Category Archives: Historic Places

New-York Historical’s ‘I’ll Have What She’s Having’ Examines How Jewish Delicatessens Became a Cornerstone of American Food Culture

I’ll Have What She’s Having’: The Jewish Deli exhibit at New-York Historical Society tells a deeply moving story about the American experience of immigration—how immigrants adapted their cuisine to create a new culture that both retained and transcended their own traditions © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New-York Historical Society’s exhibition “I’ll Have What She’s Having”: The Jewish Deli, is a fascinating exploration of the rich history of the Jewish immigrant experience that made the delicatessen so integral to New York and American culture. On view through April 2, 2023, the mouth-watering and culturally significant exhibition, organized by the Skirball Cultural Center in Los Angeles (where it is on view through September 18), examines how Jewish immigrants, mostly from Central and Eastern Europe, imported and adapted traditions to create a cuisine that became a cornerstone of popular culture with worldwide influence.

The exhibition explores the food of immigrants; the heyday of the deli in the interwar period; delis in the New York Theater District; stories of Holocaust survivors and war refugees who found community in delis; the shifting and shrinking landscapes of delis across the country; and delis in popular culture. You get to see iconic neon signs, menus, advertisements, and deli workers’ uniforms alongside film clips depicting delis in popular culture and video documentaries.

Laura Mart, co-curator of I’ll Have What She’s Having”: The Jewish Deli, now at the New-York Historical Society, explains the transition from pushcart to delicatessen, along with the fortunes of Jewish immigrants from Eastern Europe © Karen Rubin/goingplacesfarandnear.com

Some 2 million Jews came from Eastern and Central Europe to the United States between 1880 and 1924, when nativist anti-immigrant furor shut down immigration (there is a display showing some of the anti-immigrant propaganda). New York was a stopover but also a destination for millions and they brought with them their food culture, which, of necessity, was adapted.

“Why make a museum show out of the Jewish deli – which is a specific and unusual topic? The ‘deli’ allowed us to explore themes of how people of different backgrounds relate to one another” in such a melting pot as New York, said Laura Mart, one of the curators. “It shows how Jewish-American culture was created and maintained through generations. And it is also about joy, more important than ever. Museums are a place for joyful learning.”

“It’s a story of tradition and change, adaptation and resilience,” said Lara Rabinovitch.

“It’s our great pleasure to present an exhibition on a topic so near and dear to the hearts of New Yorkers of all backgrounds,” said Dr. Louise Mirrer, president and CEO of New-York Historical, herself waxing nostalgic. I’ll Have What She’s Having’: The Jewish Deli tells a deeply moving story about the American experience of immigration—how immigrants adapted their cuisine to create a new culture that both retained and transcended their own traditions © Karen Rubin/goingplacesfarandnear.com

“It’s our great pleasure to present an exhibition on a topic so near and dear to the hearts of New Yorkers of all backgrounds,” said Dr. Louise Mirrer, president and CEO of New-York Historical. ‘I’ll Have What She’s Having’: The Jewish Deli tells a deeply moving story about the American experience of immigration—how immigrants adapted their cuisine to create a new culture that both retained and transcended their own traditions. I hope visitors come away with a newfound appreciation for the Jewish deli, and, with it, the story of the United States.”

“Whether you grew up eating matzo ball soup or are learning about lox for the first time, this exhibition demonstrates how Jewish food became a cultural touchstone, familiar to Americans across ethnic backgrounds,” said co-curators Cate Thurston and Laura Mart. “This exhibition reveals facets of the lives of Central and Eastern European Jewish immigrants in the late 19th and early 20th centuries that echo in contemporary immigrant experiences. It shows how people adapt and transform their own cultural traditions over time, resulting in a living style of cooking, eating, and sharing community that is at once deeply rooted in their own heritage and continuously changing.”

I’ll Have What She’s Having is co-curated by Skirball curators Cate Thurston and Laura Mart along with Lara Rabinovitch, renowned writer, producer, and specialist in immigrant food cultures. It is coordinated at New-York Historical by Cristian Petru Panaite, curator of exhibitions. The exhibition explores topics including deli culture, the proliferation of delis alongside the expansion of New York’s Jewish communities, kosher meat manufacturing, shortages during World War II, and advertising campaigns that helped popularize Jewish foods throughout the city.

As is typical of New-York Historical’s exhibits, expanded presentation from its own collection and local twist includes additional artwork, artifacts, photographs of local establishments, and objects from deli owners, as well as costumes from The Marvelous Mrs. Maisel, a mouthwatering interactive, and a Bloomberg Connects audio tour.

A soldier fighting in Italy during World War II writes to his fiancée that he “had some tasty Jewish dishes just like home” thanks to the salami his mother had sent, a confirmation of the success of the “Send a Salami to Your Boy in the Army” campaign © Karen Rubin/goingplacesfarandnear.com

Highlights include a letter in New-York Historical’s Patricia D. Klingenstein Library collection from a soldier fighting in Italy during World War II writing to his fiancée that he “had some tasty Jewish dishes just like home” thanks to the salami his mother had sent—confirmation of the success of a famous “Send a Salami to Your Boy in the Army” campaign. (Panaite painstakingly poured over a huge collection of World War II letters, one by one, to find it.) 

There are photos of politicians and other notable figures eating and campaigning in delis, including then-US Senate candidate Hillary Clinton at Ben’s delicatessen in Greenvale, Long Island. Movie clips and film stills include the iconic scene in Nora Ephron’s romantic comedy When Harry Met Sally…, which inspired the exhibition title. This and other movie scenes underscore the prominent role of Jewish delis in American popular culture.

Special to New-York Historical’s presentation is a closer look at the expansion of Jewish communities at the turn of the 20th century, not just on the Lower East Side but also in Brooklyn, Queens, and the Bronx. In the 1930s, some 3,000 delis operated in the city; today, only about a dozen remain. 

I’ll Have What She’s Having’: The Jewish Deli at the New-York Historical Society will evoke nostalgia in native New Yorkers, as well as a craving for a pastrami sandwich on rye © Karen Rubin/goingplacesfarandnear.com

The exhibition gives special attention to dairy restaurants, which offered a safe meatless eating experience; a portion of the neon sign from the Famous Dairy Restaurant on the Upper West Side is on display. Salvaged artifacts, like the 2nd Avenue Delicatessen storefront sign and vintage meat slicers and scales from other delis, are also on view, along with costumes by Emmy Award-winning costume designer Donna Zakowska from the popular Prime Video series The Marvelous Mrs. Maisel.

Visitors are invited to build their own sandwiches named after celebrities, such as Milton Berle, Sophie Tucker, Frank Sinatra,  Ethel Merman, and Sammy Davis Jr., in a digital interactive inspired by menu items from Reuben’s Deli and Stage Deli (the menus are on display). 

On the Bloomberg Connects app, exhibition goers can enjoy popular songs like “Hot Dogs and Knishes” from the 1920s, along with clips of Mayor Fiorello La Guardia discussing kosher meat pricing, 1950s radio ads, and interviews with deli owners forced  to close during the pandemic lockdown.  

It’s a trip down memory lane for so many of us native New Yorkers – with the neon signs from popular delis and suppliers (Hebrew National), menus (there is one from Reubens, the home of the Reubens sandwich, which was a very popular venue for my family).

The roots for Jewish Deli cuisine were the fermentation, the types of foods, the technology of food, that originated in Europe, but the hallmarks of the Jewish Deli culture go beyond the food – to the booths, the waiters, the zeitgeist of the deli. We learn that that ambiance evolved – first from pushcarts on the streets of the Lower East Side (street food), to stools, to counter-style take-away shops, to finally having seating in full-fledged restaurants.

Case in point: Joel Russ founded his appetizing store out of a barrel in 1907 in Manhattan. He moved up to selling herring and other salt-cured and smoked fish out of a pushcart and finally opened a brick-and-mortar store in 1914.His daughters, Hattie, Ida, and Anne, worked in the store from the time they were 11 and 12. In 1935, he renamed the store Russ & Daughters, and are known as the “Sturgeon Queens.”

The delis introduced Americans to borscht (Slavic), gefilte fish, kishke (Slavic), vereniki (Ukrainian), kasha varnishkes (Russian), herring and chopped liver (“What am I, chopped liver?”). Also latkes (Ashkenazi), blintzes, knishes, rugelach and babka. Cheesecake is actually an American innovation.

The industrialization of beef production and processing actually made Kosher beef more desirable, hence Hebrew National’s slogan, “We answer to a higher authority.” © Karen Rubin/goingplacesfarandnear.com

Interestingly, the rise of industrial food processing and cattle production (which mass produced beef and discouraged pork consumption) actually increased the desirability of Kosher food – certified as meeting religious standards, hence the Hebrew National slogan, “We answer to a higher authority.”

Jewish entrepreneurs in Chicago capitalized on the opportunity to produce kosher beef, but ultimately, what became the Jewish Delicatessen was American.

I’ll Have What She’s Having’: The Jewish Deli at the New-York Historical Society traces how Jewish cuisine was assimilated into American culture © Karen Rubin/goingplacesfarandnear.com
 

“Meat was expensive in Europe. Jews couldn’t own land and meat was a luxury. But in the United States, meat became central to deli food.” At first, there was strict separation between deli restaurants like Katz’ and dairy restaurants, like Ratner’s – because Koshruth forbids the mixing of meat and milk – but over time, and with assimilation, even delis would offer items like cheesecake as dessert after a corned beef sandwich.

We learn about the Vienna Beef factory, founded in 1893 by Jewish Austro-Hungarian immigrants Emil Reichel and Sam Ladany. They first sold frankfurters at the 1893 World’s Columbia Exposition in Chicago, then expanded to include Vienna sausages, pastrami, corned beef and salami.

A photo of Katz’ Delicatessen, circa 1900, one of the artifacts on view at I’ll Have What She’s Having’: The Jewish Deli at the New-York Historical Society tracing how Jewish cuisine was assimilated into American culture © Karen Rubin/goingplacesfarandnear.com

Katz’s Delicatessen, likely the oldest continuously operating deli in the US, was founded in 1888 by two brothers named Iceland. The Katz family became business partners and by 1917, bought out the brothers. At a time when most deli food was being sold from carts and barrels on the street, Katz’s was a brick-and-mortar delicatessen.

In 1916 on Coney Island, Polish immigrant Nathan Handwerker began building his empire by selling franks for five cents and undercutting his competition, Feltman’s.

And then there is this intrigue: fraud and corruption became pervasive in the kosher meat industry. In 1925, an estimated 40 percent of meat sold as “kosher” was non-kosher. In 1933, the NYC Department of Health and US Department of Agriculture raided Jacob Branfman & Son, one of the city’s main kosher delicatessen manufacturers, and seized over 1,400 pounds of nonkosher beef briskets. The owner was sentenced to 30 days in the infamous city workhouse.

A sign from Katz Delicatessen from the World War II-era campaign © Karen Rubin/goingplacesfarandnear.com

During World War II, Jewish delis promoted a campaign to “Senda Salami to Your Boy in the Army” (the slogan was developed by Sixth Avenue Delicatessen waiter Louis Schwartz) and used by delis including Katz’s. The slogan became so popular that comedian Jerry Lewis used it in the film, “At War with the Army” (1950).

Louis G. Schwartz, aka “Louie the Waiter,” helped raise more than $9 million in war bonds – that paid for 66 P-47 Thunderbolt fighter planes, each which bore the moniker, “Louie the Waiter.” Schwartz developed a rhyme to inspire patrons to buy the bonds, “you’ll buy war bonds sooner or later, so get them from Louis the Waiter!”

Al Hirschfeld’s caricature of Sixth Avenue Deli’s Louis G. Schwartz, aka “Louie the Waiter,” helped raise more than $9 million in war bonds and created the slogan, “Senda Salami to Your Boy in the Army”.

Most interesting is to learn about some of the people who found refuge in the delis – as owners or workers. Paula Weissman, born in present-day Ukraine, survived Auschwitz and Bergen-Belsen concentration camps. She arrived in New York in 1948 with two dollars. After working in a Brooklyn girdle factory, she was hired as a temporary waitress at Fine & Schapiro Kosher Delicatessen on West 72nd Street. The 7-day temp job turned into 30 years.”In her black uniform and white shoes, Paula took the orders of Zero Mostel, Molly Picon, Rita Moreno and many other Broadway stars.”

Rena Drexler was liberated from Auschwitz in 1945 and moved to Munich, Germany, where she and her husband, Harry, began their new lives working in a deli. The couple moved to Los Angeles in 1951 and opened Drexler’s Deli on Burbank Boulevard in 1957, selling kosher meals and products for the Orthodox Jews who settled in the neighborhood.

Paula Weissman, one of the Holocaust survivors who made a new life at Jewish delicatessens © Karen Rubin/goingplacesfarandnear.com

The original owner of the Second Avenue Deli, Abe Lebewohl, was a Holocaust refugee. Upon arriving in America and not even speaking the language, he took his first job in a Coney Island deli as a soda jerk, graduating to counterman and over the next few years, learning the secrets of superb pastrami and other traditional Jewish delicacies. In 1954, with a few thousand dollars he managed to set aside, Abe took over a tiny 10-seat luncheonette on East Tenth Street—the nucleus of the 2nd Ave Deli. Working around the clock for years—often filling in as cook, counterman, waiter, and even busboy—he put all his time and energy into making a success of his tiny establishment. “He never turned anyone away for lack of funds, he fed striking workers, homeless.” In 1996, he was robbed and murdered when making a bank deposit; the case unsolved.

In a nostalgic tribute to departed delis that continue to hold a place in the hearts of many New Yorkers, photographs show restaurants that closed in recent years. Eateries include the Upper West Side’s Fine & Schapiro Kosher Delicatessen, Jay & Lloyd’s Kosher Delicatessen in Brooklyn, and Loeser’s Kosher Deli in the Bronx. An exuberant hot dog-shaped sign from Jay & Lloyds Delicatessen, which closed in May 2020, and folk artist Harry Glaubach’s monumental carved and painted signage for Ben’s Best Kosher Delicatessen in Queens, also pay tribute to beloved establishments. The exhibition concludes on a hopeful note, highlighting new delis that have opened their doors in the past decade, such as Mile End and Frankel’s, both in Brooklyn, and USA Brooklyn Delicatessen, located steps from the site of the former Carnegie and Stage Delis in Manhattan.

Ben’s, still a force on Long Island and Manhattan is illustrative of the changes in the Jewish Deli that followed changes in the lives of American Jews. To be blunt, in the mid-20th century, restrictive covenants that barred Jews (and Blacks) from living in certain neighborhoods were lifted, and American Jews were flocking to the suburbs. The delis followed.

What I found fascinating was that the Jewish deli grew up as the American industrialized cattle industry grew – displacing home-grown pork – making beef plentiful and giving rise to the sky-high thick pastrami and corned beef sandwiches that would never have been available to Jews in their European shtetls, where meat would have been a cherished rarity.

Folk artist Harry Glaubach’s monumental carved and painted signage for Ben’s Best Kosher Delicatessen in Queens is on view at I’ll Have What She’s Having’: The Jewish Deliat the New-York Historical Society © Karen Rubin/goingplacesfarandnear.com

The exhibit ponders how it was, why it was that Jewish deli became so much a part of American pop culture.

“There is no definitive answer as to why the deli has inspired generations of Jewish filmmakers, comedians, musicians and writers. Perhaps it is because so many Jewish creatives got their start in New York City, where they frequented Jewish delis and later infused these experiences into their work. Or maybe it is because the Jewish deli is one of the most public secular environments in Jewish American life. It is a place where characters can demonstrate or celebrate their Jewish identity outside of private or religious spheres. Whatever the reason, the deli continues to have significant influence on Jewish artists.”

The fifth generation “Katz,” Jake Dell, alongside a model of his family’s delicatessen and a video of the famous scene in “When Harry Met Sally” movie which provides the title for the New-York Historical Society’s exhibit, at I’ll Have What She’s Having’: The Jewish Deli. © Karen Rubin/goingplacesfarandnear.com

The better question has to do with how Jewish cuisine has become as integrated into in American culture as bagels (with or without lox). And that’s because so many of the creatives – in Broadway theater, film – were Jewish.

But Jewish delis, themselves, are struggling today, particularly after the coronavirus pandemic, but also because of changing economics – the cost of that two-inch high pastrami on rye, the rent. The sandwich that used to cost $1.95 (see the Reubens menu), now costs $25. The fifth generation “Katz,” Jake Dell, on hand at the press preview, spoke of the changing economics, he said that they don’t even make a profit on a $25 pastrami sandwich. “The profit is in the soup.”

Programming: Private group tours can be arranged throughout the run of “I’ll Have What She’s Having”: The Jewish DeliFamily programming includes a food-focused family day celebrating foodways brought to New York City by immigrants from around the world. Living History programs bring to life the stories of proprietors, patrons, and staff of New York City’s Jewish delis. Visit nyhistory.org for dates and details.

“Confronting Hate 1937-1952”

“Confronting Hate 1937-1952” exhibit at New-York Historical Society documents the American Jewish Committee’s groundbreaking campaign to combat anti-Semitism and ultimately to fight all forms of hate and bigotry © Karen Rubin/goingplacesfarandnear.com

After enjoying the joyful “I’ll Have What She’s Having,” go up to the second floor of the historical society for another, more serious, exhibition that is so timely in the here and now: “Confronting Hate 1937-1952” about the American Jewish Committee’s groundbreaking campaign to combat anti-Semitism and ultimately to fight all forms of hate and bigotry. To reach as many Americans as possible in the period leading up to the Holocaust, World War II and the aftermath, the agency embraced new mass communication technologies and partnered with talented allies – artists, writers, political leaders, church groups, politicians, magazine and newspaper editors. They produced comic books, ads, articles. Among the celebrities who joined a “Speaking for America” poster campaign in 1946: Bob Hope, Frank Sinatra, Judy Garland and Danny Kaye, plus President Harry Truman and Admiral Chester Nimitz.

New-York Historical Society, New York’s First Museum

At the New-York Historical Society, New York’s first museum, you experience 400 years of history through groundbreaking exhibitions, immersive films, and thought-provoking conversations among renowned historians and public figures. A great destination for history since 1804, the Museum and the Patricia D. Klingenstein Library convey the stories of the city and nation’s diverse populations, expanding our understanding of who we are as Americans and how we came to be. Ever-rising to the challenge of bringing little or unknown histories to light, New-York Historical will soon inaugurate a new annex housing its Academy for American Democracy as well as the American LGBTQ+ Museum. These latest efforts to help forge the future by documenting the past join New-York Historical’s DiMenna Children’s History Museum and Center for Women’s History.

Digital exhibitions, apps, and For the Ages podcast make it possible for visitors everywhere to dive more deeply into history. Connect at nyhistory.org or at @nyhistory on FacebookTwitterInstagramYouTube, and Tumblr.

The New-York Historical Society is located at 170 Central Park West at Richard Gilder Way (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Day 3 on the Inca Trail to Machu Picchu: Town in the Clouds, Terraces of the Sun & Forever Young

Wiñaywayna is the most spectacular Inca site on the trail after Machu Picchu © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Eric Leiberman and Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

On our third morning on the Inca Trail, we are wakened at 5 am at our tents in the Chaquiccocha campsite to be packed up, have breakfast at 5:30 am and out by 6:30 am to begin what is generally considered the most relaxed day of the four-day trek, when our Alpaca Expeditions group will hike 6.2 miles mostly downhill, and visit two Incan sites, Phuyupatamarka (Town in the Clouds) and Intipata (Terraces of the Sun), before reaching the campsite, where, we are told, a special activity awaits.

I’m still on a high from surviving Day 2 and the dual challenges of Dead Woman’s Pass and Runkuracay Pass, so I feel I can handle anything (and not just on this trek).

It’s a foggy morning and before setting out, Lizandro organizes all of us in a great circle with the porters and staff and guests (Giorgio calls “family” and Lizandro calls “team” and both are true in the way we have bonded) so we meet each other. We learn that the porters all come from one mountain village, that two are brothers, 62 and 68 years old, that one of the porters is a woman (very unusual, but Alpaca Expeditions has made an effort to recruit women).

Getting to know you: Alpaca Expeditions porters and staff and trekkers introduce ourselves © Karen Rubin/goingplacesfarandnear.com

Each of the trekkers introduce ourselves, as well, and I mention that today is my 71st birthday – mentioning it because I am pretty pleased with the achievement (and our guide, Giorgio, at one point guessed I was 55 – perhaps just being polite) – to emphasize that they have made this an experience of a lifetime possible for me.

Alpaca Expeditions’ “Green Machine” porters and staff who make our Inca Trail trek to Machu Picchu – a trip of a lifetime for many – possible © Karen Rubin/goingplacesfarandnear.com

We hike for 2 hours along what they call “Inca flat” (gradual inclines) and begin to enter the jungle, known as the Cloud Forest. As we walk, we have the opportunity to see Salkantay, the second highest snow-capped mountain in the Sacred Valley, and get glimpses of a fantastic panoramic view of the Vilcabamba mountain range through mist and clouds.

One of the fun sections of the Inca Trail goes through a small cave © Karen Rubin/goingplacesfarandnear.com

Towards the end of the Inca flats, we begin to make our way up to the last peak and our third pass, Phuyupatamarka (Temple Above the Clouds) at 12,073 ft. from where we have great views overlooking the Urubamba River.  Down the valley, we get our first view of Machu Picchu Mountain, but the famous “Lost City” itself is still hidden from view.

From Phuyupatamarka it´s a 3-hour walk down a flight of steps to our last campsite and the grand finale for this day, exploring the Incan site of Wiñaywayna (Forever Young).

On the descent, we stop in a small cave, and just as the pilgrims did 600 years ago as they came closer to Machu Picchu, the religious center, Lizandro uses this site, the Temple Above the Clouds, to discuss religious beliefs and practices at the time of the Inca.

Exploring the Incan site of Phuyupatamarka © Karen Rubin/goingplacesfarandnear.com

This would have been one of the religious sites where pilgrims would be able to show their devotion and purify themselves before they reached Machu Picchu. It could have been a place of offerings, a ritual shower, of sacrifice (animals, Lizandro says, not humans, which he says would happen only rarely).

At the time of the Inca and thousands of years before, the many different tribes were polytheists, worshipping many gods mostly associated with Nature. They believed that nature, man and the Pachamama (Mother Earth), lived in harmony and perpetual interrelationship. The Inca state promoted the worship of a creator god (Wiracocha), sun god (Inti), Moon Goddess (Mamaquilla), thunder god (Illapa) and Earth Mother (Pachamama), and a host of other supernatural entities. But the ruling Inca established Inti, the sun god, as the most important (the first Incan king declared himself to be the son of Inti, to establish his divine power and authority).

Eric takes in the dramatic landscape along the Inca Trail to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

Lizandro points to a trinity that organizes the belief system: “The Inca thought three lives (past, present and future) ran parallel – one underneath (past), one above (future). They divided the world in three dimensions, three stages of life, which they depicted with animals – the condor (the heavens), the puma (the middle world of earth), and the snake (the underworld).

The snake represents knowledge, wisdom; because everything known is from past; the puma represents strength, energy; the condor connects this world to next world because it could touch heaven and carry heavy things, he says. “The Inca saw life as a circle, not a line, so life never ends. They believed life is reborn and when they were buried, they were placed in fetal position pointing to the sun and mountains; rulers were mummified and their mummified remains taken and paraded around one day a year. Children didn’t inherit property – people were buried with their belongings (for next life). Machu Picchu would have taken more than a lifetime to build, but the Emperor Pachacuti believed he wouldn’t enjoy it in this world, but the next.”

And the linchpin to it all, the basis for the Inca emperor’s power and authority, was religious faith.

So, while the Inca did not have slaves, they had a system of labor, whereby the men would give two to three months of service to the rulers (the first Incan Emperor, Pachacútec, the Alexander the Great of the Inca, had them build Machu Picchu, Pisac, Ollantaytambo and the various palaces and temples, and gave 50 percent of what they harvested to the nobles and the priests out of religious devotion.  And the people were kept ignorant – only the nobles and priests were educated.

He says there would have been six water fountains here – so people could take a ritual shower “to purify mind and body before going to Machu Picchu.” He also points to a sacrificial rock.

There appears to be an altar carved into the bedrock facing sunrise.

We have about 45 minutes of a steep downward hike before it levels off again.

The Incan site of Intipata, Terraces of the Sun, one of the sites that would have served the pilgrims and nobles on their way to Machu Picchu and were abandoned for 400 years before being discovered by archaeologists © Karen Rubin/goingplacesfarandnear.com

We come to an Incan site, Intipata (Terraces of the Sun) that interestingly, overlooks our final campsite waaaay down the mountain. Lizandro points out what would have been a platform for sacrifice. “Not for human. That would be rare” indicating that it would take place only in extreme circumstances, like a famine and would be mainly girls 11 and 13 years old who belonged to Cuzco noble families who were told they were born to be sacrificed as offerings to stop a national disaster. He describes one instance when the king sacrificed his daughter. (I’ll bet it was a period of famine, because they needed to reduce population to keep in balance.) The sacrificed were given fresh vegetable hallucinogenic flower to eat. “They offered them not death, but life.”

Llama at Intipata. “The Llama represents spiritual life and the black llama, a symbol of material life, would be sacrificed,” our Alpaca Expeditions guide, Lizandro, tells us © Karen Rubin/goingplacesfarandnear.com

More typically, it was a llama that would be sacrificed. “The Llama represents spiritual life and the black llama, a symbol of material life, would be sacrificed.”

At Intipata, a boulder that would have been used as a platform for ritual sacrifice © Karen Rubin/goingplacesfarandnear.com

The Inca did not have a written alphabet, yet they had to figure ways to communicate across distances – to alert the villages along the Inca Trail when the king was coming, when enemies approached. They did it using runners – sometimes in relays (they could do the 26 mile distance we did in four days’ hike in four hours), using conch trumpets. Also, the patterns and colors of their clothing would identify who they were, what tribe, and so, whether friend or foe.

Terraces at Intipata. The scale is mind-blowing © Karen Rubin/goingplacesfarandnear.com

But they also had a system of colored strings and knots, called quipu, that recorded and relayed information, which he shows us as an example. Lizandro says (not disguising a sense of resentment) that only a few of these quipu have survived but some 1500 of them have been taken to foreign museums (in fact, most of what the archeologists have taken from the Incan sites have yet to be returned).

(I imagine that the quipu could be read like Morse code and while they did not have an alphabet, the code was probably based on mathematics- perhaps a computer could decipher?)

Getting set for our Alpaca Expeditions cooking class activity © Karen Rubin/goingplacesfarandnear.com

At the end of our third day hike – relatively short and easy (it doesn’t feel like five hours!), we get into camp at 1 pm and Lizandro tells us to look forward to an “activity” – a cooking class, where Chef Mario shows us how to cook a popular Peruvian dish, lomas latudo. We get chef’s hats and aprons and the platters of ingredients – beef, red pepper, tomatoes, onions, yellow pepper, ginger, garlic, vinegar, soy sauce, salt, pepper, cilantro, oil to fry potato (served with French fries and rice) – which we learn how to properly cut, dice, stir and sauté – before enjoying our handiwork for lunch.

Chef Mario leads a cooking demonstration © Karen Rubin/goingplacesfarandnear.com

Later in the afternoon, after time to relax, we walk a surprisingly short distance (less than 10 minutes) along a trail from our campsite to one of the most impressive Incan villages of all, Wiñaywayna, and (unlike when we go to Machu Picchu the next day) we have it almost to ourselves to explore.

Eric demonstrates the tossing technique during our Alpaca Expeditions cooking class © Karen Rubin/goingplacesfarandnear.com

Wiñaywayna is the most spectacular Inca site on the trail after Machu Picchu and the most popular campsite because of its proximity to Machu Picchu.

Winawayna, one of the most impressive archaeological sites along the Inca Trail, was named ”Forever Young” because of the blooming orchids found there © Karen Rubin/goingplacesfarandnear.com

Winawayna was discovered by a local archaeologist in 1942 who was there excavating different site, Chamchabamba, and found it hidden under dense vegetation and cloud forest and amazingly, they found orchid flowers growing on the wall. Lizandro explains that Peru has 435 species orchids, but they mostly bloom early or at the end rainy season, some bloom only  every 4-5 years or for only one day year, opening at sunrise and dying at sunset, but the ones found here bloom year round, which is why they named the site, Winawayna  – Forever Young – for the orchid. (If Dead Woman’s Pass, thankfully, did not prove prescient for me, perhaps Forever Young on this, my birthday?)

Wiñaywayna is the most spectacular Inca site on the trail after Machu Picchu © Karen Rubin/goingplacesfarandnear.com

We explore the site, climbing up and down the steep stone steps, walking through the corridors, really getting into the architecture and engineering, the logistics, as if the people left only yesterday. You realize these ruins were buried under overgrowth for 400 years and can only marvel at what was involved in the archeological excavation so that we can appreciate it today.

Wiñaywayna is the most spectacular Inca site on the trail after Machu Picchu © Karen Rubin/goingplacesfarandnear.com

Most of the Inca sites have yet to be uncovered and are still buried, and the ones that we do see have only been partially excavated. Indeed, only about 40 percent of Machu Picchu has been excavated.

We go through a room with three walls and big windows which, Lizandro tells us, means it was a storage room – the windows provided ventilation for better preservation of the supplies, while homes had no windows because it would be too cold; instead, there are spaces in the walls where they would put idols for decoration.

Wiñaywayna is remarkably intact so you can see how the homes, storage rooms and temple were constructed © Karen Rubin/goingplacesfarandnear.com

We see what would have been a watch tower. There would have been guards with weapons at the ready to protect Machu Picchu – like sling shots (a rope of wool with a bag in the middle with rocks),  arrows, lances, spears, hatchets – fine for use against another tribe, but fairly useless against the weapons the Spanish invaders wielded. The guard would have been able to recognize if someone coming was friend or foe by the colors and design of their clothes.

Seven windows arranged on a curve in the temple at Winawayna © Karen Rubin/goingplacesfarandnear.com

The temple here has three different architectural styles, which Lizandro says shows it was built by different generations and different engineers. A wall of this temple has seven windows that look out to the peak, arranged in a curve. The round shape was to reflect the sun, to provide different places to observe sun, like a sun dial. The seven windows are homage to the Seven Sister stars of the Pleiades.

Appreciating the terraces – an agricultural laboratory to determine the best methods at different levels of elevation – and how Winawayna was built into these steep cliffs of the Andes Mountains © Karen Rubin/goingplacesfarandnear.com

The terraces here at Wiñaywayna were Inca laboratories – narrow and concave to follow the curves of the mountain, every seven levels is a different ecology, using granite and quartz to absorb heat from the sun to keep plants from freezing overnight. “The Inca realized that elevations produced better potato and corn adapted to altitude.”

This site, along with the others purposely abandoned in 1538 with the Spanish conquest.

The first Spanish expedition, in 1532, had only 167. “They were invaders, not explorers.  They came to destroy the culture, the civilization. They took gold and silver and brought disease,” Lizandro says. The population at the time of the Inca was as high as 18 million before the Spanish.

Appreciating the terraces – an agricultural laboratory to determine the best methods at different levels of elevation – and how Winawayna was built into these steep cliffs of the Andes Mountains © Karen Rubin/goingplacesfarandnear.com

Machu Picchu and the other sites were built at the same time in the mid 1400s, over a period of about 60 years. Less than 100 years later, the population started decreasing– the human ecologist in me can’t help but wonder if the massive building projects and empire building didn’t take its toll on the population.

“European diseases came even before the Spaniards came. Cortez brought disease to the Mayans, and the Mayans, trying to flee the Spaniards by going south, carried the diseases to Inca along the same network of roads the Inca used to conquer and unify its empire. The 12th Incan king, Huayna Cápac (it is believed) died in 1525 from smallpox and there was no king to follow.”

He says that it is wrong to think of an Incan civilization, rather than an Incan ruler and ruling family of perhaps 20,000 that dominated a population that ranged in size from 10 to 20 million.  “When he passed away, he was mummified to continue guiding.” Because the Incan ruler could have as many concubines as he wanted, Huayna Cápac likely had 500 children throughout the kingdom, but only three who were sons of the Queen, were in line to be king. Two of the brothers were fighting a civil war for control at the time the Spanish came to Cuzco in 1533.

They saw amazing gold, silver – a city of gold – buildings covered in gold, a temple that had life-sized animals of gold. The Spaniards melted them to make coins. Then the Spanish king sent more soldiers.”

The view through the temple at Winawayna © Karen Rubin/goingplacesfarandnear.com

The Incan kingdom, weakened by civil war and not exactly supported by the masses they had subjugated for a century, abandoned this place to protect Machu Picchu, which was holy to them, like the Vatican. Machu Picchu was hidden amid the mountain peaks. To protect it from the Spanish invaders, the Inca destroyed the trails that led to Machu Picchu, and ultimately, abandoned Machu Picchu as well, making a last stand at Vilcabamba.

“The Inca weren’t the nicest to build such a civilization. For 100 years, they had to kill to control, so not all people were happy, so they didn’t help the Inca against the Spanish,” Lizandro says.

None of these grand projects were ever finished, which is more understandable than if they were completed.

We have as much time as we want to explore until darkness begins to fall because we can just stroll back to the campsite.

When we sit down to dinner, Chef Mario presents me with the most amazing birthday cake I have ever had in my life – completely decorated. It took him three hours to prepare it with the camping equipment he cooks with. I share the cake with Peter who timed his Machu Picchu ascent for his 35th birthday the next morning.

Lizandro then asks us what time we would like to wake up in order to get to the check point to Machu Picchu before the other 200 trekkers who will be on line: “3 am? No? Then 3:01,” he says, noting that he has a 98% success rate in being first in line for the checkpoint when it opens at 5:30 am. The check point is only about 10 minutes walk from the campsite. Why so important to be first? Well, to get to the Sun Gate by sunrise, and before the small space gets jammed crammed with people all elbowing to get the best views and photos.

Tomorrow is the day we will reach the goal of our trek: Machu Picchu.

The permits to do the Inca Trail trek to Machu Picchu are limited to 500 a day for all the trekking companies (which includes 200 for trekkers and 300 for porters and staff) and get booked up months in advance.

More information: Alpaca Expeditions, USA Phone: (202)-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Next: Day 4 on the Inca Trail – Machu Picchu!

See also:

VISIT TO PERU’S SACRED VALLEY IS BEST WAY TO PREPARE FOR INCA TRAIL TREK TO MACHU PICCHU

INCAN SITES OF PISAC, OLLANTAYTAMBO IN PERU’S SACRED VALLEY ARE PREVIEW TO MACHU PICCHU

ALPACA EXPEDITIONS’ INCA TRAIL TREK TO MACHU PICCHU IS PERSONAL TEST OF MIND OVER MATTER

DAY 1 ON THE INCA TRAIL TO MACHU PICCHU: A TEST

DAY 2 ON THE INCA TRAIL TO MACHU PICCHU: DUAL CHALLENGES OF DEAD WOMAN´S PASS, RUNCURACCAY

DAY 3 ON THE INCA TRAIL TO MACHU PICCHU: TOWN IN THE CLOUDS, TERRACES OF THE SUN & FOREVER YOUNG

DAY 4 ON THE INCA TRAIL: SUN GATE TO MACHU PICCHU, THE LOST CITY OF THE INCAS

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Day 2 on the Inca Trail to Machu Picchu: Dual Challenges of Dead Woman´s Pass, Runcuraccay

Eric and Sarah celebrate having reached Dead Woman’s Pass on Day 2 of Alpaca Expeditions’ four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Eric Leiberman and Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

This is the day I have been dreading for weeks. This is the day of reckoning. Dead Woman’s Pass.

Everyone  – and not just my about to turn 71-year old self, some 25 to 40 years older than the other 14 in our pack – it seems had the same anxiety over Day 2, which is the longest, most challenging day, when we will hike for four hours up to 13,829 ft over what I hope is not presciently named Dead Woman’s Pass (the name comes from its shape, not an event).

In fact, the climb up to Dead Woman’s Pass is only the first four hours of the full day’s hike, followed by two hours down, then rest and lunch. But then (and this is what could have done me in), another hike up another mountain, to Runcuraccay Pass at 13,020 ft albeit not quite as high, but steeper, 1,378 ft in elevation, more like a stadium staircase times 100 that I had imagined the whole way up to Dead Woman’s Pass would be, and then a steeper (1,220 ft), challenging decline to our campsite at Choquicocha. Indeed, it is the Runcuraccay Pass that proves the more fearsome, as I soon discover, but actually unfolds to some of the most dramatic and interesting views and sites of the entire four-day, 26-mile Inca Trail trek. In all, we will hike a total of 10 miles, which includes a mile’s worth of up and downs.

One of my fears is that I won’t make it into camp before dark (there are 12 hours of daylight) so I keep my headlamp handy in my day pack.

(I used Day 1, the second hardest of the four day-hike, as a test, fully well expecting that our guide would politely tap me on the shoulder and suggest I walk back down the way I came, which also was my strategy if I decided the trek was too hard. But he didn’t. And I didn’t. But pressed on.)

Our Alpaca Expeditions group up at 5 am for breakfast before tackling the most challenging day on the Inca Trail Trek to Machu Picchu: hiking over Dead Woman’s Pass at an altitude of 13,779 ft. above sealevel, followed by Runkuracay Pass at 13,020 ft. © Karen Rubin/goingplacesfarandnear.com

It’s 5 am when we are wakened in our tents with basins of hot water and soap and hot coca tea (to help with the altitude).

Breakfast is sensational, providing excellent energy food (porridge is especially good). Indeed, breakfast typically offers some combination of scrambled eggs or omelette, pancakes, porridge, cereal, fruit salad, toast, orange juice, milk, tea, coffee, hot chocolate. We are always supplied enough drinking water – tap water that is boiled for us.

Alpaca Expeditions’ Green Machine team of porters cheer us on as we leave for Day 2 on the four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

As we leave camp at just about 6 am with the first light, the porters line up and applaud for us, giving us that extra boost of encouragement.

As we get higher, Lizandro stops to tell us little stories – a clever ploy so that we rest and acclimate to the higher altitude (in fact, I hear that older people such as myself do better with the altitude precisely because we go slower and stop more often).

Hiking up to Dead Woman’s Pass on Day 2 of Alpaca Expeditions’ four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com
Hiking up to Dead Woman’s Pass on Day 2 of Alpaca Expeditions’ four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

At another point, he distributes coca leaves and instructs us how to stuff it into a cheek and let the liquid blend with saliva to get its benefit of countering altitude sickness. Then, at another stop, he distributes a kind of plant oil (like eucalyptus) and shows us how to clap three times, then breath in the vapor, which opens up our air passages so we can breathe better.

Alpaca Expeditions guide Lizandro gives us an oil and shows us how to inhale it to breathe more efficiently as we climb the last stage to Dead Woman’s Pass © Karen Rubin/goingplacesfarandnear.com
Hiking up to Dead Woman’s Pass on Day 2 of Alpaca Expeditions’ four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

Before the last ascent to Dead Woman’s Pass, there is a rest stop at Llulluchampampa (the best public restrooms on the trail!) and a stand where locals sell snacks and such. There are llamas with a baby grazing and hummingbirds. We see snow on the peaks.

Llama graze along the Inca Trail at Llulluchapampa, happy at an altitude of 12460 ft. © Karen Rubin/goingplacesfarandnear.com
 
A rest stop and snack stand at Llulluchapampa, before the final ascent to Dead Woman’s Pass © Karen Rubin/goingplacesfarandnear.com

Actually, I make it up to Dead Woman’s Pass by 9:15 am – coming in not at the end of the pack as I expected, but more towards the middle, Eric tells me. Everyone cheers. I honestly don’t remember feeling pain or discomfort, though I know I stopped several times along the way.

A rest break at Dead Woman’s Pass, the highest point on the four-day Inca Trail trek to Machu Picchu, at 13020 ft. © Karen Rubin/goingplacesfarandnear.com
Group photo! Our Alpaca Expeditions pack celebrates reaching Dead Woman’s Pass, the highest point on the four-day Inca Trail trek to Machu Picchu, at 13020 ft. © Karen Rubin/goingplacesfarandnear.com

On reaching the pass, we stop for a short break to enjoy the views and take photos (our guide, Lizandro, patiently takes each of our photos and a group photo), and we each indulge in the self-satisfaction of the accomplishment before setting off again to descend to Pacaymayu Valley, Hidden River. It’s another hour and a half down the side of the valley – to our lunch spot.

Beginning the descent from Dead Woman’s Pass 13,020 ft. to Pacaymayu at 11,700 ft. on the four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

I get in at 11:15 am to the cheers of the porters and fellow trekkers, where I find mats have been laid out for us to rest, but Mary Kate (who is part of the group of six women who are friends or friends of friends or friends of friends of friends of Caroline), is leading yoga stretches.

Mary Kate leads our Alpaca Expeditions trekkers in yoga stretches © Karen Rubin/goingplacesfarandnear.com

We enjoy a snack and then a fantastic and welcome lunch served in the dining tent (delectable chicken salad appetizer; Sara Lawa soup which is a kind of egg-drop soup made with corn flour, eggs, ginger) and I am struck by how really excellent the food is, I mean as good as the finest restaurant in Peru. Alpaca Expeditions boasts the best chefs in the mountains, and I am inclined to agree.

Alpaca Expeditions sets out basin of warm water and soap before lunch in the dining tent © Karen Rubin/goingplacesfarandnear.com

Chef Mario seems to use spices, flavors, textures (hot soups, energizing carbs, reinforcing proteins) that are medicinal or at least appropriate to the activity, whether to hike, rest, sleep or wake. All the food is prepared from fresh ingredients purchased in the Cusco local market and carried up for us by the porters, then prepared by the chef (no canned or rehydrated food) who also caters to vegetarians, lactose intolerant and food allergies with heaping platters.

Lunch typically includes a delicious soup (like corn or mushroom) and some combination of chicken and rice, sausage, fried fish, ceviche, steak, beans, fried rice, french fries, boiled potatoes, vegetables, salad.

Tea time snack when we make it into camp for lunch © Karen Rubin/goingplacesfarandnear.com

There is such a lot of food but it is not just for us – the porters and staff eat the same food as we do (which, we learn, was not always the case for the trekking companies and a feature of Alpaca Expeditions that we really appreciate).

 After this delightful lunch, the realization sets in: this is only the half-way mark of this challenging day. We actually have another mountain to climb and descend.

Alpaca Expeditions porters hike up to Runkuracay Pass on the four-day Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

In fact, the two-hour climb up the next mountain to Runcuraccay Pass is steeper though shorter and really what I had envisioned (and feared) the Dead Woman’s Pass would be like and altogether more challenging.

We stop at a small Inca site (Runcu Raccay) and see two huge waterfalls cascading down the opposite side of the valley.

Our Alpaca Expeditions guide, Lizandro, explain that while the Inca did not have written language, they communicated with quipu – a system of colored strings and knots – that so far have not been deciphered © Karen Rubin/goingplacesfarandnear.com

After the second pass, it’s another hour of a steep downhill hike to reach the magnificent Inca site, Sayacmarca (an otherwise inaccessible village).

The second half of the Day 2 Inca Trail trek proves the more challenging, but also the most scenic © Karen Rubin/goingplacesfarandnear.com

This part of the trek has actually been the hardest. Eric and Sarah, who had just 10 days before hiked Rainbow Mountain, a 6.2-mile out-and-back trail near Pitumarca, Cusco, where they hiked 1,627 ft  in elevation up to 16,000 feet (and suffered altitude sickness), are skipping up and down these peaks like a mountain goat. I’m a tortoise, taking my sweet time, going slow and steady, stopping for the views.

Eric and Sarah, on the “grand finale” of a six-month travel odyssey, having already hiked Peru’s Rainbow Mountain, literally skip up and down the Inca Trail © Karen Rubin/goingplacesfarandnear.com
The descent from Runkuracay Pass proves the more challenging © Karen Rubin/goingplacesfarandnear.com

The trail disappears as a thin line hugging the mountainside, the people are mere dots of color, and then, in the distance, this amazing and improbable fortress, Sayacmarca, appears. This is an astonishing view as we descend (it is steep), with the mountain mist – even more astonishing because you are not prepared for it as you are for Machu Picchu. And to realize that this construction was basically to protect Machu Picchu. (Here, though, as Lizandro warned, we encounter the meanest mosquitoes.)

Those tiny dots of color are members of our Alpaca Expeditions pack on the Inca Trail toward Sayacamaka, the “inaccessible village” © Karen Rubin/goingplacesfarandnear.com

In 1941, an archeaologist came upon Sayacamaka, which was completely buried under the overgrowth and named it “inaccessible village.” The site is strategic – on top of mountain, surrounded by valleys, and protected. We see what would have been a watch tower. These structures were used for resting places, like a hostel, for the pilgrims, nobles and travelers, spaced 20-25 km apart, they could be reached in a day’s hike and knew there would be food and drink ready, Lizandro tells us.

Sayacamaka, which was completely buried under the overgrowth and named by archaeologist “inaccessible village” emerges out of the mist along the Inca Trail © Karen Rubin/goingplacesfarandnear.com

The Incans would build a temple just for storing idols (gold), but worshipped in open area – more important than temple, because they were in contact with nature, which was the essence of their religion.

Some 16 small rooms have been excavated – the ones with windows were storage rooms; homes did not have windows (too cold). There were no farming terraces here; food came from other places, supplied by other community people.

Sayacamaka, which was completely buried under the overgrowth and named by archaeologist “inaccessible village” emerges out of the mist along the Inca Trail © Karen Rubin/goingplacesfarandnear.com

There is a huge rock in the middle of house that was natural, part of mountain, in the same shape as mountain. “The Inca made a replica to be closer to mountain (it was considered a god).”

Sayacamaka is one of the most intriguing and dramatic sites along the Inca Trail © Karen Rubin/goingplacesfarandnear.com

How did they get the building stones there? Lizandro points to where a quarry would have been on the other side of the mountain, that would have been brought up the steep trail using only human power. How many would have built the village, and over what period of time, I wonder.

They also engineered canals to bring drinking water – we see three small, square constructions that served as water fountains.

Peru’s Ministry of Culture and Ministry of Environment is responsible for these sites; rangers protect. While they excavate and can restore, they cannot rebuild any of the structures.

Sayacamaka is one of the most intriguing and dramatic sites along the Inca Trail © Karen Rubin/goingplacesfarandnear.com

In 1915, the archeologist Hiram Bingham, who is most responsible for uncovering Machu Picchu, 1915 found 8 of these Incan trails – portions have been revived. One of the trails led to Vilcambaba, the last refuge of the Inca. In 1538, these sites along the Inca Trail to Machu Picchu and Machu Picchu were abandoned by order of Manco Inca, the last Incan king to protect them from the invading Spaniards.

After exploring Sayacamaka, it’s only 20 minutes further to our second campsite, Chaquicocha (Dry Lake) at 11,808 ft. altitude, as the sun sets over the Vilcabamba mountain range. 

Chaquicocha campsite is described as a recently restored Inca settlement at the gateway to the jungle, nestled between two eco-systems – high ground and cloud forest © Karen Rubin/goingplacesfarandnear.com

We reach the Chaquicoche campsite at around 6:30 pm, just as darkness descends, having met the toughest challenge of the trip (and my life).

The Chaquicocha campsite is described as a recently restored Inca settlement at the gateway to the jungle, nestled between two eco-systems – high ground and cloud forest. It has one of the most picturesque settings with a fantastic view of the night sky to observe the stars, except it is cloudy tonight. It is also quite cold, and I am so happy with my $4 purchase of knee-high alpaca wool socks.

Chaquicocha campsite is described as a recently restored Inca settlement at the gateway to the jungle, nestled between two eco-systems – high ground and cloud forest © Karen Rubin/goingplacesfarandnear.com

“Happy Hour” ( tea time) before dinner consists of popcorn, fried wontons, tea, coffee, followed by another superb dinner (the menu might consist of some combination of stuffed chicken, vegetable tortillas, pizza, spaghetti, pork cutlet, sauteed vegetables, salad).

The permits to do the Inca Trail trek are limited to 500 a day for all the trekking companies (which includes 200 for trekkers and 300 for porters and staff) and get booked up months in advance.

More information: Alpaca Expeditions, USA Phone: (202)-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Next: Day 3 on the Inca Trail

See also:

VISIT TO PERU’S SACRED VALLEY IS BEST WAY TO PREPARE FOR INCA TRAIL TREK TO MACHU PICCHU

INCAN SITES OF PISAC, OLLANTAYTAMBO IN PERU’S SACRED VALLEY ARE PREVIEW TO MACHU PICCHU

ALPACA EXPEDITIONS’ INCA TRAIL TREK TO MACHU PICCHU IS PERSONAL TEST OF MIND OVER MATTER

DAY 1 ON THE INCA TRAIL TO MACHU PICCHU: A TEST

DAY 2 ON THE INCA TRAIL TO MACHU PICCHU: DUAL CHALLENGES OF DEAD WOMAN´S PASS, RUNCURACCAY

DAY 3 ON THE INCA TRAIL TO MACHU PICCHU: TOWN IN THE CLOUDS, TERRACES OF THE SUN & FOREVER YOUNG

DAY 4 ON THE INCA TRAIL: SUN GATE TO MACHU PICCHU, THE LOST CITY OF THE INCAS

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Day 1 on the Inca Trail to Machu Picchu: A Test

Crossing the bridge to set out on the Inca Trail on Day 1 of the four-day, 26-mile Alpaca Expeditions trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Eric Leiberman and Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

For me, the first day of the four-day, 26-mile Inca Trail trek to Machu Picchu is a test – like throwing down the gauntlet. It is the second hardest (Day 2 is the day I have been dreading), when we will hike 8.7 miles, and climbing 1,866 feet to an altitude of 10,829 feet where our campsite will be. My strategy is that if I find it too difficult, I will simply walk back the way I came, rather than continue on to Day 2.

The day actually begins the evening before, when our group meets at 6 pm (we arrive late from our Sacred Valley day tour) at the Alpaca Expeditions offices for an orientation and to pick up the duffle bags (we are limited to 7 kg which includes the sleeping bag, so only about 4 kg of stuff), as well as a rain cover for our day packs, a rain poncho and hiking poles that we have rented (we will leave the rest of our luggage at the hotel or can store it with Alpaca). A team of porters will carry not only our duffels (they carry 3!), but the camping gear (tents, sleeping bags and mats), a dining tent and stools, cooking stuff, our food, and even a private potty tent.

Alpaca Expeditions’ Porters House provides a place for the porters to stay between expeditions, and is where trekkers have breakfast before setting out on the Inca Trail © Karen Rubin/goingplacesfarandnear.com

Our adventure starts with a pick up at our hotel, Amaru Inca, in Cuzco’s historic district at 4 am. We pick up the other participants at various locations (didn’t realize we could have overnighted at Ollantaytambo!) and are taken to Piskachucho, Porters House, where we enjoy a marvelous and energizing breakfast. This is a bunkhouse where the porters – who come from mountain villages hours away – stay between expeditions.

We stop off for a bathroom break at a fantastic shop where I purchase a treasure: the most marvelous alpaca wool knee-high socks for $4 which I adore to keep me comfy cozy on the cold nights in the tent.

Alpaca Expeditions guides Lizandro and Giorgio give us a bit of an orientation and pep talk at the museum at the entrance to Machu Picchu national park, a UNESCO World Heritage Site since 1983 © Karen Rubin/goingplacesfarandnear.com

We drive to Km 82, and go through the first Inca Trail checkpoint to begin trek (we have to present our passport and be checked off against the list of permits, which are limited to 200 trekkers a day, which is why you have to book this trip sometimes months in advance). Machu Picchu became a national sanctuary in 1981 and a UNESCO World Heritage Site in 1983. There is a small museum there and our lead guide, Lizandro Aranzabal Huaman, uses this opportunity to gather us all together to reintroduce ourselves (after the orientation meeting the night before), and give us a little intro and pep talk.

Our Alpaca Expeditions group sets out on the Inca Trail © Karen Rubin/goingplacesfarandnear.com

We are a group of 15: a couple on their honeymoon (he from Italy, she from Netherlands), a couple from New York (actually he comes from my hometown and she from Miami) who just got engaged; a couple from Norway living in Guyana; a couple (she from New Zealand, he from Ukraine) doing remote work in Lima; a group of six ladies organized by one who actually did not know each other until the trip, but were friends or friends of friends, who come from NY, Kentucky, California; Eric and Sarah who are finishing up six-month travel odyssey with this grand finale, and me. Every one is well traveled and adventurous (also between 25 and 35 years younger than me. On the trail, I find a family taking a private tour where the parents are in their mid-60s, so I think I am the oldest trekker on the trail at this point.)

Crossing the river to the Inca Trail to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

What we call the Inca Trail was part of an immense network built Pachacuti Inca Yupanqui, the ninth ruler of the Inca, in the mid-1400s. These roads linked the main cities of the empire with Cusco, the capital, and Machu Picchu. During the time of the Inca, the trail was the only way to get to Machu Picchu.

Sarah and Eric at the start of the Inca Trail trek to Machu Picchu, the “grand finale” to their six-month odyssey © Karen Rubin/goingplacesfarandnear.com

Our guide, Lizandro, tells us about the animals we may encounter: puma and condor (not surprisingly, they are also sacred animals that appear in architecture), speckle bear (a herbivore), and birds like fly catcher and hummingbirds (32 species).

Setting out on the Inca Trail on Day 1 of the four-day, 26-mile Alpaca Expeditions trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

We head out and cross a bridge over a rushing river after scouts tell us the trail has been reopened. It had been closed down for a month after a rock slide killed two porters. We are the first group of trekkers on the trail – which saves about an hour.

Lizandro stops to point out an insect on cactus – cochinillia – which the Inca used for dying textile. The prickly pear on a cactus, he says, should be eaten before sundown or it will cause an upset stomach. He points to a kind of bean which is made into a powder as a base for aspirin.

Lizandro explains the properties of green agave so important to Incan society © Karen Rubin/goingplacesfarandnear.com

The green agave was used to make string, while ichu grass was woven into rope, strong enough to haul the massive building stones and build suspension bridges (an Incan invention). Part of the bridge’s strength and reliability came from the fact that each cable was replaced every year by local villagers as part of their mit’a – their public service obligation.

Incan society innovated suspension bridges, which villagers replaced each year as part of their mit’a public service obligation to the state © Karen Rubin/goingplacesfarandnear.com

Indeed, the Inca did not use currency, nor, apparently, have slave labor; their society was organized on a system of Anyi (reciprocity, like barter); Minka (communities work together) and Mita (a labor tax, where every man was obligated to do two to three months of service to the government or serve in the military each year). By combining their political authority with religious authority, the people who were impressed to build temples and palaces did it out of devotion.

The first morning’s hike takes us through a few mountain villages – now set up to sell drinks, snacks and items to the hikers, I’m thinking, much as they would have to the pilgrims 600 years ago.

The Inca Trail takes us through mountain villages © Karen Rubin/goingplacesfarandnear.com

At the last village we encounter before ascending into mountain wilderness, Lizandro tells us this is actually the village where he grew up, and where 96 families still live. From the age of 5, he was leading a pack horse on the trail. There was no school in his community, so his parents sent him to live with an uncle for three years, until his parents couldn’t afford to send him. He met a chef and began as a porter at age 18 (one of the youngest) and spent two years as a porter and then a chef before becoming a guide, which is how he learned English; our other guide, Georgio, lives in the Sacred Valley and joined Alpaca Expeditions this year.

The first 2 hours of the trek are relatively easy – a warm up – as we make our way to our first Inca site where there is also a stunning overlook.

Patallacta was an ancient Inca checkpoint for the approach to Machu Picchu. This was a small resting place and Lizandro begins his story that he will continue at various sites and resting places along our four-day hike © Karen Rubin/goingplacesfarandnear.com

Patallacta was an ancient Inca checkpoint for the approach to Machu Picchu. This was a small resting place and Lizandro begins his story that he will continue at various sites and resting places along our four-day hike (each time, giving us time to rest and refresh and acclimate to the altitude and recover energy to progress).

Overview of an Incan village © Karen Rubin/goingplacesfarandnear.com
Coming to our first Incan site on the trail, Patallacta was an ancient Inca checkpoint for the approach to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

This site would have housed travelers and soldiers who manned the nearby “hill fort” of Willkaragay, and a shrine with rounded walls known as Pulpituyuq that had religious and ceremonial functions. Patallacta was burned by Manco Inca Yupanqui, the last Incan emperor, who destroyed a number of settlements along the Inca road system during his retreat from Cuzco in 1536, to block pursuit from the Spanish conquistadors. This is one reason why the Spanish never discovered the Inca Trail to Machu Picchu.

Patallacta was an ancient Inca checkpoint for the approach to Machu Picchu. This was a small resting place and Lizandro begins his story that he will continue at various sites and resting places along our four-day hike © Karen Rubin/goingplacesfarandnear.com

“The culture that built these weren’t the only civilization,” Lizandro tells us. The peoples who lived here were one of the oldest cultures in the hemisphere: the Caral civilization of Peru is the oldest known civilization in the Americas, dating back to 3200 BCE, who built pyramids before the Egyptians.

Pre-Incans like the Paracas performed skull surgery 2000 years ago. I learn that Inca was one of the first cultures that could do surgery; surgeons in ancient Peru commonly and successfully removed small portions of patients’ skulls to treat head injuries; the surgical procedure—known as trepanation —was most often performed on adult men, likely to treat injuries suffered during combat.

Besides the Paracas, there were the Nasca who were responsible for those mysterious lines etched into plains that could only be seen from high up in the shapes of monkey and toucan even though these animals didn’t live here (sometimes I think we imagine what the shapes represent); Chimu, believed to be the first civilization to practice human sacrifice (500 skeletons were found in one tomb near Lima); Tiajuanacas who were the first culture to domesticate animals – llama used to carry goods, alpaca for their fur and meat, and vincuna, all three in the family of camels.

These civilizations and cultures all preceded the Inca but the Inca, a ruling family that imbued themselves with divine authority, were the first to conquer the Andes and establish such a vast empire. The Inca reigned from 1150 to 1533, but the history is mostly lost – eradicated by the Spanish – because the Inca did not develop a written language (that is that they know of).

Coming to our first Incan site on the trail, Patallacta was an ancient Inca checkpoint for the approach to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

How did they build such big monuments and conquer the Andes?

According to myth, Lizandro relates, around 1100, the first Incan king and queen emerged from Lake Titicaca floating islands, traveled north looking for good soil and came to Cuzco Valley which was already inhabited; the couple transformed the land – built homes, established religion (the sun god, Inti, being the most important, and the Incan king anointed himself the son of the sun), conquered the tribes around Cuzco and made Cuzco the center of their universe and the spiritual center of the Andes. Then they discovered (and conquered) the Sacred Valley – sacred because of the production of corn.

Overview of an ancient Incan village © Karen Rubin/goingplacesfarandnear.com

Over the next 350 years or so, the Inca expanded their empire, built a road system (known as the Royal Road in Quechua) was the most extensive and advanced transportation system in pre-Columbian South America. It stretched to Ecuador, Argentina, and Chile and was at least 25,000 miles long. It was also a communications system, similar to the Roman Empire – they connected the three regions, the coast, Andes and rainforest.

Most of the Incan sites we see were built in the mid-1400s by Pachacuti, who was the “Alexander the Great” of the Inca. He rebuilt Cuzco, built Pisac, Ollantaytambo and Machu Picchu. These Incan sites we encounter along the Incan Trail were built specifically as resting places for pilgrims and travelers headed to Machu Picchu, for religious purpose and for protection of Machu Picchu.

They would send messages by relay runners who carried quipu – messages based on strings and knots (they did not have written alphabet). The runners – who might announce the impending arrival of a noble – could make it to Machu Picchu in four hours (we take four days).

Lunch at Hatunchaca before we enter the wilderness© Karen Rubin/goingplacesfarandnear.com

From Patallacta it’s another 2-hour hike to Hatunchaca, a kind of way station, where we have lunch, actually served in a small building (avocado salad, a sensational pumpkin soup  – the soups are so welcome, comfort food – garlic bread; trout (outstanding), rice, roasted potato, corn.

We meet villagers during the day’s hike on the Inca Trail © Karen Rubin/goingplacesfarandnear.com

The next hour (for me, more like 1 hr 20 min) is all uphill, making me all the more anxious for Day 2 hike, which will be the real challenge. I am imagining that tomorrow will be this times 10 – four hours of this just to get to Dead Woman’s Pass.

On this last stretch, we pass through two small communities where we can buy an energy drink, snacks, or essential items like batteries.

At Wayllabamba (9842 ft elevation it begins to mist and we delight in seeing a rainbow (auspicious? Some indigenous people worshipped the rainbow, associated with fertility), but then it thunders and rains © Karen Rubin/goingplacesfarandnear.com

We come to a ranger station at Wayllabamba (9,842 ft elevation) where it begins to mist and we delight in seeing a rainbow (auspicious? Some indigenous people worshipped the rainbow, associated with fertility), then drizzle, then thunder, and as we get into camp, at 4:30 pm, it is a real downpour but we get cozy inside our tents at the Ayapata campsite (10,829 ft elevation) where the sleeping bag (winter grade) and mat and our duffels are already placed (whew!).

We settle into our tents and relax. Then it’s tea time! with snacks (popcorn!), and by 7:30 pm a marvelous dinner.

Our tents are all set up when we get to the Ayapata campsite for our first night © Karen Rubin/goingplacesfarandnear.com

The rain clears out and the stars are amazing.

Lizandro points out the constellations so important to the Inca. For the Incan culture, the Milky Way was believed to be a river, Mayu, the source of all water on earth. For the Inca, earth and sky are connected, sacred, alive and parts of one whole. The sky had special, even religious significance in managing this civilization and organizing daily life. Astronomy was key to agriculture and food production was tied to religion. The Incas could identify the solstices, equinoxes, the changes of season in order to better identify the time of sowing and harvesting. We see how the Incan sites were constructed to connect to the solstice – even Machu Picchu site was constructed around the stars. In the magnificent Southern Hemisphere sky, away from all the artificial lighting, you can appreciate the wonder the sky evoked.

We hiked 8.7 miles this day, and climbed from an altitude of 8,923 ft to 10,829, to the Ayapata campsite, the hike helping us to acclimate and get used to the Inca Trail. I’m feeling fine after today’s hike – at first feeling sensory deprived because I did not bring a book with me (too much weight) so I look over old tweets. I fall asleep anxious about what Day 2 will bring.

The stars come out at Ayapata campsite, so we can appreciate the constellations that inspired such wonder and awe in the Inca © Karen Rubin/goingplacesfarandnear.com

The permits to do the Inca Trail trek are limited to 500 a day for all the trekking companies and get booked up months in advance.

More information: Alpaca Expeditions, USA Phone: (202)-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Next: Day 2: Conquering Dead Woman’s Pass

See also:

VISIT TO PERU’S SACRED VALLEY IS BEST WAY TO PREPARE FOR INCA TRAIL TREK TO MACHU PICCHU

INCAN SITES OF PISAC, OLLANTAYTAMBO IN PERU’S SACRED VALLEY ARE PREVIEW TO MACHU PICCHU

ALPACA EXPEDITIONS’ INCA TRAIL TREK TO MACHU PICCHU IS PERSONAL TEST OF MIND OVER MATTER

DAY 1 ON THE INCA TRAIL TO MACHU PICCHU: A TEST

DAY 2 ON THE INCA TRAIL TO MACHU PICCHU: DUAL CHALLENGES OF DEAD WOMAN´S PASS, RUNCURACCAY

DAY 3 ON THE INCA TRAIL TO MACHU PICCHU: TOWN IN THE CLOUDS, TERRACES OF THE SUN & FOREVER YOUNG

DAY 4 ON THE INCA TRAIL: SUN GATE TO MACHU PICCHU, THE LOST CITY OF THE INCAS

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Alpaca Expeditions’ Inca Trail Trek to Machu Picchu is Personal Test of Mind Over Matter

Our Alpaca Expeditions group strikes a celebratory pose after reaching Dead Woman’s Pass, the highest point on the four-day classic Inca Trail trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Eric Leiberman and Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

The day after we crossed over Dead Woman’s Pass at 13,829 feet above sea level on the Inca Trail and the day before reaching Machu Picchu – the destination of this Alpaca Expeditions four-day/three-night trek –  I celebrated my 71st birthday. I say this because I am not a habitual hiker or climber, am reasonably but not especially fit and live at sea level.  So I was really, really anxious for weeks about whether or not Dead Woman’s Pass, named for its shape, would take on new meaning.

And while age would normally be a private matter, I say this because if I could do it, anyone who is determined (it is mostly about mind over matter) can do it too.

Early morning breakfast before we head out to conquer the Dead Woman’s Pass on Day 2 of the four-day Inca Trail trek © Karen Rubin/goingplacesfarandnear.com

But my success (and yes, I do considerate it a major life accomplishment, if only to overcome fear and go outside my comfort zone to take on the challenge) has a lot to do with how well Alpaca Expeditions runs this trip –all that our guides do to make the trek as comfortable and enjoyable as possible; how the porters (who are carrying our gear) all line up to applaud and cheer us when we come in from the hike; the quality of the camping and trekking equipment; the incredible food, snacks and teas (tea time!) that chef Mario serves that are not only the quality of a fine restaurant but seem perfect for the task; providing basins of hot water and soap and delivering hot coca tea as our wake up call. (The private porto-potty tent, and an actual “sanitation engineer” assigned to keep it functioning, is also extremely appreciated.)

Alpaca Expeditions’ “Green Machine” team of porters cheer us as we set out on Day 2 for Dead Woman’s Pass © Karen Rubin/goingplacesfarandnear.com

The hike itself – 26 miles with some fairly steep ups and downs – is actually considered moderate difficulty, along a trail of stones, albeit some high (especially for someone like me with short legs), some narrow, and some that can be slick.

Imagining the people who laid these stone steps, carved the trail, and the pilgrims who used it to trek to Machu Picchu 600 years ago © Karen Rubin/goingplacesfarandnear.com
 

The main problem comes from the altitude. And my great fear that inhabits my mind with each step as I try to prepare myself by walking up and down the steepest hill in my neighborhood for an hour (fortunately, it is on my corner) is Day 2, when we climb not one but two mountain passes – the first to Dead Woman’s Pass at 13779 ft., which will take four hours, and the second, Runkuracay, at 13020 ft, a distance of 10 miles that involves 10 hours of hiking. I calculate the amount of sunlight in the day and am concerned it will take me 12 hours and I won’t get into camp before dark. I console myself by giving myself an escape plan: I figure that if I have difficulty on Day 1 (the second toughest day) when the hike is  8.7 miles taking 7 hours to get to the campsite at 10,827 feet elevation, I can decide to simply walk back to the start. (I believe the tour operator also has this as a plan; in fact, we ask what happens if somebody is injured along the way and we are told that the porters, who carry huge loads, would carry the person on their back.) It is also a comfort to know the guides carry satellite phones which they can use for an emergency. I also pack my headlamp in my daypack.

The view from Dead Woman’s Pass. Altitude was the major concern in doing the Inca Trail trek to Machu Picchu. Otherwise, the hike is considered “moderate.” © Karen Rubin/goingplacesfarandnear.com

And I prepare myself for altitude sickness – not having any alcohol before the trek, taking Sorojchi pills (mainly aspirin and caffeine, sold over the counter in Cuzco) and drinking plenty of water (which works!). I also have Ibuprofin with me.

Trekking among the peaks of the Andes along the Inca Trail to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

Our guide, Lizandro Aranzabal Huaman, cleverly stops at opportune times to talk to us about plants, insects (used for medicine as well as for dyes, cactus for rope for bridges and to haul stones), the tribal people who still inhabit the mountain villages where he grew up, the Incan sites along the trail, the history, culture and legacy of the Inca Empire. This not only enhances the experience as our imagination fills the images of what we see, but (cleverly) gives us time to rest and acclimate to the higher and higher altitudes, get back our legs and our fortitude, and get revitalized for the next stage.

And on Day 2, Lizandro takes out a bag of coca leaves and shows us how to pack it into a cheek and let the juice mix with saliva to help avert altitude sickness, and before we are about to ascend the stage to Dead Woman’s Pass, he whips out a vial of an oil, like eucalyptus, which he puts into our palms, tells us to clap three times, then inhale the vapors to open our nasal passages and make our breathing more efficient. That works too.

Our Alpaca Expeditions guide Lizandro gives us an oil that helps us breathe more efficiently as we climb the last stage to Dead Woman’s Pass © Karen Rubin/goingplacesfarandnear.com

But we also go at our own pace – our guide, Georgio, typically stays in the back of the pack – so we can stop as often as we need, and admire the view, take a photo, take some extra breaths.

I am surprised the trek is not as much about the landscape, scenery, or nature– the views of the pointed peaks with clouds and mist are beautiful, to be sure – as it is a conversation with the people who built the trail, laid the stones that line the entire trail, built the fortresses, enclaves, resting places for pilgrims and nobility on their way to Machu Picchu.

Alpaca Expeditions “Green Machine” team of porters haul up our duffels and camping gear © Karen Rubin/goingplacesfarandnear.com

You feel a oneness with the pilgrims, as you walk in their footsteps. It all becomes a matter of personal challenge and self-discipline, mind over matter, just as it would have been for the pilgrims 600 years ago when these sites were built. Each step engages you with the human dimension in time, space and substance.

And I can’t help thinking about the people who actually built all of this.

Lizandro stops at Incan sites along the trail to tell us about the history and culture of the Inca, which also gives us time to rest © Karen Rubin/goingplacesfarandnear.com

Our voyage in the Galapagos, where we had just traveled, was about natural selection, survival of the fittest and the ecosystems in the natural world. Here, trekking on the Inca Trail, going from site to site, we learn about the human ecology. I can only wonder as I plod up these trails, what was involved to hoist those multi-ton boulders and set them in place to build these structures, the amount of food production that must have been required to sustain a population with the numbers of laborers and soldiers to build, expand and secure the Empire, and the sheer amount of calories to create and sustain all of this, without the benefit of draft animals, the wheel, iron tools, written language.

So much surprises me about the Inca Trail trek, but most of all was the number of Inca sites – resting places along the pilgrimage route, defensive forts built by Pachacuti Inca Yupanqui, the ninth ruler of the Inca, in the mid-1400s in support of Machu Picchu his greatest project– that we encounter. Like Machu Picchu, they were rescued from the overgrowth after 400 years being abandoned to Nature. How meticulously they were restored (not rebuilt) by the government– so that we could better appreciate the society, the culture and the history in their context.

The view of the Patallacta from above on the Inca Trail near Willkaraqay on the first morning of the four-day trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

They were built to accommodate people making a once-in-a-lifetime pilgrimage. This is once in a lifetime for me, as well, or as I tell myself, “now or never” as the window of opportunity closes for me. So seize the day, which is my motto.

You read about these sites, see photographs of it (indeed, the photos archeologist Hiram Bingham published of Machu Picchu, “The Lost City of the Inca”, is what inspired the excavations and spurred this multi-million dollar tourism industry that supports preservation and conservation). But it is only when you are physically here, climbing the steep stone steps, seeing how they are built into these mountains, the scale and the precision with which they were built 600 years ago, feeling the stone, that you can understand and can appreciate.

Lizandro says, “Okay, team.” Giorgio calls us “Family” and in no time, we are, as we set out on the Inca Trail © Karen Rubin/goingplacesfarandnear.com

The story unfolds as we haul ourselves up the heights, over mountain passes and down onto plateaus.

Lizandro says, “Okay, team.” Giorgio calls us “Family” and we are off and in no time at all, we are as we set out on the Inca Trail.

Tips to prepare: Comfortable hiking boots are essential. Since so much of the four-day, 26-mile hike involves steep stone steps, I wanted a light boot with good grip and as comfortable as possible (hard for my hard-to-fit feet, I went through several different brands). I broke them in (and tested them) on my daily “workout” going up/down the steepest hill in my neighborhood.

After several trials and errors, I am exceedingly happy with the Altra lone peak all-weather mid (Wide)  hiking boots I bought at REI just before came – as comfortable as sneakers, but great grip, ankle support. I broke them in (and tested them) on my daily “workout” going up/down the steepest hill in my neighborhood.

Our tents are set up and ready for us when we come into camp. Alpaca Expeditions’ excellent camping equipment (even a private porto-potty tent) make the Inca Trail trek as comfortable as possible © Karen Rubin/goingplacesfarandnear.com

Hiking poles are essential (if you don’t bring your own, you can rent from Alpaca Expeditions). They provide the tents but you rent the sleeping bag, mat (really recommended). Bring power bank to recharge phone and camera batteries (no place to plug in for four days; bring extra, charged batteries for camera). Bring a light, compact camera, like a point-and-shoot, to hike with so you don’t carry any extra weight (I packed my Nikon Z5 in the duffel and hiked with it the last day into Machu Picchu).

Comfortable hiking boots and hiking poles are essential for the Inca Trail trek © Karen Rubin/goingplacesfarandnear.com

Bring two water bottles (they provide boiled drinking water to fill). Bring layers and hats for cold and warm weather; expect rain or mist (you trek through the Cloud Forest). The first two nights camping are likely to be cold – the sleeping bags are excellent quality winter grade but I was thrilled with my the warm knee-high alpaca wool socks I bought for $4 at the shop just before starting the hike). A headlamp is a must. I   loved the Black Diamond Astro 300 lumens from REI)

Bring altitude sickness medicine (there is a prescription medicine, but I was happy with the Sorojchi Pills you can purchase over-the-counter in Cuzco), also people bring coca leaves or candy; have ibuprofen on hand.

Definitely do what you can to prepare yourself physically (and mentally). As I was walking up/down the hill for an hour, I was contemplating doing this for 9 more hours and it wasn’t a pleasant thought. I resigned myself to feeling very uncomfortable for 12 hours, and that in itself was comforting.

The permits to do the Inca Trail trek are limited to 500 a day for all the trekking companies and get booked up months in advance. This is roughly made up of 200 tourists and 300 porters, guides and support staff. There’s also a limit to the number of visitors allowed to enter the site of Machu Picchu – capped at 5000 people per day.

More information: Alpaca Expeditions, USA Phone: (202)-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Next: Setting Out on the Inca Trail

See also:

VISIT TO PERU’S SACRED VALLEY IS BEST WAY TO PREPARE FOR INCA TRAIL TREK TO MACHU PICCHU

INCAN SITES OF PISAC, OLLANTAYTAMBO IN PERU’S SACRED VALLEY ARE PREVIEW TO MACHU PICCHU

ALPACA EXPEDITIONS’ INCA TRAIL TREK TO MACHU PICCHU IS PERSONAL TEST OF MIND OVER MATTER

DAY 1 ON THE INCA TRAIL TO MACHU PICCHU: A TEST

DAY 2 ON THE INCA TRAIL TO MACHU PICCHU: DUAL CHALLENGES OF DEAD WOMAN´S PASS, RUNCURACCAY

DAY 3 ON THE INCA TRAIL TO MACHU PICCHU: TOWN IN THE CLOUDS, TERRACES OF THE SUN & FOREVER YOUNG

DAY 4 ON THE INCA TRAIL: SUN GATE TO MACHU PICCHU, THE LOST CITY OF THE INCAS

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Incan Sites of Pisac, Ollantaytambo in Peru’s Sacred Valley are Preview to Machu Picchu

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com
 

By Karen Rubin, Eric Leiberman & Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

The Incan ruins at Pisac in Peru’s Sacred Valley, are our first introduction on this one-day Alpaca Expeditions tour to the massive scale of Incan building projects. Though there were settlements here before (there were two other major empires before the Inca), who built terraces, but after the Inca emperor Pachacuti conquered the area in the mid 1400s, he ordered the building of a large complex covering 162 acres, on the mountain.

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com
 

Pachacuti (who also built Machu Picchu, our ultimate destination on Alpaca Expeditions’ four-day/three-night Inca Trail trek) built Pisac as a multi-purpose residence, citadel, observatory and religious site – a secluded royal retreat outside of Cusco where he and nobility could “relax” between military campaigns, undertake ritual and religious ceremonies and be a defensive refuge.  Francisco Pizarro and the Spanish conquistadors destroyed the Inca complex in the early 1530s.

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com
 

In fact, it seems most of what we associate with the Incan Empire came under the rule of Sapa Inca (paramount leader) Pachacuti-Cusi Yupanqui, whose name meant “earth-shaker”. Beginning in 1438, he and his son Tupac Yupanqui began a far-reaching expansion that brought much of the modern-day territory of Peru under the ruling Inca family control.

At the time of the Spanish conquest, the Incan Empire extended 3,000 miles, connected by an elaborate network of roads, and had built these monumental structures at Cuzco, Pisac, Ollantaytambo  and Machu Picchu– without the benefit of draft animals like the horse, the wheel, iron or steel tools, written language or currency.

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com
 

How was that possible?

Our Alpaca Expeditions guide Jaime explains how the Incan society was organized – its principles of labor and work.

“Taxes” consisted of a labor obligation of a person to the Empire – each man had to devote three months of the year in service either building the Incan monumental structures or in military service. The Inca rulers (who theoretically owned all the means of production) reciprocated by granting access to land and goods and providing food and drink in celebratory feasts for their subjects.

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com
 

 “The Inca had three layers of labor,” Jaime tells us: Anyi (reciprocity); Minka (communities work together) and Mita (a labor tax, where every man had to do two to three months of service to the government or serve in the military each year). By combining their political authority with religious authority, the people impressed to build temples and palaces did it out of devotion.

The Inca believed the mountains and stones were sacred so they would build on top of the bedrock rather than disturb it © Karen Rubin/goingplacesfarandnear.com
 

Societal behavior was governed by three moral precepts: Ama sua: Do not steal; Ama llulla: Do not lie; and Ama quella: Do not be lazy.

How long would it have taken to build Pisac? Jaime says that each ruler would have designated his own project that had to be completed in his lifetime and not left to a successor (which is why most of these sites we see were not finished).

The Inca believed the mountains and stones were sacred so they would build on top of the bedrock rather than disturb it © Karen Rubin/goingplacesfarandnear.com
 

At the high point of Pisac, 3,594 meters (11,791 feet elevation), there is a watchtower, from which guards would have sent and received messages by blowing a conch. It might announce that the Inca king was coming and to be ready, or a threat.

The Inca worshipped the mountain and the rocks, and would integrate the structure into mountain contour, building on top of the bedrock.

Pisac, Incan archeological site © Karen Rubin/goingplacesfarandnear.com

Jaime explains how the terraces were built – how they would build from the bottom, to the stone wall, digging a couple of feet into the ground, use a tree as a lever, filling three layers of material – soil-gravel-big stones – so that the water would drain to the lower terrace. They used a rudimentary tool – a long stick with a stone or metallic point, and one man would use it like a spade and a second would turn the soil over.

The Inca family was “pure”, but could name a non-Incan as chief. Someone could ascend to noble rank if they had a skill. An Incan ruler would have an official wife who would also be Incan, and only her children would inherit, but he could have as many concubines as they liked, and would have dozens of children.

“It was a very organized (and controlled) society.”

Holes in the mountain at Pisac indicate where graverobbers hoped to find treasure buried along with the body © Karen Rubin/goingplacesfarandnear.com

At another overlook, we see where some 3,000 holes have been made in a cliff – created by grave robbers. At this site, people were buried in caves with their belongings so they would have them for the next world. The king and nobles, though, were mummified and put into a mausoleum.

Pre-Incan cliff dwellings at Pisac © Karen Rubin/goingplacesfarandnear.com

We also see the remains of pre-Incan cliff dwellings. “They were afraid of cannibals” who believed they could ingest their victim’s power. “It was practiced until the mid-1800s.” Also, 1000-2000 years ago, there more wild animals and the people lived in cliffs to be safe.

We drive down into the town of Pisac which was built in the valley below the ruins by Viceroy Toledo in the 1570s, where Eric has found a local Andean restaurant online for lunch.

Alpaca Expeditions’ one-day Sacred Valley tour is an opportunity to visit villages as well as major important archeological sites © Karen Rubin/goingplacesfarandnear.com

Pisac is famous for its market. Official market days are Tuesday, Thursday and Sunday filling the Plaza Constitución but the market is biggest on Sunday when indigenous Quechua communities from the surrounding area come to town to sell their produce and stock up on supplies for the week. We have very little time to explore the market. (We need to be back in Cuzco at 6 pm for our mandatory orientation for the Alpaca Expeditions trek to Machu Picchu.)

Alpaca Expeditions’ one-day Sacred Valley tour is an opportunity to visit villages as well as major important archeological sites © Karen Rubin/goingplacesfarandnear.com

We would also have liked time to visit the museum, Comunitario de Pisac, which opened in 2009 with exhibits on the production of ceramics and the traditional textiles produced by local Quechua communities. A room is dedicated to the Incan presence in the area covering its development from the archaic period (7,000 to 800 BC) to the period of imperial expansion of the Inca state (1400 to 1535). The museum includes a graphical presentation of the various areas of the imperial city, as well as various ceramic objects and remains (including Incan mummies).

Ollantaytambo

After lunch, we drive 1 ½ hours further to Ollantaytambo, a fascinating and massive Incan site built during the Inca’s heyday which provides an excellent preview of what we will experience at Machu Picchu. Here, we see rock formations representing the Incan god, Wiracocha (the god of creation), and the Church of St. James on top of Inca site.

Rock formation representing the Incan god, Wiracocha (the god of creation) at Ollantaytambo (note the crown on his head) © Karen Rubin/goingplacesfarandnear.com

The large boulders, 40-50 tons each,  were so finely finished with curved and convex edges and placed, indicate that this structure would have been the temple; boulders that are basically piled up show that it was never finished. He points out the slight angle of the wall – meant to for stability in the event of an earthquake.

It’s almost impossible to contemplate how the Inca cut such stone, let alone how they moved them from the quarry and put them in place on a mountainside to build Ollantaytambo © Karen Rubin/goingplacesfarandnear.com

“They believed rocks were beings,” Jamie says. “From the quarry to the structure they may whip the rock (and not the person).“ He says that at the quarry, there would have been a model of the structure they were building in ceramic or stone and most of the carving would have been done there, where there was more room, the finishing touches would be done at the site. We see in the distance where there two quarries that supplied the stones, and walk over the terraces for growing potato, a staple food.

It’s almost impossible to contemplate how the Inca cut such stone, let alone put them in place on a mountainside to build Ollantaytambo. Note how many angles there are in this boulder © Karen Rubin/goingplacesfarandnear.com

At the Temple of Water, we see how the Inca used water for irrigation as well as for drinking. The window opening was cut to align with the solstice, and water, diverted from the river, would be directed back into the channel.

The Temple of Water Ollantaytambo – the window lines up with the stolstice, while the water was directed into the temple and then directed out to a channel © Karen Rubin/goingplacesfarandnear.com

I was concerned that I was huffing and puffing climbing around the site – realizing this was part of my acclimation to the altitude but anxious that it did not bode well for the Inca Trail trek we would be starting the next morning. I half imagined the Alpaca Expeditions guide telling me I wasn’t suited for the trek. But we pressed on.

You could easily spend 2-4 hours here – there is so much to explore – and then spend time in the gorgeous market in the absolutely charming village with its hardware stores, kitchen and home supplies. But we have to rush back – it’s about 3 hours drive back to Cuzco – to get to our mandatory 6 pm orientation at Alpaca Expeditions’ offices for our Inca Trail trek.

The town of Ollantaytambo is at the base of the archeological site © Karen Rubin/goingplacesfarandnear.com

The next morning, when our bus taking our group to the start of the Inca Trail trek stops here in this very village to pick up a couple from their hotel here, we realize we could have organized it differently – done the orientation the night we arrived and stayed overnight Ollantaytambo in a hotel so we could have had more time to really enjoy the site and the village. (In this scenario, we still would have left our luggage back at the Amaru Inca hotel in Cuzco where we will return after the Inca Trail to Machu Picchu trek, and just had with us what we were taking on the trek. Also, instead of getting picked up at 4 am, we would have been picked up here at 6 am.)

Everyday life in the town of Ollantaytambo is at the base of the archeological site © Karen Rubin/goingplacesfarandnear.com

It is also possible to combine a stay in Ollantaytambo with Machu Picchu without doing the four-day Inca Trail trek. Alpaca Expeditions has various tour options with shorter or no hiking.

Everyday life in the town of Ollantaytambo is at the base of the archeological site © Karen Rubin/goingplacesfarandnear.com

The permits to do the Inca Trail trek are limited to 500 a day for all the trekking companies and get booked up months in advance.

To see all the options for touring, visit Alpaca Expeditions, USA Phone: 202-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Arriving back in Cuzco for our orientation to the Alpaca Expeditions four-day/three-night hike/camping trek to Machu Picchu © Karen Rubin/goingplacesfarandnear.com

Next: Trekking the Inca Trail to Machu Picchu

See also:

VISIT TO PERU’S SACRED VALLEY IS BEST WAY TO PREPARE FOR INCA TRAIL TREK TO MACHU PICCHU

INCAN SITES OF PISAC, OLLANTAYTAMBO IN PERU’S SACRED VALLEY ARE PREVIEW TO MACHU PICCHU

ALPACA EXPEDITIONS’ INCA TRAIL TREK TO MACHU PICCHU IS PERSONAL TEST OF MIND OVER MATTER

DAY 1 ON THE INCA TRAIL TO MACHU PICCHU: A TEST

DAY 2 ON THE INCA TRAIL TO MACHU PICCHU: DUAL CHALLENGES OF DEAD WOMAN´S PASS, RUNCURACCAY

DAY 3 ON THE INCA TRAIL TO MACHU PICCHU: TOWN IN THE CLOUDS, TERRACES OF THE SUN & FOREVER YOUNG

DAY 4 ON THE INCA TRAIL: SUN GATE TO MACHU PICCHU, THE LOST CITY OF THE INCAS

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Visit to Peru’s Sacred Valley is Best Way to Prepare for Inca Trail Trek to Machu Picchu

A weaver at Manos de la Comunidad, a handicraft center where we see the different varieties of llama and alpaca, learn about how the wool is produced, the raw materials that the dyes are made from, and watch villagers at their looms make stunning textiles on Alpaca Expeditions’ Sacred Valley tour © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Eric Leiberman & Sarah Falter

Travel Features Syndicate, goingplacesfarandnear.com

We prepare for our Alpaca Expeditions four-day/three-night Inca Trail hiking/camping trek to Machu Picchu by spending an extra day Cuzco and the Sacred Valley – the absolutely best way to begin to acclimatize to the high altitude before the trek, which goes up to nearly 14,000 feet. This is the best way to avoid debilitating altitude sickness, but also to lay the foundation for appreciating what we will see and experience along the trail.

While it would be best to have arranged two or three days to acclimate before the trek – which would also provide more time to visit the extraordinary sights in Cuzco, Pisac and Ollantaytambo – having come from a week in the Galapagos for this grand finale to Eric and Sarah’s six-month odyssey, we only have one full day before starting out on the trek, so Alpaca Expeditions’ one-day Sacred Valley tour is ideal.

Our guide, Jaime, picks us up at 8 am our charming boutique hotel, the Amaru Inca (Cuesta San Blas, 541, Cusco City Center, Cusco, 84) which must once have been a hacienda, and we set out in private car into the countryside, where we immediately see neighborhoods, villages and communities.

Cuzco’s most famous monument, the statue of Christo Blanco with open arms that overlooks the city © Karen Rubin/goingplacesfarandnear.com

The road begins its twisting rise into the mountains and Jaime stops just before the Sacsayhuaman fortress at a point where we are level with Cuzco’s most famous monument, the statue of Christo Blanco with open arms that overlooks the city. Eight meters high, it was created by Cusco sculptor Francisco Olazo – a gift from Palestine in 1945 – and a mini version of Rio’s statue. From here, the Cathedral and churches and Spanish-style buildings are most prominent.

Looking down at Cuzco, you see the Spanish structures built over the Incan structures © Karen Rubin/goingplacesfarandnear.com

Cuzco was the capital of the Incan Empire, and according to its lore, the “navel” of the world, and at its peak, had 30,000-40,000 inhabitants.

 “There is nothing like Cuzco in any other part of South America,” Jamie says, “for the concentration of people and sites.”  There are some 1,250 sacred sites in Cuzco.

The hostels we stay in today were once homes – first of Inca who began to take over Cuzco in 1000 AD, then rich Spaniards who came in the first century after conquest, in 1536.

The Incan heritage pretty much had to be resurrected, because the Spanish did their level best to eradicate the culture, and especially the religion which was based on nature worship – literally building their palaces and churches on top of Incan palaces and temples -you can still see the foundation stones.

‘It’s as if they were saying, ‘We are upon your god. Submit.’”

The Spanish conquerors intentionally eradicated the Incan culture and society © Karen Rubin/goingplacesfarandnear.com

The center square, would have been the city’s market place and where religious ceremonies would have been held, was renamed by the Spanish the Plaza de Armas – the place of arms – where they would have held executions of rebels.

Our guide Jamie explains that the Inca were actually the ruling family – not the people – who basically ruled over some 50 different tribes and city-states, speaking different languages.  Some 20,000 to 40,000 Inca nobility ruled over a population of 10 to 20 million that at its peak, spanned as far as Columbia, Ecuador, Chile and Argentina. The Inca expanded its empire from Cuzco by conquest and “diplomacy” between 1000, reaching its peak in the mid 1400s, 125 years before the Spanish conquest in 1536.

What is so remarkable is the Empire the Inca built – the monumental architecture and 3,000-miles of road network reaching all corners of the empire – was accomplished without the benefit of draft animals like the horse, the wheel, without iron or steel tools, a written language or currency.

How was it possible for a few hundred Spanish conquistadors to conquer the Incan Empire with a population of 20 million? The Spanish seemed to arrive during a perfect storm of turmoil and weakness in the Empire. The Inca Emperor Huayna Capac had died in 1529 after contracting smallpox, that likely came from Maya fleeing south along the roads the Inca built; two brothers were embroiled in a civil war to become the new Emperor.

Atahuallpa, the 13th and last emperor of the Inca, was victorious in a devastating civil war with his half brother, only to be captured, held for ransom, and then executed by Francisco Pizarro.

The tribal people were not motivated to battle the Spanish invaders. Many were happy to be rid of the Inca rulers and allied with Spaniards (“The Inca weren’t very nice,” Jamie says), and for some, the Spaniards seemed to be the incarnation of the priests’ prophesy of Armageddon and to have superhuman power. The first group of 90 Spaniards arrived in Cuzco in 1533 in Cuzco and lived together with Cuzco population for three years; a second, larger, more militant group came in 1536, determined to take the Inca’s gold and silver and forcibly replace the indigenous religion based on nature worship, with Christianity.

The Spaniards intentionally built their churches and palaces on top of the Incan temples and palaces and did whatever they could to eradicate the pagan religions. (Some continued to observ  their religious rituals in secret – even up to modern day and as recently as 15 years ago would practice secretly. Today people openly practice. “The church knows our religion was respecting nature,” Jamie says.)

The Incan leader Manco realized the Spaniards weren’t leaving, so rose up against them, but the Incan weapons were no match.

After the third battle, the indigenous population abandoned Cuzco and the Spanish took over their properties.

If the Spaniards would have come 50 years later, Jaime says, the Incan Empire may have taken over Mexico and been powerful enough, unified enough to drive the conquerors out, he says.

At the Manos de la Comunidad, a handicraft center, we learn the vital importance of domestication of llama and alpaca to the Incan Empire © Karen Rubin/goingplacesfarandnear.com

We stop at the Manos de la Comunidad, a handicraft center where we see the different varieties of llama and alpaca, learn about how the wool is produced, the raw materials that the dyes are made from, and watch villagers at their looms, make stunning textiles (there’s also a fantastic gallery, museum and a large store).

A weaver at Manos de la Comunidad, a handicraft center, © Karen Rubin/goingplacesfarandnear.com

This visit provides fascinating insights into the culture and heritage – the human ecosystem that shaped and sustained the Incan Empire – the environment that supports agriculture (enough food and calories to fuel the building of these monumental structures and support an army) and domestication of animals, how the natural materials at hand shaped the culture, and the structure of society.

A weaver at Manos de la Comunidad, a handicraft center © Karen Rubin/goingplacesfarandnear.com

You realize how critical to the success of the Incan Empire the domestication of llama and alpaca were – they could carry goods, and for producing wool for clothes. Also, the grasses were food for the animals but also used to make the ropes for bridges and hauling the massive stones (I suspect were also used to make the straight lines without the benefit of rulers.)

A weaver at Manos de la Comunidad, a handicraft center © Karen Rubin/goingplacesfarandnear.com

These finely-woven textiles and the monumental architecture were the main arts of the Incan Empire; instead of written communications they used knotted strings (quipu), which still cannot be deciphered but which (Karen postulates) might have been a kind of Morse code. The colors and patterns of clothes would communicate tribal affiliation, friend or foe.

The source of the natural dyes for the textiles © Karen Rubin/goingplacesfarandnear.com

The Inca’s success at farming had much to do with the fact the Inca calendar was tied to astronomy. Inca astronomers understood equinoxes, solstices and zenith passages and the Venus cycle. Religious leaders –the only others besides the nobles who were educated – used their knowledge as power over the people who were kept ignorant. The priests would use the solstice as if the people’s religious devotion would bring back the longer days. They couldn’t predict an eclipse, but they well understood how it operated.

Weavers at Manos de la Comunidad, a handicraft center © Karen Rubin/goingplacesfarandnear.com

The Inca also used mathematics to divide up political governance (a system of 10s), assess taxes, keep the census, and to do the calculations necessary to create such monumental architecture.

A father and child at Manos de la Comunidad, a handicraft center © Karen Rubin/goingplacesfarandnear.com

We also see guinea pigs in cages. These were used for food at important festivals, and even today are served for festivals as well as in restaurants.

At the Manos de la Comunidad, a handicraft center, we learn the vital importance of domestication of llama and alpaca to the Incan Empire © Karen Rubin/goingplacesfarandnear.com

But the Inca could not have accomplished what they did – labor, military might – without enough food (calories) to support the population, which is why the Machu Picchu Sacred Valley was so vital.

Sarah and Eric pet a baby alpaca at Manos de la Comunidad, a handicraft center © Karen Rubin/goingplacesfarandnear.com

We stop at a famous overlook known as El Mirador (Lookout Point) from where we can see the Sacred Valley – an abundance of fertile plains in this high area of the Andes – spread out in front of us.

The view from El Mirador (Lookout Point) of the Sacred Valley © Karen Rubin/goingplacesfarandnear.com

Manco Capac, around the year 1000, claimed to be the “son of the sun god Inti,” sent to earth to become first king of the Inca. He was known for his courage, and taught the people how to grow plants, make weapons, work together, share resources and worship the gods – in other words, set the parameters for the society. Karen suspects Manco was an agricultural genius and that was the source of his power – political and religious – over the people.

The view from El Mirador (Lookout Point) of the Sacred Valley © Karen Rubin/goingplacesfarandnear.com

Besides military might and a brutal form of “justice,” the Inca ruled through religion – and superstition. Essentially, their religion was based on nature and the different tribes had their own local gods and idols – they worshiped the gods and goddesses of rain, lightning, rainbow (connected with fertility), moon, sea and water. The Inca imposed sun worship of Inti over other cults such as Pachamama (Earth Mother). The people drafted to build their palaces and temples did it out of devotion to god, Jaime says, rather than being impressed into service.

The success of the Inca was in cultivating crops – maize and potato –the domestication of llamas and alpacas as a pack animal and source of meat, wool and rope (the only domesticated animals in pre-Hispanic America), the terraces and irrigation technology.

Chancing upon traditional dancers filming a video at El Mirador © Karen Rubin/goingplacesfarandnear.com

The elevation of the valley provides the perfect climate for growing corn (maize), so Inca named in Sacred Valley (a golden staff also comes into play). The maize was also used to make a fermented liquor that was used in religious ceremonies, adding to the “sacred” nature of the valley.

They modified the river bank with sand bags to control flooding and perfected irrigation techniques to create more arable land; the terraces created micro-climates for producing different crops.

Terracing and irrigation account, plus the ability to find fertile soil and take advantage of micro-climates account for the Inca Empire’s success in producing food © Karen Rubin/goingplacesfarandnear.com

The Inca society was a combination of feudalism and socialism. While they did not have currency and technically did not use slaves, instead, the exchange of goods and services was based on reciprocity between individuals and among individuals, groups, and the Inca rulers. Farm production was divided up with 25 percent going to the Inca rulers and nobility, 25 percent to the priests and religious institutions and half kept by the farmers. The Inca rulers (who theoretically owned all the means of production) reciprocated by granting access to land and goods and providing food and drink in celebratory feasts for their subjects.

When the Spanish came, they introduced a feudal system – where the Spanish owned all the land. That persisted up to as recently as 1969, when a socialist (nationalist) president came to power.

“The government bought the land to give to farmers, brought more freedom, and the right to go to school. For the first 15-20 years, it didn’t work well because farmers didn’t know business like the landlord, didn’t have the export connections, and were used to being bossed. The government had to step in, ‘Remember the Inca time’ – and get them to act in as a cooperative. Today, every farmer has his own land. Peru’s biggest export is avocado; its corn is shipped to Japan, Germany and Canada.”

As we drive into the countryside, we see women in traditional dress, pass markets and see buildings painted with election posters © Karen Rubin/goingplacesfarandnear.com

As we drive into the countryside, we see women in traditional dress, we pass markets. Many of the houses – still made of adobe – were swept away in a massive flood and are being replaced with brick structures which do not seem completed (to save taxes?). There is an election underway and we note campaign posters painted on whole buildings.

Before the day is done, we will have a chance to explore the archeological sites of Pisac and Ollantaytambo before making our way back to Cuzco for our 6 pm orientation with Alpaca Expeditions for our Incan Trail trek the next morning.

The permits to do the Inca Trail trek are limited to 500 a day for all the trekking companies and get booked up months in advance.

More information: Alpaca Expeditions, USA Phone: (202)-550-8534, [email protected], [email protected], https://www.alpacaexpeditions.com/

Next: Exploring Pisac, Ollantaytambo

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

36 Hours in Amsterdam: Time-Traveling Through Amsterdam’s Jewish Quarter

The Sofitel Legend the Grand Amsterdam Hotel is set in the heart of Amsterdam’s historic district, a short walk to the Jewish Quarter, and walking distance to Rijksmuseum © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

At the Jewish Museum in Amsterdam, I pick up a sheet detailing a walking tour through the Jewish Cultural Quarter which features 37 points (Rembrandthuis and the Waterlooplein flea market are included) and 12 museums, monuments and memorials. It is supposed to take about 90 minutes.

I go off to follow much of the list – which is most interesting because you go into this historic neighborhood where you almost hear the voices of the people who lived there, certainly feel their presence. It feels a bit like time travel.

Across the street from the Jewish Museum, which is housed in four former synagogues including the Great Synagogue, is one of the most beautiful and grandest synagogues of the world, the Portuguese Synagogue. Dating from 1675 (just four years after the Great Synagogue which is across the street), this Sephardic synagogue is in fact a whole religious complex with the synagogue, archives, a mortuary, and a library.

Known as The Esnoga, the Portuguese Synagogue was designed by Elias Bouman, who had also helped design the Great Synagogue of the Ashkenazim across the road. Elias Bouman later became the city’s chief architect. The colossal building dominated its surroundings then, as it still does today. When finished, it was the largest synagogue in the world. And even centuries ago, was a tourist attraction. (Mr. Visserplein 3, jck.nl/en/longread/portuguese-synagogue

Entrance to the Portuguese Synagogue, the world’s largest and most ornate synagogue and a tourist attraction since it was first built in the 17th century, still conducts religious service so was closed to visitors on Saturday © Karen Rubin/goingplacesfarandnear.com

The Portuguese Synagogue is still used for religious services (it’s Saturday so I don’t get to go inside), but on most days you can buy a ticket to see inside. It is renowned for its exquisite 17th century interior.  There are also smaller buildings in the complex where there are “treasure chambers” displaying ceremonial objects of silver, gold, brocade and silk. The synagogue also hosts frequent candlelight concerts. (I experienced an extraordinary concert at the Spanish Synagogue in Prague at the start of my European odyssey.)

The Great Synagogue was destroyed in the Holocaust (it was restored and turned into a museum in 1961), but the Portuguese Synagogue was saved apparently because Hitler wanted to leave a trace of the vanished nation (I was told much the same about how Prague’s Jewish Quarter managed to survive.)

The world’s oldest functioning Jewish library, Ets Haim Livraria Montezinos, which is on UNESCO’s World Heritage List, is also here in the Portuguese Synagogue (Mr. Visserplein 3). The library has more than 25.000 books and 560 manuscripts in Hebrew, Spanish, Portuguese, Latin, Greek, Arabic and Yiddish in its collection. Some of the manuscripts date to13th C. (An appointment is required to visit: for a guided tour phone: +31 20 531 03 80; researchers call +31 20 531 03 98).

Outside the Portuguese Synagogue is the Jonas Daniel Meijerplain, a square named for Jonas Daniel Meijer who in 1796 became the first Dutch Jew to receive a doctoral degree. He was a leader in the Jewish struggle for emancipation and equal rights (which was won in 1796). There are Stolpersteine (small memorial plaques) in front of houses that are along the square (nos. 13, 15, 19) that bear the names of Jews who lived there and were murdered by the Nazis. (I saw these Stolpersteines in Dordrecht, as well.)

In the square is the February Protest Monument commemorating the strike of the Amsterdam dock workers on February 24, 1941, to protest persecution of Jews. The strike has been followed by protest actions all over the city: in public transport, schools and in some companies. Strike actions also took place in several cities around Amsterdam and in Utrecht. Although the Nazi administration, which invaded the Netherlands in 1940, managed to suppress the strike within just a few days, killing nine of the protesters, injuring many and perpetuating several other ruthless actions, the open protest against the Nazis had the symbolic importance for all people in the Netherlands. The monument represents a striking worker called “De Dokwerker”. The sculpture is by Mari Andriessen, a sculptor who during the war refused membership of the Nazi-led artist union and hid Jewish friends at his home to save them from death.

A walking tour through Amsterdam’s Jewish District makes you look closely at structure to see their Jewish origins © Karen Rubin/goingplacesfarandnear.com

My walking tour takes me to what was the Ashkenazi Jewish Girls Orphanage, which from 1863-1943 was where these orphaned girls received religious education. In the Holocaust, 80 were deported to concentration camps.

The Plancius/Resistance museum, was where the Jewish choral society, Oxfening Baart Kunst (Practice Makes Perfect) was established in 1876; it has been the site of the Dutch Resistance Museum since 1999.

The De Castro Pharmacy is Amsterdam’s oldest apothecary (1832). Daniel Henriques de Castro was not only an apothecary but also an administrator of the Portuguese Synagogue and a glass engraver.

The Pinto House (Sint Antoniebreestraat 69), was built in 1603, bought by the wealthy Jewish merchant Isaac de Pinto in 1651 and rebuilt by his son David Emanuel in 1686 with the broad classical facade. Devastated in 20th C. and saved from a demolition, it is a public library today.

I go to the Walter Suskind Bridge – fairly nondescript – named for Walter Suskind (1906-1945) who was the head of Jewish staff of the Hollandsche Schauwburg and in this capacity saved hundreds of Jewish children from deportation and murder.

(Gassan Diamonds is also here in the Jewish Quarter and had an important role in the Jewish community. I book a free tour for the next morning at its website, https://www.gassan.com/en/tours/gassan-historical-tour)

A walking tour through Amsterdam’s Jewish District makes you look closely at structure to see their Jewish origins © Karen Rubin/goingplacesfarandnear.com

I visit as many of the sites as I can, and finally come to the National Holocaust Memorial, which only opened in September 2021. It’s the first in the Netherlands to name all 102,000 Dutch Jews, Sinti and Roma who were killed by the Nazis during World War II.  Designed by Polish-American architect Daniel Liebeskind, the 102,000 bricks, each bearing the name of a victim, form the shape of four Hebrew letters meaning “in memory of.” 

The National Holocaust Memorial, Amsterdam, keeps alive the memory of the 102,000 Dutch Jews, Sinti and Roma who were killed by the Nazis © Karen Rubin/goingplacesfarandnear.com

I estimate there are 32 rows of 50 bricks just named DeVries. I note some of the names: Frouwkevn Mandenburg Gosschalk, Rooje van Maagdenburg-Frank, Maas, Magtige, Maij – very Dutch, with some of these families I would bet having lived in Amsterdam for hundreds of years. The name plaques seem to go on forever.

Of the 107,000 deported to concentration camps, only 5200 Jews and 30 Santi and Roma survived.

“A warning for all generations, all over the world and in the future,” a plaque reads.

The National Holocaust Memorial, Amsterdam, keeps alive the memory of the 102,000 Dutch Jews, Sinti and Roma who were killed by the Nazis © Karen Rubin/goingplacesfarandnear.com

According to reporting of the event, the memorial was unveiled by King Willem-Alexander and Dutch Prime Minister Mark Rutte.

“Last year marked the first time an official in the Netherlands publicly apologized on behalf of the government for the war-time persecution of Jews, after Rutte admitted little was done to protect them from the atrocities committed by Nazi Germany.” (https://www.dw.com/en/dutch-holocaust-memorial-opens-after-years-long-legal-deadlock/a-59231217)

The National Holocaust Memorial, Amsterdam, keeps alive the memory of the 102,000 Dutch Jews, Sinti and Roma who were killed by the Nazis © Karen Rubin/goingplacesfarandnear.com

Tickets to all the Jewish Cultural Quarter exhibits may be purchased at any of the participating institutions. Adults – € 12 ; young people age 13 -17, students, Stadspas – € 6 ; children age up to 13; free admission is provided with the Amsterdam Holland Pass, iAmsterdam Pass, Museum Card, Friends of The Jewish Historical Museum, ICOM, Rembrandt Association. Tickets to the Jewish Historical Quarter are valid 1 month for a multiple access to all exhibits. Tickets to concerts at the Portuguese Synagogue: € 13.50.

You can also sign up for a walking tour with a knowledgeable, personal guide (see www.amsterdam.info/jewish/).

“Night Watch” at Rijksmuseum

By now, it is time for me to walk over to the Rijksmuseum for my timed ticket, which brings me through more of the neighborhoods that seem so far removed in time and place from what I had just experienced.

Rembrandt’s famous “Night Watch” can be seen through glass where it is undergoing conservation at the Rijksmuseum © Karen Rubin/goingplacesfarandnear.com

The big attraction at the Rijksmuseum (I only have two hours before closing) is Rembrandt’s famous “Night Watch” painting (I hadn’t realized it is the size of an entire wall), and you get to see it as it is being conserved, behind a glass-enclosed studio.  A docent is there to answer questions about it.

Rembrandt’s famous “Night Watch” can be seen through glass where it is undergoing conservation at the Rijksmuseum © Karen Rubin/goingplacesfarandnear.com

At the Rembrandthuis, I was told that this painting was one of the reasons that Rembrandt went bankrupt – the three benefactors who paid the most for the painting are not shown prominently, and they conveyed their discontent so that Rembrandt lost commissions. The docent disputes this and points out that was a decade between the painting and his bankruptcy.

Rembrandt’s famous “Night Watch” can be seen through glass where it is undergoing conservation at the Rijksmuseum © Karen Rubin/goingplacesfarandnear.com

By now, I have to get to my COVID19 test that I scheduled, so I get to discover more neighborhoods. As it turns out, the clinic is across the way from Amsterdam’s science museum, along the boulevard that would go to the Central Station. The process is extremely efficient (shortly after, the United States halted requiring COVID tests within 24 hours of entering the country.)

On the way back to Sofitel Legend Grand Amsterdam Hotel, I find myself walking through the Red Light District, jam-packed with people. Here you can also visit museums to Erotica, Prostitution, assorted peep shows and museums devoted to  Hash, Marijuana and Hemp . Even the public toilet is titillatingly called the “Sexy Loo.”

Here you find posters on the bridges warning of fines for peeing in the canal or taking alcohol out of the district, and as the evening grows later, more and more police presence.

Amsterdam’s Red Light District is legendary © Karen Rubin/goingplacesfarandnear.com
Amsterdam’s Red Light District is legendary © Karen Rubin/goingplacesfarandnear.com

Diamonds!

The next morning, before I have to get to the airport (and after enjoying a terrific breakfast at the Sofitel Legend the Grand Amsterdam Hotel), I tour the Gassan Diamonds, a historic place which had great importance in the Jewish Quarter. 

Gassan Diamonds is housed in a diamond factory that was built in 1879 by the Boas brothers, and at the time was the largest diamond factory in Europe. © Karen Rubin/goingplacesfarandnear.com 

Initially, Jews were not permitted into Amsterdam’s guilds, so the only occupations that were open to them were street trading (hence the giant flea market at Waterlooplein), financing, book printing and diamond cutting. In the 19th century many Jews worked in the flourishing diamond trade and industry.

Amsterdam has been famous for its diamonds since the 16th century, and after 400 years, the city is still regarded as a diamond trading center of the world. The popular brilliant-cut with 57 facets which was developed in Amsterdam is known as the “Amsterdam-cut”.

There are about a dozen diamond factories in Amsterdam left, five which offer guided tours.

Gassan Diamonds has played a pivotal role in Amsterdam’s diamond history, as well as in Jewish life in Amsterdam. The diamond factory was built in 1879 by the Boas brothers, and at the time was the largest diamond factory in Europe. It was shut down during World War II, and resurrected by Samuel Gassan, whose father actually worked there as a diamond cutter.

Samuel Gassan stayed in Switzerland until the end of the war, became a captain in the British Army. Working in the repatriation service, he helped children of diamond workers who had lost their parents and who had been held captive in Bergen-Belsen, return to the Netherlands.

In October 1945, having returned to Amsterdam, Samuel, now 35, opened his own diamond trading company, Firma Gassan, in the Diamond Exchange on the Wesperplein. He traveled all over Europe selling his diamonds. Five years later he owned his own diamond cutting factory on the Zwanenburgerstraat.

You can sign up for a free tour of Gassan Diamonds to see diamond polishers at work © Karen Rubin/goingplacesfarandnear.com

On the tour, we get to see the diamond polishers at their craft, while a guide explains how they turn rough diamonds into dazzling brilliants. And Gassan has taken the “Amsterdam cut” to a new level, patenting the technique of the Gassan 121 diamond – a diamond cut with 121 facets to dazzling effect.

I am taken into a room where, even though it is Sunday morning, there are a couple of people polishing diamonds. My guide explains the three-step process: cutting (phosphorous blade, rotates 6400/min,  coated with olive oil and diamond dust because only a diamond can cut diamond; shaping and elevating sharp edges (not sparkling yet); and third, polishing with olive oil and diamond dust to make facet. Facets are what make the diamond clear and sparkling.

It takes 3 to 4 working days to prepare one diamond.

A brilliant cut has 57 facets (33 on top, 24 on bottom), which originated in Amsterdam and is known as the “Amsterdam cut.” But, she explains, Gassan (pioneered and patented) a 121-facet diamond with exponentially more refraction (no one else can sell 121 facets)

Luna, diamond polisher for three years, is able to work on half-carat diamonds as she works up to becoming a master. It takes 3-4 days to finish a diamond, but you can order one, have it set and have it within 30-60 minutes of your visit to Gassan Diamonds © Karen Rubin/goingplacesfarandnear.com

Luna, who I watch polishing a diamond, has had 3 years experience (it takes two years to learn basics, 10-20 years to perfect, and by the time you are ready to retire, you are a master). A half carat is the biggest diamond she has worked on, she tells me.

All the rough diamonds that come to the Antwerp bourse must have a certificate that they are not conflict diamonds. Diamonds come from all over the world and are found everywhere but Australia, Canada, India, and China, she tells me.

This 1879 building is long and narrow because it was built before electricity, so the workers were dependent upon natural light, and used steam system (you can see the pipes).

Names of Jewish diamond workers etched with diamond in glass are preserved at Gassan Diamonds © Karen Rubin/goingplacesfarandnear.com

In a display case are old pieces of glass with names etched with diamond into it. “This was a Jewish neighborhood and a Jewish company,” she tells me. “A lot of Jews worked here. During World War II, most were killed, so we keep the glass with their names. Gassan’s own father was a diamond worker in the factory here. After the war, Samuel acquired the old factory.

My guide takes me into a small room to explains the different elements that go into the quality (and price) of a diamond – carats, colors, clarity, cuts and, of course, the ultimate Gassan 121- and fortunately, you can buy here at factory price (and get the 16% tax refunded at airport). ”You can choose a diamond today, choose setting and it will be ready within 30 to 60 minutes – ring, necklace, earrings.” You can also peruse the jewelry store, filled with luxury items.

Gassan also offers a VIP tour through the diamond factory and the in-house Rolex boutique which includes a glass of champagne, a goodie bag and the chance to chat with a certified Rolex watchmaker. Or you can take a seat behind the grinder yourself with the Diamond Polishing Experience, where you can apply the final facets to your own diamond! 

Gassan Diamonds, Nieuwe Uilenburgerstraat 173-175, www.gassan.com/en/tours/gassan-historical-tour

I time it so I get back to the Sofitel Legend Grand Amsterdam hotel so I can take the tour of this fascinating place that played such an important role in Holland’s history, and still have time for one last walk through the historic district to Amsterdam’s Central Station. It’s a hop-skip-jump on the train to Schiphol Airport (2nd class ticket does just fine), all of about 15 minutes ride.

Amsterdam’s Central Station. It’s just about 15-20 minutes and very inexpensive ticket to get to Schiphol Airport on the train © Karen Rubin/goingplacesfarandnear.com

Pre-purchase the I AmsterdamCity Card, which provides access to the city’s major highlights and more than 70 museums, city-wide public transport, a canal cruise and bicycle rental. You also get discounts at restaurants, attractions and concerts. https://www.iamsterdam.com/en/i-am/i-amsterdam-city-card iamsterdam.com.

Plan your visit at www.iamsterdam.com/en.

See also:

Sofitel Legend The Grand Amsterdam: Historic Hotel that Played Major Role in History

36 Hours in Amsterdam: Time-Traveling in the Jewish Quarter

36 Hours in Amsterdam: Time-Traveling Through Amsterdam’s Jewish Quarter

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

36 Hours in Amsterdam: Time-Traveling in the Jewish Quarter

The Jewish Museum shows how the community lived for 350 years in Amsterdam with very vivid and detailed personal stories that still resonate today © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I have cleverly arranged an extra day in Amsterdam after the eight-day BoatBikeTours Bruges-to Amsterdam bike trip, and I can’t afford to miss a minute. So after checking into my five-star luxury historic hotel, Sofitel Legend the Grand Amsterdam Hotel, marveling at my room (actually a suite), and having the concierge help purchase a timed ticket to the Rijksmuseum, I immediately set out.

In fact, I realize too late that it was necessary to pre-purchase timed tickets to major sites in Amsterdam – Anne Frank House is booked (you have to purchase weeks in advance). So I set out myself to see as much as I could – and in the course of the day, wind up exploring on foot just about all Amsterdam’s historic district neighborhoods. And since I can’t get into the Anne Frank House, I head to the Jewish Quarter (the Anne Frank House is not actually in the Jewish Quarter), which proves a wonderful and satisfying adventure in many ways.

Rembrandt van Rijn’s was doing well when he bought this townhouse, which may surprise people to learn is on a street that used to be in the center of Jewish life in Amsterdam © Karen Rubin/goingplacesfarandnear.com

My first stop is most remarkable: The Rembrandt House. This is Rembrandt van Rijn’s actual townhouse, which may surprise people to learn is on a street that used to be in the center of Jewish life in Amsterdam. Although Rembrandt was not Jewish, his paintings often reflect his life among the Jews in the city – scenes from the Old Testament and many portraits of the Jewish people who lived around him. But what is most remarkable are the insights into this master’s life and work and even his creative process as you go around the house, essentially restored and furnished in the way it was, when he lived here. The Rembrandthuis presents Rembrandt’s life, his epoch, an interesting collection of paintings by his contemporaries and his prints.

Rembrandt captured scenes of neighborhood life. His townhouse was in the Jewish Quarter © Karen Rubin/goingplacesfarandnear.com

Rembrandt was doing well when he bought this townhouse, but when his fortunes turned and the house was sold, his possessions were inventoried – the museum recreates the house from that inventory as well as Rembrandt’s drawings, so they knew what was in specific rooms; the audio tour notes the objects (and you can get even more detail on many of the objects). 

It is utterly fascinating to be in this space – his bedroom, his printing room (where you can lift leather coverings and see original etchings), his studio, his salon (actually a sales room). I learned that Rembrandt was an art dealer, and would have entertained clients in this parlor where there are a number of paintings on the wall as there would have been.

Rembrandt’s salon where he would have entertained art clients. As an art dealer, he sold works by his pupils, Flemish and Italian artists and Dutch masters © Karen Rubin/goingplacesfarandnear.com

Rembrandt “would receive his clients with a glass of chilled wine from a marble wine cooler. On the walls hung dozens of paintings from which the client could choose. Rembrandt sold his own works and works by his many pupils. He also dealt in paintings by other masters. This was common practice among artists at this time. Rembrandt had Flemish and Italian works in stock, but most of the paintings were by Dutch masters.”

You walk through with your own audio device which gives a really excellent tour (allocate at least an hour), and notes the personal aspects, and you can point the sensor to a number and hear more details, like about the painting of an old man with bears, which was by one of his students).

Rembrandt’s bed chamber. Rembrandt House recreates how he would have lived based on an inventory and his paintings © Karen Rubin/goingplacesfarandnear.com

“We know from paintings his wife was lying on the bed – she died at 29 giving birth to their son.”

As a display of Rembrandt’s affluence, his townhouse had a stove, which was an innovation of the time © Karen Rubin/goingplacesfarandnear.com

In the kitchen, we see a stove which would have been an innovation in his day.

Rembrandt was “a ground-breaking etcher” as we see in the printing room at Rembrandt House © Karen Rubin/goingplacesfarandnear.com

Rembrandt was ‘a ground-breaking etcher” and my favorite room is his print shop where we can see original etchings (they are put under leather covers in a darkened room to best preserve them, and are rotated every three months ). It is absolutely thrilling to see.

Rembrandt was “a ground-breaking etcher” as we see in the printing room at Rembrandt House © Karen Rubin/goingplacesfarandnear.com

We go into a studio where Rembrandt taught art students – you could have been a Rembrandt pupil for 50 guilders a month (he had 40 students). “They would already have had a basis in art.”  

Visit Rembrandt’s studio at the Rembrandt House © Karen Rubin/goingplacesfarandnear.com

Rembrandt had two mistresses after his wife, Saskia van Uylenburgh, died at the age of 29, giving birth to their son.

Rembrandt’s “Self-Portrait with Saskia,” his wife © Karen Rubin/goingplacesfarandnear.com

The first was his housekeeper and nanny to his son and they developed an intimate relationship. She wanted to marry; Rembrandt couldn’t because under the terms of his (wealthier, noble) wife’s will, his inheritance would have reverted to her other relatives. So when he couldn’t marry, she sued him for a very large amount of alimony. He had her committed to a madhouse for five years.

Then he met Hendrickje Stoffels, very much younger than Rembrandt. They had a loving relationship, had children, and were together for 15 years until she died at the age of 38.

Rembrandt’s “Self-Portrait” © Karen Rubin/goingplacesfarandnear.com

Rembrandt had 16 children but only three  – a son and two daughters – survived to adulthood. His son became an art dealer, and after Rembrandt’s bankruptcy, rented a house for himself and father and his mistress, Hendrickje Stoffels. His son died one year before Rembrandt.

I ask how Rembrandt went bankrupt. “He spent too much. Also, ‘Nightwatch’ – the three people who paid the most for the painting were not well represented in the painting; it went around that Rembrandt wasn’t a good portrait painter and he lost commissions (100G, equivalent to yearly salary). With commissions down, he went bankrupt.” [Later, I get to ask the docent at the Rijksmuseum when I visit “Nightwatch” who disputes this account.]

The Rembrandt House museum has a broad collection of Rembrandt’s works, but only a small portion is on view at any one time (they rotate to preserve the art).

Small Studio, which Rembrandt used as a workplace for his students. There were partitions bere four to five pupils could work with good light © Karen Rubin/goingplacesfarandnear.com

In the modern building that is attached, there are exhibitions of modern artists reinterpreting Rembrandt’s concept of painting people as they are, not idealized. (I don’t care for them at all).

I realize that though I so admired Rembrandt, I actually knew very little about who he was. You come away seeing, understanding Rembrandt in such a different light as you tour his house.

Rembrandt House, Jodenbreestraat 4, 1011 NK Amsterdam, +31 (0)20 520 0400, [email protected], www.rembrandthuis.nl/en/.

It’s Saturday and just near the Rembrandthuis there is a regular – and massive – Waterlooplein (Waterloo square) flea market, started ages ago by Jewish peddlers (one of the few occupations allowed to Jews) and today is the largest flea market in Amsterdam. It’s definitely fun to visit (www.amsterdam.info/markets/waterlooplein/)

Waterlooplein flea market, started ages ago by Jewish peddlers (one of the few occupations allowed to Jews) is the largest flea market in Amsterdam today © Karen Rubin/goingplacesfarandnear.com

Even this early in the tourist season, Amsterdam seems pretty crowded with visitor s (especially in the Red Light District), but I set out to explore more of the historic Jewish Quarter where I find myself on a sort of hunt to locate sites. It seems more the “real Amsterdam” – less impacted by tourists – where I can time travel.

Peering Back at 350 Years in the Jewish Quarter

The Jodenbuurt (Jewish Quarter) was inhabited by the Jewish community for 350 years, from the late 16th century up to the Holocaust.

Jewish people, culture and religion became an important element of life in Amsterdam from the early 1600s. Several countries in Europe guided by the Catholic Church, starting from the 13th C, had laws aimed at expelling Jews. During the counter-reformation in the 16th C, persecutions of Jews increased. While subject to many restrictions, Jews were permitted to settle in Amsterdam and peacefully observe their religion.

In 1593, a century after the Spanish Inquisition, Sephardic Jews from Portugal and Spain settled in this neighborhood of Amsterdam. In the course of the 17th century Ashkenazi Jews from Central, Eastern, and parts of Western Europe also moved into the district. By 1602, the Jews started to build their first synagogues. And in the centuries that followed, many more synagogues opened.

The absolutely best place to start my odyssey is the Jewish Museum (previously known as the Jewish Historical Museum) 

The Jewish Museum is the only museum in the Netherlands that focuses on Jewish history, religion and culture. The museum is set in a group of four 17th and 18th century Ashkenazi synagogues at the heart of the former Jewish quarter in the centre of Amsterdam. The permanent exhibition follows several themes: the role of religion and tradition, the links with Israel, the persecution of Jews during the Second World War, personal life stories and the mutual influence of Jewish and Dutch culture.

The main part of the museum is housed in the stunning Great Synagogue, the Ashkenazi “Gathering Place” that dates from 1671. The exhibits here are enlightening and inspiring.

Jewish Museum is more focused on the 350-year long history of Jews in Amsterdam. it’s about their migration and integration into Holland, though the period from 1900 to present is also on display in a very moving way, how they integrated into Dutch society, and how they thrived and contributed to the community when restrictions were lifted.

It’s a museum of stories and surprises – it’s uncanny how much personal information they have to connect with the portraits and personal effects on view – so much more meaningful than looking at paintings and artifacts. I especially loved seeing these gorgeous portraits of Jewish Amsterdamers from the 17th and 18th centuries, – how they looked like any other Amsterdamer of the time, a testament to how secular and assimilated people can come when they are free to interact in the broader society.

Some of Rembrandt’s etchings of his Jewish neighbors are on display at the Jewish Museum with amazing personal detail © Karen Rubin/goingplacesfarandnear.com

Here you see Rembrandt etchings of his Jewish neighbors but with canny personal detail. So attached to Rembrandt’s etching of a distinguished looking man, we learn, “This is the Sephardi doctor Ephraim Bueno (1599-1665). When he was a child, he and his parents fled Portugal to Bordeaux where studied medicine, then later settled in Amsterdam. Father and son gained a good reputation as doctors, both in Jewish and non-Jewish circles. Ephraim Bueno lived near Rembrandt, who etched his likeness.”

“This is the Sephardi doctor Ephraim Bueno (1599-1665). When he was a child, he and his parents fled Portugal to Bordeaux where studied medicine, then later settled in Amsterdam. Father and son gained a good reputation as doctors, both in Jewish and non-Jewish circles. Ephraim Bueno lived near Rembrandt, who etched his likeness.”

Amsterdam, a legendarily liberal city for sex, drugs (as today), was also comparatively liberal for Jews back in the day. William of Orange fought a revolution for religious freedom from Catholic Spain. Jews won comparative emancipation in the Netherlands in 1796.

The combination of economic success and a relatively tolerant religious environment – unusual in Europe – made Amsterdam attractive to foreigners.

Portuguese “New Christians” – descendents from the Jews from Spain and Portugal who were forced to convert but practiced secretly – found that here in Amsterdam, Jews could practice without having to wear distinguishing marks or live in ghetto. We meet several (in portraits) who took up again their Jewish lives once they settled in Amsterdam.

“Sephardi nobility: Antonio Lopes Suasso was one of the Republic’s richest merchants. He was born in Bordeaux and, as a son of New Christians, was baptized a roman Catholic. He moved to Amsterdam in 1654, where he began to live as a Jew. He continued trading with various countries, including with Catholic Spain, and provided important financial services to the Spanish king, Charles II. After the king elevated him to the nobility in 1676, Antonio was awarded the title Baron d’Avernas-le-Gras (c. 1700)”

Amsterdam at the start of 18th C developed into the biggest, most important Jewish city in world. No other city had the synagogues of the size and majesty of the Great Synagogue and Portuguese Synagogue (the largest synagogue in the world) – which served as a symbol of liberation enjoyed by Jews here.

“Two historical synagogues: the Majestic Askenazi Great Synagogue (left) and the Portuguese Synagogue were consecrated in 1671 and 1675 respectively. The two buildings symbolized the permanent establishment of the Jewish communities in Amsterdam. Gerrit Berckheyde (1638-1698), c. 1675-1680.

You walk through to another building, also a former synagogue, where the exhibit basically tells the “modern” story of Jews here, from 1900 to the present, and especially, the horrifying history of what happened to real people before, during and after the Holocaust.

When Nazi Germany invaded the Netherlands in 1940, there were 80,000 Jews living in Amsterdam (- approximately 10% of the city population. Throughout the years of German occupation not many survived. Almost all were deported and exterminated in Nazi concentration camps.

When the Nazis came, Jews tried to hide in basements, attics, secret rooms. Anne Frank is best known because of her diary.

Some 25,000 Jews went into hiding, of whom 18,000 survived, the rest were discovered or betrayed. ”Those in hiding often received help from non-Jewish acquaintances. Later on, resistance organizations set up a system: besides hiding places, they supplied ration cards and forged identity papers and arranged means of transport.

Sign: ‘Voor joden verboden’: Almost immediately after the Germans occupied the Netherlands in May 1940, they began taking anti-Jewish measures. Their goal was to isolate the Jewish population. In January 1941, all Jews were required to register. The first razzias (raids) took place soon after and were intended to instill fear. Other measures followed in rapid succession: Jews were barred from many occupations; they had to turn over their savings; Jewish children could no longer attend state schools; Jews were not allowed to make telephone calls, visit non-Jews, drive cars… From 15 September 1941, Jews could no longer enter parks, zoos, cafes, restaurants, hotels, theatres and museums. Signs reading ‘Voor joden verboden’ (No Jews allowed) appeared all over the country., This one was posted in the Haagse Bos, a park in the Hague.” © Karen Rubin/goingplacesfarandnear.com

Hiding places ranged from back rooms and converted cupboards to sheds and ditches and carefully concealed holes in the ground. Jewish children were sometimes given new identities and assimilated into non-Jewish foster families.” Some were successful, most found out, betrayed, or gave up. On average, Jews in hiding paid 100 guilders a month for protection.

Some 30,000 Dutch Jews out of 140,000 survived the war, most of them by going into hiding. After the war ended only 5,200 Jews returned to Amsterdam from the camps, and the life of the city changed forever.

“Their repatriation to the Netherlands was a laborious process and they met with a cold and bureaucratic reception in their home country. Jews who returned were… scarcely received any support in trying to rebuild their lives. Survivors often had nothing left – their relatives and friends had been murdered and their possessions stolen. The government declined to take any measures to address the specific problems of the Jewish population, arguing that they did not wish to discriminate as the German occupying forces had done…. There was little interest in or understanding for the plight of survivors among the Dutch population, which was coping with its own poverty and distress.”

The perspective you get at the Jewish Museum is unusual – to see how the community lived for 350 years in Amsterdam and then the aftermath holds lessons for today. © Karen Rubin/goingplacesfarandnear.com

The perspective you get at the Jewish Museum is unusual – to see how the community lived for 350 years and then the aftermath holds lessons for today.

Today Jewish Amsterdam community numbers 20,000 persons, is well organized, has a rich religious and cultural life, nevertheless the old Jewish Amsterdam belongs to history.

The Jewish Museum also manages the Hollandsche Schouwburg, the Holocaust Memorial. The former theater was used during the Nazi occupation as a deportation center for Jews. Today it is a monument to the memory of those who died, with a special exhibition for school children. (It is being renovated with reopening expected beginning 2023). https://www.amsterdam.info/jewish/hollandsche_schouwburg/

At the Jewish Museum, I pick up a sheet describing a walking tour through the Jewish Cultural Quarter. I go off to follow much of the list. It is like a mystery tour, peeking back in time to people’s lives.

Jewish Museum, Nieuwe Amstelstraat 1, www.amsterdam.info/museums/jewish_historical_museum/. More information and to purchase tickets online, at www.jck.nl/en.

See also:

Sofitel Legend The Grand Amsterdam: Historic Hotel that Played Major Role in History

36 Hours in Amsterdam: Time-Traveling in the Jewish Quarter

36 Hours in Amsterdam: Time-Traveling Through Amsterdam’s Jewish Quarter

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Sofitel Legend The Grand Amsterdam: Historic Hotel that Played Major Role in History

Rarely do you find a historic hotel that played such an integral role in a nation’s history as the Sofitel Legend Grand Hotel Amsterdam, a member of Historic Hotels Worldwide © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I march myself from the Princesse Royal, the ship that has been my floating hotel for the eight-day BoatBikeTours’ Bruges to Amsterdam bike trip the few steps from where we are docked to the free ferry to Amsterdam’s Central Station and into Amsterdam’s historic city center and on to the hotel Sofitel Legend The Grand Amsterdam.

The level of service, luxury and elegance in this five-star hotel makes you feel you are staying in a palace, and frankly, it was, as I soon learn on the hotel’s daily tour.

I always seek out historic hotels when I travel because they tend to be so much more interesting, so connected to place, so full of personality, character and yes, authenticity, but rarely have I stayed in a hotel that played such an integral role in a nation’s  history.

A hotel only since 1992, the original buildings and tower that have been repurposed  for The Grand were built in 1411 and actually were two convents – one on the northern side and one on the southern side, with canals on both.

The Princenhof (still the name) at the Sofitel Legend Grand Amsterdam has accommodated  Maria de’ Medici, Queen of France, and William of Orange © Karen Rubin/goingplacesfarandnear.com

In 1578, with the success of William of Orange’s revolt against Catholic Spain, Protestantism swept the Netherlands and Amsterdam. The two convents were given to the city.  The northern side was empty for a time, but the southern building became the Royal residence – The Princenhof (still the name). The Maria de’ Medici, Queen of France, and William of Orange himself stayed here at some point.

In 1652, after a fire at Dam Square destroyed the building  where the Council met, they moved into the northern part of the building, which served as the Council Chamber for three years until Dam Square was renovated (the room is still set up as a Council Chamber).

In 1655, the powerful Dutch East India Trading Company made this their headquarters. The company, which set up trade, exploration and colonization around the globe, functioned as a military power, government, and even agricultural producer and helped make this small nation a global power, from 1602 to 1800. (A little research reveals the Dutch had an advantage in resources because they were on the cutting edge of capitalism. The Dutch East India Company had a more successful strategy because of sound money, an efficient tax system and a system of public debt by which the government could borrow from its citizens at low interest rates. See https://www.theindiaforum.in/article/what-made-east-india-company-so-successful)

In 1808, the French took over and Napoleon installed his brother, Louis Napoleon, as King of Netherlands. He wanted Dam Square for his palace, so the Council came back to this building for the next 108 years (until as recently as 1988, which explains why the room is still set up as a Council chamber.)

A portion of the five-story high stained glass window by Roland Holst (1868-1938), given to the city of Amsterdam in 1925 by the city of Rotterdam on the occasion of the capital’s 650th anniversary © Karen Rubin/goingplacesfarandnear.com

We see an astonishing five-story high wall of stained glass by Roland Holst (1868-1938), given to the city of Amsterdam in 1925 by the city of Rotterdam on the occasion of the capital’s 650th anniversary. The first nine stained windows present the founder of Amsterdam, Gijsbrecht van Amstel. The others depict dike constructors, fishermen, floral patterns, symbols of trade, education and jurisdiction. There are three crosses of Amsterdam symbolizing fire (a lot of fires afflicted the city); water (the city is below sea level) and plague (to show respect for people).

The Wedding Chamber at the Sofitel Legend Grand Amsterdam Hotel © Karen Rubin/goingplacesfarandnear.com
The Wedding Chamber at the hotel Sofitel Legend the Grand Amsterdam Hotel © Karen Rubin/goingplacesfarandnear.com
The Wedding Chamber at the hotel Sofitel Legend The Grand Amsterdam © Karen Rubin/goingplacesfarandnear.com

In 1925, the Wedding Chamber was painted with a most magnificent Art Deco series of murals that our guide, Donna van der Heul, of guest relations, relates, tell the story of a couple who meets, are seduced in a sneaky way (symbolized by a snake), stay true, meet each other (there is a little flame between their legs), become engaged (the flame becomes bigger), a wedding showing the happy couple. Another panel shows the couple with a child with a flame of her own, and another panel shows them as an old couple, still together. (We have to rush through the chamber because a wedding is getting underway shortly).

Princess Beatrix and Prince Klaus then were married here in 1966 before the Sofitel Legend Grand was a hotel © Karen Rubin/goingplacesfarandnear.com

We visit the Council Chamber (which looks like parliament). Princess Beatrix and Prince Klaus  (the present king’s parents) in 1966 and you can see a photo of their wedding .

The Council Chambers was used for 108 years © Karen Rubin/goingplacesfarandnear.com

We visit the beautifully decorated Oriole Garden Bistro where there is a mural that was painted in 1949 when the building was City Hall. Titled, “Inquisitive Children,” by artist Karel Appel,  it depicts begging, crying children, with sad eyes, in the aftermath of World War II’s human destruction.  “The Council Staff thought it would make people feel uncomfortable so they put it behind a wall. But when the building became a hotel and the painting was found, the artist, Karel Appel, had by then become a famous painter. They had Appel sign it and repair the painting.  Now it is behind glass and doesn’t look sad,” our guide relates.

“Inquisitive Children,” by artist Karel Appel, is now proudly displayed at the entrance to the Oriole Garden Bistro © Karen Rubin/goingplacesfarandnear.com

She also points out the marble floor with pieces that are arranged with a “book marking” design that form a butterfly, so the butterfly images and theme is around hotel .

The Princenhof – once the royal residence – is used for meetings. Obviously an immensely popular venue for weddings, the hotel has its own florist and wedding planner.

The hotel Sofitel Legend the Grand Amsterdam is set on a historic canal © Karen Rubin/goingplacesfarandnear.com

Located between two historical canals in the heart of the historic city, the hotel Sofitel Legend the Grand Amsterdam has turned its pedigree from a 15th century convent to royal residence to Dutch admiralty headquarters to Amsterdam’s city hall, into a five-star luxury hotel with a particular “Amsterdam” ambiance, French elegance and grandeur. You feel the five-star luxury in every aspect of the hotel, from the moment you check in. The lordly complex became a hotel in 1992.

The bar at The Grand © Karen Rubin/goingplacesfarandnear.com

It offers the restaurant Bridges, the Oriole Garden Bistro serving Mediterranean-style cuisine, the Garden Terrace within an inner garden, the Library ‘Or’ where Grand Afternoon Tea is served, and the Flying Deer pop-up bar and a spa.

The Library ‘Or’ where Grand Afternoon Tea is served © Karen Rubin/goingplacesfarandnear.com

The Sofitel SPA offers a heated indoor pool, sauna, hammam (Turkish steam bath) and fitness area where you can also order from a spa menu.

The Grand is one of the Sofitel Legend’s collection of stately heritage hotels and palaces found in iconic cities around the world, “exclusive hotels in legendary places, offering world-class service, stunning décor and inspiring culinary experiences. Step into a timeless story that’s still unfolding to this day at Sofitel Legend The Grand Amsterdam.”

Rarely do you find a historic hotel that played such an integral role in a nation’s history as the Sofitel Legend Grand Hotel Amsterdam, a member of Historic Hotels Worldwide © Karen Rubin/goingplacesfarandnear.com

The Grand features 178 guest rooms of which 52 are luxury suites. Throughout, you see a harmonious blend of traditional and contemporary French design and typical Dutch style elements. The rich heritage of the structure has been carefully preserved, while ensuring that the accommodations are updated with the amenities and advanced technology travelers today savor. (I can testify to the exemplary service.)

Guests who stay in the suites are provided an extra layer of luxury: Butler Service, with exclusive benefits, such as “personalized rooming” – (un)packing of suitcases and presenting the “pillow menus” and “bath rituals”.

Sofitel Legend Grand Amsterdam, Oudezijds Voorburgwal 197, 1012 EX AmsterdamThe Netherlandswww.sofitel-legend.comwww.sofitel-legend-thegrand.com.

Historic Hotels Worldwide

Sofitel Legend The Grand Amsterdam is a member of Historic Hotels Worldwide®, an official program of the National Trust for Historic Preservation in the USA, and an international companion to Historic Hotels of America (historichotels.org). Historic Hotels Worldwide is a prestigious collection of 360 historic treasures that include historic hotels, castles, chateaus, palaces, academies, haciendas, villas, monasteries, and other historic lodging spanning ten centuries and more than 45 countries in Europe, Africa, Asia, and the Americas.

The Sofitel Legend Grand Hotel exemplifies the mission of Historic Hotels Worldwide, to promote revitalization and preservation of magnificent architectural and cultural legacies and inspire heritage and cultural travel © Karen Rubin/goingplacesfarandnear.com

The Sofitel Legend exemplifies the mission and criteria of the membership. Hotels inducted into Historic Hotels Worldwide® are authentic historic treasures, demonstrate historic preservation, and celebrate historic significance.  With a growing global collection of hotels that have faithfully maintained their authenticity, sense of place, and architectural integrity, Historic Hotels Worldwide® membership  is comprised of the world’s finest hospitality brands, chains, collections, and independently owned and operated properties.

Historic Hotels Worldwide® is dedicated to promoting heritage and cultural travel to these prestigious historic treasures. Membership in Historic Hotels Worldwide® encourages revitalization and enhances preservation of magnificent architectural and cultural legacies.

The Sofitel Legend Grand Hotel exemplifies the mission of Historic Hotels Worldwide, to promote revitalization and preservation of magnificent architectural and cultural legacies and inspire heritage and cultural travel © Karen Rubin/goingplacesfarandnear.com

To participate in Historic Hotels Worldwide, historical lodging properties must be at least 75 years old; utilize historic accommodations; serve as the former home or be located on the grounds of the former home of famous persons or a significant location for an event in history; be located in or within walking distance to a historic district, historically significant landmark, place of historic event, or historic city center; be recognized by local preservation organization or national trust; and display historic memorabilia, artwork, photography, and other examples of its historic significance. Hotels located in the United States must be a current member of Historic Hotels of America to qualify for participation in Historic Hotels Worldwide.

Hotels are in diverse cultural settings, ranging from a 12th-century castle set among the rolling hills, prehistoric  monuments, and Celtic landmarks of Ireland’s Ancient Eastin, (Kilkea Castle, Castledermot Ireland, circa 1180) to a medieval village nestled in the Tuscan countryside that dates back to the 11th century (La Bagnaia Golf & Spa Resort Siena, Curio Collection by Hilton, Siena, Italy circa 1081).

Travelers can find and book these historic hotels them at HistoricHotels.org, which since 2012 has served as a global travel website, or call 1-800-678-8946. The Annual Directory can be found by visiting HistoricHotels.org/Directory.

See also:

Sofitel Legend The Grand Amsterdam: Historic Hotel that Played Major Role in History

36 Hours in Amsterdam: Time-Traveling in the Jewish Quarter

36 Hours in Amsterdam: Time-Traveling Through Amsterdam’s Jewish Quarter

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected] Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures