Category Archives: Museums and Exhibits

‘The Holocaust: What Hate Can Do’ at Museum of Jewish Heritage Holds Lessons, Warning for Today

Seeing the faces, meeting “ordinary people living through extraordinary times,” whose lives, and world were turned upside down, and seeing the same worrying patterns today, is the point of “The Holocaust: What Hate Can D,” the new exhibition at the Museum of Jewish Heritage-A Living Memorial to the Holocaust.  © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The visit to the Museum of Jewish Heritage’s new exhibit, “The Holocaust: What Hate Can Do” kind of bookended for me my recent trip to Europe, where I started in Prague and visited the Jewish Quarter and Shoah Memorial, on through Dresden, Meissen, Wittenberg and Magdeburg t, into Berlin. In Dordrecht, Netherlands, I walked on a sidewalk with metal plaques recalling the names of the Jewish families taken from here, and onward to Amsterdam where I visited its Jewish Quarter, with its Holocaust Memorial and Jewish Museum (couldn’t get into the Anne Frank house though because tickets book up well in advance.)..

In this exhibit, I see the faces and personal effects of people who would have come from these places – a shaving brush that belonged to Yaacov Mordechai Satt in the Lodz ghetto has a hollowed out handle as a hiding place for a gold chain given to him by his mother; a piece of soap given to Esther Tikotzki to wash with after she was deported to Theresienstadt (Terezin), just outside Prague; a wooden ornament made by a pharmacist, later murdered at Auschwitz, given to Erika Jolinkova who was deported from Prague with her school friend Gertrude Jojtasova to Theresienstadt (Terezin).

A shaving brush that belonged to Yaacov Mordechai Satt in the Lodz ghetto has a hollowed out handle as a hiding place for a gold chain given to him by his mother © Karen Rubin/goingplacesfarandnear.com

The Museum of Jewish Heritage is devoted to keeping alive the lessons of the Holocaust, which are resonating with all the more volume and pitch today. Putin’s brutal, torturous invasion of Ukraine. The Christo Fascist Supreme Court ending women’s reproductive freedom, autonomy and self-determination, immediately turning half the population into 3/5 of a person. Deciding cases based on Christian orthodoxy; overturning the Separation of Church and State, from Hobby Lobby to allowing a coach to proselytize to players. Marginalizing gays, criminalizing speech, banning books, an attempted violent overthrow of a democratically elected government. A record number of antisemitic hate crimes, as political terror, intimidation and violence take hold in mainstream political life.

What you realize as you go through the first floor of the exhibit is how the cancer takes hold – starting slow and steadily but the coup de gras coming even overnight. Women in the United States can now see this exhibit with different eyes, having gone to sleep believing they had freedom and equality and waking up second-class citizens, lacking bodily autonomy, self-determination and in some places, having their movements tracked and their ability to travel curtailed.

And implicit is the question of the choices and decisions that are made. “Who could have imagined?” can no longer be an excuse for standing by.

“Sadly, the exhibit has taken on new urgency: resistance, immigration, invasion taken on new meaning,” says Michael Berenbaum, consulting curator. “Solidarity in the wake of evil takes on new meaning. We thought this was ancient history. We little imagined how vital the message is in this day, in our time.

“Sadly, the exhibit has taken on new urgency: resistance, immigration, invasion taken on new meaning,” says Michael Berenbaum, consulting curator. “Solidarity in the wake of evil takes on new meaning. We thought this was ancient history. We little imagined how vital the message is in this day, in our time. Events that gave rise to Holocaust are thought to only be in the past, but echoes in our world.” © Karen Rubin/goingplacesfarandnear.com

 “Events that gave rise to Holocaust are thought to only be in the past, but echoes in our world. This reminds people…They understand more clearly what it means to fight for honor, to resist. They understand when seeing people fleeing for life, they need to be welcomed. If this causes people to think twice, to reflect, to imagine what you can do to make a better world, then we have succeeded,” Berenbaum says during a press preview.

This major new exhibition at the Museum of Jewish Heritage – A Living Memorial to the Holocaust that has just opened, The Holocaust: What Hate Can Do offers an expansive and timely presentation of Holocaust history told through personal stories, objects, photos, and film—many on view for the first time. 

The 12,000-square-foot exhibition features over 750 original objects and survivor testimonies from the Museum’s collection. Together, these objects tell a global story through a local lens, rooted in objects donated by survivors and their families, many of whom settled in New York and nearby places, which is resonating with eerie and frightening relevance today.

In keeping with the Museum’s mission to educate people of all ages and backgrounds on the broad tapestry of Jewish life before, during, and after the Holocaust, the exhibition features countless beginnings, middles, and too many endings that make up the stories of The Holocaust: What Hate Can Do. Each room, and each object, contains generations of experiences and information about who Jews are, what sustains Jewish communities, and what life was like during the period of European modernization, World War I, and the political and social movements that brought about the rise of the Nazi Party. Within the Holocaust experiences of legalized racism and fascism, pogroms, ghettos, mass murder, and concentration camps are instances of personal and global decision-making, escape, resistance, and resilience, and ultimately liberation and new beginnings. 

“The title of our new exhibition speaks to our institution’s very reason for being,” says Museum President & CEO Jack Kliger. “Antisemitism and fascism are again on the rise throughout the world. Right here in New York, we have witnessed not only a surge in antisemitism but an uptick in violence and harassment targeting many marginalized groups. The time to speak out and act is upon us, and it is urgent. We hope The Holocaust: What Hate Can Do will educate and inspire our visitors and honor those who perished in the Holocaust, whose memories are a blessing.”

At the opening of “The Holocaust: What Hate Can Do”at the Museum of Jewish Heritage: Paul Salmons, consulting curator and creative developer; Michael Berenbaum, consulting curator; Bruce Ratner, chairman of the board of the Museum of Jewish Heritage, Toby Levy, Holocaust survivor and member of Speakers Bureau; Jack Kliger, president and CEO of the Museum © Karen Rubin/goingplacesfarandnear.com

Paul Salmons, consulting curator and creative developer of the digital guide that accompanies the exhibit, and is available to all on Bloomberg Connects, raises the question of “what was known, what choices, what decisions, what significance of their action. The Holocaust is not a story of faceless victims or bystanders. It is a profoundly human story. That was our challenge when we created the audio guide. The intensely personal stories behind the artifacts, the documents, the personal  stories of ordinary people living through extraordinary times.”

The exhibit also tells the story of resistance, escape and survival © Karen Rubin/goingplacesfarandnear.com

Indeed, so many of the objects on view are those everyday items –an engagement ring fashioned from a silver spoon given by Eli Rigman to Henny Rosenbaum on August 22, 1943, to mark their engagement while they were imprisoned in the Riga ghetto. She kept it on even after Eli was killed cleaning minefields, even as she was deported to several camps and during forced labor in 1944, her fingers swelled from the cold causing the ring to crack, even so, she kept the engagement ring on”. There is a photo that brings chills, of the happy couple celebrating with their friends, another photo of Henny Rosenbaum from 1937 shows this happy young woman.

An engagement ring fashioned from a silver spoon given by Eli Rigman to Henny Rosenbaum on August 22, 1943, to mark their engagement while they were imprisoned in the Riga ghetto. She kept it on, even after Eliwas killed cleaning minefields, even as she was deported to several camps and during forced labor in 1944, her fingers swelled from the cold causing the ring to crack, even so, she kept the engagement ring on.” © Karen Rubin/goingplacesfarandnear.com

They create a thread for the visitor to follow one family – the bag used to scavenge scarce food in the ghetto, the cooking pot the family used. The wonder is how they were able to trace back these objects to the people, connect with their stories, even photographs.

“We address common myths and misconception that Jews didn’t fight back or resist.” On display is a shirt that one of the freedom fighters wore in the forest – there were 30,000 Jewish partisan fighters in the forests of Eastern Europe. They fought the German occupation and rescued Jews – 1200 Jewish refugees lived in one camp which had its own medical center and school.

“We were unrecognizable as women.” © Karen Rubin/goingplacesfarandnear.com

They fought back and resisted in other ways, as the exhibit shows. Fighting the dehumanization, they fashioned ID bracelet;  a Star of David necklace made by Margit Rosenfeld in Auschwitz using material from the inside of her shoes and brown thread from her garments. “Something of their identity, their past life in a place of utter dehumanization.” They also secretly observed religious service, taught school, some were able to create art, music.

A Star of David necklace made by Margit Rosenfeld in Auschwitz using material from the inside of her shoes and brown thread from her garments. “Something of their identity, their past life in a place of utter dehumanization.” © Karen Rubin/goingplacesfarandnear.com

The films that have been made, the powerful survivors testimony, and the audio notes narrated by … are available to museum goers as well as people who do not personally visit, on Bloomberg Connects app, which can be downloaded for free. The Bloomberg Connects partnership allows access to the museum’s collections and educational resources. “The partnership demonstrates the commitment of the museum to make this vital story accessible.”

Toby Levy, a Holocaust survivor and a member of the museum’s Speakers Bureau, relates, “The year I was born, in Poland (now Ukraine, near Lebov), was the same year Hitler came to power.  Jews lived in this place for 1000 years. Life was OK. My father was a merchant – I don’t remember much. We lived nicely until 1939. In a divided Europe, our part was in Russia. But in 1941, Germany broke the pact. We tried to run, but there was no place to run. We were locked in and out. No help from anywhere, especially in my part of Poland. The first day the Germans walked in, they made it clear who they are and who we are and where we’re going.

Holocaust survivor Toby Levy, a member of Museum of Jewish Heritage Speakers Bureau:“I have my revenge. I am alive, enjoying my life, have Jewish children, grand children, great grand children.” But she warned against “revived anti-Semitism. I’m scared now, not for me – I’m old – but for my children, grandchildren. Everyone must become a witness. Be a witness for me when I’m gone.” © Karen Rubin/goingplacesfarandnear.com
 

“My father realized immediately that none of us will make it, even though my father had been a German soldier in World War I. He realized these weren’t the same Germans, that the Germans were lying. Germans used the language of deception when they said they would relocate Jews. There were 5000 Jews in our town. Some say Jews followed like sheep. But we had no place to go.

“My father approached many people to try to find someone who would hide us. Stephanie Struck said she would. We were a family of four, then my aunt and uncle and their children, grandparent, we became 9 people. Two Ukrainians saved 9.” The family remained in hiding in her barn from 1942-1944.

“In hiding, my father talked had a tallit and whatever money he had; he gave material to Stephanie for food.  We were four children – 4, 6, 8, 12 years old. I was 8. My father tried to teach us not to hate. “Hate will bring you to where you are today. Be kind, be moral, be a good person.”

“I have my revenge,” she says. “I am alive, enjoying my life, have Jewish children, grand children, great grand children.”

But she warned that antisemitism is very much revived. I’m scared now, not for me – I’m old – but for my children, grandchildren. Everyone must become a witness. Be a witness for me when I’m gone. Understand what it is to be antisemitic. That’s how started in Germany – language, media has to understand what anti-Semite is. Colleges are full of it. Our children are not prepared because they take for granted [religious freedom in the United States].”

Indeed, one of America’s great historic figures, a leading capitalist, Henry Ford, was a leading proponent and propagandist for antisemitism. I knew he was an anti-Semite but did not realize that he propagated antisemitism through his newspaper, in which he serialized the Protocols of the elders of Zion.

A Brazilian edition of “Protocols of the Elders of Zion.” © Karen Rubin/goingplacesfarandnear.com

“The Protocols of the Elders of Zion fabricated records detailing secret meetings of Jewish leaders planning world domination – is the most widely circulated antisemitic text of modern times,” the notes that accompany copies say. Plagiarized from a 19th century French book unrelated to the Jews, Protocols (author unknown) it  was first published in Russia at the turn of the 20th century. In 1920 Henry Ford used it as the basis for ‘The International Jew’ article series in his newspaper. In 1938, American priest Father Charles Coughlin serialized The Protocols in new newspaper, ‘Social Justice,’ and  the book played an important role in the Nazis’ antisemitic propaganda campaign. “Some still believe its claims today.” Indeed, the imagery of an international Jewish cabal of financiers and media moguls is being used by MAGA candidates and elected and is so often connected to charges of those who advocate for social justice and economic opportunity as socialists and communists.

So it is understandable why Henry Ford, a pioneering industrialist, would embrace anti-Semitism.

The exhibit notes, “Antisemitism flourished in early 20th century America. The Great Wave of Immigration (1881-1914) brought 2.2 million Eastern European Jews to America, fleeing persecution and seeking opportunity. They were often met with suspicion, and even violence. The 1917 Russian Revolution raised fears of Jewish immigrants being internationalists and Bolsheviks. In 1915, an Atlanta mob hung Leo Frank, accused of murdering a 13-year old girl. During the 1920s, the Ku Klux Klan targeted Blacks, Catholics and Jews. Car manufacturer Henry Ford published the International Jew in his Dearborn Independent newspaper. Based on the Protocols of the Elders of Zion, which described an international Jewish ruling conspiracy, the article series alleged such a conspiracy was infiltrating America. It ran from 1920 to 1924, reaching hundreds of thousands of readers.”

Antisemitic caricature depicting Jews profited from the war, likely World War I. © Karen Rubin/goingplacesfarandnear.com

(Also on view is a letter of apology that Henry Ford was forced to write under a legal settlement after being sued by for by Jewish publisher Herman Bernstein for libel against himself and against the Jews of America. See https://mjhnyc.org/blog/herman-bernsteins-fight-for-truth/).

The letter of apology that Henry Ford was forced to write under a legal settlement after being sued by for by Jewish publisher Herman Bernstein for libel against himself and against the Jews of America is on view.

It is an important exercise to see how antisemitism is cultivated, developed, spread and used as a weapon of power – the theme that dominates the first floor of the exhibit – and then the effect on ordinary people, how their lives are upended, a dominant theme of the second-floor of the exhibit.

There were efforts to sound the alarm in the United States and in the world that were ignored © Karen Rubin/goingplacesfarandnear.com
 

But there is a flip side – the story of resilience, resistance and survival – and ultimately the responsibility of the others – the leaders of other countries, the foundations and organizations, the bystanders. The exhibit concludes with the formation of Israel, the immigration of Jews to America and other places, the Nuremburg trials which were supposed to make Hitler-wannabes think twice.

“America must act now.” An advertisement in the New York Times pleading for help for Jews © Karen Rubin/goingplacesfarandnear.com

I learn for the first time of the Ritchie Boys – German-Jewish refugees, originally considered “enemy aliens” who were recruited to be an advanced intelligence combat unit. Trained at Fort Ritchie, Maryland, they were returned to Europe where they had just escaped, risking their lives to use their linguistic and cultural skills for combat, interrogation and lie detection. They fought in major battles and succeeded in gleaning tactical information from captured German soldiers. After the Allied victory, the Ritchie Boys interrogated thousands of war criminals and civilians. We meet “Ritchie Boy” Fred Neumann who emigrated to the US in the 1930s, enlisted in 1942, and worked as an interrogator and investigated the Ohrdruf and Buchenwald concentration camps.

“Ritchie Boy” Fred Neumann emigrated to the US in the 1930s, enlisted in 1942, and worked as an interrogator and investigated the Ohrdruf and Buchenwald concentration camps. © Karen Rubin/goingplacesfarandnear.com

“Working on The Holocaust: What Hate Can Do has been one of the high points of my professional career,” says co-curator Judith Tydor Baumel-Schwartz, Professor and Director of Holocaust Research in the Department of Jewish History and Contemporary Jewry at Bar-Ilan University in Israel. “As a historian specializing in the Holocaust, I have always taught my students, through stories and documentation, about what happened, and why it happened. Here, for the first time, I can actually show people how it happened and to whom it happened through hundreds of objects and graphics, most from the Museum’s collection, via the stories of the people behind the artifacts, through wall texts and an audio guide, documentary films and survivor testimonies, all put together in a unique and thought-provoking display. The Holocaust may be part of the past, but hatred, and what it can do, are very much part of our present. This path-breaking exhibition serves as a stark reminder of what can happen if that hatred is not stopped in time.”

The exhibition was curated by a team of esteemed Holocaust scholars, historians, and Museum curators that included Professor Baumel-Schwartz, Scott Miller, Ilona Moradof, and Rebecca Frank, and consulting curators Professor Michael Berenbaum and Paul Salmons. The Scholars Advisory Group included Dr. Mehnaz M. Afridi, Dr. Charles L. Chavis, Jr., Rabbi Sholom Friedmann, Atina Grossman, and Paul Wasserman. 

“It is a particular point of pride for our institution that this exhibition gives new life to the Museum’s collection. The hundreds of artifacts, many of them donated by survivors, that visitors will experience were all donated to our institution with extraordinary trust and vision, and we are grateful. Each offers up its own story, and together these artifacts present an irrefutable record of history,” says the Museum’s Chairman of the Board of Trustees, Bruce Ratner. 

The Holocaust: What Hate Can Do is the Museum’s first exhibition to open in its core galleries since its award-winning and widely acclaimed Auschwitz. Not Long ago. Not far away. concluded last spring.

“We are proud and honored to be long-time supporters of The Museum of Jewish Heritage, an eternal memorial to those who perished, but also a beacon of hope: the hope that through learning from history we can avoid repeating the tragedies of the past. We are privileged to support this important new exhibition and the expansion of the Museum’s vital educational mission,” says Lily Safra, Chairwoman of the Edmond J. Safra Foundation, a lead funder of the exhibition.

The Holocaust: What Hate Can Do is an important exhibit, highlighting the impact of unchecked hatred. It is imperative that future generations understand that the Holocaust was not only a state-sponsored murder of the Jews but was, in many cases, also a communal act of complacency. Only through education can we begin to understand the outcomes bigotry and social silence inflicted on the Jewish people during the Holocaust. It is our job to give voice to the 6 million Jews who were murdered in that annihilation and to help future generations avoid the same complacency,” says Gideon Taylor, President of the Conference on Jewish Material Claims Against Germany, a lead funder of the exhibition.

Photos of Child Prisoners at Auschwitz: Auschwitz-Birkenau identification photos of child inmates were taken by Polish portrait photographer and prisoner Wilhem Brasse,, ordered to document prisoners in the camp by SS administrators. From top left to bottom right: an unidentified Ukrainian boy, Mamet Merenstein, Anatol Wanukiewicz, Anna Weclawik, Czeslawa Kwoka, Janina Bleiberg, Helena Zalewska, Jadwiga Repec, Jozefa Glazowska, Alex Meller, Krystyna Trzesniewska, and Emilia Lis.

“We were eight brothers and one sister with loving parents; only me and my brother Yankel survived. I am from Lodz and was in the Lodz and Warsaw ghettos, the Deblin and Auschwitz death camps, and on the death march from Magdeburg. As a survivor, number 189897, I feel a responsibility to teach the lessons of the Holocaust—that hate is an insidious murderer of humanity. May we never forget those who perished in the Holocaust, and may we always be courageous in standing up to hate. This is why I am so happy to support the work that the Museum of Jewish Heritage is doing, especially in such an important city like New York, that embraces its diversity as a strength,” says benefactor David Wiener.

Prisoner Number issued to Dora Krymalowska, Wittenberg, Germany, Feb. 1944-April 26, 1945. Dora Krymalowska wore this prisoner number while doing forced labor at a German airplane factory. The yellow bar signifies she is Jewish, the red triangle with black P signifies Polish © Karen Rubin/goingplacesfarandnear.com

“Eighty years ago, on May 29,1942, my great grandparents Berel and Sara Fish Hy”d and Velvel and Zissel Poltorak Hy”d perished in mass shootings alongside 287 other Jewish families (over 800 people), all of whom were relatives and friends in Yanushpol (renamed Ivanapol after the War), Ukraine,” says Eli Gurfel, a major donor. “I honor their memories with my support of the Museum of Jewish Heritage, and the importance it places on diverse Holocaust scholarship to broaden Holocaust awareness and education. As Elie Weisel said, ‘Whoever listens to a witness, becomes a witness.’ Especially given current events in Ukraine, my hope is visitors will see this exhibition and come away with broader understandings of what happens when hate and bigotry go unchecked.”

The audio tour guide accompanying the exhibition, available for download through the free Bloomberg Connects app, features narration from actress Julianna Margulies, winner of eight Screen Actors Guild Awards, three Primetime Emmy Awards, and a Golden Globe, and Eleanor Reissa, the Tony-nominated director, Broadway and television actress, prize-winning playwright, author of the memoir “The Letters Project: A Daughter’s Journey,” and former artistic director of the National Yiddish Theatre Folksbiene. Anthony Mordechai Tzvi Russell, acclaimed vocalist and Yiddishist, and actress Lauren Lebowitz are also featured on the audio guide, for which Paul Salmons Associates provided creative development (Paul Salmons, tour concept and historical interpretation; Leah Kharibian, scriptwriter).

The Holocaust: What Hate Can Do is made possible with leadership support from The Conference on Jewish Material Claims Against Germany, The Oster Family, Patti Askwith Kenner and Family, Edmond J. Safra Foundation, and Evelyn Seroy in memory of her parents Julius & Ruth Eggener. 

For more information or to purchase tickets, click here ($18/Adults, $12 ADA/Access, Seniors, Students, Veterans; FREE to children under 12 and NYC DOE K-12 students; FREE to Holocaust Survivors, active members of the military, first responders).

Museum hours: Sunday, Wednesday, Friday: 10AM to 5PM; Thursday: 10AM to 8PM; closed on all other days, on Jewish Holidays, and on Thanksgiving.

A Living Memorial to the Holocaust

The Museum of Jewish Heritage – A Living Memorial to the Holocaust is New York’s contribution to the global responsibility to never forget. The Museum is committed to the crucial mission of educating diverse visitors about Jewish life before, during, and after the Holocaust. The third-largest Holocaust museum in the world and the second-largest in North America, the Museum of Jewish Heritage anchors the southernmost tip of Manhattan, completing the cultural and educational landscape it shares with the Statue of Liberty and Ellis Island.

The Museum of Jewish Heritage maintains a collection of almost 40,000 artifacts, photographs, documentary films, and survivor testimonies and contains classrooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition galleries, a resource center for educators, and a memorial art installation, Garden of Stones, designed by internationally acclaimed sculptor Andy Goldsworthy. The Museum is the home of National Yiddish Theatre Folksbiene and JewishGen.

In addition to The Holocaust: What Hate Can Do, also on view is Boris Lurie: Nothing To Do But To Try, a first of its kind exhibition on the 20th century artist and Holocaust survivor on view through November 6, 2022.

Each year, the Museum presents over 60 public programs, connecting our community in person and virtually through lectures, book talks, concerts, and more. For more info visit: mjhnyc.org/events

The Museum receives general operating support from the New York City Department of Cultural Affairs and New York State Council on the Arts.

Museum of Jewish Heritage – A Living Memorial to the Holocaust, 36 Battery Place, New York City, mjhnyc.org,646-437-4202.

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A Stone’s Throw From Daytona Beach, Finding ‘Florida as it Used to Be’

Snack Jack’s along A1A just north of Ormond Beach, retains the vibe of “Florida as it used to be.” © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

To be candid, I would not have traveled to Florida except for a special occasion presenting an opportunity to visit with family I haven’t seen in quite some time. Luckily, this is a mere week before Omnicron hit with such fury or is even a thing, but I still don’t feel Florida particularly appealing for a long list of reasons.

My destination is the immensely popular Daytona Beach area. So even though Omnicron has yet to hit and though I am triple vaxxed, because of Florida’s contempt for preventive public health measures, I remain extremely vigilant in using a mask, staying outdoors as much as possible and avoiding crowds – even the wedding I attend is a small, intimate affair held outside.

Fortunately, the Ormond Beach area, a mere few miles north of Daytona Beach, and north along the famed Highway A1A, where, my cousin – a native Floridian – takes me, is the fabled “Real Florida,” and provides the perfect setting.

Lotus Inn, a delightful boutique hotel on Ormond Beach, with its pool stunningly lit at night © Karen Rubin/goingplacesfarandnear.com

I stay in a delightful boutique hotel, the Lotus Inn, refurbished with chic touches (stunning pool, fire pit, landscaping), right on the beach, so that each morning, I can grab a cup of coffee from the lounge and walk out onto the beach before the sun rises, when the colors begin to burst in the sky.

I do this each of the four mornings of my visit, and each day, the experience is very different and dramatic in its own way – the colors most vibrant on the first day, a tad less so on the second but the experience enhanced when I discover Jeffrey Dunne, who has come out every morning to photograph the sunrise for something like 10 years, posting them and drawing his own following, as well as taking photos for visitors. There are other regulars I get to meet as well, which includes a flock of seabirds who are drawn to this one spot because of a woman who comes each day with crackers (sharing with visitors who delight in the experience). The colors are different on the third day, but now I focus on the activity – the regulars who come, like the group of swimmers in their wetsuits, who come no matter the season. My fourth morning, there isn’t a sunrise at all, but I get to see the beach in its moody blue-grey colors.

Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Jeffrey Dunne, who has come out every morning to photograph the sunrise on Ormond Beach, while his friend feeds the sea birds © Karen Rubin/goingplacesfarandnear.com

Even though you can see Daytona Beach from Ormond Beach, the atmosphere here is completely different. Here there are mostly low-rise, low-density hotels like mine, the Lotus Inn.

My first night in Ormond Beach, I drive my rental car the four miles down A1A to Daytona Beach and walk the charming boardwalk, really enjoying discovering the 1930s-era Bandstand, coming upon the boardwalk games, and then the long pier itself, alight in neon announcing Joe’s at the end, with a stunning view back at the shoreline. I also get a glimpse of the heart pounding, adrenaline pumping thrill rides at Screamer’s Park.

The Bandshell on Daytona Beach boardwalk © Karen Rubin/goingplacesfarandnear.com
Eat at Joe’s on the Daytona Beach pier © Karen Rubin/goingplacesfarandnear.com
Daytona Beach boardwalk © Karen Rubin/goingplacesfarandnear.com
Daytona Beach boardwalk © Karen Rubin/goingplacesfarandnear.com
Daytona Beach © Karen Rubin/goingplacesfarandnear.com

Now of course, Daytona Beach is famous for auto racing and the Daytona 500 – that began on the beach (cars are still allowed in specific lanes, and plenty of people bike on the flat, hard sand, which became the International Speedway. I would venture that most who come are car people, and touring the speedway and visiting the Racing Hall of Fame are musts. The Daytona International Speedway has just undergone a $400 million “reimagining” and transformed into a state-of-the-art motorsports facility. You can even get behind the wheel of an actual race car with NASCAR Racing Experience and take laps around the world famous 2.5-mile Speedway. (“Speedway Tours” run multiple times  each day; tour tickets are sold on a first come first serve basis, and include the Motorsports Hall of Fame of America, https://www.daytonainternationalspeedway.com/tours/).

Daytona International Speedway © Karen Rubin/goingplacesfarandnear.com

I stop by for a look at the gi-normous stadium, how it is banked at a 30-degree angle so the cars don’t just fly off at the turns, but spend my time discovering what my cousin, Ray Weiss, a former journalist, calls “Florida as it used to be.”

Ray drives me up the famous A1A, to Ormond by the Sea up to Flagler Beach, which cannot be more un-touristy. Here, he stresses, you can still park your car alongside the two-lane road (they call it a highway), on a patch of sand bordered with sea grass, and walk right onto the beach – such a contrast to Daytona Beach, which seems to be competing to have as many high rises and parking meters as Miami Beach. (My cousin describes Daytona Beach perfectly: “a bit of an Atlantic City feel with a redneck flair.”)

“Florida as it used to be,” along A1A between Ormond Beach and Flagler Beach © Karen Rubin/goingplacesfarandnear.com

This stretch between Ormond Beach and Flagler Beach, though, is exactly as he has described it and what he cherishes – there are the colorful, weatherworn, funky beach places, miles of undeveloped open beach (vacant of people) and thousands of acres of pristine land called the Loop – woods, water and marshland. “It’s like stepping back in time to what the rest of Florida once looked like when the Seminoles were here,” he says. He should know because my first memory as a child was visiting his family in old Miami and seeing Seminole Indians wrestling alligators.

Driving The Loop © Karen Rubin/goingplacesfarandnear.com
Driving The Loop © Karen Rubin/goingplacesfarandnear.com
“Florida as it used to be,” along A1A between Ormond Beach and Flagler Beach © Karen Rubin/goingplacesfarandnear.com
“Florida as it used to be,” along A1A between Ormond Beach and Flagler Beach © Karen Rubin/goingplacesfarandnear.com

Flagler Beach is a Florida town that is seems stuck in the 1950s. No high-rises here, only modest houses on the beach. (My thoughts alternate between thinking that the property they sit on would be $1-2 million in Long Island, and thinking that sea level rise caused by the climate change Florida’s governor denies makes them worthless.)  Ray points out several old style restaurants, stopping at Snack Jack’s right on the beach – his favorite and I can see why.

Flagler Beach © Karen Rubin/goingplacesfarandnear.com
Flagler Beach © Karen Rubin/goingplacesfarandnear.com
Flagler Beach © Karen Rubin/goingplacesfarandnear.com

Back in Ormond Beach, we stop to visit The Casements, John D. Rockefeller’s 1890s winter home, so beautifully set on the river.

The Casements, John D. Rockefeller’s 1890s winter home, Ormond Beach © Karen Rubin/goingplacesfarandnear.com

On my own, I also discover some of the attractions that make actually living here wonderful – starting with the Museum of Arts and Science (MOAS).

When I arrive, I ask the receptionist what is special, what should I definitely look out for. She replies, “Well, we have the biggest collection of Coca Cola bottles, and a skeleton of a giant sloth.”

Root Family Museum of what is probably the largest collection of Coca-Cola memorabilia, at the Museum of Arts and Science, Daytona Beach © Karen Rubin/goingplacesfarandnear.com
Root Family Museum of what is probably the largest collection of Coca-Cola memorabilia, at the Museum of Arts and Science, Daytona Beach © Karen Rubin/goingplacesfarandnear.com

Walking into the Coca-Cola collection, you can’t help but let out an actual “Wow,” It turns out that the guy who invented and manufactured that classic glass Coke bottle in Indiana, Chapman J. Root (he got 5c royalty on every bottle sold), also had interests in Coca-Cola bottling plants in New York, New Jersey, Pennsylvania, Missouri, Illinois and Florida, and when he retired, his grandson Chapman S. Root took over the company and moved it, in 1951, to Daytona Beach. Over a 50-year period, Chapman S. Root and his wife Susan Root Fieblman, collected some 100,000 objects that make up the $5 million Root Family Museum collection – probably the largest of Coca-Cola memorabilia – housed within MOAS. We see not only a timeline of all the bottles and bottling equipment, but the delivery trucks, the different vending machines, all with the trademark Coca Cola red color. It is pure Americana – both for the Coca-Cola cultural iconography and the story of an entrepreneur and innovator making good. (See: For Coke Fans, Collection is ‘The Real Thing’, https://www.orlandosentinel.com/news/os-xpm-2001-10-14-0110120609-story.html)

The Giant Sloth at MOAS, discovered just 2 ½ miles away © Karen Rubin/goingplacesfarandnear.com

Then I walk into the “Natural Florida” exhibit and there it is. When you think of “sloth” you might think of Sid in the “Ice Age” movies. Now imagine The Hulk but probably three or four times the size. The skeleton of the Eremotherium – the largest sloth to have ever existed – that we see assembled in its fearsome pose was collected just 2 ½ miles away. It would have weighed up to five tons and stood 15 feet tall – only the Wooly Mammoth was larger in the Western Hemisphere. Phenomenal.

A fantastic collection of African tribal masks, on view at MOAS © Karen Rubin/goingplacesfarandnear.com
The Warehouse at MOAS, Daytona Beach © Karen Rubin/goingplacesfarandnear.com

The rest of the museum has some fabulous, unexpected and eclectic collections: African tribal artifacts including incredible masks, Chinese art, and the American decorative arts collection of Anderson Child Bouchelle (a fifth generation Floridian, his father was Florida’s first cardiologist, brought to the state by Henry Flagler). I especially love “The Warehouse” where you can peek at treasures that otherwise would be stored away. (352 South Nova Road, Daytona Beach, Florida 32114, 386-255-0285, www.moas.org/visit/index)

Walk the nature trail outside MOAS © Karen Rubin/goingplacesfarandnear.com

Before leaving, I follow the Nature Trail that starts just outside the museum that takes you on a boardwalk into the jungle (note the sign that warns of such creatures as snakes and alligators).

Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com

The next day, after my ritual beach walk to revel in the daily miracle of the sunrise, I go off to two other signature attractions, both very close together at the southern tip of the barrier island.

Marine Science Center, Daytona Beach © Karen Rubin/goingplacesfarandnear.com
Marine Science Center, Daytona Beach © Karen Rubin/goingplacesfarandnear.com

The modest but intimate Marine Science Center, is mainly an aquarium but also is where you can see its medical facilities where sea turtles are being restored to health (you can even watch operations through a glass) and a sanctuary for rescued birds. The small area is packed with fun things to look at, interact with and learn about Volusia County’s rich marine life – like how they are re-growing (not just restoring) coral so crucial to the survival of ecosystems. This is a delight for families with children (100 Lighthouse Drive, Ponce Inlet, Fl 32127, 386-304-5545, www.marinesciencecenter.com)

Ponce Inlet Lighthouse © Karen Rubin/goingplacesfarandnear.com
Walk up the 203 steps to the top of the Ponce Inlet Lighthouse © Karen Rubin/goingplacesfarandnear.com

Nearby, The Ponce Inlet Lighthouse, constructed in 1887, is a treasure. At 175 feet tall, the lighthouse is the highest in Florida and second highest in the country. You can walk up all 203 steps winding around and around, and step out for a 360-degree view. Most interesting are the other structures and buildings – all original – that you can visit and the exhibits that show the life and times of the lighthouse keepers, and wonderful videos showing the history. In the modern Ayres Davies Lens Exhibit Building, you can see a world-class Fresnel lens collection. There is also an exhibit of Cuban Rafts that carried refugees trying to make their way to freedom on these fragile homemade boats and rafts. There is really a lot to see and explore, including nature trails and you can walk out to a very long break-water. (4931 S. Peninsula Drive, Ponce Inlet, FL 32127, 386-761-1821, ponceinlet.org)

Ayres Davies Lens Exhibit Building at the Ponce Inlet Lighthouse has a world-class Fresnel lens collection. © Karen Rubin/goingplacesfarandnear.com

For more historic sites, you can trace the footsteps of educator and civil rights activist Dr. Mary McLeod Bethune on a tour of her former home, and visit the historic Jackie Robinson Ballpark (where in 1946, a year before he broke the major league racial color barrier in Brooklyn, Robinson broke the color barrier with the Montreal Expos, the triple A minor league affiliate of the Brooklyn Dodgers, after being rejected from other Florida cities, Ray relates).

Cici and Hyatt Brown Museum of Art © Karen Rubin/goingplacesfarandnear.com

The next day, I visit the extraordinary Cici and Hyatt Brown Museum of Art, which is on the same campus as MOAS. This is the most astonishing find of all. Since 1997, the Browns made it their mission to collect art representing Florida. After being a traveling exhibit for some time, what is the largest collection of Florida art is now housed in this stunning, brand new two-level structure. The museum features a rotating collection of 2,600 Florida-themed oil and watercolor paintings. The Museum’s grand central gallery and mezzanine showcase the collection’s signature pieces, while six smaller galleries feature beautiful changing exhibitions with Florida themes. Most impressive are the way the paintings are selected, framed, how they are hung together, and the absolutely fascinating notes that accompany each and every one – not only a biography of the artist, but the context for the painting, something of history, and then really fascinating notes that are like a painting tutorial. (https://www.moas.org/explore/cici-and-hyatt-brown-museum-of-art/index)

Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Sunrise on Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Jeffrey Dunne, who has come out every morning to photograph the sunrise on Ormond Beach, while his friend feeds the sea birds © Karen Rubin/goingplacesfarandnear.com
Ormond Beach © Karen Rubin/goingplacesfarandnear.com
Jeffrey Dunne delights in taking photos for beachgoers on Ormond Beach © Karen Rubin/goingplacesfarandnear.com

While not my focus on this trip, I would be remiss not to include some of the immensely popular and new attractions in Daytona Beach:

Speedway Indoor Karting (SIK), which opened in late 2020, offers state-of-the-art electric powered karts and gives guests of all ages and skill levels a full racing experience on a 16- turn road course featuring multiple elevation changes and a slick tri-oval.

Daytona Lagoon Premier Waterpark and Family Entertainment Center, just north of the pier area and steps from the beach, added a wave maker Treasure Lagoon Wave Pool, arcade games, and two water slides: Kraken’s Revenge, a 54-foot-high, four-lane mat racer slide; and Shaka Halfpipe, a thrilling inner-tube experience that shoots riders backwards over a 50-foot drop. These new features, along with mini golf, go-karts, the MEGA arcade, and Sky Maze indoor ropes course make this a favorite year-round family spot.

More my speed: a new Riverfront Esplanade. The park that runs the length of historic downtown Daytona Beach is being transformed. When complete in 2022, the Riverfront Esplanade will extend a mile along the Halifax River and include a promenade along the water’s edge, running and walking trails, and landscaping designed to encourage relaxation and reflection including water features, shade trees and raised botanical gardens.

Interactive maps for themed trails are available on DaytonaBeach.com including the new Cars, Craft and Culture trail, Share The Heritage Trail, Monuments & Statues Trail, an Iconic Trail and a Motorsports Trail to add to its popular Hiking & Biking Trails and the Ale Trail.

For more information, Daytona Beach Area Convention & Visitors Bureau,126 E. Orange Avenue, Daytona Beach, FL 32114, 386-255-0415, DaytonaBeach.com.

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© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Wilmington/Brandywine Mansions & Gardens Welcome Mobility-Challenged Visitors

The Sunken Garden at the Nemours Estate, Wilmington, DE © Laurie Millman/goingplacesfarandnear.com

By Laurie Millman and Martin Rubin, Travel Features Syndicate, goingplacesfarandnear.com

We’ve heard for years about the beautiful DuPont family mansions and gardens in the Wilmington, Delaware and Brandywine Valley region. With Marty now mobility-challenged, we set out on a long weekend to visit these fine architectural examples of Gilded, Industrial Age homes and gardens, to check out first-hand how the DuPont historic sites accommodate visitors with accessibility issues:

Winterthur Mansion and Gardens

The Winterthur grounds are expansive, with walking trails running through 1,000 acres of woods, meadowlands and farmland. Natural and groomed paths are also found throughout the 60-acre gardens surrounding the childhood home and country estate of Henry Francis DuPont (1880-1969). The Mansion complex includes the family home, botanical labs, Library and Museum galleries revolving exhibits.

A Dupont Family Home – Winterthur Museum, Garden & Library© Laurie Millman/goingplacesfarandnear.com

Winterthur offers a number of accessibility options to tour the garden area and the mansion complex:  a) Companion-guided wheelchairs and strollers are available at no cost at the Visitor Center where you pick up your tickets, as well as at the Galleries Reception Atrium. b)  Shuttles and trams for touring the gardens and reaching the mansion and galleries have wheelchair lifts and ramps, and designated wheelchair spots that allow a wheelchair to be securely locked in place.  There is a sharp incline leading up to the mansion’s main entrance from the tram stop, which will require some effort to push a wheelchair up the hill; but once inside, it is easy to navigate around the main floor of the house with an accessibility device.

Guide and therapy dogs are allowed on the shuttle and tram, as well as in the buildings. Assistive listening systems are available for guided tours and special presentations. With at least one week’s notice, a sign-language interpreter can be hired for your visit. The grounds have restrooms with ADA bars and are wide enough to accommodate a wheelchair or mobile scooter.

Winterthur is open to the public from late February through mid-November.   Tour tickets are currently available by calling 800-448-3883, or on-site in the Visitor Center. Reserve a wheelchair when you make a tour reservation, to ensure availability when you arrive. To learn more about accessibility options at Winterthur, explore this link: https://www.winterthur.org/visit/plan-your-visit/transportation-and-special-needs-access/. For a virtual tour of Winterthur, go to https://tour.winterthur.org/.

Winterthur Mansion and Gardens, 800-448-3883, 5105 Kennett Pike, Winterthur, DE 197350, www.winterthur.org.

Nemours Estate

The early 20th century home and grounds of Alfred I. DuPont was designed in a late 18th-century French style. Nemours offers self-guided tours of the mansion. You will have to bring your own mobility devices, as the Estate does not rent wheelchairs, electric scooters or strollers, nor does it offer a shuttle or tram to tour around the 200 acres of grounds and gardens.

A fine example of a Gilded Age Home at the Nemours Estate, Wilmington, DE © Laurie Millman/goingplacesfarandnear.com

Nemours mansion and gardens is a hike from the parking lot. For those walking the grounds, wear comfortable walking shoes.   Although the roads and paths leading to the mansion are flat, paved, and accessible by wheelchair, scooter, and stroller, the garden paths are not paved nor handicap accessible.  However, between the beautifully manicured sunken gardens, reflection pools and Art-Nouveau statues, there is a wide overlook for picturesque views, which can be reached by a mobility device.

When arriving at the Nemours mansion, the staff is very accommodating for visitors traveling with mobile devices (strollers are not allowed inside): they put out small ramps to get our wheelchair over a few steps leading into the mansion’s main floor. Once inside, visitors take a self-guided tour of the two accessible floors. Nemours has a huge, grand spiraling staircase leading up to the bedrooms on the second floor. Alternatively, for assistance to go up to the second floor, a first floor mansion attendant will contact a member of the staff on the second floor and direct you to an elevator that opens to a mezzanine level. The second floor attendant will be waiting to assist with a stair lift to the second floor.

The Estate is open to visitors from April through December, with self-guided tours of the mansion and chauffeur’s garage. ADA bathrooms are located a short walk from the parking lot and in the mansion. Food and water are not available onsite, but visitors are encouraged to bring food and water, even to bring a blanket to picnic on the grounds.  Service animals are allowed on the grounds and in the mansion.

Nemours Estate, 600 Rockland Road, Wilmington, DE, 302-651-6912, http://nemoursestate.org

Hagley Museum and Library

The Hagley complex offers a hands-on learning experience for all ages about early American commerce and life. The 235 acres of the Hagley grounds, founded by E. I. DuPont in 1802 for manufacturing gunpowder, rise above the Brandywine River.  Open daily, Hagley currently offers small-group tours of the ancestral DuPont family home and garden. Interpretive docents and demonstrations are also found at the restored mill, the artisans building, and the Workers Hill Community, where the gunpowder works employees lived.

Pick up tickets for your timed tour at the Hagley Visitor Center and Gift Shop. A bus with a wheelchair lift leaves from the Visitor Center parking area.  Some areas of Hagley are not easily navigable in a mobility device – ask the staff in the Visitor Center to highlight those areas on a grounds map. To reserve a group tour or a lunch and learn tour, go to https://www.hagley.org/plan-your-visit/hours-admission, call 302-658-2400, or email tickets@hagley.org. Call or email to confirm wheelchair availability.

Hagley Museum and Library, 200 Hagley Creek Rd, Wilmington, DE, 302-658-2400, www.hagley.org.

Longwood Gardens

Longwood Gardens was developed initially in the early 20th century by Pierre DuPont to be enjoyed by family and friends. To perpetuate and expand his vision, after DuPont died in the mid-1950s, the mission of the Gardens was to continue for public enjoyment and education.  This is one of our favorite gardens in the country and one of the largest in the world. With 1,100 acres of outdoor gardens, Longwood is open year-round for visitors (even Christmas Day!) to enjoy the ever-changing seasonal displays of outdoor natural beauty, along with “dancing” fountains scattered throughout the grounds and beautiful, indoor glass conservatories (one of them a massive 4.5 acres).

Conservatory at Longwood Gardens, Kennett Square, PA © Laurie Millman/goingplacesfarandnear.com

Over the past few years, the Main Fountain Garden area has been the location of beautiful fountain, light and fire shows with synchronized music. Fountain performances will resume on May 5, 2022. 

Longwood does not offer a shuttle or tram to tour around the large park, but the hilly garden paths are primarily paved and mobility device accessible, as well as most buildings. Visitors to Longwood Gardens are strongly recommended to bring their own mobility devices (strollers, wheelchairs and scooters with 3 or more wheels).  Through our experience, electric-powered mobility scooters will handle the steeper paths better than companion-pushed wheelchairs.  The Visitor’s Center offers a limited supply of electric scooters on a first-come, first-served basis, with a “pay as you wish” rental fee policy for the entirety of your visit – more of a donation than a fixed price. A limited number of free wheelchairs and strollers are also available at the Visitor’s Center. The Gardens provides many water fountains and bathrooms that are mobility device accessible. Service dogs are permitted on the grounds and in the buildings. With at least two week’s notice, a sign-language interpreter will be available for a private, guided group walking tour; amplified listening devices are also available for use on the private tours.

At this writing, the Gardens is selling timed tickets. Check out availability and ticket prices at https://longwoodgardens.org/visit.

Longwood Gardens, 1001 Longwood Rd, Kennett Square, PA 19348, 610-388-1000, https://longwoodgardens.org.

As our experience shows, there is no reason not to continue to explore and experience attractions and destinations, just prepare in advance.

April is National Garden Month

April is National Garden Month. As the colors of spring begin to appear across Wilmington and the Brandywine Valley, enjoy the warmer weather and change of seasons with a weekend tour of the region’s numerous botanical gardens, all within a short distance of one another.

Jennifer Boes, Director of Marketing Communications and Media Relations for Greater Williamsburg prepared this driving itinerary:

Start at Rockwood Park, just off I-95 in north Wilmington. Though not as well known as some of the area’s other gardens, the grounds surrounding the rural Gothic-style Rockwood Mansion are sublime. Explore the 72 acres of parkland including a six-acre formal garden. Unique features include a monkey puzzle tree (an unusual-looking evergreen native to Chile); a ha-ha (a sunken wall used to keep livestock away); and a stone from the Giant’s Causeway, a distinctive hexagonal rock formation along Ireland’s coast. An apothecary garden, filled with medicinal plants, was added in fall 2019.

Hagley Museum & Library’s gardens are as much about function as they are about form.  It has two very different restored gardens that date back to the 1800s: one that fed the du Pont family and another that fed company workers. A pollinator garden, new in 2020, attracts a variety of butterflies and bees.

Nemours Estate’s French-style gardens, inspired by Versailles, are among the finest and largest of their kind in the U.S. There’s a formal boxwood garden and a maze dominated by a sculpture gilded in 23-karat gold leaf. The Baroque-style Russian gate was acquired from a palace built by Catherine the Great. The English gate was once used at Wimbledon Manor. In addition to the formal gardens, there are family-friendly woodland walking trails to explore.

The Sunken Garden at the Nemours Estate, Wilmington, DE © Laurie Millman/goingplacesfarandnear.com

Winterthur Museum & Gardens features 1,000 acres of rolling hills, streams, meadows and forests. A favorite of the young and young at heart is the fairytale-like Enchanted Woods with its Faerie Cottage and Tulip treehouse. From April into May, the Azalea Woods, with thousands of Kurume azaleas and wildflowers that weave through the forest, is a must see.

Winterthur Enchanted Woods – Winterthur Museum, Garden & Library, Wilmington, DE © Laurie Millman/goingplacesfarandnear.com

The nationally renowned Longwood Gardens is home to 11,000 varieties of plants spread across 1,100 acres of meadows, woodlands, and elaborate horticultural displays. In the four-acre conservatory, don’t miss the Wood’s Cycad. Called Longwood’s “King of the Conservatory,” this palm tree-like plant is extinct in nature and one of the rarest plants in the world.

Dancing Fountains at Longwood Gardens, Kennett Square, PA © Laurie Millman/goingplacesfarandnear.com

The final stop on the garden tour is Mt. Cuba Center in Hockessin, Delaware. Opened for general admission to the public in 2013, it is home to more than 1,000 native plants, many of which are threatened by extinction. On the gently rolling hills of the Delaware Piedmont, part of the Appalachian Mountain system, it consists of 630 acres of historic pastures, fields, ponds, native forests, a woodland wildflower garden, and formal landscapes. One notable feature is the trillium garden, containing every trillium species native to the eastern U.S.

The Greater Wilmington Convention & Visitors Bureau is an excellent source of information to preplan your visit to the Wilmington-Brandywine region: 800-489-6664, www.visitwilmingtonde.com.

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© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Historical Society’s ‘Notorious RBG’ Pays Homage to New York’s Own Ruth Bader Ginsburg

New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,” pays homage to the trailblazing Supreme Court justice, on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

No exhibit that looks back into the past has been more timely and relevant than “Notorious RBG” which recently opened at the New-York Historical Society – a homage to the trailblazing Supreme Court justice, lawyer, wife, mother and woman, Ruth Bader Ginsburg, who at age 80, became an internet phenomenon and cultural icon. It is so important to be reminded – through her words, documents, historical artifacts, archival photographs, contemporary art and interactives – of what society was like, what it took to change, and what is at risk today. The SCOTUS with the mostus challenged us to continue her work for a just, equal and compassionate society.

The traveling exhibit, which was organized by the Skirball Cultural Center in Los Angeles and based largely on Irin Carmon and Shana Knizhnik’s book, “Notorious RBG: The Life and Times of Ruth Bader Ginsburg” (which was the source for a documentary),  opened to the public just the day before marches in Washington DC and around the nation in support of women’s reproductive rights. It was also mere days before the start of the Supreme Court’s new term, with a 6-3 conservative majority, including the justice who took her seat, Amy Coney Barrett, gunning to overturn the landmark 1973 Roe v. Wade decision. “Notorious RBG” is on display only through January 23, 2022.

“It is different to be here, knowing she’s not with us,” author Irin Carmon reflected at the press preview of the exhibit. “She intended to visit Skirball but cancelled because of her cancer treatment. When the exhibit came to Philadelphia, she agreed to accept an award and see it more than a year after opened. It was an extraordinary experience of giving her a tour of her life.”

New-York Historical Society Presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

 “We walked her through to an imagined re-creation of her childhood living room. She stopped, as if completely alone, stopped in front of a portrait of her mother – who died just before her high school graduation. Opera was playing on an old fashioned radio. We all fell silent as she gazed. I thought of what she said when she accepted the nomination to the Supreme Court in 1993, standing with President Clinton. I was thinking what her mother would have thought.”

When Ruth Bader Ginsburg toured the “Notorious RBG” exhibit in Philadelphia with author Irin Carmon, she stopped in front of this re-creation of her childhood Brooklyn home to reflect on the portrait of her mother © Karen Rubin/goingplacesfarandnear.com

What RBG said on that day was, “It is to my mother, Celia Amster Bader, the bravest and strongest person I have known, who was taken from me much too soon. I pray that I may be all that she would have been had she lived in an age when women could aspire and achieve and daughters are cherished as much as sons.”

Justice Ginsburg said she would have come to the NYHS’ exhibit, which was supposed to open in 2020, but the exhibit was delayed because of COVID. She died September 18, 2020.

“It falls on all of us who share her values, what she stood for, to carry on her legacy,” Carmon said.

The exhibit traces her life from modest beginnings in Brooklyn, losing an older sister when she was two, her mother sick with cancer from when she was 13 and dying just before her high school graduation.

But you appreciate how Brooklyn was formative to the person she became – the immigrant community of Eastern Europeans, Irish and Italians. Her Jewish heritage inbued in her a commitment to seek justice and compassion, to question, and it triggered her feminism when, in Jewish tradition, she was not counted in the minyan (the quorum of 10 males required) at her own mother’s funeral because she was female.

RBG became “notorious” because of her firey dissent in Shelby v Holder in 2013, when the majority overturned the preclearance requirement in the Voting Rights Act, unleashing a score of voter discrimination laws in states that otherwise would have been curtailed. She charged that overturning the Voting Rights Act would invite violations of the 15th amendment. The decision was 5-4, with Chief Justice Roberts saying it wasn’t needed anymore because (after Obama’s election to the presidency) “things changed.”

In her dissent, RBG said that overturning the provision was like “throwing away your umbrella in a rainstorm because you are not getting wet.” 

We enter the exhibit at the pinnacle – one of her Supreme Court robes and jabots on display, an official portrait of her in her office as only the second woman to have served on the Supreme Court, a PBS News Hour video of her as “Notorious RBG”, and as you wind through, you understand the context, the ecosystem, that forged her character and set her on her path.

Ruth Bader Ginsburg, the modest girl from Brooklyn, was tickled by becoming an internet sensation, the “Notorious RBG” at age 80, and took the association with the Notorious B.I.G. with humor, saying, “We have something in common – we’re both from Brooklyn.” © Karen Rubin/goingplacesfarandnear.com

She took the “Notorious RBG” with humor – in a video of a PBS News Hour appearance, she said, “Notorious B.I.G. and I have something in common – we are both from Brooklyn.”

Very quickly, we are pushed back in time to her childhood in Flatbush Brooklyn, her time at Cornell University where she met Martin Ginsburg, and their decision to pursue law – because she thought lawyers the vanguard of societal change and because Harvard Law School had begun to accept women, albeit precious few.

“Both wanted to marry and keep on working together…Harvard Business School did not accept women. So they settled on law.”

From the beginning, “Their marriage defied gender expectations of the period and embodied her belief that men, women, and families are better when both partners share their lives and goals on equal footing. Marty was a passionate supporter of his life partners’ legal career and shared in child rearing and household responsibilities long before men were expected to do so.”

When Marty got sick with testicular cancer, she took his notes and transcribed his papers so he could stay in the program. And she left Harvard Law to go to Columbia when Marty got a job in New York (she made the Law Review at both.)

When she graduated, no law firm would hire her – “I was Jewish, a mother and a woman” so three strikes against her. She began teaching at Rutgers.

She signed up as a volunteer lawyer at the New Jersey branch of the American Civil Liberties Union, which was being overwhelmed by letters from women. “None of their problems were new. What was new was that anyone thought it was worth complaining about.”

“It was clear to RBG that fighting discrimination one strongly worded letter at a time was like catching the ocean in a thimble. There would always be another sexist law or regulation to take down. Women’s rights advocates needed to think bigger. What the country needed was a broader recognition of gender equality.”

New-York Historical Society presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

There is a very illuminating list of what women couldn’t do in the 1930s and 1940s – a sort of marker – which women today take for granted:

Practice law in most states or become a judge

Serve on a jury in most states

Get paid the same amount as men for doing the same work

Answer want ads for jobs labeled “men only”

Open a bank account or get a credit card without a husband’s or male relative’s permission (I would add: get a mortgage or a business loan without a man to co-sign)

In some states, own property without having a husband in control as “head and master”

Attend most Ivy League universities

Play school sports on an equal basis with boys

Attend a military academy

Get pregnant without the threat of losing her job

Wear pants on the US Senate floor

Serve in combat in the military

Much of her argument for gender equality was derived from the 14th Amendment – passed after the Civil War’s emancipation of slaves: “No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.” (Roe v. Wade was decided based on the “right to privacy” implied by “due process” rather than “equal protection”.)

Marty, a prominent tax attorney, brought her the breakthrough case, Moritz v. Commissioner of Internal Revenue. Charles Mortiz was a businessman who was caring for his 89-year old mother, but the IRS denied him the tax deduction for expenses for her care that was allowed women, widowers or husbands of incapacitated women. But Moritz had never married. “The idea that a man might be a caregiver had apparently never crossed the government’s mind,” Ginsburg wrote.

The Ginsburgs realized that the government was senselessly denying a benefit to someone purely on the basis of sex. “If the court said that was wrong, the precedent would open the door to a broader recognition of gender equality.”

“The line the law drew rested on a stereotype: Women are caregivers, so a daughter would take care of her aging mother but men are out in the world, earning a living, so they don’t take personal care of aging parents. That law was blind to the life Charles E. Moritz lived. We took his case from the tax court to the Tenth Circuit. Marty argued the tax part of it and I argued the equal protection part,” RBG wrote.

And when one of her cases brought her up against her former Harvard Dean Erwin Griswold, who had become Solicitor General of the US, he had counsel prepare an appendix of all the laws that would have to be changed if Ginsburg were successful in her argument about gender discrimination in the law. In other words, you change this law, you have to change all the others. Ruth saw it as a handy roadmap.

Between 1971 and 1981, RBG litigated cases that would set the stage for gender equality (or rather, “neutrality”): widower, pregnancy, forced sterilization of black women; jury, and even the right to buy beer at age 18.

It is important to note in these times as a woman’s reproductive freedom is in question, that the government that can ban abortion – and deny a woman’s right to autonomy over her own body – is also a government that can force sterilization, or require an abortion. This is exactly what the government did to Captain Susan Struck in 1970; the case that RBG took up, Struck v. Secretary of Defense, resulted in the USAF changing its policy of automatically discharging pregnant women who refused to get an abortion, and led to Congress passing the Pregnancy Discrimination Act of 1978.

“RBG Tattoo II” by Ari Richter, fashioned of pigmented human skin on glass, is painted based on a photo of Justice Ginsburg taken as she officiated at the artist’s wedding to “Notorious RBG” author Irin Carmon. It is one of the personal items on view at New-York Historical Society’s exhibit “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

RBG spearheaded the formation of the Women’s Rights Project at the ACLU to tackle discrimination in education and training programs, prisons and the military, advocate for reproductive freedom and hold accountable institutions that discriminated against pregnant women.

You can listen in on decisions and see original documents and artifacts – for example, Stephen Wisenfeld’s letter to the editor complaining of the discriminatory rule of Social Security that prevented him from getting survivor’s benefits after his wife, the “breadwinner” of his family, died in childbirth; the personal letter from RBG to Stephen Wisenfeld in 1977 about going to DisneyWorld, which is so revealing about her as a person; photos of RBG with Steven’s son Jason Wiesenfeld when she officiated at Jason’s wedding in 1998, and another with Stephen Wiesenfeld and Elaine Harris Wiesenfeld at their 2014 wedding that RBG officiated.

“Wiesenfeld is part of an evolution toward a policy of neutrality – a policy that will accommodate traditional patterns, but at the same time, one that requires removal of artificial constraints so that men and women willing to explore their full potential as humans may create new traditions by their actions.” RBG wrote (she won an 8-0 decision at the Supreme Court).

The 2016 anti-abortion case, Whole Woman’s Health v. Hellerstedt, 2016, struck down a Texas law that required such stringent standards on abortion clinics that they would have had to be shut down. The court ruled 5-3 that this imposed an “undue burden.”

RBG joined Stephen Breyer in his majority opinion but added, “I fully subscribed to everything Breyer said, but it was long and I wanted something pithy…. I wrote to say, ‘Don’t try this anymore.’”

New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,” features 3-D re-creations of key places in RBG’s life including her desk in her Supreme Court chambers © Karen Rubin/goingplacesfarandnear.com

But we know that they have not stopped trying to chip away at the “undue burden” standard. Now Texas has come up with most brazen assault on women’s rights, without Ginsburg on the bench to challenge, instead, replaced by an ultra-conservative, anti-abortion justice Amy Coney Barrett. In a dire sign of what is to come, the court allowed the Texas law to go into effect – creating a new class of vigilantes and bounty hunters to enforce a blatantly unconstitutional “burden” on women who seek an abortion after six-weeks.

RBG’s last dissent was in 2020, in the “Little Sisters of the Poor v Pennsylvania,” in which the majority, 7-2 allowed religious objectors to be exempted from the Affordable Care Act’s regulatory requirement to provide health plans that include contraceptive coverage.

“Today, for the first time, the Court casts totally aside countervailing rights and interests in its zeal to secure religious rights to the nth degree,” she wrote.

New-York Historical Society Presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

On her deathbed, Justice Ginsburg told her granddaughter Clara Spera, “My most fervent wish is that I will not be replaced until a new president is installed.”

But Majority Leader Mitch McConnell could care less, and even though the 2020 presidential election had already gotten underway (and he had delayed an Obama nomination more than a year, to give Trump his appointee, Neil Gorsuch in place of Merrick Garland), pushed through his candidate, Amy Coney Barrett to complete a 6-3 radically conservative majority on the court.

And so, people are marching, rallying and protesting again with urgency to protect the rights that were thought to have been won, but now may be overturned. Many carry a sign that reads, “Ruth sent me.”

“Ruth Sent Me” sign at the New York City Women’s March for Reproductive Freedom, October 2, 2021 © Karen Rubin/news-photos-features.com

There are such personal items, including a reproduction of the letter her husband Marty wrote just before he died, in 2010, “My dearest Ruth- You are the only person I have loved in my life…what a treat it has been to watch you progress to the very top of the legal world!!”

Personal materials range from home movies of RBG with Marty on their honeymoon and in the early years of their marriage to yearbooks from RBG’s academic life—from her Brooklyn high school to Harvard, Columbia, and Rutgers Universities—to a paper that she wrote as an eighth grader exploring the relationship between the Ten Commandments, the Magna Carta, the Bill of Rights, the Declaration of Independence, and the recently formed United Nations Charter, and the costume she wore for her cameo as the Duchess in Washington National Opera’s production of “Daughter of the Regiment.”

The costume Justice Ginsburg wore for her cameo as the Duchess in Washington National Opera’s production of “Daughter of the Regiment” is on view in New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”   © Karen Rubin/goingplacesfarandnear.com

Special to New-York Historical’s presentation – and only seen here – are remembrances from RBG’s visit to the museum in 2018 to officiate a naturalization ceremony of 200 new citizens after she learned about New-York Historical’s Citizenship Project which teaches U.S. history and civics to green card holders. (She sent a note,  “I had shingles, not yet diagnosed, on April 10, but would not have missed the oath-taking ceremony. Looking out at the 201 faces of the new citizens, I could hardly hold back the tears. The diversity represented among the new citizens, proudly pledging allegiance, is what the USA means to me. With appreciation, Ruth Bader Ginsburg.”

A city mourns one of its own: an overview of the memorials that appeared throughout New York City after Ruth Bader Ginsburg died, September 18, 2020, is a special feature of New-York Historical Society’s presentation of the traveling exhibition “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

There is also a video featuring a map and photographs of key places in her life as a New Yorker, and an overview of the memorials that cropped up around her hometown in the wake of her passing, “Rest in Power, A City Mourns Its Own.”

The various RBG iconography on display is fun and fascinating, like the “real life action figure” (you can buy one in the gift shop).

The strangest – and one of the most personal – is the “RBG Tattoo II” by Ari Richter, fashioned of pigmented human skin on glass, painted with a photo of RBG taken as she officiated at the artist’s wedding to “Notorious RBG” author Irin Carmon.

“Notorious RBG: The Life and Times of Ruth Bader Ginsburg,  co-author Irin Carmon poses with “RBG Tattoo II” painted  by her husband, Ari Richter, based on a photo of RBG taken as she officiated at the their wedding © Karen Rubin/goingplacesfarandnear.com

When Irin Carmon asked, “And when the time comes, what would you like to be remembered for?” RBG replied, “Someone who used whatever talent she had to do her work to the very best of her ability. And to help repair tears in her society, to make things a little better through the use of whatever ability she has.”

As part of New-York Historical’s upcoming public program series, on December 8, Supreme Court expert Linda Greenhouse looks at where the courts stand following Justice Ginsburg’s death. Families can explore the exhibition with a specially created family guide, and themed story times will take place throughout the exhibition’s run.

Supreme Court Justice and trailblazer Ruth Bader Ginsburg became a cultural icon, warranting an action hero figure (on sale at New-York Historical Society’s gift shop) © Karen Rubin/goingplacesfarandnear.com

After debuting at the Skirball Cultural Center in 2018, Notorious RBG: The Life and Times of Ruth Bader Ginsburg has toured the country. After its New York run, the exhibition will travel to the Holocaust Museum in Houston (March 2022) and the Capital Jewish Museum in Washington, D.C. (September 2022).

Notorious RBG: The Life and Times of Ruth Bader Ginsburg has been coordinated at New-York Historical by Valerie Paley, senior vice president and Sue Ann Weinberg Director, Patricia D. Klingenstein Library; Laura Mogulescu, curator of women’s history collections; and Anna Danziger Halperin, Andrew W. Mellon Postdoctoral Fellow in Women’s History and Public History, Center for Women’s History.

The New-York Historical Society, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400,  nyhistory.org. Follow the museum on social media at @nyhistory on FacebookTwitterInstagramYouTube and Tumblr.

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Driveable Getaways: Great Time to Time-Travel in Sandwich, Cape Cod’s First Village

The Dexter Grist Mill in historic Sandwich, Cape Cod, Massachusetts © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

One of my favorite places for a driveable getaway is Sandwich, Cape Cod’s first village, settled in 1637. Sandwich is an enchanting jewel where history, exquisite architecture, fascinating attractions abound in a compact, walkable area, a short distance from the delightful Sandy Neck beach as well as the Cape Cod Canal biking trail. It is quintessential New England, an idyllic place to visit, to stay, to make your hub for exploring Cape Cod.

All through Sandwich, you see homes that bear the names of the ship captains who commanded the packet ships and clippers that made this area a mercantile center.

Many of these quaint historic houses and buildings (including a church) have been turned into charming bed-and-breakfast inns, but if you want to extend your time travel back to when the Patriots were debating revolution, a wonderful choice is the Dan’l Webster Inn and Spa, at the heart of the village. It is also is the most substantial in size, with 48 rooms, amenities and services that include a full-service Beach Plum Spa, offering the best of past and present.

The present inn sits on property that was once a parsonage, built in 1692 by Rev. Roland Cotton; in the 1750s, it was converted to the Fessenden Tavern, one of the first and most famous of New England’s taverns and a Patriot headquarters during the American Revolution (the Newcomb Tavern, just across the pond, served as Tory headquarters). In the late 1800s, the inn, then known as the Central House, hosted famous visitors including President Grover Cleveland and poet Henry David Thoreau.

In 1980, the Dan’l Webster was acquired by the Catania family’s hospitality company which operates the popular Hearth n’ Kettle Restaurants, as well as the John Carver Inn in Plymouth and the Cape Codder Resort, in Hyannis. Since acquiring the Dan’l Webster, they have restored it with exquisite taste and respect for its heritage – there are antique furnishings and Sandwich glass.

The Conservatory at the Dan’l Webster Inn, Sandwich, MA © Karen Rubin/goingplacesfarandnear.com

The Catania family also acquired the historic house next door. A marker outside the house tells the story: Nancy Fessenden married Capt. Ezra Nye in 1826 and moved into the house following their wedding. She was the daughter of the innkeeper (now the Dan’l Webster Inn). Nye was a famous captain who broke the speed record by sailing his clipper ship from Liverpool in 20 days, in 1829. Restored by the Dan’l Webster Inn in 1982, the house now offers accommodates four luxury suites, each named after prominent people associated with the inn, dating back to 1692.

Historic Fessenden house, now part of the Dan’l Webster Inn, Sandwich, MA © Karen Rubin/goingplacesfarandnear.com

The Dan’l Webster has become an award-winning hotel, spa and dining destination. Recognized as a Distinguished Restaurant of North America (placing it in the top 1% of restaurants in the country) it offers a choice of the casual Tavern at the Inn, the cozy Music Room or the more formal (and romantic) ambiance in a lovely glass enclosed Conservatory.

The Tavern at the Inn is an authentic replica of the two-centuries-old tap room where Daniel Webster made regular visits and which had been a meeting place for local Patriots during the Revolution.

This is an especially good time to visit. The inn is offering a special package, Mosey & Museum Package, that captures the real essence of small-town Cape Cod (through October 3). It includes admission to the Sandwich Glass Museum to appreciate the art of glass making and Sandwich’s contribution to the industrial craft, and to Heritage Museum and Gardens to celebrate their Pollinator Festival. (Check the website for more packages.)

Dan’l Webster Inn & Spa 149 Main Street, Sandwich, MA 02563, 800-444-3566,info@DanlWebsterInn.com, www.DanlWebsterInn.com.

So Much to Do in Sandwich

Heritage Museum & Gardens, Sandwich, Cape Cod, Massachusetts © Karen Rubin/goingplacesfarandnear.com

In a village of many substantial attractions and places of interest, what truly stands out is the Heritage Museum & Gardens – a destination attraction. It hits on a spectrum of cylinders – 100 acres of magnificent grounds and trails on the banks of the Shawme Pond; the vast, stunning and notable gardens that feature internationally important collections of rhododendrons, including those created by Charles Dexter, collections of hydrangeas, over 1,000 varieties of daylilies, hostas, herb, heather gardens, and more than a thousand varieties of trees, shrubs and flowers along beautiful and easily walked paths.

The JK Lilly III collection of vintage cars and folk art at Heritage Museums & Gardens, Sandwich © Karen Rubin/goingplacesfarandnear.com

Also, the JK Lilly III collection of vintage cars and folk art, and  you can take a ride on a delightful working vintage carousel. There is also – imagine this – Hidden Hollow, an enchanting family-friendly outdoor adventure center where you can get a “squirrel’s perspective” of the forest.  You should allocate the better part of a day to visit. (Heritage Museums & Gardens, 67 Grove Street, Sandwich, MA 02563, 508.888.3300, www.heritagemuseumsandgardens.org, open daily through Mid-October.)

See the forest from a squirrel’s eye view at Hidden Hollow at Heritage Museums & Gardens, Sandwich, Cape Cod © Karen Rubin/goingplacesfarandnear.com

What built Sandwich, though (and likely the reason that so many of its magnificent buildings reflect the prosperity of the early-1800s) was that in 1825, Deming Jarves built a glass factory to manufacture glass with a revolutionary process that made it affordable for the masses (Sandwich glass is still a thing). The factory grew rapidly to be one of the largest producers in the country with over 500 workers producing over five million pieces of glass annually by the 1850s. By the 1880s, labor strikes, an economic depression, and new factories being built further closer to natural gas fuel sources forced the factory to close.

Today, you can visit the Sandwich Glass Museum which displays original pieces created during the 1800’s and provides demonstrations of glass blowing techniques. The museum’s theater shows a great documentary of the history of Sandwich. Throughout the village there are several glass blowers and artists with open studios to visit, creating a dynamic center for contemporary glass art (Sandwich Glass Museum,120 Main St., 508-833-1540, www.sandwichglassmuseum.org).

Historic Dexter Grist Mill, Sandwich, Cape Cod’s first village © Karen Rubin/goingplacesfarandnear.com

A short walk from the Dan’l Webster Inn is the Dexter Grist Mill, a working grist mill since 1654 where you can still buy ground cornmeal, or draw fresh water from the well (as many locals do for their personal supply).

The Hoxie House, built in 1675, was lived in until the 1970s but was never modernized with electricity or plumbing. This saltbox is named after a whaling captain who owned the house in the mid-1800s. it is now a wonderful little museum house showing what family life was like in the 1600s.

Benjamin Nye Homestead & Museum, is the 18th-century home of one of the first 50 men who settled in Sandwich.

Also, the Wing Fort House, built in 1641, the oldest house in New England continuously owned and occupied by one family (63 Spring Hill Rd., 508-833-1540).

A short distance away, you can visit the Green Briar Nature Center & Jam Kitchen (6 Discovery Hill Road off Route 6A), which celebrates author and naturalist Thornton W. Burgess, who wrote the Peter Cottontail stories. There are nature programs, nature trails, a working 1903 Jam Kitchen, jam-making classes (508-888-6870, www.thortonburgess.org). 

Scene biking along the Cape Cod Canal © Karen Rubin/goingplacesfarandnear.com
 

One of my favorite things about Sandwich is the proximity to the Cape Cod Canal which offers a 6.2 mile-long paved path (on each side) for biking, roller blading or just walking (the banks of the canal are also popular for fishing). Along the trail, you can visit the Aptucxet Trading Post, built by the Pilgrims in 1627 to facilitate trade with the Dutch at New Amsterdam and the Narrangansett Indians.

The Cape Cod Canal is a marvel (there is a visitor center on the mainland side that tells the history). The canal was constructed in 1914 – up until then, there were a tragic number of ships that were wrecked trying to sail around the peninsula. But it is astonishing to learn that interest in building the canal dated back to the earliest settlers: in 1623, Pilgrims scouted the area as the place best suited for a canal. In 1697 the General Court of Massachusetts considered a formal proposal to build a canal, but no action was taken. In 1776, George Washington, concerned about its military implications, studied the site. But it took until 1909 for construction to start. (60 Ed Moffitt Dr., 508-833-9676, www.capecodcanal.us).

Cape Cod also has the most marvelous network of dedicated bike trails.

Sandwich offers easy access to other marvelous places to visit on Cape Cod, like Falmouth, Wood’s Hole, Hyannis but you should spend at least a day on the other side of the Sagamore Bridge, in Plymouth, to visit a score of historic attractions associated with the Pilgrims, including the Mayflower II and Plimoth Plantation, one of the best living history museums anywhere.

For more information, contact Sandwich Chamber of Commerce, 508-681-0918, info@sandwichchamber.com, www.sandwichchamber.com.

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Long Island’s American Airpower Museum – Where Aviation History Takes Flight – Offers Chance to Reenact D-Day Parachute Drop

Up up and away: Andrew Beard, of North Babylon, pilots the C-47, “Second Chance,” troop transport plane, from the American Airpower Museum in Farmingdale, to the Bethpage Air Show at Jones Beach © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The American Airpower Museum is gearing up for a return of its C-47 D-Day living history flight experience on June 12. You can sign up, grab your gear and done your WWII helmet and uniform and fly in the troop transport plane, reenacting the experience of paratroopers on that historic and fateful day.

The flights on Saturday, June 12,will also celebrate the start of summer and a return to normalcy, after the COVID-19 lockdowns and quarantines.  

To accommodate demand, AAM has scheduled three flights between 10 a.m. and 4 p.m.  Seats will be allocated on a first-come first-served basis. To book a flight, call (516) 531-3950, visit the Museum’s gift shop or call (631) 454-2039, Thursday – Sunday, 10:30 a.m. to 5:00 p.m.  (a great gift for Father’s Day!).

“Parachutists” board the WWII Douglas C-47 Skytrain Troop Transporter at the American Airpower Museum, Farmingdale. D-Day reenactment flights will be held on June 12. (Photo courtesy of American Airpower Museum)

AAM’s Living History Flight Experience is a one-of-a-kind immersive educational program, where re-enactors take you up in an original WWII C-47 to get a sense of what our 101st and 82nd Airborne Division Paratroopers felt on their incredible 1,200-plane D-Day assault.  This unique immersive flight experience includes: a mission briefing; a chance to wear authentic military field jackets, helmets and gear; the actual sights and sounds as the C-47’s engines fire up and you’re off into the blue; see and hear the crew operate their C-47 and paratroopers getting ready for battle; and you actually form up and hook your parachute to a static line!

This is a family-friendly experience for all ages.  The program is about 1.5 hours long and each flight takes 25 minutes.  A flight experience entitles you to bring along an additional person who can visit the Museum all day free of charge. The cost of the C-47 flight is $350 – which goes toward supporting AAM’s mission to honor veterans and U.S. aviation history by preserving the aircraft and their legacy for future generations. 

‘Warbirds’ Continue Tradition Flying in Memorial Day Air Show

Andrew Beard, of North Babylon, pilots the C-47, “Second Chance,” troop transport plane, from the American Airpower Museum in Farmingdale, to the Bethpage Air Show at Jones Beach © Karen Rubin/goingplacesfarandnear.com

Over Memorial Day Weekend, the American Airpower Museum (AAM) continued its traditional participation in the Jones Beach Air Show, flying their fabled “Arsenal of Democracy” warbirds.  AAM’s fleet of iconic and meticulously restored military aircraft included a B-25 Mitchell Bomber, Douglas C-47 Skytrain troop transporter, Grumman TBM Avenger Torpedo Bomber, Curtiss P-40 Flying Tiger, P-51D Mustang Fighter, AT-6 Texan Warbird and AT28D5 Nomad Vietnam Era Fighter.

The Grumman TBM Avenger, piloted by Nick Ziroli , touches down after flying in the Bethpage Air Show at Jones Beach © Karen Rubin/goingplacesfarandnear.com

Visitors to the museum got to watch the pilots start their engines, taxi and lift off, performing flybys before leaving to join the Jones Beach Air Show, then watched the aircraft return, touch down and taxi back to Hangar 3.  

The B-25 that General James Doolittle used as transport. Doolittle mounted the first air raid over Japan after Pearl Harbor (they were known as ‘Doolittle’s Raiders”) © Karen Rubin/goingplacesfarandnear.com
American Airpower Museum’s “Warbirds” take off for the Memorial Day Bethpage Air Show © Karen Rubin/goingplacesfarandnear.com
Warbirds take off from the American Airpower Museum for the Memorial Day Bethpage Air Show © Karen Rubin/goingplacesfarandnear.com

We had the special experience of seeing the close-up and meeting pilots and crew of two visiting U.S. Navy EF/A-18 Super Hornets. The Hornets are supersonic, high-tech combat jets, capable of flying at Mach2 (twice the speed of sound), designed as both fighters and attack aircraft, which have the capability to use electromagnetic energy to disarm the guidance of enemy missiles. 

US Navy pilot Wes Henderson pilots one of the most sophisticated fighter jets in America’s arsenal, the F-18. The Wyandanch native was inspired to fly during his visits to the American Airpower Museum. Watching the young children looking in awe at the collection of aircraft, spanning much of aviation’s military history, you can see that same look of awe and inspiration.

Two young fellows, aged 17 and looking to start college next year, were clearly star-struck in the presence of Henderson and his three other Navy crew, who flew from their base in Whidbey Island, WA in two of the F-18 Super Hornets, to spend Memorial Day Weekend with family and be part of the inspirational events taking place. Both young men are already pilots: Joe Jannelli of Dix Hills, inspired to learn fly after seeing a pamphlet at high school, has his ambition set to become a US Navy pilot (he’s headed to Embry Riddle next year) and C.J. Grasso of Amityville wants to join the Air Force (he’s going to Maritime College) and will actually be flying with the GEICO Skytypers.

Pilots Wes “Chunk” Henderson of Wyandanch, and Ryan “FNQ 1” Ballester of Remsenburg, Long Island and crew Pete “Lil Sippy” Stern of Westchester and Dave “Woogie” Keller of Long Island, discuss their flight plane before departing American Airpower Museum for their US Navy base at Whidbey Island, WA © Karen Rubin/goingplacesfarandnear.com
The Boeing EA-18G Growler, a US Navy SuperHornet jet capable of Mach2 speed, uses electro-magnetic energy “cannons” in the wings to disarm the enemy’s missile guidance systems visits Long Island’s American Airpower Museum for Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

We also got to see up close a U.S. Air Force A-10 Thunderbolt II, “The Warthog”. 

The aim of the event: “To honor the men and women of the ‘Greatest Generation’ who built, maintained and piloted the iconic warbirds of yesteryear in a bold defense of freedom during World War II, as well as active duty military, national guard and reservists who continue this mission and command the skies in advanced supersonic jet aircraft to our present day,” said AAM founder Jeff Clyman.  

The A-10 takes off from the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com
The A-10 takes off from the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

‘Where Aviation History Takes Flight’

What makes Long Island’s American Airpower Museum so special among aviation museums is that this is so much more than a static display of vintage aircraft. This is living history –just about every day you visit, you can see these historic aircraft fly – you can even purchase a seat to fly in AAM’s AT-6 Texan and Waco Biplane.

The Airpower museum is all about honoring that sacrifice and commemorating the people who flew the missions, parachuted into danger, reported on the war. Rather than tell the history of aviation writ large, it is more about the story of specific planes and people. There is a lot that puts you into the story – you get to climb into a fuselage and take hold of a machine gun with the ammo belt, climb into the C-47 troop transport plane that would shortly take off for its turn in the Air Show, piloted by Andrew Beard of North Babylon (who spent eight years flying for the Canadian Air Force, even piloting Canada’s Air Force One carrying the Prime Minister.)

Long Island’s only flying military aviation museum celebrated its 20th anniversary last year.

Its impressive collection was started by Jeffrey Clyman, president of the museum and the foundation.

His first acquisition was the P10-17 WWII training biplane which used to fly in air shows. His second was the Avenger. The third, the AT-6 “Texan” came from the Spanish air force where it was used for desert warfare in the Sahara

Pilot Nick Ziroli back on the ground after his flight on the Grumman TBM Avenger © Karen Rubin/goingplacesfarandnear.com

The Grumman TBM Avenger is the same plane model which George H.W. Bush few in WWII in which he was shot down (the other two crew members did not survive); you can see where Bush autographed this plane.  Known as the “ship killer,” so many Japanese ships were destroyed by the torpedoes it carried, that upon seeing it coming, crew would jump off, the museum’s publicist, Bob Salant, tells me during my visit.

You can actually buy a seat for a flight in the WACO UPF-7 biplane (the initials stand for Weaver Aircraft Company of Ohio) and a North American AT-6 Texan, which give you the unparalleled experience of flying with an open cockpit.

Thom Richard pilots “Jacqueline,” a P-51 Mustang fighter © Karen Rubin/goingplacesfarandnear.com
“I try to beat gravity every day, and every day I fail,” jokes Thom Richard, pilot of “Jacqueline”.  Richard runs Warbirds Adventure flying school in Florida. © Karen Rubin/goingplacesfarandnear.com

You can also buy a seat in a D-Day reenactment flying aboard the WWII Veteran Douglas C-47 Gooney Bird, which carried parachutists – you wear an appropriate uniform, there is the radio speech of President Eisenhower sending the troops into this fateful battle, and while you don’t actually parachute, at the end, you are given a card that says whether you lived or died.

Andrew Beard, of North Babylon, pilots the C-47, “Second Chance,” a troop transport plane – the same type of plane used for D-Day (and is used in the museum’s “D-Day Experience” where you get in the same uniforms, fly in the aircraft as if about to parachute. Beard flew for the Canadian Air Force for 8 years, including Canada’s Air Force One that carried the Prime Minister. This C-47 was used in the Berlin Airlift, and spent 30 years in the Israel Air Force (you can see where the Star of David was overprinted, and there is Hebrew on one of the boxes in the cabin) – very likely used in the Yom Kippur and 7-Day wars © Karen Rubin/goingplacesfarandnear.com

That’s what “Living history” means to the American Airpower Museum.

Indeed, just about all the aircraft you see in the hangar and on the field (a few are on loan), are working aircraft and have to be flown to be maintained, so any time you visit, you are likely to see planes flying.

Among the planes that played an important role in history is the “Mis-Hap” – a North American B25 Mitchell bomber that was used as a transport plane for General Doolittle, famous for mounting the Doolittle Raid on Tokyo – the first attack on Japan’s mainland after Pearl Harbor. It was General Hap Arnold’s personal plane (subsequent owners included Howard Hughes).

The B-25 that General James Doolittle used as transport. Doolittle mounted the first air raid over Japan after Pearl Harbor (they were known as ‘Doolittle’s Raiders”) © Karen Rubin/goingplacesfarandnear.com

Another is the Macon Belle, on view in a fascinating exhibit that pays homage to the Tuskegee Airmen, one of whom, William Johnson is a Glen Cove resident. The Tuskegee Airmen were the first black military aviators in the U.S. Army Air Corps during WWII. They flew more than 15,000 individual sorties in Europe and North Africa, earning more than 150 Distinguished Flying Crosses.

You can walk through the Douglas C-47, the same plane as was used on D-Day to drop parachutists into France, and even purchase a seat for a D-Day reenactment © Karen Rubin/goingplacesfarandnear.com

You can walk through the Douglas C-47B. Built in 1935 and in service since 1936, the DC3 started as one of the first commercial civilian airliners. It was best known for being used in the Berlin Airlift, dropping food, clothing and medical supplies to Berliners suffering under the Soviet occupation. The plane is dubbed “Second Chance” possibly because after World War II, it was sold to the State of Israel and saw more than 30 years in the Israel Air Force (very possibly flew in the Yom Kippur and Six Day wars). Today, the C-47B is used in D-Day reenactments.

Kids are inspired at the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

Inside the hangar, there are several excellent exhibits, including one showcasing the WASPs – the Women Airforce Service Pilots who were used to fly planes to their missions. Another focuses on women war correspondents, among them, Martha Gellhorn, considered one of the great war correspondents of the 20th century, reporting on virtually every major world conflict over her 60-year career (she was also the third wife of novelist Ernest Hemingway).

Kids are inspired at the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

Clyman, who started his museum in New Jersey, moved it to Farmingdale, Long Island, the “cradle of aviation,” where America’s aviation industry began and many of these planes were built, and where the people who built them, maintained them and flew them, still live. Many of the docents as well as the pilots are former Republic workers and veterans.

“My dad was a combat pilot in WWII. So was my uncle. My mom was a nurse,” Clyman tells me. “But just as the 1920s followed WWI, and the 1950s after WWII, they didn’t talk about their experiences in war until they were about to die.” His mission is to not only legacy of the planes, but honor the people.

Kids are inspired at the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

The structure that the American Airpower museum occupies, some 65 years ago, was a crucial part of America’s “Arsenal of Democracy” – it was home to Republic Aviation, the complex where more than 9,000 P-47 Thunderbolts were produced.

“Today, no American aviation museum with a squadron of operational World War II aircrafts has a more appropriate setting for its flight operations,” Clyman says. “Taxing to the very runways and hangars that dispatched Thunderbolts to war, vintage aircrafts recreate those turbulent years and allow the public to watch these planes in their natural environment – the air.”

The hangar where the museum is located is now part of a historic preservation district, as a result of the effort of Senator Charles Schumer and them-Congressman Steve Israel.

There are uniforms, equipment, even two Nikon cameras adapted for use by astronauts that flew in the Space Shuttle.

Here are more photos that capture the homecoming of the F-18 Super Hornet crew:

Wes “Chunk” Henderson arrived in style to visit his family for Memorial Day Weekend from his US Navy Airbase in Whidbey Island, WA – by F18 Growler, a SuperHornet capable of Mach2 speed, uses electro-magnetic energy “cannons” in the wings to disarm the enemy’s missile guidance systems, landing at the American Airpower Museum. As a boy, he was inspired to become a military pilot visiting the museum from his home in Wyandanch. © Karen Rubin/news-photos-features.com
Joe Jannelli, 17, from Dix Hills and C.J. Grasso, 17, of Amityville, are already pilots and huge fans of Wes “Chunk” Henderson, pilot of the F-18 SuperHornet. Jannelli wants to become a Navy pilot and Grasso wants to be an Air Force pilot © Karen Rubin/goingplacesfarandnear.com
Wes”Chuck” Henderson and Dave “Woogie” Keller of Long Island before taking off in their F18 Super Hornet © Karen Rubin/goingplacesfarandnear.com
The US Navy’s F-18’s were not flying in this year’s Memorial Day Bethpage Air Show – that role went to the US Air Force’s Thunderbirds, who flew the practice show on Friday, then returned for a special edition on Monday after being rained out Saturday and Sunday. Henderson and his comrades got special permission to bring their state-of-the-art jets to Long Island and put them on display at the American Airpower Museum. It was Henderson’s first time home since 2018 – his father, George, passed away from COVID-19 exactly a year ago but there was no funeral. This was his first time seeing his mother, Eve, since then. For her part, this was her first time seeing her son land and take off in the F-18. Wes’ girlfriend, Kate Wise, was also able to attend © Karen Rubin/goingplacesfarandnear.com
Local boys reach heights as US Navy fliers, piloting and crewing on the F-18s: Pete “Lil Sippy” Stern of Westchester; Ryan “FNQ 1” Ballester of Remsenburg, Long Island; Dave “Woogie” Keller of Long Island; and Wes “Chunk” Henderson of Wyandanch © Karen Rubin/goingplacesfarandnear.com
All in the family: Ryan Ballester of Remsenburg, li, with father Lou, a flight instructor who taught his son to fly (another son flies Sea hawk helicopter and third son is an air traffic controller in San Diego © Karen Rubin/goingplacesfarandnear.com
 Wes “Chunk” Henderson of Wyandanch and Dave “Woogie” Keller of Long Island in the cockpit © Karen Rubin/goingplacesfarandnear.com
 
Ryan “FNQ 1” Ballester of Remsenburg, Long Island and Pete “Lil Sippy” Stern of Westchester in the cockpit © Karen Rubin/goingplacesfarandnear.com
 
The US Navy Super Hornets take off from the American  Airpower Museum © Karen Rubin/goingplacesfarandnear.com
The US Navy Super Hornets take off from the American  Airpower Museum © Karen Rubin/goingplacesfarandnear.com
The US Navy Super Hornets take off from the American  Airpower Museum © Karen Rubin/goingplacesfarandnear.com
The US Navy Super Hornets take off from the American  Airpower Museum © Karen Rubin/goingplacesfarandnear.com

The American Airpower Museum, “Long Island’s only flying military aviation museum,” is located on the landmarked former site of Republic Aviation at Republic Airport, Farmingdale, NY.  The Museum maintains a collection of aviation artifacts and an array of aircraft spanning the many years of the aircraft factory’s history.  ‘Where aviation history takes flight!” The Museum is a 501(c)(3) Nonprofit Educational Foundation Chartered by the New York State Board of Regents

The American Airpower Museum, Hangar 3, 1230 New Highway, Farmingdale, NY 11735, 631-293-6398, info@americanairpowermuseum.org, www.americanairpowermuseum.com.

See also:

A VISIT WITH THE USAF THUNDERBIRDS

WAYS TO SEE LONG ISLAND’S BETHPAGE AIR SHOW AT JONES BEACH DESPITE WEATHER

16TH ANNUAL BETHPAGE AIR SHOW AT JONES BEACH, LONG ISLAND, HONORS SPIRIT OF MEMORIAL DAY

PHOTO HIGHLIGHTS FROM 15TH ANNUAL MEMORIAL DAY BETHPAGE AIR SHOW AT JONES BEACH, LONG ISLAND

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Global Scavenger Hunt Turns Into Personal Odyssey Following Route of Jewish Diaspora (Part 3: Iberia-NYC)

Take a walking tour of Porto, Portugal to discover vestiges of Jewish heritage © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I was surprised to discover during a Global Scavenger Hunt mystery tour around the world in 2019 that I was actually on an odyssey of the Jewish Diaspora.  It wasn’t my intention or my mission but it seems that everywhere we touched down (we only learn where we are next going when we are told to get to the airport), I found myself tracing a route set by trade (and permitted occupations), exile and refuge.

It started in Vietnam and then just about every place we traveled: Yangon, Myanmar, where I visited the last synagogue in that country (it’s a historic landmark and still serves a handful of congregants); in Athens, where I discovered the site of a synagogue, serving a Jewish community that had existed in Athens at least since the 3rd C BC and possibly as early as 6th C BC, near where the world’s first “parliament” would have been. In Petra, Jordan, I learned of a connection to Moses and the Exodus (the first Diaspora?). Then the ancient cities of Marrakesh and Fez in Morocco, which has only recently established full diplomatic relations with Israel, and on to Gibraltar, which made me feel I had been deposited in Brigadoon. From Gibraltar, I walked into Spain and took the bus to Seville, where my Jewish odyssey continued:

Seville, Spain

This part of my odyssey is like going to ground zero for the Jewish Diaspora, at least in the past 600 years, when Jews were forced to convert or be expelled, in the Inquisition in 1492 (many who stayed practiced in secret, as Marranos).

Las Casa de la Juderia, once the Jewish Quarter of Seville, Spain © Karen Rubin/goingplacesfarandnear.com

At some point in my walk-about in Seville, I find myself in front of a gate with a sign on the wall that says “Juderia,” which, I later learn was the old Jewish Quarter (before Spain evicted Jews, in 1492, known as the Inquisition). It has been converted into a hotel, Las Casas de la Juderia, comprised of a vast complex of interwoven dwellings, a city within a city, a sprawling maze of 27 houses and two palaces, restored to their 15th century glory, literally in the shadow of the Cathedral and the Alcázar (https://www.lascasasdelajuderiasevilla.com/en/).

“Unmistakably Spanish, the family-run hotel is an alluring retreat hidden right in the heart of the city,” writes Trafalgar, a tour company which features this “accommodation with a story” in its Seville program.

“At Las Casas de la Juderia, you‘ll tread in the footsteps of nobility and even royalty. Over the centuries, Christopher Columbus, The Duke of Bejar and The Count of Villamanrique have all stayed here. In fact, after returning from America, Columbus’s men all resided in these houses. Perhaps most compelling of all is the network of subterranean tunnels connecting houses commissioned by former owner, the Duke of Segorbe. You can wander through these today; in fact, breakfast is taken in the captivating underground Hall of Mirrors.” (https://blog.trafalgar.com/2018/02/26/stays-stories-sevilles-las-casas-de-la-juderia/)

Seville, Spain © Karen Rubin/goingplacesfarandnear.com

I learn later that Jews had lived in Seville since the 6th century BCE. Though persecuted by Visigoths, Jews were protected under the Moors. Persecution began again in 1391 under Catholics – the Jewish Quarter was burned down. The Inquisition began in earnest in 1381, all Jews who did not convert (and some continue to practice secretly) were expelled by 1492. About half of the 300,000 Jewish Spaniards left, writes Fiona Flores Watson (https://www.andalucia.com/history/jews.htm), who suggests visiting the Centro de Interpretación Judería de Sevilla to learn more about the history of Jews in Seville.

It bears reminding that Columbus set out on his voyage of discovery of the “New World” in 1492, the same year as the official start of the Spanish Inquisition. Many believe that Marranos – secret Jews – were among his crew and founded the first white settlements in the New World, on Caribbean islands like Jamaica (one imagines that Jews missed the opportunity to claim the New World, but oh well.)

“The year of discovery in 1492 was also the seminal year of the Sephardic diaspora, when Spanish Jews were required to convert to Catholicism or to leave Spain.  Much of the population moved on to Portugal or found homes on the Mediterranean littoral. Columbus’s first crew included several conversos, or Spanish-Jewish converts to Christianity, notably the interpreter, Luis Torres. Importantly, three conversos in the Spanish court were influential in securing royal approval for the controversial expedition.” http://brown.edu/Facilities/John_Carter_Brown_Library/exhibitions/judaica/pages/geography+.html

Columbus’s letter to the Court of Spain, outlining the importance of his discovery, was addressed to Santangel, the chancellor of Aragon, one of three important conversos in the royal court. Others were Gabriel Sanchez, the royal treasurer, and Juan Cabrero, the king’s chamberlain. Additionally, Jews were responsible for the technology that made the explorations possible: Abraham Zacuto developed astronomical tables, almanacs, and maps, while Levi ben Gerson is credited with the invention of the sea-quadrant or Jacob’s staff, used to guide marine courses.

Seville, Spain © Karen Rubin/goingplacesfarandnear.com

The theme of this part of my journey could well be exploration. I had not realized that the first trip to circumnavigate the world originated from Seville: in 1519, Ferdinand Magellan began his voyage from the very spot where I stand on the bank of river; crossing the San Telmo bridge, you can see the armillary sphere that commemorates mile zero of that voyage.

“Seville in the 16th century was the mercantile center of the western world, and its river was the main maritime route for Atlantic traffic for more than 200 years…Seville was known as ‘the city where the world’s heart beats’. Its maritime activity permeated commerce, population, culture, and its own urban development, making it unique,” the visitor bureau notes (www.visitasevilla.es/en/history/guadalquivir-river).

See: GLOBAL SCAVENGER HUNT: SEVILLE TO PORTO TO COMPLETE TOUGHEST LEG OF 23-DAY AROUND-THE-WORLD MYSTERY TOUR

Porto, Portugal

Like Spain, Jewish heritage in Portugal is complicated. Jews lived here from 5th to 15th centuries – 1000 years before being expelled. After being kicked out of Spain, many Jews went first to Portugal, but Portugal adopted Spain’s Inquisition in 1496 in order to consummate a politically-advantageous wedding. Like in Spain, many Portuguese Jews pretended to convert to Christianity but remained secret Jews.

At one end of Praça da Liberdade, Porto’s elegant Belle Époque main square, is Porto-Palacio das Cardoas Hotel, the first luxury hotel in the historic city center. It was opened in 2011 after being converted from the 18th century palace home of a wealthy Jewish merchant, Manuel Cardoso dos Santos, who bought the property from an order of monks when they were forced from the city. It was originally built as the Lóios Monastery.

Praça da Liberdade, Porto’s elegant Belle Époque main square © Karen Rubin/goingplacesfarandnear.com

According to the New York Jewish Travel Guide: Porto, Portugal’s second city, is home to one of the oldest Jewish communities in the country. The city was spared the destruction of the 1755 earthquake that destroyed much of Lisbon. Porto remained largely intact so you can see the narrow streets and balconied houses of former Jewish quarter with street names like “Rua Monte Judeus,” “Escadinhas do Monte dos Judeus,” and Pátio das Escadinhas do Monte dos Judeus.” 

The main synagogue stood on the Escadas da Vitória, a place still locally called “Escadas da Esnoga,” meaning “stairway to the synagogue.” A plaque that marks this site.

Balconied houses, Porto, Portugal © Karen Rubin/goingplacesfarandnear.com

Nearby, there is an ancient Jewish cemetery at Passeio das Virtudes.  It was there that the largest numbers of Conversos (also known as Marranos), descendants of Jews forced to convert to Christianity during the Inquisition but secretly practicing Judaism, lived.

But the Jewish experience here in Porto – I am surprised to learn – is relatively modern: in the 1920s Porto became the center of a modest Jewish cultural revival led by an army captain, Arturo Carlos de Barros Bastos. A Converso, Bastos converted to Orthodox Judaism at the age of 33. He became known as the “Portuguese Dreyfus” because he was dismissed from the Army for being a Jew.

Basto established a Yeshiva in Porto, which ran for nine years educating more than 90 students. This is what brought him to the attentionof the government, especially after an estimated 10,000 families across Portugal admitted to practicing Judaism in secret. False charges were brought against the Captain and he was court-martialed, stripped of his rank and was forced to close the Yeshiva. After leaving the Army, Captain Basto established a synagogue in Porto.

As the congregation grew he moved into a new building donated by Elly Kadoorie, a wealthy Sephardic Jew. The Kadoorie Mekor Haim Synagogue was built on property bought and donated by Baron Edmond de Rothschild of Paris.  

The Hebrew part of its name, “Mekor Haim,” means “Source of Life,” while “Kadoorie” is the surname of Hong Kong-born Jews who donated  the funds to complete the building, in honor of a deceased family member, Laura Kadoorie, who descended from Portuguese Jews. Her husband, Sir Elly Kadoorie, died in 1944 and is still the Honorary President of the Israeli Community of Oporto, the New York Jewish Travel Guide reported.

Remnant of Jewish community in Lisbon, Portugal © Karen Rubin/goingplacesfarandnear.com

The Kadoorie Mekor Haim Synagogue, built with donations from Jews from all over the world and with décor that blends Art Deco and Moroccan,  was inaugurated in 1938, at a time when synagogues were being burned in Germany. It is the largest synagogue in the Iberian Peninsula and one of the largest in Europe.

Indeed, I learn that during World War II, Portugal gave refuge to thousands of Jews escaping Nazi persecution. Their existence has been legal in Portugal since 1912, and today there are Jewish synagogues in Lisbon, Porto, Trancoso and Belmonte (https://www.visitportugal.com/en/content/jewish-legacy).

You can take a Jewish Heritage walking tour of Porto

New York City

How fitting that our next and final stop on this 23-day, 10-country around-the-world mystery tour is New York City, where many of these displaced descendants of Iberian Jews wound up, generations later from Holland, Brazil and the Indies.

Indeed, there is some suggestion that secret Jews (Marranos) were on board Columbus’ ships, and established the first white settlement in the New World, on the island of Jamaica.

Congregation Shearith Israel, the first Jewish congregation established in North America, founded in 1654; the present building dates from 1897 © Karen Rubin/goingplacesfarandnear.com

You can still visit Congregation Shearith Israel, the first Jewish congregation established in North America. It was founded in 1654 (just 34 years after the Pilgrims landed at Plimoth) by 23 Jews, mostly of Spanish and Portuguese origin, who had been living in Recife, Brazil. But when Portuguese defeated the Dutch for control of Recife, bringing the Inquisition to Brazil, the Jews left. Some returned to Amsterdam where they had originated; others went to Caribbean islands including St. Thomas, Jamaica, Surinam and Curacao. The group that came to New Amsterdam arrived in 1654.

“They were not welcomed by Governor Peter Stuyvesant, who did not wish to permit Jews to settle in New Amsterdam.  However, these pioneers fought for their rights and won permission from the Dutch West India Company to remain here in 1655,” according to the synagogue’s historic notes.

The original synagogue was in the Wall Street area. As New York City continued to grow and the population moved northward, Shearith Israel opened its present building in 1897 – the congregation’s fifth building – on 70th Street and Central Park West, on a plot of land that was previously a duck farm.  

The architect was Arnold Brunner, an American-born Jewish architect. The building was designed by Louis Comfort Tiffany, who created the extraordinary glass windows and planned the interior design and color scheme.  (I’ve attended a Purim service there, and walk by it often, on Central Park West.)

On this last day of the Global Scavenger Hunt, still in hunt mode, I walk up to the Metropolitan Museum of Art where the task is to find artifacts related to the places we have been. I find myself in an extraordinary exhibit, “The World Between Empires,” which interestingly serves almost as a summary of all the places we had gone, all the cultures we explored, while fitting in some missing archaeological pieces from places like Petra, Jordan.

“The compelling works of art in this exhibition offer a view into how people in the ancient Middle East sought to define themselves during a time of tremendous religious, creative, and political activity, revealing aspects of their lives and communities that resonate some two millennia later,” stated Max Hollein, Director, The Metropolitan Museum of Art, in a video that accompanies the exhibit.  “Further, in focusing on an area of the world that has been deeply affected by recent conflicts and the destruction of sites, monuments, and objects, this show also engages with complex questions about the preservation of cultural heritage.”

3rd C biblical wall paintings discovered in the Dura-Europos synagogue were exceptional because they demonstrated that early Jewish art included figural scenes. Metropolltan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

The exhibition evokes a journey along ancient trade routes, beginning in the southwestern Arabian kingdoms that grew rich from the caravan trade in frankincense and myrrh harvested there and used throughout the ancient world. Camel caravans crossed the desert to the Nabataean kingdom, with its spectacular capital city of Petra, which I have just visited, walking through very much as the caravan travelers would have.

Ossuaries, 4th Century BCE, Israel, on exhibit at the Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

“From here, goods traveled west to the Mediterranean and north and east through regions including Judaea and the Phoenician coast and across the Syrian desert, where the oasis city of Palmyra controlled trade routes that connected the Mediterranean world to Mesopotamia and Iran and ultimately China. In Mesopotamia, merchants transported cargoes down the Tigris and Euphrates rivers to the Persian Gulf, where they joined maritime trade routes to India. These connections transcended the borders of empires, forming networks that linked cities and individuals over vast distances.

“Across the entire region, diverse local political and religious identities were expressed in art. Artifacts from Judaea give a powerful sense of ancient Jewish identity during a critical period of struggle with Roman rule. Architectural sculptures from the colossal sanctuary at Baalbek and statuettes of its deities reveal the intertwined nature of Roman and ancient Middle Eastern religious practices. Funerary portraits from Palmyra represent the elite of an important hub of global trade. Wall paintings and sculptures from Dura-Europos on the River Euphrates illustrate the striking religious diversity of a settlement at the imperial frontier. And in Mesopotamia, texts from the last Babylonian cuneiform libraries show how ancient temple institutions waned and finally disappeared during this transformative period.”

Dead Sea Scroll, on exhibit at the Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

Among the astonishing artifacts that I come upon is the “unique” Magdala Stone, discovered in a first-century synagogue at Migdal (ancient Magdala) with imagery that refers to the Temple in Jerusalem and wall paintings from a church in Dura-Europos that are the earliest securely dated images of Jesus.

The Magdala Stone, 1st Century, Migdal, Synagogue, on the Sea of Galilee. The stone, whose exact function is uncertain, dates to a time when the temple in Jerusalem still stood. One short side features a 7-branched menorah – the earliest such image known in a synagogue – flanked by amphorae and columns. The Migdal synagogue would have been in use during the lifetime of Jesus, whom the Gospels describe as preaching in synagogues throughout Galilee © Karen Rubin/goingplacesfarandnear.com

From my visits in Athens and Petra, particularly, I appreciate this synergy between trade, migration, environmental sustainability and technology (in Petra’s Archaeology Museum, you learn how the ability to control water supply was key to the city’s development) and the links to economic prosperity and political power, and the rise of art, culture, and community. (I recall the notes from the National Archaeology Museum in Athens that made this very point.)

Happening upon this exhibit made the travel experiences we had to these extraordinary places all the more precious.

It is a humbling experience, to be sure, to go to the origins of the great civilizations, fast forward to today. How did they become great? How did they fall? Greatness is not inevitable or forever.  Empires rise and fall. Rulers use religion, art and monuments to establish their credibility and credentials to rule; successors blot out the culture and re-write history.

For additional information visit GlobalScavengerHunt.com or contact GreatEscape Adventures Inc. at 310-281-7809.

See also:

FEELING LIKE A FOREIGNER IN MY HOMETOWN: GLOBAL SCAVENGER HUNT ENDS IN NEW YORK CITY

GLOBAL SCAVENGER HUNT TURNS INTO PERSONAL ODYSSEY FOLLOWING ROUTE OF JEWISH DIASPORA (PART 1: Vietnam-Athens)

GLOBAL SCAVENGER HUNT TURNS INTO PERSONAL ODYSSEY FOLLOWING ROUTE OF JEWISH DIASPORA (PART 2: MOROCCO-GIBRALTAR)

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Long Island’s American Airpower Museum Reopens for Visits, Flights Aboard Historic Planes

A fly-by of World War II era planes from the American Air Power Museum, Long Island’s only flying military aviation museum, at the popular Jones Beach Air Show. The museum reopens August 1 with a special event featuring flyovers of WWII era bombers and fighters © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin
Travel Features Syndicate, goingplacesfarandnear.com

What makes Long Island’s American Airpower Museum, located at historic Republic Airport in Farmingdale, so different from other aviation museums is that this is so much more than a static display of vintage aircraft. This is living history: just about every day you visit, you can see these historic aircraft fly – you can even purchase a seat.

Long Island’s only flying military aviation museum, which is celebrating its 20th anniversary this year, reopened after its COVID-19 hiatus, with new health protocols and precautions.

Its impressive collection was started by Jeffrey Clyman, president of the museum and the foundation.

You can buy a seat to fly in the open cockpit of the P10-17 WWII training biplane, which was used in air shows © Karen Rubin/goingplacesfarandnear.com

His first acquisition was the P10-17 WWII training biplane which used to fly in air shows. His second was the Avenger. The third, the AT-6 “Texan” came from the Spanish air force where it was used for desert warfare in the Sahara

The Grumman TBM Avenger, with Jeff Clyburn’s name and the stencils of Japanese ships “killed” by its torpedoes on the side, and President George H.W.Bush’s autograph, takes flight with a passenger from the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

Among them, the Grumman TBM Avenger, the same plane model flown by President George H.W. Bush in WWII in which he was shot down (the other two crew members did not survive); you can see where Bush autographed this plane.  Known as the “ship killer,” so many Japanese ships were destroyed by the torpedoes it carried, that upon seeing it coming, crew would jump off, the museum’s publicist, Bob Salant, tells me during my visit on reopening day.

The TBM Avenger’s wings unfold to reveal where President George H.W.Bush autographed the same model airplane that he flew and was shot down in during WWII © Karen Rubin/goingplacesfarandnear.com

You can actually buy a seat for a flight in the WACO UPF-7 biplane (the initials stand for Weaver Aircraft Company of Ohio) and a North American AT-6 Texan, which give you the unparalleled experience of flying with an open cockpit. You can also buy a seat in a D-Day reenactment flying aboard the WWII Veteran Douglas C-47 Gooney Bird, which carried parachutists – you wear an appropriate uniform, there is the radio speech of President Eisenhower sending the troops into this fateful battle, and while you don’t actually parachute, at the end, you are given a card that says whether you lived or died.

You can buy a seat on the Douglas C-47 to experience a D-Day reenactment of a flight that delivered parachutists to battle © Karen Rubin/goingplacesfarandnear.com

That’s what “Living history” means to the American Airpower Museum.

Indeed, just about all the aircraft you see in the hangar and on the field (a few are on loan), are working aircraft and have to be flown to be maintained, so any time you visit, you are likely to see planes flying.

Among the planes that played an important role in history is the “Mis-Hap” – a North American B25 Mitchell bomber that few in the Doolittle Raid on Tokyo. It was General Hap Arnold’s personal plane (subsequent owners included Howard Hughes).

“Mis Hap,” the North American B25 Mitchell bomber made famous by the Doolittle Raid onTokyo, was the personal plan of General Hap Arnold© Karen Rubin/goingplacesfarandnear.com

Another is the Macon Belle, on view in a fascinating exhibit that pays homage to the Tuskegee Airmen, one of whom, William Johnson is a Glen Cove resident. The Tuskegee Airmen were the first black military aviators in the U.S. Army Air Corps during WWII. They flew more than 15,000 individual sorties in Europe and North Africa, earning more than 150 Distinguished Flying Crosses.

The Macon Belle is part of the exhibit honoring the Tuskegee Airmen © Karen Rubin/goingplacesfarandnear.com

2020 was anticipated to be a banner year for AAM.  Museum aircraft were scheduled to participate in historic events marking the 75th anniversary of the end of WWII and honoring U.S. Veterans who made the Allied victory possible.  As they have done for the last 17 years, AAM’s WWII airplanes were going to appear in the Annual Jones Beach Airshow.  And it must be noted that on May 24th 2020, the American Airpower Museum celebrated its 20th anniversary in isolation.

Instead, the museum had to shut down along with every other museum and attraction in the state because of the coronavirus. It has reopened with health protocols that include filling out a questionnaire and having a temperature check at the entrance; requiring masks and social distancing throughout the museum.

Certain interactive exhibits have been closed, but you can still climb stairs to see inside cockpits, and walk through the Douglas C-47B. Built in 1935 and in service since 1936, the DC3 started as one of the first commercial civilian airliners. It was best known for being used in the Berlin Airlift, dropping food, clothing and medical supplies to Berliners suffering under the Soviet occupation. This C47 was one of the few flyable C47s with a paratrooper configuration, and dropped troops for the D-Day invasion. The plane is dubbed “Second Chance” possibly because after World War II, it was sold to the State of Israel and saw more than 30 years in the Israeli military (very possibly flew in the 1967 war). Today, the C-47B is used in D-Day reenactments.

Women War Correspondents are honored at the American Airpower Mussum © Karen Rubin/goingplacesfarandnear.com

There are several excellent exhibits, including one showcasing the WASPs – the Women Airforce Service Pilots who were used to fly planes to their missions. Another focuses on women war correspondents, among them, Martha Gellhorn, considered one of the great war correspondents of the 20th century, reporting on virtually every major world conflict over her 60-year career (she was also the third wife of novelist Ernest Hemingway).

There are also several fighter jets on loan from the USAF Museum, including a Republic F-84 Thunderjet; Republic RT-84 Thunderstreak, Republic RF-084 Thunderflash, Republic F105 Thunderchief, and General Dynamics F-111.

Clyman, who started his museum in New Jersey, moved it to Farmingdale, Long Island, the “cradle of aviation,” where many of these planes were built, and where the people who built them, maintained them and flew them, still lived. Many of the docents as well as the pilots are former Republic workers and veterans.

Nick Ziroli pilots the North American T6 “Texan” © Karen Rubin/goingplacesfarandnear.com

“My dad was a combat pilot in WWII. So was my uncle. My mom was a nurse,” Clyman tells me. “But just as the 1920s followed WWI, and the 1950s after WWII, they didn’t talk about their experiences in war until they were about to die.” His mission is to not only legacy of the planes, but honor the people.

“Some 65 years ago, the current home of the American Airpower Museum at Republic Airport was a crucial part of the ‘Arsenal of Democracy’. Home to Republic Aviation, the complex produced over 9,000 P-47 Thunderbolts in Farmingdale,” the museum’s website explains.

“Today, no American aviation museum with a squadron of operational World War II aircrafts has a more appropriate setting for its flight operations. Taxing to the very runways and hangars that dispatched Thunderbolts to war, vintage aircrafts recreate those turbulent years and allow the public to watch these planes in their natural environment – the air.”

Long Island’s American Airpower Museum, is set in America’s “cradle of aviation.” © Karen Rubin/goingplacesfarandnear.com

The hangar where the museum is located is now part of a historic preservation district, as a result of the effort of Senator Charles Schumer and then-Congressman Steve Israel.

There are uniforms, equipment, even two Nikon cameras adapted for use by astronauts that flew  in the Space Shuttle.

Two Nikons that flew on the Space Shuttle are on exhibit at the American Airpower Museum, Farmingdale © Karen Rubin/goingplacesfarandnear.com

Clyman said it has always been AAM’s mission to honor the legacy of those who gave all to preserve our freedoms.  “We’re pleased to announce we recently resumed maintenance and inspection of our aircraft so that much anticipated flight operations can begin with our grand reopening event.  We also promise a flying salute to our Veterans and front line workers very soon,” he said. 

The American Airpower Museum, Long Island’s only flying military aviation museum, pays homage to the people who built, maintained and flew these historic aircraft © Karen Rubin/goingplacesfarandnear.com

At the reopening on August 1, visitors were treated to aircraft displays and flight operations of WWII AT-6s, WACO UPF-7, and TBM Avenger.

The museum is open to only 55 visitors at one time. There will be a case by case increase should the flight line be open, to increase the number of visitors at one time. Face masks must be worn at all times by anyone who will work, and visit the museum (masks are for sale in the gift shop for anyone who does not have one).  Visitors have their temperature taken as they enter, and are encouraged to wash hands, or use hand sanitizer (hand sanitizer is available in the gift shop, and by the restrooms). Social distancing will be observed and the floors have been marked to denote 6 feet spacing. Restrooms and canteen areas are regularly cleaned.

You can buy a seat to fly in the North American T6 “Texan” from the American Airpower Museum, Farmingdale. © Karen Rubin/goingplacesfarandnear.com

The C-45 cockpits are not currently open, but the Flight Simulator may be available for use on a case by case basis, and cleaned after each use. Docents will also guide visitors accessing certain aircraft and limit the number of visitors at one time.

One of the docents is Steven Delgado who came to New York from Puerto Rico at the age of 15, was drafted to go to Vietnam in 17 and served in a parachutists unit. “I learned English in the army). When he returned, he earned his CPA from NYU and became a volunteer fire fighter.

The museum, a 501 (C3) Nonprofit Educational Foundation,  is open year-round, rain or shine.

Admission for adults is $13, seniors and veterans $10 and children $8. 

The American Airpower Museum, Hangar 3, 1230 New Highway, Farmingdale, NY 11735, 631-293-6398,info@americanairpowermuseum.org, www.americanairpowermuseum.com.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Staycation! Long Island Offers So Much to Explore

The world-class Cradle of Aviation Museum in Uniondale, Long Island, is a sensational destination for a staycation – inspiring exhibits that explain the beginning of aviation to the future of space travel in the place where it happened, set in a spacious, comfortable air-conditioned facility. © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin
Travel Features Syndicate, goingplacesfarandnear.com

Long Island entering Phase 4 in the COVID-19 recovery means that museums, gardens, attractions, even shopping malls, are open again with health protocols that include limited capacity (many required timed ticketing), social distancing, hand-sanitizing and mandatory mask-wearing. This is an ideal time for Long Islanders to discover our own bounty.

Staycation! Create your own itinerary. Here are some highlights (for more, visit Long Island Tourism Commission, discoverlongisland.com):

Cradle of Aviation Museum is Sensational Destination on Staycation Itinerary

A year ago, we were dazzled and enthralled at the Cradle of Aviation exhibit and special programming for the 50th anniversary of Apollo 11’s moon landing. This year is historic in another way – the museum is reopening with special health protocols in response to the Covid-19 epidemic. As I toured the museum as it geared up for the reopening, I really focused on the remarkable historic exhibits, appreciating the role Long Island played in the development of aviation up through and including space travel.

We tend to think of the Wright Brothers and their flight on a beach at Kitty Hawk, North Carolina, but Long Island was really the birthplace of the aviation industry. So many firsts, as I observed going through the museum: the first woman pilot, the first Bleriot monoplane (what??), first woman to pilot an aircraft and first woman to build an aircraft (Dr. Bessica Raiche of Mineola) and of course, first nonstop flight between New York and Paris that departed from Roosevelt Field, right outside. We also see a photo montage of native Long Island astronauts including Mary Cleave who graduated Great Neck North High School.

The planes and artifacts on display are astounding.

The “Spirit of St. Louis” plane used in the Jimmy Stewart movie on display at Cradle of Aviation Museum came off the same production line as Charles Lindbergh’s plane that made the historic flight from Long Island’s Roosevelt Field to Paris, nonstop, in 33 hours © Karen Rubin/goingplacesfarandnear.com

You learn that the reason Long Island was such a magnet for early aviation began with its geography: a flat, treeless plain with low population. Add to that some wealthy people willing to put up money – like the $25,000 prize offered by hotel owner Raymond Orteig for the first nonstop aircraft flight between New York and Paris that enticed Charles Lindbergh to fly his Spirit of St. Louis across the Atlantic from Roosevelt Field (just outside Cradle’s door) to Paris in 33 hours. The same plane Lindberg flew – it came off the same production line and was used in the movie, “Spirit of St. Louis” starring Jimmy Stewart – is on display.

Cradle of Aviation educators measure out six-foot social distancing separations getting the air-and-space museum ready to reopen to the public © Karen Rubin/goingplacesfarandnear.com

Many of the interactive have been closed off for health reasons, but there are still videos, sound effects and music (“Over There, Over There” by composer George M. Cohan, who lived in Kings Point, LI, plays where a wood-frame plane is being built), and a dazzling array of exhibits in which to be completely immersed.

Commemorate the 75th Anniversary of the end of WWII with  a look back at the aircraft and the people that made a difference in ending the war including such fighter planes as the P-47 and Grumman’s Avenger, Hellcat, and Wildcat (very impressed with the women WASP pilots).

The Grumman F-14 Tomcat (famous in the Top Gun movie, just in time for the release of Top Gun 2) is on display, marking the 50th anniversary of the first flight © Karen Rubin/goingplacesfarandnear.com

A special treat this summer is the commemoration of the 50th anniversary of the first flight of the F-14 Tomcat, one of the most iconic Navy fighters ever built on Long Island, which was featured prominently in the movie, “Top Gun.”  See a full size aircraft, the third F-14 ever built and oldest flying F-14 from 1971-1990, two -F14 cockpits, nose and flying suits. Learn about the plane, the pilots, and why the F-14 is such a beloved fighter and just in time before the release of Top Gun: Maverick this December.

The environment is especially marvelous during this COVID-summer – spacious rooms, delightfully air-conditioned, with demarcations for six-feet separation and capacity limited to 700 (you should pre-book your tickets online). This is a great year for a family to purchase an unlimited membership ticket ($125 for a family of four), and come frequently. There is so much to see and absorb, you are always seeing and learning new things.

The real thing: the actual lunar lander built by Grumman, Bethpage, for Apollo 19, a moon mission which was scrapped, at the Cradle of Aviation Museum, Long Island. It is one of only three LEMs on earth (three are still on the moon; the other two are at the National Air & Space Museum in DC and at Kennedy Space Center in Florida), but the only one on earth intended to go to the moon. © Karen Rubin/goingplacesfarandnear.com

The Cradle of Aviation Museum & Education Center is home to over 75 planes and spacecraft representing over 100 years of aviation history and Long Island’s only Giant Screen Dome Theater. The museum is located on Museum Row, Charles Lindbergh Blvd., in Garden City.  Call (516) 572-4111 or visit www.cradleofaviation.org.  

Cradle of Aviation Museum is part of Museum Row, which also includes the Long Island Children’s Museum, the Nassau County Firefighter’s Museum, and when it reopens the Nunley Carousel, which dates from 1912.                                     

Nassau County Museum of Art Reopens with “Blue”

The Nassau Museum re-opened July 8 with a spectacular new exhibition that includes work by Picasso, Matisse, Miro, Helen Frankenthaler, Yves Klein and many other major artists. A new timed ticketing and touch-free entry system, along with safety protocols, ensure the safety and comfort of visitors. The Museum is limiting capacity and using signage and staff monitoring to make sure distancing is observed, and has instituted a new cleaning regimen as well as health screening for staff and volunteers.

The innovative new show boldly ventures into the many meanings of the world’s most popular color: Blue. It includes several important artists of our time, including Jeffrey Gibson, Mark Innerst and Sean Scully. It brings together a wide range of media, from sculpture, paintings, prints, photographs and watercolors through ceramics (including Moroccan tiles, Chinese Ming porcelain, Turkish vessels and Japanese claire de lune porcelain), textiles and even a United Nations helmet.

Programming for the show, both online and in person, includes a specially commissioned ballet by the artist Han Qin, a concert of works specially composed for the art in the show, lectures and a director’s seminar series. 

Walking the magnificent grounds of the Nassau County Museum of Art (the William Cullen Bryant Preserve) and coming upon sculpture © Karen Rubin/goingplacesfarandnear.com

The Museum’s magnificent grounds (officially known as the William Cullen Bryant Preserve) have remained open to the public– including outdoor sculpture garden collection of nearly 40 pieces by 24 sculptors, created over the past 100 years, from 1913 to 2018, set throughout its 145 acres of fields, woods, ponds, and formal gardens, and its nature trails.

Celebrating its 30th year, Nassau County Museum of Art, One Museum Drive, Roslyn Harbor,  is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $15 for adults, $10 for seniors (62 and above) and $5 for students and children (4 to12). Visitors are urged to buy their timed tickets in advance online at nassaumuseum.org, 516-484-9338.

More highlights:

Long Island Aquarium has made changes to its operation for the safety of guests, staff and animals (Touch Tanks, animal feeding, encounters, Shark Dives have been suspended). In lieu of a Sea Lion Show, there is a Sea Lion feed and training session, with social distancing in the stands.. Visitors and staff must wear a face mask or covering (masks can be purchased); hand-sanitizers throughout, six-feet social distancing separation will be maintained, including a one-way path through the property. Guests can walk through the Aquarium, enjoying the indoor habitats, to get to the outdoor habitats such as the Penguin Pavilion, Otter Falls, Sea Lion Coliseum. Outdoor dining and retail shops have reopened. Operating at a reduced guest capacity, all members of your party must pre-pay admission and reserve a time slot prior to your visit (https://www.longislandaquarium.com/purchase-tickets/pricing/) (431 East Main Street, Riverhead NY 11901, 631-208-9200, ext 426, www.longislandaquarium.com).

Old Westbury Gardens, the former estate of John S. and Margarita Grace Phipps, is one of the most recognizable of all Gold Coast properties. Its centerpiece is Westbury House, a Charles II-style mansion where the Phipps family lived for 50 years (featured in 25 films including “North by Northwest” and “Love Story”). The 160-acre property also features world-renowned gardens with sweeping lawns, woods, ponds and lakes, and more than 100 species of trees. Advance-reservations tickets are required to tour the palatial home, walk its grounds, and enjoy a window on Long Island’s Gilded Age. (71 Old Westbury Rd, Old Westbury, 516-333-0048, info@oldwestburygardens.org, www.oldwestburygardens.org).

Sands Point Preserve’s The Great Lawn, Rose Garden, Woodland Playground, forest trails, and pond area are open, but the three castle-like mansions (Hempstead House, Castle Gould and Falaise built by Harry S. Guggenheim), Welcome Center and dog run are closed for the health of visitors. Restrooms are available in Castle Gould’s Black Box, and are closed periodically for sterlizing and cleaning. The number of cars is limited; there is contactless payment at Gatehouse, $15/per car, free for members. (127 Middle Neck Road, Sands Point, http://sandspointpreserveconservancy.org/)

Planting Fields Arboretum State Historic Park, listed on the National Register of Historic Districts, was the home of William Robertson Coe from 1913 to 1955. Coe was interested in rare plants and developed the 409 acre estate into an arboretum with 160 acres of garden and plants. In celebration of the centennial anniversary of the completion of the Buffalo Mural in Coe Hall, Planting Fields Foundation is presenting an exhibition on the work of Robert Winthrop Chanler (1872-1930), The Electrifying Art and Spaces of Robert Winthrop Chanler.  A rare opportunity to view decorative screens and panels from private collections throughout America, the exhibition highlights Chanler’s depiction of frenzied worlds from the early 1910s to the late 1920s. Visitors learn about his work in the context of the artistic developments in America in the early 20th century, his relationship to the wealthy patrons of the Gilded Age, and the preservation challenges presented by the Buffalo Mural in Coe Hall.  Gain a deeper understanding of the historical significance of the screens and their design function within the homes of the elite, as well as Chanler’s eccentric persona and the characters around him throughout his life. One-hour tours are limited to 5 people, all from the same family or group; request your tour time online. (395 Planting Fields Road Jericho Turnpike, Oyster Bay, NY 11771, 516-922-9200, plantingfields.org)

The Vanderbilt Museum & Planetarium’s elegant Spanish-Revival mansion was the home of William Kissam Vanderbilt II, great grandson of Commodore Cornelius. The 43-acre estate, listed on the National Register of Historic Places, overlooks Northport Bay and the L.I. Sound. The museum has reopened the first floor of the Hall of Fishes marine museum; the Habitat and Stoll Wing animal dioramas; and the natural-history and cultural-artifact galleries on the first floor of the Memorial Wing. The Mansion living quarters and the Reichert Planetarium remain closed at this time. A limited number of visitors are being accommodated on Tuesdays, Fridays, Saturdays, and Sundays,  11am-6pm. Galleries are open from 12-5pm. Admission to enter the property: $14 per carload; members free. (80 Little Neck Road, Centerport, NY 11721, 631-854-5579, www.vanderbiltmuseum.org,  info@vanderbiltmuseum.org).

Sagamore Hill National Historic Site, Oyster Bay, was Theodore Roosevelt’s “Summer White House.” While the house is not yet reopened for visitors, you can explore the 83 acre-grounds © Karen Rubin/goingplacesfarandnear.com

Sagamore Hill National Historic Site was the “Summer White House when Theodore Roosevelt served as 26th President, from 1902-1908. He lived in this Oyster Bay estate until his death in 1919, and it remains just as it was when he was in residence. The historic home is not yet reopened (the national site is being reopened in phases), but you can explore the 83 acres of grounds which include Audubon Center and songbird sanctuary (note: public restrooms are closed at this point). Check out the virtual tour (20 Sagamore Hill Road, Oyster Bay, 922-4788, https://www.nps.gov/sahi/planyourvisit/conditions.htm)

Garvies Point Museum and Preserve is a center for research on Long Island geology and the Island’s Native American archaeology. The museum is reopening July 18 (capacity limited to 3-4 family groups at one time). The nature trails (you can really imagine when Native Americans lived here), picnic area (bring a bag lunch), bird & butterfly friendly gardens and Native American Herb Garden, and trails to shoreline are open. Call 516-571-8010 ahead of time to check for availability. (50 Barry Drive, Glen Cove NY 11542. 571-8010, www.garviespointmuseum.com)

Garvies Point is a center for research for Long Island geology and Native American archaeology © Karen Rubin/goingplacesfarandnear.com

Bayard Cutting Arboretum State Park landscape and tree planting was designed by Fredrick Law Olmstead, who designed New York’s Central Park and Brooklyn’s Prospect Park. Located on the Connetquot River it has 690 acres of lawns and open meadows, a wildflower garden, a marshy refuge, and paths ideal for bird watching. The grounds are open but the English Tudor-style manor house is closed at this time. (440 Montauk Highway, Oakdale, https://bayardcuttingarboretum.com/

Bethpage State Park has five golf courses including Bethpage Black, home of the U.S. Open in 2002 and 2009, and the only public course on the PGA tour. Its narrow fairways and high roughs have been the scourge of many of the game’s best-known players. Facilities include four other color-coded 18-hole championship-length courses and a clubhouse/restaurant. You can also picnic, hike, bike (there is an outstanding bike path), play tennis and horseback ride on 1,475 acres (For information about Bethpage State Park Golf Course, 516-249-0700).

Jones Beach State Park, the largest public beach in the world, offers 6.5 miles of uninterrupted Atlantic Ocean beachfront, two public swimming pools and a smaller beach on Zach’s Bay. The Jones Beach Boardwalk spans two miles of the white sand beach. Along the boardwalk perimeter are basketball courts and deck games, a band shell offering free concerts and social dancing, plus a miniature golf course. You can surf cast on the beach and fish from piers, tie up your boat at a marina.

Biking the boardwalk at Jones Beach State Park © Karen Rubin/goingplacesfarandnear.com

Since 2011, State Parks has completed and started more than $100 million in projects to restore Jones Beach State Park’s historic grandeur, attract new visitors and create new recreational facilities. Projects completed include the rehabilitation of the West Bathhouse Complex and Field 6, restoration of the historic Central Mall mosaics, new playgrounds at the West Games Area and Zach’s Bay, new gateway signage, completion of the new Boardwalk Café restaurant, and a new WildPlay Adventure park with zip lines, and a 4.5 mile Jones Beach Shared Use Path along Ocean Parkway. This season, visitors will see $6.6 million in improvements: the West Games Area features a new mini-golf course, new cornhole and pickleball courts as well as refurbished courts for shuffleboard and paddle tennis.

With the state and Long Island’s improving COVID-19 situation, concessions are now allowed to open with restrictions at state ocean and lakefront beaches, including popular destinations such as Jones Beach, Robert Moses, Sunken Meadow, and Lake Welch in Harriman State Park.

Along with all 180 New York state parks, capacity is restricted (you can check online to see if daily limits have been reached, 518-474-0456, https://parks.ny.gov/parks/)

For more Long Island attractions ideas and information on “travel confidently”, visit discoverlongisland.com.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York City Virtually: Greatest Cultural Institutions, Closed for Coronavirus, Share Exhibits Online

The Metropolitan Museum of Art may be temporarily closed, but you can explore its collections virtually © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s major cultural institutions are temporarily closed to help minimize the spread of coronavirus, but many are making their exhibits and programs available virtually, and have websites that really engage, that make the time spent in enforced hibernation that much richer and more productive, and frankly, less maddening.

Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

The Metropolitan Museum of Art, which is celebrating its 150 anniversary year, has temporarily closed all three locations—The Met Fifth Avenue, The Met Breuer, and The Met Cloisters—effective March 13. Meanwhile, you can watch videos from exhibition previews to curator talks and performances (https://www.metmuseum.org/metmedia)) and experience the best of human creativity from every corner of the globe at The Met (I love watching the video of the conservation of the Degas tutu, https://www.metmuseum.org/metmedia/video/conservation-and-scientific-research/degas-tutu-conservation) and play audio guides (https://www.metmuseum.org/visit/audio-guide)

When the Met reopens, it will offer a series of special exhibits marking its 150th anniversary: The exhibition Making The Met, 1870–2020 will present more than 250 works of art from the collection while taking visitors on a journey through the Museum’s history; The reopening of the galleries for British decorative arts and design will reveal a compelling new curatorial narrative; Transformative new gifts, cross-cultural installations, and major international loan exhibitions will be on view throughout the year; and special programs and outreach will include a birthday commemoration on April 13, a range of public events June 4–6, and a story-collecting initiative.

“Our galleries may be closed, but never fear! Social media never sleeps.” Follow @metmuseum on Instagram for Tuesday Trivia, #MetCameos, and daily art content.

Being confined to home is a perfect time to take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?, available now on Coursera. This course offers an in-depth look at over 70 works of art from MoMA’s collection—many of which are currently on view in the expanded Museum—from 1980 to the present, with a focus on art produced in the last decade. Learners will hear directly from artists, architects, and designers from around the globe about their creative processes, materials, and inspiration. What Is Contemporary Art? can be found at mo.ma/whatiscontemporaryart.

Dorothea Lange’s iconic photograph is featured in MoMA’s exhibit “Dorothea Lange: Words & Pictures”. Meanwhile, take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?

I can’t wait for MoMA to reopen so I can see Dorothea Lange: Words & Pictures, the first major solo exhibition at the Museum of the photographer’s incisive work in over 50 years. The exhibition includes approximately 100 photographs drawn entirely from the Museum’s collection. Dorothea Lange: Words & Pictures also uses archival materials such as correspondence, historical publications, and oral histories, as well as contemporary voices, to examine the ways in which words inflect our understanding of Lange’s pictures. These new perspectives and responses from artists, scholars, critics, and writers, including Julie Ault, Wendy Red Star, and Rebecca Solnit, provide fresh insight into Lange’s practice. (Scheduled through May 9, 2020).

T. rex The Ultimate Predator at American Museum of Natural History. While the museum is closed, go online to its “Explore” site for videos, blogs and OLogy, a science website for kids of all ages. © Karen Rubin/goingplacesfarandnear.com

American Museum of Natural History while closed, the website is a treasure trove of information and engaging photos and ways to explore and interact on your own. At the section of its site labeled “Explore” https://www.amnh.org/explore, there are videos, blogs and OLogy: The Science Website for Kids, where kids of all ages can play games, do activities, watch videos and meet scientists to learn more about fossils, the universe, genetics, and more. (Check out https://www.amnh.org/explore/ology/brain)

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC. While the exhibit is closed, there are excellent materials online. © Karen Rubin/goingplacesfarandnear.com

Museum of Jewish Heritage-A Living Memorial to the Holocaust, is in the midst of the landmark exhibit, Auschwitz. Not long ago. Not far away. The most comprehensive Holocaust exhibition about Auschwitz ever presented in North America, the exhibit had already been extended until August 30, 2020. The museum so far is scheduled to reopen March 29; in the meanwhile, there are excellent materials at the website that will inform and prepare you for when the exhibit reopens (https://mjhnyc.org/discover-the-exhibition/about-the-exhibition/). (See Groundbreaking Exhibit at Museum of Jewish Heritage Transports to ‘Auschwitz: Not long ago. Not far away’)

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage. Many materials are online, but you can also re-visit some of the N-YHS’s imortant past exhibits, like a personal favorite, “Harry Potter: A History of Magic.” © Karen Rubin/goingplacesfarandnear.com

New-York Historical Society is closed so you will have to wait to experience “Women March,”   presidential/election exhibits (take a selfie in Reagan’s Oval Office) and “Bill Graham” (phenomenal and surprising exhibit with fabulous musical accompaniment about this iconic concert impresario). Meanwhile, the N-YHS website offers sensational online exhibitions featuring some of their important past exhibits, including ‘Harry Potter; A History of Magic,” and “the Vietnam War: 1945-1975” and Chinese American: Exclusion/Inclusion (https://www.nyhistory.org/exhibitions/online-exhibitions). You can also delve into its digital collection, with selections from the N-YHS Museum and Library’s holdings paintings, drawings, photographs, manuscripts, broadsides, maps, and other materials that reveal the depth and breadth of over two centuries of collecting.  (http://digitalcollections.nyhistory.org/).  (See: Many Pathways to Mark Centennial of Women’s Suffrage)

Meanwhile, some outdoor venues are open, as of this writing (the situation has changed daily):

The Brooklyn Botanic Garden remains open to the public, having implemented stringent cleaning protocols and posted new signage on-site about best practices in personal hygiene. “We hope that the Garden might offer you some comfort and beauty even during a particularly stressful time.” (https://www.bbg.org/visit)

Central Park, Prospect Park and Flushing Meadows may well provide needed respite. However, the Wildlife Conservation Society has temporarily closed the Bronx Zoo, Central Park Zoo, Prospect Park Zoo, Queens Zoo and New York Aquarium, effective Monday, March 16. Check wcs.org for updates.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures