Tag Archives: indigenous tourism

Coast to Coast, Canada’s Heritage, Culture, Wilderness Beckon Ecotourists in Summer

Celebrating a birthday at Salmon n’Bannock, Vancouver’s original indigenous restaurant © Karen Rubin/goingplacesfarandnear.com

Edited by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

From coast to coast, Canada’s heritage, culture, wilderness beckon ecotourists this summer.

Experience Indigenous Cultures in British Columbia

June is National Indigenous History Month in Canada, culminating in National Indigenous Peoples Day on June 21, but all summer long, British Columbia offers any number of ways to experience histories, traditions and values of First Nations, Inuit, and Métis Peoples. Indigenous tourism encourages visitors to understand and respect different perspectives of the world, and to experience histories, traditions, and values in an authentic and unfiltered way.  

British Columbia has the greatest diversity of Indigenous cultures in Canada: of the 12 unique Indigenous language families in the country, seven are located exclusively in BC. Together, there are 204 unique Indigenous communities in BC. Here are 11 ways to engage in Indigenous experiences in British Columbia this summer. 

A Three-Hour Song, Dance & Cultural Experience  During festivals, weddings, and potlatches, the Tla-o-qui-aht People come together to share a wholesome meal while exchanging wisdom and stories, with the belief that good food facilitates an easier reception to teachings. Visitors can join the tradition at the Best Western Plus Tin Wis Resort in Tofino, where the Tla-o-qui-aht Nation will host naaʔuu (which means “feast” in the Tla-o-qui-aht Nation language), an immersive experience taking place on select dates in June. The three-hour experience tells stories from the Nation’s history through song, dance, and traditional carvings, presented during a symphony of cultural delicacies and foraged ingredients. Proceeds go back to the Tla-o-qui-aht Nation to support language and cultural resurgence. Tickets start at $199 per person and can be purchased here. (Get there: From Vancouver, fly into Tofino-Long Beach Airport with Pacific Coastal Airlines, or right into Tofino Harbour with Harbour Air. Alternatively, you can take a ferry from Vancouver to Nanaimo or Comox and drive approximately 3.5 hours to Tofino).

naaʔuu expereince at Best Western Plus Tin Wis Resort in Tofino (photo: Indigenous Tourism BC/Melissa Renwick) 

Indigenous tour operators lead visitors into their traditional territory, providing a new perspective of local wildlife, plants, and waters:

Guided nature adventures led by the local Nation – Explore Ahousaht territory with Ahous Adventures, which is owned by a nation that has stewarded the lands and waters of Vancouver Island since time immemorial. The popular hot springs tour cruises the coast and inlets of Clayoquot Sound, with guides pointing out wildlife along the way. Once onshore, guests take a 30-minute walk via wooden boardwalk through old-growth rainforest, leading to the healing mineral waters of the hot springs. Throughout the journey, guides will discuss the history and cultural significance of Hot Springs Cove, a site that has been used for centuries by the Ahousat Nation for medicinal and spiritual benefits. Dates: Tours are available throughout summer and beyond. 

Cruise an Island Archipelago – Sidney Whale Watching, serving Sidney (just 30 minutes from Victoria, BC) and the Saanich Peninsula on Vancouver Island, is owned and operated by the Tsawout First Nation, with whale-watching experiences taking place on the traditional territories of the W̱SÁNEĆ Nation. The three-hour whale watching tour cruises through the Gulf Island Archipelago, winding past orcas, sea lions, and bald eagles hunting for salmon. Sidney Whale Watching has a 95% whale-sighting rate throughout the year; if guests don’t spot a whale, they are welcome to join another tour free of charge, anytime. Dates: Whale-watching tours take place daily between March and October. 

A group with Takaya Tours, rowing a traditional First Nations canoe in Deep Cove (photo: Destination BC/Hubert Kang)


Take a cultural tour in a 35′ canoe – Takaya Tours, based in Whey-ah-wichen, or Cates Park, in North Vancouver, leads guests through the territory of the Tsleil-Waututh Nation. Guests can paddle the protected waters of Indian Arm in replica ocean-going canoes, while guides share songs and stories of ancient villages. There’s also an option to add a rainforest walking tour to your paddling adventure. Dates: The Cates Park location is open between May and September for guided tours, as well as rentals of kayak, surf-skis, and stand-up paddleboards. 

BC Tourism Industry Awards Best Indigenous Tourism Operator Winner 2024 – Homalco Wildlife & Cultural Tours, which stewards the grizzly bear population in Bute Inlet—the ancestral home of the Homalco Nation—welcomes visitors to discover the area’s longstanding cultural and historical significance. The company’s full-day bear-watching and cultural tour leads guests to viewing areas that showcase grizzlies feeding on spawning salmon, along with plenty of opportunities to whale watch and bird watch. Guests can also wander through Aupe, an uninhabited Homalco village site. Dates: Tours are offered between August and October.

2023 Yelp Travelers Choice – Sea Wolf Adventures, which leads tours in the Broughton Archipelago and the Great Bear Rainforest, on Musgamakw Dzawada’enuxw Nation territory, combines cultural experiences with grizzly- and whale-watching safaris. The Grizzly Bears of the Wild tour connects guests with the iconic grizzly inhabitants of the Great Bear Rainforest, with bonus viewings of Pacific white-sided dolphins, eagles, orcas, and other wildlife. The full-day tour departs from Port McNeill, and includes Indigenous interpretations of local landscapes, as well as stories about the Musgamakw Dzawada’enuxw People. Dates: Tours run from May 31 through October. 

Skwachays Lodge, Canada’s first aboriginal art hotel, affords the nearest thing to staying in a First Nations community you might find in a major modern city © Karen Rubin/goingplacesfarandnear.com

Try Plant Medicine Lemonade  Opened in February 2024, The Ancestor Café in Fort Langley brings traditional Indigenous nourishment to locals and visitors while supporting Indigenous food sovereignty. The eatery is owned by Chef Sarah Meconse Mierau, a member of the Sayisi Dene Nation. On the menu: bison and elk Bannock tacos, handcrafted plant-medicine jams and lattes, and other delicacies made with traditional Indigenous ingredients. Beyond the food, the café features a fair-trade gallery displaying works by local Indigenous artists and brands. 

Indigenous-owned and operated accommodation welcome visitors come into their community to experience warm hospitality alongside stories and culture—all with a deep-rooted respect for nature: 

Gorge Harbour Marina Resort – One of the most desirable cruising destinations in BC – Located at the edge of Desolation Sound, on Klahoose Nation land, Gorge Harbour Marina Resort offers an idyllic home base for adventurers eager to explore the sound, Cortes Island, and the Discovery Islands. The resort offers a multitude of overnight options, including a rustic lodge with four rooms, a cottage enclosed by lush gardens, and two self-contained trailers. Summer-specific options include 21 full-service RV sites, six glamping domes, and six tent sites—open for the season now. Summer activities span live music on the waterfront, yoga at the harbour, family movie nights, as well as whale-watching tours offered between May 1 and October 15. (Get there: Take a ferry from Vancouver to Nanaimo, then drive 1 hour and 45 minutes to Campbell River. From here, take a 10-minute ferry to Quadra Island, then a 45-minute boat trip to Cortes Island. You can also fly direct to the resort from Campbell River, Vancouver, or Seattle, Washington.)   

Nemiah Valley Lodge – Off-grid & highly requested – Open year round, Nemiah Valley Lodge is located in the Chilcotin region, on Tŝilhqot’in Nation land. Here, guests are immersed in the food, history, and traditions of the Xeni Gwet’in community through local events, cultural experiences, and wildlife viewing. The all-inclusive packages include lodge activities such as lakeside yoga and meditation, canoeing and stand-up paddleboarding, fishing, archery. Note: Nemiah Valley is taking bookings for 2025. (Get there: The lodge is a 30-minute floatplane ride from Whistler. Alternatively, take a flight from Vancouver International Airport to Williams Lake (available throughout the summer), and drive 2.5 hours to your destination. The lodge also offers a transfer from Williams Lake.) 

Talaysay Walking Indigenous Tours experience in Stanley Park in Vancouver (photo: Destination Vancouver/Kindred & Scout)

Tsawaak RV Resort – A 2024 Indigenous Tourism Award Winner – Whether you’re seeking a cozy wilderness cabin or a place to park your RV, Tsawaak RV Resort— located in Tofino, on Tla-o-qui-aht Nation land—offers a tranquil space for rest and rejuvenation. Guests can choose from 34 RV sites and 13 longhouse-style cedar cabins—all situated close to Mackenzie Beach and a 30-minute walk from town. The central amenities building offers laundry facilities and vending machines, while the visitor center houses an art gallery and retail shop. The resort provides easy access to Tofino’s most popular adventures, including surfing, hot springs, and hiking. (Get there: From Vancouver, fly into Tofino-Long Beach Airport with Pacific Coastal Airlines, or right into Tofino Harbour with Harbour Air. Alternatively, you can take a ferry from Vancouver to Nanaimo or Comox and drive approximately 3.5 hours to Tofino.)

Spirit Bear Lodge – Located in the largest, temperate coastal rainforest in the world – Wildlife viewing and cultural experiences take centre stage at Spirit Bear Lodge, located in Klemtu, on Kitasoo Xai’xais Nation land. The lodge’s all-inclusive adventures are anchored by visits to cultural sites of the Kitasoo Xai’xai People, who have lived for thousands of years in the Great Bear Rainforest—the largest temperate coastal rainforest in the world. Guests can search for the elusive Spirit bear, watch grizzlies roam lush estuaries, see whales and other marine life, and explore the remnants of ancient villages. Open from August to October, with limited reservations available. (Get there: Board a flight at Vancouver International Airport with Pacific Coastal Airlines to Bella Bella. You’ll be met by Spirit Bear Lodge staff and shuttled to the dock, where a lodge boat will take you on the two-hour journey to Klemtu.)

Wildlife viewing experience at Spirit Bear Lodge (photo: Indigenous Tourism BC)

For more authentic Indigenous experiences in British Columbia visit www.indigenousbc.com

Nova Scotia Hosts Worldwide Celebration of Acadian Heritage

This August 10-18, Nova Scotia will host the Congrés mondial acadien (CMA), a worldwide celebration that takes place every five years and brings together the Acadian diaspora from around the world for musical events, culinary and cultural attractions and family gatherings. Several major outdoor concerts featuring noted Acadian artists are scheduled, including Canada’s National Acadian Day on August 15. From the brightly painted houses of Yarmouth and picturesque views of seaside villages like Belliveau Cove and Pointe-de-l’Eglise, visitors will find vivid reminders of the French settlers who first claimed Nova Scotia as their home in the early 1600s. The CMA reunites and welcomes communities, families, and visitors to the province to honor Acadian history and to commemorate the thousands displaced in 1755 when the Acadian people were expelled from the province by the British for not taking a vow of loyalty to King George III. (https://cma2024.ca/en/).   

Throughout the summer, there are important Acadian historic sites to visit in Nova Scotia:

Grand Pré National Historic Site: Open from May 17 to October 14, the Grand Pré National Historic Site is a powerful way to discover the history of l’Acadie (a historical Acadian village in Nova Scotia settled from 1682 to 1755), its people and its culture. The location is a monument that unites the Acadian people, and for many, it is the heart of their ancestral homeland. Guided tours lead visitors through the center of this Acadian settlement and where they can learn about the history of the mass deportation of the Acadians, “Le Grand Derangement,” that began in 1755. This tragic event continues to shape the vibrant culture of modern-day Acadians across the globe. Tours are available in July and August. 

Explore the oldest Acadian region still inhabited by descendants of its founder in Le Village Historique Acadien de la Nouvelle Ecosse.

Le Village Historique Acadien de la Nouvelle-Écosse: Explore the oldest Acadian region still inhabited by descendants of its founder in Le Village Historique Acadien de la Nouvelle-Écosse. Founded in 1653 by Sieur Philippe Mius-d’Entremont, the village is a breathtaking, 17-acre space overlooking Pubnico Harbour. Attractions include historical buildings and original 19th century wooden homes like Duon House and Maximin d’Entremont House, a lighthouse and local cemetery, nature trails with natural fauna and flora indigenous to the area, and opportunities to learn about the historic Acadian fishing and farming traditions.  

Rendez-vous de la Baie Visitor Centre: Open year-round and located on the campus of Université Sainte-Anne in Clare, Rendez-vous de la Baie Visitor Centre is an Acadian cultural and interpretive center. Attractions include an artist-run gallery, a souvenir boutique, a 263-seat performance theatre, and an outdoor performance area. Travelers can experience the interpretive center and museum which delve into the Acadian peoples’ history through multimedia displays of music and language with free guided tours available. The venue is also a trailhead for a three-mile network of walking trails leading to the breathtaking Nova Scotian coast (guided walking tours available). 

More information: Nova Scotia, www.novascotia.com  

New Brunswick’s Acadian Heritage and new Travel Experiences

Another place to experience Acadian heritage is in New Brunswick, just across the strait from Nova Scotia:

Historic Acadien Village is an open air living history museum with costumed (fully bilingual) interpreters who recreate the roles of real people. What makes this place so extraordinary, though, is that you walk a 2.2 km circuit through 200 years of history – the 40 buildings represent a different time, the oldest from 1773 up to 1895, then, you walk through a covered bridge built in 1900 into the 20th century village where the buildings date from 1905 to 1949. As you walk about, you literally feel yourself stepping across the threshold back in time.

You not only visit but can actually book a room to stay at the Hotel Chateau Albert (1910). Albert opened hotel in 1870 but had financial problems from the beginning and was put out of business by Canadian Pacific railroad.. The building was destroyed in a fire in 1955, and restored using the original plans. It now offers 14 rooms (with bathrooms) that you actually can book to stay overnight. (hotelchateaualbert.com, 506-726-2600).

Historique Acadien Village, 5 rue du Pont, Bertrand, NB, 1-0877-721-2200, [email protected]villagehistoriqueacadien.com  

Metepenagiag Heritage Center displays how the Mi’kmaq would have lived, season by season © Karen Rubin/goingplacesfarandnear.com
 

Also in New Brunswick, Metepenagiag is an active archaeological site and research center where artifacts unearthed have provided proof the Mi’kmaq have been occupying this land for at least 3,000 years. When you first walk into the exhibition building, you can look into the lab where researchers examine artifacts. Some of the items, like a 1200-year old Earthenware pot, arrowheads and other items are on display.

What is more, you can overnight in a tipi (glamping), cabin or lodge, have a First Nations dining experience, storytelling and be immersed in the 3,000-year heritage around a campfire. Or take part in “A Taste of Metepenagiag” and learn about foods and cooking techniques. New experiences are also being developed.The Mi’kmaq operate SP First Nations Outdoor Tours, authentic indigenous experiences that begin with a traditional welcome, a river tour by canoe or kayak, storytelling; and authentic First Nations dining and accommodations (56 Shore Road, Red Bank NB, Metepenagiag, 506-626-2718).

Metepenagiag Heritage Park, 2156 Micmac Road, Red Bank NB, 506-836-6118, [email protected] 1-888-380-3555, metpark.ca.

In 2024, New Brunswick, the Atlantic Canadian province just over the Maine border, unveils novel experiences for visitors including new ways to explore the capital city of Fredericton, dining the bottom of the ocean floor at the Bay of Fundy, a revitalization of a favorite gathering spot in Canada’s oldest city, Saint John, and 60th anniversary celebrations of the FDR International Park on Campobello Island.  

Visitors to Hopewell Rocks Provincial Park this year can not only observe the natural phenomenon of low and high tides alternating as much as 40-plus feet, they can also dine on the ocean floor © Karen Rubin/goingplacesfarandnear.com

Dining on the Ocean Floor: Visitors to Hopewell Rocks Provincial Park this year can not only observe the natural phenomenon of low and high tides alternating as much as 40-plus feet, they can also dine on the ocean floor. In 2024, Hopewell Rocks will offer its new culinary adventure: “Dining on the ocean floor”. Travelers will relish in the magic of dining among some of the most extraordinary rock formations in the world with a private, locally sourced three-course meal and specialties served from Magnetic Hill Winery in Moncton. After enjoying cuisine by the sea, park-goers can return the next day at no additional admission cost, which starts at $15.85 CAD, to behold both high and low tides. For more information about Hopewell Rocks Provincial Park and updates about dining on the ocean floor, visit https://www.thehopewellrocks.ca/.  

Coffee Connoisseur Tour with Barista Brian: Home to top attractions like Odell Park, Boyce Farmers Market, and Beaverbrook Art Gallery, Fredericton, New Brunswick, is also an ideal location for coffee lovers wishing to expand their knowledge and taste buds. For a new way to explore the city, visitors can join internationally celebrated latte artist Barista Brian on the new “Coffee Connoisseur” walking tour. Brian has earned his title while decorating lattes for attendees of the Sundance and Toronto International film festivals and for multiple Hollywood celebrities. Participants will sip, savor, and learn about locally roasted coffee at four independent coffee shops in the capital. Barista Brian is famous for his renowned latte art creations and has produced multiple latte portraits of celebrities including Meryl Streep, Conan O’Brien, Jennifer Lopez, Kristen Stewart, and more. While touring, Brian will provide education about everything from single origin beans to sustainable coffee, the history of coffee, and how to properly taste. Attendees will enjoy tastings of several coffee drinks such as a blend, delicious espresso, single roast, and will finish off with a latte displaying the handcrafted art of Brian. For more information about Barista Brian and his work, head to https://www.baristabrian.com/. To purchase tour tickets and view available dates,  https://www.eventbrite.ca/e/coffee-connoisseur-tour-with-barista-brian-tickets-764462898107.  

Campobello Island’s FDR International Park Celebrates 60th Anniversary: A symbol of international cooperation, the Franklin D. Roosevelt International Park on Campobello Island is jointly administered, staffed, and funded by the people of Canada and the United States. In 2024, the landmark is celebrating its 60th year standing as a representation of global collaboration. Throughout the month of July, special anniversary festivities will unfold amidst the breathtaking views of the New Brunswick Island connected to Maine by bridge. The former U.S. president and his family would spend their summers on Campobello Island, and visitors can now experience the former 34-room summer mansion firsthand. Given as a wedding gift to Franklin and Eleanor in 1908 by Franklin’s mother Sara Roosevelt, the cottage quickly became a key piece of the couple’s beloved island. Activities include “Tea with Eleanor” in the backyard and guided tours. For further details and event updates, visit https://www.rooseveltcampobello.org/.  

Market Square Boardwalk Revitalization: In Uptown Saint John, Canada’s oldest incorporated city, the Market Square Boardwalk will show off a new look in 2024. It is now known as Ihtoli-maqahamok (The Gathering Space), chosen through a community process between Saint John citizens, the Civic Commemoration Committee, Common Council, City of Saint John staff, and consultation with First Nations’ leaders from The Wolastoqey Nation in New Brunswick. The boardwalk has undergone a rejuvenation that includes a larger 360-degree stage with increased public space for live performances, tidal steps leading to the Bay of Fundy, and the installation of a winter outdoor skating surface that will convert to a verdant green space in the summer. The restaurants of Market square were also upgraded with glass-panel installations, creating patios with year-round dining. Ihtoli-magahamok (The Gathering Space) draws its design inspiration from the three foundations of Saint John: its people, the water, and the rugged rocks that define the city’s character. To learn more about the reimagined Market Square Boardwalk, head to https://saintjohn.ca/en/parks-and-recreation/ihtoli-maqahamok-gathering-space

Travel planning assistance from Tourism New Brunswick, 800-561-0123www.tourismnewbrunswick.ca.

Summer is a 5 Sensory Season in Newfoundland and Labrador

From the rolling waves lapping off the coastline to the colorful clotheslines dancing in the ocean breeze, Newfoundland and Labrador is home to the slow way of life, especially when the seasons change. As spring rolls into summer, regular visitors to the province return, including the whales, birds and icebergs that heighten all senses. Visitors can experience the first sunrise in North America, witness the migration and play of whale species that return to the shores each year, and taste food foraged from land and sea. For relaxation, guests can soak in the bounty of the ocean in a bath with seaweed gathered off the coast of Grates Cove, go for a cold-water dip in the many outdoor locations including the North Atlantic Ocean, or sit and listen to the push and pull of the beach rocks as they roll with the waves. 

Sea of Whales Adventures: The Atlantic Ocean surrounding Newfoundland and Labrador boasts as many as 22 diverse whale species. Just off the Bonavista Peninsula, travelers will smell the ocean breeze and be humbled by the spectacle of whale species like humpbacks, sperm, orcas, feeding, migrating, and playing on Sea of Whales Adventures whale watching boat tours. Family owned and operated since 2009, Sea of Whales Adventures offers three-hour whale watching tours daily from May 15 to October 14 and two-hour tours daily from June 15 to September 3. The two-hour tour rates start at $90 CAD for adults and $60 CAD for children, while the three-hour tour rates start at $110 CAD for adults and $80 for children.  

Family owned and operated since 2009, Sea of Whales Adventures offers three-hour whale watching tours daily

Preserving the Dark Sky: Terra Nova National Park, the first designated Dark Sky Preserve in the province, allows travelers to gaze into the cosmos untouched by light pollution. Under the Dark Sky Preserve Program, the park is committed to protecting and improving nocturnal ecology by adjusting, retrofitting, or eliminating light fixtures while delivering new educational and interpretive programs on astronomy and various dark sky themes. The most popular viewing locations include Sandy Pond, rated to have the darkest skies in the park, Ochre Hill, historically used as a fire-watch station, Blue Hill, the highest point in the park putting guests among the stars, and Visitor Centre, with the starlit sky reflected across the water. New in 2024, UNESCO World Heritage Site Gros Morne National Park is applying to the Royal Astronomical Society of Canada for designation as a Dark Sky Preserve, offering visitors even more unaltered space to bask in the celestial views. 

Wild Island Kitchen: Open year round, Wild Island Kitchen offers travelers the chance to dine aside breathtaking seascapes listening to the crashing waves while wild and sustainably caught seafood is cooked over an open fire. The locally owned tour and culinary group provides menus that change daily based on what is foraged and discovered each day, with guides teaching guests how to cook and prepare the cuisine. The “From Sea to Plate” Tour features sustainable, high-quality seafood cooked with water from the sea and cooked over an open fire, and guests can expect four to five courses over a three-hour period. For a shorter, one-hour experience, visitors can book the “Mug-Up” Tour which typically departs at 10 a.m. and includes a trip down the cove for a cup of tea or coffee and an interpretative food journey inspired by traditional coastal delights. Tour rates start at $175 CAD, but guests are encouraged to email [email protected] for specific pricing per tour. Pre-booking is required for both culinary experiences. 

Grates Cove Seaweed Baths: In the northernmost part of Newfoundland and Labrador, weary travelers can soak in a seaweed bath at Grates Cave Co. Known for its healing and rejuvenating properties, seaweed is harvested off the coast of Grates Cove and transformed into 7 Fathoms skincare, producing a high-quality, highly bioactive brown seaweed extract suited for personal care. Grates Cove Co. uses the product, densely packed with essential nutrients and minerals, for the fresh seaweed baths in the comfort of the bathhouse overlooking the North Atlantic. The bathhouse is bookable from Monday to Sunday for two-hour time slots from 11 a.m. to 1 p.m., 2-4 p.m., and 5-7 p.m., and the price per couple is $110 CAD + HST (Harmonized Sales Tax). 

More information: Newfoundland and Labrador,  www.newfoundlandlabrador.com  

See also:

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

TRAIL TO DISCOVER BRITISH COLUMBIA’S INDIGENOUS HERITAGE WEAVES THROUGH WHISTLER-BLACKCOMB

NEW BRUNSWICK ROADTRIP: EXPLORING FRENCH ACADIA’S CULTURE, HERITAGE BY BIKE!

NEW BRUNSWICK ROADTRIP: METEPENAGIAG HERITAGE CENTER HIGHLIGHTS MIRAMICHI VISIT

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Granville Island, Vancouver’s Nearby Getaway, is Cornucopia of Art, Culture

One of the most photographed scenes in Vancouver: “The Giants” at the cement factory on Granville Island, painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo (known as OSGEMEOS). Granville Island is a mecca for arts and culture © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I have cleverly arranged for a late flight from Vancouver, so I would have a whole day to continue to explore.

Indigenous Tourism BC which has arranged my itinerary has offered a number of suggestions: rent a bike and riding around the seawall at Stanley Park; visit the Vancouver Art Gallery (750 Hornby St, Vancouver); visit Museum of Vancouver (1100 Chestnut St, Vancouver) to see Indigenous micro-exhibition Spirit Journeys: Walking with Resilience, Wellbeing and Respect; visit Granville Island.

Rick, the Skwachàys Lodge manager, just the evening before, had raved about how much he loves visiting to Granville Island – it has the best public market – and was planning to go himself.

I map out a delightful 3.3 km walk from the hotel to David Lam Park where I hop the cute Aquabus ferry for the few minutes ride to Granville Island. (Aquabus, $6/roundtrip, which also offers a 40-minute ferry ride tour)

Arriving on Granville Island by ferry © Karen Rubin/goingplacesfarandnear.com

As soon as I climb the stairs from the ferry dock, I appreciate why Granville Island very properly boasts of being a “magical escape within a city.” I would add: playful, whimsical, fantastical, a place of endless delight, a non-stop smile.

The public market on Granville Island is one of the best, most fun in the world © Karen Rubin/goingplacesfarandnear.com
The public market on Granville Island is a place of endless delight © Karen Rubin/goingplacesfarandnear.com

The charm of Granville Island lies in its unexpected mix of uses which reveal themselves as you simply wander around. People come for the most spectacular public market (open daily 9am-7pm) with 70 purveyors of all manner of fresh produce and fine foods (some famous, like Lee Donuts, where as Rick tells me to expect, there is a line outside to get in).

People queue up to enter Lee’s Donuts in the public market on Granville Island © Karen Rubin/goingplacesfarandnear.com
Bringing his child back to the Granville Island public market he enjoyed as a child © Karen Rubin/goingplacesfarandnear.com

There is the Net Loft featuring “offbeat artisan goods” and marvelous boutiques and shops with local creations and imported crafts from Latin America, Asia and Africa like Mondo Company (“Step into our world and discover fairly traded, ethically sourced, handcrafted products from artisans around the globe”, www.mondoandcompany.com); a bustling Artisan District where you see and meet artists at work in their studios and galleries; a children’s district (toy stores!); and performance venues (Ballet BC coming to Granville Island), plus special events and festivals, all taking over vacated (and for a time decrepit) industrial buildings. There is even a hotel.

Granville Island has an entire Children’s District © Karen Rubin/goingplacesfarandnear.com
Silk weaving on Granville Island © Karen Rubin/goingplacesfarandnear.com

Art (and music) is everywhere- even the cement factory (one of the few industrial uses that remains) has painted “Giants”on its gi-normous silos (painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo, known collectively as OSGEMEOS (Portuguese for THETWINS), which was commissioned in 2014 by Vancouver Biennale as part of an open-air museum, and were only expected to be up temporarily. It cost $180,000 and 1400 cans of spray paint and costs $17,000 a year to maintain. (https://www.atlasobscura.com/places/giants-on-granville-island-silos)

One of the most photographed scenes in Vancouver: the Giants at the cement factory on Granville Island painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo, known as OSGEMEOS © Karen Rubin/goingplacesfarandnear.com

But before Granville Island was a cultural mecca, before it was an urban wasteland, before it was an industrial hub, it was the meeting place for three First Nations summer potlatch.

“The xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) peoples are indigenous to the area around Vancouver and have lived on these lands for thousands of years…” Chief Janice George, Skwxwú7mesh, writes. “The Salish, the Indigenous people of the area, used a large sand bar (later filled in to become an Industrial Island, then Granville Island), and the surrounding areas for traditional purposes such as hunting, gathering, travel, and everyday living and cultural activities. The resources were so plentiful, the Salish people had a saying, ‘when the tide went out, the table was set,’ meaning that when the tide went out, they could walk with the tide and have enough food for their families.”  

Re-creating the meeting place the indigenous people who occupied this land for thousands of years, on Granville Island © Karen Rubin/goingplacesfarandnear.com

As Vancouver was colonized in the 1860s, it became shipping port (there are still the railroad tracks), but as industries shuttered, it descended into a derelict industrial wasteland from 1950-60s. A few artists squirreled away, making art in studios within the Quonset huts.

Silk weaving on Granville Island © Karen Rubin/goingplacesfarandnear.com

A historic marker notes that Granville Island was created between 1913 and 1916 when the government of Canada and the newly created federal Vancouver Harbour Commission contracted to pump and dredge over 1 million cubic yards from the bottom of False Creek and deposit the material behind pilings ringing several sandbars and First Nation fishing weirs. “Over the next 50 years, heavy industry waxed and waned” on Granville Island. By the early 1960s it had become a squalid, seedy and derelict industrial area.” For the next 10 years, while politicians debated, four entrepreneurs began buying up four buildings which they renovated into “The Creekhouse,” interestingly, retaining the industrial look.

“Creekside” that spurred the repurposing and redevelopment of Granville Island, from a dilapidated industrial wasteland to a mecca for culture and art  © Karen Rubin/goingplacesfarandnear.com
Granville Island has been redeveloped and repurposed from a dilapidated industrial wasteland to a mecca for culture and art, food and fun © Karen Rubin/goingplacesfarandnear.com

In the 1970s, MP Ron Basford arranged for the Canadian government to buy the land and experiment with public spaces and venues for food, culture, and  artists. Today, Granville Island provides space for 300 businesses employing more than 3,000 people and is “an active public space showcasing Vancouver culture to locals and rest of world,” a marker states.

On Granville Island you see artists and artisans at work in their studios, like this art glass studio © Karen Rubin/goingplacesfarandnear.com

In the Artisan District, I meet artists Cheryl Hamilton and Michael Vandermere in their enormous, factory-sized studio space, ie creative artworks (her imaginative sculptures lately have been themed about climate change); BC Blacksmith Miran Elbakyan (www.bcblacksmith.com); Benjamin Kikkert who works in hot glass and mixed media sculpture; carver Todd Woffinden; silk weavers (www.silkweavingstudio.com), broommakers Mary and Sarah Schwieger (broomcompany.com). There are also indigenous art galleries.

One of the indigenous art galleries on Granville Island © Karen Rubin/goingplacesfarandnear.com

At my last stop, I find myself in front of a gold plaque identifying this place as the site of renowned artist Bill Reid’s studio, where he created the sculpture that is now at Vancouver Airport.

A gold plaque marks the former studio of acclaimed Haida artist Bill Reid where he created some of his famous monumental works© Karen Rubin/goingplacesfarandnear.com

This is now the Nutter Studio, where glass artisan John Nutter does the etching in glass that many of the indigenous artists design. He even created the glass windows for Young Israel Synagogue in Hillcrest, Queens NY (my old neighborhood!) and seven windows for Atlantic Beach Jewish Center on Long Island (my brother’s neighborhood!) Small world! (www.johnnutterglassstudio.com).

Glass craftsmanJohn Nutter now occupies Bill Reid’s studio © Karen Rubin/goingplacesfarandnear.com

We have a vigorous discussion of art versus craft, the revival of indigenous arts (or is it crafts?) and artists who feel obligated to re-create traditional symbols, images and techniques, versus developing their own style and statement.

Glass craftsman John Nutter now occupies Bill Reid’s studio © Karen Rubin/goingplacesfarandnear.com

Throughout Granville Island, there are homages to its Indigenous origins, and the website offers this statement: CMHC-Granville Island would like to acknowledge that we are located on the traditional territory of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) First Nations.

Glass craftsman John Nutter, whose studio is the site of Bill Reid’s studio on Granville Island, shows a $20 bill featuring Bill Reid’s famous “The Spirit of Haida Gwaii” © Karen Rubin/goingplacesfarandnear.com

Check the Granville Island website for events (Sunset Dragonboat and Saturday Dragonboat drop in Sessions!), https://granvilleisland.com/

Skwachàys Lodge, Canada’s First Aboriginal Art Hotel

Staying at the Skwachàys Lodge – Canada’s first Aboriginal Art Hotel – enhances my experience in Vancouver with this immersion into local Indigenous art and culture.

Vancouver Native Housing Society (VNHS opened the Skwachàys Lodge, the Urban Aboriginal Fair-Trade Gallery, and the Artists in Residence Program in June 2012, transforming a derelict SRO hotel into a social enterprise consisting of a boutique hotel with a street-level art gallery and on-site housing and studio space for 24 Indigenous artists © Karen Rubin/goingplacesfarandnear.com

Vancouver Native Housing Society (VNHS opened the Skwachàys Lodge, the Urban Aboriginal Fair-Trade Gallery, and the Artists in Residence Program in June 2012, transforming a derelict SRO hotel into a social enterprise consisting of a boutique hotel with a street-level art gallery and on-site housing and studio space for 24 Indigenous artists.

“VNHS identified the vulnerability of many urban Indigenous artists – artists in need of housing, artists who for various reasons are not able to properly represent and market themselves or their work. Often these artists are commercially exploited through a long established ‘street or underground’ market that takes advantage of their vulnerability. They try to live ‘off their work’ by selling on the street or in the bars or through the commercial dealer network that purchases original, gallery quality art for, at times, only five or ten cents on the dollar,” the notes state.

“By creating a live/work supportive complex with a built-in gallery and community production space, VNHS took a lead role in addressing the social and economic inequities that Indigenous artists can face.”

The Artists in Residence Program provides up to three years of affordable housing, 24/7 access to workshops, and opportunities for personal and professional development that help artists develop their craft and move into the next phase of their careers. To date, 110 Indigenous artists have participated in the program.

The Lodge, the Urban Aboriginal Fair-Trade Gallery and production space are operated as a self-sustaining social enterprise. Artists are paid a fair price for their work (30%-60% of the retail price depending on the artist’s reputation and the cost that is underwritten by the gallery (framing, marketing and promotional expenses).

The gallery at Skwachàys Lodge is part of the social enterprise that supports indigenous artists © Karen Rubin/goingplacesfarandnear.com

In this way, each hotel guest’s travel dollars, and each purchase of art at the Skwachàys Lodge has a social impact.

“A simple purchase fights cultural misappropriation and ensures that Indigenous artists are paid fairly for their work. Cultural tourism is one of the fastest growing segments of the tourism sector and there is absolutely a place for our urban Indigenous artists to participate in this industry as a means of reclaiming their lives and independence.”

Skwachàys Lodge goes way beyond living in and supporting art – there are also opportunities for guests to engage in authentic Indigenous cultural experiences  

Sweat Lodge Ceremony: Skwachàys has a traditional First Nations Sweat Lodge and offers private Sweat Lodge Purification Ceremonies lead by a Sweat Lodge Keeper. The Sweat Lodge, located in the rooftop garden, is a domed structure constructed from inter-woven willow branches symbolizing Mother Nature’s womb. During the ceremony, the Keeper places heated rocks –known as “grandmothers and grandfathers” – to cleanse and purify the participant’s heart, soul and spirit, bringing life balance and connection to Mother Nature.

Traditional Smudge Ceremony:  Skwachàys has an authentic Indigenous Smudge Room on its Raven Level. In a Smudging Ceremony, sacred plants are burned, surrounding the participants’ body and senses in the aromatic smoke to purify body, spirit and home. Three different kinds of plants are used: cedar bows are burned for cleansing; sage to drive out ill feelings or influences, protecting the place of ceremony; and sweet grass, one of the most sacred plants, is burned to bring in positive influences and energies.

These ceremonies are personal and private, so arrangements must be made in advance. A minimum number of people is required. (For more information and costs, [email protected]).

Studio Visits With Artists: Visitors can also arrange studio visits with Indigenous artists in residence. Artists including jewelers, painters, carvers, sculptors work on projects in the shared Artist Studio, located in the basement  throughout the year.

Kayachtn Room (the Salishan word for “welcome”) is a space where the Lodge community can come together to connect, create memories and share a meal – and is where breakfast is served at Skwachàys Lodge © Karen Rubin/goingplacesfarandnear.com

The Skwachàys Lodge has a Kayachtn Room  (the Salishan word for “welcome”), a space where the Lodge community can come together to connect, create memories and share a meal – and is where breakfast is served.

“Indigenous culture rests on a communal social structure, one that values living in harmony with one another, as well as with the natural world.”

Skwàchays Lodge 31 W Pender St Vancouver, BC V6B 1R3 604.687.3589,   1 888 998 0797,   [email protected], https://skwachays.com/.

Indigenous Tourism BC

With 204 Indigenous communities and more than 30 Indigenous languages – about one-third of Canada’s First nations population – British Columbia offer extensive authentic Indigenous experiences on reserves, in remote areas and even cities like Vancouver.

The best guide to these experiences is Indigenous British Columbia, a tourism development and promotion organization that connects visitors with Indigenous-owned, operated and staffed lodges, museums, culture centers, restaurants, wineries, hiking (indigenous guide), bear viewing, whale watching, outdoors adventures, wellness and other experiences.

Indigenous Tourism BC connects visitors to experiences such as Vancouver’s only indigenous restaurant, Salmon n’ Bannock Bistro © Karen Rubin/goingplacesfarandnear.com

In addition to the experiences I have (the Bill Reid Gallery, Talaysay Tours, Salmon n’ Bannock Bistro, Granville Island, the Skwàchays Lodge in Vancouver, and the Squamish Lil’wat Cultural Centre and the Audain Art Museum in Whistler), other entities include:

  • Takaya Tours: Open during summer, guests can experience an array of tours, from cultural experiences, to canoe tours and even multi-day experiences
  • Great River Fishing Adventures: Another great tour company where guests can learn about the history of BC, as it started in this area from the mining era. A top experience is going sturgeon fishing, and these are not normal-sized fish!
  • Gulf Island Seaplanes: New this spring, they have introduced scenic cultural tours which involve a flight over Vancouver, along with the history and story-telling of the land

Multi-day itineraries are available. For example, a two-day Kamloops-Chase-Barriere-Merritt itinerary features a stay at Quaaout Lodge and Spa on Little Shuswap Lake in Squilax (Chase, British Columbia), Indigenous fusion cuisine, golf and spa facilities, visit to Tsutswecw Provincial Park and a 14-km Moccasin Trails Canoe Journey from Lafarge Landing to Valleyview with a local knowledge guide, down the South Thompson River along the traditional Secwepemc water route to Tkemlups.

“Immersive Indigenous destinations and experiences are expansive and transformational. Augment your reality with an Indigenous point-of-view and see old places with new eyes. By their nature, Indigenous perspectives cannot be understood as a bystander or simple witness. Step out of ordinary time and daily routine with Indigenous hosts around BC,” the tourism office says.

Indeed, the indigenous peoples’ respect for Mother Earth that is so fundamental to their culture and society – that the colonizers so intentionally sought to eradicate – is being validated as human-caused climate change is wreaking disaster after disaster. It is important that this sensibility, these philosophies, this approach to living in the world be elevated and embraced in modern terms. Travel helps us see and experience and take lessons back to our own homes and communities.

Indigenous Tourism BC offers travel ideas, things to do, places to go, places to stay, and suggested itineraries. Download a trip planning app (https://www.indigenousbc.com/indigenous-bc-trip-planner-app/)

Indigenous Tourism BC, 100 Park Royal S #707, West Vancouver, BC V7T 1A2, 604-921-1070, https://www.indigenousbc.com

See also: 

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

TRAIL TO DISCOVER BRITISH COLUMBIA’S INDIGENOUS HERITAGE WEAVES THROUGH WHISTLER-BLACKCOMB

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© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Trail to Discover British Columbia’s Indigenous Heritage Weaves Through Whistler-Blackcomb

Audain Art Museum, Whistler, is a world-class art museum with one of finest collections of indigenous masks going back to mid-1800s and British Columbia artists © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My whirlwind odyssey to learn about the renaissance of British Columbia’s indigenous heritage takes me to Whistler-Blackcomb, the world-famous ski resort. The mountain resort, one of the largest in North America, is on First Nations land and is where a cultural center, a joint endeavor of the Lil’wat and the Squamash nations, has opened.

I hop the Skylynx shuttle bus, packed with skiers, that leaves from the Hyatt Regency Vancouver downtown (also close to the Bill Reid Gallery and the Fairmont Hotel) for a pleasant, scenic two-hour ride to Whistler Village Centre.

The skiing even this late in the season looks fantastic but I am here to continue my study of the indigenous heritage – past and present – that permeates this place. The spirit is very strong here in Whistler. While the skiers all head to the gondola, I find my way to a trail that leads to the Squamish Lil’wat Cultural Centre.

The idea for a world-class cultural center originated with the Resort Municipality of Whistler in 1997, which met with the Lil’wat Nation to discuss its participation and presence in Whistler. Mindful of its historic collaboration and shared interest in land stewardship with the Squamish Nation, in 2001, the two nations signed a historic Protocol Agreement, the only one of its kind in Canada. The Squamish Lil’wat Cultural Centre opened in 2008. In 2020, a framework Agreement was signed between the Nations and the Resort Municipality of Whistler, providing for collaborations on economic development, tourism and promotion of cultural awareness.

Dalilah conducts a “What We Treasure” tour of Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

The building is a beautiful space with floor-to-ceiling windows that look out to the woods. I join nine others for the center’s signature tour, “What We Treasure,” which are led by cultural ambassadors who share their own stories and first-hand cultural experiences. The tour begins with an excellent 15-minute orientation film.

Our guide is Dalilah, whose Lil’wat name is T’ac T’ac , or “sweet sweet” like sweetie or sweatheart. She is a 17-year old high school student interning on her spring break. She begins by singing in her native language, “We belong to the land, the land is our people, we belong to the land.” We view artifacts and hear stories that give us a sense of the past and present way of life of the Squamish and Lil’wat peoples. 

It is fascinating to seen the differences in clothes at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

As we go through the center, I am struck by how different the clothes, foods and therefore the traditions and daily habits are for these two peoples who live “where rivers and mountains meet.”  It is starkly clear how culture and lifestyle is linked to the ecology and topography of their land and the materials and resources at hand. The Squamash are coastal, the Lil’wat live on the mountain.  Culture is a manifestation of the ecosystem we inhabit – even and especially today.

It is fascinating to seen the differences in clothes at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

It is these traditions and lessons of living in close harmony with nature (Mother Earth), to the point of spiritual devotion, that the indigenous people impart today, all the more relevant in light of the climate disasters of a planet out of sync with nature.

The displays are less historic artifacts and more contemporary examples of the traditional arts and crafts being revived; often these are not just re-creations of centuries-old design and form, but with modern twists.

We learn how their societies were so careful to live in harmony with their environment – their canoes are made from red cedar bark, but they only harvest a precise section of the tree – hugging the tree so that there are two hand-widths.

“We make sure to only take a piece of the tree so we don’t kill it. We are connected to the cedar through the things we make with it,” notes Joy Joseph-McCullough, a Squamish weaver.

Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

There is an element of mythology, mysticism, handed down from the ancients, that continues to underpin their worldview, reflected in the urgency to save language, and the oral tradition, and resurrect traditional arts and crafts.

It is reflected in Joy McCullough-Joseph’s notes about the traditional Coast Salish Blanket she named “The Message.” “I twilled and twined on a Traditional Coast Salish Loom. I named my blanket, “The Message’ because the design for the blanket came to me in a dream. In my dream our Ancestors told me to weave in Mother Earth to remind us of our responsibility to the Earth. The second message is to honour and remember the sixteen families that amalgamated to form the Squamish Nation. The last message is to honour our Ancestors who were weavers.”

Another note reads “when you wear the blankets, you feel the protection of all who have been called to protect you… We feel the prayers offered by the weaver and our ancestors, when we wear the robes.”

You have to wait a year before you can weave cedar bark and it can three apprentices six months to weave a cedar mat, Dalilah tells us. “When we are sad, we don’t weave, otherwise it would transfer negative thoughts.”

Dalilah the importance of weaving at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

We learn how mountain goat wool was used in Salish weaving, an ancient art form that dates back to the ice age. A mountain goat wool blanket in those times could mean the difference between surviving or succumbing to the elements. The inner wool of the mountain goat was gathered during spring molt, collected off of bushes from wool shed by the goat or from harvested animals. “It takes 5 to 10 years to collect enough for a blanket,” she tells us.

The wool was mixed with hair from a specially bred dog. Natural dyes were derived from plants, berries and clays. Intricate geometric designs reflected elements of nature and families held the rights to use those designs.

I am lucky to see a special photography exhibit on view: “Unceded – Photographic Journey into Belonging”. This temporary exhibit makes graphic the meaning of “unceded” – land that was considered stolen, taken by force, without a legal treaty. The photos show contemporary indigenous people in places like downtown Vancouver. But it is actually speaking more to the First Nations people, prodding them to see themselves in this modern world, but retaining their connection to their heritage. Unceded “doesn’t mean our people aren’t still there.”

“As urban cities, farmland, towns, and recreation parks built up around us, our Ancestors are still here, living in the blood of the people of this land. While pop culture, fashion trends and global connection are influencing how people move through society, people residing on and off reserve are living deeply in their culture, engaged socially and politically with the world around them, reviving ancient traditions, re-enforcing a stewardship that guides their climate and lands safely through the first 50 thousand years before contact.”

I have a delightful lunch at Thunderbird Café, and survey a marvelous gift shop at the center before heading off to do a bit of sightseeing on Whistler’s famous Peak 2 Peak Gondola.

Squamish Lil’wat Cultural Centre, 4584 Blackcomb Way, Whistler, 1 866 441 SLCC (7522), https://slcc.ca/.

Peak 2 Peak Gondola

Considering how vast Whistler-Blackcomb is, it is actually surprisingly easy to get around (once I figure it out).

Whistler-Blackcomb, the site of 2010 Winter Olympics events, is a world-class ski resort and one of the biggest in North America © Karen Rubin/goingplacesfarandnear.com

I take the Blackcomb Gondola from the base of Blackcomb Mountain for the ride to the top of Blackcomb Mountain. From here it is a short walk – skirting the skiers and snowboarders – to the Peak 2 Peak Gondola which links Blackcomb Mountain to Whistler Mountain. I’m feeling jealous of the skiers but I am sightseeing today and this is an absolutely gorgeous ride. A man I ride up the Blackcomb Gondola with tells me to look for special sightseeing gondolas that have a plexiglass bottom you can look through – we sightseers stand on a separate line so we get first dibs when the car comes around.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

After opening on December 12, 2008, the massive gondola revolutionized the way skiers, riders and hikers experienced the mountains. The Peak 2 Peak Gondola, as part of the world’s longest continuous lift system, isn’t just to move skiers, it also gives summer guests access to Whistler Blackcomb’s high alpine for sightseeing, hiking and mountain-top dining.

The Peak 2 Peak Gondola travels a span of 2.73 miles giving sightseers and hikers a serene aerial flight showcasing flora and fauna (even black bears in their protected habitats), Whistler and Blackcomb Mountains; the Coast Mountain Range’s many glaciers and peaks; and Whistler Village, surrounded by lakes.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

It is notable that Whistler Blackcomb (now part of Vail Resorts, which means the resort is part of the Epic Pass) is consistently ranked one of the top ski resorts in North America. With more than 8,100 acres of terrain, variety is an understatement: there are steeps, deeps, chutes, bowls, glades, long cruisers, and high alpine and gentle rollers. And the numbers speak for themselves: one vertical mile drop; two side-by-side mountains connected by a pedestrian village, more than 200 trails, three glaciers, 37 lifts, and 16 alpine bowls – all of it top quality.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

Even this late in the season, the snow looks great and the trails look gorgeous– plenty of easy, intermediate runs!

Riding the Peak 2 Peak Gondola is such fun and the view so beautiful, that I actually ride it back and forth and back again for an hour before downloading via Whistler Village Gondola into Skiers Plaza in Whistler Village. (Whistler Blackcomb, https://www.whistlerblackcomb.com/)

Audain Art Museum

Audain Art Museum, Whistler, is a world-class art museum with one of finest collections of indigenous masks going back to mid-1800s and British Columbia artists © Karen Rubin/goingplacesfarandnear.com

Back down in the charming village, I pass lovely shops and eateries on my way to the Audain Art Museum. Outside is the invitation to see the “Masters of Print: Rembrandt and Beyond”- a clue that this is a world-class museum. I did not expect to see Rembrandt prints at Whistler. Nor did I expect to see what is arguably the world’s finest collection of First Nations masks, dating from the mid 1800s.

Sure enough, the Audain Art Museum delivers on its promise of a transformative experience for appreciating the art of British Columbia as well as exhibitions from around Canada and around the world. It’s in this part of the world but very much of the world. It is as local as local can be but brings the reaches of the globe into this small section of it.

The Audain Art Museum’s Permanent Collection of some 200 works  – nearly all of it from the collection of Michael Audain and his wife, Yoshiko Karasawa, or purchased with their funding – is a visual journey through the history of art from coastal British Columbia.

Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com

Most astonishing is the room housing Audain’s collection of Northwest Coast First Nations masks. They are extraordinary because you see the individualism of the artist as well as the subject (many seem to be representations of actual people rather than mythic figures) and different techniques. I wonder if this reflects changes over time (spanning the mid 1800s to the present), regional differences and styles or perhaps just the artist’s own creativity.

Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com

A truly monumental piece, an exquisitely carved red cedar “Dance Screen” (2010-2013) by Haida Chief 7idansuu (James Hart) who was a friend and collaborator of Bill Reid, takes up an entire wall of this room.

James Hart’s striking ‘The Dance Screen (The Scream Too)’, 2010-2013, red cedar panel takes up an entire wall at the Audain Art Museum Collection, gift of Michael Audain and Yoshiko Karasawa © Karen Rubin/goingplacesfarandnear.com

The next room has a huge collection of a beloved British Columbia artist, Emily Carr. You see her in her Impressionist phase, when she studied in France in 1911; how she incorporated First Nations elements into her landscapes when she returned in 1912. There are also post-war modernists including E.J. Hughes, Gordon Smith and Jack Shadbolt as well as works by internationally renowned, contemporary British Columbia artists including Jeff Wall, Dana Claxton, Marianne Nicolson, Rodney Graham and Stan Douglas.

Emily Carr is a beloved British Columbia artist who studied impressionism in France, then integrated indigenous subjects into her landscapes when she returned © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases a stunning collection of Emily Carr’s work © Karen Rubin/goingplacesfarandnear.com

I’m told that Audain had never even been to Whistler before, but his friend, who designed Whistler Village in the 1980s, encouraged him that he could build a museum in Whistler which would connect to nature, where people could quietly contemplate art. They worked with award-winning architects John and Patricia Patkau. The museum opened in 2016. (Open Thursday to Monday 11am – 6pm).

It is fascinating to see traditional symbols, subjects reflected in contemporary indigenous British Columbia artists work, on view at the Audain Art Museum, Whistler © Karen Rubin/goingplacesfarandnear.com
It is fascinating to see traditional symbols, subjects reflected in contemporary indigenous British Columbia artists work, on view at the Audain Art Museum, Whistler © Karen Rubin/goingplacesfarandnear.com

The website includes this statement:  “Audain Art Museum is grateful to be on the shared, unceded territory of the Sḵwx̱wú7mesh (Squamish) Nation and Lil̓wat7úl (Lil’wat) Nation.”

Audain Art Museum, 4350 Blackcomb Way, Whistler, British Columbia, Canada, V8E 1N3,  [email protected]  604-962-0413, https://audainartmuseum.com/

The stunning design of the Audain Art Museum, Whistler, provides an exquisite ambiance to experience art © Karen Rubin/goingplacesfarandnear.com

I have a rushed dinner at Caramba! Restaurant (#12 4314 Main Street (Town Plaza), Whistler, BC V0N 1B0 Phone: 604.938.1879 www.carambarestaurant.com/), a fun, casual place before I get back on the Skylynx shuttle for the 7 pm departure back to Vancouver (get there early because the bus fills up), arriving back to downtown Vancouver at 9:30 pm.

Indigenous Tourism BC offers travel ideas, things to do, places to go, places to stay, and suggested itineraries and a trip planning app (https://www.indigenousbc.com/)

Next: GRANVILLE ISLAND, VANCOUVER’S NEARBY GETAWAY, IS CORNUCOPIA OF ART, CULTURE

See also: 

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin