The Museum of Illusions,
opened September 2018 in New York City’s West Village. You might assume by its
name that it is a children’s museum or about magic, which depends greatly on
illusion — it is neither of these. Nor can it be considered an
“attraction, ” although many of the exhibits are interactive, as you get to
help create the illusions. The purpose of this museum is really about educating
visitors on the physical and psychological science behind illusion. With two-
and three-dimensional illusions on the walls and floors that will
mesmerize visitors of all ages, placards posted near each exhibit provide the
explanations to help you understand what you are viewing and how the illusion
is created. While the museum does not explicitly delve into magic, when
you leave, you will have a better understanding of how some magic tricks work.
We thoroughly enjoyed
this museum with its many surprises. One of our favorite exhibits was a room
with a sloped floor — a monitor shows that you appear to be growing smaller and
smaller as you walk across the floor. Another fun, interactive exhibit is where
a visitor pokes her head out of the middle of the table, but all you see is a
head on top of the table with no body.
Friendly staff are
available to give you clues about the illusions, help you figure out where to
stand to get the most effective view, explain the science behind a particular
illusion, and take your picture. In fact, the museum welcomes photography
because the digital photograph makes it easier to visualize many of the
illusions. At the front of the museum, a staff member is ready to have two of
your party pose as part of an illusion relating to perspective (check out the
photo where Marty is patting Laurie’s head — we are literally a few feet from
each other! And no — Laurie is not that small).
The museum is housed in
a bank building dating back to pre-Depression 1920s. Before you leave, be sure
to ask to see the old bank vault.
(Be advised: the only
downside of the Museum of Illusions is that it has mobility limitations – there
is no handrail on the outside steps leading up to the main door and no
alternate ramp. The second floor is only accessible by a narrow staircase with
a banister — there is no elevator. On the other hand, visitors with mobility
issues are admitted free.)
The Museum of Illusions
(77th 8th Ave, New York, NY; https://newyork.museumofillusions.us/) is open Monday – Thursday, 9am to 10pm; Friday
– Sunday 8am to 11pm. To explore with smaller crowds, try to arrive
before noon. Plan for 45 minutes to 1-½ hours to walk the entire museum, and
bring a camera to capture the illusions at their best! Tickets are $19/adult;
$17/senior, military, students with ID; and $15/kids 6-13 years of age (under 6
is free). Tickets may be purchased online with a small service fee.
This spring, the New-York Historical
Society presents Hudson Rising, a unique exhibition that explores
200 years of ecological change and environmental activism along “the most
interesting river in America” through artifacts, media, and celebrated Hudson
River School paintings.
On view March 1 – August 4, Hudson
Rising reflects on how human activity has impacted the river and, in
turn, how the river environment has shaped industrial development, commerce,
tourism, and environmental awareness. The exhibition also explores how experts
in various fields are currently creating ways to restore and re-engineer areas
of the river in response to climate change.
Indeed, we tend to think of the environmental movement as
originating with Yellowstone and the national parks, but it is fascinating to
realize that the beginning of environmental activism – and the techniques –
began here. Citizens rallied to oppose the construction of a Con Ed plant on
Storm King Mountain; one of the new organizations, Scenic Hudson, sued; the
case, in 1965 set a precedent beyond the Hudson, establishing that citizens
have standing to sue on behalf of conservation, even when they do not have a
direct economic interest, that beauty
and history also merit protection – the forerunner of the Environmental
Protection Act. Later, a “viewshed,” modeled on the concept of a watershed, in
connection with landscape painter Frederic Edwin Church’s Olana, also warranted
The Hudson River raised consciousness of the importance of
environmental protection. the exhibit opens with paintings from Thomas Cole,
the founder of the Hudson River School art movement (America’s first
native-grown art movement), who worried even then about the encroachment of
development. His paintings depict an idyllic landscape, but also the
destruction of the forest to lumbering.
Much more than a body of water, the Hudson
and its surroundings have been the home for humans and hundreds of species of
fish, birds, and plants; offered an escape for city-dwellers; and witnessed
battles over the uses of the river valley and its resources. For over 200
years, writers and artists have captured the river in paintings, drawings,
literature, and photographs, and surveyors and scientists have mapped and
measured its every parcel.
has always encapsulated the tension between development and conservation. But
it was more than about aesthetics, and the need for urbanites to be able to
seek respite in the countryside: an early environmental scientist realized that
logging in the Adirondacks, which was discovered to be the source of the
Hudson, was jeopardizing the watershed supplying New York City.
Scientists at the same time discovered the critical link between
forests and the health of rivers. They realized the Adirondack forest supported
the Hudson River and aquatic animals. That begins the movement to save the
Adirondacks, including the forests. Ultimately, it leads to New York State’s
“Forever Wild” amendment to the state constitution, in 1894.
“This path-breaking exhibition explores
ideas about the environment that developed in the context of the Hudson,
examining how we became aware, as New Yorkers and as Americans, of the role
that humans played in the river’s ecological degradation,” said Dr. Louise
Mirrer, president and CEO of New-York Historical. “The exhibit also looks at
the strategies we devised to address it. Spanning the entire industrial
era, Hudson Rising presents a compelling account of how the
Hudson has been an incubator for our ideas about the environment and our
relationships to the natural world for two centuries-plus.”
Indeed, we learn that Theodore Roosevelt,
before creating the first national park as president, innovated environmental
protection as Governor of New York State, working with New Jersey, to protect
the Palisades as a “park for the people” (hugely popular with immigrants who
crammed into cities, the park had 2 million visitors in 1920, many who came by
a free ferry); similarly Franklin Roosevelt, when he was New York State
governor, created what would become the New Deal Civilian Conservation Corps
when he was president.
Curated by Marci Reaven, New-York Historical’s vice president of history exhibitions, and Jeanne Haffner, associate curator, Hudson Rising begins with a prelude featuring artist Thomas Cole’s panoramic five-part Course of Empire series (1834-36), a treasure of New-York Historical’s collection that depicts the transformation of a pristine landscape into a thriving city, then its dramatic decline, and the fall of civilization.
Cole railed against “human hubris” and the exploitation of nature. “The ranges of the ax are daily and increasing,” Cole said. “Nature has spread for us a rich and delightful banquet. Shall we turn from it?” he wrote in his “Essay on American Scenery” (1836). Cole’s poetic questioning of the social costs of what was seen in his time as progress, serves as a prelude to the exhibition narrative, which begins with the industrial age and continues into the present day. The Hudson River, we learn, was the incubator for the environmental movement.
The exhibition is organized chronologically
and geographically into five sections that highlight significant places and
events in the environmental history of the river: Journeys Upriver:
The 1800s, The Adirondacks: 1870s-1890s, The Palisades: 1890s-1950s, The Hudson
Highlands: 1960s-1980s, and A Rising Tide: Today.
The exhibit is designed to meander, like the river itself, and uses actual artifacts – there is even the smell of freshly cut wood from the Adirondacks – that bring you, as much as possible to the Hudson: bricks from Haberstraw; rocks from the Palisades; iron from Cold Spring Foundry across from West Point; wood from Catskills; hemlock (used for tanning), even a fish tank with striped bath (blue eels will be added later). “The layout is a metaphor for the river,” said Ken Nintzel, the designer.
There are historical maps – one of the most impressive is a panorama map from 1847 that stretches the length of a wall, that tourists would use, “one of the great maps of American history”- photos, paintings, news clips that trace the battle to reclaim the Hudson from industrial pollution. A map from 1890s shows how the Hudson was “redesigned” to make it more navigable for shipping, changing the way the river ran, but in the process, did away with the shallows that hosted aquatic life and mitigated flooding. Another map documents how plentiful oysters used to be – New York city used to be the primary exporter of oysters and clams – until sewage in the Hudson killed off the oysters.
The painting by Thomas Cole of the Catskill Mountain House reminds
that American tourism began here in the Hudson – today, you can hike up to
where the hotel used to be and gaze out over the Hudson.
exhibits surround you, and there are various interactive elements.
Journeys Upriver: The 1800s starts with a steamboat journey up the Hudson River from
the New York City harbor to Albany, inspired by one of the great tourist guides
of Hudson River history, the Panorama of the Hudson (1847).
The detailed rendering of the river landscape led steamboat and armchair
travelers from New York City to the last navigable point of the river near
Troy, pointing out natural wonders, Hudson Valley industries, notable
individuals, and Revolutionary War sites along the way. Also on view are
paintings, industrial objects, and an important Army Corps of Engineers map
that shows how the Corps engineered the river to be a more navigable and
predictable shipping channel. Hudson River School art on display include Robert
Havell Jr.’s View of Hudson River from near Sing Sing, New York (ca.
1850) and George Henry Boughton’s Hudson River Valley from Fort
Putnam, West Point (1855), both depicting tourists enjoying the
The Adirondacks: 1870s-1890s examines the creation of Adirondack Park, established
to save the source of the river and combat deforestation in order to protect
the viability of the entire Hudson watershed. Advocates for the area included
surveyor Verplanck Colvin, who mapped the area’s peaks and lakes as
superintendent of the State Adirondack Survey and identified the source of the
river at Lake Tear of the Clouds, and Seneca Ray Stoddard, a photographer whose
images of deforestation made a case for forest conservation. On view in this
section is one of Asher B. Durand’s majestic depictions of the Adirondack wilderness, Adirondack
Mountains, New York (ca. 1870).
The Palisades: 1890s-1950s traces the protection of the forests and cliffs of
the Palisades to maintain the health of the river and preserve a place for
beauty and nature. In the late 1800s, the Palisades cliffs were being blasted
to bits by road builders who prized their rock. Citizen activists, such as the
New Jersey chapter of the General Federation of Women’s Clubs and the American
Scenic and Historic Preservation Society, fought back and helped create
Palisades Park in 1909. Residents of New York and New Jersey thronged to the
park, arriving by foot, ferry, train, and car, with over two million people
visiting in 1920 alone, most of them from Manhattan. The exhibition features a
selection of tourist brochures from that era, including one with a trio of
women posed on the cliff edge, above the river.
The Hudson Highlands: 1960s-1980s explores how activism along the river helped spark
the modern American environmental movement. By the early 1960s, untreated
sewage and industrial pollutants were poisoning the river. Increasing numbers
of power plants were also rising along the Hudson, whose operations were
killing millions of fish, and whose monumental structures were intruding upon
the most treasured vistas. When Con Edison announced plans to build a plant on
Storm King Mountain, citizen activists fought back and prevented its
construction. By the 1980s, citizens could legally intervene to stop
development that put treasured natural resources at risk. On view is an
aquarium featuring striped bass and other fish native to the Hudson River,
which now thrive due to activists’ efforts to save them. Displays of
artifacts, images, and media from the environmental campaigns of the era
include a 1983 photograph featuring John Cronin, river patroller for the Hudson
River Fisherman’s Association (now called Riverkeeper) on his first day on the
job, confronting an Exxon tanker discharging polluted water into the river.
The final section, A Rising
Tide: Today, discusses the process of reimagining and reclaiming the
Hudson River in the 21st century, as experts in many fields explore ways to
restore and re-engineer areas of the river in response to climate change. The
exhibition showcases innovative projects addressing these concerns, such as a
system of “living breakwaters,” reef-like structures designed to restore
diverse aquatic habitats, lessen wave impacts, and restore the shoreline,
implemented by the New York Governor’s Office of Storm Recovery and landscape architecture
“We hope Hudson Rising will inspire visitors to
see the river differently, and how movements like environmental activism get
born,” Dr. Mirrer said.
“It’s not a new story, but this is the first exhibit that presents
such a comprehensive look at the Hudson River as an incubator of the
As part of New-York Historical’s What the
History programs, a suite of interactive talks, history classes, art-making
workshops, and social evenings for a young professional audience illuminates
the environmental history of New York, the lasting impact of the Hudson River
School painters on the American imagination, and how contemporary design and
ideas are engaging with the threats climate change pose to the city.
Visiting families can enjoy a special guide
featuring suggested exhibition highlights to view as a family, discussion
questions, and gallery-based activities. During the April School Vacation Week
(April 19-28), Museum’s family programs explore environmental activism,
including art making using recycled materials in Museum galleries. On the
weekends (April 20-21 and April 27-28) visiting families can interact with
Living Historians portraying famous and unsung activists of American history.
On April 16, architectural historian Barry
Lewis discusses how the Victorians “greened” their homes and cities, bringing
nature into city greenbelts and private home design. On May 22, Douglas
Brinkley, New-York Historical’s presidential historian, explores how presidents
like Theodore Roosevelt and Franklin Delano Roosevelt championed the protection
of the nation’s natural treasures and established a sprawling network of state
parks and scenic roadways, respectively. On June 9, author Leslie Day leads a
tour along the Hudson River exploring its rich geological and human history and
its diverse ecosystems.
exhibit is particularly timely: years of exploitation and pollution have
resulted in the entire Hudson River, from the Battery to Hudson Falls, some 200
miles, designated a superfund site by EPA. Mandated clean-up by industrial
polluters including General Electric, have significantly improved conditions.
But the Trump Administration’s EPA is moving to issue a Certificate of
Completion which would end GE’s responsibility for cleaning up the Superfund
site, despite the state’s research that shows high levels of PCBs remaining in
Cuomo issued a statement ahead of Administrator Wheeler’s visit to New York:
“In New York, we
are leading the fight to protect our environment with the most ambitious
environmental agenda in the nation. Administrator Wheeler, while you are in New
York, I urge you to visit the Hudson River, one of this country’s natural
treasures that is also one of the most pressing Superfund sites in the country.
New York has fought to restore this vital resource but the ball is now in the
EPA’s court. The EPA can either do the right thing and continue to hold GE
accountable for continued clean up, or they can side with big polluters and let
GE off the hook for its responsibility to clean up PCBs in the river.
“We refused to allow PCB
contamination to continue to jeopardize the health and safety of our
communities for generations to come. We hope and expect that the EPA will join
us in ensuring the full completion of the cleanup.”
I suggested Wheeler visit “Hudson Rising”.
The New-York Historical Society, one of America’s preeminent cultural institutions, is dedicated to fostering research and presenting history and art exhibitions and public programs that reveal the dynamism of history and its influence on the world of today. Founded in 1804, New-York Historical’s mission is to explore the richly layered history of New York City and State and the country, and to serve as a national forum for the discussion of issues surrounding the making and meaning of history. New-York Historical is also home to the Patricia D. Klingenstein Library, one of the oldest, most distinguished libraries in the nation—and one of only 20 in the United States qualified to be a member of the Independent Research Libraries Association—which contains more than three million books, pamphlets, maps, newspapers, manuscripts, prints, photographs, and architectural drawings.
for Yourself: Hike the Hudson River School Art Trail
Walk in the footsteps of the Hudson River School artists Thomas Cole, Frederic Church, Asher B. Durand, Jasper
Cropsey, Sanford Gifford and other pioneering American landscape artists,
literally walking into their paintings, and appreciating their work in an
entirely new way.
See what inspired Thomas Cole, his art and his passion to save the Hudson Valley environment, when you visit his home and art studio. Visit Frederic Edwin Church’s magnificent Olana, walk the gorgeous trails and see the very first protected “viewshed” (Olana State Historic Site, 5720 State Route 9G, Hudson, NY 12534, 518-828-0135, olana.org.) Hike the trails that take you up to where the Catskill Mountain House would have stood, to Sunset Rock, to Kaaterskill Falls, North-South Lake, just as the Hudson River School painters did, often with markers that show the paintings that were created from that very same vantage point.
“The Hudson River School painters
believed art to be an agent of moral and spiritual transformation. In
large-scale canvases of dramatic vistas with atmospheric lighting, they sought
to capture a sense of the divine, envisioning the pristine American landscape
as a new Garden of Eden. Their work created not only an American art genre
but also a deeper appreciation for the nation’s natural wonders, laying the
groundwork for the environmental conservation movement and National Park
The winter holiday season may well be New York City’s most magical time of the year and gets underway with the annual Macy’s Thanksgiving Day Parade, continues with the iconic Christmas Tree lighting ceremony at Rockefeller Center, and constantly delights with festivals, special events and attractions, and all the dazzle of holiday decorations right through New Year’s Day.
“The holiday season in New York City is a spectacle unlike any other,” said NYC & Company President and CEO Fred Dixon “It is a time when the vibrant energy that makes up the very fabric of our city is magnified through the joy of dozens of multicultural celebrations among New Yorkers and global visitors who make the five boroughs a centerpiece of their annual festivities.”
Highlights include landmark events and first-time New York–style holiday celebrations of a nearly endless variety for travelers to enjoy this winter. Visitors delight in historic and new shopping destinations, world-famous department store window displays (Barneys, Bergdorf Goodman, Bloomingdale’s, Macy’s, Nordstrom and Saks Fifth Avenue), unrivaled outdoor ice-skating rinks and more scattered all throughout Manhattan, Brooklyn, the Bronx, Queens and Staten Island. The five-borough-wide season wraps up in a fashion as dazzling as ever with various New Year’s Eve celebrations.
As always, three iconic events bookend the introduction and conclusion of the holiday season in New York City:
Macy’s Thanksgiving Day Parade featuring larger-than-life helium balloons, performances by the casts of Broadway musicals, select marching bands from across the nation and celebrity appearances—kicks off the holiday season on November 22 at 9 am. A staple of the holiday season since 1924, the 92nd edition, the line-up will feature 16 giant character balloons; 43 novelty balloons, heritage balloons, balloonicles, balloonheads and trycaloons; 26 floats; 1,200 cheerleaders and dancers; more than 1,000 clowns; and 12 marching bands (macys.com/parade).
But the event has a pre-quel, The Great Balloon Inflation, that takes place the night before, when the streets around the Museum of Natural History on Central Park West are literally flooded with tens of thousands of people coming to delight in seeing the massive balloons being inflated by hundreds of volunteers.
Rockefeller Center Christmas Tree Lighting Ceremony, Manhattan, November 28, 2018: A lineup of live performers rivaled by few events all year will help light up New York City’s biggest and brightest home for Santa’s Christmas eve delivery again. The more than seven-story tree will spread holiday cheer to the millions of visitors it welcomes until the lights dim on January 7 (rockefellercenter.com).
New Year’s Eve Times Square Ball Drop, Manhattan, December 31, 2018–January 1,2019: In 1904, the former New York Times owner convinced the City to rename Longacre Square in honor of the world-famous publication. In addition to the name change and the opening of NYC’s first subway line, that year marked the inaugural Times Square New Year’s Eve celebration, and the “Crossroads of the World” has been the historic backdrop of the City’s New Year’s Eve celebration ever since. Approximately 1 million visitors are expected to gather to watch the ball drop in person again this year. This is something that should be on every bucket list to do at least once in a lifetime (timessquarenyc.org).
My favorite activity for the holidays is an evening stroll to see the holiday windows and decorations. My route typically goes from Macy’s (this year’s theme, “Believe in the Wonder of Giving”), up to Fifth Avenue to Saks Fifth Avenue which is directly across from Rockefeller Center (from which you can see the amazing light show that is projected onto Saks building) and across the street from St. Patrick’s Cathedral (stop in), up to Bergdorf Goodman. Separately, I will take in Bloomingdale’s (a “Grinch” theme this year, connecting with the new movie), and Barney’s downtown on Broadway.
Meanwhile, there are more than a dozen celebratory events to delight this holiday season in NYC.
23 Days of Flatiron Cheer, Manhattan, December 1–23, 2018: The Flatiron/23rd Street Partnership welcomes visitors this December to enjoy contests, performances, free neighborhood walking tours, giveaways from local businesses and an interactive installation in the North Public Plaza. Other unparalleled offerings can be found in the historic 103-block neighborhood stretching from 23rd to 28th Street, bordered by Third and Sixth Avenues (flatirondistrict.nyc).
A Slice of Brooklyn Christmas Lights Tour, Brooklyn, December 1–30, 2018: Every holiday season, more than 100,000 visitors descend on Brooklyn’s Dyker Heights neighborhood to view the most extravagant Christmas displays in the New York City area. This tour, operated by born and raised Brooklynites, stops by the most over-the-top exhibits of the season while telling patrons the story of how “Dyker Lights” came to be nearly 40 years ago (asliceofbrooklyn.com).
Another popular tour is the holiday edition of The Ride, “a 21st century sleigh ride” aboard patented $1.5 million travelling high-tech theaters with floor-to-ceiling gigantic glass windows featuring side-facing VIP seating making the streets of New York the stage. Original seasonal music, videos and hilarious hosts support the dazzling Holiday performances along the 4.2 mile journey through Midtown Manhattan (http://experiencetheride.com, 212-221-0853).
Alvin Ailey American Dance Theater’s Holiday Engagement at New York City Center, Manhattan, November 28–December 30, 2018: City Center’s 75th Anniversary Season will feature a wide range of performances including new productions, annual favorites, live music and Alvin Ailey’s feature performance Revelations. A special show on December 11 celebrates City Center’s opening performance in 1943 (alvinailey.org).
American Museum of Natural History’s Holiday Season, Manhattan, November 20, 2018–January 7, 2019: The museum’s cultural celebrations begin with the decoration of the Origami Holiday Tree—complete with more than 800 hand-folded paper models created by local artists—and continue through the New Year. On December 29, the AMNH will host its 40th annual Kwanzaa celebration. The festival of African-American heritage celebrates the seven core principles of Kwanzaa while exploring the rich history behind its traditions. Family-friendly activities, musical performances and an international marketplace are also included (amnh.org).
Apollo Theater Presents “Kwanzaa Celebration: Regeneration Night,” Manhattan, December 29, 2018: The legendary Harlem theater is celebrating Kwanzaa with visitors for the 12th consecutive year with a night of music and dance that honors the principles of Kwanzaa—family, community and culture (apollotheater.org).
Brooklyn Ballet’s Nutcracker, Brooklyn, December 14, 2018: The hip-hop and ballet infused replication of the holiday classic, reimagined in various Brooklyn neighborhoods, is hosted by the iconic Kings Theatre, in Flatbush, for the first time this year (brooklynballet.org).
Dr. Seuss’ How the Grinch Stole Christmas! The Musical: Hulu Theater at Madison Square Garden, Manhattan, December 13–30, 2018: Dr. Seuss’ holiday classic is sure to cause audiences hearts to grow at least three sizes when they watch the story of the true meaning of Christmas come to life in this limited engagement at the world’s most famous arena (msg.com/hulu-theater-at-msg).
Gingerbread Lane at New York Hall of Science, Queens, November 10, 2018–January 21, 2019: Since 2013, the edible village at the New York Hall of Science in Flushing Meadows Corona Park, Queens, has set the Guinness World Record for the largest collection of gingerbread houses and structures with each new installment. The record is sure to be challenged again this year (nysci.org).
Grand Army Plaza, Largest Menorah Lighting, Brooklyn, December 2–10, 2018: With the help of local synagogues, the Grand Army Plaza, located in Park Slope, Brooklyn, has hosted the nightly lighting of the 32-foot menorah since 1984. Visitors are invited to celebrate the holiday with concerts and gifts for children through each day of the Jewish Festival of Lights (largestmenorah.com).
Holiday Workshop Weekend at Wave Hill, The Bronx, December 8–9, 2018: At this holiday craft fair, in addition to creating the usual wreaths and treasure boxes, families are invited to work on the feature project: the hamsa, or hamesh, the multicultural symbol of an open hand. Guests explore the spiritual side of the holidays as they make the palm-shaped amulets (wavehill.org).
New York Botanical Garden’s Holiday Train Show, The Bronx, November 17, 2018–January 21, 2019: The annual exhibition of classical model trains moving through a hand crafted display of New York City’s built environment is back for the 27th year. More than 175 miniature iconic city structures such as Yankee Stadium, The Brooklyn Bridge and The Statue of Liberty are replicated entirely out of plant parts and will coincide with other holiday celebrations such as a cappella performances, Bar Car Nights and more at the New York Botanical Garden (nybg.org).
TheNew York City Ballet presents George Balanchine’s The Nutcracker, one of the most beloved and anticipated holiday classics, November 23–December 30 at Lincoln Center (nycballet.com).
New-York Historical Society Presents “Harry Potter: A History of Magic”, Manhattan, through January 27: Quite literally, the most magical place to be during this holiday season is at the NYHS. Harry Potter: A History of Magic captures the traditions of folklore and magic at the heart of J.K. Rowling’s Harry Potter stories through centuries-old treasures, including rare books, manuscripts, and magical objects from the collections of the British Library, the New-York Historical Society, and other museums, as well as never before seen material from Harry Potter publisher Scholastic and J.K. Rowling’s own archives. The New York exhibition, showcasing a selection of objects not featured in the London presentation that are on view to the public for the very first time, is sponsored by Audible. There are also a slew of special events and family programming in conjunction with this not-to-be-missed exhibit, which vanishes, poof, after January 27, 2019. The tickets are timed; you can order online. Also visit The DiMenna Children’s History Museum, created for children 8-13, which presents 350 years of New York and American history through character-based pavilions, interactive exhibits and digital games. (New-York Historical Society, 170 Central Park West (at 77th Street), 212-873-3400, nyhistory.org)
New York Philharmonic Presents “Home Alone in Concert, ” Manhattan, December 20–21,2018: The acclaimed New York Philharmonic will perform John Williams’ score live to the classic Christmas film Home Alone, for a 2018–19 holiday season special event—booby traps and lovable bandits not included (nyphil.org).
New York Transit Museum Gallery Annex and Store at Grand Central Terminal Holiday Train Show, Manhattan, November 15, 2018–February 3, 2019: A staple of Grand Central Terminal during the holiday season since 2001, the train show features a 34-foot-long track where vintage trains from the museum’s collection travel through a miniature New York City and countryside scene all the way to the North Pole (grandcentralterminal.com).
Radio City Christmas Spectacular Starring the Rockettes, Manhattan, November 9, 2018–January 1, 2019: Everyone’s favorite high kickers dance their way from Thanksgiving through New Year’s Eve and champion the holiday spirit of New York City with their extravagant costumes and breathtaking state-of-the-art production (rockettes.com).
St. Thomas Church which is famous for the Saint Thomas Choir of Men and Boys, and its annual performances of Handel’s Messiah (Dec. 4, 6). Also this year, “A Ceremony of Carols” by Benjamin Britten (Dec. 13). (Purchase tickets, www.saintthomaschurch.org/music/concerts); also take a tour of this magnificent edifice, built in 1913 in the French High Gothic style. (5th Avenue and 53rd Street, www.saintthomaschurch.org).
Visiting St. Patrick’s Cathedral on Fifth Avenue is also a highlight of the holidays and it is remarkable that you can just walk in and enjoy an inspirational service.
I personally love to close out the holiday season on New Year’s Eve at the Cathedral of St. John the Divine which presents the most magnificent annual Concert for Peace, founded by Leonard Bernstein in 1984 with the idea of bringing together New Yorkers and visitors from around the world for an evening filled with uplifting music in a most magnificent setting. Indeed, the cathedral offers a rich calendar of concerts throughout the holiday season, as well as tours of this architectural jewel. Check the website for details.(The Cathedral of St. John the Divine, 1047 Amsterdam Avenue, at 112th Street, New York, NY 10025, 212-316-7540, email@example.com, www.stjohndivine.org)
Favorite Places to Catch the Holiday Spirit
Central Park is magical in any season, but particularly for the holidays. In addition to the Wollman Rink (wollmanskatingrink.com), The Swedish Cottage is an enchanting place that is home to one of the last public marionette companies in the country. The cottage was originally constructed as a model pre-fabricated schoolhouse, and became Sweden’s entry in the 1876 Centennial Exposition in Philadelphia. After the exhibit, Central Park’s co-designer Frederick Law Olmsted had it placed in Central Park, where it has been headquarters for the Marionette Theater since 1939 (West Side at 79th Street). Currently playing is “Yet, Set, Snow!”, an original story and production from the Swedish Cottage Marionette Theatre, with performances through the season until Feb. 24, 2019. (Purchase tickets, www.cityparksfoundation.org/arts/swedish-cottage-marionette-theatre)
Other favorite venues to get into the Christmas Spirit: Bryant Park, with its massive Christmas tree, ice skating rink, festive holiday markets, cafes, and carousel (wintervillage.org) has become one of the city’s iconic holiday places. Of course, there is skating right below the magnificent Christmas tree at the Rink at Rockefeller Center (therinkatrockcenter.com). There is also skating and The Rink at Brookfield Place opens November 1 (230 Vesey St., 860-209-3459, gpice.com).
Besides Bryant Park, there are holiday markets at Union Square, Columbus Circle, and Grand Central Terminal.
For a festive place to shop: The Shops at Columbus Circle, a destination within a destination that draws more than 16 million visitors per year to its 50 shops, renowned restaurants, bars and that free priceless view of Central Park (not to mention temperature-controlled and pet-friendly). But there are some spectacular happenings for the holidays:
Broadway Under the Stars is a five-week series of free public performances from today’s hottest Broadway musicals performing on the second floor mezzanine at The Shops at Columbus Circle. Participating shows include: Beautiful: The Carole King Musical, Chicago, Dear Evan Hansen, Head Over Heels, Kinky Boots, The Phantom of the Opera, School of Rock, Waitress and Wicked (check out theshopsatcolumbuscircle.com for schedules). Performances begin Monday, Nov. 12 and take place for five consecutive Mondays through Dec. 10. Shows begin at 5 pm and last approximately 20 minutes. (Free and open to the public, no reservations or tickets are required.)
Holiday Under the Stars is The Shops at Columbus Circle’s holiday lights display, featuring 12 massive 14-foot stars which hang from the 100-foot-high ceilings. This is claimed to be the largest specialty crafted exhibit of illuminated color display in the world. There is a 5-minute daily musical light show every half hour from 5 pm to 9 pm, through the end of the year.
Culinary Delights: Among the restaurants are six Michelin Stars: from Chef Masayoshi Takayama’s Masa, the only three-star Michelin Japanese/Sushi restaurant in the U.S., to the gastronomic jewel box that is Thomas Keller’s Per Se). The Bluebird London restaurant in London and Momofuku Noodle Bar are newly opened and join the Landmarc and Porter House restaurants.
Also, from the 150-foot-high panoramic windows, visitors can take in the breathtaking views of Central Park. It’s one of the few indoor places in Manhattan where you can enjoy this vantage point.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
Governors Island, a 712-acre island in the heart of New York Harbor, but a mere 800 yards off Lower Manhattan and even closer to Brooklyn, is a sensational getaway destination in its own right – historic sites like Fort Jay and Castle Williams, bicycle paths, playgrounds, art venues, and marvelous festive “happenings.” You never have had to go so near to be transported so far in time or place.
Be one of the first guests to stay overnight on NYC’s historic Governors Island with Collective Retreats. With unique accommodations including luxury tents (glamping) and designer modular containers, guests enjoy a full-service hotel-style retreat with unparalleled waterfront views of New York City and the Statue of Liberty (collectiveretreats.com).
You can rent bicycles at Citibikes and at Blazing Saddles (which offers a free hour-long ride weekdays before noon) and delightful surreys.
Governors Island has a fabulous history that goes back to the Native Americans and colonial days of the Dutch and the British in New York. It has had a military purpose going back to the Revolutionary War. Between 1806 and 1809, the U.S. Army reconstructed Fort Jay and built Castle Williams on a rocky outcropping facing the harbor. During the War of 1812, artillery and infantry troops were concentrated on Governors Island.
The island continued to serve an important military function until the 1960s. During the American Civil War, it was used for recruitment and as a prison for captured Confederate soldiers (on one visit, I came upon Civil War reenactors practicing drills, quite a mind-bender from having just come from the 1920s Jazz Age Lawn Party). Throughout World War I and II, the island served as an important supply base for Army ground and air forces (my father was stationed at Fort Jay during the war.)
Over the years, Governors Island has served as the backdrop for a number of historic events. In 1986, the island was the setting for the relighting of the newly refurbished Statue of Liberty by President Ronald Reagan. In 1988, President Reagan hosted a U.S.-U.S.S.R. summit with Mikhail Gorbachev on Governors Island, and in 1993, the United Nations sponsored talks on the island to help restore democratic rule in Haiti.
In April 2010, Mayor Bloomberg and Governor Paterson reached an agreement on the future of Governors Island. The City of New York is now responsible for Governors Island and created the Trust for Governors Island, the organization charged with the operations, planning and redevelopment of the Island.
The Island has become known as New York City’s “Playground for the Arts,” hosting cultural events, festivals, concerts, performances throughout the season.
The Trust for Governors Island, also offers a wide variety of programming on public access days. Visit them at www.govisland.com for more information.
Access to the island has been greatly improved.
This summer, you can stay late on Fridays, when is open until 10 pm (May 25-September 14); you can have cocktails and dinner at the outdoor cafes and bars; outdoor films and other events are scheduled.
Governors Island is open daily May 1-October 31, 10 a.m. to 6 p.m. weekdays, and weekends from 10 a.m. to 7 p.m., Fridays from May 25-September 14 until 10 p.m.. You can get ferry schedules here (ferries during Late Fridays will run from the Battery Maritime in Lower Manhattan, located at 10 South Street), https://govisland.com/visit-the-island/ferry.