Category Archives: Destinations

4 Days in Paris: Montmartre’s Bohemian Spirit Highlights Day 4

The Musee de Montmartre’s collections on display in the apartments and gardens capture the bohemian spirit of Montmartre © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my last day in Paris (I have cleverly booked an evening flight from Charles De Gaulle airport), I just want to lose myself in Montmartre. Perched high above Paris as if its own world, Montmartre is the place of legendary cabarets like Moulin Rouge that so scandalized Parisian society, as well as artists and cultural mavericks and renegades but also (incongruously) Sacre-Coeur, the spectacular basilica that dominates the skyline.

Sacre-Coeur Basilica crowns Montmartre © Karen Rubin/goingplacesfarandnear.com

Perched on the Butte Montmartre, you can hike up the steps or take a funicular from Place Saint-Pierre, from the little public garden ‘Square Louise Michel(where there is also a delightful carousel).

You can climb the steps or take the funicular to Montmartre © Karen Rubin/goingplacesfarandnear.com
 

Picasso, Modigliani, Miro and before them Manet, Toulouse-Lautrec, Géricault, Renoir and Van Gogh, were among the painters who made Montmartre their home (because being well outside of downtown Paris, it was cheap, then), met up in cafes and worked in the many artists’ studios there.

Visitors come to take in that bohemian energy, that bon vivant, creativity, joie de vivre and romance.

Because of all the romance attached to Montmartre, it can be over-the-top touristy (though the tourism office insists this is still a neighborhood), but the true treasure here – and one of the highlights of my visit to Paris – is the Musee Montmartre, where you can really get a sense of that free culture, and see firsthand how the artists lived, what the Moulin Rouge and the scandalous can can.

Visiting Musee de Montmartre is a highlight of my Paris visit © Karen Rubin/goingplacesfarandnear.com

Amazingly, the Musee de Montmartre is in an unassuming house on a quiet cobblestone street only a few steps away from the frantic bustle surrounding Sacre-Coeur and the Place du Tertre where there is a hodgepodge of cafes and artists at their easels,

You really feel the creative spirit of the artists who lived and painted in the apartments and gardens which now houses the Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com
 

The Musee de Montmartre was created in 1960 in one of the oldest buildings on the Butte, built in the 17th century: La Maison du Bel Air. Surrounded by gardens, it was a place that would have been inhabited by artists including Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo,

The Musee de Montmartre has sensational collections which document and define the cultural impact of the artists, musicians and impresarios of Montmartre © Karen Rubin/goingplacesfarandnear.com

Here, you really feel the spirit of those artists, musicians, writers and cultural impresarios and entrepreneurs who made their community here – helped along by historic photos, video, recordings, sensational posters, documents and artifacts, and superb commentary.

Inspired, I take artistic liberty at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

In the Chat Noir room, you hear piano music and singing; in a room devoted to the Moulin Rouge, you can see a video of French can can from the 1960 movie, “Can-Can” and see early photo portraits of can-can dancers; in another room, you get to see photos of important artists, like Toulouse-Lautrec at their easel.

Historic photos, documents, posters and art at Musee de Montmartre tell the story of the artists like Toulouse-Lautrec who drew their inspiration from Montmartre © Karen Rubin/goingplacesfarandnear.com

You get to visit the re-created atelier-apartment of artist Suzanne Valadon, who with her son Maurice Utrillo and André Utter settled in this apartment in 1912. Designer Huberty Le Gall, who worked with other renowned institutions, recreated the atelier-apartment faithfully based on letters, writings, historic photographs and paintings.

Step inside Susan Valadon’s atelier-apartment at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

Here you really feel the presence of the artists.  It is recreated to convey the character of the “infernal trio” – a frying pan, the recreated studio, the bedroom walls of Utrillo (an artist in his own right) still with its original paneling and wire on the windows.

Step inside Susan Valadon’s atelier-apartment at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

The permanent collections are enchanting – paintings, posters and drawings that give you a taste of the artistic effervescence of its workshops, and the atmosphere of its famous cabarets.

The permanent collection immerses you in the history of Montmartre. During the 19th century, Montmartre was in transition the mills  and the vineyards slowly disappeared due to urbanization (sound familiar?). In 1860, Montmartre was annexed to the city of Paris. Artists started to move to Montmartre in 1870 (for cheap rent) and the cafes and cabarets multiplied in the 1880’s. Montmartre became known for its bohemian spirit, its creative energy, which resonates today. This place, 12 Cortot, offered artists studio space and several painted it.

One of Toulouse-Lautrec’s famous Moulin Rouge posters on view at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

The museum captures how Montmartre was hub for new cultural movement – art, music, dance, social mores.

There is also a modern museum with revolving exhibitions – during my visit, the extremely well done special exhibit showcased “Feminist Surealists”.

A scene out of a Renoir painting in the Renoir Garden © Karen Rubin/goingplacesfarandnear.com

But the most special part of this place is the garden immortalized by Auguste Renoir in his paintings including La Balancoire (“The Swing”) – you can even see same swing hanging from a tree branch that he painted. The impressionist painter lived on this very site between 1875 and 1877m where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”) and Jardin de la rue Cortot (“Rue Cortot Garden”). You easily see the scenes that he immortalized – there is even a lily pond.

Enjoy Café Renoir in the Renoir Garden at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

This truly is like a Woody Allen “Midnight in Paris” moment where time has rolled back. An oasis of peace and tranquility, you can sit and enjoy refreshments from the Café Renoir and feel you have floated into Renoir’s canvas.

The stunning grounds of Musee de Montmartre, where many artists lived and painted, captures their creative spirit © Karen Rubin/goingplacesfarandnear.com
 

Here in the garden, you find Café Renoir, its glass roof decorated in the manner of a winter garden. The incredible peace of this place, where I enjoy lunch, is such a luxury, especially when you leave, walk the few steps toward the bustling Sacre-Coeur or Place du Tertre.

See the actual swing depicted by Impressionist Auguste Renoir in his famous painting, La Balancoire, in the Renoir Garden at Musee de Montmartre, where the artist lived for a time © Karen Rubin/goingplacesfarandnear.com

(You can visit the Gardens without visiting the Museum for E5, but that would be a mistake. The museum is exceptional.)

Musée de Montmartre, 12 Rue Cortot, 75018 Paris, Phone:+33 1 49 25 89 39, https://museedemontmartre.fr/en/musee-jardins/

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

The tranquility of the Museum, and the undeniable feeling of going back in time, is in contrast to the bustle and press of tourists that snap you back into the present day at Sacre-Coeur and Place du Tertre. But that is where I go next (how can you not?).

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

There are scores of artists, in the tradition of Montmartre trying to eke out a living, selling their paintings or drawing your portrait or caricature, piggybacking the romance attached to the 19th century artists.

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

Following a narrow cobblestone street, I come to Dali Paris gallery at 11 rue Poulbot for a very quick look at Salvador Dali’s creations.

Dali Paris gallery in Montmartre © Karen Rubin/goingplacesfarandnear.com

I miss out on seeing Le Bateau-Lavoir, a collection of small apartment buildings in Montmartre that served as the homes and studios of several artists, including Picasso, in the early 20th century.

Sacre-Coeur Basilica dominates Montmartre and the Paris skyline © Karen Rubin/goingplacesfarandnear.com

Next, I go to marvel at the  Sacré-Cœur Basilica, a masterpiece of grace and grandeur. Built at the end of the 19th century in the Romano-Byzantine style, it houses the largest mosaic in France, measuring at 480 sq. meters, and is still actively used as a place of worship.

Sacre-Coeur Basilica dominates Montmartre and the Paris skyline © Karen Rubin/goingplacesfarandnear.com

The forecourt of Sacre-Coeur (or if you are game, climb the 325 steps to the top of the majestic dome), provides an amazing view of Paris – which I note is like one of the paintings at the museum by Renaudin painted in 1899, depicting a landscape from this exact hilltop over Paris – how much has changed, and yet, the same. There is a continuity.

Renaudin’s painting from 1899 at Musee de Montmartre depicts a landscape from this exact hilltop over Paris © Karen Rubin/goingplacesfarandnear.com

Had I been able to stay longer, I would have delighted to see the Moulin Rouge, perhaps the most famous cabaret on the planet. It first opened in 1889 for the same world’s fair that brought Paris the Eiffel Tower, and for more than 125 years, 7 days a week, audiences of 1,800 have the delight of seeing the 60 performers including the 40 Doriss Girls maintain this tradition. In its day, you might see artist Toulouse-Lautrec who found inspiration in the Moulin Rouge’s audiences as well as the performers, among them La Goulue, Jane Avril or Yvette Guilbert stars of the French music hall. (I had seen Toulouse-Lautrec’s posters and photos of the can-can dancers at the Museum.) The cabaret endeavors to preserve the style of the original creators of the Moulin Rouge, Joseph Oller and Charles Zidler, but still offer a modern take on the original music hall style. (Le Moulin Rouge, 82 Boulevard de Clichy 75018 Paris, https://www.moulinrouge.fr/en/)

Love locks on the wrought iron fence in from of Sacre-Coeur Basilica © Karen Rubin/goingplacesfarandnear.com

I make it back to the hotel, Le 20 Prieure Hotel in the Marais district, at 3 pm (I left at 9:30 am), in time to pick up my bags and treat myself to an Uber (instead of two metros) to Charles de Gaulle Airport for my flight home.

Planning is crucial to fully enjoy your visit to Paris, especially this year, with the Olympics scheduled (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

Tourists can buy a Paris 2024 transit pass costing €16 a day, or €70 per week, allowing travel across the Île-de-France region, including to and from Charles de Gaulle and Orly airports. And if you are planning to go to venues outside of Paris requiring train travel, book in advance (raileurope.com).

This avoids having to queue up at a ticket machine and being confused about what zone ticket to purchase. Go to the helpful visitor information center right when you land at Charles de Gaulle where you can purchase the ticket, and therefore avoid the first line at the airport machines. The airport has excellent train links to the city but also the TGV trains to other parts of France (check raileurope.com).

Many of the attractions I visit during my four-day stay are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com), which also features experiences and attractions like the Seine bateaux mouches cruises.

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Olympic Venues

Be aware that Paris is abuzz with Olympics this summer (July 26-August 11), many of the venues will be in the center city – transportation will be affected (when I visited, the city was doing a drill on closing streets).

Much of the activity will be in the heart of the city itself, as well as throughout the Ile-de-France region. In all, there are 35 venues.

Many Paris iconic landmarks are being transformed into sporting arenas to offer spectators an unparalleled experience and provide an outstanding backdrop.

Paris’ iconic landmarks, including the Eiffel Tower, will sport Olympic venues this summer © Karen Rubin/goingplacesfarandnear.com

These include: the Eiffel Tower Stadium, Trocadéro,  La Concorde Stadium, Hôtel de Ville, Alexandre III Bridge, Parc des Princes, Bercy Arena, South Paris Arena, Porte de La Chapelle Arena, Grand Palais, Champs de Mars Arena, Invalides, and Roland-Garros Stadium,

The Games will also take place throughout the Ile-de-France region, from Les Yvelines to Hauts-de-Seine, Seine-et-Marne and Seine-Saint-Denis. Seine-Saint-Denis will be home to the Olympic and Paralympic Village, the Media Village and six sports events. In addition, Seine-Saint-Denis is the venue for two Paralympic events – the Paralympic marathon and Paralympic road cycling.

Specific venues include: Le Bourget Sport climbing venue, Yves-du-Manoir Stadium, North Paris Arena, Stade de France, Aquatics Centre, Clichy-sous-Bois, Paris La Défense Arena in Nanterre, Château de Versailles, Vaires-sur-Marne Nautical Stadium, Saint-Quentin-en-Yvelines Velodrome, Saint-Quentin-en-Yvelines BMX stadium, Golf National, Elancourt Hill,

The Paris 2024 Games will extend to the whole of France, promoting the country’s rich and diverse heritage. The football (soccer) tournament will be played at six stadiums across France: Bordeaux, Nantes, Lyon, Saint-Etienne, Nice and Marseille. The handball’s final phases’ games will be played in Lille, while sailing will head to the Mediterranean,  in Marseille. For the first time in history, the Games will even benefit overseas territories and their communities, with the Teahupo’o site in Tahiti to stage the Olympic surfing competition on one of the most beautiful waves in the world. 

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

4 DAYS IN PARIS: WANDERING THE MARAIS DISTRICT HIGHLIGHTS DAY 3

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Wandering the Marais District Highlights Day 3

Paris’ Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and street art, and historic, heritage and cultural sites © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On the third and last full day of my stay in Paris, I could have planned a visit to Versailles, but I just want a day to wander without a plan. Still, I have on my list several places that I keep seeing street signs for in this fascinating Marais district where I have cleverly chosen a hotel.

Paris’ Marais District is a delightful mixture of venerable and contemporary © Karen Rubin/goingplacesfarandnear.com

The Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and historic, heritage and cultural sites, all packed into a relatively small (walkable) area. It is particularly wonderful to wander because the narrow, winding streets are a bit of a maze, and you keep coming upon architectural jewels – even a medieval tower – that span the centuries, trendy cafes and shops, street art, and historic places, especially sites that recall that the Marais was once a Jewish neighborhood. The main thoroughfare is Rue Vielle du Temple, and another is Rue du Temple. I had already come upon the Memorial de la Shoah, and have yet to find the Square du Temple-Elie Wiesel, le Carreau du Temple, a former clothes market that was transformed into a cultural center in 2014, or the Jardin Anne Frank.

I go in search of Place des Vosges, described as the oldest public square in Paris and an “early urban planning marvel”.

Parvis des 260 Enfants is a reminder that Le Marais used to be a Jewish neighborhood © Karen Rubin/goingplacesfarandnear.com

I get lost and instead come upon Parvis des 260 Enfants – a plaza where a marker recalls 260 Jewish school children were deported and murdered in the Holocaust. Behind a locked gate is the “Ecole Primaire Commudej Garcons Israelites Mode Mutuel.”

I finally find the Places des Vosges – which strikes me as reminiscent of Gramercy Park in Manhattan with townhouses all around. It was built for a king for jousting and festivals – the townhouses came later. It isn’t what I expected.

Places des Vosges is the oldest public square in Paris and an early urban planning marvel. One of the townhouses is now the Victor Hugo Museum © Karen Rubin/goingplacesfarandnear.com

Though I have on my mental wish list to visit the Victor Hugo Museum, I don’t realize that it is actually one of these townhouses on Places des Vosges. (Years ago, I actually visited Victor Hugo’s “home in exile” on the quaint Channel Island of Guernsey and found it fabulous). But I get distracted and forget to look for it when I leave the square.

This is a huge regret – “Discover the private world of Victor Hugo. Get to know the man, the visionary artist, the proactive thinker and, of course, the writer of genius,” the museum promises. The museum incorporates the apartment that Victor Hugo rented from 1832 to 1848 is located on the 2nd floor of 6, Place Royale (now Place des Vosges). Its layout takes you through his life by means of the furnishings, objects and works of art that he created himself, owned, or are related to his writing.

While living in this apartment, Hugo wrote some of his major works: Mary TudorRuy BlasLes Burgraves [The Commanders], Les Chants du crépuscule [Songs of Twilight], Les Voix intérieures [Inner Voices], Les Rayons et les Ombres [Beams and Shadows], a large part of Les Misérables, and the beginning of The Legend of the Ages and Contemplations.

The Marais District is full of surprises, like coming upon this medieval tower © Karen Rubin/goingplacesfarandnear.com
 

More than the writer’s house, the Maison de Victor Hugo is an important museum with a collection of 50,000 works of art- paintings, drawings, sculptures, prints, photographs, objects, a library, and collection of manuscripts and archives, all bearing witness to the life and work of Victor Hugo.

(Booking in advance is not required but is recommended. Admission to the museum’s permanent collections is free; an admission is charged for special exhibitions.)

Maison de Victor Hugo, place des Vosges, 6 place des Vosges, 75004 Paris,
Phone : 
01 42 72 10 16; open 10-6, Tuesday-Sunday, https://www.maisonsvictorhugo.paris.fr/en/paris/museum/visit-apartment-today

(Add to my regret: I discover too late that in the Marais district is an Henri Cartier-Bresson Foundation, celebrating the ground-breaking photographer and founder of Magnum and photography, at 79 Rue des Archives, 75003 Paris, www.henricartierbresson.org)

Musee Carnavalet

But leaving the Square in the opposite direction from Maison de Victor Hugo (why I didn’t see it), I happen upon the Musee Carnavalet, dedicated to recounting the history of Paris and its inhabitants. It is absolutely fabulous – for the story, the artifacts, the art it presents, and it answers the question I had been wondering about: how Paris, as fabulous a city as it is, came to be.

The Musee Carnavalet, housed in two exquisite historic mansions, is dedicated to recounting the history of Paris and its inhabitants. © Karen Rubin/goingplacesfarandnear.com

The museum occupies two neighboring historic mansions: the Hôtel Carnavalet, was purchased by the Municipal Council of Paris in 1866 and opened to the public in 1880 (the oldest of Paris city museums); and the former Hôtel Le Peletier de Saint Fargeau which was annexed and opened to the public in 1989. Both are exquisite.

The Musee Carnavalet, housed in two exquisite historic mansions, is dedicated to recounting the history of Paris and its inhabitants. © Karen Rubin/goingplacesfarandnear.com

The Carnavalet, which dates from the 16th century, contains stunning furnished rooms from different periods of Paris history, historic objects, and a huge collection of paintings of Paris life depicting the city’s history and development, as well as its notable characters. There is a huge collection of antiques and artifacts from the French Revolution that bring this era to life in your mind (I note a portrait of Ben Franklin); from the Second Republic of 1848, and the siege of the commune in 1870 (the era depicted in Hugo’s “Les Miserables”). The horror of the Nazi occupation is also represented.

Paintings arranged like a 19th century salon, at Musee Carnavalet © Karen Rubin/goingplacesfarandnear.com

You come to  a grand room that looks like the 19th century art salons the painters would exhibit in, with its walls filled with works by artists including Joos Van Cleve, Frans Pourbus the Younger, Jacques-Louis David, Hippolyte Lecomte, and Simon-Auguste.

Dramatic historic paintings on view at Musee Carnavalet help tell the story of how Paris came to be © Karen Rubin/goingplacesfarandnear.com

“At the crossroads of archaeology and history, the decorative arts and fine arts, urban history and social anthropology, the museum provides the keys to understanding the history of this unique city-capital-metropolis.”

It houses both well-known masterpieces along with little known treasures that tell the complex story of Paris, from its origins to present day, spanning 8,500 years and holds a mind-boggling 625.000 objects, presented in 85 permanent exhibition rooms

You need to spend at least two hours here. (Tuesday-Sunday, 10-6)

Musée Carnavalet, 23 Rue de Sévigné, 75003 Paris, http://carnavalet.paris.fr/en

So much fun to get lost in the Marais District © Karen Rubin/goingplacesfarandnear.com

Carnavalet Museum, which proves a highlight of my Paris stay and the best reason for just wandering around, is one of the 14 City of Paris’s museums that have been incorporated since January 1, 2013, in the public institution Paris Musees. Others include: Catacombes de Paris, Crypte archéologique de l’Ile de la Cité, Maison de Balzac, Maison de Victor Hugo – Hauteville House (and in Guernsey), Petit Palais City of Paris Museum of Fine Arts, Musée d’Art Moderne de la Ville de Paris, Musée Bourdelle, Musée Cernuschi, Museum of Asian Art, Musée Cognacq-Jay, Musée Galliera, Museum of the General Leclerc and the Paris’ Liberation – Jean Moulin Museum, Musée de la Vie Romantique, Zadkine Museum

The Musée Picasso-Paris

The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com

I set out next for the The Musée Picasso-Paris which is also in the Marais district – housed incongruously (considering Picasso’s art) in another classic historic mansion. The museum makes the claim to “the world’s richest public collection on Picasso” with 297 paintings, 368 sculptures and 3D works, 200,000 archived items, 92 illustrated books by Picasso. It also boasts a collection of 50 pieces of furniture by Diego Giacommetti.

The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com

Musée National Picasso-Paris, 5 rue de Thorigny, 75003 Paris, https://www.museepicassoparis.fr/en

Museum of Jewish Art & History

From the Picasso Museum, I find my way to the Musée d’Art et d’Histoire du Judaïsme (Museum of Jewish Art & History).

As I walk up Rue de Place Republic to Rue de Temple, I find a marker that says 76,000 Jews were deported by Nazis to concentration camps; 2000 returned. Among those who were deported were the residents of 71 Rue de Temple, a 17th century historic mansion which today houses the Jewish Museum (mahJ), and when you first go in, there is a sort of tribute to them. 

A statue of Dreyfus is in the courtyard at the entrance to the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com

The museum traces Jewish artistic and cultural heritage, focusing on the history of the Jews in France since the Middle Ages to the 20th century, and evoking the communities of Europe and North Africa. Its collection, which it boasts is one of the finest in the world, comprises religious objects, manuscripts, textiles, and archival documents, such as concerning the Dreyfus Affair. (A statue of Dreyfus is in the courtyard at the entrance to the museum).

A painting by Marc Chagall on view at the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com

Special emphasis is given to the Jewish presence in the arts. The museum’s collections include works of art from painters of the School of Paris, Marc Chagall, Kikoine Soutine and Amedeo Modigliani and contemporary artists such as Christian Boltanski and Sophie Calle.  

At the Museum of Jewish Art & History, art and religious ritual come together as in this historic shul © Karen Rubin/goingplacesfarandnear.com

I find the exhibit more about Jewish ritual objects and such, than it is about Jewish history, culture and art – but I am really at a disadvantage in understanding since there are no English translations.

Musée d’Art et d’Histoire du Judaïsme,  Hôtel de Saint-Aignan, 71 Rue du Temple, 75003 Paris, France, https://www.mahj.org

Next I head toward the Place de la Bastille where the notorious Bastille prison once stood, until it was stormed and destroyed between 14 July 1789 and 14 July 1790 during the French Revolution. No vestige of the infamous prison remains. Instead, the July Column (Colonne de Juillet) commemorating the July Revolution (1830) at the center of the square and the Opera house.

The Place de la Bastille where the notorious Bastille prison once stood is nothing like I envision © Karen Rubin/goingplacesfarandnear.com

And while the square is now the site of concerts, cafes and nightclubs, it is also often the centerpiece for political demonstrations.

Another square, the Place Royale, which is close to my hotel, Le 20 Prieure Hotel, is also important for France’s history, but today is a place for skateboarders, misting station who seem to be completely unimpressed by the fabulous plaques, reliefs and inscriptions that decorate the statue at its center.

The Place Royale © Karen Rubin/goingplacesfarandnear.com

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Day 4 in Paris: Montmartre

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Le Louvre Highlights Day 2

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19th century © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19th century – the best strategy is simply to just surrender to it, go with the flow, and be surprised.

In 2018, the Louvre welcomed 10.2 million visitors, 3.5 million more than the Vatican Museums which is the second largest in Europe. The collection is valued at well over $35 billion plus another $10 billion for the building!  

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

Once the home to French Kings including Louis XIV, this monumental palace began as a fortress built in the late 12th century under King Philip II. It was converted to a museum during the French Revolution in the late 18th century. (Hence my observation that such magnificent structures that make Paris so fabulous could only have been built by a monarchy, but opened to the public by a democracy.)

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

The galleries span 15 acres, which is why, except for the Mona Lisa and some of the other majorly famous items, it is possible for 15,000 people a day to come through and you can still have some areas almost to yourself.

The grand lobby of Le Louvre is at the base of the glass pyramid © Karen Rubin/goingplacesfarandnear.com

It is massive and overwhelming – like culture shock, really, especially after having visited the comparatively calm Musee D’Orsay the day before. The connecting rooms through three wings of the palace that surround the massive courtyard seem to go on and on and on.

Considering that it would take 100 days to see all the art in Le Louvre, I decide the best thing is to just go with the flow – and get the Mona Lisa out of the way – and then just wander and be surprised. (Besides the Mona Lisa, the other blockbuster attractions are Venus de Milo, and the Winged Victory.)

It is also one of the most fabulous buildings you will ever have the chance to visit, and just going room by room (be sure to look up at the decorated ceilings), is thrilling.

I follow the signs –and the crowd – into the hall with the Mona Lisa, “La Gioconda.”

The scramble to see Leonard DaVinci’s “Mona Lisa” © Karen Rubin/goingplacesfarandnear.com

It’s a bit of a jungle to make your way to the painting (they could have alleviated by putting up ropes that guide you along, like they do outside at the ticket counter, which would also give everyone their turn at seeing the painting from all angles). I move through the middle, row by row.

The sitter for the portrait is believed to be Lisa Gherardini (1479-1542) who lived in Florence, the wife of Francesco del Giocondo, a wealthy silk merchant. “Leonardo aimed to bring his portrait to life by depicting Lisa as if she were naturally turning to welcome us. Her upper body is in three-quarter view, but her gently smiling face is frontal,” a poster analyzing the painting notes.

I learn that Leonardo da Vinci used the afumato painting technique of applying multiple layers of pigments bound in oil to create subtle transitions from shadow to light, which is how he brought his model’s gentle smile to life.

DaVinci never finished “Mona Lisa” but took the painting with him everywhere until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection. © Karen Rubin/goingplacesfarandnear.com

I also learn that the landscape is imaginery – “Leonardo mastered so-called ‘atmospheric perspective’ using different shades of blue to blur the outlines and give the scene a striking depth. A path on the left draws our gaze to mountains bordered by lakes. This wild majestic landscape suggests the slow formation of the Earth, the battle of the elements and the erosion caused by time.”

Leonardo began this partially experimental painting around 1503 and never finished it. Yet, it is intriguing to learn that he took it with him everywhere he went, until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection.

Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com

Near to where you exit from Mona Lisa is a great hall lined with monumental historical paintings.

There is one where Emperor Napoleon is crowning the Empress Josephine. Another depicting Napoleon at the Battlefield of Eylau (9 February 1807), a battle Napoleon’s troops won against Russians and Prussians but paid a high price in lives.

Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com

“For the purposes of propaganda, the artist Antoine Jean Gros (who painted it in 1808) depicted Napoleon as a compassionate conqueror ensuring aid for the wounded enemy soldiers. The zeal of the doctors and the emperor’s serenity temper the horrors of war.”

There is also Jacques-Louis David’s a portrait of Napoleon Bonaparte (1769-1821) painted when he was a young dashing fellow (1797-1798).

Jacques-Louis David’s portrait of a young Napoleon Bonaparte © Karen Rubin/goingplacesfarandnear.com

You realize that such paintings (as well as statues, busts, coins and stamps) were the only way people could record what someone looked like or a historic event (and therefore eminently exploitable for propaganda).

After getting the Mona Lisa under my belt, I just kind of wander, with no specific plan, just being surprised as I go through palatial rooms. (As a general rule, the further away from the Mona Lisa you get, the less crowded until you find rooms that you can have almost to yourself.)

As it happens, I practically fall upon another of Le Louvre’s famous statues, “The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase. Dating from 190 BC, “Winged Victory” is of major importance because it is one of the few surviving examples of original Hellenistic sculpture.

“The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase, dates from 190 BC © Karen Rubin/goingplacesfarandnear.com

But at one point, I decide to search for the Venus de Milo – the third in the triumvirate of Le Louvre’s iconic works – get lost, and, instead, find myself amid Mesopotamian, Greek and Roman artifacts, instead (I never find Venus).

Just being in Le Louvre, housed in a fabulous palace built for kings, is thrilling enough, but coming upon the Code of Hammurabi, makes for an incomparable experience © Karen Rubin/goingplacesfarandnear.com

In fact, I am stunned when I stumble upon the Code of Hammurabi – in fact, one of the most exciting works in the Louvre. This black stele of basalt stands over two meters high and is engraved with the earliest collection of written laws in human history. It was engraved in Babylon (today’s Iraq) around 1760 BC and recovered in 1901 in Susa (present-day Iran).  (The Ten Commandments is dated between 16th and 13th centuries BCE.)

The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice © Karen Rubin/goingplacesfarandnear.com

Hammurabi was the first sovereign who decided to convert rules formerly passed on through oral tradition into an actual code of laws. The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice. The lower part is the text documenting 282 laws. The most prominent (famous) is establishing the legal standard of retaliation – the right to inflict damage in equal measure on those who intentionally harmed you (“an eye for an eye and a tooth for a tooth,” though equality of punishment took into account the same social level), according to an article by Stefano Zuffi e Davide Tortorella (https://mywowo.net/en/france/paris/louvre-museum/hammurabi-stele-richelieu-wing-hall-3)

Le Louvre is a fabulous palace © Karen Rubin/goingplacesfarandnear.com

Le Louvre is really a palace – one of the grandest you have ever seen or have the opportunity to be in. Just walking through the galleries, so opulently decorated from floor to ceiling, the ornamentation is quite fabulous.

You need at least 4 hours to visit.

If your schedule allows and you book early enough, visit the Louvre Museum at night when the vibe is less frenetic and the famous pyramid is illuminated. (Wednesday and Friday, open until 9:45 pm.). Otherwise try to book a morning time as early as possible.

There are several ways to avoid waiting in a long line to get into the Louvre: purchase the Paris Museum Pass (you still must book a time slot in order to guarantee access into the museum; you provide the serial number of your Museum Pass, https://www.ticketlouvre.fr/louvre/b2c/index.cfm/pmpevent/eventCode/PMP, here); book a timed entry ticket online in advance at the official Louvre website, €17 (https://www.louvre.fr/en/visit/hours-admission); or take a tour (https://www.getyourguide.com/louvre-museum-l3224/). 

Le Louvre, https://www.louvre.fr/en/visit/.

All the bridges across the Seine become venues for “love locks” © Karen Rubin/goingplacesfarandnear.com

Ile de la Cite

I cross the Seine on the Pont Royale and walk along the Quai Voltaire to return to the Isle de Cite for another look at Notre-Dame Cathedral, hoping to see workmen on a Monday.

A photo exhibit documents the destruction of Notre-Dame Cathedral, as well as the reconstruction © Karen Rubin/goingplacesfarandnear.com

The tragic fire in April 2019 destroyed so much of the iconic 860-year-old limestone and the latticework of ancient timbers that formed Notre-Dame’s attic, melted the roof’s lead sheath, and endangered the stability of the stone structure. The cathedral’s spire was sent crashing into the interior.  It has since been raised again, “one of the most visible and most potent symbols of the cathedral’s rebirth,” a newspaper account states.

There is an outstanding photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of Notre-Dame’s restoration.

“I trained with teams of rope technicians, perched on ancient stones above the abyss, to access the heights of the cathedral,” Photographer Tomas van Houtryve relates. “It felt more like being on an alpine expedition than in the center of Paris. Bit by bit, the technicians carefully removed debris and consolidated stones.”

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

While I am standing in front of this exhibit, I learn that Jean-Louis Georgelin, the French general in charge of Notre-Dame’s reconstruction, had died just three days before, on August 18, in a fall while trekking in the Pyrenees mountains; he was 74 years old.  Regarded as the architect of Notre-Dame’s rebirth, “The nation has lost one of its greatest soldiers,” President Emmanuel Macron said of him.

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

In an interview with the newspaper Le Monde in April, General Georgelin had insisted that “everything is being rethought.” Innovations include “cutting-edge” fire prevention technology like misting systems, thermal cameras and fire-resistant doors, as well as a recovery system to treat rainwater running off the lead roof before it goes into Paris’s sewers. “We are rebuilding Notre-Dame identically,” Georgelin had stated. “But we are building a 21st-century cathedral.”

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

I wonder if this tragedy would also put a monkey wrench into the restoration efforts. So far, the plan is to reopen in December (it would have been a miracle to reopen in time for the Olympics this summer). But renovation work — especially on the exterior — will continue for years after the cathedral reopens for religious services and visitors (12 million used to visit every year).

There are signs that acknowledge and express gratitude to the worldwide community that has contributed to the restoration.

(Friends of Notre Dame publishes updates on the restoration: https://www.friendsofnotredamedeparis.org/)

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

From Île de la Cité, I cross Pont Saint-Louis to Île Saint-Louis – more of a residential neighborhood with pleasant boulangeries, quaint cafes and delightful ice cream shops, and find a small park overlooking the Seine to enjoy my ice cream.

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

For a different Parisian experience, I had checked out my junior suite in the five-star boutique luxury historic Hotel Napoleon just steps away from the Arc de Triomphe in the tony 8th Arrondisement, and took an Uber to my hotel for the second part of my Paris visit, Le 20 Prieure Hotel, a modest but pleasant three star in the Marais district which I find on hotels.com (my booking includes breakfast).

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

From here the Ile Saint-Louis, it’s a mostly straight shot walking across the bridge and up Rue Vielle du Temple Boulevard to my hotel, Le 20 Prieure Hotel (20 Rue du Grand Prieuré, 75011 Paris, https://www.hotel20prieure.com/en/) about two miles through the Marais District.

Today, Le Marais district is considered “trendy” with charming streets full of hip cafes, boutiques, and bookstores, Gay Pride flags and rainbow-painted crosswalks, and street art.

The Marais, though, was once a predominantly Jewish neighborhood, that still has the marks, remnants, and scars of being uprooted in the Holocaust.

Memorial de Shoah in the Marais district © Karen Rubin/goingplacesfarandnear.com

I come upon Allee Des Justes Parmi Les Nations, which I quickly realize borders the Shoah Memorial Center, a museum, information and research center on the history of the genocide of the Jews in World War II.

Allée des Justes at the Memorial de Shoah in the Marais district records the names of the righteous © Karen Rubin/goingplacesfarandnear.com

This 60 meter section of the rue Grenier sur l‘Eau was transformed into the ‘Allée des Justes’ 12 years ago, and refers back to the “Righteous Among the Nations,” a title awarded by the World Holocaust Center in Jerusalem, Yad Vashem, to non-Jews who risked their lives during World War II by helping Jews to hide, flee or survive. The memorial lists the names of the French ‘Justes’ and the locations of their deeds. One side remembers the Jewish victims on the ‘Wall of Names’ and the other side, the “Wall of the Righteous,” the French rescuers of Jews. Since Yad Vashem still awards this title to people throughout the world each year, French names continue to be added. On January 1 2012 France counted 3.513 Justes. (The Netherland has 5,204, Poland has 6,339).

As I walk about the district, I note on schools and certain public institutions, France’s credo, “Liberte, Equalite, Fraternite” (so much better than America’s relatively recent motto, “In God We Trust” adopted in 1956 in reaction to Communism.)

On one building, there is also a plaque dated December 2001 which I translate, “Arrested by the police of the Vichy Government, complicit with the Nazi occupiers, more than 11,000 children were deported from France between 1942-1944 and sent to Auschwitz because they were Jews.”

There is a street sign pointing the way to the Museum of Jewish Art & History, and I put it on my list to visit.

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day 3 in the Marais

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Musee D’Orsay Highlights Day 1

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my first morning in Paris, as I set out from the Hotel Napoleon just across from the Arc de Triomphe in the tony 8th Arrondisement, at 10 am for a beautiful walk down Champs-Elysee to Place de la Concorde, passed the Grand Palais, across the Seine, passed the National Assembly to my destination, the Musee d’Orsay, I am immediately under the city’s spell.

Paris is regal. Majestic. Monumental. The scale of the boulevards, the buildings, the structures. It is big and bustling, but curiously, you don’t feel choked or overwhelmed – probably because no structure is taller than the Eiffel Tower and you can see out, and because the city is designed around open spaces –the wide boulevards, gigantic plazas, parks, the Seine flowing through. There are places to sit, even water fountains and misting stations, while the smaller neighborhoods, with their narrow twisting roads, are quaint and quiet (little traffic).

The level of grandeur is breathtaking, and for a moment I am thinking that only a monarchy could have built this, a democracy never would have. But in the next, I am reminded that only the Revolution opened them for public purpose.

A view of Le Louvre. Paris is one of the most beautiful cities in the world, making strolling ideal.
© Karen Rubin/goingplacesfarandnear.com

I walk everywhere and Paris makes it easy (and safe). Paris is one of the most beautiful cities in the world, making strolling ideal. But for getting around, Paris is also a biking city with superb bike lanes, traffic signals (get preference over cars, in fact), and huge number of bike share stations.

It is helpful to have paper map, and not just rely on cell phone GPS (remember to download maps when you have WiFi so can access offline – I keep forgetting), but it is part of the joy of the travel experience to rely on the kindness of locals to point you in the right direction, even with limited French.

It is essential to plan your visit to Paris’ top museums and attractions in advance, and pre-purchase timed ticket, or book a time if you have the Paris Museum Pass (http://en.parismuseumpass.com/) or Paris Pass (parispass.com), and try to book as early a time as possible, or evening hours.

And though it is better to try to visit on weekdays, considering that the Musee D’Orsay is closed on Monday (I book my Le Louvre visit for that day), I pre-booked my visit for Sunday.

Musee d’Orsay

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com 

The Musee d’Orsay is housed in what had been a truly grand train station, a Beaux-Arts jewel built for the Universal Exhibition of 1900. It is famous for its fabulous collection of French art from 1848 to 1914 – paintings, sculpture, furniture, photography – including the largest collection of Impressionist and post-Impressionist masterpieces in the world.

Here you can experience for yourself (in relative peace, mind you) the exquisite works of Van Gogh, Monet, Manet, Degas, Renoir, Cezanne, Seurat, Sisley, Gaugain and Berthe Morisot – actually it seems just about all my favorite paintings by my favorite artists, as well as being introduced to outstanding works I am unfamiliar with.

The grand Musee D’Orsay, one of the most important museums in the world, famous for its collection of Impressionist and Post-Impressionist artists including Van Gogh, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

The layout of the galleries is exquisite, and the views from the fifth floor gallery where the Van Goghs are displayed and from the Restaurant (you look through the massive clock to Sacre Coeur on Montmartre, like those scenes in the movie, “Hugo”) take your breath away.

The Musee D’Orsay makes for exquisite viewing of masterpieces © Karen Rubin/goingplacesfarandnear.com

Though the Musee D’Orsay is one of the largest museums in the world and the second most popular to visit in France after Le Louvre, it doesn’t feel large or crowded or intimidating. The clever layout – a warren of smaller galleries off a main, open hall – makes it feel more intimate and calm, even as I stand in front of such a popular painting as Van Gogh’s “Starry Night” (I think this is the equivalent of the Mona Lisa in Le Louvre). The way you realize just how vast the museum is – at any time about 3,000 art pieces are on display – is by realizing you’ve been there for four hours. Time melts away, like the humongous clocks you get to see through to Paris’ magnificent skyscape.

View to Montmartre through the Musee D’Orsay clock© Karen Rubin/goingplacesfarandnear.com

The museum has 24 Van Goghs including such renowned works as L’ArlésienneBedroom in ArlesSelf Portrait, portrait of his friend Eugène BochThe SiestaThe Church at AuversView from the ChevetThe Italian WomanStarry NightPortrait of Dr. GachetDoctor Gachet’s Garden in AuversImperial Fritillaries in a Copper VaseSaint-Paul Asylum, Saint-RémySelf Portrait.

As popular as Van Gogh’s “Starry Night” is, you still get a moment almost to yourself to enjoy it, at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

The Van Gogh gallery on Level 5 has an added attraction: the most magnificent views across the Seine of Le Louvre to Montmartre from one set of windows, the Eiffel Tower from another.

View from the Van Gogh Gallery at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

There are 81 Renoirs including “The Swing” (significant when I visit the Musee de Montmartre and see the spot where he painted it!), and 18 by Toulouse-Lautrec, plus James McNeill Whistler’s famous “The Artist’s Mother’, better known as “Whistler’s Mother.”

As I go through galleries of portraits, I wonder whether the sitters contemplated becoming immortal, that their visages would be admired and their personas wondered about for centuries.

“A Street in Paris,” by Maximilien Luce shows the power of painting to document © Karen Rubin/goingplacesfarandnear.com

Besides seeing “in person” the art works that are among the most famous in the world (and it seems just about all my favorites), there are masterpieces by artists that may not be as “top of mind” to explore and discover as well. One, “A Street in Paris,” by Maximilien Luce, that is so haunting, depicting “Bloody Week” of May 21-28, 1871, and the brutal suppression of the Commune, a revolutionary movement that emerged from the political chaos after the French defeat in the Franco-Prussian War of 1870 and the fall of the Second Empire, events immortalized in Victor Hugo’s “Les Miserables” and the musical “Les Mis” which Luce painted 30 years after the event that so affected Luce.

It is a further demonstration of the power of art to document history, events, and bring faraway places to people, especially before photography.

Thank goodness, the really excellent notes are presented in French and English (not so in many other places).

The atmosphere of the museum is like putting yourself into the canvas.

Restaurant at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

Besides the full-service restaurant, there is an absolutely delightful café in the lower level – reasonably priced and very comfortable, where I get refueled.

Towards the end of my visit, I find myself in a grand ballroom which feels weird.

Captivated by the clocks at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

It’s a feeling of complete joy of being in that space stays with you, that rushes back like warm water, even as I review my photos later.

Open from 9.30 am to 6 pm daily, except Mondays; late night on Thursdays until 9.45 pm

Musee D’Orsay, Esplanade Valéry Giscard d’Estaing, 75007 Paris, https://www.musee-orsay.fr/en/

Ile de la Cite

From the Musee D’Orsay, I stroll down the quai along the Seine, with the marvelous book/magazine sellers, to the Pont Neuf (the oldest bridge in Paris) to Île de la Cité, a small island in the center of Paris where Notre-Dame and Sainte-Chapelle are found. It is the historic heart of Paris.

Colorful vintage magazine and newspaper sellers line the Quai © Karen Rubin/goingplacesfarandnear.com

I am really interested to see the progress on the restoration of Notre-Dame Cathedral, after that devastating fire of April 15, 2019.

There is an excellent photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of the restoration.

A photo exhibit explains the reconstruction project of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

A short walk from Notre-Dame, in a small park, I come upon Holocaust Memorial to the 31,000 Parisians sent to Auschwitz.

Holocaust Memorial near Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Also close to Notre Dame on the Ile de Cite is Sainte-Chappelle, famous for its stained glass windows.

Sainte-Chapelle is considered one of the finest examples of Rayonnant period of Gothic architecture. Built between 1238-1248, the royal chapel was commissioned by King Louis IX to house his collection of Passion relics, including Christ’s Crown of Thorns – one of the most important relics in medieval Christendom. It served as the residence of France’s kings until the 14th century.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

A curious chart outside the chapel shows that Sainte-Chappelle cost 266,000 gold francs for the elevation of its spire and the restoration of the roof, equivalent to 1.06 million Euros, total weight 232.4 tons, 75 meters high from ground level, work done between 1853-1855.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

Notre Dame Cathedral: cost 500,000 gold francs for the elevation of its spire, equivalent of 2 million euros today; total weight 750 tons, 96 meter high from ground, work from 1859 to 1860.

Adjacent to Sainte-Chapelle is La Conciergerie, the palace where Marie-Antoinette was held before her execution (it’s closed by the time I arrive).

Sainte-Chapelle and Conciergerie, Paris © Karen Rubin/goingplacesfarandnear.com

Sainte-Chapelle and Conciergerie are operated as a museum by the French Centre of National Monuments.

La Sainte Chapelle, https://www.sainte-chapelle.fr

I pick up food for my dinner at a boulangerie on the quai.

Tuileries Garden, Paris © Karen Rubin/goingplacesfarandnear.com

Walking back to the Hotel Napoleon, I stroll alongside the full length of Le Louvre museum – once a palace – stunned by how large, and how exquisitely ordained it is (I will be visiting the next day), through Tuileries Garden to the Place de la Concorde, the largest square in Paris, where King Louis XVI, Marie Antoinette and Robespierre were executed by guillotine during the French Revolution.

Place de la Concorde, Paris © Karen Rubin/goingplacesfarandnear.com

I walk by the Petit Palais (where there is a Sarah Bernhardt exhibit I wish I could have seen; free admission to the collections!), to the Champs-Élysées. (There is really good signage that direct you to the places visitors most want to see.)

Petit Palais, Paris © Karen Rubin/goingplacesfarandnear.com

Eiffel Tower

I get back to the Hotel Napoleon and rest awhile before heading out again to see the Eiffel Tower at night.

I walk down the Champs Elysee, cross over toward the Seine and take in the classic café scene. There are innumerable couples in this City of Love.

Café George V, Paris © Karen Rubin/goingplacesfarandnear.com

The view from across the Seine – with the Bateaux Mouches (sightseeing boats) passing by – is enchanting enough, but seeing the Tower from its base is breathtaking.

View of Eiffel Tower across the Seine © Karen Rubin/goingplacesfarandnear.com

The Eiffel Tower is one of most beautiful structures in world – so elegant, so graceful, seemingly as light, delicate and intricate as filigree. I am surprised to learn that the design was criticized, even ridiculed when Gustave Eiffel, the engineer whose company designed and built the tower from 1887 to 1889, proposed it.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

Nicknamed “La dame de fer” (“Iron Lady”), it was constructed as the centerpiece of the 1889 World’s Fair, and to crown the centennial anniversary of the French Revolution. (The tower also was supposed to be a temporary installation, but Eiffel pushed to have its lease extended and ultimately, became a permanent fixture of the city.)

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

We marvel at its beauty but in 1889, the tower was celebrated more as a historic feat of engineering: the first structure in the world to surpass both the 200-meter and 300-meter marks in height. At 330 meters (1,083 ft.) high, the Eiffel Tower is equivalent to an 81-storey building, and still is the tallest structure in Paris, dominating the skyline from wherever you are. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for 41 years until dethroned by New York City’s Chrysler Building in 1930.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

The tower has three levels that visitors can reach, with restaurants on the first two. The top level’s upper platform is 276 m (906 ft) above the ground – the highest observation deck accessible to the public in the European Union.

It is fascinating to learn that the top level was actually a private apartment built for Gustave Eiffel’s personal use, which he decorated with furniture by Jean Lachaise and invited friends such as American inventor Thomas Edison. Today, you can’t visit the entire apartment, but there is a reconstruction of Gustave Eiffel’s office. Through the windows, you can see wax figures of Gustave Eiffel and his daughter Claire being visited by Edison.  

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

There is also a new immersive experience that takes you inside Gustave Eiffel’s office (accessed by scanning a QR code on the first floor). While waiting for the lift on the first floor, you can also peruse historical documents with monitors, tactile screens, display cases, digital albums and photocopies of objects.

There are also new guided tours which must be booked online

The Eiffel Tower is one of the highlights of visiting Paris – in fact, one of the most-visited pay-to-enter monuments in the world, with almost 6 million visitors a year. It is almost essential to book a timed ticket ahead of time.

The wait for tickets – if they are not totally sold out – can be long. If you have interest in going to the top, book your tickets as soon as you know your dates for Paris. (Online tickets go on sale 60 days in advance for the elevator.) 

But for a completely different experience (and if tickets for the elevator are sold out), you can also climb the stairs – from ground level to the first level is over 374 steps, and 300 more to the second, making the entire ascent 674 steps – about 20 minutes per level.

Stairway tickets for the second floor are sold online (up to 10 days in advance) or sold on-site. If you want to go to the top, you would need to purchase “stairway + lift” tickets. These tickets are only sold on-site in the South leg of the tower, guaranteeing minimal queueing times (only the most gung-ho visitors), where you take the stairs up. In peak periods, another leg may be opened for stairway ascents.

Other experiences: Madame Brasserie offers a lunch and dinner menu on the first floor (reservations strongly advised; the reservation includes the ascent to the 1st floor of the Eiffel Tower, but not to visit to the 2nd floor or to the top).

Reservations for dining or eating at the Jules Verne (2nd floor) must be made on the dedicated website. If you make a reservation for the Jules Verne, a private lift in the south pillar will take you directly to the restaurant when you arrive. The visit of the Eiffel tower is not included.

You can book your ticket for the top of the Eiffel Tower and add a glass of champagne at the champagne bar. The champagne bar at the top is open every day, from 10.30 am to 10.30 pm. 

I would say the most enchanting time to experience the Eiffel Tower is at night.

Eiffel Tour, Champ de Mars, 5 Av. Anatole France, 75007 Paris, France, https://www.toureiffel.paris/en/planning-smooth-visit, https://www.toureiffel.paris/en/rates-opening-times

I stand in a park at the tower’s base, where there is a festive atmosphere among the throngs of people gathered – but for the Olympics, there will be a stadium built in front of the tower, before walking back to the Hotel Napoleon.

What a day – I must have walked 12 miles plus 3 hours worth in the museum. Here’s where I went:

Musee D’Orsay

Notre-Dame Cathedral

Sainte-Chapelle

Tuileries Garden

Place de Concorde

Champs-Elysee

Eiffel Tower at night

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day2 Highlighted by Le Louvre

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

New Brunswick Roadtrip Begins in St. Andrews

Picturesque, historic St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Dave E. Leiberman, Laini Miranda & Eric Leiberman

Travel Features Syndicate, www.goingplacesfarandnear.com

Perhaps the most defining feature of New Brunswick, Canada is that it has the highest tides in the world. But unless you see it, stand in it, walk on the ocean floor one hour and kayak through rock openings the next, it is hard to wrap your head around what it means to say the Bay of Fundy has the “highest tides” in the world.

Rising tide, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com
 

Seeing, experiencing this phenomenon for ourselves is just one of the reasons that brought us to New Brunswick, one of Canada’s Atlantic Maritime provinces and the only one of its 11 provinces that is officially bilingual (English and French). Other unique aspects were also intriguing – like seeing the vestiges of Pangea, primordial earth before the continents split apart, in one of the world’s first and most expansive UNESCO Geoparks; fossils 3.5 billion years old; and the intriguing phenomenon of Reversing Falls (one of only two places in the world).

We are also really excited to sample a new bike trail, 375 miles around the coast, that let us tour its (very French) Acadian Peninsula, going through small villages where the flag most prominently waved is that of Acadia, not New Brunswick or Canada. And then there are the bonus surprises where you can see living history of the First Nations and a colonial Acadian Village.

New Brunswick also is surprisingly easy to reach, located adjacent to Maine (there are 17 border crossings), yet so delightfully foreign and exotic because it is relatively unknown and unexplored beyond New Englanders.

St. Andrews, New Brunswick, Canada, a picturesque seaside historic town © Karen Rubin/goingplacesfarandnear.com

We start our New Brunswick exploration in St. Andrews, one of Canada’s most popular seaside resort towns – wonderfully picturesque, with a surprising amount of things to do.

It is also where we will launch our 10-day trip that will take us on the scenic 286-mile Fundy Coastal Drive (St. Andrews, Saint John, St. Martins, Fundy Trail Parkway, Alma, Cape Enrage and Hopewell Rocks), and on to Miramichi and the Acadian Peninsula, where we will cycle the new Acadian Peninsula Veloroute from Tracadie to Shippagan, Miscou Island and Caraquet. (We are grateful to Tourism New Brunswick for creating our itinerary.)

St. Andrews, designated a National Historic Site of Canada, is a charming community with many of the town’s buildings still reflecting its founding by the United Empire Loyalists fleeing the American Revolution,  especially as we walk along Water Street.

Kingsbrae Garden

Renoir and Monet would have loved Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Our first morning, we explore an absolute treasure of St. Andrews: Kingsbrae Garden, set on 27 acres donated by John and Lucinda Flemer. This was her family’s summer home – she tells stories of taking the train from their Montreal home and  hiding in the century-old hedges which we walk through today. In fact, at 93 years old, Lucinda still lives here, walks the grounds most days (making sure everything is up to snuff), Daniel Schmids, director of operations, relates as he guides us around.

In 1996, Mrs. Flemer wanted to do something to benefit the community. She originally thought to create a school to train guide dogs, but the tourism office suggested that a garden would benefit the community more, Lucinda was not a garden hobbyist, botanist nor landscape architect. Nor was Geoff Slater, the artist she chose to design her garden (we see his murals on Water Street). She laid out her vision for the Garden one evening sitting at her kitchen table with Slater over a bottle of wine, and Kingsbrae Garden opened two years later.

Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

The gardens are gorgeous – works of art, really – but they are so much more. You feel the heart, the compassion, that went into their creation and design. You feel as nurtured and protected as the flowers. I have never been so simultaneously excited and serene at the same time.

Kingsbrae pays tribute to some of the great garden traditions such as the White, Rose, Knot Garden, Perennial and Cottage gardens.

One of the classic gardens at Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

There are also experimental gardens where new and old styles and plant materials are used to preserve and promote home gardening, like the Container Garden (to give apartment dwellers ideas, inspired by her time living in England). Display gardens showcase various collections of plant species and their uses – Rhododendron, Heath & Heather, Ornamental Shrub, Dwarf Conifer, Herb, Hydrangea and Gravel gardens. But Kingsbrae goes far beyond horticulture.

Lucinda Flemer designed Kingsbrae Garden with an artist’s eye © Karen Rubin/goingplacesfarandnear.com

There is a Labyrinth & Maze, a Bee Garden (the bees essential to pollinate the flowers), a Monarch Garden (a certified Monarch butterfly way station providing not only the milkweed that Monarchs require but a protected place for the egg larvae to develop), a Secret Garden, and Memory Lane (a row of special trees planted in memory of someone).

Kingsbrae Garden, St. Andrews, is a certified Monarch butterfly way station; larvae are taken and protected in shelters© Karen Rubin/goingplacesfarandnear.com

There is a Peace Garden and Afghanistan Memorial to honor and give comfort to war dead and veterans (military people get free admission); a therapy garden (the gardens work with Wounded Warriors to use gardening to relieve stress); a Scents and Sensitivity garden that invites you to identify the plant by smell or touch (the accompanying sculpture of a guide dog pays homage to Lucinda’s original idea). There is an orchard containing heirloom varieties of apple trees. An Edible Garden showcases edible plants, native and exotic fruits and berries (where the Garden Café chef makes a daily collection for his culinary creations before visitors arrive).

Animals are among the special delights at Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Favorites are the Children’s Garden and a Fantasy Garden that provide outdoor environments for play and learning, with tiny cottages and animals including goats, alpacas and rabbits. The children’s garden is bordered by a “living fence” of 100 criss-crossing apple trees that have grown together over the past 10 years.

The living fence of criss-crossed apple trees border the Children’s Garden at Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Possibly the most extraordinary sight is the Wollemi Pine (Wollemia nobilis), a 200 million year old species thought to be extinct but re-discovered by a hiker in Australia; some were auctioned and a St. Andrews man won one and gifted it to Kingsbrae, now protected within a cage.

The rare, thought to be extinct, Wollemi Pine is on view at Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

“Since dinosaurs roamed the earth to the present electronic era, a few Wollemi pines have patiently survived with their gene pool pure and unchanged, in the Blue Mountains of Australia. What was likely a tasty treat Cretaceous dinosaurs munched on for lunch is a botanical story of the century.”

One of the most magnificent displays is the working Dutch windmill, built to one-third scale. Mrs. Flemer’s husband, John, who was Dutch, had it built as an anniversary gift in 1997 (he passed 6 years ago).

Lucinda Flemer’s husband, John, had this one-third scale Dutch windmill constructed as an anniversary present. © Karen Rubin/goingplacesfarandnear.com

You can explore a kilometer-long groomed trail through the Acadian forest and an Audubon-certified bird sanctuary, which she created after a visit to India.

Lucinda Flemer had not been a gardening person, but was art-oriented and wanted to create Kingsbrae for “the eye of artist”.

The Gardens even offers an art residency for six artists a year, housed in a historic 1908 building she purchased.

Kingsbrae Garden is Canada’s largest private sculpture collection © Karen Rubin/goingplacesfarandnear.com

And all the way through, tucked here and there, are sculptures that convey a theme or message or are just whimsical (like an apple core you can sit on), as well as a Sculpture Garden. Indeed, Kingsbrae Garden is Canada’s largest private sculpture collection. For many years Lucinda sponsored a sculpture competition, purchasing the top prize winners for the Garden. Now she commissions works. We see the most recent acquisition, a tribute to Queen Elizabeth II, appropriately in the Heath and Heather Garden.

A sculptural tribute to Queen Elizabeth II in the Heath & Heather Garden at Kingsbrae Garden, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Everywhere you look there is some delightful surprise.

Lucinda Flemer built the garden and then decided to build an 1100-seat amphitheater – in a town of 2500 people! “People laughed. But she thought, ‘Build it and they will come,’” Daniel tells us. And they did. The amphitheater hosts 8 to 10 events a year including Broadway productions (a local actor was Broadway’s “Come From Away” and “Rock of Ages,” and his wife is a casting director), in 2022, one event filled the amphitheater twice.

“She was inspired by what was done well, so she brought here to show people what they otherwise wouldn’t see – the same with art residency. People get to experience different culture.”

Seniors who live in a residence next door come in for free through a special gate. In July and August, there are special mobility tours by golf cart.

Kingsbrae Garden, St. Andrews, offers whimsical delights like this apple core sculpture that invites you to sit © Karen Rubin/goingplacesfarandnear.com

We have the most delectable lunch at the Garden’s Café, with items enhanced by the freshly picked produce from the garden, which also houses an Art Gallery. On view are paintings created by the artist who designed Kingsbrae, Geoff Slater (he’s known for paintings out of a single line in changing colors) who also painted the murals on Water Street.

Café executive chef Alex Haun, grew up in St Andrews, started working at Kingsbrae at15 years old as a dishwasher (his father managed the garden). Haun went to Canadian Culinary Institute, competed in International Culinary Olympics, winning multiple gold medals. He probably could have gone anywhere in the world but returned to Kingsbrae. His Signature 12-course “Savor” dinner menu, offered three times a year, sells out immediately.

Kingsbrae Garden, 220 King Street, St. Andrews, 506-529-3335, www.kingsbraegarden.com (Open May-October).

Whale Watching

Dave and I have to rush away from this delectable lunch to get to the dock for a whale watching tour with Jolly Breeze Whale Adventures.

Jolly Breeze Whale Watching Adventures, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com
 

Whale watching is very popular in St. Andrews and there are many different companies. I am thrilled to be taking Jolly Breeze’s 12-passenger Zodiac – extremely comfortable, low to the water, very flexible so you are unlikely to get sea sick, and the Captain can maneuver more easily to get closer to a whale (keeping an appropriate distance).

It is very early in the season and it is really by virtue of Captain Randy’s experience (he started working on the boats when he was 13), knowing whale behavior and pattern and skill that toward the end of the 2 ½ hour cruise, we spot a Minke whale.

But even if we didn’t get to spot a whale, the cruise is really fun on the Zodiac.

The picturesque East Quoddy Lighthouse is spotted on Jolly Breeze Whale Watching Adventures, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com 

They dress us in gear that looks like we are off to explore the Arctic, so we are absolutely comfortable on the Zodiac. We get to see the picturesque East Quoddy Lighthouse, built in 1829 on a small, rocky islet located off the northern tip of Campobello Island (was frequented by President Franklin D. Roosevelt and today is the world’s only national park, shared by two countries, Canada and the USA), as well as puffin and seals.

Jolly Breeze Whale Watching Adventures, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com
 

If it had been a little more into the season we might have seen as many as four different whale species that frequent this area at different times in the season. One of the regulars is an Orca they call “Old Tom.”

There is not much splash on the Zodiac, so you can bring a good camera with long lens and a dry bag is available on request.

Jolly Breeze Whale Adventures on the wharf at 4 King Street. 506-529-8116, https://jollybreeze.com.

Ministers Island

Driving across the sand bridge to Ministers Island, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

We need to pull ourselves away from wandering St. Andrews’ charming downtown by 5 pm, in order to visit Ministers Island, Canada’s largest tidal island and a National Historic Site. Since you have to drive across a sand road (Bar Road) that is quickly overrun at high tide, covered by 15 feet of water (when it becomes an island), we have to mind the time. We will have to be off at 7 pm when the tide quickly envelops the road (rangers round up any stragglers). Each day, there are two windows of opportunity to travel to the island depending on the tide schedule.

Ministers Island, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Ministers Island is a 500 acre island, 2 miles by 1 mile, located in Passamaquoddy Bay,  where Sir William Van Horne built his summer home, Covenhoven, in 1890 – a 50-room mansion, with 17 bedrooms, 11 fireplaces, 11 bathrooms – and the only place still standing that is associated with this significant historic figure.

Sir William Cornelius Van Horne was an American recruited to build Canada’s 2,900 mile-long transcontinental railroad system, finishing a year ahead of schedule (earning a $1 million bonus).

The mansion remained in the Van Horne family until 1961 when it was sold to two Americans, our guide, Susan Goertzen, relates. By 1977, they wanted to auction it off and sold off most of furnishings and artifacts. But three days into the auction, the Province of New Brunswick stopped the sale and bought it. The mansion was closed from 1977 until 1992.

In 2004, a local group took over the operation and put out a call to get back some of the original furnishings and artifacts. It is furnished today with original and period pieces. Most interesting are the paintings that Van Horne painted, the portraits and photographs, the travel posters, the original ice box and stove, his billiards table and game room.

Van Horne’s original dining set at Covenhoven on Ministers Island, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

In the “Canadian Pacific Room” you learn a lot about Van Horne – an inventor, an amateur geologist who collected fossils (his collection was given to the University of Chicago), an artist and a major art collector. It is said he only slept four hours a night.

Truly a self-made man, Van Horne, was born in Illinois in 1843, and had to quit school at age 14 when his father died to go to work as a telegraph operator for the Illinois Central Railroad. By 1880 he was general superintendent of the Chicago, Milwaukee and St. Paul Railroad system. In 1881, he was recruited to become general manager of the Canadian Pacific Railway and by 1885, had completed the transcontinental railway system.

The self-made man, Sir William Cornelius Van Horne, built Canada’s transcontinental railroad © Karen Rubin/goingplacesfarandnear.co

Van Horne was not only the architect of Canada’s transcontinental railroad, he was the progenitor of its tourism industry, designing and building a network of Canadian Pacific Hotels. One of the original hotels was the Algonquin here in St. Andrews, where we get to stay; another was the famous Banff Springs Hotel.

We visit the windmill he built to pump water from a 10,000 gallon holding tank (actually a railway water car) 127 feet below ground into the house for running water.

Ministers Island, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

You also can see the carriage house (a gorgeous carriage inside) and an amazing barn which features antique cars, and the magnificent 1911 bath house that overlooks a “natural” swimming pool cut from the rock just below. The setting is absolutely stunning, and can also be enjoyed picnicking and hiking on several marked trails.

There is much to explore on Ministers Island: a shell midden archaeological site, and the 1790 home of Loyalist and Anglican minister Samuel Andrews, a creamery, a livestock barn, a boarding house, an automobile garage, a horse stable, and a greenhouse. 

But the tide will soon come in and we have to hurry back. Dave and Eric opt to run down from the hilltop mansion along the trail over the sand bridge (we are only a little concerned about them making it before the tide overwhelms the road again), back into St. Andrews, where we meet for dinner.

Ministers Island, 506-529-5081 https://www.ministersisland.net/ (Open May-October, Admission, $17/adults).

Dave and Eric race the incoming tide as they dash from Ministers Island, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Where to Stay, Dine

There are so many charming restaurants and cafes along Water Street.

The previous day we sampled some of the town’s marvelous restaurants and sights.

The Niger Reef Tea House (1 Joes Point Rd, St. Andrews, 506-529-8005, nigerreefteahouse.com) is a real find, offering the most marvelous ambiance and distinctive cuisine. It’s where the locals go for an elegant, sophisticated dinner in a homey, casual, comfortable but classy atmosphere. It looks like a Japanese teahouse – in fact, the magnificent murals painted by Lucille Davenport in the 19th century were uncovered when the residence was converted to the tea house in 1926.

Enjoying a meal and the ambiance at Niger Reef Teahouse in St. Andrews © Karen Rubin/goingplacesfarandnear.com

We start with the oysters served on kelp that chef Anthony Davidson has dashed out to the Bay to gather, enjoy the jerk chicken and pesto pizza, and finish with the delectable strawberry rhubarb crumble (the rhubarb is growing in the garden).

The setting – a sprawling lawn that goes down to the Bay – also lets us explore The Blockhouse, the town’s last remaining wooden defensive structure from the War of 1812 (great for picnicking and view of harbor).

Sunset, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

This evening, we find a delightful deck to enjoy the view of the wharf and sunset at Saint Andrews Brewing Company (201 Water St.,  506-529-2337) set in what was the Customs House, which serves snacks but invites you to order in the rest of the meal. We order from a delightful restaurant just across the plaza, The Red Herring Pub, (211 Water St., 506-529-8455 – they even delivered!) and just revel in the scenery.

Sunset, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

We go down to the wharf to take in a magnificent sunset, but I rush away to get to our hotel, the grand, historic Algonquin Resort, in time for the 9 pm Ghost Tour.

The Algonquin Resort is reputed to be haunted and is said to be the inspiration for Stephen King’s horror story, The Shining. (Bangor, Maine, where King lives, is a two-hour drive from St. Andrews.)

The Ghost Tour is a fun way to see parts of the resort you would otherwise never see. We creep through the underground passageway (the staff wasn’t allowed to be seen by the guests in their street clothes) as our guide tells the story of the tunnel being haunted by a ‘night watchman’ (people hear his keys rattling). There is a haunted piano (one of only two items from the original 1889 hotel that was saved from a fire that destroyed it in 1914; Van Horne had it rebuilt and reopened just six months later) which people claim to hear play even though it is locked shut with a key that cannot be replaced; he tells about a boy named Benjamin who people claim they hear bouncing a ball.

Walking through underground passageway on the Algonquin’s Ghost Tour St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

I finish the ghost tour in time to take in the wonderful ambiance of the resort and enjoy the Algonquin’s indoor pool and water slide.

One of the original Canadian Pacific Hotels (another ingenious Van Horne idea to promote travel on the railroad) and now part of the Marriott Autograph Collection, the Algonquin lets you drift back into that grand era as soon as you step across the threshold.


The grand, historic Algonquin Resort, St. Andrews, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

Set on a hilltop overlooking the town (and just next to Kingsbrae Gardens), The Algonquin has the most magnificent outdoor pool complex, an indoor pool with a water slide, tennis courts, 18-hole golf course. It also has a fleet bicycles available just for the asking to bike over the beautiful Van Horne Trail, built on what had been the train tracks. We wake up early to take advantage before we have to tear ourselves away (you really want to stay) to continue on to our next New Brunswick adventure, in the historic city of St. John.

Algonquin Resort, 184 Adolphus Street, St. Andrews, 506-529-8823, https://www.marriott.com/en-gb/en-gb/hotels/travel/ysjak-the-algonquin-resort-st-andrews-by-the-sea-autograph-collection/

For planning help, visit Tourism New Brunswick, 800-561-0123, www.tourismnewbrunswick.ca   

Next: New Brunswick Roadtrip: Saint John, a City of Oldests, Firsts, Amazements

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© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Pursuit Collection Celebrates a Century of Tourism Enterprise in Banff

Natalie Wuthrich takes us on an Open Top sightseeing tour of Banff, Canada, in vehicles recreated from the original, one of the many tourism ventures begun by the Brewsters and carried on by Pursuit Collection © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

It wasn’t mining or farming that brought settlers to Banff. It was tourism. Banff was built for tourism. Even before the railroad (built to cajole the western territory to join Canada instead of the United States), even before three railway workers discovered the hot springs that pinpointed Banff as a destination and Canada’s first national park, and before Canadian Pacific Railroad built its world-famous, grand Banff Springs Hotel, this was a gathering place for indigenous peoples for centuries if not millennia. 

Travelers, adventurers, pioneers, artists have come under the spell of this place – its majestic scenery, the heady feeling of pure crisp air at altitude – and so have entrepreneurs and innovators.

Banff has attracted adventurers, sportsmen, artists, writers for 150 years. The city, wholly contained within Canada’s first national park, accommodates locals and visitors alike with scenic walking paths and hiking trails © Karen Rubin/goingplacesfarandnear.com

Two clever young entrepreneurs, the Brewster brothers, were among those visionaries responsible for building Banff – turning a fledgling guide service when they were just teenagers into Banff’s first tour company, then added hotels and bus operations.

Flash forward 100 years, and the long list of tourism enterprises they launched are under the Pursuit Collection umbrella, now part of a U.S.-based company, that stretches well beyond Banff, to Jasper and Watertown; to Glacier National Park in Montana, to Alaska and even to Iceland, including some that the clever brothers never could have imagined – Sky Lagoon, a new geothermal hot pool in Reykjavik, Iceland, and Flyover virtual reality experiences (where you get to sightsee an entire country in a matter of minutes) in Vancouver, Las Vegas, Iceland and soon Chicago and Toronto. And just opened, the Railrider Mountain Coaster – a 3,375-foot mountain coaster at the Golden Skybridge in Golden, B.C. (the first of its kind in Western Canada it is the fastest and largest mountain coaster in Canada).

I get an actual flyover experience as I jet from Toronto across Canada’s vast plains, still blanketed in white snow, to Calgary, Alberta, at the foothills of the Canadian Rockies, to sample many of the Pursuit Collection services that make Banff such a delightful, year-round visitor experience.

I am following an endless stream of visitors to Banff, lured by the spectacular majesty Canada’s Rocky Mountains that 150 years ago competed with the Alps for mountaineers.

My introduction to what the Brewster boys accomplished is the Brewster Express bus service from Calgary International Airport to the Mount Royal Hotel (also Pursuit Collection) in Banff. The service is so efficient – both the agent at the Brewster desk and the driver have my name on a list, and I board a comfortable coach to enjoy the scenic ride that takes 90-120 minutes. “Welcome to Calgary,” the driver rings out cheerily, “the sunniest place in Canada.” We set off after he gives us a safety talk.

I check-in to the Mount Royal Hotel, founded in 1908 as the Banff Hotel, making it one of Banff’s oldest hotels, which the Brewsters acquired in 1912. In fact, the Cascade Hotel, an older hotel, is incorporated into the today’s building with four wings, each representing a different era, that spans the entire block.

The historic Mount Royal Hotel is walking distance to everything in Banff © Karen Rubin/goingplacesfarandnear.com

The Mount Royal Hotel is perfectly situated, walking distance to everything. The view from my window onto the charming streetscape with the mountain peaks behind takes my breath away. The service is wonderfully friendly, hospitable, with every creature comfort provided – the rooms are even equipped with ear plugs and white noise machine (the hotel is right on the main street which has a lively nightlife).

I arrive before meeting my group of three other travel writers and our Pursuit Collection host, early enough in the afternoon to wander about the small, picturesque village, almost entirely ringed by mountain peaks that seem to flow right into the town.

View of Banff from the Sulphur Mountain Summit, reached by the Banff Gondola © Karen Rubin/goingplacesfarandnear.com
 

The entire town of Banff is set within the national park– Canada’s first and since 1984 also a UNESCO World Heritage Site. While the boundaries of the park expanded out from the hot springs (now a national historic site) to 2,564 square miles (96 percent wilderness), the town’s boundaries are fixed and buildings are limited to three stories high (except for the Mount Royal, with four stories, which is grandfathered). Probably 95 percent of the town’s population of 8,000-9,000 works in tourism (you have to work in Banff in order to buy a house but do not own the land). So it is so interesting to also have stores and services that are for local, everyday use – the high school is right on Banff Avenue (the main street), a hardware store, a grocery store.

View of Banff from my window in the historic Mount Royal Hotel © Karen Rubin/goingplacesfarandnear.com

From a summer retreat – people have been coming on the Canadian Pacific Railroad since 1888 – and beginning in the 1930s when the Brewsters developed Sunshine Mountain into a ski center, Banff has become a year-round destination and today, an iconic ski destination with three ski areas within the national park.

Much of how tourism developed here is due to the Canadian Pacific Railroad, which not only created the means for bringing tourists but built the grand Banff Springs Hotel, opening its doors in 1888.

But so much more is due to the work of other pioneers and entrepreneurs: the Brewster brothers, who from a young age (10 and 12), realized that the tourists wanted to be guided for sightseeing, and exploring the wilderness.

Beginning in 1892, the clever lads hired out as guides, becoming the exclusive outfitter for CP Railroad’s guests, then created a sightseeing service which grew into a fleet of 70 horse-drawn “Tally Ho” carriages; then, as automobiles became popular in the 1920s and 1930s, they introduced specially designed open-top touring vehicles (replicas are now used in a new incarnation of the open-top sightseeing tour). 

The Brewsters hosted major celebrities – there is a marvelous photo we see later at the Whyte Museum of the Brewsters driving King George VI and Queen Elizabeth in their horse-drawn carriage on the royals’ visit to Banff during their 1939 tour of Canada.

Brewster, which celebrated its 100th year, was acquired by Viad, a Phoenix-based investment company, which in 2014, put the various tourism services and experiences under one umbrella, rebranded as Pursuit Collection. This includes the Brewster bus service, Open-Top Sightseeing (in Banff, Jasper and Watertown), the Mount Royal Hotel, Elk & Avenue Hotel, the Banff Gondola (most popular attraction in Banff for good reason), and restaurants including the Sky Bistro (atop the gondola), Farm & Fire, and Brazen, and the Lake Minnewanka marina, cruises and snack shop, plus its Columbia ice field glacier tours (summer). Its tourism operations span Montana, Alaska and now Iceland.  (You can book all the elements and packages on the website; res agents can give ideas, counsel, and there are sample itineraries, www.pursuitcollection.com)

One of the Brewster’s specially designed “open-top” touring vehicles of 100 years ago, on view at Banff’s Whyte Museum © Karen Rubin/goingplacesfarandnear.com

We get a preview of this season’s Open Top Sightseeing tour in the new, custom built vehicles to explore the people, places and moments that have made Banff. The vintage-inspired automobiles have the look and feel of the 1930s—including a fully-open roof (but with modern comforts like USB charging ports) and a guide dressed in period costume.

Our guide for this preview is Natalie Wuthrich, Open Top Touring’s manager, who tells us that they re-created the open top vehicle from Brewster’s original mold, put on top of a Ford 550 base, then stretched (actually putting two chassis together) so they accommodate 19. She adds that each of the three vehicles has its own personality and quirks (like the windshield wiper goes on by itself). We also get a safety talk before she pulls away from the hotel (three emergency exits!).

The 90-minute tours are offered eight times a day in Banff, and four times in Jasper and Watertown. (The vehicles are available for private charter, wedding, corporate transfer, shuttles for shopping loops.)

She plays music to accompany the mood for the story she is telling. We set out to Billie Holiday’s “A Fine Romance.”

We pass Tanglewood House – one of first of Banff’s buildings, which was originally used as a trading post and post office. Today’s owner is a celebrity of sorts – he makes coffee.

She points to a yellow house styled after houses that were literally transported to Banff in the 1930s from 15 miles away in Bancoff, a coal mining town. When the mine shut, they moved 38 houses using trolleys, in 40 days. Originally sold for $50/room ($250 in today’s money), the homes are now worth $1.5 million each – a reflection of how scarce living space is. In order to purchase a house in Banff, which is within the National Park, you need to reside in Banff and work, own a business, or be a spouse of someone who does, and you only lease the land it’s on because the land belongs to the nation.

We pass by the lovely Banff Center for Arts & Creativity, founded in 1933 to promote visual and performing arts, which offers a hotel, fitness center, artist residencies, studios, and hosts the Banff Mountain Film Festival.

Driving passed Tunnel Mountain, we learn there is actually no tunnel in Tunnel Mountain.

“The railway needed to get to Banff, but a mountain was in the way. The engineer planned to blow a tunnel through mountain so that passengers would pop out at Banff Springs Hotel for a ‘wow’ reveal – but it was too dangerous and expensive, so, instead, the railroad used the natural lay of land and followed the river.” But the name stuck, she says, possibly as an insult. (There is a petition to rename Tunnel Mountain to its indigenous name, Sacred Buffalo Mountain, because it has the shape of a sleeping buffalo.)

Tunnel Mountain is a popular hike right from downtown Banff, with the reward of a 360-degree view from the top.

Canadian Pacific’s Banff Springs Hotel was a critical foundation for tourism to Banff © Karen Rubin/goingplacesfarandnear.com

We come to the “Castle in the Rockies” – the Banff Springs Hotel. “It was the vision of Sir William Cornelius Van Horne, the general manager of the Canadian Pacific Railroad who was responsible for completing the transcontinental line (in 1885). He built a coast to coast train, but where would the people stay?” in order to experience this magnificent place. (Van Horne designed the hotel and initially, was built backwards, with the better views going to the staff; the originally burned down and was rebuilt in 1914.)

Guests came on the train and stayed at the hotel. Bill and Jim Brewster – their father was a dairy farmer who supplied Banff Springs Hotel – realized the guests needed something else to do, so they started guiding back packers, pack horses, then Tally Ho’s,  the horsedrawn carriage. When automobiles became popular in 1920s and 1930s, they devised 12-passenger open-top automobiles, ultimately building a fleet of 60 vehicles.

The Brewsters hosted major celebrities – there is a marvelous photo we see later at the Whyte Museum of the Brewsters driving King George VI and Queen Elizabeth in their horse-drawn carriage on the royals’ visit to Banff during their 1939 tour of Canada.

The music now is “Stompin at the Savoy,” by the “King of Swing” Benny Goodman, who stayed at the hotel in 1933. As a condition of coming, Natalie relates, he required they build a landing strip so he could pilot his own plane there because he refused to take the train. The landing strip still exists, mainly for emergency and is popular with foraging animals.

We stop to take in the breathtaking view of Mount Rundell, Sulphur Mountain and Tunnel Mountain.

Pursuit Collection’s Open Top sightseeing tour re-creates the Brewster’s sightseeing tour first by Tally Ho horse-drawn carriages and then by specially designed automobile © Karen Rubin/goingplacesfarandnear.com

We drive up to Norquay – one of three ski areas within Banff National Park. One of the oldest ski hills, its 1948 double chair lift still runs (Marilyn Monroe was photographed here during filming of “River of No Return” in 1953). Among the ski jumpers who came for the 1988 Olympics in Calgary who practiced here was “Eddie the Eagle” who didn’t have the money for the lift ticket, Natalie relates as she serves us hot chocolate.

Natalie regales us with stories of the colorful characters who populated and built Banff.

A toast of hot chocolate on Pursuit Collection’s Open Top sightseeing tour© Karen Rubin/goingplacesfarandnear.com

Bill Peyto, who was an early park warden (1913-1937), was a recluse and a trapper who collected animals for the zoo. Opened in 1907, the zoo showcased cougars, elk, monkeys, and a polar bear known as “Buddy” was closed in 1937 over concerns over animal cruelty, and is now Banff’s Central Park. On this day, he trapped a lynx, sedated it, and decided to get a drink in the Alberta Bar (where Brazen restaurant is today in the Mount Royal Hotel), with the sedated lynx still wrapped around his neck, until it wasn’t.

We pass the Trading Post, which I recall visiting decades ago. It was established by another of Banff’s important founders, Norman Luxton, who came to Banff in 1902 and earned the nickname “Mr. Banff” for all the ventures he launched. The more I learn about Luxton, the more I admire the man. He seems to have been a mix of P.T. Barnum, Wild Bill Hickok, William Hearst, and Thor Heyerdahl, and I can’t get enough of his story, especially as I explore Banff.

Luxton was a real promoter, possibly picking up a few tips from P.T.Barnum, the famous circus promoter. Natalie relates how Luxton got a black bear orphan cub, ‘Teddy,” which he put outside his Trading Post, as “a sure drawing card for eastern city-slickers looking for a piece of the Wild West.” People, who came from all over the world to see Teddy, would buy salty caramel chocolate treats at the trading post to feed the bear, until a boy, as a prank, laced chocolate with chili peppers that so agitated the bear, the park superintendent had the bear removed (he lived with a hotel keeper in Golden) and banned keeping any wild animal as a pet.

Later, when I visit the Trading Post, I see Luxton’s “Merman” from Fiji– a real homage to Barnum who first exhibited his in 1842- which Luxton probably used in place of the bear as a lure to visitors to the store. Luxton’s ventures also included a newspaper, a theater, a hotel, a museum showcasing First Nations (still operating, a must-see)  and boat tours – most still in operation today.

The “Fiji Merman” which Norman Luxton used to draw tourists into his Trading Post © Karen Rubin/goingplacesfarandnear.com

Luxton began the Winter Carnival events in 1917 that helped turn Banff into a snow-sports destination and from 1909-1950, organized the Banff Indian Days, an annual weekend event that brought locals, tourists and First Nations peoples together in Banff.

Pursuit Collection’s website makes it easy to plan a three-day itinerary out of Banff. A Pursuit Pass provides savings up to 40% when you book Banff, Jasper and Golden’s attractions together, including the Banff Gondola, Columbia Icefield Adventure, Golden Skybridge, Open Top Touring, Lake Minnewanka Cruise and Maligne Lake Cruise.

Lake Minnewanka, still frozen over, becomes a summer destination for lake cruises, boat rentals, hiking, excursions started by Norman Luxton and now part of Pursuit Collection © Karen Rubin/goingplacesfarandnear.com

The Columbia Icefield Adventure (which hadn’t yet started for the season when we visit) features the defining geological heart of Jasper National Park. It includes an Ice Explorer Tour on the Athabasca Glacier (a 10,000-year old sheet of ice you can walk on), admission to the glass-floored Skywalk to walk at the cliff’s edge, and return transportation from the Glacier Discovery Centre.

Pursuit Collection operates the Banff Gondola, a major attraction that brings you to marvelous experiences atop Sulphur Mountain © Karen Rubin/goingplacesfarandnear.com

Pursuit Collection has just opened its newest attraction, the Railrider Mountain Coaster – a 3,375-foot mountain coaster at the Golden Skybridge in Golden, B.C., 90 minutes from Banff. The coaster is the first of its kind in Western Canada and is the fastest and largest mountain coaster in Canada.

The Railrider Mountain Coaster races through an old growth forest between Canada’s two highest suspension bridges. It features an up-track that takes riders 1,180 feet up the canyon, before they descend 2,195 feet, reaching speeds of up to 40 kilometers per hour. Riders then coast under the lush canopy, around a 360-degree loop, through a 50-foot tunnel and finally shoot out onto a cantilever that extends over the majestic Columbia Valley. The coaster features state-of-the-art technology that allows riders to choose their own level of adventure (www.goldenskybridge.com).

You can find Pursuit Collection’s services and attractions at https://www.pursuitcollection.com/; to book Pursuit Collection’s Banff and Jasper experiences, https://www.banffjaspercollection.com/.

Next: Pursuit Collection Offers Feast for Senses and the Soul in Banff

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