Category Archives: New York City travel

Rush to See the New York Gilbert & Sullivan Players’ ‘Mikado,’ Showpiece of its 45th Season

The New York Gilbert & Sullivan Players take their bows after a stellar performance of “The Mikado” at the Kaye Playhouse, at Hunter College © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

One of my earliest memories of New York theater is of seeing the D’oyly Carte production of “The Mikado,” one of Gilbert & Sullivan’s most iconic works. So I am jarred when the curtain rises on a very different production –a first scene which I don’t recall, in which composer Arthur Sullivan, librettist William S. Gilbert and producer Richard D’Oyly Carte himself appear, reflect on the new exhibit of Japanese art at Knightsbridge, and Gilbert imagines a new opera set in Japan. When the curtain rises on the fictional town of Titipu, instead of elaborate Japanese kimonos, the Gentlemen of Japan look a lot like Englishmen with odd hats and outfits, and so do the ladies when they appeared in their modified flowing dresses.

I soon appreciate the bold innovation including the new opening scene and characters, and costumes that make clear these are Victorian Englishmen pretending to be Japanese – as the new character of Gilbert says “They dress like us,” except with bright colors. The device, to address the sensibilities of a modern audience, puts the focus of Mikado properly where it should be: a satire on human nature. And in revising the work in this way, a new generation can be delighted by the magnificent music and ingenious lyrics. If anything makes us laugh, especially at ourselves, that is a gift.

Indeed, Gilbert & Sullivan’s comic operas – basically inventing today’s musical theater form – are on par with Shakespeare and similarly deserve to be tweaked and reinterpreted, just as “Much Ado About Nothing” was at this year’s Public Theater production, and performed generation after generation.

This production, was first introduced in 2016 as a response to an outcry from New York’s Asian-American community in 2015 over the political incorrectness and insensitivity of the original, regularly performed with Caucasian actors in yellowish makeup and taped-back eyelids. There is no danger of that: this cast is multi-racial.

“NYGASP listened for a simple reason – it was the right thing to do. One year later we created an imaginative new production which all communities, audiences and artists could embrace,” the program notes. The show opened to sold-out crowds and critical acclaim in December 2016; this is its second New York City run. Run to see it before the season concludes, January 5.

The new opening scene and costuming make sure there is no confusion that the Mikado represents Englishmen satirizing Victorian society and politics, capitalizing on British fascination with all things Japanese in the 1880s, to defuse the pointed references that might have gotten Gilbert & Sullivan, who were under censorship of Lord Chamberlain, into trouble. And frankly, the depiction of The Mikado (who doesn’t even appear for the first 2 ½ hours of the three-hour show) as a cruel but ridiculous tyrant is reminiscent of how the Red Queen is depicted in “Alice’s Adventures in Wonderland” (1865). If anything, that character is more relevant today than in 2015 or even 1885.

Of course British audiences of 1885 could have cared less about “political correctness.” The object of Gilbert & Sullivan’s satire was British society and human nature and the human condition, and they created their fictional Titipu, Japan, to make their satire more palatable.

We take advantage of seeing the December 30 afternoon “Grandparents” performance, geared to families, which features a before-show talk introducing the plot and music and an after-show backstage tour in the company with the players.

Conductor and Musical Director Albert Bergeret, who founded the New York Gilbert & Sullivan Players 45 years ago, gives a family-friendly talk introducing “The Mikado”  © Karen Rubin/goingplacesfarandnear.com

During the talk, by the Conductor and Musical Director Albert Bergeret, who founded the New York Gilbert & Sullivan Players 45 years ago, I learn that my comparison of “Mikado” for Gilbert & Sullivan to “Madame Butterfly” by Puccini is not entirely unfounded. While the music that Sullivan composed runs the gamut of British musical styles (ballad, madrigal, march), he incorporates the Japanese five-note scale and an actual Japanese folk song, Miya-sama (though for this production, new English lyrics are substituted for the Japanese) – music which Puccini also expropriates in “Madame Butterfly.”

“We took out what’s incomprehensible or inappropriate,” Bergeret says, who adds that Sullivan was a brilliant, classically trained musician who was well versed in all genres of music and composers from around the world. In “Mikado” Sullivan demonstrates his virtuosity in writing in many different forms.

Just as Gilbert incorporated contemporaneous digs, so too does this Ko-Ko, a common tailor taken from the county jail (for flirting) and elevated to Lord High Executioner, update his “List” of those who shan’t be missed, to be as current has yesterday’s tweet, changing it each performance, surprising even the rest of the cast.

Ko-Ko, brilliantly played by David Macaluso, includes “the wealthy narcisscist, he never will be missed” on his list and manages to spell out T-R-U-M-P in the subheads of the long, long list as the scroll unfurls.

Backstage with David Macaluso who shows off Ko-Ko’s executioner’s ax in New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

The premise of “The Mikado,” is a society under the thumb of an all-powerful sadistic but ridiculous ruler who makes ridiculous but cruel laws on a whim: flirting as a capital offense, then demanding to know why no executions have been carried out. 

The Mikado, played by David Wannen, exclaims, “My object all sublime/I shall achieve in time/ to let the punishment fit the crime.. And make each prisoner pent/Unwillingly represent/A source of innocent merriment.”

The Mikado’s updated list of who to punish and how, includes the instagrammer “made to endure a dungeon cell without not one cellular bar” and “political pundits, who must sail for weeks on a boat full of leaks on a sea of alternative facts.” (That gets tremendous laughs.)

David Wannen who plays the title role of “The Mikado” gives audiences a backstage tour after New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

They do manage to slip in a few names, carefully spreading their barbs more or less equally: but one placement in particular is rich – Pooh-Bah, marvelously played by Matthew Wages, signs the execution order with all his official positions, but adds to the list signing of those supposedly witnessed Nanki-Poo’s execution Attorney General William Barr and the chair of the Judiciary Committee (balance).

The Mikado then looks to execute Ko-Ko (the Lord High Executioner), Pooh-Bah (the “Lord High Everything”) and Pitti-Sing (one of the “three little maids from school” and Ko-Ko’s wards, played by Amy Maude Helfer) for carrying out the Mikado’s orders to execute somebody but unwittingly executing the heir to the throne. The Mikado appreciates the effort (he only wishes he could have witnessed the execution) but insists they still should be executed for, well, killing the heir and looks for the entertainment value in their lingering death.

The Mikado justifies killing the three because, after all, this is an unfair world where the virtuous suffer and the undeserving succeed. This leads to the song that probably best sums up the moral of Gilbert & Sullivan’s “Mikado,” in which the three condemned sing, “See how the Fates their gifts allot/For A is happy, B is not/Yet B is worthy, I dare say/Of more prosperity than A…If I were Fortune which I’m not/B should enjoy A’s happy lot/And A should die in miserie/That is, assuming I am B.”

In the end The Mikado is less a jab at all-powerful monarchal misrule, than a comic contemplation of what human beings do when in that situation. Their focus is on human nature and the human condition. In Mikado, we see self-preservation – even by Yum-Yum who is willing to marry Nanki-Poo who loves her so much he is willing to be executed after just a month, until she realizes that as the wife of an executed man, she would be buried alive.

This production makes another change at the end, stopping the show for a return to the Gilbert & Sullivan characters trying to figure out an ending that would not rely on a magical or fantastical device like the “magic lozenge” they used in their 1877 opera “The Sorcerer” and almost breaks up their collaboration. (Gilbert finally gets to use the device in “The Mountebanks,” written with Alfred Cellier in 1892). Instead, Gilbert comes up with an argument that actually makes sense given the circumstance: Any order by the Mikado must be carried out, so having given the order, it must have been carried out (not much more absurd than “He was too stupid to know withholding military aid to a vulnerable ally in exchange for political favor was illegal”).

Caitlin Burke as lovelorn and overbearing Katisha, shows off the Titipu Depot set during a backstage tour of New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

Another part that young people might assume was added as a nod to “Me Too” to make relevant, is Katisha espousing on ‘beauty’ –her face might not be much (and doesn’t cruelty hold some allure?), but she has a shoulder blade, a right elbow, and a heel that admirers come miles to see.

“The Mikado,” the ninth of 14 collaborations between Gilbert & Sullivan, was immensely popular when it opened on March 14 1885 in London, running for 672 performances, the second longest run for any musical theater production. By the end of 1885, some 150 companies in Europe and America were performing the operetta. It even was widely performed in Japan (apparently they took no offense).

There were decades when a production of Mikado could be seen somewhere in the English speaking world any day of the year. Performed for the last 135 years, some of its word inventions have entered the lexicon, such as “the grand Poo-Bah” and “Let the punishment fit the crime.”

The brilliant David Auxier, who plays W.S. Gilbert as well as Pish-Tush, would make the real Gilbert proud in his crafting of a new Prologue for New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

The new Prologue, written by NYGASP Director and Choreographer David Auxier-Loyola (who also plays W.S. Gilbert and Pish-Tush), appears actually a distillation of the actual background (or rather the mythology) to Gilbert & Sullivan creating “The Mikado,” especially their references to avoiding a similar plot solution of a magic lozenge. Apparently, the Knightsbridge exhibition of Japanese art came after Mikado opened, though British fascination in Japan had built up from the 1860s and 1870s, after Japan opened to Western trade in 1854. (The 1999 film “Topsy Turvy” is a marvelous film depicting their lives around this time.)

Gilbert & Sullivan actually invented musical theater. At the time Gilbert & Sullivan were writing, there were opera, light opera and music hall theatricals, but nothing like a musical show with story – music that had both class and pop – with real story lines, music advanced the story, Bergeret tells us. This is where musical theater started,. Watching “Mikado” you see a straight line to Rogers & Hammerstein and Stephen Sondheim.

Matthew Wages plays the grand Pooh-Bah, a Gilbert & Sullivan character that has entered the lexicon, in New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

All eight-performances that are being presented this season are family friendly, but some have special events attached. We had the marvelous experience of attending a “Grandparents” performance which featured a before-show talk introducing the show (especially to children), and a most marvelous after-show backstage tour with cast members. (David Auxler, who plays the Gilbert character said they only had five rehearsals) and so enjoyed going backstage with David Macaluso (Ko-Ko), who showed us the various props including his giant executioner’s ax.

This not-to-be-missed production of the iconic comic opera is fabulous,  featuring original choreography and direction by NYGASP Associate Stage Director David Auxier, who also authored the show’s prologue and plays Gilbert and Pish-Tush, and Assistant Direction by Broadway performer/director Kelvin Moon Loh.

The show’s sensational cast includes: dynamic bass David Wannen as The Mikado; clever patter man and comic David Macaluso as Sullivan and Ko-Ko; blustering Matthew Wages as Richard D’Oyly Carte and the pompous Pooh-Bah; creative David Auxier as author Gilbert and town leader Pish-Tush; charming tenor John Charles McLaughlin as romantic hero Nanki-Poo; formidable Caitlin Burke as lovelorn and overbearing Katisha; beautiful soprano Sarah Caldwell Smith as self-aware Yum Yum; Rebecca Hargrove as maiden sister Peep-Bo, and mellifluous mezzo Amy Maude Helfer as adventurous Pitti-Sing. 

We get to see the magnificent scenery designed by Anshuman Bhatia close up during a backstage tour with Daivd Macaluso, who plays Ko-Ko in New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.com

The production showcases magnificent scenery designed by Anshuman Bhatia, costumes by Quinto Ott and lighting by Benjamin Weill.  The Mikado is produced by NYGASP Executive Director David Wannen. 

Since its founding in 1974, the New York Gilbert & Sullivan Players (NYGASP) has presented more than 2,000 performances of the Gilbert & Sullivan masterpieces throughout the United States, Canada and England, captivating audiences of all ages.

NYGASP has been hailed as “the leading custodian of the G&S classics” by New York Magazine and has created its own special niche in the cultural mosaic of New York City and the nation.  According to the Company’s Founder/Artistic Director/General Manager Albert Bergeret, NYGASP’s mission is “giving vitality to the living legacy of Gilbert & Sullivan.”

Conductor and Musical Director Albert Bergeret, who founded the New York Gilbert & Sullivan Players 45 years ago, talks with audience on stage © Karen Rubin/goingplacesfarandnear.com

“Everyone loves The Mikado and our new production, with its celebrated premise of imagination, keeps the revered story alive and colorful,” he says.  “I’m delighted to once more be involved in elevating the humor and musical values of this evolving and very theatrical production, while alternating on the conductor’s podium with my colleague, Joseph Rubin, as part of NYGASP’s commitment to the future development of the Company”.

“The Mikado” is the showpiece of NYGASP’s 45th season, presenting eight family friendly performances after Christmas, Dec. 27 through Jan. 5, 2020 at The Kaye Playhouse at Hunter College. An encore Family Overture presentation will take place at 12:45 pm before the Jan. 4 Saturday matinee at 2 pm which features a musical introduction and plot summary made entertaining for the whole family (free to all ticket holders).

Tickets are $95/orchestra, $50/balcony; $25/rear balcony; special discounts:  50% off for children 12 and under accompanied by an adult, 10% off for seniors 65 and older; order by phone:  212-772-4448, order pnline:  www.nygasp.org, or purchase in person at the box office (Monday-Friday, noon-7pm).

The next NYGASP production is Gilbert & Sullivan’s “The Gondoliers,” April 18-19, 2020.

The Kaye Playhouse, 68th Street between Park and Lexington Avenues. 

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Photo Highlights of 93rd Edition of Macy’s Thanksgiving Parade

Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The 93rd edition of the iconic Macy’s Thanksgiving Parade  ushered in the holiday season with 16 giant character balloons; 40 novelty balloons, heritage balloons, balloonicles, balloonheads and trycaloons; 26 floats of fantasy; 1,200 cheerleaders and dancers; more than 1,000 clowns; and 11 of the nation’s finest marching bands, starting with the pilgrims riding a giant turkey and finishing with Santa Claus on his sleigh.

Macy’s Inc CEO Jeff Gennette and NBC’s Al Roker kick off the 93rd edition of the Macy’s Thanksgiving Parade © Karen Rubin/goingplacesfarandnear.com

Despite strong winds and gusts on the cusp of forcing the giant balloons to be grounded, heroic balloon handlers acted more like wranglers to keep the balloons in control, though flying so low as to touch the ground. Still, there were thrills to be had, and not just the excitement at seeing favorite characters as tall or as long as a building flying overhead, as the balloons passed cross-streets where the winds were strongest, almost pushing the balloons over. The crowd cheered their encouragement, “Go, go, go.”

Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Snoopy, celebrating the 50th anniversary of the Moon Landing. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Chris Janson. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Marching Band from Ronald Reagan High School, Texas. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Kelly Rowland. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

New giant balloon characters joining the line-up this year included Astronaut Snoopy by Peanuts Worldwide, Green Eggs and Ham by Netflix, and SpongeBob SquarePants & Gary by Nickelodeon. In celebration of his 75th birthday, a heritage balloon and fan favorite Smokey Bear once again takes to the skies over Manhattan.

Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Alvin Ailey Dance Troupe. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Alvin Ailey dance troupe. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Mighty Morphin Power Ranges. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

Returning giant balloon characters included Diary of A Wimpy Kid® by Abrams Children’s Books; Sinclair Oil’s DINO®; The Elf on the Shelf®; Goku; Illumination Presents Dr. Seuss’ The Grinch; Jett by Super Wings™; Olaf from Disney’s “Frozen 2”; Chase from PAW Patrol®; Pikachu™ by the Pokémon Company International; Pillsbury Doughboy™; Power Rangers Mighty Morphin Red Ranger; Ronald McDonald®; and Trolls. Completing the inflatable lineup is the famed Aflac Duck, Sinclair Oil’s Baby DINOs and the Go Bowling balloonicles, as well as Universal Orlando Resort’s The Nutcracker.

Teenage Mutant Ninja Turtles. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Black Eye Peas. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Goku. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Ozuna. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

The parade also featured special performances and appearances by Natasha Bedingfield, Black Eyed Peas, Chicago, Ciara, Josh Dela Cruz, Celine Dion, Jimmy Fallon and The Roots, Debbie Gibson, former NASA Astronauts Kay Hire & Janet Kavandi, Chris Janson, Idina Menzel, Lea Michele, Miss America 2019 Nia Franklin, NHL® Legends Dominic Moore and Eddie Olczyk, the cast & Muppets of Sesame Street, NCT 127, Ozuna, Billy Porter, Kelly Rowland, That Girl Lay Lay, TLC, Tenille Townes, and Chris Young.

Ronald MacDonald. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Josh Dela Cruz. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
610 Stompers from New Orleans. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Awesome Original Second Time Arounders from St. Petersburg, Florida. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Awesome Original Second Time Arounders, St. Petersburg, Florida. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Billy Porter on the Rexy in the City float at the Macy’s Thanksgiving Parade (c) Karen Rubin/goingplacesfarandnear.com
Rexy in the City float. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Nia Franklin, 2019 Miss America, is from New York. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Diary of a Wimpy Kid. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

This year, five new floats debuted including Nickelodeon’s Blue’s Clues & You! (Josh Dela Cruz), The Brick-changer by The Lego Group (NCT 127), Home Sweet Home by Cracker Barrel Old Country Store® 3 (Tenille Townes), Rexy in the City by COACH® (Billy Porter), and Toy House of Marvelous Milestones by New York Life (Kelly Rowland).

Green Eggs and Ham. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Madison Central HS, Kentucky. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Madison Central HS, Kentucky. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Sponge Bob Square Pants. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Big Apple Circus. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Chris Young on South Dakota’s Mount Rushmore float. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

The returning float roster and its scheduled performers and special stars included 1-2-3 Sesame Street® by Sesame Workshop™ (The cast and Muppets of Sesame Street); Big City Cheer! by Spirit of America Productions (Miss America 2019 Nia Franklin); Central Park (Lea Michele); Christmas Cheer is Near by Elf Pets®/The Elf on the Shelf®; Cornucopia; Deck the Halls by Balsam Hill® (Idina Menzel); Everyone’s Favorite Bake Shop by Entenmann’s® (Jimmy Fallon and The Roots); Fantasy Chocolate Factory by Kinder™ (Natasha Bedingfield), Harvest in the Valley by Green Giant® (Chris Janson); Heartwarming Holiday Countdown by Hallmark Channel (Chicago); Mount Rushmore’s American Pride by South Dakota Department of Tourism (Chris Young); the NHL® Most Valuable Hockey Mom presented by MassMutual (Black Eyed Peas and NHL® Legends Dominic Moore and Eddie Olczyk); Parade Day Mischief by SOUR PATCH KIDS® Candy (Ozuna); Rise of the Teenage Mutant Ninja Turtles by Nickelodeon (Ciara); Santa’s Sleigh (Santa Claus); Shimmer and Shine by Nickelodeon (Debbie Gibson); Snoopy’s Doghouse by Peanuts Worldwide (Charlie Brown and former NASA Astronauts Kay Hire and Janet Kavandi); Splashing Safari Adventure by Kalahari Resorts and Conventions (TLC); Tom Turkey; and Universal Playground by Universal Kids (That Girl Lay Lay).

Smokey Bear. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Dr. Martin Luther King Jr. High School’s Kings of Halftime, Lithonia, GA.Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Blue Springs Golden Regiment Marching Band, Missouri. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Trolls. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Balloon handlers wrangle the Trolls. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Jimmy Fallon and The Roots. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Western Carolina University’s Pride of the Mountains Marching Band, Cullowhee, NC. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

Returning for a third year by popular demand, the Macy’s Singing Christmas Tree by Delta Air Lines will feature the harmonious voices of more than 100 Macy’s colleagues and friends from Delta hailing from across the nation and the world. Performing an original song to celebrate the start of the holiday season, the golden-voiced chorus will touch the hearts and uplift the spirits of millions.

Lea Michele. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Dr. Seuss’ The Grinch. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Chicago. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Enthusiastic parade watchers. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Pillsburgh Doughboy. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

For this year’s 93rd march, 11 of the specially chosen marching bands from around the country included Awesome Original Second Time Arounders Marching Band (St. Petersburg, FL), Blue Springs High School Golden Regiment (Blue Springs, MO), Catalina Foothills Falcon Band (Tucson, AZ), Franklin Regional Panther Band (Murrysville, PA), Macy’s Great American Marching Band (United States), Madison Central High School Band (Richmond, KY), Dr. Martin Luther King Jr. High School’s Kings of Halftime (Lithonia, GA), Morgan State University’s The Magnificent Marching Machine (Baltimore, MD), NYPD Marching Band (New York, NY), Ronald Reagan High School Marching Band (San Antonio, TX), and Western Carolina University’s Pride of the Mountains Marching Band (Cullowhee, NC).

Catalina Foothills Falcon Band, Tucson, AZ. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Catalina Foothills Falcon Band, Tucson, AZ. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Keeping The Nutcracker under control. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Idina Menzel. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Great American Band. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Great American Band. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Olaf. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
The Singing Tree. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
The Singing Tree. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

Parade watchers also got a taste of the specialty performance groups. Joining the line-up this year were the teen dancers and cheerleaders of Spirit of America Dance Stars and Spirit of America Cheer – together featuring more than 1,200 of the very best performers recruited from hometowns nationwide. Also, the hilarious 610 Stompers (New Orleans, LA), modern dance youth talent showcased by The Alvin Ailey School (New York, NY).

Santa Claus. Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com
Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

Other performances included the tap dance theatrics of children from The Nice List (New York, NY). Rounding out the performance group line-up and joining select talent performances will be Gamma Phi Circus (Normal, IL), Manhattan Youth Ballet (New York, NY), the dance stars of the world-renowned in-school arts education program National Dance Institute (New York, NY) and Young People’s Chorus of NYC (New York, NY).

Macy’s Thanksgiving Parade, NYC ushers in the holiday season © Karen Rubin/goingplacesfarandnear.com

Some 3.5 million people turn out to line the two-mile parade route; another 50 million watch on television.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Most Wonderful Time of the Year: New York City Sparkles with Holiday Festivities

The most stupendous, eagerly anticipated float of all at the Macy’s Thanksgiving Day Parade carries Santa Claus with his elves and reindeer ushering in the Christmas season © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

From the Macy’s Thanksgiving Day Parade to the Christmas Tree Lighting at Rockefeller Center and the New Year’s Eve ball drop in Times Square, New York City offers unparalleled ways to celebrate the holidays with vibrant performances, tours, lightings, special events taking place from early November into January.

“New York City’s celebratory spirit and excitement are palpable during the annual holiday season. From iconic attractions and events to hidden-gem activities in all five boroughs, there’s an endless roster of memorable programming to enjoy from November to January,” said NYC & Company president and CEO Fred Dixon. NYC & Company, New York City’s official destination marketing organization, is forecasting seven million visitors will visit the City during the 2019–2020 holiday season.

Here are some of the festive events, performances and activities across the boroughs to celebrate the holiday season in New York City.

Annual Celebrations:

The Macy’s Thanksgiving Day Parade is a classic New York City celebration of the holidays, featuring larger-than-life helium balloons, fantasy floats, clowns, performance groups, Broadway’s best musicals, celebrity appearances. Olaf from Frozen makes a return appearance in the 93rd edition of the parade © Karen Rubin/goingplacesfarandnear.com

Macy’s Thanksgiving Parade, November 28, Manhattan
The Macy’s Thanksgiving Day Parade is a classic New York City celebration of the holidays, featuring larger-than-life helium balloons, fantasy floats, clowns, performance groups, Broadway’s best musicals, celebrity appearances and more. The 93rd Annual spectacle will feature new balloons including Astronaut Snoopy, Netflix’s Green Eggs and Ham, SpongeBob SquarePants & Gary, Smokey Bear and Yayoi Kusama’s Love Flies Up to the Sky. New floats include Nickelodeon’s Blue’s Clues & You!, The Brick-changer by The Lego Group, Home Sweet Home by Cracker Barrel Old Country Store®, Rexy in the City by COACH® and Toy House of Marvelous Milestones by New York Life. The parade begins at 9 am on 77th Street and Central Park West, snakes around Central Park South and heads down Sixth Avenue before concluding at Macy’s Herald Square at 34th Street and Seventh Avenue.

Balloon Inflation, November 27, 1-8 pm: Head up to the American Museum of Natural History on November 27 from 1 to 8 pm to watch the balloon inflation at West 79th Street and Columbus Avenue but be prepared for long lines (entrance at 73rd and Columbus.)  

Rockefeller Center Christmas Tree Lighting Ceremony, December 4, Midtown, Manhattan: The Christmas Tree at Rockefeller Center has been a tradition for more than eight decades. Lighting up Rockefeller Plaza, the tree lighting ceremony features performances and classic Christmas songs. The tree will arrive on November 9, light up on December 4 and be on view through early to mid-January.  

Rockefeller Center at Christmas © Karen Rubin/goingplacesfarandnear.com

Lighting of the Largest Menorah in Brooklyn and Lighting of the World’s Largest Menorah:  Manhattan, December 22, Prospect Heights, Brooklyn; Grand Army Plaza, Manhattan: Both the Manhattan and Brooklyn Grand Army Plazas compete in the race for the World’s Largest Hanukkah Menorah. The Largest Menorah in Brooklyn has been lit since 1985, and the annual concert to kick off the holiday will be held on December 22.  

New Year’s Eve Times Square Ball Drop, December 31–January 1, Times Square, Manhattan: Each year, millions of viewers watch the Times Square Ball Drop from New York City and around the globe. The Waterford Crystal Times Square New Year’s Eve Ball sparkles in Times Square for visitors to see all season, but its descent is a spectacular, once-in-a-lifetime way to ring in the New Year.  

New Year’s Eve Fireworks at Prospect Park, December 31–January 1,  Prospect Park, Brooklyn: The Grand Army Plaza’s iconic New Year’s Eve Fireworks at Prospect Park offer an alternative to the frenzy of Times Square. This spectacular celebration includes live music, followed by a fireworks show at midnight.  

New Year’s Eve in Times Square (c) Karen Rubin/goingplacesfarandnear.com

Sparkling Light Festivities:

Shine On at Hudson Yards, November 29-January 5. A new tradition being introduced at Manhattan’s newest neighborhood. Kicks off the day after Thanksgiving with full day of live performances featuring award-winning New York musicians, dangers and entertainers, plus Only at Hudson Yards offers. Then, every Tuesday through December 24, music and dance performances throughout Hudson Yards, and Saturdays children’s activities and family events. Immersive Light and Music Shows: the New York premiere of artist Christopher Schardt’s light sculpture Lyra, 5 pm daily at multiple locations throughout Hudson Yards. Visit Wells Fargo Lodge for hot chocolate tastings and 360-degree photo ops, plus interactive Star Stations with gift wrapping. Unlock holiday offers from SAP with shine ON LED bracelet available at Hudson Yards retailers.  

Holiday Lights at the Bronx Zoo, November 21–January 5, Fordham, the Bronx: Returning for the first time since 2007, the stunning light displays at the Bronx Zoo will cover several acres in a walk-through experience with wildlife-themed LED displays, custom lanterns and animated light shows.  

LuminoCity Festival, November 23-January 5, Randall’s Island Park, Manhattan: Sixteen acres of lights will illuminate themed worlds during this inaugural festival, creating an immersive journey for visitors that includes a castle, skating unicorn and enchanted forest.  

Brookfield Place Light Up Luminaries, December 3-January 4, Battery Park City, Manhattan: This spectacular light installation kicks off December 3 with an evening of free ice skating, snacks and live performances.  

Hello Panda Festival at Citi Field, December 6–January 26, Flushing, Queens: The debut of this international lantern, food and art festival will include 60 global cuisine vendors, arts experiences, live performances and a holiday market.

NYC Winter Lantern Festival, November 20–January 12, Randall Manor, Staten Island: The NYC Winter Lantern Festival is returning for a second year to Staten Island. Sponsored by Empire Outlets and venue partner Snug Harbor Cultural Center & Botanical Garden, eight acres will be lit up by more than 50 LED installations, accompanied by live performances of traditional Chinese dance and art.  

Winter Exhibits and Cultural Events:

The Origami Holiday Tree at the American Museum of Natural History, November 25–January 12, Upper West Side, Manhattan: This beloved tradition includes a 13-foot tree and 1,000 origami models. The signature Origami Holiday Tree, themed “Oceans of Origami” this season, has been a part of the celebrations for more than 40 years.

New-York Historical Society, (November 1, 2019 – February 23, 2020:  A holiday favorite returns this season, reimagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. Holiday Express: All Aboard to Richard Scarry’s Busytown  showcases artwork and graphics of Scarry’s characters like Huckle Cat and Lowly Worm from publisher Random House Children’s Books alongside more than 300 objects from the Jerni Collection’s antique toy trains, stations, and accessories. Using Busytown stories and characters, dynamic displays explore the workings of the railroad, the services it provides, and the jobs required to keep people and goods moving. Fun, train-related activities for kids of all ages take place through the exhibition’s run―all free with museum admission. These include: Celebrating Richard Scarry and Busytown! (Saturday, December 14 and Sunday, December 15; 1–3 pm); December School Vacation Week (Thursday, December 26 – Wednesday, January 1) (170 Central Park West (77th St), New York, NY 10024, www.nyhistory.org)

Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com

Gingerbread Lane at New York Hall of Science, November 23–January 12, Flushing Meadows Corona Park, Queens: Gingerbread Lane at the New York Hall of Science invites visitors to witness the vast collection of gingerbread structures embellished with candy canes, chocolate and frosting.  

New York Botanical Garden Holiday Train Show, November 23–January 26, Fordham, the Bronx: Conveniently accessible via the Metro-North Railroad from Grand Central Terminal, head to the New York Botanical Garden to be enchanted by model trains zipping through a display of more than 175 NYC landmarks, each re-created with natural materials.  

Belmont BID Arthur Avenue Tree Lighting Ceremony, November 30, Belmont, the Bronx: Experience Christmas in the Bronx’s Little Italy at the Belmont BID Arthur Avenue Tree Lighting. The annual event features a visit from Santa, cookies and hot chocolate among the twinkling lights.  

Seaport District NYC Celebrations, Seaport District NYC, Manhattan: Festivities in this neighborhood include the Winterland Holiday Tree Lighting on December 2, Menorah Lighting on December 22, a pop-up tree farm, ice skating and a light display at Pier 17.  

Holiday Workshop Weekend at Wave Hill, December 7–8, Riverdale, the Bronx: Create one-of-a-kind holiday decorations by the gorgeous gardens and galleries at Wave Hill during their interactive Holiday Workshop Weekend.  

Historic Richmond Town Candlelight Tours, December 14–21, Staten Island: This Christmas season, experience the tastes and scents of centuries past at Historic Richmond Town. Step back in time while touring the unique New York City which is illuminated by candles and oil lamps.  

11th Annual Latke Festival at the Brooklyn Museum, December 16, Prospect Heights, Brooklyn: One of New York City’s most unique and delicious holiday tasting events, the Latke Festival is a charity event that celebrates the best and most creative potato pancakes.  

Melrose Holiday Parranda, December 21, Melrose, the Bronx: The Melrose Holiday Parranda follows in the footsteps of Puerto Rican holiday caroling with a procession based on plena music and holiday songs.
Cheer-Filled Performances:

The Rockettes are sure to perform their iconic Wooden Soldiers routine in the Christmas Spectacular at Radio City © Karen Rubin/goingplacesfarandnear.com

Radio City Christmas Spectacular Starring the Rockettes, November 8–January 5, Midtown, Manhattan: The Christmas Spectacular Starring the Radio City Rockettes returns to Radio City Music Hall, dazzling audiences of all ages with incredible costumes, festive songs and synchronized high kicks.  

Four Renditions of the Holiday Classic A Christmas Carol

An unforgettable Broadway experience, Christmas Carol at the Lyceum Theatre will run November 7-January 5 with a new, enchanting interpretation of this holiday masterpiece.  

For a unique venue, head to the 1832 Merchant’s House Museum in Greenwich Village, as an actor portraying Charles Dickens shares this memorable story November 29–January 4.  

The Players Theatre will bring Charles Dickens’ timeless tale to life in their 11th annual A Christmas Carol the Musical December 1–20 in Greenwich Village.  

A Christmas Carol at Queens Theatre transports the audience to Victorian England to experience Scrooge’s iconic journey December 6–22.  

Three Extraordinary Versions of The Nutcracker:  

George Balanchine’s The Nutcracker at the Lincoln Center Plaza brings the classic Christmas Eve tale to life with breathtaking music and choreography November 29–January 5.  

The Salzburg Marionette Theatre’s The Nutcracker is coming to Flushing Town Hall in Queens on December 4 with a historical puppet cast bound to entertain children and adults alike.  

The Brooklyn Nutcracker at Kings Theatre transforms familiar characters and scenes to represent the diverse traditions and vibrant culture of Brooklyn on December 14.  

Alvin Ailey American Dance Theater at New York City Center, December 4–January 5, Midtown, Manhattan: Alvin Ailey American Dance Theater’s holiday season opens with premieres, new productions and repertory favorites, including the masterpiece Revelations.  

A Holiday Doo Wop Spectacular at the St. George Theatre, December 7, St. George, Staten Island: The famous theatre presents its annual Holiday Doo Wop Spectacular featuring critically-acclaimed performers such as The Vogues, The Crystals and Eddie Holman.  

Holiday Performances at the World Famous Apollo Theater, Harlem, Manhattan: The Apollo Theater, celebrating its 85th anniversary in 2019, hosts holiday events including a Harlem gospel choir performance at Coca-Cola Winter Wonderland on December 14, followed by the Amateur Night Holiday Special. Gospel legends Yolanda Adams and Donald Lawrence headline annual concert Holiday Joy: A Gospel Celebration on December 21. As a grand finale, the annual Kwanzaa Celebration on December 28 features Abdel Salaam’s Forces of Nature Dance Theatre and guest performances.

New Year’s Eve Concert for Peace, Cathedral Church of Saint John the Divine © Karen Rubin/goingplacesfarandnear.com

New Year’s Eve Concert for Peace, Cathedral Church of Saint John the Divine, (1047 Amsterdam Ave. at 112th St., New York 10025, 212-316-7540,info@stjohndivine.org, www.stjohndivine.org), Tuesday, Dec. 31, 2019, 7-8:30 pm,: Founded by Leonard Bernstein in 1984, the annual New Year’s Eve Concert for Peace is a signature Cathedral event with performances by the Cathedral Choir and Orchestra led by Director of Music Kent Tritle. Harry Smith, host; special guests Paul Winter, Jamet Pittman, Jason Robert Brown, and David Briggs. General admission seats are free and open to the public on the night of the show. Reserved seats are available now. 

Holiday Shopping:

Holiday Markets abound, including Bryant Park where you can also ice skate or visit the New York Public Library’s exhibits on novelist JD Salinger and Broadway Producer Harold Prince © Karen Rubin/ goingplacesfarandnear.com.

Holiday markets: New York City is full of incredible holiday markets, with must-buy gifts, sweets, drinks and winter activities. This year, the Bank of America Winter Village at Bryant Park opened earlier than ever on October 31. Other popular markets include the Union Square Holiday Market, Columbus Circle Holiday Market, Brooklyn Flea and Astoria Market.  

Iconic Holiday Windows: Awe-inspiring window displays at stores such as Saks Fifth Avenue, Macy’s Herald Square and the new Nordstrom Women’s Store sparkle, inviting visitors to explore the magic of New York City shopping.  

Enchanted by the holiday windows © Karen Rubin/goingplacesfarandnear.com

Empire Outlets, St. George, Staten Island: New York City’s first-ever outlet destination, Empire Outlets, will ring in the holiday season with a special Black Friday sale and their first annual tree lighting ceremony. Easily accessible by the free Staten Island Ferry from Lower Manhattan, the outlets will be adorned with thousands of lights, garland wraps and a 40-foot tree.  

23 Days of Flatiron Cheer, December 1-23, Flatiron District, Manhattan: 23 Days of Flatiron Cheer will include free, holiday-themed events showcasing the intersection of shopping, dining and culture in this vibrant neighborhood.

The Shops at Columbus Circle has kicked off its fourth year of Broadway Under the Stars, a five-week series of free public performances taking place this holiday season.Select cast from today’s hottest Broadway musicals will perform against the backdrop of the destination’s famous 12 massive stars. These stars, one of the largest specialty crafted exhibits of illuminated color displays in the world, are suspended from the 100-foot-high ceilings. Performances, lasting 20 minutes,  begin at 5 pm and are free to attend and open to the public, no reservations or tickets are required. (Nov. 11, Waitress, Chicago, Oklahoma!andThe Lightening Thief; Nov. 18, Come From Away, Rock of Ages; Nov. 25: Dear Evan Hansen, The Illusionists, Frozen; Dec. 2: Beetlejuice, Tootsie, Mean Girls; Dec. 9: Phantom of the Opera, Wicked). Additional Broadway Under the Stars offerings include specialty cocktails from the Shops at Columbus Circle’s Restaurant and Bar Collection which includes Monday night drink specials like Center Bar’s Pomegranate Smash cocktail ($16). Visit www.theshopsatcolumbuscircle.com for more information and list of events and happenings.  

The Shops at Columbus is particularly festive during the holidays © Karen Rubin/goingplacesfarandnear.com

Shop at Your Hotel: Several hotels are home to retail pop-ups this holiday season, partnering with iconic stores to make shopping easier than ever for visitors. ​

Grand Hyatt New York is partnering with Macy’s Herald Square for a pop-up located behind the check-in desk, featuring New York City-themed gifts, Macy’s Thanksgiving Day Parade apparel and novel gift items November 25–January 1.  

Loews Regency New York Hotel and Bloomingdale’s are teaming up to bring a curated selection of holiday gifts to the lobby lounge November 29-December 24, including on-site monogramming of leather gifts by ROYCE New York.

Conrad New York Midtown is launching the first FAO Schwarz Holiday Suite, filled with shoppable toys, stuffed animals and gifts that will be restocked for visitors who book a stay in the suite November 18–January 5. Additionally, all guests during this time period will be able to order gifts on demand to their suite or home address.

For additional holiday celebrations and ideas, visit nycgo.com/holidays.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Before the Macys Thanksgiving Parade Comes the Macy’s Balloon Inflation

The iconic Macy’s Thanksgiving Parade is actually two events, which begins the day before with the Macy’s Balloon Inflation, from 1 to 8 pm when you can watch the volunteers as they literally breathe life into the iconic giants © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The iconic Macy’s Thanksgiving Parade is actually two events, which begins the day before with the Macy’s Balloon Inflation, from 1 to 8 pm when you can watch the volunteers as they literally breathe life into the iconic giants.

This has become wildly popular, with thousands and thousands of people arriving for a peek as hundreds of volunteers work to inflate the balloons. They start off flat, laid out in precise order on the streets around the American Museum of Natural History.

But the event is so popular, the entrance is at 73rd and Columbus (be prepared for intense security; can’t bring backpacks and very long lines), following a route up Central Park West, to 77th Street,  Columbus Avenue and back down 81st streets to the exit.

The best time to watch is around 5 pm when you will see the balloons in various stages of completion. (Insider tip: if you visit the Museum of Natural History early in the day, when you leave, you are right in the middle of the action.

This is really an insider’s look and it is really thrilling.

Since 1927, when the Parade’s character balloons first joined the revelry, the inflatables have become a signature element featuring some of the world’s most beloved characters. Over time, the inflatables have morphed from air-filled characters carried on sticks to high-flying giants, balloonheads and even hybrid inflatables with vehicles inside (balloonicles) or tandem tricycles (trycaloons).

New giants joining the line-up this year include Astronaut Snoopy by Peanuts Worldwide, Green Eggs and Ham by Netflix, and SpongeBob SquarePants & Gary by Nickelodeon. In celebration of his 75th birthday, a heritage balloon and fan favorite will return to the Parade as Smokey Bear once again takes to the skies over Manhattan.

The Peanuts balloon at the Macy’s Thanksgiving Day Parade Balloon Inflation event, NYC (c) Karen Rubin/goingplacesfarandnear.com

 In 2005, the Macy’s Parade began to feature what would become a collection of high-flying artwork created in collaboration with renowned contemporary artists. The special series, entitled Macy’s Blue Sky Gallery, has featured some of the art world’s finest creators. This year, for the eighth edition of the series, the world’s most renowned female contemporary artist will take her iconic art to new heights as Yayoi Kusama joins the Macy’s Parade with her Love Flies Up to the Sky balloon. The design was developed by the artist from face motifs that appear in her “My Eternal Soul” series of paintings–a body of work that she began in 2009. Vibrant and animated, the paintings embody Kusama’s innovative exploration of form and revolve around a tension between abstraction and figuration. The artist’s signature dots–which recur throughout her practice—are also featured prominently in the Macy’s Parade balloon design. Previous balloons in the Macy’s Parade Blue Sky Gallery series have included works from famed artists Tom Otterness, Jeff Koons, Keith Haring, Takashi Murakami, Tim Burton, KAWS, and FriendsWithYou™.

Macy’s Thanksgiving Day Parade Balloon Inflation event, NYC (c) Karen Rubin/goingplacesfarandnear.com

Returning giant balloon characters include Diary of A Wimpy Kid® by Abrams Children’s Books; Sinclair Oil’s DINO®; The Elf on the Shelf®; Goku; Illumination Presents Dr. Seuss’ The Grinch; Jett by Super Wings™; Olaf from Disney’s “Frozen 2”; Chase from PAW Patrol®; Pikachu™ by the Pokémon Company International; Pillsbury Doughboy™; Power Rangers Mighty Morphin Red Ranger; Ronald McDonald®; and Trolls. Completing the inflatable lineup is the famed Aflac Duck, Sinclair Oil’s Baby DINOs and the Go Bowling balloonicles, as well as Universal Orlando Resort’s The Nutcracker.

93rd Edition of Macy’s Thanksgiving Parade

Then, the 93rd edition of the Macy’s Thanksgiving Parade kicks off at 9 am on Thursday, November 28  when the time honored phrase Let’s Have a Parade™ rings from the starting line. With more than 8,000 volunteers dressed as clowns, guiding the flight of larger-than-life character balloons, transporting some 2.5 million spectators who line New York City’s streets and 50 million more watching on television to new worlds.

Olaf flies in the Macy’s Thanksgiving Day Parade (c) Karen Rubin/goingplacesfarandnear.com

The iconic holiday event ushers in the season with its signature giant character balloons, floats of fantasy, the nation’s finest marching bands, whimsical groups, musical performances, and the one-and-only Santa Claus With special performances and appearances by Natasha Bedingfield, Black Eyed Peas, Chicago, Ciara, Josh Dela Cruz, Celine Dion, Jimmy Fallon and The Roots, Debbie Gibson, former NASA Astronauts Kay Hire & Janet Kavandi, Chris Janson, Idina Menzel, Lea Michele, Miss America 2019 Nia Franklin, NHL® Legends Dominic Moore and Eddie Olczyk, the cast & Muppets of Sesame Street, NCT 127, Ozuna, Billy Porter, Kelly Rowland, That Girl Lay Lay, TLC, Tenille Townes, and Chris Young

Here are more fun facts about the Macy’s Thanksgiving Parade:

OVERVIEW:

3.5 million people line the Macy’s Thanksgiving Day Parade route in New York city (c) Karen Rubin/goingplacesfarandnear.com

• Years of the Macy’s Thanksgiving Day Parade – 93 (est. 1924) o Note: The Parade was canceled in 1942, 1943 and 1944 due to World War II.

• Parade Route Spectators – 3.5 Million

• Parade Route Length – 2.5 miles (77th & Central Park West south to 34th Street-Herald Square)

• Participants – 8,000+ including Macy’s colleagues and their friends & families, celebrities, recording artists, athletes, Broadway performers, marching bands, clowns, dancers, cheerleaders and other performance groups

BALLOONS:

• Giant character helium balloons – 16

• 40 novelty, heritage, specialty balloons, balloonicles, balloonheads and trycaloons

• New balloons – Astronaut Snoopy by Peanuts Worldwide, Green Eggs and Ham by Netflix, SpongeBob SquarePants & Gary by Nickelodeon, Smokey Bear by USDA Forest Service, and Love Flies Up to the Sky by Yayoi Kusama

• Height of tallest balloon – 62 feet (Diary of A Wimpy Kid®)

• Length of longest balloon – 77 feet (Power Rangers Mighty Morphin Red Ranger)

• Width of widest balloon – 39 feet (Jett by Super Wings™)

• Balloon handlers – more than 1,600 (90 handlers on average per giant balloon)

More than 1600 volunteers are on hand to handle the giant balloons at the Macy’s Thanksgiving Parade (c) Karen Rubin/goingplacesfarandnear.com

FLOATS:

• Floats – 26, comprised of hundreds of different set pieces and other structural elements

• New floats – Blue’s Clues & You! by Nickelodeon, The Brick-Changer by The LEGO Group, Home Sweet Home by Cracker Barrel Old Country Store®, Rexy in the City by COACH®, and Toy House of Marvelous Milestones by New York Life

• Length and height of largest float – 60 feet long and 3.5 stories tall (Santa’s Sleigh)

• Float escorts – 400

THE BROADCAST:

• Television Viewers – More than 50 Million, one of the country’s most viewed televised events

• Hours of Live Television – 3 (9am-noon, in all time zones), 3 rebroadcast (2pm-5pm, in all time zones)

• Years on NBC, official national broadcast partner – 66 (since 1952)

• NBC TODAY Show anchors as host of the Parade: o 2019 marks Hoda Kotb’s 2nd year hosting o 2019 marks Savannah Guthrie’s 8th year (since 2012)

•  2019 marks Al Roker’s 25th year (since 1995)

Al Roker marks his 25th year in the Macy’s Thanksgiving Parade (c) Karen Rubin/goingplacesfarandnear.com.

ENTERTAINMENT, PERSONALITIES & PERFORMERS:

• Marching Bands – 11 bands spanning approximately 2,793 members in total

• Performance Groups – 10 groups including 600 cheerleaders and 600 dancers from all over the country

• Radio City Rockettes® – An annual favorite, they first performed in the 1957 Parade

• Broadway musicals – 4, the long-standing relationship with Broadway shows to showcase performances nationally, dating back to 1977

• Choral Singers (Macy’s own) – 100

• Clowns – 1,000

• Clown Stilt Walker Units – 22

• Santa Claus – the ONE and ONLY in his famed Parade finale appearance o Santa Claus has closed the Macy’s Parade every year with the exception of 1933, the only year in which he led the official Parade march

There are 1000 clowns in the Macy’s Thanksgiving Parade (c) Karen Rubin/goingplacesfarandnear.com

BEHIND-THE-SCENES MAGIC BY THE MACY’S PARADE STUDIO TEAM:

• Hours of labor from the Parade Studio team of approximately 27 painters, carpenters, animators, sculptors, welders, scenic/costume designers, electricians and engineers – 50,000+

• Square Footage of the Parade Studio’s Moonachie, NJ headquarters – 72,000

• Length of Tubular Steel – nearly ½ mile for creation of the Macy’s Singing Tree, and the most steel ever sourced for a Macy’s Parade float

• Pounds of Glitter – 300

• Costumes – 4,200

• Make-Up Artists for Clowns – 90

• Banner Carriers – 95

The Singing Tree at the Macy’s Thanksgiving Parade (c) Karen Rubin/goingplacesfarandnear.com

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Paul Revere, Mark Twain, Baroness in Exile & a Richard Scarry ‘Holiday Express’ All on View at New-York Historical Society

Paul Revere is most famous for his midnight ride warning people of Massachusetts “the British are coming,” but the exhibit at the New-York Historical Society goes well “Beyond Midnight” to examine this complex and accomplished figure of Revolutionary America © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

You always make fascinating discoveries at the New-York Historical Society, but the nexus of exhibits and experiences that are being showcased through the holidays makes this particularly prime time for a visit: flesh out who Paul Revere was beyond his mythic Midnight Ride; see why Mark Twain, featured on the 150th anniversary of the publication of his seminal book, “Innocents Abroad, or The New Pilgrims’ Progress” was our first travel blogger; learn about the Baroness artist in exile who made a visual diary, and, of course, become enchanted at the “Holiday Express,” re-imagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. 

Beyond Midnight: Paul Revere

Paul Revere is most famous for his midnight ride warning people of Massachusetts “the British are coming,” but the larger than life legend is not the focus of this first-ever exhibit now on view at the New-York Historical Society. And while his prowess as a silversmith and artisan is very much displayed, we are surprised to learn about Revere as a printer, an engraver, an entrepreneur and innovator, a savvy businessman, a Mason, a “proto-industrialist” – all of which figured into his role as a patriot.

Most people think of Paul Revere solely as a silversmith, but his work as a printer and an artist was key to his role as a patriot seeking to break with Great Britain. His print of the Boston Massacre was significant to organize public opinion against the British. Paul Revere, The Bloody Massacre Perpetrated on King Street, Boston. Hand colored engraving, 1770. American Antiquarian Society. Gift of Nathaniel Paine.

Beyond Midnight: Paul Revere separates fact from fiction, revealing Revere as a complex, multifaceted figure at the intersection of America’s social, economic, artistic, and political life in Revolutionary War-era Boston as it re-examines his life as an artisan, activist, and entrepreneur. The exhibition, featuring more than 140 objects, most never before exhibited in public, highlights aspects of Revere’s versatile career as an artisan, including engravings, such as his well-known depiction of the Boston Massacre; glimmering silver tea services made for prominent clients; everyday objects such as thimbles, tankards, and teapots; and important public commissions, such as a bronze courthouse bell. There are personal items, as well – most touching is the gold wedding ring Paul Revere made for his second wife, Rachel, in a case below portraits of the two of them, a thin band engraved inside with the words, “Live contented.”

Organized by the American Antiquarian Society in Worcester, Massachusetts, and curated by Nan Wolverton and Lauren Hewes, Beyond Midnight debuts at New-York Historical through January 12, 2020, before traveling to the Worcester Art Museum and the Concord Museum in Massachusetts for a two-venue display (February 13 – June 7, 2020) and to Crystal Bridges Museum of American Art in Bentonville, Arkansas (July 4 – October 11, 2020). At New-York Historical, Beyond Midnight is coordinated by Debra Schmidt Bach, New-York Historical’s curator of decorative arts.

“When many of us think of Paul Revere, we instantly think of Longfellow’s lines, ‘One if by land, and two if by sea’, but there is much more to Revere’s story,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “This exhibition looks beyond the myth of Paul Revere to better understand the man as a revolutionary, an artisan, and an entrepreneur, who would go on to become a legend. There is much more to the Revere story than the famous ride. We are proud to partner with the American Antiquarian Society to debut this exhibition in New York.” 

Dr. Louise Mirrer, president and CEO of the New-York Historical Society, at the press-preview of “Beyond Midnight: Paul Revere” © Karen Rubin/goingplacesfarandnear.com

The New-York Historical Society partnered with the American Antiquarian Society (of Boston) which holds one of the most encompassing collections of Paul Revere’s documents, largely due to the society being founded by Isaiah Thomas in 1812, an “omnivorous collector,” who was a printer, publisher, patriot, colleague and customer of Paul Revere’s as well as a fellow patriot advocating for a break from Great Britain.

The Antiquarian Society, the oldest national historical society, is a research library and not a museum, so its collection is not publicly exhibited. That’s why this collaboration with the New-York Historical Society is so extraordinary.

A Revolutionary activist, Paul Revere was a member of the Sons of Liberty, a secret group opposed to British colonial policy including taxation that kept track of British troop movements and war ships in the harbor. The exhibition displays Revere’s 1770 engraving of the landing of British forces at Boston’s Long Wharf.

Four versions of Revere’s provocative engraving of the 1770 Boston Massacre are reunited in the “Beyond Midnight: Paul Revere” exhibition at the New-York Historical Society. The print inflamed anti-British sentiment, and different versions of it were widely disseminated as Patriot propaganda. © Karen Rubin/goingplacesfarandnear.com

Four versions of Revere’s provocative engraving of the 1770 Boston Massacre are also reunited in the exhibition. The engravings capture the moment when British soldiers fired upon a crowd of unruly colonists in front of the Custom House. The print inflamed anti-British sentiment, and different versions of it were widely disseminated as Patriot propaganda.

The only known copy of a broadside that still exists is on display under canvas.

The only known copy of a broadside of Paul Revere’s print of the Boston Massacre that still exists is on display under canvas at the exhibit at the New-York Historical Society © Karen Rubin/goingplacesfarandnear.com

But the print that most fascinated me was the one that depicted the first casualty of the American Revolution, a black man, Crispice Attucks, at the center. It was used to advance the cause of abolition before the Civil War.

Paul Revere was a master craftsman specializing in metalwork, including copperplate engravings and fashionable and functional objects made from silver, gold, brass, bronze, and copper. An innovative businessman, Revere expanded his successful silver shop in the years after the war to produce goods that took advantage of new machinery.  His fluted oval teapot, made from machine-rolled sheet silver, became an icon of American Federal silver design.

A Revere tea service that had belonged to John Templeman, the most complete tea service by Revere in existence is part of the “Beyond Midnight: Paul Revere” exhibit at the New-York Historical Society © Karen Rubin/goingplacesfarandnear.com

You see marvelous examples of Revere’s artistry as a silversmith – a skill he learned from his father. There is a Revere tea service that had belonged to John Templeman, on loan from the Minnesota Institute of Art, the most complete tea service by Revere in existence, which he made toward the end of long career that lasted until he was in his 70s.

Among the silver objects on view are two rare wine goblets possibly used as Kiddush cups made by Revere for Moses Michael Hays—his only known Jewish client—as well as grand tea services, teapots, tankards, teaspoons, and toy whistles created in Revere’s shop.

Among the silver objects on view are two rare wine goblets possibly used as Kiddush cups made by Paul Revere for Moses Michael Hays, his only known Jewish client and a fellow Mason © Karen Rubin/goingplacesfarandnear.com

But Revere, a genius at working with metals, also worked in brass and copper. He produced bells and cannon. Featured in the exhibit is a 1796 cast-bronze courthouse bell made for the Norfolk County Courthouse in Dedham, Massachusetts (about 100 Revere-created bells are still in existence and one, in Cambridge is still rung). The exhibition also explores how Revere’s trade networks reached well beyond Boston, even aboard ships bound for China. He frequently bought and sold raw and finished copper from New Yorker Harmon Hendricks and supplied copper for Robert Fulton’s famous steamship.

Paul Revere, a genius at working with various metals, also made bells and cannon in a “proto-industrial” setting © Karen Rubin/goingplacesfarandnear.com

We learn that the silver that Revere and the colonial silversmiths would have used came from South America, from mines run by the Spanish with African slave and Indian labor. “Spanish coin was the currency of colonial America.  Revere would melt old objects and coin for the silver.”

Meticulous account books that are in the collection show that Revere had customers in and around Boston- they are never shown except on microfilm, so it is very special to see these originals. In one, we see where Revere made notations and sketches.

What we learn is that Revere, who had 16 children, would create new businesses, set up new workshops and put a son in charge as he went on to create a new one.  “He had a drive to keep changing technology, but he built on what he learned as a silversmith.”

Revere was a proto-industrialist of the nascent nation; he changed from a workshop model that would employ two to four people, to more of an industrial model, with six to eight people paid wages.

The connection between being an artisan, an entrepreneur and an innovator plays into his role as a patriot.

Re-creation of the obelisk that Sons of Liberty used to celebrate the repeal of the Stamp Act, reproduced from Paul Revere’s etching © Karen Rubin/goingplacesfarandnear.com

As you enter the exhibit, you see a nine-foot-tall re-creation of the grand obelisk made for a 1766 Boston Common celebration of the repeal of the Stamp Act, the first tax levied on the American colonies by England. Originally made of wood and oiled paper, and decorated with painted scenes, portraits, and text praising King George while also mocking British legislators, the obelisk was illuminated from inside and eventually consumed by flames at the Boston event. Local newspapers of the time described huge event. The only remaining visual evidence is Revere’s 1766 engraving of the design which was used to make the reproduction.

Vial of tea thrown into the harbor during the Boston Tea Party. © Karen Rubin/goingplacesfarandnear.com

Revere was a member of the Sons of Liberty and helped plan and execute the Boston Tea Party in 1773, hurling tea into Boston Harbor. You get to see a vial of tea from the Boston Tea Party that was collected from Dorchester Beach (the water was cold so the bales of tea didn’t dissolve). One of the vials was given to the Antiquarian Society in 1840.

The place where the Sons of Liberty met to discuss their plans for the Tea Party, the Green Dragon Tavern, was also where the Masons met. Revere was a member of this secret society as well. The Masons were humanists, a clique and seen as anti-Christian, inspiring anti-Masonic societies, because all religions, including Jews like Hays, could join.

Isaiah Thomas, a Masonic brother, was a patriot and like many of the merchants saw America as independent of Great Britain, with its own ability to make (manufacture), sell and distribute goods and not rely on Europe. Thomas published a newspaper and hired Revere, who was a printer as well as an artist, to do the book plate and masthead for his newspapers.

Isaiah Thomas, a Masonic brother, was a patriot and like many of the merchants saw America as independent of Great Britain, with its own ability to make (manufacture), sell and distribute goods and not rely on Europe. Thomas published a newspaper and hired Revere, who was a printer as well as an artist, to do the book plate and masthead for his newspapers.

Portraits of Paul Revere and his wife Rachel. The New-York Historical Society exhibit “Beyond Midnight: Paul Revere” fleshes out a fuller picture of who the man really was © Karen Rubin/goingplacesfarandnear.com

Paul Revere was born in America in 1735. His father was a French Huguenot who came as a young man from Bordeaux France, emigrating first to the Isle of Jersey, and then to Boston as a goldsmith. Revere’s father dies young and Paul, having finished his apprenticeship, takes over at 19.

Revere belonged to an economic class called “mechanics,” ranked below merchants, lawyers, and clergymen. But Revere was a savvy networker, and what he lacked in social status, he made up for by cultivating influential connections. Membership in the Sons of Liberty led to commissions from fellow Patriots, but he also welcomed Loyalist clients, setting aside politics for profit. On view are nine elements from a grand, 45-piece beverage service that Revere created in 1773 for prominent Loyalist Dr. William Paine—the largest commission of his career—just two months before the Boston Tea Party.

Isaiah Thomas, like Paul Revere, was a self-made man, a printer who advocated for independence from Great Britain, a friend, colleague and customer of Paul Revere, and was the founder of the American Antiquarian Society, which has the most comprehensive collections of Paul Revere’s documents © Karen Rubin/goingplacesfarandnear.com

A key associate was Isaiah Thomas who, like Revere, exemplifies an American success story. Thomas was poor but taught himself how to read, write and set type and became one of wealthiest Americans as a printer, employing 150 people. It was the same with Paul Revere and Ben Franklin – they all started from nothing, but became successful – each of them had the ability in America to rise up, each was a printer, and each was a great innovator and thinker. The exhibit makes clear that a big part of Revere’s story is his importance as a printer.

The end of exhibit focuses on the Revere legend and the reality.

Paul Revere died in 1818, at the age of 83 (he worked until his 70s), but his fame endured, initially for his metalwork and then for his patriotism. In the 1830s, Revere’s engravings were rediscovered as Americans explored their Revolutionary past, and his view of the Boston Massacre appeared in children’s history books.

In 1860, poet Henry Wadsworth Longfellow, after visiting the Old North Church and hearing the story about the lanterns, was inspired to write “Paul Revere’s Ride,” romanticizing (and somewhat embellishing) the story of Revere’s journey to Lexington. The poem first appeared in the Atlantic Monthly in January 1861 (an original copy of the magazine is on view in the exhibition).

“Listen my children and you shall hear of the midnight ride of Paul Revere,” Longfellow wrote 85 years after the event, April 18, 1775. It was the eve of another revolution, the Civil War.  Longfellow’s intention was not to promote the idea of revolution but to remind Americans of our common foundation, our roots, our unifying experience.

A revisionist print of Revere’s Boston Massacre focusing on Crispice Attucks, the first casualty of the American Revolution, was used to advance the cause of abolition before the Civil War. © Karen Rubin/goingplacesfarandnear.com

Before the Longfellow poem was published, a new print of the famous Revere print of the Boston massacre was published that put the black man, Crispice Attucks, the first man to die for Revolution, America’s first martyr, in the center.

 “The Civil War started in 1861. Longfellow was an abolitionist and Boston was a hotbed of abolition. He wanted to remind the country of its shared past. That is why he brought Revere back to life, but his life was stripped down to one event,” curator Debra Schmidt Bach explains.

The exhibit is timely now for much the same reason: with such intense partisanship, there is the sense of needing to remind people of our common foundation.

In reality, Revere, who was 40 years old when he undertook his famous ride, was on foot until he crossed the Charles River to Cambridge and then rode a borrowed horse to Lexington. He was also one of three riders and was stopped briefly by British officers and then released when Revere talked his way out of being arrested. A map of the actual ride is on display.

Longfellow ‘s poem and Grant Wood’s painting Midnight Ride of Paul Revere  enshrined Paul Revere at the heart of the nation’s founding story but his real life was even more consequential © Karen Rubin/goingplacesfarandnear.com

Works like the Longfellow poem, artist Grant Wood’s 1931 painting Midnight Ride of Paul Revere depicting a dramatic scene of Revere riding past Boston’s Old North Church (also an embellishment) and others enshrined Paul Revere at the heart of the nation’s founding story. By the turn of the 20th century, the tale of Paul Revere and his midnight ride was firmly established in the nation’s psyche as truth, not fiction, and Revere’s contributions as a metalsmith and artisan were overshadowed.

The Revere exhibit, and the people who we are introduced to like Isaiah Thomas, reveals the DNA that propelled the American Revolution: how Americans had become their own culture, their own society, where an individual was not limited by birth, but could rise up. The Stamp Tax and the Tea Tax imposed by Britain clarified the limitations placed on the Americans’ economic development. More than a political revolution, the American Revolution was an economic and social revolution.

In piercing the bubble of the Revere legend, the exhibit exposes an even more interesting and consequential man.

 “Paul Revere” exhibit on view in NY until January 12, 2020 before traveling to the Worcester Art Museum and the Concord Museum in Massachusetts for a two-venue display (February 13 – June 7, 2020) and to Crystal Bridges Museum of American Art in Bentonville, Arkansas (July 4 – October 11, 2020).  Special programming is offered in conjunction with the exhibit, check the website, www.nyhistory.org.

Mark Twain and the Holy Land

This small alcove within the New-York Historical Society is hallowed ground for a travel writer, consisting of artifacts, leaves from journals, letters, stereotypes, photos that re-create Mark Twain’s journey through the Holy Land in 1867. Twain’s cruise aboard the Quaker City was a first – the first organized tour in American history – and Twain was the first travel writer, sending back dispatches of his impressions that were published in a San Francisco newspaper, two years before his subsequent 1869 book, The Innocents Abroad, or The New Pilgrims’ Progress, one of the best-selling travelogues of all time

Portrait of Mark Twain by Abdullah Brothers, Constantinople, 1867 (Shapell Manuscript Collection).

New-York Historical Society celebrates the 150th anniversary of the publication of Innocents Abroad with Mark Twain and the Holy Land, on view through February 2, 2020. This new exhibition traces the legendary American humorist’s 1867 voyage to the Mediterranean and his subsequent book through original documents, photographs, artwork, and costumes, as well as an interactive media experience.

Organized by New-York Historical in partnership with the Shapell Manuscript Foundation, it is curated by Michael Ryan, vice president and director of the Patricia D. Klingenstein Library, and Cristian Petru Panaite, associate curator of exhibitions.

“Setting sail from New York for a great adventure abroad, Mark Twain captured the feelings and reactions of many Americans exploring beyond their borders, inspiring generations of travelers to document their voyages,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “We are pleased to partner with the Shapell Manuscript Foundation to present the history behind this influential book by Twain, a uniquely American writer whose work helped to define American culture in the postbellum era.”

An edition of “The Innocents Abroad, or The New Pilgrims’ Progress,” by Mark Twain is on view. “During its first 18 months, the book sold over 82,000 copies; by 1879 there were more than 150,000 copies in print. While some early reviews found its irreverence and sarcasm offensive, most reviews were positive, and those positive reviews propelled the book’s sales. Twain’s career as an author was launched.” © Karen Rubin/goingplacesfarandnear.com

What I delighted in most was an interactive display where you can summon up a specific site Twain visited, like the Holy Sepulchre, and read Twain’s notes and observations, adjacent to a historic photo, that read like today’s travel blogs.

“We spurred up hill after hill, and usually began to stretch our necks minutes before we got to the top-but disappointment always followed – more stupid hills beyond – more unsightly landscape – no Holy City. At last, away in the middle of the day, ancient bite of wall and crumbling arches began to line the way-we toiled up one more hill, and every pilgrim and every sinner swung his hat on high! Jerusalem!”

“Just after noon we entered these narrow, crooked streets, by the ancient and the famed Damascus Gate, and now for several hours I have been trying to comprehend that I am actually in the illustrious old city where Solomon dwelt, where Abraham held converse with the Deity, and where walls still stand that witnessed the spectacle of the Crucifixion.”

“The great feature of the Mosque of Omar is the Prodigious rock in the centre of its rotunda. It was upon this rock that Abraham came so near offering up his son Isaac – this, at least, is authentic – it is very much more to be relied on than most of the traditions, at any rate. On this rock, also, the angel stood and threatened Jerusalem, and David persuaded him to spare the city.”

Mark Twain sent back dispatches from his trip to Europe and the Holy Land which were published in a San Francisco newspaper © Karen Rubin/goingplacesfarandnear.com

Twain frequently expressed disgust at the way his fellow travelers treated hallowed sites. “Pilgrims have come in with their pockets full of specimens broken from the ruins. I wish this vandalism could be stopped.” But Twain himself carried back items (a list is provided) including marble from the Parthenon in Athens, mummies from Egyptian pyramids, a letter opener made from Abraham’s oak and olive wood from Jerusalem.

Artist in Exile: The Visual Diary of Baroness Hyde de Neuville 

Artist in Exile: The Visual Diary of Baroness Hyde de Neuville introduces visitors to a little-known artist whose work documented the people and scenes of early America. The exhibit, on view November 1, 2019 – January 26, 2020 in the Joyce B. Cowin Women’s History Gallery of the Center for Women’s History, presents 115 watercolors, drawings, and other works by Anne Marguérite Joséphine Henriette Rouillé de Marigny, Baroness Hyde de Neuville (1771–1849). Self-taught and ahead of her time, Neuville’s art celebrates the young country’s history, culture, and diverse population, ranging from Indigenous Americans to political leaders.

Holiday Express: All Aboard to Richard Scarry’s Busytown 

A holiday favorite returns to the New-York Historical Society this season—reimagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. Holiday Express: All Aboard to Richard Scarry’s Busytown (November 1, 2019 – February 23, 2020) showcases artwork and graphics of Scarry’s characters like Huckle Cat and Lowly Worm from publisher Random House Children’s Books alongside more than 300 objects from the Jerni Collection’s antique toy trains, stations, and accessories. Using Busytown stories and characters, dynamic displays explore the workings of the railroad, the services it provides, and the jobs required to keep people and goods moving. An assortment of kid-friendly activities, story times, and crafts accompany the exhibition throughout its run, welcoming families into the world of classic toys and trains. Richard “Huck” Scarry Jr., the son of Richard Scarry, will make a special appearance on December 14 and 15. Holiday Express: All Aboard to Richard Scarry’s Busytown is supported by Bloomberg Philanthropies. Additional support provided by Random House Children’s Books.

New-York Historical Society, 170 Central Park West (77th St), New York, NY 10024, www.nyhistory.org.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Feeling Like a Foreigner in my Hometown: Global Scavenger Hunt Ends in New York City

Feeling like a foreigner in my own hometown, I undertake my last scavenge of the 2019 Global Scavenger Hunt at the Metropolitan Museum of Art in New York City, to uncover art from five of the countries we visited on our 23-day around-the-world mystery tour © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Global Scavenger Hunt teams arrive in New York City for the last leg of the Global Scavenger Hunt, a mystery tour that has taken us to 10 countries in 23 days.

Bill Chalmers, the ringmaster and Chief Experience Officer of this around-the-world mystery tour, has designed the rules, challenges and scavenges to get us out of our comfort zone and immerse us in a culture, fine-tune our skills as world travelers, and most significantly, “trust in the kindness of strangers.”

Back in New York, he is delighted all 10 teams circumnavigated the world “in one piece” without dramatic incident, in this, the 15th annual Global Scavenger Hunt competition.

There is one more challenge in New York (an easy urban Par 1), and even though, based on points and placement, the winners of the 15th annual, 2019 edition of the Global Scavenger Hunt have been determined, still the teams go out and give it their all. The four teams still in contention must complete at least one of the scavenges in New York, and complete their time sheet and hand in by the 4 pm deadline.

Paying tribute to John Lennon at Strawberry Fields, in Central Park, one of the New York City scavenges on the Global Scavenger Hunt (c) Karen Rubin/goingplacesfarandnear.com

Examples of the scavenges: take in a Yankees game or a Broadway show (actually difficult because of the deadline of 4 pm); have one of each of following: a New York bagel, a New York hot dog, a New York deli sandwich, a slice of New York pizza, New York cheesecake, a New York egg cream, or an old-fashion Manhattan; locate five pieces from five of the nations you just visited in the Met; visit Strawberry Fields to pay John Lennon tribute; do one scavenge in each of the five boroughs of New York City.

A native New Yorker, this is really my turf, though there is the oddest sensation of feeling like I am in a foreign place, reminding myself of what is familiar and not having to think twice about things like language, currency, drinking water from the tap, eating raw vegetable, the street grid).

In fact, that is the genius of the way the Global Scavenger Hunt is designed – we are supposed to feel off-balance, disoriented because that’s when you focus most, the experiences are more intense, you are out of your comfort zone and need to rely on the kindness of strangers, as opposed to the style of travel where you stay long enough to become familiar, comfortable in a place so it (and you) no longer feels foreign.

On the hunt for an object from Morocco, in the Metropolitan Museum of Art © Karen Rubin/goingplacesfarandnear.com

I elect to take up the challenge of going to the Metropolitan Museum of Art to seek out objects from five of the countries we visited (Canada, Vietnam, Myanmar, Thailand, Abu Dhabi, Jordan, Greece, Morocco, Gibraltar, Portugal, Spain). Greece will be easy, of course, but Morocco and Jordan (Petra), Vietnam and Myanmar (Burma) are trickier. It is Chalmers’ way of making us experience things on a different level, and for me, it brings together so much of what we’ve seen, learned and experienced along the way. I have a context in which to appreciate the artifacts, dare I say a personal connection. Indeed, the Metropolitan Museum of Art enables you to travel around the world, be transported over millennia, within the confines of its walls.

I first join a docent-led Highlights Tour, knowing from past experience that these always lead me to parts of the museum I am unfamiliar with, and enlighten me about aspects of art and culture with the in-depth discussion of the pieces the docents select to discuss.

The Three Graces, a Roman marble statue from 2nd C AD copying a Greek theme from the 2nd C BC, is repeated throughout Western civilization, on view at the Metropolitan Museum of Art, NYC © Karen Rubin/goingplacesfarandnear.com

The docent, Alan, begins in the Greco-Roman exhibit with a stunning marble sculpture of the Three Graces, showing how this theme – essentially copied from the Greek bronzes (which no longer exist because the bronze was valuable and melted down for military use) – was repeated over the eons, into the Renaissance and even beyond. Greece. One down.

Obviously, finding an object from Greece would be easy, and I hope to find objects from Vietnam, Myanmar (Burma), and Thailand in the Asia wing where there is a massive collection of Buddhist art (it proves just a tad more difficult, but I succeed).

An object from Burma (Myanmar), at the Metropolitan Museum of Art, NYC © Karen Rubin/goingplacesfarandnear.com

Morocco and Jordan (Petra) prove trickier than I expected, but bring me to an astonishing, landmark exhibit, “The World Between Empires: Art and Identity in the Ancient Middle East,” with an extraordinary focus on the territories and trading networks of the Middle East that were contested between the Roman and Parthian Empires (ca. 100 BC and AD 250) “yet across the region life was not defined by these two superpowers alone. Local cultural and religious traditions flourished and sculptures, wall paintings, jewelry and other objects reveal how ancient identities were expressed through art.”

This is a goldmine for my hunt. Featuring 190 works from museums in the Middle East, Europe and the United States, the exhibition follows the great incense and silk routes that connected cities in southwestern Arabia, Nabataea, Judea, Syria and Mesopotamia, that made the region a center of global trade along with spreading ideas, spurring innovations (such as in water control), and spawning art and culture. It is a treasure trove for my scavenger hunt.

It is the most incredible feeling to come upon the objects from Petra, having visited the site (was it only 10 days ago?) and having a context for seeing these isolated objects on display. I recall seeing their counterparts in the newly opened Archaeological Museum at Petra.

The Greek sun god Helios, from Petra, 1st C BC – 1st C AD, found at Qint al-Bint temple in Petra, visited on the Global Scavenger Hunt © Karen Rubin/goingplacesfarandnear.com

The World Between Empires

The landmark exhibition The World between Empires: Art and Identity in the Ancient Middle East (unfortunately it is only on view through June 23, 2019), focuses on the remarkable cultural, religious and commercial exchange that took place in cities including Petra, Baalbek, Palmyra and Hatra between 100 B.C. and A.D. 250. “During this transformative period, the Middle East was the center of global commerce and the meeting point of two powerful empires—Parthian Iran in the east and Rome in the west—that struggled for regional control.”

The Magdala Stone, 1st Century, Migdal, Synagogue, on the Sea of Galilee. The stone, whose exact function is uncertain, dates to a time when the temple in Jerusalem still stood. One short side features a 7-branched menorah – the earliest such image known in a synagogue – flanked by amphorae and columns. The Migdal synagogue would have been in use during the lifetime of Jesus, whom the Gospels describe as preaching in synagogues throughout Galilee © Karen Rubin/goingplacesfarandnear.com

Among the highlights is a Nabataean religious shrine, reconstructed from architectural elements in collections in the United States and Jordan; the unique Magdala Stone, discovered in a first-century synagogue at Migdal (ancient Magdala) with imagery that refers to the Temple in Jerusalem; and wall paintings from a church in Dura-Europos that are the earliest securely dated images of Jesus.

Sculptures from Baalbek illuminate religious traditions at one of the greatest sanctuaries in the ancient Middle East, and funerary portraits from Palmyra bring visitors face to face with ancient people. The exhibition also examines important contemporary issues—above all, the deliberate destruction and looting of sites including Palmyra, Dura-Europos, and Hatra.

Wall Painting of Christ Healing the Paralytic/Wall Painting of Christ Walking on Water, ca 232, Dura-Europos, Christian building, considered the world’s oldest surviving church. The paintings include images of Jesus Christ performing miracles, and are the earliest securely dated representations of him © Karen Rubin/goingplacesfarandnear.com

“The compelling works of art in this exhibition offer a view into how people in the ancient Middle East sought to define themselves during a time of tremendous religious, creative, and political activity, revealing aspects of their lives and communities that resonate some two millennia later,” stated Max Hollein, Director, The Metropolitan Museum of Art, in a video that accompanies the exhibit.  “Further, in focusing on an area of the world that has been deeply affected by recent conflicts and the destruction of sites, monuments, and objects, this show also engages with complex questions about the preservation of cultural heritage.”

The exhibition evokes a journey along ancient trade routes, beginning in the southwestern Arabian kingdoms that grew rich from the caravan trade in frankincense and myrrh harvested there and used throughout the ancient world. Camel caravans crossed the desert to the Nabataean kingdom, with its spectacular capital city of Petra, which I have just visited, walking through very much as the caravan travelers would have.

From here, goods traveled west to the Mediterranean and north and east through regions including Judaea and the Phoenician coast and across the Syrian desert, where the oasis city of Palmyra controlled trade routes that connected the Mediterranean world to Mesopotamia and Iran and ultimately China. In Mesopotamia, merchants transported cargoes down the Tigris and Euphrates rivers to the Persian Gulf, where they joined maritime trade routes to India. These connections transcended the borders of empires, forming networks that linked cities and individuals over vast distances.

3rd C biblical wall paintings discovered in the Dura-Europos synagogue were exceptional because they demonstrated that early Jewish art included figural scenes. © Karen Rubin/goingplacesfarandnews.com

“Across the entire region, diverse local political and religious identities were expressed in art. Artifacts from Judaea give a powerful sense of ancient Jewish identity during a critical period of struggle with Roman rule. Architectural sculptures from the colossal sanctuary at Baalbek and statuettes of its deities reveal the intertwined nature of Roman and ancient Middle Eastern religious practices. Funerary portraits from Palmyra represent the elite of an important hub of global trade. Wall paintings and sculptures from Dura-Europos on the River Euphrates illustrate the striking religious diversity of a settlement at the imperial frontier. And in Mesopotamia, texts from the last Babylonian cuneiform libraries show how ancient temple institutions waned and finally disappeared during this transformative period.”

From my visits in Athens and Petra, particularly, I appreciate this synergy between trade, migration, environmental sustainability and technology (in Petra’s Archaeology Museum, you learn how the ability to control water supply was key to the city’s development) and the links to economic prosperity and political power, and the rise of art, culture, and community. (I recall the notes from the National Archaeology Museum in Athens that made this very point.)

The docent’s “Highlights Tour” brings us to Assyria at the Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

It is rare (if ever) for the Metropolitan Museum to venture into the political, but a key topic within the exhibition is the impact of recent armed conflicts in Iraq, Syria, and Yemen on archaeological sites, monuments, and museums, including deliberate destruction and looting. Some of the most iconic sites affected—Palmyra, Hatra, and Dura-Europos—are featured in the exhibition, which discusses this damage and raises questions regarding current and future responses to the destruction of heritage. Should the sites be restored or will they now only exist “on paper”? How much money and resources should go to restoring or excavation when villages and homes for people to live in also need to be rebuilt?

There is a fascinating, if frantic, presentation of three archaeologist/historians speaking about what the destruction by ISIS and Islamic fundamentalists of Palmyra, Eura-Europos and Hatra – what it means to destroy a people’s heritage, their cultural identity. “It may seem frivolous to focus on [archaeological sites] when people are enslaved, killed…but to wipe out, destroy culture is a way of destroying people.”

Happening upon this exhibit made the travel experiences we had to these extraordinary places all the more precious.

It is a humbling experience, to be sure, to go to the origins of the great civilizations, fast forward to today. How did they become great? How did they fall? Greatness is not inevitable or forever.  Empires rise and fall. Rulers use religion, art and monuments to establish their credibility and credentials to rule; successors blot out the culture and re-write history.

Central Park, NYC. Experiencing my hometown like a tourist. © Karen Rubin/goingplacesfarandnear.com

I peek out from the American Café windows to Central Park and see sun and the early spring blossoms on the trees, and dash out to walk through my other favorite New York City place. There is nothing more beautiful than New York City in the spring – brides are out in force taking photos; there are musicians and entertainers. There is a festive atmosphere as I walk through the park toward the Palace Hotel in time for our 4:30 pm meeting.

Plan your visit and get information on current exhibits, www.metmuseum.org.

Plan your visit to New York City, www.nycgo.com.

15th Annual Global Scavenger Hunt Winners Crowned

And now, drumroll please, Chalmers announces the winner of the 2019 Global Scavenger Hunt: “Only one team wins. The competition was fierce.”

Third place winners of the 2019 Global Scavenger Hunt third place is Order & Chaos, Sal  Iaquinta & Vivian Reyes with Bill Chalmers © Karen Rubin/goingplacesfarandnear.com

In third place is Order & Chaos, Sal  Iaquinta & Vivian Reyes, doctors from San Francisco.

Second place winners of the 2019 Global Scavenger Hunt, Lazy Monday, Eric & Kathryn Verwillow with Bill Chalmers © Karen Rubin/goingplacesfarandnear.com

In second place, Lazy Monday, Eric & Kathryn Verwillow, computer networking and think tank professional of Palo Alto, California “I am in awe of how hard working, beginning to end – embracing the spirit,” Chalmers says.

2019 Global Scavenger Hunt “World’s Greatest Travelers,” Lawyers Without Borders, Zoe Littlepage and Rainey Booth © Karen Rubin/goingplacesfarandnear.com

And the World’s Greatest Travelers of 2019: Lawyers Without Borders, Rainey Booth and Zoe Littlepage of Houston, who have competed in the Global Scavenger Hunt 12 times, and win it for their 6th time. “You embody the spirit of the event, to go out of your comfort zone.” (You can follow Zoe’s blog of her experience to get a sense of how strenuous, outrageous, and determined the team was in accumulating their points: https://zoeandraineygreatescape.blogspot.com/2019/05/gsh-2019)

We celebrate at a final bon voyage dinner.

The Global Scavenger Hunt is the brainchild of Bill and Pamela Chalmers, who in addition to forging understanding and bonds among travelers and the people in the destinations visited, use the program to raise money for the GreatEscape Foundation and promote voluntourism – one of the scavenges in Yangon, Myanmar is to volunteer at an orphanage or school; past GSH travelers visited and helped out at Tibetan refugee camps in Nepal, orphanages in Laos, hospitals in Cambodia, homeless schools in India, hospices in Manila, disabled facilities in Sri Lanka, Ethiopian schools, the slums of Nairobi.

“The foundation is one of main reasons we do the event,” Chalmers says at our final meeting before going out for a celebration dinner. The foundation has raised money to build 12 schools (1 each in Niger, Haiti, Ecuador, India & Ethiopia; 2 each in Sri Lanka & Sierra Leone, and 3 in Kenya), helped build the Tamensa Medical Clinic in Niger for migrating Tuareg nomads which serves as a midwives & nurse training center too. “We know that we saved lives and bettered the lives of hundreds. We have helped over 2400 families in more than 60 countries (mostly women entrepreneurs) with our interest and fee free micro-loans (96% of which have gone to women with a 99% repayment).”

Through the event this and last year, the foundation will build 2 more co-ed elementary schools , in Ethiopia and Haiti.

2020 Global Scavenger Hunt Set for April 17-May 9

Chalmers has just set the dates for the 23-day 2020 Global Scavenger Hunt: April 17-May 9, 2020. Entry applications are now being accepted.

Eager Indiana Jones-types of adventurers and curious travelers wanting to test their travel IQ against other travelers in an extraordinary around-the-world travel adventure competition that crowns The World’s Greatest Travelers, can apply at GlobalScavengerHunt.com

The 2020 event will pit savvy international travelers against each other by taking them on A Blind Date with the World, visiting ten secret destinations without any prior preparation, and then have them unravel a constant blitz of highly authentic, participatory and challenging culturally-oriented scavenges along the way, like: meditating with monks, training elephants, taking flamenco lessons, cooking local dishes with local chefs, searching out Lost Cities, cracking sacred temple mysteries, joining in local celebrations, and learning local languages enough to decipher their scavenger hunt clues. Trusting strangers in strange lands will be their focus as they circle the globe for three weeks. Over the past 15 years, the event has touched foot in 85 countries.

The title of The World’s Greatest Travelers and free trip around the world to defend their titles in the 2021 event await the travelers worthy enough to win the 16th edition of the world travel championship.    

Event participation is open but limited; the $25,000 per team entry fee includes all international airfare, First Class hotels, 40% of meals, and special event travel gear. All travelers are interviewed for suitability and single travelers are welcome to apply. For additional information visit GlobalScavengerHunt.com, or contact GreatEscape Adventures Inc. at 310-281-7809.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Staycation? New York City’s Museums Transport in Time, Place and Space

Metropolitan Museum of Art, one of NYC’s premier museums. Be sure to take one of the Highlights Tours © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Be transported in time, place and even space. Immerse yourself into the realm of ideas and imagination. Come in from the heat or whatever the weather is doing outside by taking in one of New York City’s museums. Here are just a few highlights of summer’s blockbuster attractions:

Metropolitan Museum of Art is like a time travel chamber that can bring you to any era, any place in the world in one quick visit. The museum is welcoming an important summer visitor of its own, Leonardo Da Vinci’s “Saint Jerome.” © Karen Rubin/goingplacesfarandnear.com

The Met Museum Welcomes ‘Saint Jerome’

The Metropolitan Museum of Art is about to welcome a very special visitor: Leonardo da Vinci’s Saint Jerome. To commemorate the 500th anniversary of the death of Leonardo da Vinci (1452–1519), The Met is presenting the artist’s painting Saint Jerome Praying in the Wilderness (begun around 1483), a special loan from the Vatican Museums. The exquisitely rendered work represents Jerome (A.D. 347–420), a major saint and theologian of the Christian Church. The scene is based on the story of his later life, which he spent as a hermit in the desert, according to the 13th–century Golden Legend. The unfinished painting provides viewers with an extraordinary glimpse into Leonardo’s creative process; a close examination of the paint surface even reveals the presence of his fingerprints. The display of this monumental masterpiece pays homage to one of the most renowned geniuses of all time. Opening July 15, the painting is on view through Oct. 6, 2019.

From the oldest works of art to the first forays of civilization into outer space, , the Met Museum is marking the 50th anniversary of the Apollo 11 mission with Apollo’s Muse: The Moon in the Age of Photography, on view through September 22, 2019. Apollo’s Muse traces the progress of astronomical photography and attempts to produce ever-sharper images of the moon, particularly during the 130-year period between the invention of photography in 1839 and the moon landing in 1969 as astronomers and artists capitalized on technological improvements to cameras and telescopes to create ever more accurate visual records of the lunar surface. Exhibition highlights include two newly discovered lunar daguerreotypes from the 1840s, believed to be the earliest existing photographs of the moon, and works by such pioneers of lunar photography as Warren De La Rue (1815–1889), Lewis Morris Rutherfurd (1816–1892), and John Adams Whipple (1822–1891). A stunning photographic atlas of the moon, produced at the Paris Observatory between 1894 and 1908 by the astronomers Maurice Loewy (1833–1907) and Pierre Puiseux (1855–1928), will be displayed for the first time in its entirety.

Alongside these scientific achievements, the show explores the use of the camera to create fanciful depictions of space travel and life on the moon, including George Méliès’s (1861–1938) original drawings for his film A Trip to the Moon (Le Voyage dans la lune, 1902) and a large selection of “paper moon” studio portraits from the early 20th century. Also featured will be artists’ evocations of the otherworldly effects of moonlight, including major works by German Romantic painter Caspar David Friedrich (1774-1840) and American Pictorialist photographer Edward Steichen (1879-1973).

“Separated” by Norma Pace, a 7th grader at Lower Manhattan Community Middle School, is on view at the Metropolitan Museum of Art’s P.S. Art exhibit:  “I was inspired by our social studies unit on Native Americans. I wanted to bring the untold story of Native Americans’ past into the light, as it’s sometimes ignored.” © Karen Rubin/goingplacesfarandnear.com

The night of the Museum Mile Festival, I popped into the opening of this year’s P.S. Art exhibit,  an annual celebration of achievement in the arts in New York City public schools. This juried exhibition of the work of talented young artists showcases the creativity of 122 prekindergarten through twelfth grade students from all five boroughs, including students from District 75, a citywide district serving students with disabilities. The exhibition consists of paintings, prints, sculptures, photographs, mixed-media works, collages, drawings, and video. Each work of art demonstrates personal expression, imaginative use of media, the results of close observation, and an understanding of artistic processes. Some of the works on display are completely astonishing

The Met is three museums.

At the Cloisters, “The Colmar Treasure: A Medieval Jewish Legacy,” is on view July 22-January 12, 2020. A cache of jeweled rings, brooches, and coins—the precious possessions of a Jewish family of medieval Alsace—was hidden in the fourteenth century in the wall of a house in Colmar, France. Discovered in 1863 and on view in an upcoming exhibition at The Met Cloisters, the Colmar Treasure revives the memory of a once–thriving Jewish community that was scapegoated and put to death when the Plague struck the region with devastating ferocity in 1348–49. A generous loan of the Musée de Cluny, Paris, the Colmar Treasure will be displayed alongside select works from The Met Cloisters and little–known Judaica from collections in the United States and France. Although the objects on view are small in scale and relatively few in number, the ensemble overturns conventional notions of medieval Europe as a monolithic Christian society. The exhibition will point to both legacy and loss, underscoring the prominence of the Jewish minority community in the tumultuous fourteenth century and the perils it faced.

At the Met Breuer, “Home is a Foreign Place: Recent Aquisitions in Context,” through June 21, 2020.

(NYS residents still can pay what they wish, by presenting proof of residence; out-of-towners need to pay the regular admission).

The iconic Metropolitan Museum of Art is at 1000 Fifth Avenue, on Central Park, (definitely take a Highlights tour when you visit), The Met Breuer (945 Madison Avenue) and The Met Cloisters (99 Margaret Corbin Drive, Fort Tryon Park). Visit metmuseum.org to plan your visit.

Jewish Museum Pays Homage to Leonard Cohen With Multi-Media Exhibition

“Ring the bells that still can ring. Forget your perfect offering. There is a crack, a crack in everything. That’s how the light gets in.” from Leonard Cohen’s song “Anthem” from the album The Future (1992), provides the title for the special exhibit at the Jewish Museum,

“Leonard Cohen: A Crack in Everything”. The contemporary multi-media exhibition devoted to the imagination and legacy of the influential singer/songwriter, man of letters, and global icon from Montreal, Canada can be experienced through September 8, 2019.

Leonard Cohen: A Crack in Everything includes commissioned works by a range of international artists who have been inspired by Cohen’s life, work and legacy. A world-renowned novelist, poet  and singer/songwriter who inspired generations of writers, musicians, and artists, Leonard Cohen (1934-2016)  supplied the world with melancholy and urgent observations on the state of the human heart. In songs such as “Suzanne,” “Bird on the Wire,” and “Hallelujah,” he interwove the sacred and the profane,  mystery and accessibility. Collectively, it is the oddest, most creative biographical tribute. Featured works include:

I’m Your Man (A Portrait of Leonard Cohen) (2017), a multi-channel video installation by Candice Breitz, brings together a community of ardent Cohen fans who pay tribute to the late legend, is part of the multi-media homage to Leonard Cohen at the Jewish Museum this summer. © Karen Rubin/goingplacesfarandnear.com

I’m Your Man (A Portrait of Leonard Cohen) (2017)a multi-channel video installation by Candice Breitz, brings together a community of ardent Cohen fans who pay tribute to the late legend. Each of the 18 participants was offered the opportunity to perform and record his own version of Cohen’s comeback album I’m Your Man (1988) in a professional recording studio. At Breitz’s invitation, the album’s backing vocals were reinterpreted by the Shaar Hashomayim Synagogue Choir, an all-male choir representing the congregation in Montreal, Canada, that Cohen belonged to all his life.

Ari Folman’s Depression Chamber (2017) allows one visitor at a time into a darkened room, where they are confronted by the demons of depression, a theme that can be traced throughout Cohen’s body of work. After the visitor lies down, Cohen’s “Famous Blue Raincoat” plays while the song’s lyrics are projected on the walls, slowly morphing into letters and icons that symbolize Cohen’s multifaceted thematic universe.

Heard There Was a Secret Chord (after the 2017 work of the same title, 2018)  is a participatory humming experience by the art and design studio Daily tous les jours that reveals an invisible vibration uniting people around the world currently listening to Cohen’s Hallelujah. The work is an exploration of the metaphysical connection between people on a common wavelength. At the Museum, real-time online listener data is transformed into a virtual choir of humming voices. The number of voices played back in the gallery corresponds to the current online listener count, which is visible on the hanging numerical display. Participants can sit or lie down on the octagonal structure, and by humming along with the choir into the microphones, low-frequency vibrations are generated, closing the circuit of collective resonance with their bodies.

The Jewish Museum’s multi-media  homage to Leonard Cohen. Heard There Was a Secret Chord (after the 2017 work of the same title, 2018)  is a participatory humming experience by the art and design studio Daily tous les jours that reveals an invisible vibration uniting people around the world currently listening to Cohen’s Hallelujah. © Karen Rubin/goingplacesfarandnear.com

Organized by the Musée d’art contemporain de Montréal (MAC), the exhibition is curated by John Zeppetelli, Director and Chief Curator at the MAC, and Victor Shiffman, Co-Curator. Following its New York showing, the exhibition will tour to Kunstforeningen GL STRAND and Nikolaj Kunsthal, Copenhagen, Denmark (October 23, 2019 – March 8, 2020) and the Contemporary Jewish Museum, San Francisco (September 17, 2020 – January 3, 2021).

During the run of Leonard Cohen: A Crack in Everything, the Jewish Museum will open one hour earlier than usual on Saturdays and Sundays, from 10 am to 5:45pm. Advance tickets are available online at thejewishmuseum.org/buy/general-admission. For questions about ticket sales, email boxoffice@thejm.org or call 866.205.1322.

Founded in 1904, the Museum, on Fifth Avenue’s fabled Museum Mile, was the first institution of its kind in the United States and is one of the oldest Jewish museums in the world. Devoted to exploring art and Jewish culture from ancient to contemporary, the Museum offers diverse exhibitions and programs, and maintains a unique collection of nearly 30,000 works of art, ceremonial objects, and media reflecting the global Jewish experience over more than 4,000 years.

Admission: $18 for adults, $12  for seniors, $8 students, free for visitors 18 and under and Jewish Museum members. Free on Saturdays and select Jewish holidays. 1109 Fifth Avenue at 92nd Street, New York City, 212.423,3200, info@thejm.org  TheJewishMuseum.org.

Museum of the City of New York: New York at Its Core

I make it a ritual to visit the Museum of the City of New York during each year’s Museum Mile Festival. I never cease to be fascinated and intrigued by the exhibits:

New York at Its Core is the first-ever museum show to comprehensively interpret and present the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World,” a preeminent global city now facing the future in a changing world. There are different galleries that tell the story, but most fascinating is The Future City Lab, where you get to design the city of the future, tackling the most pressing problems like housing, public spaces, water supply. You even get to put yourself in the picture.

Put yourself in the picture of the City of the Future in the Museum of the City of New York’s Future City Lab (I’m the one in red). © Karen Rubin/goingplacesfarandnear.com

Not to be missed: Timescapes, the museum’s popular and critically-acclaimed multimedia experience, brings the sweeping narrative of New York City from the early 1600s to the present day. The 28-minute, award-winning documentary explores how NYC grew from a settlement of a few hundred Europeans, Africans and Native Americans into the multinational metropolis of today, re-inventing itself multiple times along the way.

Activist New York, an ongoing exhibit, examines the ways in which ordinary New Yorkers have advocated, agitated, and exercised their power to shape the city’s—and the nation’s—future, from the 17th century to the present.

City of Workers, City of Struggle: How Labor Movements Changed New York, traces how New York became the most unionized large city in the United States.

Cycling in the City: A 200–Year History, on view through October 6, 2019, tracex how the bicycle transformed urban transportation and leisure in New York City and explores the extraordinary diversity of cycling cultures, past and present.

In the Dugout with Jackie Robinson: An Intimate Portrait of a Baseball Legend, which opened on January 31, Robinson’s 100th birthday, features 32 photographs (most of them never published); rare home movies of the Robinson family; and memorabilia related to Robinson’s career.

Museum of the City of New York, 1220 Fifth Ave., Manhattan, NY 10029, 212-534-1672, mcny.org.

Guggenheim: Summer of Know

The famous Guggenheim Museum is housed in the Frank Lloyd Wright building, a major attraction in itself, celebrating its 60th anniversary as an architectural icon. © Karen Rubin/goingplacesfarandnear.com

Housed in the Frank Lloyd Wright building, a major attraction in itself (just walking through the spiral is an experience),from June 18 through September 3, the Solomon R. Guggenheim Museum is open until 9 pm for Summer Tuesdays, offering music and refreshments in the museum rotunda in addition to exhibitions on view in the galleries. Films, conversations, and performances enhance opportunities for visitors to engage with the museum and the Frank Lloyd Wright–designed building that celebrates 60 years as an architectural icon in 2019. Also starting in June, Summer of Know, a conversation series addressing urgent issues through the generative lens of art, returns to the Guggenheim, featuring artists, activists, and other professionals discussing topics such as LGBTQIA+ rights in a global context, environmental activism, and housing rights. Details are available at guggenheim.org/calendar.

Visiting the Guggenheim is the closest an art museum can feel like being in a themepark ride. © Karen Rubin/goingplacesfarandnear.com

Summer exhibitions at the Guggenheim include the first artist-curated exhibition at the museum, Artistic License: Six Takes on the Guggenheim Collection, as well as The Hugo Boss Prize 2018: Simone Leigh, Loophole of RetreatBasquiat’s “Defacement”: The Untold Story, and Implicit Tensions: Mapplethorpe Now.

Actually, you can travel and visit Guggenheim museums in Venice, Bilbao, and Abu Dhabi.

Solomon R., Guggenheim Museum, 1071 5th Avenue, New York (betw. 8i8-89th St), 212-423-3500, boxoffice@guggenheim.org, Guggenheim.org.

The Whitney Museum Biennial

The Whitney Biennial has long been one of America’s foremost showcases of emerging artists. Every two years, the exhibition serves as a bellwether for the culture, both reflecting on and mirroring the country’s political and social moods. No surprise, then, to see that this year’s work—on view now at the Whitney Museum of American Art—offers plenty of tension, with pieces that focus on gender identity and race, among other issues. Curators chose the works because they represent “a snapshot of contemporary art making”; read on for more about a few of our favorites. (See: https://www.nycgo.com/articles/whitney-biennial-2019) (99 Gansvoort St., Meatpacking district).

Museum of Natural History Presents T.rex, The Ultimate Predator

At the American Museum of Natural History’s blockbuster exhibit, T. rex: The Ultimate Predator, you encounter a massive life-sized model of a T. rex with patches of feathers—the definitive representation of this prehistoric predator,  T. rex hatchlings and a four-year-old juvenile T.rex; a “roar mixer” where you can imagine what T. rex may have sounded like; a shadow theater where a floor projection of an adult T. rex skeleton seems to come to life. At a tabletop “Investigation Station,” you can explore a variety of fossil casts with virtual tools including a CT scanner, measuring tape, and a microscope to learn more about what such specimens reveal about the biology and behavior of T.rex. Finally, you encounter a massive animated projection of a T. rex and its offspring in a Cretaceous-age setting. which reacts to visitors, leaving you to wonder, “Did that T. rex really see me?”

See the most accurate, life-size representation of T. rex, feathers and all, at the American Museum of Natural History © Karen Rubin/goingplacesfarandnear.com

T. rex: The Ultimate Predator is the first major exhibition of the American Museum of Natural History’s 150th anniversary celebration. Plan your visit (you could spend weeks in the museum), check out the special programming and events, and pre-purchase timed tickets at amnh.org.

At Hayden Planetarium Space Theater, see “Dark Universe” (through December 31, 2019)

Open daily from 10 am – 5:45 pm. American Museum of Natural History, Central Park West at 79th Street, New York, NY 10024-5192, 212-769-5100, amnh.org.

Revolutionary Summer at New-York Historical Society

The New-York Historical Society, the oldest museum in New York (and directly across the street from the American Museum of Natural History on Central Park West), is presenting a Revolutionary Summer. A Museum-wide exploration of Revolutionary War times, Revolutionary Summer presents outdoor events every weekend featuring characters from the era; 18th-century art and artifacts; a diorama of the Continental Army and a host of programs for all ages, including trivia nights, DJ evening, and Revolutionary Drag Tea Party. On select weekends, visitors can explore a replica of George Washington’s Headquarters Tent at an outdoor Continental Army encampment, meet Living Historians portraying soldiers and spies, and learn about the many facets of camp life during the War for Independence. (Through September 15, 2019)

Martha Holmes’ 1949  image of singer Billy Eckstine being embraced by a white  female fan, surrounded by other gleeful white teenagers proved extremely controversial for LIFE Magazine. She is one of six women photographers featured in an exhibit at the New-York Historical Society© Karen Rubin/goingplacesfarandnear.com

Also on view: LIFE: Six Women Photographers showcases the extraordinary work created by Margaret Bourke-White, Hansel Mieth, Marie Hansen, Martha Holmes, Nina Leen, and Lisa Larsen. (through  October 6, 2019); Stonewall 50 at New-York Historical Society, through September 22, 2019, commemorates the 50th anniversary of the Stonewall uprising and the dawn of the gay liberation movement; Hudson Rising explores 200 years of ecological change and environmental activism along “the most interesting river in America” (through August 4).

Panoramas: The Big Picture, opening August 23 through December 8, 2019, explores wide-angle, bird’s-eye imagery from the 17th to the 20th century, revealing the influence that panoramas had on everything from mass entertainment to nationalism to imperial expansion. Through more than 20 panoramas, the exhibition presents the history of the all-encompassing medium in New York City, San Francisco and beyond.

New-York Historical Society, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.

Spy v. Spy

The most chilling part of Spyscape, New York’s new spy experience, is the up-to-the-minute, torn from the headlines stuff: Here, Anonymous, as seen from two sides © Karen Rubin/ goingplacesfarandnear.com

Want a real escape? Visit Spyscape, which offers a different twist on spy museums, and is more of an experiential attraction, immersing you into the psychology and ubiquity of surveillance and espionage, and literally, with the ending “profile” (developed with the a former head of training at British Intelligence) showing you where you might fit into this world (I’m an analyst). SPYSCAPE, which opened in 2018, illuminates secret intelligence, from espionage to hacking, and investigative journalism. It offers a balanced perspective on big issues – privacy, security, surveillance. You get to engage in real spy challenges, including lie-detection in interrogation booths, surveillance in a 360 degree environment and test strategy and agility in special ops laser tunnels. The museum also features quite a good Spy Shop, a Book Shop, Café and multiple Event Spaces. (928 8th Avenue, entrance on SE corner of 55th Street, spyscape.com).

Sergey, a KGB Spy Museum guide, describes the conditions that political prisoners would have suffered in a society where opposition was suppressed by fear © Karen Rubin/ goingplacesfarandnear.com

And in a very real Spy v. Spy scenario, a very different experience awaits at another new entry to New York City’s museum scene: the KGB Museum. This place presents the artifacts and history of the KGB in a kind of antique-shop setting but the items are chilling. You realize that the spy movies, even the satirical “Get Smart,” didn’t so much fabricate as reveal the tools and techniques and paranoia of Cold War spying. (KGB Spy Museum tickets are available online or in the museum. (245 West 14th Street, New York, NY 10011, 10 am -8 Mon-Sun).

Museum of Illusions

One of the fun, interactive exhibits at the Museum of Illusions is where a visitor pokes her head out of the middle of the table, but all you see is a head with no body on top of a table  Laurie Millman/goingplacesfarandnear.com)

The Museum of Illusions, which opened September 2018 in New York City’s West Village, contains three-dimensional illusions on the walls and floors which will mesmerize visitors of all ages. You might assume by its name that it is a children’s museum or about magic which depends so much on illusion. Nor can it be considered an “attraction” although many of the exhibits are interactive and you get to help create the illusions. It is really about educating about the physical and psychological science behind illusion – placards posted near each exhibit provide the explanations for what you sense. And while the museum does not explicitly delve into magic, when you leave, you will have a better understanding of how some magic tricks work. (77th 8th Ave, New York, NY; newyork.museumofillusions.us)

Cradle of Aviation Museum: Countdown to Apollo at 50

Cradle of Aviation Museum, Uniondale, Long Island, has one of only three actual lunar modules on display. Built by Grumman, in Bethpage, Long Island, the other three were left on the moon ©Karen Rubin/goingplacesfarandnear.com

Travel out of this world, beyond the city limits, to Long Island: The Cradle of Aviation Museum and Education Center is one of the great space and aviation museums, home to over 75 planes and spacecraft representing over 100 years of aviation history and Long Island’s only Giant Screen Dome Theater.  Currently, the museum is celebrating  “Countdown to Apollo at 50” sponsored by the Robert D.L. Gardiner Foundation, showcasing Long Island and Grumman’s significant role in the Apollo program. The Museum was recently recognized and listed on New York State’s National Register of Historic Places as a significant part of American history. The museum is located on Museum Row, Charles Lindbergh Blvd., in East Garden City.  For more information call (516) 572-4111 or visit www.cradleofaviation.org.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Museum of Illusions, One of New York City’s Newest, is Packed With Surprises

One of the fun, interactive exhibits at the Museum of Illusions is where a visitor pokes her head out of the middle of the table, but all you see is a head with no body on top of a table Laurie Millman/goingplacesfarandnear.com)

By Laurie Millman and Martin D. Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Museum of Illusions, opened September 2018 in New York City’s West Village. You might assume by its name that it is a children’s museum or about magic, which depends greatly on illusion  — it is neither of these. Nor can it be considered an “attraction, ” although many of the exhibits are interactive, as you get to help create the illusions. The purpose of this museum is really about educating visitors on the physical and psychological science behind illusion. With two- and  three-dimensional illusions on the walls and floors that will mesmerize visitors of all ages, placards posted near each exhibit provide the explanations to help you understand what you are viewing and how the illusion is created.  While the museum does not explicitly delve into magic, when you leave, you will have a better understanding of how some magic tricks work.

We thoroughly enjoyed this museum with its many surprises. One of our favorite exhibits was a room with a sloped floor — a monitor shows that you appear to be growing smaller and smaller as you walk across the floor. Another fun, interactive exhibit is where a visitor pokes her head out of the middle of the table, but all you see is a head on top of the table with no body.

Friendly staff are available to give you clues about the illusions, help you figure out where to stand to get the most effective view, explain the science behind a particular illusion, and take your picture. In fact, the museum welcomes photography because the digital photograph makes it easier to visualize many of the illusions. At the front of the museum, a staff member is ready to have two of your party pose as part of an illusion relating to perspective (check out the photo where Marty is patting Laurie’s head — we are literally a few feet from each other! And no — Laurie is not that small).

Photography is encouraged at the Museum of Illusions; a photograph makes it easier to visualize many of the illusions. Friendly staff members are available to help take the photo.

The museum is housed in a bank building dating back to pre-Depression 1920s. Before you leave, be sure to ask to see the old bank vault.

(Be advised: the only downside of the Museum of Illusions is that it has mobility limitations – there is no handrail on the outside steps leading up to the main door and no alternate ramp. The second floor is only accessible by a narrow staircase with a banister — there is no elevator. On the other hand, visitors with mobility issues are admitted free.) 

The Museum of Illusions (77th 8th Ave, New York, NY; https://newyork.museumofillusions.us/) is open Monday – Thursday, 9am to 10pm; Friday  – Sunday 8am to 11pm. To explore with smaller crowds, try to arrive before noon. Plan for 45 minutes to 1-½ hours to walk the entire museum, and bring a camera to capture the illusions at their best! Tickets are $19/adult; $17/senior, military, students with ID; and $15/kids 6-13 years of age (under 6 is free).  Tickets may be purchased online with a small service fee.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

First Ever Exhibit of LIFE Magazine’s 6 Women Photographers, Now at New-York Historical Society

The exhibit, LIFE: Six Women Photographers, at the New-York Historical Society through October 6, 2019, features the work of Margaret Bourke-White, one of LIFE Magazine’s first four full-time photographers, one of only six women LIFE photographers; her photograph was the cover of LIFE’s inaugural issue © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

From its founding in the 1930s to the end of weekly publication in the 1970s, LIFE Magazine elevated and showcased photojournalism. Instead of just being the acoutrement to reporting, the photos were the story, or as Henry R. Luce saw it, the photojournalist as essayist.

During that time, only six out of 101 full-time LIFE photographers were women. Now, for the first time, these women – who contributed so much to the evolution of photojournalism as well as the cultural and societal trends they spotlighted –  are featured in their own exhibit, LIFE: Six Women Photographers, at the New-York Historical Society through October 6, 2019.

“For the editors of LIFE—the first magazine to tell stories with photographs rather than text—the camera was not merely a reporter, but also a potent commentator with the power to frame news and events for a popular audience. For decades, Americans saw the world through the lens of the magazine’s photographers. Between the late 1930s and the early 1970s, LIFE magazine retained only six women photographers as full-time staff or on a semi-permanent basis. LIFE: Six Women Photographers showcases the work of some of those women and how their work contributed to LIFE’s pursuit of American identity through photojournalism,” the curators write. The exhibition features more than 70 images  showcasing the extraordinary work created by Margaret Bourke-White, Hansel Mieth, Marie Hansen, Martha Holmes, Nina Leen, and Lisa Larsen. 

How were these women part of a larger editorial vision? What topics did they cover, and how did their work reflect—and sometimes expand—the mission of the magazine? The exhibit reveals these photographers’ important role in creating modern photojournalism and defining what LIFE editor-in-chief Henry Luce called the “American Century.” The level of influence that LIFE Magazine wielded was considerable – at its height, one out of every three Americans read the magazine each month.

We learn that of the six, three were immigrants of whom two fled Fascist Europe. In all, they produced 3,000 stories, 325,000 images that curator Sarah Gordon, curatorial scholar in women’s history at NYHS’ Center for Women’s History, and Marilyn Satin Kushner, curator and head, Department of Prints, Photographs, and Architectural Collections, combed through to select out the 70 images featured in the exhibit. The exhibit, interestingly, highlights not only the photos that were selected for publication, but photos out of the series that were not, as well as the contact sheets. There are also displays with the magazine opened to the page, and notes from the photographers.

Asked how the six featured stories were selected out of the photographers’ 3,000, Kushner reflects, “We thought about what we wanted to show and say – that kept me up at night, how to tie as a thread. The first thought was to show a woman’s point of view, but then we don’t know how a man would have treated the same subject. What the women did was illustrate Luce’s idea, that the photos [depict] the American story.”

Margaret Bourke-White, one of the first four staff photographers, her image of Fort Peck Dam was the cover of LIFE Magazine’s inaugural cover ; she photographed from front lines in World War II, and worked for LIFE until her death in 1971

Yet, except for Margaret Bourke-White’s famous series on the Fort Peck Dam – illustrative of her talent to show Industrial America and technological progress – the photo essays selected for this exhibit predominantly show women and women’s issues – wrestling with their place in society after World War II’s independence, the WACS. And even when there is a story, like the Dam, Bourke-White and others showed a great sensitivity to how ordinary people – families – lived. Bourke-White chose to show shantytowns that developed around the dam, and what Saturday night dancehall was like.

Margaret Bourke-White’s feature on nightlife in the “New Wild West” © Karen Rubin/goingplacesfarandnear.com

Her telegram to her editor reads, “Swell subjects especially shanty towns. Getting good nightlife. Nobody camera shy except  ladies of evening but hope conquer them also…. May I give one picture FortPeck Publishing booklet for local sale. Would help repay their many courtesies. Could choose pattern picture we probably wouldn’t use anyway.”

How did they get their assignments? “Sometimes the women wrote and asked for an assignment, but usually were told to ‘do that’” Kushner tells me. Luce wanted LIFE Magazine to reflect the American Century, and while Bourke-White documented steel mills and dams – America’s technology and industrial achievements – she also depicted new towns in the middle of no where, “FDR’s New Wild West.”

Standing in front of one of the most controversial and substantial photos in the exhibition – Martha Holmes’ 1949  image of singer Billy Eckstine being embraced by a white  female fan, surrounded by other gleeful white teenagers  – I meet Holmes’ daughter, Anne Holmes Waxman, and granddaughter of the photographer, Martha Holmes., Eva Koshel Castleton.

LIFE Photographer Martha Holmes’ granddaughter, Eva Koshel Castleton, and daughter Anne Holmes Waxman, with one of the photographer’s most controversial and important photographs, of Billy Eckstine © Karen Rubin/goingplacesfarandnear.com

“My mother came on when a lot of men were in the war. Born in Louisville, Kentucky, she was working as a photographer at the Courier-Journal when Life Magazine came to recruit her to come to New York. “She was shaking in her boots, just 24 years old. She never went back.”

The exhibit shows the contact sheet with other images of multiracial crowds waiting for tickets and autographs, but the editors chose to publish the more controversial image. They were so concerned that they sought permission from Luce, who agreed with Holmes that the photograph reflected social progress and was appropriate for the story. “Holmes felt the photo was one of her best, claiming ‘it told just what the world should be like.’ The magazine, however, received  vicious letters in response  and the fallout adversely affected Eckstine’s career.”

LIFE Magazine photographer Martha Holmes.

In the weekly report of letters received for April 24 issue, “Fifty-nine readers are very much upset. ‘That picture of Billy Eckstine with a white girl clinging to him after a performance just turns my stomach. Why a teen-age white girl conducts herself in this manner over a Negro crooner is beyond me. Juvenile delinquency is bad enough in our own race without mixing it up with another.”  “The most nauseating picture of the year.” “That picture qualifies as the most indecent picture ever published by LIFE.” “ That picture should have appeared in Pravda Your publication of it leads me to believe that Mr. Chambers was not the only Communist on your staff.” Eight readers cancelled their subscriptions, but nine praised the feature.

(What I notice in the magazine that is featured in the display is the ad for new Coty eye cosmetics . “Eyes of natural glamour. Newest style in beauty.”)

It becomes clearer why LIFE Magazine had women photographers exploring women’s issues when you look at the ads that accompanied features like Martha Holmes’ Billy Eckstine piece © Karen Rubin/goingplacesfarandnear.com

I ask her daughter Anne whether her mother got or lost certain assignments because of being a woman. She related that the only assignment her mother turned down was when, she was 8 ½ months pregnant with her, in 1956, and had to refuse an assignment to photograph Elvis Presley. “It was the one job she couldn’t take.” But she is renowned for her photos of artist Jackson Pollack and the House on UnAmerican Activities hearings.

LIFE Magazine photographer Nina Leen.

A very interesting series, “The American Woman’s Dilemma” by Nina Leen, published in the July 16, 1947 issue, danced around the issue of “how are you going to get them back on the farm, after they’ve seen Par-ee” – in this case, women who worked traditionally male jobs and had independence during the war, now being shoved back into housework and child-rearing rather than pursue a career. “The essay also reflected cultural anxieties about a ‘return to normalcy’ after the Depression and war. LIFE assumed that all women desired marriage and children but voiced concern that a woman’s time was so stretched, she did not have time to pursue her husband’s interests.

“The American Woman’s Dilemma” by Nina Leen that was published in the July 16, 1947 issue danced around the issue of career and childrearing © Karen Rubin/goingplacesfarandnear.com

“The article barely acknowledged that many women had no choice but to find work. It did recognize women’s struggles with child care buit disparaged separation as creating insecure children.”  Only one of Leen’s photos of an unmarried woman made the cut. “This article represented a clear attempt at setting out women’s choices in the post-war era of societal realignment.” (The article is opposite an ad for Singer sewing machines; LIFE Magazine clearly had an investment in women as homemakers, wanting the latest appliances.)

LIFE Magazine photographer Marie Hansen’s series “The WAACs” (September 7, 1942) helped America accept the idea of women in uniform..
LIFE photographer Hansel Mieth.

Hansel  Mieth is represented by her feature on “International Ladies’ Garment Workers: How a Great Union Works Inside and Out” (August 1, 1938). She worked as a migrant worker in California when she first emigrated to the US from Germany, and photographed fellow migrant workers in San Francisco, the city’s neighborhoods and cultural enclaves before LIFE hired her in 1937, publishing her socially engaged photo essays over the next seven years.

Among Lisa Larsen’s iconic assignments for LIFE was photographing the John F. Kennedy-Jacqueline Bouvier wedding in 1953.

I am left to wonder to what extent were the projects reshaped by a woman’s perspective, or how much the women photographers were directed to focus on “women’s subjects”. Even Lisa Larsen’s feature, “Tito as Soviet Hero, How Times Have Changed!” (from June 25, 1956) featured a spread, “Wives Materialize to Greet a Visitor.” We would have to see many more examples of the photographers’ assignments to make that appraisal, and hope these topics will be revealed in future exhibits NY-HS’ Women’s Center.

Based on this cursory examination, it seems Luce wasn’t being progressive in having women photographers for their point of view. He was realizing that women were the market for advertisers. And they were used to socialize women back to their pre-World War II prescribed roles – as homemakers and consumers.

The exhibit is curated by Sarah Gordon, curatorial scholar in women’s history, Center for Women’s History, and Marilyn Satin Kushner, curator and head, Department of Prints, Photographs, and Architectural Collections; with Erin Levitsky, Ryerson University; and William J. Simmons, Andrew Mellon Foundation Pre-Doctoral Fellow, Center for Women’s History.

NYHS brilliantly uses its space to maximize an immersion into Women’s History. Just outside the Women Photographers of LIFE Magazine exhibit is Women’s Voices, a multimedia digital installation where visitors can discover the hidden connections among exceptional and unknown women who left their mark on New York and the nation, even going back to Colonial America. Featuring interviews, profiles, and biographies, Women’s Voices unfolds across nine oversized touchscreens to tell the story of activists, scientists, performers, athletic champions, social change advocates, writers, and educators through video, audio, music, text, and images.

Among the many fascinating profiles featured in Women’s Voices are those of the first Latina Supreme Court Justice, Sonia Sotomayor; Nobel Prize-winning scientist Barbara McClintock; civil rights activist and poet Audre Lorde; the first woman to receive a medical degree in the U.S., Elizabeth Blackwell; award-winning actress Meryl Streep; Brooklyn-born opera star Beverly Sills; Seneca leader and artisan Caroline Parker Mountpleasant; trailblazing dancer and principal ballerina Misty Copeland; the Manhattan Project physicist who was snubbed by the Nobel Prize committee, Chien-Shiung Wu; Gilded Age novelist Edith Wharton; and the teacher whose 1854 lawsuit helped desegregate public transit in New York, Elizabeth Jennings Graham, among others.

There are also displays about the International Ladies Garment Workers Union (ILGWU), Women’s Activism and Billie Jean King. And in the middle of the floor is a most sensational gallery devoted to Tiffany, which includes a fascinating display about Clara Driscoll, who headed the Women’s Glass Cutting Department of some 45-55 young women (mainly 16-17 year olds who would work until they went off to be engaged). And who until this exhibit was unheralded for her role in creating many of Tiffany’s iconic designs.

Revolutionary Summer at New-York Historical Society

Also on view:

The New-York Historical Society, the oldest museum in New York, celebrates Revolutionary Summer, a Museum-wide exploration of Revolutionary War times, Revolutionary Summer presents outdoor events every weekend featuring characters from the era; 18th-century art and artifacts; a diorama of the Continental Army; and a host of programs for all ages, including trivia nights, a DJ evening, and a Revolutionary Drag Tea Party. On select weekends, visitors can explore a replica of George Washington’s Headquarters Tent at an outdoor Continental Army encampment, meet Living Historians portraying soldiers and spies, and learn about the many facets of camp life during the War for Independence.

“We’re so excited to welcome visitors to New-York Historical this summer with a full line-up of fun ways to experience the Revolutionary era,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “Revolutionary Summer celebrates the outstanding, revolutionary times that ignited the birth of our country with everything from a scavenger hunt to the chance to meet George Washington.”

The centerpiece of Revolutionary Summer is a replica of George Washington’s Headquarters Tent, on display in New-York Historical’s outdoor courtyard on select weekends. The original Tent is on display at the Museum of the American Revolution (MoAR) in Philadelphia. Often called the “first Oval Office,” the Headquarters Tent was where Washington and his most trusted staff plotted the strategy that ultimately won the Revolutionary War. On loan from MoAR, this painstakingly detailed, hand-sewn replica—made of custom woven linen and wool fabrics—was created as part of a collaboration between MoAR and Colonial Williamsburg. The Tent is staffed by MoAR educators, who lead visitors on an immersive tour through history. (On view July 4–7,  26–28, August 16–18,  23–25,  September 13–15)

A host of special installations and artifacts are on view at New-York Historical as part of Revolutionary Summer. One of the highlights is a recently discovered watercolor painting of the 1782 Continental Army encampment at Verplanck’s Point, New York—the only known eyewitness image of Washington’s Headquarters Tent during the Revolutionary War—on loan from MoAR. Other highlights include a camp cot used by Washington at Valley Forge during the winter of 1777; John Trumbull’s iconic painting of Washington that he gave to Martha Washington in 1790; and a pipe tomahawk gifted by Washington to Seneca Chief Sagoyewatha. Also on display is a diorama depicting the Verplanck’s Point encampment and the Hudson River shoreline, providing visitors with a 360-degree view of the scope and scale of Washington’s forces.

Revolutionary Summer also showcases historic documents from the Gilder Lehrman Institute of American History, including an original 1823 William J. Stone facsimile of the Declaration of Independence; a broadside from King George III announcing the armistice and officially ending the war; and a letter by Martha Washington detailing domestic life in the aftermath of the Revolution.

Independence Day Celebration: Celebrate the Fourth of July exploring George Washington’s encampment! Enter his Headquarters Tent, meet the man himself, and experience where the future first president strategized, dined, and slept while MoAR staff describe his daily life. Also on tap: singalongs with the Hudson River Ramblers; fife and drum corps music; a one-woman play about Deborah Sampson, the woman who disguised her gender to enlist in the Continental Army; family-friendly food for purchase; and Living Historians portraying soldiers from the Continental Army, as well as John Adams, who’ll read the Declaration of Independence. Free Admission for kids age 17 and under

And this fall, the New-York Historical Society explores the life and accomplishments of Paul Revere (1734–1818), the Revolutionary War patriot immortalized in Henry Wadsworth Longfellow’s 1860 poem, “Paul Revere’s Ride.” On view September 6, 2019 – January 12, 2020, Beyond Midnight: Paul Revere separates fact from fiction, revealing Revere as a complex, multifaceted figure at the intersection of America’s social, economic, artistic, and political life in Revolutionary War-era Boston as it re-examines his life as an artisan, activist and entrepreneur. The exhibition, featuring more than 140 objects, highlights aspects of Revere’s versatile career as an artisan, including engravings, such as his well-known depiction of the Boston Massacre; glimmering silver tea services made for prominent clients; everyday objects such as thimbles, tankards, and teapots; and important public commissions, such as a bronze courthouse bell.

Exhibitions at the New-York Historical Society are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the New York City Department of Cultural Affairs, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

New-York Historical Society, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

‘Fiddler on the Roof’ in Yiddish is a Theater Experience Not to be Missed; Off-Broadway Run Extended to Jan. 5

A standing ovation for the cast of Fiddler on the Roof in Yiddish, now playing at Stage 42, off-Broadway in New York City through Jan. 5, 2020 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, David Leiberman & Laini Miranda, Travel Features Syndicate, goingplacesfarandnear.com

So often, when reviving a theater icon like Fiddler on the Roof, there is the need to find a new, unique, creative way to make it their own, to reinterpret, re-envision to give new audiences a different entry way. And too often, that manipulation warps or distorts what made the theatrical experience so precious to begin with. But you don’t have to insert modern inventions into Fiddler for its moral, both universal and specific, to be relevant to today’s audiences. In fact, it is much more profound to be transported back to that time, 1904, for its truth to be fully realized.

Fiddler on the Roof has that most important aspect of a true classic, to touch every emotion, make you see things more insightfully, to have a real moral to the story, and leave you a better, more understanding person afterward – and be entertained.

Directed by Oscar and Tony Award-winner Joel Grey, Fiddler on the Roof in Yiddish (in Yiddish, A Fidler Afn Dakh) adds new depth and dimension to this heart-wrenching story of a community struggling to balance traditions against the forces and threats of a changing world. The little town of Anatevka reverberates with the sounds of mame-loshn (ancestral language).

Fiddler on the Roof in Yiddish, brings you closer, more engaged, immerses you.  The experience seems even more authentic, more intimate.

Partly this is because the Yiddish language, is so expressive – some of the earliest musicals in New York were in Yiddish (Yiddish theater thrived in New York between 1888 and the 1920s; there is even a Museum of Yiddish Theater, www.museumofyiddishtheater.org) – and in a surprising way even familiar. There are words we New Yorkers know very well (meshuganah comes up a lot), and it seems every so often the Yiddish word is similar to English. But you can follow along, opera-style, with titles (in English and Russian!).  

But it is also because Yiddish is the mame-loshn, the ancestral language. It gives the story more authenticity. You are there, in this place so far away. Perhaps you even understand the challenge when the inhabitants of this village, indeed all the Jews from all the villages, are driven from their homes on three days notice to a strange place where they will understand no one and no one will understand them.

One of the most celebrated musicals of all time, Fiddler on The Roof, based on Sholem Aleichem’s Tevye the Dairyman stories, features the sensational music by Jerry Bock, meaningful lyrics by Sheldon Harnick, and smart book by Joseph Stein, with original New York stage production directed and choreographed by the greatJerome Robbins. This production, brilliantly directed by Joel Grey, has staging and new choreography by Stas Kimec.

We noticed just small deviations from the original book, and a new song that emerges from Pertshik’s biblical lesson, that enhance the experience (not too smart or gimmicky), but otherwise, it is gloriously faithful to one of the best musical theater works ever created.

The direction by Joel Grey is exquisite – just the right timing, emphasis, emotion. These characters seem more approachable, especially without distractions of a complicated set. The Tevye character, played by Steven Skybell (who won the 2019 Lucille Lortel Award for Best Lead Actor) is more sensitive, loving, nuanced than the character is usually played.

The Jews of Anatevka are clad all in grey, white and black – as if looking back in time at old photos or film, or perhaps as letters out of a book – only the Russians have a touch of red and Fiadkah’s outfit is sufficiently differentiated from his erstwhile comrades.

The set is sparse, but you don’t even realize it – long strips of what looks like parchment of Torah scrolls with one with the only world, in Hebrew lettering, Torah that binds the community throughout the ages and is the underpinning to tradition. That hones the message but also focuses attention on the people.

The staging and choreography is fabulous – there are all our favorites: the bottle dance at the wedding; the Russian dance. I loved the way the dream sequence is staged. The voices and acting of a brilliant company are sensational.

And most importantly, a timeless tale more important than ever that needs to be told in these times.

The original Broadway production of Fiddler on the Roof, which opened in 1964, was the first musical theater production in history to surpass 3,000 performances, won the 1965 Tony Award for Best Musical in addition to eight other Tony Awards that year and has performed in every metropolitan city in the world from Paris to Beijing.

The Yiddish translation, so artfully crafted by Israeli actor/director Shraga Friedman, was originally performed in Israel in 1965 just one year after its Broadway debut. Born in Warsaw, Friedman was a native Yiddish speaker who escaped war-torn Europe with his family and made their way to Tel Aviv in 1941. “Well acquainted with the works of Sholem Aleichem, Friedman used his translation to infuse Fiddler with rich literary references to the original Yiddish stories.”

The NYTF production, which was originally staged at the Museum of Jewish Heritage, marks the first time the Yiddish version has been performed in the United States.

There is no problem following what is going on – much like opera, there are supertitles in English and Russian on both sides of the stage throughout the entire performance that translate what is being said or sung on stage in real time. The show is so familiar that it isn’t even necessary, but I enjoyed reading the nuances of difference. And the great surprise is how familiar some of the words are, either because Yiddish expressions have entered the vernacular (at least in New York), or because of the connection to English.

The complete cast of Fiddler on the Roof includes award-winning Steven Skybell (as Tevye), Emmy Award nominee Jackie Hoffman (as Yente), Jennifer Babiak (as Golde), Joanne Borts (as Sheyndl), Lisa Fishman (as Bobe Tsatyl), Kirk Geritano (as Avrom), Samantha Hahn (as Beylke), Cameron Johnson (as Fyedka), Ben Liebert (as Motl Kamzoyl), Stephanie Lynne Mason (as Hodl), Evan Mayer (as Sasha), Rosie Jo Neddy (as Khave), Raquel Nobile (as Shprintze), Nick Raynor (as Yosl), Bruce Sabath (as Leyzer Volf), Drew Seigla (as Perchik), Adam B. Shapiro (as Der Rov), Jodi Snyder (as Frume-Sore), James Monroe Števko (as Mendl), Lauren Jeanne Thomas (as Der Fiddler), Bobby Underwood (as Der Gradavoy), Mikhl Yashinsky (as Nokhum / Mordkhe), and Rachel Zatcoff (as Tsaytl).

Ensemble members include Michael EinavJonathan Quigley, and Kayleen Seidl. Swings include Abby Goldfarb and John Giesige, and Moshe Lobel serves as understudy for the production.

The creative team for the production features new choreography by Staś Kmieć (based on the original choreography by Jerome Robbins), musical direction by Zalmen Mlotek, scenic design by Beowulf Boritt, costume design by Ann Hould-Ward, sound design by Dan Moses Schreier, lighting design by Peter Kaczorowski, wig & hair design by Tom Watson, and props design by Addison Heeren.

Fiddler on the Roof  is produced off-Broadway by Hal Luftig and Jana Robbins, in association withSandy Block.

This production of Fiddler on the Roof  is the winner of the 2019 Outer Critics Circle Award for Best Musical Revival, a 2019 New York Drama Critics’ Circle Award Special Citation, and star Steven Skybell is the winner of the 2019 Lucille Lortel Award for Best Lead Actor in a Musical, as well as numerous nominations for Joe Grey as director, for orchestration, Lucille Lortel nominee for Outstanding Featured Actress in a Musical Jackie Hoffman.

Fiddler on the Roof in Yiddish, a production of the remarkable National Yiddish Theatre Folksbiene (NYTF), began its life with a celebrated run at the Museum of Jewish Heritage, where it had been extended multiple times and played its final performance on December 30, 2018. This production at the Stage 42 Theater has been extended multiple times as well, and now is extended again, through January 5, 2020.

NYTF has its own remarkable history: founded in 1915 the award-winning NYTF is the longest continuously producing Yiddish theater company in the world and offers regular productions. The company is presenting a season of four mainstage productions, concerts and readings curated to accompany the exhibit Auschwitz: Not long ago. Not far away. now on view at the Museum of Jewish Heritage through Jan. 3, 2020 (https://mjhnyc.org/exhibitions/auschwitz/).

Fiddler on the Roof in Yiddish is a theater experience not to be missed.

Fiddler on the Roof in Yiddish is at Stage 42, 422 West 42nd Street (between 9th and 10th Avenues), New York, NY, 10036. For the most current performance schedule and tickets, see http://fiddlernyc.com. Tickets are on sale for performances through Jan. 5, 2020. https://nytf.org/fiddler-on-the-roof/ 

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures