Category Archives: Attractions

Cambria is Great Base for California Pacific Highway 1 Roadtrip

The Elephant Seal Rookery at Piedras Blancas is an exciting, accessible and must-see wildlife experience along California’s Pacific Highway 1 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin with Eric Leiberman, Travel Features Syndicate, goingplacesfarandnear.com

The Elephant Seal Rookery at Piedras Blancas, the Piedras Blancas Light Station,  Old San Simeon Village, Moonstone Beach and Ragged Point are among the attractions and experiences from Cambria, on famously scenic (and fragile) California’s Pacific Highway 1.

From the opulent Hearst Castle, we drive back down the hill, to the coastal Old San Simeon Village. A whaling village in the 1800s, William Randolph Hearst turned it into a village for his workers who, over the 28 years, constructed his “Enchanted Hill.”

Sebastian’s General Store on San Simeon Bay really encapsulates the history and heritage of the village. Built in 1852 at the peak of the whaling industry, the Sebastian Brothers supplied whalers, fishermen, miners, and neighboring ranches.  Sebastian Brothers General Merchandise was the significant shipping point for whale oil, cheese, butter and other commodities on the Central Coast. Old San Simeon Village boomed with two hotels (the first-class Bay View Hotel built in 1878 had among its famous guests Thomas A. Edison, Winston Churchill and Calvin Coolidge), saloons, a blacksmith, a livery stable, a butcher, schools, a depot for a stage travel to Cambria and a telegraph line to San Luis Obispo.

The town flourished until 1910 and then declined (Hearst began building his castle in 1919), but Sebastian’s General Store has survived – there are even remnants of its post office. The Sebastian family bought the building in 1914 and operated the store for almost 100 years. Today, Sebastian’s offers an absolutely marvelous café (fabulous sandwiches and shop, and is a wine-tasting venue; the Hearst Winery is just across the street). (https://highway1roadtrip.com/things-to-do/sebastian-s-general-store-old-san-simeon-village/)

Old San Simeon, with its historic school house, horse pasture, and the Hearst Castle way up the hillside, make for a striking scene for our picnic lunch at Sebastian’s General Store © Karen Rubin/goingplacesfarandnear.com

The setting is adjacent to a gorgeous field filled with wildflowers, surrounding the historic school house, even more picturesque as horses wander through the field, with the Hearst Castle on hilltop in background completing the scene, as we enjoy our picnic lunch.

Eric keeps an appropriate distance when he comes upon a dejected male elephant seal at Hearst Beach © Karen Rubin/goingplacesfarandnear.com

We wander across the road and find Hearst Beach where we happen upon a couple of dejected young male elephant seals. Guides are here to keep people an appropriate distance away from them. The guide explains they are young males which were pretty much beaten up by the older more aggressive males, and came here to “sulk” and recuperate. He tells us that almost 25,000 elephant seals are mating, birthing and nursing here along this 8 mile coastal rookery.

The Elephant Seal Rookery at Piedras Blancas is an exciting, accessible and must-see wildlife experience along California’s Pacific Highway 1 © Karen Rubin/goingplacesfarandnear.com

From here, we drive five miles further north on Pacific Highway 1 to the Elephant Seal viewing area at Piedras Blancas (“White Rocks”), a narrow strip of rocky beach where thousands of elephant seals—the West Coast’s largest pinnipeds—are massed. It is widely considered one of the best wildlife experiences in California (and free!), and happens adjacent to the Pacific Highway. President Barack Obama made this site part of the California Coastal National Monument in 2017.

We walk along a boardwalk for amazing views of the scene, where helpful docents from Friends of the Elephant Seal answer our endless stream of questions.

The Elephant Seal Rookery at Piedras Blancas is an exciting, accessible and must-see wildlife experience along California’s Pacific Highway 1 © Karen Rubin/goingplacesfarandnear.com

It is fascinating to watch the huge marine mammals unabashedly breed, birth, molt, nurse and rest. Giant bulls, some as big as 16 feet long and weighing 4,000 pounds, inflate their trunk-like snouts to create a roaring bellow. The smaller females lie about as their pups nurse or just hang out.

The Elephant Seal Rookery at Piedras Blancas is an exciting, accessible and must-see wildlife experience along California’s Pacific Highway 1 © Karen Rubin/goingplacesfarandnear.com

It is astonishing to learn from the guide that the elephant seals don’t eat at all for the weeks they are here – losing as much as 2000 pounds of their weight. Twice a year, the males swim to Alaska, Aleutian Islands, stay in the ocean where they eat, while the females, interestingly, swim to Hawaii, diving 3000 ft. deep to eat. They only come to the Piedras Blancas rookery to mate, give birth and nurse their pup before the process starts all over again.

The Elephant Seal Rookery at Piedras Blancas is an exciting, accessible and must-see wildlife experience along California’s Pacific Highway 1 © Karen Rubin/goingplacesfarandnear.com

We watch males fending off each other; even mating behavior (not at all romantic); and mothers nursing. We see what looks like family groups, but the guide says that while the mother knows her pup (and may nurse a second pup), the male has no relationship at all with a mate or a family.  That gets me thinking why the young males who got beaten up would bother to risk getting beaten up again, why don’t they just hang out on their own? He tells me the urge to propagate is too strong.

Once thought to be on the verge of extinction, elephant seals have rebounded and the Piedras Blancas Rookery has one of the greatest concentrations on the West Coast, with nearly 25,000 © Karen Rubin/goingplacesfarandnear.com

What we see here is all the more remarkable because elephant seals, I learn, were thought to be on the verge of extinction, but have made a dramatic recovery over the last century, bounding back from fewer than 100 to an estimated 210,000-239,000 animals. The rookery of elephant seals at Piedras Blancas has become one of the largest on the west coast with a population estimated at 23,320.

Peak season is December through May though smaller numbers of seals may be seen during other months (https://elephantseal.org/).

The Piedras Blancas Light Station can be seen from the elephant seal rookery viewing area © Karen Rubin/goingplacesfarandnear.com

Off in the distance you can see the 70-foot tall Piedras Blancas Light Station. Built in 1875 and still in operation today, you can take a 2-hour tour of the interior and grounds, year-round. (Access to the light station grounds is by guided tour only.)

The Moonstone Beach boardwalk is an absolute delight © Karen Rubin/goingplacesfarandnear.com

We return to Moonstone Beach, which we explored a bit in the morning, to more fully enjoy this enchanting place. Named for the smooth stones with intricate patterns polished by the tides, Moonstone Beach is considered one of the Central Coast’s best beaches. You feel so completely at peace here. The Moonstone Beach Boardwalk, extending some 1 ½ miles, affords visitors stunning views of the beach from bluffs and is itself artfully constructed to provide gorgeous scenes as you walk. In the north section, you can take paths down to the rocky seashore and tidepools (considered some of the best tidepools on the Central Coast), where you can look for crabs, sea anemones, urchin, sea slugs, and see seals resting on the rocks, especially from the Seal View Beach Deck.

The Moonstone Beach boardwalk has viewing areas to spot seals as well as whales © Karen Rubin/goingplacesfarandnear.com
 

At Shamel Park, on the eastern edge of Moonstone Beach, an interpretive sign from the Whale Trail national organization identifies the lookout from Moonstone Beach as one of the best viewing spots for gray whales, white-sided dolphins, elephant seals, seabirds and sea otters. There are also sections of the beach popular for surfing, which also provides for entertaining viewing.

The Moonstone Beach boardwalk is an absolute delight © Karen Rubin/goingplacesfarandnear.com

After spending more time on Moonstone Beach in Cambria, we head out for our next experience – at Ragged Point which we try to time for the late afternoon light – passing the Piedras Blancas Lighthouse which is gated off – but a short distance beyond, we find a pull-in that gives a view of the lighthouse, as well as many more of the elephant seals on this stretch of beach.

A turnoff where you can get a view of the Piedras Blancas Light Station also provides close-up views of elephant seals on the rocky beach © Karen Rubin/goingplacesfarandnear.com

Ragged Point is 11 miles further north along Pacific Highway 1, which actually is at the southern tip of Big Sur (Gorda, about 20 more miles further, was as far north as you could go on Pacific Highway 1 from this direction, before the highway was closed). Here, we are back in the land of high, steep cliffs that make for such dramatic vistas. It is late afternoon, and we find a stunning turn off to take in the view.

Driving on California’s Pacific Highway 1 from Cambria to Ragged Point, you get views of the coast and the hills © Karen Rubin/goingplacesfarandnear.com

At Ragged Point Resort, where we will be having dinner, there is a trail that goes down to the beach to a high waterfall. Eric goes down (it is fairly steep, muddy and close to sunset and I don’t want to hold him back), but I walk along the edge of the resort where there is a partial view of the waterfall, and a great view of the open ocean and sunset.

The view of steep cliffs and ocean along the Pacific Highway 1 at Ragged Point, at the southern edge of Big Sur © Karen Rubin/goingplacesfarandnear.com

We enjoy our dinner at the restaurant – the mushroom bisque is delicious, the rib eye served with bourbon and almond demi-glaze is done perfectly, with wonderful flavor. The chef seems to enjoy interesting flavor combinations. (Ragged Point Inn & Resort, 19019 CA-1, Ragged Point, CA, 888-584-6374, www.raggedpointinn.com).

Driving back to Cambria from Ragged Point, we stop for stargazing just around Hearst Ranch and hear the cacophony, the roar, of the elephant seals. There are breaks in the cloud cover, just clear enough to see constellations.

Sunset from Ragged Point Inn and Resort © Karen Rubin/goingplacesfarandnear.com

There is more to see around Cambria, that unfortunately, we did not have time for since we were continuing on our way down the Pacific Highway:

Fiscalini Ranch Preserve is home to a number of endangered species and species of special concern. The Ranch is bordered by a riparian habitat that encompasses tidal effect zones, seasonal freshwater marshes, and wetlands filled with birds. A dramatic ocean bluff that runs more than a mile along the shoreline of the Monterey Bay National Marine Sanctuary where you can view migrating whales, elephant seals, and other ocean mammals. The Ranch features eight trails that meander through 437 acres of protected forest, riparian habitat, and grasslands. The benches located along the trails are each unique pieces of art that offer stunning ocean views. (604 Main Street Trail access at 2799, Bluff Trail, Cambria, CA 93428, 805-927-2856, https://www.fiscaliniranchpreserve.org/)

Covell’s California Clydesdales: 100 Clydesdale horses roam 2000 acres of pristine Monterey Pine forest and rolling pastures with an exquisite view of the ocean. Much of the forest of Cambria Pines by the Sea Ranch is protected in a nature conservation easement (Cambria Pines by the Sea, Cambria, CA 93428, 805-975-7332, https://www.covellsclydesdaleranch.com/)

Linn’s (for ollaliberry pie!). Since 1989, this little red brick restaurant in Cambria’s historic East Village. has been serving hearty breakfasts, lunches and dinners, but is famous for its ollaliberry pie and treats. (https://highway1roadtrip.com/where-to-eat/linn-s-restaurant/)  

Stepladder Creamery was founded in 1871 and has been family-owned and operated for three generations. As a farmstead creamery, they raise goats on the farm and make cheese from their milk, allowing them to manage every aspect of the cheese production. Their delicious, mild and creamy fresh Chèvre is the ultimate representation of spring cheesemaking. Group creamery tours are available.  (4450 San Simeon-onterey Creek Road, Cambria, CA 93428, https://www.stepladdercreamery.com/)

Morning mist rises from Moonstone Beach, Cambria © Karen Rubin/goingplacesfarandnear.com

Back at the Castle Inn we enjoy the heated pool and hot tub. The motel is perfect for our stay in Cambria, with a refrigerator, free wifi, continental breakfast, across street from Moonstone Beach boardwalk, 10 minutes drive to Hearst Castle, 15 minutes to Elephant Seal Vista Point. (6620 Moonstone Beach Dr, Cambria, CA, 93428, 805-927-8605, castle-inn-cambria.hotelsone.com)

We set out again on the Pacific Highway 1, bound for Redondo Beach.

More information: visitcambriaca.com

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

California Pacific Highway Roadtrip: Cambria is Enchanting Base to Visit Hearst’s ‘Enchanted Hill’ 

The view of William Randolph Hearst’s “Enchanted Hill” – Hearst Castle – an architectural and engineering triumph of Hearst and his architect/engineer Julia Morgan.  © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin with Eric Leiberman, Travel Features Syndicate, goingplacesfarandnear.com

It’s a dark night when we pull into our hotel in Cambria, on California’s famous (and fragile) Pacific Highway 1, so it isn’t until I awake in the morning to a moist mist rising after a rain, that I realize what is just across the road from the picturesque Moonstone Beach and a magnificent boardwalk that extends 1 ½ miles over the fragile seagrass, the ocean crashing against the rocky shore just beyond, where a few seals are resting, the sun making a gorgeous sparkling light,

We’ve driven down from the north, starting at San Francisco, to Monterey (made famous by John Steinbeck’s “Cannery Row” and now with a world renowned Aquarium); following the Pacific Highway 1 as much as possible as it hugs the cliffs to Big Sur. We pull over frequently to take in those breathtaking views that look like the edge of the Continent just fell into the ocean. We spend a couple of days hiking and exploring, overnighting at the utterly enchanting and historic Deetjen’s Big Sur Inn (www.deejens.org, 831-667-2377), then have to backtrack to Monterey, driving inland three hours on Highway 101 to come into Cambria.

Moonstone Beach, Cambria, across from our hotel, the Castle Inn © Karen Rubin/goingplacesfarandnear.com

Cambria is an outstanding base to experience not only its own charms, but to explore Hearst Castle, San Simeon, the Piedras Blancas Elephant Seal Rookery, and even driving north on the Pacific Highway, to Ragged Point, just at the southern end of Big Sur where you can get those dramatic sheer-cliff/crashing waves against the rocky shore views.

Castle Inn, which I found on hotels.com, is a delightful motel that is absolutely perfect for our purpose – the room is spacious and has a beachy (ocean) feel; the motel serves coffee, scones, apples, muffins, oatmeal for breakfast. Later, we will take advantage of its pool and hot tub under the stars, and is so close by to all the things we want to explore – especially having the Moonstone Beach and boardwalk just across the road. (6620 Moonstone Beach Dr, Cambria, CA 93428, 805-927-8605, castle-inn-cambria.hotelsone.com)

We grab coffee and muffins and immediately head out to Hearst Castle just eight minutes up the coastal road from Cambria in San Simeon.

We have to be at the Hearst Castle’s visitor center by 8:40 am for our pre-booked 9 am Grand Rooms tour  – the most popular of a selection of tours you can take and the best if you have never visited before (others include “Hearst and Hollywood” “Designing the Dream” “Art of San Simeon,” “Julia Morgan”, “Cottages & Kitchen tour” “Upstairs Suites Tour”, also accessible tours and private tours.)

We get our wristbands and go to “gate” for the bus that takes guests up to the mansion along the long winding road – just as William Randolph Hearst intended his visitors to experience his “Enchanted Hill.”

The view of William Randolph Hearst’s “Enchanted Hill” – Hearst Castle – an architectural and engineering triumph of Hearst and his architect/engineer Julia Morgan.  © Karen Rubin/goingplacesfarandnear.com

The tour starts immediately on the bus, with an excellent narration giving the background – history, architecture, biography – and pointing out the sights along the way, accompanied by music of the 1930s and 1940s.

Hearst Castle is so much more than a magnificent mansion home (one of the most spectacular in the world), even more than an architectural jewel and a breathtaking art collection. It is the story of a fascinating man (love him or hate him or something in between, you still have to give the man credit for what he accomplished) who you come to know because everything about Hearst Castle is so personal to him. It is the story of an age – the coming of age of America, the coming of age of Hollywood and ascendancy of American culture. Everything you see is mind-blowing and breath-taking. And this mansion (he called it his country home), which has come to be known as Hearst Castle, is his personal artistic creation – the architecture and the art collection.

The tour is extremely well organized – it manages to be efficient and yet personal (I’m betting the earlier you can visit the better) – you feel as so many of Hearst’s guests must have felt the first time they were invited.

The entrance to Casa Grande. William Randolph Hearst was inspired to build his castle from his European tour with his mother when he was 10 years old © Karen Rubin/goingplacesfarandnear.com

You realize that even if you think you know who Hearst was (and so many imagine Hearst to be the character of “Citizen Kane” but he is only a piece of that fictional character, and Marion Davies, his companion, was a smart, savvy and accomplished woman and quite a fine actress, not at all like the character of Kane’s), you come away with newfound respect and interest – in fact, as compelling a real-life story as the fictional Citizen Kane. (“Citizen Kane” screenwriter Herman J. Mankiewicz was one of Hearst’s guests here.)

You also come to learn – and admire – Hearst’s architect for his castle: Julia Morgan was one of the first female engineering majors at the University of California, Berkeley, the first woman to pass the entrance exam in architecture and graduate the École Nationale Supérieure des Beaux-Arts, Paris  – the preeminent architectural school of the time – and was the first licensed woman architect in California. (In 2014, Morgan was posthumously awarded the American Institute of Architects’ Gold Medal in recognition of her pioneering career and dynamic buildings, the first woman to be awarded the medal in its 107-year history, https://pioneeringwomen.bwaf.org/julia-morgan/)

The grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com

Hearst was inspired to build his castle and collect art when he took the grand tour of Europe when 10 with his mother. And his mother, Phoebe Apperson Hearst. a philanthropist and advocate for women, introduced him to Julia Morgan. Phoebe began a lifelong interest in Morgan’s career when the two women’s paths crossed in Paris. The films and photos you get to see of Morgan, presiding over the dynamiting to level the summit and build the road, reviewing plans with Hearst, are fascinating.

Even though you are walking through the mansion with a tour group, you actually feel like you were one of Hearst’s guests arriving for the weekend – the home is set out as it would have been – most remarkably, in the grand dining room (it may well have inspired Harry Potter’s Hogwarts dining room, and interestingly, the banners on display refer to an Italian horserace), there are bottles of ketchup and mustard because Hearst himself, for all the spectacular grandeur of the art and architecture, wanted a homey feel to his country home.

Ketchup and mustard on the table in the grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com

The art is breathtaking – Hearst collected the pieces himself, and drawing from his European travels with his mother when he was 10 years old, are predominantly Gothic and medieval – a lot of religious art which Hearst appreciated for the art and the period, not the religious significance, the guide tells me.

The oldest work of art at Hearst Castle is an Egyptian statue, 3200-3600 years old, of Sekmet, daughter of Ra © Karen Rubin/goingplacesfarandnear.com

At the entrance to the Casa Grande – the 68,300 sq ft grand house – we stop in front of the oldest work of art here, an Egyptian statue,  3200-3600 years old of Sekmet, daughter of Ra –with a  hieroglyph that translates “Good God, Lord of Two Lands.” The entrance to Casa Grande –  has real gold gilding on the door, 1500-year old mosaic tiles, a 600 year old statue.

The Assembly Room of Hearst Castle gives you your first taste of the opulence and art collection © Karen Rubin/goingplacesfarandnear.com

We are ushered into the grand Assembly Room – 15th century church pews, tapestries, line the wall, and the Venus Italica, one of Hearst Castle’s greatest masterpieces, created by Antonio Canova (1757-1822).

In 1935 his collections were valued at more than $20 million (in the height of the Great Depression!), but then he fell into near bankruptcy, and at the age of 75, and had to sell off two-thirds of his collection, estimated at $15 million, at “fire sale” prices. (Marion Davies, by then extremely wealthy in her own right with movies and real estate investments in places like Palm Springs, lent him $1 million so he could keep Hearst Castle; when she died, her estate was worth $8 million; when he died, she gave the Hearst Company shares he left her back to his family and they promptly kicked her out and refused to let her come to his funeral.)

The Assembly Room of Hearst Castle gives you your first taste of the opulence and art collection © Karen Rubin/goingplacesfarandnear.com

You can easily picture who Hearst, Davies and Morgan were, and the glorious celebrity life they lived because there are home movies, photos!. It is thrilling to sit in Hearst’s own theater and watch Charlie Chaplin mug for the camera. (Definitely take advantage of the outstanding 40-minute documentary about Hearst’s life in the five-story theater before or after the tour.)

In many ways, William followed in his father’s footsteps.

George was a self-made millionaire, starting as a prospector – he owned interest in three of the largest mines in the U.S., including the Comstock Lode in Nevada, the Homestake gold mine in South Dakota and the Anaconda copper mine in Montana, plus the Ontario silver mine in Utah, then acquired large portions of land throughout the United States, especially in California and the West. One acquisition was 48,000 acre Piedra Blanca Rancho at San Simeon in 1865, when William was two-years old. He later purchased the adjoining Santa Rosa and San Simeon Ranchos – amassing 250,000 acres. This place became a retreat for lavish family camping trips.

Only a small portion of the vast estate – once 250,000 acres – assembled by Hearst © Karen Rubin/goingplacesfarandnear.com

Late in his life George Hearst served as United States Senator from California from 1887 until his death in 1891. It was during this time that he acquired the small San Francisco Examiner as a repayment for a gambling debt. Although he had little interest in the publishing business and wanted his only son, William, to take over the family’s mining and ranching holdings, William wanted to run the newspaper.

The newspaper business was William’s passion, and he ultimately amassed a huge publishing empire, and even when he was living at this remote castle in San Simeon, he would get the pages each night by teletype by 1 am, and make editorial changes by phone, well into the night.

William Hearst is probably best known for “yellow journalism” which pressured President McKinley into the Spanish-American War (that also made Theodore Roosevelt’s reputation with his Rough Riders.

And following in his father’s footsteps, he was elected to Congress but unsuccessfully ran for Governor and for President.

In 1919 when he inherited the estate, William Hearst, then 56 years old, hired architect Julia Morgan telling her, “Miss Morgan, we are tired of camping out in the open at the ranch in San Simeon and I would like to build a little something.”

For the next 28 years, the project that we know as Hearst Castle became his life’s work, his creation and hers and unbelievably, was never actually finished, even though the mansion and villas now comprise 165 rooms atop the 1600 ft. high summit of a hill. Hearst, they say, was never as happy as when he was on his “Enchanted Hill.”

Once this pasture would have held the largest private zoo in America © Karen Rubin/goingplacesfarandnear.com

From the bus, we look out over the vast lands where Hearst had assembled exotic animals from around the world, ultimately creating the largest private zoo in America – you would have seen African and Asian antelope, zebras, giraffes, camels, sambar deer from India, red deer from Europe, axis deer from Asia, llamas, kangaroos, ostriches, emus, Barbary sheep, Alaskan big horned sheep, musk oxen and yaks. Though most of the animals were removed by 1937 (when Hearst was near bankrupt during the Great Depression), some that remain are descendents of the original herds, like the Oudads, and get still have 200 head of cattle on the ranch.

We drive the winding road that Julia Morgan designed so that the castle appears, disappears and reappears as you drive around the bends, climbing higher and higher to the hilltop.

Hearst’s guests would have come by private train, but some of Hearst’s guests – like the Vanderbilts, who flew in on a private plane in 1935 to an airstrip below, then would have been driven up these roads.

Hearst created a mile-long pergola of fruit trees, and would ride on horseback through the canopy, “the longest pergola in captivity” Morgan would joke. The fruit trees including oranges and pomegranates, yield 2000 lbs of citrus that are donated to local food bank.

All the food the castle used was produced on site; water was piped in, so the castle was completely self-sufficient.

As we get off the bus, our guide, Gregory Anderson, encourages us to take photos as we see them, because the tour goes in one direction  But to a really excellent degree, what we see is what it would have been like to visit in Hearst’s time.

One of the three villas at Hearst Castle where movie stars, industrial moguls, and political leaders would have stayed © Karen Rubin/goingplacesfarandnear.com

We stop in front of the first villa, Casa del Sol, “medium sized” at 3600 sq ft., built for a sunset view, Bob and Delores Hope honeymooned here; Edward Hubble, who originated the Big Bang Theory, stayed here; Actor Cary Grant requested a different room every time stayed (came 40 times)

We come to the 2500 sq. ft Casa del Mar cottage, where David Niven (“The Pink Panther) and Winston Churchill stayed (in 1929). Up until 1976, this was the villa that Hearst family members would stay. (William had five sons between 1904-1918, and there are some 70 descendents today and the family – the 20th wealthiest in the US – now when they come, they stay at the Senator’s House which the Hearst Corporation still owns).

King Vidor, Howard Hughes, Charlie Chaplin, buster Keaton, Jean Harlow, Carole Lombard, Harpo Marx, Joan Crawford, Greta Garbo were among the celebrities who came.

Hearst loved to take his guests on grueling horseback rides – delighted in seeing how silver screen cowboys would handle real horse.

Our guide tells us that Hearst Castle was Morgan’s 503rd of 700 projects and was one of the few architects who knew how to work with steel reinforced concrete (important for earthquakes).

Notably, she designed a new Fairmont Hotel in San Francisco, still an architectural jewel, which opened within a year after the 1906 earthquake, and propelled her career and her own practice.

Morgan had already designed the block-long Spanish Mission Revival Hearst Examiner Building (1913–15) in Los Angeles. In 1919, following his mother’s death, Hearst inherited the full Hearst estate and decided to build a “modest bungalow” on the hilltop of the ranch at San Simeon – which evolved into the castle. 

I find it interesting that Morgan negotiated her commission from 6 percent for architectural services to 8.5 percent to cover the costs of “running the job.” She was providing what today would be called “design-build” services and was responsible for managing workmen, artisans, material suppliers, and warehouses of artifacts – it is fascinating to see the “home videos” of her directing the workers.

The magnificent Neptune Pool. Julia Morgan had to design and build it three times © Karen Rubin/goingplacesfarandnear.com

The most spellbinding features of the estate are the two pools – the Neptune Pool which has Grecian feel, is actually the third incarnation: 104 feet long, 58 feet wide and 95 feet wide at the alcove. It is 3.5 feet deep at the west end, 10 feet at the drains, and holds 345,000 gallons of water. Other notable aspects of the Neptune Pool include the oil-burning heating system, the Vermont marble that lines the basin, gutters, and alcove, and four Italian relief sculptures on the sides of the colonnades.

The magnificent Roman Pool in Hearst Castle © Karen Rubin/goingplacesfarandnear.com

The indoor Roman Pool tiled indoor pool decorated with eight statues of Roman gods, goddesses and heroes. The pool appears to be styled after an ancient Roman bath such as the Baths of Caracalla in Rome c. 211-17 CE.

Be sure to make time to see the “Building the Dream” biopic in the 5 story theater (plays every 45 minutes) about William Randolph Hearst’s childhood, his travels to Europe, construction of the castle estate, and his architectural collaboration with Morgan. “They built castle but also created legacy.”

Hearst Castle, which first opened for tours in 1958 and gets 600,000-700,000 tourists/year (in the 1980s, its heyday, a million tourists would come each year), is now a California state park.

There are no individual visits to Hearst Castle – you must be registered for a tour. Ticket prices start at $30/adults, $15 children (5-12). (https://hearstcastle.org/tour-hearst-castle/daily-tours/). Reserve tickets online up to 60 days in advance; Reserve online (https://www.reservecalifornia.com/Web/Activities/HearstCastleTours.aspx)

Every year from the end of November through the end of December, Hearst Castle offers a “Holiday Twilight Tour” to experience the estate as Hearst’s guests enjoyed it during the 1920s and 1930s during the Christmas season.  

Hearst Castle, 750 Hearst Castle Road, San Simeon, CA 93452-9741, 800-444-4445 (8 am-6 pm PT), hearstcastle.org.

More visitor information: visitcambriaca.com.

Next: Cambria is Great Base for Pacific Highway Roadtrip

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Summer in the City Opens with Museum Mile Festival, Finishes with US Open

The Guggenheim Museum is one of eight major institutions that are free to explore during the annual Museum Mile Festival © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s summer cultural season kicks off with the 46th Annual Museum Mile Festival – the Big Apple’s “biggest block party” –on Tuesday, June 18, from 6 to 9 pm, rain or shine. Walk the mile on Fifth Avenue between 82nd Street and 104th Street while visiting eight of New York City’s finest cultural institutions, open free during these extended hours: The Metropolitan Museum of ArtNeue Galerie New YorkSolomon R. Guggenheim MuseumCooper Hewitt, Smithsonian Design MuseumThe Jewish Museum; Museum of the City of New York; El Museo del Barrio; and The Africa Center. Several neighborhood partners, including the New York Academy of Medicine, the Church of the Heavenly Rest, Asia Society, and AKC Museum of the Dog will also join in this celebration. 

The Museum Mile Festival is the Big Apple’s biggest block party, with street entertainment and free admissions to museums © Karen Rubin/goingplacesfarandnear.com

It’s an electric, eclectic festive atmosphere, with live music and street performers all along the avenue, plus special exhibitions, works from permanent collections and special family-oriented activities inside.

One of our favorite stops is the Museum of the City of New York (celebrating its 100th anniversary this year), where you can visit its newest exhibition Changing the Face of Democracy: Shirley Chisolm at 100 and the send off of its centennial exhibition This is New York: 100 Years of the City in Art and Pop Culture . Grab a Kids’ Activity Guide for the little ones.

Dancing to the 1920s Hot Jazz of Michael Arenella and His Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Jazz Age Lawn Party on Governors Island (June 8-9 and August 10-11, 2024, 11 am-5 pm), starts with a magical ferry ride from Battery Park or the Brooklyn Navy Yard. People come dressed to the 9s in 1920s/Gatsby-style outfits, bringing picnics and take part in the music and zeitgeist of the 1920s. With music and dancing led by festival founder and host Michael Arenella & His Dreamland Orchestra, the merriment continues with a score of other entertainers: the bedazzling Dreamland Follies, a 10-lady Art Deco dance spectacle evoking the Great Ziegfeld, the fantastic Queen Esther paying tribute to jazz royalty of yore, Peter Mintun tickling the ivories with his incredible piano skills and the Gelber & Manning band. Enjoy the renowned and fun-loving dance troupe, Roddy Caravella and The Canarsie Wobblers with their scandalous Charleston numbers and rebellious and exuberant spirit of the Roaring ‘20s. Entertainments are interspersed with fun events like dance lessons and a period bathing suit contest. This isn’t free – it’s a ticketed event. Tickets and info at www.jazzagelawnparty.com. (Reserve a ferry ride to access the location.)

The New York Philharmonic returns to Central Park for its free summer concert series © Karen Rubin/goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, have become an iconic New York summer experience since they began in 1965, transforming parks throughout the city into a patchwork of picnickers enjoying friends, family, and priceless music under the stars, for free! This summer, Thomas Wilkins conducts the Orchestra in a program that ranges from classics by Beethoven, Elgar, and Rimsky-Korsakov to Felix Mendelssohn’s Violin Concerto, with Randall Goosby as soloist, to new music by Carlos Simon and NY Phil Very Young Composers. All outdoor performances begin at 8 PM and conclude with fireworks! (The Free Indoor Concert in Staten Island begins at 4 PM.): June 11 Van Cortlandt Park, Bronx; June 12 Concerts in the Parks: Central Park, Manhattan; June 13, Concerts in the Parks: Cunningham Park, Queens; June 14, Concerts in the Parks: Prospect Park, Brooklyn; June 16 Free Indoor Concert: St. George Theatre, Staten Island.

The New York Philharmonic Summer in the Parks performances finish with a dramatic fireworks display© Karen Rubin/goingplacesfarandnear.com

The cherished Shakespeare in the Park, traditionally held at the Delacorte Theater in Central Park, this year is a traveling show while the Delacorte is undergoing its most significant revitalization of its 62-year history. Instead, this year the Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) is offering  a “GO PUBLIC!”  festival of of free summer programming taking place across all five boroughs. Its Mobile Unit is presenting a joyful, bilingual (English/Spanish) musical adaptation of “The Comedy of Errors,”  May 28-June 2 – The New York Public Library and Bryant Park on the Fifth Avenue Terrace (Manhattan) June 6-9, June 13-14, June 20-21 – Hudson Yards (Manhattan). Also: A.R.R.O.W. Field House (Queens) J. Hood Wright Park (Manhattan) Maria Hernandez Park (Brooklyn) Roy Wilkins Park (Queens) St. John the Divine (Manhattan) St. Mary’s Park (Bronx) Sunset Park (Brooklyn) Wolfe’s Pond Park (Staten Island).

Next up is Movie in the Parks (July 11–September 6), bringing free screenings of Shakespeare in the Park’s version of Much Ado About Nothing to parks throughout the City. (Can’t make it to any of them? This recording and other Shakespeare favorites are available to stream for free.) Visit the website for specific dates and locations (https://publictheater.org/programs/shakespeare-in-the-park/summer-24/go-public/).

In summer, all the city is a stage, and every lawn a picnic table © Karen Rubin/goingplacesfarandnear.com

Bryant Park is also hosting picnic performances of New York City Opera’s full production of the perennial favorite, Puccini’s Tosca on May 31, June 1, August 23 and 24, at 7 pm. (New York City Opera: Puccini Celebration) as part of a summer-long arts and culture festival, sponsored by Bank of America, from June 6 to September 13, featuring an amazing series of dance, music, theater, movies, plus eateries, shops and a carousel. (https://bryantpark.org/activities/picnic-performances for schedule).

The Hudson River Greenway is a whole destination in itself, and one of the best places to bike. In fact, it is part of the Empire State Trail Network, that goes from Lower Manhattan up to the Canadian border © Karen Rubin/goingplacesfarandnear.com

The Hudson River Greenway is a whole destination in itself, with every imaginable sport (tennis, pickleball, basketball, kayaking), fabulous eateries, even a sand beach, plus along the way, historic and cultural places like the monument to the Irish famine, the Museum of Jewish Heritage, the Whitney Museum, Battery Park and ferry access to the Statue of Liberty and Ellis Island, plus concerts such at two venues within the enchanting “Little Island.”

From June through September, Little Island presents a series of all new work across dance, music, theater and opera in the Amph  ($25, tickets and schedule, https://www.littleislandtickets.com/). In addition, there are free concerts Wednesday-Sunday in the Glade.

Little Island is a unique green space unlike any other in New York City. The award-winning public park is located in Hudson River Park and features two performance venues where visitors can experience cultural events all summer long © Karen Rubin/goingplacesfarandnear.com

The newest experience on the Hudson River Greenway is Gansevoort Peninsula. Located in Hudson River Park between Gansevoort Street and Little West 12th Street, and opposite the Whitney Museum of American Art, which affords an actual sand beach (1200 tons of sand, beach umbrellas, Adirondack-style chairs, even misting stations, and boardwalk)  for lounging. Also look for “Day’s End”, a public art installation by artist David Hammons, donated to Hudson River Park by the Whitney Museum of American Art.  See the full events calendar, https://hudsonriverpark.org/, https://hudsonriverpark.org/the-park/piers-and-places/

New York City has been named the most cultural city in the USA. Here’s what’s of note happening this summer, compiled by the New York City Tourism + Conventions, the official destination marketing organization and convention and visitors bureau:

NYC The Metropolitan Museum of Art is presenting “The Harlem Renaissance and Transatlantic Modernism” through July 28 © Karen Rubin/goingplacesfarandnear.com

Through July 28, The Metropolitan Museum of Art presents The Harlem Renaissance and Transatlantic Modernism, an exhibition exploring how Black artists portrayed everyday modern life during the 1920s–40s in Harlem and across the United States amid the Great Migration. Featuring 160 works including painting, sculpture, photography, film and ephemera, it’s the first art museum survey of its kind in New York City since 1987.

The Whitney Museum of American Art has unveiled the roster for Whitney Biennial 2024: Even Better Than the Real Thing, featuring 69 artists and two collectives. This edition marks the 81st installment of the museum’s esteemed exhibition series, the longest-running survey of American art. The program is now open and runs through August 11. Beginning September 25, The Whitney will unveil Edges of Ailey, a comprehensive exhibition celebrating the life and impact of American dancer Alvin Ailey, featuring daily performances, workshops and a diverse range of artworks and archival materials.

Experience a surreal journey inspired by Alice’s Adventures in Wonderland at the Bronx’s New York Botanical Garden, with Wonderland: Curious Nature, from May 18–October 27Follow iconic characters through whimsical scenes in the garden and explore imaginative horticultural displays inside the Haupt Conservatory, featuring installations from renowned artists including Yoko Ono, Alyson Shotz and Abelardo Morell.

A tribute to Ming Dynasty architecture, the New York Chinese Scholar’s Garden at Snug Harbor Cultural Center & Botanical Garden in Staten Island—one of just two authentic classical outdoor Chinese gardens in the US—is celebrating its 25th anniversary this year. Crafted in Suzhou, China, its elements include roof tiles, pavilions and bridges. Inspired by ancient poetry and paintings, the garden features magnificent rock formations resembling mountains. Visitors can explore pavilions, a bamboo forest path, waterfalls and a koi-filled pond.

The Morgan Library & Museum, which is marking 100 years since its establishment as a public institution by Jack Morgan as a repository of fabulous documents, is exhibiting Beatrix Potter: Drawn to Nature and Walton Ford: Birds and Beasts of the Studio. The next exhibition in the campaign will be Liberty to the Imagination: Drawings from the Eveillard Gift, on view beginning June 7.

Since its inception in 1824, the Brooklyn Museum has become a global cultural center, driven by the innovative spirit of its borough. As it celebrates two centuries of groundbreaking initiatives, the museum invites audiences to explore special exhibitions and events showcasing its vibrant artistic community. Highlights include the launch of immersive exhibitions like Solid Gold and Brooklyn Made. Notably, the museum boasts an in-residence composer, Niles Luther, who scores music for various exhibitions and artwork on-site, making it the only museum in the United States to offer such an immersive experience. Visitors can expect a year of discovery and celebration in honor of its bicentennial—kicking off with a 200th Birthday Bash on October 5.

A destination that takes you to other worlds, Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History offers fabulous innovative exhibitions. Admission by timed entry, reserved online. Open daily, 10 am–5:30 pm. American Museum of Natural History,200 Central Park West, 212-769-5606, amnh.org.

Be prepared to be dazzled and fascinated when you visit the American Museum of Natural History and the Gilder Center © Karen Rubin/goingplacesfarandnear.com

New performing arts offerings are revitalizing New York City’s cultural landscape with the expansion of iconic venues and the emergence of new stages. The historic Apollo Theater recently debuted the Victoria Theater, its first expansion in 90 years, which introduced two new stages and created an arts campus in Harlem. The inaugural season promises a diverse lineup including Alex Harsley, Stefon Harris and David Hammons. Meanwhile, in Brooklyn, the newly restored Brooklyn Paramount, now a concert hall, hosts various shows featuring acclaimed acts like Sting, Liam Gallagher, St. Vincent, Orville Peck and many more in its 2024 lineup. Across the East River, the Ronald O. Perelman Performing Arts Center (PAC) stands as a beacon of artistic expression in Lower Manhattan, welcoming emerging and established artists across various disciplines since its launch in September 2023. The PAC’s inaugural 2023–24 season continues this summer with the opening of An American Soldier, The SurvivalCats: “The Jellicle Ball”.

One of New York City’s newest performing arts venues, the Ronald O. Perelman Performing Arts Center, in Lower Manhattan © Karen Rubin/goingplacesfarandnear.com

The Jackie Robinson Museum commemorates the groundbreaking contributions of Jackie Robinson, the first African American to play Major League Baseball and one of the most celebrated baseball players of all time. Robinson’s legacy extends far beyond the baseball diamond, as he also made significant strides in civil rights, economic empowerment and social justice. From now through December 31, the museum is offering a free self-guided walking tour, Jackie Robinson’s Harlem, for visitors looking to dive deeper into Robinson’s connection to the neighborhood.

The Alice Austen House,Staten Island © Karen Rubin/goingplacesfarandnear.com

New York City is the birthplace of the modern LGBTQ+ movement. The Stonewall Inn, site of the historic 1969 riots, stands as a symbol of resilience and is soon to be complemented by a dedicated visitor center opening in June. Other cultural sites include theLeslie-Lohman Museum of Art, which celebrates LGBTQ+ identity through exhibitions and programs that showcase the ever-evolving queer experience, as well as the Alice Austen House Museum, which features the pioneering photographer’s work and has been a National Site of LGBTQ+ History since 2017. On the Upper West Side, the forthcoming American LGBTQ+ Museum at the New-York Historical Society, set to open its doors in 2026, will be the nation’s first museum dedicated to LGBTQ+ history.

One of the best parts of the US Open at the Billie Jean Tennis Center in Flushing Meadows Park, Queens, is getting to see tennis greats like Rafael Nadal practice © Karen Rubin/goingplacesfarandnear.com

If Summer in the City starts with the Museum Mile Festival, for me, the end of New York’s summer comes with the US Open Tennis Championships, the fourth and final Grand Slam tournament of the year. The tournament dates back to 1881, and since 1978, the tournament has found its home at the USTA Billie Jean King National Tennis Center in Queens’ Flushing Meadows Corona Park, a magnet for the best tennis talent worldwide such as reigning champions Coco Gauff, Novak Djokovic, Diede de Groot and Alfie Hewett. The tournament takes place August 26–September 8, 2024. Insiders tip: the week before, it is free to watch the thrilling play of the qualifiers’ tournament, and see the tennis stars practice.

New York City Borough Pass, Citywide: a new sightseeing pass designed to showcase the beauty of the neighborhoods and cultures across all five boroughs. The pass features a diverse roster of popular attractions, museums, performing arts venues, including the Alice Austen House Museum, MoMA PS1, New York Botanical Garden, Van Cortlandt House Museum, Staten Island Children’s Museum. (888-921-5333, https://www.nycboroughpass.com/)

The Go City Pass for New York City offers 100 different options in all five boroughs. For example, the two-day all inclusive pass, giving access to as much as you want/can do from among 105 attractions is $134 – regardless of how much the actual attractions charge (GoCity.com, 800 887 9103).

For all there is to do and see in New York City, visit nyctourism.com.

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Bethpage Memorial Day Weekend Airshow at Jones Beach Kicks Off Long Island Summer

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

US Navy Blue Angels headline the 20th anniversary Bethpage Air Show at Jones Beach State Park, Long Island, over Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

One of the best airshows in the world happens right in our own backyard each Memorial Day weekend: the Bethpage Jones Beach Air Show, celebrating its 20th anniversary, cannot be beat for spectacular aeronautical feats amidst the ambiance of Jones Beach, where you see the action right in front of you, just above the ocean and stretching to the horizon. The intense action is so close, you often can see the pilots in the cockpits, and so fast and daring, it takes your breath away. The event takes place from 10 am to 4 pm on Saturday, May 25 and Sunday, May 26 (insiders tip: there is a rehearsal/practice run on Friday).

US Navy Blue Angels in their F/A-18 Super Hornets demonstrate their legendary precision at the Bethpage Air Show at Jones Beach State Park, Long Island, over Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

The show this year is headlined and climaxed by the U.S. Navy Blue Angels – a team of six performing their heart-stopping maneuvers in their F/A-18 Super Hornets. They are famous for the Diamond formation, when they fly as close as 18 inches apart, but what most excites me is when the two solos fly extraordinary maneuvers, including coming at each other at 300 mph. Don’t blink or breathe or you will miss it!

US Navy Blue Angels in their F/A-18 Super Hornets demonstrate their legendary precision at the Bethpage Air Show at Jones Beach State Park, Long Island, over Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com
US Navy Blue Angels in their F/A-18 Super Hornets demonstrate their legendary precision at the Bethpage Air Show at Jones Beach State Park, Long Island, over Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

The airshow traditionally opens with the United States Army Golden Knights Parachute Team, who launch out of a plane some 25,000 feet high, stream down at 200 mph, and float down into the crowd on the beach carrying the American and POW flags. The Golden Knights portray the image of being the most formidable parachuting competitors and demonstrators in the world today

The U.S. Army’s Golden Knights parachute team opens the Bethpage Air Show at Jones Beach this Memorial Day weekend © Karen Rubin/goingplacesfarandnear.com

American Airpower Museum Warbirds, flying vintage WWII fighters and patrol planes, pay homage to Long Island’s historic role as the nation’s arsenal of democracy. Republic Aviation, the complex in Farmingdale where the AAM stands now, produced over 9,000 P-47 Thunderbolts, and today the museum’s collection preserves the heritage and history.  The Warbird performance will conclude with a precision aerobatic demonstration of one of the museum’s legendary WWII Fighters.

Three World War II planes from The American Airpower Museum in Farmingdale circle over the crowd including a Douglas C-47, a supply and troop transport plane with stripes on its fuselage so allies knew not to shoot it down. The others were a British Curtis P41 Warhawk and a P-51 Mustang © Karen Rubin/goingplacesfarandnear.com

The American Airpower Museum has events scheduled from Friday through Sunday, and is where you can even see participants in the air show take off and land, and even take flights in vintage aircraft. (More details below, www.americanairpowermuseum.org, 631-293-6398.)   

The US Navy’s F-35 © Karen Rubin/goingplacesfarandnear.com

U.S. Navy F-35C Lightning II Demonstration Team and Legacy Flight shows off the capabilities of this 5th Generation fighter. The F-35C is the world’s most advanced multi-role fighter. With a top speed of 1,200 mph, the F-35C is even capable of setting off sonic booms. The F-35C has the most powerful and comprehensive integrated sensor package of any fighter aircraft in history, giving pilots 360-degree access to “real-time” battlefield information. The demo will feature a Legacy Flight formation, providing a unique comparison between the past and present.

U.S. Air Force A-10C Thunderbolt II Demonstration Team and Heritage Flight showcases the combat capabilities of the A-10 “Warthog”  by performing precision aerial maneuvers.  Additionally, the team brings attention to the Air Force’s history by flying formations with historical aircraft in the Air Force Heritage Flight.

Long Island’s own David Windmiller performs at the Memorial Day weekend Bethpage Air Show at Jones Beach State Park, Long Island © Karen Rubin/goingplacesfarandnear.com

Long Island’s own David Windmiller, who began flying when he was just  14 years old, soloing for the first time on his 16th birthday, performs aerobatics in his Zivko Edge 540, thrilling spectators with seemingly impossible feats. Equipped with a custom built project engine of Teledyne, thrust to weight ratio over 1:1,  Windmiller’s plane has a climb rate of 3,700 feet per minute, and a rote rate of 420 degrees per minute, making his plane the ideal aircraft for aerobatic flight.

Mike Goulian, the most decorated aerobatic pilot in North America, performs at the Memorial Day weekend Bethpage Air Show at Jones Beach State Park, Long Island © Karen Rubin/goingplacesfarandnear.com

Mike Goulian earned the distinction of becoming one of the youngest pilots to ever win the United States Unlimited Aerobatic Champion at the age of 27. His signature air show performance combines the heart-stopping gyroscopic tumbling of modern display flying with the crisp, aggressive, demands of precision competition aerobatics.

Warbird Thunder’s formation aerobatic routine is fast paced and entertaining © Karen Rubin/goingplacesfarandnear.com

Warbird Thunder features the North American SNJ Texan, an aircraft used to train “The Greatest Generation” for WWII and Korean Conflict. The performance features two SNJs, performing formation aerobatics offering a great spectator experience due to the aircraft’s large physical size, beautiful radial engine sound, and fantastic smoke presentation. The SNJ was nicknamed “Ol Growler” because of its distinct deep and throaty roar. Warbird Thunder’s formation aerobatic routine is fast paced and entertaining. The two aircraft perform formation loops, aileron rolls, barrel rolls, and Cuban Eights and thrilling opposing aerobatics.

The world-famous Skytypers, who are based at Republic Airport (and basically invented and patented skytyping) demonstrate thrilling combat maneuvers in their flight squadron of vintage WWII aircraft © Karen Rubin/goingplacesfarandnear.com

The Skytypers – my personal favorite – is a flight squadron of vintage WWII era U.S. Navy SNJ-2 trainers that perform low-altitude precision-formation maneuver mimicking the tactics and maneuvers utilized during WWII air battles. The Skytypers may be most famous for their skytyped messages in the sky which can be seen for nearly 400 square miles.

The world-famous Skytypers, who are based at Republic Airport (and basically invented and patented skytyping) demonstrate thrilling combat maneuvers in their flight squadron of vintage WWII aircraft © Karen Rubin/goingplacesfarandnear.com

Farmingdale State College Aviation Center students demonstrate the prowess learned at  the largest collegiate flight school in the Northeast region, and the only SUNY School to offer a 4 Year Degree Program in Aeronautical Science, the Aviation Center averages 5,800 Flight Hours a Year in Solo and Dual Flight Instruction.

106th Rescue Wing, NY Air National Guard HC – 130 / HH 60 Formation provides a demonstration of how it provides combat search and rescue coverage for U.S. and allied forces worldwide. In December 1994, the 106th established the record for the longest over water helicopter rescue mission when it saved a Ukrainian sailor in the icy waters off the North Atlantic. The 106th may be best known for a mission during a 1991 storm made famous by the movie “The Perfect Storm”. The HH-60 is tasked to perform day and night personnel recovery operations in hostile environments to recover isolated personnel during war, civil search and rescue, medical evacuation, disaster response, humanitarian assistance, security cooperation/aviation advisory, NASA space flight support, and rescue command and control.

Take advantage of the Bethpage Air Show Mobile App. Text ‘Airshow’ to 516-842-4400 to download the app for performer and sponsor information, a site map, helpful FAQs. (Available from the App Store and Google Play.)

The event has drawn as many as 444,000, and last year attendance totaled 351,000, so arrive early (parking fee is $10).

Alternate the experience with a visit to the American Airpower Museum, right across from Republic Airport, where many of the air show participants fly from to the show, where you can see the vintage aircraft in the Heritage Flight and where all weekend long there are special events, including an opportunity to meet members of the USAF A-10 Demo Team from.

American Airpower Museum Offers Close-Up Views, Activities During Memorial Day Weekend Jones Beach Air Show

American Airpower Museum’s “Warbirds” take off for the Memorial Day Bethpage Air Show © Karen Rubin/goingplacesfarandnear.com

Farmingdale, NY– Memorial Day Weekend kicks off American Airpower Museum’s summer with its “Legends of Airpower WWII Warbirds” performing in the Bethpage Jones Beach Air Show, on Long Island, with activities that begin on May 24 (practice day) and continue through the festival weekend May 25-26. 

AAM’s legendary warbirds including the WWII B-25 Mitchell bomber, North American P-51D Mustang, Grumman TBM-3E Avenger Torpedo Bomber, and Curtiss P-40M Warhawk “Flying Tiger,” will take to the skies over Republic Airport on Friday, May 24th, (practice day) plus Saturday to Sunday, May 25th/26th, for the Jones Beach Air Show.  Additional aircraft will be in the air including AAM’s WWII North American AT-6 Trainers, Vietnam era AT-28D Nomad and our Cold War era L-39 Jet Fighter/Trainers. 

Military aviation enthusiasts can share AAM’s WWII C-47 80th Anniversary D-Day Living History Experience, when WWII Airborne reenactors interact with visitors on Saturday, May 25th.

Flight experiences are also available each day on one of AAM’s AT-6 Texans, plus its red WACO Biplane.

Watch AAM’s awe-inspiring aircraft take off to perform practice flybys over Republic all day Friday, May 24th.  Get up close and personal with these historic bombers and fighters of yesteryear.  Then come to AAM to catch more aerial action Saturday and Sunday, as AAM’s warbirds lift off to perform in the air show. 

Throughout the weekend, visitors will be enthralled as US Navy Blue Angels, USAF A-10 “Warthog” and the ever-popular Skytypers, take off and return at Republic Airport. Blue Angels practice on May 24th.  You can witness the museum’s Warbirds and US military aircraft take off and land from its flight line on Saturday and Sunday for the Jones Beach Airshow. 

Visitors to AAM will also have opportunities to meet members of the USAF A-10 Demo Team. The team is appearing at the Jones Beach Air Show for the last time this year before being disbanded, as A-10s are retired from the USAF inventory.  The USAF A-10 Demo Team will operate out of their home base on the American Airpower Museum’s Ramp off New Highway, in Farmingdale, taking off and landing on May 24 (practice day) plus May 25 and 26 for their Jones Beach Airshow performances.  

The A-10 takes off from the American Airpower Museum © Karen Rubin/goingplacesfarandnear.com

Of historical significance is that these Warthogs will be operating from the very grounds they were developed and built on – and with this final performance, they honor the legacy of all those from Long Island who worked at Fairchild Republic.

AAM President Jeff Clyman says the goal for this three-day extravaganza is two-fold.  “To honor the men and women of the ‘Greatest Generation’ who built, maintained and piloted the iconic warbirds of yesteryear, in a bold defense of freedom during WWII, as well as active-duty military, reservists and the national guard, who continue this mission today.”  Clyman said that public support strengthens AAM’s mission to educate the next generation about American military aviation history, and will also help maintain the Museum’s iconic aircraft.  “Help keep ‘em flying,” he added.

As a special promotion, every paying Museum guest (18 and over) Friday through Monday, is entered to win a Cockpit USA “made in the USA” leather flight jacket.  Cockpit USA, sponsor of the American Airpower Museum, is official supplier to the United States Air Force of A-2 leather flight jackets.  Various genuine leather flight jackets and other militaria specially priced and on sale all weekend, can be purchased at AAM’s gift shop.

Park for FREE in AAM’s lot or along New Highway.  Food and Ice Cream trucks are available onsite.  AAM is also open Monday, Memorial Day, closing at 4:00 p.m.

Museum hours are 10 a.m. to 5 p.m. (Monday 4 p.m.). Tickets and preregistration not required.  Regular admission is $15 for Adults, $12 for Seniors and Veterans and $10 for children ages 3 to 12.  

American Airpower Museum at Republic Airport, Hangar 3, 1230 New Highway, Farmingdale, NY 11735, (631) 293-6398,  www.americanairpowermuseum.org.

The American Airpower Museum, Long Island’s only flying military aviation museum (“Where history flies”) is located on the landmarked former site of Republic Aviation at Republic Airport, Farmingdale, NY.  The Museum maintains a collection of aviation artifacts and an array of operational aircraft spanning the many years of the aircraft factory’s history.  The Museum is a 501 (c) (3) Nonprofit Educational Foundation Chartered by the New York State Board of Regents.

Summer on Long Island

Jones Beach State Park © Karen Rubin/goingplacesfarandnear.com

The Jones Beach Airshow is Long Island’s kick-off to summer.

Jones Beach State Park is a world-class beach destination, with 6.5 miles of white-sand beach,  oceanfront, miles-long boardwalk for biking and walking, 2,400 acres of maritime environment. Eat at the Boardwalk Café and at the Gatsby on the Ocean Restaurant and ice cream shop; swim in the pool, enjoy the new WildPlay Adventure Park with zip lines (https://wildplay.com/jones-beach/, 800-668-7771); play miniature golf, shuffleboard, basketball, corn hole, paddle tennis, table tennis, pickleball, playgrounds, splashpad and concerts on the boardwalk and the Northwell Theater; learn about the marine environment at the Jones Beach Energy & Nature Center.

Biking the path along Ocean Parkway from Jones Beach to Captree State Park © Karen Rubin/goingplacesfarandnear.com

Jones Beach is also at the middle of Bike Long Island’s premier bike path, from Cedar Creek Park in Seaford, 5.4 mile ride to Jones Beach’s East Bathhouse on the Boardwalk, then 9.4 miles along Ocean parkway to Captree State Park. (You can also connect with the Bethpage State Park bike path.)

Biking on the Bethpage State Park trail © Karen Rubin/goingplacesfarandnear.com

Other stellar Long Island attractions and events this summer:

Cradle of Aviation Museum was established to commemorate Long Island’s part in the history of aviation and offers 75 air and space craft and galleries chronicling 100 years of aviation on Long Island. a digital planetarium and theater (films “Superhuman Body” and “Cities of the Future”). Charles Lindbergh Blvd, Garden City, NY 11530, 516-572-4111, www.cradleofaviation.org.

The lunar module built on Long Island by Grumman is on view at the Cradle of Aviation Museum, Uniondale © Karen Rubin/goingplacesfarandnear.com

Long Island Children’s Museum offers 14 interactive exhibits plus live theater, art spaces and daily activities to provide hours of exploration, engagement, and enchantment for children. At LICM, a 40,000 sq. foot facility, children discover their passions and their relationship to the world we share through creative educational programs and cultural experiences that accommodate all backgrounds and abilities. Also enjoy the historic Nunley’s Carousel, one of three intact Stein & Goldstein carousels still in existence. (Long Island Children’s Museum, 11 Davis Ave., Garden City, NY 11530, 516-224-5800, www.licm.org)

Creative play at the Long Island Children’s Museum, Uniondale © Karen Rubin/goingplacesfarandnear.com

Old Bethpage Village Restoration, one of my favorite places in the world, is a living history museum, where costumed interpreters and artisans and every home and structure tell a story. Upcoming events include Decoration Day (May 25-26); Revolutionary War encampment Weekend (june 1-2), Marching through History (June 15-16); Cowboy Mounted Shooting Show (June 29, 10 am-2:30 pm); 1864 Independence Day Celebration (July 6-7); Grand Army of the Republic Encampment (July 20; raindate July 21); Olde Time Baseball Tournament (Aug. 3-4); Olde Time Music Weekend (Aug 17-18); Long Island Fair (Sept. 13, 15); 1880s Haunted Halloween (Oct. 26-27). For information and tickets, https://www.oldbethpagevillagerestoration.org/events. (Old Bethpage Village Restoration, 1303 Round Swamp Road, Old Bethpage, 11804, 516-572-8409, Email: [email protected]).

Long Island Music and Entertainment Hall of Fame is where you can see and appreciate the artistic accomplishments and heritage that have come from Nassau, Suffolk, Queens and Brooklyn, through permanent collection and special exhibits at its first permanent location in Stony Brook. To date, LIMEHOF has inducted more than 120 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.  (97 Main St., Stony Brook, NY 11790, [email protected]631-689-5888, www.LIMEHOF.org)

Adventureland, Long Island’s destination amusement park since 1962, offers 30 adult and kiddie rides, including FireBall, North America’s first and only rollerball coaster, and Turbulence, Long Island’s only spinning roller coaster, and water rides and kiddie rides. Two new rides were unveiled this 2024 season: Moon Chaser and the Jr. Pirate Ship. (2245 Broad Hollow Road (RT. 110), Farmingdale, NY 11735,  631-694-6868, Email: [email protected], https://adventureland.us/).

Splish Splash, with 96 acres of slides and attractions, is the largest waterpark in the tri-state area, offering 20 water slides including high-speed slides like Bombs Away, Riptide Racer, and Bootlegger’s Run, the first water coaster in New York with breathtaking drops), two wave pools, a large Kiddie Area, lazy river (Located just off the Long Island Expressway, Exit 72 West, Calverton, www.splishsplash.com).

For more summer adventure: Long Island’s Wine Country with more than 75 wine producers along the North Fork, South Fork, and western Suffolk County; Montauk Point, the Hamptons,  Fire Island, plus Long Island’s historic lighthouses and mansions.

More ideas from Discover Long Island, 330 Motor Parkway, Suite 203, Hauppauge, NY 11788, 877-386-6654, Email: [email protected], www.DiscoverLongIsland.com

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Time-Traveling through Strasbourg in France’s Alsace-Lorraine

The spectacular panoramic view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Staying over in the historic city of Strasbourg in France’s Alsace-Lorraine region, means that you can go out in the early morning, before the daytrippers crowd the streets, and soak in the atmosphere.

A cyclist rides through the Tanners Row, empty of people in the early morning © Karen Rubin/goingplacesfarandnear.com

I walk through Tanners Row, which in this early morning hour, is peaceful. A guy on a bike rides through, a reminder that this is still a neighborhood, a community.

I go to explore Strasbourg’s Les Ponts Couverts and the Vauban Dam, located a short distance from each other.

Strasbourg’s Les Ponts Couverts © Karen Rubin/goingplacesfarandnear.com

Les Ponts Couverts (covered bridges) are three bridges spanning the River Ill, dominated by three imposing square towers, vestiges of the 13th-century city walls. A bit further, there’s a fourth tower nicknamed “the executioner’s tower.”

While I fruitlessly look for covered bridges, I finally realize that they were replaced in 1865 by these stone bridges without a roof (so not covered),where I am standing. As I observe the beautiful views from the bridge, a fellow tells me you can walk on the Panoramic Terrace on top of the Vauban Dam – in fact, the views from there are spectacular.

Statues stored in a cell within the Vauban Dam © Karen Rubin/goingplacesfarandnear.com

A short walk from the bridge is the Vauban Dam. “The Great Lock” was built between 1686 and 1700 based on plans of Louix XIV’s military engineer, Vauban. Built with 13 arches, it was constructed so that they could flood part of the city to defend against an enemy attack.  It is fascinating to walk through – some sculptures just hanging about gathering cobwebs – but most marvelous is a rooftop terrace, laid out in 1965, which you can walk over for a spectacular panoramic view of the old city.

Looking out from the interior of the Vauban Dam © Karen Rubin/goingplacesfarandnear.com
 

From here, you can see the fingers of the River Ill coming together below you. (Pro tip: though amazing to see in the morning light, you are looking into the sun – the reflections on the water are amazing – but check it out in the late afternoon.)

The view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com

Palais Rohan

One of the many jewels of Strasbourg is the Palais Rohan. Constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, it was built for Cardinal Armand-Gaston de Rohan-Soubise, Prince-Bishop of Strasbourg, modeled after Paris’ grand mansions.

Palais Rohan was constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, modeled after Paris’ grand mansions.© Karen Rubin/goingplacesfarandnear.com

Following the French Revolution, the palace became the Emperor’s royal residence, and after 1870, a museum. Today, the Palais Rohan houses three stellar museums: the Archeological Museum, the Museum of Decorative Arts and the Fine Arts Museum – just walking through the palace to the various rooms where the exhibits are displayed is a phenomenal experience.

(I have to rush through in the couple of hours before I need to get to the Regent Petit France Hotel where we are getting picked up for the European Waterways canal cruise aboard the Panache. It would have been better to have four hours.)

The art and artifacts are gorgeously presented in an exquisite palace. Definitely follow the helpful “My First Visit…” brochures which detail where to find the highlights.

The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com

The Museum of Fine Arts presents a fascinating overview of European painting up to 1870. Located on the first floor of the Palais Rohan, the museum offers a tour through the centuries and schools: Italian and Flemish Primitives (Giotto, Memling); Renaissance and Mannerism (Botticelli, Raphael, Veronese, Lucas de Leyde, El Greco); Baroque, Naturalism and Classicism in the 17th and 18th centuries (Rubens, Vouet, Zurbarán, La Belle Strasbourgeoise de Largillière, Canaletto, Tiepolo, Goya); 19th century (Delacroix, Chassériau, Corot, Courbet). 

Among the highlights is La Belle Strasbourgeoise, from 1703, a portrait of a woman from one of Strasbourg’s important families in the time of Louis XIV with her imposing two-cornered hat in black lace, painted by one of the best portrait painters of the time, Nicolas de Largilliere. Though the woman has never been identified, the painting has become a symbol of the museum, much as the Mona Lisa is to Le Louvre.

Museum of Decorative Arts is set in the historical apartments – so you visit the chambers of the King and the Bishop-Prince, with exceptional examples of “the princely style of life under the monarchy.” It continues into the wing of the old stables with a tour of rooms housing decorative arts collections tracing the diversity and development of applied arts in Strasbourg from 1681 to 1870 – world-famous Hannong ceramics, furnishings, sculpture and paintings, timepieces, metalwork, silver and goldsmith art, and a selection of mechanical toys from the Tomi Ungerer Foundation.

The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com

The most interesting section is the Chamber of the Bishops – the suite of rooms forming the King’s apartments. Originally, there would have been portraits of bishops but in 1793, the paintings were burned by revolutionaries who replaced them with allegorical figures of the Civic Virtues, which is what we see today. One of the paintings dates from the First French Empire and displays the monogram of Napoleon I and the Empress Josephine.

Louis XV is said to have slept in this bedchamber during his visit to Strasbourg in 1744 and Marie -Antoinette in 1770 © Karen Rubin/goingplacesfarandnear.com

Among the notable occupants of the King’s bedchamber were Louix XV, himself, who stayed here in October 1744, and the Daughines Marie-Josephe de Saxe in 1747 and Marie-Antoinette in 1770. The wood paneling is among the masterpieces of the French Rocaille style. Elaborately stylized shell-like, rock-like, and scroll motifs, Rocaille is one of the more prominent aspects of the Rococo style of architecture and decoration that developed in France during the reign of King Louis XV (1715–74).

Here, there is a disorienting melding of the old with the new: You go through the Royal Suite – bedchamber, Assembly Room which have been complemented with anachronistic modern art displays.

In the Decorative Arts Museum in the Palais Rohan, a room full of fascinating clockworks, including a cock clock and an astronomical clock, designed in the 16th century © Karen Rubin/goingplacesfarandnear.com

Seeing my interest, the guide directs me to a room with clockworks – the cock clock originates from the first astronomical clock dating from the 14th century of the Strasbourg Cathedral; in the center of the room are parts of the second astronomical clock designed in the 16th century by mathematician Conrad Dasypodius.

I visit a room that originally was the Prince-Bishops’ bedchamber, but when it was refurbished in the Imperial period, the bedchamber became Emperor Napoleon’s Morning Room and the antechamber of the Prince-Bishop became a small dining room. The decoration was damaged during bombing in 1944.

Emperor Napoleon’s Morning in the Palais Rohan © Karen Rubin/goingplacesfarandnear.com

The entire Palais Rohan is an exhibit of decorative arts – it was built by Armand Gaston, Prince de Rohan Soubise, Bishop of Strasbourg from 1704-1713 who initiated the work. He wanted a building in the style of the Chateau at Versailles and commissioned plans from the King’s chief architect, Robert de Cotte. Construction, decoration and furnishing lasted from 1732-1742.

Archaeological Museum, the oldest of Strasbourg’s museums, was founded in the 18th century. It is fabulous. Housed in the basement of the Palais Rohan, the diversity and wide chronological range of the artifacts on display make it one of the most important archaeological museums in France.

The Archaeological Museum in the Palais Rohan has burial sites from the Bronze and Iron Age© Karen Rubin/goingplacesfarandnear.com

The Archaeological Museum has fascinating exhibits that date back, remarkably, from 600,000 BC through the early Middle Ages (800 A.D.) You get insights into the daily life of Paleolithic hunters and the first neolithic farmers, Bronze Age and Iron Age burials, the everyday life of Gallo-Romans, and jewelry and weapons unearthed from Frankish and Atamanic graves.

Among the highlights in the The Archaeological Museum in the Palais Rohan is this chariot for traveling through the world of the dead © Karen Rubin/goingplacesfarandnear.com

Among the highlights: A chariot for traveling through the world of the dead, taken from tombs of Celtic princes from the Iron Age (750 BC-050 BC). And you can see the oldest tool in Eastern France – a chopper made of rock used for slicing or scraping, that was found at Achenheim and dated about 600,000 B.C. There is also a funeral headstone of a Gallo-Roman farming couple wearing their everyday clothes, that dates from the late 3rd Century A.D.

Palais Rohan, 2 place du Chateau Strasbourg, +33 (0) 3 68 98 50 00, www.musees.strasbourg.eu.

Musée Historique de la Ville de Strasbourg

After returning from the canal cruise aboard the Panache and before taking the afternoon train back to Paris, I find my way down this really colorful street off Cathedral Square (that’s saying something in Strasbourg) to the Historical Museum of the City of Strasbourg. It is also not to be missed (and try to see early in your visit).

The Musée Historique de la Ville de Strasbourg is housed in what once was the Grande Boucherie (slaughterhouse) © Karen Rubin/goingplacesfarandnear.com

You wouldn’t believe that the museum, founded in 1920, is housed in what was the Grande Boucherie (the city’s slaughterhouse) built 1587-1588; it was renovated and reopened in 2013.

Entering the Musée Historique de la Ville de Strasbourg is like entering a time machine that transports you to exciting, dramatic periods of France’s history: Gutenberg’s printing press and the rise of a printing/publishing industry in Strasbourg, and what that meant. The French Revolution. The 1870 Commune Revolt. World War I. The Nazi Occupation and resistance. The museum offers an engaging tour lets you discover nine centuries of Strasbourg’s existence through 1700 works on display –paintings, artifacts, possessions – and interactive and digital devices.

Strasbourg was a free city of the Empire, which meant it had its own walls and enjoyed the privilege of holding a market and minting its own coins. Strasbourg did not take an oath of loyalty to the sovereign and did not owe the sovereign taxes or military, except for an escort for his coronation. Such a “free city” was rare. On this basis, Strasbourg had an independent constitution that was considered highly democratic by the standards of the day.

A display of Jewish ritual objects on view in Strasbourg’s City Museum. Jews were expelled from the city in 1388. © Karen Rubin/goingplacesfarandnear.com

However, among those excluded from burgher status were servants, the poor and Jews, who were massacred in 1349, and after 1388, the survivors were denied the right to live in Strasbourg. The only activity Jews could lawfully engage in was usury (money lending), and certain trades. They could pursue these occupations in the city by day but had to leave in the evening. There is a moving display showing Jewish ritual objects (and as I had seen at the Musee de l’Oeuvre Notre Dame, a collection of Jewish tombstones).

There is an excellent display about Gutenberg, who developed his printing process in Strasbourg between 1434 and 1444 (legend has it he was inspired by seeing a wine press), then returned to his hometown of Mainz where he published his first printed volume in 1454. Gutenberg’s technological revolution spread with lightning speed. In Strasbourg some dozen printing houses sprang up between 1460 and 1480. The first publications were religious books (bibles) , classical texts and calendars.

Johannes Gutenberg is said to have invented his printing press in Strasbourg, which became a major center for printing and publishing © Karen Rubin/goingplacesfarandnear.com

The invention of printing, arbitrarily dated 1440, was celebrated in Mainz (as of 1837) and in Strasbourg, which raised the statue by David d’Angers honoring Gutenberg in 1840 (the statue we see today in Place de Gutenberg).

In the early days, printing was used to diffuse knowledge as well as criticism of the Church and of society in general. But authorities soon started printing decrees. In Strasbourg, the population was divided into six social classes – the first included servants and unmarried women; second class were day workers; third class were gardeners, and up to the sixth class, representing nobles, the Magistrate and jurists.

Laws promulgated by the municipality from 1531 onwards touched every aspect of life – religion, education, marriage, burial, use of inns, dress, begging, Jews, financial matters, games, behavior in the street, defamation, publishing.

One could say that the printing press enabled the “Rule of Law”.

Historical paintings of Strasbourg are on view in the City Museum © Karen Rubin/goingplacesfarandnear.com

It is fascinating to travel through time – through the Imperial period, the French Revolution, the Commune, the back-and-forth between being part of France and the German Empire, World War I, World War II and Nazi occupation.

I learn that 22 Novembre – the name of a main boulevard where my hotel, the Hannong, is – was the date in 1918 when the French Army entered Strasbourg. “For President Poincare, the enthusiastic reaction of the population was equivalent to a plebiscite. French became compulsory in schools and the civil service. Strasbourg, the regional capital, had to re-adapt to the French system of departments. Religion, important in both educational and political terms, had to make concessions to the secular state.”

The extensive exhibits focused on the World War II period are intense.

In July1940, once Petain had signed the armistice, Alsatians were encouraged by the Vichy regime to return to their homes – exceptions were Jews, “Francophiles” and French civil servants (30% of the population) – their property was seized, and what followed was “Germanization” of the population (again, since Alsace had gone back and forth between Germany and France).

In November 1944, Strasbourg was liberated from the Germans by General LeClerc. Strasbourg was bombed by both Allies and by Germans after being liberated in 1944.

The European Union was founded in 1992 – three of its institutions are based in Strasbourg: the European Parliament, the European Mediator and the Schengen Information Service.

“A day will come when war will seem as absurd and as impossible between Paris and London, St. Petersburg and Berlin, Vienna and Turin, as today it would be impossible and seem absurd between Rouen and Amiens, Boston and Philadelphia,” Victor Hugo said in the inaugural speech at the Congress for Peace, Paris, August 21, 1849.

I don’t even remember how many hours I spent here – the displays are really captivating.

(Information and portal to collections: https://en.musees.strasbourg.eu/museums)

Strolling around the historic district of Strasbourg to take in the fabulous architecture and ambiance takes on new dimension after visiting the City’s museum of history © Karen Rubin/goingplacesfarandnear.com

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr.

Next: Stepping into the Storybook that is Colmar

See also:

DISCOVERING STRASBOURG FRANCE’S CULTURAL RICHES

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Discovering Strasbourg France’s Cultural Riches

Strasbourg, France’s Notre-Dame Cathedral, as seen through the windows of Musee de l’Oeuvre Notre Dame © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I’ve come to Strasbourg, France, for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is my practice now when connecting with a cruise or bike tour, to arrive at least a day early, especially when you have the opportunity to overnight in such a charming historic city as Strasbourg. That way I don’t have to worry about flight or weather delays and I can experience the destination in the morning and evening light, in peace and calm without the daytrippers, and have the time to really explore, discover and become immersed in its cultural riches.

The TGV train from Paris to Strasbourg © Karen Rubin/goingplacesfarandnear.com

The TGV train ride was absolutely gorgeous. (Less than two hours from Paris, you go from Charles de Gaulle Airport into the Gare de Nord, then take an easy 15 minute walk to Gare L’Est – glad I pre-purchased my train ticket and reserved seat on raileurope.com). It is surprising to see how soon out of the bustling metropolis you are in pastoral countryside. We whisk passed solar arrays, wind turbines, cows in pasture, and see traditional villages at the far end of fields. It’s cinematic.

Leaving Paris for Strasbourg by train, you are soon in the pastoral countryside © Karen Rubin/goingplacesfarandnear.com

And I still get into Strasbourg in the afternoon with plenty of time to explore.

There is much to experience in Strasbourg and I will actually have part of four days here. We will be picked up in Strasbourg on the first afternoon and taken to Krafft to board  the barge hotel, Panache, and actually cruise back into Strasbourg on its first full day when we will have a walking tour and overnight on the canal. I will have much of a full day again at the end of the cruise, when we are delivered back to Strasbourg from Niderviller, before I take the train to Paris. I do a calculation and decide on my only full day in Strasbourg, after exploring the old city in the early morning, to hop on the train for a 45-minute ride to see Colmar, and still get to enjoy Strasbourg’s beauty at night.

Hotel Hannong is perfectly situated, walking distance to Strasbourg’s historic sites © Karen Rubin/goingplacesfarandnear.com

I must say I am clever about seeing Strasbourg, beginning with choosing a charming boutique hotel, the Hannong, which I find on hotels.com, right in the historic district and walking distance from the train station, so walking distance to everything I want to see, even walking back late at night. I am able to book a room ideal for a single person (it’s as big as a walk-in closet but has everything I need) for a very attractive rate. The pleasant stay, hospitable staff, and location add immeasurably to the way I experience Strasbourg and make the best of my time. (Hotel Hannong, 15, Rue du 22 Novembre,67000 Strasbourg, +33 03 88 32 16 22, hotel-hannong.com).

Strasbourg’s old city © Karen Rubin/goingplacesfarandnear.com

So when I arrive, I  find my way to the Hotel Hannong (I’m disoriented and finally find someone to point me in the right direction (I’ve already downloaded directions but I don’t have internet), I drop my bag and go off to immerse myself in the old city’s charm.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

It’s just a couple of blocks to where Le Petit France begins, and I wander the narrow cobblestone streets, over bridges over the River Ill, where every turn reveals a picturesque scene of quaint quays and colorfully timbered structures from the Middle Ages, reflected in the blue water. The River Ill, which divides into five arms, is what spurred the construction of mills and the installation of tanneries centuries ago.

The Tanners district in Strasbourg’s Le Petit France dates from 1572 © Karen Rubin/goingplacesfarandnear.com

So charming and tranquil today, even with the crowds of tourists in midday, Le Petit France, a UNESCO World Heritage Site, in its day would have been the stinkiest, filthiest, poorest part of town, inhabited by tanners, fishermen, and animals, but as you get closer and closer to fabulous Cathedral, the residences become nicer and fancier and is where the wealthiest merchants and officials would have lived.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com
Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

I come upon Place Gutenberg with a striking monument created by David d’Angers (1788-1856), erected in 1840. It commemorates that the German inventor Johannes Gutenberg developed moveable type that revolutionized access to the Bible, news, information, books, and even the law to the masses, while living in Strasbourg from 1430-1440, spawning an entire printing and publishing industry based in Strasbourg. The bronze statue stands on a granite base with four fascinating bronze relief panels that commemorate that Gutenberg came upon his idea for moveable type inspired by how a wine press worked, and how his invention influenced every corner of the globe.

The statue for Johannes Gutenberg in Strasbourg’s Place Gutenberg © Karen Rubin/goingplacesfarandnear.com

One of the reliefs, “Detail of America,” depicts Benjamin Franklin and other signatories to the Declaration of Independence along with other famous liberators including General Lafayette and Simon Bolivar. Another, “Africa,” portrays Wilberforce and other abolitionists bringing freedom and enlightenment to the slaves. The third relief, “The Printing Press in Europe,” portrays important figures of the Enlightenment –  Erasmus, Chaucer, Milton, Molière, Rousseau, Voltaire, Kant and Schiller (the original plaster panel, which gave prominence to Martin Luther, caused an uproar, I learn).  The Asian panel is more weathered, but includes Brahmans exchanging manuscripts for books, and Chinese people reading Confucius

Strasbourg’s Guttenberg Plaza © Karen Rubin/goingplacesfarandnear.com

In this plaza, there is also an old-timey Carrousel 1900 that is a delight in the day, enchanting at night.

A traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

When I get to St. Thomas Church, I come upon an outdoor Punch & Judy puppet show, which traces back to Commedia dell’arte tradition in Italy in the 1660s. (I’m not a fan of the too accurate re-creation of its traditional slapstick humor and the tragicomic misadventures of the characters but the kids love it.) 

Families enjoy the traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

Notre-Dame Cathedral of Strasbourg

The Notre-Dame Cathedral of Strasbourg dominates the city, in fact the entire region since it can be seen from great distances. Cathedral Square is a vibrant hub of musicians, vendors, and is ringed with some of the most important sites in the city – reminiscent of St. Marks Square in Venice. I will visit multiple times, and in the course of my visit, experience most of the important sites around the Cathedral. The streets that radiate from it are also full of colorful activity.

Chasing bubbles in Cathedral Square © Karen Rubin/goingplacesfarandnear.com

Construction of the Cathedral started in 1015, but came into its own as a monumental Gothic structure in the 1260s because of Erwin von Steinbach who designed the Cathedral to be the most modern building of its time in the whole of the Holy Roman Empire. It is still one of the most beautiful examples of Gothic architecture in the world. The hundreds of statues that decorate the Cathedral are incredible.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Finally finished in 1439, the Cathedral, built of pink sandstone from the Vosges, features a 142-meter-tall bell tower, making it the tallest medieval building in all of Europe.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

It is an imposing structure inside, as well, with 12th and 14th century Romanesque stained glass windows in mesmerizing geometric patterns. You can climb the 332 steps to the top of the bell tower for a spectacular view and explore an 11th century crypt below the main cathedral.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

On Saturday night, after I have rested a bit after coming back from Colmar, I stroll out of the hotel to Cathedral Square for the 10-minute Illuminations de la Cathedrale de Strasbourg, a free laser light show which begins nightly at 10 pm and runs continuously until midnight (in July and August). I find the neon colors jarring, but I love when the white fluttering strobe light gives the Cathedral a ghostly quality.

Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com
Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com

Musee de l’Oeuvre Notre Dame

Just across the square from The Cathedral is the Musee de l’Oeuvre Notre Dame, an absolute must-see, where you walk through seven centuries of art in Strasbourg and the Upper Rhine. Its medieval and Renaissance collections show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.

At the Musee de l’Oeuvre Notre Dame, you see up close the stunning artistry of original statues that decorated the Cathedral © Karen Rubin/goingplacesfarandnear.com

During the 13th century, the construction of Strasbourg Cathedral produced some of the most exceptional sculptures of the medieval world. Many of them – such as The Church and the Synagogue statues on the south portal, and the west façade’s Tempter and the Wise and Foolish Virgins, the Virtues Crushing the Vices, and the Prophets – were removed from the edifice in the early 20th century to protect them from bad weather and pollution, and replaced by sandstone replicas. But here you see the original sculptures that decorated the Cathedral. To see them so close, life-sized, so you can really appreciate the artistry in a way you simply can’t by gazing up at the Cathedral, is astounding.

When I visit, the museum is featuring a virtual reality, augmented reality, holograms, videos and touch screens to situate the works where they had originally been set in the Cathedral.

In one grand room, I focus on the two sculptures known as “The Church and The Synagogue,” which I would not have known to look for, just walking about the Cathedral.

So much is embodied in these two statues, and why they were chosen: Positioned on either side of the south transept portal, the statutes of The Church and The Synagogue “each personify a covenant binding God to his people: the New Covenant of the Christian Gospel and the Old Covenant of the Jewish Torah, respectively,” the notes say.

Church Triumphant and The Synagogue Vanquished © Karen Rubin/goingplacesfarandnear.com

On the left, the Church Triumphant, “wearing a crown and holding in her hands a chalice and a banner surmounted by the Cross, fixes her self-assured gaze on the Synagogue. The vanquished Synagogue, blindfolded and holding a broken lance, averts her head, expressing her inability to recognize the messiah in the person of Jesus. She appears to let fall the tablets of the Law of Moses, symbolizing the supplanting of the Old Testament. But the extreme humanity and beauty of the young woman’s features suggest an awaited revelation rather than the stigma of blindness” [as if to suggest, Jews will come into Christianity’s fold].

Now that I know where to look, later I go out to see the figures at the Cathedral.

Church Triumphant and The Synagogue Vanquished statues as they are position on the Cathedral’s south portal © Karen Rubin/goingplacesfarandnear.com

In front of these two statues is a relief representing the biblical episode of “The Sacrifice of Isaac” at the hand of his father Abraham. The notes do not mention that this event for Jews, established the covenant with God and Jews as the “Chosen People”.

A relief depicting Abraham’s near sacrifice of his son, Isaac © Karen Rubin/goingplacesfarandnear.com

Besides the statuary, there are incredible paintings, triptychs and religious art – some of the most magnificent in the world – as you walk from room to room, floor to floor.

Jewish tombstones on view at the Musee de l’Oeuvre Notre Dame. Jews were expelled from Strasbourg in 1349, during the Black Plague © Karen Rubin/goingplacesfarandnear.com

I follow an interior staircase all the way down and come to an interior courtyard in which tombstones rescued from a Jewish cemetery are displayed respectfully. The notes say that in 1349, Jews were expelled from Strasbourg because of Black Plague.

I climb the staircase to an attic room, where the innovations in architecture and engineering are explained. You also see some of the original architectural drawings of the Cathedral – the oldest architectural drawings of their type – as well as a video.

La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com
La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com

The museum is housed within La Maison de L’Oeuvre Notre-Dame, which has been the home of the Foundation of the Oeuvre Notre-Dame (the body responsible for administering work on the Cathedral) since the Middle Ages. It is actually two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582). Just walking through the rooms is an experience.

Musee de l’Oeuvre Notre Dame is actually in two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582) © Karen Rubin/goingplacesfarandnear.com

Fondation de l’Oeuvre Notre-Dame (Our Holy Lady Work Foundation) was established in 1224 (!!) to improve the administration of donations and legacies for the construction of Strasbourg Cathedral. Every since construction ended, the Foundation has been in charge of restoration and conservation of the monument, a UNESCO World Heritage site since 1988.

Plan on spending several hours wandering around this museum (I actually did it twice).

Musee de L’Oeuvre Notre-Dame/Aarts Du Moyen Age, 3 place duChateau, Strasbourg.

From here, I walk across the square to see the Church and Synagogue portal, before walking back through Cathedral Square (which reminds me of St. Marks Square in Venice) to the fabulous Palais Rohan.

Ancient: La Maison Kammerzell, built in 1467, and converted to Renaissance style in 1589, boasts exquisite carvings, with secular and religious themes, After refurbishing, it became a restaurant celebrated for its lavish frescoes painted by Leo Schnug © Karen Rubin/goingplacesfarandnear.com

What is so interesting (and fun) about Strasbourg is how the historic city seamlessly integrates – and respects – what is ancient and what is modern: the virtual reality in the Musee de L’Oeuvre Notre Dame, the neon laser lights that bathe The Cathedral for the nightly show, the modern art in Cathedral Square, the really modern art exhibit incorporated into the 18th century Royal Chambers of the Palais Rohan’s Decorative Arts Museum, the light rail that rings the Old City along cobblestone streets.

Modern: Strasbourg Museum of Modern and Contemporary Art in Strasbourg’s historic district © Karen Rubin/goingplacesfarandnear.com

So much to see, experience and appreciate. My exploration continues.

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr,

Next: Time Traveling Through Strasbourg

See also:

EUROPEAN WATERWAYS’ PANACHE HOTEL BARGE CRUISES FRANCE’S ALSACE-LORRAINE CANALS IN LUXURY

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: A BOAT GUILLOTINE, TWO TUNNELS AND A MONUMENTAL CHAGALL

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Montmartre’s Bohemian Spirit Highlights Day 4

The Musee de Montmartre’s collections on display in the apartments and gardens capture the bohemian spirit of Montmartre © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my last day in Paris (I have cleverly booked an evening flight from Charles De Gaulle airport), I just want to lose myself in Montmartre. Perched high above Paris as if its own world, Montmartre is the place of legendary cabarets like Moulin Rouge that so scandalized Parisian society, as well as artists and cultural mavericks and renegades but also (incongruously) Sacre-Coeur, the spectacular basilica that dominates the skyline.

Sacre-Coeur Basilica crowns Montmartre © Karen Rubin/goingplacesfarandnear.com

Perched on the Butte Montmartre, you can hike up the steps or take a funicular from Place Saint-Pierre, from the little public garden ‘Square Louise Michel(where there is also a delightful carousel).

You can climb the steps or take the funicular to Montmartre © Karen Rubin/goingplacesfarandnear.com
 

Picasso, Modigliani, Miro and before them Manet, Toulouse-Lautrec, Géricault, Renoir and Van Gogh, were among the painters who made Montmartre their home (because being well outside of downtown Paris, it was cheap, then), met up in cafes and worked in the many artists’ studios there.

Visitors come to take in that bohemian energy, that bon vivant, creativity, joie de vivre and romance.

Because of all the romance attached to Montmartre, it can be over-the-top touristy (though the tourism office insists this is still a neighborhood), but the true treasure here – and one of the highlights of my visit to Paris – is the Musee Montmartre, where you can really get a sense of that free culture, and see firsthand how the artists lived, what the Moulin Rouge and the scandalous can can.

Visiting Musee de Montmartre is a highlight of my Paris visit © Karen Rubin/goingplacesfarandnear.com

Amazingly, the Musee de Montmartre is in an unassuming house on a quiet cobblestone street only a few steps away from the frantic bustle surrounding Sacre-Coeur and the Place du Tertre where there is a hodgepodge of cafes and artists at their easels,

You really feel the creative spirit of the artists who lived and painted in the apartments and gardens which now houses the Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com
 

The Musee de Montmartre was created in 1960 in one of the oldest buildings on the Butte, built in the 17th century: La Maison du Bel Air. Surrounded by gardens, it was a place that would have been inhabited by artists including Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo,

The Musee de Montmartre has sensational collections which document and define the cultural impact of the artists, musicians and impresarios of Montmartre © Karen Rubin/goingplacesfarandnear.com

Here, you really feel the spirit of those artists, musicians, writers and cultural impresarios and entrepreneurs who made their community here – helped along by historic photos, video, recordings, sensational posters, documents and artifacts, and superb commentary.

Inspired, I take artistic liberty at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

In the Chat Noir room, you hear piano music and singing; in a room devoted to the Moulin Rouge, you can see a video of French can can from the 1960 movie, “Can-Can” and see early photo portraits of can-can dancers; in another room, you get to see photos of important artists, like Toulouse-Lautrec at their easel.

Historic photos, documents, posters and art at Musee de Montmartre tell the story of the artists like Toulouse-Lautrec who drew their inspiration from Montmartre © Karen Rubin/goingplacesfarandnear.com

You get to visit the re-created atelier-apartment of artist Suzanne Valadon, who with her son Maurice Utrillo and André Utter settled in this apartment in 1912. Designer Huberty Le Gall, who worked with other renowned institutions, recreated the atelier-apartment faithfully based on letters, writings, historic photographs and paintings.

Step inside Susan Valadon’s atelier-apartment at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

Here you really feel the presence of the artists.  It is recreated to convey the character of the “infernal trio” – a frying pan, the recreated studio, the bedroom walls of Utrillo (an artist in his own right) still with its original paneling and wire on the windows.

Step inside Susan Valadon’s atelier-apartment at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

The permanent collections are enchanting – paintings, posters and drawings that give you a taste of the artistic effervescence of its workshops, and the atmosphere of its famous cabarets.

The permanent collection immerses you in the history of Montmartre. During the 19th century, Montmartre was in transition the mills  and the vineyards slowly disappeared due to urbanization (sound familiar?). In 1860, Montmartre was annexed to the city of Paris. Artists started to move to Montmartre in 1870 (for cheap rent) and the cafes and cabarets multiplied in the 1880’s. Montmartre became known for its bohemian spirit, its creative energy, which resonates today. This place, 12 Cortot, offered artists studio space and several painted it.

One of Toulouse-Lautrec’s famous Moulin Rouge posters on view at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

The museum captures how Montmartre was hub for new cultural movement – art, music, dance, social mores.

There is also a modern museum with revolving exhibitions – during my visit, the extremely well done special exhibit showcased “Feminist Surealists”.

A scene out of a Renoir painting in the Renoir Garden © Karen Rubin/goingplacesfarandnear.com

But the most special part of this place is the garden immortalized by Auguste Renoir in his paintings including La Balancoire (“The Swing”) – you can even see same swing hanging from a tree branch that he painted. The impressionist painter lived on this very site between 1875 and 1877m where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”) and Jardin de la rue Cortot (“Rue Cortot Garden”). You easily see the scenes that he immortalized – there is even a lily pond.

Enjoy Café Renoir in the Renoir Garden at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com

This truly is like a Woody Allen “Midnight in Paris” moment where time has rolled back. An oasis of peace and tranquility, you can sit and enjoy refreshments from the Café Renoir and feel you have floated into Renoir’s canvas.

The stunning grounds of Musee de Montmartre, where many artists lived and painted, captures their creative spirit © Karen Rubin/goingplacesfarandnear.com
 

Here in the garden, you find Café Renoir, its glass roof decorated in the manner of a winter garden. The incredible peace of this place, where I enjoy lunch, is such a luxury, especially when you leave, walk the few steps toward the bustling Sacre-Coeur or Place du Tertre.

See the actual swing depicted by Impressionist Auguste Renoir in his famous painting, La Balancoire, in the Renoir Garden at Musee de Montmartre, where the artist lived for a time © Karen Rubin/goingplacesfarandnear.com

(You can visit the Gardens without visiting the Museum for E5, but that would be a mistake. The museum is exceptional.)

Musée de Montmartre, 12 Rue Cortot, 75018 Paris, Phone:+33 1 49 25 89 39, https://museedemontmartre.fr/en/musee-jardins/

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

The tranquility of the Museum, and the undeniable feeling of going back in time, is in contrast to the bustle and press of tourists that snap you back into the present day at Sacre-Coeur and Place du Tertre. But that is where I go next (how can you not?).

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

There are scores of artists, in the tradition of Montmartre trying to eke out a living, selling their paintings or drawing your portrait or caricature, piggybacking the romance attached to the 19th century artists.

Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com

Following a narrow cobblestone street, I come to Dali Paris gallery at 11 rue Poulbot for a very quick look at Salvador Dali’s creations.

Dali Paris gallery in Montmartre © Karen Rubin/goingplacesfarandnear.com

I miss out on seeing Le Bateau-Lavoir, a collection of small apartment buildings in Montmartre that served as the homes and studios of several artists, including Picasso, in the early 20th century.

Sacre-Coeur Basilica dominates Montmartre and the Paris skyline © Karen Rubin/goingplacesfarandnear.com

Next, I go to marvel at the  Sacré-Cœur Basilica, a masterpiece of grace and grandeur. Built at the end of the 19th century in the Romano-Byzantine style, it houses the largest mosaic in France, measuring at 480 sq. meters, and is still actively used as a place of worship.

Sacre-Coeur Basilica dominates Montmartre and the Paris skyline © Karen Rubin/goingplacesfarandnear.com

The forecourt of Sacre-Coeur (or if you are game, climb the 325 steps to the top of the majestic dome), provides an amazing view of Paris – which I note is like one of the paintings at the museum by Renaudin painted in 1899, depicting a landscape from this exact hilltop over Paris – how much has changed, and yet, the same. There is a continuity.

Renaudin’s painting from 1899 at Musee de Montmartre depicts a landscape from this exact hilltop over Paris © Karen Rubin/goingplacesfarandnear.com

Had I been able to stay longer, I would have delighted to see the Moulin Rouge, perhaps the most famous cabaret on the planet. It first opened in 1889 for the same world’s fair that brought Paris the Eiffel Tower, and for more than 125 years, 7 days a week, audiences of 1,800 have the delight of seeing the 60 performers including the 40 Doriss Girls maintain this tradition. In its day, you might see artist Toulouse-Lautrec who found inspiration in the Moulin Rouge’s audiences as well as the performers, among them La Goulue, Jane Avril or Yvette Guilbert stars of the French music hall. (I had seen Toulouse-Lautrec’s posters and photos of the can-can dancers at the Museum.) The cabaret endeavors to preserve the style of the original creators of the Moulin Rouge, Joseph Oller and Charles Zidler, but still offer a modern take on the original music hall style. (Le Moulin Rouge, 82 Boulevard de Clichy 75018 Paris, https://www.moulinrouge.fr/en/)

Love locks on the wrought iron fence in from of Sacre-Coeur Basilica © Karen Rubin/goingplacesfarandnear.com

I make it back to the hotel, Le 20 Prieure Hotel in the Marais district, at 3 pm (I left at 9:30 am), in time to pick up my bags and treat myself to an Uber (instead of two metros) to Charles de Gaulle Airport for my flight home.

Planning is crucial to fully enjoy your visit to Paris, especially this year, with the Olympics scheduled (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

Tourists can buy a Paris 2024 transit pass costing €16 a day, or €70 per week, allowing travel across the Île-de-France region, including to and from Charles de Gaulle and Orly airports. And if you are planning to go to venues outside of Paris requiring train travel, book in advance (raileurope.com).

This avoids having to queue up at a ticket machine and being confused about what zone ticket to purchase. Go to the helpful visitor information center right when you land at Charles de Gaulle where you can purchase the ticket, and therefore avoid the first line at the airport machines. The airport has excellent train links to the city but also the TGV trains to other parts of France (check raileurope.com).

Many of the attractions I visit during my four-day stay are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com), which also features experiences and attractions like the Seine bateaux mouches cruises.

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Olympic Venues

Be aware that Paris is abuzz with Olympics this summer (July 26-August 11), many of the venues will be in the center city – transportation will be affected (when I visited, the city was doing a drill on closing streets).

Much of the activity will be in the heart of the city itself, as well as throughout the Ile-de-France region. In all, there are 35 venues.

Many Paris iconic landmarks are being transformed into sporting arenas to offer spectators an unparalleled experience and provide an outstanding backdrop.

Paris’ iconic landmarks, including the Eiffel Tower, will sport Olympic venues this summer © Karen Rubin/goingplacesfarandnear.com

These include: the Eiffel Tower Stadium, Trocadéro,  La Concorde Stadium, Hôtel de Ville, Alexandre III Bridge, Parc des Princes, Bercy Arena, South Paris Arena, Porte de La Chapelle Arena, Grand Palais, Champs de Mars Arena, Invalides, and Roland-Garros Stadium,

The Games will also take place throughout the Ile-de-France region, from Les Yvelines to Hauts-de-Seine, Seine-et-Marne and Seine-Saint-Denis. Seine-Saint-Denis will be home to the Olympic and Paralympic Village, the Media Village and six sports events. In addition, Seine-Saint-Denis is the venue for two Paralympic events – the Paralympic marathon and Paralympic road cycling.

Specific venues include: Le Bourget Sport climbing venue, Yves-du-Manoir Stadium, North Paris Arena, Stade de France, Aquatics Centre, Clichy-sous-Bois, Paris La Défense Arena in Nanterre, Château de Versailles, Vaires-sur-Marne Nautical Stadium, Saint-Quentin-en-Yvelines Velodrome, Saint-Quentin-en-Yvelines BMX stadium, Golf National, Elancourt Hill,

The Paris 2024 Games will extend to the whole of France, promoting the country’s rich and diverse heritage. The football (soccer) tournament will be played at six stadiums across France: Bordeaux, Nantes, Lyon, Saint-Etienne, Nice and Marseille. The handball’s final phases’ games will be played in Lille, while sailing will head to the Mediterranean,  in Marseille. For the first time in history, the Games will even benefit overseas territories and their communities, with the Teahupo’o site in Tahiti to stage the Olympic surfing competition on one of the most beautiful waves in the world. 

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

4 DAYS IN PARIS: WANDERING THE MARAIS DISTRICT HIGHLIGHTS DAY 3

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Le Louvre Highlights Day 2

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19th century © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19th century – the best strategy is simply to just surrender to it, go with the flow, and be surprised.

In 2018, the Louvre welcomed 10.2 million visitors, 3.5 million more than the Vatican Museums which is the second largest in Europe. The collection is valued at well over $35 billion plus another $10 billion for the building!  

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

Once the home to French Kings including Louis XIV, this monumental palace began as a fortress built in the late 12th century under King Philip II. It was converted to a museum during the French Revolution in the late 18th century. (Hence my observation that such magnificent structures that make Paris so fabulous could only have been built by a monarchy, but opened to the public by a democracy.)

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

The galleries span 15 acres, which is why, except for the Mona Lisa and some of the other majorly famous items, it is possible for 15,000 people a day to come through and you can still have some areas almost to yourself.

The grand lobby of Le Louvre is at the base of the glass pyramid © Karen Rubin/goingplacesfarandnear.com

It is massive and overwhelming – like culture shock, really, especially after having visited the comparatively calm Musee D’Orsay the day before. The connecting rooms through three wings of the palace that surround the massive courtyard seem to go on and on and on.

Considering that it would take 100 days to see all the art in Le Louvre, I decide the best thing is to just go with the flow – and get the Mona Lisa out of the way – and then just wander and be surprised. (Besides the Mona Lisa, the other blockbuster attractions are Venus de Milo, and the Winged Victory.)

It is also one of the most fabulous buildings you will ever have the chance to visit, and just going room by room (be sure to look up at the decorated ceilings), is thrilling.

I follow the signs –and the crowd – into the hall with the Mona Lisa, “La Gioconda.”

The scramble to see Leonard DaVinci’s “Mona Lisa” © Karen Rubin/goingplacesfarandnear.com

It’s a bit of a jungle to make your way to the painting (they could have alleviated by putting up ropes that guide you along, like they do outside at the ticket counter, which would also give everyone their turn at seeing the painting from all angles). I move through the middle, row by row.

The sitter for the portrait is believed to be Lisa Gherardini (1479-1542) who lived in Florence, the wife of Francesco del Giocondo, a wealthy silk merchant. “Leonardo aimed to bring his portrait to life by depicting Lisa as if she were naturally turning to welcome us. Her upper body is in three-quarter view, but her gently smiling face is frontal,” a poster analyzing the painting notes.

I learn that Leonardo da Vinci used the afumato painting technique of applying multiple layers of pigments bound in oil to create subtle transitions from shadow to light, which is how he brought his model’s gentle smile to life.

DaVinci never finished “Mona Lisa” but took the painting with him everywhere until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection. © Karen Rubin/goingplacesfarandnear.com

I also learn that the landscape is imaginery – “Leonardo mastered so-called ‘atmospheric perspective’ using different shades of blue to blur the outlines and give the scene a striking depth. A path on the left draws our gaze to mountains bordered by lakes. This wild majestic landscape suggests the slow formation of the Earth, the battle of the elements and the erosion caused by time.”

Leonardo began this partially experimental painting around 1503 and never finished it. Yet, it is intriguing to learn that he took it with him everywhere he went, until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection.

Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com

Near to where you exit from Mona Lisa is a great hall lined with monumental historical paintings.

There is one where Emperor Napoleon is crowning the Empress Josephine. Another depicting Napoleon at the Battlefield of Eylau (9 February 1807), a battle Napoleon’s troops won against Russians and Prussians but paid a high price in lives.

Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com

“For the purposes of propaganda, the artist Antoine Jean Gros (who painted it in 1808) depicted Napoleon as a compassionate conqueror ensuring aid for the wounded enemy soldiers. The zeal of the doctors and the emperor’s serenity temper the horrors of war.”

There is also Jacques-Louis David’s a portrait of Napoleon Bonaparte (1769-1821) painted when he was a young dashing fellow (1797-1798).

Jacques-Louis David’s portrait of a young Napoleon Bonaparte © Karen Rubin/goingplacesfarandnear.com

You realize that such paintings (as well as statues, busts, coins and stamps) were the only way people could record what someone looked like or a historic event (and therefore eminently exploitable for propaganda).

After getting the Mona Lisa under my belt, I just kind of wander, with no specific plan, just being surprised as I go through palatial rooms. (As a general rule, the further away from the Mona Lisa you get, the less crowded until you find rooms that you can have almost to yourself.)

As it happens, I practically fall upon another of Le Louvre’s famous statues, “The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase. Dating from 190 BC, “Winged Victory” is of major importance because it is one of the few surviving examples of original Hellenistic sculpture.

“The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase, dates from 190 BC © Karen Rubin/goingplacesfarandnear.com

But at one point, I decide to search for the Venus de Milo – the third in the triumvirate of Le Louvre’s iconic works – get lost, and, instead, find myself amid Mesopotamian, Greek and Roman artifacts, instead (I never find Venus).

Just being in Le Louvre, housed in a fabulous palace built for kings, is thrilling enough, but coming upon the Code of Hammurabi, makes for an incomparable experience © Karen Rubin/goingplacesfarandnear.com

In fact, I am stunned when I stumble upon the Code of Hammurabi – in fact, one of the most exciting works in the Louvre. This black stele of basalt stands over two meters high and is engraved with the earliest collection of written laws in human history. It was engraved in Babylon (today’s Iraq) around 1760 BC and recovered in 1901 in Susa (present-day Iran).  (The Ten Commandments is dated between 16th and 13th centuries BCE.)

The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice © Karen Rubin/goingplacesfarandnear.com

Hammurabi was the first sovereign who decided to convert rules formerly passed on through oral tradition into an actual code of laws. The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice. The lower part is the text documenting 282 laws. The most prominent (famous) is establishing the legal standard of retaliation – the right to inflict damage in equal measure on those who intentionally harmed you (“an eye for an eye and a tooth for a tooth,” though equality of punishment took into account the same social level), according to an article by Stefano Zuffi e Davide Tortorella (https://mywowo.net/en/france/paris/louvre-museum/hammurabi-stele-richelieu-wing-hall-3)

Le Louvre is a fabulous palace © Karen Rubin/goingplacesfarandnear.com

Le Louvre is really a palace – one of the grandest you have ever seen or have the opportunity to be in. Just walking through the galleries, so opulently decorated from floor to ceiling, the ornamentation is quite fabulous.

You need at least 4 hours to visit.

If your schedule allows and you book early enough, visit the Louvre Museum at night when the vibe is less frenetic and the famous pyramid is illuminated. (Wednesday and Friday, open until 9:45 pm.). Otherwise try to book a morning time as early as possible.

There are several ways to avoid waiting in a long line to get into the Louvre: purchase the Paris Museum Pass (you still must book a time slot in order to guarantee access into the museum; you provide the serial number of your Museum Pass, https://www.ticketlouvre.fr/louvre/b2c/index.cfm/pmpevent/eventCode/PMP, here); book a timed entry ticket online in advance at the official Louvre website, €17 (https://www.louvre.fr/en/visit/hours-admission); or take a tour (https://www.getyourguide.com/louvre-museum-l3224/). 

Le Louvre, https://www.louvre.fr/en/visit/.

All the bridges across the Seine become venues for “love locks” © Karen Rubin/goingplacesfarandnear.com

Ile de la Cite

I cross the Seine on the Pont Royale and walk along the Quai Voltaire to return to the Isle de Cite for another look at Notre-Dame Cathedral, hoping to see workmen on a Monday.

A photo exhibit documents the destruction of Notre-Dame Cathedral, as well as the reconstruction © Karen Rubin/goingplacesfarandnear.com

The tragic fire in April 2019 destroyed so much of the iconic 860-year-old limestone and the latticework of ancient timbers that formed Notre-Dame’s attic, melted the roof’s lead sheath, and endangered the stability of the stone structure. The cathedral’s spire was sent crashing into the interior.  It has since been raised again, “one of the most visible and most potent symbols of the cathedral’s rebirth,” a newspaper account states.

There is an outstanding photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of Notre-Dame’s restoration.

“I trained with teams of rope technicians, perched on ancient stones above the abyss, to access the heights of the cathedral,” Photographer Tomas van Houtryve relates. “It felt more like being on an alpine expedition than in the center of Paris. Bit by bit, the technicians carefully removed debris and consolidated stones.”

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

While I am standing in front of this exhibit, I learn that Jean-Louis Georgelin, the French general in charge of Notre-Dame’s reconstruction, had died just three days before, on August 18, in a fall while trekking in the Pyrenees mountains; he was 74 years old.  Regarded as the architect of Notre-Dame’s rebirth, “The nation has lost one of its greatest soldiers,” President Emmanuel Macron said of him.

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

In an interview with the newspaper Le Monde in April, General Georgelin had insisted that “everything is being rethought.” Innovations include “cutting-edge” fire prevention technology like misting systems, thermal cameras and fire-resistant doors, as well as a recovery system to treat rainwater running off the lead roof before it goes into Paris’s sewers. “We are rebuilding Notre-Dame identically,” Georgelin had stated. “But we are building a 21st-century cathedral.”

Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

I wonder if this tragedy would also put a monkey wrench into the restoration efforts. So far, the plan is to reopen in December (it would have been a miracle to reopen in time for the Olympics this summer). But renovation work — especially on the exterior — will continue for years after the cathedral reopens for religious services and visitors (12 million used to visit every year).

There are signs that acknowledge and express gratitude to the worldwide community that has contributed to the restoration.

(Friends of Notre Dame publishes updates on the restoration: https://www.friendsofnotredamedeparis.org/)

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

From Île de la Cité, I cross Pont Saint-Louis to Île Saint-Louis – more of a residential neighborhood with pleasant boulangeries, quaint cafes and delightful ice cream shops, and find a small park overlooking the Seine to enjoy my ice cream.

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

For a different Parisian experience, I had checked out my junior suite in the five-star boutique luxury historic Hotel Napoleon just steps away from the Arc de Triomphe in the tony 8th Arrondisement, and took an Uber to my hotel for the second part of my Paris visit, Le 20 Prieure Hotel, a modest but pleasant three star in the Marais district which I find on hotels.com (my booking includes breakfast).

Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com

From here the Ile Saint-Louis, it’s a mostly straight shot walking across the bridge and up Rue Vielle du Temple Boulevard to my hotel, Le 20 Prieure Hotel (20 Rue du Grand Prieuré, 75011 Paris, https://www.hotel20prieure.com/en/) about two miles through the Marais District.

Today, Le Marais district is considered “trendy” with charming streets full of hip cafes, boutiques, and bookstores, Gay Pride flags and rainbow-painted crosswalks, and street art.

The Marais, though, was once a predominantly Jewish neighborhood, that still has the marks, remnants, and scars of being uprooted in the Holocaust.

Memorial de Shoah in the Marais district © Karen Rubin/goingplacesfarandnear.com

I come upon Allee Des Justes Parmi Les Nations, which I quickly realize borders the Shoah Memorial Center, a museum, information and research center on the history of the genocide of the Jews in World War II.

Allée des Justes at the Memorial de Shoah in the Marais district records the names of the righteous © Karen Rubin/goingplacesfarandnear.com

This 60 meter section of the rue Grenier sur l‘Eau was transformed into the ‘Allée des Justes’ 12 years ago, and refers back to the “Righteous Among the Nations,” a title awarded by the World Holocaust Center in Jerusalem, Yad Vashem, to non-Jews who risked their lives during World War II by helping Jews to hide, flee or survive. The memorial lists the names of the French ‘Justes’ and the locations of their deeds. One side remembers the Jewish victims on the ‘Wall of Names’ and the other side, the “Wall of the Righteous,” the French rescuers of Jews. Since Yad Vashem still awards this title to people throughout the world each year, French names continue to be added. On January 1 2012 France counted 3.513 Justes. (The Netherland has 5,204, Poland has 6,339).

As I walk about the district, I note on schools and certain public institutions, France’s credo, “Liberte, Equalite, Fraternite” (so much better than America’s relatively recent motto, “In God We Trust” adopted in 1956 in reaction to Communism.)

On one building, there is also a plaque dated December 2001 which I translate, “Arrested by the police of the Vichy Government, complicit with the Nazi occupiers, more than 11,000 children were deported from France between 1942-1944 and sent to Auschwitz because they were Jews.”

There is a street sign pointing the way to the Museum of Jewish Art & History, and I put it on my list to visit.

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day 3 in the Marais

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

_______________________

© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Musee D’Orsay Highlights Day 1

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my first morning in Paris, as I set out from the Hotel Napoleon just across from the Arc de Triomphe in the tony 8th Arrondisement, at 10 am for a beautiful walk down Champs-Elysee to Place de la Concorde, passed the Grand Palais, across the Seine, passed the National Assembly to my destination, the Musee d’Orsay, I am immediately under the city’s spell.

Paris is regal. Majestic. Monumental. The scale of the boulevards, the buildings, the structures. It is big and bustling, but curiously, you don’t feel choked or overwhelmed – probably because no structure is taller than the Eiffel Tower and you can see out, and because the city is designed around open spaces –the wide boulevards, gigantic plazas, parks, the Seine flowing through. There are places to sit, even water fountains and misting stations, while the smaller neighborhoods, with their narrow twisting roads, are quaint and quiet (little traffic).

The level of grandeur is breathtaking, and for a moment I am thinking that only a monarchy could have built this, a democracy never would have. But in the next, I am reminded that only the Revolution opened them for public purpose.

A view of Le Louvre. Paris is one of the most beautiful cities in the world, making strolling ideal.
© Karen Rubin/goingplacesfarandnear.com

I walk everywhere and Paris makes it easy (and safe). Paris is one of the most beautiful cities in the world, making strolling ideal. But for getting around, Paris is also a biking city with superb bike lanes, traffic signals (get preference over cars, in fact), and huge number of bike share stations.

It is helpful to have paper map, and not just rely on cell phone GPS (remember to download maps when you have WiFi so can access offline – I keep forgetting), but it is part of the joy of the travel experience to rely on the kindness of locals to point you in the right direction, even with limited French.

It is essential to plan your visit to Paris’ top museums and attractions in advance, and pre-purchase timed ticket, or book a time if you have the Paris Museum Pass (http://en.parismuseumpass.com/) or Paris Pass (parispass.com), and try to book as early a time as possible, or evening hours.

And though it is better to try to visit on weekdays, considering that the Musee D’Orsay is closed on Monday (I book my Le Louvre visit for that day), I pre-booked my visit for Sunday.

Musee d’Orsay

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com 

The Musee d’Orsay is housed in what had been a truly grand train station, a Beaux-Arts jewel built for the Universal Exhibition of 1900. It is famous for its fabulous collection of French art from 1848 to 1914 – paintings, sculpture, furniture, photography – including the largest collection of Impressionist and post-Impressionist masterpieces in the world.

Here you can experience for yourself (in relative peace, mind you) the exquisite works of Van Gogh, Monet, Manet, Degas, Renoir, Cezanne, Seurat, Sisley, Gaugain and Berthe Morisot – actually it seems just about all my favorite paintings by my favorite artists, as well as being introduced to outstanding works I am unfamiliar with.

The grand Musee D’Orsay, one of the most important museums in the world, famous for its collection of Impressionist and Post-Impressionist artists including Van Gogh, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

The layout of the galleries is exquisite, and the views from the fifth floor gallery where the Van Goghs are displayed and from the Restaurant (you look through the massive clock to Sacre Coeur on Montmartre, like those scenes in the movie, “Hugo”) take your breath away.

The Musee D’Orsay makes for exquisite viewing of masterpieces © Karen Rubin/goingplacesfarandnear.com

Though the Musee D’Orsay is one of the largest museums in the world and the second most popular to visit in France after Le Louvre, it doesn’t feel large or crowded or intimidating. The clever layout – a warren of smaller galleries off a main, open hall – makes it feel more intimate and calm, even as I stand in front of such a popular painting as Van Gogh’s “Starry Night” (I think this is the equivalent of the Mona Lisa in Le Louvre). The way you realize just how vast the museum is – at any time about 3,000 art pieces are on display – is by realizing you’ve been there for four hours. Time melts away, like the humongous clocks you get to see through to Paris’ magnificent skyscape.

View to Montmartre through the Musee D’Orsay clock© Karen Rubin/goingplacesfarandnear.com

The museum has 24 Van Goghs including such renowned works as L’ArlésienneBedroom in ArlesSelf Portrait, portrait of his friend Eugène BochThe SiestaThe Church at AuversView from the ChevetThe Italian WomanStarry NightPortrait of Dr. GachetDoctor Gachet’s Garden in AuversImperial Fritillaries in a Copper VaseSaint-Paul Asylum, Saint-RémySelf Portrait.

As popular as Van Gogh’s “Starry Night” is, you still get a moment almost to yourself to enjoy it, at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

The Van Gogh gallery on Level 5 has an added attraction: the most magnificent views across the Seine of Le Louvre to Montmartre from one set of windows, the Eiffel Tower from another.

View from the Van Gogh Gallery at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

There are 81 Renoirs including “The Swing” (significant when I visit the Musee de Montmartre and see the spot where he painted it!), and 18 by Toulouse-Lautrec, plus James McNeill Whistler’s famous “The Artist’s Mother’, better known as “Whistler’s Mother.”

As I go through galleries of portraits, I wonder whether the sitters contemplated becoming immortal, that their visages would be admired and their personas wondered about for centuries.

“A Street in Paris,” by Maximilien Luce shows the power of painting to document © Karen Rubin/goingplacesfarandnear.com

Besides seeing “in person” the art works that are among the most famous in the world (and it seems just about all my favorites), there are masterpieces by artists that may not be as “top of mind” to explore and discover as well. One, “A Street in Paris,” by Maximilien Luce, that is so haunting, depicting “Bloody Week” of May 21-28, 1871, and the brutal suppression of the Commune, a revolutionary movement that emerged from the political chaos after the French defeat in the Franco-Prussian War of 1870 and the fall of the Second Empire, events immortalized in Victor Hugo’s “Les Miserables” and the musical “Les Mis” which Luce painted 30 years after the event that so affected Luce.

It is a further demonstration of the power of art to document history, events, and bring faraway places to people, especially before photography.

Thank goodness, the really excellent notes are presented in French and English (not so in many other places).

The atmosphere of the museum is like putting yourself into the canvas.

Restaurant at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

Besides the full-service restaurant, there is an absolutely delightful café in the lower level – reasonably priced and very comfortable, where I get refueled.

Towards the end of my visit, I find myself in a grand ballroom which feels weird.

Captivated by the clocks at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com

It’s a feeling of complete joy of being in that space stays with you, that rushes back like warm water, even as I review my photos later.

Open from 9.30 am to 6 pm daily, except Mondays; late night on Thursdays until 9.45 pm

Musee D’Orsay, Esplanade Valéry Giscard d’Estaing, 75007 Paris, https://www.musee-orsay.fr/en/

Ile de la Cite

From the Musee D’Orsay, I stroll down the quai along the Seine, with the marvelous book/magazine sellers, to the Pont Neuf (the oldest bridge in Paris) to Île de la Cité, a small island in the center of Paris where Notre-Dame and Sainte-Chapelle are found. It is the historic heart of Paris.

Colorful vintage magazine and newspaper sellers line the Quai © Karen Rubin/goingplacesfarandnear.com

I am really interested to see the progress on the restoration of Notre-Dame Cathedral, after that devastating fire of April 15, 2019.

There is an excellent photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of the restoration.

A photo exhibit explains the reconstruction project of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

A short walk from Notre-Dame, in a small park, I come upon Holocaust Memorial to the 31,000 Parisians sent to Auschwitz.

Holocaust Memorial near Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Also close to Notre Dame on the Ile de Cite is Sainte-Chappelle, famous for its stained glass windows.

Sainte-Chapelle is considered one of the finest examples of Rayonnant period of Gothic architecture. Built between 1238-1248, the royal chapel was commissioned by King Louis IX to house his collection of Passion relics, including Christ’s Crown of Thorns – one of the most important relics in medieval Christendom. It served as the residence of France’s kings until the 14th century.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

A curious chart outside the chapel shows that Sainte-Chappelle cost 266,000 gold francs for the elevation of its spire and the restoration of the roof, equivalent to 1.06 million Euros, total weight 232.4 tons, 75 meters high from ground level, work done between 1853-1855.

Sainte-Chapelle, Paris © Karen Rubin/goingplacesfarandnear.com

Notre Dame Cathedral: cost 500,000 gold francs for the elevation of its spire, equivalent of 2 million euros today; total weight 750 tons, 96 meter high from ground, work from 1859 to 1860.

Adjacent to Sainte-Chapelle is La Conciergerie, the palace where Marie-Antoinette was held before her execution (it’s closed by the time I arrive).

Sainte-Chapelle and Conciergerie, Paris © Karen Rubin/goingplacesfarandnear.com

Sainte-Chapelle and Conciergerie are operated as a museum by the French Centre of National Monuments.

La Sainte Chapelle, https://www.sainte-chapelle.fr

I pick up food for my dinner at a boulangerie on the quai.

Tuileries Garden, Paris © Karen Rubin/goingplacesfarandnear.com

Walking back to the Hotel Napoleon, I stroll alongside the full length of Le Louvre museum – once a palace – stunned by how large, and how exquisitely ordained it is (I will be visiting the next day), through Tuileries Garden to the Place de la Concorde, the largest square in Paris, where King Louis XVI, Marie Antoinette and Robespierre were executed by guillotine during the French Revolution.

Place de la Concorde, Paris © Karen Rubin/goingplacesfarandnear.com

I walk by the Petit Palais (where there is a Sarah Bernhardt exhibit I wish I could have seen; free admission to the collections!), to the Champs-Élysées. (There is really good signage that direct you to the places visitors most want to see.)

Petit Palais, Paris © Karen Rubin/goingplacesfarandnear.com

Eiffel Tower

I get back to the Hotel Napoleon and rest awhile before heading out again to see the Eiffel Tower at night.

I walk down the Champs Elysee, cross over toward the Seine and take in the classic café scene. There are innumerable couples in this City of Love.

Café George V, Paris © Karen Rubin/goingplacesfarandnear.com

The view from across the Seine – with the Bateaux Mouches (sightseeing boats) passing by – is enchanting enough, but seeing the Tower from its base is breathtaking.

View of Eiffel Tower across the Seine © Karen Rubin/goingplacesfarandnear.com

The Eiffel Tower is one of most beautiful structures in world – so elegant, so graceful, seemingly as light, delicate and intricate as filigree. I am surprised to learn that the design was criticized, even ridiculed when Gustave Eiffel, the engineer whose company designed and built the tower from 1887 to 1889, proposed it.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

Nicknamed “La dame de fer” (“Iron Lady”), it was constructed as the centerpiece of the 1889 World’s Fair, and to crown the centennial anniversary of the French Revolution. (The tower also was supposed to be a temporary installation, but Eiffel pushed to have its lease extended and ultimately, became a permanent fixture of the city.)

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

We marvel at its beauty but in 1889, the tower was celebrated more as a historic feat of engineering: the first structure in the world to surpass both the 200-meter and 300-meter marks in height. At 330 meters (1,083 ft.) high, the Eiffel Tower is equivalent to an 81-storey building, and still is the tallest structure in Paris, dominating the skyline from wherever you are. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for 41 years until dethroned by New York City’s Chrysler Building in 1930.

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

The tower has three levels that visitors can reach, with restaurants on the first two. The top level’s upper platform is 276 m (906 ft) above the ground – the highest observation deck accessible to the public in the European Union.

It is fascinating to learn that the top level was actually a private apartment built for Gustave Eiffel’s personal use, which he decorated with furniture by Jean Lachaise and invited friends such as American inventor Thomas Edison. Today, you can’t visit the entire apartment, but there is a reconstruction of Gustave Eiffel’s office. Through the windows, you can see wax figures of Gustave Eiffel and his daughter Claire being visited by Edison.  

Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com

There is also a new immersive experience that takes you inside Gustave Eiffel’s office (accessed by scanning a QR code on the first floor). While waiting for the lift on the first floor, you can also peruse historical documents with monitors, tactile screens, display cases, digital albums and photocopies of objects.

There are also new guided tours which must be booked online

The Eiffel Tower is one of the highlights of visiting Paris – in fact, one of the most-visited pay-to-enter monuments in the world, with almost 6 million visitors a year. It is almost essential to book a timed ticket ahead of time.

The wait for tickets – if they are not totally sold out – can be long. If you have interest in going to the top, book your tickets as soon as you know your dates for Paris. (Online tickets go on sale 60 days in advance for the elevator.) 

But for a completely different experience (and if tickets for the elevator are sold out), you can also climb the stairs – from ground level to the first level is over 374 steps, and 300 more to the second, making the entire ascent 674 steps – about 20 minutes per level.

Stairway tickets for the second floor are sold online (up to 10 days in advance) or sold on-site. If you want to go to the top, you would need to purchase “stairway + lift” tickets. These tickets are only sold on-site in the South leg of the tower, guaranteeing minimal queueing times (only the most gung-ho visitors), where you take the stairs up. In peak periods, another leg may be opened for stairway ascents.

Other experiences: Madame Brasserie offers a lunch and dinner menu on the first floor (reservations strongly advised; the reservation includes the ascent to the 1st floor of the Eiffel Tower, but not to visit to the 2nd floor or to the top).

Reservations for dining or eating at the Jules Verne (2nd floor) must be made on the dedicated website. If you make a reservation for the Jules Verne, a private lift in the south pillar will take you directly to the restaurant when you arrive. The visit of the Eiffel tower is not included.

You can book your ticket for the top of the Eiffel Tower and add a glass of champagne at the champagne bar. The champagne bar at the top is open every day, from 10.30 am to 10.30 pm. 

I would say the most enchanting time to experience the Eiffel Tower is at night.

Eiffel Tour, Champ de Mars, 5 Av. Anatole France, 75007 Paris, France, https://www.toureiffel.paris/en/planning-smooth-visit, https://www.toureiffel.paris/en/rates-opening-times

I stand in a park at the tower’s base, where there is a festive atmosphere among the throngs of people gathered – but for the Olympics, there will be a stadium built in front of the tower, before walking back to the Hotel Napoleon.

What a day – I must have walked 12 miles plus 3 hours worth in the museum. Here’s where I went:

Musee D’Orsay

Notre-Dame Cathedral

Sainte-Chapelle

Tuileries Garden

Place de Concorde

Champs-Elysee

Eiffel Tower at night

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day2 Highlighted by Le Louvre

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

_______________________

© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Visiting Paris This Year? Plan in Advance

If you have a hope of seeing the Mona Lisa at Le Louvre, book your timed ticket as soon as you book your travel to Paris © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

If you are planning to visit Paris his year, it is especially important to make plans really early, lock in reservations to visit the sites, attractions, restaurants, hotels, even train or bus transportation you most want to include if you are going outside Paris.

Paris (with 85,000 hotel rooms) is expecting about 15 million visitors as it hosts the Olympics (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

The fact is, Paris is so popular (for good reason), there is no longer the “shoulder” season or “off season” (especially as more travelers seek the comparative comfort of cooler seasons, known as “coolcationing”). No matter when you travel, to get the most out of your visit, it is essential to do pre-planning. The days of just strolling into the major attractions are well gone, so advance purchase of timed- and capacity-controlled tickets will still be essential. Book online as soon as you know your dates of travel. In that way, you can avoid wasting valuable time and money waiting on line for tickets (followed by the line for security). Moreover, having a set time to visit the key attraction on your list will help you structure your day – while still allowing for serendipitous experiences and discoveries.

I must admit that my decision to spend four days in Paris at the end of my European Waterways canal boat cruise in the Alsace-Lorraine was a bit spontaneous and I didn’t have as much time as I would have liked to do the research and preparation which I am recommending here. (So I didn’t get to go up the Arc de Triomphe or the Eiffel Tower.) And planning out my visit for a city as big (and yet, as I found, not so big that I couldn’t walk everywhere), with as many highlights, was intimidating from a logistics point of view. So I began as I would hope other travelers do: I consulted what other travel writers have written about “four days” in Paris, and checked the various lists of “top attractions” like on tripadvisor.com.

Listen, while most travel writers will focus on the “off the beaten track” and “hidden gems” and “local favorites,” if, like me, you haven’t been to Paris in eons or ever, you want to experience what everyone else is talking about. They are the top attractions for a reason. But by preparing in advance in order to reduce wasting time waiting on lines, you will (I guarantee) have those serendipitous discoveries of “hidden gems” and “less known” that you can then boast discovering.

I had my list of top attractions, but how to organize in the best way?

Book your tickets to Musee D’Orsay in Paris in order to have more time to really enjoy the spectacular art collection, housed in this former Beaux Arts train station, in relative calm © Karen Rubin/goingplacesfarandnear.com

I started with figuring out the priority attractions – Le Louvre, Musee D’Orsay – that would require advance, timed tickets, and made each of them the centerpiece of a day. Musee D’Orsay is closed on Monday; Le Louvre is closed on Tuesday. Then I looked to what was around, but much of how I spent my day after was pretty spontaneous.

The city was hopping with visitors this year – as tourism recovered globally after pandemic closures and it seems the world decided never to put off again their dream destinations. I visited in late August, a very busy time in any year, and the city is already preparing for the Olympics (I happened upon a city-wide practice run for security street closures.)

And most surprising to me, was how easy it is to get around Paris – especially walking and by bicycle (with loads of bicycle share stations), with its special biking lanes and traffic signals, and traffic signals and crossings that favor pedestrians. For those who prefer, the superb metro and bus system has multi-day tickets.

I walked everywhere – because it is the whole of Paris that is the attraction – the architecture, the people, the street activity, and the sheer beauty of the city, absolutely one of the most beautiful, enchanting in the world. And not just around the stunning sites of the Eiffel Tower, Le Louvre, Musee D’Orsay and Notre Dame (which you can see as it is restored), but neighborhoods that are so picturesque, interesting, and full of character. So I plot the walking time into my day.

It is thrilling to watch the progress of the restoration project at Notre Dame © Karen Rubin/goingplacesfarandnear.com

But walking around, is the best way to come upon those “hidden gems” that no one else knows about. You have a cascade of serendipitous experiences, compelling places and surprises around every corner. It’s like surrendering yourself to the universe, or in this case, the city, and let it find you. And sometimes, when you set out in search for something, all these other things emerge.

(GPS is only helpful when you already have internet, but you should plot your route and then download so you have the maps offline or at least download the Paris map, which I kept forgetting to do, so I often relied on actual maps and the kindness of wonderful strangers, even with my very limited French, to point me in the right direction.)

During my four days in Paris, I visited:

Arrival afternoon:

Arc de Triomphe

Stroll the quais along the Seine for the magnificent views of Eiffel Tower at sunset into the night

Day 1: (Sunday)

Musee D’Orsay

Isle de la Cite (to see the restoration of Notre Dame)

Sainte-Chappelle

Tuileries Gardens

Place de la Concorde

Stroll the quai along the Seine to the Eiffel Tower at night

*

Day 2 (Monday)

Le Louvre

Notre Dame (again)

Isle de France

Marais District/Holocaust Memorial

*

Day 3 (Tuesday)

Marais District/Holocaust memorials

Place des Vosges

Museum of Paris History (a highlight)

Musee d’Art D’Histoire du Judaism

Musee Picasso-Paris

Bastille monument

Place Royale

*

Day 4 (Wednesday)

Montmartre

Musee Montmartre

Dali Gallery

Sacre Coeur

(Not on my list: Versailles, which I visited many years ago but any first-timer should visit)

And here are my regrets at having missed out: Victor Hugo’s House (turns out I was right there but didn’t know to look); Petit Palais which has marvelous exhibits (couldn’t time it right); the Crype Archeologique de L’Ile de la Cite (right beside the Notre Dame, but I never time it right to visit); and Catacombs (intriguing!). And yes, I regret not climbing the stairs up the Eiffel Tower (didn’t realize you can get that ticket on the spot) and seeing the museum and climbing inside the Arc de Triomphe

Yes, these are the most popular sites, but they are popular for very good reason, and if you are not a frequent visitor to Paris, you would be doing yourself a disservice not to experience them yourself. But there are ways to make the experience your own. Your list of “highlights” might be different – like the bateaux mouches cruise on the Seine (included in the Paris attractions pass).

Try to book your visit to Le Louvre either early in the morning or on one of the evenings the museum is open late © Karen Rubin/goingplacesfarandnear.com

I highly recommend getting the Paris Museum Pass (https://www.parismuseumpass.fr/t-en, which provides admissions to 34 museums in Paris and 11 more in the region) or the Paris Pass (parispass.com) which not only makes attractions and experiences more affordable, but will absolutely add to what you see and do, and also provides such helpful information as hours, location, proximity to where you are. When booking, try to book the earliest available times or evening times, and midweek over weekend.

You are likely to arrive in Paris at the Charles de Gaulle Airport, which has easy train connection to downtown – purchase your metro ticket in advance at a wonderful visitor information office as you walk out, and even a multi-day ticket. This will cut down on wasted time waiting on line to buy a ticket and the confusion of knowing what zone you need. And it saves quite a lot of money. But the best part is you don’t think about how much you are spending – it all seems free.

If you are traveling in France, remember to book your train or bus tickets in advance © Karen Rubin/goingplacesfarandnear.com

Coming from Strasbourg by train at the end of my six-day canal cruise of the Alsace Lorraine aboard European Waterways’ Panache, I arrived at Gard d’Est and made my way on the metro (after going in the wrong direction on the metro) to a stop just in front of the Arc de Triomphe. My hotel, the Hotel Napoleon Paris, a five-star boutique hotel which put me perfectly into the atmosphere of Napoleon’s Empire period, is not even a half-block away, and one boulevard over from the magnificent Champs Elysee. (Note: book train tickets in advance, www.raileurope.com)

It was afternoon, and I quickly checked in to this charming boutique hotel, dropped my bag, and went out to explore the Arc de Triomphe.

Arc de Triomphe

Visitors along the Champs-Elysee on their way to the Arc de Triomphe © Karen Rubin/goingplacesfarandnear.com

This iconic symbol of France is set in the middle of a roundabout (the Place D’Etoile, like a star”) where 12 busy boulevards converge, including the magnificent Champs Elysee which is aligned with its center. Don’t even think about trying to cross the roundabout – you must walk through underground passageways to get across the busy boulevards that encircle the monument (There’s a pedestrian tunnel at Place Charles de Gaulle on the north side of the Champs-Élysées that will take you down to the arch.)

Don’t even think about trying to walk across the roundabout encircling the Arc de Triomphe. Use the underground walkways © Karen Rubin/goingplacesfarandnear.com
 

Building the Arc de Triomphe began in 1806 on Napoleon’s orders. Just a year earlier, in 1805, Napoleon’s forces won a decisive victory over Russian and Austrian troops at the Battle of Austerlitz. French architect Jean-François-Thérèse Chalgrin took his inspiration from the great arches of the world and designed Triomphe to be the largest in the world. The arch is 164 feet tall, and twice a year, the sun sets directly in the center. It took 30 years to complete the arch which was officially opened by King Louis-Phillipe on July 29, 1836.

The Arc de Triomphe is a triumph of architecture and decoration © Karen Rubin/goingplacesfarandnear.com

In the years since, soldiers have marched past the arch as a victory lap – France and its allies did in 1918, 1944 and 1945; Germany in 1871 and  1940. Every year, a ceremony at the Tomb of the Unknown Soldier, buried below the arch, marks the anniversary of the armistice signed on Nov. 11, 1918.

The Arc de Triomphe is a triumph of architecture and decoration © Karen Rubin/goingplacesfarandnear.com

Today, the Arc de Triomphe is more of a symbol of peace and is very recognizable as the end point for the Tour de France cyclists. For the French, the Arc de Triomphe goes well beyond being commemorative, but is foundational in the French national psyche.

Each day at the Arc de Triomphe, there is a ceremony to honor France’s fallen soldiers © Karen Rubin/goingplacesfarandnear.com

In 1921 the Tomb of the Unknown Soldier was incorporated into the monument, and today the tomb’s flame is rekindled every evening at 6.30 p.m. to show respect for All of France’s fallen.

One such event was just winding up as I arrived.

The Arc de Triomphe is a symbol of the French people’s national pride © Karen Rubin/goingplacesfarandnear.com

I was transfixed by the arch, the spectacular bas-reliefs of historic events that grace each pillar – The Entry of Napoleon, The Conquest of Alexandria and The Battle of Austerlitz. The most famous of them, The Departure of the Volunteers, also known as La Marseillaise, was created by the Romantic sculptor François Rude in 1792. The others were crafted by two other sculptors, Antoine Etex and Jean-Pierre Cortot Plaques list the names of hundreds of generals and battles.

Stunning reliefs decorate the Arc de Triomphe, recalling France’s history  © Karen Rubin/goingplacesfarandnear.com

Admittedly, I didn’t know that you could enter the monument and climb the 284 steps to to the terrace (an elevator is available for those who require it) for a view, or that there is a museum inside – The Permanent ‘Great Moments of French History’ exhibition which traces the story of the Arc de Triomphe and explains the architecture, friezes and sculptures. So I definitely did not book tickets in advance. But the line to purchase tickets was ridiculous so I happily contented myself to just study the stunning reliefs and be transfixed by the arch’s form. (Having a Paris Museum Pass would have provided free admission without the need to reserve a time.)

Stunning reliefs decorate the Arc de Triomphe, recalling France’s history  © Karen Rubin/goingplacesfarandnear.com

What I missed though was the dramatic view from the top: looking down the Champs-Élysées to the Louvre, out to La Defense, around to the Eiffel Tower. And you look straight down at one of the world’s largest round-abouts, where the 12 avenues come together.

The Arc de Triomphe is a triumph of architecture and decoration © Karen Rubin/goingplacesfarandnear.com

You can purchase tickets in advance; the Arch is also included on the Paris Museum Pass http://en.parismuseumpass.com/

I continued my walk well into the evening, following the route the concierge at the Hotel Napoleon laid out for me: strolling down the Champs Elysee, turning onto the Avenue George V (and passed the famous Hotel George V), to the Seine.

Paris is truly magical, truly the City of Light and romance. Couples walk along the quai, attach a lock to just about any wrought iron they can find, pose for a selfie.

That first view of the Eiffel Tower at night, reflected in the Seine, is breathtaking © Karen Rubin/goingplacesfarandnear.com

That first view of the Eiffel tower from across the Seine, the bateaux mouches sailing by (I’m seeing Audrey Hepburn and Cary Grant in “Charade”) as the sky takes on the rosy tones of sunset, fills you with a giddiness that can be described as joie de vivre. By the time I headed back along the quai, passing couples in amorous embraces, night has descended and the views of the lighted tower, bridges, and reflections on the river take your breath away.

Walking back to the Hotel Napoleon on a tony residential street just off the Champs Elysee, I felt more like I am going back to my swank Parisian apartment rather than a hotel. I get another view of the Arc de Triomphe as I turn the corner.

Walking back to the Hotel Napoleon Paris at night, you get a view of the Arc de Triomphe © Karen Rubin/goingplacesfarandnear.com

Hôtel Napoléon Paris 5,40, av. de Friedland 75008 Paris, Direct phone   +33156684480, www.hotelnapoleon.com, https://www.historichotels.org/hotels-resorts/hotel-napoleon-paris/, https://preferredhotels.com/hotels/france/hotel-napoleon-paris

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Musee D’Orsay Highlights Day 2 in Paris

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

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