Category Archives: Attractions

10 Uncommon Attractions in Southeast Florida to Explore

Bonnet House Courtyard © Laurie Millman/goingplacesfarandnear.com

By Laurie Millman and Martin Rubin

Travel Features Syndicate, goingplacesfarandnear.com

Before sheltering-at-home took hold in NJ, we travelled to Southeastern Florida to visit family. This time, we didn’t just sit around the house and go out to restaurants to eat. We found attractions and activities that were fun and most often free or accepted donations. Others were well worth the entrance fee to enjoy a very uncommon day! 

Manatees in Manatee Lagoon © Laurie Millman/goingplacesfarandnear.com

Manatee Lagoon, Riviera Beach, FL – the center’s main, unique attraction, is being able to catch a view of the wild manatees as they enjoy the warm, shallow water surrounding the discovery center that is released by the Florida Power & Light Company’s Next Generation Clean Energy Center. The window for this experience is rather small – usually a few days during late January, when the temperature of the deeper, manatee home waters off of Southern Florida coastline becomes cool enough for the manatees to venture into the Intracoastal shore with the Clean Energy hydroelectric plant’s effluence.  This eco-discovery center is usually open weekly from Tuesday – Sunday, 9AM – 4PM, and offers free admission and free parking. The main floor has a small discovery center about the local environment and manatees.

Check the web site (https://www.visitmanateelagoon.com/) for when the Center will be reopened. Manatee Lagoon is located at 6000 N Flagler Dr, West Palm Beach, FL 33407.

Rehabilitated Turtle at Loggerhead Marinelife Center © Laurie Millman/goingplacesfarandnear.com

Loggerhead Marinelife Center, Juno Beach, FL – this center rehabilitates three types of sea turtles common to the Florida nesting areas: Loggerhead, Green, and Leatherback. The Center has small, outdoor recovery tanks for the turtles who are recovering primarily from dehydration and malnourishment, as well as from injuries resulting from encounters with small boats. Before hanging out with the turtles, learn about them from the indoor exhibit. 

The Loggerhead Marinelife Center and the Juno Beach Pier reopened to visitors the week of May 18, 2020. The Center (14200 U.S. Hwy 1,Juno Beach, FL) is open to the public daily from 9am – 5pm; a donation of $10/person is suggested. Face coverings are required for all guests 2-years and older to enter. For more information, call 561-627-8280, or send email to info@marinelife.org.  

Tips to Protect Sea Turtle Hatchlings along Florida’s coastline:

In sea turtle nesting areas, reduce lighting or use lighting that concentrates it down and not out.

Always walk over nesting areas, and stay out of any flagged off area.

If you spot a turtle hatchling crawling away from the water, it can be redirected  to the water, but allow the hatchling to continue on its own.

If you encounter a lethargic or stranded turtle, call Loggerhead Marinelife Center’s 24-hour Sea Turtle Rescue line at: (561) 603-0211 or call Florida Fish and Wildlife Conservation Commission (FWC) immediately at: 1-888-404-3922) or dial *FWC or #FWC on your mobile phone.

Blowing Rocks Preserve, Jupiter Island – rocky trails through forests of sea grape trees lead from the narrow parking lots to this natural beach reserve. The preserve gets its name for the Anastasia limestone rocks along the shoreline — when the ocean breaks against the rocks, the force sends plumes of saltwater as high as 50 ft. through the limestone holes.  The protected, low-light sandy beach is a favorite destination for nesting sea turtles, including loggerhead, green and leatherback breeds. Residents and tourists enjoy swimming, snorkeling, and even scuba diving off of the beach.

As of writing this article, the Preserve remains closed to the public. Check the Nature Conservancy’s website for more information about the geology of the beach area, the visiting turtles and the conservancy’s activities to rehabilitating the turtles, as well as directions, and especially, notice when this beautiful, natural preserve will be reopened: https://www.nature.org/en-us/get-involved/how-to-help/places-we-protect/blowing-rocks-preserve/

Gumbo Limbo Hatchling Research Center © Laurie Millman/goingplacesfarandnear.com

Gumbo Limbo Nature Center, Boca Raton –  for a recommended $5/person donation, the center offers visitors outdoor aquariums, a research center for turtle hatchlings, and raised boardwalk trails, which thread out from the Center and lead to the Intracoastal Waterway through groves of Gumbo Limbo and mangroves trees with butterflies and mangrove crabs hanging from trunks and branches. The boardwalk trails are open until dusk, even when the center is closed. The Center (1801 North Ocean Blvd. Boca Raton, FL 33432) also maintains a butterfly garden with a path that leads to the Intracoastal. Plan your visit by learning when they will reopen the Center and the trails, at https://www.gumbolimbo.org.

Monkey Jungle Rainforest Adventure © Laurie Millman/goingplacesfarandnear.com

Monkey Jungle, Miami – King, a 51-year old Western Lowlands gorilla, is one of the main attractions at Monkey Jungle, where he has called home for the past 41 years.  At his special show, we saw how the trainers interact with King, and learned that they provide him with a full day of companionship and interaction. To get to King, who is at the half-way mark of a one-mile loop, we visited other monkeys and birds housed along the mulched paths which run through a beautiful, tropical rainforest.  As we left King’s show area, we found that we walked into a caged-in path with metal cups hanging from chains at the top of the caging. We realized that we were within the large monkey habitat. The monkeys run freely around the caged tunnel, and pull up the cups with raisins or dried cranberries we were given when we paid admission.  The 30-acre park (14805 SW 216 St, Miami, FL 33170) is open daily from 9:30am – 5pm. Admission is $29.95/adult, $23.95/child (3 – 9), $27.95/senior (65+),  including shows that occur at least three times each day; parking is free.

Monkey Jungle also offers an immersive walk through 4 acres of the natural habitat: during the “Rainforest Adventure Tour,” we encountered many of the 150 very friendly squirrel monkeys and the 5 capuchin  monkeys. They came right up to our hands to gently accept the nuts and dried fruit we were holding out to them; some of them even sat on a shoulder or hat. The Tour runs three times each day at 10am, 12:15 pm, and 2:30pm. The “Rainforest Adventure Tour” is $129.95/person, which includes general admission and the special monkey food. 

Check Monkey Jungle website (https://www.monkeyjungle.com/) and their social media pages for updates when they will reopen. Book the Rainforest Adventure Tour in advance of your visit, by calling 305-235-1611.

Little Havana, Miami – many Cubans came into the US in the 1990s and stayed in Miami. Little Havana district continues to offer the warm, welcoming Cuban experience, especially as we strolled along Calle Ocho: walk through Domino Park, where square tables are filled with Seniors playing dominos and chess; pop into the many cigar shops on the street and watch Cuban-trained men hand roll fresh cigars; grab some authentic Cuban food and listen to live music at one of the historic bars; end the LIttle Havana experience with artisanal gourmet ice cream or sorbets in Cuban and tropical flavors at Azucar Ice Cream Company.

We received a tour of Mister Cigars (mycigarroller.com), the newest of the cigar shops in Little Havana (742 SW 16th Ave, Miami). Since the store opened in the Fall of 2019, they hand-roll around 7000 cigars each month from 3,000 lbs of fresh leaves they receive from the Dominican Republic, Nicaragua, Ecuador, Peru, and Mexico. Mister Cigars’ rollers have a combined experience of over 30 years, were trained at Havana’s Cuban Cigar Manufacturing School, and worked at the famous Partagas cigar factory in Havana.

Little Havana is slowly reopening public services. Mister Cigars, along with other stores, reopened the week of May 18, 2020. In addition to the store reopening,  Mister Cigars will be bringing back the “Cuban Experience” evening: a limo will pick up your party from your hotel, and take you on a tour of a cigar factory in Miami, spend an evening of delicious Cuban food and live show, and return in the limo with a generous gift package including hand-rolled cigars, humidor, and cigar preparation tools. Contact Mister Cigars’ Fernando Morales at 786-493-9042 for more information, pricing, and to schedule the “Cuban Experience.”  Tell Fernando that Laurie Millman sent you!)

For more current and historic information about Little Havana, visit: https://www.miamiandbeaches.com/neighborhoods/little-havana.

Wynward District, Miami – explore by car or foot, the many colorful, hand-painted murals on the sides of warehouses in this Miami district; each designed and painted by local, Miami street artists. Over the last few years, some of the warehouses have been converted to  eclectic, indoor art galleries, chic bars, bistros, and craft breweries. Go to https://wynwoodmiami.com/ to check out when venues will be reopening. For a virtual tour of the murals, go to https://wynwoodmiami.com/explore/street-art-grid-view/.

The Bonnet House © Laurie Millman/goingplacesfarandnear.com

The Bonnet House Museum and Gardens, Fort Lauderdale – the estate home of post-impressionist American artists, Frederic and Helen Bartlett, continues to look as it did in the 1930s and 1940s, with the bright yellow walls, the house/museum is filled with their original furnishings, as well as the artwork by the artists. The estate is located on a barrier island bounded by the Atlantic Ocean on the east side and the Intracoastal Waterway on the west side. The tour around the beautifully landscaped grounds transports you to a tropical paradise with a natural barrier island environment, including banyan and palm trees, tropical flowering trees, and ocean breezes – no wonder this is a popular wedding venue.

Bonnet House reopened the  week of May 19, 2020 for grounds tours only, between 10am and 4pm. Tour tickets are $5 for nonmembers.; free for members.  Schedule the tour online at https://www.bonnethouse.org/.

For a virtual, historic tour of the house, check out: https://www.bonnethouse.org/a-virtual-and-vintage-tour-of-bonnet-house/.

Snorkel around the small, artificial reefs near West Palm Beach and Riviera Beach that make up what is called the Palm Beach Snorkeling Trail. These little islands are home to a variety of colorful tropical fish which rival many snorkeling areas around the world, especially those destinations where the humans and boating have depleted the corals and fish.  As I was there in late January, we were lucky to meet a few manatees who were curious about us and hung out with us while we were snorkeling. Some of the island parks require a boat shuttle for a small charge to take a round-trip between RIviera Beach and the slightly, off-shore islands.  Rent or bring your own snorkel gear, and remember to bring and use only sunscreen that is reef-safe. You can also purchase the appropriate sunscreens on the boat shuttle.

Laurie Millman kayaking in the Intracoastal © Roberta Millman-Ide/goingplacesfarandnear.com

Kayak through the warm, shallow waters of the Intracoastal between Lake Worth South Beach and West Palm Beach.  As you travel between the shore and the small islands, look for birds of prey, water birds, and the large green iguana colonies. If you do this activity in late January, you may also catch a glimpse of a manatee swimming alongside your kayak. 

NOTE: Many Palm Beach parks are now open sunrise to sunset for one-way walking, running, biking, equestrian riding, fishing, canoeing, and kayaking, while practicing social distancing.  

For more information on boat shuttles, openings, restrictions, and CDC rules, visit http://discover.pbcgov.org/parks/Lists.

Palm Beach Zoo & Conservation Society Reopens

Palm Beach Zoo & Conservation Society has reopened to visitors . It’s particularly exciting time to visit since in May, Api, a Malayan tiger, gave birth to three healthy cubs. The impact of a visit to Palm Beach Zoo extends beyond the gates, inspiring people to take action and save wildlife in wild places. © Karen Rubin/goingplacesfarandnear.com

Palm Beach Zoo & Conservation Society has reopened to for visits seven days per week from 9 a.m. – 5 p.m. (last ticket sale is at 4:15 p.m.) and will be operating normally with a few notable exceptions:

  • Capacity will be limited and carefully monitored to allow for physical distancing.
  • All visitors are encouraged to purchase tickets in advance at palmbeachzoo.org.
  • A one-way path will be designated throughout the Zoo in the Florida Wetlands, Tropics of the Americas and The Islands.
  • Certain exhibits will be closed or roped off including the carousel, train, observatory, cafe, aviary, butterfly garden and bronze statues.
  • Food service is available at the concessions window and kiosks in Fountain Plaza.
  • Hand-sanitizer stations will be available throughout the Zoo.
  • Animal talks and animal experiences will not take place at this time.
  • Strollers and wheelchair rentals are not available and guests are encouraged to bring their own.
  • Guests to the Zoo are asked to refrain from visiting if they are in a high-risk category for COVID-19 complications, are not feeling well or have a fever. Guests are also highly encouraged to wear masks, utilize hand-sanitizing stations, and maintain a six-foot distance from other groups.

It’s particularly exciting because in May, Palm Beach Zoo & Conservation Society announced that beloved Malayan tiger Api gave birth to three healthy cubs. Api and her mate Kadar, are part of the Association of Zoo and Aquarium’s (AZA’s) Malayan Tiger Species Survival Plan® (SSP). The SSP® is a cooperative reproduction program that serves as an important backup population for critically endangered Malayan tigers in the wild.

For more than 50 years, Palm Beach Zoo & Conservation Society has provided visitors with up-close and personal animal encounters that connect people to wildlife. Palm Beach Zoo guests explore a WILD ecosystem thriving on 23 lush, tropical acres while discovering hundreds of exotic animals. Visitors enjoy interactive animal experiences, nature and water play, and a lakeside cafe. Palm Beach Zoo participates in AZA Species Survival Plan® programs, ensuring healthy animal populations for rare and endangered species. The impact of a visit to Palm Beach Zoo extends beyond the gates, inspiring people to take action and save wildlife in wild places. For more information, visit www.palmbeachzoo.org.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

New York City Virtually: Greatest Cultural Institutions, Closed for Coronavirus, Share Exhibits Online

The Metropolitan Museum of Art may be temporarily closed, but you can explore its collections virtually © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s major cultural institutions are temporarily closed to help minimize the spread of coronavirus, but many are making their exhibits and programs available virtually, and have websites that really engage, that make the time spent in enforced hibernation that much richer and more productive, and frankly, less maddening.

Metropolitan Museum of Art, New York City © Karen Rubin/goingplacesfarandnear.com

The Metropolitan Museum of Art, which is celebrating its 150 anniversary year, has temporarily closed all three locations—The Met Fifth Avenue, The Met Breuer, and The Met Cloisters—effective March 13. Meanwhile, you can watch videos from exhibition previews to curator talks and performances (https://www.metmuseum.org/metmedia)) and experience the best of human creativity from every corner of the globe at The Met (I love watching the video of the conservation of the Degas tutu, https://www.metmuseum.org/metmedia/video/conservation-and-scientific-research/degas-tutu-conservation) and play audio guides (https://www.metmuseum.org/visit/audio-guide)

When the Met reopens, it will offer a series of special exhibits marking its 150th anniversary: The exhibition Making The Met, 1870–2020 will present more than 250 works of art from the collection while taking visitors on a journey through the Museum’s history; The reopening of the galleries for British decorative arts and design will reveal a compelling new curatorial narrative; Transformative new gifts, cross-cultural installations, and major international loan exhibitions will be on view throughout the year; and special programs and outreach will include a birthday commemoration on April 13, a range of public events June 4–6, and a story-collecting initiative.

“Our galleries may be closed, but never fear! Social media never sleeps.” Follow @metmuseum on Instagram for Tuesday Trivia, #MetCameos, and daily art content.

Being confined to home is a perfect time to take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?, available now on Coursera. This course offers an in-depth look at over 70 works of art from MoMA’s collection—many of which are currently on view in the expanded Museum—from 1980 to the present, with a focus on art produced in the last decade. Learners will hear directly from artists, architects, and designers from around the globe about their creative processes, materials, and inspiration. What Is Contemporary Art? can be found at mo.ma/whatiscontemporaryart.

Dorothea Lange’s iconic photograph is featured in MoMA’s exhibit “Dorothea Lange: Words & Pictures”. Meanwhile, take advantage of the Museum of Modern Art’s free massive open online course What Is Contemporary Art?

I can’t wait for MoMA to reopen so I can see Dorothea Lange: Words & Pictures, the first major solo exhibition at the Museum of the photographer’s incisive work in over 50 years. The exhibition includes approximately 100 photographs drawn entirely from the Museum’s collection. Dorothea Lange: Words & Pictures also uses archival materials such as correspondence, historical publications, and oral histories, as well as contemporary voices, to examine the ways in which words inflect our understanding of Lange’s pictures. These new perspectives and responses from artists, scholars, critics, and writers, including Julie Ault, Wendy Red Star, and Rebecca Solnit, provide fresh insight into Lange’s practice. (Scheduled through May 9, 2020).

T. rex The Ultimate Predator at American Museum of Natural History. While the museum is closed, go online to its “Explore” site for videos, blogs and OLogy, a science website for kids of all ages. © Karen Rubin/goingplacesfarandnear.com

American Museum of Natural History while closed, the website is a treasure trove of information and engaging photos and ways to explore and interact on your own. At the section of its site labeled “Explore” https://www.amnh.org/explore, there are videos, blogs and OLogy: The Science Website for Kids, where kids of all ages can play games, do activities, watch videos and meet scientists to learn more about fossils, the universe, genetics, and more. (Check out https://www.amnh.org/explore/ology/brain)

“Auschwitz: Not long ago. Not far away.” Exhibit at Museum of Jewish Heritage, NYC. While the exhibit is closed, there are excellent materials online. © Karen Rubin/goingplacesfarandnear.com

Museum of Jewish Heritage-A Living Memorial to the Holocaust, is in the midst of the landmark exhibit, Auschwitz. Not long ago. Not far away. The most comprehensive Holocaust exhibition about Auschwitz ever presented in North America, the exhibit had already been extended until August 30, 2020. The museum so far is scheduled to reopen March 29; in the meanwhile, there are excellent materials at the website that will inform and prepare you for when the exhibit reopens (https://mjhnyc.org/discover-the-exhibition/about-the-exhibition/). (See Groundbreaking Exhibit at Museum of Jewish Heritage Transports to ‘Auschwitz: Not long ago. Not far away’)

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage. Many materials are online, but you can also re-visit some of the N-YHS’s imortant past exhibits, like a personal favorite, “Harry Potter: A History of Magic.” © Karen Rubin/goingplacesfarandnear.com

New-York Historical Society is closed so you will have to wait to experience “Women March,”   presidential/election exhibits (take a selfie in Reagan’s Oval Office) and “Bill Graham” (phenomenal and surprising exhibit with fabulous musical accompaniment about this iconic concert impresario). Meanwhile, the N-YHS website offers sensational online exhibitions featuring some of their important past exhibits, including ‘Harry Potter; A History of Magic,” and “the Vietnam War: 1945-1975” and Chinese American: Exclusion/Inclusion (https://www.nyhistory.org/exhibitions/online-exhibitions). You can also delve into its digital collection, with selections from the N-YHS Museum and Library’s holdings paintings, drawings, photographs, manuscripts, broadsides, maps, and other materials that reveal the depth and breadth of over two centuries of collecting.  (http://digitalcollections.nyhistory.org/).  (See: Many Pathways to Mark Centennial of Women’s Suffrage)

Meanwhile, some outdoor venues are open, as of this writing (the situation has changed daily):

The Brooklyn Botanic Garden remains open to the public, having implemented stringent cleaning protocols and posted new signage on-site about best practices in personal hygiene. “We hope that the Garden might offer you some comfort and beauty even during a particularly stressful time.” (https://www.bbg.org/visit)

Central Park, Prospect Park and Flushing Meadows may well provide needed respite. However, the Wildlife Conservation Society has temporarily closed the Bronx Zoo, Central Park Zoo, Prospect Park Zoo, Queens Zoo and New York Aquarium, effective Monday, March 16. Check wcs.org for updates.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Many Pathways to Mark Centennial of Women’s Suffrage

Trace the progress of Women’s Suffrage on an interactive screen at New-York Historical Society’s “Women March” exhibit marking centennial of the 19th Amendment giving women the right to vote © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The 2017 Women’s March may have been the largest single protest in history, but women have been marching literally and virtually for 200 years. And for 200 years, the march, the campaign for women’s rights has been shorthand for voting, education, health care, equal pay, workers rights, civil rights, environmental justice, gun safety. Yes, there was that period when temperance was a priority, as well. But it has only been in the 1970s, that Feminism – the fight for women’s equality – took hold, and with it, the fight for the essential right: reproductive freedom.

The new exhibit at the New-York Historical Society simply called “Women March” (part of The Women’s Suffrage NYC Centennial Consortium, www.WomensSuffrageNYC.org) traces this long arc which has not always moved toward justice or equality. Indeed, progress, on just about every front, has been in brief spurts of enlightenment. In reality, that long arc is more zig-zags and a maze with brick walls to block progress.

From the beginning, women directed their activism to abolition of slavery, labor rights, working conditions and pay equity, civil rights, health, education, property rights, custody, rights for Native Americans  – issues regarded as “moral imperative.”

“Women seized on the notion that women had a moral power, beyond home, a moral imperative to effect public policy,” said Jeanne Gardner Gutierrez, curatorial scholar in women’s history at the New-York Historical Society.

Without the right to vote, they took advantage of the Constitution’s right to petition Congress – until Congress said they would ignore any anti-slavery petition.

“It was infuriating. The one right available to women, guaranteed by Constitution, swept away. They realized that moral suasion has limits.”

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

Voting rights was not at the core of the women’s activism, which was hardly a movement then. Even at the 1848 Seneca Falls Convention, the women leaders – mainly Quaker women who already had a measure of equality within their religious society –  had to be persuaded (by Frederick Douglass) to include the right to vote among their demands,  enunciated in the Declaration of Sentiments, that mimicked the Declaration of Independence. Their demands centered on equal pay and rights to own property and have control of one’s own earnings, a growing issue for women who were being employed in factories and for the first time earning their own wage. Many women did not sign on. It may surprise many to learn (as I did when visiting the Roosevelt historic site at Hyde Park) that Eleanor Roosevelt was not an early supporter of suffrage.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

During the Civil War – as in the Revolutionary War and later World War II – women took on roles that had been reserved for men: they managed their farms and businesses while husbands and fathers were off fighting, they were nurses, and organized fundraisers showing they could manage large financial projects (Sanitary Fair raised $1 million for union, the treasurer was a woman).

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

After the Civil War, there was a great debate over whether women should seek the vote, whether under the 15th amendment which said that men could not be denied the right to vote simply based on their race, voting should be a right of citizenship. Women were considered citizens, but the Supreme Court found that citizenship did not automatically bestow voting rights.

But a section of the exhibit labeled “Go West Young Woman” notes that in the Western territories, women did have right to vote (and apparently, women had the right to vote briefly in New Jersey,  from 1776 to 1807 when the vote was restricted to white men. (See: On the Trail of America’s First Women to Vote)

Victoria Woodhull was the first woman to run for president as the Equal Rights Party candidate in 1871. New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

But those who think that Hillary Rodham Clinton was the first woman to run for president (she was the first to run as a major party candidate) might be surprised to learn that even before women won the right to vote, Victoria Woodhull was the first woman to run for president as the Equal Rights Party candidate in 1871. “Despite questions about eligibility to vote, women, she reasoned, still could run for political office,” the notes read. Lawyer Belva Lockwood, the first woman to argue before the Supreme Court, followed in 1884 and 1888 on the National Equal Rights Party ticket and was the first woman to appear on official ballots, endorsing equal rights, temperance, civil service reform and citizenship for Native Americans; she won some 4,000 votes.

But at a certain turning point, the women’s movement realized that moral suasion wasn’t going to effect real change; the key to getting any of the changes and rights they wanted was the right to vote.

They used the latest techniques and technology to build support. Film was new in 1915, and a newsreel agency, Universal Animated Weekly, captured a 1915 strike for workers rights (we get to see the film on a screen almost life-sized). The films were distributed and shown in nickelodeons  (small movie houses), and were an inexpensive way to reach working-class people.

Watch some of the earliest films ever made, documenting women’s protests for working rights and voting rights. New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

It’s only in the 1960s-1970s, it seems, that women’s rights became equated with reproductive rights, or more precisely, abortion, and coming almost simultaneously with The Pill and sexual freedom that broke down gender barriers. The threat to male domination became much starker – uprooting the concept of women in the home, being consumers of appliances and cosmetics, caring for children while men held the economic reins. Women could be fired for becoming pregnant, could be paid a fraction of the same wage, and relegated into specific jobs. Check out the classified job listing in the 1970s, and you will see “male” and “female” listings.

Feminism really only comes to play in the 1980s, when the right to control one’s own body, make one’s own choices, have the same right as men to self-determination, takes hold.  The outrage at women as property, chattel, of objectification comes into focus.

Here you see a display with the first issue of Ms. Magazine, an organizing force which reinforced women’s yearning for equal status.

In the 1970s and 1980s, the focus of women’s activism changed to Feminism. New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage, displaying the first issue of Ms. Magazine, a pivotal force for unifying a movement for change. © Karen Rubin/goingplacesfarandnear.com

Whereas in the earliest stages of activism, women’s issues were those that were considered the “moral imperative” – abolition, workers rights – now it boiled down to self, individual rights, but exploded back up again: women’s rights are human rights.

But for others, feminism boiled down to one word: abortion.

Ms. Magazine publishes an amazing call to sign on to “a campaign for honesty and freedom” along with a long list of 53 famous women who declared, “We have had abortions” On the list: Gloria Steinem, Nora Ephron, Judy Collins, Susan Sontag, Lillian Hellman, Lee Grant, Gael Greene, Billie Jean King.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

The exhibit follows to the 2017 Women’s March, with some of the posters.

And just to emphasize the importance of Women’s Suffrage, just outside the exit door is a computer where you can check on your voter registration.

For as long as there has been a United States, women have organized to shape the nation’s politics and secure their rights as citizens. Their collective action has taken many forms, from abolitionist petitions to industry-wide garment strikes to massive marches for an Equal Rights Amendment. Women March celebrates the centennial of the 19th Amendment—which granted women the right to vote in 1920—as it explores the efforts of a diverse array of women to expand American democracy in the centuries before and after the suffrage victory.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

On view in the Joyce B. Cowin Women’s History Gallery, Women March is curated by Valerie Paley, the director of the Center for Women’s History and New-York Historical senior vice president and chief historian, with the Center for Women’s History curatorial team. The immersive exhibition features imagery and video footage of women’s collective action over time, drawing visitors into a visceral engagement with the struggles that have endured into the 21st century.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

The exhibition begins with the many ways women asserted political influence long before they even demanded the vote. Objects and images demonstrate how they risked criticism for speaking against slavery, signed petitions against Indian Removal, raised millions to support the Civil War, and protested reduced wages and longer days. A riveting recreation of an 1866 speech by African American suffragist and activist Frances Harper demonstrates the powerful debates at women’s rights conventions. Absence of the vote hardly prevented women from running for political office: one engaging item on display is a campaign ribbon for Belva Lockwood, the first woman to argue before the Supreme Court, who won around 4,000 votes in her own presidential bid.

A campaign ribbon for Belva Lockwood, the first woman to argue before the Supreme Court, who won around 4,000 votes in her own presidential bid at the New-York Historical Society’s “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

Multiple perspectives on the vote, including African American and working-class activism, are explored, upending popular assumptions that suffragists were a homogenous group. The 19th Amendment is hailed as a crucial step forward, but recognized as an incomplete victory. One photograph shows an African American women’s voter group in Georgia circa 1920, formed despite wide disenfranchisement, and another shows women of the League of Women Voters who sought to make suffragists’ goals real with legislation that addressed issues such as public health and child welfare. A digital interactive monitor invites visitors to explore the nuances of voting laws concerning women across the entire United States. 

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

Offering an examination of women’s activism in the century after the Amendment, the exhibition concludes by showing how women engaged with issues such as safe workplaces, civil rights, reproductive justice, and freedom from violence. Photographs and video footage of women building warships, boycotting segregation, urging voters to register, and marching for the Equal Rights Amendment convey the urgency of their desire for full citizenship. The dynamism of women’s collective action continues to the present day with handmade signs from the 2017 Women’s Marches and footage of a variety of marches and speeches on topics ranging from reproductive justice to indigenous peoples’ rights to climate change. Visitors can also learn about many individuals who have been instrumental in women’s activism over the past 200 years in an interactive display compiled by New-York Historical’s Teen Leaders program. Meanwhile, young visitors can explore the exhibition with a special family guide.

Women March, on view through August 30, 2020, is one of four major special exhibitions mounted by the New-York Historical Society that address the cornerstones of citizenship and American democracy.

Meet the Presidents which opened on President’s Weekend, is where you can discover how the role of the president has evolved since George Washington with a re-creation of the White House Oval Office, decorated “thread by thread” exactly as it was during Ronald Reagan’s tenure, and a new gallery devoted to the powers of the presidency.

Colonists, Citizens, Constitutions: Creating the American Republic explores the important roles state constitutions have played in the history of our country.

The People Count: The Census in the Making of America documents the critical role played by the U.S. Census in the 19th century—just in time for the 2020 Census.

To encourage first-time voters to learn about our nation’s history and civic as they get ready to vote in the presidential election, New-York Historical Society offers free admission to the exhibitions above to college students with ID through 2020, an initiative supported, in part, by History®. This special program allows college students to access New-York Historical’s roster of upcoming exhibitions that explore the pillars of American democracy as they prepare to vote, most of them for the first time.

“The year 2020 is a momentous time for both the past and future of American politics, as the centennial of the 19th Amendment, which granted women the right to vote, coincides with both a presidential election and a census year,” said Dr. Louise Mirrer, president and CEO of New-York Historical. “This suite of complementary exhibitions showcases the ideas and infrastructure behind our American institutions that establish and protect our fundamental rights to make our voices heard and opinions count. We hope that all visitors will come away with a wider understanding of the important role each citizen plays in our democracy.”

The New-York Historical Society is located at 170 Central Park West at Richard Gilder Way (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.

The Women’s Suffrage NYC Centennial Consortium 

One hundred years ago, women earned the right to vote with the ratification of the 19th amendment. To honor their fight and commemorate this moment in history, a collective of New York City cultural organizations has formed the Women’s Suffrage NYC Centennial Consortium.

The Women’s Suffrage NYC Centennial Consortium is a collaboration of cultural organizations citywide that foregrounds exhibitions and programs that, together, offer a multi-dimensional picture of the history of women’s suffrage and its lasting, ongoing impact. The consortium has launched www.WomensSuffrageNYC.org to highlight the activities being presented across New York City throughout 2020.

Founding members are the New-York Historical Society, the Staten Island Museum, the New York Philharmonic, The New York Public Library, Brooklyn Historical Society, the Museum of the City of New York, the Schomburg Center for Research in Black Culture, the Brooklyn Museum, Park Avenue Armory, and Snug Harbor Cultural Center and Botanical Garden.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

Announced programming includes the exhibition Women March at the New-York Historical Society, which explores the efforts of a wide range of women to expand American democracy in the centuries before and after the suffrage victory (February 28 – August 30); Women of the Nation Arise! Staten Islanders in the Fight for Women’s Right to Vote at the Staten Island Museum, which presents the remarkable stories of local suffragists acting on the grassroots level to create the momentum necessary for regional and national change and the bold tactics they employed to win the vote (March 7 – December 30); the New York Philharmonic’s Project 19—a multi-season initiative to commission and premiere 19 new works by 19 women composers, the largest women-only commissioning initiative in history, which launched earlier this month and continues in the spring (May – June) and beyond; and 100 Years | 100 Women a partnership of Park Avenue Armory with National Black Theatre and nine other cultural institutions in New York City to commission work exploring the complex legacy of the 19th Amendment 100 years after its ratification from 100 artists who identify as women or gender non-binary (showcase of commissions on May 16).

The consortium is committed to showcasing women’s contributions to the past, present, and future. Though many women were given access to the right to vote 100 years ago, the fight for equality continues. Their goal is to expand the conversation through meaningful cultural experiences that convey that all women should be seen, heard, and counted.

The Women’s Suffrage NYC Centennial Consortium is co-chaired by Janice Monger, president & CEO of the Staten Island Museum, and Valerie Paley, director of the Center for Women’s History and senior vice president and chief historian at the New-York Historical Society, to bring together a group of vital New York City cultural organizations with a shared vision to honor the Women’s Suffrage Centennial.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

“We are so proud to bring together this collective of organizations and colleagues who share the vision that women’s stories are important and need to be told. All of these activities represent multi-faceted, nuanced cultural and historical insights into the early 20th century movement and equality in progress today,” said Janice Monger, consortium co-chair and Staten Island Museum president & CEO.

New-York Historical Society presents “Women March” exhibit marking centennial of Women’s Suffrage © Karen Rubin/goingplacesfarandnear.com

“In an effort that was many decades in the making, a century ago, women came together to fight for and win the right to vote. While that right was not fully and immediately extended to all women, their continued collective action galvanized movements to expand and give substantive meaning to American democracy after the suffrage victory,” said Valerie Paley, consortium co-chair and senior vice president and chief historian at the New-York Historical Society, where she directs the Center for Women’s History. “Through these cultural experiences across New York City, we hope New Yorkers and visitors alike will be inspired by the women who made history and the women who are making history now,” she added.

The Women’s Suffrage NYC Centennial Consortium will continue to grow as new programs and exhibitions are announced during the year.

For a full list of exhibitions, events, and programs, visit WomensSuffrageNYC.org.

Where Women Made History

Meanwhile, the National Trust for Historic Preservation is compiling a catalog of 1000 sites associated with women of accomplishment and is more than halfway to the goal of identifying places Where Women Made History and is inviting people to submit entries (go to the site to submit a photo and short description).

“This year the United States commemorates the 100th anniversary of women gaining the right to vote, providing an important opportunity to celebrate the place of women in American history. While history, of course, is complicated, and voting rights for many women continued to be denied because of discriminatory practices, we at the National Trust want to tell the full history—to uncover and uplift women across the centuries whose vision, passion, and determination have shaped the country we are today. Our goal: discover 1,000 places connected to women’s history, and elevate their stories for everyone to learn and celebrate.

“But to do this, we need your help. What places have you encountered where women made history? They can be famous or unknown, protected or threatened, existing or lost. No matter their condition or status, these places matter, and we encourage you to share them with the world.

“Have a place you’d like to share? Submit a photo and a short description.”

Visiting the historic landmark house of Alice Austen, an early photographer, on Staten Island, one of the 1000 sites to be listed on the National Trust for Historic Preservation’s “Where Women Made History” site (c) Karen Rubin/goingplacesfarandnear.com.

Just checking the listings in New York State, I see already listed is Grange Hall, Waterloo, NY, associated with Belva Ann Lockwood; Harriet Tubman House and Gravesite, Auburn, NY; the former Triangle Shirtwaist Factory, New York City, “Little Nellie,” Newspaper Editress, Penfield, NY; Alice Austen House, Staten Island; and Matilda Joslyn Gage Center for Social Justice Dialogue, Fayetteville, NY.

See: https://savingplaces.org/where-women-made-history.

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Mount Rushmore, Finale to 6-Day Wilderness Voyageurs South Dakota ‘Badlands & Mickelson Trail’ Bike Tour

Sculptor Gutzon Borglum wrote of Mount Rushmore, “The purpose of the memorial is to communicate the founding, expansion, preservation, and unification of the United States with colossal statues of Washington, Jefferson, Lincoln, and Theodore Roosevelt.” © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

It’s our last day of the Wilderness Voyageurs six-day “Badlands and Mickelson Trail” bike tour of South Dakota, when we would have biked back a portion of the Mickelson Trail that we cycled yesterday before visiting Mount Rushmore. But as luck would have it (and it is actually lucky), it rains as we leave Deadwood. It is lucky because the rest of our rides have been glorious and we did get to complete the 109-mile long Mickelson Trail, in addition to riding through Badlands National Park and Custer State Park. Our guides, James Oerding and John Buehlhorn, offer us alternatives: instead of doing the Mickelson 18 miles from Dumont to Mystic (the same trail we did yesterday but downhill) we go directly to Mount Rushmore and see if the weather dries out.

Mount Rushmore is such a familiar American icon, it may be a cliché. But seeing it “in person” makes you rethink what it is all about.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The sculptor, Gutzon Borglum, wrote “Let us place there, carved high, as close to heaven as we can, the words of our leaders, their faces, to show posterity what manner of men they were. Then breathe a prayer that these records will endure until the wind and the rain alone shall wear them away.”

Borglum also wrote, “The purpose of the memorial is to communicate the founding, expansion, preservation, and unification of the United States with colossal statues of Washington, Jefferson, Lincoln, and Theodore Roosevelt.”

The National Park Service offers this about Mount Rushmore National Monument: “Majestic figures of George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln, surrounded by the beauty of the Black Hills of South Dakota, tell the story of the birth, growth, development and preservation of this country. From the history of the first inhabitants to the diversity of America today, Mount Rushmore brings visitors face to face with the rich heritage we all share.”

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The NPS posits that Borglum “selected these four presidents because from his perspective, they represented the most important events in the history of the United States. Would another artist at that time, or perhaps a modern artist choose differently? As you read more about Borglum’s choices, think about what you might have done if the decision was up to you.”

I stumble upon a 15-minute Ranger talk in the Sculptor’s Studio about Gutzon Borglum, the carving process and the lives of the workers – how they dynamited away 90 percent of the stone, leaving just 3 to 6 inches of material to chisel off by hand, how they hang a weight to where the nose should be and create the facial features from that reference point.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The Ranger stands in front of a model of how a completed Mount Rushmore was envisioned by Borglum. Who knew there was more? I’ve always taken for granted that what we see was all that was meant to be. The model shows that it would have had their jackets down to their waist and hands.

To see the scale of the sculpture, it is hard to contemplate the challenge of blasting away all that rock and carving that stone. But we learn that getting this project underway was a challenge unto itself.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

South Dakota historian Doane Robinson is credited with conceiving the idea of carving the likenesses of noted figures into the mountains of the Black Hills of South Dakota in order to promote tourism in the region. But once Doane Robinson and others had found a sculptor, Gutzon Borglum, they had to get permission to do the carving. Senator Peter Norbeck (the man who created the Needles Highway through Custer State Park) and Congressman William Williamson were instrumental in getting the legislation passed to allow the carving. The bill requesting permission to use federal land for the memorial easily passed through Congress. But a bill sent to the South Dakota Legislature faced more opposition.

Robinson’s initial idea was to feature heroes of the American West, such as Lewis and Clark, Oglala Lakota chief Red cloud and Buffalo Bill Cody. But Borglum wanted the sculpture to have broader appeal, so chose the four presidents, who would each symbolize an important aspect of American history. (That might be why Robinson was not chosen for the 12-member commission to oversee the project.)

Early in the project, money was hard to find, despite Borglum’s guarantee that eastern businessmen would gladly make large donations. He also promised South Dakotans that they would not be responsible for paying for any of the mountain carving. Borglum got Treasury Secretary Andrew Mellon on board, but only asked for half of the funding he needed, believing he would be able to match federal funding ($250,000) dollar for dollar with private donations.

Borglum worked on the project from 1927, the presidents’ faces were carved from 1933-1939, with his son, Lincoln. Meanwhile, in 1929, the stock market crashed; in 1933, President Franklin Roosevelt placed Mount Rushmore under the jurisdiction of the National Park Service.

In March, 1941, as a final dedication was being planned, Gutzon Borglum died. This fact, along with the impending American involvement in World War II, led to the end of further carving on the mountain. With the money – and enthusiasm – running out, Congress refused to allocate any more funding. On October 31, 1941, the last day of work, Mount Rushmore National Memorial was declared a completed project.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

The Ranger explains that the death of the artist raised an ethical issue for anyone who would take over the work. And, the Ranger said, “The country had moved on. They were not as interested in presidents as they were in the 1930s; when Mount Rushmore was a shrine to democracy. And what if the new artist made a mistake?”

I can see how Mount Rushmore was a cautionary tale for the Crazy Horse Memorial and why sculptor Korczak Ziolkowski, who worked on Mount Rushmore before being tasked to do Crazy Horse, refused any federal funding, instead establishing a foundation funded with private donations and admissions. Some 70 years after he began his work, his grandchildren are involved in continuing to carve the memorial.

View of Mount Rushmore from the Presidential Trail, South Dakota © Karen Rubin/goingplacesfarandnear.com

I walk the Presidential Trail (just 0.6 miles long, 422 stairs, weather permitting) to get up close and personal with the mountain sculpture and perhaps glimpse some of the area wildlife.

Some 3 million visitors come to Mount Rushmore each year.

Among the activities offered:  the Junior Ranger program (booklets are available at the information desks for ages three to four, five to twelve and 13 and up), and the Carvers’ Café, Ice Cream Shop  and Gift Shop.

Also:

Lakota, Nakota and Dakota Heritage Village (10 – 30 mins., free): Explore the history of the Black Hills and the American Indian tribes who have populated this land for thousands of years. Located next to the Borglum View Terrace for 2019, this area highlights the customs and traditions of local American Indian communities. Open 10:30 am to 3 pm,  early June through mid-August, weather permitting.

Youth Exploration Area (10 – 30 mins., free): Explore the natural, cultural and historical aspects of Mount Rushmore with interactive programs. Located at the Borglum View Terrace for 2019. Open early June through early August.

Self-Guided Tour (30 – 120 mins; rental fee): Rent an audio tour wand or multimedia device to hear the story of Mount Rushmore through music, narration, interviews, historic recordings and sound effects while walking a scenic route around the park. Available at the Audio Tour Building across from the Information Center (rentals available inside the Information Center during the winter months). The tour and accompanying brochure are available in English, French, German, Lakota, and Spanish.

Mount Rushmore, South Dakota © Karen Rubin/goingplacesfarandnear.com

It had been gray and drizzly when we first arrived making the monument look dull, but as we are leaving, blue sky breaks through and for the first time, I realize that George Washington has a jacket.

(During our visit, the Visitor Center and amphitheater are closed for construction.)

(Just recently, the last living Mount Rushmore construction worker, Donald ‘Nick” Clifford, who worked on the monument from 1938-40, passed away at the age of 98.)

(Mount Rushmore, 13000 Highway 244, Keystone, SD 57751,  605-574-2523, www.nps.gov/moru/index.htm)

Even thought the weather has cleared up just as we are leaving Mount Rushmore, because it is a getaway travel day, the group decides not to bike (the trail James suggests is impractical because it requires the guides to take off the roof racks in order to fit through the tunnel). We decide instead, to go straight to Rapid City, our departure point, for lunch before we all go our separate ways.

Rapid City, South Dakota (c) Karen Rubin/goingplacesfarandnear.com.

Our last lunch together, in Rapid City, is at Tally’s Silver Spoon (best Reuben sandwich outside of NYC!) – just across the street from the historic Alex Johnson Hotel, where I began my South Dakota odyssey a week ago.

What I love best about Wilderness Voyageurs’ “Badlands and Mickelson Trail” bike tour are the varied experiences: Badlands – fossils – Circle View Guest Ranch – Black Hills – Crazy Horse – Custer State Park – stone spires – wildlife – buffalo – Blue Bell Lodge – Mount Rushmore – biking the 109-mile long Mickelson rail trail.

Guided bike trips are not cheap, but what I look for is value for money – my test is whether I could reproduce the trip for less out-of-pocket, to make up for the decided increase in convenience of having the itinerary already plotted out. I found Wilderness Voyageurs excellent value – in the services provided, wonderful accommodations (especially the guest ranch and the lodge), dining, creating an itinerary that was idyllic, entrances to attractions (Badlands National Park, Crazy Horse Memorial, Mount Rushmore), and also considerate, superb guides, a relaxed, unpressured atmosphere (“You’re on vacation!”).

The destination, South Dakota, is quite sensational and unexpectedly varied – spectacular scenery, nature and wildlife, fossils (!), culture and history – a microcosm of North America, really. Indeed, it is an ideal destination for international visitors to plunge into the American frontier west mythology of the past, but more interestingly, to see the American West as it is today.  And frankly, even if I rented a bike and paid for shuttle services, I couldn’t have duplicated the itinerary, or the camaraderie, or the expertise and care.

Wilderness Voyageurs started out as a rafting adventures company 50 years ago, but has developed into a wide-ranging outdoors company with an extensive catalog of biking, rafting, fishing and outdoor adventures throughout the US and even Cuba, many guided and self-guided bike itineraries built around rail trails like the Eric Canal in New York, Great Allegheny Passage in Pennsylvania, and Katy Trail in Missouri.

Wilderness Voyageurs, 103 Garrett St., Ohiopyle, PA 15470, 800-272-4141, bike@Wilderness-Voyageurs.com, Wilderness-Voyageurs.com

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Deadwood, South Dakota Resurrects Wild West Past at End of MicKelson Trail

“Calamity Jane” in a daily shootout on Deadwood, South Dakota’s historic Main Street © Karen Rubin/goingplacesfarandnear.com m

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

It strikes me as somewhat ironic, or perhaps appropriate, that Deadwood, South Dakota, so famous for being the place where Wild Bill Hickok was killed in a saloon playing poker, after being mining boomtown and a virtual ghost town, has been reincarnated as a casino gaming mecca.

Our hotel, the Deadwood Mountain Grand Resort, actually reflects both these traditions: it has one of the biggest casinos and the building has repurposed what used to be a slime plant (slime is the waste left when they use cyanide to decompose rock to release the gold), that was part of the Homestake Mine. The Homestake Mine was the second-largest gold producer in the United States and the longest continually operating mine in US history, operating from 1885 to as recently as 2001.

We’ve arrived at Deadwood at the end of biking the 109-mile long Mickelson Trail, a bike trail converted from a former railroad line named to Rails-to-Trails Conservancy’s Hall of Fame, which we have covered in three days of the six-day Wilderness Voyageurs “Badlands and Mickelson Trail” bike tour of South Dakota.

A buffalo strolls over to my cabin at the Blue Bell Lodge in Custer State Park, South Dakota © Karen Rubin/goingplacesfarandnear.com

My day begins at the Blue Bell Lodge in Custer State Park, with a buffalo strolling up to the porch of my cabin. We then are shuttled in the Wilderness Voyageurs van to the Mystic Trailhead, to ride the remaining 34 scenic miles of the Mickelson Trail into Deadwood.

Biking the last miles on the Mickelson Trail from Mystic to Deadwood, South Dakota © Karen Rubin/goingplacesfarandnear.com
Biking the last miles of the Mickelson Trail to its end, in Deadwood, South Dakota at mile 109 © Karen Rubin/goingplacesfarandnear.com

It’s already about 3 pm, and armed with a list of activities that take place which I have obtained from the concierge (the shootout on Main Street at 6 pm, for example), I quickly drop my things to rush out to get to the Mount Moriah Cemetery which I remember the Alex Johnson Hotel manager, Ross Goldman, telling me about. Though the concierge and the visitor bureau guy discourage me from walking up there (there isn’t a public bus and the bus tour which makes a quick stop at the cemetery doesn’t make sense, I head out anyway – the hike, up 4,800 ft. to a high ridge overlooking Deadwood Gulch – the highest point in Deadwood – proves no big deal (especially compared to the hills we biked yesterday in Custer State Park) and takes just about 20 minutes.

At the entrance, they provide an excellent map with information and location of the notable graves of the important people who are buried here for you to do your own self-guided walking tour.

The major lure – and why there is a line of people – is the side-by-side plots of James Butler (Wild Bill) Hickok and Calamity Jane, whose legends continue to animate Deadwood even today.

Wild Bill Hickok’s gravesite is a major tourist attraction that brings hundreds to Mount Moriah Cemetery in Deadwood, South Dakota © Karen Rubin/goingplacesfarandnear.com

According to the guide, James Butler Hickok was murdered in Deadwood on August 2, 1876. He came, along with so many others, to the Deadwood gold camp in search of adventure and fortune. But his true passion was gambling. While playing a game of cards, he was shot in the back of the head by Jack McCall. “Wild Bill’s colorful life included service as a marshal, an Army scout and other tasks which called for a fast gun and no aversion to bloodshed.” (Later, you can see the re-creation of the arrest of Jack McCall, and then a re-creation of the hastily convened miners’ court, by the Deadwood Alive troop.)

Martha “Calamity Jane” Canary (1850-1903) also had a colorful life, which she largely created and which may or may not be true. “She worked on a bull train, performed in Buffalo Bill’s Wild West show and was a prostitute.” She claimed to have been Wild Bill Hickok’s sweetheart (and even that they were married and had a daughter). Her grave marker calls her Martha Jane Burke because she married Clinton Burke after Hickok’s death. She is known for acts of charity and willingness to nurse the sick. In 1903, Calamity Jane died in the Terry mining camp, her dying wish, “Bury me beside Wild Bill” was carried out.

Calamity Jane’s grave at Mount Moriah Cemetery, Deadwood, South Dakota © Karen Rubin/goingplacesfarandnear.com

The cemetery was established in1878 and actively used until 1949. There are some 3,627 people buried here including a children’s section with 350 who died in of scarlet fever and diphtheria epidemic 1878-1880; a Civil War section, a Jewish section (surprisingly large) and a Chinese section (there is even a Chinese altar and ceremonial oven), and several notable and colorful characters who are described in the guide with directions to their gravesites.

I am struck by the wrought iron gates at the entrance which have symbols representing the Independent Order of Odd Fellows, Freemasonry and the Star of David. Indeed the name Mt. Moriah was chosen for its religious affiliation with both the Christian Bible and the Jewish Torah (Mount Moriah is located within Jerusalem, the site of Solomon’s temple.)

It takes about an hour to visit. ($2/entrance, 108 Sherman St., Deadwood 57732, 605-578-2082, www.cityofdeadwood.com).

Deadwood, it turns out, was named for the dead timber on the surrounding hills, not for its shoot-outs. The discovery of gold in the Black Hills brought thousands of new people to the area. 

I get back down to the historic Main Street in plenty of time for the 6 pm “Main Street Shootout”, featuring a fantastic Calamity Jane character.

“Calamity Jane” cavorts with tourists on Deadwood’s Main Street before the shootout © Karen Rubin/goingplacesfarandnear.com

There are free shows throughout the day on Historic Main Street (reminiscent of a theme park’s re-creation of a Wild West town): Deadwood’s True Tales; a 2 pm Main Street shootout; a Rootin’Tootin’ Card Game for kids and old-thyme musical show; Dr. Stan Dupt’s Travelin’ Medicine Show; 4 pm Main Street shootout; 4:30 Old Thym Hoe Down; 5:45 Deadwood’s True Tales on the steps of the historic Franklin Hotel.

Getting ready for the shoot out on Main Street, Deadwood, South Dakota © Karen Rubin/goingplacesfarandnear.com

After the 6 pm shootout, I check out the shops and grab a burger with another couple from our bike tour who I meet up with on the street, and come back for the 7:30 pm “Capture of Jack McCall” outside Saloon 10 (there is the “original Saloon 10 where Wild Bill was actually shot).

From there, we all march up the street to the Masonic Temple for the 8 pm “Trial of Jack McCall”.

The Trial of Jack McCall has been performed regularly since 1925, one of the longest running plays in the nation but each night in Deadwood with new twists because of audience participation. © Karen Rubin/goingplacesfarandnear.com

“The Trial of Jack McCall” has been performed steadily, I am astonished to learn since 1925, making it one of the nation’s longest running plays. It began as an annual presentation during Statehood Days. The script is based on news accounts of the actual trial which took place in the mining camp of Deadwood after Jack McCall murdered James Butler “Wild Bill” Hickok. Wild Bill was playing poker in Nuttal and Mann’s Saloon No. 10 and was shot in the back of the head while holding Aces and Eights, forever known as the “Dead Man’s Hand”. (People leave the cards at his grave.). Though based on fact, it is done with great humor (if a murder trial can be fun). “It has to be accurate,” any “Cookie” Mosher who plays John Swift, Clerk of the Courts and Executive Director of Deadwood Alive, tells me because Deadwood Alive, a nonprofit, is supported in part by Historical Preservation Society. (It reminds me of the “Cry Innocent,” recreation of a Salem Witch Trial, in Salem, Massachusetts).

They even recreate the edition of the Black Hills Pioneer which reported the story of Hickok’s murder, on August 3, 1876. “A dastardly murder was committed in Deadwood gulch yesterday afternoon. The fiendish murderer who shot him in the back is in jail. The dead man is Wild Bill Hickok, whose prowess with the pistols is known far and wide. Single-handed, he captured robbers and trouble makers in the south, at Dodge city, Abilene and Hays, Kansas, in Nebraska, in all the south. Men feared him, feared his quickness on the draw, the deadly and accurate aim which send more than one roustabout sprawling.

“But on this terrible, bloodstained afternoon in the wild gold camp of the Black Hills, Wild Bill never had a chance.”

A jury of “minors” at “The Trial of Jack McCall” © Karen Rubin/goingplacesfarandnear.com

This is a family-friendly show where the selected members of the audience participate in the performance serving as jurors in the trial- the jury of miners is made up of “minors” – kids who get to wear various hats and sit on a bench). The show is held nightly Monday through Saturday with the schedule as outlined below.

It proves extremely entertaining as a trial for murder could possibly be.

In 1876, Deadwood didn’t have a courthouse so the trial was held in Deadwood Theater (the narrator/court manager explains they have to wait for auditions to finish – so there is music provided by Calamity Jane as the audience files in. The theater was tearing down from the previous week’s show and getting ready for the next, so you see various props.The trial was held just the day after McCall’s arrest.

“Jack McCall” takes the stand in his trial , recreated nightly in Deadwood, South Dakota © Karen Rubin/goingplacesfarandnear.com

A boy is given the role of sheriff; wearing an oversized cowboy hat, he seems just itching to shoot the toy gun he hold on McCall.

They call “witnesses” and John Swift, the clerk of Courts (played by Mosher) goes into the audience and pulls somebody up – then after jokes (swearing on “Bartenders Guide” instead of bible), “sneaks” them a script. He grabs a guy as a witness who is wearing shorts so he puts shawl over his leg for modesty; he grabs a woman to play McCall’s’ employer and pretends to flirt.  (It’s very Shakespearean the way they go in/out of character and talk to audience.)

Audience participation makes “The Trial of Jack McCall” especially entertaining. © Karen Rubin/goingplacesfarandnear.com

One witness says Wild Bill asked him to move his chair so Wild Bill could sit with his back to wall, and he refused.

The “minors” on the jury pretend to sleep during Defense’s summation.

As in real life, McCall was found Not Guilty. Then, in an epilogue, the Clerk relates that McCall was driven from town but bragged about killing Wild Bill over a game of cards. The federal government said that because the crime was committed in Indian Country the feds still had jurisdiction to try McCall without violating the rule against double jeopardy. McCall was rearrested in 1877, got a new trial, was found guilty and hanged.

Deadwood Alive has been entertaining visitors for over 20 years with Main Street shootouts and regular performances of the Trial of Jack McCall. The Deadwood Alive troupe of superb actors consists of over 10 characters and provide entertainment throughout the year including daily shootouts, guided walking tours, musical performances and the famous Trial of Jack McCall. Deadwood Alive is managed by a non-profit board of directors and employs up to a dozen individuals each summer to re-enact several historically accurate incidents of Deadwood’s past and make a visit to Deadwood so entertaining for people of all ages (($6 adults, $5 seniors, $3 children, 800-344-8826, www.deadwoodalive.com).

The actual Saloon No. 10 where Wild Bill Hickok was killed by Jack McCall while holding a poker hand of Aces and Eights, forever known as the “Dead Man’s Hand”. © Karen Rubin/goingplacesfarandnear.com

I enjoy the charm of the Main Street. I stop in to the Franklin Hotel, opened since 1903, a beautiful, elegant hotel, now with a casino in the lobby.

Deadwood actually offers a lot of history and attractions, which unfortunately, I do not have time to experience): The Adams Museum (554 Sherman St); Days of ’76 Museum (18 Seventy Six Dr), and Historic Adams House (22 Van Buren St.). (DeadwoodHistory.com, 605-722-4800).

Deadwood preserves its Wild West charm © Karen Rubin/goingplacesfarandnear.com

More visitor information at Deadwood South Dakota, 800-344-8826,www.deadwood.com.

Wilderness Voyageurs started out as a rafting adventures company 50 years ago, but has developed into a wide-ranging outdoors company with an extensive catalog of biking, rafting, fishing and outdoor adventures throughout the US and even Cuba, many guided and self-guided bike itineraries built around rail trails like the Eric Canal in New York, Great Allegheny Passage in Pennsylvania, and Katy Trail in Missouri.

Wilderness Voyageurs, 103 Garrett St., Ohiopyle, PA 15470, 800-272-4141, bike@Wilderness-Voyageurs.com, Wilderness-Voyageurs.com

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© 2020 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Philadelphia is Trove of History, Heritage, Cultural National Treasures: The Barnes Foundation

The Barnes Collection: a docent displays a photo of Henri Matisse sitting in the very room and gazing at his own painting © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Philadelphia is a jewel box of unique and spectacular, even life-enhancing attractions, a trove of national treasures of history, heritage, culture that glitters particularly during the holidays. The holiday splendor is eye-catching and warms the heart, but any visitor still has to make time to experience first-hand at least some of these iconic places. I manage to bookend my holiday merrymaking with a mix of art (Barnes Foundation, Philadelphia Magic Gardens) with history (Independence Hall) with heritage (National Museum of American Jewish History) with science and enlightenment (Philly is the hometown of one of our most enlightened inventors, Ben Franklin, and so I end this visit with the Franklin Institute.

Barnes Collection

The Barnes Collection, Philadelphia, has one of the greatest holdings of Renoir in the world © Karen Rubin/goingplacesfarandnear.com

We spare no time once we drop our luggage at The Roost East Market, park the car in the garage, but grab an Uber to race over to The Barnes Foundation. The Barnes Collection is one of the world’s greatest collections of impressionist, post-impressionist, and early modernist paintings, with especially rich holdings in Renoir, Cézanne, Matisse, and Picasso. Assembled by Dr. Albert C. Barnes between 1912 and 1951, the collection also includes important examples of African art, Native American pottery and jewelry, Pennsylvania German furniture, American avant-garde painting, and wrought-iron metalwork. In fact, we are told, Dr. Barnes has the greatest collection of Renoir anywhere – 181 of them acquired by Dr. Barnes between 1921 and 1942 that you actually see (as opposed to museums that keep most of their collections in storage). Plus 69 by Paul Cézanne; 59 by Henri Matisse; 46 by Pablo Picasso; 21 by Chaim Soutine; 18 by Henri Rousseau and the list goes on and on, as you walk from gallery to gallery to gallery.

Masterpieces at The Barnes are displayed in rooms that replicate how Dr. Barnes originally displayed his collection © Karen Rubin/goingplacesfarandnear.com

The building complex is new, but the gallery rooms re-create the rooms and how Dr. Barnes displayed his art, intentionally juxtaposing masterworks by Vincent van Gogh, Henri Matisse and Pablo Picasso next to ordinary household objects – a door hinge, a spatula, a yarn spinner; a French medieval sculpture displayed with a Navajo textile; African folk art with Modigliani and Cubists. Dr. Barnes called these dense groupings of objects from different cultures, time periods and media his “ensembles.” He meticulously crafted the ensembles to draw out visual similarities – even the source of inspiration. He meant them as teaching tools, essential to the educational program Dr. Barnes developed in the 1920s.

Dozens of Renoirs are on view at The Barnes Foundation, Philadelphia © Karen Rubin/goingplacesfarandnear.com

“He believed you could as likely learn about how to do surgery wandering through a hospital as art wandering through a gallery – you have to be taught how to see, what to look for,” a docent explains. “He wanted people to appreciate how culture influences art.” She adds, “He wasn’t an artist himself.” In fact, she relates, 10 years ago, Central High School (Dr. Barnes grew up in a working class family in Philadelphia), came across his school books. “He got A’s in everything but art.”

A very recognizable Van Gogh, “The Postman,”, on view at The Barnes Foundation, Philadelphia (c) Karen Rubin/goingplacesfarandnear.com

At the Barnes, you experience these masterworks in the most intimate manner, as if visiting a home (albeit a mansion). We are exceptionally lucky to visit when the museum is not at all crowded (actually we are there until closing) – I even get to have some of the art completely to myself. It is very comfortable to view – many of the rooms (and they seem to go on forever, one after another) are small and there is seating in each one, with guides to the artwork at hand. But you should try to take a docent tour. At one point, the docent pulls up a photo of Henry Matisse, sitting on the very bench and gazing at his own painting in that very room.

Dr. Albert Barnes had a particular way of displaying his extraordinary art collection, replicated at The Barnes Foundation, Philadelphia: Here George Seurat (“Models”) and Paul Cezanne (“The Card Players”). © Karen Rubin/goingplacesfarandnear.com
Visiting the Barnes Collection, Philadelphia (c) Karen Rubin/goingplacesfarandnear.com

In every room, you are astonished to see art that is amazingly familiar – because they are so famous: Georges Seurat’s “Models” (the basis for “Sunday in the Park with George”); Vincent Van Gogh’s “The Postman”; Paul Cezanne’s “The Card Players”; Edouard Manet “Laundry”; Pablo Picasso “Acrobat and Young Harlequin”, and a plethora of Renoirs – so many, you get a sugar high. Every gallery takes your breath away, and for that moment, the art, the masterpiece, is yours.

The Barnes Collection, Philadelphia, has one of the greatest holdings of Impressionists in the world © Karen Rubin/goingplacesfarandnear.com
The Barnes Collection, Philadelphia, has one of the greatest holdings of Impressionists in the world © Karen Rubin/goingplacesfarandnear.com

And then there are the surprises – the art and artists you “meet” for the first time. I fall in love with a Van Gogh country scene I have never seen before.

A Van Gogh country scene, at The Barnes Collection, Philadelphia © Karen Rubin/goingplacesfarandnear.com
A Van Gogh, Barnes Collection, Philadelphia © Karen Rubin/goingplacesfarandnear.com

There is a wonderful painting of Dr. Albert Barnes (1872-1951) by Giorgio de Chirico (1926), which makes you wonder more about who he was to have assembled such an astonishing collection. Dr. Barnes was born and raised in working-class Philadelphia, earned a medical degree from the University of Pennsylvania and went on to study chemistry in Germany. After starting his own business and making a fortune in pharmaceuticals, he began collecting art.

Portrait of of Dr. Albert Barnes (1872-1951) by Giorgio de Chirico (1926) at The Barnes Collection, Philadelphia © Karen Rubin/goingplacesfarandnear.com

“Dr. Barnes believed that art had the power to improve minds and transform lives,” the notes read. “In 1922, he established the Barnes Foundation as a school for learning how to see and appreciate art. He had a gallery built in Merion, a suburb of Philadelphia, to house his growing collection. He held classes in the gallery so that students could learn directly from the artworks.”

Picasso’s “Acrobat and Young Harlequin”, at The Barnes Collection, Philadelphia © Karen Rubin/goingplacesfarandnear.com
Picasso’s “The Ascetic”, at The Barnes Collection, Philadelphia © Karen Rubin/goingplacesfarandnear.com

In 2012, the collection was moved to Philadelphia, to a building designed by Tod Williams Billie Tsien Architecture. The collection gallery replicates the original gallery building in Merion.

Claude Monet’s “The Studio Boat,” at the Barnes Foundation, Philadelphia © Karen Rubin/goingplacesfarandnear.com

The Barnes Foundation, 2025 Benjamin Franklin Parkway, Philadelphia, PA 19130, 215-278-7000, www.barnesfoundation.org.

From here, we go to a family gathering at the mega-popular Zahav Restaurant (the Uber driver can’t believe we are getting in there since lines are usually around the block), an award-winning restaurant which elevates Israeli cuisine to gourmet status. The small plates menu is designed for diners to sample the variety of cultural influences on Israeli cuisine, from Eastern Europe to North Africa, from Persia to the Mediterranean. “Creamy, nutty hummuses, sizzling skewers of meat grilled over hardwood charcoal, and laffa breadar,  the soul of Zahav, baked to order in a wood-fired Taboon.” (237 Saint James Place, 215-625-8800, zahavrestaurant.com).

My holiday happenings (see: Holiday Happenings Give Visitors to Philadelphia Even More to Enjoy) are bookended by visits to several of Philadelphia’s incomparable sites and attractions. Next:  Independence Hall (you need to get a timed ticket, either walk up for free or in advance online for $1 fee, www.nps.gov/inde/planyourvisit/independencehalltickets.htm); a fabulous exhibit devoted to Supreme Court Justice Ruth Bader Ginsburg (Notorious RBG) at the National Museum of American Jewish History, located within the Independence Hall  area (thru Jan. 12, at 5th & Market, mnajh.org, 215-923-3811); Philadelphia Magic Gardens (doesn’t need any holiday embellishments, 1020 South St., 215-733-0390, phillymagicgardens.org);and Franklin Institute (222 North 20th St., 215-448-1200, www.fi.edu), before having to pull myself away from Philadelphia.

Staying at The Roost East Market apartment hotel really enabled us to be part of the city, most of what we wanted to see within walking distance. It’s not hyperbole to say the comfort of a fully-equipped, gorgeously furnished apartment meets luxury amenities of a boutique hotel.  All of the apartments feature full-size kitchens with cookware and utensils (I especially love not having to go out for breakfast) and king size beds. A third-floor is devoted to guest amenities including a well-equipped 24-hour fitness center, magnificent and comfortable lounge areas and library, a huge demo kitchen, a private screening room, an outside, 20-meter heated lap pool, barbecue area, landscaped terrace, community vegetable garden;  and bike-share program. There is also 24-hour front desk and concierge, security (you need your card to access the elevator and public areas); and direct access to a parking garage.  They even arrange dog-walking and grocery delivery services. (The Roost East Market, 1199 Ludlow Street Philadelphia, PA 19107, 844-697-6678, https://myroost.com/philadelphia/east-market/).

Visit Philly Overnight Hotel Package includes overnight free parking and perks, and is bookable at Greater Philadelphia’s official visitor website, visitphilly.com, 800-537-7676 where you can explore things to do, upcoming events, themed itineraries and hotel packages.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Favorite Places to Go Where the Holiday Spirit Glows Brightest

Christmas carolers at Longwood Gardens in the Brandywine Region © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The best thing about Christmas is that the festivities that brighten and warm all the days of the holiday season go on from Thanksgiving to New Year’s. And the best part is you don’t have to wait for Christmas week – festivities are happening throughout December. Here are some of our favorite places to revel in the holiday spirit:

Christmas in the Capital

Here are some of the best, can’t-miss ways to experience the holidays in Washington DC::

The National Christmas Tree, one of DC’s iconic holiday traditions, lives in President’s Park on the White House Ellipse, surrounded by trees decorated with handmade ornaments from 56 U.S. states and territories. Each night throughout the holiday season there are musical performances. The display is free to visit and open from 10 am – 10 pm while the National Christmas Tree is lit each day from 4:30-10 pm, from Dec. 5, when the lighting ceremony takes place.

Visit the Smithsonian National Zoo during ZooLights, when the zoo is illuminated with more than 500,000 environmentally-friendly LEDs,  animated light installations, live music and various animals on display. ZooLights runs Nov. 29 – Jan. 1 (closed Dec. 24, 25 & 31).

Enchant Christmas is a light maze, billed as the biggest in the world, that is in DC for the first time at Nationals Park from Nov. 22 – Dec. 29. Throughout the holiday season there are ice skating trails and a large holiday market offering products from more than 60 vendors, including local businesses and international brands. (Use promo code “VISITDC” to get 10% off when you buy tickets.)

Downtown Holiday Market: Located at 8th and F Streets NW, the market holds down the area in front of the Smithsonian American Art Museum and National Portrait Gallery. At night, its bright lights bring Penn Quarter to life, providing a holiday spark to the neighborhood, but you can shop during the day too. (Open daily 12-8 pm, Nov. 22 – Dec. 23).

Georgetown GLOW exhibition of light-art, a stroll through DC’s most historic neighborhood  has proven to be such a hit that it’s now a month-long celebration (Dec. 6 – Jan. 5, 5-10 pm). Afterwards, wander through a winter wonderland at The Washington Harbour, one of the district’s favorite places to ice skate.

George Washington’s Mount Vernon: A George Washington-inspired Christmas awaits at the Founding Father’s Mount Vernon estate, Nov. 29 – Dec. 31. Walk through Washington’s home and visit Aladdin the camel, which pays homage to Washington’s 1787 Christmas in which he paid 18 shillings to entertain guests with a camel. See Mount Vernon by candlelight (Nov. 29 & 30, Dec. 6-7, 13-14 and 22) between 5-8 p.m., when you can enjoy a character-guided tour, 18th century dancing and fireside caroling.

The U.S. Botanic Garden gets decked out for this annual exhibit. This year’s display focuses on gardens from Hawaii to Maine, including iconic spots like the Brooklyn Botanic Garden, Franklin Park Conservatory and Huntsville Botanical Garden. Inside the Conservatory are  the garden’s collection of DC’s iconic landmarks and a showcase of poinsettias. Season’s Greenings is open from Nov. 28 – Jan. 5 (10 am – 5 pm), and stays open until 8 pm, with holiday concerts on select Tuesday and Thursday evenings.

A magnificent tree decks the Great Hall of the Library of Congress‘ Thomas Jefferson Building each December, visited from the First Street SE entrance between 8:30 am and 4:30 pm (the Jefferson Building is closed Sundays and on Christmas). (Check the guide to visiting the largest library in the world so you can properly explore.)

Ice slide at Gaylord’s ICE! © Karen Rubin/goingplacesfarandnear.com

Visit National Harbor, a shopping, dining and amusement park-like landmark located just 20 minutes south of DC (reached by public transportation). Step inside the Gaylord National Resort for ICE! (Nov. 15 – Dec. 30), an indoor winter wonderland featuring two million pounds of hand-carved ice sculptures, ice slides, a live carving area and a retelling of Dr. Seuss’ How the Grinch Stole Christmas. While at National Harbor, view the tree from atop the Capital Wheel, shop for gifts at the Tanger Outlets and experience weekend events like holiday markets, performances and movie screenings.

Beautiful lights, seasonal food and holiday-themed attractions and characters make up this annual Christmas event at Six Flags America, on weekends and select days from Nov. 23 – Jan. 1.

Located in the Brookland neighborhood, Basilica of the National Shrine of the Immaculate Conception, the largest Roman Catholic church in North America, dresses up with more than 50 Christmas trees, over 65,000 lights, halls decked with 500-plus poinsettias and two manger scenes. (Free and open to the public daily from 7 am – 6 pm)

The Willard InterContinental Washington offers a holiday tradition throughout December. You can enjoy afternoon tea from 1-4 p.m. in the elegant Peacock Alley every day of the month (except Dec. 24, 25 and 31). There will be seasonal decor, sandwiches, pastries and the beautiful sounds of a harp to accompany you as you sip on festive teas from one of DC’s most historic hotels.

Visit https://washington.org for more details and ideas.

Christmas in Washington DC: The historic Willard Intercontinental Hotel hosts holiday afternoon tea, nightly caroling, and a gingerbread display.

15th Annual Vintage Christmas in Portsmouth, NH

Now in its 15th year, Vintage Christmas, taking place throughout December, transforms Portsmouth, New Hampshire, which National Geographic/Travel described as “possibly the greatest small town in the USA,” into a picture-postcard winter wonderland.

Those who visit Portsmouth during the holiday season discover an intimate streetscape framed by 19th century storefronts, boutiques and sidewalk cafes. The city’s reputation as a “foodies’” haven is upheld by chef-owned restaurants on more than every corner. The thriving craft beer and local music scene banish all suggestions of “staid New England” without losing the charm. And sales tax-free shopping offers delights for every age and taste.

For 2019 Vintage Christmas in Portsmouth includes:

The Music Hall, a historic theater dating from 1878 on Chestnut Street, presents “Annie” from November 27 to December 22, with Sally Struthers reprising her Broadway tour reprisal of Miss Hannigan. Juston McKinney: Last Laugh 2019 on Dec. 27, 28 & 29, looks back at “the year that was” with one of the region’s most “popular stand-up comics. New Year’s Eve Champagne Pops with the Portsmouth Symphony Orchestra on Dec. 31.

Strawbery Banke Museum:  40th Annual Candlelight Stroll on December 7, 8, 14, 15, 21 and 22, showcases 300+ years of daily life and holiday festivities around the theme “A Tradition for Every Family” in the historic waterfront neighborhood and living history museum of Puddle Dock. Saturdays 5-9 pm. Sundays 4-8 pm. Adult $25; child (5-17) $10, Family (2 adults/2 kids) $60. Children under 5 and Military families, free.

It’s Chanukah at the Shapiro House at Strawbery Banke, Portsmouth NH’s living history museum © Karen Rubin/goingplacesfarandnear.com

Labrie Family Skate at Puddle Dock Pond, Strawbery Banke’s seasonal outdoor ice skating rink, open daily 9 am to 9 pm, also hosts costumed Victorian skaters evoking Currier & Ives during each of the December evenings of Candlelight Stroll.

Vintage Christmas Trolley. This free trolley, courtesy of the City of Portsmouth, shuttles visitors on a 15-minute loop throughout the festively decorated downtown, from hotels and parking garages to the key events and shopping areas on weekends,  December 7-22, 1:30-10:30 pm.

For more information, visit VintageChristmasNH.org; Discover Portsmouth, PortsmouthHistory.org, 603-436-8433.

Christmas in Newport, RI

Newport, Rhode Island, the Gilded Age’s favorite summer resort, is always enchanting, but never more so than at the winter holidays, when, it seems, the entire town is one big festival. A sampling of “Christmas in Newport” (now in its 49th year) and winter festivities include:

Holiday Lantern Tours: Hear the history of early American holiday traditions on an evening walk and learn how Newporters did, or did not, observe the holidays. Tours depart from the Museum of Newport History and Shop (Nov. 22 – Dec. 28, Fridays and Saturdays at 4 p.m.)

Christmas in Newport: The Breakers, Vanderbilt’s opulent “summer cottage”, decked out for the holidays.

Christmas at the Newport Mansions: The glitter of gold and the sparkle of silver dazzle as you tour three magnificent mansions decked out in yuletide finery. Music, tours and spectacular decorations highlight celebrations at The Breakers, The Elms and Marble House – each of which will have Gingerbread Mansion replicas on display. Special events include “Holiday Evenings at the Newport Mansions” and “Santa Sundays.” (Nov. 23 – Jan. 1)

Christmas at Blithewold: Enjoy elaborate holiday decorations around every corner of this historic early 19th century estate in Bristol. (Nov. 29 – Jan. 1)

Holiday Market at Gurney’s: Features a curated selection of travel, lifestyle and fashion finds. (Nov. 29 – Dec. 20, Friday – Sunday).

Dickens Holiday Dinner Train: Immerse yourself in the classic tale of humbuggery, ghosts and redemption with this interactive retelling of “A Christmas Carol” by the Marley Bridges Theatre Company. Experience a dining journey along the Newport and Narragansett Bay Railroad in a custom-designed theater car featuring special tables for two all facing center stage. (Nov. 30 – Dec. 21, Saturdays)

A Rough Point Holiday: Experience the holiday traditions and winter caretaking practices at Doris Duke’s Rough Point with various rooms of the mansion museum both spruced up for the Christmas holiday and cloaked in their winter coverings. 30-minute guided tours offered throughout the day. (Dec. 7 – 28, Saturdays, 10 a.m. to 4 p.m)

48th Annual Christmas in Newport Candlelight Tour of Historical Private Homes: Experience the rare opportunity to tour private homes of note in Newport. (No children 10 or under and no high heels. Dec. 28) 

Festive Igloo Pop-Ups at Gurney’s Newport Resort: Features heated multi-sensory igloos overlooking Narragansett Bay, each with its own theme including Santa’s Workshop, Winter Wonderland, Cozy Log Cabin, Roaring 20s, Harry Potter, Tropical Summer, Northern Lights, Astrology and Après Ski, complete with activities and cocktail pairings. Proceeds will go to Big Brothers, Big Sisters of Rhode Island. (Nov. 22 – Feb. 29)

Gurney’s Newport Resort Skating Rink: Opens for the season with outdoor skating on the North Lawn overlooking the Newport Harbor Lighthouse, The Point and the Newport Bridge. Open seven days a week. (Nov. 26 – March 1)

Goat Hikes at Simmons Farm: Spend an afternoon on a two-hour hike led by Farmer Karla and her crew of adventurous, fun-loving goats. Each participant gets their own goat to walk on a leash. The afternoon finishes with hot chocolate made with the milk from the farm. (Nov. 24 – Jan. 1)

Meanwhile, “Tiffany Glass: Painting with Color and Light,” an exhibit of colorful glass artwork and objects by the renowned Louis C. Tiffany opens at Rosecliff beginning Sunday, Dec. 8, and continuing through March 1. The exhibition is free to view with paid admission to Rosecliff (548 Bellevue Ave.). For tickets and information, visit newportmansions.org/learn/adult-programs or call (401) 847-1000, ext. 178. Rosecliff is one of the Preservation Society of Newport 11 historic properties, seven of them National Historic Landmarks, collectively spanning more than 250 years of American architectural and social development. (NewportMansions.org)

See more holiday and winter events in Newport and plan a visit at DiscoverNewport.org, 800-326-030, 401-849-8048.

Holidays in the Brandywine Valley

Wilmington and the Brandywine Valley is one of the most picturesque and historic places especially during the holiday season From Christmastime exhibits at du Pont family estates to the dancing fountains at Longwood Gardens. Here are highlights:

Christmas lights at Longwood Gardens in the Brandywine Region © Karen Rubin/goingplacesfarandnear.com

A Longwood Christmas at Longwood Gardens, is magical with 500,000 lights gracing 150 trees throughout the outdoor Gardens, a four-acre Conservatory with holiday sing-alongs accompanied by a 10,010 pipe Aeolian organ – the largest organ ever constructed in a residential setting. At the Open Air Theatre, fountains dance day and night to holiday classics. Delight in Longwood’s outdoor train display as it travels past miniature Longwood landmarks illuminated for the holiday season. In the Meadow Garden, stroll through a 140-ft tunnel of light in the winter landscape, and discover a grove of glowing architectural orbs that pulse and change to the rhythm of holiday music.  Grab a hot chocolate and cozy up to one of the many fire pits. ALongwoodChristmasruns November 22, 2019– January 5, 2020 (including Christmas Day). Admission to the Christmas display is by Timed Admission Ticket, with tickets purchased in advance for a specific date and time. (Tickets and reservations at longwoodgardens.org.)

Yuletide at Winterthur: From November 23 through January 5, you can experience one of the Brandywine Valley’s most memorable attractions. Henry du Pont’s mansion is transformed into a magical holiday spectacle, with food, music, exhibits, an exquisite 18-room dollhouse mansion, and an Enchanted Woods children’s garden. Reservations are recommended for the Yuletide exhibits, and the last chance to see Winterthur’s Costuming THE CROWN (showcasing costumes from Netflix’s Emmy winning series) before it closes on January 5.

Nemours Estate: Starting November 17, you can  experience holidays in traditional du Pont style as you tour the 1907 mansion and gardens that Alfred du Pont built for his wife Alicia. See original decorations (including a 19th century German crèche), twinkling lights, and bright colored ornaments.

Holidays at Hagley at Hagley Museum takes you back to 1803 as you visit the du Pont ancestral home Eleutherian Mills, decorated in vintage holiday charm. There’s also a “Christmas Trees Past and Present” exhibit.

Brandywine Christmas at the Brandywine River Museum of Art, renowned for its collection from three generations of Wyeth family artists, during the holiday season showcases the region’s most impressive model train display, which includes nearly 2,000 feet of track. Throughout the season, festive trees and crafts, live musical performances, and imaginative “Critter” ornaments made by local volunteers. There’s also a Polar Express Pajama Party, breakfast with the trains, and more special events. (www.brandywinemuseum.org)

Holiday Light Express throughout December you can take a 45-minute ride in 100-year old (heated!) coaches and experience thousands of holiday lights twinkling as you pass decorated homes along the route.

A Christmas Carol: Delaware Theater Company’s adaptation of the Dickens classic has a twist:  performed with just five actors bring Charles Dickens’ beloved characters to life using props, puppets, bold physicality and the imagination of the audience. Opening night is December 7, so make this a cultural must-see on your holiday road trip.

For more information, trip planning help and accommodations, visit www.visitwilmingtonde.com, 800-489-6664.

Visit Christmas City, USA: Bethlehem, PA

Christmas in Bethlehem, PA, America’s “Christmas City.”

Experience the magic of the Christmas City: Bethlehem, in Lehigh Valley, PA boasts one of the top-ranked holiday markets in the world, now celebrating its 27th season. Christkindlmarkt (weekends, Nov. 22 – Dec. 22) offers visitors wares from 100 vendors, musical performances, and glass blowing demonstrations.

 Along Main Street, browse the Christmas Huts on Main (weekends, Nov. 22 – Dec. 22), a shopping experience inspired by a German Weihnachtsmarkt, complete with charming wooden huts lining the streets offering holiday gifts. Browse the Moravian Book Shop, the oldest continuously operating bookstore in the country.

Join Historic Bethlehem Museums & Sites for a variety of tours including Christmas City Stroll, which takes you on a walking excursion through the city’s National Historic Landmark District. Led by a guide in period dress, this tour will give you a peek into what Moravian life was like in the 1700s.

To get a great view of the famous star atop South Mountain, get tickets for the Bethlehem by Night bus tour. On this tour, participants will learn why the north side of the city dons white lights and the SouthSide dresses up in colored lights. (Reserve in advance.)

One of the most distinctive holiday traditions is the Bethlehem’s Live Advent Calendar. Thought to be the only one of its kind in the country, visitors can join locals in this activity nightly, Dec. 1 – 23, at 5:30 p.m. Crowds gather outside the Goundie House at 501 Main Street. A selected visitor knocks on the door and the group is greeted by representatives from local businesses offering a surprise for all to enjoy. Nightly surprises could include musical performances, a story, or a tasty treat.

As you wander along Main Street, enjoy the music. Trombone choirs stroll the sidewalks playing holiday tunes, a nod to the city’s Moravian heritage.

For a special view of the city’s historic district, take a horse-drawn holiday carriage ride, hosted by the Bethlehem Carriage Company.

A free Christmas City Trolley is offered Fridays-Sundays, Nov. 15 – Dec. 22. The trolley runs every 20-30 minutes, shuttling between the Historic District and the SouthSide Arts District.

More information at discoverlehighvalley.com, info@DiscoverLehighValley.comOpens in New Window
610-882-9200, 800-MEET-HERE.

Victorian Christmas in Cape May

A Victorian Christmas awaits in Cape May, NJ.

Share a special holiday tradition with friends and family on a festive tour of Victorian Cape May during Christmas Candlelight House Tours, presented by the Mid-Atlantic Center for the Arts & Humanities (MAC). Every year since 1974, a large selection of Victorian inns, homes, churches and hotels open their doors and welcome visitors to share the warmth and hospitality of the season during these popular, self-guided, walking tours. You will be welcomed inside with holiday hospitality and cheer. Enjoy Christmas carols by candlelight, strolling musicians along the historic streets of Cape May and beautiful holiday decorations. Walk from site to site, stopping at hospitality centers for warm beverages and holiday treats during your travels. Free heated shuttles make limited stops along some routes. The three Christmas Candlelight House Tours of the 2019 holiday season are held on Saturdays, Dec. 7, 14 and 28, from 5:30 p.m. to 8:30 p.m. (tickets should be purchased in advance). The festivities begin Friday, Nov. 22 and continue through Jan. 1, 2020. 

For information about MAC’s year-round schedule of tours, festivals, and special events, call 609-884-5404 or 800-275-4278, or visit MAC’s Web site at www.capemaymac.org. For information about restaurants, accommodations and shopping, call the Chamber of Commerce of Greater Cape May at 609-884-5508 or visit www.capemaychamber.com. For information about historic accommodations, contact Cape May Historic Accommodations at www.capemaylodging.com.

Next: More Favorite Holiday Places

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Most Wonderful Time of the Year: New York City Sparkles with Holiday Festivities

The most stupendous, eagerly anticipated float of all at the Macy’s Thanksgiving Day Parade carries Santa Claus with his elves and reindeer ushering in the Christmas season © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

From the Macy’s Thanksgiving Day Parade to the Christmas Tree Lighting at Rockefeller Center and the New Year’s Eve ball drop in Times Square, New York City offers unparalleled ways to celebrate the holidays with vibrant performances, tours, lightings, special events taking place from early November into January.

“New York City’s celebratory spirit and excitement are palpable during the annual holiday season. From iconic attractions and events to hidden-gem activities in all five boroughs, there’s an endless roster of memorable programming to enjoy from November to January,” said NYC & Company president and CEO Fred Dixon. NYC & Company, New York City’s official destination marketing organization, is forecasting seven million visitors will visit the City during the 2019–2020 holiday season.

Here are some of the festive events, performances and activities across the boroughs to celebrate the holiday season in New York City.

Annual Celebrations:

The Macy’s Thanksgiving Day Parade is a classic New York City celebration of the holidays, featuring larger-than-life helium balloons, fantasy floats, clowns, performance groups, Broadway’s best musicals, celebrity appearances. Olaf from Frozen makes a return appearance in the 93rd edition of the parade © Karen Rubin/goingplacesfarandnear.com

Macy’s Thanksgiving Parade, November 28, Manhattan
The Macy’s Thanksgiving Day Parade is a classic New York City celebration of the holidays, featuring larger-than-life helium balloons, fantasy floats, clowns, performance groups, Broadway’s best musicals, celebrity appearances and more. The 93rd Annual spectacle will feature new balloons including Astronaut Snoopy, Netflix’s Green Eggs and Ham, SpongeBob SquarePants & Gary, Smokey Bear and Yayoi Kusama’s Love Flies Up to the Sky. New floats include Nickelodeon’s Blue’s Clues & You!, The Brick-changer by The Lego Group, Home Sweet Home by Cracker Barrel Old Country Store®, Rexy in the City by COACH® and Toy House of Marvelous Milestones by New York Life. The parade begins at 9 am on 77th Street and Central Park West, snakes around Central Park South and heads down Sixth Avenue before concluding at Macy’s Herald Square at 34th Street and Seventh Avenue.

Balloon Inflation, November 27, 1-8 pm: Head up to the American Museum of Natural History on November 27 from 1 to 8 pm to watch the balloon inflation at West 79th Street and Columbus Avenue but be prepared for long lines (entrance at 73rd and Columbus.)  

Rockefeller Center Christmas Tree Lighting Ceremony, December 4, Midtown, Manhattan: The Christmas Tree at Rockefeller Center has been a tradition for more than eight decades. Lighting up Rockefeller Plaza, the tree lighting ceremony features performances and classic Christmas songs. The tree will arrive on November 9, light up on December 4 and be on view through early to mid-January.  

Rockefeller Center at Christmas © Karen Rubin/goingplacesfarandnear.com

Lighting of the Largest Menorah in Brooklyn and Lighting of the World’s Largest Menorah:  Manhattan, December 22, Prospect Heights, Brooklyn; Grand Army Plaza, Manhattan: Both the Manhattan and Brooklyn Grand Army Plazas compete in the race for the World’s Largest Hanukkah Menorah. The Largest Menorah in Brooklyn has been lit since 1985, and the annual concert to kick off the holiday will be held on December 22.  

New Year’s Eve Times Square Ball Drop, December 31–January 1, Times Square, Manhattan: Each year, millions of viewers watch the Times Square Ball Drop from New York City and around the globe. The Waterford Crystal Times Square New Year’s Eve Ball sparkles in Times Square for visitors to see all season, but its descent is a spectacular, once-in-a-lifetime way to ring in the New Year.  

New Year’s Eve Fireworks at Prospect Park, December 31–January 1,  Prospect Park, Brooklyn: The Grand Army Plaza’s iconic New Year’s Eve Fireworks at Prospect Park offer an alternative to the frenzy of Times Square. This spectacular celebration includes live music, followed by a fireworks show at midnight.  

New Year’s Eve in Times Square (c) Karen Rubin/goingplacesfarandnear.com

Sparkling Light Festivities:

Shine On at Hudson Yards, November 29-January 5. A new tradition being introduced at Manhattan’s newest neighborhood. Kicks off the day after Thanksgiving with full day of live performances featuring award-winning New York musicians, dangers and entertainers, plus Only at Hudson Yards offers. Then, every Tuesday through December 24, music and dance performances throughout Hudson Yards, and Saturdays children’s activities and family events. Immersive Light and Music Shows: the New York premiere of artist Christopher Schardt’s light sculpture Lyra, 5 pm daily at multiple locations throughout Hudson Yards. Visit Wells Fargo Lodge for hot chocolate tastings and 360-degree photo ops, plus interactive Star Stations with gift wrapping. Unlock holiday offers from SAP with shine ON LED bracelet available at Hudson Yards retailers.  

Holiday Lights at the Bronx Zoo, November 21–January 5, Fordham, the Bronx: Returning for the first time since 2007, the stunning light displays at the Bronx Zoo will cover several acres in a walk-through experience with wildlife-themed LED displays, custom lanterns and animated light shows.  

LuminoCity Festival, November 23-January 5, Randall’s Island Park, Manhattan: Sixteen acres of lights will illuminate themed worlds during this inaugural festival, creating an immersive journey for visitors that includes a castle, skating unicorn and enchanted forest.  

Brookfield Place Light Up Luminaries, December 3-January 4, Battery Park City, Manhattan: This spectacular light installation kicks off December 3 with an evening of free ice skating, snacks and live performances.  

Hello Panda Festival at Citi Field, December 6–January 26, Flushing, Queens: The debut of this international lantern, food and art festival will include 60 global cuisine vendors, arts experiences, live performances and a holiday market.

NYC Winter Lantern Festival, November 20–January 12, Randall Manor, Staten Island: The NYC Winter Lantern Festival is returning for a second year to Staten Island. Sponsored by Empire Outlets and venue partner Snug Harbor Cultural Center & Botanical Garden, eight acres will be lit up by more than 50 LED installations, accompanied by live performances of traditional Chinese dance and art.  

Winter Exhibits and Cultural Events:

The Origami Holiday Tree at the American Museum of Natural History, November 25–January 12, Upper West Side, Manhattan: This beloved tradition includes a 13-foot tree and 1,000 origami models. The signature Origami Holiday Tree, themed “Oceans of Origami” this season, has been a part of the celebrations for more than 40 years.

New-York Historical Society, (November 1, 2019 – February 23, 2020:  A holiday favorite returns this season, reimagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. Holiday Express: All Aboard to Richard Scarry’s Busytown  showcases artwork and graphics of Scarry’s characters like Huckle Cat and Lowly Worm from publisher Random House Children’s Books alongside more than 300 objects from the Jerni Collection’s antique toy trains, stations, and accessories. Using Busytown stories and characters, dynamic displays explore the workings of the railroad, the services it provides, and the jobs required to keep people and goods moving. Fun, train-related activities for kids of all ages take place through the exhibition’s run―all free with museum admission. These include: Celebrating Richard Scarry and Busytown! (Saturday, December 14 and Sunday, December 15; 1–3 pm); December School Vacation Week (Thursday, December 26 – Wednesday, January 1) (170 Central Park West (77th St), New York, NY 10024, www.nyhistory.org)

Holidays in New York City (c) Karen Rubin/goingplacesfarandnear.com

Gingerbread Lane at New York Hall of Science, November 23–January 12, Flushing Meadows Corona Park, Queens: Gingerbread Lane at the New York Hall of Science invites visitors to witness the vast collection of gingerbread structures embellished with candy canes, chocolate and frosting.  

New York Botanical Garden Holiday Train Show, November 23–January 26, Fordham, the Bronx: Conveniently accessible via the Metro-North Railroad from Grand Central Terminal, head to the New York Botanical Garden to be enchanted by model trains zipping through a display of more than 175 NYC landmarks, each re-created with natural materials.  

Belmont BID Arthur Avenue Tree Lighting Ceremony, November 30, Belmont, the Bronx: Experience Christmas in the Bronx’s Little Italy at the Belmont BID Arthur Avenue Tree Lighting. The annual event features a visit from Santa, cookies and hot chocolate among the twinkling lights.  

Seaport District NYC Celebrations, Seaport District NYC, Manhattan: Festivities in this neighborhood include the Winterland Holiday Tree Lighting on December 2, Menorah Lighting on December 22, a pop-up tree farm, ice skating and a light display at Pier 17.  

Holiday Workshop Weekend at Wave Hill, December 7–8, Riverdale, the Bronx: Create one-of-a-kind holiday decorations by the gorgeous gardens and galleries at Wave Hill during their interactive Holiday Workshop Weekend.  

Historic Richmond Town Candlelight Tours, December 14–21, Staten Island: This Christmas season, experience the tastes and scents of centuries past at Historic Richmond Town. Step back in time while touring the unique New York City which is illuminated by candles and oil lamps.  

11th Annual Latke Festival at the Brooklyn Museum, December 16, Prospect Heights, Brooklyn: One of New York City’s most unique and delicious holiday tasting events, the Latke Festival is a charity event that celebrates the best and most creative potato pancakes.  

Melrose Holiday Parranda, December 21, Melrose, the Bronx: The Melrose Holiday Parranda follows in the footsteps of Puerto Rican holiday caroling with a procession based on plena music and holiday songs.
Cheer-Filled Performances:

The Rockettes are sure to perform their iconic Wooden Soldiers routine in the Christmas Spectacular at Radio City © Karen Rubin/goingplacesfarandnear.com

Radio City Christmas Spectacular Starring the Rockettes, November 8–January 5, Midtown, Manhattan: The Christmas Spectacular Starring the Radio City Rockettes returns to Radio City Music Hall, dazzling audiences of all ages with incredible costumes, festive songs and synchronized high kicks.  

Four Renditions of the Holiday Classic A Christmas Carol

An unforgettable Broadway experience, Christmas Carol at the Lyceum Theatre will run November 7-January 5 with a new, enchanting interpretation of this holiday masterpiece.  

For a unique venue, head to the 1832 Merchant’s House Museum in Greenwich Village, as an actor portraying Charles Dickens shares this memorable story November 29–January 4.  

The Players Theatre will bring Charles Dickens’ timeless tale to life in their 11th annual A Christmas Carol the Musical December 1–20 in Greenwich Village.  

A Christmas Carol at Queens Theatre transports the audience to Victorian England to experience Scrooge’s iconic journey December 6–22.  

Three Extraordinary Versions of The Nutcracker:  

George Balanchine’s The Nutcracker at the Lincoln Center Plaza brings the classic Christmas Eve tale to life with breathtaking music and choreography November 29–January 5.  

The Salzburg Marionette Theatre’s The Nutcracker is coming to Flushing Town Hall in Queens on December 4 with a historical puppet cast bound to entertain children and adults alike.  

The Brooklyn Nutcracker at Kings Theatre transforms familiar characters and scenes to represent the diverse traditions and vibrant culture of Brooklyn on December 14.  

Alvin Ailey American Dance Theater at New York City Center, December 4–January 5, Midtown, Manhattan: Alvin Ailey American Dance Theater’s holiday season opens with premieres, new productions and repertory favorites, including the masterpiece Revelations.  

A Holiday Doo Wop Spectacular at the St. George Theatre, December 7, St. George, Staten Island: The famous theatre presents its annual Holiday Doo Wop Spectacular featuring critically-acclaimed performers such as The Vogues, The Crystals and Eddie Holman.  

Holiday Performances at the World Famous Apollo Theater, Harlem, Manhattan: The Apollo Theater, celebrating its 85th anniversary in 2019, hosts holiday events including a Harlem gospel choir performance at Coca-Cola Winter Wonderland on December 14, followed by the Amateur Night Holiday Special. Gospel legends Yolanda Adams and Donald Lawrence headline annual concert Holiday Joy: A Gospel Celebration on December 21. As a grand finale, the annual Kwanzaa Celebration on December 28 features Abdel Salaam’s Forces of Nature Dance Theatre and guest performances.

New Year’s Eve Concert for Peace, Cathedral Church of Saint John the Divine © Karen Rubin/goingplacesfarandnear.com

New Year’s Eve Concert for Peace, Cathedral Church of Saint John the Divine, (1047 Amsterdam Ave. at 112th St., New York 10025, 212-316-7540,info@stjohndivine.org, www.stjohndivine.org), Tuesday, Dec. 31, 2019, 7-8:30 pm,: Founded by Leonard Bernstein in 1984, the annual New Year’s Eve Concert for Peace is a signature Cathedral event with performances by the Cathedral Choir and Orchestra led by Director of Music Kent Tritle. Harry Smith, host; special guests Paul Winter, Jamet Pittman, Jason Robert Brown, and David Briggs. General admission seats are free and open to the public on the night of the show. Reserved seats are available now. 

Holiday Shopping:

Holiday Markets abound, including Bryant Park where you can also ice skate or visit the New York Public Library’s exhibits on novelist JD Salinger and Broadway Producer Harold Prince © Karen Rubin/ goingplacesfarandnear.com.

Holiday markets: New York City is full of incredible holiday markets, with must-buy gifts, sweets, drinks and winter activities. This year, the Bank of America Winter Village at Bryant Park opened earlier than ever on October 31. Other popular markets include the Union Square Holiday Market, Columbus Circle Holiday Market, Brooklyn Flea and Astoria Market.  

Iconic Holiday Windows: Awe-inspiring window displays at stores such as Saks Fifth Avenue, Macy’s Herald Square and the new Nordstrom Women’s Store sparkle, inviting visitors to explore the magic of New York City shopping.  

Enchanted by the holiday windows © Karen Rubin/goingplacesfarandnear.com

Empire Outlets, St. George, Staten Island: New York City’s first-ever outlet destination, Empire Outlets, will ring in the holiday season with a special Black Friday sale and their first annual tree lighting ceremony. Easily accessible by the free Staten Island Ferry from Lower Manhattan, the outlets will be adorned with thousands of lights, garland wraps and a 40-foot tree.  

23 Days of Flatiron Cheer, December 1-23, Flatiron District, Manhattan: 23 Days of Flatiron Cheer will include free, holiday-themed events showcasing the intersection of shopping, dining and culture in this vibrant neighborhood.

The Shops at Columbus Circle has kicked off its fourth year of Broadway Under the Stars, a five-week series of free public performances taking place this holiday season.Select cast from today’s hottest Broadway musicals will perform against the backdrop of the destination’s famous 12 massive stars. These stars, one of the largest specialty crafted exhibits of illuminated color displays in the world, are suspended from the 100-foot-high ceilings. Performances, lasting 20 minutes,  begin at 5 pm and are free to attend and open to the public, no reservations or tickets are required. (Nov. 11, Waitress, Chicago, Oklahoma!andThe Lightening Thief; Nov. 18, Come From Away, Rock of Ages; Nov. 25: Dear Evan Hansen, The Illusionists, Frozen; Dec. 2: Beetlejuice, Tootsie, Mean Girls; Dec. 9: Phantom of the Opera, Wicked). Additional Broadway Under the Stars offerings include specialty cocktails from the Shops at Columbus Circle’s Restaurant and Bar Collection which includes Monday night drink specials like Center Bar’s Pomegranate Smash cocktail ($16). Visit www.theshopsatcolumbuscircle.com for more information and list of events and happenings.  

The Shops at Columbus is particularly festive during the holidays © Karen Rubin/goingplacesfarandnear.com

Shop at Your Hotel: Several hotels are home to retail pop-ups this holiday season, partnering with iconic stores to make shopping easier than ever for visitors. ​

Grand Hyatt New York is partnering with Macy’s Herald Square for a pop-up located behind the check-in desk, featuring New York City-themed gifts, Macy’s Thanksgiving Day Parade apparel and novel gift items November 25–January 1.  

Loews Regency New York Hotel and Bloomingdale’s are teaming up to bring a curated selection of holiday gifts to the lobby lounge November 29-December 24, including on-site monogramming of leather gifts by ROYCE New York.

Conrad New York Midtown is launching the first FAO Schwarz Holiday Suite, filled with shoppable toys, stuffed animals and gifts that will be restocked for visitors who book a stay in the suite November 18–January 5. Additionally, all guests during this time period will be able to order gifts on demand to their suite or home address.

For additional holiday celebrations and ideas, visit nycgo.com/holidays.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Paul Revere, Mark Twain, Baroness in Exile & a Richard Scarry ‘Holiday Express’ All on View at New-York Historical Society

Paul Revere is most famous for his midnight ride warning people of Massachusetts “the British are coming,” but the exhibit at the New-York Historical Society goes well “Beyond Midnight” to examine this complex and accomplished figure of Revolutionary America © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

You always make fascinating discoveries at the New-York Historical Society, but the nexus of exhibits and experiences that are being showcased through the holidays makes this particularly prime time for a visit: flesh out who Paul Revere was beyond his mythic Midnight Ride; see why Mark Twain, featured on the 150th anniversary of the publication of his seminal book, “Innocents Abroad, or The New Pilgrims’ Progress” was our first travel blogger; learn about the Baroness artist in exile who made a visual diary, and, of course, become enchanted at the “Holiday Express,” re-imagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. 

Beyond Midnight: Paul Revere

Paul Revere is most famous for his midnight ride warning people of Massachusetts “the British are coming,” but the larger than life legend is not the focus of this first-ever exhibit now on view at the New-York Historical Society. And while his prowess as a silversmith and artisan is very much displayed, we are surprised to learn about Revere as a printer, an engraver, an entrepreneur and innovator, a savvy businessman, a Mason, a “proto-industrialist” – all of which figured into his role as a patriot.

Most people think of Paul Revere solely as a silversmith, but his work as a printer and an artist was key to his role as a patriot seeking to break with Great Britain. His print of the Boston Massacre was significant to organize public opinion against the British. Paul Revere, The Bloody Massacre Perpetrated on King Street, Boston. Hand colored engraving, 1770. American Antiquarian Society. Gift of Nathaniel Paine.

Beyond Midnight: Paul Revere separates fact from fiction, revealing Revere as a complex, multifaceted figure at the intersection of America’s social, economic, artistic, and political life in Revolutionary War-era Boston as it re-examines his life as an artisan, activist, and entrepreneur. The exhibition, featuring more than 140 objects, most never before exhibited in public, highlights aspects of Revere’s versatile career as an artisan, including engravings, such as his well-known depiction of the Boston Massacre; glimmering silver tea services made for prominent clients; everyday objects such as thimbles, tankards, and teapots; and important public commissions, such as a bronze courthouse bell. There are personal items, as well – most touching is the gold wedding ring Paul Revere made for his second wife, Rachel, in a case below portraits of the two of them, a thin band engraved inside with the words, “Live contented.”

Organized by the American Antiquarian Society in Worcester, Massachusetts, and curated by Nan Wolverton and Lauren Hewes, Beyond Midnight debuts at New-York Historical through January 12, 2020, before traveling to the Worcester Art Museum and the Concord Museum in Massachusetts for a two-venue display (February 13 – June 7, 2020) and to Crystal Bridges Museum of American Art in Bentonville, Arkansas (July 4 – October 11, 2020). At New-York Historical, Beyond Midnight is coordinated by Debra Schmidt Bach, New-York Historical’s curator of decorative arts.

“When many of us think of Paul Revere, we instantly think of Longfellow’s lines, ‘One if by land, and two if by sea’, but there is much more to Revere’s story,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “This exhibition looks beyond the myth of Paul Revere to better understand the man as a revolutionary, an artisan, and an entrepreneur, who would go on to become a legend. There is much more to the Revere story than the famous ride. We are proud to partner with the American Antiquarian Society to debut this exhibition in New York.” 

Dr. Louise Mirrer, president and CEO of the New-York Historical Society, at the press-preview of “Beyond Midnight: Paul Revere” © Karen Rubin/goingplacesfarandnear.com

The New-York Historical Society partnered with the American Antiquarian Society (of Boston) which holds one of the most encompassing collections of Paul Revere’s documents, largely due to the society being founded by Isaiah Thomas in 1812, an “omnivorous collector,” who was a printer, publisher, patriot, colleague and customer of Paul Revere’s as well as a fellow patriot advocating for a break from Great Britain.

The Antiquarian Society, the oldest national historical society, is a research library and not a museum, so its collection is not publicly exhibited. That’s why this collaboration with the New-York Historical Society is so extraordinary.

A Revolutionary activist, Paul Revere was a member of the Sons of Liberty, a secret group opposed to British colonial policy including taxation that kept track of British troop movements and war ships in the harbor. The exhibition displays Revere’s 1770 engraving of the landing of British forces at Boston’s Long Wharf.

Four versions of Revere’s provocative engraving of the 1770 Boston Massacre are reunited in the “Beyond Midnight: Paul Revere” exhibition at the New-York Historical Society. The print inflamed anti-British sentiment, and different versions of it were widely disseminated as Patriot propaganda. © Karen Rubin/goingplacesfarandnear.com

Four versions of Revere’s provocative engraving of the 1770 Boston Massacre are also reunited in the exhibition. The engravings capture the moment when British soldiers fired upon a crowd of unruly colonists in front of the Custom House. The print inflamed anti-British sentiment, and different versions of it were widely disseminated as Patriot propaganda.

The only known copy of a broadside that still exists is on display under canvas.

The only known copy of a broadside of Paul Revere’s print of the Boston Massacre that still exists is on display under canvas at the exhibit at the New-York Historical Society © Karen Rubin/goingplacesfarandnear.com

But the print that most fascinated me was the one that depicted the first casualty of the American Revolution, a black man, Crispice Attucks, at the center. It was used to advance the cause of abolition before the Civil War.

Paul Revere was a master craftsman specializing in metalwork, including copperplate engravings and fashionable and functional objects made from silver, gold, brass, bronze, and copper. An innovative businessman, Revere expanded his successful silver shop in the years after the war to produce goods that took advantage of new machinery.  His fluted oval teapot, made from machine-rolled sheet silver, became an icon of American Federal silver design.

A Revere tea service that had belonged to John Templeman, the most complete tea service by Revere in existence is part of the “Beyond Midnight: Paul Revere” exhibit at the New-York Historical Society © Karen Rubin/goingplacesfarandnear.com

You see marvelous examples of Revere’s artistry as a silversmith – a skill he learned from his father. There is a Revere tea service that had belonged to John Templeman, on loan from the Minnesota Institute of Art, the most complete tea service by Revere in existence, which he made toward the end of long career that lasted until he was in his 70s.

Among the silver objects on view are two rare wine goblets possibly used as Kiddush cups made by Revere for Moses Michael Hays—his only known Jewish client—as well as grand tea services, teapots, tankards, teaspoons, and toy whistles created in Revere’s shop.

Among the silver objects on view are two rare wine goblets possibly used as Kiddush cups made by Paul Revere for Moses Michael Hays, his only known Jewish client and a fellow Mason © Karen Rubin/goingplacesfarandnear.com

But Revere, a genius at working with metals, also worked in brass and copper. He produced bells and cannon. Featured in the exhibit is a 1796 cast-bronze courthouse bell made for the Norfolk County Courthouse in Dedham, Massachusetts (about 100 Revere-created bells are still in existence and one, in Cambridge is still rung). The exhibition also explores how Revere’s trade networks reached well beyond Boston, even aboard ships bound for China. He frequently bought and sold raw and finished copper from New Yorker Harmon Hendricks and supplied copper for Robert Fulton’s famous steamship.

Paul Revere, a genius at working with various metals, also made bells and cannon in a “proto-industrial” setting © Karen Rubin/goingplacesfarandnear.com

We learn that the silver that Revere and the colonial silversmiths would have used came from South America, from mines run by the Spanish with African slave and Indian labor. “Spanish coin was the currency of colonial America.  Revere would melt old objects and coin for the silver.”

Meticulous account books that are in the collection show that Revere had customers in and around Boston- they are never shown except on microfilm, so it is very special to see these originals. In one, we see where Revere made notations and sketches.

What we learn is that Revere, who had 16 children, would create new businesses, set up new workshops and put a son in charge as he went on to create a new one.  “He had a drive to keep changing technology, but he built on what he learned as a silversmith.”

Revere was a proto-industrialist of the nascent nation; he changed from a workshop model that would employ two to four people, to more of an industrial model, with six to eight people paid wages.

The connection between being an artisan, an entrepreneur and an innovator plays into his role as a patriot.

Re-creation of the obelisk that Sons of Liberty used to celebrate the repeal of the Stamp Act, reproduced from Paul Revere’s etching © Karen Rubin/goingplacesfarandnear.com

As you enter the exhibit, you see a nine-foot-tall re-creation of the grand obelisk made for a 1766 Boston Common celebration of the repeal of the Stamp Act, the first tax levied on the American colonies by England. Originally made of wood and oiled paper, and decorated with painted scenes, portraits, and text praising King George while also mocking British legislators, the obelisk was illuminated from inside and eventually consumed by flames at the Boston event. Local newspapers of the time described huge event. The only remaining visual evidence is Revere’s 1766 engraving of the design which was used to make the reproduction.

Vial of tea thrown into the harbor during the Boston Tea Party. © Karen Rubin/goingplacesfarandnear.com

Revere was a member of the Sons of Liberty and helped plan and execute the Boston Tea Party in 1773, hurling tea into Boston Harbor. You get to see a vial of tea from the Boston Tea Party that was collected from Dorchester Beach (the water was cold so the bales of tea didn’t dissolve). One of the vials was given to the Antiquarian Society in 1840.

The place where the Sons of Liberty met to discuss their plans for the Tea Party, the Green Dragon Tavern, was also where the Masons met. Revere was a member of this secret society as well. The Masons were humanists, a clique and seen as anti-Christian, inspiring anti-Masonic societies, because all religions, including Jews like Hays, could join.

Isaiah Thomas, a Masonic brother, was a patriot and like many of the merchants saw America as independent of Great Britain, with its own ability to make (manufacture), sell and distribute goods and not rely on Europe. Thomas published a newspaper and hired Revere, who was a printer as well as an artist, to do the book plate and masthead for his newspapers.

Isaiah Thomas, a Masonic brother, was a patriot and like many of the merchants saw America as independent of Great Britain, with its own ability to make (manufacture), sell and distribute goods and not rely on Europe. Thomas published a newspaper and hired Revere, who was a printer as well as an artist, to do the book plate and masthead for his newspapers.

Portraits of Paul Revere and his wife Rachel. The New-York Historical Society exhibit “Beyond Midnight: Paul Revere” fleshes out a fuller picture of who the man really was © Karen Rubin/goingplacesfarandnear.com

Paul Revere was born in America in 1735. His father was a French Huguenot who came as a young man from Bordeaux France, emigrating first to the Isle of Jersey, and then to Boston as a goldsmith. Revere’s father dies young and Paul, having finished his apprenticeship, takes over at 19.

Revere belonged to an economic class called “mechanics,” ranked below merchants, lawyers, and clergymen. But Revere was a savvy networker, and what he lacked in social status, he made up for by cultivating influential connections. Membership in the Sons of Liberty led to commissions from fellow Patriots, but he also welcomed Loyalist clients, setting aside politics for profit. On view are nine elements from a grand, 45-piece beverage service that Revere created in 1773 for prominent Loyalist Dr. William Paine—the largest commission of his career—just two months before the Boston Tea Party.

Isaiah Thomas, like Paul Revere, was a self-made man, a printer who advocated for independence from Great Britain, a friend, colleague and customer of Paul Revere, and was the founder of the American Antiquarian Society, which has the most comprehensive collections of Paul Revere’s documents © Karen Rubin/goingplacesfarandnear.com

A key associate was Isaiah Thomas who, like Revere, exemplifies an American success story. Thomas was poor but taught himself how to read, write and set type and became one of wealthiest Americans as a printer, employing 150 people. It was the same with Paul Revere and Ben Franklin – they all started from nothing, but became successful – each of them had the ability in America to rise up, each was a printer, and each was a great innovator and thinker. The exhibit makes clear that a big part of Revere’s story is his importance as a printer.

The end of exhibit focuses on the Revere legend and the reality.

Paul Revere died in 1818, at the age of 83 (he worked until his 70s), but his fame endured, initially for his metalwork and then for his patriotism. In the 1830s, Revere’s engravings were rediscovered as Americans explored their Revolutionary past, and his view of the Boston Massacre appeared in children’s history books.

In 1860, poet Henry Wadsworth Longfellow, after visiting the Old North Church and hearing the story about the lanterns, was inspired to write “Paul Revere’s Ride,” romanticizing (and somewhat embellishing) the story of Revere’s journey to Lexington. The poem first appeared in the Atlantic Monthly in January 1861 (an original copy of the magazine is on view in the exhibition).

“Listen my children and you shall hear of the midnight ride of Paul Revere,” Longfellow wrote 85 years after the event, April 18, 1775. It was the eve of another revolution, the Civil War.  Longfellow’s intention was not to promote the idea of revolution but to remind Americans of our common foundation, our roots, our unifying experience.

A revisionist print of Revere’s Boston Massacre focusing on Crispice Attucks, the first casualty of the American Revolution, was used to advance the cause of abolition before the Civil War. © Karen Rubin/goingplacesfarandnear.com

Before the Longfellow poem was published, a new print of the famous Revere print of the Boston massacre was published that put the black man, Crispice Attucks, the first man to die for Revolution, America’s first martyr, in the center.

 “The Civil War started in 1861. Longfellow was an abolitionist and Boston was a hotbed of abolition. He wanted to remind the country of its shared past. That is why he brought Revere back to life, but his life was stripped down to one event,” curator Debra Schmidt Bach explains.

The exhibit is timely now for much the same reason: with such intense partisanship, there is the sense of needing to remind people of our common foundation.

In reality, Revere, who was 40 years old when he undertook his famous ride, was on foot until he crossed the Charles River to Cambridge and then rode a borrowed horse to Lexington. He was also one of three riders and was stopped briefly by British officers and then released when Revere talked his way out of being arrested. A map of the actual ride is on display.

Longfellow ‘s poem and Grant Wood’s painting Midnight Ride of Paul Revere  enshrined Paul Revere at the heart of the nation’s founding story but his real life was even more consequential © Karen Rubin/goingplacesfarandnear.com

Works like the Longfellow poem, artist Grant Wood’s 1931 painting Midnight Ride of Paul Revere depicting a dramatic scene of Revere riding past Boston’s Old North Church (also an embellishment) and others enshrined Paul Revere at the heart of the nation’s founding story. By the turn of the 20th century, the tale of Paul Revere and his midnight ride was firmly established in the nation’s psyche as truth, not fiction, and Revere’s contributions as a metalsmith and artisan were overshadowed.

The Revere exhibit, and the people who we are introduced to like Isaiah Thomas, reveals the DNA that propelled the American Revolution: how Americans had become their own culture, their own society, where an individual was not limited by birth, but could rise up. The Stamp Tax and the Tea Tax imposed by Britain clarified the limitations placed on the Americans’ economic development. More than a political revolution, the American Revolution was an economic and social revolution.

In piercing the bubble of the Revere legend, the exhibit exposes an even more interesting and consequential man.

 “Paul Revere” exhibit on view in NY until January 12, 2020 before traveling to the Worcester Art Museum and the Concord Museum in Massachusetts for a two-venue display (February 13 – June 7, 2020) and to Crystal Bridges Museum of American Art in Bentonville, Arkansas (July 4 – October 11, 2020).  Special programming is offered in conjunction with the exhibit, check the website, www.nyhistory.org.

Mark Twain and the Holy Land

This small alcove within the New-York Historical Society is hallowed ground for a travel writer, consisting of artifacts, leaves from journals, letters, stereotypes, photos that re-create Mark Twain’s journey through the Holy Land in 1867. Twain’s cruise aboard the Quaker City was a first – the first organized tour in American history – and Twain was the first travel writer, sending back dispatches of his impressions that were published in a San Francisco newspaper, two years before his subsequent 1869 book, The Innocents Abroad, or The New Pilgrims’ Progress, one of the best-selling travelogues of all time

Portrait of Mark Twain by Abdullah Brothers, Constantinople, 1867 (Shapell Manuscript Collection).

New-York Historical Society celebrates the 150th anniversary of the publication of Innocents Abroad with Mark Twain and the Holy Land, on view through February 2, 2020. This new exhibition traces the legendary American humorist’s 1867 voyage to the Mediterranean and his subsequent book through original documents, photographs, artwork, and costumes, as well as an interactive media experience.

Organized by New-York Historical in partnership with the Shapell Manuscript Foundation, it is curated by Michael Ryan, vice president and director of the Patricia D. Klingenstein Library, and Cristian Petru Panaite, associate curator of exhibitions.

“Setting sail from New York for a great adventure abroad, Mark Twain captured the feelings and reactions of many Americans exploring beyond their borders, inspiring generations of travelers to document their voyages,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “We are pleased to partner with the Shapell Manuscript Foundation to present the history behind this influential book by Twain, a uniquely American writer whose work helped to define American culture in the postbellum era.”

An edition of “The Innocents Abroad, or The New Pilgrims’ Progress,” by Mark Twain is on view. “During its first 18 months, the book sold over 82,000 copies; by 1879 there were more than 150,000 copies in print. While some early reviews found its irreverence and sarcasm offensive, most reviews were positive, and those positive reviews propelled the book’s sales. Twain’s career as an author was launched.” © Karen Rubin/goingplacesfarandnear.com

What I delighted in most was an interactive display where you can summon up a specific site Twain visited, like the Holy Sepulchre, and read Twain’s notes and observations, adjacent to a historic photo, that read like today’s travel blogs.

“We spurred up hill after hill, and usually began to stretch our necks minutes before we got to the top-but disappointment always followed – more stupid hills beyond – more unsightly landscape – no Holy City. At last, away in the middle of the day, ancient bite of wall and crumbling arches began to line the way-we toiled up one more hill, and every pilgrim and every sinner swung his hat on high! Jerusalem!”

“Just after noon we entered these narrow, crooked streets, by the ancient and the famed Damascus Gate, and now for several hours I have been trying to comprehend that I am actually in the illustrious old city where Solomon dwelt, where Abraham held converse with the Deity, and where walls still stand that witnessed the spectacle of the Crucifixion.”

“The great feature of the Mosque of Omar is the Prodigious rock in the centre of its rotunda. It was upon this rock that Abraham came so near offering up his son Isaac – this, at least, is authentic – it is very much more to be relied on than most of the traditions, at any rate. On this rock, also, the angel stood and threatened Jerusalem, and David persuaded him to spare the city.”

Mark Twain sent back dispatches from his trip to Europe and the Holy Land which were published in a San Francisco newspaper © Karen Rubin/goingplacesfarandnear.com

Twain frequently expressed disgust at the way his fellow travelers treated hallowed sites. “Pilgrims have come in with their pockets full of specimens broken from the ruins. I wish this vandalism could be stopped.” But Twain himself carried back items (a list is provided) including marble from the Parthenon in Athens, mummies from Egyptian pyramids, a letter opener made from Abraham’s oak and olive wood from Jerusalem.

Artist in Exile: The Visual Diary of Baroness Hyde de Neuville 

Artist in Exile: The Visual Diary of Baroness Hyde de Neuville introduces visitors to a little-known artist whose work documented the people and scenes of early America. The exhibit, on view November 1, 2019 – January 26, 2020 in the Joyce B. Cowin Women’s History Gallery of the Center for Women’s History, presents 115 watercolors, drawings, and other works by Anne Marguérite Joséphine Henriette Rouillé de Marigny, Baroness Hyde de Neuville (1771–1849). Self-taught and ahead of her time, Neuville’s art celebrates the young country’s history, culture, and diverse population, ranging from Indigenous Americans to political leaders.

Holiday Express: All Aboard to Richard Scarry’s Busytown 

A holiday favorite returns to the New-York Historical Society this season—reimagined to celebrate the 100th birthday of Busytown series author and illustrator Richard Scarry. Holiday Express: All Aboard to Richard Scarry’s Busytown (November 1, 2019 – February 23, 2020) showcases artwork and graphics of Scarry’s characters like Huckle Cat and Lowly Worm from publisher Random House Children’s Books alongside more than 300 objects from the Jerni Collection’s antique toy trains, stations, and accessories. Using Busytown stories and characters, dynamic displays explore the workings of the railroad, the services it provides, and the jobs required to keep people and goods moving. An assortment of kid-friendly activities, story times, and crafts accompany the exhibition throughout its run, welcoming families into the world of classic toys and trains. Richard “Huck” Scarry Jr., the son of Richard Scarry, will make a special appearance on December 14 and 15. Holiday Express: All Aboard to Richard Scarry’s Busytown is supported by Bloomberg Philanthropies. Additional support provided by Random House Children’s Books.

New-York Historical Society, 170 Central Park West (77th St), New York, NY 10024, www.nyhistory.org.

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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Ancient City of Petra is a Highlight of Global Scavenger Hunt in Jordan

Coming to The Treasury in Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

At the start of Leg 6 of the Global Scavenger Hunt in Amman, Jordan, only four of the original 10 teams competing are still in contention to win, so several of the teams can now join together, use their cell phones for planning and booking, get help from the hotel concierge, and be generally unrestricted by the rules but still enthralled by the challenges of the scavenges.

But for those competing, some of the mandatory challenges pose a difficult puzzle to achieve in terms of logistics and timing. The one that proves problematic requires the team to travel one way to or from Petra along the ancient Kings Highway – the problem is that the Jett Express Bus doesn’t take that route and the rules don’t allow a taxi from outside the city. Hearing how the two top teams surmount the challenge is quite interesting.

We arrive at our five-star hotel, the Amman W, have our meeting and get our booklet with the scavenges, and a bunch of us (no longer competing) pack into a taxi to visit an ancient Roman amphitheater built during the time of Antenios Pius in 138-161 AD. We cross the street to a local restaurant, where we enjoy a meal of rotisserie chicken served with rice, and get a sense of this ancient city.

The artful, chic Amman W Hotel © Karen Rubin/goingplacesfarandnear.com

Whereas Abu Dhabi seemed unreal in many respects – a modern invention, manufactured even – Amman, the capital of Jordan, is very real and reflects its age as an early city. Jordan is where one of the largest Neolithic settlements (c. 6500 BC) ever discovered in the Middle East exists; Citadel Hill contains early Bronze Age tombs (3300-1200 BC). By the beginning of the Iron Age, Amman had become the capital of the Ammonites, referred to in the Bible as Rabbath-Ammon (“rabbath” means capital, or “king’s quarters”). We can look out from the high floors of the hotel to the hillsides crammed with houses and imagine what it might have looked like.

The ancient Roman amphitheater built during the time of Antenios Pius in 138-161 AD, in Amman, Jordan © Karen Rubin/goingplacesfarandnear.com

All but one team is intent on going to Petra, but have chosen various means to get there. I find myself on the 6:35 a.m. Jett Express Bus with three of the teams, including one that is in second place in the Global Scavenger Hunt, only a point behind the leader. Five others (including my teammate) hired a car and driver (allowed because none of them were competing), and Bill Chalmers, the ringmaster of GSH, Pamela and teenage son Luka are traveling separately. Each of us leaves at a different time by a different conveyance. But what a surprise! We all wind up at the same mid-way trading post at the same time. Hugs all around.

Struck for decades by the Frederic Church painting of Petra, and then by hearing a New York Times Travel Show talk about “Petra at Night,” I decide to arrange my own overnight stay so I don’t have to rush back. I learn that the Petra at night is only offered twice weekly and am lucky enough to be there for a Wednesday. I hastily consult hotels.com for a hotel – none available under $200/night. I check booking.com and find a hotel – more of a hostel, really – at a very affordable price, less than a mile from the entrance to Petra. “Only one room left” the site warns. And considering how so many of the hotels were booked, I take the leap and book it within seconds.

The concierge has reserved the seats on the Jett bus for the morning, with the return the next day (only one departure each way/daily), at 5 p.m.

Rose-Red Ancient City of Petra

We travel 240 km south from Amman (120 km north of the Red Sea city of Aqaba – the trip through the countryside is interesting – the vast emptiness, the sand, flocks of animals. Wind turbines!

Wind farm, Jordan © Karen Rubin/goingplacesfarandnear.com
Road to Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

The bus – which is an hour late in departing because the company has put on a second bus to accommodate all the passengers – arrives at the Petra bus station next door to the entrance to the archeological site at around 11 am.

I use our Jordan Pass (which Chalmers had obtained in advance, providing pre-paid admission to most archaeological sites, including two consecutive days at Petra, along with the visa) for the day’s admission and buy the ticket for Petra at Night ($25).

Musician, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

While the others have to move hastily through Petra – in fact, they don’t even get as far as the Treasury (so what is the point of coming at all?), I am able to move as slowly and contemplatively as I want, immersing myself in the scenes and the details, knowing I will return in the evening and the next day.

Walking through The Siq, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I am amazed by Petra. That now-iconic view of the Church painting (and Indiana Jones movie) that comes into focus as you walk through the cavern (known as the Siq) with the most beautiful striations and shapes, then the teaser of The Treasury through the opening. It is as wonderful as I had hoped. But the rest of Petra is a complete surprise – I had not realized how vast – an entire city, in fact – how much has been carved out of the rock (the Royal Tombs are not to be believed), and how much was built during the Roman era (The Great Temple where Brown University is doing archaeology and the Colonnade).

Waking through The Siq, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

All around are fellows who hawk riding their camel, their horse, their donkey, or take the horse-drawn carriage (at fantastic speed considering the narrow walkway), to or from the entrance – it is a full mile walk from the entrance to The Treasury (an electric cart is available for those who have difficulty walking in addition to horse-carts).

Walking through The Siq, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

It is hot, but dry and the breeze is surprisingly comfortable. Besides exploring the archaeological structures, Petra turns out to be a hiking place – you can take trails that bring you up to fantastic views. One of the toughest is up to the Monastery – a mile each way up stairs and then back down again (and one of the challenges on the scavenger hunt – in fact, visiting early and doing the hike is worth 500 points).

The iconic view of The Treasury, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I decide to reserve that for the next day.

The city of Petra, aptly known as the Rose-Red City for the luscious color of the rock from which many of the city’s structures were carved, was the capital of the Nabataean Arabs, and is today one of the world’s most famous archaeological sites.

The Siq, the main road that leads to the city, starts from the Dam and ends at the Treasury. It is a rock canal 160 meters in length, 3 to 12 meters in width and reaches up to 80 meters in height. The main part of the Siq is created by natural rock formation and the rest is carved by the Nabataeans.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

If you look carefully, you can see a channel carved from the rock to capture and even filter water – the secret to how Petra was sustained. At the start of the Siq the original Nabataean dams are visible, and these prevented flooding in the Siq and collected water for use.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

Then, through a narrow, curving break in the rock, you get your first teasing glimpse of The Treasury, just as Frederick Edwin Church painted it in 1874.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

According to the website, www.visitpetra.jo, it is not known precisely when Petra was built, but the city began to prosper as the capital of the Nabataean Empire from the 1st century BC, which grew rich through trade in frankincense, myrrh, and spices (stalls sell the spices).
Petra was later annexed to the Roman Empire and continued to thrive until a large earthquake in 363 AD. The earthquake, combined with changes in trade routes (and politics), eventually led to the city’s downfall.

The Treasury, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

“The city was pretty much abandoned by the middle of the 7th century and lost to all except local Bedouins,” according to the website, www.visitpetra.jo. “But in 1812, Swiss explorer Johannes Burckhardt set out to rediscover Petra. He dressed up as an Arab and convinced his Bedouin guide to take him to the lost city. After this, Petra became increasingly known in the West as a fascinating and beautiful ancient city, and it began attracting visitors and continues to do so today.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

“The Nabataeans buried their dead in intricate tombs that were cut out of the mountain sides and the city also had temples, a theater, and following the Roman annexation and later the Byzantine influence, a colonnaded street and churches” the ruins of which we can explore.”

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I climb the path up to the Royal Tombs and go into cavernous rooms – I can’t tell if it is the rock’s own configuration or whether the surface has actually been painted or carved to expose swirls of different colors and textures, but they are exquisite.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Royal Tombs, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

“In addition to the magnificent remains of the Nabataean city, human settlement and land use for over 10,000 years can be traced in Petra, where great natural, cultural, archaeological and geological features merge,” according to the website.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

Walking back out through the Siq, you have to keep moving to the side to let pass the horse-drawn carriages which go through at quite a clip.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

The park closes at about 6 p.m. and reopens at 8 pm for the 8:30-10:30 night program (it is operated separately and privately from Petra). I still have to get my pack, which I have left with the fellow at the CV Currency Exchange, just before you enter ($5 tip) and get to the hotel, which I had thought was within walking distance (0.7 mile), but turns out to be totally uphill. I take a taxi (negotiating the rate since I don’t have very much local currency).

Soldier reenactors guard the entrance to Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

My el cheapo-supremo hotel (more of a hostel than a hotel), The Rose City Hotel, turns out to be exactly that – the nicest part is the name and the front entrance. When I am brought to my room, I think the fellow made a mistake and has brought me to a room under construction (or rather deconstruction) – plaster patches, exposed electrical outlet, rusting shower, cracked bathroom shelf, an “armoire” that is falling apart, only a small bed and a stool (not even a chair), slippers left for the bathroom that are too disgusting to contemplate putting on. Ah, adventure. But overall, clean and no bugs. So this will do for a night, I think, laughing to myself about my room at the five-star, ultra-hip, chic and luxurious W Hotel (which is like living in art, it is so creatively designed) I had left behind in Amman.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I head out just after 8 p.m., walking down the hill into the park again, where I join throngs of people making their way along the mile-long stony path illuminated by nothing more than lanterns and starlight, thinking how dramatic and wonderful. It turns out to be the best part of the evening.

Walking into Petra at Night, Jordan © Karen Rubin/goingplacesfarandnear.com

After 45 minutes of walking (it is dark in the cavern), I arrive at The Treasury where there are perhaps 1,000 people sitting on carpets. I stuff myself into a place. I am keen to reproduce the photo I had seen of the event, but The Treasury at this point is barely lighted at all. There is some traditional music, then a fellow sings, talks for a few minutes, and then garish neon-colored lights are projected against The Treasury, completely destroying the mood. And then it is over at 9:30 pm (not 10:30 p.m.). People start leaving, and I am totally exhausted, so I leave, too. I hike back up the hill to the hotel getting lost so a fellow very nicely leads me to where I need to go. I fall asleep to the meowing of feral cats just outside the window.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

Early Morning Solitude at Petra

My overnight adventure is redeemed the next morning when I am able to return to the archaeological park as early as 6 a.m. The hotel proprietor has packed my breakfast in a baggie in the refrigerator. I take my pack with me and find a nice man at one of the refreshment stalls at the bus station who offers to hold it for me for the day.

When I arrive at Petra, who should I come upon at 6:14 a.m. but the Lawyers Without Borders team! What are the odds! (Literally on the run, so not to lose time, Zoe tells me of their amazing adventure in a tented camp about two hours away where they could get their scavenger points being photographed on a camel, so they were up at 4 a.m. and had to organize a taxi to get here by 6 a.m.). Rainey and Zoe have to literally race through Petra and do the strenuous hike up to the Monastery in order to earn their 500 Global Scavenger Hunt points.


The Global Scavenger Hunt “Lazy Monday” team of Kathryn & Eric of California race to complete the scavenge challenge in Petra. © Karen Rubin/goingplacesfarandnear.com

I could be more leisurely because I am not trying to earn points. Walking through the caverns (some of the most exquisite scenes) is unbelievably peaceful at this hour – I am even the only one at some points. There are no horse-drawn carriages rattling through, none of the hoards of people stopping and posing for selfies. And once inside, there is perfect peace also at The Treasury – the camels perfectly positioned to re-create the 19th century paintings of the scene.

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

As soon as you arrive, though, you are swooped upon by a legion of guides. One guide offers to lead me on a trail that would take me to the overview of The Treasury (ranked moderate), but I am not feeling 100 percent and hope I will be able to hike the Monastery Trail if I take it slow.

Nabataean and Roman ruins at Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

A word about the guides – they try to convince you that they will take you places you can’t go yourself, which is highly dubious– but though I don’t hire any, what I observe is that they are very knowledgeable, very considerate of their guests (in fact, it is difficult to become a guide – you have to take a test, be accepted, and then trained). The people who provide the camels, the horses, the donkeys (you can ride donkeys up to the Monastery), and the carriages work very hard (the animals work even harder). Later, though, I see guides leading people up the Monastery Trail that spend their time on their cell phone coordinating their next gig.

Souvenir Stand improbably set on the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

And all through are the souvenir stands (they actually look pretty good) – and you realize that Petra was a trading center, a stop along the vital caravan routes, and this is very likely what the scene would have looked like even then. And I am sure the experience was the same for the early European tourists 150 years ago, guides, merchants, donkeys, camels and all.

Hiking up the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
View from the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I walk through the park again, this time to hike the Monastery Trail at the other end of the park. I get some scouting information from people coming down and begin the steep ascent up stone steps. It is a very interesting hike not just because of the gorgeous stone contours and colors and the views back down, but because of the market stalls and refreshment stands set up along the way. (You can also take a donkey up, which means that hikers have to keep moving aside for the donkeys). I wish I had my hiking sticks with me (the hike reminds me of the Bright Angel trail up from the bottom of the Grand Canyon) – a fellow from Spain hiking with his mother, offers a hand when I trip (then we take a wrong turn and find ourselves scrambling over boulders, instead of climbing the stairs).

New friends from the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Riding a donkey up the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Riding donkey up the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

The Monastery proves to be a highlight – it is actually bigger than The Treasury – one of the largest structures carved out of a rock face (if I have that right). The hike is absolutely worth it and feels so satisfying when you make it to the top. There is a lovely rest stop at the top (as well as stalls improbably situated along the way and a refreshment stand picturesquely set about two-thirds up the trail with a stunning view).

The Monastery, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Refreshment stand on the Monastery Trail, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

But back down, I am exhausted and have several hours before the Jett Bus back to Amman (I expect to arrive at the W Hotel after the 8 p.m. deadline for the Global Scavenger Hunt teams but have informed Bill that the bus likely won’t be back until after 9 p.m., and I won’t miss a flight to our next destination, will I?)

Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I have my plan: first I linger at the Basin Restaurant at the entrance to the Monastery Trail, a veritable oasis, where I sit outside under trees and have refreshment. I regain some strength and wander some more. At this point, I realize what a phenomenal experience I have had in the early morning when I had Petra to myself when I see coming at me some 2,000 passengers off the MSC ship, another 2,000 off a second MSC ship, and hundreds more off a Celebrity cruise that look like an invading army. Each group is led by a guide holding high a numbered sign (I spot the number 50) for their group.

The new Petra Museum, Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

My next plan is to stop into the Petra Guest House, which is located right at the entrance to the park. (This is the hotel I would recommend for those who want to come overnight in order to experience Petra in the early morning – it is very comfortable, pleasant and moderate price).

Some of the artifacts on display at the new Petra Museum, Jordan © Karen Rubin/goingplacesfarandnear.com
Petra, Jordan © Karen Rubin/goingplacesfarandnear.com
Petra, Jordan © Karen Rubin/goingplacesfarandnear.com

I have left an hour to visit the newly opened Petra Museum, sandwiched between the Visitor Center and the Bus Station (perfect!). It offers an outstanding exhibit (curiously Japan was a major contributor) – with some 250 artifacts and displays that explain extremely well how Petra developed, the Nabateans, how they grew to power first by controlling water through ingenious engineering and the main trade route, the King’s Highway, that linked three kingdoms. Artifacts including art as well as everyday materials going back to the Stone Age are on display; there are excellent videos, graphics, displays that are engaging and informative.

Petra was designated a World Heritage Site on Dec. 6, 1985 and Smithsonian Magazine named Petra one of the 28 places you should visit them before you die.

(More visitor information from Petra Development and Tourism Region Authority, www.visitpetra.jo)

I board the Jett Bus (it is the first-class bus geared to foreign tourists) for the three-hour trip back.

More information on visiting Jordan at the Jordan Tourist Board, http://in.visitjordan.com/.

By the time I get back to Amman, I’ve missed the meeting when Bill Chalmers tells us our next stop on our Global Scavenger Hunt and departure time. My teammate texts the answer: Athens.

The Global Scavenger Hunt is an annual travel program that has been operated for the past 15 years by Bill and Pamela Chalmers, GreatEscape Adventures, 310-281-7809, GlobalScavengerHunt.com.
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© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures