Category Archives: Monuments

Discovering Strasbourg France’s Cultural Riches

Strasbourg, France’s Notre-Dame Cathedral, as seen through the windows of Musee de l’Oeuvre Notre Dame © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I’ve come to Strasbourg, France, for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is my practice now when connecting with a cruise or bike tour, to arrive at least a day early, especially when you have the opportunity to overnight in such a charming historic city as Strasbourg. That way I don’t have to worry about flight or weather delays and I can experience the destination in the morning and evening light, in peace and calm without the daytrippers, and have the time to really explore, discover and become immersed in its cultural riches.

The TGV train from Paris to Strasbourg © Karen Rubin/goingplacesfarandnear.com

The TGV train ride was absolutely gorgeous. (Less than two hours from Paris, you go from Charles de Gaulle Airport into the Gare de Nord, then take an easy 15 minute walk to Gare L’Est – glad I pre-purchased my train ticket and reserved seat on raileurope.com). It is surprising to see how soon out of the bustling metropolis you are in pastoral countryside. We whisk passed solar arrays, wind turbines, cows in pasture, and see traditional villages at the far end of fields. It’s cinematic.

Leaving Paris for Strasbourg by train, you are soon in the pastoral countryside © Karen Rubin/goingplacesfarandnear.com

And I still get into Strasbourg in the afternoon with plenty of time to explore.

There is much to experience in Strasbourg and I will actually have part of four days here. We will be picked up in Strasbourg on the first afternoon and taken to Krafft to board  the barge hotel, Panache, and actually cruise back into Strasbourg on its first full day when we will have a walking tour and overnight on the canal. I will have much of a full day again at the end of the cruise, when we are delivered back to Strasbourg from Niderviller, before I take the train to Paris. I do a calculation and decide on my only full day in Strasbourg, after exploring the old city in the early morning, to hop on the train for a 45-minute ride to see Colmar, and still get to enjoy Strasbourg’s beauty at night.

Hotel Hannong is perfectly situated, walking distance to Strasbourg’s historic sites © Karen Rubin/goingplacesfarandnear.com

I must say I am clever about seeing Strasbourg, beginning with choosing a charming boutique hotel, the Hannong, which I find on hotels.com, right in the historic district and walking distance from the train station, so walking distance to everything I want to see, even walking back late at night. I am able to book a room ideal for a single person (it’s as big as a walk-in closet but has everything I need) for a very attractive rate. The pleasant stay, hospitable staff, and location add immeasurably to the way I experience Strasbourg and make the best of my time. (Hotel Hannong, 15, Rue du 22 Novembre,67000 Strasbourg, +33 03 88 32 16 22, hotel-hannong.com).

Strasbourg’s old city © Karen Rubin/goingplacesfarandnear.com

So when I arrive, I  find my way to the Hotel Hannong (I’m disoriented and finally find someone to point me in the right direction (I’ve already downloaded directions but I don’t have internet), I drop my bag and go off to immerse myself in the old city’s charm.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

It’s just a couple of blocks to where Le Petit France begins, and I wander the narrow cobblestone streets, over bridges over the River Ill, where every turn reveals a picturesque scene of quaint quays and colorfully timbered structures from the Middle Ages, reflected in the blue water. The River Ill, which divides into five arms, is what spurred the construction of mills and the installation of tanneries centuries ago.

The Tanners district in Strasbourg’s Le Petit France dates from 1572 © Karen Rubin/goingplacesfarandnear.com

So charming and tranquil today, even with the crowds of tourists in midday, Le Petit France, a UNESCO World Heritage Site, in its day would have been the stinkiest, filthiest, poorest part of town, inhabited by tanners, fishermen, and animals, but as you get closer and closer to fabulous Cathedral, the residences become nicer and fancier and is where the wealthiest merchants and officials would have lived.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com
Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

I come upon Place Gutenberg with a striking monument created by David d’Angers (1788-1856), erected in 1840. It commemorates that the German inventor Johannes Gutenberg developed moveable type that revolutionized access to the Bible, news, information, books, and even the law to the masses, while living in Strasbourg from 1430-1440, spawning an entire printing and publishing industry based in Strasbourg. The bronze statue stands on a granite base with four fascinating bronze relief panels that commemorate that Gutenberg came upon his idea for moveable type inspired by how a wine press worked, and how his invention influenced every corner of the globe.

The statue for Johannes Gutenberg in Strasbourg’s Place Gutenberg © Karen Rubin/goingplacesfarandnear.com

One of the reliefs, “Detail of America,” depicts Benjamin Franklin and other signatories to the Declaration of Independence along with other famous liberators including General Lafayette and Simon Bolivar. Another, “Africa,” portrays Wilberforce and other abolitionists bringing freedom and enlightenment to the slaves. The third relief, “The Printing Press in Europe,” portrays important figures of the Enlightenment –  Erasmus, Chaucer, Milton, Molière, Rousseau, Voltaire, Kant and Schiller (the original plaster panel, which gave prominence to Martin Luther, caused an uproar, I learn).  The Asian panel is more weathered, but includes Brahmans exchanging manuscripts for books, and Chinese people reading Confucius

Strasbourg’s Guttenberg Plaza © Karen Rubin/goingplacesfarandnear.com

In this plaza, there is also an old-timey Carrousel 1900 that is a delight in the day, enchanting at night.

A traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

When I get to St. Thomas Church, I come upon an outdoor Punch & Judy puppet show, which traces back to Commedia dell’arte tradition in Italy in the 1660s. (I’m not a fan of the too accurate re-creation of its traditional slapstick humor and the tragicomic misadventures of the characters but the kids love it.) 

Families enjoy the traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

Notre-Dame Cathedral of Strasbourg

The Notre-Dame Cathedral of Strasbourg dominates the city, in fact the entire region since it can be seen from great distances. Cathedral Square is a vibrant hub of musicians, vendors, and is ringed with some of the most important sites in the city – reminiscent of St. Marks Square in Venice. I will visit multiple times, and in the course of my visit, experience most of the important sites around the Cathedral. The streets that radiate from it are also full of colorful activity.

Chasing bubbles in Cathedral Square © Karen Rubin/goingplacesfarandnear.com

Construction of the Cathedral started in 1015, but came into its own as a monumental Gothic structure in the 1260s because of Erwin von Steinbach who designed the Cathedral to be the most modern building of its time in the whole of the Holy Roman Empire. It is still one of the most beautiful examples of Gothic architecture in the world. The hundreds of statues that decorate the Cathedral are incredible.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Finally finished in 1439, the Cathedral, built of pink sandstone from the Vosges, features a 142-meter-tall bell tower, making it the tallest medieval building in all of Europe.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

It is an imposing structure inside, as well, with 12th and 14th century Romanesque stained glass windows in mesmerizing geometric patterns. You can climb the 332 steps to the top of the bell tower for a spectacular view and explore an 11th century crypt below the main cathedral.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

On Saturday night, after I have rested a bit after coming back from Colmar, I stroll out of the hotel to Cathedral Square for the 10-minute Illuminations de la Cathedrale de Strasbourg, a free laser light show which begins nightly at 10 pm and runs continuously until midnight (in July and August). I find the neon colors jarring, but I love when the white fluttering strobe light gives the Cathedral a ghostly quality.

Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com
Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com

Musee de l’Oeuvre Notre Dame

Just across the square from The Cathedral is the Musee de l’Oeuvre Notre Dame, an absolute must-see, where you walk through seven centuries of art in Strasbourg and the Upper Rhine. Its medieval and Renaissance collections show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.

At the Musee de l’Oeuvre Notre Dame, you see up close the stunning artistry of original statues that decorated the Cathedral © Karen Rubin/goingplacesfarandnear.com

During the 13th century, the construction of Strasbourg Cathedral produced some of the most exceptional sculptures of the medieval world. Many of them – such as The Church and the Synagogue statues on the south portal, and the west façade’s Tempter and the Wise and Foolish Virgins, the Virtues Crushing the Vices, and the Prophets – were removed from the edifice in the early 20th century to protect them from bad weather and pollution, and replaced by sandstone replicas. But here you see the original sculptures that decorated the Cathedral. To see them so close, life-sized, so you can really appreciate the artistry in a way you simply can’t by gazing up at the Cathedral, is astounding.

When I visit, the museum is featuring a virtual reality, augmented reality, holograms, videos and touch screens to situate the works where they had originally been set in the Cathedral.

In one grand room, I focus on the two sculptures known as “The Church and The Synagogue,” which I would not have known to look for, just walking about the Cathedral.

So much is embodied in these two statues, and why they were chosen: Positioned on either side of the south transept portal, the statutes of The Church and The Synagogue “each personify a covenant binding God to his people: the New Covenant of the Christian Gospel and the Old Covenant of the Jewish Torah, respectively,” the notes say.

Church Triumphant and The Synagogue Vanquished © Karen Rubin/goingplacesfarandnear.com

On the left, the Church Triumphant, “wearing a crown and holding in her hands a chalice and a banner surmounted by the Cross, fixes her self-assured gaze on the Synagogue. The vanquished Synagogue, blindfolded and holding a broken lance, averts her head, expressing her inability to recognize the messiah in the person of Jesus. She appears to let fall the tablets of the Law of Moses, symbolizing the supplanting of the Old Testament. But the extreme humanity and beauty of the young woman’s features suggest an awaited revelation rather than the stigma of blindness” [as if to suggest, Jews will come into Christianity’s fold].

Now that I know where to look, later I go out to see the figures at the Cathedral.

Church Triumphant and The Synagogue Vanquished statues as they are position on the Cathedral’s south portal © Karen Rubin/goingplacesfarandnear.com

In front of these two statues is a relief representing the biblical episode of “The Sacrifice of Isaac” at the hand of his father Abraham. The notes do not mention that this event for Jews, established the covenant with God and Jews as the “Chosen People”.

A relief depicting Abraham’s near sacrifice of his son, Isaac © Karen Rubin/goingplacesfarandnear.com

Besides the statuary, there are incredible paintings, triptychs and religious art – some of the most magnificent in the world – as you walk from room to room, floor to floor.

Jewish tombstones on view at the Musee de l’Oeuvre Notre Dame. Jews were expelled from Strasbourg in 1349, during the Black Plague © Karen Rubin/goingplacesfarandnear.com

I follow an interior staircase all the way down and come to an interior courtyard in which tombstones rescued from a Jewish cemetery are displayed respectfully. The notes say that in 1349, Jews were expelled from Strasbourg because of Black Plague.

I climb the staircase to an attic room, where the innovations in architecture and engineering are explained. You also see some of the original architectural drawings of the Cathedral – the oldest architectural drawings of their type – as well as a video.

La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com
La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com

The museum is housed within La Maison de L’Oeuvre Notre-Dame, which has been the home of the Foundation of the Oeuvre Notre-Dame (the body responsible for administering work on the Cathedral) since the Middle Ages. It is actually two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582). Just walking through the rooms is an experience.

Musee de l’Oeuvre Notre Dame is actually in two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582) © Karen Rubin/goingplacesfarandnear.com

Fondation de l’Oeuvre Notre-Dame (Our Holy Lady Work Foundation) was established in 1224 (!!) to improve the administration of donations and legacies for the construction of Strasbourg Cathedral. Every since construction ended, the Foundation has been in charge of restoration and conservation of the monument, a UNESCO World Heritage site since 1988.

Plan on spending several hours wandering around this museum (I actually did it twice).

Musee de L’Oeuvre Notre-Dame/Aarts Du Moyen Age, 3 place duChateau, Strasbourg.

From here, I walk across the square to see the Church and Synagogue portal, before walking back through Cathedral Square (which reminds me of St. Marks Square in Venice) to the fabulous Palais Rohan.

Ancient: La Maison Kammerzell, built in 1467, and converted to Renaissance style in 1589, boasts exquisite carvings, with secular and religious themes, After refurbishing, it became a restaurant celebrated for its lavish frescoes painted by Leo Schnug © Karen Rubin/goingplacesfarandnear.com

What is so interesting (and fun) about Strasbourg is how the historic city seamlessly integrates – and respects – what is ancient and what is modern: the virtual reality in the Musee de L’Oeuvre Notre Dame, the neon laser lights that bathe The Cathedral for the nightly show, the modern art in Cathedral Square, the really modern art exhibit incorporated into the 18th century Royal Chambers of the Palais Rohan’s Decorative Arts Museum, the light rail that rings the Old City along cobblestone streets.

Modern: Strasbourg Museum of Modern and Contemporary Art in Strasbourg’s historic district © Karen Rubin/goingplacesfarandnear.com

So much to see, experience and appreciate. My exploration continues.

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr,

Next: Time Traveling Through Strasbourg

See also:

EUROPEAN WATERWAYS’ PANACHE HOTEL BARGE CRUISES FRANCE’S ALSACE-LORRAINE CANALS IN LUXURY

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: A BOAT GUILLOTINE, TWO TUNNELS AND A MONUMENTAL CHAGALL

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4 Days in Paris: Musee D’Orsay Highlights Day 1

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my first morning in Paris, as I set out from the Hotel Napoleon just across from the Arc de Triomphe in the tony 8th Arrondisement, at 10 am for a beautiful walk down Champs-Elysee to Place de la Concorde, passed the Grand Palais, across the Seine, passed the National Assembly to my destination, the Musee d’Orsay, I am immediately under the city’s spell.

Paris is regal. Majestic. Monumental. The scale of the boulevards, the buildings, the structures. It is big and bustling, but curiously, you don’t feel choked or overwhelmed – probably because no structure is taller than the Eiffel Tower and you can see out, and because the city is designed around open spaces –the wide boulevards, gigantic plazas, parks, the Seine flowing through. There are places to sit, even water fountains and misting stations, while the smaller neighborhoods, with their narrow twisting roads, are quaint and quiet (little traffic).

The level of grandeur is breathtaking, and for a moment I am thinking that only a monarchy could have built this, a democracy never would have. But in the next, I am reminded that only the Revolution opened them for public purpose.

A view of Le Louvre. Paris is one of the most beautiful cities in the world, making strolling ideal.
© Karen Rubin/goingplacesfarandnear.com

I walk everywhere and Paris makes it easy (and safe). Paris is one of the most beautiful cities in the world, making strolling ideal. But for getting around, Paris is also a biking city with superb bike lanes, traffic signals (get preference over cars, in fact), and huge number of bike share stations.

It is helpful to have paper map, and not just rely on cell phone GPS (remember to download maps when you have WiFi so can access offline – I keep forgetting), but it is part of the joy of the travel experience to rely on the kindness of locals to point you in the right direction, even with limited French.

It is essential to plan your visit to Paris’ top museums and attractions in advance, and pre-purchase timed ticket, or book a time if you have the Paris Museum Pass (http://en.parismuseumpass.com/) or Paris Pass (parispass.com), and try to book as early a time as possible, or evening hours.

And though it is better to try to visit on weekdays, considering that the Musee D’Orsay is closed on Monday (I book my Le Louvre visit for that day), I pre-booked my visit for Sunday.

Musee d’Orsay

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com 

The Musee d’Orsay is housed in what had been a truly grand train station, a Beaux-Arts jewel built for the Universal Exhibition of 1900. It is famous for its fabulous collection of French art from 1848 to 1914 – paintings, sculpture, furniture, photography – including the largest collection of Impressionist and post-Impressionist masterpieces in the world.

Here you can experience for yourself (in relative peace, mind you) the exquisite works of Van Gogh, Monet, Manet, Degas, Renoir, Cezanne, Seurat, Sisley, Gaugain and Berthe Morisot – actually it seems just about all my favorite paintings by my favorite artists, as well as being introduced to outstanding works I am unfamiliar with.

The grand Musee D’Orsay, one of the most important museums in the world, famous for its collection of Impressionist and Post-Impressionist artists including Van Gogh, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

The layout of the galleries is exquisite, and the views from the fifth floor gallery where the Van Goghs are displayed and from the Restaurant (you look through the massive clock to Sacre Coeur on Montmartre, like those scenes in the movie, “Hugo”) take your breath away.

The Musee D’Orsay makes for exquisite viewing of masterpieces © Karen Rubin/goingplacesfarandnear.com

Though the Musee D’Orsay is one of the largest museums in the world and the second most popular to visit in France after Le Louvre, it doesn’t feel large or crowded or intimidating. The clever layout – a warren of smaller galleries off a main, open hall – makes it feel more intimate and calm, even as I stand in front of such a popular painting as Van Gogh’s “Starry Night” (I think this is the equivalent of the Mona Lisa in Le Louvre). The way you realize just how vast the museum is – at any time about 3,000 art pieces are on display – is by realizing you’ve been there for four hours. Time melts away, like the humongous clocks you get to see through to Paris’ magnificent skyscape.

View to Montmartre through the Musee D’Orsay clock© Karen Rubin/goingplacesfarandnear.com

The museum has 24 Van Goghs including such renowned works as L’ArlésienneBedroom in ArlesSelf Portrait, portrait of his friend Eugène BochThe SiestaThe Church at AuversView from the ChevetThe Italian WomanStarry NightPortrait of Dr. GachetDoctor Gachet’s Garden in AuversImperial Fritillaries in a Copper VaseSaint-Paul Asylum, Saint-RémySelf Portrait.

As popular as Van Gogh’s “Starry Night” is, you still get a moment almost to yourself to enjoy it, at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

The Van Gogh gallery on Level 5 has an added attraction: the most magnificent views across the Seine of Le Louvre to Montmartre from one set of windows, the Eiffel Tower from another.

View from the Van Gogh Gallery at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

There are 81 Renoirs including “The Swing” (significant when I visit the Musee de Montmartre and see the spot where he painted it!), and 18 by Toulouse-Lautrec, plus James McNeill Whistler’s famous “The Artist’s Mother’, better known as “Whistler’s Mother.”

As I go through galleries of portraits, I wonder whether the sitters contemplated becoming immortal, that their visages would be admired and their personas wondered about for centuries.

“A Street in Paris,” by Maximilien Luce shows the power of painting to document © Karen Rubin/goingplacesfarandnear.com

Besides seeing “in person” the art works that are among the most famous in the world (and it seems just about all my favorites), there are masterpieces by artists that may not be as “top of mind” to explore and discover as well. One, “A Street in Paris,” by Maximilien Luce, that is so haunting, depicting “Bloody Week” of May 21-28, 1871, and the brutal suppression of the Commune, a revolutionary movement that emerged from the political chaos after the French defeat in the Franco-Prussian War of 1870 and the fall of the Second Empire, events immortalized in Victor Hugo’s “Les Miserables” and the musical “Les Mis” which Luce painted 30 years after the event that so affected Luce.

It is a further demonstration of the power of art to document history, events, and bring faraway places to people, especially before photography.

Thank goodness, the really excellent notes are presented in French and English (not so in many other places).

The atmosphere of the museum is like putting yourself into the canvas.

Restaurant at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

Besides the full-service restaurant, there is an absolutely delightful café in the lower level – reasonably priced and very comfortable, where I get refueled.

Towards the end of my visit, I find myself in a grand ballroom which feels weird.

Captivated by the clocks at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

It’s a feeling of complete joy of being in that space stays with you, that rushes back like warm water, even as I review my photos later.

Open from 9.30 am to 6 pm daily, except Mondays; late night on Thursdays until 9.45 pm

Musee D’Orsay, Esplanade Valéry Giscard d’Estaing, 75007 Paris, https://www.musee-orsay.fr/en/

Ile de la Cite

From the Musee D’Orsay, I stroll down the quai along the Seine, with the marvelous book/magazine sellers, to the Pont Neuf (the oldest bridge in Paris) to Île de la Cité, a small island in the center of Paris where Notre-Dame and Sainte-Chapelle are found. It is the historic heart of Paris.

Colorful vintage magazine and newspaper sellers line the Quai © Karen Rubin/goingplacesfarandnear.com

I am really interested to see the progress on the restoration of Notre-Dame Cathedral, after that devastating fire of April 15, 2019.

There is an excellent photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of the restoration.

A photo exhibit explains the reconstruction project of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

A short walk from Notre-Dame, in a small park, I come upon Holocaust Memorial to the 31,000 Parisians sent to Auschwitz.

Holocaust Memorial near Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Also close to Notre Dame on the Ile de Cite is Sainte-Chappelle, famous for its stained glass windows.

Sainte-Chapelle is considered one of the finest examples of Rayonnant period of Gothic architecture. Built between 1238-1248, the royal chapel was commissioned by King Louis IX to house his collection of Passion relics, including Christ’s Crown of Thorns – one of the most important relics in medieval Christendom. It served as the residence of France’s kings until the 14th century.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

A curious chart outside the chapel shows that Sainte-Chappelle cost 266,000 gold francs for the elevation of its spire and the restoration of the roof, equivalent to 1.06 million Euros, total weight 232.4 tons, 75 meters high from ground level, work done between 1853-1855.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

Notre Dame Cathedral: cost 500,000 gold francs for the elevation of its spire, equivalent of 2 million euros today; total weight 750 tons, 96 meter high from ground, work from 1859 to 1860.

Adjacent to Sainte-Chapelle is La Conciergerie, the palace where Marie-Antoinette was held before her execution (it’s closed by the time I arrive).

Sainte-Chapelle and Conciergerie, Paris © Karen Rubin/goingplacesfarandnear.com

Sainte-Chapelle and Conciergerie are operated as a museum by the French Centre of National Monuments.

La Sainte Chapelle, https://www.sainte-chapelle.fr

I pick up food for my dinner at a boulangerie on the quai.

Tuileries Garden, Paris © Karen Rubin/goingplacesfarandnear.com

Walking back to the Hotel Napoleon, I stroll alongside the full length of Le Louvre museum – once a palace – stunned by how large, and how exquisitely ordained it is (I will be visiting the next day), through Tuileries Garden to the Place de la Concorde, the largest square in Paris, where King Louis XVI, Marie Antoinette and Robespierre were executed by guillotine during the French Revolution.

Place de la Concorde, Paris © Karen Rubin/goingplacesfarandnear.com

I walk by the Petit Palais (where there is a Sarah Bernhardt exhibit I wish I could have seen; free admission to the collections!), to the Champs-Élysées. (There is really good signage that direct you to the places visitors most want to see.)

Petit Palais, Paris © Karen Rubin/goingplacesfarandnear.com

Eiffel Tower

I get back to the Hotel Napoleon and rest awhile before heading out again to see the Eiffel Tower at night.

I walk down the Champs Elysee, cross over toward the Seine and take in the classic café scene. There are innumerable couples in this City of Love.

Café George V, Paris © Karen Rubin/goingplacesfarandnear.com

The view from across the Seine – with the Bateaux Mouches (sightseeing boats) passing by – is enchanting enough, but seeing the Tower from its base is breathtaking.

View of Eiffel Tower across the Seine © Karen Rubin/goingplacesfarandnear.com

The Eiffel Tower is one of most beautiful structures in world – so elegant, so graceful, seemingly as light, delicate and intricate as filigree. I am surprised to learn that the design was criticized, even ridiculed when Gustave Eiffel, the engineer whose company designed and built the tower from 1887 to 1889, proposed it.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

Nicknamed “La dame de fer” (“Iron Lady”), it was constructed as the centerpiece of the 1889 World’s Fair, and to crown the centennial anniversary of the French Revolution. (The tower also was supposed to be a temporary installation, but Eiffel pushed to have its lease extended and ultimately, became a permanent fixture of the city.)

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

We marvel at its beauty but in 1889, the tower was celebrated more as a historic feat of engineering: the first structure in the world to surpass both the 200-meter and 300-meter marks in height. At 330 meters (1,083 ft.) high, the Eiffel Tower is equivalent to an 81-storey building, and still is the tallest structure in Paris, dominating the skyline from wherever you are. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for 41 years until dethroned by New York City’s Chrysler Building in 1930.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

The tower has three levels that visitors can reach, with restaurants on the first two. The top level’s upper platform is 276 m (906 ft) above the ground – the highest observation deck accessible to the public in the European Union.

It is fascinating to learn that the top level was actually a private apartment built for Gustave Eiffel’s personal use, which he decorated with furniture by Jean Lachaise and invited friends such as American inventor Thomas Edison. Today, you can’t visit the entire apartment, but there is a reconstruction of Gustave Eiffel’s office. Through the windows, you can see wax figures of Gustave Eiffel and his daughter Claire being visited by Edison.  

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

There is also a new immersive experience that takes you inside Gustave Eiffel’s office (accessed by scanning a QR code on the first floor). While waiting for the lift on the first floor, you can also peruse historical documents with monitors, tactile screens, display cases, digital albums and photocopies of objects.

There are also new guided tours which must be booked online

The Eiffel Tower is one of the highlights of visiting Paris – in fact, one of the most-visited pay-to-enter monuments in the world, with almost 6 million visitors a year. It is almost essential to book a timed ticket ahead of time.

The wait for tickets – if they are not totally sold out – can be long. If you have interest in going to the top, book your tickets as soon as you know your dates for Paris. (Online tickets go on sale 60 days in advance for the elevator.) 

But for a completely different experience (and if tickets for the elevator are sold out), you can also climb the stairs – from ground level to the first level is over 374 steps, and 300 more to the second, making the entire ascent 674 steps – about 20 minutes per level.

Stairway tickets for the second floor are sold online (up to 10 days in advance) or sold on-site. If you want to go to the top, you would need to purchase “stairway + lift” tickets. These tickets are only sold on-site in the South leg of the tower, guaranteeing minimal queueing times (only the most gung-ho visitors), where you take the stairs up. In peak periods, another leg may be opened for stairway ascents.

Other experiences: Madame Brasserie offers a lunch and dinner menu on the first floor (reservations strongly advised; the reservation includes the ascent to the 1st floor of the Eiffel Tower, but not to visit to the 2nd floor or to the top).

Reservations for dining or eating at the Jules Verne (2nd floor) must be made on the dedicated website. If you make a reservation for the Jules Verne, a private lift in the south pillar will take you directly to the restaurant when you arrive. The visit of the Eiffel tower is not included.

You can book your ticket for the top of the Eiffel Tower and add a glass of champagne at the champagne bar. The champagne bar at the top is open every day, from 10.30 am to 10.30 pm. 

I would say the most enchanting time to experience the Eiffel Tower is at night.

Eiffel Tour, Champ de Mars, 5 Av. Anatole France, 75007 Paris, France, https://www.toureiffel.paris/en/planning-smooth-visit, https://www.toureiffel.paris/en/rates-opening-times

I stand in a park at the tower’s base, where there is a festive atmosphere among the throngs of people gathered – but for the Olympics, there will be a stadium built in front of the tower, before walking back to the Hotel Napoleon.

What a day – I must have walked 12 miles plus 3 hours worth in the museum. Here’s where I went:

Musee D’Orsay

Notre-Dame Cathedral

Sainte-Chapelle

Tuileries Garden

Place de Concorde

Champs-Elysee

Eiffel Tower at night

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day2 Highlighted by Le Louvre

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Mount Rushmore, Finale to 6-Day Wilderness Voyageurs South Dakota ‘Badlands & Mickelson Trail’ Bike Tour

Sculptor Gutzon Borglum wrote of Mount Rushmore, “The purpose of the memorial is to communicate the founding, expansion, preservation, and unification of the United States with colossal statues of Washington, Jefferson, Lincoln, and Theodore Roosevelt.” © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

It’s our last day of the Wilderness Voyageurs six-day “Badlands and Mickelson Trail” bike tour of South Dakota, when we would have biked back a portion of the Mickelson Trail that we cycled yesterday before visiting Mount Rushmore. But as luck would have it (and it is actually lucky), it rains as we leave Deadwood. It is lucky because the rest of our rides have been glorious and we did get to complete the 109-mile long Mickelson Trail, in addition to riding through Badlands National Park and Custer State Park. Our guides, James Oerding and John Buehlhorn, offer us alternatives: instead of doing the Mickelson 18 miles from Dumont to Mystic (the same trail we did yesterday but downhill) we go directly to Mount Rushmore and see if the weather dries out.

Mount Rushmore is such a familiar American icon, it may be a cliché. But seeing it “in person” makes you rethink what it is all about.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The sculptor, Gutzon Borglum, wrote “Let us place there, carved high, as close to heaven as we can, the words of our leaders, their faces, to show posterity what manner of men they were. Then breathe a prayer that these records will endure until the wind and the rain alone shall wear them away.”

Borglum also wrote, “The purpose of the memorial is to communicate the founding, expansion, preservation, and unification of the United States with colossal statues of Washington, Jefferson, Lincoln, and Theodore Roosevelt.”

The National Park Service offers this about Mount Rushmore National Monument: “Majestic figures of George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln, surrounded by the beauty of the Black Hills of South Dakota, tell the story of the birth, growth, development and preservation of this country. From the history of the first inhabitants to the diversity of America today, Mount Rushmore brings visitors face to face with the rich heritage we all share.”

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The NPS posits that Borglum “selected these four presidents because from his perspective, they represented the most important events in the history of the United States. Would another artist at that time, or perhaps a modern artist choose differently? As you read more about Borglum’s choices, think about what you might have done if the decision was up to you.”

I stumble upon a 15-minute Ranger talk in the Sculptor’s Studio about Gutzon Borglum, the carving process and the lives of the workers – how they dynamited away 90 percent of the stone, leaving just 3 to 6 inches of material to chisel off by hand, how they hang a weight to where the nose should be and create the facial features from that reference point.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The Ranger stands in front of a model of how a completed Mount Rushmore was envisioned by Borglum. Who knew there was more? I’ve always taken for granted that what we see was all that was meant to be. The model shows that it would have had their jackets down to their waist and hands.

To see the scale of the sculpture, it is hard to contemplate the challenge of blasting away all that rock and carving that stone. But we learn that getting this project underway was a challenge unto itself.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

South Dakota historian Doane Robinson is credited with conceiving the idea of carving the likenesses of noted figures into the mountains of the Black Hills of South Dakota in order to promote tourism in the region. But once Doane Robinson and others had found a sculptor, Gutzon Borglum, they had to get permission to do the carving. Senator Peter Norbeck (the man who created the Needles Highway through Custer State Park) and Congressman William Williamson were instrumental in getting the legislation passed to allow the carving. The bill requesting permission to use federal land for the memorial easily passed through Congress. But a bill sent to the South Dakota Legislature faced more opposition.

Robinson’s initial idea was to feature heroes of the American West, such as Lewis and Clark, Oglala Lakota chief Red cloud and Buffalo Bill Cody. But Borglum wanted the sculpture to have broader appeal, so chose the four presidents, who would each symbolize an important aspect of American history. (That might be why Robinson was not chosen for the 12-member commission to oversee the project.)

Early in the project, money was hard to find, despite Borglum’s guarantee that eastern businessmen would gladly make large donations. He also promised South Dakotans that they would not be responsible for paying for any of the mountain carving. Borglum got Treasury Secretary Andrew Mellon on board, but only asked for half of the funding he needed, believing he would be able to match federal funding ($250,000) dollar for dollar with private donations.

Borglum worked on the project from 1927, the presidents’ faces were carved from 1933-1939, with his son, Lincoln. Meanwhile, in 1929, the stock market crashed; in 1933, President Franklin Roosevelt placed Mount Rushmore under the jurisdiction of the National Park Service.

In March, 1941, as a final dedication was being planned, Gutzon Borglum died. This fact, along with the impending American involvement in World War II, led to the end of further carving on the mountain. With the money – and enthusiasm – running out, Congress refused to allocate any more funding. On October 31, 1941, the last day of work, Mount Rushmore National Memorial was declared a completed project.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The Ranger explains that the death of the artist raised an ethical issue for anyone who would take over the work. And, the Ranger said, “The country had moved on. They were not as interested in presidents as they were in the 1930s; when Mount Rushmore was a shrine to democracy. And what if the new artist made a mistake?”

I can see how Mount Rushmore was a cautionary tale for the Crazy Horse Memorial and why sculptor Korczak Ziolkowski, who worked on Mount Rushmore before being tasked to do Crazy Horse, refused any federal funding, instead establishing a foundation funded with private donations and admissions. Some 70 years after he began his work, his grandchildren are involved in continuing to carve the memorial.

View of Mount Rushmore from the Presidential Trail, South Dakota © Karen Rubin/goingplacesfarandnear.com

I walk the Presidential Trail (just 0.6 miles long, 422 stairs, weather permitting) to get up close and personal with the mountain sculpture and perhaps glimpse some of the area wildlife.

Some 3 million visitors come to Mount Rushmore each year.

Among the activities offered:  the Junior Ranger program (booklets are available at the information desks for ages three to four, five to twelve and 13 and up), and the Carvers’ Café, Ice Cream Shop  and Gift Shop.

Also:

Lakota, Nakota and Dakota Heritage Village (10 – 30 mins., free): Explore the history of the Black Hills and the American Indian tribes who have populated this land for thousands of years. Located next to the Borglum View Terrace for 2019, this area highlights the customs and traditions of local American Indian communities. Open 10:30 am to 3 pm,  early June through mid-August, weather permitting.

Youth Exploration Area (10 – 30 mins., free): Explore the natural, cultural and historical aspects of Mount Rushmore with interactive programs. Located at the Borglum View Terrace for 2019. Open early June through early August.

Self-Guided Tour (30 – 120 mins; rental fee): Rent an audio tour wand or multimedia device to hear the story of Mount Rushmore through music, narration, interviews, historic recordings and sound effects while walking a scenic route around the park. Available at the Audio Tour Building across from the Information Center (rentals available inside the Information Center during the winter months). The tour and accompanying brochure are available in English, French, German, Lakota, and Spanish.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

It had been gray and drizzly when we first arrived making the monument look dull, but as we are leaving, blue sky breaks through and for the first time, I realize that George Washington has a jacket.

(During our visit, the Visitor Center and amphitheater are closed for construction.)

(Just recently, the last living Mount Rushmore construction worker, Donald ‘Nick” Clifford, who worked on the monument from 1938-40, passed away at the age of 98.)

(Mount Rushmore, 13000 Highway 244, Keystone, SD 57751,  605-574-2523, www.nps.gov/moru/index.htm)

Even thought the weather has cleared up just as we are leaving Mount Rushmore, because it is a getaway travel day, the group decides not to bike (the trail James suggests is impractical because it requires the guides to take off the roof racks in order to fit through the tunnel). We decide instead, to go straight to Rapid City, our departure point, for lunch before we all go our separate ways.

Rapid City, South Dakota (c) Karen Rubin/goingplacesfarandnear.com.

Our last lunch together, in Rapid City, is at Tally’s Silver Spoon (best Reuben sandwich outside of NYC!) – just across the street from the historic Alex Johnson Hotel, where I began my South Dakota odyssey a week ago.

What I love best about Wilderness Voyageurs’ “Badlands and Mickelson Trail” bike tour are the varied experiences: Badlands – fossils – Circle View Guest Ranch – Black Hills – Crazy Horse – Custer State Park – stone spires – wildlife – buffalo – Blue Bell Lodge – Mount Rushmore – biking the 109-mile long Mickelson rail trail.

Guided bike trips are not cheap, but what I look for is value for money – my test is whether I could reproduce the trip for less out-of-pocket, to make up for the decided increase in convenience of having the itinerary already plotted out. I found Wilderness Voyageurs excellent value – in the services provided, wonderful accommodations (especially the guest ranch and the lodge), dining, creating an itinerary that was idyllic, entrances to attractions (Badlands National Park, Crazy Horse Memorial, Mount Rushmore), and also considerate, superb guides, a relaxed, unpressured atmosphere (“You’re on vacation!”).

The destination, South Dakota, is quite sensational and unexpectedly varied – spectacular scenery, nature and wildlife, fossils (!), culture and history – a microcosm of North America, really. Indeed, it is an ideal destination for international visitors to plunge into the American frontier west mythology of the past, but more interestingly, to see the American West as it is today.  And frankly, even if I rented a bike and paid for shuttle services, I couldn’t have duplicated the itinerary, or the camaraderie, or the expertise and care.

Wilderness Voyageurs started out as a rafting adventures company 50 years ago, but has developed into a wide-ranging outdoors company with an extensive catalog of biking, rafting, fishing and outdoor adventures throughout the US and even Cuba, many guided and self-guided bike itineraries built around rail trails like the Eric Canal in New York, Great Allegheny Passage in Pennsylvania, and Katy Trail in Missouri.

Wilderness Voyageurs, 103 Garrett St., Ohiopyle, PA 15470, 800-272-4141, [email protected], Wilderness-Voyageurs.com

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Discovering Marvels of Crazy Horse Memorial on Badlands, Black Hills & Mickelson Trail Bike Tour

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Crazy Horse Memorial is sensational, awesome and profound. The carved portrait in the cliff-side, which I first encounter by surprise as I bike on the Mickelson Trail between Custer and Hill City is spectacular enough, but there is so much more to discover. There is also a superb Museum of Native Americans of North America (it rivals the Smithsonian’s Museum in Washington DC) where you watch a terrific video that tells the story of the America’s indigenous people, and can visit the studio/home of the sculptor, Korczak Ziolkowski. It is the highlight of our third day of the Wilderness Voyageurs “Badlands and Mickelson Trail” bike tour of South Dakota.

I rush to join a tour (a modest extra fee) that brings us right to the base of the sculpture. You look into this extraordinary, strong face – some quartz on the cheek has a glint that suggests a tear.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

Only then do I realize that, much to my surprise, seeing the scaffolding and equipment, that 70 years after sculptor Ziolkowski started carving the monument in 1947, his grandson is leading a crew to continue carving. Right now it is mainly a bust – albeit the largest stone carving in the world – but as we see in the museum, the completed sculpture will show Crazy Horse astride a horse, his arm outstretched toward the lands that were taken from the Lakota.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

At 87 ft 6 inches high, the Crazy Horse Memorial is the world’s largest mountain carving in progress. They are now working on the 29-foot high horse’s head, the 263-foot long arm, and 33 ft-high hand, the guide tells us. The horse’s head will be as tall as 22-story building, one-third larger than any of the President’s at Mount Rushmore. The next phase of progress on the Mountain involves carving Crazy Horse’s left hand, left forearm, right shoulder, hairline, and part of the horse’s mane and head over 10-15 years. The plan is to carve the back side of the rock face as well, which would make the Crazy Horse Memorial a three-sided monument.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

When completed, the Crazy Horse Mountain carving will be the world’s largest sculpture, measuring 563 feet high by 641 feet long, carved in the round. The nine-story high face of Crazy Horse was completed on June 3, 1998; work began on the 22-story high horse’s head soon after.

“One if hardest decisions (after two years of planning) was to start with head, not the horse (in other words, work way down),” the guide tells us.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

In 71 years of construction, there have been no deaths or life threatening injuries of the workers (though there was that accident when a guy driving a machine slipped off edge; his father told him he had to get the machine out himself.)

Four of Korczak and Ruth’s 10 children and three of his grandchildren still work at the Memorial.

On the bus ride back to the visitor center, the guide tells us that Zioklowski was a decorated World War II veteran who was wounded on D-Day, but was so devoted to the Crazy Horse Memorial, he even planned for his death: there is a tomb in a cave at the base of the monument..

Back at the visitor center/museum, the story about the Crazy Horse Memorial is told in an excellent film:

The overwhelming theme is to tell the story, to give a positive view of native culture, to show that Native Americans have their own heroes, and to restore and build a legacy that survived every attempt to blot it out in a form of genocide.

There were as many as 18 million Indians living in North America when the Europeans arrived (the current population is 7 million in the US). “These Black Hills are our Cathedral, our sacred land,” the film says.

Crazy Horse was an Ogala Lakota, born around 1840 on the edge of Black Hills. He was first called “Curly” but after proving himself in battle, earned his father’s name, “Crazy Horse” (as in “His Horse is Crazy”). The chief warned of encroaching “river” of settlers, leading to 23-years of Indian wars. In 1876 Crazy Horse led the battle against General Custer, the Battle of Little Big Horn (known as Custer’s Last Stand, but Indians call it “the Battle of Greasy Grass”). It was a victory for the Indians, but short-lived. Soon after, the US government rounded up the rebels and killed Crazy Horse while he was in custody at Fort Robinson, Nebraska. (See www.nps.gov/libi/learn/historyculture/crazy-horse.htm)

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

I am introduced to a new hero: Standing Bear.

Standing Bear was born 1874 near Pierre, South Dakota, and was among the first Indian children sent away to the Carlisle Indian School in Pennsylvania where his name was randomly changed to “Henry.” In the school, their Indian identity was forcibly removed – they cut the boys’ hair, they were not allowed to speak their language “to best help them learn the ways of non-native.”

“As a result of attending Carlisle, Standing Bear concluded that in order to best help his people, it would be necessary for him to learn the ways of the non-Native world. Somewhat ironically, Carlisle – an institution that was designed to assimilate Native Americans out of their indigenous ways – became a source of inspiration that Standing Bear would repeatedly draw upon to shape his enlightened understanding of cross-cultural relationships, as well as to find new ways of preserving his people’s culture and history.” He honed leadership skills like public speaking, reasoning, and writing, realizing that because of the changing times, the battle for cultural survival would no longer be waged with weapons, but with words and ideas. “This realization became a driving force behind much of his work during his adult life and led him to become a strong proponent of education,” the background material on the Crazy Horse Memorial website explains (crazyhorsememorial.org).

Standing Bear attended night school in Chicago while he worked for the Sears Roebuck Company to pay for his schooling. With feet firmly placed in both worlds, he became heavily involved in the affairs of his people over the course of his life and politically astute —working with Senator Francis Case and serving as a member of the South Dakota Indian Affairs Commission. He led the initiative to honor President Calvin Coolidge with a traditional name – “Leading Eagle,” taking the opportunity for advocacy during the naming ceremony to challenge President Coolidge to take up the leadership role that had been previously filled by highly-respected leaders such as Sitting Bull and Red Cloud.

In 1933, Standing Bear learned of a monument to be constructed at Fort Robinson, Nebraska, to honor his maternal cousin, Crazy Horse, who was killed there in 1877. He wrote to the organizer that he and fellow Lakota leaders were promoting a carving of Crazy Horse in the sacred Paha Sapa – Black Hills.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

Standing Bear looked for an artist with the skill to carve the memorial to his people that would show Indians had heroes too and turned to Korczak Ziolkowski, a self-taught sculptor who had assisted at Mount Rushmore and had gained recognition at the 1939 World’s Fair. Standing Bear invited him back to the Black Hills. 

Born in Boston of Polish descent in 1908, Korczak was orphaned when he was one year old. He grew up in a series of foster homes and is said to have been badly mistreated.  He gained skills in heavy construction helping his foster father.

On his own at 16, Korczak took odd jobs to put himself through Rindge Technical School in Cambridge, MA, after which he became an apprentice patternmaker in the shipyards on the rough Boston waterfront. He experimented with woodworking, making beautiful furniture. At age 18, he handcrafted a grandfather clock from 55 pieces of Santa Domingo mahogany. Although he never took a lesson in art or sculpture, he studied the masters and began creating plaster and clay studies. In 1932, he used a coal chisel to carve his first portrait, a marble tribute to Judge Frederick Pickering Cabot, the famous Boston juvenile judge who had befriended and encouraged the gifted boy and introduced him to the world of fine arts.

Moving to West Hartford, Conn., Korczak launched a successful studio career doing commissioned sculpture throughout New England, Boston, and New York.

Ziolkowski wanted to do something worthwhile with his sculpture, and made the Crazy Horse Memorial his life’s work.

“Crazy Horse has never been known to have signed a treaty or touched the pen,” Ziolkowski wrote. “Crazy Horse, as far as the scale model is concerned, is to be carved not so much as a lineal likeness, but more as a memorial to the spirit of Crazy Horse – to his people. With his left hand gesturing forward in response to the derisive question asked by a white man, ‘Where are your lands now?’ He replied, ‘My lands are where my dead lie buried’.”

There is no known photo of Crazy Horse, Ziolkowski created his likeness from oral descriptions.

He built a log studio home (which we can visit) at a time when there was nothing around – no roads, no water, no electricity. For the first seven years, he had to haul himself and his equipment, including a decompressor and 50 pound box of dynamite, up 741 steps.

Living completely isolated in the wilderness, Korczak and his wife Ruth bought an 1880s one-room school house, had it moved to this isolated property and hired a teacher for their 10 children.

There is so much to see here: The Museums of Crazy Horse Memorial feature exhibits and engaging experiences that let you discover Native history and contemporary life, the art and science of mountain carving and the lives of the Ziolkowski family.  

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

THE INDIAN MUSEUM OF NORTH AMERICA® houses an enormous collection of art and artifacts reflecting the diverse histories and cultures of over 300 Native Nations.  The Museum, designed to complement the story being told in stone on the Mountain, presents the lives of American Indians and preserves Native Culture for future generations. The Museum collection started with a single display donated in 1965 by Charles Eder, Hunkpapa Lakota, from Montana, which  remains on display to this day.  The Indian Museum has about the same number of annual visits as the National Museum of the American Indian at the Smithsonian Institute in Washington, DC. Close to 90% of the art and artifacts have been donated by generous individuals, including many Native Americans.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

The gorgeous building housing the Museum was designed and built by Korczak Ziolkowski and his family in the harsh winter of 1972-73, when no work was possible on the Mountain. The Museum incorporated Korczak’s love of wood and natural lighting, being constructed from ponderosa pine, harvested and milled at Crazy Horse Memorial. The original wing of the museum was dedicated on May 30, 1973. In the early 1980s, Korczak planned a new wing of the Museum to accommodate the growing collection of artifacts. He did not live to see his plans realized, instead his wife Ruth Ziolkowski and 7 of their children made sure the new wing was built. The structure was built in the winter of 1983-84 and funding came in large part from a $60,000 check left in the Crazy Horse Memorial contribution box in late August of 1983. The contributor said he was moved by the purpose of Crazy Horse, Korczak, and his family’s great progress and by the sculptor’s reliance on free enterprise and refusal to take federal funds

The Ziolkowski Family Life Collection is shown throughout the complex and demonstrates to people of all ages the timeless values of making a promise and keeping it, setting a goal and never giving up, working hard to overcome adversity, and devoting one’s life to something much larger than oneself. There are portraits of the couple and personal effects that tell their life’s story.

Portraits of Korczak and Ruth Ziolkowski, Crazy Horse Memorial, South Dakota, © Karen Rubin/goingplacesfarandnear.com

The Mountain Carving Gallery shares the amazing history of carving the Mountain. It features the tools Korczak used in the early years of carving, including a ½ size replica of “the bucket” – a wooden basket used with an aerial cable car run by an antique Chevy engine that allowed the sculptor to haul equipment and tools up the Mountain. Displayed in the Mountain Carving Room are the measuring models used to carve the face of Crazy Horse, plasters of Crazy Horse’s face and the detailed pictorial progression of carving the face. They also detail the next phase in the Memorial’s carving which is focused on Crazy Horse’s left hand and arm, the top of Crazy Horse’s head, his hairline, and the horse’s mane. If you stand in just the right spot, you can line up the model of how the finished work will look against the actual mountain sculpture as it is.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

Crazy Horse Memorial is actually a private, nonprofit (they also have a nonprofit college and medical training center that educates Indians), and twice turned down federal funding because “they didn’t believe the government would do it right.” Indeed, Mount Rushmore (which we see on the last day of our bike tour) was never completed because the federal government stopped funding the project. The entrance fee ($30 per car, 3 or more people, $24 per car two people, $12 per person, $7 per bicycle or motorcycle) support the continued carving, the Indian Museum of North America and the Indian University of North America, which assists qualifying students get their college degrees.

Once again, I am so grateful that I am not being pushed along with an artificial time limit by the Wilderness Voyageurs guides, I wander through the vast complex trying to take it all in. I am utterly fascinated.

I buy postcards for 25c apiece and stamps, sit with a (free) cup of coffee in the cafe and mail them at their tiny post-office. There is an excellent gift shop.

The Crazy Horse Memorial is open 365 days of the year, with various seasonal offerings.

(Crazy Horse Memorial, 12151 Avenue of the Chiefs, Crazy Horse, SD, 605-673-4681, crazyhorsememorial.org.)

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com

I’m the last one to leave the Crazy Horse Memorial, and note that the bike of our sweeper guide for today John Buehlhorn, is still on the rack, but I figure he will see that I have gone and catch up to me, so I get back on the Mickelson Trail. He catches me again when I don’t realize to get off the trail at Hill City, where we are on our own for lunch and exploring the town.

South Dakota State Railroad Museum, Hill City, © Karen Rubin/goingplacesfarandnear.com

Hill City is really charming and the home of the South Dakota State Railroad Museum, where you can take a ride on an old-time steam railroad. The shops are really pleasant.

The Wilderness Voyageurs van is parked there in case anybody needs anything.

Hill City, South Dakota, © Karen Rubin/goingplacesfarandnear.com

The ride to the Crazy Horse Memorial was uphill on the rail trail for 8 miles but going down hill isn’t a picnic because of the loose gravel – but not difficult and totally enjoyable.  We ride through train tunnels and over trestles. It is no wonder that the 109-mile long Mickelson Trail, which is a centerpiece of the Wilderness Voyageurs’ tour, is one of 30 rail-trails to have been named to the Hall of Fame by Rails-to-Trails Conservancy.  We finish this day’s ride at Mystic at the 74.7-mile marker– we’ll ride the remaining miles on another day. Mystic used to be a significant town when the railroad ran here. Now there are just two buildings and four residents.

Crazy Horse Memorial, Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Mickelson Trail, South Dakota, © Karen Rubin/goingplacesfarandnear.com
Mickelson Trail, Mystic, South Dakota, © Karen Rubin/goingplacesfarandnear.com

I notice the sign tacked up at the shelter: Be Aware: Mountain Lions spotted on the trail toward Rochford within the last few days.

We are shuttled back to Custer for our second night’s stay at the Holiday Inn Express (very comfortable, with pool, game room, WiFi and breakfast), and treated to a marvelous dinner at one of the finer dining restaurants, the Sage Creek Grill (611 Mount Rushmore Road, Custer).

Sage Creek Grill, Custer, South Dakota, © Karen Rubin/goingplacesfarandnear.com

Wilderness Voyageurs started out as a rafting adventures company 50 years ago, but has developed into a wide-ranging outdoors company with an extensive catalog of biking, rafting, fishing  and outdoor adventures throughout the US and even Cuba, many guided and self-guided bike itineraries built around rail trails like the Eric Canal in New York, Great Allegheny Passage in Pennsylvania, and Katy Trail in Missouri.

There are still a few spots left on Wilderness Voyageurs’ Quintessential West Cuba Bike Tour departing on March 21.

Wilderness Voyageurs, 103 Garrett St., Ohiopyle, PA 15470, 800-272-4141, [email protected], Wilderness-Voyageurs.com.

_________________________© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visitgoingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to[email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Global Scavenger Hunt, Leg 7: 30 Hours in Athens

Celebrating Greek Orthodox Easter, Athens © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Athens is a relatively easy Par 2 on the Global Scavenger Hunt, now midway through the 23-day around-the-world mystery tour. We have just 30 hours here, but our visit will largely be shaped by the celebration of the Greek Orthodox Easter (we seem to be hitting all the destinations on a religious holiday). We arrive on the Greek Orthodox Good Friday and one of the challenges is to experience the distinctive celebration. It’s hard to miss. Every church has a similar ritual. I walk down from the Grand Hyatt Hotel where we have arrived in the midday, to the Plaka, stopping to reflect on Hadrian’s Arch before I take the narrow street that leads me to the 11th century Byzantine church, where devotees are coming.

A glimpse of the Acropolis from the rooftop of the Grand Hyatt Hotel, Athens © Karen Rubin/goingplacesfarandnear.com
Hadrian’s Arch, Athens© Karen Rubin/goingplacesfarandnear.com

It is particularly interesting, since so far on the Global Scavenger Hunt we have been immersed in Buddhist culture, then Islamic. Athens is Christian, but it is also the birthplace of democracy and Western Civilization, as it is known, and the entranceway to Europe.

Temple of Zeus, Athens © Karen Rubin/goingplacesfarandnear.com

I feel very at ease, very comfortable here – partly because this is my third time in Athens and I have spent a relatively lot of time here, but also because it is, well, European, modern, hip, artful – even with its ongoing economic and political problems (though it seems to me the economy has much improved since my last visit).

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com

As I am waiting and watching, another of our GSH teams, Transformed Travel Goddesses (aptly named in Athens), comes up the street and we watch together. It turns out to be quite a long wait. I had been told that at 7 pm, the priest comes out and the faithful ring the church. The service is underway at 7 pm that we can hear from outside; the crowds really thicken but it isn’t until 9 pm that the priest comes out, leading a procession. People light candles and follow the procession of the cross and funerary flowers through the streets.

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com

We join the crowd as they wind their way through the narrow streets below the Acropolis, and when we turn to a different direction, we meet the procession again. All the streets are flooded with similar processions – candles moving like ripples of water through the narrow streets. People jam the outdoor restaurants as well. We visit another small Byzantine church where the frescoes are absolutely stunning.

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Procession through Plaka, Athens © Karen Rubin/goingplacesfarandnear.com

The next day, I immerse myself in Athens (some of the scavenges lead teams out to the Peloponnese and the Theater of Epidaurus which I visited on a boat/bike tour some years ago, and to accomplish them in the brief timeframe, rent a car).I just want to soak in Athens. I have a list of four major places to visit, starting with the Acropolis, then the historic Agora, the flea market at Monasteraki (originally the Jewish quarter), and the National Archeological Museum.

Theater of Dionysos © Karen Rubin/goingplacesfarandnear.com
Tourists at the Acropolis © Karen Rubin/goingplacesfarandnear.com
Parthenon, Acropolis, Athens © Karen Rubin/goingplacesfarandnear.com
Acropolis, Athens © Karen Rubin/goingplacesfarandnear.com

I walk from the Grand Hyatt to the Acropolis. I don’t have the luxury this time of organizing my visit for the end of the day when the sunlight is golden and the crowds are less, so fold myself into the crush of people, satisfied that so many appreciate history and heritage.

Tower of the Winds, also called Horologium or Greek Horologion (“Timepiece”), in the Roman Forum of Athens was erected about 100–50 BC by Andronicus of Cyrrhus for measuring time. © Karen Rubin/goingplacesfarandnear.com

You can see the historic Agora from the Acropolis that commands Athens’ hilltop, and I walk down the stone promenade.

The historic Agora is one of the most fascinating archaeological sites and museums anywhere and tremendously exciting to “discover” as you walk through the paths lined with colonnades, statues, and come upon the ruins. Here you see the ruins of what is in essence the “downtown” and Main Street of ancient Athens. The Agora was the political center for Athens, and because it was a gathering place, also became a commercial center. Courts were held (though capital crimes were tried outside its boundary, so the blood on a murderers’ hands not pollute the public space).

Arrayed are the important institutions including what might be called the first “parliament,” the Bouleuterion, where those participating in the Assembly of the Five Hundred sat. I actually find it more intriguing and interesting to explore than the Acropolis. Here in this one site, is the essence of the Greek Republic that birthed democracy.

Walk down the boulevard lined with statues of Giants (in Greek tradition, Titans were first, then the Giants, then the Olympian gods), to a headless torso of the Roman Emperor Hadrian, who respected and admired Athenian culture and enhanced it with his Library and other institutions, but threw Christians to the lions (and wasn’t so great for Jews, either).

The homage Athenians paid to him is indicated by the decoration on his breastplate depicting the goddess Athena standing on a wolf suckling the twins, Romulus and Remus, the mythical founders of Rome. But the headless statue was contemptuously thrown into the sewage ditch by early Christians (who also defiled the Parthenon and most of the statues denoting devotion to paganism), and only discovered in the sewer when they excavated. The Hadrian Statue stands near the Bouleuterion, or Council House, where the 500 representatives of the 10 tribes met, would have been – in essence, the first House of Parliament.

Temple of Hephaistos in the Agora © Karen Rubin/goingplacesfarandnear.com

Above, on a hillside, is the beautiful Temple of Hephaistos (5th C BC) but just to the side is believed to have been a synagogue, serving a Jewish community that had existed in Athens at least since 3rd C BC and possibly as early as 6th C BC. This is based on finding etched marble – in essence, a sign for the synagogue, which comes from the Greek words “synagein,” which means “to bring together” and the same root word as “agora” which means “a place of assembly.” (I learned this on my previous trip, during a Context walking tour, which then led me to The Jewish Museum of Greece, where you learn about Europe’s oldest Jewish settlement, 39 Nikis St., 105 57 Athens, Greece, [email protected], www.jewishmuseum.gr).

You should allocate at least an hour  or two at the Ancient Agora in order to have time to visit a superb museum, housed in the reconstructed Stoa of Attalos, a 2nd C BC building that was restored in1952-56 by the American School of Classical Studies to exhibit the artifacts collected at the site.

Museum of the Agora © Karen Rubin/goingplacesfarandnear.com
Museum of the Agora © Karen Rubin/goingplacesfarandnear.com
Late Geometric pyxis and lid with handle in the form of three terracotta horses, 725-700 BC, Agora © Karen Rubin/goingplacesfarandnear.com
Museum of the Agora © Karen Rubin/goingplacesfarandnear.com

Artifacts on display show how citizens (a minimum of 6000 were necessary) could vote to “ostracize” a politician accused of corruption. You also see the lottery system used to pick jurors (they paid 1/3 drachma to buy a strip in which to write their names, and if selected, would receive a drachma pay), and the devices used to record their verdict. There is an intriguing collection of small cups that were used by prisoners sentenced to death to take hemlock, considered a more merciful end; one of these cups could well have been used by Socrates, who was sentenced to death for teaching the heresy of denying 12 gods at a time when paganism was the official religion (he supported the idea of a single spirit, which makes me think he might have been influenced by the Jewish community that was already established in Athens).

Lottery machine, Museum of the Agora © Karen Rubin/goingplacesfarandnear.com

(Combination tickets are available that provide access to the Acropolis, Acropolis Museum, Ancient Angora and several other important sites.)

National Archaeological Museum

Monasteraki, Athens © Karen Rubin/goingplacesfarandnear.com

I walk through the flea market at Monasteraki, which, interestingly like the market next to the synagogue in Yangon, Myanmar, was originally Athens’ Jewish Quarter, and through neighborhoods and shopping districts to reach the National Archaeological Museum. The museum (which closes early at 4 pm because of Easter Saturday, forcing me to rush through) has the most magnificent collection of gold from Mycenae; statues, bronzes. I also come upon a special exhibit examining the concept of “Beauty.”

Mask of Agamemnon, National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

You see the Golden Mask of King Agamemnon, excavated by Heinrich Schliemann at Mycenae in 1876 (which I learned from my last visit’s tour with a docent is actually centuries older than Agamemnon’s reign, but they keep the name for “marketing” purposes), and spectacular gold ornaments and funeral objects that suggest a belief in an afterlife.

Jockey, National Archaeological Museum, Athens, © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

There are two of only five full-scale bronzes left in the world: one, a national symbol of a standing god (Zeus or Poseidon, it isn’t clear because the tool he would have held, a lightning bolt or a trident, has been lost) was saved because the boat sank that was carrying it to Rome to be melted down for weapons, and was found in 1926 by fisherman; the other is a magnificent bronze statue, 1000 years old, of an African boy on a racing horse made during the time of Alexander the Great, when the expansion of Greek’s empire brought exotic themes into the art, that was saved by being shipwrecked – it is so graceful, so elegant, so charged with energy, it looks like it could run away.

There is also a vase with the first sentence (or rather, the oldest known sentence) written in Greek language: “Now I belong to the man who is the best dancer.” (I think to myself, what pressure on a person to write the first sentence to go down in history! Or, for that matter, the inventor of the “space” between words, which had not existed in Greek.).

An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

I stay in the museum until they literally kick me out, fascinated to read the descriptions, which I find enlightening and surprisingly current, with lessons for today in the interplay between trade, migration, innovation, science and social and political movements:

“In the 6th C BC, the Greeks dominated the Mediterranean and the Black Sea….The impressive dispersion of the Greeks and the founding of new Greek colonies and trading posts were the result of long processes of migration…

“The nature of the economy underwent a radical change as a result of the growth of trade. A new class of citizens emerged who were conscious of liberty and its potential and now demanded the right to play an active role in the running of public affairs. The 6th C BC saw the consolidation, after major social upheavals and political changes, of the distinct personality of the Greek city-state. Intense social disturbances set most of the cities on the road to democratic constitutions, making an important stop along the way at the institution of the tyranny.

“The liberty that was characteristic of the Greek way of life and which governed their thinking finds eloquent expression in their artistic creations…Works of art and artists moved freely along the trade routes. The wealth and power of the city-states were expressed in the erection of monumental, lavishly adorned temples and impressive public welfare works.

National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

“Greeks turned their attention to the natural world and to phenomena that gave rise to philosophical speculation, formulative ideas such as those of matter, the atom, force, space and time, and laying the foundations of science. Flourishing Ionia was the region in which philosophy and science first evolved. By the end of the century, the thriving Greek cities of Southern Italy and Sicily, known as Magna Graecia, were sharing in these astounding intellectual achievements. At the same time, the first prose works were written, taking the form of local histories or geographies containing an abundance of mythological elements and continuing the brilliant tradition of 7th century poetry.”

(Because of the Easter holiday, and our limited time, and the fact that I have visited twice before, I miss an otherwise not-to-be-missed Athens attraction, the New Acropolis Museum.)

The walk through Athens is fabulous, taking me through neighborhoods, and I get to see Athens’ gallery of street art, with its political and social tinge. Indeed, taking photos of at least five street art murals is one of the scavenges (you have to explain where you found them, 25 points).

Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street Art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com

Walking back through the Plaka, I bump into Bill Chalmers, the ringmaster of our 23-day Global Scavenger Hunt, Pamela and their son Luka – it turns out to be a team challenge to photograph them (whichever team sends in the photo first wins the points).

It’s been a challenge to “see” Athens in just 30-hours, let alone venture out to the Peloponnese. But our quick visits, one country, one culture, after the next, paints the rarest of pictures of our common humanity in our mind’s eye. We are becoming global citizens.

Chalmers helps us along with the design of his scavenges, and in each location, he provides language sampler (for Athens, he offers “I am sorry”, “what is your name,” “Can you speak more slowly,” as well as icebreakers to start conversations with a local, and questions to ponder.

Rooftop pool, Grand Hyatt, Athens © Karen Rubin/goingplacesfarandnear.com

I walk back to the hotel to meet several of us who are sharing a van to get back to the airport. Our deadline and meeting place is 8:30 pm at the airport.

Onward to Marrakech, Morocco.

Excellent visitor planning tools of Athens are at www.thisisathens.org. Also, the Athens Visitor Bureau offers a wonderful program that matches visitors with a local Athenian volunteer who goes beyond the traditional guidebook sights to take you to local neighborhoods, http://myathens.thisisathens.org/

The Global Scavenger Hunt is an annual travel program that has been operated for the past 15 years by Bill and Pamela Chalmers, GreatEscape Adventures, 310-281-7809, GlobalScavengerHunt.com.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at      facebook.com/NewsPhotoFeatures