Category Archives: Festivals and Events

Global Scavenger Hunt, Leg 7: 30 Hours in Athens

Celebrating Greek Orthodox Easter, Athens © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Athens is a relatively easy Par 2 on the Global Scavenger Hunt, now midway through the 23-day around-the-world mystery tour. We have just 30 hours here, but our visit will largely be shaped by the celebration of the Greek Orthodox Easter (we seem to be hitting all the destinations on a religious holiday). We arrive on the Greek Orthodox Good Friday and one of the challenges is to experience the distinctive celebration. It’s hard to miss. Every church has a similar ritual. I walk down from the Grand Hyatt Hotel where we have arrived in the midday, to the Plaka, stopping to reflect on Hadrian’s Arch before I take the narrow street that leads me to the 11th century Byzantine church, where devotees are coming.

A glimpse of the Acropolis from the rooftop of the Grand Hyatt Hotel, Athens © Karen Rubin/goingplacesfarandnear.com
Hadrian’s Arch, Athens© Karen Rubin/goingplacesfarandnear.com

It is particularly interesting, since so far on the Global Scavenger Hunt we have been immersed in Buddhist culture, then Islamic. Athens is Christian, but it is also the birthplace of democracy and Western Civilization, as it is known, and the entranceway to Europe.

Temple of Zeus, Athens © Karen Rubin/goingplacesfarandnear.com

I feel very at ease, very comfortable here – partly because this is my third time in Athens and I have spent a relatively lot of time here, but also because it is, well, European, modern, hip, artful – even with its ongoing economic and political problems (though it seems to me the economy has much improved since my last visit).

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com

As I am waiting and watching, another of our GSH teams, Transformed Travel Goddesses (aptly named in Athens), comes up the street and we watch together. It turns out to be quite a long wait. I had been told that at 7 pm, the priest comes out and the faithful ring the church. The service is underway at 7 pm that we can hear from outside; the crowds really thicken but it isn’t until 9 pm that the priest comes out, leading a procession. People light candles and follow the procession of the cross and funerary flowers through the streets.

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com

We join the crowd as they wind their way through the narrow streets below the Acropolis, and when we turn to a different direction, we meet the procession again. All the streets are flooded with similar processions – candles moving like ripples of water through the narrow streets. People jam the outdoor restaurants as well. We visit another small Byzantine church where the frescoes are absolutely stunning.

Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Greek Orthodox Easter celebration, Plaka, Athens, Greece © Karen Rubin/goingplacesfarandnear.com
Procession through Plaka, Athens © Karen Rubin/goingplacesfarandnear.com

The next day, I immerse myself in Athens (some of the scavenges lead teams out to the Peloponnese and the Theater of Epidaurus which I visited on a boat/bike tour some years ago, and to accomplish them in the brief timeframe, rent a car).I just want to soak in Athens. I have a list of four major places to visit, starting with the Acropolis, then the historic Agora, the flea market at Monasteraki (originally the Jewish quarter), and the National Archeological Museum.

Theater of Dionysos © Karen Rubin/goingplacesfarandnear.com
Tourists at the Acropolis © Karen Rubin/goingplacesfarandnear.com
Parthenon, Acropolis, Athens © Karen Rubin/goingplacesfarandnear.com
Acropolis, Athens © Karen Rubin/goingplacesfarandnear.com

I walk from the Grand Hyatt to the Acropolis. I don’t have the luxury this time of organizing my visit for the end of the day when the sunlight is golden and the crowds are less, so fold myself into the crush of people, satisfied that so many appreciate history and heritage.

Tower of the Winds, also called Horologium or Greek Horologion (“Timepiece”), in the Roman Forum of Athens was erected about 100–50 BC by Andronicus of Cyrrhus for measuring time. © Karen Rubin/goingplacesfarandnear.com

You can see the historic Agora from the Acropolis that commands Athens’ hilltop, and I walk down the stone promenade.

The historic Agora is one of the most fascinating archaeological sites and museums anywhere and tremendously exciting to “discover” as you walk through the paths lined with colonnades, statues, and come upon the ruins. Here you see the ruins of what is in essence the “downtown” and Main Street of ancient Athens. The Agora was the political center for Athens, and because it was a gathering place, also became a commercial center. Courts were held (though capital crimes were tried outside its boundary, so the blood on a murderers’ hands not pollute the public space).

Arrayed are the important institutions including what might be called the first “parliament,” the Bouleuterion, where those participating in the Assembly of the Five Hundred sat. I actually find it more intriguing and interesting to explore than the Acropolis. Here in this one site, is the essence of the Greek Republic that birthed democracy.

Walk down the boulevard lined with statues of Giants (in Greek tradition, Titans were first, then the Giants, then the Olympian gods), to a headless torso of the Roman Emperor Hadrian, who respected and admired Athenian culture and enhanced it with his Library and other institutions, but threw Christians to the lions (and wasn’t so great for Jews, either).

The homage Athenians paid to him is indicated by the decoration on his breastplate depicting the goddess Athena standing on a wolf suckling the twins, Romulus and Remus, the mythical founders of Rome. But the headless statue was contemptuously thrown into the sewage ditch by early Christians (who also defiled the Parthenon and most of the statues denoting devotion to paganism), and only discovered in the sewer when they excavated. The Hadrian Statue stands near the Bouleuterion, or Council House, where the 500 representatives of the 10 tribes met, would have been – in essence, the first House of Parliament.

Temple of Hephaistos in the Agora © Karen Rubin/goingplacesfarandnear.com

Above, on a hillside, is the beautiful Temple of Hephaistos (5th C BC) but just to the side is believed to have been a synagogue, serving a Jewish community that had existed in Athens at least since 3rd C BC and possibly as early as 6th C BC. This is based on finding etched marble – in essence, a sign for the synagogue, which comes from the Greek words “synagein,” which means “to bring together” and the same root word as “agora” which means “a place of assembly.” (I learned this on my previous trip, during a Context walking tour, which then led me to The Jewish Museum of Greece, where you learn about Europe’s oldest Jewish settlement, 39 Nikis St., 105 57 Athens, Greece, info@jewishmuseum.gr, www.jewishmuseum.gr).

You should allocate at least an hour  or two at the Ancient Agora in order to have time to visit a superb museum, housed in the reconstructed Stoa of Attalos, a 2nd C BC building that was restored in1952-56 by the American School of Classical Studies to exhibit the artifacts collected at the site.

Museum of the Agora © Karen Rubin/goingplacesfarandnear.com
Museum of the Agora © Karen Rubin/goingplacesfarandnear.com
Late Geometric pyxis and lid with handle in the form of three terracotta horses, 725-700 BC, Agora © Karen Rubin/goingplacesfarandnear.com
Museum of the Agora © Karen Rubin/goingplacesfarandnear.com

Artifacts on display show how citizens (a minimum of 6000 were necessary) could vote to “ostracize” a politician accused of corruption. You also see the lottery system used to pick jurors (they paid 1/3 drachma to buy a strip in which to write their names, and if selected, would receive a drachma pay), and the devices used to record their verdict. There is an intriguing collection of small cups that were used by prisoners sentenced to death to take hemlock, considered a more merciful end; one of these cups could well have been used by Socrates, who was sentenced to death for teaching the heresy of denying 12 gods at a time when paganism was the official religion (he supported the idea of a single spirit, which makes me think he might have been influenced by the Jewish community that was already established in Athens).

Lottery machine, Museum of the Agora © Karen Rubin/goingplacesfarandnear.com

(Combination tickets are available that provide access to the Acropolis, Acropolis Museum, Ancient Angora and several other important sites.)

National Archaeological Museum

Monasteraki, Athens © Karen Rubin/goingplacesfarandnear.com

I walk through the flea market at Monasteraki, which, interestingly like the market next to the synagogue in Yangon, Myanmar, was originally Athens’ Jewish Quarter, and through neighborhoods and shopping districts to reach the National Archaeological Museum. The museum (which closes early at 4 pm because of Easter Saturday, forcing me to rush through) has the most magnificent collection of gold from Mycenae; statues, bronzes. I also come upon a special exhibit examining the concept of “Beauty.”

Mask of Agamemnon, National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

You see the Golden Mask of King Agamemnon, excavated by Heinrich Schliemann at Mycenae in 1876 (which I learned from my last visit’s tour with a docent is actually centuries older than Agamemnon’s reign, but they keep the name for “marketing” purposes), and spectacular gold ornaments and funeral objects that suggest a belief in an afterlife.

Jockey, National Archaeological Museum, Athens, © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

There are two of only five full-scale bronzes left in the world: one, a national symbol of a standing god (Zeus or Poseidon, it isn’t clear because the tool he would have held, a lightning bolt or a trident, has been lost) was saved because the boat sank that was carrying it to Rome to be melted down for weapons, and was found in 1926 by fisherman; the other is a magnificent bronze statue, 1000 years old, of an African boy on a racing horse made during the time of Alexander the Great, when the expansion of Greek’s empire brought exotic themes into the art, that was saved by being shipwrecked – it is so graceful, so elegant, so charged with energy, it looks like it could run away.

There is also a vase with the first sentence (or rather, the oldest known sentence) written in Greek language: “Now I belong to the man who is the best dancer.” (I think to myself, what pressure on a person to write the first sentence to go down in history! Or, for that matter, the inventor of the “space” between words, which had not existed in Greek.).

An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
An examination of “Beauty” at the National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

I stay in the museum until they literally kick me out, fascinated to read the descriptions, which I find enlightening and surprisingly current, with lessons for today in the interplay between trade, migration, innovation, science and social and political movements:

“In the 6th C BC, the Greeks dominated the Mediterranean and the Black Sea….The impressive dispersion of the Greeks and the founding of new Greek colonies and trading posts were the result of long processes of migration…

“The nature of the economy underwent a radical change as a result of the growth of trade. A new class of citizens emerged who were conscious of liberty and its potential and now demanded the right to play an active role in the running of public affairs. The 6th C BC saw the consolidation, after major social upheavals and political changes, of the distinct personality of the Greek city-state. Intense social disturbances set most of the cities on the road to democratic constitutions, making an important stop along the way at the institution of the tyranny.

“The liberty that was characteristic of the Greek way of life and which governed their thinking finds eloquent expression in their artistic creations…Works of art and artists moved freely along the trade routes. The wealth and power of the city-states were expressed in the erection of monumental, lavishly adorned temples and impressive public welfare works.

National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com
National Archaeological Museum, Athens © Karen Rubin/goingplacesfarandnear.com

“Greeks turned their attention to the natural world and to phenomena that gave rise to philosophical speculation, formulative ideas such as those of matter, the atom, force, space and time, and laying the foundations of science. Flourishing Ionia was the region in which philosophy and science first evolved. By the end of the century, the thriving Greek cities of Southern Italy and Sicily, known as Magna Graecia, were sharing in these astounding intellectual achievements. At the same time, the first prose works were written, taking the form of local histories or geographies containing an abundance of mythological elements and continuing the brilliant tradition of 7th century poetry.”

(Because of the Easter holiday, and our limited time, and the fact that I have visited twice before, I miss an otherwise not-to-be-missed Athens attraction, the New Acropolis Museum.)

The walk through Athens is fabulous, taking me through neighborhoods, and I get to see Athens’ gallery of street art, with its political and social tinge. Indeed, taking photos of at least five street art murals is one of the scavenges (you have to explain where you found them, 25 points).

Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street Art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com
Street art, Athens © Karen Rubin/goingplacesfarandnear.com

Walking back through the Plaka, I bump into Bill Chalmers, the ringmaster of our 23-day Global Scavenger Hunt, Pamela and their son Luka – it turns out to be a team challenge to photograph them (whichever team sends in the photo first wins the points).

It’s been a challenge to “see” Athens in just 30-hours, let alone venture out to the Peloponnese. But our quick visits, one country, one culture, after the next, paints the rarest of pictures of our common humanity in our mind’s eye. We are becoming global citizens.

Chalmers helps us along with the design of his scavenges, and in each location, he provides language sampler (for Athens, he offers “I am sorry”, “what is your name,” “Can you speak more slowly,” as well as icebreakers to start conversations with a local, and questions to ponder.

Rooftop pool, Grand Hyatt, Athens © Karen Rubin/goingplacesfarandnear.com

I walk back to the hotel to meet several of us who are sharing a van to get back to the airport. Our deadline and meeting place is 8:30 pm at the airport.

Onward to Marrakech, Morocco.

Excellent visitor planning tools of Athens are at www.thisisathens.org. Also, the Athens Visitor Bureau offers a wonderful program that matches visitors with a local Athenian volunteer who goes beyond the traditional guidebook sights to take you to local neighborhoods, http://myathens.thisisathens.org/

The Global Scavenger Hunt is an annual travel program that has been operated for the past 15 years by Bill and Pamela Chalmers, GreatEscape Adventures, 310-281-7809, GlobalScavengerHunt.com.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at      facebook.com/NewsPhotoFeatures

Long Islanders Delight in Apollo 11 50th Anniversary Moon Fest at Cradle of Aviation

Cradle of Aviation Museum, Long Island, Hosts Apollo 11 Lunar Landing 50th Anniversary Moon Fest © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The climax of Cradle of Aviation Museum’s family friendly Apollo 11 50th anniversary Moon Fest was the countdown to the landing of a scale model of the Eagle lunar module timed with a video of the actual landing.

Littlest astronaut with big dreams. Cradle of Aviation Museum, Long Island, Hosts Apollo 11 Lunar Landing 50th Anniversary Moon Fest © Karen Rubin/goingplacesfarandnear.com
The Eagle has landed. Cradle of Aviation Museum, Long Island, Hosts Apollo 11 Lunar Landing 50th Anniversary Moon Fest © Karen Rubin/goingplacesfarandnear.com

But there was so much more during the day. Some 2500 people turned out to take part in events and activities.

They delighted in meeting three Space Shuttle astronauts, who gave talks and signed autographed photos: Bill Shepherd (a former Babylon resident, who was in the first crew and literally turned on the lights in the International Space Station and lived in space for140 days) & Charlie Camarda (of Ozone Park, an American engineer and a NASA astronaut who flew his first mission into space on board the Space Shuttle mission STS-114 and served as Senior Advisor for Engineering Development at NASA Langley Research Center) and Bob Cenker, a payload specialist and crew member on the seventh flight of Space Shuttle Columbia.

Astronaut Bill Shepherd, of Babylon, who was in the first crew and literally turned on the lights in the International Space Station and lived in space for140 days, gives a talk in Cradle of Aviation’s Red Planet Café © Karen Rubin/goingplacesfarandnear.com
Charlie Camarda, of Ozone Park, an American engineer and a NASA astronaut who flew his first mission into space on board the Space Shuttle mission STS-114 and served as Senior Advisor for Engineering Development at NASA Langley Research Center, signs autographs during the Apollo 11 Moon Fest © Karen Rubin/goingplacesfarandnear.com
Bob Cenker, a payload specialist and crew member on the seventh flight of Space Shuttle Columbia, on hand for an Astronaut Encounter during Cradle of Aviation’s Moon Fest © Karen Rubin/goingplacesfarandnear.com

Among the docents and guides are many former Grumman workers who helped build the machines and communications that put astronauts on the moon and the International Space Station, as well as space enthusiasts, like Matt Arnold, who, after giving a guided tour of the Space exhibit, shows us the model of the International Space Station that he built for the museum. Richard Kalen, of Hicksville, who had helped assemble the wings on the Shuttle, explained what went wrong to cause the Challenger and Columbia tragedies.

Matt Arnold shows off the model of the International Space Station he made for Cradle of Aviation Museum Fest © Karen Rubin/goingplacesfarandnear.com
Richard Kalen, of Hicksville, who had helped assemble the wings on the Shuttle, explained what went wrong to cause the Challenger and Columbia tragedies © Karen Rubin/goingplacesfarandnear.com
Ernest Finamore, a Grumman tool and dye worker, made the parts for the lunar module, and Alan Contessa at the Cradle of Aviation Apollo 50th Moon Fest © Karen Rubin/goingplacesfarandnear.com
Patricia M. Campagnola points to her name among the Grumman workers on a plaque at Cradle of Aviation Museum © Karen Rubin/goingplacesfarandnear.com
Shuttle Astronaut Charlie Camarda with Grumman employees and family at the 60s celebration for the 50th Anniversary of the Lunar Landing, at Cradle of Aviation Museum © Karen Rubin/goingplacesfarandnear.com

There were moon buggy races, where kids got to traverse a “lunar obstacle course” driving electric lunar rovers; launched water-bottle rockets they built and decorated; looked through solar telescopes; saw student-built robotics demonstrations from the First Lego League; posed for photos with the superhero characters from the not-for-profit NY Avengers Cosplayers.

There were also screenings of the Apollo 11 First Steps Edition documentary in Cradle’s immerse Dome Theater and a virtual reality experience where you explore the inside and outside of the Apollo 11 with Microsoft’s Mixed Reality and HoloLens technology.

Cradle of Aviation Museum, Long Island, Hosts Apollo 11 Lunar Landing 50th Anniversary Moon Fest © Karen Rubin/goingplacesfarandnear.com
Cradle of Aviation Museum, Long Island, Hosts Apollo 11 Lunar Landing 50th Anniversary Moon Fest © Karen Rubin/goingplacesfarandnear.com

Then, at 4 pm, they crammed into the atrium to watch a video of the actual Apollo 11 landing, as a scale model of the Lunar Module descended in concert with the actual events.

Countdown at Cradle of Aviation Museum to when a model of the Eagle lunar module descends to the lunar surface © Karen Rubin/goingplacesfarandnear.com

The celebration continued into the evening with a dinner menu matching the same beef-and-salmon menu served to the astronauts at the White House and dancing to the music of the 1960s.

Party like it’s 1969. Just Sixties performs at Cradle of Aviation Museum’s evening celebration marking the 50th Anniversary of Apollo 11 moon landing © Karen Rubin/goingplacesfarandnear.com

The Cradle of Aviation Museum, home of the Lunar Module, is currently exhibiting the largest collection of Lunar Modules, Lunar Module parts, artifacts, photos, and documentation in the world. 

There is still time to visit the Apollo Space Exhibit. Here are 11 “must sees”:

11. Living in Space Exhibit showcasing food & waste management for Apollo

The Living in Space exhibit at Cradle of Aviation Museum, Long Island © Karen Rubin/goingplacesfarandnear.com

10. Pop Culture Exhibit showing space toys and memorabilia from 1969

9. Gemini Capsule Replica that you can sit in; as seen in First Steps movie

8. A real Moon Rock! 

A real moon rock is on view at Cradle of Aviation Museum© Karen Rubin/goingplacesfarandnear.com

7. Mission to Moon Exhibit includes an item from each mission that has been to the moon and back.

6. Tom Stafford’s Spacesuit as worn by Stafford while training for the Apollo 10 mission in 1968/69.

Tom Stafford’s spacesuit on view at Cradle of Aviation Museum© Karen Rubin/goingplacesfarandnear.com

5. Neil Armstrong’s Bioharness from Apollo 11

4. Rockwell Command Module w/ Parachute which was the control center for the Apollo spacecraft and provided the living and working quarters for astronauts. 

LEM simulator. Cradle of Aviation Museum, Long Island, celebrates 50th anniversary of Apollo 11 moon landing © Karen Rubin/goingplacesfarandnear.com

3. Grumman Lunar Module Simulator that all Apollo Astronauts trained on, originally at Kennedy Space Center. 

2. Grumman Lunar Module Clean Room Display  featuring the LTA-1, the first fully functional LM, as it appeared while under construction at Grumman.

Go inside a Grumman clean-room where a lunar module is being assembled © Karen Rubin/goingplacesfarandnear.com

1. Grumman Lunar Module LM-13 – the crowned jewel of the museum. The LM-13 was intended for the Apollo 19 mission to Copernicus Crater in 1973, which was ultimately cancelled. It is one of three Lunar Modules left on earth. The other two are at Kennedy Space Center and Smithsonian’s Air & Space. It is presented in a re-created lunar surface scene with a mannequin wearing an actual Apollo spacesuit. 

The real thing: the actual lunar module built by Grumman, Bethpage, for Apollo 19, a moon mission which was scrapped, at the Cradle of Aviation Museum, Long Island. It is one of only three LEMs on earth (three are still on the moon; the other two are at the National Air & Space Museum in DC and at Kennedy Space Center in Florida), but the only one on earth intended to go to the moon. © Karen Rubin/goingplacesfarandnear.com

The Cradle of Aviation Museum and Education Center is home to over 75 planes and spacecraft representing over 100 years of aviation history and Long Island’s only Giant Screen Dome Theater.  Currently, the museum is celebrating  “Countdown to Apollo at 50” sponsored by the Robert D.L. Gardiner Foundation, showcasing Long Island and Grumman’s significant role in the Apollo program. The Museum was recently recognized and listed on New York State’s National Register of Historic Places as a significant part of American history. The museum is located on Museum Row, Charles Lindbergh Blvd., in East Garden City. For more information call (516) 572-4111 or visit www.cradleofaviation.org.  

See also:

Long Island’s World-Class Cradle of Aviation Museum Hosts Special Events for 50th Anniversary of Moon Landing

Apollo Astronauts Look Back During Gala at Long Island’s Cradle of Aviation Museum Marking 50th Anniversary of Lunar Landing

Long Island’s Cradle of Aviation Museum Counting Down to Apollo at 50 Moon Fest

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Long Island’s Cradle of Aviation Museum Counting Down to Apollo at 50 Moon Fest

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Nassau County Executive Laura Curran, who donned a replica space suit, and NASA astronaut Babylon resident Bill Shepherd were on hand at the Cradle of Aviation Museum to officially begin the countdown to the 50th Anniversary celebration of the first lunar landing, on July 20, at the Cradle of Aviation Museum, Long Island. © Karen Rubin/goingplacesfarandnear.com

Nassau County Executive Laura Curran, who donned a replica space suit, and NASA astronaut Babylon resident Bill Shepherd were on hand at the Cradle of Aviation Museum to officially begin the countdown to the 50th Anniversary celebration of the first lunar landing, July 20, 1969. They were joined by Grumman Engineer Ross Brocco, Museum President Andy Parton and Museum Curator Josh Stoff.

“We will shine a light on one of the greatest human and technological achievements in history,” Parton said.

The events that start at 9:30 am reach a climax with a Community Countdown at 4:17 pm to collectively watch, re-experience, and honor as a community, the historic “The Eagle has Landed” Lunar Module landing on the moon. A model of the Lunar Module will descend from the ceiling, precisely on time.

Astronaut Shepherd, who was in the first crew on the International Space Station (“We turned on the lights”) and lived in space for 140 days, sees the importance of Cradle of Aviation Museum, with its active STEM education programs and the ability for people, young and old, to interact with exhibits – like climb into a Gemini capsule, land a Space Shuttle, and in the current exhibit, enter a space habitation on Mars, and the largest collection of Apollo artifacts in the world, including an actual lunar module which was built by Grumman in Bethpage for Apollo 19, a moon mission that was scrubbed.

Astronaut Shepherd, who was in the first crew on the International Space Station (“We turned on the lights”) and lived in space for 140 days, sees the importance of Cradle of Aviation Museum, with its active STEM education programs and the ability for people, young and old, to interact with exhibits. © Karen Rubin/goingplacesfarandnear.com

“The lunar landing was one of humankind’s epic achievements,” said Shepherd, who will be on hand during the day to interact with museum goers. “Beyond Apollo, it ignited a process that is still going on. NASA is on course to go back to the moon, a steppingstone to planetary expedition to Mars. Children today may take part.”

It’s critically vital, he said, for children to have the opportunity to be exposed to “first-hand” science, as opposed to watching documentaries on television. “Education is turning to project-based and experiential learning, versus textbooks. Here, kids get to see for themselves. The tangible makes learning enjoyable.”

Curran pointed to the Cradle of Aviation as one of the best museums – even attractions – on Long Island. “It is such an asset in the heart of our county..

On July 20, in addition to the Apollo events, there will be former Grumman engineers and employees who helped build the lunar module and the equipment that made the space program possible, among them Ross Bracco, a structural engineer at Grumman who is now a volunteer at Cradle of Aviation Museum. Shepherd will lead two “episodes” allowing kids to design their own lunar lander.

Ross Bracco, a structural engineer at Grumman during the Apollo program, is now a volunteer at Cradle of Aviation Museum © Karen Rubin/goingplacesfarandnear.com

Shepherd noted that the moon, itself, remains a mystery – how it was created more than 4 billion years ago – was it knocked off from earth or form separately? “We don’t know but maybe some kids here will research.” He said the moon has been static for 4 billion years, unlike the earth which is “dynamic” and changing, so is a time piece that can shed light on what the solar system was like 4 billion years ago. “We are learning about the moon’s relationship to the earth.”

And you can even get a whiff of what the moon smells like in one of the exhibit.

Cradle of Aviation Museum, Long Island, celebrates 50th anniversary of Apollo 11 moon landing © Karen Rubin/goingplacesfarandnear.com

On Saturday, July 20, 2019, thousands of people will be joining together at the Cradle of Aviation Museum to celebrate the 50th anniversary of the historic Apollo 11 mission. The Cradle of Aviation, home of the Lunar Module, is celebrating all day and night with two festive events to give the community an opportunity to learn, reflect, remember, & jointly celebrate, all the wonder, achievement, and pride that is Apollo.

There will be events throughout the day:

  • COMMUNITY COUNTDOWN TO LUNAR LANDING –  Join in a Community Countdown at 4:17 pm to collectively watch, re-experience, and honor as a community, the historic “The Eagle has Landed” Lunar Module landing on the moon.
  • ASTRONAUT ENCOUNTERS with Space Shuttle Astronauts Bill Shepherd (Babylon) & Charlie Camarda (Ozone Park), both from Long Island, and Bob Cenker.
  • MOON BUGGY RACES – Traverse a lunar obstacle course driving an electric lunar rover. (kids)
  • VIRTUAL REALITY – Explore the inside and outside of the Apollo 11 up close and personal with Microsoft’s Mixed Reality and the Microsoft HoloLens technology.
  • APOLLO 11 FIRST STEPS in IMAX – Experience  a free showing of the new highly-acclaimed documentary, Apollo 11 First Steps Edition in our immersive Dome Theater.  Playing hourly.
  • SOLAR TELESCOPES- Explore the sun with a special purpose solar telescope.
  • LAUNCH ROCKETS – Build, decorate, then launch a water bottle rocket.
  • ROBOTICS DEMONSTRATIONS – View and interact with student-built robotics from  the First Lego League.  
  • VISITS FROM THE UNIVERSE – The not-for profit, NY Avengers Cosplayers are assembling at the Cradle to celebrate the American heroes who contributed to the successful lunar landing.  

Museum opens at 9:30am. Family activities are 12:00 – 4:00pm. Countdown begins at 4:00pm. 

Then, from 7-11 pm, is the Apollo at Countdown Celebration, a lively dinner and champagne toast with music and dancing, as the community comes together to watch and re-experience the unforgettable first steps on the moon at 10:56 pm with a special moon landing viewing and countdown. 

Space Shuttle Astronauts Bill Shepherd (Babylon) & Charlie Camarda (Ozone Park), both from Long Island, and Bob Cenker, will be in attendance. 

Tickets to either event can be purchased at www.cradleofaviation.org/apollo or by calling Reservations 516-572-4066 (M-F) 10:00am-4:00pm) Grumman Retirees and Museum Members, may call Reservations for discounted tickets. Proceeds to Benefit Museum Education and Preservation Programs.

Cradle of Aviation

But the reason there is such a world-class space and aviation museum here on Charles Lindbergh Avenue, named for the famous aviator, is that this is indeed the cradle of aviation – it is located on what was Mitchel Air Force Base Field, which, together with nearby Roosevelt Field and other airfields on the Hempstead Plains, was the site of many historic flights , most significantly, where Lindbergh set off for his historic transatlantic solo flight to Paris and it was on Long Island that so much of the aviation industry and innovations happened. In fact, so many seminal flights occurred in the area, that by the mid-1920s the cluster of airfields was already dubbed the “Cradle of Aviation”, the origin of the museum’s name.

Cradle of Aviation Museum, Uniondale, Long Island, has one of only three actual lunar modules on display. Built by Grumman, in Bethpage, Long Island, the other three were left on the moon ©Karen Rubin/goingplacesfarandnear.com

The events and exhibits also pay homage to Grumman engineers who designed and built the lunar exploration module (LEM), and there is an actual LEM on exhibit – the only actual LEM of the three modules on exhibit (the three that went to the moon remained there). This one was built by Grumman for Apollo 19 but that mission was scrubbed.

You can also see mock-ups of Grumman engineers in a “clean room” building a LEM.

Cradle of Aviation museum has the largest collection of Apollo artifacts anywhere – the space exhibits are phenomenal and include simulators and a real moon rock.

See inside a real Lunar Module simulator at Cradle of Aviation Museum © Karen Rubin/goingplacesfarandnear.com

And so it was fitting at one of the Apollo 50th events held in recent weeks, the Gold Coast International Film Festival screening of “First Man,” as part of its Science on Screen series, three former Grumman engineers who worked on Apollo project related their experience.

Three former Grumman employees – Howard Frauenberger, Richard Dunne, Mike Lisa – reflect on their work on the space program at a Gold Coast International Film Festival screening of “First Man” about Neil Armstrong. Richard Dunne had met Armstrong. © Karen Rubin/goingplacesfarandnear.com

Howard Frauenberger, who was a co-op engineering intern running technical tests on the Lunar Excursion Module landing gear and in the Cold Flow area for final ascent & descent stage system tests before delivery to NASA, reflected,  “Had we never had the Apollo1 tragedy, where three astronauts were lost, the likelihood of doing a successful lunar landing was low…The  post-fire evaluation of the design of command module found so many things inadequately or improperly or stupidly designed- not the least was the hatch which opened in instead of out so that in a pressurized environment, it couldn’t open. NASA’s oversight over all the contractors doubled or tripled. So the prevailing theory is that if that fire hadn’t happened, design defects could have caused a situation where Apollo 11 couldn’t land.”

Richard Dunne, who was the chief spokesman for the Grumman Corporation, which  designed  and  built the Apollo  Lunar Module: “The fire forced a redesign of everything in the command module and lunar module.” He also reflected on how close it was that the United States might not have won the space race at all “Two weeks before Apollo 11 launched, the Russians attempted moon shot, but it exploded. The way the United States knew about it was because our spy satellites detected it.”

Mike Lisa, who worked as an engineer on the Lunar Excursion Module in 1963 until the program ended and spent 36 years at Northrop Grumman, said, “The most important thing was to bring the astronauts back healthy. A device called a tumbler would grab the LEM on both sides and flip it around – tumble and turn – to shake anything that might have been loose inside. On this particular day, I was working in a semi-clean room – we wore white jackets and different hats to show what we working on – and tumbling, there was a clink and a nut fell on the floor. The NASA inspector was there and shut the room down for a whole week, but we all had to be on station, 24/7, waiting for permission to reopen.”

Go inside a Grumman clean-room where a lunar module is being assembled © Karen Rubin/goingplacesfarandnear.com

Inspiring Future Generations Through Learning

Cradle of Aviation Museum originally opened with just a handful of aircraft in the un-restored hangars in 1980. A major renovation and expansion program in the late 1990s allowed the museum to re-open in a state-of-the-art facility in 2002. Additional expansion plans are currently under development. The museum is an educational center preserving Long Island’s contribution to aerospace, science and technology by inspiring future generations through learning.

Feel what it is like to sit inside a Gemini capsule, at Cradle of Aviation Museum© Karen Rubin/goingplacesfarandnear.com

The Cradle of Aviation Museum and Education Center today is home to over 75 planes and spacecraft representing over 100 years of aviation history and Long Island’s only Giant Screen Dome Theater.  The museum has been celebrating  “Countdown to Apollo at 50” sponsored by the Robert D.L. Gardiner Foundation, through much of the year, showcasing Long Island and Grumman’s significant role in the Apollo program. The Museum was recently recognized and listed on New York State’s National Register of Historic Places as a significant part of American history. The museum is located on Museum Row, Charles Lindbergh Blvd., in East Garden City.  For more information call (516) 572-4111 or visit www.cradleofaviation.org.  

See also:

Long Island’s World-Class Cradle of Aviation Museum Hosts Special Events for 50th Anniversary of Moon Landing

Apollo Astronauts Look Back During Gala at Long Island’s Cradle of Aviation Museum Marking 50th Anniversary of Lunar Landing

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Roaring 20s Returns With Jazz Age Lawn Party on Governors Island

Jazz Age Lawn Party regulars Heidi Rosenau and Joe McGlynn dance to the 1920s music of Michael Arenella and his Dreamland Orchestra, at the event on Governors Island. © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Michael Arenella and his Dreamland Orchestra are hosting its 14th annual Jazz Age Lawn Party on Governors Island this summer – as Arenella notes, just one year shy of 100 years since the Roaring 20’s got underway. His homage to the Jazz Age era brings out the best of New York, with ladies donning their flappers dresses, feathers, sequins and pearls, and the fellows their straw hats, suspenders, bow ties and white linen suits. And each year, it seems, there are more and more kids.

Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

Michael Arenella, an aficionado of the Jazz Age, has compiled a song book. He transcribes by hand the music from period recordings, and introduces them with quaint tidbits.

“For Michael, the Jazz Age never really ended, it just fell asleep.”

Looking every bit Gatsby-esque in a 1920s Rolls Royce, Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

He really gets into character, and everyone thoroughly enjoys the trip back in time, even looking every bit Gatsby-esque when he marches his orchestra out among the picnickers and into a vintage Rolls Royce on display.

Roddy Caravella gives a lesson in dancing the Charleston at the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

This year features a return of his popular entertainers: Robert Ross as Emcee; Roddy Caravella and the incomparable Canarsie Wobblers putting on different dance routines; the Gelber & Manning Band; Peter Mintun on the piano; Queen Esther and her jazz trio; Gretchen Fenston; Julie Reiner.

Charleston Dance contest at the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
9 1/2 year old Aidan Hazirovic is congratulated by Roddy Caravella after being declared the winner of the Charleston dance contest at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

The event typically starts off with a dance lesson instructed by Roddy Caravella – on the Saturday, it was the Charleston, and in the afternoon a Charleston contest which was won by by 9 ½-year old Aidan Hazirovic.

The romantic mood really takes over on the dance floor as Max Singer surprised his sweetheart, Bryanna Doe, with a proposal of marriage.

She said Yes! Max Singer surprises Bryanna Doe with his proposal of marriage on the dance floor during the Jazz Age Lawn Party, which seems to bring out the romance © Karen Rubin/goingplacesfarandnear.com

If you missed out on this rollicking good time, you have another chance: Michael Arenella and his Dreamland Orchestra bring another Jazz Age Lawn Party to Governors Island on August 24 & 25, noon to 6 pm. Purchase tickets in advance www.jazzagelawnparty.com.

A dance routine by the Carnarsie Wobblers at the Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com
Pianist extraordinaire Peter Mintun entertains at the Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com
Queen Esther and her jazz trio entertain at the Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com
Canarsie Wobblers entertain at the Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com
Andrew Hall’s Newark Yacht Club Band perform on the Aperol Spritz stage at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Canarsie Wobblers do one of their dance routines at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

Here are more special moments:

Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Jazz Age Lawn Party regulars Heidi Rosenau and Joe McGlynn dance to the 1920s music of Michael Arenella and his Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Dancing the Charleston at the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Dancing to Andrew Hall’s Newark Yacht Club Band at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Dancing to Queen Esther and her jazz trio at the Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com
Michael Arenella and his Dreamland Orchestra present the 14th Annual Jazz Age Lawn Party on Governors Island, NYC © Karen Rubin/goingplacesfarandnear.com

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York Philharmonic Brings ‘Priceless Music for Free’ Summer Concerts to City Parks

New York Philharmonic 2019 Summer Concert in Central Park, led by Jaap van Zweden, Music Director © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New York Philharmonic’s 2019 Concerts in the Parks, Presented by Didi and Oscar Schafer, provided a stunning introduction to conductor Jaap van Zweden, completing his first season as the Philharmonic’s Music Director, leading the orchestra in a program of Rossini’s Overture to “La gazza ladra” (The Thieving Magpie); Copland’s “Hoe-Down,” from Rodeo; and Rachmaninoff’s Symphony No. 2 in E Minor, Op. 27. The concert also featured astonishing compositions by two 12-year olds in the Philharmonic’s Very Young Composers (VYC) program, and their opportunity to hear their works performed by the full symphony orchestra in front of 50,000 people in Central Park and thousands more in concerts in Van Cortlandt Park, Bronx, Cunningham Park, Queens; and Prospect Park, Brooklyn. (For the schedule, see www.nyphil.org.)

Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com

In the 54 years that the New York Philharmonic has offered the Summer Concerts in the Parks (for the past 13 years, the series has been presented by Didi and Oscar Schafer), some 15 million people have enjoyed “priceless music absolutely free, under the stars” and with fireworks, no less. It is a vast communal picnic with music the food of love. Play on.

Nilomi Weerakkody with New York Philharmonic Music Director Jaap van Zweden, performs her composition, “Soundscape for Orchestra” before 50,000 people in Central Park © Karen Rubin/goingplacesfarandnear.com

This is the second year that the concert has also showcased original compositions of its Very Young Composers – a program that was begun 20 years ago to give children an opportunity to learn about music in an after-school program in New York’s public schools, with the best of them being performed by members of the Philharmonic, and the very, very best by the full orchestra. There are some 200 students enrolled in schools all over the city; the Philharmonic also partners with schools around the country and the world to offer similar programs. (The director of Education and Community Outreach, Gary Padmore was on his way to Shanghai.)

Nilomi Weerakkody, a 12-year old who is a sixth grader at the Dalton School, composed “Soundscape for Orchestra,” turning the sounds of nature into a symphonic composition.

Very Young Composer Mack Soocca-Ho, with Philharmonic President Deborah Borda, discusses his composition, Ociantrose © Karen Rubin/goingplacesfarandnear.com

For “Ociantrose,” Mack Scocca-Ho, a 12-year old who has been composing since he was 3, created an imaginary city, Ociantrose, the capital of Myanolar. His composition celebrates Ociantrose’s distinctive identity, a bustling city where order is not imposed by the government but arises from the residents. The musical themes suggest “the variety of people and the harmony emerging form independence.”

The Philharmonic is raising money to subsidize its education programs – with a challenge that if it raises $400,000 by August 31, a donor will match with $200,000 (go to www.nyphil.org).

New York Philharmonic Conductor Jaap van Zweden tips his Yankee cap to the Central Park audience after playing Copland’s “Rodeo.” © Karen Rubin/goingplacesfarandnear.com

Next season will showcase “Project 19,” marking the centennial of the 19th amendment with new works by 19 female composers – the largest commissioning program of women ever undertaken by an orchestra, said Deborah Borda, the New York Philharmonic’s President and Chief Executive Officer. Also, “Mahler’s New York” honors New York’s past through two of his symphonies with an examination of the composer-conductor’s time in the city. The “hotspots” festival focuses on three “new” music centers – Berlin, Reykjavik and New York.

New York Philharmonic President Deborah Borda introduces the 2019 concerts in the Parks series in Central Park © Karen Rubin/goingplacesfarandnear.com

“New York is more than the Philharmonic’s home,” Borda writes. “This city is in our blood and its high standards fuel our planning and performances.”

Here are highlights from this year’s Summer in the Parks concerts:

New York Philharmonic Conductor Jaap van Zweden playfully dons a Yankee cap for Copland’s “Rodeo” in Central Park © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
Jaap van Zweden conducts New York Philharmonic Summer Concert in Cunningham Park, Queens © Karen Rubin/goingplacesfarandnear.com
New York Philharmonic 2019 Summer Concert in Central Park, led by Jaap van Zweden, Music Director © Karen Rubin/goingplacesfarandnear.com
New York Philharmonic 2019 Summer Concert in Central Park, led by Jaap van Zweden, Music Director © Karen Rubin/goingplacesfarandnear.com
New York Philharmonic 2019 Summer Concert in Central Park, led by Jaap van Zweden, Music Director © Karen Rubin/goingplacesfarandnear.com

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York City’s Summer Outdoor Festival Season Gets Underway

By Karen Rubin, David Leiberman, Laini Nemett, Eric Leiberman

Travel Features Syndicate, goingplacesfarandnear.com

Summer is a magical time in New York City, with a burst of the finest cultural institutions opening their doors, coming outdoors and letting all the world in.

Public Theater’s Shakespeare in the Park

The company of the Free Shakespeare in the Park production of Much Ado About Nothing, directed by Kenny Leon, running at the Delacorte Theater in Central Park through June 23. (Photo credit: Joan Marcus)

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) has begun performances of the 2019 Free Shakespeare in the Park production of MUCH ADO ABOUT NOTHING at the Delacorte Theater, continuing a 57-year tradition of free theater in Central Park.  Directed by Tony Award winner Kenny Leon, the all-black staging of this beloved comedy will run through Sunday, June 23.

Then, for the first time since 1979, Free Shakespeare in the Park will present CORIOLANUS, the Bard’s blistering drama about a general voted into power by a populace hungry for change, and the unraveling that follows. Tony Award winner Daniel Sullivan (Proof, Shakespeare In The Park’s Troilus and Cressida) directs a modern-day version of this riveting epic of democracy and demagoguery, July 16-August 11.

This year, there will be voucher or ticket distributions over the course of the summer in all five boroughs for almost every public performance of Free Shakespeare in the Park, continuing The Public’s mission of making great theater accessible to all. This summer’s distributions at libraries, recreation centers, and community partners throughout New York City, will have more locations and dates than ever to provide New Yorkers even more opportunities to obtain free tickets. To see a complete borough distribution schedule, visit publictheater.org/borough.

Kenny Leon directs a bold new take on Shakespeare’s cherished comedy of romantic retribution and miscommunication, MUCH ADO ABOUT NOTHING. In this modern production, we find the community of Messina celebrating a break from an ongoing war. But not all is peaceful amid the revelry, as old rivals engage in a battle of wits, unexpected foes plot revenge, and young lovers are caught in a tumultuous courtship – until love proves the ultimate trickster, and undoes them all.

The all-black cast of MUCH ADO ABOUT NOTHING includes Jamar Brathwaite (Ensemble), Danielle Brooks (Beatrice), Grantham Coleman (Benedick), Chuck Cooper (Leonato), Javen K. Crosby (Ensemble), Denzel DeAngelo Fields (Ensemble), Jeremie Harris (Claudio), Tayler Harris (Ensemble), Erik Laray Harvey (Antonio/Verges), Kai Heath (Messenger), Daniel Croix Henderson (Balthasar), Tyrone Mitchell Henderson (Friar Francis/Sexton), Tiffany Denise Hobbs (Ursula), Lateefah Holder (Dogberry), LaWanda Hopkins (Dancer), Billy Eugene Jones (Don Pedro), Margaret Odette (Hero), Hubert Point-Du Jour (Don John), William Roberson (Ensemble), Jaime Lincoln Smith (Borachio), Jazmine Stewart (Ensemble), Khiry Walker (Conrade/Ensemble), Olivia Washington (Margaret), and Latra A. Wilson (Dancer).

To enable as many New Yorkers as possible the opportunity to experience Free Shakespeare in the Park there will be an open caption performance of MUCH ADO ABOUT NOTHING on Friday, June 14; an ASL performance on Saturday, June 15; and an ADA audio described performance on Thursday, June 13.

Since 1962, over five million people have enjoyed more than 150 free productions of Shakespeare and other classical works and musicals at the Delacorte Theater. Conceived by founder Joseph Papp as a way to make great theater accessible to all, The Public’s Free Shakespeare in the Park continues to be the bedrock of the Company’s mission to increase access and engage the community.

This season, The Public proudly welcomes the return of Jerome L. Greene Foundation and Bank of America as season sponsors.

The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda. Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 170 Obie Awards, 53 Drama Desk Awards, 56 Lortel Awards, 34 Outer Critic Circle Awards, 13 New York Drama Critics’ Circle Awards, and 6 Pulitzer Prizes.

Tickets to The Public Theater’s Free Shakespeare in the Park are distributed in a number of ways. On the day of each public performance, free tickets may be acquired in person at The Delacorte Theater, through a digital lottery via the TodayTix website or mobile app, in person at a borough distribution site, and via an in person lottery in the lobby of The Public Theater at 425 Lafayette Street. All tickets are subject to availability. A performance calendar and complete ticket distribution details can be found at PublicTheater.org. A limited number of tickets are also available via advance reservation by making a contribution in support of Free Shakespeare in the Park. To learn more, or to make a contribution, call 212.967.7555, or visit PublicTheater.org. The Delacorte Theater in Central Park is accessible by entering at 81st Street and Central Park West or at 79th Street and Fifth Avenue (publictheater.org).

Metropolitan Opera Summer Recital Series Features 6 Free Concerts

The Metropolitan Opera’s 2019 Summer Recital Series once again brings free outdoor recitals, featuring established artists and young talents of the opera world, to New Yorkers in all five boroughs.  The series, now in its 11th year, features six free concerts embracing all five boroughs, and has become an operatic summer tradition.

Presented in collaboration with City Parks Foundation’s SummerStage Festival, the first two concerts, on Monday, June 10 at 8 p.m. at Central Park SummerStage (Manhattan) and Wednesday, June 12 at 7 p.m. at Brooklyn Bridge Park (Brooklyn), will feature soprano Ying Fang,who sang a featured role in Mozart’s La Clemenza di Tito this season,and tenor Ben Bliss and baritone Nathan Gunn,who sang together this season in Mozart’s The Magic Flute. They will be joined by Met pianist Dan Saunders.

Enjoying outdoor concert in Central Park © Karen Rubin/goingplacesfarandnear.com

Four additional recitals feature soprano Leah Hawkins and tenor Mario Bahg, current members of the Met’s Lindemann Young Artist Development Program, and baritone Joseph Lim, a winner of the Met’s National Council Auditions. They will be accompanied by Met pianist Dimitri Dover. Their concerts will take place on Thursday, June 13 at 7 p.m. in Jackie Robinson Park (Manhattan); Saturday, June 15 at 4 p.m. in Williamsbridge Oval (Bronx); Monday, June 17 at 7 p.m. in Socrates Sculpture Park (Queens); and Wednesday, June 19 at 7 p.m. in Clove Lakes Park (Staten Island).

The Met’s Summer Recital Series will feature arias and duets, as well as Broadway standards and other classical favorites.

The Met’s Summer Recital Series is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, and in collaboration with the Department of Parks and Recreation. Major funding has also been provided by The Elizabeth B. McGraw Foundation, in honor of Mrs. McGraw.

No tickets are required for any of the performances. There are no rain dates for any of the park recitals. For more information visit metopera.org/season/summer-2019/recitals/

New York Philharmonic Concerts in the Parks

New York Philharmonic performing in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, have become an iconic New York summer experience since they began in 1965, transforming parks throughout the city into a patchwork of picnickers and providing music lovers with an opportunity to hear the best classical music under the stars. 

The concerts will take place Tuesday June 11 in Van Cortlandt Park, Bronx; Wednesday, June 12 in Central Park, Manhattan, Thursday, June 13 in Cunningham Park in Queens, Friday, June 14 in Prospect Park, Brooklyn and Sunday, June 16 in Staten Island.

All performances begin at 8 PM except the Free Indoor Concert in Staten Island, which begins at 4 PM.

The scheduled program includes Rossini, Overture to La Gazza Ladra; Works by Very Young Composers of New York City; and Copland’s Hoe-Down, from Rodeo.

Fireworks at the New York Philharmonic performance in Central Park © Karen Rubin/goingplacesfarandnear.com

There will be fireworks by Volt Live following the performances in the Bronx, Manhattan, Queens, and Brooklyn.

For weather and other updates, call the Concert Information Hotline at 212-875-5709 (https://nyphil.org/parks).

Museum Mile Festival, June 11

Now celebrating its 41st year, the annual Museum Mile Festival takes place rain or shine on Tuesday, June 11, from 6 to 9 pm. Walk the Mile on Fifth Avenue between 82nd Street and 110th Street while visiting some of New York City’s finest cultural institutions, which are open free to the public throughout the evening. Special exhibitions and works from permanent collections are on view inside the museums’ galleries, with live music and art-making workshops on Fifth Avenue at selected museums.

Dancing in the street, outside the Museum of the City of New York, during the Museum Mile Festival © Karen Rubin/goingplacesfarandnear.com

The 23-block stretch of Fifth Avenue is home to seven participating institutions—El Museo del Barrio, the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art, the Cooper Hewitt Smithsonian Design Museum, the Jewish Museum, Neue Galerie and the Museum of the City of New York. In addition to all the art to see inside, there are plenty of outdoor festivities: face painting, chalk drawing, live music and other block-party-type events. (http://museummilefestival.org/)

Jazz Age Lawn Party, Governors Island

Nostalgia doesn’t begin to describe the feeling that permeates Governors Island for the two weekends  (June 15 & 16, August 24 & 25) each summer that thousands of people, many decked out in 1920s regalia, elaborate picnic baskets in hand, disembark from ferries from lower Manhattan and Brooklyn.

Everybody dance! At the Jazz Age Lawn Party on Governors Island, a celebration of prohibition-era Jazz Hot © Karen Rubin/goingplacesfarandnear.com

This, the 14th year of the festival, is especially poignant because it is also the 100th anniversary of Prohibition and all that the counter-culture (women’s rights!) Jazz Age triggered.

It is also one of New York City’s most glamorous and entertaining events of the summer.

Michael Arenella and the Dreamland Orchestra, with a 1920s-era dance performance by The Dreamland Follies, at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

The Jazz Age Lawn Party started in 2005 as a small gathering on NYC’s Governors Island, and has since grown into one of New York City’s most beloved events. This historically sold out event attracts thousands of time travelers each year, who come together to discover the music and zeitgeist of the 1920s. Consistently selected by the New York Times as one of the year’s most memorable events, Jazz Age Lawn Party offers a unique, interactive opportunity to relive one of the most colorful and formative epochs in American history.

Jazz Age Lawn Party on Governors Island, NYC with Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com

The event is held rain or shine; food is available for sale but people love to bring their own  picnics (outside alcohol is prohibited, but there is alcohol, including Prohibition-era inspired cocktails, for sale).

Though enjoying Governor’s Island is free (and there are fascinating historic sites as well as art and cultural and recreational activities on the island, and you can hear the music, admission to the festivities is by ticket (which cost up to $175). Purchase tickets in advance https://www.eventbrite.com/o/jazz-age-lawn-party-18523813336 (no charge for children 12 and under).

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

16th Annual Bethpage Air Show at Jones Beach, Long Island, Honors Spirit of Memorial Day

US Air Force Thunderbirds display their precision flying at Bethpage Air Show, Jones Beach, Long Island, for Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The US Air Force Thunderbirds headlined the 16th Annual Bethpage Air Show at Jones Beach State Park, Long Island, flying the thrilling red, white and blue F-16s. The event over Memorial Day Weekend draws almost 400,000 in the course of three days.

Most thrilling at this year’s Memorial Day weekend Bethpage Air Show at Jones Beach, Long Island, were the number of women doing the most daring feats: US Air Force Thunderbirds pilot Michelle Curran, commanding the “Opposing Solo”; Jessy Panzer, the only civilian woman aerobatic pilot in the country, mimicking the astonishing stunts of Sean D. Tucker, a “living legend” of aerobatics; Golden Knights parachutist Maj. Marissa Chierichella and the Red Bull Air Force sky diving team had Amy Chmelecki.

Michelle Curran, flying the #6 Opposing Solo for the US Air Force Thunderbirds, has some of the most thrilling moments in the Bethpage Air Show, where the two F-16s come at each other at a combined speed of 1000 mph © Karen Rubin/goingplacesfarandnear.com

This was the 16th annual Jones Beach air show – I’ve seen almost all of them – and though many of the performances repeat year after year, or follow a two-year cycle, this show was particularly exciting with the infusion of new energy.

The headliners, the US Air Force Thunderbirds, are a team of six F-16 Fighting Falcons that roar through the skies, to demonstrate the power and dexterity of these fighting crafts. Most thrilling is when the two opposing solos race at each other at combined speed of 1000 mph.

US Air Force Thunderbirds display their precision flying at Bethpage Air Show, Jones Beach, Long Island, for Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com
US Air Force Thunderbirds (c) Karen Rubin/goingplacesfarandnear.com

We were treated to the final appearance of Sean D. Tucker’s specially-engineered plane that enables him to do feats never before imagined, the Oracle Challenger 3, will be donated to the Smithsonian’s National Air & Space Museum in Washington, where it will be part of a new Thomas W. Haas We All Fly gallery, opening in 2021.

Sean D. Tucker flying his Oracle Challenger 3 at the Bethpage Air Show, Jones Beach © Karen Rubin/goingplacesfarandnear.com

This year, for the first time, Tucker flew in tandem with Jessy Panzer, the only female civilian air show pilot in the USA. Together, Team Oracle performed the most exquisite, thrilling pas de deux in flight, with incredible precision at 200 miles mph, at bone-crushing G-forces, with Panzer magnificently following the smoke trails of Tucker. Her skill is all the more apparent since she is flying a different plane from the Oracle Challenger 3 biplane. And the back-story – that each were afraid of flying initially, he because his father was an aviation lawyer who knew all too well the risks, and she because her father died in an airplane crash.

Sean D. Tucker and Jessy Panzer, Team Oracle at the Bethpage Air Show, Jones Beach © Karen Rubin/goingplacesfarandnear.com
Team Oracle (c) Karen Rubin/goingplacesfarandnear.com
Team Oracle (c) Karen Rubin/goingplacesfarandnear.com
Team Oracle (c) Karen Rubin/goingplacesfarandnear.com

GEICO Skytypers, a team of advanced training aircraft used in World War II, are fascinating because they demonstrate actual fighting techniques – an implosion run where they evade the enemy by actually flying into each other to create confusion, missing each other by mere feet; opposing craft which come at each other at incredible speed.

GEICO Skytypers re-create aerial battle strategies in their WWII-era training planes © Karen Rubin/goingplacesfarandnear.com
GEICO Skytypers (c) Karen Rubin/goingplacesfarandnear.com
GEICO Skytypers (c) Karen Rubin/goingplacesfarandnear.com
GEICO Skytypers (c) Karen Rubin/goingplacesfarandnear.com
GEICO Skytypers at Bethpage Air Show, Jones Beach (c) Karen Rubin/goingplacesfarandnear.com

The airshow traditionally kicks off with a ceremonial parachute drop by a representative of the US Army Parachute Team, the Golden Knights, delivering the American flag to a tiny target on Jones Beach. The whole team then returns for a demonstration performance. They barrel out of their plane from an altitude of 12,500 ft, at a speed of 120 mph before pulling the cord to release their parachute; in one demonstration we see what happens when a chute fails at just 5,000 ft. (they have a spare chute). We learn that the parachutes they use, use the same aeronautical techniques as the original Wright Brothers plane in 1903.

US Army Golden Knights parachute team at Bethpage Air Show, Jones Beach, Long Island (c) Karen Rubin/goingplacesfarandnear.com
US Army Golden Knights parachute team (c) Karen Rubin/goingplacesfarandnear.com
US Army Golden Knights hurtle through space from more than 2 miles up before they open their parachutes © Karen Rubin/goingplacesfarandnear.com
US Army Golden Knights (c) Karen Rubin/goingplacesfarandnear.com

Red Bull Air Force launch out of a plane from 13,000 feet, speeding like a cannon ball at almost 200 mph, crossing in flight, before releasing the parachute, and sailing down at 60 mph to the target. The helicopter is the only aerobatic helicopter in the US.

Red Bull Air Force sky diving team (c) Karen Rubin/goingplacesfarandnear.com

The F-18 Super Hornet, traveling at 700 mph, nearly breaking the sound barrier, where the pilot experiences bone-crushing Gs. The fighter is flown by the United States Navy and Marines

F 18 Super Hornet flies at the Bethpage Air Show just below speed that would break the sound barrier© Karen Rubin/goingplacesfarandnear.com
F-18 Super Hornet (c) Karen Rubin/goingplacesfarandnear.com
F 18 Super Hornet flies at the Bethpage Air Show just below speed that would break the sound barrier© Karen Rubin/goingplacesfarandnear.com

Matt Chapman, flying for Embry Riddle, performs maneuvers in which he experiences as much as 9 positive Gs and 6 negative Gs.

Matt Chapman (c) Karen Rubin/goingplacesfarandnear.com
Matt Chapman (c) Karen Rubin/goingplacesfarandnear.com
Matt Chapman thrills audience at the Bethpage Air Show on Jones Beach, Long Island © Karen Rubin/goingplacesfarandnear.com

John Klatt Airshows and Jack Link’s Beef Jerky teamed up to create a one-of-a-kind plane, the Screamin’ Sasquatch, powered by dual powerplants: a Pratt & Whitney 985 Radial Engine and a General Electric CJ610 (J85) Jet Engine with 3,000 lbs of thrust. This system allows the plane to achieve feats other stunt planes are unable to do. During his performance, Ret. USAF Lt Colonel John Klatt experiences forces of plus and minus 4Gs, which means a 200 lb. man would weigh 800 lbs. He travels at 250 mph. Considering the ridiculous aerobatics Klatt performs in the plane, it is astonishing to learn that the plane is a Taperwing Waco made famous by the barnstormers of the 1920s and 1930s, and is based on a 1929 Waco, modified and “beefed up” big time.

Screamin’ Sasquatch© Karen Rubin/goingplacesfarandnear.com

David Windmiller, Long Island’s hometown hero (from Melville), thrills spectators in his Zivko Edge 540 aircraft, built especially for aerobatics, with seemingly impossible feats at speeds of up to 220 mph that keep his peers and his fans in awe. Windmiller has been flying since 14 year old, soloed at 16 year old and started aerobatic flying before he got his license and has accumulated 18,000 flight hours, including 8,000 doing aerobatics. He performs snap rolls, inverted flat spin (where the plane falls from the sky), 4 knife edge tumblers, inside-outside octogan loop.

Long Island native David Windmiller, professional stunt pilot who has a school to teach aerobatics, performs at Bethpage Air Show on Jones Beach © Karen Rubin/goingplacesfarandnear.com
David Windmiller (c) Karen Rubin/goingplacesfarandnear.com
David Windmiller (c) Karen Rubin/goingplacesfarandnear.com

US Coast Guard demonstrated a rescue by helicopter into churning seas – on a typical day, the Coast Guard, with fewer members than can fit in Yankee Stadium, save 15 lives, patrol some 96,000 miles of coastline through the US, as well as South China Seas, Pacific, Persian Gulf and wherever the US has forces.The air show also pays homage to aviation’s heritage.

US Coast Guard (c) Karen Rubin/goingplacesfarandnear.com

The Bayport Aerodrome Society, formed in 1972 ands composed of aviation professionals, recreational pilots, and people interested in preserving aviation history, flies aircraft from the 1920s. ​As a “living museum” they have a variety of antique aircraft flying on the field including Bi-Planes, Champs, and Cubs. One of their pilots, is 92-year old pilot who served in World War II, who flew with his grandson.

Historic aircraft from flown by the Bayport Aerodrome Society © Karen Rubin/goingplacesfarandnear.com
Historic aircraft from flown by the Bayport Aerodrome Society © Karen Rubin/goingplacesfarandnear.com
The vintage B-25 Mitchell Bomber used in the “Catch 22” series on Hulu © Karen Rubin/goingplacesfarandnear.com (c) Karen Rubin/goingplacesfarandnear.com
World War II vintage aircraft from the American Air Power Museum mark Memorial Day at the Bethpage Air Show, Jones Beach, Long Island © Karen Rubin/goingplacesfarandnear.com

World War II vintage aircraft from the American Air Power Museum, at Republic Airport (flights available over Memorial Day weekend) were flown, including the B-25 Mitchell Bomber used in the “Catch 22” series on Hulu.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Dr. Ruth Westheimer, Famous ‘Goddess of Good Sex,’ Talks Frankly About Surviving Holocaust at Gold Coast Arts Center Screening of ‘Ask Dr. Ruth’

Dr. Ruth Westheimer answers questions from the audience at a screening of the documentary about her life, “Ask Dr. Ruth,” at the Gold Coast Arts Center, Great Neck, Long Island © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Dr. Ruth Westheimer, the famous sex therapist, claims to have a rule against commenting on politics “someone who talks about sex as much as I do can’t tackle politics.” And yet, positions on sexual freedom, AIDs, abortion rights and reproductive freedom, and more recently, drawing upon painful memories as a Holocaust survivor, on the rise of anti-Semitism and how migrant children are being snatched from their families at the southern border.

She claims not to be a feminist, but when her granddaughter prods her on her views on abortion, on equal pay, on whether men and women should be equal in their relationship, and insists she is the text-book definition of a feminist, Dr. Ruth relents and says she is a feminist supporter, not a radical (she doesn’t hold with burning bras).

She also stood stalwartly for same-sex relationships and was an early advocate for research into prevention and cure of AIDs. She has consistently championed a philosophy of respect for individuals, that there is no such thing as “normal,” but that two consenting adults should do what brings both joy and satisfaction.

She claims to have a rule against commenting on politics “someone who talks about sex as much as I do can’t tackle politics.” And yet, positions on sexual freedom, AIDs, abortion and now, anti-Semitism, invariably bring her into that realm.

She has come to the Gold Coast Arts Center in Great Neck, Long Island, on May 8, for the screening of a documentary about her life, “Ask Dr. Ruth.” The connection to these issues is Michael Glickman, a former president of the Arts Center and  President & CEO,  the Museum of Jewish Heritage (New York’s Holocaust Museum), where Dr. Ruth is also a trustee, and presently has an important exhibit, “Auschwitz: Not long ago. Not far away” which opened May 8.

Michael Glickman, president and CEO of the Museum of Jewish Heritage, chats with Dr. Ruth Westheimer at the Great Neck screening of the documentary “Ask Dr. Ruth.” © Karen Rubin/goingplacesfarandnear.com

The documentary of her life focuses considerable attention on the Holocaust and how it shaped her life – beginning as a 10 year old, packed up on a train with other Orthodox Jewish children to Switzerland, forced to leave her mother and grandmother at a train station in Frankfurt (her father had already been taken by Nazis to a labor camp). She never saw her family again, but describes how she felt in those years living at an orphanage.

Her son and daughter say how she never really discussed her experience in the Holocaust nor fully mourned the loss of her family, but we see – through old photos and animation and diary entries – what she experienced. And it was only relatively recently that she brought herself to Yad VaShem in Israel to search the database to find out what happened to her parents. In the movie, she realizes that something is wrong when letters stop coming from her parents, and after years go by, she accepts that she is an orphan. She learns that her father was murdered in 1942 in Auschwitz, and her mother was simply “disappeared.”

But what we see throughout is an unbelievably positive, optimistic personality who was able to get the other children on that train to sing away their fear.

Dr. Ruth, as she delights in being known (the first tv/radio host to be known just by the first name), is turning 91 years old now, and on her 90th birthday, she reflected how 80 years before, she was on that train bravely waving goodbye to her family (her parents gave her life twice – the second time when they sent her away); 70 years before, she nearly lost her legs when a bomb went off in Israel, where she was a sniper in the Haganah.

While in the orphanage in Switzerland, the girls were being trained to become housemaids and weren’t allowed to attend high school, but her father always prized education. Her first boyfriend would sneak into her room at night with his textbooks, and hide under her bed while she read that day’s lessons.

After the war, she emigrated to Israel (Palestine) with some friends, changing her name from Karola, which sounded too German, to her middle name, Ruth (and hoping that her family, if they were still alive, could find her).

She’s been married three times – the first time to a very good-looking Israeli soldier; who took her to Paris with him when he attended medical school, affording the opportunity for her to study psychology at the Sorbonne; they divorced when he decided not to become a doctor and to return to Israel and she stayed to finish her studies.

In 1956, with $1,500 in restitution from the West German government, she and her boyfriend sailed to New York, traveling fourth class on the Liberty but sneaking up to first class in order to be able to view the Statue of Liberty as the ship came into New York harbor. They married after she got pregnant, but the marriage didn’t last.

She was a single parent and a working mother when that was still a rarity and an oddity. “We were very poor. There were no other single mothers…“I was on the forefront.” (One of my favorite parts of the movie was the clip of her talking with Gloria Steinem.)

She worked for Planned Parenthood in Harlem, where she found herself participating in frank discussions about sex.  By 1967, she was project director. She worked towards her doctorate in family and sex counseling at Columbia University, working with Helen Singer Kaplan, a pioneer in the field of sex therapy.

On a ski trip in the Catskills, she met the love of her life, Fred Westheimer who was the head of the Jewish Ski Club, 35 years old, an engineer and never married. From the first time she saw him, she was determined they would marry. They were married for more than 40 years before he died, in 1997, after a heart attack.

Dr. Ruth displays the sense of humor and optimistic outlook that no doubt helped her get through the tragedies in her life © Karen Rubin/goingplacesfarandnear.com

Dr. Ruth, a 4 foot 7 inch tall woman famous for saying “Size doesn’t matter,” got her doctorate at the age of 42 and set up practice as a sex therapist.

A lecture she delivered in 1980 came to the attention of Betty Elam, community affairs manager of the New York radio station WYNY-FM, who offered Ruth $25 a week to make Sexually Speaking, a 15-minute show every Sunday that would air shortly after midnight. The show became a hit, expanding to two-hours, and by 1984 was nationally syndicated.

Her influence as the “Goddess of Good Sex,” as one called her, expanded with a syndicated newspaper column, television shows, appearances in movies and even commercials and a website.

She continues to live in the same Washington Heights apartment she has lived in for more than 54 years, saying that she feels comfortable among other immigrants.

The movie is expertly done – telling the story of a life that is even more dramatic and worthy of a movie than most people, who knew of Dr. Ruth only as someone breaking down barriers of frank talk about sex, realized. Who knew she was a sniper with the Haganah in the early days of Israel, who was caught in a bomb blast and almost lost her legs? Who knew she was married three times (the first two were legalized love affairs, she jokes, the third was the real thing). And who knew of the tragedy she suffered as a Holocaust survivor.

Dr. Ruth Westheimer at a screening of the documentary about her life, “Ask Dr. Ruth,” at the Gold Coast Arts Center, Great Neck, Long Island © Karen Rubin/goingplacesfarandnear.com

She expresses her absolute surprise (and delight) in becoming a radio, then TV host (“I’m not tall, blonde, gorgeous”), but notes that being an older, mature woman (grandmotherly), she was able to get away with talking explicitly about sex, using such words as vagina, clitoris, masturbation. The fact that the Sexual Revolution (the Pill is 50 years old) was underway, with women beginning to demand their rights and identity, also was a factor. Still, as the film notes, there were censors standing by, protests, even a man who came up on stage where she was speaking to make a citizen’s arrest.

In the film, she revisits people from her childhood – her first boyfriend when she was 13 from the orphanage in Switzerland where she was sent by her mother to escape the Nazis (“My parents gave me life twice, the first time giving birth, the second time sending me away so I could live”); her childhood friend who lives in Israel; her earliest radio producers.

It shows her dogged determination to get an education – something her father, who owned a notions shop, valued so highly. She earned her Masters, then her PhD.

Media regulations at the time required radio stations to do community-oriented broadcasting and a producer appreciated how different Dr. Ruth would be, so put her show, pre-taped on a Thursday, on Sunday at midnight. Her show became more popular than most of the morning drive shows and they put her on live. She notes that she never previewed what questions the callers would be asking, so she could respond spontaneously (on the other hand, on TV, the people posing the questions were actors, though she still did not know what issues they would raise).

Dr. Ruth Westheimer at a screening of the documentary about her life, “Ask Dr. Ruth,” at the Gold Coast Arts Center, Great Neck, Long Island © Karen Rubin/goingplacesfarandnear.com

When asked her greatest experience, she replies “My 4 grandchildren… You know, Hitler is dead and I and my grandchildren are alive.”

Asked about her reaction to the movie, she said she had trepidation about the device of using animation to show her early life, but the two Israelis who did the animation “did it brilliantly.”

She reflected on the scene they re-created at the railroad station in 1938, when she was 10 and being sent away by her mother and grandmother. “You know, there were all the other mothers and grandmothers – the fathers had been taken – but they did something brilliant [in suggesting there were only a few on the platform]: you could feel the loneliness of a mother and grandmother saying goodbye, not knowing what would happen, but sending their only child to safety. When I saw this – and I didn’t see it before it was done – I was very happy with the film.”

She jokes, “I promise good sex for anybody who gives this film an [Oscar] nomination.”

She acknowledges that she had not spoken much in the past about being a Holocaust survivor, but that the new exhibit at the Museum of Jewish Heritage, “Auschwitz: Not Long Ago, Not Far Away,” has brought that aspect of her life out. “My work has been about how to educate, to make sure it doesn’t happen again.”

 “You have to go twice to the exhibit,” she says. “The first time you will be very upset. Go again to learn something about the history of Nazis coming to power.

“In the front [of the museum] is a cattle car –it is upsetting because I know parents, other grandparents- all of them went on a car like that – very upsetting – that makes me feel like I felt January 5 1939. On the other hand, you have to stand up to be counted, especially these days.

“As you have heard, I don’t do politics, but these days, I have to talk about anti-Semitism, to stand up and say all of us have to fight so this will not happen again.”

Also, “as you have seen in the film clearly, to stand up that abortion must remain legal and family planning needs funding.”

Though she does not “do politics,” she won an Oxford debate defending abortion and family planning. “I’m going again –I probably will be the oldest at age 91.” This time she will be debating pornography.

Dr. Ruth Westheimer at a screening of the documentary about her life, “Ask Dr. Ruth,” at the Gold Coast Arts Center, Great Neck, Long Island with Joseph Gil, GCAC VP Fundraising, Regina Gil, Founder & Executive Director, Michael Glickman, past president and President and CEO of the Museum of Jewish Heritage © Karen Rubin/goingplacesfarandnear.com

Asked about her opinion of dating apps like Tinder, Dr. Ruth says, “I did not plant that question – but this summer, I have a book coming which warns about apps. It’s not that you shouldn’t use, but you have to use your brains not to meet in a secluded place – to meet in hotel lobby, movie, some place safe.

“Another thing that worries me – in my new book, is that the art of conversation is being lost. Everyone is looking at their phone as if world will crumble if not constantly looking. It’s difficult to have conversation. But the best sexual relationship is also when you have a good relationship.”

In another book that Dr. Ruth is coming out with this year, “Crocodile You’re Beautiful,” she says, “I am telling a little ant to be happy to be an ant – because if you cooperate, you can build bridges.”

Asked if she has been back to Frankfurt, where she was born, she says she goes each year to the Frankfurt book fair, and “every year I am back with a new contract. I also taught a seminar at Heidelberg. I have no problems with people my age or younger – it’s older people I didn’t want to know – like Fiddler. On the other hand, the Adenauer from Germany was instrumental in getting money to Israel when it was just being born. And even today, I go to Israel every year and even today there are young Germans who go for the summer or year to volunteer in old age homes. I appreciate that.”

But, she adds, saying, “Thank you for question – I never came near to that railroad station –it’s too painful – so whenever I had to go some place, I went around not to go to railroad station where I saw my mother and grandmother for the last time.”

She says that for her Masters degree, she did a longitudinal study of 50 children “who came with me to orphanage in Switzerland. I found them all, I went to archives in Switzerland and was in touch with many. They all made it – none of them committed suicide, none became drug addicts or alcoholics. The reason is the early socialization –their  early years of childhood. I was 10 ½ – the youngest was 6  – so the early socialization, all had in loving home with parents. That helped them all to overcome becoming orphans. They should do more studies about early socialization, how important early childhood years are.”

She adds, “I do say I am not involved in politics, except these days I have changed my mind – I am very upset when I see children being separated.”

She closes by urging people to visit the “Auschwitz” exhibit at the Museum for Jewish Heritage. “it’s the most remarkable Holocaust exhibition in this country.”

The groundbreaking exhibition, on view through January 3, 2020, brings together more than 700 original objects and 400 photographs from over 20 institutions and museums around the world.  “Auschwitz. Not long ago. Not far away” is the most comprehensive exhibition dedicated to the history of Auschwitz – a complex of 48 concentration and extermination camps where 1 million Jews and tens of thousands of others were murdered – and its role in the Holocaust ever presented in North America, and an unparalleled opportunity to confront the singular face of human evil—one that arose not long ago and not far away. (Edmond J. Safra Plaza, 36 Battery Place, New York, NY 10280 https://mjhnyc.org/discover-the-exhibition/about-the-exhibition/)

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Parade through Chinatown, NYC Welcomes in Year of Pig, Showcases Chinese Heritage

20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate,  goingplacesfarandnear.com

Dragons and dancers paraded through New York City’s Chinatown on Sunday, February 17 to usher in the Year of the Pig in the city with the largest population of Chinese descent outside Asia.

US Senator Charles Schumer at 20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/ goingplacesfarandnear.com

The parade is a colorful pan-Asian procession that incorporates the great variety of Chinese traditions – with a smattering of Brazilian drummers, Hispanic dancers, and Irish bagpipers. Tens of thousands lined the parade route as it wound from Hester Street, Mott, Broadway, and Forsyth to Sara D. Roosevelt Park, with US Senator Charles Schumer and NYC Mayor Bill DiBlasio among other elected officials, along with leaders from the Chinese community, leading the way.

US Senator Charles Schumer at 20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com

In his remarks to the gathering before the parade got underway, Senator Schumer applauded the contributions of “immigrants from all over who made America great.”  

NYC Mayor Bill DiBlasio and other officials at 20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com

With a population estimated between 70,000 and 150,000, Chinatown has been a favored home for Chinese immigrants. Indeed, Lower Manhattan has long been a haven for immigrant communities, from Jews in neighboring Lower East Side (the Tenement Museum), and Italians in Little Italy, and today, Dominicans, Puerto Ricans, Burmese, Vietnamese, and Filipinos among others add to the multicultural mosaic.

NYC Mayor Bill DiBlasio at 20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/ goingplacesfarandnear.com

The Lunar New Year is cherished as a time to embrace family and heritage.

“Lunar New Year is the liveliest and most important celebration in Chinese culture and Chinatown is the place to experience it!”

Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019

And the parade is an expression of celebration for Chinese heritage in America – as evidenced by the sheer variety of costumes and traditions on display.

Here are highlights:

Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019
Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019
Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019
Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019
Celebration of Chinese Lunar New Year Parade, Chinatown, NYC 2019
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com
20th Annual Lunar New Year Parade, Chinatown, New York City © 2019 Karen Rubin/goingplacesfarandnear.com

The Museum of China in the Americas (MOCA) offers a walking tour that takes visitors through Chinatown to learn about holiday traditions and customs observed by Chinese households. Witness how the neighborhood transforms itself in preparation for the New Year and discover the characteristics that make this holiday unique.”

Tours are conducted in English and are led by MoCA docents with personal or family roots in the neighborhood. In case of inclement weather, tours will be held in the galleries. Advance reservations are required. For information and reservations call 212-619-4785 or purchase tickets online, www.mocanyc.org. (Museum of Chinese in America, 215 Centre Street New York, NY 10013, 855-955-MOCA).

For more information, visit www.chinatown-online.com.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Candlelight Evening in Old Bethpage Village Restoration Warms the Heart, Soothes the Soul

Carolers sing holiday favorites at the bonfire in the middle of Old Bethpage Village © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Music abounds throughout Old Bethpage Village Restoration, the evening warmed by the orange-red glow of candlelight, fireplace embers, a bonfire.   The annual Candlelight Evenings at Old Bethpage Restoration, a living history museum on Long Island, is one of my favorite holiday events.

The most wonderful thing about the candlelight evenings at Old Bethpage Village Restoration on Long Island, is yes, the sense of stepping back into time, into an idyllic peacefulness that makes you feel as if you have just fallen into a Christmas card. But what I love best are the serendipitous moments when you engage the reenactors in conversation- the questions that arise just because you are immersed in that experience.

Each year, I add to the stories, my understanding of history and our community’s heritage.

Just leaving the visitors center is an experience. Just before you exit the center, inside, a group of Santas in modern dress are singing but as you walk down the ramp into the darkness, leaving pavement and electric lights behind, carolers are singing in a shadow. I meet up with them again in the village.

The village is actually a created place, assembled from historic homes from across Nassau County (it was Queens County when they were built), except for the Powell Farm, which is the only original homestead here and dates from 1855. Many of the homes were built by people whose names are well known to Long Islanders: Hewlett, Searing, Schenck, Cooper (built in 1815 for the famous inventor, Peter Cooper, in Hempstead). Most were built in the 1800s, but the Schenck House, the oldest, was built around 1765 for a Dutch landowner, Minne Schenck, who had 300 acres in Manhasset (manpower was provided by African slaves and servants).

Walking along the pebbled path, lighted only with flames, I come upon a brass band outside the Conklin House, built in 1853 by Joseph H. Conklin, a bayman, in the Village of the Branch.

Santa is making lists and checking twice, here in his workshop at the Layton House and General Store  during Candlelight Evening at Old Bethpage Village Restoration © Karen Rubin/goingplacesfarandnear.com

The centerpiece of the Village is the Layton General Store and House, built by John M. Layton, a storekeeper, around 1866 in East Norwich. Though the house seems very fine – with large rooms and tall ceilings, I am told that he was middle class. Here, in the parlor, I meet Santa Claus who seems to be making out his list and checking it twice. In the next room is the Layton General Store – the Walmart of its day – where you can purchase candy and dolls that are made by one of the interpreters.

Max Rowland plays banjo at the Noon Inn © Karen Rubin/goingplacesfarandnear.com

The next important house is the Noon Inn is appropriately just across from the general store, where when you climb the stairs, you find Max L. Rowland regaling an audience with his banjo, reconstructed to its period of the early 19th century (no frets, gut strings, deeper tone), and a concertina. If you ask, he will tell you about the instruments: in the mid-1800s, the concertina was the most popular instrument around – because it was relatively inexpensive (costing less than a violin), and compact, easy to carry and capable of such rich sound and complexity.  It was extremely popular with sailors, who could tuck it away in their gear. Rowland can testify to it: this particular concertina has crossed the sea three times with Rowland, who lives on a boat.

Carolers at the Noon Inn © Karen Rubin/goingplacesfarandnear.com

Downstairs at the Noon Inn, which dates from 1850 and was owned John H. Noon, innkeeper, in East Meadow, you can get hot mulled cider and cookies, while outside, there are carolers singing beneath a lamplight. I catch up with them again later singing at the bonfire. It is magical.

At Queens District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional fiddle music, played on a period instrument, a 150-year old violin that had been made in Prague, that has no chin rest or frets. We learn about the Manhasset School house – children attended the one-room school house six days a week – attendance wasn’t compulsory and kids came sporadically. Music would have been widespread but there were no real professional musicians in Long Island. The school house would have been the venue for music, entertainment (like the Magic Lantern shows, the movies of their day), and various gatherings in the evening. He tells me that all of Nassau County used to be part of Queens County, until the residents wanted to separate from New York City. One of the songs he plays is the Fireman’s Quick Step, written in 1822 by Francis Frank Johnson, an African American composer, for the Philadelphia Fireman’s Cotillion fundraiser.

At Queens District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional music played on a 150-year old violin, such as the Fireman’s Quickstep, written in 1822 by Francis Frank Johnson, an African American composer, for the Philadelphia Fireman’s Cotillion fundraiser  © Karen Rubin/goingplacesfarandnear.com

Music was so important to the people of the mid-19th century, the period which Old Bethpage reconstructs. When you think about it, people could only appreciate music live, in the moment.

At the Hewlett House, a grand home high on the hill, built by the founder for which the town of Hewlett is named, a fellow plays a series of flutes and a violin, while popcorn is popping in the kitchen fireplace in the next room (samples provided).

Traditional music and popcorn at the Hewlett House © Karen Rubin/goingplacesfarandnear.com

At the beautiful Manetto Hill Church, 1857, a Methodist church that originally was located in Plainview, there is singing and storytelling – the origin of holly (representing male), ivy (representing female), so the two entwined are a symbol of marriage; mistletoe (which, rather than a romantic prompt for kissing, was used to make peace between quarreling individuals) and poinsettias. We sing carols and learn that “Jingle Bells” was written by a Sunday School teacher for a Thanksgiving  pageant(New Englanders didn’t celebrate Christmas), and Silent Night was a poem written in Oberndorf bei Salzburg, Austria by  Father Joseph Mohr in 1818 (his organist Franz Xaver Gruber wrote the music), desperate for Christmas music when the church organ broke.

Singing holiday songs, learning about holiday traditions at the Manetto Hill Church © Karen Rubin/goingplacesfarandnear.com

At the Luyster Store, which dates from c. 1840 and was built by John B. Luyster, a storekeeper in East Norwich, you see the rare craft of broom making (and can purchase the brooms that are made here). Tim works on a machine from 1840 which was in the museum’s collection, and you can see how much physical effort goes into it. He says he and his brother, Chris, are two of only three broommakers left on Long Island (the third is their mentor). He explains that a home would have had 2 brooms per room, or 18-20 per household, so not to transfer dirt from one room to the next. Brooms were actually expensive: an ordinary broom might have cost 24 cents – but that was equivalent to half-day’s wages in the 1840s, when the Great Recession was worse than even the Great Depression and the average man took home 48 cents a day; that means a broom would cost about $50 today (so his price of $20 for a fancy broom decorated for the holidays with fancy ribbons, holly and weaving, is a bargain).

Tim, the Broommaker at Luyster Store, one of only three broommakers left on Long Island, who demonstrate the craft © Karen Rubin/goingplacesfarandnear.com

This was an enterprise that farmers would do in winter to make extra money, and they would allocate an acre of land to cultivate the special wheat sorghum (called “corn” but not corn) for that purpose. A father would teach his child the craft. An interesting artifact in the store is the massive safe. The building itself was once a hardware store that was the only one within 10 miles of Theodore Roosevelt’s Sagamore Hill, so it may well be that Roosevelt would have stopped by. There is also an interesting Harrison for Reform banner, referring to William Henry Harrison, the shortest-lived president (he died of pneumonia after one month in office).

Traditional holiday music at Benjamin House © Karen Rubin/goingplacesfarandnear.com

The Benjamin House, dating from 1829, was built for William Benjamin, a minister and farmer in Northville, where there a husband and wife play holiday melodies that would have been popular at the time on a gigantic bass fiddle (it seems to fill the room) and a violin, like “Deck the Halls,” which was a Welsh melody dating back to the 1600s. We discuss Christmas traditions of the time (gift-giving wasn’t yet a tradition, but Queen Victoria had popularized table-top Christmas trees as a loving gesture to Prince Albert).

I stop into the Conklin House, a house that dates from 1853 and was built by Joseph H. Conklin, a bayman in the village of Branch. Last year, there was a demonstration of spinning being done in front of the fireplace, but this year, two ladies relax over a cup of tea after demonstrating how they bake ginger snaps.

Ladies relax over a cup of tea after a busy evening baking © Karen Rubin/goingplacesfarandnear.com

The tiny Searing House (this is the first time that I can remember it being open for Candlelight Evening), was Dr. James Searing’s office, a Hempstead physician, built in 1815 – where the doctor would have prepared his medicines  before going out by buggy to visit patients – and here, we are treated to freshly roasted chestnuts.

I usually save the Schenck House for last because each year, because it is here that I come upon the most unexpected encounters and find it the most illuminating. Instead of interpreting the holiday traditions of the mid 1800s, the Huntington Militia re-create a Colonial Christmas in the 18th century. The Schenck House dates from 1765, owned by a Dutch farmer. Here, our presenters speak in the style of the time, and celebrate Christmas of 1775, just two months after Martin Schenck, who inherited the house from his father,  had been one of the leaders of the committee of Patriots that decided to break from Loyalist Hempstead, and form North Hempstead. I learn that the south shore of Long Island was a occupied by the British from 1776-1783, the entire duration of the Revolutionary War, while the north shore was a stronghold for Patriots, many of them the Dutch families who had no great affinity for the British monarch. The Schencks came to the New World when New Amsterdam was a Dutch colony; the British took it over in 1754.

Schenck House, oldest in Old Bethpage Village, dating from 1765, where the Huntington Militia enacts a Christmas gathering in 1775 © Karen Rubin/goingplacesfarandnear.com

I am swept into its history. I am transfixed talking with “Ambrose Everyman,” a fellow from 1775, an American of English descent really troubled by North Hempstead’s succession from the Town of Hempstead over the issue of rebellion against the King and Crown. His loyalties are clear. He raises the question over how the colonists are made so dissatisfied with the King – and questions the veracity of the crimes and accusations designed to foment rebellion. He notes that since the first Continental Congress, the Massachusetts faction of the Patriots have banned women from going to the tavern, banned theatrical entertainment – in effect, installed the Puritan societal structure on the colonies. And because of the “attack against one of the colonies is an attack against us all,” he questions whether the attacks in Lexington and Concord, portrayed as a British massacre, really happened that way.  “How do we really know?” he tells me (the original “fake news”?).  Mr. Everyman was upset with the upstarts in Massachusetts who caused so much trouble, who dared to pretend to be Indians and toss tea into the sea. He called them cowards for hiding behind their disguise. He said he knew war – had fought in the French and Indian War – but was too old to fight again. If there was a break with England, he says, his business of building and repairing houses, would be destroyed.

Schenck House, oldest in Old Bethpage Village, dating from 1765, where the Huntington Militia enacts a Christmas gathering in 1775 © Karen Rubin/goingplacesfarandnear.com

But, he says, he cannot express his feelings: the local Committee is strictly enforcing its ban on English tea and though it had no force of law, someone who broke faith would be shamed in the Gazetteer as “an Enemy of American Liberty,” would no longer get business, and ultimately be forced out of the community. So he keeps his views to himself. Taxes? What difference does it make to pay taxes to England or taxes to the Congress, he says. And doesn’t England deserve to get repayment for the expense of fighting for the colonies? How would those who would break from England confront the greatest army on earth? Would they get aid from foreign powers like France, when France would want to take over the colonies for itself?

He gives me the sense of what a difficult dilemma this was – the prospect of confronting the most powerful nation the world had never known, the superpower of its time – and how while there had never been consensus (New York patriots fled to Philadelphia), the forcefulness with which the revolutionaries pressed their cause, the violence, a literal civil war within communities.

He goes on to show the group of Candlelight visitors that has gathered how the owner of the House, Martin Schenck, would have celebrated St. Nicholas Day (Dec. 6), when the children put out wooden shoes, filled with a carrot to draw the horse that St. Nicholas rides through the sky on, and leaves them treats – an orange that would have been an expensive treat having been imported from Jamaica, and  skates for the young girl, a pull-toy for the baby.

The Noon Inn, built around 1850 in East Meadow by John H. Noon, innkeeper, is the centerpiece of Old Bethpage Village Restoration © Karen Rubin/goingplacesfarandnear.com

Then, at The Barn on the Long Island Fairgrounds- a reconstruction of the Queens county Agricultural Society Fairgrounds that was built in Mineola, 1866-1884, there is the model train show, crafts fair, contra dancing, a brass ensemble and a delightful performance of “Scrooge’s Dream” (a condensed version of Dickens’ “Christmas Carol”).

This year, the Old Bethpage Candlelight Evenings are only five nights, Dec. 22, 23, 27, 28 and 29, 5-9:30 pm. Old Bethpage Village Restoration, 1303 Round Swamp Road (Exit 48 of the Long Island Expressway), 516-572-8401; Adults/$10, children 5-12/$7 (under 5 are free); and $7 for seniors and volunteer firefighters.

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