By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
I must confess to never having heard of Magdeburg before we were bussed from our ship, the MS Elbe Princesse, on the morning of Day 7 of our CroisiEurope river cruise, but, as in the case with the best travel experiences, it turns out to be marvelous to discover.
Our tour starts in the Market Square, renowned for its architecture and a City Hall with bronze doors that relate the city’s history – its 1,200 years is one of the longest in Germany – in 14 panels. Our guide also points out the golden “Magdeburg Horseman,” which dates from 1240 and is believed to be the first equestrian statue north of the Alps.
After visiting so many churches, the St. Mauritius and St. Katherine Cathedral is an absolute surprise – and not because of lavish gilded decoration (it is relatively simple) but more because of what it contains. Built from 1209-1520, it was the first cathedral to be built in the Gothic style in Germany, it is the largest church in East Germany, and its towers the highest. It was destroyed twice – in 1631 during the Thirty Years War, and in World War II, when 90 percent of Magdeburg’s buildings were bombed. And oh, yes, the church for some reason was used as a horse stable by the French during Napoleonic War.
We see where Germany’s famous son and Holy Roman Emperor, Otto the Great, and that of his first wife are interred inside the cathedral.
But what is immediately clear is the revolutionary spirit at the heart of this place – and Magdeburg.
Here we see a wooden chest with locks that was used to collect Indulgences – a symbol of its transition to a Protestant church. Indeed Magdeburg’s wholesale conversion to the Protestant faith was one of Luther’s greatest victories. (It is more impressive having just come from Luther’s House in Wittenberg the day before.)
A memorial in front of nearby St. John’s Church (which can be visited) erected by the renowned sculptor Emil Hundrieser in 1886 serves as a reminder of Luther’s influence on this historic city. Martin Luther attended boarding school here for a year when he was 13; he returned to the city on June 26, 1524 to give a sermon at St. John’s Church about “true and false righteousness” that was so powerful, it inspired almost every church in Magdeburg to convert to Protestantism in a matter of days. From this point onward, Magdeburg became a leader in the Reformation and a forerunner in school reform. Our guide tells us suggests that Magdeburg was fairly liberal and its law was adopted in other places.
This cathedral is adorned with gorgeous sculptures and wood carvings that strike me as unusual. For one, I notice the statue of St. Morris, a black saint from Namibia who was officer in Roman army, became Christian and refused to take part in pagan ceremony.
To my eye, the Church is ecumenical – it has Hebrew and Greek letters, doors from Greece that seem to depict Dionysus, and I see a fund-raising brochure from the congregation to help raise money to replace the synagogue destroyed by the Nazis (the cornerstone has just been laid). Our guide informs us there were 3000 Jews here before the Holocaust; today there are 600.) And in the pavement is a memorial to the Holocaust.
We see a beautiful World War I memorial, which dates from1929. When the Nazis came, they had to take it away. The statue was returned to artist’s family and then returned to church 1955.
We also visit the Unser Lieben Frauen monastery which has a sculpture park that was created in 1989, and is the venue for concerts. The monastery, the oldest building in Magdeburg, was constructed in two phases – the east section and nave were built in the second half of the 11th century; the western section between 1129 and 1160.
But most remarkable to me is the Green Citadel of Magdeburg, an apartment building that is literally a work of art and (amazingly) also a model for new urban design.
I can’t take my eyes off of it. We wander around this fascinating and magnificent structure, so colorful, whimsical. It exudes happiness and optimism, a Dr. Seuss-like quality and playful spirit. It is literally green – greenery grows from the roof, down the walls – none of which have straight angles. It is an “ensemble’ of buildings taking up a full square block, and is in such stark contrast to the other buildings in the vicinity, which range from Gothic to steel-and-glass modern.
The Green Citadel was designed by architect and artist, Friedensreich Hundertwasser (born Friedrich Stowasser in Vienna , he adopted Friedensreich, meaning peace, freedom, and Hundertwasser, meaning “100 Waters”), who died in 2000.
The Catholic Church underwrote the cost of building the building (27.1 million Euros) and it is now owned by a Swiss investor. It contains 55 rental apartments (the rental fee is based on the square meter, 10-12E/sq meter, which is cheap), a 200-seat theater, parking garage, day care center, and a 41-room Art Hotel (that’s what it’s called).
You walk into this breathtakingly beautiful courtyard and there are bird houses of all different shapes and colors (a Guinness record? Not sure). Within the courtyard are cafes and delightful shops (I can’t resist). The tower is 32 meters high, constructed as a spiral – a symbol of life – with a walkway all the way up to the top.
The structure exemplifies Hundertwasser’s ”commitment to a more human architecture in harmony with nature and his visionary ecological commitment developed from his belief in the power of nature and individual creativity,” the The Hundertwasser foundation writes. “Since the 1980s, he has been realizing architectural projects in which there is the window right and tree tenants, the uneven floor, forests on the roof and spontaneous vegetation. His buildings testify to his commitment to diversity instead of monotony, for romanticism, for the organic and for unregulated irregularities, for spontaneous vegetation and for living in harmony with nature.
“At the center of his ecological activities were tree planting and greening campaigns, the restoration of natural cycles, the protection of water and the fight for a waste-free society. He disseminated his socio-critical and ecological positions with manifestos, letters, speeches and public demonstrations in which he criticized the pure functionality of all areas of life, the uninhibited growth doctrine and the adaptation to social conformism.” (https://hundertwasser.com/en).
It’s interesting to learn that key industries here include the manufacture of wind turbines and small generators. Just saying.
Magdeburg was a fortress town and one of its favorite sons, memorialized with a statue, was Steuben, who helped the Americans win the Revolution. We are told that he also was the originator of “OK” –“He couldn’t speak English well, and this was his way of signing off ‘all correct’”. (Another famous son of Magdeburg, I learn, is the composer Georg Philipp Telemann).
That evening, as we sail to Berlin, our final port, we have a gala dinner, and it really is – cream of cauliflower soup; foie gras; veal; cheese in puffed pastry, and for dessert, dramatically served Baked Alaska flaming with Grand Marnier, accompanied by special wines selected by the chef. All the cuisine has been so flavorful, rich but not too rich, with gorgeous presentations.
We have asked for a tour of the kitchen, and they have complied – so we get to walk through. It is remarkably unbusy, unhectic, uncluttered. In the evening, we also are invited to tour the wheelhouse (I am told there is no auto pilot, which makes me think it is easier to “fly” to the international space station than to navigate the river because of the changing depth, hazards, currents.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
Our ship, CroisiEurope’s MS Elbe Princesse, sails early in the morning of Day 6 of our Prague-Berlin river cruise for Wittenberg, reaching this historic city, the epicenter of the Reformation lined with noble Renaissance-style houses and a marvelous way of preserving history, in the early afternoon.
The Martin Luther House, which was once an Augustinian monastery and now is the Reformation Museum, listed as a UNESCO World Heritage site, is a complete surprise – I might even say a revelation. I never expected to be so fascinated, so captivated by the unfolding of Martin Luther’s personal story so vividly depicted in the furnishings, artifacts, portraits and seeing where he actually lived, preserved pretty much as it would have been when he lived here. You begin to appreciate how one man could set a movement of such enormity – the Reformation! – into motion, how a single person could captivate and change the world.
I start off fairly disinterested but as I go through the house – the museum contains 1000 original objects from the Reformation over the centuries to the present including the many publications he put out – the answer comes quickly: the Guttenberg printing press (there is even a replica). You realize that Luther and the Guttenberg printing press were like today’s social media influencers. Indeed, by 1520, Luther had become a media sensation, unlike anything anyone had seen before.
Among Luther’s ideas that were heretical to the Catholic Church: Sins cannot be redeemed simply through confession, but faith; he reduced the seven sacraments to two, baptism and holy communion; he called ordination, confession, and last rites as “tricks of priests” to exert power. He called for the abolition of celibacy (and used that as the reason he got married, so he would not be a hypocrite); and said, “A Christian is free, subservient to no one (but subservient to all)” and he called upon the “electors and sovereigns” to implement the Reformation.
But the most controversial, which really roiled the entire institution, was the idea you can’t buy redemption with an Indulgence (the next day in a church in Magdeburg, we see the wooden box that would have been used to collect the Indulgences), and that priests can’t rid people of sin,
In June 1520, a Papal Bull accused Luther of 41 errors and gave him 60 days to recant. Instead, he created a media spectacle and burned the papal bull and other items.
Luther basically removed priests as the middle man between a Christian and his faith, and is most famous for translating the Bible into German, to make it more accessible (if I remember correctly, Jesus did the same thing to the priests).
Luther had been a monk and his wife, Katharina von Bora, a nun, given over to a convent because her family could not afford to support her, lived here for 35 years.
In what would have been their bedroom, we learn that Katarina fled the nunnery to marry Luther. A monk at the time, Luther said he should practice what he preached – abolition of celibacy. There is a wonderful quote from him (just about everything he said was dutifully transcribed by adoring followers) describing the surprising changes in his life after marriage, and the pleasures of being part of a couple. They had six children of whom four survived to adulthood.
We also see the living room where he would meet guests, have discussions with adoring followers. It’s like being in “the room where it happened” – where these ideas were formulated, transcribed, transmitted.
The couple became well to do after their marriage. Katarina, who clearly did so much to propel Luther (among the journal accounts is how she poured beer for the guests), farmed, and rented rooms to students.
Having been informed the day before to the importance of artist Lucas Cranach the Elder by my traveling companion, I am alert to seeing several Cranach paintings here, including the first authentic portrait of Luther, several others of Luther, and his monumental panel of 10 Commandments. (The English-language audio tour is invaluable to appreciating what you see.)
At this point, I am admiring of Luther and how he democratized religion, breaking the theocratic authority of the Pope and priests. But I later learn that in two of his later works, Luther expressed violent antisemitic views and called for the burning of synagogues and expulsion of Jews (I wonder if Luther regarded Judaism as a rival for worshippers.)
Luther wrote of a sculpture depicting an antisemitic scene, “Here in Wittenberg, in our parish church,” Luther wrote, “there is a sow carved into the stone under which lie young pigs and Jews who are sucking; behind the sow stands a rabbi who is lifting up the right leg of the sow, raises behind the sow, bows down and looks with great effort into the Talmud under the sow, as if he wanted to read and see something most difficult and exceptional; no doubt they gained their Schem Hamphoras from that place.” The inscription “Rabini Schem HaMphoras” was installed above the sculpture 27 years later, in Luther’s honor.
My traveling companion on the ship – who is from Munich – has told me to look for the sculpture in the church which I assume (incorrectly) is the Castle Church where Luther posted his Theses.
I still have about an hour to explore Wittenberg on my own (the rest of our group are all French-speaking and led by a guide) – really not enough time. I would have loved to have the whole afternoon to wander. But, armed with an excellent map that pinpoints 36 important sites, I set out with an aim of finding the church and the sculpture.
I head to the old market square and the Stadtkirche, also known as the Wittenberg Town Church of St. Mary’s. It was here that Luther delivered most of his sermons, and is the site of the first celebration of Mass in German instead of Latin. Wittenberg in general—and the Stadtkirche in particular—is considered the heart of the Protestant Reformation. There is a statue of Luther outside.
But on the map, behind the church, I see a street name, Judenstrasse (Jew Street) that suggests the Jewish Quarter would have been right here.
I later learn (from an article in Smithsonian, “Hatred in Plain Sight”) that around the back of the Stadtkirche set into the facade is the carved sandstone sculpture depicting a rabbi lifts the tail of a pig to look for his Talmud that Luther referred to, that I was looking for.
“The sandstone sculpture is a once-common form of medieval iconography called a “Judensau,” or’Jew’s pig.’ Its existence predates the Nazi period by nearly 700 years. Sculptures of Jews and pigs started appearing in architecture in the 1300s, and the printing press carried on the motif in everything from books to playing cards well into the modern period,” Carol Schaeffer writes in the Smithsonian. “Today, more than 20 Judensau sculptures are still incorporated into German churches and cathedrals, with a few others in neighboring countries. At least one Judensau—on the wall of a medieval apothecary in Bavaria—was taken down for its offensive nature, but its removal in 1945 is thought to have been ordered by an American soldier. The Judensau in Wittenberg is one of the best preserved—and one of the most visible. The church is a UNESCO World Heritage site.”
There was an effort in Wittenberg to “solve its Judensau conundrum” by turning the site into a Mahnmal – a memorial to the Jewish people.
“After five years of deliberation, those in charge of the project decided that the Judensau would remain—but they would add a memorial to the Jewish people. Unveiled in 1988, it is now installed on the ground in bronze. Two crossing lines are surrounded by text that reads: “The proper name of God, the maligned Schem-ha-mphoras, was held holy by the Jews long before the Christians. Six million Jews died under the sign of a cross.” Alongside those German words is a Hebrew quotation, the beginning of Psalm 130: ‘Out of the depths I cry unto Thee, O Lord’,” Schaeffer writes.
Neither of these are included on the map, and I miss them entirely, thinking that the sculpture is in the Castle Church.
But I do find the Cranach House. I’ve become fascinated with Lucas Cranach who turns out to have been an apothecary as well as important artist whose portraits filled the Luther House, and whose works decorate many church altars (including the one we had just visited in Meissen). You can visit the original apothecary (it’s still a pharmacy), and then go through to a courtyard where the Cranachs would have lived and today there is an art school. He and his son also served as Wittenberg’s burgomaster (mayor).
I later learn how important Lucas Cranach the Elder was in popularizing – spreading – the Reformation. Cranach was the court painter to the electors of Saxony in Wittenberg, ground zero for the Protestant Reformation. His patrons were powerful supporters of Martin Luther and he embraced the movement, using his art to spread the new faith. Cranach made numerous portraits of Luther – several that we see in the Luther House – and provided woodcut illustrations for Luther’s German translation of the Bible. Cranach became such a close friend of Martin Luther that he was best man at Luther’s wedding and later godfather to his son. At some point, the duke gave Cranach the monopoly for selling medicines at Wittenberg and a printer’s patent with exclusive privileges as to copyright in Bibles. Cranach’s presses were used by Martin Luther. His apothecary shop was open for centuries, and was only lost by fire in 1871.
I notice that apartments on the second floor of many buildings through the town have names of their important occupants: Maxim Gorki (1903), Johann Christoph Friedrich von Schiller, German playwright, poet, and philosopher. Jeremias Trautmann, German physician who performed the first completely documented cesarean section, in Wittenberg, Germany, on April 26, 1610. And very close to the Castle Church, one name really stands out: Harriet Beecher Stowe (who wrote “Uncle Tom’s Cabin”), who lived here in 1852.
I make it to the famous door of the Castle Church where, on October 31, 1517, Martin Luther is said to have posted his 95 Theses, challenging the notion that indulgences can buy salvation, setting off The Reformation. The old wooden Theses Door was lost when the church was destroyed by fire in 1760. In 1858, King Frederick William IV of Prussia funded the bronze door with the Latin theses.
I don’t have time to go into the Castle Church (the Elbe Princesse group that was guided did). You can also pay a small fee to climb the tower.
I really would have liked more time to explore Wittenberg, a truly beautiful and well preserved historic village. (You can purchase an audio tour of the sites.)
We get back on the bus and then back on the ship for lunch, and then a relaxing afternoon sailing to Burg. In the evening, we have another marvelous dinner and entertainment. Tomorrow, we discover why Magdeburg is so interesting.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
We sail on to Dresden, where CroisiEurope’s MS Elbe Princess is supposed to dock for the night, and we are invited to take a 9 pm walk through Dresden’s historic city center. We are all excited and standing around, when we just sail passed. It seems that the docking spot which is reserved for us was occupied by another ship, and because it is Sunday night, there is nobody to complain to or address the issue. So we sail on to Meissen while the ship’s manager scrambles to arrange for a bus to take us back to Dresden for the morning’s excursion.
Our excursion the next morning is first by bus for an overview and then walking, and between the two, we get to see – from the outside at least – Dresden’s highlights and get a sense of its history, but this is certainly a city that deserves more time and a more immersive experience.
Most of Dresden’s city center was destroyed in World War II, but the “suburbs” survived the so-called “moral bombing” in which 25,000 out of a population of 650,000 died. But you would hardly realize it – except that our guide, Alexandr Klein, pulls out black-and-white photos of the destruction so we can compare.
It’s fairly amazing, then, that the bombing could not stamp out Dresden’s extraordinarily rich history, heritage and culture, which in so many instances, have risen literally from ashes. They have restored and reconstructed the architecture, saving the facades where possible and in many cases reusing the stones;.
It was here, August 26-27, 1813 at the Battle of Dresden that Napoleon had his last big victory in Germany. It was fought on the outskirts of the Saxon capital of Dresden, between Napoleon’s 120,000 troops and 170,000 Austrians, Prussians, and Russians under Prince Karl Philipp Schwarzenberg. Alas, victory was short lived – a week later, Napoleon was defeated at Leipzig.
Dresden is a “green city’ boasting more trees (600,000) than humans (550,0000). We drive through an enormous park – like Central Park – where among the sites is the intriguingly named German Hygiene Museum, Europe’s only science museum to focus on the human being and body within the context of the environment and society, culture and science.
We drive by the New Synagogue, built in 2002 to replace the 1840 synagogue designed by the revered architect Gottfried Semper, that was destroyed on Kristalnacht, Nov. 9-10, 1938. At its peak, Dresden had 5000 Jews; today there are 700. “Most had escaped before World War II, so we have Jewish life again.” The New Synagogue has Star of David finial from the old synagogue. “A fireman who put out the fire in 1938 saved it, then gave it to survivors after the war.”
We pass Fletcher street. “The Soviets arrived May 8 1945. 200 soldiers had died in combat; Hitler had already committed suicide. Fletcher took white flag to surrender to the Soviets. The SS shot him in the back. He was martyred,” Klein relates.
Dresden also shows its history under Soviet occupation. There is probably no sight that better encapsulates the Soviet era than “The Red Flag” mural and wall fresco, “Our Socialist Life” on the exterior of the Dresden Kulturpalast. It was the pride of GDR architecture when it opened in 1969 as a “House of Socialist Culture”. Today it is the home of the Dresden Philharmonic.
“The revolution against Soviet rule started in Dresden and Leipzig churches in 1989. It was the only successful revolution in German history. Then the Berlin Wall came down a year later.”
We get off the bus and start a delightful walking tour through this beautiful city.
We start at Frauenkirche, the Church of Our Lady. Completed in 1743, the Baroque church was considered one of the most beautiful in Europe. After it was destroyed by Allied bombing in 1945, the ruins were catalogued and stored for its reconstruction. 4,000 of the original stones were used in the rebuilding, which began after Germany’s reunification, in 1990 and reopened in 2005. Great Britain, which was responsible for the bomb that had caused so much of the devastation, sent a gold cross to place at the top.
We see the famous Fürstenzug – the Procession of Princes – a 102-meter-long portrait of the Dukes, Electors, and Kings of the house of Wettin, together with leading German figures from the arts and sciences. Commissioned in 1870, it consists of 25,000 Meissen Porcelain tiles.
Our guide, Alexandr Klein, points out Taschenberg Palace, built in the 18th century by the Saxon King, Augustus the Strong for his mistress. (Augustus “had ambitions to be like Henry VII”; a mistress was an actual official position, he tells us). There is a bridge, reminiscent of the Bridge of Sighs in Venice, connecting it to the Royal Palace. The original building burned down and was faithfully restored in 1995 and transformed into the luxurious Hotel Taschenbergpalais Kempinski Dresden, owned by the Thai royal family (rooms can cost as much as 10,000E/night). A member of Historic Hotels Worldwide since 2017, it is within the historic city center, steps away from the most renowned sights, such as Semper Opera House, Royal Palace, Zwinger, and the Frauenkirche. (Famous past guests of the Taschenbergpalais include Prince Albert II of Monaco, designer Karl Lagerfeld, and President Jacques Chirac of France, https://www.historichotels.org/hotels-resorts/hotel-taschenbergpalais-kempinski-dresden)
We walk along a Tuscan-style arcade with 22 rounded arches leading to the Court Stables.
One of my favorite parts of this delightful walking tour is strolling along Brühl’s Terrace (Brühlsche Terrasse), also known as the “Balcony of Europe.” Our guide explains that by the 19th C, Dresden already popular for European tourists. This half-mile long promenade is built on the old city ramparts and was laid out in 1738 as a private garden; it was opened to the public in 1814.
Klein points to where novelist Kurt Vonnegut, who fought with Americans in World War II, was held as a POW in the slaughterhouse district. He wrote “Slaughterhouse 5,” a science-fiction infused anti-war novel, based on his experience.
Klein leads us to the Zwinger, a magnificent early 18th-century palace and a stunning example of Baroque architecture. Inside is The Old Masters Picture Gallery with 750 paintings from the 15th to 18th centuries, among them Italian Renaissance and Baroque masterpieces by Raphael, Titian, Correggio, and Tintoretto, and Dutch and Flemish paintings by Rembrandt, Rubens, Van Dyck, and Vermeer.
Also worth visiting (we don’t have time) is the Royal Palace, which houses some of Dresden’s most important museums, including the Green Vault and the Numismatic Collection. You can also visit the State Apartment, a suite of rooms that have been faithfully restored to their original condition.
The tour gives us an overview, but I wish we had the afternoon to explore on our own.
(You can get a Dresden museum card with gives two days and free admission to the city’s must see museums and exhibitions: Old Masters Picture Gallery with Sculpture Collection until 1800; Royal Cabinet of Mathematical and Physical Instruments; Collection of Prints, Drawings and Photographs, Porcelain Collection; The Royal State Apartments of August the Strong and the Porcelain Cabinet, Coin Cabinet; New Green Vault; Renaissance Wing; Giant´s Hall of the Armoury; Turkish Chamber; Albertinum with Art from the Romantic Period to the Present Day; Lipsiusbau Exhibition Hall; Museum of Saxon Folk Art and Puppet Theatre Collection; Special Exhibitions in the Japanese Palace; Joseph Hegenbarth Archive; Hausmannsturm, 22E pp).
We ride an elevator to the hill top, and visit the Cathedral, a three-nave Gothic hall church built between 1260 and 1410 and preserved in its near-original medieval state. We buy a ticket to see inside where there are paintings by the renowned Lucas Cranach., and stained glass windows from the 13th century.
We walk around Albrechsburg, a palace built between 1471 and 1500 by Duke Albrecht of Saxony that dominates the city and the beautiful historic square.
After our brief walking tour with our guide, Brigetta, we are taken by bus to the Meissen “manufactory,” where you go room by room to see demonstrations of the remarkable artistry and craftsmanship that goes into making these porcelain treasures.
It is remarkable to realize that they have been doing this very same thing for over 300 years, the oldest porcelain manufactory in Europe, founded in 1710 by King Augustus the Strong, who put together a team of physicists, alchemists and metallurgists to come up with the new technology. There’s also a museum with some 2,000 Meissen items.
Back on the ship, we sail from Meissen through the late afternoon and overnight to Wittenberg.
We are always a stone’s throw from shore. We sail by people’s backyards and front yards, close enough to exchange greetings. Bicyclists keep pace and even go faster than boat, as they ride along a path beside the water. I see one man on horseback as the sun goes down. The scenery is beautiful, and the cruise so peaceful.
Dinner this evening is spectacular, beginning with an olive paste on toast, salmon with cheese, filet mignon, goat cheese with salad, raspberry/cream pie.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
We get our first glimpse of Konigstein Fortress, perched on a 24-acre rock plateau high on a hilltop, 240 meters above the river, as our ship, CroisiEurope’s MS Elbe Princess, sails past. It is formidable. Known as the “Saxon Bastille,” it is Germany’s largest fortifications and one of the largest hilltop fortifications in Europe. It was never conquered and never invaded (though our guide tells the story of a local teenager who managed to “invade” the fortress by scaling the walls; he was initially taken into custody but released after they could not find a law to charge him with breaking, and he became a local hero).
The fortress is a complex of more than 50 buildings, some more than 400 years old, including a dramatic medieval castle, with ramparts that run 1,800 meters and walls up to 42 meters high, which for centuries was used as a state prison (political prison). The fortress has been an open-air, military history museum since May 29, 1955, and is now one of Saxony’s foremost tourist attractions, visited by 700,000 a year. ((I keep thinking it should have been used in a James Bond movie).
100 million years ago, this place would have been at the bottom of the ocean, our guide, Gerold Jahn, tells us. Now, because it is the highest perch, there are lightening conductors everywhere (100 years ago, three tourists were killed by a lightening strike) and there is a safety talk and posters.He takes us to his favorite views of the Elbe Valley and villages well below.
The fortress is a complex of more than 50 buildings, some more than 400 years old, including a dramatic medieval castle, with ramparts that run 1,800 meters and walls up to 42 meters high, which for centuries was used as a state prison (political prison), and is now one of Saxony’s foremost tourist attractions, visited by 700,000 a year. ((I keep thinking it should have been used in a James Bond movie).
Originally, there was a monastery here, which was closed after Luther’s Reformation. It took 40 years to build the fortress, beginning 1580 until 1620, just after the start of the Thirty Years War (half of all Saxony people died in that war). The fortress was built to be invincible, though in fact, it was not built for defense, but as a refuge for the townspeople, scientists, and government.
It was designed as a refuge (Dresden is 28 km away) to accommodate as many as 4000 people (the fewest number of full time residents is 40, the present number of permanent occupants). Peak occupation was during the Seven Years War, in 1756.
What I find most fascinating is how they solved all the problems – water, food and sanitation – to make this place totally self-sufficient (not just impenetrable). The secret to its steady supply of water is a 152.5 meter deep well, which is the deepest in Saxony and second deepest well in Europe – and the key to how this fortress was made to withstand any kind of siege. We get to see how it was built by local miners over a four-year period. The well is fed by rain that filters through the soil over a period of 6 to 7 months (they calculated) and naturally refills and could not be poisoned by an enemy. They devised a system to a 130-liter barrel into the well to collect the water.
Also, every household had a patch of land and was expected to cultivate their own food. The fort has a self-sufficient town with its own butcher, bakery, brewery, hospital and treasury. Even today, young children attend school at the fortress and older ones are picked up by bus.
The fortress was used to protect the Saxon state reserves and secret archives during times of war. In 1756 and 1813 and during World War II, Dresden’s art treasures were also stored at the Königstein.
Its main function since the 17th century was as a prison. Some of the more notable prisoners incarcerated at Königstein (likely after secret trial) include: the Crypto-Calvinists, including Caspar Peucer (1574–86) and Nikolaus Krell (1591–1601), chancellor of the Electorate of Saxony; Johann Friedrich Böttger (1706–1707), co-discoverer with Tschirnhaus of European porcelain; Count Karl Heinrich von Hoym (1734–1736), cabinet minister of the Electorate of Saxony; committed suicide in his cell; Mikhail Bakunin (1849–1850), Russian anarchist and revolutionary; Thomas Theodor Heine (1899), caricaturist and artist and Frank Wedekind (1899–1900), writer and dramatist.
The fortress was never bombed during World War II, even though nearby Dresden was famously destroyed, That is because it was known not to be a military base but rather, American, French and Polish POWs (mainly officers) were kept here. “They were kept in very humane conditions – one day a week they could leave to hike,” Gerold tells us.
The fortress was considered impregnable – “The only way prisoners left was when their dead bodies were thrown over the wall” – but there is a famous legend of the daring escape of a French general Henri Giraud, who was kept here 1940-1942.
“We never knew how it happened. One theory was that he was smuggled little pieces of rope that he joined together until he had 45 meters, repelled down, and that a special agent met him at the bottom with clothes, false passport and he escaped to Switzerland. Another theory is that he had inside help and the Germans wanted him to escape because Giraud was an enemy of DeGaulle and if was free, there would dissention. The French claim it was Resistance who helped him. But after only two years, he died in airplane crash in North Africa.” (I’m thinking, murder???? What a film!)
In May 1945, the 20 soldiers (more like police) here waved a white flag to welcome the Russians. “They came with art experts. The Soviets confiscated the art, but when Stalin died in 1953 and Khruschev wanted to have détente, they and gave back the art.”
“It is a masterpiece of engineering, of architecture,” Gerold, who has a background in civil engineering, tells us.
I am grateful that we have about 40 minutes to explore on our own, and I go into a marvelous exhibit about the history of this place and this area housed within the castle (a treat to see inside).
We walk down from castle the through the four gates (coming up, we used the modern elevator). Really wonderful.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
When I come out from Golden Lane, with its tiny houses that line the Prague Castle walls, I look across to see the Lobkowicz Palace and realize it is included on the Prague Cool Pass, so decide to check it out. This turns out to be the absolute highlight for me in Prague.
The Palace, itself, is fabulous, and the collection it houses, is breathtaking. And the family’s story is utterly fascinating.
Built in the mid-16th century, the Lobkowicz Palace is one of the most significant cultural sites in the Czech Republic (no hyperbole), and the only privately owned palace in the Prague Castle complex, a UNESCO World Heritage Site. The family, once one of the richest and most powerful in Bohemia, have been key players in the history of the Czech Republic and the whole of Europe.
I know none of this when I walk in, but quickly am awe-struck.
The audio tour through 21 galleries is narrated by William Lobkowicz (b 1961), the current heir and manager of most of the Lobkowicz lands in the Czech Republic (Lobkowicz Palace, Nelahozeves, Roudnice and Strekov Castle), with some cameo appearances by his wife and mother. He puts faces as well as context to the portraits you see (as fabulous as they are, going back to the first Prince Lobkowicz, Zdenko Adalbert Popel).
The Lobkowicz Palace was built in the mid-16th century by Bohemian nobleman Jaroslav of Pernstein (1528–1569). It came into the Lobkowicz family through the marriage of Polyxena of Pernstein (1566-1642) to Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568–1628), in 1603.
Polyxena and the palace played a key role in one of the most significant events in Prague history: the famous Defenestration of Prague in 1618, when Protestant rebels threw two Catholic Imperial Ministers and their secretary out the windows of the Royal Palace in Prague Castle. Surviving the fall (they fell on a pile of refuse in the moat), they were given refuge in the adjoining Lobkowicz Palace, where they were protected by Polyxena. (The scene is immortalized in a painting which you can view.)
The Defenestration of Prague signaled the beginning of a Bohemian revolt against the Habsburg Emperor Ferdinand II, leading to the Thirty Years’ War.
“It is no exaggeration to call the Thirty Years’ War the worst war in European history. The combatant nations lost between 25 and 40 percent of their populations to military action, famine and disease,” states historyextra.com.
Also in this room, there is a notable painting attributed to Velazquez of the “Infanta Margarita Teresa of Spain,” the daughter of Philip IV of Spain, and granddaughter of Emperor Ferdinand III, when she was four. At 15, she was married to her uncle, Emperor Leopold I, in 1666, and bore him four children before dying in childbirth at 22. (Philip would only have Velazquez paint the family). She is featured in one of Velazquez’ most famous portraits, “Infanta Margarita Teresa in a Blue Dress” and in “Las Meninas” (“The Ladies-in-Waiting”), a painting that is recognized as one of the most important in Western art history.
But this is nothing compared to the astonishment you experience when you enter the Music Room. Here you see various historical instruments on display and the important musical personalities within Lobkowicz family in the 18th and early 19th centuries.
Ferdinand Philipp Lobkowicz (1724-1784) is described as “an eccentric melancholic, a passionate collector, scientist, painter and musician. He was the second born son, so expected to be able to devote himself to his passions – science and art. That plan was derailed when his older brother Wenzel died suddenly and Ferdinand was required to take over the ancestral estates. He preferred to reside alone in Eisenberg castle where he experimented with alchemy, created bizarre paintings, played violin and composed. He spent time outside the Hapsburg Empire – in England, Italy, Prussia – and became acquainted with important composers. He composed a Sinfonia with Carl Philipp Emanuel Bach and was closely associated with Christoph Willibald Gluck. He married when he was 45 to a woman who shared his passion for music.
But the family’s paramount musical figure was Joseph Frantisek Maximilian (1772-1816), 7th Prince Lobkowicz, who was Beethoven’s greatest private patron. The first performances at both the family’s Vienna Palace and North Bohemian castle of Jezeri resulted in Beethoven dedicating numerous works to Lobkowicz, including his 3rd (Eroica), 5th and 6th (Pastoral) symphonies. Joseph was a founding member of the Society of the Friends of Music in Vienna, a member of the Society for the Promotion of Musical Culture in Bohemia and a director of the Court Theatre of Vienna. He was also responsible for commissioning the reconstruction of the palace’s exterior, giving it the appearance it has today. Upon his early death, in 1816, his son Ferdinand Joseph, 8th Prince Lobkowicz (1797-1868), continued Beethoven’s annuity and maintained the family orchestra, most of instruments of which survive today in the collection, along with autographed manuscripts by Gluck, Mozart and Beethoven.
Walk on and you find yourself in an intimate gallery with Pieter Bruegel the Elder’s famous “Haymaking,” painting – one of only five known today (one in the Metropolitan Museum of Art in New York City, three in Kunsthistorisches museum in Vienna and this one), notable because it is among the first landscape paintings depicting everyday life. Just beyond, in another gallery, are two masterpieces by Canaletto: “London: The River Thames on lord Mayor’s Day, and ‘The River Thames Looking Towards Westminster from Lambeth,” “an important and comprehensive visual record of how the city looked in mid-18th century, and among the greatest of the Venetian painter’s English period works.”
Another highlight of the visit to Lobkowicz Palace is an incomparable view overlooking the city from one of the balconies.
The tour continues on the first floor of this magnificent palace. In the Princess Ernestine Room you see a remarkable series of portraits painted by Princess Ernestine of Nassau-Siegen (1623-68) including her own self-portrait. Her work is notable as a 17th century woman painter, particularly because she was of noble birth. She was herself painted by Sir Anthony van Dyck in 1634, when she was 11, in one of his largest and greatest family group portraits, which possibly inspired her to paint. The portraits entered the collection through the marriage of the artist’s only daughter, Claudia Frantiska (1660-80) to the 3rd Prince Lobkowicz in 1677. (We are informed that they were cleaned and conserved through funding of Friends of Heritage Preservation.)
The Lobkowicz princes, throughout history, played important roles as high-level officials working closely with kings and emperors.
After World War I and following the end of hereditary titles in 1918, Maximilian Lobkowicz (1888–1967), son of Ferdinand Zdenko, 10th Prince Lobkowicz (1858–1938), provided crucial support to the newly formed, democratic Czechoslovakia as a lawyer and diplomat, campaigning abroad for international recognition. He demonstrated his support for the fledgling First Czechoslovak Republic by making several rooms at the Palace available to the government, headed by the new nation’s first President, Tomas G. Masaryk.
In the 1930s, Maximilian mustered diplomatic support for opposition to the German annexation of the Sudetenland, and during World War II he served as ambassador to Great Britain for the Czechoslovakian government in exile.
“Max supported the new Czechoslovakia in 1918, even though it abolished inherited titles,” William narrates about his grandfather. “He was against the Nazi regime. He had a British wife and was active in the underground.” Their property was taken by the Nazis. Most of the possessions were returned in 1945, but confiscated again in 1948 when the Communists came to power. “Max was trapped in Czechoslovakia after it was taken over by the Communists. He got a two-day pass to visit his wife. He left with nothing but his hat and coat.”
The property was returned to the family in 2002, and in 2007, they opened the palace and all its collections to the public.
The surprises of this place continue.
At the end of the visit, is a special room dedicated to the “Queens of Ukraine”: glamorous photographs of Ukrainian women who work in the Czech Republic. “They have worked hard all their lives as housekeepers in our country, sending money to their families in Ukraine as there was no work. Now their sons are at war and their daughters are running away with little children from a country that’s fighting for its freedom.”
It is related to an exhibit of “Culture Under Siege” photos documenting the devastating destruction of cultural sites in Ukraine as a result of the Russian invasion. They were taken by several Ukrainian photographers in two weeks early in the invasion. Religious buildings, museums, monuments, antiquities, “the silent cultural casualties in Ukraine continue to intensify, exacerbating the country’s humanitarian suffering. These photographs remind us that culture is an essential source of identity and community. Where culture is destroyed, humanity’s past, present and future is too.”
The project was created in collaboration with Ukrainian photographers – each photo uses a backdrop taken by Ukrainian photographers in the first days of the war. “Queens of Ukraine” is aimed at highlighting Ukrainian artists and raising funds to support families suffering from war. The works were sold as NFTs (non fungible tokens), with 50 percent of the sale supporting the Queen herself and the other 50 percent supporting the Ukrainian artist, writes Bet Orten, the photographer/artist.
There are also concerts here, and I can’t imagine a more impressive venue.
Just outside the gate to the Prague Castle, flanking the enormous square, are two palaces that are now are part of the National Gallery Prague (also included in the Prague Cool Pass):
The Schwarzenberg Palace, which it turns out was built by Johann iV Popel of Lobkowicz in 1567 and from World War II to 2002 was a Military History Museum, before being acquired by the National Gallery Prague) features Old Masters of the Renaissance (Albrecht Durer, El Greco, Lucas Cranach the Elder, Hans Holbein the Elder, Brueghel), Baroque (Peter Paul Rubens, Anthony van Dyck) and Rococco.
The Sternberg Palace, built by Count Vaclav Vojtech of Sternberg, features Old Masters II, continuing a long tradition as the Picture Gallery of the Society of Patriotic Friends of the Arts, the National Gallery’s predecessor. It features Archduke Franz Ferdinand’s collection of Italian paintings of the 14th and 15th centuries, the largest collection of Italian primitive school outside of Italy. My favorite section, though, is an extraordinary collection of Dutch and Flemish painting of the 15-18th centuries from Antwerp, Amsterdam, Utrecht and Layden (Brueghal, Rubens, van Dyck). There is also a delightful garden area.
Walking around Prague, I was struck by how demonstrably pro-Ukraine the Czechs are – banners unfurled at government buildings, apartment buildings – which is understandable considering the Czech people know full well what it is like to live under the Soviet yoke. I also came upon a climate protest, and after spending a lot of time in the Jewish Quarter (a square is named for the Jewish novelist Franz Kafka, in front of the Library), and even in the National Museum, I was struck by how respectful of its Jewish heritage Prague is.
Also, how culturally liberal. Prague is a place of pleasure, of indulgence – you see it and feel it in the number of chocolate and sweet shops, cannabis shops, beer and wine, casino, Thai massage parlors,and a generally permissive attitude toward sex (you can visit the Sex Machine Museum at the archway to the Old Town Square).
And a streetscape that is out of a fairytale. Prague is a place to wander, explore, discover, get lost and be surprised and delighted.
By now, it’s time for me to return to the hotel, pick up my luggage, and make my way to Elbe Princess for my CroisiEurope river cruise. I will have one more full day here in Prague – the ship offers guided walks of the Jewish Quarter and the Prague Castle – before the ship begins its eight-day cruise to Berlin.
The Prague Cool Pass is extremely easy to purchase and use – you purchase it online, download an app, and it activates the first time you use it, and is good for the amount of time you purchase, 2 to 4 consecutive days. You just flash the QR code to the ticket counter and they issue you a ticket. (Each attraction can be visited only once. The pass provides free entry to some 70 attractions (including Prague Castle, Jewish Museum, Petrin Tower), free sightseeing bus tour, free river cruises, plus discounts on other attractions, tours in and outside Prague, concerts, entertainment, dining and other activities. The app is really helpful, giving details and visitor information about the attraction, plus maps. (See praguecoolpass.com)
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
For my second full day in Prague, I head out to what is appropriately its most important attraction, Prague Castle. I walk over the Charles Bridge (Karlov Most), which was built by Charles IV in 1357, and then up, up, and up (you can take a tram) to the castle gate. I flash my Prague Cool Pass app on my phone at the ticket window and get a ticket that you present at for entry to each of the various attractions within the castle complex, which dates back to the 9th century.
I am so happy to have the time to just wander and read the various notes that are provided (I opt out of renting the audio tour), and will return the next day with a guide from the CroisiEurope Elbe Princess who will point out the details that I have missed in the famed St. Vitus Cathedral, Royal Palace and Basilica of St George (I note the relief outside of St. George slaying the dragon, symbolic of the Church defeating paganism). (Some of the Castle sites were closed, including the Rosenberg Palace).
The Castle is a vast complex and today is the seat of the Czech Republic’s government (a flag is raised when the president is in).
A few tidbits: Cathedral St. Vitus was built between 1344 and not finished until 1929. Half of the Cathedral is “new”. The two original architects are buried within the Cathedral, and in the most elaborate tomb of all is Charles IV, himself, who did so much to build the “New Town” of Prague, the cathedral, and the university. The Bohemian Crown jewels are kept within a hidden room inside, and seven keys – each one held by a different official – are needed to open it. In a small chapel, I note actual skeleton remains peeking out through a window.
There are horrific stories, too. Ludmilla, with her husband sought to convert the country to Christianity, was killed assassins hired by her daughter-in-law, Drahomira of Stodor, who was jealous of Ludmila’s influence over Wenceslaus (her son and Ludmilla’s grandson). Soon after Ludmilla was canonized. Wenceslaus (widely referred to as Good King Wenceslaus) was killed by his brother around 935 and also was made a saint.
It’s interesting who becomes a saint. An extremely popular saint, prominent in the cathedral, is St. John of Nepomuk, the court priest of King Wenceslas IV. Legend has it that he was killed by request of the king, because he refused to tell the king about the queen’s confession, and his body thrown off the Charles Bridge. When you go to the Charles Bridge, you can see the statue (one of 30 that line the bridge) depicting this story, where the tradition is to touch his image in order to return to Prague, and walk a few steps to the place where his body was thrown into the water, in 1383.
In the Royal Palace, we go into a gigantic hall, that dates from 1492, where jousts (on horseback) were held. It is an architectural achievement because it was built without supports for the ceiling.
We learn that Empress Maria Theresa, who brought compulsory education to Europe and was responsible for a major rebuilding of the castle, was the mother of 16 including Joseph II who ruled from 1780-90 and freed the serfs (as well as liberalizing restrictions on the Jews); his sister was Marie Antoinette who lost her head in the French Revolution.
There is a portrait of Joseph II in a ceremonial room where there are replicas of the crown and septre that are hidden away.
The best part is going into the room that was the scene of the “Defenestration of Prague,” a key event in European history. In 1618, the Protestant rebels threw two Catholic Imperial Ministers and their secretary out of these windows. Surviving the fall (they fell on a pile of refuse in the moat), they took refuge in the adjoining Lobkowicz Palace where they were protected by Polyxena. (The scene is immortalized in a painting which you can view in the palace.) The Defenestration of Prague signaled the beginning of a Bohemian revolt against the Habsburg emperor Ferdinand II, leading to the Thirty Years’ War.
But I am grateful for having the time to really linger on the Golden Lane, my favorite part of the castle – there is simply so much to see.
This, I grin to myself, is where the “tiny house” trend was born.
Golden Lane has a marvelous history. It’s an irregular strip of land, varying in width from 4-8 meters between the older (12th C) Romanesque walls and the later (15th C) walls that form the outer north fortification of Prague Castle on the edge of a natural ravine, the Stag Moat. Three defensive towers are attached to the castle wall (up to 320 cm thick): Powder Tower on the west, Dalibor Tower on the east and between them, White Tower. And between Dalibor and White towers, 12 vaults, each 720 cm deep and 600-660cm wide, were used as makeshift dwellings.
The oldest written reports are from 1560s when the lane was called Goldsmith’s Lane – its residents were probably “lesser” goldsmiths who had fled the strictly enforced guild laws in Prague’s three towns of Old Town, New Town and Lesser Town. We get to see one of these tiny houses, Number 15, as it would have been when the Goldsmith occupied it (there is a bird cage to alert the goldsmith when there were toxic fumes).
In 1597, artillerymen at the gates asked Emperor Rudolf II for permission to build little rooms within the newly repaired walls. The Red Artillerymen (named for their uniform) had to build their dwellings at their own expense, and bought and sold them. We get to see one of the houses, Number 13, that would have been inhabited by a Red Artilleryman.
The Red Artillerymen served without fixed salary but were exempt from paying tax and lived in the castle for nothing. There were 24 Red Artillerymen guarding the gates and were subordinate to the Castle Governor. In 1597, they asked Emperor Rudolf II for permission to block the niches in the newly reconstructed castle walls and establish rooms. Their most important source of revenue came from services they performed for the nobles who were imprisoned in the White Tower and Dalibor Tower – they acted as servants, cooks, stokers, and mail carriers in addition to being prison guards. The Red Artillerymen unit was disbanded by Emperor Joseph II in 1784.
Not long after, little houses began to expand into the lane with the addition and fireplaces; new additions made. Hardly idyllic, conditions for basic hygiene remained backward. In the 18th century, there was only one privy for all the houses, a second one was only installed in the 19th century. Water pipes were laid in 1877, but it wasn’t until 1942 that the house at Number 24 had running water.
In 1953, the office of Czech president (which is within the Castle complex) expropriated the little houses from their owners. The lane was restored in 1955 by architect Pavel Janik, and the façade colors chosen by painter and animator Jiri Trnka. The last reconstruction of Golden Lane took place in 2010-11, with a new drainage system and repaving, the tiny houses were underpinned and repaired, the facades repainted, and the Defense Passage and White Tower restored.
Right up to the departure of the last tenant, in 1952, the Golden Lane community was very colorful. At first, it consisted of Castle employees – gatekeepers, guards, bellringers –and later, people who rented, many who appreciated this place as a source of inspiration.
When you see groups of tiny children coming through, you realize what a fantasy place this is – they stop in front of one that seems out of a fairytale.
Several names in the land records that have been preserved are notable:
No 22 was the home of Franz Kafka in 1916 and 1917, who rented it from his sister. It was here that he wrote “The Country Doctor.” (The house is now a bookshop with Kafka’s books prominently featured; several other tiny houses have been turned into marvelous shops.)
House No 12 was in the late 1930s the temporary home of the dramatist and writer of prose fiction Jiri Maranek. “In the romantic atmosphere of the lane and in everyday contact with the past, he found inspiration for his writing, particularly for his historical novels and short stories”
No 14 still has an old sign with playing cards, an owl and a crystal ball. For years this was the home of the renowned Prague tarot-card reader and clairvoyant Madame de Thebes. Before the Second World War, Matylda Prusova (her real name), the widow of a phamarcist, drew attention from afar with her black clothing and old-fashioned hat adorned with ostrich feathers. Since 1914, she had waited in vain for the return of her son who was killed in the first World War. Clients came daily to her cozy room, stuffed with bizarre objects, to have her look into their future. Because of her frequent predictions about an early end to the war and the fall of the Third Reich, she was arrested by the Gestapo and tortured to death.
No 24 was the House of Mrs. Magdalena. By the early 20th c, Golden Lane was already famous and she charged the growing number of tourists and history lovers to see her tiny house. Other enterprising owners rented to artists, writers looking for inspiration.
Number 27 was the Herbalist’s house. This essential skill of treating wounds, curing diseases, and easing suffering was always managed by one of the servants of the Castle, the notes say. Folk healers and herbalists often had enough experience to carry a certificate stating that someone was successfully cured by them. Herbalists used herbs and botanical extracts but also magic and incantation. The herbalist’s household resembled an apothecary – bottles, jugs, boxes containing nectars from plants, purgative and tonic opiates, powders for curing teeth, throat and roundworm, plasters, seeds and sugar coated flowers. A trunk or cupboard would contain snail shells, human craniums, pig’s teeth, bones from the sea spider (octopus) and dried frogs. Ceramic jars had lards from dog, human, tom cat, stork, rabbit, bear and snake.
It’s especially fun to wander through the house of a film critic – seeing the old movie posters, the clutter of cans of film, the movie projectors, as if he recently left.
I climb a narrow, spiral staircase to an upper floor where there is an astonishing exhibit of arms and armor (really intimidating helmets). And in the Dalibor Tower, a prison from 1496 to 1781, there is a horrifying display of implements of torture. You realize that those movies depicting Dark Ages brutality were not fiction or fantasy. You can see the rack, a skeleton hung in a cage, the “Spanish boot.”
We are told that the most famous of the prisoners was the knight Dalibor Kozojed, imprisoned because he backed rebels and confiscated property. After two years of bread and water, he was sentenced to forfeit “his chattels, his honour and his head” and was executed in the courtyard in 1498. Much later, the romantic legend of Dalibor and his fiddle emerged: Supposedly, out of boredom, he played the violin so masterfully in prison that people came from far and wide to listen, enraptured. But it turns out that “fiddle” was a nickname for an instrument of torture: a rack (which we see) on which the convicted man was stretched until he began “to fiddle” – change his tune and confess.
I find the place extremely disturbing (a skeleton is in a cage dangling from the ceiling as you walk down the stone stairs), but a group of school kids seem enthralled.
When I come out from Golden Lane, I look across to see the Lobkowicz Palace and realize it is included on the Prague Cool Pass (praguecoolpass.com). This turns out to be the absolute highlight for me in Prague. The Palace, itself, is fabulous, owned by a noble family that was once one of the richest in the land. The collection inside is breathtaking. And the family’s story is utterly fascinating.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
I was so glad I had the cleverness to arrange three full days to explore Prague on my own before embarking on CroisiEurope’s Prague-Berlin river cruise aboard the Elbe Princesse. I could wander, linger, get lost amid the narrow cobblestone streets, be surprised and delighted upon coming upon stunning views of the Prague Castle from the Charles Bridge across the Vltava, the Old Town Square, the Astronomical Clock at night (the most underwhelming scene you can’t miss), contemplate the Lennon Wall, discover the personalities who occupied the tiny houses on Golden Lane in the wall of Prague Castle, follow whimsy and pop into the Lobkowicz Palace to be dazzled, and have the time to really muse over the exhibits, displays and notes in the Jewish Quarter and Prague Castle, and for good measure, visit the National Museum.
And the Prague Cool Pass, which provides free access to over 70 attractions, tours, river cruises, plus discounts to concerts, entertainment and activities, helped maximize my enjoyment and how much I could see and experience in this all too brief time in such a phenomenal destination (praguecoolpass.com).
I lose the better part of a full day when my Delta flight from JFK to Amsterdam was delayed, causing me to miss my connection to Prague (I knew the 50 minute-connection was too good to work out). But if you have to wait eight hours in an airport, Schiphol is one of the most pleasant. Still, instead of arriving at 8 am, I arrive at 5:30 pm, but still in a good mood – largely because I had made a fantastic choice of hotel, the EA ApartHotel Melantrich, which I found on hotels.com, and pre-arranged an airport pick-up through the hotel.
I actually have an entire apartment on a street that strikes me as comparable to New York’s Fifth Avenue – actually Welcelas Square – with the National Museum at one end, and Old Town at the other, walking distance to everything I want to see in my all-too-short time. (Further benefits: the hotel has a gorgeous dining room where an enormous smorgasbord breakfast is served, an outdoor landscaped sitting area, an indoor pool, elevator, bar/lounge.) (EA ApartHotel Melantrich, Praha 1-Vaclavska Namesti 36 Stare Mes Prague, phone +420734596570).
I had used my time in the airport wisely, looking over “Top Attractions in Prague” and “Three Days in Prague” and there was consistency in the must-see list. I only needed to plot out the logistics (only a little tricky because the map (I LOVE a paper map) is in Czech (it takes me a day to figure it out – but I soon figure out that there are also helpful signposts pointing the direction and distance to what most people are looking for). Still, each time I set out, I get a little lost, or rather find a different way, and each time I am surprised and delighted at what I stumble upon.
I drop my bags at the hotel and the concierge points me in the right direction to walk to the Charles Bridge, which has to be the absolute best place to be at sunset. I get there just as the final patches of orange and pink break through clouds. (It turns out was the best of all three nights, proving my maxim to seize every moment) and I get caught up in that whole vibe. There is music, hawkers, a constant flow of people.
I walk back to Old Town Square and come upon the Astronomical Clock (on the hour, there is a 45-second display – the most underwhelming must-see attraction anywhere, but nonetheless, hundreds wait each hour for the show). The square is absolutely stunning. I find my way back to hotel.
The next day, I set out for the Jewish Quarter, stopping again at the Old Town Square and the Astronomical Clock (you can’t resist). I present my Prague Cool Pass at the Jewish Museum – actually seven separate sites that each tell a different part of the story of the Jewish experience in Prague, going back to the 13th century. I kind of do the sites in reverse order, which I actually appreciate more.
I start at the Old-New Synagogue, the oldest landmark of “Jewish Town” in Prague and one of the oldest surviving synagogues in Europe. It has served for more than 700 years as the main synagogue of the Prague’s Jewish community. Why “old new”? Because it wasn’t the oldest or first synagogue – that one was a shul on the site where the Spanish Synagogue, built in 1867, now sits. You go in and see the traditional way the synagogue was laid out – with a bima in center and seats all around the walls (women on other side of the wall). Each of the chairs still has the name plate of the family that has inherited it; one of the chairs has the name of former US Ambassador Norman Eisen, whose family came from here, and the Israeli Ambassador. A banner that hangs high is adorned with a Star of David with a golden hat in the center – the hat was original required for Jewish men to wear, but instead of a humiliation, the Jews made it a badge of identity, so incorporated it into the symbol of the Jewish Quarter.
I go next to the Ceremonial Hall, adjacent to the Jewish Cemetery, which discusses and describes Jewish burial rituals as well as medical care. Next to the Klausen Synagogue, where the exhibits describe Jewish life – you get the sense that the Prague Jews were actually well off, especially compared to the images you typically see of impoverished Jews in the Russian shetls – and you learn that under Joseph II, who reigned from 1780-90, laws governing Jews were liberalized.
Then on to the Pinkus Synagogue, which dates from 1530, where I was surprised to find it has become a memorial to the Shoah. Some 80,000 names of Jews killed just from this region of Bohemia and Moravia are inscribed all over the walls (you can do a search for names on a computer). A gallery in one room displays paintings by Jewish children who had been deported to Terezin, organized by different themes: longing for home, a dream of Palestine, being taken away, memories of family, with the names of the child and the dates of their birth and too soon death.
Their teacher was Friedle Dicker-Brandeis (born in 1898 in Vienna, died 1944 in Auschwitz), who, from the beginning of her internment in Terezin, devoted herself to drawing lessons for the children in the ghetto. Children signed their drawings and wrote their room number, the group to which they belonged, and lesson hour. Then she classified them. She scoured the camp for paper and paint. When she was deported from Terezin to Auschwitz in a “liquidation” transport, she left behind two suitcases with more than 4000 children’s drawings. This display is heart wrenching.
Outside the synagogue, there is a photo exhibit, “Journeys With No Return,” documenting the Nazi removal.
Then you go through a courtyard to enter the Jewish cemetery. There are some 12,000 tombstones in a tumult – crowded together, pushed over in all directions over time and flooding – but actually some 100,000 are buried here. But after going through the Holocaust Memorial, I felt these people at least had a grave, they had people who buried them, said prayers over them, placed stones to show they had come to pay respects.
Having had this tour, I now go to the Maisel Synagogue (marked as the #1 site) which is a museum that describes the history of Jews in the Bohemian lands from the 10th to 18th centuries, and for me, provides a context for what I had been seeing.
Notably, during the reign of Joseph II (1780-90), Jews could attend university and higher education, but their schools were taught in German instead of Hebrew; under special conditions they were allowed to rent land, learn trades and set up factories, and no longer had to wear “identifying marks.” On the other hand, Jews were compelled to adopt fixed first names and surnames (1787), and only the eldest son was allowed to marry; also the Jewish judiciary was abolished (1784) and Jews now had compulsory military service (1788). It is interesting that the Jewish Quarter is named for Joseph II.
In one of the displays, having to do with the effort to assimilate, integrate and convert Jews, I see an etching of the statue of Jesus that is on the Charles Bridge, which I had noted because of the Hebrew lettering, and in Latin, the word for blasphemy. The notes state that “in 1696, the Hebrew inscription ‘Kadosh, Kadosh, Kadosh’ (holy, holy holy) on the statue was paid for by a fine imposed on the Jews Elias Backoffen and Berl Tabor for alleged blasphemy against the cross in a coded letter. The letter in question, however, was never deciphered by the authorities.”
(I wondered how these structures, these monuments and artifacts survived the Holocaust. I read somewhere that Hitler loved Prague and had thought to “retire” here. He allowed the Jewish Quarter to survive as a “museum to an extinct [extinguished?} people.” The docent at the Old New Synagogue, though, could not or would not confirm.)
On my way to the Spanish Synagogue, I wander into a gallery devoted to Robert Guttmann, “the Oldest Zionist in Prague”, who was famous in his day – a celebrity – for his long-range hikes and travels that might take 14 ½ weeks at a time (people were in disbelief, so beginning in 1903, he kept diaries). He sketched himself with famous people – very possibly the first great self-promoter, like Dali or Andy Warhol. “He belonged to Prague like the Charles Bridge, the Golem, Kampa Island or the Apostles on the Astronomical Clock. It was impossible to imagine Prague without ‘Professor’ Guttmann, the ‘renowned painter’.”
Then on to the Spanish Synagogue (more accurately known as the Temple on Dusoni Street), built 1867-8 on the site of the demolished oldest shul. It deserves its boast to be “the most beautiful synagogue in Europe.” It’s magnificent, but not so large and overwhelming that you feel enveloped by its beauty. Its design reflects a movement of “Jewish Enlightenment,” under the auspices of the Society for the Improvement of Israelite Religious Worship in Prague that followed a relative emancipation of 1848, aimed at promoting assimilation and integration into the “mainstream.”
The change in synagogue design – which moved the bima to the front from the center to increase the seating in pews – came in conjunction with changes to the liturgy and introduction of music.
Indeed, Frantisek Skroup (1801-1862), the organist here from 1836-45, composed the Czech national anthem, and the reformed worship music introduced by Skroup later spread to most other synagogues in Bohemia.
There is a 7 pm concert at the synagogue consisting of favorite compositions of favorite composers – Bach, Mozart, Vivaldi, Rossini, Verdi, Bizet, Smetana, Dvorak, Bernstein and Gershwin. I purchase a ticket. (Actually, it is amazing how many of the important churches and sites hold concerts almost nightly, including the St. Francis of Assisi Church, right at the entrance to the Charles Bridge, which claims the second oldest organ in Prague, 1702, which Mozart played, www.organconcerts.cz).
Just outside the Spanish Synagogue is a terrific sculpture of Franz Kafka (a square at the entrance to the Jewish Quarter is named for him, where the National Library is located.
Next, I go in search of the Lennon Wall, on Kampa Island, just under the Charles Bridge. In my search, I come upon a fascinating historical display documenting the 1967 uprising against the Communist Regime, led by university students. One of the panels notes that the American beat poet Alan Ginsburg who describes being detained by police, deported, and writing “this poem on a jet seat in mid Heaven.”
I ask a woman I see walking through the park where the Lennon Wall is and she says she works at the French Embassy, directly across from the Wall, so we walk there together. (To get to the Wall, walk down stairs from Charles Bridge, turn right on Hroznova.)
Notably, John Lennon never visited Prague, but the wall began as street art, capturing his spirit of peace. The wall keeps changing – people add to it, and all of it is whitewashed so the process begins again. At this time, poems printed on paper in support of Ukraine, are hung on string in front.
“The John Lennon Wall was chosen to host the event because of its apparent symbolism. For decades the wall has served as a place to share messages of peace, love and hope. Lennon, former lead singer of the Beatles, was an avid anti-war activist, who, until the day he died, encouraged the world to ‘Give Peace a Chance’.“
I still have some time before I need to go back to the Spanish Synagogue for the concert, so I walk over to the National Museum, and flash my Prague Cool Pass. There is a very condensed history (actually there is a second building), so I find it quite interesting that there is a note that after Joseph II’s liberalization of laws suppressing Jews, repression was reestablished with the rise of a nationalist movement. Emancipation did not come until 1848. And there is one panel that refers to ‘The culmination of anti-Semitism was the so-called Hilsner Affair, 1899-1900), in which T.G. Masaryk, a founder of Czechoslovakia and its first president, stood up for Hilsner, a Jew convicted in a show trial of ritual murder. It draws a parallel to the Dreyfus Affair in France, when an accused Jewish officer was defended by the writer Emile Zola.
In addition to history, the museum also contains exhibits of Czechia’s natural history. I take note of the country’s gold rush, when I visit the Golden Lane in Prague Castle.
After stopping off at my hotel to regroup, I walk back to the Spanish Synagogue. The concert is one of the best I’ve ever heard – the five musicians of the Czech Collegium, plus soprano Michaela Srumova and trumpeter Miroslav Kejmar sound like an orchestra of 60 and perform one of the most thoroughly magnificent programs.
After the concert, I wander back to the Charles Bridge and catch the end of the setting sun’s afterglow, linger in Old Town Square, before making my way back to the hotel.
Travel Features Syndicate, goingplacesfarandnear.com
Bike tour operators, many still with marvelous fall 2021 itineraries available, are gearing up for 2022, many offering next year’s tours at this year’s prices for those who book early (most have liberal cancellation or change policies).
Responding to a boom in demand for biking, they are back to offering itineraries to international destinations that are classic favorites as well as newly emerging, off-the-beaten track places, as well as coming up with new domestic trips.
Biking has been extremely popular – ideal for enabling people to explore uncrowded destinations while being outside and sufficiently distant, while the wide availability of e-bikes have expanded the boundaries of where cyclists can venture.
Bike tours have been my favorite form of travel – you get to see things at just the right pace to really experience and enjoy, but still cover enough ground to be constantly delighted.
The best bike tours are designed to bring you to the most scenic and interesting places and attractions, provide accommodations in quaint local inns or even incorporate boat or barge.
There is a lot that the tour companies do, beginning with designing itineraries that maximize gorgeous scenery, immersion in local culture, and give you a great ride. They also shuttle bikes to the start and end of a daily ride if you aren’t riding point to point; shuttle luggage inn-to-inn (unless you are on a boat or barge tour, the added beauty of a boat or barge tour is that you don’t have to pack and unpack); booking charming accommodations and dining; and often arrange sightseeing as well as dining experiences. They also can change the itinerary on the spot should circumstances warrant and provide assistance if there is any difficulty along the way.
Self-guided trips also provide a lot of support beginning with an intensive orientation by a guide who provides detailed maps of the route (if not online GPS navigation) and vouchers to the pre-booked accommodations, shuttle luggage from one inn to the next, makes sure the bike properly fits and provide links to service if necessary.
Jim Johnson, Biketours.com founder and company president, preaches the benefits of bike tourism as one of the best ways to explore and become immersed in a destination, heritage and local cultures, a low-carbon, ecologically-friendly way to travel, and especially now, with more interest in being away from crowds.
“By creating a world almost devoid of tourism, the pandemic has provided us with a unique opportunity–a blank slate, in effect–to define what tourism will look like in the future. Bicycle travel provides a superb model for more responsible tourism, for better, more authentic experiences, and for more comfortable traveling,” Johnson writes on his Tailwind blog.
BikeTours.com has a fabulous catalog of European destinations, from Albania to Bosnia and Herzegovina, to Estonia and Montengro, Romania and Slovenia.
Johnson offers this list of eight lesser-traveled European bike tour destinations deserving a visit: Bulgaria; Transylvania; Slovenia; Connemara Ireland; Apulia, Italy; Umbria, Italy; the Balkans.
I’ve traveled with BikeTours through Albania (by e-bike), on an incredible bike and boat tour through the Greek Islands, and guided tour of Slovenia, and self-guided trips on Danube Bike Trail and Venice to Croatia. The company is a broker for superb in-destination bike tour operators that provide excellent service, bikes, delightful accommodations, and offers excellent value.
I’m next eyeing one of Biketours.com’s Amsterdam-Bruges by bike and boat.
You can join Johnson on his Founder’s Tour, November 6-13, 2021, for Bike the South’s final Athens to Savannah tour of the 2021 season.
“I founded Bike the South during the pandemic, and I hope some of my BikeTours.com friends who have delayed overseas travel will join me for this last-minute domestic opportunity.”
The cost per person, double occupancy, $2,879, includes a donation to the Georgia Hi-Lo Trail, a 250-mile paved path under development from Athens to Savannah. This tour also helps create awareness about the project and demonstrate the potential economic impact of the trail and sustainable tourism on rural Georgia. (Contact [email protected], www.bike-the-south.com/tours/athens-to-savannah).
You can lock in your Discovery Bicycle 2022 biking adventure and your preferred dates for international tours, including the Moselle River Bike & Barge, by booking by November 1.
The 8-day Moselle River Bike & Barge tour, August 13-20, 2022, is maxed out at 24 passengers on the Iris. Just as on other Discovery Bike barge tours, there are two guides and a support van that accompany the riders; breakfasts and most dinners are on board. Cabins have two beds and a shower ($3695).
International travel will likely be extra popular in 2022 so it is recommended to book early.
Here are other international offerings from Discovery Bicycle:
Discovery Bicycle Tours offers what may be the first to design an itinerary on New York State’s new Empire State Trail, from the tip of Manhattan to Albany (the trail continues north to the Canadian border, and connects with the 353-mile east-west Erie Canalway).
In addition, Discovery has domestic bike tours to Coastal Maine (which we enjoyed this summer); Cape Cod; Idaho; Mickelson Trail & Black Hills, South Dakota; Tucson & Saguaro National Park; Lake Champlain Islands; Crater Lake & Scenic Bikeways; Texas Hill Country; Florida Keys, Florida Gulf Beaches; California’s Death Valley; Taste of Southern California; and Vineyards , Canyons and Charming Inns of California.
Bicycle Adventures is giving a $300 discount on 2022 bookings made by October 31. (No code is needed when booking online, your discount will be applied automatically to your balance payment.)
Bicycle Adventures has itineraries on some of the most wonderful rail trails, like the Mickelson in South Dakota (6 days, $2948) and Trail of the Coeur D’Alenes in Northern Idaho (5 days, $2898), which are ideal for beginners, and Washington’s Olympic National Park & Discovery Trail (6-days, $3398).
Its selection of road cycling itineraries include California Redwoods (6 days, $3698) and Montana’s Lewis & Clark Country (6 days, $3098), a new tour through the Valley of Fire & Death Valley in Nevada (6 days, $3148).
There are also international offerings including a new Ireland ‘s Wild Atlantic Way (7 days, $4373) and a new France Bike and Barge from Strasbourg to Lagarde in Alsace (7 days, $5123); other itineraries are available to Spain’s Medio Camino, Scotland’s Isle of Arran, Chile’s Lakes and Volcanoes, Mexico’s Yucatan, and for advanced riders, a bike, hike, paddle and sail through the Sognefjord, Norway’s longest, deepest fjord (8 days, $5180).
Wilderness Voyageurs has a marvelous selection of bike tours oriented around rail trails including the New York’s Erie Canalway, Florida’s Sun Coast, Idaho’s Hiawatha Trail, Pennsylvania’s Great Allegheny Passage and C&O Canal Towpath; Wisconsin’s Elroy-Sparta Trail, Missouri’s Katy Trail, South Dakota’s Mickelson Trail & Badlands (which I enjoyed). Explore Pennsylvania’s Grand Canyon cycling the Pine Creek rail trail, starting and ending in Black Lick that also features Bald Eagle State Park and Ghost Town trail (3 days, $975).
Wilderness Voyageurs offers a broad selection of road bike trips. Among the intriguing offerings is a “Kentucky Bike & Bourbon” tour that explores the state’s horse farms and whiskey-making (four days, $2100), plus trips through Pennsylvania including Amish Country, Gettysburg and the Civil War; in Virginia, Colonial Williamsburg Shenandoah and Skyline Drive; Washington’s San Juan Islands, and Texas Big Bend. The operator also has expanded its super-popular New York Finger Lakes bike tour to six-days ($2150).
Another featured bike tour is Cuba Clasico through central Cuba that takes you off the beaten path and Cuba’s tourist track. Biking from Havana, Santa Clara, Trinidad and Sancti Spiritus, Cienfuegos, it’s a tour through Cuba’s heritage and homeland from the best seat in the house—a bicycle seat (8 days, $3990).
For 2022, Butterfield & Robinson is launching the collection of new trips that were supposed to be launched in 2020, but kept back because of the coronavirus pandemic. New scheduled trips for 2022 have been refined further to accommodate local regulations and are limited to 16 people – you can join other travelers on a scheduled departure or take over a trip and turn it private with your family and friends.
Kyushu Biking: In true Japanese style, each intricate detail of this trip was crafted with intention. Pedal into lush subtropical landscapes with green tea fields and smoking volcanoes on the horizon. Connect with the fascinating local culture from samurai practice to mythological stories and “power spots.” Talented chefs, brewers and artisans bring you closer to deep cultural roots, while each stay shows you a new way to relax and rejuvenate.
Alsace E-biking: Wind passed stretches of tidy vineyards, take the time to explore colorful towns and sample regional wines along the way. Alsace is a mix of France and Germany, blending cultures, flavors which make for a unique and hyper-local experience.
Butterfield & Robinson (which offers hiking and walking tours as well), has bike tours in Africa (for example, eight-days Morocco e-biking and Namibia Bespoke), Asia, Europe (like a 7-day Bulgaria biking and 6-day Cotswold-Bath biking), Latin America (like 7-day Chile Wine country and a Costa Rica Bespoke), and North America (for example, Quebec Bespoke). There is a selection of self-guided trips, as well as guided.
In 2022, Duvine Cycling & Adventure Co. is traveling to England for the first time, hitting the rolling hills for a new Cotswolds Bike Tour (5 days, $4895).
The company has an extensive catalog of “classic” bike tours all over the world including the United States, like a new four-day Hudson Valley Bike Tour ($3695); a new six-day Maine tour to Camden and Penobscot Bay (3995); a new Santa Fe and Taos bike tour (5 days, $3595), a four-day Shenandoah Valley ($3595) and a four-day Blackberry Farm Bike tour in Tennessee’s Smoky Mountains ($6495)
Also new is a Sardinia Yacht & Bike Tour in Italy (7 days, $7695) and new private tours including an 8-day Maui Villa bike tour (8 days, $6995); a 7-day Tuscany Villa Bike Tour (7 days, $5995) and a 7-day Mallorca Villa Bike tour.
Trek Travel is celebrating 20 years of cycling vacations in 2022 by inviting people to cycle through a bucket-list destination and the company sure offers many of them spanning the globe.
Trek Travel is celebrating 20 years of cycling vacations in 2022 by inviting people to cycle through a bucket-list destination and the company sure offers many of them spanning the globe – in Europe like a new self-guided Ireland trip (6 days, $2599); a new self-guided Scotland tour (6 days, $2299); a new self-guided Portugal tour through Alentejo region (5 days, $2199). For avid riders, a new “Classic Climbs-Slovenian Alps Tour” (6 days 3899), and a 6-day tour through the Greek islands of Crete and Santorini ($5499); South America (Chile, 7 days, $5699); Asia (Japan Bike Tour, 7 days, $8799) and North America (South Dakota Glamping, 5 days, $3299).
What could be more “bucket list” than “Classic Climbs: The Tour Bike Vacation” which has you ride the most famous climbs of the Tour de France on a nine-day cycling tour of the Alps and Pyrenees. You ride the legendary cols of Aubisque, Galibier and the mythic Ventoux, along with the test of all tests: the grueling ascent up Alpe d’Huez, following in the tracks of pro riders.
BSpoke Tours curates cycling itineraries with an eye toward eco-friendly cycling holidays to European destinations: For history and wine lovers, Bordeaux; for cyclists looking for an adventure in an authentic corner of Spain, Asturias where one third of the region is environmentally protected with nature reserves and protected landscapes.
Among its new trips is a curated tour by e-bike in Sussex and the Cotswolds, starting in the north at Moreton-in-Marsh and an opportunity to visit Stratford-upon-Avon, the birthplace of William Shakespeare, continuing down the picture-perfect countryside to the south, stopping in beautiful towns and villages, including Bourton-on-the-Water, Upper & Lower Slaughter, Tetbury, Cirencester and Bibury and ending in the Roman spa town of Bath.
Another new UK program explores Scotland’s most iconic castles and coastlines by road bike.
BSpoke Tours also offers itineraries throughout Europe –including e-bike and boat-and-bike programs, food-and-wine, eco-friendly, luxury, self-guided, group. New offerings include the island of Sardinia, and in Puglia in Italy; and Andalusia and Camino di Santiago in Spain.
BspokeTours is touting its flexible booking policy because of uncertainty about travel plans. Deposits have been removed and change fees eliminated so you can change your date and destination for no cost up to 12 weeks before departure (monies paid are secured through ABTA and ATOL).
Discover France is featuring biking trips through the Loire Valley, where there is a 800 km cycle route. A large stretch of the Loire is a UNESCO World Heritage Site; in parts it’s also known as France’s Valley of the Kings and as The Garden of France. All along The Loire Valley, you stick closely to France’s last great wild river, with its sandy banks and islands, its vine-covered slopes, its typical towns and villages, its fine food and its unique atmosphere. The route ends at the Loire’s Atlantic estuary.
A five-day/six-night “Loire Valley Secret Castles” bike tour starts in Joué-les-Tours and takes you to Azay-le-Rideau, Langeais, the Chateau de Villandry and Ussé, and the famous Fontevraud Abbey. You cycle through some important wine regions such as Chinon and Saumur for some wine tasting. This is a self-guided trip (start any day), priced from 760E.
Among the new itineraries: self-guided French Riviera-South of France by the Coast, from Nice to St. Tropez (6 days, 1280E); and self-guided Veloscenie From Nogent le Rotrou to Mont Saint Michel (7 days, 1570E).
Also: an 8-day Bordeaux Vineyards by Bike tour travels Saint-Emilion to Entre-Deux-Mers (1550E); a 7-dayAlsace by the Wine Route (1350E). There are also itineraries through Champagne and Burgundy.
Discover France, 427 Rue Hélène Boucher, Mauguio 34130, France, 800-929-0152, discoverfrance.com.
The
Global Scavenger Hunt teams arrive in New York City for the last leg of the
Global Scavenger Hunt, a mystery tour that has taken us to 10 countries in 23
days.
Bill
Chalmers, the ringmaster and Chief Experience Officer of this around-the-world
mystery tour, has designed the rules, challenges and scavenges to get us out of
our comfort zone and immerse us in a culture, fine-tune our skills as world
travelers, and most significantly, “trust in the kindness of strangers.”
Back
in New York, he is delighted all 10 teams circumnavigated the world “in one
piece” without dramatic incident, in this, the 15th annual
Global Scavenger Hunt competition.
There is one more challenge in New York (an easy urban Par 1), and even though, based on points and placement, the winners of the 15th annual, 2019 edition of the Global Scavenger Hunt have been determined, still the teams go out and give it their all. The four teams still in contention must complete at least one of the scavenges in New York, and complete their time sheet and hand in by the 4 pm deadline.
Paying tribute to John Lennon at Strawberry Fields, in Central Park, one of the New York City scavenges on the Global Scavenger Hunt (c) Karen Rubin/goingplacesfarandnear.com
Examples of the scavenges: take in a Yankees game or a Broadway show (actually difficult because of the deadline of 4 pm); have one of each of following: a New York bagel, a New York hot dog, a New York deli sandwich, a slice of New York pizza, New York cheesecake, a New York egg cream, or an old-fashion Manhattan; locate five pieces from five of the nations you just visited in the Met; visit Strawberry Fields to pay John Lennon tribute; do one scavenge in each of the five boroughs of New York City.
A native New Yorker, this is really
my turf, though there is the oddest sensation of feeling like I am in a foreign
place, reminding myself of what is familiar and not having to think twice about
things like language, currency, drinking water from the tap, eating raw
vegetable, the street grid).
In
fact, that is the genius of the way the Global Scavenger Hunt is designed – we
are supposed to feel off-balance, disoriented because that’s when you focus
most, the experiences are more intense, you are out of your comfort zone and
need to rely on the kindness of strangers, as opposed to the style of travel
where you stay long enough to become familiar, comfortable in a place so it (and
you) no longer feels foreign.
I elect to take up the challenge of going to the Metropolitan Museum of Art to seek out objects from five of the countries we visited (Canada, Vietnam, Myanmar, Thailand, Abu Dhabi, Jordan, Greece, Morocco, Gibraltar, Portugal, Spain). Greece will be easy, of course, but Morocco and Jordan (Petra), Vietnam and Myanmar (Burma) are trickier. It is Chalmers’ way of making us experience things on a different level, and for me, it brings together so much of what we’ve seen, learned and experienced along the way. I have a context in which to appreciate the artifacts, dare I say a personal connection. Indeed, the Metropolitan Museum of Art enables you to travel around the world, be transported over millennia, within the confines of its walls.
I first join a docent-led Highlights
Tour, knowing from past experience that these always lead me to parts of the
museum I am unfamiliar with, and enlighten me about aspects of art and culture
with the in-depth discussion of the pieces the docents select to discuss.
The docent, Alan, begins in the
Greco-Roman exhibit with a stunning marble sculpture of the Three Graces,
showing how this theme – essentially copied from the Greek bronzes (which no
longer exist because the bronze was valuable and melted down for military use)
– was repeated over the eons, into the Renaissance and even beyond. Greece. One
down.
Obviously,
finding an object from Greece would be easy, and I hope to find objects from
Vietnam, Myanmar (Burma), and Thailand in the Asia wing where there is a
massive collection of Buddhist art (it proves just a tad more difficult, but I
succeed).
Morocco
and Jordan (Petra) prove trickier than I expected, but bring me to an
astonishing, landmark exhibit, “The World Between Empires: Art and
Identity in the Ancient Middle East,” with an extraordinary focus on
the territories and trading networks of the Middle East that were contested
between the Roman and Parthian Empires (ca. 100 BC and AD 250) “yet across the
region life was not defined by these two superpowers alone. Local cultural and
religious traditions flourished and sculptures, wall paintings, jewelry and
other objects reveal how ancient identities were expressed through art.”
This is a goldmine for my hunt.
Featuring 190 works from museums in the Middle East, Europe and the United
States, the exhibition follows the great incense and silk routes that connected
cities in southwestern Arabia, Nabataea, Judea, Syria and Mesopotamia, that
made the region a center of global trade along with spreading ideas, spurring
innovations (such as in water control), and spawning art and culture. It is a
treasure trove for my scavenger hunt.
It is the most incredible feeling to come upon the objects from Petra, having visited the site (was it only 10 days ago?) and having a context for seeing these isolated objects on display. I recall seeing their counterparts in the newly opened Archaeological Museum at Petra.
The
landmark exhibition The World between Empires: Art and Identity in
the Ancient Middle East (unfortunately it is only on view through June
23, 2019), focuses on the remarkable cultural, religious and commercial
exchange that took place in cities including Petra, Baalbek, Palmyra and Hatra
between 100 B.C. and A.D. 250. “During this transformative period, the Middle
East was the center of global commerce and the meeting point of two powerful
empires—Parthian Iran in the east and Rome in the west—that struggled for
regional control.”
Among the highlights is a Nabataean
religious shrine, reconstructed from architectural elements in collections in
the United States and Jordan; the unique Magdala Stone, discovered in a
first-century synagogue at Migdal (ancient Magdala) with imagery that refers to
the Temple in Jerusalem; and wall paintings from a church in Dura-Europos that
are the earliest securely dated images of Jesus.
Sculptures from Baalbek illuminate
religious traditions at one of the greatest sanctuaries in the ancient Middle
East, and funerary portraits from Palmyra bring visitors face to face with
ancient people. The exhibition also examines important contemporary
issues—above all, the deliberate destruction and looting of sites including
Palmyra, Dura-Europos, and Hatra.
“The compelling works of art in this
exhibition offer a view into how people in the ancient Middle East sought to
define themselves during a time of tremendous religious, creative, and
political activity, revealing aspects of their lives and communities that
resonate some two millennia later,” stated Max Hollein, Director, The
Metropolitan Museum of Art, in a video that accompanies the exhibit. “Further,
in focusing on an area of the world that has been deeply affected by recent
conflicts and the destruction of sites, monuments, and objects, this show also
engages with complex questions about the preservation of cultural heritage.”
The exhibition evokes a journey
along ancient trade routes, beginning in the southwestern Arabian kingdoms that
grew rich from the caravan trade in frankincense and myrrh harvested there and
used throughout the ancient world. Camel caravans crossed the desert to the
Nabataean kingdom, with its spectacular capital city of Petra, which I have
just visited, walking through very much as the caravan travelers would have.
From here, goods traveled west to
the Mediterranean and north and east through regions including Judaea and the
Phoenician coast and across the Syrian desert, where the oasis city of Palmyra
controlled trade routes that connected the Mediterranean world to Mesopotamia
and Iran and ultimately China. In Mesopotamia, merchants transported cargoes
down the Tigris and Euphrates rivers to the Persian Gulf, where they joined
maritime trade routes to India. These connections transcended the borders of
empires, forming networks that linked cities and individuals over vast
distances.
“Across the entire region, diverse
local political and religious identities were expressed in art. Artifacts from
Judaea give a powerful sense of ancient Jewish identity during a critical
period of struggle with Roman rule. Architectural sculptures from the colossal
sanctuary at Baalbek and statuettes of its deities reveal the intertwined
nature of Roman and ancient Middle Eastern religious practices. Funerary
portraits from Palmyra represent the elite of an important hub of global trade.
Wall paintings and sculptures from Dura-Europos on the River Euphrates
illustrate the striking religious diversity of a settlement at the imperial
frontier. And in Mesopotamia, texts from the last Babylonian cuneiform
libraries show how ancient temple institutions waned and finally disappeared
during this transformative period.”
From my visits in Athens and Petra,
particularly, I appreciate this synergy between trade, migration, environmental
sustainability and technology (in Petra’s Archaeology Museum, you learn how the
ability to control water supply was key to the city’s development) and the
links to economic prosperity and political power, and the rise of art, culture,
and community. (I recall the notes from the National Archaeology Museum in
Athens that made this very point.)
It is rare (if ever) for the
Metropolitan Museum to venture into the political, but a key topic within the
exhibition is the impact of recent armed conflicts in Iraq, Syria, and Yemen on
archaeological sites, monuments, and museums, including deliberate destruction
and looting. Some of the most iconic sites affected—Palmyra, Hatra, and
Dura-Europos—are featured in the exhibition, which discusses this damage and
raises questions regarding current and future responses to the destruction of
heritage. Should the sites be restored or will they now only exist “on paper”?
How much money and resources should go to restoring or excavation when villages
and homes for people to live in also need to be rebuilt?
There is a fascinating, if frantic,
presentation of three archaeologist/historians speaking about what the
destruction by ISIS and Islamic fundamentalists of Palmyra, Eura-Europos and
Hatra – what it means to destroy a people’s heritage, their cultural identity.
“It may seem frivolous to focus on [archaeological sites] when people are
enslaved, killed…but to wipe out, destroy culture is a way of destroying
people.”
Happening upon this exhibit made the
travel experiences we had to these extraordinary places all the more precious.
It is a humbling experience, to be
sure, to go to the origins of the great civilizations, fast forward to today.
How did they become great? How did they fall? Greatness is not inevitable or
forever. Empires rise and fall. Rulers use religion, art and monuments to
establish their credibility and credentials to rule; successors blot out the culture
and re-write history.
I peek out from the American Café windows to Central Park and see sun and the early spring blossoms on the trees, and dash out to walk through my other favorite New York City place. There is nothing more beautiful than New York City in the spring – brides are out in force taking photos; there are musicians and entertainers. There is a festive atmosphere as I walk through the park toward the Palace Hotel in time for our 4:30 pm meeting.
Plan your visit and get information on current exhibits, www.metmuseum.org.
In
second place, Lazy Monday, Eric & Kathryn Verwillow, computer networking
and think tank professional of Palo Alto, California “I am in awe of how hard
working, beginning to end – embracing the spirit,” Chalmers says.
And
the World’s Greatest Travelers of 2019: Lawyers Without Borders, Rainey
Booth and Zoe Littlepage of Houston, who have competed in the Global Scavenger
Hunt 12 times, and win it for their 6th time. “You
embody the spirit of the event, to go out of your comfort zone.” (You can
follow Zoe’s blog of her experience to get a sense of how strenuous,
outrageous, and determined the team was in accumulating their points: https://zoeandraineygreatescape.blogspot.com/2019/05/gsh-2019)
We celebrate at a final bon voyage
dinner.
The Global Scavenger Hunt is the
brainchild of Bill and Pamela Chalmers, who in addition to forging
understanding and bonds among travelers and the people in the destinations
visited, use the program to raise money for the GreatEscape Foundation and
promote voluntourism – one of the scavenges in Yangon, Myanmar is to volunteer
at an orphanage or school; past GSH travelers visited and helped out at Tibetan
refugee camps in Nepal, orphanages in Laos, hospitals in Cambodia, homeless
schools in India, hospices in Manila, disabled facilities in Sri Lanka,
Ethiopian schools, the slums of Nairobi.
“The foundation is one of main
reasons we do the event,” Chalmers says at our final meeting before going out
for a celebration dinner. The foundation has raised money to build 12 schools
(1 each in Niger, Haiti, Ecuador, India & Ethiopia; 2 each in Sri Lanka
& Sierra Leone, and 3 in Kenya), helped build the Tamensa Medical Clinic in
Niger for migrating Tuareg nomads which serves as a midwives & nurse
training center too. “We know that we saved lives and bettered the lives of
hundreds. We have helped over 2400 families in more than 60 countries (mostly
women entrepreneurs) with our interest and fee free micro-loans (96% of which
have gone to women with a 99% repayment).”
Through the event this and last
year, the foundation will build 2 more co-ed elementary schools , in Ethiopia
and Haiti.
2020
Global Scavenger Hunt Set for April 17-May 9
Chalmers has just set the dates for the 23-day
2020 Global Scavenger Hunt: April 17-May 9, 2020. Entry applications are now
being accepted.
Eager Indiana Jones-types of adventurers and curious travelers wanting to test their travel IQ against other travelers in an extraordinary around-the-world travel adventure competition that crowns The World’s Greatest Travelers, can apply at GlobalScavengerHunt.com.
The 2020 event will pit savvy international travelers against each other by taking them on A Blind Date with the World, visiting ten secret destinations without any prior preparation, and then have them unravel a constant blitz of highly authentic, participatory and challenging culturally-oriented scavenges along the way, like: meditating with monks, training elephants, taking flamenco lessons, cooking local dishes with local chefs, searching out Lost Cities, cracking sacred temple mysteries, joining in local celebrations, and learning local languages enough to decipher their scavenger hunt clues. Trusting strangers in strange lands will be their focus as they circle the globe for three weeks. Over the past 15 years, the event has touched foot in 85 countries.
The title of The World’s Greatest Travelers and free trip around the world to defend their titles in the 2021 event await the travelers worthy enough to win the 16th edition of the world travel championship.
Event participation is open but limited; the $25,000 per team entry fee includes all international airfare, First Class hotels, 40% of meals, and special event travel gear. All travelers are interviewed for suitability and single travelers are welcome to apply. For additional information visitGlobalScavengerHunt.com, or contact GreatEscape Adventures Inc. at 310-281-7809.
I am overwhelmed by the beauty of Seville, Spain. The bus ride from Le Leigne de la Conception in southernmost point of Spain (the closest bus stop to Gibraltar) as I continue on this leg on the Global Scavenger Hunt that began in Marrakesh, Morocco, has been absolutely beautiful, providing glimpses of farms and villages and graceful wind turbines. As the bus turns into the city, the exquisite architecture, the vast green parks, the bike lanes, the atmosphere is just breathtaking. Even the bus station is magnificently decorated.
I have booked Apartements Hom Sevilla through hotels.com, choosing a place that seemed closest to the city center (0.2 miles) and The Cathedral which seemed the major landmark (0.2 miles) that also was within the budget allotted by the Global Scavenger Hunt (under $100 since my teammate, Margo, went directly to Porto from Gibraltar instead). It is a delightful 15 minute walk from the bus station that literally transports me.
It is the late afternoon and the Cathedral
that takes up much of Avenida de la Constitution is bathed in golden light. A
tram moves smoothly, virtually noiselessly down the boulevard; cyclists stream
by, pedestrians meander by. The hotel is right in the midst of this historic
district. The manager, who has been texting me while I was on the bus asking
when I expected to arrive and giving me walking directions, is (thankfully)
still on duty when I arrive. He shows me how to use the espresso coffee maker
in their lounge/lobby (the hotel is self-service after hours) and offers suggestions
on how to get around, gives me a map of the city and suggests places to go to
restaurants that are less touristic, more typical, and where to get the bus to
the airport the next day.
The hotel is absolutely lovely – a modern,
chic boutique apartment hotel. I am beyond delighted and think how clever I am to have chosen this
ideal place. (Apartamentos Hom Sevilla, Calle Fernández y González 13B, Sevilla,
41001, Spain)
I
rush out to catch the remaining light and am treated to an amazing, flaming
sunset. I find myself drawn to the historic Torre Del Oro (Tower of Gold), built
in the 13th century (1220-1221) during the reign of the Taifa Kings, a time
when Spain was invaded by the Moors, to prevent attacks from Christians.
Restored in 2005, it apparently got its name because it was covered in lime and
straw mortar which would have given it a golden reflection. Over the centuries,
the tower has been used as a fortress, a chapel, a warehouse, a prison and even
as the Guadalquivir River Company main office. Today it is the Naval Museum and
an iconic symbol of Seville.
I
wander along the river and across the San Telmo Bridge over the Gualdelquivir, which
I learn is the only navigatable river in Spain and “has played a leading role
in many of the city’s historic moments: sieges, defenses and conquests have
been fought on its waters, and exploits and crossings have been forged from its
shores.”
I had not realized thatthe first trip to circumnavigate the world originated from Seville: that in 1519, Ferdinand Magellan began his voyage here; crossing the San Telmo bridge, you can see the armillary sphere that commemorates mile zero of that voyage.
“Seville
in the 16th century was the mercantile center of the western world, and its
river was the main maritime route for Atlantic traffic for more than 200
years…Seville was known as ‘the city where the world’s heart beats’. Its
maritime activity permeated commerce, population, culture, and its own urban
development, making it unique,” the visitor bureau notes (www.visitasevilla.es/en/history/guadalquivir-river).
The
lights of the city come on, reflected in the cobblestone streets; there are
couples along the river bank enjoying the scene. Seville is one of the most
beautiful cities I have ever seen. It is a dream.
I
delight in just walking around, taking in the exquisite architecture, the
colors and textures and shapes, the peace of this place. There is such a
wonderful feeling that even a fellow riding his bike is singing.
Unfortunately, under the Global
Scavenger Hunt challenge, I am only here through early afternoon the next day –
having elected to fly out to Porto, rather than take a nine-hour bus ride
through Faro and Lisbon to Porto, in order to arrive by the deadline on Friday,
11:30 am. The deadline is pretty firm because we are taking the 3:55 pm flight
to New York City, our final stop of the 23-day around-the-world mystery tour. (Those
teams that are still in contention are not allowed to fly to Porto; instead,
they have to take bus and/or train, a 9-hour proposition from Seville, with
stops along the way to do scavenges.)
I plan the morning carefully –
getting up extra early to arrange my bags (to avoid paying baggage fees on
Iberia Airlines) – and stroll over to the Parque de
María Luisa – one of the prettiest parks I have ever seen. It is
comparable to Central Park in New York City, the Golden Gate Park in San
Francisco and the Ueno Park in Tokyo, in that in addition to being an urban
oasis, also contains important cultural sites.
Among them is Plaza de España, the most extravagant of the building projects completed
for the 1929 Exposición Iberoamericana (this is reminiscent of Palace of Fine
Arts, built for San Francisco’s 1915 Panama-Pacific exhibition).
This is a vast brick-and-tile structure features fountains, mini-canals, and a
series of tile pictures depicting historical scenes from each Spanish province
(one of our Global Scavenger Hunt travelers found her family’s province). Archeological
Museum and the Museum of Folk Arts and Traditions. There are row boats and
bikes to rent.
At some point, I find myself
in front of a gate with a sign on the wall that says “Juderia,” which, I later
learn, turns out to have been the old Jewish Quarter (before Spain evicted
Jews, in 1492, known as the Inquisition). It has been converted into a hotel, Las Casas de la Juderia, comprised of a vast
complex of interwoven dwellings, a city within a city, a sprawling maze of 27
houses and two palaces, restored to their 15th century glory,
literally in the shadow of the Cathedral and the Alcázar (https://www.lascasasdelajuderiasevilla.com/en/).
“Unmistakably
Spanish, the family-run hotel is an alluring retreat hidden right in the heart
of the city,” writes Trafalgar, a tour company which features this “accommodation
with a story” in its Seville program.
“At Las Casas de la Juderia, you‘ll tread in the footsteps of
nobility and even royalty. Over the centuries, Christopher Columbus, The Duke
of Bejar and The Count of Villamanrique have all stayed here. In fact, after
returning from America, Columbus’s men all resided in these houses. Perhaps
most compelling of all is the network of subterranean tunnels connecting houses
commissioned by former owner, the Duke of Segorbe. You can wander through these
today; in fact, breakfast is taken in the captivating underground Hall of Mirrors.”
(https://blog.trafalgar.com/2018/02/26/stays-stories-sevilles-las-casas-de-la-juderia/)
I
get lost walking to the Real Alcázar,
the major attraction in Seville and for my limited time here, which costs me
dearly. By the time I arrive at 9:38 am (it opens at 9:30 am) there are what
seems 1000 people ahead of me on the line for people (like me) without
pre-purchased tickets, and a guard who only lets in a handful of people every
20 minutes. At first, I don’t understand the sign that says (“Limited access,
4-5 hours wait”) for those without pre-purchased tickets (recommended to
purchase online, they give you a time to come, or visit in the afternoon, https://realAlcázarsevilla.sacatuentrada.es/en)
who go in on a separate line. As it turns out, my wait is 3 ½ hours, but It is
touch-and-go as to whether I would get in with enough time to see the Alcázar
before having to get back to the hotel, pick up my luggage, and get to the bus
to go to the airport.
Finally,
at 1 pm, just at my absolute deadline, the guard lets me in to the Alcázar and
I take advantage of the senior rate (3E versus 11E, so even the limited time is
well worth it; Mondays offer free admission). I have to be out by 2:30 pm.
Though
you take loads of photos, none can do the Alcázar justice because the beauty is
in the exquisite details of architecture, pattern in the decoration, the
symmetry, the delicacy and grace, the ambiance, how you are constantly
surprised by beautiful images and scale. You look up at magnificent ceilings,
at the gorgeous archways, the passages that lead on and on. I think I have seen
it all in about 45 minutes, only to discover two other palaces and gardens. (A
separate ticket is required to visit the personal apartments still used by the
royal family when they visit Seville).
The Alcázar royal palace complex that was originally developed
as a fort in 913 was built for the Christian king Peter of Castile
by Castilian Christians on the site of an Abbadid Muslim fortress, destroyed
after the Christian conquest of Seville and reflects the mix of the different
architectural cultures. The palace is a preeminent example of Mudéjar architecture in the Iberian Peninsula and renowned as
one of the most beautiful.
It has been built and rebuilt and modified many times in the
last 1000 years, most spectacularly in the 14th century when King Pedro added
the Palacio de Don Pedro. I wonder how many people waiting with me on the long,
long line have been intrigued to visit because the Alcázar was featured as a
location for the Game of Thrones TV series. The Alcázar has
been a UNESCO World Heritage site since 1987.
A guided tour would be helpful here, especially since there do
not seem to be any notes or guided material, and I have to go quickly through,
just taking in the stunning visual images and details. I reconstruct the details
later from various sources (See www.lonelyplanet.com/spain/seville/attractions/real-alcazar/a/poi-sig/411802/360736)
We
enter through the Puerta del León (Lion Gate) on
Plaza del Triunfo, to the Patio del León (Lion Patio), which was the garrison
yard of the original Al-Muwarak palace. The Sala de la Justicia (Hall
of Justice), with beautiful Mudéjar plasterwork and an artesonado (ceiling
of interlaced beams with decorative insertions) was built in the 1340s by the
Christian King Alfonso XI. It leads to the Patio del Yeso,
part of the 12th-century Almohad palace reconstructed in the 19th century.
You
wind through what seems a maze of rooms and courtyards and porticos:
The Hunting
Courtyard was where hunters would meet before hunts with King Pedro. The Casa
de la Contratación (Contracting House) dates from 1503 to control
trade with Spain’s American colonies. The Salón del Almirante (Admiral’s
Hall) houses 19th- and 20th-century paintings showing historical events and people.
The Sala de Audiencias (Chapter House) is notable
for its tapestries.
Palacio
de Don Pedro, also known as the
Palacio Mudéjar, “is considered Seville’s single most stunning architectural feature.
King Pedro, had an alliance with the Muslim emir of Granada, Mohammed V, who
was responsible for much of the decoration at the Alhambra. When Pedro decided
to build a new palace in the Alcázar in 1364, Mohammed sent many of his top
artisans, who were joined by others from Seville and Toledo. Drawing on the
Islamic traditions of the Almohads and caliphal Córdoba, the result is a
synthesis of Iberian Islamic art.”
The Patio
de las Doncellas (Patio of the Maidens) is surrounded by
beautiful arches, plasterwork and tiling. A sunken garden was discovered by
archaeologists in 2004 from under a 16th-century marble covering.
The
most spectacular room in the Palacio is the Salón de Embajadores (Hall
of Ambassadors) which originally was Pedro I’s throne room.
I come
upon the breathtaking formal gardens with pools and fountains. From one,
the Jardín de la Danza (Garden of the Dance), a
passage runs beneath the Salones de Carlos V to the Baños de Doña María
de Padilla (María de Padilla Baths). I find myself in the vaults
beneath the Patio del Crucero with a grotto that replaced the patio’s original
pool.
Above
the gardens is the Galeria de Grutesco, a raised gallery
with porticoes fashioned in the 16th century out of an old Islamic-era wall.
There is also a hedge maze that adds to the romance and mystery of the Alcázar.
The
Alcázar is still a royal palace. In 1995 it hosted the wedding feast of Infanta
Elena, daughter of King Juan Carlos I, after her marriage in Seville’s
cathedral (another magnificent structure to visit which was too crowded for me
to fit into my too brief visit). The Cuarto Real Alto (Upper
Royal Quarters), the rooms used by the Spanish royal family on their visits to
Seville, are open for guided tours (€4.50; half hourly 10am to 1.30pm). Highlights
of the tours include the 14th-century Salón de Audiencias,
still the monarch’s reception room, and Pedro I’s bedroom, with Mudéjar tiles
and plasterwork. Unfortunately, I don’t have
the time to visit myself.
Mindful
of the time, I walk back to the hotel along the beautiful promenades, get a
coffee gelato as my lunch, and get myself to the bus station for the airport.
I
arrive in Porto at about 8 pm after changing planes in Madrid (by now I am
second-guessing whether I should have instead taken the nine-hour bus from
Seville to Porto). Coincidentally, I meet up with two other teams from the
Global Scavenger Hunt at the airport who are following the same route.
They
take an Uber from the Porto airport to the Sheraton Porto Hotel; I hop on the
Metro, amazed at the convenience and speed of the service and low cost (just
about $3 to get into town about 20 minutes from the airport). The hardest
part is figuring which way to walk from the station which happens to be quite
dark, but a kindly person points me in the right direction. It’s about a 15
minute walk to the hotel.
I get up early to hop on the Metro
again for the 12 minute ride to Center City. I just want to absorb the gorgeous
ambiance and color of Porto before having to meet the deadline of 11:30 am for
the Global Scavenger Hunt. We will be taking the 3:55 pm flight to New York
City, our final leg of our 23-day, around-the-world mystery tour, and the
crowning of the World’s Greatest Traveler.
Porto, which I visited much more
extensively years ago (the Lello
Bookshop and Majestic Café which
J.K. Rowling frequented when she was writing the “Harry Potter” books are now
overrun with tourists who queue up and pay admission), is absolutely lovely. I
just want to immerse myself in the ambiance, wandering around the boulevards to
take in the gorgeous “exuberant Baroque style with some Rococo
touches” of the buildings, the colorful tiles facades.
I wander to the port where the
Port wineries are located (popular for tours and tastings) and a cable car,
walk across the bridge, before getting back to meet the group.
Visitor information is available from Porto & Northern Portugal
Tourism Association, [email protected], www.portocvb.com, www.visitportoandnorth.travel.
The results for this most difficult leg of the Global Scavenger Hunt (our “final exam” as world travelers), that took us to four countries (Morocco, Gibraltar, Spain and Portugal) in just five days:
In third place having completed 92
scavenges, 5 bonuses and amassing 5310 points, Order & Chaos (the doctors
from San Francisco).
In second place with 102
scavenges (that’s 20 a day), 7 bonuses and accumulating 5680 points, Lazy
Monday.
We’re off to New York City, the last leg of the Global Scavenger
Hunt, when we will learn who will be crowned the 2019 “World’s Greatest
Travelers.”
The Global Scavenger Hunt is an annual travel program that has
been operated for the past 15 years by Bill and Pamela Chalmers, GreatEscape
Adventures, 310-281-7809, GlobalScavengerHunt.com.
Dates have just been set for the 16th annual
edition of The Global Scavenger Hunt, April 17-May 9, 2020, Applications
for the around-the-world travel adventure competition that crowns The
World’s Greatest Travelers are now being accepted at GlobalScavengerHunt.com.
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