Tag Archives: Candlelight Evenings

Candlelight Evening in Old Bethpage Village Restoration Warms the Heart, Soothes the Soul

Carolers sing holiday favorites at the bonfire in the middle of Old Bethpage Village © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Music abounds throughout Old Bethpage Village Restoration, the evening warmed by the orange-red glow of candlelight, fireplace embers, a bonfire.   The annual Candlelight Evenings at Old Bethpage Restoration, a living history museum on Long Island, is one of my favorite holiday events.

The most wonderful thing about the candlelight evenings at Old Bethpage Village Restoration on Long Island, is yes, the sense of stepping back into time, into an idyllic peacefulness that makes you feel as if you have just fallen into a Christmas card. But what I love best are the serendipitous moments when you engage the reenactors in conversation- the questions that arise just because you are immersed in that experience.

Each year, I add to the stories, my understanding of history and our community’s heritage.

Just leaving the visitors center is an experience. Just before you exit the center, inside, a group of Santas in modern dress are singing but as you walk down the ramp into the darkness, leaving pavement and electric lights behind, carolers are singing in a shadow. I meet up with them again in the village.

The village is actually a created place, assembled from historic homes from across Nassau County (it was Queens County when they were built), except for the Powell Farm, which is the only original homestead here and dates from 1855. Many of the homes were built by people whose names are well known to Long Islanders: Hewlett, Searing, Schenck, Cooper (built in 1815 for the famous inventor, Peter Cooper, in Hempstead). Most were built in the 1800s, but the Schenck House, the oldest, was built around 1765 for a Dutch landowner, Minne Schenck, who had 300 acres in Manhasset (manpower was provided by African slaves and servants).

Walking along the pebbled path, lighted only with flames, I come upon a brass band outside the Conklin House, built in 1853 by Joseph H. Conklin, a bayman, in the Village of the Branch.

Santa is making lists and checking twice, here in his workshop at the Layton House and General Store  during Candlelight Evening at Old Bethpage Village Restoration © Karen Rubin/goingplacesfarandnear.com

The centerpiece of the Village is the Layton General Store and House, built by John M. Layton, a storekeeper, around 1866 in East Norwich. Though the house seems very fine – with large rooms and tall ceilings, I am told that he was middle class. Here, in the parlor, I meet Santa Claus who seems to be making out his list and checking it twice. In the next room is the Layton General Store – the Walmart of its day – where you can purchase candy and dolls that are made by one of the interpreters.

Max Rowland plays banjo at the Noon Inn © Karen Rubin/goingplacesfarandnear.com

The next important house is the Noon Inn is appropriately just across from the general store, where when you climb the stairs, you find Max L. Rowland regaling an audience with his banjo, reconstructed to its period of the early 19th century (no frets, gut strings, deeper tone), and a concertina. If you ask, he will tell you about the instruments: in the mid-1800s, the concertina was the most popular instrument around – because it was relatively inexpensive (costing less than a violin), and compact, easy to carry and capable of such rich sound and complexity.  It was extremely popular with sailors, who could tuck it away in their gear. Rowland can testify to it: this particular concertina has crossed the sea three times with Rowland, who lives on a boat.

Carolers at the Noon Inn © Karen Rubin/goingplacesfarandnear.com

Downstairs at the Noon Inn, which dates from 1850 and was owned John H. Noon, innkeeper, in East Meadow, you can get hot mulled cider and cookies, while outside, there are carolers singing beneath a lamplight. I catch up with them again later singing at the bonfire. It is magical.

At Queens District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional fiddle music, played on a period instrument, a 150-year old violin that had been made in Prague, that has no chin rest or frets. We learn about the Manhasset School house – children attended the one-room school house six days a week – attendance wasn’t compulsory and kids came sporadically. Music would have been widespread but there were no real professional musicians in Long Island. The school house would have been the venue for music, entertainment (like the Magic Lantern shows, the movies of their day), and various gatherings in the evening. He tells me that all of Nassau County used to be part of Queens County, until the residents wanted to separate from New York City. One of the songs he plays is the Fireman’s Quick Step, written in 1822 by Francis Frank Johnson, an African American composer, for the Philadelphia Fireman’s Cotillion fundraiser.

At Queens District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional music played on a 150-year old violin, such as the Fireman’s Quickstep, written in 1822 by Francis Frank Johnson, an African American composer, for the Philadelphia Fireman’s Cotillion fundraiser  © Karen Rubin/goingplacesfarandnear.com

Music was so important to the people of the mid-19th century, the period which Old Bethpage reconstructs. When you think about it, people could only appreciate music live, in the moment.

At the Hewlett House, a grand home high on the hill, built by the founder for which the town of Hewlett is named, a fellow plays a series of flutes and a violin, while popcorn is popping in the kitchen fireplace in the next room (samples provided).

Traditional music and popcorn at the Hewlett House © Karen Rubin/goingplacesfarandnear.com

At the beautiful Manetto Hill Church, 1857, a Methodist church that originally was located in Plainview, there is singing and storytelling – the origin of holly (representing male), ivy (representing female), so the two entwined are a symbol of marriage; mistletoe (which, rather than a romantic prompt for kissing, was used to make peace between quarreling individuals) and poinsettias. We sing carols and learn that “Jingle Bells” was written by a Sunday School teacher for a Thanksgiving  pageant(New Englanders didn’t celebrate Christmas), and Silent Night was a poem written in Oberndorf bei Salzburg, Austria by  Father Joseph Mohr in 1818 (his organist Franz Xaver Gruber wrote the music), desperate for Christmas music when the church organ broke.

Singing holiday songs, learning about holiday traditions at the Manetto Hill Church © Karen Rubin/goingplacesfarandnear.com

At the Luyster Store, which dates from c. 1840 and was built by John B. Luyster, a storekeeper in East Norwich, you see the rare craft of broom making (and can purchase the brooms that are made here). Tim works on a machine from 1840 which was in the museum’s collection, and you can see how much physical effort goes into it. He says he and his brother, Chris, are two of only three broommakers left on Long Island (the third is their mentor). He explains that a home would have had 2 brooms per room, or 18-20 per household, so not to transfer dirt from one room to the next. Brooms were actually expensive: an ordinary broom might have cost 24 cents – but that was equivalent to half-day’s wages in the 1840s, when the Great Recession was worse than even the Great Depression and the average man took home 48 cents a day; that means a broom would cost about $50 today (so his price of $20 for a fancy broom decorated for the holidays with fancy ribbons, holly and weaving, is a bargain).

Tim, the Broommaker at Luyster Store, one of only three broommakers left on Long Island, who demonstrate the craft © Karen Rubin/goingplacesfarandnear.com

This was an enterprise that farmers would do in winter to make extra money, and they would allocate an acre of land to cultivate the special wheat sorghum (called “corn” but not corn) for that purpose. A father would teach his child the craft. An interesting artifact in the store is the massive safe. The building itself was once a hardware store that was the only one within 10 miles of Theodore Roosevelt’s Sagamore Hill, so it may well be that Roosevelt would have stopped by. There is also an interesting Harrison for Reform banner, referring to William Henry Harrison, the shortest-lived president (he died of pneumonia after one month in office).

Traditional holiday music at Benjamin House © Karen Rubin/goingplacesfarandnear.com

The Benjamin House, dating from 1829, was built for William Benjamin, a minister and farmer in Northville, where there a husband and wife play holiday melodies that would have been popular at the time on a gigantic bass fiddle (it seems to fill the room) and a violin, like “Deck the Halls,” which was a Welsh melody dating back to the 1600s. We discuss Christmas traditions of the time (gift-giving wasn’t yet a tradition, but Queen Victoria had popularized table-top Christmas trees as a loving gesture to Prince Albert).

I stop into the Conklin House, a house that dates from 1853 and was built by Joseph H. Conklin, a bayman in the village of Branch. Last year, there was a demonstration of spinning being done in front of the fireplace, but this year, two ladies relax over a cup of tea after demonstrating how they bake ginger snaps.

Ladies relax over a cup of tea after a busy evening baking © Karen Rubin/goingplacesfarandnear.com

The tiny Searing House (this is the first time that I can remember it being open for Candlelight Evening), was Dr. James Searing’s office, a Hempstead physician, built in 1815 – where the doctor would have prepared his medicines  before going out by buggy to visit patients – and here, we are treated to freshly roasted chestnuts.

I usually save the Schenck House for last because each year, because it is here that I come upon the most unexpected encounters and find it the most illuminating. Instead of interpreting the holiday traditions of the mid 1800s, the Huntington Militia re-create a Colonial Christmas in the 18th century. The Schenck House dates from 1765, owned by a Dutch farmer. Here, our presenters speak in the style of the time, and celebrate Christmas of 1775, just two months after Martin Schenck, who inherited the house from his father,  had been one of the leaders of the committee of Patriots that decided to break from Loyalist Hempstead, and form North Hempstead. I learn that the south shore of Long Island was a occupied by the British from 1776-1783, the entire duration of the Revolutionary War, while the north shore was a stronghold for Patriots, many of them the Dutch families who had no great affinity for the British monarch. The Schencks came to the New World when New Amsterdam was a Dutch colony; the British took it over in 1754.

Schenck House, oldest in Old Bethpage Village, dating from 1765, where the Huntington Militia enacts a Christmas gathering in 1775 © Karen Rubin/goingplacesfarandnear.com

I am swept into its history. I am transfixed talking with “Ambrose Everyman,” a fellow from 1775, an American of English descent really troubled by North Hempstead’s succession from the Town of Hempstead over the issue of rebellion against the King and Crown. His loyalties are clear. He raises the question over how the colonists are made so dissatisfied with the King – and questions the veracity of the crimes and accusations designed to foment rebellion. He notes that since the first Continental Congress, the Massachusetts faction of the Patriots have banned women from going to the tavern, banned theatrical entertainment – in effect, installed the Puritan societal structure on the colonies. And because of the “attack against one of the colonies is an attack against us all,” he questions whether the attacks in Lexington and Concord, portrayed as a British massacre, really happened that way.  “How do we really know?” he tells me (the original “fake news”?).  Mr. Everyman was upset with the upstarts in Massachusetts who caused so much trouble, who dared to pretend to be Indians and toss tea into the sea. He called them cowards for hiding behind their disguise. He said he knew war – had fought in the French and Indian War – but was too old to fight again. If there was a break with England, he says, his business of building and repairing houses, would be destroyed.

Schenck House, oldest in Old Bethpage Village, dating from 1765, where the Huntington Militia enacts a Christmas gathering in 1775 © Karen Rubin/goingplacesfarandnear.com

But, he says, he cannot express his feelings: the local Committee is strictly enforcing its ban on English tea and though it had no force of law, someone who broke faith would be shamed in the Gazetteer as “an Enemy of American Liberty,” would no longer get business, and ultimately be forced out of the community. So he keeps his views to himself. Taxes? What difference does it make to pay taxes to England or taxes to the Congress, he says. And doesn’t England deserve to get repayment for the expense of fighting for the colonies? How would those who would break from England confront the greatest army on earth? Would they get aid from foreign powers like France, when France would want to take over the colonies for itself?

He gives me the sense of what a difficult dilemma this was – the prospect of confronting the most powerful nation the world had never known, the superpower of its time – and how while there had never been consensus (New York patriots fled to Philadelphia), the forcefulness with which the revolutionaries pressed their cause, the violence, a literal civil war within communities.

He goes on to show the group of Candlelight visitors that has gathered how the owner of the House, Martin Schenck, would have celebrated St. Nicholas Day (Dec. 6), when the children put out wooden shoes, filled with a carrot to draw the horse that St. Nicholas rides through the sky on, and leaves them treats – an orange that would have been an expensive treat having been imported from Jamaica, and  skates for the young girl, a pull-toy for the baby.

The Noon Inn, built around 1850 in East Meadow by John H. Noon, innkeeper, is the centerpiece of Old Bethpage Village Restoration © Karen Rubin/goingplacesfarandnear.com

Then, at The Barn on the Long Island Fairgrounds- a reconstruction of the Queens county Agricultural Society Fairgrounds that was built in Mineola, 1866-1884, there is the model train show, crafts fair, contra dancing, a brass ensemble and a delightful performance of “Scrooge’s Dream” (a condensed version of Dickens’ “Christmas Carol”).

This year, the Old Bethpage Candlelight Evenings are only five nights, Dec. 22, 23, 27, 28 and 29, 5-9:30 pm. Old Bethpage Village Restoration, 1303 Round Swamp Road (Exit 48 of the Long Island Expressway), 516-572-8401; Adults/$10, children 5-12/$7 (under 5 are free); and $7 for seniors and volunteer firefighters.

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Enchanting Candlelight Evening at Old Bethpage Village Restoration is Like Stepping into a Christmas Card

Santa Claus looks relaxed and casual in the parlor of the Layton Home at Old Bethpage Village Restoration during the Candlelight Evening, having finished his rounds delivering presents to children around the world © 2017 Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Fire light. That is the common denominator – seeing life in the orange-red glow of candlelight, a fireplace, a bonfire. One of my favorite holiday events is the Old Bethpage Village Restoration Candlelight Evening, and even the bitter cold could not keep me away.

I arrive in time for the candlelight procession into the village, to the gazebo where an 1840s brass band is playing, despite the bone-chilling cold.

The brass band entertains despite bitter cold, at the Gazebo in Old Bethpage Village Restoration © 2017 Karen Rubin/goingplacesfarandnear.com

The most wonderful thing about the candlelight evenings at Old Bethpage Village Restoration on Long Island, is yes, the sense of stepping back into time, into an idyllic peacefulness such as finding yourself in a Christmas card. But what I love best are the serendipitous moments when you engage the reenactors in conversation- the questions that arise just because you are immersed in that experience.

Performing traditional music on period instruments at the one-room schoolhouse from Manhasset © 2017 Karen Rubin/goingplacesfarandnear.com

At the District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional fiddle music, played on a period instrument, a 150-year old violin that had been made in Prague, that has no chin rest or frets. We learn about the Manhasset School house – children attended the one-room school house six days a week. Music would have been widespread but there were no real professional musicians in Long Island. The school house would have been the venue for music, entertainment, and various gatherings in the evening. He tells me that all of Nassau County used to be part of Queens County, until the residents wanted to separate from New York City. He performs one of the most popular of his repertoire,“The Dancing Man,” to which his wife maneuvers a fascinating puppet-like toy to dance along.

Music was so important to the people of the mid-19th century, the period which Old Bethpage reconstructs. When you think about it, people could only appreciate music live, in the moment.

Max Rowland plays his concertina at the Hewlett House © 2017 Karen Rubin/ goingplacesfarandnear.com

At the Hewlett House – a grand home high on the hill, which was built by the founder for which the town of Hewlett is named – Max L. Rowland regals on a banjo, reconstructed to its period, and a concertina and because I ask, he talks about the instruments . He says that in the mid-1800s, the concertina was the most popular instrument around – because it was relatively inexpensive (costing less than a violin), and compact, easy to carry and capable of such rich sound and complexity.  It was extremely popular with sailors, who could tuck it away in their gear. Rowland can testify to it: this particular concertina has crossed the sea three times with Rowland, who lives on a boat.

There is also popcorn being made in the kitchen fireplace.

Preparing popcorn in the Hewlett House by the fireplace © 2017 Karen Rubin/ goingplacesfarandnear.com

At the beautiful Manetto Hill Church, 1857, a Methodist church that originally was located in Plainview, there is singing and storytelling – the origin of holly (representing male), ivy (representing female), so the two entwined are a symbol of marriage; mistletoe and poinsettias.

The Noon Inn, which dates from 1850 and was owned John H. Noon, innkeeper, in East Meadow, is where you can get hot mulled cider and cookies, and climb the stairs to hear a string ensemble.

Broom-making at the Luyster Store, where you can buy the broom you watch being made © 2017 Karen Rubin/goingplacesfarandnear.com

At the Luyster Store, which dates from c. 1840 and was built by John B. Luyster, a storekeeper in East Norwich, you see the rare craft of broom making (and can purchase the brooms that are made here). The fellow works on a machine from 1840, and you can see how much physical effort goes into it. He explains that a home would have had 2 brooms per room, or 18 per household; an ordinary broom might have cost 24 cents – but that was equivalent to half-day’s wages, or about $50 today (so his price of $20 is a bargain). This also was an enterprise that farmers would do to make extra money, and they would raise the special wheat (called “corn”) for that purpose. An interesting artifact here is the massive safe.

The Layton Store was the Walmart of its day © 2017 Karen Rubin/ goingplacesfarandnear.com

The Layton House is also the General Store dates from c. 1866 and was built by John M. Layton, a storekeeper. It had originally stood in East Norwich. He was fabulously wealthy as you can see by the large rooms and tall ceilings. Here, in the parlor, I meet Santa Claus who seems relaxed after his trip around the world; later, when I come back, there is a choral group. In the next room is the Layton General Store – the Walmart of its day – where you can purchase candy.

Singing holiday songs in the Layton parlor © 2017 Karen Rubin/ goingplacesfarandnear.com

The Benjamin House, dating from 1829, was built for William Benjamin, a minister and farmer in Northville, where there is a bass and violin playing holiday melodies that would have been popular at the time – like Deck the Halls, which was a Welsh melody dating back to the 1600s. We discuss Christmas traditions of the time (gift-giving wasn’t yet a tradition, but Queen Victoria had popularized table-top Christmas trees as a loving gesture to Prince Albert).

Demonstrating how to spin yarn at the Conklin House © 2017 Karen Rubin/ goingplacesfarandnear.com

I stop into the Conklin House last – this house dates from 1853 and was build by Joseph H. Conklin, a bayman in the village of Branch. It is small and I am surprised to see spinning being done in front of the fireplace where there is a roaring fire (so picturesque). She is so patient in explaining how it is done – how common it would have been for a farm woman to have spent some time in the evening spinning, but there were professional spinners (men) and spinsters (women) – spinning, was in fact, one of the ways a woman could have earned money. By the mid-1800s, though, people were importing finished textiles.

The Huntington Militia reenact Christmas in 1775 in the Schenck House © 2017 Karen Rubin/goingplacesfarandnear.com

I usually save the Schenck House for last because each year, because it is here that I come upon the most unexpected encounters and find it the most illuminating. Instead of interpreting the holiday traditions of the mid 1800s, the Huntington Militia re-create a Colonial Christmas in the 17th century. The Schenck House dates from 1765, owned by a Dutch farmer. Here, our presenters speak in the style of the time, and celebrate Christmas of 1775.

I am swept into its history. I am transfixed talking with “Ambrose Everyman,” a fellow from 1775, an American of English descent really troubled by North Hempstead’s succession from the Town of Hempstead over the issue of rebellion against the King and Crown. His loyalties are clear. He raises the question over how the colonists are made so dissatisfied with the King – and questions the veracity of the crimes and accusations designed to foment rebellion. He notes that since the first Continental Congress, the Massachusetts faction of the Patriots have banned women from going to the tavern, banned theatrical entertainment – in effect, installed the Puritan societal structure on the colonies.

And because of the “attack against one of the colonies is an attack against us all,” he questions whether the attacks in Lexington and Concord, portrayed as a British massacre, really happened that way.  “How do we really know?” he tells me (the original “fake news”?).  Mr. Everyman was upset with the upstarts in Massachusetts who caused so much trouble, who dared to pretend to be Indians and toss tea into the sea. He called them cowards for hiding behind their disguise. He said he knew war – had fought in the French and Indian War – but was too old to fight again. If there was a break with England, he says,, his business of building and repairing houses, would be destroyed.

The Town of North Hempstead had recently split from the Town of Hempstead over the issue of whether to support “The Cause” or stay loyal to Mother England. North Hempstead, which had a substantial Dutch population, wanted to break with England, while Hempstead, which was populated mainly by English colonists, wanted to stay.

But, he says, he cannot express his feelings: the local Committee is strictly enforcing its ban on English tea and though it had no force of law, someone who broke faith would be shamed in the Gazetteer as “an Enemy of American Liberty,” would no longer get business, and ultimately be forced out of the community. So he keeps his views to himself. Taxes? What difference does it make to pay taxes to England or taxes to the Congress, he said. And doesn’t England deserve to get repayment for the expense of fighting for the colonies. How would those who would break from England confront the greatest army on earth? Would they get aid from foreign powers like France, when France would want to take over the colonies for itself?

He gives me the sense of what a difficult dilemma this was – the prospect of confronting the most powerful nation the world had never known, the superpower of its time – and how while there had never been consensus (New York patriots fled to Philadelphia), the forcefulness with which the revolutionaries pressed their cause, the violence, a literal civil war within communities.

“Ambrose Everyman” describes how the Schencks would celebrate Christmas with Dutch traditions © 2017 Karen Rubin/goingplacesfarandnear.com

He goes on to show the group of Candlelight visitors that has gathered how the owner of the House, Martin Schenck, would have celebrated St. Nicholas Day (Dec. 6), when the children put out wooden shoes, filled with a carrot to draw the horse that St. Nicholas rides through the sky on, and leaves them treats – an orange that would have been an expensive treat having been imported from Jamaica, and  skates for the young girl, a pull-toy for the baby.

Members of the Huntington Militia fire the Christmas guns © 2017 Karen Rubin/ goingplacesfarandnear.com

Here at the Schenck House, the Huntington Militia – a group of reenactors – are dressed in the style of the militia of this Revolutionary War era. This year they fire Christmas guns – demonstrating the painstaking task of loading their muskets.

The Barn, decked out with holiday lights © 2017 Karen Rubin/ goingplacesfarandnear.com

Then, at The Barn on the fairgrounds, there are a model train show, contra dancing, a brass ensemble and a delightful performance of “Scrooge’s Dream” – a condensation of Dickens’ “Christmas Carol.”

A performance of “Scrooge’s Dream” during the Old Bethpage Village Restoration Candlelight Evenings © 2017 Karen Rubin/ goingplacesfarandnear.com

This year, the Old Bethpage Candlelight Evenings are only five nights, Dec. 26-30, 5-9:30 pm. Old Bethpage Village Restoration, 1303 Round Swamp Road (Exit 48 of the Long Island Expressway), 516-572-8401; Adults/$10, children 5-12/$7 (under 5 are free); and $7 for seniors and volunteer firefighters.

_______________________

© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.comwww.huffingtonpost.com/author/karen-rubin  and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Enchanting Candlelight Evening at Old Bethpage Village Restoration Transports Back Through Centuries

Father Christmas himself, in the parlor of the Layton House, during Old Bethpage Village Restoration’s Candlelight Evenings © 2016 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

For a brief moment, you are transported back in time. You leave the visitor center, walk down a path. The electric lights disappear. There is only firelight along the path into the village.

This is the Candlelight Evening at Old Bethpage Village Restoration,  where for only four special evenings (Dec. 15, 16, 17, and 18, 5-9:30 pm), you get to experience traditional music performances, crafts (like making Christmas ornaments as they did in 1841) and for an all-to-brief moment, feel you have been transported back in time to the 19th century.

Meeting Father Christmas himself, during Old Bethpage Village Restoration’s Candlelight Evenings © 2016 Karen Rubin/goingplacesfarandnear.com

I enter the Layton Store & House, owned by shopkeeper John M. Layton, dating from 1866 in East Norwich, where I come upon Father Christmas himself, reading “The Night Before Christmas.” The adults who visit are more tickled, it seems, than the young girl who looks at him with awe.

A spinning wheel and a loom, 17th century technology, in the 1660 part of the 19th century inventor Peter Cooper’s house, originally in Hempstead. Cooper was famous for inventing the steam locomotive, Tom Thumb © 2016 Karen Rubin/goingplacesfarandnear.com

I walk in the inventor Peter Cooper’s House, originally in Hempstead, where part of the house, an addition from 1815, is as the inventor would have had it, but the original section, which dates to about 1660, has interpreters from that time showing  how women would have used  a loom and a spinning wheel  (rendered obsolete with the Industrial Revolution).  Cooper, an industrialist, philanthropist, founder of Cooper Union, candidate for President and the inventor of the first American steam locomotive (the Tom Thumb). Her discussion is so intriguing, I am pressed to look up more about Peter Cooper’s inspiring biography.

In the Lawrence House (only newly opened as an exhibit), and I find Max Rowland and a collection of musical instruments: a 120-year-old German button accordion, and a similarly antique concertina upon which he plays gorgeous music as would have been heard in the 19th century.

Max Rowland performs on banjo, a 120-year old German button accordion and a concertina in the Lawrence House © 2016 Karen Rubin/goingplacesfarandnear.com

The most wonderful thing about the candlelight evenings at Old Bethpage Village Restoration on Long Island, is yes, the sense of stepping back into time, into a peacefulness such as finding yourself in a Christmas card. But what I love best are the serendipitous moments when you engage the reenactors in conversation.

So Max Rowland tells us about the musical instruments – how they were invented five years apart, in two different countries, but, interestingly, are based on the same principle. And how clever the concertina is – so compact and light, yet capable of such rich sound, that it was immediately embraced by sailors. Rowland can testify to it: this particular concertina has crossed the sea three times with Rowland, who lives on a boat.

Making 19th century Christmas tree ornaments in the Lawrence House © 2016 Karen Rubin/goingplacesfarandnear.com

While Rowland plays music, in another part of this unusually large house, they are making Christmas ornaments such as would have been made in the mid-1800s, when Christmas first began to be celebrated in the United States. They would cut up Christmas cards and turn them into ornaments.

Music was so important to the people of the mid-19th century, the period which Old Bethpage reconstructs. When you think about it, people could only appreciate music live, in the moment.

This year at Old Bethpage, there is a lot more music than ever before.

“The Dancing Man” at District No. 6 School, c 1845, originally from Manhasset © 2016 Karen Rubin/goingplacesfarandnear.com

I come into the one-room District No. 6 School House, dating from 1845, which was originally in Manhasset, where a trio performs on original instruments, as it has year after year for the Candlelight Evenings. One of them has been presenting music here for the past 35 years, and notes that the most requested tune is called “The Grouchy Old Man and the Grumbling Old Woman,” which he good-humoredly performs, followed by another favorite, “The Dancing Man,” which his wife maneuvers a fascinating puppet-like toy to dance along.

Hot cider and cookies for sale at the Noon Inn © 2016 Karen Rubin/goingplacesfarandnear.com

At the Schenck House, though, I come upon the most unexpected encounters. Here, the Huntington Militia re-create a Colonial Christmas in the 17th century. The Schenck House dates from 1765, owned by a Dutch farmer. Here, our presenters speak in the style of the time, and celebrate Christmas of 1775.

I encounter Ambrose Everyman (actually….) who tells me about his friend, the farmer Schenck, a Dutchman. North Hempstead had split from Hempstead over the issue of whether to support “The Cause” or stay loyal to Mother England. North Hempstead, which had a substantial Dutch population, wanted to break with England, while Hempstead, which was populated mainly by English colonists, wanted to stay. Mr. Everyman was upset with the upstarts in Massachusetts who caused so much trouble, who dared to pretend to be Indians and toss tea into the sea. He called them cowards for hiding behind their disguise. He said he knew war – had fought in the French and Indian War – but was too old to fight again. If there was a break with England, he says,, his business of building and repairing houses, would be destroyed.

Music of a Colonial Christmas in the Schenck House, dating from 1765 originally in Manhasset, performed by members of the Huntington Militia, at Old Bethpage Village Restoration

But he cannot express his feelings: the local Committee is strictly enforcing its ban on English tea and though it had no force of law, someone who broke faith would be shamed in the Gazetteer as “an Enemy of American Liberty,” would no longer get business, and ultimately be forced out of the community. So he keeps his views to himself. Taxes? What difference does it make to pay taxes to England or taxes to the Congress, he said. And doesn’t England deserve to get repayment for the expense of fighting for the colonies. How would those who would break from England confront the greatest army on earth? Would they get aid from foreign powers like France, when France would want to take over the colonies for itself?

Such an interesting debate. But it is closing in on 9:30 pm, closing time for this visit into Long Island’s past.

Old Bethpage Village Restoration, 1303 Round Swamp Road (Exit 48 of the Long Island Expressway), 516-572-8401; Adults/$10, children 5-12/$7 (under 5 are free); and $7 for seniors and volunteer firefighters.

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