Category Archives: New York City travel

‘The Holocaust: What Hate Can Do’ at Museum of Jewish Heritage Holds Lessons, Warning for Today

Seeing the faces, meeting “ordinary people living through extraordinary times,” whose lives, and world were turned upside down, and seeing the same worrying patterns today, is the point of “The Holocaust: What Hate Can D,” the new exhibition at the Museum of Jewish Heritage-A Living Memorial to the Holocaust.  © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The visit to the Museum of Jewish Heritage’s new exhibit, “The Holocaust: What Hate Can Do” kind of bookended for me my recent trip to Europe, where I started in Prague and visited the Jewish Quarter and Shoah Memorial, on through Dresden, Meissen, Wittenberg and Magdeburg t, into Berlin. In Dordrecht, Netherlands, I walked on a sidewalk with metal plaques recalling the names of the Jewish families taken from here, and onward to Amsterdam where I visited its Jewish Quarter, with its Holocaust Memorial and Jewish Museum (couldn’t get into the Anne Frank house though because tickets book up well in advance.)..

In this exhibit, I see the faces and personal effects of people who would have come from these places – a shaving brush that belonged to Yaacov Mordechai Satt in the Lodz ghetto has a hollowed out handle as a hiding place for a gold chain given to him by his mother; a piece of soap given to Esther Tikotzki to wash with after she was deported to Theresienstadt (Terezin), just outside Prague; a wooden ornament made by a pharmacist, later murdered at Auschwitz, given to Erika Jolinkova who was deported from Prague with her school friend Gertrude Jojtasova to Theresienstadt (Terezin).

A shaving brush that belonged to Yaacov Mordechai Satt in the Lodz ghetto has a hollowed out handle as a hiding place for a gold chain given to him by his mother © Karen Rubin/goingplacesfarandnear.com

The Museum of Jewish Heritage is devoted to keeping alive the lessons of the Holocaust, which are resonating with all the more volume and pitch today. Putin’s brutal, torturous invasion of Ukraine. The Christo Fascist Supreme Court ending women’s reproductive freedom, autonomy and self-determination, immediately turning half the population into 3/5 of a person. Deciding cases based on Christian orthodoxy; overturning the Separation of Church and State, from Hobby Lobby to allowing a coach to proselytize to players. Marginalizing gays, criminalizing speech, banning books, an attempted violent overthrow of a democratically elected government. A record number of antisemitic hate crimes, as political terror, intimidation and violence take hold in mainstream political life.

What you realize as you go through the first floor of the exhibit is how the cancer takes hold – starting slow and steadily but the coup de gras coming even overnight. Women in the United States can now see this exhibit with different eyes, having gone to sleep believing they had freedom and equality and waking up second-class citizens, lacking bodily autonomy, self-determination and in some places, having their movements tracked and their ability to travel curtailed.

And implicit is the question of the choices and decisions that are made. “Who could have imagined?” can no longer be an excuse for standing by.

“Sadly, the exhibit has taken on new urgency: resistance, immigration, invasion taken on new meaning,” says Michael Berenbaum, consulting curator. “Solidarity in the wake of evil takes on new meaning. We thought this was ancient history. We little imagined how vital the message is in this day, in our time.

“Sadly, the exhibit has taken on new urgency: resistance, immigration, invasion taken on new meaning,” says Michael Berenbaum, consulting curator. “Solidarity in the wake of evil takes on new meaning. We thought this was ancient history. We little imagined how vital the message is in this day, in our time. Events that gave rise to Holocaust are thought to only be in the past, but echoes in our world.” © Karen Rubin/goingplacesfarandnear.com

 “Events that gave rise to Holocaust are thought to only be in the past, but echoes in our world. This reminds people…They understand more clearly what it means to fight for honor, to resist. They understand when seeing people fleeing for life, they need to be welcomed. If this causes people to think twice, to reflect, to imagine what you can do to make a better world, then we have succeeded,” Berenbaum says during a press preview.

This major new exhibition at the Museum of Jewish Heritage – A Living Memorial to the Holocaust that has just opened, The Holocaust: What Hate Can Do offers an expansive and timely presentation of Holocaust history told through personal stories, objects, photos, and film—many on view for the first time. 

The 12,000-square-foot exhibition features over 750 original objects and survivor testimonies from the Museum’s collection. Together, these objects tell a global story through a local lens, rooted in objects donated by survivors and their families, many of whom settled in New York and nearby places, which is resonating with eerie and frightening relevance today.

In keeping with the Museum’s mission to educate people of all ages and backgrounds on the broad tapestry of Jewish life before, during, and after the Holocaust, the exhibition features countless beginnings, middles, and too many endings that make up the stories of The Holocaust: What Hate Can Do. Each room, and each object, contains generations of experiences and information about who Jews are, what sustains Jewish communities, and what life was like during the period of European modernization, World War I, and the political and social movements that brought about the rise of the Nazi Party. Within the Holocaust experiences of legalized racism and fascism, pogroms, ghettos, mass murder, and concentration camps are instances of personal and global decision-making, escape, resistance, and resilience, and ultimately liberation and new beginnings. 

“The title of our new exhibition speaks to our institution’s very reason for being,” says Museum President & CEO Jack Kliger. “Antisemitism and fascism are again on the rise throughout the world. Right here in New York, we have witnessed not only a surge in antisemitism but an uptick in violence and harassment targeting many marginalized groups. The time to speak out and act is upon us, and it is urgent. We hope The Holocaust: What Hate Can Do will educate and inspire our visitors and honor those who perished in the Holocaust, whose memories are a blessing.”

At the opening of “The Holocaust: What Hate Can Do”at the Museum of Jewish Heritage: Paul Salmons, consulting curator and creative developer; Michael Berenbaum, consulting curator; Bruce Ratner, chairman of the board of the Museum of Jewish Heritage, Toby Levy, Holocaust survivor and member of Speakers Bureau; Jack Kliger, president and CEO of the Museum © Karen Rubin/goingplacesfarandnear.com

Paul Salmons, consulting curator and creative developer of the digital guide that accompanies the exhibit, and is available to all on Bloomberg Connects, raises the question of “what was known, what choices, what decisions, what significance of their action. The Holocaust is not a story of faceless victims or bystanders. It is a profoundly human story. That was our challenge when we created the audio guide. The intensely personal stories behind the artifacts, the documents, the personal  stories of ordinary people living through extraordinary times.”

The exhibit also tells the story of resistance, escape and survival © Karen Rubin/goingplacesfarandnear.com

Indeed, so many of the objects on view are those everyday items –an engagement ring fashioned from a silver spoon given by Eli Rigman to Henny Rosenbaum on August 22, 1943, to mark their engagement while they were imprisoned in the Riga ghetto. She kept it on even after Eli was killed cleaning minefields, even as she was deported to several camps and during forced labor in 1944, her fingers swelled from the cold causing the ring to crack, even so, she kept the engagement ring on”. There is a photo that brings chills, of the happy couple celebrating with their friends, another photo of Henny Rosenbaum from 1937 shows this happy young woman.

An engagement ring fashioned from a silver spoon given by Eli Rigman to Henny Rosenbaum on August 22, 1943, to mark their engagement while they were imprisoned in the Riga ghetto. She kept it on, even after Eliwas killed cleaning minefields, even as she was deported to several camps and during forced labor in 1944, her fingers swelled from the cold causing the ring to crack, even so, she kept the engagement ring on.” © Karen Rubin/goingplacesfarandnear.com

They create a thread for the visitor to follow one family – the bag used to scavenge scarce food in the ghetto, the cooking pot the family used. The wonder is how they were able to trace back these objects to the people, connect with their stories, even photographs.

“We address common myths and misconception that Jews didn’t fight back or resist.” On display is a shirt that one of the freedom fighters wore in the forest – there were 30,000 Jewish partisan fighters in the forests of Eastern Europe. They fought the German occupation and rescued Jews – 1200 Jewish refugees lived in one camp which had its own medical center and school.

“We were unrecognizable as women.” © Karen Rubin/goingplacesfarandnear.com

They fought back and resisted in other ways, as the exhibit shows. Fighting the dehumanization, they fashioned ID bracelet;  a Star of David necklace made by Margit Rosenfeld in Auschwitz using material from the inside of her shoes and brown thread from her garments. “Something of their identity, their past life in a place of utter dehumanization.” They also secretly observed religious service, taught school, some were able to create art, music.

A Star of David necklace made by Margit Rosenfeld in Auschwitz using material from the inside of her shoes and brown thread from her garments. “Something of their identity, their past life in a place of utter dehumanization.” © Karen Rubin/goingplacesfarandnear.com

The films that have been made, the powerful survivors testimony, and the audio notes narrated by … are available to museum goers as well as people who do not personally visit, on Bloomberg Connects app, which can be downloaded for free. The Bloomberg Connects partnership allows access to the museum’s collections and educational resources. “The partnership demonstrates the commitment of the museum to make this vital story accessible.”

Toby Levy, a Holocaust survivor and a member of the museum’s Speakers Bureau, relates, “The year I was born, in Poland (now Ukraine, near Lebov), was the same year Hitler came to power.  Jews lived in this place for 1000 years. Life was OK. My father was a merchant – I don’t remember much. We lived nicely until 1939. In a divided Europe, our part was in Russia. But in 1941, Germany broke the pact. We tried to run, but there was no place to run. We were locked in and out. No help from anywhere, especially in my part of Poland. The first day the Germans walked in, they made it clear who they are and who we are and where we’re going.

Holocaust survivor Toby Levy, a member of Museum of Jewish Heritage Speakers Bureau:“I have my revenge. I am alive, enjoying my life, have Jewish children, grand children, great grand children.” But she warned against “revived anti-Semitism. I’m scared now, not for me – I’m old – but for my children, grandchildren. Everyone must become a witness. Be a witness for me when I’m gone.” © Karen Rubin/goingplacesfarandnear.com
 

“My father realized immediately that none of us will make it, even though my father had been a German soldier in World War I. He realized these weren’t the same Germans, that the Germans were lying. Germans used the language of deception when they said they would relocate Jews. There were 5000 Jews in our town. Some say Jews followed like sheep. But we had no place to go.

“My father approached many people to try to find someone who would hide us. Stephanie Struck said she would. We were a family of four, then my aunt and uncle and their children, grandparent, we became 9 people. Two Ukrainians saved 9.” The family remained in hiding in her barn from 1942-1944.

“In hiding, my father talked had a tallit and whatever money he had; he gave material to Stephanie for food.  We were four children – 4, 6, 8, 12 years old. I was 8. My father tried to teach us not to hate. “Hate will bring you to where you are today. Be kind, be moral, be a good person.”

“I have my revenge,” she says. “I am alive, enjoying my life, have Jewish children, grand children, great grand children.”

But she warned that antisemitism is very much revived. I’m scared now, not for me – I’m old – but for my children, grandchildren. Everyone must become a witness. Be a witness for me when I’m gone. Understand what it is to be antisemitic. That’s how started in Germany – language, media has to understand what anti-Semite is. Colleges are full of it. Our children are not prepared because they take for granted [religious freedom in the United States].”

Indeed, one of America’s great historic figures, a leading capitalist, Henry Ford, was a leading proponent and propagandist for antisemitism. I knew he was an anti-Semite but did not realize that he propagated antisemitism through his newspaper, in which he serialized the Protocols of the elders of Zion.

A Brazilian edition of “Protocols of the Elders of Zion.” © Karen Rubin/goingplacesfarandnear.com

“The Protocols of the Elders of Zion fabricated records detailing secret meetings of Jewish leaders planning world domination – is the most widely circulated antisemitic text of modern times,” the notes that accompany copies say. Plagiarized from a 19th century French book unrelated to the Jews, Protocols (author unknown) it  was first published in Russia at the turn of the 20th century. In 1920 Henry Ford used it as the basis for ‘The International Jew’ article series in his newspaper. In 1938, American priest Father Charles Coughlin serialized The Protocols in new newspaper, ‘Social Justice,’ and  the book played an important role in the Nazis’ antisemitic propaganda campaign. “Some still believe its claims today.” Indeed, the imagery of an international Jewish cabal of financiers and media moguls is being used by MAGA candidates and elected and is so often connected to charges of those who advocate for social justice and economic opportunity as socialists and communists.

So it is understandable why Henry Ford, a pioneering industrialist, would embrace anti-Semitism.

The exhibit notes, “Antisemitism flourished in early 20th century America. The Great Wave of Immigration (1881-1914) brought 2.2 million Eastern European Jews to America, fleeing persecution and seeking opportunity. They were often met with suspicion, and even violence. The 1917 Russian Revolution raised fears of Jewish immigrants being internationalists and Bolsheviks. In 1915, an Atlanta mob hung Leo Frank, accused of murdering a 13-year old girl. During the 1920s, the Ku Klux Klan targeted Blacks, Catholics and Jews. Car manufacturer Henry Ford published the International Jew in his Dearborn Independent newspaper. Based on the Protocols of the Elders of Zion, which described an international Jewish ruling conspiracy, the article series alleged such a conspiracy was infiltrating America. It ran from 1920 to 1924, reaching hundreds of thousands of readers.”

Antisemitic caricature depicting Jews profited from the war, likely World War I. © Karen Rubin/goingplacesfarandnear.com

(Also on view is a letter of apology that Henry Ford was forced to write under a legal settlement after being sued by for by Jewish publisher Herman Bernstein for libel against himself and against the Jews of America. See https://mjhnyc.org/blog/herman-bernsteins-fight-for-truth/).

The letter of apology that Henry Ford was forced to write under a legal settlement after being sued by for by Jewish publisher Herman Bernstein for libel against himself and against the Jews of America is on view.

It is an important exercise to see how antisemitism is cultivated, developed, spread and used as a weapon of power – the theme that dominates the first floor of the exhibit – and then the effect on ordinary people, how their lives are upended, a dominant theme of the second-floor of the exhibit.

There were efforts to sound the alarm in the United States and in the world that were ignored © Karen Rubin/goingplacesfarandnear.com
 

But there is a flip side – the story of resilience, resistance and survival – and ultimately the responsibility of the others – the leaders of other countries, the foundations and organizations, the bystanders. The exhibit concludes with the formation of Israel, the immigration of Jews to America and other places, the Nuremburg trials which were supposed to make Hitler-wannabes think twice.

“America must act now.” An advertisement in the New York Times pleading for help for Jews © Karen Rubin/goingplacesfarandnear.com

I learn for the first time of the Ritchie Boys – German-Jewish refugees, originally considered “enemy aliens” who were recruited to be an advanced intelligence combat unit. Trained at Fort Ritchie, Maryland, they were returned to Europe where they had just escaped, risking their lives to use their linguistic and cultural skills for combat, interrogation and lie detection. They fought in major battles and succeeded in gleaning tactical information from captured German soldiers. After the Allied victory, the Ritchie Boys interrogated thousands of war criminals and civilians. We meet “Ritchie Boy” Fred Neumann who emigrated to the US in the 1930s, enlisted in 1942, and worked as an interrogator and investigated the Ohrdruf and Buchenwald concentration camps.

“Ritchie Boy” Fred Neumann emigrated to the US in the 1930s, enlisted in 1942, and worked as an interrogator and investigated the Ohrdruf and Buchenwald concentration camps. © Karen Rubin/goingplacesfarandnear.com

“Working on The Holocaust: What Hate Can Do has been one of the high points of my professional career,” says co-curator Judith Tydor Baumel-Schwartz, Professor and Director of Holocaust Research in the Department of Jewish History and Contemporary Jewry at Bar-Ilan University in Israel. “As a historian specializing in the Holocaust, I have always taught my students, through stories and documentation, about what happened, and why it happened. Here, for the first time, I can actually show people how it happened and to whom it happened through hundreds of objects and graphics, most from the Museum’s collection, via the stories of the people behind the artifacts, through wall texts and an audio guide, documentary films and survivor testimonies, all put together in a unique and thought-provoking display. The Holocaust may be part of the past, but hatred, and what it can do, are very much part of our present. This path-breaking exhibition serves as a stark reminder of what can happen if that hatred is not stopped in time.”

The exhibition was curated by a team of esteemed Holocaust scholars, historians, and Museum curators that included Professor Baumel-Schwartz, Scott Miller, Ilona Moradof, and Rebecca Frank, and consulting curators Professor Michael Berenbaum and Paul Salmons. The Scholars Advisory Group included Dr. Mehnaz M. Afridi, Dr. Charles L. Chavis, Jr., Rabbi Sholom Friedmann, Atina Grossman, and Paul Wasserman. 

“It is a particular point of pride for our institution that this exhibition gives new life to the Museum’s collection. The hundreds of artifacts, many of them donated by survivors, that visitors will experience were all donated to our institution with extraordinary trust and vision, and we are grateful. Each offers up its own story, and together these artifacts present an irrefutable record of history,” says the Museum’s Chairman of the Board of Trustees, Bruce Ratner. 

The Holocaust: What Hate Can Do is the Museum’s first exhibition to open in its core galleries since its award-winning and widely acclaimed Auschwitz. Not Long ago. Not far away. concluded last spring.

“We are proud and honored to be long-time supporters of The Museum of Jewish Heritage, an eternal memorial to those who perished, but also a beacon of hope: the hope that through learning from history we can avoid repeating the tragedies of the past. We are privileged to support this important new exhibition and the expansion of the Museum’s vital educational mission,” says Lily Safra, Chairwoman of the Edmond J. Safra Foundation, a lead funder of the exhibition.

The Holocaust: What Hate Can Do is an important exhibit, highlighting the impact of unchecked hatred. It is imperative that future generations understand that the Holocaust was not only a state-sponsored murder of the Jews but was, in many cases, also a communal act of complacency. Only through education can we begin to understand the outcomes bigotry and social silence inflicted on the Jewish people during the Holocaust. It is our job to give voice to the 6 million Jews who were murdered in that annihilation and to help future generations avoid the same complacency,” says Gideon Taylor, President of the Conference on Jewish Material Claims Against Germany, a lead funder of the exhibition.

Photos of Child Prisoners at Auschwitz: Auschwitz-Birkenau identification photos of child inmates were taken by Polish portrait photographer and prisoner Wilhem Brasse,, ordered to document prisoners in the camp by SS administrators. From top left to bottom right: an unidentified Ukrainian boy, Mamet Merenstein, Anatol Wanukiewicz, Anna Weclawik, Czeslawa Kwoka, Janina Bleiberg, Helena Zalewska, Jadwiga Repec, Jozefa Glazowska, Alex Meller, Krystyna Trzesniewska, and Emilia Lis.

“We were eight brothers and one sister with loving parents; only me and my brother Yankel survived. I am from Lodz and was in the Lodz and Warsaw ghettos, the Deblin and Auschwitz death camps, and on the death march from Magdeburg. As a survivor, number 189897, I feel a responsibility to teach the lessons of the Holocaust—that hate is an insidious murderer of humanity. May we never forget those who perished in the Holocaust, and may we always be courageous in standing up to hate. This is why I am so happy to support the work that the Museum of Jewish Heritage is doing, especially in such an important city like New York, that embraces its diversity as a strength,” says benefactor David Wiener.

Prisoner Number issued to Dora Krymalowska, Wittenberg, Germany, Feb. 1944-April 26, 1945. Dora Krymalowska wore this prisoner number while doing forced labor at a German airplane factory. The yellow bar signifies she is Jewish, the red triangle with black P signifies Polish © Karen Rubin/goingplacesfarandnear.com

“Eighty years ago, on May 29,1942, my great grandparents Berel and Sara Fish Hy”d and Velvel and Zissel Poltorak Hy”d perished in mass shootings alongside 287 other Jewish families (over 800 people), all of whom were relatives and friends in Yanushpol (renamed Ivanapol after the War), Ukraine,” says Eli Gurfel, a major donor. “I honor their memories with my support of the Museum of Jewish Heritage, and the importance it places on diverse Holocaust scholarship to broaden Holocaust awareness and education. As Elie Weisel said, ‘Whoever listens to a witness, becomes a witness.’ Especially given current events in Ukraine, my hope is visitors will see this exhibition and come away with broader understandings of what happens when hate and bigotry go unchecked.”

The audio tour guide accompanying the exhibition, available for download through the free Bloomberg Connects app, features narration from actress Julianna Margulies, winner of eight Screen Actors Guild Awards, three Primetime Emmy Awards, and a Golden Globe, and Eleanor Reissa, the Tony-nominated director, Broadway and television actress, prize-winning playwright, author of the memoir “The Letters Project: A Daughter’s Journey,” and former artistic director of the National Yiddish Theatre Folksbiene. Anthony Mordechai Tzvi Russell, acclaimed vocalist and Yiddishist, and actress Lauren Lebowitz are also featured on the audio guide, for which Paul Salmons Associates provided creative development (Paul Salmons, tour concept and historical interpretation; Leah Kharibian, scriptwriter).

The Holocaust: What Hate Can Do is made possible with leadership support from The Conference on Jewish Material Claims Against Germany, The Oster Family, Patti Askwith Kenner and Family, Edmond J. Safra Foundation, and Evelyn Seroy in memory of her parents Julius & Ruth Eggener. 

For more information or to purchase tickets, click here ($18/Adults, $12 ADA/Access, Seniors, Students, Veterans; FREE to children under 12 and NYC DOE K-12 students; FREE to Holocaust Survivors, active members of the military, first responders).

Museum hours: Sunday, Wednesday, Friday: 10AM to 5PM; Thursday: 10AM to 8PM; closed on all other days, on Jewish Holidays, and on Thanksgiving.

A Living Memorial to the Holocaust

The Museum of Jewish Heritage – A Living Memorial to the Holocaust is New York’s contribution to the global responsibility to never forget. The Museum is committed to the crucial mission of educating diverse visitors about Jewish life before, during, and after the Holocaust. The third-largest Holocaust museum in the world and the second-largest in North America, the Museum of Jewish Heritage anchors the southernmost tip of Manhattan, completing the cultural and educational landscape it shares with the Statue of Liberty and Ellis Island.

The Museum of Jewish Heritage maintains a collection of almost 40,000 artifacts, photographs, documentary films, and survivor testimonies and contains classrooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition galleries, a resource center for educators, and a memorial art installation, Garden of Stones, designed by internationally acclaimed sculptor Andy Goldsworthy. The Museum is the home of National Yiddish Theatre Folksbiene and JewishGen.

In addition to The Holocaust: What Hate Can Do, also on view is Boris Lurie: Nothing To Do But To Try, a first of its kind exhibition on the 20th century artist and Holocaust survivor on view through November 6, 2022.

Each year, the Museum presents over 60 public programs, connecting our community in person and virtually through lectures, book talks, concerts, and more. For more info visit: mjhnyc.org/events

The Museum receives general operating support from the New York City Department of Cultural Affairs and New York State Council on the Arts.

Museum of Jewish Heritage – A Living Memorial to the Holocaust, 36 Battery Place, New York City, mjhnyc.org,646-437-4202.

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© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York Philharmonic Returns to Parks; Photo Highlights of Central Park Concert

The New York Philharmonic with Music Director Jaap van Zweden make a triumphant return to Central Park presented by Didi and Oscar Shafer © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The 2022 New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, made a triumphant return to Central Park on Wednesday, June 15, marking the return of the beloved series following two years of cancellations due to the pandemic. It was the second of four free outdoor concerts conducted by Music Director Jaap van Zweden – the first had taken place at Van Cortlandt Park, Bronx on June 14, followed by Cunningham Park, Queens (June 16); and Prospect Park, Brooklyn (June 17). All four outdoor performances conclude with a fireworks display.

Music Director Jaap van Zweden conducts the New York Philharmonic and soloist Bomsori Kim in Bruch’s Violin Concerto No. 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com

The stunning program includes Wagner’s Prelude to Act I of Die Meistersinger von Nürnberg, Bruch’s Violin Concerto No. 1 with a masterful performance by Bomsori Kim as soloist, Dvořák’s Symphony No. 7, and works by New York Philharmonic Very Young Composers: 14- year-old Naama Rolnick’s Keep Walking, who wrote her sensational piece at the age of 10 and who flew in from her home in Israel to enjoy hearing it played by the New York Philharmonic, and 17-year-old Alexander Rothschild Douaihy’s thrilling “A Human Rhapsody,’ which he composed at the age of 15.

New York Philharmonic’s Young Composers program played works by 14- year-old Naama Rolnick’s Keep Walking, who wrote her sensational piece at the age of 10, and 17-year-old Alexander Rothschild Douaihy’s thrilling “A Human Rhapsody,’ which he composed at the age of 15 © Karen Rubin/goingplacesfarandnear.com

In addition, Musicians from the New York Philharmonic are perform inga Free Indoor Concert, on Sunday, June 19, 2022, at 4 p.m., at St. George Theatre in Staten Island. (Tickets are free but required.)

“Like so many New Yorkers, Didi and I missed tremendously the Concerts in the Parks these past two summers,” said Philharmonic Chairman Emeritus Oscar S. Schafer. “We love the parks, and we love this orchestra, so we’ve been eagerly awaiting their return. We look forward to seeing people come together in these beautiful parks across the boroughs to enjoy magnificent music performed by this virtuosic orchestra. It will truly mean that New York City is back!”

New York Philharmonic Chairman Emeritus Oscar S. Schafer, who has been presenting the orchestra’s free concerts in the parks series for 15 years, welcomed the audience back to Central Park: “We love the parks, and we love this orchestra, so we’ve been eagerly awaiting their return. We look forward to seeing people come together in these beautiful parks across the boroughs to enjoy magnificent music performed by this virtuosic orchestra. It will truly mean that New York City is back!” Some 15 million people have enjoyed the “priceless music for free, under the stars.” © Karen Rubin/goingplacesfarandnear.com

“What a joy to be returning to the Parks of New York after two years of not being able to perform for the Parks’ audiences,” said Music Director Jaap van Zweden. “Music speaks to our hearts better than any language, and the New York Philharmonic players and I cannot wait to reconnect with the thousands and thousands of people throughout the Boroughs of New York who come to the Parks to hear us.”

The New York Philharmonic with Music Director Jaap van Zweden make a triumphant return to Central Park presented by Didi and Oscar Shafer © Karen Rubin/goingplacesfarandnear.com

“We are so excited to welcome back the New York Philharmonic for the iconic Concerts in the Parks series!” said NYC Parks Commissioner Sue Donoghue. “This series brings together people from all backgrounds to enjoy world class music for free, in some of our most picturesque parks — this is summer in New York at its best!”

The New York Philharmonic’s free parks concerts have become an iconic New York summer experience since they began in 1965, transforming parks throughout the New York area into a patchwork of picnickers, and providing music lovers with an opportunity to enjoy “priceless music absolutely free, under the stars”. More than 15 million listeners have been delighted by the performances since their inception. All programs are subject to change.

Picnicking in the park is a tradition for enjoying the New York Philharmonic’s concert in Central Park © Karen Rubin/goingplacesfarandnear.com
The New York Philharmonic concerts in the parks presented by Didi and Oscar Schafer conclude with a fireworks display © Karen Rubin/goingplacesfarandnear.com

Here are more photo highlights from the Central Park performance:

The New York Philharmonic with Music Director Jaap van Zweden make a triumphant return to Central Park presented by Didi and Oscar Shafer © Karen Rubin/goingplacesfarandnear.com
The New York Philharmonic with Music Director Jaap van Zweden make a triumphant return to Central Park presented by Didi and Oscar Shafer © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic and soloist Bomsori Kim in Bruch’s Violin Concerto No. 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic and soloist Bomsori Kim in Bruch’s Violin Concerto No. 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Soloist Bomsori Kim gives a masterful performance of Bruch’s Violin Concerto No. 1 with the New York Philharmonic in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Soloist Bomsori Kim gives a masterful performance of Bruch’s Violin Concerto No. 1 with the New York Philharmonic in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Soloist Bomsori Kim gives a masterful performance of Bruch’s Violin Concerto No. 1 with the New York Philharmonic in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic and soloist Bomsori Kim in Bruch’s Violin Concerto No. 1 in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
Music Director Jaap van Zweden conducts the New York Philharmonic in its free concert in Central Park © Karen Rubin/goingplacesfarandnear.com
The New York Philharmonic with Music Director Jaap van Zweden make a triumphant return to Central Park presented by Didi and Oscar Shafer © Karen Rubin/goingplacesfarandnear.com

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© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Photo Highlights: TD Five Boro Bike Tour Returns to 40 Car-Less Miles of NYC Streets with 32,000 Riders

32,000 cyclists set out on the 44th edition of the TD Five Boro Bike Tour from lower Manhattan © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On an absolutely perfect, sunny spring day when New York City is at its absolute best, the TD Five Boro Bike Tour, the world’s largest charity bike ride, returned to its full strength: 32,000 cyclists, hailing from all 50 states and 32 countries, got to 40 miles of car-free streets across all the city’s five boroughs.

Italian cyclist Massimo Stefani leads the second wave of the 32,000 cylists in the 2022 TD Five Boro Bike Tour 32,000 cyclists set out on the 44th edition of the TD Five Boro Bike Tour from lower Manhattan © Karen Rubin/goingplacesfarandnear.com

In addition to being the largest bike ride in the United States, it’s the most diverse and inclusive ride in the world – with people of all ages, backgrounds, abilities, said Bike New York CEO Ken Podziba.

Bike New York CEO Ken Podziba © Karen Rubin/goingplacesfarandnear.com

The sheer joy and delight – omnipresent for the ride – was particularly exuberant this year for the 44th edition of the bike tour after a hiatus in 2020 and last year’s (held in August instead of May) limited capacity of 20,000.

Riding up 6th Avenue through Greenwich Village © Karen Rubin/goingplacesfarandnear.com

Cheerleaders, bands, banners and signs, marquees greeted and cheered on the riders as they made their way up through Manhattan, into the Bronx, back into Manhattan, down the FDR Drive (a personal favorite), over the Queensborough Bridge (what a view!) into Queens and along the revitalized waterfront, then over another bridge into Brooklyn, onto the highway and over the Verrazano’s one-mile expanse, into Staten Island to the Finish Festival at Empire Outlets on Staten Island’s North Shore, before taking one of New York City’s best rides back to Manhattan,  the Staten Island Ferry (and in my case, a delightful ride up the Hudson River Greenway). 

NYC’s iconic Radio City Music puts greetings to the Five Boro Bike tour riders on its marquee © Karen Rubin/goingplacesfarandnear.com

What is so special about New York City’s TD Five Boro Bike Tour is how, for one day, you and 32,000 of your closest friends, feel like you own the city. The streets, bridges and highways – like Sixth Avenue, the FDR Drive, the Queensborough Bridge, the Brooklyn-Queens Expressway and the Verrazano (the longest suspension bridge in the Americas) are your domain. It makes you giddy. Neighborhoods – so colorful, with their distinctive personalities and character, ring with sound and spirit – Greenwich Village, Harlem, Astoria, Williamsburg, Greenpoint, DUMBO, Staten Island’s north shore. Central Park’s blossoms seem to burst open just for us.

Just three of the 1200 volunteers, marshals, captains, who serve snacks, refill water, help with bike repairs, give care if there is an accident, stop/slow traffic, shout cheers of encouragement along the route © Karen Rubin/goingplacesfarandnear.com

Some 1,200 volunteers – captains, marshalls, EMTs, bike repair people, people who hand out snacks and refill water bottles – add to the Big Apple-sized welcome riders receive.

The annual event raises money for bike education. Bike New York operates bike education centers, after school programs, summer camps, as well as its first membership program.

Four of the 50 members of the LetsShareaMeal.org group from New Jersey (Sikhs: Warming Hearts & Bellies) pose on the Queensborough Bridge. The TD Five Boro Bike Tour is the largest charity ride in the world. © Karen Rubin/goingplacesfarandnear.com

Numerous charities also use the event for fundraising, purchasing registrations which participants then raise money against.

The ride is designed to be a family friendly tour, not a competition, appealing to all abilities, ages – volunteers hold signs to slow the pace and alert riders to turns and obstacles.

Riders in the TD Five Boro Bike Tour span age groups, right down to this young fellow © Karen Rubin/goingplacesfarandnear.com

TD Bank has been the title sponsor for the past 16 years; Manhattan Portage was the presenting sponsor.

Among the dignitaries on hand to send the cyclists off: Ken Podziba, President & CEO of Bike New York;  Andrew Bregenzer, Regional President of Metro NY – TD Bank; Su-Hwei Lin, CEO  of Manhattan Portage; New York City Department of Transportation Commissioner Ydanis Rodriguez;  Manhattan Borough President Mark Levine; NYC Council Members Christopher Marte and Lincoln Restler; and representatives from Prosecco Cycling, including Italian elected officials.

More information about events and programs offered by Bike New York at bike.nyc.

Here are more photo highlights:

Riders are sent off by the choral singing of the national anthem © Karen Rubin/goingplacesfarandnear.com
“Always Conquering. Never Conquered.” The TD Five Boro Bike Tour is the most diverse, inclusive ride in the world © Karen Rubin/goingplacesfarandnear.com
Gotham Cheer cheers on riders as they exit Central Park into Harlem © Karen Rubin/goingplacesfarandnear.com
Angela “Missy” Billups and the Voices of New York© Karen Rubin/goingplacesfarandnear.com
Bomba Yo performs for riders as they ride through the Bronx © Karen Rubin/goingplacesfarandnear.com
Special treat – a personal favorite: biking down the FDR Drive © Karen Rubin/goingplacesfarandnear.com
Another special treat: biking the Queensboro (Edward Koch) Bridge from Manhattan to Queens © Karen Rubin/goingplacesfarandnear.com
Coming down the ramp off the Queensborough Bridge you get a perspective of the city you can’t get otherwise © Karen Rubin/goingplacesfarandnear.com
A thrilling ride coming down the ramp off the Queensborough Bridge you get a perspective of the city you can’t get otherwise © Karen Rubin/goingplacesfarandnear.com
A rest area in Astoria Park, on Queens waterfront © Karen Rubin/goingplacesfarandnear.com
 
The TD Five Boro Bike Tour is distinguished by the colorful neighborhoods, like Greenpoint, Brooklyn © Karen Rubin/goingplacesfarandnear.com
Live Poultry Slaughter (Comedy Club) in Greenpoint, Brooklyn © Karen Rubin/ goingplacesfarandnear.com
One colorful scene after another – you get to the city’s granular level.  You go through real New York City neighborhoods © Karen Rubin/goingplacesfarandnear.com
Riding through DUMBO, in Brooklyn © Karen Rubin/goingplacesfarandnear.com
One of most dramatic and iconic views of the ride: Empire State Building framed by Manhattan Bridge in DUMBO, is very popular with TD Five Boro Bike Tour riders © Karen Rubin/goingplacesfarandnear.com

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© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Looking Good at 95, Macy’s Thanksgiving Day Parade Returns to NYC to Usher in the Holiday Season

The 2021 holiday season is heralded in by Santa riding his sleigh to wind up the 95th Macy’s Thanksgiving Day Parade in New York City, bringing cheer and joy to the crowds that lined the 2.5 mile parade route from Central Park West to Herald Square © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Macy’s Thanksgiving Day Parade is looking pretty good for 95. The joyful spectacle returned to the streets of New York City this Thanksgiving after 2020’s hiatus to usher in the start of the holiday season with its signature mix of giant character helium balloons, fantastic floats, stirring marching bands, jubilant performance groups, whimsical clowns, music stars. The climax, of course, is Santa Claus, whose jubilant ride in his stocked sleigh brings such joy to adults and children alike, it’s like watching a wave flow through the hundreds of thousands who turned out to line the 2.5 mile parade route from 77th Street and Central Park West, to Central Park South, and down Avenue of the Americas to and 34th Street and the final turn to end at Macy’s Herald Square.

As is tradition, the 95th Macy’s Thanksgiving Day Parade was lead by the Thanksgiving turkey © Karen Rubin/goingplacesfarandnear.com

“For more than nine decades, the Macy’s Thanksgiving Day Parade has served to bring joy to millions, who gather with friends and family to experience this one-of-a-kind holiday celebration along the streets of New York City and in homes nationwide,” said Will Coss, Executive Producer of Macy’s Thanksgiving Day Parade. “For our 95th celebration, Macy’s has created a spectacle to remember featuring a dazzling array of high-flying balloons, animated floats and incredible performers. We can’t wait to help New York City and the nation kick-off the holiday season with the return of this cherished tradition.”

Back after last year’s hiatus, crowds lined the 2.5 mile the Macy’s Thanksgiving Day Parade route © Karen Rubin/goingplacesfarandnear.com

The 95th annual Macy’s Parade featured 15 giant character balloons, 28 floats, 36 novelty and heritage inflatables, more than 800 clowns, 10 marching bands and 9 performance groups, a host of musical stars, and, of course, the one-and-only Santa Claus.

Ada TwistScientist by Netflix was one of the giant inflatables in its debut flight at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

To safely produce the annual Thanksgiving Day event, Macy’s once again partnered closely with the City and State of New York to create a production plan that would ensure health and safety practices aligned with CDC guidelines, as well as current local and state government protocols.

Stars on Parade

Jon Batiste at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

The Macy’s Parade is always the holiday’s biggest stage for entertainment and this year was no different. Joining the festivities were aespa, Jimmie Allen, Jon Batiste, Blue’s Clues & You! host Josh Dela Cruz and the former hosts of Blue’s Clues Steve Burns and Donovan Patton, Kristin Chenoweth, Darren Criss, Jordan Fisher, Foreigner, the cast of Peacock’s Girls5eva (Sara Bareilles, Renée Elise Goldsberry, Paula Pell, Busy Philipps), Andy Grammer, Mickey Guyton, Chris Lane, Miss America 2020 Camille Schrier, the cast and Muppets of Sesame Street®, Nelly, Kim Petras, Kelly Rowland, Rob Thomas, Carrie Underwood, Tai Verdes, Zoe Wees, and Tauren Wells.

Jimmie Allen at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

Inflatable Icons

Since 1927 the world’s most popular characters have been transformed into high-flying art in the sky. Inspired by marionettes, the Parade’s balloons first debuted as upside down puppets filled with air and carried on sticks, before taking flight with the addition of helium. Over time the inflatables morphed to encompass balloonheads, hybrid inflatables with vehicles inside (balloonicles) and tandem tricycles (trycaloons).

A Funko Pop! inspired Grogu (a.k.a. Baby Yoda in pop culture) from the Star Wars seriesmakes his debut at the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

New giants joining the line-up this year include Ada TwistScientist by Netflix; a Funko Pop! inspired Grogu (a.k.a. Baby Yoda in pop culture) from the Star Wars series “The Mandalorian,” Ronald McDonald® by McDonald’s® and Pikachu & Eevee by The Pokémon International Company.

Pikachu & Eevee have their first flight the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

Making return appearances to the skies above New York City are giant balloon favorites including Astronaut Snoopy by Peanuts Worldwide; The Boss Baby by DreamWorks Animation and Universal Pictures; Diary of A Wimpy Kid® by Abrams Books; Sinclair’s DINO® by Sinclair Oil Corporation; Goku by Toei Animations, Inc.; Chase from PAW Patrol® by Nickelodeon; Pillsbury Doughboy by PillsburyRed Titan from “Ryan’s World” by Sunlight Entertainment and pocket.watch; Papa Smurf from The Smurfs by Nickelodeon; Sonic the Hedgehog by SEGA; and SpongeBob SquarePants & Gary by Nickelodeon.

Astronaut Snoopy takes flight at the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

The inflatable lineup also includes Sinclair’s Baby DINOs and the Go Bowling balloonicles; Smokey Bear by the U.S.D.A. Forest Service; and Macy’s very own special reindeer Tiptoe and Toni the Bandleader Bear.

Red Titan at the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

Floats of Fantasy

From its inception, the Parade’s floats have transported spectators to magical worlds. These initial whimsical creations focused on nursery rhyme stories. Today the floats are multi-level animated wonders that dazzle with their artistry. Conceived and crafted by the incredible artisans of Macy’s Parade Studio – a design and production facility that includes carpenters, engineers, electricians, painters, animators, balloon technicians, sculptors, metal fabricators, scenic and costume designers – this year’s line-up of floats showcased the best of theatrical design.

The 1-2-3 Sesame Street® by Sesame Workshop float carries the cast and Muppets of Sesame Street © Karen Rubin/goingplacesfarandnear.com

While they are built for entertainment, they are also a showcase of creative design, engineering, and skillful construction. To spectators they seem to float down the route, even though many are three stories tall and several lanes of traffic wide stages. However, if you dig a little deeper, the magic is revealed as each of these amazing floats are built to collapse to no more than 12 ½-feet tall and 8-feet wide to travel safely from the New Jersey home of the Parade Studio to the Manhattan starting line via the Lincoln Tunnel for the annual celebration.

The cast of Girlsseva ride the Peacock float at the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

This year six new floats will debut including Birds of a Feather Stream Together by Peacock® (cast of Peacock’s Girls5eva); Celebration Gator by Louisiana Office of Tourism (Jon Batiste); Colossal Wave of Wonder by Kalahari Resorts and Conventions (Nelly); Gravy Pirates by HEINZ; Magic Meets the Sea by Disney Cruise Line (Jordan Fisher and special guests); and Tiptoe’s North Pole.

Zoe Wees is aboard The Brick-changer by The LEGO Group at the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

The returning float roster and its scheduled performers included 1-2-3 Sesame Street® by Sesame Workshop (The cast and Muppets of Sesame Street); Big City Cheer by Spirit of America Productions (Miss America 2020 Camille Schrier); Big Turkey Spectacular by Jennie-O (Tai Verdes); Blue’s Clues & You! by Nickelodeon (Josh Dela Cruz, Steve Burns and Donovan Patton); The Brick-changer by The LEGO Group (Zoe Wees); Christmas in Town Square by Lifetime® (Kelly Rowland); Deck the Halls by Balsam Hill® (Kristin Chenoweth); Elf Pets® by The Lumistella Company; Everyone’s Favorite Bake Shop by Entenmann’s® (Andy Grammer); Fantasy Chocolate Factory by Kinder (Darren Criss); Harvest in the Valley by Green Giant® (Jimmie Allen); Heartwarming Holiday Countdown by Hallmark Channel (Rob Thomas); Her Future is STEM-Sational by Olay (aespa); Home Sweet Home by Cracker Barrel Old Country Store (Tauren Wells); Macy’s Singing Christmas Tree (Macy’s Choir); Mount Rushmore’s American Pride by South Dakota Department of Tourism (Chris Lane); Rexy in the City by COACH® (Kim Petras); Santa Express and Starflakes by Universal Orlando Resort; Santa’s Sleigh (Santa Claus); Tom TurkeyToy House of Marvelous Milestones by New York Life (Foreigner) and Winning Winter Together by MassMutual and NHL® (Mickey Guyton).

Tai Verdes rides the Big Turkey Spectacular by Jennie-O float in the 95th Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

Also, Geoffrey, the beloved mascot of Toys”R”Us, made a special appearance down the route.

The Beat and the Pageantry

Virginia’s Hampton University “The Marching Force” at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

The nation’s best marching bands brought the beat to the holiday revelry. Joining the line-up were The Ann Richards School for Young Women Leaders (Austin, TX), Brownsburg High School (Brownsburg, IN), Centerville High School (Centerville, OH), Hampton University (Hampton, VA), Lincoln-Way High School (Frankfort, IL), Macy’s Great American Marching Band (United States), NYPD Marching Band (New York, NY), Trabuco Hills High School (Mission Viejo, CA), Union High School (Tulsa, Oklahoma), and University of Alabama (Tuscaloosa, AL).

The Great American Marching Band at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com

Taking entertainment to the next level were the Parade’s beloved performance groups who bring joy to spectators along the route and viewers watching from home. The 95th Parade featured the dazzling dancers of Ballet Hispánico’s School of Dance, the harmonious voices of the Broadway Education Alliance Youth Choir, the fancy footwork of the Fred Astaire Dance Studios, the special tributaries of Indigenous Direction, the out of the world skills of J.U.M.P. (Jumpers United for Macy’s Parade), the razzle dazzle of the St. John’s Dance Team, the energetic Spirit of America Cheer and Spirit of America Dance Stars, and the moving voices of the Young People’s Chorus of NYC.

J.U.M.P. (Jumpers United for Macy’s Parade) showed off their skills as they marched © Karen Rubin/goingplacesfarandnear.com

Here are more photo highlights:

Blue’s Clues & You! host Josh Dela Cruz and the former hosts of Blue’s Clues Steve Burns and Donovan Patton © Karen Rubin/goingplacesfarandnear.com
Spirit of America Cheer © Karen Rubin/goingplacesfarandnear.com
Miss America 2020 Camille Schrier aboard the Big City Cheer by Spirit of America Productions float © Karen Rubin/goingplacesfarandnear.com
Foreigner on the Toy House of Marvelous Milestones by New York Life float © Karen Rubin/goingplacesfarandnear.com
The Boss Baby by DreamWorks Animation and Universal Pictures balloon with handlers in matching outfits © Karen Rubin/goingplacesfarandnear.com
Union High School marching band, Tulsa OK ©  Karen Rubin/goingplacesfarandnear.com
Chase from PAW Patrol® by Nickelodeon © Karen Rubin/goingplacesfarandnear.com
Some 800 clowns bring smiles to the crowds along the Macy’s Thanksgiving Day Parade route © Karen Rubin/goingplacesfarandnear.com
Kim Petras atop Rexy in the City by COACH® at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com
Goku makes a return appearance at Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com
aespa rides the Her Future is STEM-Sational by Olay float © Karen Rubin/goingplacesfarandnear.com
The First Order from Star Wars: Tales from the Galaxy’s Edge © Karen Rubin/goingplacesfarandnear.com
Jordan Fisher on the Magic Meets the Sea by Disney Cruise Line float © Karen Rubin/goingplacesfarandnear.com
Nelly rides the Colossal Wave of Wonder by Kalahari Resorts and Conventions float © Karen Rubin/goingplacesfarandnear.com
Distinctly New York clowns bring smiles to the crowd at the Macy’s Thanksgiving Day Parade © Karen Rubin/goingplacesfarandnear.com
Chris Lane on the Mount Rushmore’s American Pride by South Dakota Department of Tourism float © Karen Rubin/goingplacesfarandnear.com
Andy Grammer on the Everyone’s Favorite Bake Shop by Entenmann’s® float © Karen Rubin/goingplacesfarandnear.com
Tauren Wells works the crowd on the Home Sweet Home by Cracker Barrel Old Country Store float © Karen Rubin/goingplacesfarandnear.com
Papa Smurf from The Smurfs by Nickelodeon © Karen Rubin/goingplacesfarandnear.com
Rob Thomas on the  Heartwarming Holiday Countdown by Hallmark Channel float © Karen Rubin/goingplacesfarandnear.com
One of the classic Macy’s Thanksgiving Day Parade balloons, Pillsbury Doughboy by Pillsbury © Karen Rubin/goingplacesfarandnear.com
Centerville High School, Ohio © Karen Rubin/goingplacesfarandnear.com
Centerville High School, Ohio Jazz Band © Karen Rubin/goingplacesfarandnear.com
Broadway Education Alliance Youth Choir on the Balsam Hill float © Karen Rubin/goingplacesfarandnear.com
At last, the one and only Santa Claus comes to town, ending the Macy’s Thanksgiving Day Parade and ushering in the holiday season © Karen Rubin/goingplacesfarandnear.com
Santa Claus riding his sleigh ends the Macy’s Thanksgiving Day Parade and ushering in the holiday season © Karen Rubin/goingplacesfarandnear.com
Young and old alike show sheer joy at the sight of Santa Claus coming to town © Karen Rubin/goingplacesfarandnear.com
Young and old alike show sheer joy at the sight of Santa Claus coming to town © Karen Rubin/goingplacesfarandnear.com
Young and old alike show sheer joy at the sight of Santa Claus coming to town © Karen Rubin/goingplacesfarandnear.com
Santa Claus riding his sleigh ends the Macy’s Thanksgiving Day Parade and ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New Yorkers Cheer Playful Comeback of Village Halloween Parade- Photo Highlights

New York City’s Village Halloween Parade is famous for its giant puppets © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s famed Village Halloween Parade is always thrilling and fun, but this year’s was especially joyful.

There was a special energy, sense of joy after the COVID hiatus in 2020 – with crowds returning to six and 10 deep at the barriers lining the parade route, from Spring Street to 16th Street on Sixth Avenue, many of the onlookers in costume.

Understandably, some of the marchers paid homage to COVID in their costumes, but most were throwbacks, nostalgic, playful and even innocent on this night of Devil May Care – the Wizard of Oz, Little Red Riding Hood and the Wolf, and impersonating games –with uncharacteristically few political statements (except for the interruption of an actual religious protest denouncing sinners, sparking “boos” from the crowd). On the other hand, many of the displays paid homage to protecting the climate and environment.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

To be sure, there were lots of Satan, the Devil and Malificent but despite the requisite scary monsters, vampires (flash mob dancing to “Thriller”), and ghouls and such, there was a sense of childhood innocence.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

That’s because the 2021 theme (“in two parts”) was “Let’s Play” and “All Together Now” – and was manifested in many of the major displays, especially the giant puppets for which the Village Halloween Parade is known.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

One huge group of puppets took the form of cartoon characters. And even the skeleton puppets which traditionally lead the parade seemed to have a smile on their skull.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

There was even an entire circus, complete with tight rope walker.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

Jeanne Fleming, Artistic and Producing Director, challenged participants to “come up with a costume  idea that engages the audience and your fellow marchers–so we can PLAY together once again! Think Wheel of Fortune, a Kissing Booth, Play Ball! A Deck of Cards!”

Jeanne Fleming, Artistic and Producing Director of the Village Halloween Parade © Karen Rubin/goingplacesfarandnear.com

“Don’t be the ONLY GAME in Town–Join with your friends and play on!” she said. “Make up your own interactive or visually enticing game! And then, join us on our Special THEME section of the Parade!”

Indeed, there was a marching Deck of Cards, Hula Hoops, a board game float, and a Slinky Lady.

Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

Among the highlights: Grand Marshal Randy Rainbow performing a song for the Spectrum 1 NY1 television broadcast.

Randy Rainbow, 2021 Grand Marshal of the Village Halloween Parade, treats onlookers to a performance © Karen Rubin/goingplacesfarandnear.com

It is one of the best nights for New Yorkers to show their creativity, imagination, artistry and humor. It’s the night when you can be anything you want to be, when the lines between what’s real and what’s not are obliterated – even more so than on other nights of the year.

Here are photo highlights of the Village Halloween Parade 2021:

Jeanne Fleming, Artistic and Producing Director, challenged participants in the Village Halloween Parade 2021 to “come up with a costume  idea that engages the audience and your fellow marchers–so we can PLAY together once again! Think Wheel of Fortune, a Kissing Booth, Play Ball! A Deck of Cards!” © Karen Rubin/goingplacesfarandnear.com
New York City’s Village Halloween Parade is famous for its giant puppets © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Bindlestick Family Circus performs during the Village Halloween Parade © Karen Rubin/goingplacesfarandnear.com
Slinky Lady, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Hula Hoops, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Deck of Cards, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
New York’s Gay & Lesbian marching band, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Scary Plastic Monster, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Climate Crisis, Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Money, money money. Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
One of the puppeteers who make the Village Halloween Parade so special © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
New Yorkers show off their artistry in the Village Halloween Parade © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Miss New York in the Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com
Red Riding Hood and the Wolf. Village Halloween Parade, 2021 © Karen Rubin/goingplacesfarandnear.com

Celebrating its 48th Anniversary, New York’s Village Halloween Parade is:

The nation’s largest public Halloween celebration

Named as The Greatest Event on Earth by Festivals International for October 31

Attended by over 2 million people, seen by over 1 million on TV

The nation’s only major night Parade

Seen LIVE on NY 1 Television

Listed as one of the 100 Things to do Before You Die

Recipient of the Municipal Arts Society of New York’s Award for making a major contribution to the cultural life of New York City

Recipient of a major grant from the National Endowment for the Arts in recognition of Longtime Artistic Achievement

Recipient of the Mayor’s Tourism Grant in recognition of the Parade’s major impact on the economic life of New York City and grants from the Manhattan Borough President’s Tourism Initiative

Picked by Events International as The Greatest Event on Earth on October 31, and ranked 3rd by Citysearch as the best event in New York City

Ranked by Biz Bash as one of the top 10 events in NYC

An event which has a positive impact on New York economic life, bringing hundreds of thousands of tourists and an estimated $90 million in tourism dollars into the city, providing Greenwich Village businesses and restaurants their best night of the year.

An event which has a tremendously positive impact on how people who live in or come to visit New York see and feel about this community. The excitement and goodwill that it generates is lasting.

In effect, by turning a large and complex city into a small town for just one night, the Parade has been a pioneer in the critical movement toward the resurrection and rejuvenation of the City.

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Historical Society’s ‘Notorious RBG’ Pays Homage to New York’s Own Ruth Bader Ginsburg

New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,” pays homage to the trailblazing Supreme Court justice, on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

No exhibit that looks back into the past has been more timely and relevant than “Notorious RBG” which recently opened at the New-York Historical Society – a homage to the trailblazing Supreme Court justice, lawyer, wife, mother and woman, Ruth Bader Ginsburg, who at age 80, became an internet phenomenon and cultural icon. It is so important to be reminded – through her words, documents, historical artifacts, archival photographs, contemporary art and interactives – of what society was like, what it took to change, and what is at risk today. The SCOTUS with the mostus challenged us to continue her work for a just, equal and compassionate society.

The traveling exhibit, which was organized by the Skirball Cultural Center in Los Angeles and based largely on Irin Carmon and Shana Knizhnik’s book, “Notorious RBG: The Life and Times of Ruth Bader Ginsburg” (which was the source for a documentary),  opened to the public just the day before marches in Washington DC and around the nation in support of women’s reproductive rights. It was also mere days before the start of the Supreme Court’s new term, with a 6-3 conservative majority, including the justice who took her seat, Amy Coney Barrett, gunning to overturn the landmark 1973 Roe v. Wade decision. “Notorious RBG” is on display only through January 23, 2022.

“It is different to be here, knowing she’s not with us,” author Irin Carmon reflected at the press preview of the exhibit. “She intended to visit Skirball but cancelled because of her cancer treatment. When the exhibit came to Philadelphia, she agreed to accept an award and see it more than a year after opened. It was an extraordinary experience of giving her a tour of her life.”

New-York Historical Society Presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

 “We walked her through to an imagined re-creation of her childhood living room. She stopped, as if completely alone, stopped in front of a portrait of her mother – who died just before her high school graduation. Opera was playing on an old fashioned radio. We all fell silent as she gazed. I thought of what she said when she accepted the nomination to the Supreme Court in 1993, standing with President Clinton. I was thinking what her mother would have thought.”

When Ruth Bader Ginsburg toured the “Notorious RBG” exhibit in Philadelphia with author Irin Carmon, she stopped in front of this re-creation of her childhood Brooklyn home to reflect on the portrait of her mother © Karen Rubin/goingplacesfarandnear.com

What RBG said on that day was, “It is to my mother, Celia Amster Bader, the bravest and strongest person I have known, who was taken from me much too soon. I pray that I may be all that she would have been had she lived in an age when women could aspire and achieve and daughters are cherished as much as sons.”

Justice Ginsburg said she would have come to the NYHS’ exhibit, which was supposed to open in 2020, but the exhibit was delayed because of COVID. She died September 18, 2020.

“It falls on all of us who share her values, what she stood for, to carry on her legacy,” Carmon said.

The exhibit traces her life from modest beginnings in Brooklyn, losing an older sister when she was two, her mother sick with cancer from when she was 13 and dying just before her high school graduation.

But you appreciate how Brooklyn was formative to the person she became – the immigrant community of Eastern Europeans, Irish and Italians. Her Jewish heritage inbued in her a commitment to seek justice and compassion, to question, and it triggered her feminism when, in Jewish tradition, she was not counted in the minyan (the quorum of 10 males required) at her own mother’s funeral because she was female.

RBG became “notorious” because of her firey dissent in Shelby v Holder in 2013, when the majority overturned the preclearance requirement in the Voting Rights Act, unleashing a score of voter discrimination laws in states that otherwise would have been curtailed. She charged that overturning the Voting Rights Act would invite violations of the 15th amendment. The decision was 5-4, with Chief Justice Roberts saying it wasn’t needed anymore because (after Obama’s election to the presidency) “things changed.”

In her dissent, RBG said that overturning the provision was like “throwing away your umbrella in a rainstorm because you are not getting wet.” 

We enter the exhibit at the pinnacle – one of her Supreme Court robes and jabots on display, an official portrait of her in her office as only the second woman to have served on the Supreme Court, a PBS News Hour video of her as “Notorious RBG”, and as you wind through, you understand the context, the ecosystem, that forged her character and set her on her path.

Ruth Bader Ginsburg, the modest girl from Brooklyn, was tickled by becoming an internet sensation, the “Notorious RBG” at age 80, and took the association with the Notorious B.I.G. with humor, saying, “We have something in common – we’re both from Brooklyn.” © Karen Rubin/goingplacesfarandnear.com

She took the “Notorious RBG” with humor – in a video of a PBS News Hour appearance, she said, “Notorious B.I.G. and I have something in common – we are both from Brooklyn.”

Very quickly, we are pushed back in time to her childhood in Flatbush Brooklyn, her time at Cornell University where she met Martin Ginsburg, and their decision to pursue law – because she thought lawyers the vanguard of societal change and because Harvard Law School had begun to accept women, albeit precious few.

“Both wanted to marry and keep on working together…Harvard Business School did not accept women. So they settled on law.”

From the beginning, “Their marriage defied gender expectations of the period and embodied her belief that men, women, and families are better when both partners share their lives and goals on equal footing. Marty was a passionate supporter of his life partners’ legal career and shared in child rearing and household responsibilities long before men were expected to do so.”

When Marty got sick with testicular cancer, she took his notes and transcribed his papers so he could stay in the program. And she left Harvard Law to go to Columbia when Marty got a job in New York (she made the Law Review at both.)

When she graduated, no law firm would hire her – “I was Jewish, a mother and a woman” so three strikes against her. She began teaching at Rutgers.

She signed up as a volunteer lawyer at the New Jersey branch of the American Civil Liberties Union, which was being overwhelmed by letters from women. “None of their problems were new. What was new was that anyone thought it was worth complaining about.”

“It was clear to RBG that fighting discrimination one strongly worded letter at a time was like catching the ocean in a thimble. There would always be another sexist law or regulation to take down. Women’s rights advocates needed to think bigger. What the country needed was a broader recognition of gender equality.”

New-York Historical Society presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

There is a very illuminating list of what women couldn’t do in the 1930s and 1940s – a sort of marker – which women today take for granted:

Practice law in most states or become a judge

Serve on a jury in most states

Get paid the same amount as men for doing the same work

Answer want ads for jobs labeled “men only”

Open a bank account or get a credit card without a husband’s or male relative’s permission (I would add: get a mortgage or a business loan without a man to co-sign)

In some states, own property without having a husband in control as “head and master”

Attend most Ivy League universities

Play school sports on an equal basis with boys

Attend a military academy

Get pregnant without the threat of losing her job

Wear pants on the US Senate floor

Serve in combat in the military

Much of her argument for gender equality was derived from the 14th Amendment – passed after the Civil War’s emancipation of slaves: “No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.” (Roe v. Wade was decided based on the “right to privacy” implied by “due process” rather than “equal protection”.)

Marty, a prominent tax attorney, brought her the breakthrough case, Moritz v. Commissioner of Internal Revenue. Charles Mortiz was a businessman who was caring for his 89-year old mother, but the IRS denied him the tax deduction for expenses for her care that was allowed women, widowers or husbands of incapacitated women. But Moritz had never married. “The idea that a man might be a caregiver had apparently never crossed the government’s mind,” Ginsburg wrote.

The Ginsburgs realized that the government was senselessly denying a benefit to someone purely on the basis of sex. “If the court said that was wrong, the precedent would open the door to a broader recognition of gender equality.”

“The line the law drew rested on a stereotype: Women are caregivers, so a daughter would take care of her aging mother but men are out in the world, earning a living, so they don’t take personal care of aging parents. That law was blind to the life Charles E. Moritz lived. We took his case from the tax court to the Tenth Circuit. Marty argued the tax part of it and I argued the equal protection part,” RBG wrote.

And when one of her cases brought her up against her former Harvard Dean Erwin Griswold, who had become Solicitor General of the US, he had counsel prepare an appendix of all the laws that would have to be changed if Ginsburg were successful in her argument about gender discrimination in the law. In other words, you change this law, you have to change all the others. Ruth saw it as a handy roadmap.

Between 1971 and 1981, RBG litigated cases that would set the stage for gender equality (or rather, “neutrality”): widower, pregnancy, forced sterilization of black women; jury, and even the right to buy beer at age 18.

It is important to note in these times as a woman’s reproductive freedom is in question, that the government that can ban abortion – and deny a woman’s right to autonomy over her own body – is also a government that can force sterilization, or require an abortion. This is exactly what the government did to Captain Susan Struck in 1970; the case that RBG took up, Struck v. Secretary of Defense, resulted in the USAF changing its policy of automatically discharging pregnant women who refused to get an abortion, and led to Congress passing the Pregnancy Discrimination Act of 1978.

“RBG Tattoo II” by Ari Richter, fashioned of pigmented human skin on glass, is painted based on a photo of Justice Ginsburg taken as she officiated at the artist’s wedding to “Notorious RBG” author Irin Carmon. It is one of the personal items on view at New-York Historical Society’s exhibit “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

RBG spearheaded the formation of the Women’s Rights Project at the ACLU to tackle discrimination in education and training programs, prisons and the military, advocate for reproductive freedom and hold accountable institutions that discriminated against pregnant women.

You can listen in on decisions and see original documents and artifacts – for example, Stephen Wisenfeld’s letter to the editor complaining of the discriminatory rule of Social Security that prevented him from getting survivor’s benefits after his wife, the “breadwinner” of his family, died in childbirth; the personal letter from RBG to Stephen Wisenfeld in 1977 about going to DisneyWorld, which is so revealing about her as a person; photos of RBG with Steven’s son Jason Wiesenfeld when she officiated at Jason’s wedding in 1998, and another with Stephen Wiesenfeld and Elaine Harris Wiesenfeld at their 2014 wedding that RBG officiated.

“Wiesenfeld is part of an evolution toward a policy of neutrality – a policy that will accommodate traditional patterns, but at the same time, one that requires removal of artificial constraints so that men and women willing to explore their full potential as humans may create new traditions by their actions.” RBG wrote (she won an 8-0 decision at the Supreme Court).

The 2016 anti-abortion case, Whole Woman’s Health v. Hellerstedt, 2016, struck down a Texas law that required such stringent standards on abortion clinics that they would have had to be shut down. The court ruled 5-3 that this imposed an “undue burden.”

RBG joined Stephen Breyer in his majority opinion but added, “I fully subscribed to everything Breyer said, but it was long and I wanted something pithy…. I wrote to say, ‘Don’t try this anymore.’”

New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,” features 3-D re-creations of key places in RBG’s life including her desk in her Supreme Court chambers © Karen Rubin/goingplacesfarandnear.com

But we know that they have not stopped trying to chip away at the “undue burden” standard. Now Texas has come up with most brazen assault on women’s rights, without Ginsburg on the bench to challenge, instead, replaced by an ultra-conservative, anti-abortion justice Amy Coney Barrett. In a dire sign of what is to come, the court allowed the Texas law to go into effect – creating a new class of vigilantes and bounty hunters to enforce a blatantly unconstitutional “burden” on women who seek an abortion after six-weeks.

RBG’s last dissent was in 2020, in the “Little Sisters of the Poor v Pennsylvania,” in which the majority, 7-2 allowed religious objectors to be exempted from the Affordable Care Act’s regulatory requirement to provide health plans that include contraceptive coverage.

“Today, for the first time, the Court casts totally aside countervailing rights and interests in its zeal to secure religious rights to the nth degree,” she wrote.

New-York Historical Society Presents “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

On her deathbed, Justice Ginsburg told her granddaughter Clara Spera, “My most fervent wish is that I will not be replaced until a new president is installed.”

But Majority Leader Mitch McConnell could care less, and even though the 2020 presidential election had already gotten underway (and he had delayed an Obama nomination more than a year, to give Trump his appointee, Neil Gorsuch in place of Merrick Garland), pushed through his candidate, Amy Coney Barrett to complete a 6-3 radically conservative majority on the court.

And so, people are marching, rallying and protesting again with urgency to protect the rights that were thought to have been won, but now may be overturned. Many carry a sign that reads, “Ruth sent me.”

“Ruth Sent Me” sign at the New York City Women’s March for Reproductive Freedom, October 2, 2021 © Karen Rubin/news-photos-features.com

There are such personal items, including a reproduction of the letter her husband Marty wrote just before he died, in 2010, “My dearest Ruth- You are the only person I have loved in my life…what a treat it has been to watch you progress to the very top of the legal world!!”

Personal materials range from home movies of RBG with Marty on their honeymoon and in the early years of their marriage to yearbooks from RBG’s academic life—from her Brooklyn high school to Harvard, Columbia, and Rutgers Universities—to a paper that she wrote as an eighth grader exploring the relationship between the Ten Commandments, the Magna Carta, the Bill of Rights, the Declaration of Independence, and the recently formed United Nations Charter, and the costume she wore for her cameo as the Duchess in Washington National Opera’s production of “Daughter of the Regiment.”

The costume Justice Ginsburg wore for her cameo as the Duchess in Washington National Opera’s production of “Daughter of the Regiment” is on view in New-York Historical Society’s “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”   © Karen Rubin/goingplacesfarandnear.com

Special to New-York Historical’s presentation – and only seen here – are remembrances from RBG’s visit to the museum in 2018 to officiate a naturalization ceremony of 200 new citizens after she learned about New-York Historical’s Citizenship Project which teaches U.S. history and civics to green card holders. (She sent a note,  “I had shingles, not yet diagnosed, on April 10, but would not have missed the oath-taking ceremony. Looking out at the 201 faces of the new citizens, I could hardly hold back the tears. The diversity represented among the new citizens, proudly pledging allegiance, is what the USA means to me. With appreciation, Ruth Bader Ginsburg.”

A city mourns one of its own: an overview of the memorials that appeared throughout New York City after Ruth Bader Ginsburg died, September 18, 2020, is a special feature of New-York Historical Society’s presentation of the traveling exhibition “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,”  on view through January 23, 2022 © Karen Rubin/goingplacesfarandnear.com

There is also a video featuring a map and photographs of key places in her life as a New Yorker, and an overview of the memorials that cropped up around her hometown in the wake of her passing, “Rest in Power, A City Mourns Its Own.”

The various RBG iconography on display is fun and fascinating, like the “real life action figure” (you can buy one in the gift shop).

The strangest – and one of the most personal – is the “RBG Tattoo II” by Ari Richter, fashioned of pigmented human skin on glass, painted with a photo of RBG taken as she officiated at the artist’s wedding to “Notorious RBG” author Irin Carmon.

“Notorious RBG: The Life and Times of Ruth Bader Ginsburg,  co-author Irin Carmon poses with “RBG Tattoo II” painted  by her husband, Ari Richter, based on a photo of RBG taken as she officiated at the their wedding © Karen Rubin/goingplacesfarandnear.com

When Irin Carmon asked, “And when the time comes, what would you like to be remembered for?” RBG replied, “Someone who used whatever talent she had to do her work to the very best of her ability. And to help repair tears in her society, to make things a little better through the use of whatever ability she has.”

As part of New-York Historical’s upcoming public program series, on December 8, Supreme Court expert Linda Greenhouse looks at where the courts stand following Justice Ginsburg’s death. Families can explore the exhibition with a specially created family guide, and themed story times will take place throughout the exhibition’s run.

Supreme Court Justice and trailblazer Ruth Bader Ginsburg became a cultural icon, warranting an action hero figure (on sale at New-York Historical Society’s gift shop) © Karen Rubin/goingplacesfarandnear.com

After debuting at the Skirball Cultural Center in 2018, Notorious RBG: The Life and Times of Ruth Bader Ginsburg has toured the country. After its New York run, the exhibition will travel to the Holocaust Museum in Houston (March 2022) and the Capital Jewish Museum in Washington, D.C. (September 2022).

Notorious RBG: The Life and Times of Ruth Bader Ginsburg has been coordinated at New-York Historical by Valerie Paley, senior vice president and Sue Ann Weinberg Director, Patricia D. Klingenstein Library; Laura Mogulescu, curator of women’s history collections; and Anna Danziger Halperin, Andrew W. Mellon Postdoctoral Fellow in Women’s History and Public History, Center for Women’s History.

The New-York Historical Society, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400,  nyhistory.org. Follow the museum on social media at @nyhistory on FacebookTwitterInstagramYouTube and Tumblr.

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

TD Five Boro Bike Tour, ‘A Truly New York City Experience in a Truly Unusual Year’

NYC Police Commissioner Dermot Shea  is in the first wave to kick off the 2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

In a stunning demonstration of New York City’s famous resilience and grit, Bike New York, New York City and TD Bank pulled off the 2021 TD Five Boro Bike Tour, hosting 20,000 riders as they rode 40 miles of car-less urban streets and bridges. “A truly New York City experience in a truly unusual year.”

Last year’s ride was cancelled because of COVID-19, and this year’s ride, the 43rd edition of the Five Boro Bike Tour, restricted to 20,000, substantially fewer riders than the 32,000 that typically join the ride because of COVID-19 protocols, was originally set for August 22, but Hurricane Henri had other ideas.

As it turned out, postponing the ride by a week rewarded riders with perfect weather for cycling – overcast, misting and a comfortable 72 degrees.

Participants who came from all 50 states and 16 countries had a ball, and were treated, as has become tradition, to bands welcoming the riders to each borough, well organized rest areas and water stations with the added dimension of COVID-protocols, superbly organized street closures manned by New York’s finest and Bike New York volunteers, excellent signage.  And all on incredibly short notice.

NYC Police Commissioner Dermot at the 2021 TD Five Boro Bike Tour. First cancelled last year, hastily put on for 2021 then postponed because of Hurricane Henri, it could not have happened without the support of NYC police, transportation, sanitation and scores of others © Karen Rubin/goingplacesfarandnear.com

An incredible feat accomplished by numerous New York City agencies, including the Departments of Transportation, Sanitation, and Police.

The route was modified somewhat – possibly because of the short notice for even the August 22 date (the ride wasn’t announced until May), and then it had to be hastily put together for August 29.

2021 TD Five Boro Bike Tour gets underway © Karen Rubin/goingplacesfarandnear.com
Biking up car-less 6th Avenue,2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com
Biking up car-less 6th Avenue,2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com

So we skirted Central Park, riding up Central Park West, instead of going through it, and had our rest stop outside of Triboro Park in Queens.

But the biggest change was where the ride finished: at the new Empire Outlets right at the Staten Island Ferry terminal, where there is also NYC Ferry’s newly launched St. George route (which connects St. George to Battery Park City and West 39th Street on Manhattan’s Westside) and waterfront walk, where the Finish Festival was held.

Biking up car-less 6th Avenue,2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com
2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com
We’re only in The Bronx a short time but get to enjoy music by Bombayo © Karen Rubin/goingplacesfarandnear.com

Still, there were those iconic experiences  you only get on the Five Boro Bike Tour, of riding down the FDR, over the Queensborough (59th Street) Bridge, on the Brooklyn-Queens Expressway, and over the Verrazano Bridge, plus the chance to see  neighborhoods in all five boroughs.

Biking down the FDR, 2021 TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com
A highlight of the TD Five Boro Bike Tour is riding over the 59th Street (Queensborough) Bridge © Karen Rubin/goingplacesfarandnear.com
A scene you can only get by riding the TD Five Boro Bike Tour © Karen Rubin/goingplacesfarandnear.com

Bike New York was scrupulous about maintaining COVID-19 protections- every rider had to show proof of vaccination to pick up the registration packets (but not to ride) and wear masks at the start and finish,  indoors and on the Staten Island ferry but not while riding (unvaccinated individuals could not go inside).

A group from New Jersey on the TD Five Boro Bike Tour at the rest stop in Queens © Karen Rubin/goingplacesfarandnear.com
A Queens band entertains the TD Five Boro Bike Tour at the rest stop in Queens © Karen Rubin/goingplacesfarandnear.com
Taking in a classic Brooklyn view © Karen Rubin/goingplacesfarandnear.com

The number of riders was reduced from 32,000 in past years to 20,000, to allow for more spacing. Also, over the years, the organizers have developed a terrific method of staggering starts by “waves.”

Close to the finish in Staten Island, riders stop to memorialize the scene with the Verrazano Bridge © Karen Rubin/goingplacesfarandnear.com
Close to the finish in Staten Island, riders stop to memorialize the scene with the Verrazano Bridge © Karen Rubin/goingplacesfarandnear.com
A festival atmosphere at Empire Outlets and the new NYC Ferry dock in Staten Island at the finish of the TD Five Boro Bike Tour at the rest stop in Queens © Karen Rubin/goingplacesfarandnear.com

Andrew Bregenzer. EVP, Regional President at TD Bank, the title sponsor of the TD Five Boro Bike Tour since 2007, told the riders, “We believe in quality of life for New York. We’ve been a New York bank for 20 years. The ride today has new meaning, perspective. This is the greatest city in the world. Celebrate resiliency of New York City.”

“New York City is proud to celebrate the cycling boom—and the return of iconic events that highlight great neighborhoods in all five boroughs—by welcoming the TD Five Boro Bike Tour this summer,” said New York City Senior Advisor for Recovery Lorraine Grillo. “We look forward to welcoming locals and tourists alike to enjoy a safe, exciting event this year.”

“Given the pivotal role that bikes have played in protecting the health, wellness, and safety of New Yorkers through the pandemic—especially for essential workers commuting to their jobs—it feels right that bikes will also play a part in powering New York City’s economic revitalization,” Ken Podziba, President and CEO of Bike New York, remarked when the 2021 tour was announced in May. “The Tour has been a landmark event for NYC for decades, and it’s a true highlight for international tourism. We hope our ride will continue to support the city we call home as we all strive to come back strong from these hardships. Now more than ever, New Yorkers need a safe and welcoming space to reconnect, to celebrate.”

The ride is a fundraiser for Bike New York – in fact, it is one of the world’s biggest charitable bike rides, along with Bike Expo New York, one of the country’s most attended consumer bike shows. Proceeds from the Tour fund its free bicycle education programs. In 2020 alone, in response to the COVID-19 pandemic, Bike New York taught bike riding and bike safety skills in a virtual classroom to more than 25,000 kids and adults.

The ride also supports Bike New York’s advocacy for safe biking and bike lanes. “We fight for safer, more equitable streets,” said Podziba.

Bike New York provides a completely free, year-round curriculum of classes for children and adults at every stage of their cycling journeys, from first rides and fundamentals to commuting and touring.

The TD Five Boro Bike Tour is Bike New York’s main fundraiser and also supports Bike New York’s advocacy for safe biking and bike lanes. “We fight for safer, more equitable streets,” said Ken Podziba, President and CEO of Bike New York © Karen Rubin/goingplacesfarandnear.com

“We’re dedicated to making cycling more inclusive and accessible, and that’s why we hold free classes in all five boroughs at our Community Bike Education Centers. Students are provided with bikes, helmets, and the insights and knowledge of experienced instructors, creating an encouraging environment for building core riding skills.”

 “When COVID-19 brought the world to a standstill, Bike New York was forced to temporarily suspend its in-person programming. Though cycling events came to a halt, the need for bike resources swelled as a huge influx of people turned to cycling for transportation and recreation. We knew we couldn’t slow down.

Among the luminaries joining the TD Five Boro Bike Tour is NYS Senator John Liu, US Congressman Tom Suozzi, NYC Deputy Transportation Commissioner Leon Heyward and Councilmen© Karen Rubin/goingplacesfarandnear.com

“To address the sudden surge in demand for accessible bike education, we pivoted from teaching in the streets to bringing our lessons to the virtual classroom. Since launching our digital education program and Virtual Bike Education Resource Hub in April, we’ve helped hundreds, if not thousands, of students build their bike skills, confidence, and know how—and with aspiring cyclists from across the country tuning in to our weekly classes, we’re making a difference far beyond the five boroughs.”

Bike New York also has a Recycle-A-Bicycle program, which accepts donations of old, used, and broken bikes, which are completely restored, refurbished, and sold or salvaged for parts, and out of the waste stream. In 2019, RAB reused or repurposed nearly 12 tons of material, which saved 77.95 metric tons of CO2 emissions.

In July 2019, Bike New York celebrated the opening of Brooklyn’s Shirley Chisholm State Park by launching a free bike share pilot program designed to make exploring nature as easy as checking out a library book. The Bike Library hosts a fleet of 84 bikes (refurbished by graduates of Recycle-A-Bicycle’s Earn-A-Bike program) available for park visitors to “check out” for rides around the grounds in the summer and fall.

In the Library’s first three months, park-goers took 8,585 rides along 10 miles of car-free pathways by scenic Jamaica Bay. The Library reopened and expanded for the 2020 season, offering New Yorkers a meaningful way to enjoy the outdoors while social distancing and other pandemic restrictions were in place.

 “We know that one of the best ways to encourage healthy lifestyle choices and regular physical activity in children and young adults is to give them the freedom to explore on two wheels.” Bike New York partners with Woodhull Hospital, Lincoln Hospital, and New York Cycle Club to produce our Kids’ Ride Club, a friendly, fun group ride program for youth cyclists in low-income neighborhoods. And to challenge kids to see what cycling life is like beyond city limits, Bike New York held its inaugural bike touring trip for teenage bike enthusiasts in 2019,
a tristate adventure that pushed them out of their comfort zone to prove just what amazing things they could accomplish together.”

Last year, Bike New York partnered with One Community, a nonprofit dedicated to professional training and employment placement, to pilot an intensive, hands-on bike mechanic training program that helps formerly incarcerated New Yorkers continue down the path of rebuilding their lives through the power of stable employment. The program focuses on the particulars of repair and maintenance for Citi Bikes and prepares participants for a well-paying union job on Citi Bike’s mechanic team. Recycle-A-Bicycle provided 60 hours of instruction, as well as tools, materials, and support, to a cohort of students. (Learn more here.)

In 2019, Bike New York began a concentrated effort to actively engage in and spearhead local-level advocacy initiatives. Within its first year, projects included:

  • Providing expertise and detail to the City Council’s Streets Master Plan Bill, which passed in October of last year. It commits the city to install 50 miles of protected bike lanes per year starting in 2022, and to measure bike network connectivity.
  • Supplying a broad set of ideas for Mayor de Blasio’s “Green Wave Plan,” issued in July 2019. It raises NYC DOT’s target for protected bike lanes from 20 to 30 miles per year in 2020 and 2021. It also calls for more attention to the quality of barriers along protected bike lanes, bike-speed signal timing, and bike parking.
  • Producing a Bike Network agenda to take advantage of congestion pricing.

And in the summer of 2020, Bike New York launched Street Action Now! program to instruct a cohort of students how to analyze unsafe street conditions, perform a street audit, and work with community boards to prompt real change on their blocks.

In addition to supporting Bike New York’s endeavors,  hundreds of riders on the Five Boro Bike Tour were biking in support of charities and organizations including New York Cares, Planned Parenthood, Ronald McDonald House, The Hope Program, Sanctuary for Families, Parent Project Muscular Dystrophy (visit bike.nyc to see the charity partners).

Bike New York made provision for riders who paid their fees but could not come on the rescheduled date of August 29 – they could defer the fee for 2022’s ride or get 50% refund. 

Andrew Bregenzer. EVP, Regional President at TD Bank, the title sponsor of the TD Five Boro Bike Tour since 2007, told the riders, “We believe in quality of life for New York. We’ve been a New York bank for 20 years. The ride today has new meaning, perspective. This is the greatest city in the world. Celebrate resiliency of New York City.” © Karen Rubin/goingplacesfarandnear.com

TD Bank has been the title sponsor since 2007; Manhattan portage is the presenting sponsor. Other sponsors include Bloomberg, Amazon, NYU Langone Health, Trek, New York Bike Lawyers, Nestle Quik New York Times, Con Edison, NYC Ferry, NYC & Company and Empire Outlets.

Pulling off such an ambitious event was further demonstration, “There’s no stopping New York.”

Bike New York, 140 E 45 St., Ste 2002, New York, NY 10017, 212-682-2340, info@bike.nyc, www.bike.nyc.

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© 2021 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Holidays in NYC in Photos: Glad Tidings of Comfort and Joy

Holidays in New York City: Saks windows (c) Karen Rubin

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Take  a winter holiday stroll through mid-town Manhattan. There are many changes this year – mostly the absence of thick crowds, circles delineating social distancing for queues into shops, outdoor dining constructions bathed in warm light. The animated shop windows New York is so famous for – Macy’s, Saks (masks on the figures), Bergdorf Goodman– are more low key this year, themed around thanking all those who are getting us through this darkness and cheering on New Yorkers. Bergdorf Goodman, for many years in a row, getting my award for best, wins again this year with its stunning windows with dramatic messages of  Love, Hope, Goodness, Joy and Gratitude. And there are clever innovations to spread cheer: New York’s iconic symbols illuminated on the sidewalks, like a yellow cab. Saks still has its marvelous sound-and-light show illuminating its entire façade, just across the street from the Rockefeller Center tree, but it is pared down to just a few minutes so people don’t stand around too long. And there are security controls to minimize crowding and direct people to the entrance for ice skating or tree viewing. Even Atlas, the mighty ancient Greek Titan holding the heavens on his shoulders, is wearing a mask.

Come, walk with me:

Holidays in New York City: Macy’s famous windows with a simple universal message, “Thank You” (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Macy’s famous windows with a simple universal message, “Thank You” (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Sound and light show at Saks (c) Karen Rubin/goingplacesfarandnear.com
Holidays in NYC: Sound and light show at Saks (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Bergdorf Goodman (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Bergdorf Goodman (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Bergdorf Goodman (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Bergdorf Goodman (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: Bergdorf Goodman (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City. Even Atlas, the mighty ancient Greek Titan holding the heavens on his shoulders, is wearing a mask. (The bronze statue, the largest at Rockefeller Center, was created by sculptor Lee Lawrie and Rene Paul Chambellan and installed in 1937. © Karen Rubin/goingplacesfarandnear.com
Holidays in NYC: Rockefeller Center (c) Karen Rubin/goingplacesfarandnear.com
Holidays in NYC: Rockefeller Center (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com
Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com

See also:

WHERE TO GO FOR HOLIDAY CHEER: NOTHING STOPS NYC’S TRADITIONS, ICONIC EVENTS

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York City Virtually: Greatest Cultural Institutions, Closed for Coronavirus, Share Exhibits Online

The Metropolitan Museum of Art may be temporarily closed, but you can explore its collections virtually © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s major cultural institutions are temporarily closed to help minimize the spread of coronavirus, but many are making their exhibits and programs available virtually, and have websites that really engage, that make the time spent in enforced hibernation that much richer and more productive, and frankly, less maddening.

Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

The Metropolitan Museum of Art, which is celebrating its 150 anniversary year, has temporarily closed all three locations—The Met Fifth Avenue, The Met Breuer, and The Met Cloisters—effective March 13. Meanwhile, you can watch videos from exhibition previews to curator talks and performances (https://www.metmuseum.org/metmedia)) and experience the best of human creativity from every corner of the globe at The Met (I love watching the video of the conservation of the Degas tutu, https://www.metmuseum.org/metmedia/video/conservation-and-scientific-research/degas-tutu-conservation) and play audio guides (https://www.metmuseum.org/visit/audio-guide)

When the Met reopens, it will offer a series of special exhibits marking its 150th anniversary: The exhibition Making The Met, 1870–2020 will present more than 250 works of art from the collection while taking visitors on a journey through the Museum’s history; The reopening of the galleries for British decorative arts and design will reveal a compelling new curatorial narrative; Transformative new gifts, cross-cultural installations, and major international loan exhibitions will be on view throughout the year; and special programs and outreach will include a birthday commemoration on April 13, a range of public events June 4–6, and a story-collecting initiative.

“Our galleries may be closed, but never fear! Social media never sleeps.” Follow @metmuseum on Instagram for Tuesday Trivia, #MetCameos, and daily art content.

Being confined to home is a perfect time to take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?, available now on Coursera. This course offers an in-depth look at over 70 works of art from MoMA’s collection—many of which are currently on view in the expanded Museum—from 1980 to the present, with a focus on art produced in the last decade. Learners will hear directly from artists, architects, and designers from around the globe about their creative processes, materials, and inspiration. What Is Contemporary Art? can be found at mo.ma/whatiscontemporaryart.

Dorothea Lange’s iconic photograph is featured in MoMA’s exhibit “Dorothea Lange: Words & Pictures”. Meanwhile, take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?

I can’t wait for MoMA to reopen so I can see Dorothea Lange: Words & Pictures, the first major solo exhibition at the Museum of the photographer’s incisive work in over 50 years. The exhibition includes approximately 100 photographs drawn entirely from the Museum’s collection. Dorothea Lange: Words & Pictures also uses archival materials such as correspondence, historical publications, and oral histories, as well as contemporary voices, to examine the ways in which words inflect our understanding of Lange’s pictures. These new perspectives and responses from artists, scholars, critics, and writers, including Julie Ault, Wendy Red Star, and Rebecca Solnit, provide fresh insight into Lange’s practice. (Scheduled through May 9, 2020).

T. rex The Ultimate Predator at American Museum of Natural History. While the museum is closed, go online to its “Explore” site for videos, blogs and OLogy, a science website for kids of all ages. © Karen Rubin/goingplacesfarandnear.com

American Museum of Natural History while closed, the website is a treasure trove of information and engaging photos and ways to explore and interact on your own. At the section of its site labeled “Explore” https://www.amnh.org/explore, there are videos, blogs and OLogy: The Science Website for Kids, where kids of all ages can play games, do activities, watch videos and meet scientists to learn more about fossils, the universe, genetics, and more. (Check out https://www.amnh.org/explore/ology/brain)

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC. While the exhibit is closed, there are excellent materials online. © Karen Rubin/goingplacesfarandnear.com

Museum of Jewish Heritage-A Living Memorial to the Holocaust, is in the midst of the landmark exhibit, Auschwitz. Not long ago. Not far away. The most comprehensive Holocaust exhibition about Auschwitz ever presented in North America, the exhibit had already been extended until August 30, 2020. The museum so far is scheduled to reopen March 29; in the meanwhile, there are excellent materials at the website that will inform and prepare you for when the exhibit reopens (https://mjhnyc.org/discover-the-exhibition/about-the-exhibition/). (See Groundbreaking Exhibit at Museum of Jewish Heritage Transports to ‘Auschwitz: Not long ago. Not far away’)

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage. Many materials are online, but you can also re-visit some of the N-YHS’s imortant past exhibits, like a personal favorite, “Harry Potter: A History of Magic.” © Karen Rubin/goingplacesfarandnear.com

New-York Historical Society is closed so you will have to wait to experience “Women March,”   presidential/election exhibits (take a selfie in Reagan’s Oval Office) and “Bill Graham” (phenomenal and surprising exhibit with fabulous musical accompaniment about this iconic concert impresario). Meanwhile, the N-YHS website offers sensational online exhibitions featuring some of their important past exhibits, including ‘Harry Potter; A History of Magic,” and “the Vietnam War: 1945-1975” and Chinese American: Exclusion/Inclusion (https://www.nyhistory.org/exhibitions/online-exhibitions). You can also delve into its digital collection, with selections from the N-YHS Museum and Library’s holdings paintings, drawings, photographs, manuscripts, broadsides, maps, and other materials that reveal the depth and breadth of over two centuries of collecting.  (http://digitalcollections.nyhistory.org/).  (See: Many Pathways to Mark Centennial of Women’s Suffrage)

Meanwhile, some outdoor venues are open, as of this writing (the situation has changed daily):

The Brooklyn Botanic Garden remains open to the public, having implemented stringent cleaning protocols and posted new signage on-site about best practices in personal hygiene. “We hope that the Garden might offer you some comfort and beauty even during a particularly stressful time.” (https://www.bbg.org/visit)

Central Park, Prospect Park and Flushing Meadows may well provide needed respite. However, the Wildlife Conservation Society has temporarily closed the Bronx Zoo, Central Park Zoo, Prospect Park Zoo, Queens Zoo and New York Aquarium, effective Monday, March 16. Check wcs.org for updates.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Groundbreaking Exhibit at Museum of Jewish Heritage Transports to ‘Auschwitz: Not long ago. Not far away’

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Out of 1200 artifacts, photos, video testimonies, it comes down to one: a tiny, well-worn leather child’s shoe, the sock still hanging out of it. Was it taken off in anticipation the child was just going to a shower, or was the child ferociously pulled out of the shoe and sock?

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Shoes take on special significance at the “Auschwitz: Not so long ago. Not far away.” landmark exhibit at the Museum of Jewish Heritage in downtown Manhattan, which has been extended through August 30, 2020 before touring to other cities.

As you first walk in, there is a single red shoe in a glass case that perversely sparks an image of the ruby slippers in “Wizard of Oz.” set against a grey-toned wall-mural sized photo of piles of shoes. Further on as you walk through the three-floors of exhibits, there is the pair of hardened leather clog-looking shoes in a case with a prison uniform so rough and raw they would irritate, then infect and swell the feet, a death sentence for the hapless prisoner.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Another display case in the “Selection” section contains shiny leather boots, much like those that the prisoners would see Mengele wearing as they were forced out of the freight cars minutes after being unloaded at Auschwitz, beneath the sign that said. ‘Work Sets You Free.” He was the doctor who selected out twin children for his medical experiments. The rest of the children – 200,000 of them – were immediately sent to the gas chamber along with their mother, aunt, sister, grandmother or friendly stranger who had accompanied them on their journey. The tiny leather shoe with the sock still in it is the only evidence this child existed at all, his life extinguished.

800,000 more Jews were immediately sent to their deaths in the gas chambers, 2000 at a time, their bodies thrown into crematoria that worked 24/7 to keep up with the factory-scale exterminations, their ashes thrown into a river.

Out of the 1.1 million “deported” to Auschwitz, the largest of the Nazi killing camps, only 200,000 were “selected” not for immediate death but to become slave labor in the concentration camp. They too were immediately marched into showers, their hair shaved, their arms tattooed, their bodies stripped of any dignity or humanness. Few lived more than a month or two under the atrocious conditions – dying of starvation, disease, overwork, beatings or simply shot on the spot. Some became so infirm, they settled into their fate, and welcomed being carried by stretcher to end their daily terror and pain. Others, packed six to a wooden plank in the barracks, would wake up to find a dead person next to them.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

“Auschwitz: Not long ago. Not far away.” offers a different perspective on the Holocaust, a horror on a scale that is incomprehensible, by focusing down to the most personal elements.

This exhibit, which focuses down to one “tiny dot” on a map that was the largest killing camp in the Nazi’s network – makes it as personal as is possible. You walk in their shoes. And yet, as well as they show the faces, the horrors, the personal objects, the testimonials of survivors, the drawings and photos, an actual freight car and an actual barracks, even so, it is still hard to comprehend.

Indeed, the incomprehensibility of the horror was key to its success – along with secrecy and deception. People could not imagine the level of brutality, cruelty, savageness. So they packed up what they could in suitcases, expecting they were being resettled to places free of anti-Semitism, where they could work and live out their lives.

It is also the danger that such dehumanization, genocide, industrial-scale killing can happen again. Indeed, Auschwitz was not that long ago, nor that far away.

“Auschwitz” isn’t just a look back with graphic evidence to plant a marker in the history books that others are working so hard to erase . It is a look at now, a look at where the trajectory can lead. That is what is embodied in the phrase. “Never Again.”

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

I had been steeling myself to visit the Auschwitz exhibit at the Museum of Jewish Heritage. I recognized that I had an obligation, a responsibility to be a witness to the extent possible. A NYC-Arts special on PBS helped enormously because I could visualize, know what to expect and better prepare for the horror – unlike the millions who were sent to the killing camps. Then there was that television screening of the story of Irena Sendler, a Warsaw nurse who smuggled 2,500 children out of the Ghetto to safety – the film so graphic, her courage and nobility so palpable. Surely I could summon the courage to face the past. To Remember. Never Forget.

If you thought you knew about the Holocaust and the Nazis’ Final Solution that exterminated 6 million Jews and too many (40% of adults and 65% of young people) don’t know anything at all, this rare exhibit, with artifacts gathered from 20 institutions around the world, focuses just on Auschwitz – from how a simple Polish village, Oswiecim where half the population was made up of Jewish families who had lived there for centuries, was turned into the largest of six killing factories in Poland. Original artifacts – documents, personal items, posters, photos – show the roots of anti-Semitism and how being Jewish was converted from a religion to “an inferior race,” a sub-human species, stripped of legal, political, property and professional rights. That’s the first floor.

You see and hear from survivors how families were stuffed 100, 150 into a box car (like the one outside the museum), with the ploy of telling them they were being resettled to a better place free of anti-Semitism, then locked in with just one pail as a toilet and one pail for water, so crowded, one had to stand up in order for someone to sit down. And then they arrive on the “ramp”, where they are “selected,” crossing under a wrought iron sign that said, “Work Makes You Free.” That’s just the middle of the second floor.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Here you see stacks of suitcases, a pram (a rare artifact) that eerily reminds you of the display as you enter Ellis Island, the gateway for millions of immigrants into the United States. But here, it shows how unwitting the victims were. Because they were only moments away from being sent to their death. And because access to safe harbors like the United States were shut off to them.

Turn the corner in a room shrouded in darkness and you come upon a white door of a gas chamber, a metal mesh chimney down which the Zykon B poison was sent, a gas mask. In another case, one of the innocuous looking showerheads that survived the fire the Nazis set to destroy evidence of their Final Solution. Extraordinarily powerful and horrifying drawings by survivor Alfred Kantor depict how women and children were told to undress and hang up their clothes on a numbered hook so they would find them again – “Remember your number.” And then they would be locked into the gas chamber.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

They, too, were told they were going to shower to be de-loused. The Nazis made a show of having them undress in a changing room, have them put their clothes on numbered hooks so they could find them again. They were shoved 1000 at a time into a shower room, the doors clanked shut, and Zykon B poison pumped in. It took barely 15 minutes to exterminate them all.

The door would open at the other end and a group of Jewish prisoners, called Sonderkommandos, would pull the bodies out one by one, drag them to a dumbwaiter to the crematoria. To keep the secret safe, the Sonderkommandos were kept isolated from the rest of the camp, living in barracks above the crematoria. A rabbi among them, a Hungarian, took each child and said Kaddish before placing the small body in the crematorium.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

But one of the Sonderkommandos, working with Polish resistance, smuggled a camera and film and took photos of bodies being burned in vast fields with the overflow that couldn’t be handled in the crematoria, working night and day. There are four of these photos on display.

The Nazis harvested their victims. As the bodies were pulled from the gas chamber, a Sonderkommando designated “The Dentist” would pull out their gold teeth. Their clothes and meager belongings had already been plundered and sent to “Kanada” – vast warehouses named for a country that was considered rich but out of reach. Between the various business enterprises that the Nazis used their slave labor and the looting, it is estimated that each prisoner returned $794 in profit to the SS.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

How were the Nazis able to lead 11 million including 6 million Jews to slaughter like sheep? The secret is how they kept such a massive killing secret, and who could have imagined such diabolical cruelty, such grotesque brutality, who could have imagined a Final Solution?

How did they keep such a monstrous secret? How they managed to move people by the thousands – trapping them into the freight cars when the people thought they were being resettled to a pleasant village where they would be allowed to work. They kept it a secret when immediately upon arriving at Auschwitz, they were separated into two groups. One line was pushed to showers, told to strip and were turned into slave labor – their hair shaved, arms tattooed, all their property stripped away along with their identity, their personhood, stuffed into a prison uniform with an appropriate identifying symbol as to their status.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

You continue on to learn what life was like in Auschwitz for the 200,000 who were not immediately murdered. You listen to harrowing testimonials by survivors, see part of an actual barracks.

Indeed, Auschwitz  death toll of 1.1 million was the largest among all the German death camps. But it also had the greatest number of survivors – some 200,000 people brought to Auschwitz were sent to other camps before the war ended, and some 7,000 prisoners were liberated at Auschwitz in January 1945.

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

You leave this section, which is dark, almost completely black, into a room called “Persistence and Resistance,” which is off-white, round, with natural light streaming from a domed ceiling.

Persistence took the form of ways that the prisoners preserved their humanity.

Resistance took the form of getting the story of what was going on in Auschwitz out to the world, in the hopes that the Allies would bomb the killing center or disrupt the deportations, and preserving evidence that would ultimately hold perpetrators of such colossal evil accountable.

This is the most moving section of all – when I can finally start breathing again.

The Auschwitz SS aimed to destroy any possible solidarity between prisoners…‘Resistance’ in Auschwitz therefore consisted of acts in which prisoners, against all odds, showed solidarity with others. It included heroic actions made with a view to the larger world outside of the camp, grand gestures of generosity and small acts of kindness and charity, along with spiritual resistance. And it was expressed in the determination that-despite the best efforts of the SS – death in Auschwitz would not remain anonymous, and the victims would not remain without names.

I learn the amazing story of Witold Pilecki, a Second Lieutenant in the Polish Army who had himself arrested under the name Tomasz Serafinski and sent to Auschwitz in 1940 (prisoner no. 4859) in order to spy for the Polish government.

Witold Pilecki, a Second Lieutenant in the Polish Army who had himself arrested under the name Tomasz Serafinski and sent to Auschwitz in 1940 (prisoner no. 4859) in order to spy for the Polish government. “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

He managed to smuggle out messages about life and death in the camp while organizing fellow prisoners. In April 1943, Pilecki escaped, and returned to Warsaw to convince the Polish Resistance to attack Auschwitz in a coordinated effort with prisoners. But the commander who had sent him on his mission had been arrested, and the new leader judged an attack on the large and well-armed Auschwitz garrison to be suicidal. They also realized they wouldn’t be able to shelter the tens of thousands of inmates who might be freed. Pilecki wrote the first full report on conditions of Auschwitz and the mass murder of Jews in the gas chambers. The allies received the report but ignored it. Pilecki continued to fight the Germans, participating in the 1944 Warsaw Uprising.

Outrageously, in 1947, he was arrested by the Polish Communist government, tortured, and executed in 1948.

It was so critical to get information out that several risked their lives to smuggle information out.

I learn the story of The Auschwitz Protocols:  In March 1944, Slovakian Jewish inmates Walter Rosenberg (aka Rudolf Vrba) and Alfred Wetzler observed the Nazi’s preparations for the arrival of transports from Hungary. With a lot of planning and luck, they escaped from Auschwitz on April 7, 1944 and fled to Slovakia in the hopes of warning the Jews of Hungary.

The testimony of Vrba and Wetzler, along with information supplied by Czeslaw Mordowicz and Arnost Rosin, who escaped Auschwitz on May 27, 1944, yielded the first substantial report of the use of Auschwitz as a death factory. It became known as the “Auschwitz Protocols” and detailed the continuing massacres in the gas chambers. But the information didn’t reach the Hungarians in time: beginning in May, over 400,000 Jews were deported and murdered. A summary of the report arrived in the US in July. That same month, the Red Army’s liberation of the Majdanek camp led to the publication in the US of sensational reports written by well-known journalists in America media. Though it didn’t succeed in its primary objective, the Auschwitz Protocols led to diplomatic pressure that forced the Hungarian government [the leader now fearing he would be tried for war crimes] to stop further deportations, saving the lives of over 150,000 Jews. It also triggered a debate among the Allies: what parts of Auschwitz could or should be bombed.

On August 20, Allied bombers attacked the IG Farben factory, but not Auschwitz camps.

“I firmly believed that [the daily killing in the crematoria] was possible because the victims who came to Auschwitz didn’t know what was happening there,” Auschwitz survivor Rudolf Vrba wrote in 1985. “I thought that if this would be made known by any means within Europe, this might stir up the Resistance outside and bring help directly to Auschwitz. And thus the escape plans are finally formulated and the escape took place on April 7, 1944.

The Sonderkommandos organized an ill-fated revolt in October 1944.

Roza Robota recruited women prisoners working in the munitions factory operating next to the camp to smuggle gunpowder off-site. Robota passed it to Timofei Borodin, a Russian technician, who carried it to the Sonderkommandos. Their aim was to destroy the crematoria and spark a rebellion.

But the uprising went awry. The Sonderkommandos of Crematorium 5, hearing they were to b e gassed, revolted ahead of schedule. On October 7, they killed 3 SS, wounded 12 and burned down Crematorium 4. At the same time, the Sonderkommandos of Crematorium 2 attempted a breakout.

In retaliation the SS killed 451 Sonderkommandos. The camp Gestapo identified Robota and three other Jewish women – Regina Sapirstein, Ala Gertner and Ester Wajeblum – as plotters. After weeks of torture they were hanged publicly. As the noose was placed around her neck, Robota cried out ‘Nekama;’ (Revenge!)

Ester Wajeblum “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Auschwitz Sonderkommando Zalman Groiadowski (Sept 6, 1944), leaves a note. “Dear finder, search everywhere, in every inch of soil. Tons of documents are buried under it, mine and those of other persons, which will throw light on everything that was happening here. Great quantities of teeth are also buried here. We, the Sonderkommando workers, have expressly strewn them all over the terrain so that the world should find material traces of the millions of murdered people…”

Socks reinforced to muffle footsteps. Some 300,000 Jews went into hiding to avoid being rounded up and deported to concentration camps.“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

This groundbreaking 18,000-square-foot exhibition takes up three floors, 20 thematic galleries. Through the artifacts and Holocaust survivor testimony, it brings you inside and re-creates the experience as best as possible, raising the alarm how the unimaginable, the inconceivable happened and can happen again. The commentary notes that one demagogue like Hitler could not have produced the Holocaust.

“Genocide is a social act,” the audio guide says toward the end of the exhibit. “It requires a society who conspires…But the same society can resist.”

Nazis attempted to burn all evidence of their atrocities. “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

But there is one question that is not answered: who, what and how those who administered torture, who beat and murdered and presided over such intense suffering. That is a critical question to knowing whether such a thing could happen again. Just what percentage of a given population are sociopaths?

There are some clues provided in the statements that are presented:

Once Hitler had decided that the “Final Solution” would be enacted, one important question remained: Who was to be in charge of the genocide? Heinrich Himmler sought this responsibility as he believed it would help him consolidate his power.

Auschwitz commandant Rudolf Hoss (1946) testified, “I visited Treblinka to find out how they carried out their exterminations. I did not think his methods were very efficient. I used Zykon B, a crystallized prussic acid dropped into the death chamber from a small opening. It took from three to 15 minutes to kill the people. Another improvement we made over Treblinka was that at Treblinka the victims almost always knew that they were to be exterminated and at Auschwitz we endeavored to fool the victims into thinking that they were to go through a delousing process.”

“The children, they’re not the enemy at the moment. The enemy is the blood inside them. The enemy is the growing up to be a Jew that could become dangerous. And because of that the children were included as well.” (Former Auschwitz SS man Oskar Groning explaining in a 2004 interview why he condoned killing Jewish children).

The exhibition explores the dual identity of the camp as a physical location—the largest documented mass murder site in human history—and as a symbol of the borderless manifestation of hatred and human barbarity.

Consider this: Jews had lived in Germany for 1000 years before the Holocaust; they had lived in the Polish town of Oswiecim.that the Germans renamed Auschwitz and repurposed for a killing factory for hundreds of years. It was only 10 quick years between when Hitler was democratically elected Chancellor in 1933, to the Final Solution in 1942. By the time Germany surrendered, two years later, 6 million Jews – two-thirds of Europe’s Jewish population – had been exterminated.

That’s how fast things can descend into unimaginable evil.

Groundbreaking Exhibition

Produced by the international exhibition firm Musealia and the Auschwitz-Birkenau State Museum in Poland, the groundbreaking exhibition is the largest ever on Auschwitz with more than 700 original objects and 400 photographs. The New York presentation of the exhibition allows visitors to experience artifacts from more than 20 international museums and institutions on view for the first time in North America, including hundreds of personal items—suitcases, eyeglasses and shoes—that belonged to survivors and victims of Auschwitz. Other artifacts include: concrete posts that were part of the fence of the Auschwitz camp; part of an original barrack for prisoners from the Auschwitz III-Monowitz camp; a desk and other possessions of the first and the longest-serving Auschwitz commandant Rudolf Höss; a gas mask used by the SS; Picasso’s Lithograph of Prisoner; and an original German-made Model 2 freight train car of the type used for the deportation of Jews to the ghettos and extermination camps in occupied Poland. 

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

The exhibition also features 10 artifacts on loan from the Anne Frank House in Amsterdam, which include the spilled, dried beans Anne wrote about in her diary and that were later discovered lodged between the cracks of stairs in the home where she hid from the German Nazis. The beans have never been displayed anywhere before. Most recently, the Museum announced the exhibition’s incorporation of a shofar (a ram’s horn that is made into a special wind instrument used during Jewish High Holiday services) that was hidden and clandestinely blown in the Auschwitz. The shofar was newly added to the exhibition on the cusp of the High Holy days and temporarily transported to two New York City synagogues to be blown on Rosh Hashanah and Yom Kippur. 

The Museum of Jewish Heritage has incorporated into the exhibition nearly 100 rare artifacts from its collection that relay the experience of survivors and liberators who found refuge in the greater New York area. Alfred Kantor’s sketchbook and portfolio that contain over 150 original paintings and drawings from Theresienstadt, Auschwitz, and Schwarzheide; the trumpet that musician Louis Bannet (acclaimed as “the Dutch Louis Armstrong”) credits for saving his life while he was imprisoned in Auschwitz; visas issued by Chiune Sugihara, a Japanese diplomat in Lithuania often referred to as “Japan’s Oskar Schindler”; prisoner registration forms and identification cards; personal correspondence; tickets for passage on the St. Louis; and a rescued Torah scroll from the Bornplatz Synagogue in Hamburg, postcards sent home in order to deceive family members as to what was really going on at the camp. 

A rare film of a killing field. “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Most profound is a film that has survived showing a killing field in which the killers are so casual, even bored by the routine as villagers look on, and the four photos of Crematorium 5 smuggled out by Alberto Errera, a Jewish-Greek army officer who joined the resistance during the German occupation, assuming the name Aleksos (Alex) Michaelides. Captured, Errera was sent to Auschwitz in April 1944 and selected for the Sonderkommando. On August 9, Errera attempted an escape but was captured, tortured and killed.

One of four photos smuggled by Alberto Errera of bodies being burned in a desperate effort to notify the world. “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Most poignant are the video testimonials of survivors describing their personal experiences.

Also on display from the Museum of Jewish Heritage collection is Heinrich Himmler’s SS helmet and his annotated copy of Hitler’s Mein Kampf, as well as an anti-Jewish proclamation issued in 1551 by Ferdinand I that was given to Hermann Göring by German security chief Reinhard Heydrich on the occasion of Göring’s birthday. The proclamation required Jews to identify themselves with a “yellow ring” on their clothes. Heydrich noted that, 400 years later, the Nazis were completing Ferdinand’s work. “These artifacts stand as evidence of a chapter of history that must never be forgotten.”

The information is presented as clearly, simply, directly, forth-rightly and in excruciatingly personal terms, but it is all still so hard to comprehend, to process, the magnitude, the scale of cruelty.

The artifacts and materials in the exhibition are on loan from more than 20 institutions and private collections around the world. In addition to the Auschwitz-Birkenau State Museum and the Museum of Jewish Heritage – A Living Memorial to the Holocaust, participating institutions include Yad Vashem in Jerusalem, Anne Frank House in Amsterdam, United States Holocaust Memorial Museum in Washington, Auschwitz Jewish Center in Oświęcim, the Memorial and Museum Sachsenhausen in Oranienburg, and the Wiener Library for the Study of the Holocaust and Genocide in London. 

Parallel Lives: One wall shows photos of Nazis frolicking at Auschwitz; the other the “Lost World”of Jews before the Holocaust. “Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

Auschwitz. Not long ago. Not far awaywas conceived of by Musealia and the Auschwitz-Birkenau State Museum and curated by an international panel of experts, including world-renowned scholars Dr. Robert Jan van Pelt, Dr. Michael Berenbaum, and Paul Salmons, in an unprecedented collaboration with historians and curators at the Research Center at the Auschwitz-Birkenau State Museum, led by Dr. Piotr Setkiewicz.

“When we, the Musealia curatorial team set out to design the Auschwitz exhibition, we realized that we faced a difficult problem. In Auschwitz over a million people, mostly Jews, were murdered shortly after their arrival or suffered and died in unimaginable circumstances. How does one create an exhibition about such a dark chapter in human history that, in our understanding, is not long ago and happened in a place not far away? How does one make the public, that has so many opportunities to explore a great city like New York, decide that it would want to see such an exhibition? Our tools were straightforward: a narrative told through more than 700 original artifacts, 400 original images, 100 stories, made present by means of filmed testimonies and quotes – all revealing individual experiences of a history we must learn from,” said Dr. Robert Jan van Pelt, Chief Curator.

Following the New York presentation, the exhibition will tour to other cities around the world.

Visiting

You need 2 ½ to four hours to see just this exhibit (I was there five hours before I realized it). hours).

Entry is by timed ticket available at Auschwitz.nyc. Audio guide (available in 8 languages) is included with admission. Tickets are $25 Flexible Entry (entry any time on a specific day); $16 Adults; $12 Seniors and People with Disabilities; $10 Students and Veterans; $8 Museum Members.

FREE for Holocaust survivors, active members of the military and first responders, and students and teachers through grade 12 in schools located in New York, New Jersey, and Connecticut (with valid school-issued ID). 

Garden of Stones is a memorial garden planted by the artist, Andy Goldsworthy, Holocaust survivors and families, overlooks the Statue of Liberty. Museum of Jewish Heritage, NYC © Karen Rubin/goingplacesfarandnear.com

The Museum of Jewish Heritage – A Living Memorial to the Holocaust is New York’s contribution to the global responsibility to never forget. The third largest Holocaust museum in the world and the second largest in North America, since 1997, the Museum of Jewish Heritage has welcomed more than 2.5 million visitors; it maintains a collection of more than 40,000 artifacts, photographs, documentary films, and survivor testimonies and contains classrooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition galleries, a resource center for educators, and a memorial art installation, Garden of Stones, designed by internationally acclaimed sculptor Andy Goldsworthy. Set in the southernmost tip of Manhattan overlooking the New York Harbor, the Museum completes the cultural and educational triad with the Statue of Liberty and Ellis Island, visible from its balcony.

The Museum also partners with Jewish Heritage Travel – offering heritage trips  to Germany & France; Poland; The Baltics; Germany; Spain & France; Argentina; and India (jhtravel.org, 845-256-0197).

The Museum is closed on Saturdays, Jewish holidays, and Thanksgiving. 

Museum of Jewish Heritage – A Living Memorial to the Holocaust, 36 Battery Place, New York City, 646-437-4202, mjhnyc.org.

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