So often, when reviving a theater icon like Fiddler on the Roof, there is the need to find a new, unique, creative way to make it their own, to reinterpret, re-envision to give new audiences a different entry way. And too often, that manipulation warps or distorts what made the theatrical experience so precious to begin with. But you don’t have to insert modern inventions into Fiddler for its moral, both universal and specific, to be relevant to today’s audiences. In fact, it is much more profound to be transported back to that time, 1904, for its truth to be fully realized.
Fiddler on the Roof has that most important aspect of a true classic, to touch every emotion, make you see things more insightfully, to have a real moral to the story, and leave you a better, more understanding person afterward – and be entertained.
Directed by Oscar and Tony Award-winner Joel Grey, Fiddler on the Roof in Yiddish (in Yiddish, A Fidler Afn Dakh) adds new depth and dimension to this heart-wrenching story of a community struggling to balance traditions against the forces and threats of a changing world. The little town of Anatevka reverberates with the sounds of mame-loshn (ancestral language).
Fiddler on the Roof in Yiddish, brings you closer, more engaged, immerses you. The experience seems even more authentic, more intimate.
Partly this is because the Yiddish language, is so expressive – some of the earliest musicals in New York were in Yiddish (Yiddish theater thrived in New York between 1888 and the 1920s; there is even a Museum of Yiddish Theater, www.museumofyiddishtheater.org) – and in a surprising way even familiar. There are words we New Yorkers know very well (meshuganah comes up a lot), and it seems every so often the Yiddish word is similar to English. But you can follow along, opera-style, with titles (in English and Russian!).
But it is also because Yiddish is the mame-loshn, the ancestral
language. It gives the story more authenticity. You are there, in this
place so far away. Perhaps you even understand the challenge when the
inhabitants of this village, indeed all the Jews from all the villages, are driven
from their homes on three days notice to a strange place where they will
understand no one and no one will understand them.
One of the most
celebrated musicals of all time, Fiddler
on The Roof, based on Sholem Aleichem’s Tevye the
Dairyman stories, features the sensational music
by Jerry Bock,
meaningful lyrics by Sheldon Harnick, and smart book by Joseph Stein, with original New York stage production directed and choreographed by
the greatJerome Robbins. This production, brilliantly
directed by Joel Grey, has staging and new choreography by Stas Kimec.
We noticed just small deviations from the original
book, and a new song that emerges from Pertshik’s biblical lesson, that enhance
the experience (not too smart or gimmicky), but otherwise, it is gloriously
faithful to one of the best musical theater works ever created.
The direction by Joel Grey is exquisite – just the
right timing, emphasis, emotion. These characters seem more approachable,
especially without distractions of a complicated set. The Tevye character,
played by Steven Skybell (who won the 2019 Lucille Lortel Award for Best
Lead Actor) is more sensitive, loving, nuanced than the character is
The Jews of Anatevka are clad all in grey, white and
black – as if looking back in time at old photos or film, or perhaps as letters
out of a book – only the Russians have a touch of red and Fiadkah’s outfit is
sufficiently differentiated from his erstwhile comrades.
The set is sparse, but you don’t even realize it –
long strips of what looks like parchment of Torah scrolls with one with the
only world, in Hebrew lettering, Torah that binds the community throughout the
ages and is the underpinning to tradition. That hones the message but also
focuses attention on the people.
The staging and choreography is fabulous – there are
all our favorites: the bottle dance at the wedding; the Russian dance. I loved
the way the dream sequence is staged. The voices and acting of a brilliant
company are sensational.
And most importantly, a timeless tale more important
than ever that needs to be told in these times.
Broadway production of Fiddler on the Roof, which opened in 1964, was the first
musical theater production in history to surpass 3,000 performances, won
the 1965 Tony Award for Best Musical in addition to eight
other Tony Awards that year and has performed in
every metropolitan city in the world from Paris to Beijing.
translation, so artfully crafted by Israeli actor/director Shraga
Friedman, was originally performed in Israel in 1965 just one year after its Broadway debut.
Born in Warsaw, Friedman was a native Yiddish speaker who escaped war-torn Europe
with his family and made their way to Tel Aviv in 1941. “Well acquainted with
the works of Sholem Aleichem, Friedman used his translation to infuse Fiddler
with rich literary references to the original Yiddish stories.”
production, which was originally staged at the Museum of Jewish Heritage, marks
the first time the Yiddish version has been performed in the United States.
There is no
problem following what is going on – much like opera, there are supertitles in
English and Russian on both sides of the stage throughout the entire
performance that translate what is being said or sung on stage in real time.
The show is so familiar that it isn’t even necessary, but I enjoyed reading the
nuances of difference. And the great surprise is how familiar some of the words
are, either because Yiddish expressions have entered the vernacular (at least
in New York), or because of the connection to English.
The complete cast of Fiddler
on the Roof includes award-winning Steven Skybell (as
Tevye), Emmy Award nominee Jackie Hoffman (as
Yente), Jennifer Babiak (as Golde), Joanne Borts (as
Sheyndl), Lisa Fishman (as Bobe Tsatyl), Kirk Geritano (as
Avrom), Samantha Hahn (as Beylke), Cameron Johnson (as
Fyedka), Ben Liebert (as Motl Kamzoyl), Stephanie
Lynne Mason (as Hodl), Evan Mayer (as Sasha), Rosie
Jo Neddy (as Khave), Raquel Nobile (as
Shprintze), Nick Raynor (as Yosl), Bruce Sabath (as
Leyzer Volf), Drew Seigla (as Perchik), Adam B.
Shapiro (as Der Rov), Jodi Snyder (as
Frume-Sore), James Monroe Števko (as Mendl), Lauren
Jeanne Thomas (as Der Fiddler), Bobby Underwood (as
Der Gradavoy), Mikhl Yashinsky (as Nokhum / Mordkhe),
and Rachel Zatcoff (as Tsaytl).
Ensemble members include Michael
Einav, Jonathan Quigley, and Kayleen Seidl. Swings
include Abby Goldfarb and John Giesige, and Moshe
Lobel serves as understudy for the production.
The creative team for the production
features new choreography by Staś Kmieć (based on the original
choreography by Jerome Robbins), musical direction by Zalmen Mlotek, scenic
design by Beowulf Boritt, costume design by Ann Hould-Ward, sound
design by Dan Moses Schreier, lighting design by Peter Kaczorowski,
wig & hair design by Tom Watson, and props design by Addison
Fiddler on the Roof is produced off-Broadway by Hal Luftig and Jana
Robbins, in association withSandy Block.
This production of Fiddler on the Roof is the winner of the 2019 Outer Critics Circle Award for Best Musical Revival, a 2019 New York Drama Critics’ Circle Award Special Citation, and star Steven Skybell is the winner of the 2019 Lucille Lortel Award for Best Lead Actor in a Musical, as well as numerous nominations for Joe Grey as director, for orchestration, Lucille Lortel nominee for Outstanding Featured Actress in a Musical Jackie Hoffman.
Fiddler on the Roof in Yiddish, a production of the remarkable National Yiddish Theatre Folksbiene (NYTF), began its life with a celebrated run at the Museum of Jewish Heritage, where it had been extended multiple times and played its final performance on December 30, 2018. This production at the Stage 42 Theater has been extended multiple times as well, and now is extended again, through January 5, 2020.
NYTF has its own remarkable history: founded in 1915 the award-winning NYTF is the longest continuously producing Yiddish theater company in the world and offers regular productions. The company is presenting a season of four mainstage productions, concerts and readings curated to accompany the exhibit Auschwitz: Not long ago. Not far away. now on view at the Museum of Jewish Heritage through Jan. 3, 2020 (https://mjhnyc.org/exhibitions/auschwitz/).
Fiddler on the Roof in Yiddish is a theater
experience not to be missed.
on the Roof in Yiddish is at Stage 42, 422 West 42nd Street (between 9th and
10th Avenues), New York, NY, 10036. For the most current performance schedule
and tickets, see http://fiddlernyc.com. Tickets
are on sale for performances through Jan. 5, 2020. https://nytf.org/fiddler-on-the-roof/
Dragons and dancers paraded through New York
City’s Chinatown on Sunday, February 17 to usher in the Year of the Pig in the city
with the largest population of Chinese descent outside Asia.
The parade is a colorful pan-Asian procession that incorporates the great variety of Chinese traditions – with a smattering of Brazilian drummers, Hispanic dancers, and Irish bagpipers. Tens of thousands lined the parade route as it wound from Hester Street, Mott, Broadway, and Forsyth to Sara D. Roosevelt Park, with US Senator Charles Schumer and NYC Mayor Bill DiBlasio among other elected officials, along with leaders from the Chinese community, leading the way.
his remarks to the gathering before the parade got underway, Senator Schumer
applauded the contributions of “immigrants from all over who made America
With a population estimated between 70,000 and 150,000,
Chinatown has been a favored home for Chinese immigrants. Indeed, Lower
Manhattan has long been a haven for immigrant communities, from Jews in
neighboring Lower East Side (the Tenement Museum), and Italians in Little
Italy, and today, Dominicans, Puerto Ricans, Burmese, Vietnamese, and Filipinos
among others add to the multicultural mosaic.
The Lunar New Year is cherished as a time to embrace family and heritage.
“Lunar New Year is the liveliest and most important celebration
in Chinese culture and Chinatown is the place to experience it!”
And the parade is an expression of celebration for Chinese heritage in America – as evidenced by the sheer variety of costumes and traditions on display.
Here are highlights:
The Museum of China in the Americas (MOCA)
offers a walking tour that takes visitors through Chinatown to learn about
holiday traditions and customs observed by Chinese households. Witness how the
neighborhood transforms itself in preparation for the New Year and discover the
characteristics that make this holiday unique.”
Tours are conducted in English and are led by MoCA docents with
personal or family roots in the neighborhood. In case of inclement weather,
tours will be held in the galleries. Advance reservations are required. For
information and reservations call 212-619-4785 or purchase tickets online, www.mocanyc.org.
(Museum of Chinese in America, 215 Centre Street New York, NY 10013, 855-955-MOCA).
This wonderful celebration, led by the local bike club, gets the 300 Sojourners in gear for our longest ride, 48 miles, of our five-day, 160-mile Rails-to-Trails Conservancy Sojourn on the Delaware-Lehigh Trail through the picturesque Pennsylvania wilderness to Hugh Moore Park in Easton where we will camp for the night.
We follow after the Jim Thorpe Bike Club as the first across the bridge, an achievement 25 years in the making.
Around midday, we navigate a complex gap in the D&L Trail onto city streets. Indeed, drawing attention to such gaps, and the coalition working to improve them, has been one of the objectives of these annual Rails-to-Trails Conservancy Sojourn supported biketours. To date, an impressive 92 percent of the D&L Trail has been built—most of which we ride during this Sojourn—and the goal is to connect all 165 miles by 2022.
The trail condition has been surprisingly good considering yesterday’s drenching rain and even yesterday, the trail had enough hard-pack that our tires didn’t sink into mud.
Yesterday, as we rode downhill from the highest point, deep in Pennsylvania’s coal mining country, the beauty of the wilderness section of the trail was hard to appreciate through the rain (though nothing could mar the exquisite beauty of Buttermilk Falls).
But on this June day, the weather is sunny with a cool breeze, just perfect for biking.
We get to see just how beautiful the trail is – much of it following a narrow canal on one side or the other. The trail is built on the original towpath, which is essentially a built-up berm. We see rock walls, lily pads. The scenery and joy of biking produce a feeling of euphoria.
We come to the Lehigh Gap Nature Center, a non-profit conservation organization at the foot of the Kittatinny Ridge, which is like an oasis to us. The center is dedicated to preserving wildlife and habitat through conservation programs such as the Lehigh Gap Wildlife Refuge, educational programs such as the Kittatiny Raptor Corridor Project as well as research. I linger in the butterfly garden before setting out again. (8844 Paint Mill Rd, Slatington, PA 18080, 610-760-8889, http://lgnc.org/)
Just beyond, we Sojourners are treated to a catered lunch in a park, where we can sit comfortably under a pavilion.
Riding on, we come to an island that consists of a shuttered steel mill that today stands somewhat surreally like an abstract sculpture.
Along the way, we come upon what is left of the original canal locks – stone walls, wooden gates with metal latches and gears, remnants from the mid-1800s.
At Freemansburg, we find a lockmasters house, the remains of the locks and a mill, and I am delighted to find the site manned by interpreters in period dress. I ask if the village was settled by freemen and am told that it was named for one of the original settlers, Richard Freeman.
Freemansburg is a classic example of a canal town with houses and structures built up against the waterway that was the village’s lifeblood in the 1800s. Members of the Old Freemansburg Association (OFA) reclaimed a 1.5 mile section of the Lehigh Canal the Borough owns from overgrowth and debris and restored the towpath which became the D&L Trail. The OFA spearheaded efforts to protect and restore the 1829 Locktender’s House, mule barn, Lock No. 44, gristmill, and coal yard. Volunteers also reconstructed the barn using canal era tools and equipment, a project that took 10 years to complete. The multi-functional building now hosts weddings, educational sessions and interpretative demonstrations. (http://lehighvalleyhistory.com/history-of-the-borough-of-freemansburg)
This proves a warm-up for what we will see during our overnight stay at the Hugh Moore Park and its major attractions, the National Canal Museum and the ride on a mule-drawn canal boat that has been arranged for us.
National Canal Museum, Hugh Moore Park.
Our 48-mile ride today ends at the home base in the 520-acre Hugh Moore Park, where we began and will end. With the Lehigh River, Lehigh Canal, the old Lehigh Valley Railroad, National Canal Museum, remnants of the oldest industrial park in the region, a Locktender’s House and one of only three mule-drawn canal boats still operating in America, the park offers a microcosm of the D&L story, and an absolutely delightful place for our second-night campout.
The Sojourn planners have specially arranged for us to have free cruise on the historic Josiah White II canal boat, all the more exciting because it is pulled by two mules and manned by a crew in period dress along this portion of the restored canal. You really get to appreciate what it was like for these families who operated the canal boats that carried the anthracite coal from the mountains to Philadelphia. At one time mules pulling canal boats on narrow towpaths would have been a common sight in much of the United States east of the Mississippi River.
We board the Josiah White II canal boat to cruise on the restored Section 8 of the Lehigh Coal & Navigation canal. Captain Susan is at the tiller. The boat is 50 feet long – when it turns, it has mere inches to spare.
Two mules, Hank and George, pull the boat, led by Steve and Doug. You would think it is a strain, but the boat slides easily. “Benjamin Franklin worked out the mathematics, that two mules can pull 235 tons on water. He saw the method in Europe and Britain. George Washington also was a proponent of canals. – though neither one lived to see beginning of canal era.”
Captain Susan is just finishing saying how Hank and George are the luckiest mules in the land, when they both bolt and start running toward the campsite, chased by Steve and Doug who bring them back.
The boats were designed to carry 80 to 90 tons of coal, which meant the canal had to have six feet of draft.
They needed eight feet high walls – so they dug out four feet by hand and piled on the four-feet of soil to create the eight-foot high walls.
They knew the limestone couldn’t contain the water, so they lined the canal with clay, using the same method of road building in Ireland – sheep tamp down the bottom and the clay is left to dry in the sun. (The clay enclosure is why you can’t have any sharp implements on the boats).
It took 2 ½ years to build the canal which extends 46 miles from Jim Thorpe and consists of 9 dams and 51 locks. It cost $1 million (actually under budget). These canals were the first million dollar civil projects in the United States, she says.
When they started to mine the anthracite coal, this whole region of northeast Pennsylvania was uninhabited. To make money, they had to move the coal to the population center in Philadelphia. The Lehigh River was not suitable for transportation – it was too shallow, rocky.
The Lehigh Coal & Navigation Company (we saw their building in Jim Thorpe) owned the river, built the canal, and furnace and brought an iron maker from Wales who knew how to make iron with anthracite coal (the secret was high-pressure blast of air).
Pennsylvania is one of the few places where anthracite – hard coal – is known to exist. It was discovered sporadically during the 18th century, when people would literally stumble on it on the surface. “No one cared. It looked like stone. You couldn’t light it.”
What is more, there were still trees to provide fuel. But by the early 1800s, the mid-Atlantic was virtually clear cut of wood sparking an energy crisis.
They experimented with soft coal, but the supply was cut off in 1812 by blockade during the War with Britain.
Around then, Josiah White and Erskine Hazard, who manufactured wire and nails from iron, needed coal.
They learned of the success of a Welshman who developed hot-blast iron making. They traveled to Wales to sign David Thomas to a five-year contract, and brought him to Pennsylvania to oversee the construction of an anthracite furnace.
In 1818, they bought the Summit Hill quarry. But the problem still was how to get the coal to market.
They founded the Lehigh Coal and Navigation Company and created one of America’s first industrial and transportation networks, which led to an industrial boom across Pennsylvania and the Northeastern United States.
We see a lock tender’s house that was built in 1928 to replace one that burned – the new house was the only lock tender’s house with indoor plumbing and electricity.
This lock had a new gear system that even a young person could operate, so the father (who would have earned $8/month, low even for those times) could take a cash job in one of the many mills or furnaces in the area. The lock had to be manned from 3 am to 11 pm, so this was a family enterprise. The mother could sell or barter with the canal boat families – at this lock, known as a “laundry lock” the woman would do the canal boat family’s laundry. She would also keep chickens and vegetables.
“There was an economy of people who lived and worked on the canal, separate from anthracite. Boats were crewed by families.
“Sailors had poor reputation and White was Quaker and wanted ethical people, sober and honest. So he recruited married men. They didn’t want to be away from their families from March to November, so they brought them on the boat. Whether provided own or leased from Lehigh Coal & Navigation – were families.
“The father of the family (the only one who legally could sign a lease) was the captain, kept records, leased the boat, bought the mules ($20) on time; the wife helped with steering and homemaking. Kids as young as six would be responsible for caring for the mules. Younger children were tied to the boat so they couldn’t fall over.”
She demonstrates how they would blow a conch shell to alert the lockmaster, who would have been on duty 18 hours a day.
“It’s easy to romanticize life on the canals, but it was difficult, uncomfortable.”
This canal was operated until 1942; the Delaware until 1932; there were sons, grandsons and great grandsons of canal boat captains.
“It was a way of life. People stuck with it.”
Here at Hugh Moore Park was the site of an industrial furnace. By the time of the Civil War, half of iron in the United States came from Lehigh Valley.
Hugh Moore made his fortune manufacturing Dixie Cups. He bought this property and found out it came with the disused canal.
I get to tour the National Canal Museum, which has stayed open late for us.
The National Canal Museum was originally housed in a Crayola factory building; it was relocated to the Hugh Moore Park in 2006 with a National Science Foundation mission to provide a STEM curriculum to school children – the museum is loaded with interactive exhibits and experiments.
“Canals are perfect for these lessons – it’s the last transportation system using simple machines and human and animal power (mules).”
The Delaware & Lehigh National Heritage Corridor interprets this fascinating period of American history in the park through tours of the National Canal Museum and rides on the 110-passenger Josiah White II canal boat. The National Canal Museum is open seasonally, from June until October. Hands-on exhibits highlight 19th century canal life and technology. During our visit, we saw its special exhibition, Powering America: Pennsylvania’s Anthracite Railroads.
The Delaware & Lehigh National Heritage Corridor, 2750 Hugh Moore Park Road, Easton, PA 18042, http://delawareandlehigh.org/ (It also has a description of the bike trail.)
Day 3: To New Hope
As spartan as our first night’s campsite was on a baseball field in Jim Thorpe, Hugh Moore Park in contrast feels luxurious, especially with access to the facilities in the museum (in addition to actual bathroom rooms) and one of the workers, has offered to stay inside and open it up for us during the night .
We also have a delicious catered dinner and breakfast around the museum before setting out on our third day’s ride, which will take us 38 miles but 242 years back in time to Washington Crossing State Park, where we will camp for two nights, and find ourselves immersed in the story of the American Revolution.
Just before we cross the Delaware to Frenchtown on the New Jersey side, we see a picturesque red wooden bridge over the canal. Frenchtown, where they have arranged for a bike corral while we enjoy the restaurants and shops, is very charming. I munch on the artisanal cheese and bread I purchased beside the water before setting out for the rest of the ride.
This part of the ride is along the sensational Delaware-Raritan Canal trail (one of my favorite trails, a particularly gorgeous section is from Princeton University north). We cross back to Pennsylvania at Lambertville into New Hope, another picturesque village. We are on our own for dinner tonight and many will bike back into New Hope from our campground at Washington State Crossing Park.
During the ride, I rehash what I learned at the National Canal Museum and wonder, “What did these families do for the rest of the year when the canals were closed? It bothers me that these families made so little money ($8/month) for such long days, they had to work extra jobs, even after all the members of the family also worked, when owners became richest people in the world.
How did Benjamin Franklin calculate that mules could pull a floating barge carrying 235 tons? How did they calculate the 6 foot draft for the canal boats to carry 90 tons? By formula or by trial & error? What if a boat had different dimensions? I wonder if the STEM curriculum at the National Canal Museum would answer these questions.
Here’s another important lesson from our immersion into this National Heritage Corridor: The change in ecology necessitated changes in the economy and technology (an example of how history matters.) Americans were always moving, migrating to take advantage of new industry, new technology, new economy, new opportunities, sometimes forced by changes in the environment. These canal towns, factory towns, mill towns arose because of coal and steel and many were ruined with the change in fortunes. Today, climate change, global warming is changing ecology again, forcing new changes in the economy, in technology, in society and in where and how we organize our communities. It’s very much how the canal towpath, originally devised to transport the coal which replaced wood, is repurposed for recreation and wellness, revitalizing the local economy.
Rails-to-Trails Conservancy is a nonprofit organization dedicated to creating a nationwide network of trails from former rail lines and connecting corridors; it advocates for its 160,000 members and supporters, 31,000 miles of rail-trails and multi-use trails, and more than 8,000 miles of potential trails waiting to be built, with a goal of creating more walkable, bikeable communities in America. RTC offers TrailLink, a free service that lets you access RTC’s 30,000 miles of trail maps and itineraries and downloadable mobile app.
One of the many delights of Parks & Trails NY’s 8-day, 400-mile Cycle the Erie bike tour from Buffalo to Albany across New York State, is coming up beautiful murals that describe the history and cultural heritage of the Erie Canal and the canaltowns that were spawned. Through the course of the ride, you travel 400 miles but also 400 years through history, and see the whole story of how America came to be unfold in front of you.
Here are some of our favorites, as we bike along the Erie Canalway, on brick, on barns, on bridges, on benches, on fences:
The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.
The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.
More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.
We finish our 62-mile ride on this third day of our 8-day, 400-mile Cycle the Erie biketour in Seneca Falls, renowned as the birthplace of Women’s Rights, where the organizers have arranged for the major sites, including the Women’s Rights National Historical Park, to stay open for us, and for a shuttle bus to take us from our campsite on the grounds of the Mynderse Academy into the downtown.
My impression of the Women’s Rights National Historical Park, operated by the National Park Service, has not changed from my first visit two years before: It is an absolute dud, especially when you consider the innovations in museums – especially compared to Fort Stanwix National Historic Site in Rome and the Erie Canal Museum in Syracuse (both of which we will see in coming days). What is more, the NPS rangers who run the site know how antiquated and uninspiring – even disrespectful to women and the struggle for equality – the exhibit is and revealed a frustration in their inability to improve it.
There are no new insights or inspiration to be gained. The exhibit doesn’t have a clear theme, point or focus: is it about how and why the Women’s Rights movement started here in Seneca Falls (the influence of the Oneida Indians, which allowed women to become chiefs, have property and retain custody of their children, on Melinda Gage, for example; the prevalence of Quaker women among the early women’s rights leaders who had roles in their church; and the number of factories, spurred by the Erie Canal, which in turn employed women who subsequently wanted equal pay and to control their earnings)? Is it about the leaders of the movement, the courage they needed and how they persevered? What about exploring why it took 80 more years for women to get the vote, even after former slave men got their (theoretical) right to vote after the Civil War? Nor does it confront the controversies behind the continuing fight for women’s rights: why women still don’t earn as much as men for the same work, what is the “glass ceiling”. What role does the lack of affordable, accessible child care and healthcare play, and the mother-of-all controversies: why are women’s reproductive rights still so tenuous? And, oh yes, why are women still so underrepresented in elected office, including the highest office in the land, the Presidency?
What is glaringly obvious is that the exhibit reflects the 1980s Reagan perspective – more Phyllis Schafly than Gloria Steinem – a half-assed, slap in the face, disrespectful, condescending lip service to women’s rights and the ongoing struggle. If there is a theme, it is that women should be grateful for the opportunity to work in fields beyond teaching, secretarial and nursing – but nothing about pay equity or glass ceilings or sexual harassment. To Reagan (and now Trump), women’s rights are simply a way of supplying more workers and keeping wages low.
No discussion of how laws and the lack of anti-discrimination laws helped keep women down: How a woman could be raped, beaten, killed by her husband – was not much more than property (as were children) – and how a woman’s property became her husband’s. How women could be fired from jobs once married or pregnant or had children or reached a certain age or weight, or not hired at all merely because of gender. How insurance companies could charge women more (preexisting condition for being able to give birth). How landlords could refuse to rent to a woman without a husband’s signature; banks would not loan money for a home or business; how women couldn’t get a license to practice law. Sexual harassment”? The phrase was only invented in the 1970s, as the modern Woman’s Movement came into flower.
What did not having a vote mean for women in society? What happened when women were widowed or divorced? Why were there certain professions that women were steered into – like teaching, secretarial work, factories and nursing, positions which as a result tended to be woefully underpaid?
What was the role of the Church in suppressing women’s rights? That is, except for the Quakers who were the earliest advocates of women’s rights. What was the influence of the Oneida Indians, which gave women property rights, custody of children and the ability to become a tribal chief, on the early feminists including Melinda Gage (the mother-in-law of Frank Blum who wrote Wizard of Oz).
Where is the discussion of the women who opposed suffrage, equal rights (ie. Equal Rights Amendment, Phyllis Shafly), even the fact that Eleanor Roosevelt initially was not a supporter of women’s suffrage (until happened), and the women today who oppose a woman’s right to choose (then and still today)?
Instead of “women’s rights”, (and this is pretty typical of women’s issues generally) the exhibit goes off track into the bigger topic of civil rights (Abolition, the Underground Railroad). This should be seen in the context of how women were the backbone of the movement to end slavery, but after the Civil War, fully expected to win the vote along with freedmen, but instead only black men got the right to vote (such as it was, before Jim Crow). Also, it gives a nod to Jacksonian Democracy but doesn’t answer the question how white men without property got to vote without the need for a Constitutional amendment, but women didn’t get the vote until the 19th Amendment was finally ratified in 1920.
The exhibit is largely devoid of the heroic women (except for the sculpture) who fought for suffrage, and what the fight was like (locked up, force-fed).
There’s copy of Lily Ledbetter act signed by Obama in a case in the lobby, but no explanation or context.
There is a film in a lovely auditorium, “Dreams of Equality,” (delightfully cool and relaxing after biking 62 miles in the hot sun) which dramatizes the early internal debate over breaking out of the constrained role women were relegated to, is woefully and pathetically outdated – the historic elements aren’t bad but the pseudo “conversations” between girls and boys is frankly stupid and archaic.
But in the film, one of the main characters loses her husband in the Civil War and one woman says to the other, “If a woman had a say in making laws, there would be no wars,” to which the other woman replies, “If we had a say, who would listen?”
And in another bit of dialogue, the woman wonders, “Don’t women also have rights?” to which her brother responds, “What men most prize in a woman is affection.”
You also visit the Wesleyan Chapel where the first Women’s Rights convention was held in 1848 and the “Declaration of Sentiments,” modeled after the Declaration of Independence was signed. The structure’s history can be a metaphor for the ambivalence of American society to women’s rights: From 1843-1871 it was chapel, then an opera house/performing arts hall; then a roller skating rink, a movie theater (in 1910s), then a Ford dealership, and ironically enough, was a laundromat before facing a wrecking ball.
Women fought to save the building, and in 1982, during the Reagan Administration, it was turned into a national park.
(Womens’ Rights National Historical Park, 136 Fall Street, Seneca Falls, NY 13148, 315-568-0024, www.nps.gov/wori.)
To put faces to the women’s movement, I walk down the main street to the National Women’s Hall of Fame. It is still in a ground floor storefront in a former bank building, awaiting its move into the factory building that was the Seneca Knitting Mill across the canal. This is most appropriate because the mill was where a number of the early feminists came from (they had a taste of earning their own money and were fired when they asked for wages equal to men).
This massive factory, which dates from 1844, was owned by two men, Charles Hoskins and Jacob Chamberlain, who were among the 32 who supported women’s right and signed the Declaration of Sentiments which came out of the Women’s Rights Convention. That is saying something because out of the 300 people (40 of them men) who attended the convention in the Wesleyan Chapel in 1848, only 32 people signed the Declaration. The Seneca Knitting Mills, which operated until 1999 (can you believe it!), manufactured heavy woolen socks for 150 years, and then went the way of 50,000 other factories in the US.
The plan is to turn the 170-year-old limestone building into the hall of fame, research center and museum celebrating women and their accomplishments, to be called the Center for Great Women.
When I was in school, I could count on one hand the number of women who were presented as heroic figures – Madame Curie, Molly Pitcher (who I learn may have been fictional but still representative of women who took up the guns when their husbands were killed in the Revolutionary War), and the reporter, Nellie Bly.
I am thrilled to find Nellie Bly among the honorees. Her real name was Elizabeth Cochrane Seaman (1864-1922, honored in 1998), and was a trail-blazing journalist considered to be the “best reporter in America” who pioneered investigative journalism (hence the pseudonym); Paulina Kellogg Wright Davis, (1813-1876, honored 2002), who headed the committee that organized the first National Women’s Rights Convention in Worcester, MA in 1850, helped found the New England Women’s Suffrage Association and established Una, one of the first women’s rights newspapers; Amelia Bloomer (1818-1894), the first woman to own, operate and edit a newspaper for women, The Lily (first published in 1849 in Seneca Falls) and whose penchant for wearing full-cut pantaloons under a short skirt (as a protest to the way women were expected to dress), gave birth to the term “bloomers”.
It turns out there were dozens and dozens of women, going back to Colonial times, who did really important things. The women who are honored here are not necessarily honored as feminists, but for their accomplishments.
“Women’s stories are not told,” the organization notes. “Less than 10% of the content of history books references women. Students cannot name 20 famous American women through history, excluding sports figures, celebrities and First Ladies. Only 20% of news article are about women. A society that values women values all of its members. By telling the stories of great American women through exhibits and educational resources, the Hall will make a future where all members of society are valued a reality.” (Indeed, the New York Times, during this year’s Women’s History Month, began publishing obituaries of women who were overlooked in their own time.)
Founded in 1969, the Women’s Hall of Fame actually predates the Women’s Rights National Historic Park (one could say it even was at the very cusp of the Women’s Movement which really emerged in the 1970s). And when you contemplate the timeline of the biographies, you get a better understanding of the historical context of the Women’s Rights Movement.
Looking around: Abigail Adams, what a pistol she must have been! She had such a strong influence on her husband but clearly was frustrated in the lack of opportunities women had to utilize their potential. (“Remember the ladies” in forming the new government,” she admonishes her husband, John Adams, in 1776).
Secagewea, Annie Oakley, Harriet Tubman. Jane Addams, Clara Barton, Margaret Bourke-White, Pearl S. Buck, Rachel Carson. Frances Perkins (Labor Secretary under Franklin Roosevelt), Eleanor Roosevelt, Anne Sullivan, Rosa Parks.
Of course, there are the suffragists Elizabeth Cady Stanton, Lucy Stone, Susan B. Anthony (there is a Susan B Anthony bench which came from the Ontario County courthouse in Canandaigua), but I also discover women identified as being early feminists (most you never heard of), and you realize that the struggle goes way, way back.
For example, Anne Hutchinson who lived 1591-1643 (honored 1994), was the first woman in the new world to be a religious leader and for it, was banished from the Massachusetts Bay Colony (there is a parkway in the Bronx named for her); Sarah Grimke, who lived 1792-1873 (honored 1998), who published papers championing abolition and women’s rights, and with her sister Angelina Grimké Weld, 1805 – 1879 (honored 1998), were southerners, born in South Carolina, who became the first female speakers for the American Anti-Slavery Society; Fanny Wright, 1795-1852 (honored 1994), the first American woman to speak out against slavery and for the equality of women; Mary Lyon, 1797-1849 (honored 1993), who founded Mount Holyoke in 1837, the first college for women, which became the model for institutions of higher education for women nationwide; and Maria Mitchell, 1818 – 1889 (honored 1994), an astronomer who discovered a new comet in 1847 and the first woman named to membership in the American Academy of Arts & Sciences, and a founder of the Association for the Advancement of Women.
Walking around (you can also peruse the website to find these biographies) I am introduced to all sorts of women I had not known, that fill me with pride: women on the front lines of science, civil rights, labor rights, education, human rights.
Mary “Mother” Harris Jones, 1830-1930 (honored 1984), a labor organizer and agitator who worked on behalf of the United Mine Workers and other groups; Sarah Winnemucca, c1844-1891 (honored 1994), Native American leader who dedicated her life to returning land taken by the government back to the tribes, especially the land of her own Paiute Tribe; Susette LaFlesche, 1854-1903 (honored 1994), a member of the Omaha Tribe and a tireless campaigner for native American rights; Julia Ward Howe, 1819-1910 (honored 1998), suffragist and author of “Battle Hymn of the Republic.” a lecturer on religious subjects, a playwright, an organizer of a women’s peace movement and advocate for women’s equality in public and private life; and Emma Lazarus, 1849-1887 (honored 2009), famous for authoring the words at the base of the Statue of Liberty, “Give me your tired, your poor, your huddled masses yearning to breathe free,” and an important forerunner of the Zionist movement.
There is the famous flyer Amelia Earhart but also Bessie Coleman, an aviatrix of the1920s, who was the first African American woman to have pilot’s license (at a time when women, let alone a black woman, were not allowed to have a license; Coleman went to Europe to get her license, what does that tell you?).
I so appreciate the diversity of the women represented, especially in the 20th century, when women do have more educational and professional opportunities: astronaut Sally Ride; tennis player Billie Jean King who broke through for women’s athletics; Ruth Bader Ginsburg, Sandra Day O’Connor. Madeleine Albright, Bella Abzug, Oprah Winfrey, Lucille Ball, Dorothea Lange, Lilly Ledbetter, Margaret Sanger.
(Go to the website to see the most recent inductees as well as search all).
We commiserate over the life-size portrait of Hillary Rodham Clinton, who was already in the Hall of Fame as First Lady and New York Senator, the first woman to be a presidential candidate of a major political party, but should have been the first woman President.
It is remarkable to look at the faces and read the short biographies of women who have made such important contributions, going back to colonial times.
I wander over to the canalside park just in time, 7 pm, to enjoy an old-fashioned band concert by the Seneca Falls Community Band (33rd season!); there is a stand selling the absolutely best ice cream in the world. Perfect.
Our campsite tonight is on the grounds of the gorgeous Mynderse Academy, which even has a flat-screen TV where a few of us gather around to watch the All Star Baseball Game.
The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.
Information is also available from the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.
More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.
Next: Day 4: Seneca Falls to Syracuse, Crossing Half-way Mark of 400-mile Biketour
I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation, through, original documents, materials and artifacts, at a time when we need to be reminded – everything from the off-hand comment by Trump Chief of Staff John Kelly that the Civil War could have been averted if only there were compromise (he should go to the National Constitution Center), to the quixotic amazement of a US Treasury official pining on his research into what’s this thing, “The American Dream,” before adopting the biggest redistribution of wealth since the Gilded Age, to the right-wing meme that America is a (white) “Christian Nation.”
Philadelphia is like hopping from time-capsule to time-capsule because you go from one authentic site where events happened, where the Founders and builders of this nation actually stood, to another. Come, time-travel with me. And the best way to appreciate it – and be wonderfully surprised at ever twist and turn– is to walk. That’s how you come upon things you never considered – the historic markers which point out where Wanamaker’s Department Store was, the Ricketts Circus, the American Philosophical Society (founded by Ben Franklin). I see an Art Deco “Automat” sign; the stunning Art Deco architecture of a building, gorgeous giant murals that pop up out of no where. I practically fall over what closer inspection tells me is the very townhouse whereThomas Jefferson stayed when he wrote the Declaration of Independence (called “Declaration House”), a short walk from Independence Hall.
This is why it is so terrific that my hotel, the Sonesta Downtown Philadelphia Rittenhouse Square is so well located (1800 Market St. Philadelphia 19103, 215-561-7500).
It’s the afternoon when I arrive at the Sonesta Hotel on Market Street (a parking garage is adjacent) and after checking in, I have just enough time to explore one attraction on my list.
I am headed to the Betsy Ross House, walking down Market Street, literally through Philadelphia’s magnificent City Hall. Walking, you get to see the markers which discuss the history of this site and how the city was planned out. You also can stand on a podium and have a photo taken of yourself as a monument.
As I walk passed the lawn that is just opposite Independence Hall, I spot a huge banner proclaiming the George Washington’s famous words, “Happily the Government of the United States Gives to Bigotry no Sanction, to Persecution No Assistance,” and a statue, in commemoration of the nation’s centennial, “ dedicated to “Religious Liberty. Dedicated to the People of the United States by the Order B’nai B’Rith and Israelites of America.” Then I see a small banner advertising the National Museum of American Jewish History and realize I am standing in front of it. Who knew there was such a thing?
In point of fact, the museum has only been in this building in a prime location in the historic district since 2010; previously, the original collection which formed the basis of this grand museum was housed in Philadelphia’s oldest synagogue, Congregation Mikveh Israel, known as the “Synagogue of the American Revolution,” is the oldest formal congregation in Philadelphia, and the oldest continuously operating synagogue in the United States. It dates back to 1740 when Thomas Penn granted land to Nathan Levy for a burial plot for his son. The current incarnation of the synagogue, a modern building, is only about a block away from the Museum, tucked behind (appropriately enough), the Bible Society Building which is directly across the street from the National American Jewish History museum, and across the street, as it happens, from the National Constitution Center. It all fits together and is most appropriate for my visit to Philadelphia this weekend timed for a family Bat Mitzvah.
I have a little less than two hours before the museum closes, and you need a minimum of 2 ½ (good news: the ticket is good for a two-day visit).
The National Museum of American Jews was a revelation to me – beginning with why it is “National”: it is the only museum of its kind in the nation. That’s why.
I have seen parts of the story in other venues – notably Touro Synagogue in Newport, Rhode Island (www.tourosynagogue.org), the Holocaust Museum in St. Petersburg, Florida; Ellis Island and the Jewish Museum in New York City– but none presented such a comprehensive unfolding of the epic Jewish experience in America that dates back nearly as far as the Puritans in Plymouth (though Jews first settled in the New World since Columbus).
Its exhibits and galleries, the artifacts and commentary brilliantly presented to express complex concepts – the sweep of history, in effect – but taken down to very personal levels of a person, with a face, a name and a genealogy.
Non-Christians were part of this country’s founding and the Founders, who were humanists, globalists and men of the Enlightenment – among them George Washington, Thomas Jefferson and Ben Franklin – were not only tolerant of other religions but open-minded about philosophies. But what is painfully clear are the strains of anti-Semitism and racism that have persisted throughout American history despite George Washington’s assurances to the Touro congregation (“To Bigotry No Sanction,”), despite the Bill of Rights and the Naturalization Act of 1790 which bar the establishment of religion, an issue as relevant as today’s headlines.
There are four floors which wrap around a huge atrium, each floor devoted to a different era and theme. The displays, including multi-media , interactive stations, and artifacts, are well presented to convey complex, even nuanced concepts, intertwining real people with places, historical events and cultural movements. In some instances, it is the sheer numbers that impress.
Foundations of Freedom: 1654 – 1880
I start on the top floor, “Foundations of Freedom: 1654-1880”. Do most Americans realize that Jews were already settled in the New World colonies from 1654? A giant map shows the trade routes that coincided with Jewish migration, especially after the Spanish Inquisition of 1492, which drove many into the Caribbean islands. (How many people realize that the first white settlement were of Marrano Jews in Jamaica?) Then, when the Spanish took over, a group fled Barbados where they had lived since the 1620s, to Newport, Rhode Island in 1658.
You gaze at a family tree of the first Jewish families, most of Portuguese background.
Asher Levy came to North America in 1654; look down his family tree and you come to Arthur Sulzburger (1881-1964), whose family publishes the New York Times.
By the 1600s, a small group of Jews settled around Charleston, SC; a 1669 constitution, written by John Locke, granted “Jews, heathens and other dissenters” the freedom to worship.
Throughout the displays, there is a kind of running count which puts into perspective Jews in America:
“European laws excluded Jews from most trades except finance and commerce, so they settled in port cities. In 1700, there were 250 Jews among the population of 250,000 white settlers in colonial America; zero synagogues. The population grew slowly, from a mere 250 out of a population of 250,000 to 2500 out of a population of 3.9 million by the end of the 1700s.
In Savannah in 1733, there were 42 Jews – the largest single Jewish group to arrive in colonies up to that time. Among them, was a Jewish doctor who arrived during an epidemic and began caring for ill and dying.
Jews arrived in Philadelphia in the 1730s; by 1760, there were close to 100 Jews.
We learn that Jewish Americans were split (like the colonists) over whether to side with the Patriots or the Loyalists in the American Revolution, based on livelihood, families and aspirations, but “most Jews stood for independence.”
New York’s Jews collaborated with British Loyalists; Jews who sided with Patriots escaped to Philadelphia.
The US Constitution made American Jews citizens in 1790, but some states had laws lasting well into the 19th century barring Jews from holding public office (despite the Bill of Rights’ first amendment which prohibits the establishment of religion).
“To bigotry no sanction, to persecution no assistance” George Washington wrote in 1790 to the congregation of the Touro Synagogue in Newport, founded by Portuguese Jews in 1763 who fled their settlements in the Caribbean when it appeared the Inquisition would be imported there from Spain and Portugal.
Of the 3.9 million population in the fledgling nation, 2,500 were Jews; 9 of 13 states required public officials to be Christian even though the 1790 Naturalization Act contained no religious requirement.
A theme that runs through is of what it means to perpetually be a minority in America.
Innovation & Expansion
A section themed “Innovation & Expansion” is part of the timeline of Jews in America usually ignored entirely, but Jews were very much a part of the Westward expansion and the march to the Industrial Revolution.
From 1820-1870, the United States doubled in physical size, the population quadrupled and the Industrial Revolution transformed society.
For Europeans, America beckoned as a land of opportunity; millions of immigrants crossed to be the laborers that built the factories, railroads, roads, including 200,000 Jews, attracted by promise of economic and political freedom.
The population of Jews during this period mushroomed, from 2500 to 250,000.
Here we see the photos and effects of families, personifying the experience.
There is a large map spread out on the floor where you can play a video that shows the expansion; and a whole room where you see, city by city, how Jews populated them, and particular highlights.
In New York City, in 1823, for example, the first Jewish periodical, “The Jew” began publishing. During the 1800s, New York City became a center of political, economic and cultural life of American Jews. By 1840, a majority of American Jews lived in the city; the population grew to 60,000 by 1860.
Baltimore saw its total population increase from 120,000 to 320,000 during the mid-1800s, with its Jewish population increasing from 100 to over 10,000 by mid-1860s.
Other cities: Cincinnati, where Hebrew Union College opened in 1875;
Trinidad Colorado was where the B’nai B’rith was founded in 1843, modeled after the Masons, Odd Fellows and other fraternal organizations.
With each display, there are specific people who are associated and here, we learn of the “Girl Rabbi of the Golden West: Pioneering female Jewish revivalist” (she gave up preaching when she married).
The Civil War was as traumatic for Jewish Americans as it was for the rest of the country.
Just as Jewish colonists were divided over the issue of joining the Revolution or remaining loyal, there were also splits over supporting Union or the Confederacy, largely based on where they were living and their livelihood. In the section themed, “Union & Disunion,” the Civil War era, it notes, “Jews never unified on issue of secession or slavery: 10,000 Jews fought in the Civil War: 7000 for Union, 3000 for Confederacy. Which side depended largely on where they lived as well as their livelihood.
3rd floor — Dreams of Freedom: 1880 – 1945
You can easily spend two hours just on the fourth floor alone, but I see how limited my time is and go down to the third floor: themed “Dreams of Freedom: 1880-1945”, chronicling the migration of millions of immigrants who came to the United States beginning in the late 19th century who profoundly reshaped the American Jewish community and the nation as a whole.
The first section of this floor considers immigration and integration: getting to America, making a home, the reception immigrant Jews received, and learning to negotiate American society. The second section takes up life after Congress legislated the end of free and open immigration in 1924. Through the lenses of the fine and performing arts, political activism, and religious expression, it explores how Jews defined what it meant to be an American Jew during an insecure period of American, and world, history. The final section of Dreams of Freedom delves into how American Jews experienced World War II.
It addresses the strain of anti-Semitism that has existed throughout American history, going back to colonial times – in Newport (when Lopez was refused American citizenship and had to get it in the Massachusetts colony), and New Amsterdam, when Peter Stuyvesant wanted to throw Jews out but the Hudson Bay Company insisted Jews be given rights, even despite George Washington’s pronouncement and the First Amendment to the Constitution.
So even though the Constitution provided for religious freedom, states denied Jews the right to hold political office; even after World War II, Jews were denied access to housing, hotels, country clubs, college and jobs.
And as the Roaring Twenties was followed by the Great Depression, a virulent strain of anti-Semitism re-emerged leading up to World War II, when many in Franklin Roosevelt’s cabinet and the majority of Americans content to let Hitler and Nazi Germany begin its murderous campaign against European Jews. “No War for Me” characterized mood of Americans not to lift a finger to help Jews during the Holocaust. (Breckinridge Long, assistant secretary of state, pushed for strict immigration controls that blocked Jewish refugees from escaping the Nazis.)
Choices and Challenges of Freedom: 1945 – Today
The Museum’s second floor begins in the immediate postwar period with stories of migration, from war torn Europe, the Middle East, the Caribbean, and the Soviet Union. Within the United States, as well, Likewise, between 1945 and 1965, there was a huge migration: about a third of all American Jews left large urban centers and established themselves in new suburban communities like Long Island. For Jews and non-Jews alike, a suburban home became a sign of success, prestige, and security-a “Shangri-La” for the middle class.
After World War II, American Jews felt comfortable with their identity and Jewish communities thrived in the new suburban communities of the 1950s into the 1960s – 60% of Jewish families belonged to synagogue, twice the percentage as 30 years before. Community synagogues were a locus for Jewish life and Bar and Bat Mitzvahs became legendary affairs; Jewish kids went to Jewish summer camps and families vacationed in the Borscht Belt of the Catskills. You walk through a mock-up of a 1950s suburban house, such as you might have found in Levittown, Long Island, where a black-and-white TV is airing an episode of a Jewish American sit-com, “The Goldbergs.”
Here you see how Jewish American culture went mainstream. The museum incorporates multi-media – videos, sound tracks – there is a small theater where you watch performances by Jewish entertainers going back to early films, theater and television (Fannie Brice, Marx Brothers, George Burns, Three Stooges, Eddie Cantor, Bud Abbott, Sophie Tucker, Al Jolson); a series of changing images of major figures like Simon & Garfunkle, Carole King.
American Jews felt comfortable enough in American society to emerge as activists who championed civil rights, women’s rights and social and political justice, including Gloria Steinem and Bela Abzug.
The first floor houses an Only in America Gallery/Hall of Fame honors 18 Jewish Americans – some well known, others less so, and the choices, challenges and opportunities they encountered on their path to remarkable achievement. Through the lives of real people—some well known, others less so—the gallery, utilizing a combination of multimedia, original artifacts and interactive experiences, weaves compelling stories from the past and present with the larger themes of the Museum.
The first 18 individuals featured in the Only in America Gallery/Hall of Fame are: Irving Berlin, Leonard Bernstein, Louis Brandeis, Albert Einstein, Mordecai Kaplan, Sandy Koufax, Esteé Lauder, Emma Lazarus, Isaac Leeser, Golda Meir, Jonas Salk, Menachem Mendel Schneerson, Rose Schneiderman, Isaac Bashevis Singer, Steven Spielberg, Barbra Streisand, Henrietta Szold, and Isaac Mayer Wise. Recent inductees include Gertrude B. Elion and Julius Rosenwald.
There are also special exhibits: the upcoming one is Leonard Bernstein: The Power of Music, which celebrates the centennial birthday of one of the 20th century’s most influential cultural figures, who personified classical music and produced a rich repertoire of original compositions for orchestra and the theater. “Audiences may be familiar with many of Bernstein’s works, notably West Side Story, but not necessarily how he grappled with his own religious, political, and sexual identity, or how he responded to the political and social crises of his day. Visitors will find an individual who expressed the restlessness, anxiety, fear, and hope of an American Jew living through World War II and the Holocaust, Vietnam, and turbulent social change – what Bernstein referred to as his ‘search for a solution to the 20th‐century crisis of faith’.” The exhibition will feature one‐of‐a‐kind historic artifacts, all brought to life through immersive film, sound installations, and interactive media. (On view March 16 – September 2, 2018.)
Free public hour-long Highlights tours are usually offered daily at 11:30 am and 2:30 pm. (Availability is subject to change, so check at the Admissions Desk on the day of your visit for confirmed times.) Space is limited; interested visitors should request tour badges from Admissions to reserve a spot, which are distributed on a first-come, first-served basis.
More than 30,000 artifacts form the basis of the core exhibition. You can browse selected objects on its site as well as search the Museum’s online collections database, and its Pinterest page.
You need at least 2 ½ hours but the ticket is good for two consecutive days.
National Museum of American Jewish History; 101 South Independence Mall East; Philadelphia, PA; 19106-2517; (215) 923-3811; www.nmajh.org
I am chased out of the museum at closing (they are setting up for a wedding), and am intrigued to visit Mikveh Israel synagogue a short walk away. It is Friday evening and the synagogue, which is Sephardic, is getting ready for Sabbath services.
Mikveh Israel traces its beginning to 1740, when Thomas Penn granted land to Nathan Levy for a burial ground for Levy’s infant son. There, Levy established a cemetery for the Jewish community. Mikveh Israel’s first house of worship was completed in 1782 with financial assistance from Benjamin Franklin, among others. The synagogue has moved several times before returning to its original neighborhood in 1976, the Bicentennial.
Mikveh Israel follows the Spanish-Portuguese (Sephardic) ritual, introduced by Reverend Gershom Mendez Seixas, who, in 1780, came to serve as Hazzan (Congregational Leader). This relatively modern building, not far from its original 1782 redbrick structure on Cherry Street, is its fifth since the synagogue’s founding. (Limited hours to visit. 44 N. 4th St. Philadelphia PA 19106, 215-922-5446, www.mikvehisrael.org/.)
The Jewish cemetery on 8th and Spruce Streets, part of Independence National Historical Park, includes the grave of Rebecca Gratz, who is believed to be the inspiration for the character Rebecca in Sir Walter Scott’s “Ivanhoe,” and memorials to Haym Salomon, who helped finance the American Revolution.
Just outside Mikveh Israel, there is a monument of Uriah Phillip Levy, born in Philadelphia in 1792, a 5th generation American (his great-great grandfather, Dr. Samuel Nunez, arrived in America in 1733 and was a founder of the city of Savannah, Georgia). Levy left for sea when he was 10 years old, returning to Philadelphia for his Bar Mitzvah. He joined the US Navy in 1812, serving with distinction in the War of 1812. During his 50-year career in the Navy, he was court marshaled 6 times and killed a man in a duel – all related to anti-Semitism. He became the first Jewish Commodore of the United States Navy. During the Civil War, he helped repeal the practice of flogging sailors.
Levy was a great admirer of Thomas Jefferson and purchased Monticello in 1834 – at that point, Jefferson’s mansion home was in a terrible state of disrepair. Levy restored and renovated the structure, and opened it for public viewing. but local people were incensed that such a structure was owned by a Jew, they tried to have the property taken away. A World War II destroyer was named in his honor, the USS Levy, as well as the Jewish chapel at Norfolk Naval Base; he is buried at Beth Olam cemetery in Queens (Emma Lazarus is as well).
(Our exploration into Revolutionary War America continues with the Museum of the American Revolution, Ben Franklin Museum, Betsy Ross House and National Constitution Center.)
Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.
The Pushkar Horse and Camel Fair and Festival of Brahma takes place over a 10-day period in October/November every year, timed to take place during one of Rajasthan’s holiest festivals; the exact date varies on the western calendar but always falls during the full moon of the Indian lunar calendar month of Kartik. Pushkar is the only place in the world where Lord Brahma, the Hindu God of Creation, one of the Holy Trinity, is worshipped. A place of pilgrimage, the camel and horse fair developed out of this massive annual gathering.
The fair is a kaleidoscope of color, a swirl of motion, a cacophony of sound, unexpected up-close encounters (as with a camel), the crush of crowds.
One of the greatest spectacles anywhere, in my mind the Pushkar Camel Fair is a combination of state fair, carnival and pilgrimage with a smidgeon of circus thrown in. There are snake charmers, musicians, dancing horses, magic show, ferris wheels. You can buy anything and everything – household items, decorative reins for camels and horses; street vendors selling drinks made from sugar cane, merchants selling every manner of goods from stalls and from blankets sprawled out on the road.
Traveling by Train
Our trip to the Pushkar Camel Fair starts with a fantastic six-hour train journey from New Delhi, enhancing the movie-quality of the experience.
We speed through the streets from the Sheraton Hotel, dark and amazingly vacant at 5 am compared to the chaotic snarl of traffic we navigated through when we arrived the evening before from Kanha National Park, flying from Jabalpur to New Delhi.
We pull in across from the train station and out of nowhere, fellows appear who will porter our luggage (on their heads) to the train. We follow briskly after – going through the airport-style security that we have come to expect at every hotel – and are immediately grateful for their help when we realize how we have to climb up stairs to a bridge that takes us to our track. We have time to wait – there are hundreds of people who have basically camped out on the platforms.
Our train departs just after 6 am. A porter comes through our first class car with newspapers, then tea and coffee, and then breakfast (the omelet was very good). Our Royal Expeditions guide creates a WiFi hotspot for us.
Our guide who will take us around the fair, Thurka Durga Singh, comes aboard and begins orienting us to what we will see at the fair. He is a regal looking gentleman, descended from the Warrior Class, who carries himself with grace and dignity. His voice is sonorous, and I soon discover, he is very much a poet and a storyteller, steeped in India’s traditions and culture.
Indeed, as he would describe himself, Durga “is a keen observer of history, culture, religion, current affairs, and is a bank of knowledge so vast that he has a point of view on anything under the sun. He is what one could call a modern traditionalist, actively seeking the use of modern technology and methods to support the principles of traditional living. The inquisitive can have endless conversations with him on a number of his projects like rain – water harvesting, biogas plant, solar heating and, even, healthy cooking.” It only takes a simple question for him to launch into an entrancing narration.
“Before trains, buses, cars, all citizens traveled by animals – camel, horse. From the 11th to the15th day of the waning moon, pilgrims would come by the thousands on horses and camels from near Delhi to have a holy day. A fair developed. If you come during the first eight to 10 days of the Pushkar Camel Fair, you see more animals; in the last three days, there are more pilgrims. (Indeed, Dugar had just come from guiding a horse-riding safari to the fair.)
Rural farmers still use camels and horses as work animals and the Pushkar fair is one of the biggest camel, horse and live-stock fairs possibly anywhere, attracting buyers and sellers from all over the country, as well as visitors from around the world. At the peak of the fair, there might be 11,000 camels and 400,000 people coming from far and wide, dressed in their traditional and regional clothes. For days before the fair and after, you can see herders driving their camels and horses along the highway.
”At the fair, everything is everybody’s business. Our sense of privacy is different. Eavesdropping is a custom of the fair. People standing around give their unsolicited opinion – ‘Good horse’.” (We actually find ourselves doing this exact thing). “Now the deal is getting serious. Now the seller and the buyer don’t want others giving opinion. They clasp hands to clinch deal. Now bystanders have even more curiosity. ‘What is it your business?’ ‘I just wanted to know.’”
An ancient tradition is that when the horse is sold, it is never given with reins “because that would declare he would never have that horse again. So the buyer puts his own reins on [you can see stands that sell decorative reins.] Then the seller has money and gives a little money back, to get the horse extra food, a parting gift to the horse.
“In the western mind, business is business, there is no sentiment [recall the expression: It’s business. Not personal.]. In the Eastern mind, it is etiquette to offer tea. A Westerner would feel obligated to buy, but not an Easterner.
He gives us a tutorial on the different types of camels and how they are still used as work animals and why the reputation of camels as being mean and spitting isn’t really fair. One kind “can go sunrise to sunset, 60 km and has more stamina than horse. It can go without water for weeks. Camels live 26 years; 4-16 year olds work, 16-24 year olds still work but not as hard. Five minutes before it drops dead, it still doesn’t refuse work, then it drops dead.”
I ask how much a camel costs: a young camel, 2 ½ years old (they start training and work at three years old) might cost 14,000-15,000 Rupees ($205-$220); a grown, trained camel might cost 55,000-100,000 rupees ($735-$1500).
“The camel is God’s blessing to us. It browses, eats species that others don’t, like the thorny bush. He doesn’t compete for food, but he is plow, car, tractor.”
But things are changing, he says. Alas, “Young people don’t want to be stuck with an animal. They prefer a tractor…. It’s likely the Pushkar Camel Fair will disappear in 10 years.”
In India’s cash economy (they don’t use credit cards or checks), there may be 15 million rupees in cash at the fair, in bags, clothes. “There are no locks, no safes.” So men wear a vest that has a hidden pocket and put a shirt over that. “A man may have 1 million rupees and no one knows. He can’t be pick-pocketed.”
The state must collects its tax, but since there are no written records of transactions, the tax department charges a flat rate when people enter the fair.
This year, is unusual, he says. We are there just as the Modi government without warning canceled the 500 and 1000 rupee bills in circulation that are the basis for an economy that still runs on cash.
“The Fair has gone into a difficult time. There are many unsold animals, owners sitting desolate. They spent money to buy the animals but have no money to bring them back. Many will leave the animals behind.”
We should also look out for the camel’s haircut. “They decorate their camel like fellows decorate their motorcycles. You wine and dine the barber – it can cost 2000-3000 rupees. The Barber used to make lovely design – a lotus flower – but the Barber has gotten quite old, he is about to go to heaven. He made peacock design; an Islamic barber makes a geometric pattern. Now you see a Sikh shearer from Punjab who works fast.”
Farmers used to collect the camel wool to make rugs, sacks; “Now nobody collects.” Well at least one group does, who we come upon in the market, Camel Charisma.
He bemoans the disappearance, one by one, of traditions (“20 years ago, women would sing folk songs. No more: girls go to school now and don’t learn folk music”).
If you come during the first eight to 10 days of the Pushkar camel fair, you see more animals; in the last three days, there are more pilgrims. “Now pilgrims come in jeeps, buses – groups of pilgrims, in different dress.”
He paints pictures of what else we will see, and lo and behold, when we arrive at the fair later that afternoon, we see for ourselves exactly what he has foretold:
“When you go to cinema, you eat popcorn – well, for desert people, sugar cane is big – trucks and trucks of sugar cane come in from the neighboring state of Pradesh.” We see stalls (a little like cotton-candy machines) crushing sugar cane into a juice add lemon and ginger.
We will see the “normal” food of the Indian countryside. “Who goes to the countryside? Hunters, nomads, pilgrims and animal trader and armies. They have to cook and eat in countryside. So they will collect dried cow droppings for cooking fuel (it’s free) [but you can actually buy cow dung patties on Amazon, I’m told] to prepare balls of wheat flour, served on a plate made of leaves.
“You light up a cow dung fire. When the fire dies down, you roast bread on the embers. It’s clean because after a half-hour of cooking, the cow dung is sterilized. Stores sell this round chat-patti fried wheat bread. It’s street food. The village pilgrims relish this food.”
The camel fair also involves a sprawling market (like a flea market), with all manner of goods for sale.
He also alerts us that we can photograph regular people –they don’t take money – but there are also “professional” photo subjects – they dress like in various costumes and you are expected to pay 100-200 rupees to take a picture (kind of like the naked cowboy in Times Square).
He warns us that “skunks” spoil the visit for Indians and foreigners. They solicit money – “Mafia like” =saying they want to take you to the lake. Tell them ‘We have been to the lake.”
He says he will take us to the roof of a restaurant to see the lake and watch the rituals.
The beauty of the fair is its randomness, a kaleidoscope of colors, a swirl of activity, he says. “No guidebook will tell you this aspect.”
His narration has made the hours spent on the train fly by. Before we know it, we pull into Ajmir.
Ajmir, A Holy City
We arrive in Ajmir and once we are underway in our van for the half-hour ride to Pushkar, Durga has us join in reciting a Hindu blessing, since Ajmir is one of the holiest places for Hindus, Buddhists and Jains.
The story goes that when Sati died, Shiva cried so much and for so long, that his tears created two holy ponds – one at Pushkara in Ajmer in India and the other at Ketaksha, which means “raining eyes” in Sanskrit.
One of India’s first cities, Ajmir was the Chahamana capital ruling all India until the defeat of Prithviraja lll in 1192 when the city came under Muslim rule. And when India was under British rule and divided into 526 Maharajah states, the Viceroy, the direct link to the British Crown, was based in Ajmir.
Ajmir also has one of the most important Sufi shrines, “next to Mecca and Medina, one of the holiest for Muslims.”
Moinuddin Chishti, an important Iman practicing the Sufi form of Islam, came to Ajmir from Iran, developing a large following, and gaining the respect of the residents of the city. Chishti promoted understanding between Muslims and non-Muslims.
Sufism is a Muslim movement which arose in the 8th-9th centuries, whose followers seek to find divine truth and love through direct encounters with God. Sufis, Durga explains do not believe that nonbelievers are infidels (like the more extreme Wahabis). Every individual is God’s children. Music is an important part of worship, connecting worshippers to the divine. He has as much a following among Hindus as Muslims. Many Muslims live here.”
In some ways, it seems Ajmir is like Jerusalem in that it is the confluence of these different religions.
During our brief ride, Durga explains reincarnation, predestination and freewill (no mean feat), connecting reincarnation to Darwin. “Darwin talks of physical evolution, Einstein of the soul transfiguring. There is a zero balance account when you are born – that’s free will. Now you start creating your karma; that brings you back again and again. The aim of life is to go back to the Godhead, to break the cycle of birth and rebirth.” Reincarnation, rebirth and nirvana, he says, is not that much different than Christianity’s belief in resurrection and heaven. “There are many commonalities.”
Free will and destiny are not contradictory. “Destiny is that you find a note, then free will is what you do with it. You receive your past and create your future – that is the secret of happiness. In the East, there is no place for guilt” because actions have repercussions in future life.
As for why cows are sacred, it basically comes down to a very practical reason: people depend on the cow. “The cow was revered before it became holy.” We see cows with their horns that had been painted for the Diwali Festival.
We make our way slowly through a snarl of humanity, traffic cops doing their best to organize. Because of the traffic during the fair, we are led the long way around, traveling around the lake and over Nag Pahar, the Snake Mountain, separating Pushkar from Ajmer. We don’t mind at all because we get to see more of the city and landscape.
Coming into Pushkar, we bypass the entrance to the fair – it is wall-to-wall people, since it is toward the end of the fair now mostly pilgrims as opposed to camel and horse buyers – enroute to the Royal Tents, a luxurious tented camp set up by The Royal Jodhpur Camps specifically for the fair, where we stay.
The Royal Jodhpur Camp is set up as a traditional “shikar” style camp: at a time when only royalty was allowed to hunt, these camps were set up to accommodate them. Ours consists of rows of elegant and luxurious twin bedded tents with verandahs with deck-chairs in front and attached bathrooms with running hot and cold water (even a shower), set out over an expansive sandy plain. There are electric lights, an electric heater, rugs on the ground. There is also a spacious Mughal-style dining tent and a recreation tent which serves as a lounge. It is set on expansive private grounds surrounded by rolling mustard fields in flower and rocky hills, a walk or camel ride away from the fair.
It is the ultimate in glamping. We can tie a triangular flag to a rope outside the tent to signal if we want service (room service, hot water). We can order coffee delivered in the early morning.
We feel much as the royal entourage who would come on hunting expeditions and stay in these elaborate camps. The operative word is “royal.”
Indeed, The Royal Jodhpur Camps actually has a family connection to Royal Expeditions, the tour company that has organized our Jungle Book Wildlife Safari and Cycling Adventure and this extension to the Pushkar Camel Fair, Jaipur and Agra. Royal Expeditions was founded by a royal family of Jodhpur related to a Princess who also served in Parliament and as India’s Minister of Culture, and the Royal Jodhpur Camps is her brother’s enterprise. It makes it all the more fantastic. And like our other accommodations – the Pench Tree Lodge and the Kanha Earth Lodge during our time doing wildlife safaris in the national parks – it enhances our Camel Fair experience.
We have a superb lunch in an enormous dining tent (complete with ceiling fan), before setting out for our visit to the fair.
Day into Night at Pushkar Camel Fair
Durga has timed it so we arrive at the fair in the afternoon and will be here after dark, to get the full color and atmosphere.
Soon we are caught up as we watch a transaction for a horse, just as Durga foretold we would during our train ride: “At the fair, everything is everybody’s business.” And just as he described, we watch a fellow eyeing a horse. And just as he described, soon we find ourselves chiming in as if it is our business, “Oh, that’s a fine-looking horse.” And just as Durga had described, moments later, the seller grabs the customer’s hand and pulls him inside the tent, where he most likely will be plied with tea so the negotiations can commence out of the gaze of prying eyes and gossipy critics.
Durga leads us through a vast market with just about every item you can imagine for sale: shoes, scarves, household items; saddles and decorative reins and leashes for the camels and horses.
We see albino horses for sale, which Durga says are used for weddings. He introduces me to Bakshu, a prominent horse breeder he knows from Gudrash, and Raika, a professional camel breeder.
We pass by a tent where there is magic show on our way to the market.
He takes us to what is probably the most distinctive shops at the fair, Camel Charisma, where you can buy paper out of camel dung; scarfs form discarded camel hair (and silk), 2500 R ($36), fresh camel milk, camel milk soap and just about anything you can imagine from camel. We taste chai made of camel milk. He takes us to his favorite textile stall (I’m still kicking myself for not buying an embroidered wool wrap for $25).
He takes us passed temples, jam-packed with worshippers, to where we can go to a rooftop to look down on the holy lake and the religious rituals underway. We watch as the sun sets, the lights come on and a super moon rises over the Pushkar Lake.
Pushkar is the only place in the world where Lord Brahma, the Hindu God of Creation, one of the Holy Trinity, is worshipped. The Brahma Temple, which officially is dated from the 14th century but is believed to be 2000 years old, is set on the lake, and during the night, lights of changing colors come on. In the distance, on a hilltop, we can make out the Savitri Temple, dedicated to Brahma’s consort, Savitri, but to visit involves an hour long trek uphill.
Around the lake are numerous bathing ghats, where thousands of pilgrims take their holy dip in the sacred waters of Lake Pushkar, as religious chanting and pealing bells resound. We get to peer down on these activities from our perch on the roof, watching people gather around open fires.
We make our way back through the market and the carnival, now lighted up and festive, with five giant ferris wheels looming over the fair. We pass a crowd watching a dancing horse.
When we return to the tented camp, where we have a marvelous dinner (with Sula champagne!).
We comment on how good the papadom is – a seasoned dough made with mung bean flour fried or cooked with dry heat. “In my grandmother’s day, they used to invite women for lunch, sing, everyone came with a rolling pin, they would sing and make the papadom and put it out in the sun to dry,” Durga says.
There is a fireeater, musicians and dancers to entertain us around a bonfire.
I return to the fair the next morning by myself. Durga has arranged for the driver to pick me up at 7 am. As we pull up, I watch as a hot air balloon rises over the fair. (Hot air ballooning is a relatively new adventure activity in India and the desert state of Rajasthan is the most popular place.)
I get to the fair and just wander around – I am one of a scant few Westerners at this point. It is amazing to me how busy it is even this early in the morning. There are only a few camels left for sale and I watch what looks like the end of a transaction.
Leaving the fair, I see pilgrims arriving in open-back trucks, and in trucks that have been outfitted with bunkbeds.
Durga has told us that it can take 10 days to travel from Agra with the camels, and that we will see people in their camel carts traveling along the highway, as we drive to our next destination, Jaipur. And we do!
In Jaipur, we learn more about this regal gentleman and his family, when we visit his boutique guesthouse, Dera Mandawa – his family’s century-old estate which, back in the day, accommodated dignitaries when they visited the Maharajah. The family lost their property and position when India nationalized such estates in the 1949, and families like his were forced to turn their estates and palaces into commercial enterprises or see them torn down. Instead of the path of a warrior as his ancestors would have taken, Durga has been involved in tourism for 35 years. (www.deramandawa.com)
I first became introduced to the concept of Jews in Athens when I meet Vassilas, my Context Travel walking tour guide. He meets me in the district which is known today as Monasteraki, but as we walk through the flea market area, he mentions that it was originally called Yusurum named for a Jewish family of tradesmen who built a store in the area.
Athens did not have a “Jewish Quarter” per se, he tells me, sensing my interest, but just a few blocks away, there once were a few Jewish synagogues, only one that is still in use today. (There is also a Holocaust Memorial in a small pocket park there, at the bottom of a street that leads up to the Acropolis.)
There is limited information, he tells me, about Jews in Athens during antiquity; most of the Jews who lived in Greece up until modern times came after the Spanish Inquisition, in1492.
He is taking me on Context Travel’s “Everyday Greeks in Ancient Times” walking tour (www.contexttravel.com, firstname.lastname@example.org, 800.691.6036), and as and we stand before humanity’s first House of Parliament in the ancient Agora, ancient Athens’ political center, he points out that just off to the side a marble marker was found, indicating where one of the earliest synagogues very likely stood, dating from at least the 3rd C BC.
That’s when he mentioned that Athens has a Jewish Museum (not on any tourist map), but he put a dot on my map so I could walk there on my own.
When he takes me into the astonishingly fine museum at the Agora and points out a small decorated ceramic vessel that Socrates, himself, might have used to drink the poison hemlock, he gets me thinking: one of reasons why Socrates was executed by Athens was because he questioned its religious system of 12 gods. Plato, Socrates’ student, later wrote that Socrates said, ‘I hear the voice of a ‘god’ – a ‘demon’ (spirit) in me.” I wondered in that moment whether Socrates had been influenced at all by the Jews of Athens who would have believed in monotheism.
After my “Everyday Life in Ancient Greece Tour” with Vassilas , I set out to find the Jewish Museum, indicated by the dot on a map
I don’t have a street address, and when I get to what I believe is the corner where it should be, I ask a private security guard who has no idea where it is. But an older gentleman overhears me and walks me around the corner to the Jewish Museum.
The Jewish Museum is only recently moved to this downtown location, but it offers a permanent collection and special exhibitions that tell the history of Greek Jews , which I am surprised to learn is the oldest Jewish community in Europe.
Indeed, there is a replica of the marble sign from the Agora (the original is in the Agora Museum but not exhibited publicly), that dates from possibly the 5th C BC, which had set me on my quest.
Jews came to Greece before the destruction of the First Temple. They were merchants –
In Athens, Jews did not live in a Jewish Quarter, like in Corfu, Rhodes or Thessalonki, but lived around Athens, though they tended to live near the synagogue.
It is not known how many Jews lived in Greece at its peak – during the Holocaust, archives were burned. But prior to the war, Thessaloniki had 70,000 Jews; there were 29 communities.
Today, there are 5,000 Jews living in Greece – 3000 of them in Athens (a tiny number compared to the population). There are nine communities that are most active, with Jewish schools.
“It’s a challenge to keep the heritage,” a museum docent tells me. “Many come here and don’t expect fo find a Jewish community.”
It is 1:30 pm when I arrive at the Museum, which I discover is only open from 9 am-2:30 pm. So I dash through to see as much as I can before it closes.
The exhibits, which offer some fascinating artifacts, trace the history of Jewish settlement in Greece beginning 3 rd C BC. The collection contains more than 10,000 objects (some that can only be found here) pertaining to domestic and religious life. The oldest itemss are rare textiles and ante nuptial contracts from the 16th century C.E. Clothes and household items offer a vivid, personal picture of everyday life in the Greek Jewish communities from the mid-18th until the 20th century.
The exhibits are organized by themes, relating to history, the cycle of time and human life.
As I go about the museum (I only have an hour before it closes), I learn that in 48CE, there is evidence of the Apostle Paul preaching in synagogues of Corinth, Salonika and Verola.
Later, when the Ottoman Empire took over, the Ottomans gave Jews equal rights with Christians (that is non-Muslims).
When Sephardic Jews were expelled from Spain at the end of the 15 th C, they settled in the Ottoman Empire, including Greece – with most going to Salonika.
Greece became a state in 1832, and the Greek Constitution of 1844 gave equal rights in 1844. In 1882-1920, the Jewish community was recognized as a legal body During this period, Zionism took hold and many Jews emigrated to Palestine under Ottoman Rule.
The Greek government of Eleftherios Kyriakou Venizelos supported the formation of Jewish state, even before the Balfour Declaration. The Greek Foreign Secretary Niolaos Politis said in 1917, “The foundation of a Jewish State in Palestine would end the injustice that weights on the whole of humanity for over 20 centuries.”
Prior to World War I, the number of Greek Jews grew to 100,000 (65,000 in Solinika), and enjoyed “peace, speech, assembly freedom and were admitted into mandatory army service .”
Then the Holocaust came. Many Greek Jews joined the Resistance. There are video stories of survivors of Shoah and lsits of family names like Nissm, Aruch, Yussuroum , Matathias, Bakolas, Yeshua, Kostis, Braki, Felou.
Support of the Greek Government
The Greek government has been supportive of sustaining its Jewish heritage (this despite the neo-Nazi group that has been voted into Parliament).
The Jewish Museum of Greece was founded in 1977 to collect, preserve, research and exhibit the material evidence of 2,300 years of Jewish life in Greece. As a historical and ethnographical museum its main interest is to provide a vivid picture of Jewish life and culture as it was during those centuries.
The new building is organized in permanent exhibition areas with thematic modular exhibits, an art gallery, a periodic exhibition space, a research library, a space for educational programs, a photo archive and laboratory and a conservation laboratory.
“The idea of building a Jewish Museum of Greece was first conceived in the 1970’s by members of the Jewish Community of Athens,” the literature states. The Museum that was first established in 1977 consisted of a small room next to the city’s synagogue and housed objects salvaged from WW II, including artifacts, documents and manuscripts of the 19th and 20th centuries, jewelry of the Jews of Thrace that had been seized by the Bulgarians in 1943 (returned to the Greek government after the abdication of the Bulgarian king and the establishment of a communist regime in the country).
Over the years under Nikos Stavroulakis, director of the Museum until 1993, the collection expanded with rare books and publications, textiles, jewelry, domestic and religious artifacts.
The Museum soon began to attract the attention of many visitors, researchers and donors. In 1981, the Association of American Friends was founded, followed, a little later, by the Association of Friends of the Jewish Museum of Greece, with members of the Jewish Communities of Athens and Thessaloniki.
With substantial financial support from the Greek Ministry of Culture and the Associations of its Friends, the old building was renovated and, in late 1997, 20 years after it first opened its doors to the public, the Museum moved to 39 Nikis street, in the center of Athens.
The Museum’s collections include more than eight thousand original artifacts, testifying to more than 23 centuries of Jewish presence in Greece.
Besides a few objects which Asher Moissis, president of the Jewish Community of Athens, had collected after the war, the core of the initial collection was made up of items that had been returned to Greece by the Bulgarian government, after the establishment of a Communist regime in that country. These included personal effects, jewelry, domestic items, temple objects and documents, which belonged to the Jews of Eastern Macedonia and Thrace and were confiscated after 1941, when the area fell in the Bulgarian zone of occupation. The confiscated items had been meticulously recorded and became the first significant body of artifacts of the collection.
This core collection kept growing, mainly through the donations of individuals and communities, initially from the area of Thessaly, the island of Rhodes and the city of Ioannina. Besides rare 17th – 19th century books and publications, a significant number of ritual textiles was assembled, most dating from the Ottoman times (14th-19th centuries), and soon became one of the Museum’s main attractions for both visitors and researchers. In 1984 the Jewish Community of Patras was dissolved for lack of members and the interior of its synagogue, along with its textiles and ritual objects was bequeathed to the Museum. These religious artifacts are extremely significant, invaluable and irreplaceable, since they come, for the most part, from synagogues and communities, which no longer exist, according to the museum’s notes.
More donations from individuals and communities from both Greece and abroad continued to pour in, further enriching the collection. The Museum’s relocation to its new premises (1998) brought a renewal of public interest and more donations followed.
In general, the Museum has been receiving an average of 250-300 new artifacts every year, since the year 2000. Its unique collections, which are continuously being expanded, document more than four centuries of Jewish life in Greece, considering that the oldest textiles and antenuptial contracts date from the 16th century C.E.
Recent special exhibitions (on through September 2016) include “Hidden Children in Occupied Greece.”
Antique Cars, Adventure Park, Gardens, Hollywood Costumes and Hidden Hollow
By Karen Rubin, Travel Features Syndicate
Heritage Museum & Gardens in Sandwich, Cape Cod’s first settled village, is a world-class destination attraction that on its own qualifies to bring people to Sandwich, even if the village did not offer as many unique attractions as it does or Cape Cod did not have its magnificent beaches and bike trails (see story).
Heritage Museum hits on a spectrum of cylinders -the vast, stunning and notable gardens, the historic collections of rare automobiles, the art inside and out, the way the entire place engages people of all ages – such as at the Hidden Hollow, a giant tree house in a hollow where you are invited to participate in planting and other activities (you feel like an elf or those tiny creatures in the EPIC animated movie). There is also – imagine this – an adventure center where you can see the forest “from a squirrel’s point of view.”
Set on 100 acres of magnificent grounds and trails on the banks of Shawme Pond in Historic Sandwich. Heritage Museums & Gardens is the largest public garden in Southern New England..Heritage is especially famous for its Dexter Rhododendrons as well as an encyclopedic collections of daylilies, hostas and hydrangeas. Heritage also holds a nationally-significant collection of specialty gardens, water features and sculpture.
It is a place where kids have space to really explore, where parents and children can engage in activities together, where parents can feel like kids again riding a carousel, and where children of all ages can feel that sense of wonder and delight, where the best of Mother Nature and man’s inventiveness achieve a harmony.
CUT! Costume and the Cinema
There are always special exhibits and this year’s is a blockbuster: “CUT! Costume and the Cinema,” which also provides a theme for many of the performances and special events throughout the season.
Forty-three costumes represent five centuries of fashion and style as interpreted by award-winning costume designers and worn by favorite stars are on display along with props, movie clips and photos and movie memorabilia. You actually get to see the scene where the actor is wearing the costume. But unlike seeing the costumes on film (where you might only get a view from the front), you get to see them in 360-degrees around, in very close proximity, and can appreciate the texture, the sumptuous fabrics, the lavish lace and embroidery and unparalleled craftsmanship and creativity the detail,
Costume is the essential ingredient in the authenticity of a period film..They set the scene and help create the ambience. They also reveal clues about a character’s status, age, class and wealth as well as his or her role in the story. And in this exhibit, you also get to appreciate changing cultural mores over time and place. More than 30 characters from some 25 films are displayed.
You can see Keira Knightley’s and Johnny Depp’s costumes from “Pirates of the Caribbean”; Kate Winslet’s from “Sense and Sensibiility”, Robert Downey Jr. from “Sherlock Holmes”, Minnie Driver and Emmy Rossum’s from “Phantom of the Opera”, Renee Zellweger from “Miss Potter.” Also, there are costumes that have been worn by Scarlett Johansson, Julie Christie, Maggie Smith, Heath Ledger, Ralph Fiennes Randy Quaid, Jude Law, Robert Downey, Jr.,
Anjelica Huston’s dress from “Ever After” provides an example of the technique of “slashing” – which was started by peasants who salvaged worn garments, and then was expropriated by the rich who embellished their sleeves with decoration.
Many of these costumes and their designers have won major awards including Oscars from the Academy of Motion Picture Arts and Sciences and BAFTAs from the British Association of Film and Television Arts (my only complaint is that the displays don’t credit the designers names or whether they won an Academy award for it).. The exhibition tour is organized by Exhibits Development Group, USA in cooperation with Cosprop, Ltd., London, England.
There are docents at the exhibit who field questions and respond to visitor requests – so, in response to visitors, they created a “cue sheet” of the movies, and a docent has swatches of comparable textiles so you can feel what they are like (do not touch the actual costumes). (I would have liked if they also would have provided the names of the costume designers and whether it won an award).
Many of these themes also animate weekly performances in an outdoor space where families like to bring picnics- especially the “Finding Neverland” and Beatrix Potter (“Miss Potter” who wrote the Peter Rabbit stories).,
Driven to Collect Antique Autos
One of the eternal delights at Heritage Museum is Driven to Collect, showcasing Heritage’s permanent collection of antique and classic automobiles, housed in a fantastic two-story building that is a reproduction of the Round Stone Barn at Hancock Shaker Village.
The JK Lilly III collection includes antique cars going back to the earliest models, most notably that are not just rare but also are in superb condition. You can see the model of the car that Amelia Earhart owned, the 1932 Auburn boattail speedster like Errol Flynn owned. Most interesting to me is a 1915 Milkin Light Electric Car, one of the first specifically designed for women: it did not require a crank, was elegant looking, with big windows.
New this year are a 1934 Derby Bentley reminiscent of the cars, time periods, and luxury represented in the 2016 special exhibition CUT! Costume and the Cinema, and a special display of maps made from recycled license plates, created by artist Stephen Blyth.
This collection includes some extraordinarily rare cars, like the Dusenberg that was specially built for Gary Cooper in 1931 (at a cost of $14,000-imagine that, in 1931). There is a 1919 Pierce Arrow, (original price, $7,750), built by the company, founded in 1901, by George N. Pierce of Buffalo, who built bicycles and bird cages, and turned his latent genius to automobiles. Also notable in the collection is the 1909 White Steam Car Model M, the first “Presidential” automobile, complete with Presidential seal, used by President Taft.
The descriptions are wonderfully “user friendly” that will delight true automobile collectors and aficionados, as well as neophytes. The commentary discusses the innovations made in the car, such as how the 1932 Auburn “boattail speedster” has a hidden convertible top (an awesomely exquisite car purchased, originally, for $975). Children are invited to hunt for clues and there are interesting kid-friendly descriptions. And there is a Model T that you can pack into and pose for pictures.
Each month from May to October, there is an opportunity to go behind the scenes with curator Jennifer Madden for a tour of the antique auto collection storage. Jennifer shares little-known facts and stories about the 20 cars in this area, while participants have the opportunity to closely examine the vehicles. Participants will also learn how the collection was formed, the original purchase price of each vehicle, the work that goes into maintaining this world-class collection, and the ins and outs of moving the cars and preparing them for exhibit. Advance registration is recommended as space is limited.
Lilly, of the Indianapolis pharmaceutical company (he came to sail in Cape Cod and stayed), was a phenomenal collector. Indeed, you see local and folk art and a range of items on display (the exhibit changes) that rivals the Smithsonian in Washington DC.
J.K. Lilly, III founded Heritage Museums & Gardens in honor of his father, J.K. Lilly, Jr., who spent a lifetime amassing great collections of rare books, coins and stamps, as well as American firearms and military miniatures. A private man, his father built a museum behind his home and shared his collections with few others.
But JK Lilly III took a different approach when establishing Heritage Museums & Gardens. He hoped that his museum would provide a range of educational and enjoyable experiences for many visitors “beyond Sandwich and beyond Cape Cod.” In order to augment the collection he acquired from his father’s estate, Lilly collected thousands of items in a short amount of time. This allowed him to present a broad overview of his ideas about the “excellence and ingenuity of American craftsmen.”
Heritage Collection Showcases Americana
The Heritage Collection, in a separate building (where there is also the historic carousel you can ride) highlights art and artifacts from Heritage’s collection of more than 12,000 items. Beautiful paintings, rare objects, and the famed military miniatures offer examples of American ingenuity and excellence, and collectively, provide a revealing portrait of American culture over time.
The Heritage Collection presents Heritage’s permanent collection in four themes that permeate American history – sense of place, home, work and conflict of ideas. Each object seen here, pivotal or humble, tells a story about our history, about ourselves, and like all good history, about our future. Exhibit highlights include: beautiful paintings, rare objects, carved birds by A. Elmer Crowell, and the famed military miniatures offer examples of American ingenuity and excellence. . Indeed, it is very much like the experience you have when you visit the Smithsonian Institution in Washington DC.
Children of all ages will enjoy taking a whirl on the carousel in the building housing the Art collection (you can pretty ride as many times as you like).
Made by Charles Looff in 1908, the antique hand-carved carousel has been thrilling riders for a hundred years.
Gardens of Delights
The grounds are simply breathtaking – magical even. I watch as a new garden is being created: it is a test garden for North American Hydrangeas – varieties not seen before on the market –to see how the varieties grow. We come upon a Fringe Tree – massive and delicate, like nothing I’ve seen before.
Most fun is how you come upon visual delights, from the Old East Wndmill, to the Labyrinth, to the Garden Maze, to Hidden Hollow, to a series of outdoor art-installations which connect to the natural world.
There is the most magnificent lily pond with a flume that creates a sculpted waterfall, outdoor art installations (that are like a scavenger hunt).
As you walk about the grounds, you come upon the Old East Windmill, built in 1800 in Orleans, Massachusetts, served that community for 93 years grinding wheat, rye, barley and salt from the local salt works. During the Civil War, the windmill also ground corn meal to be used as field rations for Union soldiers. In 1968, the windmill was sold to Heritage’s founder and moved to its present location.
Opened in 2004, the Hart Family Maze Garden was designed to capture the mystery and intrigue of exploration that characterizes a classical maze while providing a format for display of Heritage’s vine collection. Inspired by the site’s views of the surrounding landscape, the New England climate and the vines themselves, the maze uses a range of materials. A combination of evergreen and deciduous vines and hedges alternately create opaque walls and transparent windows the outside depending on the season. Throughout the season, the maze will feature such flowering vines as wisteria, clematis, honeysuckle, silvervine fleeceflower, Japanese hydrangea vine and five-leaf akebia.
Throughout the grounds, you will come upon these marvelous art installations – 10 in all – that have connection to the natural world and the environment – like a scavenger hunt for kids to find them all. Each year there is a similar, juried outdoor art show. This year’s is titled, “Natural Threads”.
Relatively new is Hidden Hollow – a giant tree house in a hollow in the woods where kids and adults engage in outdoor discovery activities like planting and STEM activities.
Hidden Hollow is a place for families to play in and explore the natural world. Hidden Hollow features a wide range of activity areas in which families can enjoy the outdoors together. Nestled in a two-acre dry kettle hole, its unique topography offers a stimulating and beautiful outdoor setting for discovery and learning.
Children can climb stepping stumps, navigate log balance beams, construct forts, create nature-inspired art, build with blocks, dig in sand, experiment with water, make music, engage in sensory investigation with plants, and more.
Hidden Hollow is one of New England’s first certified Nature Explore Classrooms, a joint program of National Arbor Day Foundation and Dimensions Educational Research Foundation.
This national initiative was developed to advance the understanding and appreciation of the natural world and to provide children with meaningful and positive experiences with nature.
Indeed, you may well come upon the children from Heritage Museum’s new Relatively new: 100 Acres School, a private pre-school focused on STEM education, where the 100 acres of the museum and gardens are the outdoor classroom where kids get to experiment, learn about plants, etc. The curriculum is being tested for use in other cities and the plan is to develop an online curriculum that can be adopted more broadly.
Adventure Park: See Forest from ‘Squirrel’s Perspective’
There is also a new adventure park where you can see the forest from “a squirrel’s perspective”.
Located on four wooded acres on Heritage-owned land that has not been previously open to visitors, The focus of the Adventure Park is to provide a forest experience – in the air and on the ground -, with many opportunities for learning about forest formation, history, workings of a forest ecosystem, interdependence and interactions within forest ecosystems, forest succession and human impact on ecosystems
There are five aerial trails through the treetops. Over 60 tree to tree bridges and 7 zip lines challenge your strength, strategy and balance. Like a ski mountain, each trail is color coded for difficulty, allowing beginners to experts to select their own challenges. Climbers as well as non-climbing observers will also enjoy the interpretive pathways on the ground, filled with educational information about the forest ecosystem.
The aerial trails afford views of some of the nicest Rhododendrons on the property. You get to see a typical New England forest ecosystem that includes several tree species, high bush and low bush blueberries, mountain laurel and other shrubs and may well see squirrels and chipmunks and a variety of local birds, including chickadees and finches, and if you are lucky, Heritage’s resident red-tailed hawk.
The Adventure Park is so popular, you need to buy a timed ticket (which you can do in advance).
Heritage’s history Goes Back to Early Settlement
The tract of land now known as Heritage Museums & Gardens played an important role in the history of the town of Sandwich. In 1677, Lydia Wing Hamilton Abbott was the first resident to live on the land. As the widow Hamilton, she resided with her two sons on a spot near what is now the Special Exhibitions Gallery just south of Upper Shawme Pond. She lived there in great poverty despite a second marriage and assistance from her family and the Quakers of the town. After her death, Lydia’s brother Daniel Wing, Jr., and his two sons, Samuel and Zeccheus, bought Lydia’s little house, now known as Orchard House. Samuel, his wife and six children lived in the house until the children married and moved away. Much of the Wing family farm remains part of the grounds of Heritage. Although members of the Wing family have not lived on the property for years, their heritage remains a vital part of our history.
The internationally-known Charles Owen Dexter, a successful textile manufacturer in New Bedford, was the next owner of the land. He bought the property, then known as Shawme Farm, in 1921. A true renaissance man, he was active in civic affairs as well as a photographer, violinist and yachtsman. At the age of 59, Dexter was told that he wouldn’t have long to live which led him to purchase Shawme Farm. However, despite the warning, he lived for another 22 years. Beginning in 1921, Mr. Dexter and his wife spent summers at the farm and for the next 15 years he worked in his garden hybridizing plants. He started with vegetables and expanded his interests to rhododendrons.
The Lilly family, originally from Indianapolis, Indiana, spent their summer vacations in Falmouth, so when Josiah Kirby Lilly wanted to found a museum dedicated to his father, he chose Cape Cod.
Lilly first thought that he would create an automobile museum, but after researching other institutions, he decided that it would not have a broad enough appeal. It was after his father’s death in 1966 that the idea of creating a public place to house several of the Lilly family collections began to take shape.
After J. K. Lilly, Jr. died, his son bought the antique firearms and military miniature collections from his father’s estate. With architect Merton Stuart Barrows and landscape architect Philip Ansell, he planned the buildings and grounds to be a suitable background to showcase the collections. They decided on a replica of the Round Barn from the Shakers of Hancock Village in Pittsfield, Massachusetts for the cars. A replica of the Temple of Virtue from New Windsor, New York, where George Washington awarded the first Purple Heart to a soldier, was selected to hold the antique firearms and the military miniatures. Plans were made to add the gatehouse (ticket office and museum store) and the Old East Mill, from Orleans. In 1971, to entice more women to the museum, Mr. Lilly bought the Charles I. D. Looff carousel. Housed in a building built especially for its display, the carousel would be joined by three galleries holding American art.
Today the Museum serves more than 100,000 visitors annually who come from around the world to visit.
An an outdoor stage, family friendly concerts are presented Fridays 9-5, offering an entire day of activity. The theme this year is movies, such as “Cinderella,” “Neverland,” and “Beatrix Potter Day.” (And check out the schedule for special evening activities and lectures).
Bring a picnic or purchase food from the bistro-style Magnolia Café.
It is easy to spend a full day (or more) at Heritage Museums & Gardens, enjoying both The Adventure Park and the main museum grounds including the Auto Gallery, the Carousel, the Windmill, and the various gardens and indoor exhibits. You’ll need at least 2.5 hours for The Adventure Park and at least 2 hours for the museum (and you need a timed ticket to visit the Adventure Park). Save time and pre-purchase tickets.
And if you are planning to visit more than one time during the season, it is really worthwhile to purchase a family membership. (Open daily, mid-April to mid-October, 9 am-5pm).
Dan’l Webster Inn & Spa is Perfect Time Capsule to Cocoon Visit
By Karen Rubin, Travel Features Syndicate
It’s remarkably easy to feel you have stepped back in time and forget what century you are actually in, in Sandwich, the first village settled on Cape Cod, in 1637. Sandwich is an enchanting jewel where history, exquisite architecture, fascinating attractions abound in a compact, walkable town, a short distance from the delightful Sandy Neck beach as well as the Cape Cod biking trail. It is quintessential New England, an idyllic place to visit, to stay, to make your hub for exploring Cape Cod. What is more, it is a real place where people live year-round, not just in summer, giving it much more substance than a place built around tourists.
And so, when I sought to choose a place that would express quintessential New England – encapsulating its architecture, heritage and culture – to a California girl who had never been to this part of the country before, I honed in on Sandwich.
It is also the first village you come to when you drive over the Sagamore Bridge – which means that you avoid hours of traffic that holiday-goers face getting to and from other popular places, like Hyannis, Chatham, and at the furthest point, Provincetown. Instead, you can make Sandwich your base and, if you have exhausted all the fascinating places to explore in Sandwich (not likely), you can have day trips to explore the Cape Cod National Seashore, bike the Cape Cod Rail Trail (Cape Cod is one of the best biking destinations anywhere) and, just 30 minutes drive away, Falmouth and Woods Hole which offer a score of other fascinating attractions as well as beaches.
Many of these quaint historic houses and buildings (including a church) have been turned into the most charming bed-and-breakfast inns, but if you want to extend your time travel back to when the Patriots were debating revolution, the best place is the Dan’l Webster Inn and Spa, very much at the heart of the village. It is also is the most substantial in size, amenities and services, offering the best of past and present.
The Dan’l Webster is a 48-room country inn which remarkably maintains its historic feel and character even though it is totally rebuilt (the original was destroyed by fire in 1971) and has undergone a $2 million renovation. Each of the 48 guest rooms and suites are appointed with exquisite period furnishings, canopy and four-poster beds, fireplaces and oversized whirlpool tubs.
The present inn sits on property that was once a parsonage, built in 1692 by Rev. Roland Cotton; in the 1750s, it was converted in the Fessenden Tavern, one of the first and most famous of New England’s taverns and a Patriot headquarters during the American Revolution (the Newcomb Tavern, just across the pond, served as Tory headquarters).
In the late 1800s, the inn, then known as the Central House, hosted famous visitors including President Grover Cleveland and poet Henry David Thoreau. In 1980, the Dan’l Webster was acquired by the Catania family, which operates the popular Hearth n’ Kettle Restaurants, as well as the John Carver Inn in Plymouth and, most recently, the Cape Codder Resort, in Hyannis.
The Catania family acquired the Dan’l Webster and have restored it with exquisite taste and respect for its importance – there are antique furnishings and Sandwich glass. The Catania family also acquired the historic house next door.
A marker outside the house tells the story: Nancy Fessenden married Capt. Ezra Nye in 1826 and moved into the house following their wedding. She was the daughter of the innkeeper (now the Dan’l Webster Inn). Nye was a famous captain who broke the speed record by sailing his clipper ship from Liverpool in 20 days, in 1829. The house was restored by the Dan’l Webster Inn in 1982 and accommodates four luxury suites, each named after prominent people associated with the inn, dating back to 1692.
The Dan’l Webster has become an award-winning hotel, spa and dining destination. Recognized as a Distinguished Restaurant of North America (placing it in the top 1% of restaurants in the country) it offers a choice of the casual Tavern at the Inn. the cozy Music Room or the more formal (and romantic) ambiance in a lovely glass enclosed Conservatory. The four lovely dining rooms offer a choice of settings; candle-lit, fireside dining in the Music or Webster Rooms garden-side dining in the sun or moonlit Conservatory, cozy dining in the tavern or au natural dining outside on the patio. Several times during the summer, it also offers dinner and live entertainment.
The Tavern at the Inn is an authentic replica of the two-centuries-old tap room where Daniel Webster made regular visits. It also served as the meeting place for local Patriots during the Revolution.
The menu includes traditional favorites such as prime rib and filet mignon, alongside creative, contemporary entrees and seasonal dishes. Its wine cellar received The Wine Spectator’s prestigious Award of Excellence.
Its full service Beach Plum Spa, which Cape Cod Life has named Best Day Spa since 2006!, features body massages (romantic and holistic healing), manicures, pedicures. The spa figures prominently in the inn’s getaway packages, such as a Girls Overnight Getaway (includes Cranberry Pedicures with Cosmo Martinis, 50-minute Massages, Beach Bliss Customized Facials, spa gratuities and $50 toward meals); Suite Deal Package (includes 1 night plus 50-minute Beach Plum Wellness Massages, spa gratuities, chocolate and $50 toward meals); and Countdown to Baby Package (select 1 or 2 nights plus receive Beach Bliss Customized Facials, 50-minute Massages like a Mama Massage for the Mother-To-Be, Cranberry Spa Pedicure, bottle of non-alcoholic sparkling wine, chocolates, spa gratuities, $60 toward meals and a special gift for the baby).
The Dan’l Webster received TripAdvisor’s 2016 Certificate of Excellence award for the 6th year in a row for dining and lodging., as well as the Cape Cod Life Reader’s Choice Awards as Best Bed & Breakfast/Inn and Best Resort/Hotel.
In addition to the Dan’l Webster Inn & Spa, the Catania family also owns and operates:
Cape Codder Resort & Spa in Hyannis (capecodderresort.com) which is opening a new indoor waterpark, and offers 260 stately guest rooms and luxury, fireplace suites, on-premise dining in the Hearth ’n Kettle Restaurant or Grand Cru Wine Bar & Grill, plus the Cape’s largest Full-Service Spa, the Beach Plum Spa & Med-Spa, catering to men, women and children
Cape Codder Residence Club (capecodderresidenceclub.com), a premier fractional ownership property, located on the site of the Cape Codder Resort & Spa so that owners enjoy the benefits of a luxurious one, two or three bedroom residence plus world-class resort amenities, concierge service and options to exchange accommodations around the world.
John Carver Inn & Spa (johncarverinn.com) a full-service resort with indoor Pilgrim Cove theme pool and spa located on the site of the original Pilgrim settlement, only steps away from Plymouth’s many historic attraction
The Hearth ‘n Kettle Restaurants (hearthnkettle.com), in Hyannis, South Yarmouth, Orleans, Plymouth, and Weymouth, serving “Cape Cod Fresh” cooking for breakfast, lunch and dinner daily.
It’s remarkable how much there is to explore within steps of the Dan’l Webster Inn’s front door (where you will find a carriage, as well as stocks the Puritans used) – especially on a quiet, cool summer’s night with the glow of street lights.
Here you see the major ingredients to settlement: homes that bear the names of the ship captains who commanded the packet ships and clippers that made this area a mercantile center; the Sandwich Glass Museum, where a revolutionary process made glass available to the masses; the Dexter Gristmill, so important to farmers, it made the village a hub; a perpetually flowing fountain where residents come even today with their jugs to fill the pure water; scores of churches, several which have been converted to private uses, like the Belfry Inn and Bistro in a former Catholic church (built 1901), and the First Parish Meetinghouse, dating back to 1638, which, improbably, has become a private home (and during our visit, we take advantage of an estate sale).
Many of the homes have historic name-plates and dates – a program by the Sandwich Historic Commission to highlight the depth of history in Sandwich and to recognize the original owners who built Sandwich and are an interwoven part of its history. It really connects the buildings to the people, so they are not simply structures but embodiments of a personal story.
What built Sandwich, though (and likely the reason that so many of its magnificent buildings reflect the prosperity of the early-1800s) was that in 1825, Deming Jarves built a glass factory (down by the site of the current Boardwalk). The factory grew rapidly to be one of the largest producers in the country with over 500 workers producing over five million pieces of glass annually by the 1850s. The technique made Sandwich glass objects affordable to the masses. By the 1880s, labor strikes, an economic depression, and new factories being built further closer to natural gas fuel sources forced the factory to close.
The Sandwich Glass Museum houses original pieces created during the 1800’s and provides demonstrations of glass blowing techniques. The museum’s theater shows a great documentary of the history of Sandwich. Throughout the village there are several glass blowers and artists with open studios to visit, creating a dynamic center for contemporary glass art (120 Main St., 508-833-1540, www.sandwichglassmuseum.org).
A short walk from the Dan’l Webster Inn is the Dexter Grist Mill, a working grist mill since 1654 where you can still buy ground cornmeal, or draw fresh water from the well (as many locals do for their personal supply).
The Hoxie House, built in 1675, was lived in until the 1970s but was never modernized with electricity or plumbing. This saltbox is named after a whaling captain who owned the house in the mid-1800s. it is now a wonderful little museum house showing what family life was like in the 1600s.
Most fascinating is how many major religious buildings there are in Sandwich, and how many have been converted for secular use, very likely in keeping with Sandwich’s own tradition: the Puritan authorities of Plymouth branded Sandwich a “lax” town because church attendance and support were low, Native Americans were allowed to worship and Quakers were not shunned as in other Puritan communities. Indeed, at a time when the Pilgrims promoted anything but religious freedom and persecuted non-Puritans, Sandwich allowed Quakers to worship freely. The Sandwich Quaker Meetings are the oldest continuously kept Friends Meetings in the United States.
Most interesting is the building that was originally the First Parish Meetinghouse, dating back to 1638. It boasts a most magnificent clock tower, a gift to the people of Sandwich in 1808 from Titus Winchester, a former slave who had been freed by his master, Reverend Abraham Williams in 1784, and went on to great success. The four-faced clock we see today was installed in 1878 by Jonathan Bourne, a New Bedford whaling tycoon. It has since become a most extraordinary private residence, and we happen by as an estate sale is going on.
Benjamin Nye Homestead & Museum, is the 18th-century home of one of the first 50 men who settle in Sandwich (I take note that it is the same name as the Captain Nancy Fessenden married).
Also, the Wing Fort House, built in 1641, the oldest house in New England continuously owned and occupied by one family (63 Spring Hill Rd., 508-833-1540).
A short distance away, you can visit the Green Briar Nature Center & Jam Kitchen (6 Discovery Hill Road off Route 6A), which celebrates author and naturalist Thornton W. Burgess, who wrote the Peter Cottontail stories. There are nature programs, nature trails, a working 1903 Jam Kitchen, jam-making classes (508-888-6870, www.thortonburgess.org).
We also get to sample a regional specialty of Cape Cod: quahog –a clam exclusively here. A local restaurant, Marshland, has own recipe, showcased on the Food Network which has brought foodies from far and wide. It is a homey place that is a cross between a diner and a café and offers really marvelous home-cooked food.
I relish the proximity of the Dan’l Webster Inn to the Cape Cod Canal and the 6.2 mile-long paved path for biking, roller blading or just walking (the banks of the canal are also popular for fishing). It is close enough to bike from the inn to the start of the trail. Along the trail, you can visit the Aptucxet Trading Post, built by the Pilgrims in 1627 to facilitate trade with the Dutch at New Amsterdam and the Narrangansett Indians.
The Cape Cod Canal is a marvel (there is a visitor center on the mainland side that tells the history). The canal was constructed in 1914 – up until then, there were a tragic number of ships that were wrecked trying to sail around the peninsula. But it is astonishing to learn that interest in building the canal dated back to the earliest settlers: in 1623, Pilgrims scouted the area as the place best suited for a canal. In 1697 the General Court of Massachusetts considered a formal proposal to build a canal, but no action was taken. In 1776, George Washington, concerned about its military implications, had the location examined. But it wasn’t until 1909 that construction started (60 Ed Moffitt Dr., 508-833-9676, www.capecodcanal.us).
Not to be Missed: Heritage Museum & Gardens
In a village of many substantial attractions and places of interest, what truly stands out is the Heritage Museum & Gardens – a destination attraction that can stand on its own to draw people to Sandwich, just as the beaches draw people to Cape Cod. It hits on a spectrum of cylinders – the vast, stunning and notable gardens, the JK Lilly III collection of cars and art, as well as art inside and out, the way it engages people of all ages – such as at the Hidden Hollow, a giant treehouse in a hollow where you are invited to participate in planting and other activities (you feel like an elf or those tiny creatures in the EPIC animated movie).
This year, the special exhibit on view is “CUT! Costume and the Cinema,” featuring 43 costumes representing five centuries of fashion and style as interpreted by award-winning costume designers and worn by favorite stars, which are presented along with props, movie clips and photos and movie memorabilia which you can see in very close proximity. There is also – imagine this – an adventure center where you can get a “squirrel’s perspective” of the forest. You should allocate the better part of a day to visit. (Heritage Museums & Gardens, 67 Grove Street, Sandwich, MA 02563, 508.888.3300, www.heritagemuseumsandgardens.org, open daily (See story).
Sandwich offers easy access to other marvelous places to visit on Cape Cod, but you should spend at least a day on the other side of the Sagamore Bridge, in Plymouth, to visit a score of historic attractions associated with the Pilgrims, including the Mayflower II (only recently reopened) and Plimoth Plantation (one of the best living history museums anywhere).