Category Archives: Arts & Entertainment

11th Annual Jazz Age Lawn Party on Governors Island Finishes Off With Really Hot Jazz

Charleston lesson at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com
Charleston lesson at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

By Karen Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

Talk about Hot Jazz! The heat and humidity could not dampen the celebratory spirit for the final weekend of the 11th Annual Jazz Age Lawn Party on Governors Island, where the weather was hot but the jazz was hotter. People still turned out in their vintage 1920s outfits, re-creating the Gatsby-era.

Yodoyiohdo. Michael Arenella and His Dreamland Orchestra at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com
Yodoyiohdo. Michael Arenella and His Dreamland Orchestra at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

Michael Arenella and His Dreamland Orchestra sets the mood with music Arenella has transcribed from original recordings of the era. Arenella re-creates the role of a Big Band leader, taking on the inflection and look, and telling anecdotes about the music and the musicians as if it were now, when this music was all the rage and radio was a new (and dangerous) cultural phenomenon. Within moments, you are transported back to the romance and joie de vive of that time, leaving behind for these precious hours the hubbub of modern times (except for the constancy of cameras, smart phones and selfies).

Gregory Moore and The Dreamland Follies at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com
Gregory Moore and The Dreamland Follies at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

The entertainment throughout the day is topnotch: Gregory Moore and The Dreamland Follies, evoking the Ziegfield Follies, puts on stunning and sophisticated dance routines; Roddy Caravella & The Canarsie Wobblers  consistently wow with fanciful costumes and choreography;

Minsky Sisters © 2016 Karen Rubin/news-photos-features.com
Minsky Sisters © 2016 Karen Rubin/news-photos-features.com

The Minsky Sisters, a 1920s-inspired sisters tap act in the tradition of classic vaudevillian family acts; Queen Esther, an award-winning vocalist with a four-octave range who is also a songwriter, actor, and recording artist performing regularly in NYC, who sets her own standard of Jazz Great while paying tribute to jazz royalty of yore with her jazz quintet The Hot Five; Peter Mintun, “world’s greatest piano man” and Molly Ryan, known for her silvery voice and lush, elegant vocal style; plus musical interludes on vintage 78 records from the 1920s played on a 1905 antique phonograph.

Roddy Caravella & The Canarsie Wobblers at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

Roddy Caravella & The Canarsie Wobblers at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

There are special attractions, as well, starting with lessons in Charleston or the Peabody by Roddy Caravella and his wife; dance competition (in Charleston or Peabody); a “High Court of Pie” contest;

Enjoying the private Sheik of Araby Tent VIP Tent in true Gatsby-era style at 11th Annual Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com
Enjoying the private Sheik of Araby Tent VIP Tent in true Gatsby-era style at 11th Annual Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com

Bathing Beauties and Beaus Promenade; Kidland carnival games and prizes for junior gents and Flapperettes; 1920s Motorcar Exhibition (get up close and personal with flivvers, Tin Lizzies and “Buttercup,” Gatsby’s very own 1925 Rolls-Royce “Twenty”); Vintage Portraits  (immortalize yourself while perched upon a Paper Moon); and boutonnieres and mini floral arrangements bestowed upon guests from BloomThat, a flower start-up.

Queen Esther performing with her jazz quintet The Hot Five at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com
Queen Esther performing with her jazz quintet The Hot Five at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

Scores of vintage vendors add to the atmosphere – if you didn’t have your own vintage outfit, you can rent or buy, and if you didn’t have your own picnic blanket, you could purchase from the General Store. Merchants include: Dora Marra, Toucan Hats, Prohibition Clothing, Noble Vintage Clothier , Wildfell Hall Vintage, David Owens Vintage, Howard’s Entertainment, Penumbra Foundation, Zelda Magazine and Art Deco Society of NY.

BloomThat bestowes boutonnieres and mini floral arrangements at the Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com
BloomThat bestowes boutonnieres and mini floral arrangements at the Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com

The bi-annual daytime affair also features an array of Golden-Age inspired cocktails created by mixtress Julie Reiner (Clover Club, Leyenda, Flatiron Lounge) featuring the festival’s signature spirit, St-Germain, including: The St-Germain Cocktail: an invigorating aperitif of St-Germain, sparkling wine, and sparking mineral water with a lemon twist; Strike Up The Band: a refreshing Collins-style recipe blending summer strawberries with gin, St-Germain and fresh citrus; and the Flappers Delight: St-Germain elderflower meets Juniper and mint in this tall summer fizz, and exclusively in “ The Gatsby’s Garden” VIP section: Americano de Robert: St-Germain, Campari, Dry Vermouth, lime, soda & orange peel, served up.

Ferry is Magic Carpet to Bygone Era 

The enchantment begins as you board the ferry from South Street or from Brooklyn for the short ride to Governors Island. You think you have stepped back to the 1920s – crowds of giddy people are dressed in flapper dresses and linen suits, caps and suspenders cram the ferry. And dancing shoes. And you realize this isn’t just any ride in the park.

The Sokol Sisters –Evita, Stephanie, Katie and Ashley, from New York City get into the spirit of the Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com
The Sokol Sisters –Evita, Stephanie, Katie and Ashley, from New York City get into the spirit of the Jazz Age Lawn Party © 2016 Karen Rubin/news-photos-features.com

We are back in the Jazz Age, and the setting is perfect, a vast lawn set off by an arbor of trees, surrounded by buildings and forts that date back to the Civil War and World War II when Governors Island was used as a base and military prison (I even happened on Civil War re-enactors), now repurposed for arts and cultural programs.

People come and set out sprawling picnics – some with elaborate fixings like candelabras and crystal wine glasses.

The atmosphere is infectious. Fellows seem more civilized. Gals seem more sassy. And the good feeling just percolates to the beat from Michael Arenella’s Dreamland Orchestra, as this fantastical community defying time forms.

Michael Arenella © 2016 Karen Rubin/news-photos-features.com
Michael Arenella © 2016 Karen Rubin/news-photos-features.com

The unquestioned star of the day long festival is Michael Arenella and His Dreamland Orchestra, one of the world’s great Jazz Age dance bands, specializing in the Hot-Jazz of the 1920s. “Conductor, composer, musician and singer Michael Arenella presents a personally transcribed songbook for your listening and dancing pleasure.” (Michael Arenalla also can be heard Wednesday nights at the Clover Club, Smith Street in Brooklyn and at the Red Room, the last Thursday of the month, 85 E 4th St, NYC, and at the Clover Club, see www.dreamlandorchestra.com).

Michael Arenella and His Dreamland Orchestra at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com
Michael Arenella and His Dreamland Orchestra at 11th Annual Jazz Age Lawn Party on Governors Island © 2016 Karen Rubin/news-photos-features.com

It isn’t hard to believe you have returned to the Jazz Age because of the authenticity and attention to detail. Arenella “transcribes by hand their entire repertoire from period recordings. Their delivery, as well as their instruments, attire, and equipment — are faithfully accurate. Arenella’s strong yet vulnerable baritone lacks pretense or sarcasm. He treasures each lyric, and has faith in the songs he sings. Even the most optimistic Tin Pan Alley tune has a disarming quality in his hands.”

Even the 1928 Graflex, used to take period photos, is an original.

Gregory Moore pays tribute to New York Times Styles photographer Bill Cunningham during Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com
Gregory Moore pays tribute to New York Times Styles photographer Bill Cunningham during Jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com

Now in its 11th year, the Jazz Age Lawn Party has built a history of its own. It started in 2005 as a small gathering of about 50 friends and fans of Michael Arenella and his Dreamland Orchestra and their version of prohibition-era music and fun. Not too many years after, it was drawing thousands of fans who revel in the music and zeitgeist of the 1920s and 1930s and has become what is arguably the world’s largest outdoor musical celebration of the Jazz Age, but is undoubtedly one of the highlights in a crammed calendar of summer happenings in New York City.

For more information, visit: JazzAgeLawnParty.com.

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© 2016 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com   and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Letter from Abroad: A Grand Concert at La Scala in Milan, Italy

Seeing a performance at the famed La Scala theater in Milan, Italy, is a grand experience that transports you back to the Belle Epoque. Designed by Giuseppe Piermarini, the theater opened in 1778 (photo by Leiberman-Nemett)
Seeing a performance at the famed La Scala theater in Milan, Italy, is a grand experience that transports you back to the Belle Epoque. Designed by Giuseppe Piermarini, the theater opened in 1778 (photo by Leiberman-Nemett)

By Dave E. Leiberman & Laini Nemett

Seeing a performance at the famed La Scala opera house in Milan, Italy, transports you back to the Belle Epoque.

After collecting our tickets in the box office, we began the night with a perfect Negroni and aperitivo snack in the bar of Ristorante Teatro alla Scala. With about ten minutes until curtain, we walked through the ornate grand foyer adorned with marble columns and tall narrow mirrors lining the walls. We entered the theater itself just early enough to first glimpse the orchestra through the open doors of the palci, the balcony boxes lining the horseshoe auditorium.

The demographic of the crowd skewed older than some opera houses in the United States with most of the audience in their 50s to 80s. Everyone was dressed as you would expect at La Scala: men in jackets and women in dresses.

We walked to our seats in the front right side of the Orchestra. Though we were fairly close to the stage, the sound didn’t feel as full as we imagined it could have. During intermission we were able to move up to one of the balcony boxes, where the sound was significantly richer than in the orchestra section.

First glimpse the orchestra through the open doors of the palci, the balcony boxes lining the horseshoe auditorium (photo by Leiberman-Nemett)
First glimpse the orchestra through the open doors of the palci, the balcony boxes lining the horseshoe auditorium (photo by Leiberman-Nemett)

The amazing acoustics in the gallery is only one aspect of the experience sitting in the balcony boxes of La Scala. We were lucky that the show we saw did not have a sold out house so we were the only 2 in our box and actually got to sit at the front with a great side view of the orchestra. Hundreds of burgundy jacquard-wallpapered cubes line the horseshoe of the 6 rows of boxes. It felt like an elaborate film set with each box its own scene. Sitting in a closed room with only a few others (or in our case just one companion), you are simultaneously watching hundreds of little boxed narratives in the panorama of the audience, while realizing you are within the same composition of boxes and one of these stories yourself. Hundreds of moments all within their own world, theater-goers hang out of the boxes with arms draped around the cushioned ledges, all watching and listening to their shared soundtrack.

The Teatro alla Scala was founded under the auspices of the Empress Maria Theresa of Austria, to replace the Royal Ducal Theatre, which was destroyed by fire on February  26 1776, which until then was the home of opera in Milan. The cost of building the new theatre was borne by the owners of the boxes at the Ducal in exchange for possession of the land on which stood the church of Santa Maria alla Scala (hence the name) and for renewed ownership of their boxes. The theater was designed by the great neoclassical architect Giuseppe Piermarini  (1734-1808) and opened in 1778.

What is not widely known is that you can visit La Scala’s museum. The current exhibition is “Riccardo Muti: The years at La Scala” (on through October 16). The museum is open daily except on: Christmas, New Year’s and Easter Sunday and certain holidays..  It is open from 9 am to 12.30 pm (last entrance at noon) and from 1.30 pm to 5.30 pm (last entrance at 5 pm). The auditorium can be seen from the boxes excepted when rehearsals or performances are in progress. (Information: Tel +39 02 88 79 74 73).

La Scala’s program includes not only opera, but also symphony concerts, academy concerts, ballet, programming for children, and other cultural events. The programming is also not only the famous Italian composers. Though Verdi and Puccini frequent the lineup (or the season), upcoming performances at La Scala include Benjamin Britton’s Turn of the Screw (Sept 14 – Oct 17, 2016), George Gershwin’s Porgy and Bess (Nov 13-23, 2016), Mozart’s The Magic Flute (Sept 2 – 25, 2016) and Marriage of Figaro (Oct 26-Nov 27, 2016).

You can see the schedule and purchase your tickets in advance online. Ufficio Stampa Teatro alla Scala, Via Filodrammatici 2 – 20121 Milano, tel. +39 02 8879 2412, fax +39 02 8879 2331, www.teatroallascala.org.

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© 2016 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.comwww.examiner.com/eclectic-travel-in-national/karen-rubin,www.examiner.com/eclectic-traveler-in-long-island/karen-rubin, www.examiner.com/international-travel-in-national/karen-rubin  and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures