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Gold Coast Arts Center, Long Island Presents ‘Chinese Artists in America’ Exhibit

Artists Ping Wang and Arthur Liu with Town North Hempstead Supervisor Judi Bosworth and Gold Coast Arts Center Executive Director Regina Gil at opening of exhibit, “Chinese Artists in America© Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Gold Coast Arts Center, Great Neck, Long Island presents an exhibition of “Chinese Artists in America.” The works by eight contemporary Chinese-American artists is on view through March 20.

“The exhibition reflects the creative vitality of Chinese and American cultural interaction and growth through the arts and its historical and aesthetic links to other communities,” Gallery Curator Jude Amsel writes.

“These artists created a new visual language that embodies aspects of traditional Chinese art while responding to a time of great transition. Their artworks express personal beliefs, national pride, and international awareness.”

“The Gold Coast Arts Center is dedicated to promoting awareness and understanding through the arts and through public events that bring people together,” stated Regina Gil, founder and Executive Director of the Gold Coast Arts Center. “We are proud to have enabled artists from around the world to share their vision and craft with our audiences. The exhibition of art by Chinese-American artists weaves the heritage, experience and craft that has emerged from each artist’s personal exposure to Chinese and American culture and education.”

The opening reception for the art exhibition was accompanied by a cultural performance, music and dance presented under the aegis of the Great Neck Chinese Association.

Here are highlights, with the artists’ own statements.

Zhen Guo © Karen Rubin/goingplacesfarandnear.com

Zhen Guo: “With ‘Muted Landscape; I present a view of the world, and we who live on its surface, that is at once expansive and frightening.  The images, created (I do not say painted because there is no obvious brush work in the ink on rice paper creation) present a landscape as if from 36,000 feet, muted by both the gray color and by the distance.  Mountains, lakes, a sheer rock face wall, caldera, fields of snow, high and pointed peaks and rivers are joined and blended but not necessarily in the places or ways we expect.  It is as if the vision of Ansel Adams has been stirred shaken and kneaded merged a late Autumn vision of the natural world.  As our eyes travel over the painting the view changes and rivers become shadows, mountains become fields, and lakes become snow covered peaks.  We are entranced and at the same time afraid that, if we landed, there we could not find our way out. Perhaps this is a place for own internal search for a perch for our soul or to find our way forward.”

“Country Fair,” by Dexiang Qian © Karen Rubin/ goingplacesfarandnear.com

Dexiang Qian: “I was born in Zhijiang. Many artists have come to Zhijiang to observe, sketch, and experiment with depicting the rural countryside. During my creation process, I use a glazing technique with a limited color palette. I continue to simplify the elements, and the resulting composition often is in geometric patterns.”  © Karen Rubin/ goingplacesfarandnear.com

Xiangdong Shi © Karen Rubin/goingplacesfarandnear.com

Xiangdong Shi: ““Food: Chinese beauty, taste and auspicious meaning. Chinese cuisine is not only delicious, but also the pursuit of form and color, such as Sweet Dumplings, put in a few red medlar, and immediately look happy, and eat the Sweet Dumplings at the Lantern Festival, so the Sweet Dumplings are also called Yuan Xiao, means the first full moon night of the year. Chinese cuisine is rich and auspicious Meaning, such as birthday, Chinese people often cook a bowl of noodles, called longevity noodles, meaning healthy longevity. Another example is the Traditional Chinese Rice-Pudding, is the exclusive food of the Dragon Boat Festival, it is to commemorate the ancient Chinese famous poet Qu Yuan, in addition, often in the  Traditional Chinese Rice-Pudding have any jujubes, white rice and red jujubes are put together, the color contrast is strong. Red has a special meaning in Chinese culture, and represents good luck. Therefore, the food series I painted not only expresses the taste of food, but also the sense of form and meaning of food. This is the true essence of Chinese culture.”

Arthur B. Liu © Karen Rubin/goingplacesfarandnear.com

Arthur B. Liu is President of Queens Art Education Center, New York, visiting professor of the Guangzhou Academy of Fine Arts, member of the Watercolor Society of USA, artist of the National Art League of USA, director of the Chinese Culture Art Association of New York, USA. He is the Educator, Artist and Inventor. He is the only one Chinese American artist who has been granted patents for inventions. He is showing “The flowing colors Chinese painting series” in this exhibition.

Ping Wang © Karen Rubin/ goingplacesfarandnear.com

Ping Wang: “The initial idea of my “In and Out” series were body parts extended from a “Square”(space ) merged into a background. The background scenes are from Chinese illusional landscapes to recent New York City landmarks and daily life.  After a year or two reminiscing in depth I subconsciously escaped in the collision between China and American culture. I was enormously inspired by traditional Chinese composition and techniques. In the ‘Fight Club; series, I tried to combine some oriental perspectives and compositions into a Western story. Now living in New York for several years, I can see the integration of eastern and western cultures.”

“Sacrifice the Body to Feeding the Tiger,” by Yulin Huang
© Karen Rubin/goingplacesfarandnear.com

Yulin Huang: “In the face of the canvas, I have never forgotten all the so-called knowledge, just by intuition, in a simple, primitive, child-like way, straightforward and quick to smear. “Sacrifice the Body to Feeding the Tiger” (2018) is a “Dunhuang” mural from the ancient East, painted on the walls of the grotto 2000 years ago. It tells a Buddhist story. A prince, giving up his life and helping his hunger with his own flesh   The hungry tiger mother and son are born into Buddha after death. Like the cross that Jesus passed. In “Chinese New Year,” red lanterns, dragon dances, lion dances, firecrackers, fireworks, spring couplets, red envelopes… The people celebrate the biggest festivals, joyous and lively. But I feel a very loneliness.”

Hai Wei © Karen Rubin/goingplacesfarandnear.com

Hai Wei: “Even though we all advocate tolerance, different habits and beliefs sometimes constitute an offense.  Each different culture and art is connected of each other while learning from each other and integrating with each other. When the plane flies over the Arctic Circle, across the window, the outside is a mountain like a scarf, inside is a scarf like a mountain… All things connected, miraculous conversion. Similarly, in the body, the blood, the fresh life, can also be converted and reincarnation?  We have been watching ourselves for too long and rarely look at them. Most people think the sheep is weak ,ordinary, silent. In fact, they still have power and charm of wildness. The art created by nature is life, the beauty of life, and it does not depend on us. It is a kind of dignity.”

Yafu Wang with “Chinese Artists in America” curator Jude Amsel © Karen Rubin/goingplacesfarandnear.com

Yafu Wang: Yafu’s works are varied and diverse.  Those selected art pieces cover his early works in road, shadows, posters, and temples etc.  Yafu always states that his work expresses his deep love and awe for the mighty God.  It fulfills all the missing parts in his life. 

Here are highlights from the performances:

Chinese Drum “Ma Deng Dance” featuring Anthony Wu, Dorie Liu, Kexin Huang, Yuxin Huang, Kingsley Liu. © Karen Rubin/ goingplacesfarandnear.com

Chinese Guzheng Duet “Dong Ting New Song” featuring Ella Li, Shiying Wei. © Karen Rubin/ goingplacesfarandnear.com

Chinese Cucurbit Flute Solo, “Wedding Vow,” featuring Ricky Deng © Karen Rubin/ goingplacesfarandnear.com

Violin & Piano in Chinese song, “Painted Heart” with Aili Tian, Phoenix tian, Joy Yang and Selena Lu (piano). © Karen Rubin/ goingplacesfarandnear.com

Chinese Instruments ensemble “Xi Yang Yang (Be Happy)” “Turpan’s Grapes Turn Ripe (with Dance)” featuring Xiulu Xin (Banhu):, Yuqi Sun (Erhu), Xianyi Wang (Dulcimer), Xiuzhen Liang (Ruan), Rongxian Chen (Electronic Guitar), Cathong Li (Rock Percussion/Dance) © Karen Rubin/ goingplacesfarandnear.com

Children’s Chorus: Jasmine Flowers featuring Evan Cao, Derick Chen, Melissa Chiang, Jessica Chiang, Anthony Chiang, Athena Jin, Ella Li, Jack Pei, Dorothy Qian, Lucas Wang, Madeline Wang, Isabella Wu, Kenneth Wu, Katharine Xu, Carolyn Zuo and Kaitlyn Feng (piano) © Karen Rubin/ goingplacesfarandnear.com

Gold Coast Arts Center, Long Island Presents “Chinese Artists in America”

The Gallery is open when the Gold Coast Arts Center is open, 113 Middle Neck Road, Great Neck, NY, 516-829-2570, goldcoastarts.org.


© 2019 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Gold Coast International Film Festival Announces 2018 Winners

by Karen Rubin

Travel Features Syndicate, goingplacesfarandnear.com

Regina Gil, executive director of the Gold Coast International Film Festival and Gold Coast Arts Center, at awards luncheon © Karen Rubin/ goingplacesfarandnear.com

After 10 days and 80 films from 22 countries screened, many the United States or Long Island premiere, the 2018 Gold Coast International Film Festival came to a close and declared the winners:

The Audience Award Winner for Best Narrative was “The Lost Suit,” a bittersweet story made in Argentina and Spain by Pablo Solarz about an 88-year-old Jewish tailor who embarks on a long, transcontinental journey to try and find the man who saved him from certain death during the Holocaust. Heartfelt and charming, with a wonderful comedic flavor, the film reminds us of the importance of family, friendship, and keeping your word. Out of 230 audience-goers, 212 gave the film the highest ranking. “People were obsessed with it.” The Gold Coast arts center, which stages cinema series throughout the year, is hoping to bring it back.

Regina Gil, GCIFF founder, and Caroline Sorokoff, Festival Director, present GCIFF 2018 award for Best Narrative to “The Last Suit” © Karen Rubin/ goingplacesfarandnear.com

The Audience Award Winner for Best Documentary Feature Film went to “Heading Home,” by Seth Kramer, Daniel A. Miller, Jeremy Newberger, a stirring underdog chronicle of the unexpected triumph of Israel’s national baseball team at the 2017 World Baseball Classic. With their Mensch on the Bench mascot by their side, the team laughs and cries as they discover the pride of representing Israel on the world stage. The screening featured a Q&A with Co-Director Jeremy Newberger.

The Audience and Jury Award Winners for Best Narrative Short Film went to “Stems” and Best Documentary Short Film award was won by two films, “Wendy’s Shabbat” and “One Small Step.”

Regina Gil, GCIFF founder, and Alexandra Gil, curator of the festival Shorts, present GCIFF 2018 awards for Best Short Documentary Film to “Wendy’s Shabbat” and “One Small Step” © Karen Rubin/goingplacesfarandnear.com

A new award this year, Best Family Short Film, went to Rag Dolls.

Shorts film curator Alexandra Gil viewed some 2,000 submissions before making the selections for the festival.

The winner of the new Gold Coast International Film Festival 2018 Award for Best Family Short Film went to “Rag Dolls” © Karen Rubin/ goingplacesfarandnear.com

The awards winners for the 8th annual festival were named at a gala lunch at the NM Café at Neiman Marcus Roosevelt Field, a major sponsor of the festival, which also supports youth arts programs. Other major sponsors included the Town of North Hempstead and Douglas Elliman Real Estate, which provided important seed money “when we were just an idea” and have kept up. Hofstra University is also a major supporter, offering film programs including internships.

Some 4,000 tickets were sold; audience goers came from 180 zipcodes. Audience goers get to see films that are rarely screened outside of independent theaters in New York City – the festival brings films to the suburbs. Many of the documentaries, like “Bathtubs Over Broadway,” an astonishing documentary about Steve Young’s quest to collect Industrial Musicals which sets him on a journey to meet the makers; and “Happy” Academy Award® nominated director Roko Belic’s film explores the secrets behind our most valued emotion, traveling from the bayous of Louisiana, the deserts of Namibia, the beaches of Brazil and the villages of Okinawa to a communal home in Denmark; and short films are only seen at festivals. There are also opportunities to hear from filmmakers and historians and engage in question and answers. One special program gives Young Filmmakers, from K-12, a chance to shine (and shine they did).

Here are more highlights from the festival:

A musical-comedy-documentary! Comedy writer Steve Young’s assignment to scour bargain-bin vinyl for a Late Night with David Letterman segment becomes an unexpected, decades-spanning obsession when he stumbles upon the strange and hilarious world of industrial musicals in this amazing, revelatory and entertaining film, “Bathtubs Over Broadway,” by Dava Whisenant. The film’s star, Steve Young, participated in a Q&A after the GCIFF screening © Karen Rubin/goingplacesfarandnear.com

Paul Lieberstein, best known as Toby from “The Office,” plays nice-guy Fred in “Song of Back and Neck,” this charming romantic comedy which Lieberstan also directed. Fred rarely gets through the day without falling to the ground with crippling back and neck pain, and is not taken seriously by anyone at work. But as he discovers unexpected love and a rather unique talent, it is just the start of the unpredictable happenings coming his way. Lieberstein joined an audience Q&A via Skype following the Long Island premiere of his film © Karen Rubin/goingplacesfarandnear.com

“Howard,” an intimate and insightful tribute to a once-in-a-generation talent, the legendary lyricist Howard Ashman by Don Hahn, revealed the incalculable impact Ashman had on Broadway, movies and the culture at large even beyond his ingenious lyrics. The audience gets to see much of his creative process behind such stellar hits as “Beauty and the Beast,” “The Little Mermaid,” “Little Shop of Horrors.” Howard’s sister, Sarah Ashman Gillespie and his partner Bill Lauch were on hand after the screening, which was sponsored by AARP Long Island, for a Q&A and to share their personal reflections © Karen Rubin/goingplacesfarandnear.com

What makes you happy? Money? Kids and family? Your work? Academy Award-nominated director Roko Belic’s documentary, “Happy” explores the secrets behind our most valued emotion. From the bayous of Louisiana, the deserts of Namibia, the beaches of Brazil and the villages of Okinawa to a communal home in Denmark, Belic goes in search of what really makes people happy. The GCIFF presentation was sponsored by Katz Institute for women’s Health at Northwell Health, and a panel of experts from the Center for Wellness and Integrative Medicine and Katz Institute were on hand to discuss the role of mindfulness and innovations in integrated, holistic approaches: Tina Conroy, Director of Energy and Healing; Bella Grossman, Clinical Psychologist, Marissa Licata, Registered Dietition, Deborah McElligott, Cardiac Nurse Practitioner and Lucy Gade, Medical Director © Karen Rubin/goingplacesfarandnear.com

Filmmaker Andrew Toscanao, who is in fifth grade at Northside elementary in Plainview, NY, discusses his film, “The Lego Agent: Dr. Evil’s Revenge” at the Gold Coast International Film Festival’s Young Filmmakers Program. Young Filmmakers are also invited to participate in a free day of hands-on filmmaker workshops for filmmakers in grades 7-12, Saturday, March 16, at Hofstra University, a festival sponsor © Karen Rubin/goingplacesfarandnear.com

Eliad Lienhardt came from Switzerland to discuss the making of his film short, “Alison”after the screening at the Gold Coast International Film Festival © Karen Rubin/goingplacesfarandnear.com

Famed director Peter Bogdanovich has created a love-letter to Buster Keaton, one of Hollywood’s most prolific, influential and innovative filmmakers, Buster Keaton. “The Great Buster,” is a celebration of Keaton’s life, career and legacy. The story told with stunning restorations of archival works that bring Keaton’s magic to life on the big screen, plus interviews with his friends, family, collaborators, and a broad array of artists influenced by his singular vision, including Mel Brooks, Bill Hader, Cybil Shepherd and Quentin Tarantino. Professor Rodney F. Hill, film scholar, was on hand for a Q&A after the screening of the documentary © Karen Rubin/goingplacesfarandnear.com

The 2018 festival kicked off with a Gold Coast Arts Center gala in Great Neck, Long Island honoring film and television star Robert Wagner with the second annual Burton Moss Hollywood Golden Era Award in recognition of his long, illustrious career that began in 1950. (See story.)

Actor Robert Wagner, honored with the Gold Coast Film Festival’s second annual Burton Moss Hollywood Golden Era Award at the Gold Coast Arts Center’s gala, discusses his career with film historian, author, and professor Foster Hirsch © Karen Rubin/goingplacesfarandnear.com


© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Gold Coast Film Festival Kicks Off With Gala Honoring Film & TV Legend Robert Wagner with Hollywood Golden Era Award

Actor Robert Wagner, honored with the Gold Coast Film Festival’s second annual Burton Moss Hollywood Golden Era Award at the Gold Coast Arts Center’s gala, discusses his career with film historian, author, and professor Foster Hirsch © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin

Travel Features Syndicate, goingplacesfarandnear.com

The stars shone over the Gold Coast Arts Center in Great Neck, Long Island as film and television star Robert Wagner was honored with the second annual Burton Moss Hollywood Golden Era Award in recognition of his long, illustrious career that began in 1950 with his film debut in The Happy Years The award was presented at the center’s annual gala which also helped raise funds for the nonprofit Arts Center and its Gold Coast International Film Festival, which starts on Friday, November 2, 2018 on the storied Gold Coast of Nassau County’s North Shore, once home to entertainment legends including W. C. Fields, Paulette Goddard, Oscar Hammerstein, Alan King, Francis Ford Coppola, George Segal, and F. Scott Fitzgerald.

Joining Wagner at the gala were such luminaries as his wife, actress Jill St. John; his daughter Courtney Wagner, who co-hosts Boulevard, their new cable program about the movie stars of Hollywood; actress Sharon Gless (Cagney and Lacey) and her husband, producer Barney Rosenzweig; and Princess Yasmin Aga Khan, whose mother, the late Rita Hayworth, posthumously received the first Burton Moss Hollywood Golden Era Award in 2017.

Iconic talent agent, Budd Burton Moss, the award’s namesake, also attended the event in tribute to his childhood friend.  Moss, the most respected and admired talent agent of Hollywood’s Golden Age, attended elementary school in California with Wagner, forging a relationship that has endured since.

Actress Diane Baker and noted radio and television personality Larry King sent along their best wishes via video. Also in attendance were Harriet Fields, granddaughter of the late W.C. Fields, and renowned film historian and film professor, Foster Hirsch, who moderated a candid, lively and informative discussion with Wagner before the presentation of the award.

Wagner may well hold the record for longest continuous career – he has been acting for 70 years, a fact acknowledged by tributes from Larry King and actor Diane Baker.

During the conversation with Hirsch, Wagner spoke of his mentors, who bolstered his career: actor Spencer Tracy, who “changed my life,” and film producer Darryl Zanuck, who basically discovered him, developed him and said of him, “You will be a big star.”

Clark Gable got him a screen test at MGM, but that didn’t work out, and got a contract with 20th Century Fox ($55 a week), where he stayed for 20 years, a part of the studio system.

“The studio system worked well for me. People at 20th Century Fox looked out for their people.”  His departure coincided with the collapse of the studio system.

“I owe my career to Darryl Zanuck,” he said. “He knew scripts, stories, believed in the people around him. He really cared about me.. Darryl was watching me. When he left [the studio], it was a different situation.”

Actor Robert Wagner, honored with the Gold Coast Film Festival’s second annual Burton Moss Hollywood Golden Era Award at the Gold Coast Arts Center’s gala, discusses his career © Karen Rubin/goingplacesfarandnear.com

He joked that he wasn’t happy doing “Prince Valiant,” revolutionary for being one of the first movies filmed in Cinemascope. “It was the wig – it got in the way. Dean Martin talked to me for 10 minutes; he thought I was Jane Wyman.”

He reflected on his transition from film to television – something that wasn’t done at the time. “Lou Wasserman said to me, ‘I want you in this magazine – TV Guide. I think this medium is for you.” Wasserman proposed making a pilot for “It Takes a Thief,” and promised that if it wasn’t picked up, he would make it into a movie. It wasn’t picked up; he made the movie, and then it was picked up.”

“It started mid-season,” Wagner related. “That’s death. I thought my career was gone. But the audience liked it.”

Fred Astaire was his co-star. “There was nobody like him. A meticulous man. I asked him to play my father. I knew him when I was a kid – I went to boarding school with his son. Who asked me over for the weekend at his house. Astaire picked me up, put me in the back seat of his convertible – I was 7 or 8 years old. I didn’t know who Astaire was at the time. I spent a lot of time with him over the years.”

Hirsch pressed him on how his mentors seemed to all be father figures because his own father was “rather difficult.”

“My father was a product of that era. He did things his way. I was programmed to go into his business – steel. I always wanted to be actor in movies, from time I saw my first movie.”

Gold Coast Arts Center/Gold Coast Film Festival Executive Director Regina Gil with actor and gala honoree Robert Wagner and professor Foster Hirsch at the Gold Coast Arts Center gala. © Karen Rubin/goingplacesfarandnear.com

He spoke of the many “marvelous leading ladies” he worked with: Audrey Hepburn, Sophia Loren, Bette Davis, Elizabeth Taylor, to list but a few,” writing about them in his book, “I Loved Her in the Movies,” one of three Hollywood memoirs he has published.

“You can’t be a leading man without a leading lady.”

And he spoke lovingly and admiringly of his wife, the actress Natalie Wood, whose real name was Natalia Nikolaevna Zakharenko, a child of Russian immigrants. She made her debut before she was five years old in a 15-second scene in the 1943 film, “Happy Land,” and at the age of seven, played a German orphan opposite Orson Welles and Claudette Colbert in “Tomorrow is Forever” (1946).

“They dyed her hair blond and taught her a German accent… She had God-given talent.”

He said that he doesn’t believe “West Side Story” would have been made without Wood. “She was so good at accents. She was good at everything.”

Among the stars in attendance at the Gold Coast Arts Center Gala honoring actor Robert Wagner with the second annual Burton Moss Hollywood Golden Era Award, were actor Jill St. John, his wife; Sharon Gless and her husband, Barney Rosenzweig, the producer of Cagney & Lacey; and Hollywood agent Burton Moss © Karen Rubin/goingplacesfarandnear.com

In the audience was his wife, Jill St. John, “the first Bond girl,” with whom he performed “Love Letters” on the stage, criss-crossing the country for nine years.

“The performances had to be different, otherwise they would have had to take me away with a net. We had to keep it different.”

Wagner’s numerous film credits includes With a Song in My Heart, Broken Lance with the legendary Spencer Tracy, Dragon: The Bruce Lee Story, The Pink Panther, The Curse of the Pink Panther, Midway, The Towering Inferno, Banning, Harper, Prince Valiant, The True Story of Jesse James, and All the Fine Young Cannibals. He re-created his role of Number Two, the villainous henchman to Dr. Evil, the archenemy of Mike Myers’ title character in Austin Powers: The Spy Who Shagged Me.

On television, Wagner has starred in three long-running hit series, It Takes a Thiefwith Fred Astaire, Switch, with Eddie Albert and Sharon Gless and Hart to Hart, with Stefanie Powers.  He also starred in the top-rated miniseries Windmills of the Gods, based on Sidney Sheldon’s best-selling novel; with Joanne Woodward in A Kiss Before Dying; and with Elizabeth Taylor in There Must Be a Pony. He also appeared in the memorable Seinfeld episode, “The Yada, Yada, Yada,” as Dr. Abbot.

Edwina Sandys, the sculptor (and Winston Churchill’s granddaughter); actor and honoree Robert Wagner; Princess Yasmin Aga Khan, daughter of Rita Haywood, the award’s first recipient and spokesperson for the Alzheimer’s Association; and Hollywood agent Burton Ross at the presentation of the Burton Moss Hollywood Golden Era Award at the Gold Coat Arts Center gala © Karen Rubin/goingplacesfarandnear.com

Named for the man who has represented some of Hollywood’s finest stars, the Burton Moss Hollywood Golden Era Award pays tribute to film legends who may not have been honored adequately during their lifetimes, and whose names and legacy are in danger of becoming forgotten by newer generations of filmgoers.  The award itself, an original work of art, was created by celebrated sculptor Edwina Sandys, who also attended the event, is a granddaughter of Sir Winston Churchill.

Presenting the award to Wagner, Princess Yasmin Aga Khan, who had received the first award on behalf of her mother, Rita Hayworth, said she had devoted her life as a spokesperson for the Alzheimer’s Association, working for a cure, andnoted that among the many programs offered at the Gold Coast Arts Center (programs “from womb to tomb” in art, music, performance) are Making Memories a program that serves those with Alzheimer’s and memory impairment.

Gold Coast Arts Center/Gold Coast Film Festival Executive Director Regina Gil with actor Jill St. John, sculptor Edwina Sandys, honoree actor Robert Wagner, and his daughter, Courtney Wagner and Jon Kaiman, co-president of the Arts Center © Karen Rubin/goingplacesfarandnear.com

Proceeds from the benefit support the Arts Center’s outreach projects including Making Memories, as well as ArtReach, a program that brings Arts Center faculty and programs to underserved schoolchildren and others, to enrich their curriculum with arts education in the areas of ceramics, painting, music, dance, and chess.

The gala kicks off this year’s Gold Coast International Film Festival, taking place November 2 – 13 at various venues in North Hempstead, Long Island. The festival this year features 80 films over 10 days. (Tickets and information at www.goldcoastfilmfestival.org).

Since 2011, the Gold Coast International Film Festival has brought the latest Hollywood hits and Indie favorites to standing-room-only audiences throughout the fabled Gold Coast of Long Island and beyond. Add A-list celebrities and unforgettable events to the mix, and it’s easy to see why the Gold Coast International Film Festival has become the “go to” festival for film buffs and the public; (it is also the last major film festival on the East Coast before Awards season). The Gold Coast International Film Festival is produced by the not-for-profit Gold Coast Arts Center.

The Gold Coast Arts Center is a 501(c)(3) organization dedicated to promoting the arts through education, exhibition, performance, and outreach. Located on the North Shore of Long Island, it has brought the arts to tens of thousands of people throughout the region for over 20 years. Among the Center’s offerings are its School for the Arts, which holds year-round classes in visual and performing arts for students of all ages and abilities; a free public art gallery; a concert and lecture series; film screenings and discussions; the annual Gold Coast International Film Festival; and initiatives that focus on senior citizens and underserved communities. These initiatives include artist residencies, after-school programs, school assemblies, teacher-training workshops, and parent-child workshops. The Gold Coast Arts Center is an affiliate of the John F. Kennedy Center for the Performing Arts Partners in Education program, and the National Gallery of Art in Washington, D.C. More information can be found at www.goldcoastarts.org.


© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures


‘Collective Consciousness’ on View at Gold Coast Arts Center Focuses on Responsibility for Environment

“Collective Conscious” Curator Jude Amsel, Gold Coast Arts Center Director Regina Gil, NYS Assemblyman Tony D’Urso with artists Beth Williams Garrett, Nancy Gesimondo, Yoon Cho, Charles Cohen, Lauren Skelly Bailey and Linda Cunningham © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

“Nature has been inspiring artists for centuries, and its beauty has been captured in paintings, sculptures, photographs and a variety of other medium. But some artists take the relationship between art and the environment a step further, creating works from nature itself or producing artworks that make bold statements about the natural world and the imprint mankind has left on it.” This is what curator Jude Amsel was looking for when she put together the exhibition, COLLECTIVE CONSCIOUSNESS, on view at the Gold Coast Arts Center Gallery in Great Neck, Long Island through April 1.

The seven artists whose works are represented “are commenting on man’s relationship with our planet. These artists have the power to make environmentalism a priority and bring green initiatives to the forefront of cultural conversations,” she stated.

“With all the gloom and doom, we can feel sad with what’s happening in the world. But these artists bring an awareness,” a literal consciousness of our role and responsibility, Amsel said at the Artists’ Reception, March 4. The viewer is left with a sense of optimism that man’s better impulses will rise to the fore.

Yoon Cho’s work – multi-media performance art which combines video superimposed with digitized drawings – is the starkest commentary on this theme: her project was inspired by a difficult pregnancy after 10 years of marriage and the birth of her son, she and her husband traveled to barren landscapes to comment on extinction and procreation, the images of life forcing its way through.

Beth Williams Garrett created feminized Buddha head sculptures out of plastic bags.

Linda Cunningham turned the blighted industrial waterfront of the South Bronx into striking images on torn, furled canvas.

Nancy Gesimondo found solace in creating assemblages of natural materials, where mussel shells appear as butterflies, a metaphorical prayer flying to heaven; water chestnut seedpods are like flying bats, and peacock feathers are like tall grass.

Lauren Skelly Bailey re-creates the natural world of coral reefs in meticulous glazed ceramics, mimicking the surprise you have when you touch coral, which seem to be fluid and flowing to discover they are rock hard.

Charles Cohen uses realistic photography to get reduce household products to the shape and color of their plastic containers to force a different perspective.

Luba Lukova, whose graphic artistry can be seen in the New York Times, brings her timely commentary to an image of a green plant shielded by a hand as bombs fall, in her silkscreen, “Peace and Planet” (2015).

What is so interesting is to see such variety of media and approaches that come together to the essential message of human impact on the natural world: a collective consciousness of our responsibility.

Here’s more from the artists about their works:

Artist Lauren Skelly Bailey is exhibiting ceramics in “Collective Conscious” at the Gold Coast Arts Center © Karen Rubin/goingplacesfarandnear.com

Lauren Skelly Bailey’s ceramics are uncanny in the way they so realistically, meticulously yet artistically represent coral. You appreciate the beauty of nature’s own design. And like nature itself which is deceptively complex (think of a wasp’s nest), her work is exceptionally technical. “Stacking Up” (2016) for example, is crafted of porcelain, stoneware, slip, glaze, resin and flock – the pieces are each fired five to seven times. There are pieces gilded with real gold on the last firing.

She began her arts education studying painting and cartooning at Adelphi, graduating with a BA and MA, then went on to the Rhode Island School of Design (RISD) to earn her MFA. She produced many of these ceramics during a residency at the Museum of Arts & Design and had two grants from the NYS Council for the Arts.

“My work explores methods of making assemblage sculptures, conglomerations, installations, and figurines. There’s that sensation of falling for process, the chase of finding the unexpected and learning how it occurs. From that knowledgeI make intentional decisions regarding textural surfaces, glazes, slips and clay applications, changing the context of the piece from a study to a solution. I respond to changes and observe balance in my work, seeking to push an uneasy tension between materials and form. Each new sculpture is a mo­ment, something new that has been achieved or understood, taking me further into my experience with ceramics.” (laurenskellybailey.com)

Nancy Gesimondo (left) with curator Jude Amsel. Gesimondo’s assemblages in “Collective Conscious” evoke Native American reverence for nature at the Gold Coast Arts Center © Karen Rubin/goingplacesfarandnear.com

The first reaction to Nancy Gesimondo’s assemblages is how they evoke Native American references. Nancy is from Sunnyside, Queens.

“My work is an exploration of ma­teriality and science that results in new visceral narratives. I create assemblages comprised of natural materials such as shells, feathers, seedpods, semi-precious stones, rocks and crystal formations.The juxtaposition of these found ele­ments results in surreal landscapes, imaginal creatures and hybrid specimens that aim to suggest the exploration and sense of mystery of an archeologist assembling vestiges of a distant past with no true refer­ence of their origin.

“My work is a reflection of my ap­preciation of nature’s beauty and diversity, as well as my concern for its decline. The delicate fragments imbue the work with an ethereal quality that portends a futuristic glimpse of the place we call home.”

Her assemblages draw upon natural materials she regularly collects – feathers, shells, seedpods, semi-precious stones, rocks and crystal formations. “It shows a reverence for Earth.”

“I’ve been collecting feathers forever – they are like little signs from beyond to me.”

She added, “I let the materials guide me towards the image. I very rarely see the composition in advance.”

The overall feeling is of tranquility, a peacefulness, a poetic aesthetic. The natural elements are used as metaphors.

“A Winged Victory for the Sullen” (2016) is an assemblage with amethyst crystal, iridescent feathers, and water chestnut seedpods (collected at Beacon NY), that look like flying birds. It is mounted on 300 lb watercolor paper, and she explained how she had to puncture roofing nails from the back, then glue the seedpods on.

“Evening Prayers III,” (2017) draws upon mussels that look like butterflies, and a strip of peacock features that look like tall grass. “It’s difficult to find mussels that are still together, but after my father died, I wanted to go to the beach. I went to Long Beach where I know there are mussels, but on this day, I never saw so many whole mussels as then. I collected four bags worth. I felt it was a sign from my father, “Abundance. Don’t worry.”

“The shells poetically morph into butterflies. They are like prayers – wishes and wants that fly to heaven.,”

“In my work, there is always some poetry.” (www.nancygesimondo.com)

Linda Cunningham’s torn and furled canvases are a commentary on South Bronx blight on view at “Collective Consciousness” at the Gold Coast Arts Center © Karen Rubin/goingplacesfarandnear.com

Linda Cunningham makes an artful plea on behalf of South Bronx in her series, “South Bronx Waterfront Sagas-shards: The New Vision” (2016).

“Collaged canvas with torn edges convey contradictions document­ed with photo-transferred images, layered with acrylic and pastel revealing a broken South Bronx his­tory, an urban renewal tragedy, an area once the retreat of choice for fresh air and greenery. The shards of information and vistas evoke the Port Morris harbor where barges once docked and youth swam off a pier in the East River. The beautiful open vistas are now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by deteriorating remains, rotting remnants of piers, power stations and City Waste transfer stations.”

Cunningham’s work centers upon time, transience, contradictions, and compelling environmental con­cerns juxtaposed against industry and urban blight.

The canvas itself is twisted and tortured in its way – not at all the neat rectangles that fit into frames.

“Life doesn’t come in a convenient box – I can’t work in a square (or rectangle). Life is one torn edge to another.”

The irony is that she makes the South Bronx blight beautiful. (www.lindalcunningham.com)

Beth Williams Garrett uses plastic bags to create her feminized Buddha head sculptures on view at “Collective Consciousness” at the Gold Coast Arts Center © Karen Rubin/ goingplacesfarandnear.com

Beth Williams Garrett, who studied painting at the Rhode Island School of Design and has shown her artwork up and down the East Coast, said, “I was a painter for 30 years, until 2010, when I felt the need to make sculpture. I was searching for a suitable sculpting ma­terial, I stumbled upon using plastic bags as a medium… Plastic bags were being thrown away – that’s no good for environment. They present themselves to me as a material to make sculpture with.”

“The inspiration for my first sculptures came from my travels to Buddhist temples in Japan and ancient ruins in Rome.”

Indeed, the sculptures fashioned of plastic bags evoke Buddha, but then there is a twist. “I have always felt my work was autobiographical, as a woman and focused on the female figure.

The result is a feminized Buddha – “girl Buddhas” she said.

Her skill as a painter comes through in the way she uses the colors and patterns in the plastic bags to great effect. One of the pieces draws on both her painting and the sculpting.

“Since then, I have been exploring what I can do with the plastic bags. My newest endeavors have been combining the 3-dimensional work with the 2-dimensional work as relief/multi media pieces and I continue making heads as I love how the plas­tic bags lend themselves to creating facial expressions.”

“It happened by accident in the studio. I propped the plastic bag head on a canvas to take a picture and decided to combine the two. I usually paint bodies without a head, so it made me laugh to make plastic bag without the body. (bethwilliamsgarrettart.webs.com)

Yoon Cho says her son was the inspiration for her multi-media “Desert Walk Photo and Video Series,” which she undertook with her husband, visiting 20 sites in four states on view at “Collective Consciousness” at the Gold Coast Arts Center © Karen Rubin/ goingplacesfarandnear.com

Yoon Cho’s Desert Walk Photo and Video Series explores the connection with our environments by featur­ing America’s diverse desert land­scapes with superimposed digital drawings of various biological life forms over the artist’s walk per­formance. The silhouette graphics of biological life forms such as cells, pollen, reproductive organs, embryos, and skeletons in the sky tell a story of the cycle of life and our co-existence with the Earth.

Cho’s personal journey from a difficult pregnancy to mother­hood and upbringing in a family of physicians encouraged her to examine the relationship between the biological life forms and their habitats. The Desert Walk encap­sulates beauty, destruction, and preservation of the land we live in.

The work is based on photographs from 20 different sites in four states (New Mexico, California, Nevada and Arizona). The final scene is at the Array where astronomers listen for signs of life from outer space. “That represents the future,” she says.

Her work was supported by the Puffin Foundation and New York State Foundation of Arts. (www.yooncho.com)

Charles Cohen, with Gold Coast Arts Center director Regina Gil, with his photographic collage, “Executive Function,” on view at “Collective Consciousness” at the Gold Coast Arts Center © Karen Rubin/goingplacesfarandnear.com

Charles Cohen uses photography to change perspective.

“From the threshold between participation and observation, I break with day to day experience. Familiar with the ethnographer’s dilemma, I embrace this betwixt state as the key to being human: we act as protagonist and critic in our own lives so that we can bridge the gap between individu­al and collective.

“My work exposes reductive dual­ities and challenges the ordinary relationship between perceiv­er and perceived by provoking reflexive thought… My work explores a range of subjects, literal and figurative, in an embrace of liminality and in confrontation with a binary view. The result transforms the sub­ject/object relationship from real to metaphor and liberates a state of being—one. (www.promulgator.com)

Luba Lukova’s “Peace and Planet” (2015) on view at “Collective Consciousness” at the Gold Coast Arts Center © Karen Rubin/goingplacesfarandnear.com

Luba Lukova creates images that she hopes will catalyze action and change the world. Her thought-pro­voking posters address essential themes of humanity and injustice worldwide. Her messages help viewers develop empathetic un­derstanding for social and cultural issues through indelible metaphors and an economy of line, color, and text. Lukova’s work is included in the permanent collections of MoMa; Denver Art Museum; Biblio­thèque nationale de France; Hong Kong Heritage Museum; Centre de la Gravure et de l’Image imprimée, La Louvière, Belgium; the Library of Congress; and the World Bank, Washington, D.C. (www.lukova.net)

The Gold Coast Arts Center is a 501(c)(3) not-for-profit organization dedicated to promoting and supporting the arts through education, exhibition, performance and outreach. It offers classes for tots to seniors in art, music, dance and performance;, events, gallery, film festivals and outreach programs.

The Gold Coast Arts Center, 113 Middle Neck Rd, Great Neck, NY, 516-829-2570 or www.GoldCoastArts.org.



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