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Global Scavenger Hunt: ‘World’s Greatest Travelers’ Winners Crowned in New York

The Three Graces, a Roman marble statue from 2nd C AD copying a Greek theme from the 2nd C BC, is repeated throughout Western civilization, on view at the Metropolitan Museum of Art, NYC © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Global Scavenger Hunt teams arrive in New York City for the last leg of the Global Scavenger Hunt that has taken us to 10 countries in 23 days. Bill Chalmers, the ringmaster and Chief Experience Officer of this around-the-world mystery tour, in which the challenges and scavenges are designed to get us out of our comfort zone and immerse us in a culture, fine-tune our skills as world travelers, and most significantly, “trust in the kindness of strangers.” Back in New York, he is delighted all 10 teams circumnavigated the world “in one piece” without dramatic incident, in this, the 15th annual Global Scavenger Hunt competition.

The leading teams vying for the title of “World’s Greatest Travelers” as we enter this final leg of the contest in 4th place, SLO Folks from California with 96 points (where the low-score wins); in 3rd, Order & Chaos, doctors from San Francisco with 81 points; in 2nd place, Lazy Monday, computer networking consultant and think tank professional from California with 46 points, and Lawyers Without Borders, from Houston, with 33 points, five-time winners who are competing in the Global Scavenger Hunt for the 12th time.

There is one more challenge in New York (an easy urban Par 1), and even though, based on points and placement, the winners of the 15th annual, 2019 edition of the Global Scavenger Hunt have been determined, still the teams go out and give it their all. Those in contention must complete at least one of the scavenges in New York, and complete their time sheet and hand in by the 4 pm deadline.

Examples of the scavenges: take in a Yankees game or a Broadway show; have one of each of following: a New York bagel, a New York hot dog, a New York deli sandwich, a slice of New York pizza, New York cheesecake, a New York egg cream, or an old-fashion Manhattan; -locate five pieces from five of the nations you just visited in the Met; visit Strawberry Fields, pay John Lennon tribute; do one scavenge in each of the five boroughs of New York City.

A native New Yorker, this is really my turf (though there is the oddest sensation of feeling like I am in a foreign place, reminding myself of what is familiar like language, money, streets, drink water, eat salad), and I delight in walking up Madison Avenue to 82nd Street to the Metropolitan Museum of Art on Fifth Avenue.

Hunting for an object from Morocco, in the Metropolitan Museum of Art © Karen Rubin/goingplacesfarandnear.com

I elect to take up the challenge of going to the Metropolitan Museum of Art to seek out objects from five of the countries we visited (Canada, Vietnam, Myanmar, Thailand, Abu Dhabi, Jordan, Greece, Morocco, Gibraltar, Portugal, Spain). Greece will be easy, of course, but Morocco and Jordan (Petra), Vietnam and Myanmar (Burma) are just a bit trickier. It is Chalmers’ way of making us experience things on a different level, and for me, it brings together so much of what we’ve seen, learned and experienced along the way.

An object from Thailand, at the Metropolitan Museum of Art, NYC © Karen Rubin/goingplacesfarandnear.com

I first join a docent-led Highlights Tour, knowing from past experience that these always lead me to parts of the museum I am unfamiliar with, and enlighten about aspects of art and culture with the in-depth discussion of the pieces the docents select to discuss.

Not easy to find to complete the Global Scavenger Hunt: an object from Vietnam, at the Metropolitan Museum of Art, NYC © Karen Rubin/goingplacesfarandnear.com

The docent, Alan, begins in the Greco-Roman exhibit with a stunning marble sculpture of the Three Graces, showing how this theme – essentially copied from the Greek bronzes (which no longer exist because the bronze was valuable and melted down for military use) – was repeated over the eons, into the Renaissance and even beyond.

The Magdala Stone, 1st Century, Migdal, Synagogue, on the Sea of Galilee. The stone, whose exact function is uncertain, dates to a time when the temple in Jerusalem still stood. One short side features a 7-branched menorah – the earliest such image known in a synagogue – flanked by amphorae and columns. The Migdal synagogue would have been in use during the lifetime of Jesus, whom the Gospels describe as preaching in synagogues throughout Galilee © Karen Rubin/goingplacesfarandnear.com

Obviously, finding an object from Greece is going to be easy, and I hope to find objects from Vietnam, Myanmar (Burma), and Thailand in the Asia wing where there is a massive collection of Buddhist art (it proves just a tad more difficult, but I succeed). Morocco and Jordan (Petra) proved trickier than I expected, but brought me to an astonishing exhibit, “The World Between Empires: Art and Identity in the Ancient Middle East,” with an extraordinary focus on the territories and trading networks of the Middle East that were contested between the Roman and Parthian Empires (ca. 100 BC and AD 250). “yet across the region life was not defined by these two superpowers alone. Local cultural and religious traditions flourished and sculptures, wall paintings, jewelry and other objects reveal how ancient identities were expressed through art.”

The Greek sun god Helios, from Petra, 1st C BC – 1st C AD, found at Qint al-Bint temple in Petra, visited on the Global Scavenger Hunt © Karen Rubin/goingplacesfarandnear.com

The exhibit features 190 works from museums in the Middle East, Europe and the United States in an exhibition that follows the great incense and silk routes that connected cities in southwestern Arabia, Nabataea, Judea, Syria and Mesopotamia, that made the region a center of global trade along with spreading ideas, spurring innovations (such as in water control), and spawning art and culture.

It was the most incredible feeling to come upon the objects from Petra, having visited the site (was it only 10 days ago?) and having a context for seeing these isolated objects on display.

The World between Empires

The landmark exhibition The World between Empires: Art and Identity in the Ancient Middle East, which is on view through June 23, 2019, focuses on the remarkable cultural, religious and commercial exchange that took place in cities including Petra, Baalbek, Palmyra and Hatra between 100 B.C. and A.D. 250. “During this transformative period, the Middle East was the center of global commerce and the meeting point of two powerful empires—Parthian Iran in the east and Rome in the west—that struggled for regional control.”

The exhibition focuses on the diverse and distinctive cities and people that flourished in this environment by featuring 190 outstanding examples of stone and bronze sculpture, wall paintings, jewelry, and other objects from museums in the United States, Europe, and the Middle East.

Wall Painting of Christ Healing the Paralytic/Wall Painting of Christ Walking on Water, ca 232, Dura-Europos, Christian building, considered the world’s oldest surviving church. The paintings include images of Jesus Christ performing miracles, and are the earliest securely dated representations of him © Karen Rubin/goingplacesfarandnear.com

Among the highlights is a Nabataean religious shrine, reconstructed from architectural elements in collections in the United States and Jordan; the unique Magdala Stone, discovered in a first-century synagogue at Migdal (ancient Magdala) and whose imagery refers to the Temple in Jerusalem; and wall paintings from a church in Dura-Europos that are the earliest securely dated images of Jesus. Sculptures from Baalbek illuminate religious traditions at one of the greatest sanctuaries in the ancient Middle East, and funerary portraits from Palmyra bring visitors face to face with ancient people. The exhibition also examines important contemporary issues—above all, the deliberate destruction and looting of sites including Palmyra, Dura-Europos, and Hatra.

Ossuaries, Israel, excavated at Azor, Chalcolithic period, early 4th millennium BC © Karen Rubin/goingplacesfarandnear.com

“The compelling works of art in this exhibition offer a view into how people in the ancient Middle East sought to define themselves during a time of tremendous religious, creative, and political activity, revealing aspects of their lives and communities that resonate some two millennia later,” said Max Hollein, Director, The Metropolitan Museum of Art.  “Further, in focusing on an area of the world that has been deeply affected by recent conflicts and the destruction of sites, monuments, and objects, this show also engages with complex questions about the preservation of cultural heritage.”

Dead Sea Scroll Jar and Lid, ca 2nd Century BC, found in the Qumran caves, the documents now known as the Dead Sea Scrolls represent biblical texts and Jewish religious practices in the last centuries BC and first century AD. © Karen Rubin/goingplacesfarandnear.com

The exhibition evokes a journey along ancient trade routes, beginning in the southwestern Arabian kingdoms that grew rich from the caravan trade in frankincense and myrrh harvested there and used throughout the ancient world. Camel caravans crossed the desert to the Nabataean kingdom, with its spectacular capital city of Petra, which I had just visited, walking through very much as the caravan travelers would have.

Statuette of nude goddess, 2nd C BC-2nd C AD, Ctesiphon © Karen Rubin/goingplacesfarandnear.com

From here, goods traveled west to the Mediterranean and north and east through regions including Judaea and the Phoenician coast and across the Syrian desert, where the oasis city of Palmyra controlled trade routes that connected the Mediterranean world to Mesopotamia and Iran and ultimately China. In Mesopotamia, merchants transported cargoes down the Tigris and Euphrates rivers to the Persian Gulf, where they joined maritime trade routes to India. These connections transcended the borders of empires, forming networks that linked cities and individuals over vast distances.

3rd C biblical wall paintings discovered in the Dura-Europos synagogue were exceptional because they demonstrated that early Jewish art included figural scenes. © Karen Rubin/goingplacesfarandne

Across the entire region, diverse local political and religious identities were expressed in art. Artifacts from Judaea give a powerful sense of ancient Jewish identity during a critical period of struggle with Roman rule. Architectural sculptures from the colossal sanctuary at Baalbek and statuettes of its deities reveal the intertwined nature of Roman and ancient Middle Eastern religious practices. Funerary portraits from Palmyra represent the elite of an important hub of global trade. Wall paintings and sculptures from Dura-Europos on the River Euphrates illustrate the striking religious diversity of a settlement at the imperial frontier. And in Mesopotamia, texts from the last Babylonian cuneiform libraries show how ancient temple institutions waned and finally disappeared during this transformative period.

In Athens and Petra, particularly, you appreciate this synergy between trade, migration, environmental sustainability and technology (in Petra, the ability to control water supply was key), economic prosperity and political power, and the rise of art, culture, and community.

Bearded God, ca 1st C, Dura-Europos © Karen Rubin/goingplacesfarandnear.com

It is rare (if ever ) for the Metropolitan Museum to venture into the political, but a key topic within the exhibition is the impact of recent armed conflicts in Iraq, Syria, and Yemen on archaeological sites, monuments, and museums, including deliberate destruction and looting. Some of the most iconic sites affected—Palmyra, Hatra, and Dura-Europos—are featured in the exhibition, which discusses this damage and raises questions regarding current and future responses to the destruction of heritage. Should the sites be restored or will they now only exist “on paper”? How much money and resources should go to restoring or excavation when villages and homes for people to live in also need to be rebuilt?

There is a fascinating, if frantic, presentation of three archaeologist/historians speaking about what the destruction by ISIS and Islamic fundamentalists of Palmyra, Eura-Europos and Hatra – what it means to destroy a people’s heritage, their cultural identity. “It may seem frivolous to focus on [archaeological sites] when people are enslaved, killed…but to wipe out, destroy culture is a way of destroying people.”

Happening upon this exhibit made the travel experiences we had to these extraordinary places all the more precious.

It is a humbling experience, to be sure, to go to the origins of the great civilizations, fast forward to today. How did they become great? How did they fall? Greatness is not inevitable or forever.  Empires rise and fall. Rulers use religion, art and monuments to establish their credibility and credentials to rule; successors blot out the culture and re-write history.

(“The World Between Empires” is featured on The Met website as well as on FacebookInstagram, and Twitter using the hashtag #WorldBetweenEmpires.)

I peek out from the American Café windows to Central Park and see sun and the early spring blossoms on the trees, and dash out to walk through my other favorite New York City place. There is nothing more beautiful than New York City in the spring – brides are out in force taking photos; there are musicians and entertainers. There is a festive atmosphere as I walk through the park toward the Palace Hotel in time for our 4:30 pm meeting.

Spring in Central Park, NYC © Karen Rubin/goingplacesfarandnear.com

15th Annual Global Scavenger Hunt Winners Crowned

At the end of the New York City leg:

1st Lazy Monday, completed 10 scavenges earning 385 points

2nd SLO Folks with 6 scavenges, 250 pts

3rd Lawyers, with 150 pts

4th Order & Chaos

And now, drumroll please, Chalmers announces the winner of the 2019 Global Scavenger Hunt: “Only one team wins. The competition was fierce.”

3rd – Order & Chaos, Sal  Iaquinta & Vivian Reyes, doctors from San Francisco

2nd – Lazy Monday, Eric & Kathryn Verwillow, computer networking and think tank professional of Palo Alto, California (“I am in awe of how hard worked beginning to end – embraced the spirit,” Chalmers says.

1st Lawyers Without Borders, Rainey Booth and Zoe Littlepage of Houston, who have competed in the Global Scavenger Hunt 12 times, and won it for the 6th time. “You embody the spirit of the event, to go out of your comfort zone.” (You can follow Zoe’s blog of her experience to get a sense of how strenuous, outrageous, and determined the team was in accumulating their points: https://zoeandraineygreatescape.blogspot.com/2019/05/gsh-2019)

We celebrate at a final bon voyage dinner.

The Global Scavenger Hunt is the brainchild of Bill and Pamela Chalmers, who in addition to forging understanding and bonds among travelers and the people in the destinations visited, use the program to promote voluntourism (one of the scavenges is to volunteer at an orphanage or school during our stay in Yangon, Myanmar, and in the past travelers visited & helped out at: Tibetan refugee camps in Nepal, orphanages in Laos, hospitals in Cambodia, homeless schools in India, hospices in Manila, disabled facilities in Sri Lanka, Ethiopian schools, the slums of Nairobi) and raised money for the GreatEscape Foundation.

“The foundation is one of main reasons we do the event,” Chalmers says. The foundation has raised money to build 12 schools (1 each in Niger, Haiti, Ecuador, India & Ethiopia; 2 each in Sri Lanka & Sierra Leone, and 3 in Kenya), helped build the Tamensa Medical Clinic in Niger for migrating Tuareg nomads which serves as a midwives & nurse training center too. “We know that we saved lives and bettered the lives of hundreds. We have helped over 2400 families in more than 60 countries (mostly women entrepreneurs) with our interest and fee free micro-loans (96% of which have gone to women with a 99% repayment).”

 Through the event this and last year, the foundation will build 2 more co-ed elementary schools , in Ethiopia and Haiti.

TheGlobal Scavenger Hunt travel adventure competition is aimed at returning the romance of travel while testing the travel IQ of the most travel savvy of globetrotters. The travelers (who must apply and be accepted to compete) completed a series of highly participatory, authentic and challenging cultural site-doing scavenges in ten secret countries over a 23-day circumnavigation between April 12 and May 4, 2019 designed to bring people out of their comfort zone and trust strangers in strange lands.

 “The Global Scavenger Hunt covers a lot of extraordinary travel bases,” says Chalmers, who dubs his mystery tour, “A blind date with the world.”

For more information, contact GreatEscape Adventures at 310-281-7809, or visit GlobalScavengerHunt.com.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Spy v Spy in New York City: New KGB Spy Museum is Window into How Spies Impact World Affairs

 

Sergey, a KGB Spy Museum guide, describes the conditions that political prisoners would have suffered in a society where opposition was suppressed by fear © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

If you really want to be freaked out by the KGB Spy Museum that opened just a few months ago in Manhattan, do what I did: come directly from Spyscape, where you learn about the whole business of being a spy, and be in the middle of reading a book like “The Plot to Destroy Democracy: How Putin and His Spies Are Undermining America and Dismantling the West,” by Malcolm Vance.

The KGB Museum would be scarier if it were not laid out somewhat like an antique shop (but aren’t all spy centers sequestered behind something innocuous like a tailor shop?). Row by row, there are some 3500 artifacts, all of them real, many on view publicly for the first time. They date from 1910 until 1991, the collapse of the Soviet Union when the KGB was replaced by the FSB. But these mundane objects – a lipstick, an umbrella, a pen – were lethal weapons; a tie pin and belt buckle were cameras; a heart reader could seek out a live person hiding even in a refrigerator. Another important tool? A thermometer to determine if a person were truly dead. And if a master key couldn’t unlock an apartment to install a bug? No matter, a transmitter could be aimed at the window from a huge distance to decipher the sound vibrations and eavesdrop anyway. There is even a letter remover which could take out a letter from its envelope, read its contents and replace it back in the envelope, without leaving a mark.

The Patient Chair, used for interrogation, one of some 3500 artifacts on view at the KGB Spy Museum © Karen Rubin/ goingplacesfarandnear.com

And then there is the “patient chair,” used in a psychiatric hospital, with scary restraints, that were used for interrogations under truth serum or other means.

It turns out that those fantastical gadgets from the James Bond movies, and even the Get Smart spy spoof, were actually based on the real thing. It seems that there is nothing too absurd in the spy world.

The KGB story is really scary though. KGB (КГБ in Cyrillic) stands for “Komitet Gosudarstvennoy Bezopasnosti,” which can be translated as the Committee for State Security. The KGB was the main security agency for the Soviet Union, and during the Cold War the KGB was in direct competition with the CIA and other state security agencies around the world for cultural, economic, and military dominance.

Some 3,500 artifacts from the KGB, from 1910 to 1991, many seen publicly for the first time, are on view at the newly opened KGB Spy Museum in Manhattan © Karen Rubin/ goingplacesfarandnear.com

The KGB was born in the Russian Revolution – one of the artifacts is the carpet memorializing Lenin (not his real last name, it turns out) and the beginning of the Revolution in 1917 – and was initially designed to ferret out counter-revolutionaries, or enemies of the Communist state.

One of the world’s largest and most sophisticated intelligence operations, the KGB served a multifaceted role as both a spy agency outside of Soviet Union and a force of secret police within it.

You realize how pervasive and ruthless the KGB was (is), and sense the constant terror that the people must have lived under, as that term “enemies of the state” was broadened to mean any one who criticized or opposed the ruling party, the leadership or policies.

There are real doors from jail cells, and you look through at real video of real prisoners. Those who were placed in solitary were allowed nothing to wear but their underwear; they could sleep only four hours, when the bed would be closed up, and fed only bread and water for 5 to 15 days.

Sergey demonstrates robot hands used to handle dangerousmaterials in a lab © Karen Rubin/ goingplacesfarandnear.com

One of the world’s largest and most sophisticated intelligence operations, the KGB served a multifaceted role as both a spy agency outside of Soviet Union and a force of secret police within it.

Some of the best engineering and scientific minds were employed to devise gadgets and gizmos – miniaturizing cameras, maximizing surveillance and detection, inventing new ways of transmitting.

“Virtually undetectable, the agency used its state-of-the-art tools and ruthless methods to seamlessly monitor the citizens’ lives and keep them in constant fear of repercussions for any subversive behavior. The investment in the spy technology had a devastating toll on the country’s economy yet it was deemed the most effective and necessary way to keep the state isolated from the rest of the world and keep the Western world out.”

With spies operating in countries all over the world, the KGB had a vast influence on world affairs, which reached its peak during the Cold War. KGB Spy Museum presents a never-before-seen collection of items used in the missions of prominent KGB agents, illuminating the strategies and methods that underlay many of history’s top-secret espionage operations.

In addition to perusing artifacts and learning about the history of the notorious agency, you can read and listen to real stories from spies, witnesses and journalists as well as explore and interact with authentic objects, such as telephone switchboards (most of the operators who connected the calls and then listened in on conversations were KGB), encryption machines, an interrogation chair, designed to extract information from suspects and enemies.

he KGB managed to hide a listening device in this wooden replica of the Great Seal, which hung over the US Ambassador’s desk in Moscow for 7 years before being detected. It took another 1 ½ years to figure out how it worked. The inventor won a Stalin Prize. © Karen Rubin/ goingplacesfarandnear.com

One of the most interesting stories surrounds a wooden Great Seal in one of the cabinets, that was also one of the KGB’s greatest triumphs, that arose out of the famous summit in the Crimea of Stalin, Churchill and FDR. The head of the KGB, Lavrenty Beria, had a replica of the Great Seal made as a gift for Ambassador Averell Harriman, presented most charmingly by cherubic Young Pioneers (like boy scouts) as a “gesture of friendship.” But inside was an ingenious bug that used electromagnetic energy instead of an external power supply. It hung above the Ambassador’s desk in Moscow for seven years before it was exposed in 1952. “The Americans couldn’t figure out how it worked for a year and a half,” my guide, Sergey, says. (The original is in the NSA’s Cryptology Museum in Washington.)

The inventor of the Zlatoust/Receiver LOSS, Lev Sergeyevich Termen, was a physicist and a musician, who began his career by developing previously unseen electronic musical instruments. In 1947 he won the Stalin Prize for Inventions of Listening Devices.

One of the objects that is literally one-of-a-kind, is a record player made expressly for Stalin; there is also a safe, made by the Bernstein company in Berlin, that came from KGB HQ, still containing the currency that would have been enough to buy 30 cars. Both indications of the privilege along with the power amassed by the Communist leadership despite their calls for a equal society.

The one-of-a-kind record player made especially for Stalin © Karen Rubin/ goingplacesfarandnear.com

Among the rarest objects, which are a point of pride, also seem mundane but were “mechanical masterpieces”:

Tool set КАРОЕД/KAROED (Bark beetle): This is a manual set of special drills and instruments for drilling very narrow holes less than 0.04 inches without any sound in the tree or plastic. Holes were needed to listen to secret conversations with a help of secret microphones. These sharp and pointed drills are specially machined from the very hard metal. The set includes drill extensions, which can be used to drill holes in 3.3 ft and even thicker walls or wooden floors. A special hand-held drill holder had a stopper to drill holes of a certain depth to protect the drill from coming out across the wall by making only a small, hardly visible hole. A special container collects shavings in order not to leave any suspicious marks.

Also very rare: KGB secret drill ИГЛА/IGLA (needle): “It is a unique mechanical masterpiece – the drill IGLA. This very complicated drill reflects the name ‘needle’, because it drills a very thin hole through the concrete. It drills with the help of air compressor with abrasive dust to avoid the sound and vibration. Even the drilling sound was designed by the constructors to simulate that era washing machine Малютка/Maliutka. The person at home thought that a neighbor was probably doing the laundry. The Igla drill had a hole through which the air pressure was inflated according to the manometer readings, and when the drill approached the outside of concrete wall, the air pressure dropped in the drill as the air went out and the drill automatically shut off. The hole was 0.04 inches in size. If the walls were painted or lined with ceramic tiles, the eye did not even see the hole or dust outside. With this drill, the abrasive powder and concrete dust were absorbed by air. Agents who were very patient, slow and responsible were chosen to drill such a hole. In order to drill a 4 inches concrete wall took about 4 hours, and with the preparation – the whole day. Agents, through drilled miniature holes, installed listening or photo devices. After the operation, they applied a hole with the cement mixture and no suspicious marks were left.”

Mundane objects like a belt buckle hid miniature cameras © Karen Rubin/ goingplacesfarandnear.com

There’s an old fashioned phone where you can “dial” a selection of officials. My guide, Sergey, dials Putin and hands me the phone so I can hear Putin talking (it’s like listening to the LBJ telephone tapes at the LBJ Presidential Museum in Austin). There are also actual phones on display from KGB offices that would have features to disguise the voice at the push of a button.

The two spy experiences – Spyscape and the KGB Museum – have completely different approaches and perspectives, but they complement each other so well, especially when visited one after the other.

Spyscape is modern, state of the art, interactive, pulse-pounding, engaging, immersive experience. KGB is old-school but so relevant today, with the Russian actively hacking elections and using social media to impact US and other elections, policy, and political discourse.

“The KGB Spy Museum aims to present espionage and intelligence operations in an educational and interesting way, emphasizing the importance of human intelligence and setting out a frame of reference for the public to appreciate the great extent to which spies have always influenced world events. The Museum has a policy of presenting the history of espionage without political bias, thus offering visitors a factual and balanced view of the subject. “

The Museum is open daily 10 a.m. to 8 p.m. Tickets are available online or in the museum. You need about 1 ½ hours to visit. Tickets are adults (18-64)/$25; Children 7-17, seniors, students, $20; a guided visit, minimum 3 people is $43.99.

KGB Museum, 245 W 14th Street, NY 10011, kgbespionagemuseum.org.

See also: Spy v Spy Has New Addresses in NYC: At Spyscape Find Your Place in World of Espionage

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

‘Hudson Rising’ Exhibit at New-York Historical Society Shows River Was Incubator for America’s Environmental Movement

“Hudson Rising” at the New-York Historical Society: Legendary folk singer Pete Seeger, with a model of the Clearwater, led a movement to reclaim the Hudson River from industrial destruction and overdevelopment © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

This spring, the New-York Historical Society presents Hudson Rising, a unique exhibition that explores 200 years of ecological change and environmental activism along “the most interesting river in America” through artifacts, media, and celebrated Hudson River School paintings.

On view March 1 – August 4, Hudson Rising reflects on how human activity has impacted the river and, in turn, how the river environment has shaped industrial development, commerce, tourism, and environmental awareness. The exhibition also explores how experts in various fields are currently creating ways to restore and re-engineer areas of the river in response to climate change.

Indeed, we tend to think of the environmental movement as originating with Yellowstone and the national parks, but it is fascinating to realize that the beginning of environmental activism – and the techniques – began here. Citizens rallied to oppose the construction of a Con Ed plant on Storm King Mountain; one of the new organizations, Scenic Hudson, sued; the case, in 1965 set a precedent beyond the Hudson, establishing that citizens have standing to sue on behalf of conservation, even when they do not have a direct economic interest,  that beauty and history also merit protection – the forerunner of the Environmental Protection Act. Later, a “viewshed,” modeled on the concept of a watershed, in connection with landscape painter Frederic Edwin Church’s Olana, also warranted preservation.

Curated by Marci Reaven, New-York Historical’s vice president of history exhibitions, “Hudson Rising” begins where environmental consciousness of the Hudson River began, with the landscape artist Thomas Cole © Karen Rubin/goingplacesfarandnear.com

The Hudson River raised consciousness of the importance of environmental protection. the exhibit opens with paintings from Thomas Cole, the founder of the Hudson River School art movement (America’s first native-grown art movement), who worried even then about the encroachment of development. His paintings depict an idyllic landscape, but also the destruction of the forest to lumbering.

Much more than a body of water, the Hudson and its surroundings have been the home for humans and hundreds of species of fish, birds, and plants; offered an escape for city-dwellers; and witnessed battles over the uses of the river valley and its resources. For over 200 years, writers and artists have captured the river in paintings, drawings, literature, and photographs, and surveyors and scientists have mapped and measured its every parcel.

The Hudson has always encapsulated the tension between development and conservation. But it was more than about aesthetics, and the need for urbanites to be able to seek respite in the countryside: an early environmental scientist realized that logging in the Adirondacks, which was discovered to be the source of the Hudson, was jeopardizing the watershed supplying New York City.

Scientists at the same time discovered the critical link between forests and the health of rivers. They realized the Adirondack forest supported the Hudson River and aquatic animals. That begins the movement to save the Adirondacks, including the forests. Ultimately, it leads to New York State’s “Forever Wild” amendment to the state constitution, in 1894.

“This path-breaking exhibition explores ideas about the environment that developed in the context of the Hudson, examining how we became aware, as New Yorkers and as Americans, of the role that humans played in the river’s ecological degradation,” said Dr. Louise Mirrer, president and CEO of New-York Historical. “The exhibit also looks at the strategies we devised to address it. Spanning the entire industrial era, Hudson Rising presents a compelling account of how the Hudson has been an incubator for our ideas about the environment and our relationships to the natural world for two centuries-plus.”

Indeed, we learn that Theodore Roosevelt, before creating the first national park as president, innovated environmental protection as Governor of New York State, working with New Jersey, to protect the Palisades as a “park for the people” (hugely popular with immigrants who crammed into cities, the park had 2 million visitors in 1920, many who came by a free ferry); similarly Franklin Roosevelt, when he was New York State governor, created what would become the New Deal Civilian Conservation Corps when he was president.

Curated by Marci Reaven, New-York Historical’s vice president of history exhibitions, and Jeanne Haffner, associate curator, Hudson Rising begins with a prelude featuring artist Thomas Cole’s panoramic five-part Course of Empire series (1834-36), a treasure of New-York Historical’s collection that depicts the transformation of a pristine landscape into a thriving city, then its dramatic decline, and the fall of civilization.

Thomas Cole’s painting, Catskill Mountain House © Karen Rubin/ goingplacesfarandnear.com

Cole railed against “human hubris” and the exploitation of nature. “The ranges of the ax are daily and increasing,” Cole said. “Nature has spread for us a rich and delightful banquet. Shall we turn from it?” he wrote in his “Essay on American Scenery” (1836). Cole’s poetic questioning of the social costs of what was seen in his time as progress, serves as a prelude to the exhibition narrative, which begins with the industrial age and continues into the present day. The Hudson River, we learn, was the incubator for the environmental movement.

The exhibition is organized chronologically and geographically into five sections that highlight significant places and events in the environmental history of the river: Journeys Upriver: The 1800s, The Adirondacks: 1870s-1890s, The Palisades: 1890s-1950s, The Hudson Highlands: 1960s-1980s, and A Rising Tide: Today.

The exhibit is designed to meander, like the river itself, and uses actual artifacts – there is even the smell of freshly cut wood from the Adirondacks – that bring you, as much as possible to the Hudson: bricks from Haberstraw; rocks from the Palisades; iron from Cold Spring Foundry across from West Point; wood from Catskills; hemlock (used for tanning), even a fish tank with striped bath (blue eels will be added later). “The layout is a metaphor for the river,” said Ken Nintzel, the designer.

A cherished tourist panorama of the Hudson River from 1847, that was so big, it was accordioned into a book © Karen Rubin/goingplacesfarandnear.com © Karen Rubin/goingplacesfarandnear.com

There are historical maps – one of the most impressive is a panorama map from 1847 that stretches the length of a wall, that tourists would use, “one of the great maps of American history”- photos, paintings, news clips that trace the battle to reclaim the Hudson from industrial pollution. A map from 1890s shows how the Hudson was “redesigned” to make it more navigable for shipping, changing the way the river ran, but in the process, did away with the shallows that hosted aquatic life and mitigated flooding. Another map documents how plentiful oysters used to be – New York city used to be the primary exporter of oysters and clams – until sewage in the Hudson killed off the oysters.

The painting by Thomas Cole of the Catskill Mountain House reminds that American tourism began here in the Hudson – today, you can hike up to where the hotel used to be and gaze out over the Hudson.

The exhibits surround you, and there are various interactive elements. 

“Hudson Rising” features a combination of paintings, artifacts, maps, photos, videos to tell the story of the development of the river and its preservation © Karen Rubin/goingplacesfarandnear.com

Journeys Upriver: The 1800s starts with a steamboat journey up the Hudson River from the New York City harbor to Albany, inspired by one of the great tourist guides of Hudson River history, the Panorama of the Hudson (1847). The detailed rendering of the river landscape led steamboat and armchair travelers from New York City to the last navigable point of the river near Troy, pointing out natural wonders, Hudson Valley industries, notable individuals, and Revolutionary War sites along the way. Also on view are paintings, industrial objects, and an important Army Corps of Engineers map that shows how the Corps engineered the river to be a more navigable and predictable shipping channel. Hudson River School art on display include Robert Havell Jr.’s View of Hudson River from near Sing Sing, New York (ca. 1850) and George Henry Boughton’s Hudson River Valley from Fort Putnam, West Point (1855), both depicting tourists enjoying the landscape.

The Adirondacks: 1870s-1890s examines the creation of Adirondack Park, established to save the source of the river and combat deforestation in order to protect the viability of the entire Hudson watershed. Advocates for the area included surveyor Verplanck Colvin, who mapped the area’s peaks and lakes as superintendent of the State Adirondack Survey and identified the source of the river at Lake Tear of the Clouds, and Seneca Ray Stoddard, a photographer whose images of deforestation made a case for forest conservation. On view in this section is one of Asher B. Durand’s majestic depictions of the Adirondack wilderness, Adirondack Mountains, New York (ca. 1870).

The Palisades: 1890s-1950s traces the protection of the forests and cliffs of the Palisades to maintain the health of the river and preserve a place for beauty and nature. In the late 1800s, the Palisades cliffs were being blasted to bits by road builders who prized their rock. Citizen activists, such as the New Jersey chapter of the General Federation of Women’s Clubs and the American Scenic and Historic Preservation Society, fought back and helped create Palisades Park in 1909. Residents of New York and New Jersey thronged to the park, arriving by foot, ferry, train, and car, with over two million people visiting in 1920 alone, most of them from Manhattan. The exhibition features a selection of tourist brochures from that era, including one with a trio of women posed on the cliff edge, above the river.

The Hudson Highlands: 1960s-1980s explores how activism along the river helped spark the modern American environmental movement. By the early 1960s, untreated sewage and industrial pollutants were poisoning the river. Increasing numbers of power plants were also rising along the Hudson, whose operations were killing millions of fish, and whose monumental structures were intruding upon the most treasured vistas. When Con Edison announced plans to build a plant on Storm King Mountain, citizen activists fought back and prevented its construction. By the 1980s, citizens could legally intervene to stop development that put treasured natural resources at risk. On view is an aquarium featuring striped bass and other fish native to the Hudson River, which now thrive due to activists’ efforts to save them.  Displays of artifacts, images, and media from the environmental campaigns of the era include a 1983 photograph featuring John Cronin, river patroller for the Hudson River Fisherman’s Association (now called Riverkeeper) on his first day on the job, confronting an Exxon tanker discharging polluted water into the river.

The final section, A Rising Tide: Today, discusses the process of reimagining and reclaiming the Hudson River in the 21st century, as experts in many fields explore ways to restore and re-engineer areas of the river in response to climate change. The exhibition showcases innovative projects addressing these concerns, such as a system of “living breakwaters,” reef-like structures designed to restore diverse aquatic habitats, lessen wave impacts, and restore the shoreline, implemented by the New York Governor’s Office of Storm Recovery and landscape architecture firm SCAPE.

“We hope Hudson Rising will inspire visitors to see the river differently, and how movements like environmental activism get born,” Dr. Mirrer said.

“It’s not a new story, but this is the first exhibit that presents such a comprehensive look at the Hudson River as an incubator of the environmental movement.”

Programming

As part of New-York Historical’s What the History programs, a suite of interactive talks, history classes, art-making workshops, and social evenings for a young professional audience illuminates the environmental history of New York, the lasting impact of the Hudson River School painters on the American imagination, and how contemporary design and ideas are engaging with the threats climate change pose to the city.

Visiting families can enjoy a special guide featuring suggested exhibition highlights to view as a family, discussion questions, and gallery-based activities. During the April School Vacation Week (April 19-28), Museum’s family programs explore environmental activism, including art making using recycled materials in Museum galleries. On the weekends (April 20-21 and April 27-28) visiting families can interact with Living Historians portraying famous and unsung activists of American history.

On April 16, architectural historian Barry Lewis discusses how the Victorians “greened” their homes and cities, bringing nature into city greenbelts and private home design. On May 22, Douglas Brinkley, New-York Historical’s presidential historian, explores how presidents like Theodore Roosevelt and Franklin Delano Roosevelt championed the protection of the nation’s natural treasures and established a sprawling network of state parks and scenic roadways, respectively. On June 9, author Leslie Day leads a tour along the Hudson River exploring its rich geological and human history and its diverse ecosystems.

Present Day Relevance

The exhibit is particularly timely: years of exploitation and pollution have resulted in the entire Hudson River, from the Battery to Hudson Falls, some 200 miles, designated a superfund site by EPA. Mandated clean-up by industrial polluters including General Electric, have significantly improved conditions. But the Trump Administration’s EPA is moving to issue a Certificate of Completion which would end GE’s responsibility for cleaning up the Superfund site, despite the state’s research that shows high levels of PCBs remaining in the river.

Governor Cuomo issued a statement ahead of Administrator Wheeler’s visit to New York:

“In New York, we are leading the fight to protect our environment with the most ambitious environmental agenda in the nation. Administrator Wheeler, while you are in New York, I urge you to visit the Hudson River, one of this country’s natural treasures that is also one of the most pressing Superfund sites in the country. New York has fought to restore this vital resource but the ball is now in the EPA’s court. The EPA can either do the right thing and continue to hold GE accountable for continued clean up, or they can side with big polluters and let GE off the hook for its responsibility to clean up PCBs in the river.

 “We refused to allow PCB contamination to continue to jeopardize the health and safety of our communities for generations to come. We hope and expect that the EPA will join us in ensuring the full completion of the cleanup.”

I suggested Wheeler visit “Hudson Rising”.

The New-York Historical Society, one of America’s preeminent cultural institutions, is dedicated to fostering research and presenting history and art exhibitions and public programs that reveal the dynamism of history and its influence on the world of today. Founded in 1804, New-York Historical’s mission is to explore the richly layered history of New York City and State and the country, and to serve as a national forum for the discussion of issues surrounding the making and meaning of history. New-York Historical is also home to the Patricia D. Klingenstein Library, one of the oldest, most distinguished libraries in the nation—and one of only 20 in the United States qualified to be a member of the Independent Research Libraries Association—which contains more than three million books, pamphlets, maps, newspapers, manuscripts, prints, photographs, and architectural drawings.

New-York Historical Society, 170 Central Park West (at 77th Street), www.nyhistory.org.

See for Yourself: Hike the Hudson River School Art Trail

Walk in the footsteps of the Hudson River School artists Thomas Cole, Frederic Church, Asher B. Durand, Jasper Cropsey, Sanford Gifford and other pioneering American landscape artists, literally walking into their paintings, and appreciating their work in an entirely new way.

New York State created the first “viewshed” – a protected view – at Frederic Church’s Olana, Hudson NY © Karen Rubin/goingplacesfarandnear.com

See what inspired Thomas Cole, his art and his passion to save the Hudson Valley environment, when you visit his home and art studio. Visit Frederic Edwin Church’s magnificent Olana,  walk the gorgeous trails and see the very first protected “viewshed”  (Olana State Historic Site, 5720 State Route 9G, Hudson, NY 12534, 518-828-0135, olana.org.) Hike the trails that take you up to where the Catskill Mountain House would have stood, to Sunset Rock, to Kaaterskill Falls, North-South Lake, just as the Hudson River School painters did, often with markers that show the paintings that were created from that very same vantage point.

The view from Sunset Rock in the Catskill Preserve, one of the hikes on the Hudson River School Art Trail, the same view as Thomas Cole painted © Karen Rubin/ goingplacesfarandnear.com

“The Hudson River School painters believed art to be an agent of moral and spiritual transformation. In large-scale canvases of dramatic vistas with atmospheric lighting, they sought to capture a sense of the divine, envisioning the pristine American landscape as a new Garden of Eden. Their work created not only an American art genre but also a deeper appreciation for the nation’s natural wonders, laying the groundwork for the environmental conservation movement and National Park System.”

Most of the stops on the trail are within 15 miles of the Thomas Cole National Historic Site, in Catskill. (Thomas Cole National Historic Site, 218 Spring Street, Catskill, NY 12414, 518-943-7465, thomascole.org)

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Holidays in New York, Most Magical Time of the Year

 

The most stupendous float of all at the Macy’s Thanksgiving Day Parade carries Santa Claus with his elves and reindeer ushering in Christmas © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

The winter holiday season may well be New York City’s most magical time of the year and gets underway with the annual Macy’s Thanksgiving Day Parade, continues with the iconic Christmas Tree lighting ceremony at Rockefeller Center, and constantly delights with festivals, special events and attractions, and all the dazzle of holiday decorations right through New Year’s Day.

“The holiday season in New York City is a spectacle unlike any other,” said NYC & Company President and CEO Fred Dixon “It is a time when the vibrant energy that makes up the very fabric of our city is magnified through the joy of dozens of multicultural celebrations among New Yorkers and global visitors who make the five boroughs a centerpiece of their annual festivities.”

Highlights include landmark events and first-time New York–style holiday celebrations of a nearly endless variety for travelers to enjoy this winter. Visitors delight in historic and new shopping destinations, world-famous department store window displays (Barneys, Bergdorf Goodman, Bloomingdale’s, Macy’s, Nordstrom and Saks Fifth Avenue), unrivaled outdoor ice-skating rinks and more scattered all throughout Manhattan, Brooklyn, the Bronx, Queens and Staten Island. The five-borough-wide season wraps up in a fashion as dazzling as ever with various New Year’s Eve celebrations.

As always, three iconic events bookend the introduction and conclusion of the holiday season in New York City:

Macy’s Thanksgiving Day Parade featuring larger-than-life helium balloons, performances by the casts of Broadway musicals, select marching bands from across the nation and celebrity appearances—kicks off the holiday season on November 22 at 9 am. A staple of the holiday season since 1924, the 92nd edition, the line-up will feature 16 giant character balloons; 43 novelty balloons, heritage balloons, balloonicles, balloonheads and trycaloons; 26 floats; 1,200 cheerleaders and dancers; more than 1,000 clowns; and 12 marching bands (macys.com/parade).

But the event has a pre-quel, The Great Balloon Inflation, that takes place the night before, when the streets around the Museum of Natural History on Central Park West are literally flooded with tens of thousands of people coming to delight in seeing the massive balloons being inflated by hundreds of volunteers.

Tens of thousands come out the night before the Macy’s Thanksgiving Parade to watch the Balloon Inflation © Karen Rubin/goingplacesfarandnear.com

Rockefeller Center Christmas Tree Lighting Ceremony, Manhattan, November 28, 2018: A lineup of live performers rivaled by few events all year will help light up New York City’s biggest and brightest home for Santa’s Christmas eve delivery again. The more than seven-story tree will spread holiday cheer to the millions of visitors it welcomes until the lights dim on January 7 (rockefellercenter.com).

New Year’s Eve Times Square Ball Drop, Manhattan, December 31, 2018–January 1,2019: In 1904, the former New York Times owner convinced the City to rename Longacre Square in honor of the world-famous publication. In addition to the name change and the opening of NYC’s first subway line, that year marked the inaugural Times Square New Year’s Eve celebration, and the “Crossroads of the World” has been the historic backdrop of the City’s New Year’s Eve celebration ever since. Approximately 1 million visitors are expected to gather to watch the ball drop in person again this year. This is something that should be on every bucket list to do at least once in a lifetime (timessquarenyc.org).

Angels light the way to the most famous holiday tree, at Rockefeller Center © Karen Rubin/goingplacesfarandnear.com

My favorite activity for the holidays is an evening stroll to see the holiday windows and decorations. My route typically goes from Macy’s (this year’s theme, “Believe in the Wonder of Giving”), up to Fifth Avenue to Saks Fifth Avenue which is directly across from Rockefeller Center (from which you can see the amazing light show that is projected onto Saks building) and across the street from St. Patrick’s Cathedral (stop in), up to Bergdorf Goodman. Separately, I will take in Bloomingdale’s (a “Grinch” theme this year, connecting with the new movie), and Barney’s downtown on Broadway.

Meanwhile, there are more than a dozen celebratory events to delight this holiday season in NYC.

23 Days of Flatiron Cheer, Manhattan, December 1–23, 2018: The Flatiron/23rd Street Partnership welcomes visitors this December to enjoy contests, performances, free neighborhood walking tours, giveaways from local businesses and an interactive installation in the North Public Plaza. Other unparalleled offerings can be found in the historic 103-block neighborhood stretching from 23rd to 28th Street, bordered by Third and Sixth Avenues (flatirondistrict.nyc).

A Slice of Brooklyn Christmas Lights Tour, Brooklyn, December 1–30, 2018: Every holiday season, more than 100,000 visitors descend on Brooklyn’s Dyker Heights neighborhood to view the most extravagant Christmas displays in the New York City area. This tour, operated by born and raised Brooklynites, stops by the most over-the-top exhibits of the season while telling patrons the story of how “Dyker Lights” came to be nearly 40 years ago (asliceofbrooklyn.com).

Enchanted by the holiday windows © Karen Rubin/goingplacesfarandnear.com

Another popular tour is the holiday edition of The Ride, “a 21st century sleigh ride” aboard patented $1.5 million travelling high-tech theaters with floor-to-ceiling gigantic glass windows featuring side-facing VIP seating making the streets of New York the stage. Original seasonal music, videos and hilarious hosts support the dazzling Holiday performances along the 4.2 mile journey through Midtown Manhattan (http://experiencetheride.com, 212-221-0853).

Alvin Ailey American Dance Theater’s Holiday Engagement at New York City Center, Manhattan, November 28–December 30, 2018: City Center’s 75th Anniversary Season will feature a wide range of performances including new productions, annual favorites, live music and Alvin Ailey’s feature performance Revelations. A special show on December 11 celebrates City Center’s opening performance in 1943 (alvinailey.org).

Saks Fifth Avenue becomes a canvas for a holiday lightshow © Karen Rubin/ goingplacesfarandnear.com

American Museum of Natural History’s Holiday Season, Manhattan, November 20, 2018–January 7, 2019: The museum’s cultural celebrations begin with the decoration of the Origami Holiday Tree—complete with more than 800 hand-folded paper models created by local artists—and continue through the New Year. On December 29, the AMNH will host its 40th annual Kwanzaa celebration. The festival of African-American heritage celebrates the seven core principles of Kwanzaa while exploring the rich history behind its traditions. Family-friendly activities, musical performances and an international marketplace are also included (amnh.org).

Apollo Theater Presents “Kwanzaa Celebration: Regeneration Night,” Manhattan, December 29, 2018: The legendary Harlem theater is celebrating Kwanzaa with visitors for the 12th consecutive year with a night of music and dance that honors the principles of Kwanzaa—family, community and culture (apollotheater.org).

Brooklyn Ballet’s Nutcracker, Brooklyn, December 14, 2018: The hip-hop and ballet infused replication of the holiday classic, reimagined in various Brooklyn neighborhoods, is hosted by the iconic Kings Theatre, in Flatbush, for the first time this year (brooklynballet.org).

Dr. Seuss’ How the Grinch Stole Christmas! The Musical: Hulu Theater at Madison Square Garden, Manhattan, December 13–30, 2018: Dr. Seuss’ holiday classic is sure to cause audiences hearts to grow at least three sizes when they watch the story of the true meaning of Christmas come to life in this limited engagement at the world’s most famous arena (msg.com/hulu-theater-at-msg).

Gingerbread Lane at New York Hall of Science, Queens, November 10, 2018–January 21, 2019: Since 2013, the edible village at the New York Hall of Science in Flushing Meadows Corona Park, Queens, has set the Guinness World Record for the largest collection of gingerbread houses and structures with each new installment. The record is sure to be challenged again this year (nysci.org).

Grand Army Plaza, Largest Menorah Lighting, Brooklyn, December 2–10, 2018: With the help of local synagogues, the Grand Army Plaza, located in Park Slope, Brooklyn, has hosted the nightly lighting of the 32-foot menorah since 1984. Visitors are invited to celebrate the holiday with concerts and gifts for children through each day of the Jewish Festival of Lights (largestmenorah.com).

Holiday Workshop Weekend at Wave Hill, The Bronx, December 8–9, 2018: At this holiday craft fair, in addition to creating the usual wreaths and treasure boxes, families are invited to work on the feature project: the hamsa, or hamesh, the multicultural symbol of an open hand. Guests explore the spiritual side of the holidays as they make the palm-shaped amulets (wavehill.org).

New York Botanical Garden’s Holiday Train Show, The Bronx, November 17, 2018–January 21, 2019: The annual exhibition of classical model trains moving through a hand crafted display of New York City’s built environment is back for the 27th year. More than 175 miniature iconic city structures such as Yankee Stadium, The Brooklyn Bridge and The Statue of Liberty are replicated entirely out of plant parts and will coincide with other holiday celebrations such as a cappella performances, Bar Car Nights and more at the New York Botanical Garden (nybg.org).

The New York City Ballet presents George Balanchine’s The Nutcracker, one of the most beloved and anticipated holiday classics, November 23–December 30 at Lincoln Center (nycballet.com).

Quite literally, the most magical place to be during this holiday season is at the NYHS. Harry Potter: A History of Magic captures the traditions of folklore and magic at the heart of J.K. Rowling’s Harry Potter stories through centuries-old treasures © Karen Rubin/goingplacesfarandnear.com

New-York Historical Society Presents “Harry Potter: A History of Magic”, Manhattan, through January 27: Quite literally, the most magical place to be during this holiday season is at the NYHS. Harry Potter: A History of Magic captures the traditions of folklore and magic at the heart of J.K. Rowling’s Harry Potter stories through centuries-old treasures, including rare books, manuscripts, and magical objects from the collections of the British Library, the New-York Historical Society, and other museums, as well as never before seen material from Harry Potter publisher Scholastic and J.K. Rowling’s own archives. The New York exhibition, showcasing a selection of objects not featured in the London presentation that are on view to the public for the very first time, is sponsored by Audible. There are also a slew of special events and family programming in conjunction with this not-to-be-missed exhibit, which vanishes, poof, after January 27, 2019. The tickets are timed; you can order online. Also visit The DiMenna Children’s History Museum, created for children  8-13, which presents 350 years of New York and American history through character-based pavilions, interactive exhibits and digital games. (New-York Historical Society, 170 Central Park West (at 77th Street), 212-873-3400, nyhistory.org)

New York Philharmonic Presents “Home Alone in Concert, ” Manhattan, December 20–21,2018: The acclaimed New York Philharmonic will perform John Williams’ score live to the classic Christmas film Home Alone, for a 2018–19 holiday season special event—booby traps and lovable bandits not included (nyphil.org).

A carriage ride down Fifth Avenue © Karen Rubin/goingplacesfarandnear.com

New York Transit Museum Gallery Annex and Store at Grand Central Terminal Holiday Train Show, Manhattan, November 15, 2018–February 3, 2019: A staple of Grand Central Terminal during the holiday season since 2001, the train show features a 34-foot-long track where vintage trains from the museum’s collection travel through a miniature New York City and countryside scene all the way to the North Pole (grandcentralterminal.com).

Radio City Christmas Spectacular Starring the Rockettes, Manhattan, November 9, 2018–January 1, 2019: Everyone’s favorite high kickers dance their way from Thanksgiving through New Year’s Eve and champion the holiday spirit of New York City with their extravagant costumes and breathtaking state-of-the-art production (rockettes.com).

St. Thomas Church which is famous for the Saint Thomas Choir of Men and Boys, and its annual performances of Handel’s Messiah (Dec. 4, 6). Also this year, “A Ceremony of Carols” by Benjamin Britten (Dec. 13). (Purchase tickets, www.saintthomaschurch.org/music/concerts); also take a tour of this magnificent edifice, built in 1913 in the French High Gothic style. (5th Avenue and 53rd Street, www.saintthomaschurch.org).

Visiting St. Patrick’s Cathedral on Fifth Avenue is also a highlight of the holidays and it is remarkable that you can just walk in and enjoy an inspirational service.

Cathedral of St John the Divine offers inspiring concerts throughout the holiday season, with a Concert for Peace on New Year’s Eve © Karen Rubin/ goingplacesfarandnear.com

I personally love to close out the holiday season on New Year’s Eve at the Cathedral of St. John the Divine which presents the most magnificent annual Concert for Peace, founded by Leonard Bernstein in 1984 with the idea of bringing together New Yorkers and visitors from around the world for an evening filled with uplifting music in a most magnificent setting. Indeed, the cathedral offers a rich calendar of concerts throughout the holiday season, as well as tours of this architectural jewel. Check the website for details.(The Cathedral of St. John the Divine, 1047 Amsterdam Avenue, at 112th Street, New York, NY 10025, 212-316-7540, info@stjohndivine.org, www.stjohndivine.org)

Favorite Places to Catch the Holiday Spirit

Central Park is magical in any season, but particularly for the holidays. In addition to the Wollman Rink (wollmanskatingrink.com), The Swedish Cottage is an enchanting place that is home to one of the last public marionette companies in the country. The cottage was originally constructed as a model pre-fabricated schoolhouse, and became Sweden’s entry in the 1876 Centennial Exposition in Philadelphia. After the exhibit, Central Park’s co-designer Frederick Law Olmsted had it placed in Central Park, where it has been headquarters for the Marionette Theater since 1939 (West Side at 79th Street). Currently playing is “Yet, Set, Snow!”, an original story and production from the Swedish Cottage Marionette Theatre, with performances through the season until Feb. 24, 2019. (Purchase tickets, www.cityparksfoundation.org/arts/swedish-cottage-marionette-theatre)

Other favorite venues to get into the Christmas Spirit: Bryant Park, with its massive Christmas tree, ice skating rink, festive holiday markets, cafes, and carousel (wintervillage.org) has become one of the city’s iconic holiday places. Of course, there is skating right below the magnificent Christmas tree at the Rink at Rockefeller Center (therinkatrockcenter.com). There is also skating and The Rink at Brookfield Place opens November 1 (230 Vesey St., 860-209-3459, gpice.com).

Skating at Bryant Park where there is also a holiday market © Karen Rubin/ goingplacesfarandnear.com

Besides Bryant Park, there are holiday markets at Union Square, Columbus Circle, and Grand Central Terminal.

For a festive place to shop: The Shops at Columbus Circle, a destination within a destination that draws more than 16 million visitors per year to its 50 shops, renowned restaurants, bars and that free priceless view of Central Park (not to mention temperature-controlled and pet-friendly). But there are some spectacular happenings for the holidays:

Broadway Under the Stars is a five-week series of free public performances from today’s hottest Broadway musicals performing on the second floor mezzanine at The Shops at Columbus Circle. Participating shows include: Beautiful: The Carole King Musical, Chicago, Dear Evan Hansen, Head Over Heels, Kinky Boots, The Phantom of the Opera, School of Rock, Waitress and Wicked (check out theshopsatcolumbuscircle.com for schedules). Performances begin Monday, Nov. 12 and take place for five consecutive Mondays through Dec. 10. Shows begin at 5 pm and last approximately 20 minutes.  (Free and open to the public, no reservations or tickets are required.)

The stars are aligned at the Shops at Columbus Circle, in the Time Warner Center at Columbus Circle, a festive shopping, dining and entertainment destination especially at the holidays © Karen Rubin/goingplacesfarandnear.com

Holiday Under the Stars is The Shops at Columbus Circle’s holiday lights display, featuring 12 massive 14-foot stars which hang from the 100-foot-high ceilings. This is claimed to be the largest specialty crafted exhibit of illuminated color display in the world. There is a 5-minute daily musical light show every half hour from 5 pm to 9 pm, through the end of the year.

Culinary Delights:  Among the restaurants are six Michelin Stars: from Chef Masayoshi Takayama’s Masa, the only three-star Michelin Japanese/Sushi restaurant in the U.S., to the gastronomic jewel box that is Thomas Keller’s Per Se). The Bluebird London restaurant in London and Momofuku Noodle Bar are newly opened and join the Landmarc and Porter House restaurants.

Also, from the 150-foot-high panoramic windows,  visitors can take in the breathtaking views of Central Park. It’s one of the few indoor places in Manhattan where you can enjoy this vantage point.

(Visit www.theshopsatcolumbuscircle.com for ever-changing list of events and happenings.)

For more information regarding the most wonderful time of the year in the five boroughs, find NYC & Company’s official guide to the holidays in New York City at NYCgo.com/holiday.

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Gatsby-esque Jazz Age Lawn Party is Joyful Escape on Governors Island, New York City’s Island Retreat

Dancing to the 1920s Hot Jazz of Michael Arenella and His Dreamland Orchestra at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, David Leiberman & Laini Miranda

Travel Features Syndicate, goingplacesfarandnear.com

Flappers and Dapper Dans packed the ferry to Governors Island for the 13th annual Jazz Age Lawn Party, June 16 and 17. Take heart if you missed the June weekend festival: there is another opportunity to transport yourself back to the Gatsby Era, on August 25 & 26.

The Jazz Age Lawn Party is a chance to push back the clock to a Gatsby-esque Brigadoon of sorts. It is the best of New York and brings out the best of New Yorkers. The music and atmosphere brings out pure joy -– it is one perennial smile.

For an entire afternoon you are transported – quite literally by ferry from the tip of Manhattan and Brooklyn – to the 1920s era of hot jazz. People of all ages, dressed to the nine’s as flappers and gents, bearing wicker picnic baskets (some with tables, tablecloths and candelabra), stream onto the island, with its forts and structures from the Civil War and World War II. It is but a stone’s throw from Manhattan and Brooklyn, and yet a world and an era away.

Dancing to the 1920s Hot Jazz of Michael Arenella and His Dreamland Orchestra at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Michael Arenella and his Dreamland Orchestra create this literal dream, with his meticulously recreated music of the 1920s.

There is impeccable faithful reproduction – even the cocktails are Speakeasy-worthy and if you didn’t have appropriate attire, you could rent or buy vintage at one of the stalls, take a tintype photo or a photo sitting on a blue moon with a vintage camera.

Budding Fred Astaire and Ginger Rogers learn to dance The Peabody at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/ goingplacesfarandnear.com

Over the years, the regulars have returned, now with babies, now with toddlers, now with their little boys in their caps and suspenders, little girls with hair bows, dresses and patent leather shoes who join in the dancing.

Interlude music is provided on vintage vinyl recordings over antique gramophones.

The only thing that bursts the illusion, to jostle your memory of what year it is, are the ubiquitous cell phones.

Michael Arenella leads His Dreamland Orchestra. He launched the Jazz Age Lawn Party 13 years ago; since then, tens of thousands of people have enjoyed this journey back to the 1920s© 2018 Karen Rubin/goingplacesfarandnear.com

Conductor, composer, musician and crooner Michael Arenella presents a personally transcribed, one-of-a-kind songbook for your listening and dancing pleasure by his Dreamland Orchestra, playing the Hot Jazz of the 1920s.

The Dreamland Follies and Michael Arenella and His Dreamland Orchestra at the 13th annual Jazz Age Lawn Party on Governors Island. Many of the dancers are Rockettes © 2018 Karen Rubin/goingplacesfarandnear.com

The entertainment abounds on two stages (and two dancefloors): The Dreamland Follies evoke Ziegfeld-esque grand dance routines; Roddy Caravella and the Canarsie Wobblers is a fun-loving dance troupe that conjures the rebellious and exuberant spirit of Roaring ‘20s; Queen Esther pays tribute to jazz royalty of yore and Peter Mintun takes the moniker of “world’s greatest piano man”; and the Gelber & Manning Band, feuding vaudevillian lovebirds quarrel, coo and make beautiful music together. Also Drew Nugent and the Midnight Society have come from Philadelphia, presents wry, spry, and certifiably Hot Jazz; The Great Dubini (Gregory Dubin), the resident magician in The McKittrick Follies at The Mandeerlay Bar, presents his unique brand of classic magic.

Roddy Caravella and the Canarsie Wobblers at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

There are fun activities as well which you can join: the event typically starts with a dance lesson (the Peabody was being taught on Sunday), followed in the afternoon by a Dance Contest; a Bathing Beauties and Beaus Promenade, wearing vintage swimming outfits of the age (for entry email: bluevoon@aol.com), and a Children’s parade.

Bathing Beauties and Beaus in vintage outfits at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

The afternoon starts off with dance lessons in the hottest dance steps of the time, like the Peabody or Charleston. You can immortalize the day in your own Vintage Portraits-You Ought To Be In Pictures, perched on a Paper Moons or in tintypes using the same techniques and chemicals (a mixture of gunpowder and ether) as were used more than a century ago; the ultimate family-friendly event also features Kidland carnival games and prizes for junior Gents and Flapperettes. There’s also a 1920s MotorCar Exhibition, where you can get up close and personal with flivvers and Tin Lizzies, and Antique Gramophones that reanimate original recordings from the 1920s.

Roddy Caravella and Gretchen Fenston demonstrate The Peabody © 2018 Karen Rubin/ goingplacesfarandnear.com

And what would a Prohibition-era, speakeasy event be without booze? Julie Reiner presents her Clover club Collection cocktails and VieVité, Côtes de Provence Rosé is the official wine sponsor of the Jazz Age Lawn Party. (Take note: you can’t bring in your own alcoholic beverages to Governor’s Island.)

Picnicking at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

The event typically sells out and tickets are only available for purchase in advance. For tickets and information visit, http://jazzagelawnparty.com/. Purchase tickets at http://jazzagelawnparty.ticketfly.com/.

Here are more highlights:

Learning the Peabody at the Jazz Age Lawn Party on Governors Island, NYC with Michael Arenella and his Dreamland Orchestra © 2018 Karen Rubin/ goingplacesfarandnear.com

Roddy Caravella and Gretchen Fenston demonstrate The Peabody © 2018 Karen Rubin/ goingplacesfarandnear.com

Picnicking at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Heidi Rosenau & Joe McGlynn, regulars at the Jazz Age Lawn Party on Governors Island, dance to Michael Arenella and His Dreamland Orchestra © 2018 Karen Rubin/ goingplacesfarandnear.com

Eden Atencio and Adam Coren of Brooklyn, winners of the Peabody contest, with Roddy Caravella at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Kids at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Jazz Age Lawn Party on Governors Island, NYC with Michael Arenella and his Dreamland Orchestra transports in time. © 2018 Karen Rubin/ goingplacesfarandnear.com

Peter Mintun, “world’s greatest piano man,” at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Kate Manning of the Gelber & Manning Band at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Gretchen Fenston and Joe McGlynn dance to the Gelber & Manning Band, “feuding vaudevillian lovebirds quarrel, coo and make beautiful music together” at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

A young flapper at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Inna Penek of Brooklyn at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Tanya Fraser, Helene Abiola and Megan Herson of New York City at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/ goingplacesfarandnear.com

Michael Arenella leads the Children’s Parade at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/goingplacesfarandnear.com

Milo Saidl and Michael Mooney of New York City draw a cheering crowd at the 13th annual Jazz Age Lawn Party on Governors Island © 2018 Karen Rubin/ goingplacesfarandnear.com

Governors Island

Break away from the music and dancing to explore Governors Island, by bike or foot.

A 712-acre island in the heart of New York Harbor, but 800 yards off Lower Manhattan and even closer to Brooklyn, Governors Island is a sensational getaway destination in its own right – historic sites like Fort Jay and Castle Williams, bicycle paths, playgrounds, art venues, and marvelous festive “happenings.”

Be one of the first guests to stay overnight on NYC’s historic Governors Island with Collective Retreats. With unique accommodations including luxury tents (glamping) and designer modular containers, guests enjoy a full-service hotel-style retreat with unparalleled waterfront views of New York City and the Statue of Liberty (collectiveretreats.com).

You can rent bicycles at Citibikes and at Blazing Saddles (which offers a free hour-long ride weekdays before noon) and delightful surreys.

The Trust for Governors Island, also offers a wide variety of programming on public access days. Visit them at www.govisland.com for more information.

Enjoy a surrey ride around Governors Island with spectacular views of Manhattan and the Statue of Liberty © 2018 Karen Rubin/goingplacesfarandnear.com

Access to the island has been greatly improved and time the island open to the public greatly expanded.

This summer, you can stay late on Fridays, when is open until 10 pm (May 25-September 14); you can have cocktails and dinner at the outdoor cafes and bars; outdoor films and other events are scheduled.

Governors Island is open daily May 1-October 31, 10 a.m. to 6 p.m. weekdays, and weekends from 10 a.m. to 7 p.m.,  Fridays from May 25-September 14 until 10 p.m.. You can get ferry schedules here (ferries during Late Fridays will run from the Battery Maritime in Lower Manhattan, located at 10 South Street), https://govisland.com/visit-the-island/ferry.

See also:

Governors Island: New York City’s Island Retreat So Near Yet So Far Away, Introduces Glamping

 

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York Philharmonic Orchestra Brings ‘Priceless’ Music to Free Summer Concert in Prospect Park

New York Philharmonic brought its priceless music, absolutely free to Brooklyn’s Prospect Park as part of the Summer Concerts in the Parks Series Presented by Didi and Oscar Schafer © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Dave E. Leiberman, Laini Miranda
Travel Features Syndicate, goingplacesfarandnear.com

The New York Philharmonic’s 2018 Concerts in the Parks, Presented by Didi and Oscar Schafer, provided a stunning introduction to conductor James Gaffigan, a New York native and Brooklynite, leading the orchestra in a program celebrating Laureate Conductor Leonard Bernstein’s centennial, evocative works highlighting the Orchestra’s virtuosity, and compositions by fifth-grade students in the Philharmonic’s Very Young Composers (VYC) program — the first time that VYC works have been performed in the parks concerts.

 

James Gaffigan conducts the New York Philharmonic in Saint-Saens’ Bacchanale from “Samson et Dalila” in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

The delightful program, perfect for a summer-concert-in-the-parks, featured Saint-Saëns’s Bacchanale from Samson and Delilah; Bernstein’s Three Dance Episodes from On the Town, a love letter to New York City;and Rimsky-Korsakov’s storybook in symphony, Scheherazade. 

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

The concert in Brooklyn’s Prospect Park June 15 featured truly remarkable performances of 2018 works by 11-year-old Very Young Composer Jordan Millar’s Boogie Down Uptown; and 10-year-old Very Young Composer Camryn Cowan’s Harlem Shake. 

New York Philharmonic conductor James Gaffigan with young composers Jordan Millar and Camryn Cowan © Karen Rubin/goingplacesfarandnear.com

James Gaffigan, a proud New Yorker who introduced the concert by asking for applause for public school teachers, showed himself to be the very antithesis of the arrogant orchestra conductor, but rather,  generous of praise, encouragement and exuberant emotion.

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

He did not use a baton for the Scheherazade. He waved his hands and arms in grand gestures, not so much conducting as dancing, performing, acting the music, bringing his whole body into it more like an opera singer than the orchestra conductor, giving the piece a staccato-like crisp precision. He conveyed an infectious joy of music. After, he congratulated Frank Huang, the brilliant concertmaster for his angelic violin solo, and then walked into the orchestra to congratulate all the solo performers, before taking the collective bow.

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

Conductor James Gaffigan joins applause for New York Philharmonic’s concertmaster Frank Huang © Karen Rubin/goingplacesfarandnear.com

The summer concert series also featured performances at Van Cortlandt Park, Bronx (June 12); the Great Lawn in Central Park, Manhattan (June 13); and Cunningham Park, Queens (June 14). Musicians from the New York Philharmonic also performed Beethoven’s Wind Sextet, Op. 71; Tchaikovsky’s Souvenir de Florence; and the World Premieres of wind sextets by Very Young Composers of New York City — 14-year-old Chi-Chi Ezekwenna’s It’s Almost Summer! and 13-year-old Nicolas Lipman’s Sriracha! — in the Free Indoor Concert in Staten Island at the Music Hall at Snug Harbor Cultural Center & Botanical Garden (June 17).

The performances in the Bronx, Queens, Manhattan, and Brooklyn concluded with dazzling fireworks.

The New York Philharmonic concert in Prospect Park concludes with dazzling fireworks © Karen Rubin/goingplacesfarandnear.com

The summer series is an amazing opportunity to bring “priceless music” to new audiences absolutely free. Since 1965, the summer series has brought joy to more than 15 million New Yorkers and Big Apple visitors.

“We want all New Yorkers to love the Philharmonic as much as we do and the concerts in the Parks are a glorious way to share the Philharmonic’s virtuosity and power,” said New York Philharmonic chairman Oscar S. Schafer, who with his wife, Didi, has underwritten the series.

Here are more highlights from the concert in Prospect Park:

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

Conductor James Gaffigan and Very Young Composer of New York City Jordan Millar (b 2006), “Boogie Down Uptown” (2018) © Karen Rubin/ goingplacesfarandnear.com

Conductor James Gaffigan and Very Young Composer of New York City Camryn Cowan (2007), “Harlem Shake” (2018) © Karen Rubin/ goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Rimsky-Korsakov’s Scheherazade in Prospect Park, Brooklyn © Karen Rubin/ goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

James Gaffigan conducts the New York Philharmonic in Prospect Park, Brooklyn © Karen Rubin/goingplacesfarandnear.com

Founded in 1842, the New York Philharmonic is the oldest symphony orchestra in the United States.

At the New York Philharmonic’s website (www.nyphil.org) you can peruse online archives and exhibits, see the concert calendar, get background on the musicians, and purchase tickets.

The summer concerts also inspire visits to see the orchestra at home at Lincoln Center (David Geffen Hall, 10 Lincoln Center Plaza, 212-875-5656). There are various subscription offers – the Philharmonic was offering an opportunity to choose four or more 2018-19 subscription concerts to get one free (promo code CHOOSE4, by June 22).

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures