her mother which, she says, “reflected in my mother’s love of me.”

Consuelo Vanderbilt’s bedroom at Marble House © Karen Rubin/ goingplacesfarandnear.com

We see the guest room – the only one in this fabulous mansion – decorated in rose silk, with an 18th century bed. The most famous guest was, of course, the 9th Duke of Marlborough, Consuelo’s intended. We learn there is only one guest room in the house because people who would visit the house either had their own “cottage,” rented for the season or stayed in a hotel. “Marble House is built for the family.”

Consuelo “reluctantly accepted a proposal from the Duke of Marlborough.” She was one of the “Dollar Princesses,” American heiresses who married foreign royalty.”Consuelo Vanderbilt not the first or the last, but she was the best known.”

These marriages, “were a melding of the old world and the new world. They enabled royalty to maintain property and palaces for another generation.”

Indeed, the Gilded Salon – literally painted in 22 carat gold, the very epitome of Gilded Age – had a featured role in Duke’s marriage proposal.

But after Consuelo was married off to British royalty, Alva acted for herself, divorcing William K in 1895.

My favorite quote from the audio guide, “I was the first of my set to marry a Vanderbilt and the first to get divorced – but not the last.” Alva Erskine Smith of Alabama felt herself a pioneer for her class, a female knight reassuring others. “Mine was the first, but the first of many.”

She ditched William K. Vanderbilt to marry her husband’s best friend, Oliver H.P. Belmont, moving down the street to Belcourt.

After her second husband’s death, Alva Vanderbilt Belmont reopened Marble House and had a Chinese Tea House built on the seaside cliffs, and held Women’s Suffrage rallies © Karen Rubin/goingplacesfarandnear.com

After Belmont’s death, Alva reopened Marble House and had a Chinese Tea House built on the seaside cliffs. She became active and a major donor to the Women’s Suffrage Movement, holding rallies in 1909 at Marble House.

She raised money for the cause by opening Marble House to the public: “Shop girls could mingle with socialites” for the price of a $5 ticket (which would have been equivalent to $500 in today’s money).

Alva insisted, “Women shouldn’t marry until we get vote,” a pronouncement considered hypocritical for a twice-married woman.

Following her mother’s example, after 26 years as Duchess of Marlborough living in Blenheim Palace, Consuelo ended her loveless marriage in 1921, giving him $2.5 million a year, and married “for love” a French aviator, Jacques Balsan. (More about these personal relationships in a fantastic photo gallery in the basement.)

In stark contrast to the grand (albeit austere) bedroom that Consuelo occupied, her brothers’ rooms were tiny and spartan; Willy K Jr.’s room was occupied by Marble House superintendent, William Gilmour, who joined the household when he was 16 to be Willy K’s companion.

We visit a trophy room (that had been converted from two dressing rooms that were between Alva’s bedroom and Consuelo’s), that recognizes sons William K., Jr.’s role in pioneering the sport of auto racing in America (he created the Vanderbilt Cup auto races and built the Vanderbilt Parkway which starts across from where he had a home in Lake Success); and Harold Stirling, one of the finest yachtsmen of his era who successfully defended the America’s Cup three times and invented the game of contract bridge.  Notably, as chairman of the board of Vanderbilt University, Nashville, Harold supported integration.”He wanted to be associated with positive, progressive thinking.”

In the basement kitchen (capable of feeding 100), we see yet another side of Alva in a quoted segment complaining “how the rich are exploited. When a shopkeeper learned my address, he said he made mistake of the price and added 50%.” This at a time when she paid a French chef (after all, you had to have a French chef), the massive sum of $10,000 (equivalent to $250,000 today).

We see in the cupboard silver trays etched with the children’s names and china made with “Vote for Women.”

In Marble House, too, people who have difficulty climbing stairs can ask to use an elevator, and the docents will find a place to sit and rest, as necessary.

In summer, the Preservation Society has 10 properties open, all with distinctive presentations and exhibits.

Rosecliff, the 1902 “fantasy in terra-cotta”, is presenting “Bohemian Beauty” celebrating the ideals of the Aesthetic Movement, personified by Oscar Wilde who visited Newport twice, with furniture, ceramics, wallpaper, glass, silver, paintings and clothing (thru Nov 4).

(Plan your visit in advance at The Preservation Society of Newport County, 424 Bellevue Avenue, Newport, RI 02840,  401-847-1000, info@newportmansions.org, www.newportmansions.org.)

In addition, there are the homes and heritage sites operated by Newport Restoration Foundation including Rough Point and Whitehorne Museum (51 Touro St., Newport, RI 02840, 401–849–7300, newportrestoration.org).

Tennis, Classic Cars

Between The Breakers and Marble House, we take in some of Newport’s other distinctive attractions:

The grass tennis court at the International Tennis Hall of Fame in Newport, where the first US Open tournaments were played. The hall of fame honors tennis champions © Karen Rubin/goingplacesfarandnear.com

The International Tennis Hall of Fame, which features the original grass court where American tennis began. The museum features 2,000 artifacts spanning hundreds of years of tennis history (such as the patent for the game of tennis signed by Queen Victoria in 1874), displayed in redesigned galleries with some interactive exhibits. One of the newest, most novel exhibits features a hologram of tennis legend Roger Federer who offers the top 10 reason why he loves tennis. The Hall of Fame honors hundreds of the most accomplished champions, inducted since 1954. After touring the museum, you can explore the seven-acre historic grounds of what the Vanderbilts’ would have known as the Newport Casino (the Tiffany clocktower and Shingle style building was originally developed by architects McKim, Mead & White in 1880), grass courts of the Bill Talbert Stadium and newly built indoor courts (you can even rent time to play on its grass courts). Here, too, we are able to request the use of an elevator to get up to the exhibits on the second floor. (194 Bellevue Avenue, www.tennisfame.com).

Audrain Automobile Museum offers regularly changing exhibits based on its private collection of 250 cars (every one in working condition), from 1899 to modern day, as well as special events. Ever changing exhibits display 15 to 20 cars at a time around a theme. We had just missed the “Muscle Car Madness” exhibit featuring cars of the 1950s and 1970s, accompanied with surf boards and original art.) On view now are some intriguing cars I had never seen before: Messerschmidt, which after World War II when Germans were no longer allowed to build airplanes, used airplane parts to create a micro-car that basically looks like a cockpit with wheels. A French version is also on view. “They aren’t great to drive,” says the young docent who drove it and says all the cars on display have to be in working condition.  (Audrain Automobile Museum, 222 Bellevue Avenue, 401-856-4420, audrainautomuseum.org)

Audrain Automobile Museum offers regularly changing exhibits based on its private collection of 250 cars; here some of the micro cars produced after World War II that are more like an airplane cockpit (and made from airplane parts) © Karen Rubin/goingplacesfarandnear.com

We enjoy a marvelous lunch at Annie’s bistro café (176 Bellevue Ave., anniesnewport.com) – elegant dining in a casual atmosphere and the best New England clam chowder anywhere –before hopping a trolley-style bus for a short ride to Marble House (you can see the schedule on googlemaps.com on your smartphone).

Andrea returns us to the Grande Caribe, where it is too late to explore inside the fort, but I walk along the Bay Walk (a 2.5 mile  loop with gorgeous views of Narrangansett Bay and Newport Harbor) before returning to the ship for the cocktail hour and dinner.  (Blount Small Ship Adventures, 800-556-7450,  www.blountsmallshipadventures.com).

This was what you could do with one full day in Newport. There is so much more to do, and so deserving of a return multi-day visit. Top on my list: Doris Duke’s Rough Point (newportrestoration.org); Touro Synagogue and Loeb Visitors Center (tourosynagogue.org), Redwood Library and Athenaeum (opened in 1750 and has a collection of more than 200,000 titles, www.redwoodlibrary.org), and The National Museum of American Illustration (americanillustration.org), to list but a few.

See more and plan your visit: Discover Newport, 23 America’s Cup Avenue, Newport, RI 02840, 800-326-6030, 401-849-8048, www.discovernewport.org.

Blount’s Small Ship Adventures’ Grande Caribe © Karen Rubin/ goingplacesfarandnear.com

The Grande Caribe will next sail to New Bedford (see A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum) and on to Martha’s Vineyard.

Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955,  info@blountsmallshipadventures.com, www.blountsmallshipadventures.com). 

See also:

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

Sunset in the port at Vineyard Haven, on Martha’s Vineyard, from the top deck of Blount’s Grande Caribe © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin & Martin D. Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

We belong to the backpack generation that bought a Eurail pass and traveled around the continent with “Europe on $5 A Day” as our Bible. No once-in-a-lifetime, “If it’s Tuesday it must be Belgium” grand tour for us, travel has been integral part of our lifestyle, forming a worldview that bursts the borders of our own provincial anchors.

But we are reaching a point where one or both have limitations. Travel can be physically challenging. Still, we crave the excitement of discovery, the adventure of new experiences, serendipitous encounters, that mental and physical exhilaration of travel.

A perfect prescription is small-ship cruising. There are now several cruise companies operating a score of small-ships that ply rivers, canals, seaways and some designed to tackle the pounding waves of oceans have arisen, and carry us directly into ports, minimizing the hassle of travel and maximizing the enjoyment. And an ideal destination to explore is America itself – the port cities, towns and islands that harbor fascinating history, natural wonders and cultural charms. What is more, the cruises are easy to access, avoid many of the hassles of foreign travel and long airplane flights, and allay any concern about getting timely medical attention if necessary.

Blount’s Grande Caribe docked in New Bedford. © Karen Rubin/ goingplacesfarandnear.com

We are just back from Blount Small Ship Adventures’ week-long cruise of New England islands – a trip that could only be accomplished with a ship that enabled visits to places you might normally visit individually but woven together in one fantastic itinerary: Newport, New Bedford, Martha’s Vineyard, Nantucket – destinations that offer wonder and interest and importance to the discovery, exploration and development of America as the towns you visit along the Danube.

The voyage proves ideal for accommodating people who have physical limitations (not recommended for wheelchair-bound, though), ideal for a three-generation reunion of 13 family members coming together from Dallas and Nashville to share this Yankee adventure; ideal for a couple where one is blind; ideal for a daughter traveling with her mother who walks with a cane; ideal for me and my brother who also has somewhat limited mobility. Indeed, the passengers  come from as far as California, and as close as Boston; one couple had taken Blount’s cruise to Guatemala and Belize, another is on their third New England Islands cruise with Blount.

The Grande Caribe is very accommodating for people with somewhat limited mobility (there are even stair lifts for those who cannot do stairs) – and an itinerary that gives maximum amount of time to enjoy each port with minimal hassle, while allowing for passengers to be as active or as sedentary as they liked. It is unpretentious and comfortable, having everything you would need.

Each of the New England destinations in this itinerary is a jewel, but can only be visited in this compressed amount of time by cruiseship – cutting out the point-to-point driving (traffic!), ferries, parking, packing/repacking, checking in/out. Rather, every minute of this trip is part of our voyage, our vacation experience. Significantly, all the sights we visit – the grand mansions, museums, historical sites – are accommodating for people who have difficulty climbing steps. (I’m seeing many more people using hiking sticks in place of canes or walkers to get around.)

Taking the launch from Blount’s Grande Caribe anchored in Nantucket’s harbor © Karen Rubin/goingplacesfarandnear.com

We sail in before breakfast, and in each port but Nantucket (where we use a launch service), we are at a dock so we can come and go as we please all day long. We depart in the night, so we have a full day to explore.

The cruise line offers various shore excursions (island tours and such offered at very reasonable cost), and on some itineraries, has bikes or kayaks to rent.

Our strategy is to take an island tour, then visit a couple of attractions. When one of us has enough and wants to relax, it is easy to return to the ship while the other continues to explore.

Because of bad storms at sea, Captain Patrick Moynihan makes a command decision to change around the itinerary, which otherwise would have gone first to Nantucket, which is 30 miles out to sea where there are 10-foot swells. He warns that it is possible we won’t be able to visit Nantucket at all. But we hold out hope.

No one second-guesses his decision when safety of the ship is concerned and sits in rapt attention during the safety video before we depart that shows us what would happen in an emergency. (Also, each day the ship is “sanitized” and there are hand-sanitizing stations as well.)

In the end, we spend an extra full day in Martha’s Vineyard (sensational) and make it to Nantucket on our last full day, but bypass Block Island.

Blount’s specially designed small ships make this itinerary possible; these ships are nimble, even have a patented bow ramp (this is used in places like Belize and Guatemala) and a retractable pilot house (so they can go under bridges on the Erie Canal), both inventions of Luther Blount, who founded the company and was one of the innovators of “small ship cruising” more than 50 years ago, and can come close to shore.

Sailing into Martha’s Vineyard © Karen Rubin/goingplacesfarandnear.com

Jumping from island to island, port to port, we experience these places as they were intended – the sea is what made these destinations and made them powerhouses in the national and global economy. Tiny Nantucket, with a population in the thousands, was known the world over (I love the wall showing distance markers to points around the world); New Bedford sent out hundreds of whaling ships, half of all that sailed the globe, and had 10,000 men at sea at any one time.

We embark in Warren, Rhode Island, which is home base for Blount and where they have been building ships and ferries since 1947. With the change in itinerary because of the weather, our voyage starts in Bristol, then Newport, New Bedford, Martha’s Vineyard (2 days), Nantucket, before sailing back to Warren RI. I have visited all these places in the past, but on this trip, I see them from such a different perspective, it is as if seeing them for the first time.

An evenings entertainment aboard Blount’s Grande Caribe: Martha’s Vineyard native, folksinger Mark Alan Lovewell, plays a 164-year old concertina and sings sea chanties, “the work songs of the whalers.” © Karen Rubin/goingplacesfarandnear.com

The days pass so pleasantly: there is an early bird breakfast put out at 6:30 am (coffee and freshly baked goods), breakfast at 8 am. Touring and exploring. Lunch at 12:30 pm (if you want to return to the ship). 5:30 cocktails (it’s BYOB except for welcome and farewell cocktail parties with an open bar and delicious hors d’oeurves); 6:30 dinner; then an evening activity at 8:30 pm– a movie, live performance (we had a trio on one night and a Martha’s Vineyard native, folksinger Mark Alan Lovewell, doing sea chanties before we came to Nantucket), and one night when we played a rollicking game of “LCR” (everyone puts up three $1 bills, rolls dice, and at the end, whoever still has a bill, wins the pot).

To be candid, many of the large cruise ships have such busy schedules that it always seems you are rushing here to there; but on this ship, it feels much more relaxed, not hurried, but with enough to do (or as little as you wanted) that it is never boring. There are always interesting conversations going on, I hardly have any time to read my book. (There is a ship’s library and board games available.). Some itineraries also have guest lecturers and some offer photography workshops.

A classic New England dinner of fresh lobster, clams and mussels © Karen Rubin/goingplacesfarandnear.com

The food on board is excellent and the menus, which reflect the region and use locally sourced comestibles, feature New England classics: a lobster bake with clams & mussels was a definite highlight; New England clam chowder; lobster bisque). The baked goods including fresh breads and scones, are outstanding.  Three meals are provided daily. There are beverages and snacks available all day. Dietary restrictions are accommodated.

We are encouraged to Bring Your Own Beverages aboard which we can put in a cooler or at a bar, and each evening there is a 5:30 cocktail hour when all the fixings are provided (house wine and beer are provided at no charge at lunch and dinner), but there is also a welcome aboard and farewell cocktail party with an open bar and delectable hors d’oeurves.

Blount’s Grande Caribe cook prepares omelettes to order for breakfast during our stop in Martha’s Vineyard © Karen Rubin/goingplacesfarandnear.com

The ship is modest, unpretentious, but is very comfortable, very clean and well maintained (it was refurbished in 2009), and has everything you need. There is a pleasant lounge ringed with windows; an expansive dining room (also with windows along the walls on both sides) an open sitting area (with fitness machines) on the back deck, and an open air top deck with lounge chairs and a canvas cover for rain and sun.

The ship offers four categories of smoke-free cabins, all with individual climate-controlled air-conditioning systems, private bathroom and adequate storage. Our cabin (56B) on the upper deck literally down the hallway from the lounge, had a large picture window which we could open for fresh air; air conditioning which we could set; a toilet and sink in a cabinet and a separate shower, two outlets for plugging in.

The Captain lets us know when to expect rocking and rolling and for how long, and to suggest for those so inclined to take advantage of ship’s supply of Bonine or Dramamine. But even though I have been prone to motion sickness, the worst of rocking (one night it was five or six foot seas for about a hour) feels to me like being aggressively rocked in a cradle.

We can follow the ship’s progress on a navigational map on a big screen TV, like watching your plane’s route.

Tossing out the line to dock at Martha’s Vineyard © Karen Rubin/goingplacesfarandnear.com

The ship, with a capacity for 84 passengers, has Interesting people from all over the country – as far as California and Texas, Midwest (Illinois, Tennessee) and North Carolina, as well as New Jersey, Long Island, Boston. But this style of small-ship cruising, and this itinerary in particular is ideal for travelers from abroad to really see America in a compressed timeframe.

The intimacy means you not only get immersed in the destination (versus the floating resort-style cruiseships where the ports are almost an afterthought), but with fellow passengers.

Each evening we are told about the next day’s itinerary – when we sail, where we dock, how to get into town, when and where to go for the shore excursions. There are guides, maps, and various tourist literature laid out. The day’s schedule is posted. Much of this is repeated at breakfast, and Jasmine, the spry cruise director, is very accessible to ask additional questions.There are shore excursions offered at each port – island tours that are conveniently arranged for a pick up at the boat, lasting about 1 ½ hours, at reasonable cost.

Blount’s Grande Caribe tied up at the Tisbury Marina at Vineyard Haven on Martha’s Vineyard © Karen Rubin/goingplacesfarandnear.com

It is remarkable to me how they not only had to switch around the itinerary, but organize dockage or mooring, shuttles, switch around the shore excursions, and do it so that it all seems seamless to us.

Our original itinerary from Warren, Rhode Island, the home base of Blount Cruises, to Cuttyhunk, MA, to New Bedford, to Nantucket, to Martha’s Vineyard, to Block Island, to Bristol, RI, to Newport and back to Warren – is completely revamped because of the 10 foot seas we would have to sail through to reach Nantucket.

Instead, we sail from Warren RI to Bristol to Newport, New Bedford, Martha’s Vineyard (where we stay two full days instead of one), to Nantucket and back to Warren RI.

Sailing into Bristol

On Sunday, after departing Warren, after a short sail we pull into Bristol, Rhode Island (coming this way, I didn’t recognize this town which is at the end of the East Bay Bike Path from Providence that I have biked several times in the past). Just across from where we dock, there is a fascinating boat museum, the Herreshoff Marine Museum and America’s Cup Hall of Fame. It is a shrine to yacht racing and where eight consecutive America’s Cup defenders were built.

An America’s Cup defender, on display at the Herreshoff Marine Museum and America’s Cup Hall of Fame, Bristol, RI © Karen Rubin/goingplacesfarandnear.com

The museum houses dozens of sailing yachts, some that you can climb aboard. A local on the dock walking his dogs tells me that this boatyard is where many of the America’s Cup sailboats were designed and built in the 1930s by John Brown Herreshoff, who was blind, but would create these models based on feel.

According to the museum,  “In 1878, John Brown Herreshoff, a blind boatbuilder from Bristol, Rhode Island, who had been in business since 1863, went into partnership with his younger brother, Nathanael Greene Herreshoff, a naval architect and steam engineer.

“Between 1893 and 1914, for the defense of the America’s Cup, Captain Nat designed and built seven of the largest, most complex and powerful racing sloops the world has ever known. Of these, five were selected to sail as defenders, and all five were victorious. The firm also launched many hundreds of custom designs, both large and small, and a number of one-design classes (among them Herreshoff J12’1/2- and 15-Footers, S boats, and New York 30’s, 40’s, and 50’s) that have never been bettered for all-around sailing excitement and pleasure.” (http://www.herreshoff.org)

He also encourages me to visit Linden Place Museum, an 1810 Federal-style mansion with a stunning spiral staircase and  Hollywood connections: stage and screen star Ethel Barrymore summered here (her movie memorabilia is on display), plus scenes from the 1974 version of “The Great Gatsby” were shot here, with the exterior used as Daisy Buchanan’s parents home. (Alas, it is closed by the time I get there.)

Linden Place Museum in Bristol was where Ethel Barrymore summered and which was one of the locations for the 1974 “Great Gatsby” film © Karen Rubin/ goingplacesfarandnear.comI walk into the town with the most marvelous homes dating back to the early 1700s.

There is also Blithewold Mansion, Gardens and Arboretum, located just outside of downtown, but I don’t make it that far when it starts to rain.

I note the red-white-blue stripe down the center line of the main street: Bristol boasts the oldest Fourth of July celebration in the United States, held continuously since 1785, and it displays its patriotism year-round with the painted traffic lines, as well as flags and such on many of the houses.

Luther’s Legacy 

The Blounts were in the oyster business for generations until the 1938 hurricane destroyed Rhode Island’s oyster beds. Luther Blount was in college at the time studying engineering, and realized he had to set a different course for his future. He moved back to Rhode Island, and promptly invented a way to steam clams that was so efficient, his brother Nelson’s company became the supplier for Campbell’s Soup’s Clam Chowder.

By 1947, Luther had become the Vice President of E.B. Blount and Sons, and began building boats, beginning with an oyster boat.  By 1964, he had built over 100 vessels (including Circle Line boats that take tourists around the Statue of Liberty, and the ferries that one of our passengers from Long Island uses for his Fire Island ferry business). He even had a few patents to his name — patents that would one day become the signature of Blount Cruise ships.

The 1812 privateer, Lynx, operated by the Lynx Educational Foundation, sails past Nantucket’s lighthouse.

Over the course of 20 years, Blount would personally sail the globe to the ships he built. In 1966, Luther decided that he wanted to show his friends and family the places he had been exploring and began building passenger boats. Soon he was offering these trips for others, coining the expression “small ship cruising”.

“He created itineraries for explorers, for those who wanted to tread lightly, going beyond the usual tourist meccas finding experiences you can only have when you get to know a place through its people.”

Meanwhile, Luther, who passed away in 2006, worked to bring the oysters back to Rhode Island, starting with Narragansett Bay. He donated to a local university, charging them with cultivating new oyster beds.  He bought Prudence Island to be used as an oyster regeneration project funded by his foundation.

Today, Luther’s daughter Nancy is at the helm as president of Blount Small Ship Adventures; daughters Marcia and Julie are president and vice president of Blount Boats.

Captain Patrick Moynihan brings the Grande Caribe back to the Blount Small ship Adventures’ homeport in Warren, Rhode Island. Luther Blount invented a retractable pilot house so the ship could go under bridges © Karen Rubin/ goingplacesfarandnear.com

The design of the Grande Caribe and its sister ship, Grande Mariner, enables Blount to bring travelers to places that larger ships simply cannot go. They explore remote islands and traverse scenic waterways like the Erie Canal and St. Lawrence Seaway. They dock where private yachts dock (in fact, our ship is about the same size as the more extravagant yachts).

This style of  cruising appeals to people who are curious, casual, adventurous, who appreciate the ship as transportation for the purpose of exploring destinations, learning about cultures and heritage and communities. The atmosphere is very casual, laid-back, unpretentious, welcoming – as if you were sailing on a friend’s yacht.

Interestingly, even though we visit places that are literally overrun by tourists this season, we dock away from the crowds, and simply slip into the everyday pattern – hopping a local bus, for example at Vineyard Haven to Oak Bluffs or a local beach. The three-generations family of 13 split off for different activities – cousins going one direction – pooling photos on an online album.

Blount Small Ship Adventures offers overnight small ship cruises in the United States, Canada, Central America, Caribbean and Cuba, with itineraries ranging from 7 to 16 days. (View complete schedule on www.blountsmallshipadventures.com).

Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955,  info@blountsmallshipadventures.com, www.blountsmallshipadventures.com.

Next: A Day in Newport

See also:

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

“The Grand Panorama of a Whaling Voyage ‘Round the World” is the longest painting in America, as long as the Empire State Building is tall © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New Bedford Whaling Museum calls its special exhibition a “A Spectacle in Motion” – a title that proves to be anything but hyperbole. Imagine before documentary, before moving pictures, before photography, where the only way people could see images of places beyond their own experience was through painting, etched drawings in newspapers, or scrimshaw. Now imagine a whaling voyage that starts in New Bedford and travels thousands of miles to Fiji, painted on one mural, nearly one-quarter mile long – the longest painting in America. I can only imagine the sensation “The Grand Panorama of a Whaling Voyage ‘Round the World,” caused when it was first exhibited in 1849.

“Purrington & Russell’s Original Panorama: Whaling Voyage Round the World. Three Miles of Canvas” a poster from the Boston showing in 1849 proclaims. “Tickets 25 cents, half-price for children” (at a time when the sailors themselves earned $1 a day).

“A Spectacle in Motion,” a special exhibit of the New Bedford Whaling Museum featuring an extraordinary quarter-mile long mural painted in 1848 (longest painting in America) depicting “The Grand Panorama of a Whaling Voyage ‘Round the World”  was the Virtual Reality of its day © Karen Rubin/goingplacesfarandnear.com

The mural, which is only rarely displayed in its entirety, has not been seen since the 1960s and is only on public view through October 8 by the New Bedford Whaling Museum, in New Bedford, Massachusetts (and very possibly never again), is a documentary of the whaling voyage, and while it stays still, it is you that gives it motion as you walk down the long, long stretch of each of the four panels – altogether nearly one-quarter mile long. But in its day, it was designed to be rolled so that it did in fact create a moving picture.

Coming upon this spectacle was one of the highlights of the Blount Small Ship Adventure cruise of New England Islands, all the more thrilling because it was completely unexpected, as most highlights and adventures are. As I was leaving the New Bedford Whaling Museum, I spotted a flyer saying that there was a free shuttle to “the mural.” I took a leap of faith and within moments, was traveling in the van for the five-minute, two-mile drive to the historic Kilburn Mills,as the van driver (a 47-year veteran of the museum who had a hand in moving it and laying it out to be photographed for the digitized exhibit) explained. Even after he gave me some sense of what the mural was about and why it needed to be housed in such a sprawling building, I was completely unprepared for what I would encounter. Indeed, seeing the Grand Panorama proved to be a thrilling experience and not a mere ‘viewing”. But as I climbed the flights of stairs to the fourth floor and got my first glimpse, it was, OMG. It took my breath away. Titling the exhibit “A Spectacle in Motion” was not over-selling.

 “The Grand Panorama of a Whaling Voyage ‘Round the World” starts with the departure from New Bedford in scenes that are mimicked today. © Karen Rubin/goingplacesfarandnear.com

The mural, in four panels each that stretches the entire length of the mill, is as long as the Empire State Building is tall; it is the longest painting in America.

Painted in 1848 by two New Bedford artists, Caleb Purrington and Benjamin Russell based on Russell’s actual around-the-world whaling journey, the mural documents every aspect of the places visited as well as key events. You see Pitcairn, settled by the Mutineers of the Bounty wound up; the scene as the whale rammed the Essex, the 1820 event that inspired Herman Melville’s “Moby Dick”; the island of Juan Fernandez off Chile, the temporary home of castaway Alexander Selkirk who was the model for Defoe’s “Robinson Crusoe.” It shows in gory detail the harpooning of a whale, blood spewing into the water; the danger as whalers are thrown into the churning sea; the 1847 eruption of the volcano at Fogo, Cape Verde, spewing its orange-red lava; sailing through a dark furious storm.

“The Grand Panorama of a Whaling Voyage ‘Round the World” by New Bedford artists Caleb Purrington and Benjamin Russell, depicts important scenes like the whale that rammed the whaler, Essex, the event Herman Melville used in his novel, “Moby Dick.” © Karen Rubin/goingplacesfarandnear.com

The voyage starts in New Bedford, with the first section looking so much as it does from the water as we have seen, coming into port on Blount Small Ship Adventures’ Grande Caribe.

The last scene is in Fiji and the last panel is curious: it seems to depict two women, one giving birth and the other a midwife.

I can only imagine the sensation that The Grand Panorama of a Whaling Voyage ‘Round the World caused when it was first exhibited in 1849 – before documentary, before moving pictures, before photography, when the only way to get a visual impression of some place beyond your own experience was through painted or drawn images. But this goes so far beyond. Over the course of 1,275 feet, the mural documents the entire whaling voyage, from its departure from New Bedford, to Fiji Islands. Along the way, it shows the blood, gore, the dangers and hardships of whaling. And because you move, it is the closest thing to a “moving” picture documentary they would have had.

The final panel of “The Grand Panorama of a Whaling Voyage ‘Round the World” is set in Fiji where there is a curious scene that seems to depict a woman giving birth and a midwife © Karen Rubin/goingplacesfarandnear.com

But where the mural transported these 19th century viewers to places on the globe they had never been – it was the 3D Imax, the Virtual Reality of its day- it transports us back in time. And in its day, it was designed to actually move. Before moving pictures, the scrolls were cranked on either side like reels of film, and displayed on a theater stage.

The New Bedford Whaling Museum calls the exhibit “Spectacle: A Voyage in Motion” in appropriate typeface that shouts its excitement. It is astonishing, captivating, awesome – on so many levels – the sheer size and ambition, the quality of the art – the delicacy and fine line of scrimshaw, stunning use of colors – the insights into the events – the importance of the subject, and on top of that, the achievement of restoring the painting – and finally, the enormity and rarity of the work being displayed at all – just the process of unrolling it and hanging it for display damages the painting.

Reproduction of a poster announcing “The Grand Panorama of a Whaling Voyage ‘Round the World” at Amory Hall, Boston. The mural was first exhibited in 1849. © Karen Rubin/goingplacesfarandnear.com

The museum spent two years restoring the mural, which originally was shown by rolling it so that the images actually did move – and important details of that conservation process, along with historical notes, are provided that are fascinating.

The mural is displayed in four sections that each cover the entire length of an historic textile mill (textile manufacturing displaced whaling when that industry collapsed, and then was replaced itself in the 1950s when climate controls made it possible to manufacture more cheaply in the South, which was then replaced by tourism).

Given the extraordinary length, the fragility of the painting, the sheer cost of moving it, setting it up, and finding a room big enough to display it, this is the first time in generations that the entire Panorama can be seen by the public.

Like a true documentary, “The Grand Panorama of a Whaling Voyage ‘Round the World” by New Bedford artists Caleb Purrington and Benjamin Russell, depicts the blood and gore, the danger and risk of a whaling voyage © Karen Rubin/ goingplacesfarandnear.com

From where it is unfurled in the building two miles from the Whaling Museum, you travel around the world and back in time with the whalers without ever leaving the city. The exhibition’s interpretive panels and kiosks are fascinating to enrich the context and content of the Panorama, as well as to give a fuller appreciation of what went into the two-year restoration project.

The notes from the museum describe the Panorama as “a maritime artwork of national historical importance, authentically depicting a whaling voyage originating from the port of New Bedford in the mid-19th century. It was painted in 1848, by New Bedford artists Caleb Purrington and Benjamin Russell, who traveled it around the country as a commercial enterprise.”

The panorama as a form of public entertainment was developed in Europe in the late 18th century and subsequently made its way to the United States after demonstrating its commercial potential to an armchair traveler audience. Robert Barker, who patented this exhibition style, defined a “panorama” as “all view.”

He felt that spectators should feel like they were “really on the very spot,” that they should feel as if they were part of the scene in a surrogate reality, an imaginary “Grand Tour” of the world.

This is precisely what visitors will experience. It was the Virtual Reality of its day.

In the late 1840’s and early 1850’s, well before the age of cinema, the Panorama was designed and performed as a moving panorama, a form of entertainment where multiple scrolls moved across a stage similar to how a reel-to-reel film would later be shown.

The Grand Panorama depicts the island of Juan Fernandez off Chile, the temporary home of castaway Alexander Selkirk who was the model for Defoe’s “Robinson Crusoe.” © Karen Rubin/goingplacesfarandnear.com

But, “after years on display, the wear and tear on the 170-year old painting was so extensive that it was deemed worthless and impossible to conserve. After decades of conservation planning and method strategy research, the Museum brought this national treasure back to life and is proud to share it with the public. However, due to the extensive conservation efforts that have been invested into the painting, it will no longer be shown in its original format – as a moving panorama – as this would undo the extensive work recently completed.”

The Panorama drew crowds in the era of public entertainment before moving pictures and films. To celebrate this origin, the exhibition is coupled with dynamic and engaging programming all summer long. Live performances, contemporary artistic presentations, and other unique interpretations accompany educational programs and cultural celebrations.

Plan on being dazzled for at least one to two hours.

The exhibit is billed as a “once-in-a-lifetime experience” and is free and open to the public, through Columbus Day, October 8, 9 am to 5 pm at Kilburn Mill (the museum provides a free shuttle service every half hour from 10 am to 5 pm through Labor Day).

The Grand Panorama: The Experience 

As the Panorama was being conserved, it was photographed at high resolution to produce this fully digitized recreation of the entire painting for the first time, allowing the Museum to create a exhibition of The Grand Panorama it calls “The Experience” – recreating the same experience the 19th century audiences had of seeing the original Panorama on a theatrical stage, with music and narration.

You stand on the bow of the world’s largest model whaleship, the Lagoda, and watch the Panorama scroll by in a life-sized digital format projected in a full theatrical setting, and experience what Benjamin Russell and other whalers saw as they left the port of New Bedford and traveled the sea in search of whales. This re-creates the experience that the 19th century viewers would have had, since the mural was originally rolled.

Visitors can stand on the bow of the world’s largest model whaleship, the Lagoda, in the New Bedford Whaling Museum and watch the Panorama scroll by in a life-sized digital format projected in a full theatrical setting, and experience what Benjamin Russell and other whalers saw as they left the port of New Bedford and traveled the sea in search of whales. © Karen Rubin/goingplacesfarandnear.com

The stage set is based on drawings and prints from the period and is installed off the Lagoda’s bow so visitors can experience the performance from the deck, from theater seating on the floor level, or from vantage points to the port and starboard of the iconic whaleship.

Since the original score and narrative have been lost over time, they have been recreated and remastered for the new installation, and includes new research and points of interest.

Visitors are able to dive deeper into the specifics of the Panorama story on a large, touch-screen, interactive kiosk. The kiosk will have thematic tabs on various subjects, including a map of the voyage, related Museum artifacts and paintings, and the Panorama’s conservation history. You will be able to zoom in close to any scene or detail that interests you and get rich context for each section.

Enhancing the experience, artifacts from the Museum’s permanent collections further illustrate Russell’s own global travels and connect locations represented in the Panorama with relevant ethnographic material and objects. Exhibitions that tell the stories of Yankee Whaling, the connections with the Azores and Cabo Verde, as well as the many stories told in the existing Whaling Voyage ‘Round the World exhibition help amplify the content of the Panorama. The Panorama in the context of its own time – the era of the “public spectacle” is explored in the exhibition, and includes complementing pieces from the Museum’s permanent Collection.

While I strongly recommend the incomparable experience of seeing the mural first-hand and this Virtual Reality experience, the museum will also have an online digital version, an interactive designed to expand access to the Panorama and to supplement both the Spectacle in Motion exhibitions, the Original at the Kilburn Mill and The Experience at the New Bedford Whaling Museum. While it will work on a phone or tablet it has been optimized for desktop viewing.

At the New Bedford Whaling Museum, you can look through etched glass to see the exact port where our ship, Blount’s Grande Caribe, is docked today and yesterday © Karen Rubin/goingplacesfarandnear.com

The quality of the collection at New Bedford Whaling Museum – consisting of the merger of two private collections of whaling artifacts – is not to be believed, including what is claimed to be the largest collection of scrimshaw. I love the way the gallery rooms are like a warren – you come upon them.

I love the theming of the rooms: From Pursuit to Preservation: The History of Human Interaction with Whales;  Energy and Enterprise: Industry an d the City of New Bedford; Enlightened Counters: the Two Nations of Manjiro Nakahama  (about a 16-year old Japanese sailor who was rescued and spent eight years in New Bedford, the first Japanese person to live here, then went back to become a major counselor to the Emperor negotiating with the US and England) and The East Unlocks its Gates: American Whalers and Trade in Asia.

The New Bedford Whaling Museum, in New Bedford, MA, a private non-profit museum, has one of the largest collections of scrimshaw in the world © Karen Rubin/ goingplacesfarandnear.com

There is (of course) a Herman Melville room (while Melville never actually visited Nantucket before writing “Moby Dick,” he sailed from New Bedford on his whaling voyage), artifacts collected from around the world brought back by the whalers and opened the New Bedford people to the cultures of the world. There are sections dedicated to the Portuguese from the Azores and the sailors recruited from Costa Verde and how they impacted the diverse community in New Bedford. I am introduced for the first time to Captain Joshua Slocum, the first to solo circumnavigate the world.

An astonishing sight is the skeleton of a whale that is suspended from the ceiling as you enter the Museum, its bones with oily brown patches. It turns out that the bones still have oil which drips out and is collected in a jar below.

Whale skeleton still drips oil from its bones at the New Bedford Whaling Museum © Karen Rubin/goingplacesfarandnear.com

There is the world’s largest model whaleship, the Lagoda, at half-scale that takes up the entirety of the Bourne building, that you can climb aboard. In addition, there is the Mariner’s Home that is used for exhibit, and the Seaman’s Bethel which offers a superb video about whaling.

It drives home the theme that is so pressing today: “Trade: Expand American Ideas” (but also bring ideas back).

New Bedford Whaling Museum, 16 Johnny Cake Hill, New Bedford MA 02740, 508-997-0046, www.whalingmuseum.org. 

They are contained within the New Bedford Whaling National Historical Park, a 13-block historic district of cobblestone streets, historic, stately buildings now juxtaposed with contemporary art galleries and funky restaurants and shops (my favorite: Sanctum – Folklorica: Apothecary and Witchwares, Tarot Reading). At the visitors Center, you can watch a 20-minute orientation movie and take in exhibits about whaling and New Bedford, “The City That Lit the World.” (www.nps.gov/nebe/planyourvisit).

Blount Small Ship Adventures’ Grand Caribe docked at the State Pier in New Bedford, Massachusetts, just steps away from the New Bedford Whaling National Historical Park © Karen Rubin/goingplacesfarandnear.com

This was one of the incredible highlights of our own voyage aboard Blount Small Ship Adventures’ Grande Caribe, on the third day of a seven-day New England Islands cruise. We docked in the port along with the largest fishing fleet on the East Coast, and could look through etched glass of the same port in 1914 of our ship. Arriving by ship – we had come from Warren, Rhode Island to Bristol and had come this morning from Newport and will be going on to Martha’s Vineyard and Nantucket – made this experience even more tangible.

Blount Small Ship Adventures, 461 Water Street Warren, RI 02885, 800-556-7450, www.blountsmallshipadventures.com.

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