Category Archives: Arts & Entertainment

Holiday Festivities Kick Off Throughout New York City

Santa’s arrival to end the Macy’s Thanksgiving Day Parade is the official kick-off to holiday festivities in New York City © Karen Rubin/goingplacesfarandnear.com

by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s  holiday season festivities kick off with the arrival of the 98th annual Macy’s Thanksgiving Day Parade, heralding in a cornucopia of festive performances, winter exhibits, holiday light displays across New York City’s five boroughs, captivating and enchanting.

Here are some of the many ways to celebrate the holiday season in New York City:

Radio City Rockettes performing Christmas Spectacular Wooden Soldiers © Karen Rubin/goingplacesfarandnear.com

Christmas Spectacular Starring the Radio City Rockettes, Nov. 8–Jan. 5: Experience the beloved holiday tradition as it returns to the iconic stage of Radio City Music Hall. For almost a century, this festive show has enchanted audiences of all ages with its stunning costumes, joyful music, precise choreography and innovative performances. Multiple shows daily.

Radio City Music Hall, an iconic venue for the holidays in New York © Karen Rubin/goingplacesfarandnear.com

George Balanchine’s The Nutcracker, Nov. 29–Jan. 4, Lincoln Center , Manhattan: Immerse yourself in the magic of  New York City Ballet’s George Balachine’s The Nutcracker, a holiday classic. Follow young Marie as she faces the Mouse King and dances through a flurry of ballerinas to the enchanting Land of Sweets, all set to Tschaikovsky’s iconic score. With stunning special effects, including a towering Christmas tree, dazzling sets and vibrant costumes, this production is a sensory delight for audiences of all ages. (https://www.nycballet.com/season-and-tickets/george-balanchines-the-nutcracker/george-balanchines-the-nutcracker/)

A Christmas Carol at Merchant’s House Museum, Nov. 26–Dec. 29, Noho, Manhattan: Summoners Ensemble Theatre presents A Christmas Carol at the Merchant’s House Museum, performed by John Kevin Jones as Charles Dickens. The 70-minute show takes place in an authentic 19th-century parlor adorned with period holiday decorations. Select performances from December 6–26 will offer a special reception featuring a reading of “A Visit from St. Nicholas” and holiday refreshments.

Alvin Ailey American Dance Theater at New York City Center, Dec. 4–Jan. 5, Manhattan: The Alvin Ailey American Dance Theater returns to New York City Center for its 66th annual winter season, offering a captivating mix of new works and beloved classics. This program features world premieres like Matthew Rushing’s Sacred Songs and Lar Lubovitch’s Many Angels, alongside the 25th-anniversary revival of Ronald K. Brown’s Grace and a new production of Elisa Monte’s Treading. (https://www.nycitycenter.org/pdps/2024-2025/alvin-ailey-american-dance-theater/)

Holidays with the New York Philharmonic Dec. 11–22, Lincoln Center, Manhattan: The New York Philharmonic, led by baroque expert Ton Koopman, joins the Musica Sacra chorus and soloists for a performance of Handel’s Messiah, highlighting its iconic vocal and orchestral melodies, with debut performances from soprano Maya Kherani, countertenor Maarten Engeltjes, tenor Kieran White and bass-baritone Klaus Mertens. Sounds of the Season matinee concerts feature joyful music perfect for the whole family, promising to brighten the holiday season. Additionally, the Philharmonic will spread holiday cheer with live performances of the heartwarming classic Elf, featuring John Debney’s score as the movie plays on the big screen.

Lincoln Center features special performances of the Metropolitan Opera and the New York Philharmonic during the holidays © Karen Rubin/goingplacesfarandnear.com

The Magic Flute, Dec. 12–Jan. 4, Metropolitan Opera, Upper West Side, Manhattan: Experience the magic of Mozart’s Magic Flute at The Met Opera in a captivating, family-friendly production by Tony Award–winning director Julie Taymor. With stunning puppetry, vibrant visuals and timeless melodies, this abridged, English-language adaptation transforms the beloved fairy tale into an unforgettable New York tradition for all ages.

The Hard Nut, Dec.12–22, Brooklyn Academy of Music, Brooklyn: This holiday season, the Mark Morris Dance Group brings their whimsical and humorous twist on Tchaikovsky’s The Nutcracker to the Brooklyn Academy of Music (BAM) with The Hard Nut. Featuring vibrant 1970’s inspired costumes, this beloved production offers a quirky take on the classic ballet.

HOLIDAY SIGHTS & LIGHTS:

The Christmas Tree and Neapolitan Baroque Creche at the Metropolitan Museum of Art © Karen Rubin/goingplacesfarandnear.com

Christmas Tree and Neapolitan Baroque Crèche, Metropolitan Museum of Art, Manhattan: An NYC tradition, The Metropolitan Museum of Art is a treasure trove of adventure and discovery that takes you on journeys in time and place. But during the holidays, a special attraction is the Christmas Tree and Neapolitan Baroque Crèche display. This originates from an assemblage of 18th-century Neapolitan figures generously contributed by American artist and collector Loretta Hines Howard in 1964.

A Christmas Carol: The Manuscript, Pierpont Morgan’s Library, Manhattan: Every holiday season, the Pierpont Morgan Library displays Charles Dickens’ original manuscript of A Christmas Carol. Bound in red goatskin leather, the manuscript was gifted to Dickens’ solicitor, Thomas Mitton, and later came into the possession of Pierpont Morgan in the 1890s. This season, the manuscript will be turned to page seven.

The Origami Holiday Tree: American Museum of Natural History, Manhattan:  Showcasing more than 1,000 hand-crafted models, the delightfully decorated Origami Holiday Tree is a must-visit this holiday season at the American Museum of Natural History.

New York-Historical Society displays its traditional Holiday Express: Toys and Trains from the Jerni Collection © Karen Rubin/goingplacesfarandnear.com

Holiday Express: Toys and Trains from the Jerni Collection, New-York Historical Society,  Manhattan: This annual wintertime favorite at the Jerni Collection is a display of handcrafted and hand-painted toy trains spanning 1850 to 1940. Alongside these, an assortment of toy train stations illustrates the design evolution from the early 20th century to the era of World War II.

Holiday Train Show, Nov. 16–Jan. 20, New York Botanical Garden, The Bronx: Model trains and trolleys wind through a festive outdoor lawn display and inside the Haupt Conservatory, showcasing replicas of New York City’s iconic architecture. By day or night, the show captures the magic of the season, with special evening events, Holiday Train Nights, offering illuminated scenes and holiday treats on select dates (https://www.nybg.org/event/holiday-train-show-2024/)

Season’s Greetings from PaleyLand at The Paley Center, Nov. 20–Jan. 5, Paley Museum, Manhattan,  just steps from Rockefeller Center. Visitors are invited to revel in PaleyLand, a five-floor immersive holiday experience featuring photos with Santa, free hot chocolate, holiday train displays, crafts, holiday screenings and more.

Bronx Zoo Holiday Lights,  Nov. 22-Jan.5, The Bronx: With more than 390 lanterns representing nearly 100 animal and plant species, the Bronx Zoo’s family-centric holiday lights festival will connect visitors with real wildlife and festivities. During the evenings, the park comes to life with holiday cheer as immersive light displays, custom-designed animal lanterns and animated light shows sparkle across the zoo. The celebration is complete with seasonal treats, classic holiday music, the Holiday Train, new interactive experiences and other entertainment. Date specific and any-night tickets. (https://bronxzoo.com/holiday-lights/tickets)

Lightscape at Brooklyn Botanic Garden, Nov. 22–Jan. 5, Prospect Heights, Brooklyn: Lightscape returns to Brooklyn Botanic Garden, offering an enchanting after-dark experience like never before. This year, visitors will be immersed in a mesmerizing nighttime journey through light-drenched landscapes, with brand-new installations by renowned international light artists and design collectives from 10 countries on three continents. Visitors are invited to wander along the illuminated trail under the moonlight, marveling at the magical interplay of light and nature. Seasonal treats and festive music enhance the atmosphere. 21+ Nights on Dec. 12 &19 after 7 pm; Sensory-Friendly Early Entry on Dec. 18 & Jan. 3 at 4 p.m., for adults and children with disabilities or sensory sensitivity (limited capacity). (bbg.org/lightscape)

Fifth Avenue celebrates its 200th anniversary this holiday season © Karen Rubin/goingplacesfarandnear.com

Fifth Avenue 200th Anniversary, Holiday Window Displays & Third Annual Open Streets Program, Manhattan:  Fifth Avenue  marks its 200th anniversary with in-store activations, exclusive merchandise and special events at luxury flagship stores and hotels. Throughout the season, custom tours explore the avenue’s rich history and iconic holiday window displays at stores like Saks Fifth Avenue, Tiffany & Co., Cartier and Bergdorf Goodman.

Macy’s Herald Square is famous for its magical window displays © Karen Rubin/goingplacesfarandnear.com

34th Street Holiday Window Displays, Midtown Manhattan: 34th Street is a centerpiece of holiday festivities, with the Empire State Building celebrating the 21st anniversary of Elf and Macy’s Herald Square’s iconic, magical window displays. Penn Station will be festively decorated, and nearby stores have creative holiday windows.

34th Street gets into the holiday spirit © Karen Rubin/goingplacesfarandnear.com

Holiday Under the Stars at The Shops at Columbus: Mid-Nov.–Jan., Columbus Circle, Manhattan: The Shops at Columbus Circle, celebrating 20 years as one of the city’s culinary, shopping and cultural destinations, is featuring a new, glimmering “Holiday Under the Stars” installation, brimming with 300,000 twinkling lights and illuminated stars. Free to the public, newly choreographed light shows featuring 44 glowing, color-changing stars will dance across the dramatic 74-foot-high Great Room every 30 minutes from 5pm to midnight daily.

Shine Bright at Hudson Yards Presented by Wells Fargo, Hudson Yards, Manhattan: Presented by Wells Fargo, Shine Bright at Hudson Yards adorns the neighborhood with 115 miles of string lights, 725 evergreen trees and 16-foot-tall, illuminated set pieces in the shape of hot air balloons arranged through the Public Square & Gardens. A 32-foot hot air balloon centerpiece is suspended in The Great Room of The Shops & Restaurants. Enjoy holiday shopping, festive dining and free photo opportunities with Santa.

Holiday Lights & Movie Sites Tour with On Location Tours, Nov. 29–Jan. 2, Manhattan:  On Location Tours explore famous landmarks and uncover hidden gems featured in popular holiday films like ElfHome Alone 2Scrooged and more. Starting near Columbus Circle, the tour includes festive stops at Bloomingdale’s, Rockefeller Center and the renowned ice-skating rink at Bryant Park.

The Original Christmas Lights Tour of Dyker Heights with A Slice of Brooklyn Bus Tours, December, Dyker Heights, Brooklyn: The Original Christmas Lights Tour of Dyker Heights invites visitors to explore this Brooklyn neighborhood, celebrated for its lavish and elaborate Christmas displays. Guided by locals who share stories behind the homeowners and their decorations, this 3.5-hour tour begins in Manhattan and is set to festive holiday music. It offers a mix of on- and off-bus views, taking in the dazzling lights of Dyker Heights, Bay Ridge and Bensonhurst. Along the way, enjoy vintage Christmas TV specials, and at the end, take home a commemorative fridge magnet as a memento of the experience.

ICE SKATING & OUTDOOR ACTIVITIES:

Holiday Shops at Winter Village at Bryant Park is a very festive place to look for gifts © Karen Rubin/goingplacesfarandnear.com

Festive shopping at New York City’s Holiday Markets, throughout the holiday season, Manhattan & Brooklyn: Find the perfect gift on anyone’s list at the three big outdoor markets—Union Square Holiday Market (Nov.–Dec.), Holiday Shops at Winter Village at Bryant Park (Oct.–Jan.) and Columbus Circle Holiday Market (Nov.–Dec.). Stay warm at the indoor Grand Central Holiday Fair (Nov. 11–Dec. 24), Brooklyn Flea (Saturdays and Sundays, April–December) and Chelsea Flea (weekends only, year-round). Head to the Upper West Side for the indoor and outdoor Grand Holiday Bazaar (Sundays) or venture to the Brooklyn Borough Hall Holiday Market in Downtown Brooklyn (Nov.–Dec.), featuring 100 vendors selling locally crafted wares.

The Rink at Manhattan West, Midtown Manhattan:Located a block away from Madison Square Garden, offering daily public skating amid skyscrapers in Manhattan West’s expansive public plaza, conveniently located steps away from Moynihan Train Hall.

Glide at Brooklyn Bridge Park, Brooklyn Heights, Brooklyn: Skate beneath the historic Brooklyn Bridge while taking in the stunning Manhattan skyline views at Glide, the newest ice rink in New York City. Savor café and beverage options.

Bank of America Winter Village at Bryant Park features the city’s largest free-admission ice-skating rink © Karen Rubin/goingplacesfarandnear.com

The Rink at Bryant Park, Midtown Manhattan: Returning for its 23rd season, Bank of America Winter Village at Bryant Park invites visitors to enjoy the City’s largest free-admission ice-skating rink, a vibrant holiday market with nearly 200 vendors and the cozy rinkside bar and food hall at The Lodge. Open through early March.

Wollman Rink, Oct.–March, Central Park, Manhattan Enjoy skating in Central Park with the picturesque Manhattan skyline in the background.

There is no place more magical to skate than the iconic  rink at Rockefeller Center beneath the most famous Christmas tree in the world © Karen Rubin/goingplacesfarandnear.com

The Rink at Rockefeller Center, Oct. 12 through March, Midtown Manhattan: The world-famous ice-skating rink is back for the holidays, offering the classic NYC experience of skating under the iconic Christmas tree. Santa will also join skaters on the ice in December.

Classic Harbor Line Holiday-Themed Cruises, Manhattan:  Visitors aboard elegant 1920s-style yachts enjoy breathtaking views of the NYC skyline while indulging in complimentary hot cocoa, sweet treats and live entertainment. Options include holiday brunches, festive cruises with carols and a New Year’s Eve celebration with fireworks and captivating views of the NYC skyline and the Statue of Liberty.

City Cruises Holiday-Themed Cruises, Nov. 28–Jan. 1, Manhattan Experience the charm of NYC from the water on Thanksgiving, Christmas Eve, Christmas Day and New Year’s with festive dining cruises with live entertainment. NYE cruises include fireworks display and an open bar.

Waiting for the ball to drop in Times Square on New Year’s Eve is a once-in-a-lifetime must-do. I did © Karen Rubin/goingplacesfarandnear.com

New Year’s Eve Times Square Ball Drop, Dec. 31–Jan. 1, Manhattan: Watching the ball’s descent in person on New Year’s Eve is a spectacular, once-in-a-lifetime way to ring in the New Year. To be a part of the celebration, submit your wishes in person or digitally to be printed on the confetti that will be released during this year’s celebration.

New York Road Runners Club’s New Year’s Eve party at the bandshell in Central Park, features a Midnight Run with a fireworks display © Karen Rubin/goingplacesfarandnear.com

NYRR Midnight Run in Central Park, Dec. 31–Jan. 1, Central Park, Manhattan Visitors Get a head start into 2025 at the NYRR Midnight Run. As 2024 comes to an end, the countdown to the new year begins at 11:59 pm, and at the stroke of midnight, a fireworks display lights up the night sky and kicks off the start of the four-mile race.

Coney Island Polar Plunge, Jan. 1, Coney Island, Brooklyn. Every January 1, the Polar Bear Club and fearless participants take the plunge into the icy waters of Coney Island. Come watch as hundreds of adventurous people dive into the freezing Atlantic Ocean. The event is free to join, but participants are encouraged to make donations to support local community organizations in lieu of an entry fee.

HOTEL OFFERINGS

NYC Hotel Week: give the gift of a hotel stay © Karen Rubin/goingplacesfarandnear.com

NYC Hotel Week: Give the Gift of an NYC Hotel Stay this Winter, Citywide: Give the gift of New York City with a 25% discount on hotel stays at over 100 hotels. Reservations open Nov. 19; valid for stays over Jan. 2–Feb. 9, 2025.

Winter Suite Savings Offer from Loews Regency New York, Nov. 15–Jan. 2, Upper East Side, ManhattanCelebrate the holiday season with festive decor, complimentary champagne and hot cocoa every Friday and Saturday in December, and holiday-inspired cocktails (including low- and no-ABV beverage offerings) from the Free Spirited by Loews Hotels program. Special seasonal menus for Hanukkah, Christmas and New Year’s at The Regency Bar & Grill; be pampered with beauty services at Julien Farel Restore Salon & Spa. The Winter Suite Savings package offers exclusive discounts on suites.

Holiday Cheer and the Suitest Season of All offering at The Plaza Hotel, Nov. 16–Jan. 6, Midtown Manhattan: Celebrate the holiday season at The Plaza with Holiday Afternoon Tea, the Home Alone 2 experience, Eloise at Christmastime, Holiday Tappy Hour dancing performances, and beyond. This winter, the hotel also presents the “Suitest Season of All” offer, providing the ultimate holiday getaway in New York City. Your luxurious suite is adorned with a festive floral arrangement and a 7-foot tall, beautifully decorated Balsam Hill tree. A chef-inspired holiday-themed welcome amenity adds to the seasonal charm of this exclusive experience.

New Year’s Eve Exclusive Offer at M Social Hotel Times Square, Dec. 31, Midtown Manhattan: Celebrate the New Year and be a part of the Times Square Ball Drop with an exclusive package from M Social Hotel Times Square: save 10% on a room showcasing a full or partial view of the iconic ball drop and join in on the thrilling countdown firsthand.

The Ultimate New Year’s Eve Experience atop Times Square at The Knickerbocker, Dec. 31, Midtown Manhattan: Celebrate New Year’s Eve in style at The Knickerbocker Hotel, located 150 feet below the Times Square Ball—the closest live view available. This extravagant rooftop event offers luxurious packages, including a gourmet buffet at Charlie Palmer, premium open bar, live entertainment and a Dom Pérignon champagne toast.

Ring in 2024 at the New York Marriott Marquis, Dec. 31, Midtown Manhattan: Celebrate the New Year in style amid the vibrant atmosphere of Times Square: guests will experience spacious accommodations and prime views of the ball drop.

For all there is to do and see in New York City, visit nyctourism.com.

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Holiday Season Begins on Long Island With Opening of LuminoCity Lights Festival

LuminoCity’s Holiday Lights Festival enchants at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

There’s a singing chocolate ice cream cone. A chocolate covered strawberry ballerina. Cakey and the Fairy. Not to mention an Ice Palace with penguins, polar bears, seals. A Giant Christmas Tree and of course, Santa in a Sleigh – all created in lights. The holiday season has begun on Long Island with the opening of this year’s LuminoCity Holiday Lights Festival at Eisenhower Park, on view through January 5, 2025.

“Chocolate Covered Strawberry Ballerina” by 8-year old Sophia Connors, and “A Singing Chocolate ice Cream Cone by six-year old Sia Raza are among the winning drawings at the Long Island Children’s Museum turned into lantern art for the LuminoCity Holiday Lights Festival © Karen Rubin/goingplacesfarandnear.com

An annual holiday event since 2019, each year the theme changes. This year’s theme, “Sweet Dreams,” is featured in 50 attractions as you walk the winding paths through a truly enchanted forest.

“Ice Cream Cones” by 14-year old Mia Li;  “Happy Happy Candy Bowl” by 8-year old Penelope Bridget Mansfield; and “Cakey and the Fairy” by 7-year old Riley Dishman are among the winning drawings at the Long Island Children’s Museum turned into lantern art for the LuminoCity Holiday Lights Festival © Karen Rubin/goingplacesfarandnear.com

LuminoCity’s Holiday Lights Festival enchants at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

You wander through different scenes and settings with different themes. What is so impressive is the creativity and the artistry, the delicate precision and the exquisite quality and scale. There are nearly life-size deer, giraffes, lambs, then in another scene, wooly mammoths, saber tooth tigers, reindeer, and in another, cartoonish fantastical, fanciful and whimsical creatures.

LuminoCity’s Holiday Lights Festival enchants at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

You walk through arches, portals, tunnels of light. You walk through the mouth of a giant hungry caterpillar whose eyelids open and close; another is a pergola of candy canes. You come upon a train going through a tunnel made of fairy lights (“It’s not about the destination. It’s about the journey,” a note reads.) It’s like finding yourself in a 3-D storybook.

LuminoCity’s Holiday Lights Festival enchants the forest at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

There are hot air balloons, and holiday symbols of candy canes, snowmen, enormous Christmas trees, Santa on a sleigh – all in fairy lights.

Stunning nearly life-size animals animate this year’s LuminoCity’s Holiday Lights Festival at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

And my favorite – which I purposely left for a dramatic climax to my walk (there are several ways to go) – an entire Ice Palace with penguins, polar bear, seals, and a moving winged horse (Pegasus) where I overhear a kid say, “Oh my god, this is the coolest thing in the world!”

The Ice Palace at this year’s LuminoCity Holiday Lights Festival, themed “Sweet Dreams” © Karen Rubin/goingplacesfarandnear.com

It’s a non-ending smile, one delight after another.

And you can’t but be impressed by the incredibly beautiful artistry. It’s breathtaking.

A highlight are the lantern art characters and creatures created from winning drawings of children as young as 6 years old, in collaboration with the Long Island Children’s Museum, where you see their actual drawing and how it has been manifested in stunning life-size lantern art light sculpture.

Paola A. Aguilar’s “Sweet Dreams” character, “Chocolate Chip”is turned into lantern art at LuminoCity’s Holiday Lights Festival enchants at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

Among them:

Chocolate Chip by Paola A. Aguilar, 15 years old

Cakey and the Fairy, by Riley Dishman, 7 years old.

Endless Sweets by Cameron Creighton, 8year’s old.

A Singing Chocolate ice Cream cone by Sia Raza, 6 years old.

Easter Bunny Ice Cream, by Michelle Aguilar, 10 years old.

Happy Happy Candy Bowl by Penelope Bridget Mansfield, 8 years old.

Chocolate Covered Strawberry Ballerina by Sophia Connors, 8 years old.

Ice Cream Cones by Mia Li, 14 years old

Candy Land by Catherine Liu, 8 years old

Ice Cream Man, by Dominic Recher, 6 years old

Riley Dishman, 7 years old, poses with the lantern sculpture made from her drawing, “Cakey and the Fairy” at this year’s LuminoCity Holiday Lights Festival, themed “Sweet Dreams” © Karen Rubin/goingplacesfarandnear.com

It is truly marvelous to see how the children’s drawings, imagining a character from a “sweet dream” have been realized in these giant lanterns – a cup cake, candy bowl, ice cream man, “Reach for the Clouds”, an Easter Bunny Ice Cream.

This is the second year of the festival’s collaboration with the Long Island’s Children’s Museum  – last year, the festival creator, Chen, also collaborated with the Long Island children’s Museum on themed drawings of Long island’s marine life that were brought to life in these lanterns (the museum will be opening a Long Island Marine Life exhibit in fall 2025).

Each year there are new lanterns and themes to entrance and delight.

LuminoCity Founder Xiaoyi Chen at this year’s Holiday Lights Festival at Eisenhower Park, East Meadow, Long Island. The festival is on through January 5, 2025 © Karen Rubin/goingplacesfarandnear.com

“Sweet dreams theme is close to my heart,” LuminoCity Founder and Creator Xiaoyi Chen said at the ribbon-cutting. “I wanted to bring out the wonder we had as kids – the magic. Walking through, transports you back to the holidays with family. We aim to bring light and happiness to all who visit.” She added, “Long Island is our home, too.”

Deputy Director Chinese Consulate, NY, Lee, spoke of the festival as not just a celebration of lights, but of creativity, community spirit and Chinese cultural heritage and tradition. “It reminds us of the importance of honoring diverse traditions.”

LuminoCity Founder Xiaoyi Chen celebrates the opening of this year’s Holiday Lights Festival at Eisenhower Park, East Meadow, Long Island, with Nassau County officials, Long Island Children’s Museum and children whose winning drawings were turned into lantern art for the festival. The festival is on through January 5, 2025 © Karen Rubin/goingplacesfarandnear.com

Chen says that Chinese lantern art was an important part of the heritage and tradition in Zigong City where her family is from in China – “a small city in the southwest with a rich history and known as ‘Lantern City’” for its legendary fame in the art.

“When I was a kid, I enjoyed the art. The root of my creativity comes from there.” She was introduced to lantern art by her first drawing teacher. She has gone on to graduate Pratt Institute, in Visual Communication, and said that creating such big-scale art installations as she has done with LuminoCity “is the dream.”

Wooly mammoths and saber tooth tigers are among the animals inhabiting the forest at this year’s LuminoCity Holiday Lights Festival at Eisenhower Park, Long Island through January 5 © Karen Rubin/goingplacesfarandnear.com

The region Chen came from  is also famous for its dinosaur fossils, including feathered dinosaurs. Indeed, Zigong Dinosaur Museum, the first museum based almost entirely on dinosaurs in Asia when it was opened in 1987. claims the largest collection of dinosaur fossils in the world, covering 25,000 sq. meters – and was the inspiration for LuminoCity’s Dino Safari.

Symbols of the winter holidays enchant at this year’s LuminoCity Holiday Lights Festival at Eisenhower Park, Long Island through January 5 © Karen Rubin/goingplacesfarandnear.com

Each year, she chooses a different theme for the LuminoCity Holiday Lights Festival. She chose this year’s theme, Sweet Dreams, “because when you celebrate with family, you always have sweets.” She wanted to trigger those sweet memories.

LuminoCity’s Holiday Lights Festival enchants Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

Chen tells me it takes two months to design the lanterns, which are made of fabric and painted, three months to produce, and one month to install at the park; she has a production team of 50.

Stunning nearly life-size animals animate this year’s LuminoCity’s Holiday Lights Festival at Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

Each setting offers families amazing photo ops – and there are set ups, like a sleigh you can go in, and a bell in golden lights.

Penguins visit the Ice Palace at this year’s LuminoCity Holiday Lights Festival, themed “Sweet Dreams” © Karen Rubin/goingplacesfarandnear.com

There is a snack truck that offers all the fun snacks/indulgences you can think of hot dog ($5), hot chocolate, funnel cake, cotton candy, pretzel, popcorn, to match the dream of the festival.

The setting within Eisenhower Park is particularly special. You not only have the lights, the imagery, the colors and shape, the animation, the sound and musical effects, you have the smell of pine trees and walk through this truly magical forest.

LuminoCity’s Holiday Lights Festival enchants Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

You really feel you have come to a winter wonderland, an enchanted forest, a magical place – and not just the kids.

LuminoCity’s Holiday Lights Festival enchants Eisenhower Park, Long Island, through January 5 © Karen Rubin/goingplacesfarandnear.com

LuminoCity, has a similar Holiday Lights Festival at Freehold Raceway Mall (3710 US-9, Freehold, NJ 07728, Nov. 15—Jan. 5), and also has Dino Safaris in Walt Whitman Mall, Huntington, as well as attractions in Orlando, Florida, and in Maryland and Georgia.

You can purchase tickets online, www.LuminoCityfestival.com (there may be discounts available), as well as at the entrance.

LuminoCity Holiday Lights Festival, Eisenhower Park,Parking Lot 4, 1899 Park Blvd, East Meadow, NY 11554, www.LuminoCityfestival.com.

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Anne Frank House Coming to New York City Headlines Fall Culture Calendar

De Boekenkast: bookcase in front of Secret Annex. New Yorkers will have the opportunity to actually tour a re-creation of Anne Frank’s hiding place, never before seen outside Amsterdam (© Anne Frank House, photographer Cris Toala Olivares)

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York is one of the premier cultural capitals of the world and fall is when the culture calendar gets into gear. But here’s a heads-up: the blockbuster exhibit of the year – the opportunity to tour a full-scale re-creation of Anne Frank’s Annex as it stands in Amsterdam – opens January 27, 2025, and tickets are on sale now. Here are highlights of what’s ahead on the culture calendar:

Groundbreaking Full-Scale Re-Creation of Anne Frank’s Annex

Amsterdam and New York – The Anne Frank House, one of the most visited historical sites in Europe, is presenting a pioneering experience: the opportunity to walk through an exact replica of Anne Frank’s hiding place where she wrote her famous diary. Anne Frank The Exhibition opens in New York City on January 27, 2025. Considering that tickets to visit the Anne Frank House in Amsterdam book up three months in advance,  tickets for this exhibit are now available at AnneFrankExhibit.org.

This is the first time the Anne Frank House will present this opportunity for visitors outside of Amsterdam to be immersed in a full-scale recreation of the rooms where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.

As a nonprofit organization helping to shape global understanding of the Holocaust and its contemporary relevance, including lessons on modern day antisemitism, racism, and discrimination, the Anne Frank House is entrusted with the preservation of the Annex where Anne Frank and her family hid during World War II. This exhibition, presented in New York City in partnership with the Center for Jewish History in Manhattan, opens on International Holocaust Remembrance Day, January 27, 2025, to mark the 80th commemoration of the liberation of Auschwitz. 

Anne Frank The Exhibition is a first-of-its-kind, full-scale recreation of the complete Annex, furnished as it would have been when Anne and her family were forced into hiding. Moving through the exhibition, visitors will be able to immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt, Germany through the rise of the Nazi regime and the family’s 1934 move to Amsterdam, the Netherlands, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old. 

Designed for audiences who may not have the opportunity to visit the Netherlands, the new exhibition in New York City is anticipated to draw massive attendance for what will be among the most important presentations of Jewish historical content on view in the United States. Through the recreated Annex; exhibition galleries immersing visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam, Anne Frank The Exhibition will provide an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.

The New York City exhibition will occupy over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts will be seen in the United States—many have never been seen in public. 

Artifacts in the exhibition include: 

  • Anne Frank’s first photo album (1929-1942); 
  • Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
  • Handwritten verses by Anne Frank in her friends’ poetry albums

“Anne Frank’s words resonate and inspire today, a voice we carry to all corners of the world, nearly eight decades later,” Ronald Leopold, Executive Director of the Anne Frank House, said. “As a custodian of Anne’s legacy, we have an obligation to help world audiences understand the historical roots and evolution of antisemitism, including how it fueled Nazi ideology that led to the Holocaust. Anne’s legacy is remarkable, as represented in the diary she left us, and as one of the 1.5 million Jewish children who were murdered at the hands of Nazi officials and their collaborators. Through this exhibition, the Anne Frank House offers insights into how this could have happened and what it means for us today.

“The exhibition provides perspectives, geared toward younger generations, that are certain to deepen our collective understanding of Anne Frank and hopefully provide a better understanding of ourselves. By bringing this exhibition to New York—a place with many ties to Anne’s story— the Anne Frank House is expanding the reach of our work to encourage more people to remember Anne Frank, reflect on her life story, and respond by standing against antisemitism and hatred in their own communities.”

Anne Frank The Exhibition is a limited engagement, scheduled to close on April 30, 2025. Public programming and educational initiatives tied to the exhibition will be announced when the exhibition opens to the public. 

Timed entry individual and family tickets are available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing. 

Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues

Edges of Ailey at Whitney Museum of American Art

Edges of Ailey (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). Courtesy of Whitney Museum of American Art; Photo by Natasha Moustache.

Edges of Ailey at the Whitney Museum of American Art through February 9, 2025, is the first large-scale museum exhibition to celebrate the life, dances, influences, and enduring legacy of visionary artist and choreographer Alvin Ailey. This dynamic showcase brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. Described as an “extravganza” by curator Adrienne Edwards, Edges of Ailey is the must-see event of the NYC fall/winter season. The landmark exhibition is on view only in NYC.

Presented at the Museum in multiple parts, Edges of Ailey consists of an immersive exhibition in the Museum’s 18,000 square-foot fifth-floor galleries that includes artworks by over 80 artists and never-before-seen archival materials. Artists featured in the exhibition include Jean-Michel Basquiat, Faith Ringgold, Alma Thomas, Jacob Lawrence, Kara Walker, and many others. A recent acquisition of Eldren Bailey and new works by Karon Davis, Jennifer Packer, Mickalene Thomas, and Lynette Yiadom-Boakye will be presented for the first time in honor of this landmark exhibition.

Edges of Ailey is part of a ‘Season of Ailey’ in New York City, which includes the Alvin Ailey American Dance Theater company’s annual engagement at New York City Center, December 4-January 5.

Also at the Whitney:

Opening November 1, Shifting Landscapes explores how evolving political, ecological, and social issues motivate artists’ representations of the world around them. The 120 works by more than 80 artists—including Firelei Báez, Jean-Michel Basquiat, Jane Dickson, Gordon Matta-Clark, Amalia Mesa-Bains, andPurvis Young—depict the effects of industrialization on the environment, grapple with the impact of geopolitical borders, and give shape to imagined spaces as a way of destabilizing the concept of a “natural” world.

On view through January 5, 2025, Survival Piece #5: Portable Orchard marks the first standalone museum presentation of the fully realized indoor citrus grove conceived and designed in 1972 by artists Helen Mayer Harrison and Newton Harrison. Stretching across the Museum’s eighth-floor gallery, this installation of 18 live citrus trees explores the need for a productive and sustainable food system in an imagined future where natural farming practices are obsolete and cannot be taken for granted.

More information at whitney.org/exhibitions.

Inaugural Perelman Performing Arts Center NYC Icons of Culture Festival 

This fall, the Perelman Performing Arts Center [PAC NYC] is staging its inaugural PAC NYC ICONS OF CULTURE FESTIVAL presented by BNY from Tuesday, October 29 – Saturday, November 2, 2024 © Karen Rubin/goingplacesfarandnear.com

This fall, the Perelman Performing Arts Center [PAC NYC] is staging its inaugural PAC NYC ICONS OF CULTURE FESTIVAL presented by BNY from Tuesday, October 29 – Saturday, November 2, 2024.  

PAC NYC ICONS OF CULTURE FESTIVAL will bring audiences into the room with trailblazers in art, music, comedy, film, sports, and more to talk about pushing boundaries, making a mark, and elevating the everyday to the iconic.

Icons to appear in conversation at the festival include Misty Copeland, The Dogist, Alex Edelman, Renée Fleming, Michael Imperioli, Baaba Maal, Philippe Petit, Questlove, Marcus Samuelsson, Kathleen Turner, Serena Williams, and Vanity Fair’s Little Gold Men Live!  

A calendar of events is available at www.pacnyc.org

Rich Calendar of Cultural Events

The Museum of the City of New York is the premier repository of the city’s 400-plus year story © Karen Rubin/news-photos-features.com

Art Deco City: New York Postcards from the Leonard A. Lauder Collection at Museum of the City of New York, East Harlem, through February 17, 2025: Featuring over 250 postcards alongside decorative arts, fashion, and architectural models, the exhibition highlights the role postcards played in popularizing Art Deco landmarks like the Empire State Building, the Chrysler Building and Rockefeller Center.  

Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde at Grey Art Museum, Noho, Manhattan, through March 1, 2025: Berthe Weill, the first woman modern art dealer, championed artists like Picasso, Matisse and Modigliani. This survey features around 110 works shown at her gallery in the early 20th century and highlights her work as a gallerist and advocate. 

Pets and the City at The New-York Historical Society, Upper West Side, Manhattan, October 25, 2024—April 20, 2025: Featuring a diverse range of art, objects, memorabilia and media clips, this exhibition highlights pets’ lives in NYC, from early Indigenous cultures to today’s pampered companions. It also examines the growing pet population and addresses topics such as pet adoption and the importance of service animals. Also:

Most people think of Paul Revere solely as a silversmith, but his work as a printer and an artist was key to his role as a patriot seeking to break with Great Britain. His print of the Boston Massacre was significant to organize public opinion against the British. Paul Revere, The Bloody Massacre Perpetrated on King Street, Boston. Hand colored engraving, 1770. American Antiquarian Society. Gift of Nathaniel Paine.

From Paul Revere to Edward Hopper: Treasures from the Leonard L. Milberg Collection of American Prints, Drawings, and Watercolors, through October 27, 2024, showcases more than 140 prints, drawings, and watercolors from one of the most admired collections of historical American works on paper

Scenes of New York City: Selections from the Elie and Sarah Hirschfeld Collection, through October 27, 2024: The inaugural display in the new Hirschfeld Gallery and Hall presents a selection of artworks from an extraordinary promised gift to New-York Historical by prominent philanthropists and art collectors Elie and Sarah Hirschfeld, who have amassed a stunning collection honoring their hometown. The collection features renowned artists—both national and international—and presents vivid snapshots of Gotham and its streetscapes.

Enchanting Imagination: The Objets d’Art of André Chervin and Carvin French Jewelers, through January 5, 2025:  This dazzling exhibition of meticulously created objets d’art is on view to the public for the very first time. André Chervin (born 1927 in Paris), with his New York atelier, Carvin French, is one of the most acclaimed makers of handcrafted fine jewelry in the world.

A Billion Dollar Dream: The 1964-1965 New York World’s Fair on its 60th Anniversary at Queens Museum, Flushing Meadows Corona Park, Queens, November 3, 2024—March 9, 2025: A Billion Dollar Dream celebrates the 60th anniversary of the 1964–1965 New York World’s Fair by examining its legacy through social, political and environmental lenses. Featuring materials from the Queens Museum’s collection, the exhibition highlights the Fair’s promotion of progress and nationhood while reflecting contemporary issues, including civil rights and the women’s liberation movement.  

Solid Gold at The Brooklyn Museum, Prospect Heights, Brooklyn, November 16, 2024—July 6, 2025: Solid Gold celebrates the allure of gold, presenting over 500 works that explore the color and material’s significance in art, fashion, film and design throughout history. Opening for the Brooklyn Museum’s 200th anniversary, the exhibition features stunning pieces from renowned designers like Christian Dior and Yves Saint Laurent, alongside gold-ground paintings, sculptures and jewelry by notable artists such as Alexander Calder and Bulgari. 

The Metropolitan Museum of Art is featuring “Flight into Egypt: Black Artists and Ancient Egypt, 1876-Now” © Karen Rubin/goingplacesfarandnear.com

Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now at The Metropolitan Museum of Art, Upper East Side, Manhattan, November 17, 2024—February 17, 2025: Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now examines how Black artists and cultural figures have engaged with ancient Egypt through art, literature and performance over nearly 150 years. Featuring 200 works, the exhibition explores themes like the creation of a unifying identity and the contributions of Black scholars. It also includes a dedicated gallery for performance art, featuring live performances on select days.  

Lillie P. Bliss and the Birth of the Modern at The Museum of Modern Art, Midtown Manhattan, November 17, 2024—March 29, 2025: The Museum of Modern Art will host this exhibition in celebration of one of its founders and her crucial role in promoting modern art in the US. The exhibit marks 90 years since Bliss’s contributions to MoMA and will feature about 40 works. The exhibition will also display archival materials, highlighting her lasting impact on the museum and the acceptance of modern art in America. 

Ceremonies Out of the Air: Ralph Lemon at MoMA PS1, Long Island City, Queens, November 14, 2024—March 25, 2025: Showcasing over 60 works by Ralph Lemon, this exhibition presents dance, sculpture, video and more. Ceremonies Out of the Air will highlight his storytelling through movement and features the central installation Rant redux (2020–24). It will also include a series of live performances that enhance the immersive experience. 

Magazine Fever: Gen X Asian American Periodicals at The Museum of Chinese in America, Nolita, Manhattan, through March 30, 2025: Magazine Fever: Gen X Asian American Periodicals examines the impact of Asian American magazines in shaping identity during the 1980s and ’90s. Featuring over 80 rare issues from notable publications like A. Magazine and Hyphen, the exhibition showcases how these magazines provided a platform for Asian Americans to assert their narratives and portray their identities. 

FUTURA 2000: BREAKING OUT at The Bronx Museum of the Arts, South Bronx, Through March 30, 2025: FUTURA 2000: BREAKING OUT is a retrospective of the legendary NYC artist’s career. Running through winter 2025, it showcases five decades of his work, including sculptures, drawings, prints and new installations. The exhibition highlights his signature techniques, science-fiction motifs and the iconic 1980 graffiti piece, Break, which cemented his influence in the art world. 

The cast of New York Gilbert & Sullivan Players with NYGASP Founder Albert Bergeret taking bows at last season’s ‘Mikado.” NYGASP celebrates its 50th anniversary and honors 150 years of Gilbert of Sullivan in its 2024-25 season © Karen Rubin/goingplacesfarandnear.com

New York Gilbert & Sullivan Players Celebrates 50th Anniversary Season: New York Gilbert & Sullivan Players (NYGASP), America’s preeminent professional Gilbert & Sullivan repertory company, announces a Golden Jubilee, celebrating its 50th anniversary season and honoring 150 years of the wit and wonder of Gilbert & Sullivan. The celebrated full company and orchestra will perform “Ruddigore” on Nov. 23– 24, 2024; “The Pirates of Penzance” on Jan. 4– 12, 2025; and “Iolanthe” on April 56, 2025 at the Gerald Lynch Theatre at John Jay College. Info and tickets at www.nygasp.org

And on Long Island:

Billy Joel attends the opening of the first exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician. Due to popular demand, the exhibit is being extended through Spring 2025 © Karen Rubin/going-placesfarandnear.com

‘Billy Joel – My Life, A Piano Man’s Journey’ Exhibit at LIMEHOF Extended: The Long Island Music and Entertainment Hall of Fame (LIMEHOF) has is extending the run of the first ever exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician Billy Joel through spring 2025. Billy Joel- My Life, A Piano Man’s Journey spans Joel’s life and career from growing up in Hicksville to his legendary run at Madison Square Garden. It includes over 50 years of Billy Joel’s most cherished items including rare memorabilia, behind-the-scenes video, dozens of awards, rare audio and video recordings, vintage instruments and historic photos, many donated by Billy Joel himself. Timed entry and VIP tickets and special holiday packages and gift cards are available at www.TheBillyExhibit.com  (LIMEHOF, 97 Main Street, Stony Brook, Long Island, www.limusichalloffame.org).

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Great Jack O’Lantern Blaze at Old Bethpage Village Restoration is a Long Island Halloween Treat!

The Great Jack O’Lantern Blaze at Old Bethpage Village Restoration pays tribute to Long Island’s maritime tradition: stroll the trail lined by pumpkin jelly fish © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Historic Hudson Valley has brought its enormously popular “The Great Jack o’ Lantern Pumpkin Blaze” extravaganza to Long Island to our most fabulous living history destination, Old Bethpage Restoration Village, for the fifth year. They have brought the extraordinary artistry, charm and delight, and kept Sleepy Hollow’s Headless Horseman, but have tailored the displays and story around Long Island’s history, heritage and culture.  

The Great Jack O’Lantern Blaze at Old Bethpage Village Restoration pays tribute to Long Island’s maritime tradition: stroll the trail lined by pumpkin jelly fish © Karen Rubin/goingplacesfarandnear.com

On view on select nights through November 3, this is a must-see attraction/experience that delights all ages, with more humor than horror.

Old Bethpage Village Restoration, a 209-acre living history museum with homes and buildings that date back to the 19th century, is the perfect setting – the stories marvelously weave a context of reality to the fantasy, which makes them even more spooky.

Lots of scary monsters have taken up residence at the Hewlett House for the Great Jack O’Lantern Blaze, one of the Old Bethpage Village Restoration historic homes that are reportedly haunted in their own right © Karen Rubin/goingplacesfarandnear.com

Hewlett House is a stand-in for the Amityville Horror, with similar architecture, but has its own spectral story. The pumpkin cemetery is peopled by the Hewlett family, a prominent farming family who remained loyal to the Crown during the American Revolution whose farm was built in 1794, near Pequot Lane in Woodbury (the house was moved to a hilltop at Old Bethpage in the 1970s). Their actual house is one of several historic houses in Old Bethpage said to be haunted.

For the Great Jack O’Lantern Blaze, the historic Hewlett House from a far built in 1794 by a wealthy farming family, plays the part of the Amityville Horror © Karen Rubin/goingplacesfarandnear.com

The Doomsday Clock outside the house, is an enormous pendulum clock made of pumpkins such as would have been popular in the 19th century and wealthy Long Island families like the Hewletts and Laytons might well have had one. But this one, standing 12 feet tall, features a single hand, ominously counting back the hour.

Witches come to Old Bethpage Village Restoration for the Great Jack O’Lantern Blaze; an actual witch trial took place in East Hampton in 1658, 35 years before the Salem witch trials © Karen Rubin/goingplacesfarandnear.com

And in 1658, some 35 years before the Salem witch trials, 16-year old Elizabeth Gardiner Howell of East Hampton was accused of witchcraft – but she was acquitted in her trial.

The Hewlett family cemetery re-created out of carved pumpkins! © Karen Rubin/goingplacesfarandnear.com

And the Blaze Long Island Hall of Fame inside the Visitors Center, before you start your walk on the trail, features intricate pumpkin sculptures of famous Long Islanders (Natalie Portman and Jerry Seinfeld are the newest, joining Billy Joel, Joan Jett, Sue Bird, and Dr. J).

Jerry Seinfeld is immortalized in the Blaze Long Island Hall of Fame © Karen Rubin/goingplacesfarandnear.com

You walk the pumpkin trail through this 19th century village and see more than 7,000 hand-carved jack o’lanterns, all carved by its team of artisans, each one unique.

Blaze Long Island’s homage to the Statue of Liberty © Karen Rubin/goingplacesfarandnear.com

The structures – all built with carved and lighted pumpkins – are absolutely incredible: a display featuring a police car, ambulance, firetruck, firefighter spraying a hose and a firefighter climbing a ladder;  a windmill; a Statue of Liberty as tall as a tree, a lighthouse with a working light (Montauk is Long Island’s most famous but this pays tribute to the lighthouse commissioned by President George Washington himself), an 80-foot long circus train with animal skeletons as passengers (a nod to Ringling Brothers & Barnum & Bailey bringing its circus train to Long Island in 1972 to the newly opened Nassau Coliseum), a working carousel with horse skeletons.

The Montauk Point Light , the first public works project in America, commissioned in 1792 by the 2nd US Congress under president George Washington and completed four years later. Blaze Long Island offers this version, which features a blazing beacon of illuminated pumpkins © Karen Rubin/goingplacesfarandnear.com

The displays pay homage to Long Island’s farming heritage, its maritime heritage (a whaling center!), and its cultural contributions, from the inventor of one of the first computer games, to the factoid that “Jaws” was inspired by the capture of a 4500 lb white shark off Long Island.

The movie ‘Jaws” Jaws” was inspired by the capture of a 4500 lb white shark off Long Island© Karen Rubin/goingplacesfarandnear.com

There are also a series of displays that trace Long Island’s history, from the Native American tribes who first inhabited, to Long Island’s role in aviation history (Lindbergh took off on his historic flight in his Spirit of St. Louis to Paris in 1927 from Roosevelt Field, and nuclear physicist William Higinbotham’s of the Brookhaven National lab who in 1958 arguably developed the first video game, Tennis for Two, a primitive version of Pong and precursor to Pac-Man and Mario Bros.

The pumpkin Circus Train, harkening to the Ringling Bros & Barnum & Bailey train that came to the newly opened Nassau Coliseum in 1972, is 80 feet long © Karen Rubin/goingplacesfarandnear.com

Among the new displays this year is a stunning tribute to the Day of the Dead and a moving ferris wheel.

The sound effects, original musical soundtrack, lights, colors, motion of some of the larger exhibits, even smoke effects and bubbles, are pure delight. The ambiance in such a historic, rural setting is just phenomenal.

Nicole demonstrates pumping carving at Blaze Long Island © Karen Rubin/goingplacesfarandnear.com

You also get to see actual pumpkin carving and get to talk with the carvers and see the 100+-pound carved winners, a marvelous Blaze Boo-tique featuring seasonal gifts and merchandise, while Café Blaze, features fall treats like cider donuts and pumpkin beer. 

We encounter Rocco, a pumpkin carver, starting his “Bona Lisa” at Blaze Long Island © Karen Rubin/goingplacesfarandnear.com

The photo ops are precious.

Advance online purchase of timed tickets is required; no tickets are sold at the venue; capacity is limited and prices increase if you purchase on the same day.There are also FLEX tickets that allow you to visit at any time, even when it is sold out. (For a small fee, you can exchange a ticket up to 24 hours in advance.) New this year is a $10 flat rate children’s tickets (ages 3-17), valid for every date and every time slot.  

One of the new Blaze Long Island displays is this magnificent tribute to the Day of the Dead © Karen Rubin/goingplacesfarandnear.com

The Great Jack O’Lantern Blaze is open select evenings Oct. 4-Nov. 3 including Halloween.

It’s a pleasant walk along a dirt trail (about half the size of the Village), suitable for strollers – allocate 45-90 minutes to enjoy. (I suggest families try to come as early as possible so the kids aren’t too tired; others come later when it may be less busy, like 8:30 pm – last entry at 9 pm.

Proceeds support the education and preservation efforts of Old Bethpage Village Restoration and Historic Hudson Valley.

The Great Jack O’Lantern Blaze at Old Bethpage Village Restoration features some 7,000 carved pumpkins © Karen Rubin/goingplacesfarandnear.com

The original Great Jack O’Lantern Blaze, celebrating 20 “gourd-eous years” this year, is already underway at Historic Hudson Valley’s Van Cortlandt Manor, Croton-on-Hudson through Nov. 17 (advance purchase tickets necessary, https://pumpkinblaze.org/blaze-hudson-valley.html). And other special Halloween events are underway at Philipsburg Manor and Sunnywide (historichudsonvalley.org)

The Great Jack O’Lantern Blaze at Old Bethpage Village Restoration features some 7,000 carved pumpkins © Karen Rubin/goingplacesfarandnear.com

Sponsored by Catholic Health, the Great Jack O’Lantern Blaze is presented through a partnership of Historic Hudson Valley, Old Bethpage Village Restoration and Nassau County which owns and operates OBVR, with support of the NYS Council of the Arts, NYS Economic Development, and I Love NY.

Old Bethpage Village Restoration, 1303 Round Swamp Rd, Old Bethpage, NY 11804, https://pumpkinblaze.org/blaze-long-island.html.

See also:

HALLOWEEN HAPPENINGS: SPIRITS OF THE SEASON TAKE OVER AREA ATTRACTIONS

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Summer in the City: Jazz Age Lawn Party on Governors Island is Escape Back to Roaring ‘20s

Ann Votaw shows why she was the winner of the Charleston dance contest at the Jazz Age Lawn Party on Governors Island, hosted by Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Hop the ferry and within 10 minutes, you are transported in time and place. It’s the Gatsby era,with 1920s hot-jazz, flappers and sheiks. It’s the 19th Jazz Age Lawn Party on Governors Island. The first took place June 8-9, but if you missed it, you have another chance at this delightful escape back to the zeitgeist of the Roaring ‘20s on August 10-11.

Michael Arenella and his Dreamland Orchestra host the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Michael Arenella and His Dreamland Orchestra sets the mood with music Arenella has transcribed from original recordings of the Jazz era. Arenella re-creates the role of a Big Band leader, taking on the inflection and look, and telling anecdotes about the music and the musicians as if it were happening today, when this music was all the rage and radio was a new (and dangerous) cultural phenomenon. Within moments, you are transported back to the romance and joie de vive of that time, leaving behind for these precious hours the hubbub of modern times. The only piercing of the illusion are the ubiquitous cell phones.

Jazz Age Lawn Party on Governors Island, hosted by Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com

The entertainment throughout the day is topnotch: Roddy Caravella & The Canarsie Wobblers  consistently wow with fanciful costumes and choreography; Queen Esther, an award-winning vocalist sets her own standard of Jazz Great while paying tribute to jazz royalty of yore with her jazz quintet The Hot Five (Queen-Esther.com); Peter Mintun, “world’s greatest piano man,” Charlie Roman Casteluzzo, specializing in hot jazz guitar from the 1930s, featuring his rare collection of popular music from the golden years of jazz, and Charlie Roman and the Glad Rags Orchestra (charlieromanjazz.com).

Roddy Caravella’s Canarsie Wobblers entertain at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

There are special attractions, as well, starting with lessons in Charleston or the Peabody by Roddy Caravella and his wife, Gretchen (who is also the costumer for the Canarsie Wobblers); dance competition (in Charleston or Peabody (this year, an actual prize of two tickets to the “Gatsby” show on Broadway!); a “High Court of Pie” contest (pre-register at [email protected]) ; Bathing Beauties and Beaus Promenade (Sundays, to enter email: [email protected]), and some Kidland carnival games.

Roddy Caravella and his wife Gretchen demonstrate the Charleston during the dance lesson that kicks off the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Scores of vintage vendors add to the atmosphere – if you didn’t have your own vintage outfit, you can rent or buy, and if you didn’t have your own picnic blanket, you could purchase from the General Store. You can have your portrait taken with vintage cameras or sitting on a Paper Moon, or with a 1920s motor car.

Governors Island is transformed back to the 1920s for the jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com

Taste France Magazine offers VIP picnic baskets and a pop-up French market, featuring Centre-Loire wines, Citadelle gin, Lactalis cheeses, and many more gastronomic delights. A selection of refreshing, ice cold cocktails is on offer from Brooklyn’s very own Social Hour – a line of canned craft cocktails founded by bartending veterans Julie Reiner and Tom Macy. 

Governors Island is transformed back to the 1920s for the jazz Age Lawn Party © Karen Rubin/goingplacesfarandnear.com

Sip on the delightfully fizzy G&T made with New York Distilling Company’s Dorothy Parker Gin, or the Pacific Spritz made with a combination of house made Italian aperitivo and Rosé wine; for whiskey lovers the fiery Whiskey Mule made with New York Distilling Company’s Ragtime Rye will be sure to please.

There are also a selection of food trucks featuring picnicking fare, sweet treats, ice cream and old-time snacks.

Ferry is Magic Carpet to Bygone Era

The enchantment begins as you board the ferry from South Street, Manhattan (next door to the Staten Island ferry terminal) or from Brooklyn for the short ride to Governors Island. You think you have stepped back to the 1920s – crowds of giddy people cram the ferry, dressed in flapper dresses and linen suits, caps and suspender, and dancing shoes, hauling elaborate picnic baskets and paraphernalia..

Corrine Hart-Rood and Carl Rood from Massapequa Park, Long Island, get into the spirit of the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

We are back in the Jazz Age, and the setting is perfect, a vast lawn set off by an arbor of trees, surrounded by historic buildings and forts that date back to the War of 1812, the Civil War and World War II when Governors Island was used as a military base and prison.

People come and set out sprawling picnics – some with elaborate fixings like candelabras and crystal wine glasses.

Dancing to Michael Arenella and his Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

The atmosphere is infectious. Fellows seem more civilized. Gals seem more sassy. And the good feeling just percolates to the beat from Michael Arenella’s Dreamland Orchestra, as this fantastical community defying time forms.

Dancing to Michael Arenella and his Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

The unquestioned star of the day long festival is Michael Arenella and His Dreamland Orchestra, one of the world’s great Jazz Age dance bands, specializing in the Hot-Jazz of the 1920s. “Conductor, composer, musician and singer Michael Arenella presents a personally transcribed songbook for your listening and dancing pleasure.” (Michael Arenalla also can be heard at the Clover Club, Smith Street in Brooklyn and at the Red Room, 85 E 4th St, NYC, see www.dreamlandorchestra.com)

Queen Esther performs her  own standard of Jazz Great while paying tribute to jazz royalty of yore with her jazz quintet The Hot Five at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Arenella sits in with his trombone with Queen Esther, and with the really excellent Charlie Roman and the Glad Rags Orchestra, playing at a second dance floor

Michael Arenella sits in with Charlie Roman and the Glad Rags Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

It isn’t hard to believe you have returned to the Jazz Age because of the authenticity and attention to detail. Arenella “transcribes by hand their entire repertoire from period recordings. Their delivery, as well as their instruments, attire, and equipment — are faithfully accurate. Arenella’s strong yet vulnerable baritone lacks pretense or sarcasm. He treasures each lyric, and has faith in the songs he sings. Even the most optimistic Tin Pan Alley tune has a disarming quality in his hands.”

Dancing to Charlie Roman and the Glad Rags Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Now in its 19th year (there is a gofundme project to raise money for a 20th anniversary book), the Jazz Age Lawn Party has built a history of its own. It started in 2005 as a small gathering of about 50 friends and fans of Michael Arenella and his Dreamland Orchestra and their version of prohibition-era music and fun. Not too many years after, it was drawing thousands of fans who revel in the music and zeitgeist of the 1920s and 1930s and has become what is arguably the world’s largest outdoor musical celebration of the Jazz Age, but is undoubtedly one of the highlights in a crammed calendar of summer happenings in New York City.

Jazz Age Lawn Party on Governors Island, hosted by Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com

There are also plans for a week-long transatlantic cruise from Southampton to NYC on Cunard’s Queen Mary 2, Sept 25, 2025  with Michael Arenella & His Dreamland Orchestra, with1920s and 30s village dress, dance, danceclasses,and a pre-voyage trip to the birthplace ofArt Deco, Paris, hosted bytheArt Deco Society of Paris; Ahoy Vintage Cruises, www.ahoyvintagecruises.com, 214-761-1968.)

Dancing to Michael Arenella and his Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

If you missed the June 8 & 9 event, there’s still time to purchase tickets for August 10 and 11.

Ticket sales are live at https://jazzagelawnparty.com and available exclusively through Fever, a global live-entertainment discovery platform. (Book your ferry ticket, https://www.govisland.com/plan-your-visit/ferry)

For more information, visit: JazzAgeLawnParty.com.

Here are more photo highlights:

The Jazz Age Lawn Party on Governors Island has become a family affair © Karen Rubin/goingplacesfarandnear.com
Enthusiastic participation in the Charleston dance lesson at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
The Jazz Age Lawn Party on Governors Island has become a family affair © Karen Rubin/goingplacesfarandnear.com
Getting into the spirit of the Jazz Age Lawn Party on Governors Island, hosted by Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com
The Jazz Age Lawn Party on Governors Island has become a family affair © Karen Rubin/goingplacesfarandnear.com
Dancing to Michael Arenella and his Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Michael Arenella revives the music and spirit of the Roaring 20s at the 19th Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Roddy Caravella judges the Charleston contest at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Enthusiastic participation in the Charleston dance lesson at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Posing for a portrait on a Paper Moon at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Votes for Women! at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com
Queen Esther poses with her band at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

See also:

GOVERNORS ISLAND: A DESTINATION, A GETAWAY, A RETREAT FROM/IN NEW YORK CITY

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Summer in the City: New York Philharmonic Free Concerts in the Parks is Cherished Summer Tradition

The New York Philharmonic is conducted by Thomas Wilkins in this summer’s Concerts in the Parks Presented by Didi and Oscar Schaefer series © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks Presented by Didi and Oscar Schaefer is an extraordinary gift to New Yorkers and visitors. For almost 60 years, this world-famous orchestra has presented these free performances in parks in all five boroughs bringing “priceless music, absolutely free” to communities and reinforcing the bond that exists between New York’s hometown orchestra and its people. In the process, the orchestra brings people together in shared joy.

The New York Philharmonic is conducted by Thomas Wilkins in this summer’s Concerts in the Parks series which featured violin soloist Randall Goosby © Karen Rubin/goingplacesfarandnear.com

The world renowned orchestra has offered these free summer concerts in the parks since 1965 – since 2007, presented by Didi and Oscar Schaefer – and over that time, have brought “priceless music, absolutely free” to 15 million music lovers.

This year’s program included Beethoven’s Egmont Overture; Felix Mendelssohn’s Violin Concerto in E minor, featuring Randall Goosby — who made his NY Phil debut on a Young People’s Concert at age 13 — as soloist; Elgar’s Wand of Youth Overture; the New York Premiere of Carlos Simon’s Four Black American Dances; Rimsky-Korsakov’s Capriccio Espagnol.  

Conductor Thomas Wilkins gives fascinating, folksy notes for the musical selections in this summer’s Concerts in the Parks series © Karen Rubin/goingplacesfarandnear.com

Conductor Thomas Wilkins, who is the principal conductor of the Hollywood Bowl Orchestra, introduced the pieces. About Mendelssohn’s exquisite Concerto in E minor for Violin and Orchestra, Op. 64 (1844), with the virtuoso violinist Randall Goosby who so exquisitely brought out the melodic sweetness, Wilkins said, “it is so magical – one of the few where the movements are all connected. At the end of the first, there is one B-Natural hanging in the air – the bassoonist is not done – that says ‘follow me into the second.’ There is more impact between the second and third movements – no break but one note of silence, like a ball in the air that hangs until the soloist enters.”

Violin soloist Randall Goosby, an alum of the Lincoln Center Young People’s Orchestra program, performs the exquisite Mendelssohn Concerto in E minor for Violin and Orchestra © Karen Rubin/goingplacesfarandnear.com

Wilkins loves to engage with the audience, and makes the music so accessible with his folksy anecdotes that make your ears perk up at key portions with new appreciation. We get to preview Carlos Simon’s “Four Black American Dances” (2023), which will be part of the orchestra’s fall repertoire, in the concerts he returns to the NY Phil to conduct, October 17 and 19,and learn how the four dances span Black American heritage – the first, recasting a traditional dance of enslaved Blacks into the voice of the orchestra including shuffling feet and clapping hands; the second, a waltz depicting how young Black girls in the 1930s would have their “coming out” parties, then a tap dance, and finally, we are taken to church for a “holy dance” with the instruments evoking the murmurings and exultations of a church service. And then, we get to meet the composer who comes on stage.

“Four Black American Dances composer Carlos Simon joins Conductor Thomas Wilkins on stage. The piece will also be featured in October © Karen Rubin/goingplacesfarandnear.com

For the past several years, the concerts have also provided a platform and a showcase for young composers who absolutely astonish with their talent (most astonishing: they not only compose the piece but do the orchestration). It is like seeing a young Mozart, or Elgar, whose Overture from the Wand of Youth (Music to a Child’s Play) Suite No.1, Op.1a, written when Elgar was just eight years old (he later expanded it), and imagining where these prodigies will be in 20 years.

This year, 16-year old Dalya Shaman’s “Floating in the Stars” and 10-year old David Wright’s “Tarzan’s Rage” dazzled the audience.

16-year old Dalya Shaman’s stunning tone-poem, “Floating in the Stars,” is performed as part of the Young Composers © Karen Rubin/goingplacesfarandnear.com

Dalya Shaman, a tenth grader at NEST+m High School, has been composing music for six years and plays the cello. She described the inspiration for her tone-poem, “Floating in the Stars” which uses harp and orchestra bells to evoke the whimsy and wonder of star gazing and the sensation of drifting among the stars, as the artwork of VYC students Vivian and Odette Iannetta.

Conductor Thomas Wilkins congratulates 10-year old composer David Wright after performing his “Tarzan’s Rage.”© Karen Rubin/goingplacesfarandnear.com

David Wright, a fifth grader at PS 11 in Brooklyn who is also an accomplished baseball player, said his work, “Tarzan’s Rage” also was inspired by the Iannettas art, and seeing a man jumping which he imagined as Tarzan and the contrast of dark and light colors as a war, which is how he came to “Tarzan’s Rage.” The music is thrilling, and one can imagine David composing movie scores.

Conductor Thomas Wilkins leads the New York Philharmonic in this summer’s Concerts in the Parks series © Karen Rubin/goingplacesfarandnear.com

Wilkins’ conducting style is very relaxed, with minimal movement and theatrics. He is a joy to watch. He likes the music to be well punctuated, defined, the complex seemingly more simple and elemental than it is, so it is more accessible and can be better appreciated in such an open setting. You immediately appreciate why he is also the Boston Symphony’s artistic adviser for Education and Community Engagement, professor of orchestral conducting at Indiana University, and is actively engaged with the NY Phil’s Young People’s Concerts, begun 100 years ago and popularized by Leonard Bernstein.

Violin soloist Randall Goosby with conductor Thomas Wilkins and concertmaster Frank Huang and the New York Philharmonic performing Mendelssohn’s Concerto in E Minor © Karen Rubin/goingplacesfarandnear.com

“At this stage of my life,” Wilkins reflects in the festival program, “I just want to invite the orchestra that is in front of me to experience what it means to be in love with music.”

“He remains devout in his belief in assuring access to the infinitely renewable power of music,” Mark Burford reports. ‘Who else deserves to experience beauty for the first time? Who else needs to find wonder?’”

Conductor Thomas Wilkins leads the New York Philharmonic in this summer’s Concerts in the Parks series © Karen Rubin/goingplacesfarandnear.com

The evening concludes with Rimsky-Korsakov’s Capriccio Espagnol Op. 34, which flows immediately into Santore’s World Famous Fireworks display, putting just the right crescendo on the evening.

The span and diversity of the pieces is enlightening and exciting, especially with such a focus on Simon’s 2023 composition and the young composers.

The New York Philharmonic is conducted by Thomas Wilkins in this summer’s Concerts in the Parks series which featured violin soloist Randall Goosby © Karen Rubin/goingplacesfarandnear.com

The New York Philharmonic is performing these summer concerts in all five boroughs: Central Park, Cunningham Park concert in Queens, Van Cortlandt Park, Bronx, and Prospect Park, Brooklyn. Then, musicians from NY Phil perform a free Indoor Concert, Presented by Didi and Oscar Schafer,on Sunday, June 16, 2024, at 4:00 p.m., at St. George Theatre in Staten Island; the program includes Clarke’s Prelude, Allegro, and Pastorale for clarinet and viola; Mozart’s Oboe Quartet; and Prokofiev’s Quintet (tickets need to be reserved). 

“It is a joy to see tens of thousands of New Yorkers turn out to enjoy free concerts under the stars, creating a sense of community and shared experience that is rare and vital,” said New York Philharmonic President & CEO Gary Ginstling. © Karen Rubin/goingplacesfarandnear.com

“The New York Philharmonic’s annual Concerts in the Parks, Presented by Didi and Oscar Schafer, are always a highlight of our year,” New York Philharmonic President & CEO Gary Ginstling said. “It is a joy to see tens of thousands of New Yorkers turn out to enjoy free concerts under the stars, creating a sense of community and shared experience that is rare and vital. We are deeply grateful to Didi and Oscar, the visionary and generous couple whose love of music and of New York City’s parks is essential to making possible the ambitious tour of our hometown.”

Fireworks provide a crescendo to the New York Philharmonic’s concert in Central Park © Karen Rubin/goingplacesfarandnear.com

The free summer concerts provide a wonderful taste of the cultural treasure that awaits at the Philharmonic’s concert venue, Geffen Hall at Lincoln Center, that makes you want more.

The New York Philharmonic has announced updates to its 2024–25 season:

Updates to the Orchestra’s concerts:

• Augusta Read Thomas’s new work, commissioned by the NY Phil, is titled Bebop Kaleidoscope — Homage to Duke Ellington. Ken-David Masur, in his NY Phil subscription debut, will conduct its World Premiere on September 19 and 21, 2024, part of the program curated by NY Phil musicians — who serve as the first of the 2024–25 season’s Artistic Partners — that explores the Orchestra’s past and future.

• The Opening Gala concert on September 24, 2024 — conducted by Manfred Honeck — will include Suppé’s Light Cavalry Overture and Puccini’s Turandot Suite, and will feature vocalist Cynthia Erivo making her NY Phil debut in selections from Broadway and the popular songbook.

In October, Thomas Wilkins will conduct NY Phil’s exploration of Afromodernism when Carlos Simon’s “Four Black American Dances” (2003) will be presented © Karen Rubin/goingplacesfarandnear.com

• Nathalie Joachim’s new work is titled Had To Be and receives its New York Premiere on October 17 and 18, 2024 — on concerts that are part of the NY Phil’s exploration of Afromodernism — conducted by Thomas Wilkins, with cellist Seth Parker Woods (NY Phil debut) as soloist. The piece is co-commissioned by the NY Phil, Spoleto Festival USA, Orchestre Métropolitain, and Chautauqua Institution.

• Estonian composer Arvo Pärt’s Cantus in memoriam Benjamin Britten has been added as the opening work in the November 14 and 16, 2024, subscription concerts, conducted by John Adams, one of the 2024–25 season’s Artistic Partners.

• Tenor Kieran White will make his NY Phil debut in Handel’s Messiah, Presented by Gary W. Parr, December 11–14, 2024. Ton Koopman conducts.

In October, Thomas Wilkins will conduct NY Phil’s exploration of Afromodernism when Carlos Simon’s “Four Black American Dances” (2003) will be presented © Karen Rubin/goingplacesfarandnear.com

• Baritone Leon Košavić (NY Phil debut) will perform J.S. Bach’s Cantata BWV 56, Ich will den Kreuzstab gerne tragen, and soprano Talise Trevigne (NY Phil debut) will perform the same composer’s Cantata BWV 51, Jauchzet Gott in Allen Landen, on the Free Concert at The Cathedral Church of Saint John the Divine, January 17, 2025, joining conductor and 2024–25 season Artistic Partner Nathalie Stutzmann and Members of the New York Philharmonic. Additional repertoire will be announced at a later date.

• Justin Jay Hines will co-host the Young People’s Concerts for Schools on February 5–7, 2025, as well as the Young People’s Concert: The Future Is Innovation, on February 8, 2025, alongside Jerry Hou, who also conducts.

• The Lunar New Year Gala concert on February 11, 2025 — conducted by Tianyi Lu (NY Phil debut) — will include Li Huanzhi’s Spring Festival Overture; Unsuk Chin’s The Mad Tea Party, from Alice in Wonderland; Casella’s La donna serpente, Suite No. 1; Chen Yi’s Chinese Folk Dance Suite, featuring violinist Inmo Yang (NY Phil debut) as soloist; and Bizet’s Carmen Suite No. 1.

• The performances of Star Wars: The Empire Strikes Back in Concert, June 11–14, 2025 — part of The Art of the Score — will be conducted by Sarah Hicks (NY Phil conducting debut).

Updates to NY Phil presentations:

• Details of the season’s Kravis Nightcap series — featuring New York City Ballet principal dancer Tiler Peck as dancer and choreographer, as well as Musicians from the NY Phil — are announced. In the first, on September 21, 2024, Peck will collaborate with NY Phil Musicians, the first of the season’s Artistic Partners; on January 25, 2025, Peck will be joined by pianist Yuja Wang, the 2024–25 season Mary and James G. Wallach Artist-in-Residence; and on February 27, 2025, Peck will reunite with violinist Hilary Hahn, with whom she performed on a Kravis Nightcap in January 2024. All three performances will take place at the Wu Tsai Theater, David Geffen Hall.

• The season’s six New York Philharmonic Ensembles at Merkin Hall concerts, featuring Musicians from the NY Phil, will take place on September 29, November 3, and November 24, 2024, and January 12, February 16, and May 4, 2025.

In October, Thomas Wilkins will conduct NY Phil’s exploration of Afromodernism when Carlos Simon’s “Four Black American Dances” (2003) will be presented © Karen Rubin/goingplacesfarandnear.com

• The Sound On presentation Composing While Black, Volume II, featuring Artistic Partner International Contemporary Ensemble (ICE) — part of the NY Phil’s exploration of Afromodernism — will now take place on October 25, 2024. The location and time will be announced at a later date.

• The Sound On presentation on November 17, 2024 — curated and conducted by Artistic Partner John Adams and featuring Members of the NY Phil — will take place at The Museum of Modern Art, and will include Dylan Mattingly’s Sunt Lacrimae Rerum and Gabriella Smith’s Maré. Additional repertoire will be announced at a later date.

• The season’s series of Very Young People’s Concerts (VYPCs) — titled Philharmonic Playground — will be held in Merkin Hall at Kaufman Music Center, and will take place on February 22, 2025 (“Allegro and Adagio”); March 22, 2025 (“Forte and Piano”); and June 7, 2025 (“Treble and Bass”). The series will feature Associate Principal Viola Rebecca Young as host and Musicians from the New York Philharmonic.

New York Philharmonic, David Geffen Hall, 10 Lincoln Center Plaza, New York, NY 10023-6970, 212) 875-5656, www.nyphil.org.

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Summer in the City Opens with Museum Mile Festival, Finishes with US Open

The Guggenheim Museum is one of eight major institutions that are free to explore during the annual Museum Mile Festival © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s summer cultural season kicks off with the 46th Annual Museum Mile Festival – the Big Apple’s “biggest block party” –on Tuesday, June 18, from 6 to 9 pm, rain or shine. Walk the mile on Fifth Avenue between 82nd Street and 104th Street while visiting eight of New York City’s finest cultural institutions, open free during these extended hours: The Metropolitan Museum of ArtNeue Galerie New YorkSolomon R. Guggenheim MuseumCooper Hewitt, Smithsonian Design MuseumThe Jewish Museum; Museum of the City of New York; El Museo del Barrio; and The Africa Center. Several neighborhood partners, including the New York Academy of Medicine, the Church of the Heavenly Rest, Asia Society, and AKC Museum of the Dog will also join in this celebration. 

The Museum Mile Festival is the Big Apple’s biggest block party, with street entertainment and free admissions to museums © Karen Rubin/goingplacesfarandnear.com

It’s an electric, eclectic festive atmosphere, with live music and street performers all along the avenue, plus special exhibitions, works from permanent collections and special family-oriented activities inside.

One of our favorite stops is the Museum of the City of New York (celebrating its 100th anniversary this year), where you can visit its newest exhibition Changing the Face of Democracy: Shirley Chisolm at 100 and the send off of its centennial exhibition This is New York: 100 Years of the City in Art and Pop Culture . Grab a Kids’ Activity Guide for the little ones.

Dancing to the 1920s Hot Jazz of Michael Arenella and His Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com

Jazz Age Lawn Party on Governors Island (June 8-9 and August 10-11, 2024, 11 am-5 pm), starts with a magical ferry ride from Battery Park or the Brooklyn Navy Yard. People come dressed to the 9s in 1920s/Gatsby-style outfits, bringing picnics and take part in the music and zeitgeist of the 1920s. With music and dancing led by festival founder and host Michael Arenella & His Dreamland Orchestra, the merriment continues with a score of other entertainers: the bedazzling Dreamland Follies, a 10-lady Art Deco dance spectacle evoking the Great Ziegfeld, the fantastic Queen Esther paying tribute to jazz royalty of yore, Peter Mintun tickling the ivories with his incredible piano skills and the Gelber & Manning band. Enjoy the renowned and fun-loving dance troupe, Roddy Caravella and The Canarsie Wobblers with their scandalous Charleston numbers and rebellious and exuberant spirit of the Roaring ‘20s. Entertainments are interspersed with fun events like dance lessons and a period bathing suit contest. This isn’t free – it’s a ticketed event. Tickets and info at www.jazzagelawnparty.com. (Reserve a ferry ride to access the location.)

The New York Philharmonic returns to Central Park for its free summer concert series © Karen Rubin/goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, have become an iconic New York summer experience since they began in 1965, transforming parks throughout the city into a patchwork of picnickers enjoying friends, family, and priceless music under the stars, for free! This summer, Thomas Wilkins conducts the Orchestra in a program that ranges from classics by Beethoven, Elgar, and Rimsky-Korsakov to Felix Mendelssohn’s Violin Concerto, with Randall Goosby as soloist, to new music by Carlos Simon and NY Phil Very Young Composers. All outdoor performances begin at 8 PM and conclude with fireworks! (The Free Indoor Concert in Staten Island begins at 4 PM.): June 11 Van Cortlandt Park, Bronx; June 12 Concerts in the Parks: Central Park, Manhattan; June 13, Concerts in the Parks: Cunningham Park, Queens; June 14, Concerts in the Parks: Prospect Park, Brooklyn; June 16 Free Indoor Concert: St. George Theatre, Staten Island.

The New York Philharmonic Summer in the Parks performances finish with a dramatic fireworks display© Karen Rubin/goingplacesfarandnear.com

The cherished Shakespeare in the Park, traditionally held at the Delacorte Theater in Central Park, this year is a traveling show while the Delacorte is undergoing its most significant revitalization of its 62-year history. Instead, this year the Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) is offering  a “GO PUBLIC!”  festival of of free summer programming taking place across all five boroughs. Its Mobile Unit is presenting a joyful, bilingual (English/Spanish) musical adaptation of “The Comedy of Errors,”  May 28-June 2 – The New York Public Library and Bryant Park on the Fifth Avenue Terrace (Manhattan) June 6-9, June 13-14, June 20-21 – Hudson Yards (Manhattan). Also: A.R.R.O.W. Field House (Queens) J. Hood Wright Park (Manhattan) Maria Hernandez Park (Brooklyn) Roy Wilkins Park (Queens) St. John the Divine (Manhattan) St. Mary’s Park (Bronx) Sunset Park (Brooklyn) Wolfe’s Pond Park (Staten Island).

Next up is Movie in the Parks (July 11–September 6), bringing free screenings of Shakespeare in the Park’s version of Much Ado About Nothing to parks throughout the City. (Can’t make it to any of them? This recording and other Shakespeare favorites are available to stream for free.) Visit the website for specific dates and locations (https://publictheater.org/programs/shakespeare-in-the-park/summer-24/go-public/).

In summer, all the city is a stage, and every lawn a picnic table © Karen Rubin/goingplacesfarandnear.com

Bryant Park is also hosting picnic performances of New York City Opera’s full production of the perennial favorite, Puccini’s Tosca on May 31, June 1, August 23 and 24, at 7 pm. (New York City Opera: Puccini Celebration) as part of a summer-long arts and culture festival, sponsored by Bank of America, from June 6 to September 13, featuring an amazing series of dance, music, theater, movies, plus eateries, shops and a carousel. (https://bryantpark.org/activities/picnic-performances for schedule).

The Hudson River Greenway is a whole destination in itself, and one of the best places to bike. In fact, it is part of the Empire State Trail Network, that goes from Lower Manhattan up to the Canadian border © Karen Rubin/goingplacesfarandnear.com

The Hudson River Greenway is a whole destination in itself, with every imaginable sport (tennis, pickleball, basketball, kayaking), fabulous eateries, even a sand beach, plus along the way, historic and cultural places like the monument to the Irish famine, the Museum of Jewish Heritage, the Whitney Museum, Battery Park and ferry access to the Statue of Liberty and Ellis Island, plus concerts such at two venues within the enchanting “Little Island.”

From June through September, Little Island presents a series of all new work across dance, music, theater and opera in the Amph  ($25, tickets and schedule, https://www.littleislandtickets.com/). In addition, there are free concerts Wednesday-Sunday in the Glade.

Little Island is a unique green space unlike any other in New York City. The award-winning public park is located in Hudson River Park and features two performance venues where visitors can experience cultural events all summer long © Karen Rubin/goingplacesfarandnear.com

The newest experience on the Hudson River Greenway is Gansevoort Peninsula. Located in Hudson River Park between Gansevoort Street and Little West 12th Street, and opposite the Whitney Museum of American Art, which affords an actual sand beach (1200 tons of sand, beach umbrellas, Adirondack-style chairs, even misting stations, and boardwalk)  for lounging. Also look for “Day’s End”, a public art installation by artist David Hammons, donated to Hudson River Park by the Whitney Museum of American Art.  See the full events calendar, https://hudsonriverpark.org/, https://hudsonriverpark.org/the-park/piers-and-places/

New York City has been named the most cultural city in the USA. Here’s what’s of note happening this summer, compiled by the New York City Tourism + Conventions, the official destination marketing organization and convention and visitors bureau:

NYC The Metropolitan Museum of Art is presenting “The Harlem Renaissance and Transatlantic Modernism” through July 28 © Karen Rubin/goingplacesfarandnear.com

Through July 28, The Metropolitan Museum of Art presents The Harlem Renaissance and Transatlantic Modernism, an exhibition exploring how Black artists portrayed everyday modern life during the 1920s–40s in Harlem and across the United States amid the Great Migration. Featuring 160 works including painting, sculpture, photography, film and ephemera, it’s the first art museum survey of its kind in New York City since 1987.

The Whitney Museum of American Art has unveiled the roster for Whitney Biennial 2024: Even Better Than the Real Thing, featuring 69 artists and two collectives. This edition marks the 81st installment of the museum’s esteemed exhibition series, the longest-running survey of American art. The program is now open and runs through August 11. Beginning September 25, The Whitney will unveil Edges of Ailey, a comprehensive exhibition celebrating the life and impact of American dancer Alvin Ailey, featuring daily performances, workshops and a diverse range of artworks and archival materials.

Experience a surreal journey inspired by Alice’s Adventures in Wonderland at the Bronx’s New York Botanical Garden, with Wonderland: Curious Nature, from May 18–October 27Follow iconic characters through whimsical scenes in the garden and explore imaginative horticultural displays inside the Haupt Conservatory, featuring installations from renowned artists including Yoko Ono, Alyson Shotz and Abelardo Morell.

A tribute to Ming Dynasty architecture, the New York Chinese Scholar’s Garden at Snug Harbor Cultural Center & Botanical Garden in Staten Island—one of just two authentic classical outdoor Chinese gardens in the US—is celebrating its 25th anniversary this year. Crafted in Suzhou, China, its elements include roof tiles, pavilions and bridges. Inspired by ancient poetry and paintings, the garden features magnificent rock formations resembling mountains. Visitors can explore pavilions, a bamboo forest path, waterfalls and a koi-filled pond.

The Morgan Library & Museum, which is marking 100 years since its establishment as a public institution by Jack Morgan as a repository of fabulous documents, is exhibiting Beatrix Potter: Drawn to Nature and Walton Ford: Birds and Beasts of the Studio. The next exhibition in the campaign will be Liberty to the Imagination: Drawings from the Eveillard Gift, on view beginning June 7.

Since its inception in 1824, the Brooklyn Museum has become a global cultural center, driven by the innovative spirit of its borough. As it celebrates two centuries of groundbreaking initiatives, the museum invites audiences to explore special exhibitions and events showcasing its vibrant artistic community. Highlights include the launch of immersive exhibitions like Solid Gold and Brooklyn Made. Notably, the museum boasts an in-residence composer, Niles Luther, who scores music for various exhibitions and artwork on-site, making it the only museum in the United States to offer such an immersive experience. Visitors can expect a year of discovery and celebration in honor of its bicentennial—kicking off with a 200th Birthday Bash on October 5.

A destination that takes you to other worlds, Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History offers fabulous innovative exhibitions. Admission by timed entry, reserved online. Open daily, 10 am–5:30 pm. American Museum of Natural History,200 Central Park West, 212-769-5606, amnh.org.

Be prepared to be dazzled and fascinated when you visit the American Museum of Natural History and the Gilder Center © Karen Rubin/goingplacesfarandnear.com

New performing arts offerings are revitalizing New York City’s cultural landscape with the expansion of iconic venues and the emergence of new stages. The historic Apollo Theater recently debuted the Victoria Theater, its first expansion in 90 years, which introduced two new stages and created an arts campus in Harlem. The inaugural season promises a diverse lineup including Alex Harsley, Stefon Harris and David Hammons. Meanwhile, in Brooklyn, the newly restored Brooklyn Paramount, now a concert hall, hosts various shows featuring acclaimed acts like Sting, Liam Gallagher, St. Vincent, Orville Peck and many more in its 2024 lineup. Across the East River, the Ronald O. Perelman Performing Arts Center (PAC) stands as a beacon of artistic expression in Lower Manhattan, welcoming emerging and established artists across various disciplines since its launch in September 2023. The PAC’s inaugural 2023–24 season continues this summer with the opening of An American Soldier, The SurvivalCats: “The Jellicle Ball”.

One of New York City’s newest performing arts venues, the Ronald O. Perelman Performing Arts Center, in Lower Manhattan © Karen Rubin/goingplacesfarandnear.com

The Jackie Robinson Museum commemorates the groundbreaking contributions of Jackie Robinson, the first African American to play Major League Baseball and one of the most celebrated baseball players of all time. Robinson’s legacy extends far beyond the baseball diamond, as he also made significant strides in civil rights, economic empowerment and social justice. From now through December 31, the museum is offering a free self-guided walking tour, Jackie Robinson’s Harlem, for visitors looking to dive deeper into Robinson’s connection to the neighborhood.

The Alice Austen House,Staten Island © Karen Rubin/goingplacesfarandnear.com

New York City is the birthplace of the modern LGBTQ+ movement. The Stonewall Inn, site of the historic 1969 riots, stands as a symbol of resilience and is soon to be complemented by a dedicated visitor center opening in June. Other cultural sites include theLeslie-Lohman Museum of Art, which celebrates LGBTQ+ identity through exhibitions and programs that showcase the ever-evolving queer experience, as well as the Alice Austen House Museum, which features the pioneering photographer’s work and has been a National Site of LGBTQ+ History since 2017. On the Upper West Side, the forthcoming American LGBTQ+ Museum at the New-York Historical Society, set to open its doors in 2026, will be the nation’s first museum dedicated to LGBTQ+ history.

One of the best parts of the US Open at the Billie Jean Tennis Center in Flushing Meadows Park, Queens, is getting to see tennis greats like Rafael Nadal practice © Karen Rubin/goingplacesfarandnear.com

If Summer in the City starts with the Museum Mile Festival, for me, the end of New York’s summer comes with the US Open Tennis Championships, the fourth and final Grand Slam tournament of the year. The tournament dates back to 1881, and since 1978, the tournament has found its home at the USTA Billie Jean King National Tennis Center in Queens’ Flushing Meadows Corona Park, a magnet for the best tennis talent worldwide such as reigning champions Coco Gauff, Novak Djokovic, Diede de Groot and Alfie Hewett. The tournament takes place August 26–September 8, 2024. Insiders tip: the week before, it is free to watch the thrilling play of the qualifiers’ tournament, and see the tennis stars practice.

New York City Borough Pass, Citywide: a new sightseeing pass designed to showcase the beauty of the neighborhoods and cultures across all five boroughs. The pass features a diverse roster of popular attractions, museums, performing arts venues, including the Alice Austen House Museum, MoMA PS1, New York Botanical Garden, Van Cortlandt House Museum, Staten Island Children’s Museum. (888-921-5333, https://www.nycboroughpass.com/)

The Go City Pass for New York City offers 100 different options in all five boroughs. For example, the two-day all inclusive pass, giving access to as much as you want/can do from among 105 attractions is $134 – regardless of how much the actual attractions charge (GoCity.com, 800 887 9103).

For all there is to do and see in New York City, visit nyctourism.com.

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Time-Traveling through Strasbourg in France’s Alsace-Lorraine

The spectacular panoramic view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Staying over in the historic city of Strasbourg in France’s Alsace-Lorraine region, means that you can go out in the early morning, before the daytrippers crowd the streets, and soak in the atmosphere.

A cyclist rides through the Tanners Row, empty of people in the early morning © Karen Rubin/goingplacesfarandnear.com

I walk through Tanners Row, which in this early morning hour, is peaceful. A guy on a bike rides through, a reminder that this is still a neighborhood, a community.

I go to explore Strasbourg’s Les Ponts Couverts and the Vauban Dam, located a short distance from each other.

Strasbourg’s Les Ponts Couverts © Karen Rubin/goingplacesfarandnear.com

Les Ponts Couverts (covered bridges) are three bridges spanning the River Ill, dominated by three imposing square towers, vestiges of the 13th-century city walls. A bit further, there’s a fourth tower nicknamed “the executioner’s tower.”

While I fruitlessly look for covered bridges, I finally realize that they were replaced in 1865 by these stone bridges without a roof (so not covered),where I am standing. As I observe the beautiful views from the bridge, a fellow tells me you can walk on the Panoramic Terrace on top of the Vauban Dam – in fact, the views from there are spectacular.

Statues stored in a cell within the Vauban Dam © Karen Rubin/goingplacesfarandnear.com

A short walk from the bridge is the Vauban Dam. “The Great Lock” was built between 1686 and 1700 based on plans of Louix XIV’s military engineer, Vauban. Built with 13 arches, it was constructed so that they could flood part of the city to defend against an enemy attack.  It is fascinating to walk through – some sculptures just hanging about gathering cobwebs – but most marvelous is a rooftop terrace, laid out in 1965, which you can walk over for a spectacular panoramic view of the old city.

Looking out from the interior of the Vauban Dam © Karen Rubin/goingplacesfarandnear.com
 

From here, you can see the fingers of the River Ill coming together below you. (Pro tip: though amazing to see in the morning light, you are looking into the sun – the reflections on the water are amazing – but check it out in the late afternoon.)

The view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com

Palais Rohan

One of the many jewels of Strasbourg is the Palais Rohan. Constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, it was built for Cardinal Armand-Gaston de Rohan-Soubise, Prince-Bishop of Strasbourg, modeled after Paris’ grand mansions.

Palais Rohan was constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, modeled after Paris’ grand mansions.© Karen Rubin/goingplacesfarandnear.com

Following the French Revolution, the palace became the Emperor’s royal residence, and after 1870, a museum. Today, the Palais Rohan houses three stellar museums: the Archeological Museum, the Museum of Decorative Arts and the Fine Arts Museum – just walking through the palace to the various rooms where the exhibits are displayed is a phenomenal experience.

(I have to rush through in the couple of hours before I need to get to the Regent Petit France Hotel where we are getting picked up for the European Waterways canal cruise aboard the Panache. It would have been better to have four hours.)

The art and artifacts are gorgeously presented in an exquisite palace. Definitely follow the helpful “My First Visit…” brochures which detail where to find the highlights.

The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com

The Museum of Fine Arts presents a fascinating overview of European painting up to 1870. Located on the first floor of the Palais Rohan, the museum offers a tour through the centuries and schools: Italian and Flemish Primitives (Giotto, Memling); Renaissance and Mannerism (Botticelli, Raphael, Veronese, Lucas de Leyde, El Greco); Baroque, Naturalism and Classicism in the 17th and 18th centuries (Rubens, Vouet, Zurbarán, La Belle Strasbourgeoise de Largillière, Canaletto, Tiepolo, Goya); 19th century (Delacroix, Chassériau, Corot, Courbet). 

Among the highlights is La Belle Strasbourgeoise, from 1703, a portrait of a woman from one of Strasbourg’s important families in the time of Louis XIV with her imposing two-cornered hat in black lace, painted by one of the best portrait painters of the time, Nicolas de Largilliere. Though the woman has never been identified, the painting has become a symbol of the museum, much as the Mona Lisa is to Le Louvre.

Museum of Decorative Arts is set in the historical apartments – so you visit the chambers of the King and the Bishop-Prince, with exceptional examples of “the princely style of life under the monarchy.” It continues into the wing of the old stables with a tour of rooms housing decorative arts collections tracing the diversity and development of applied arts in Strasbourg from 1681 to 1870 – world-famous Hannong ceramics, furnishings, sculpture and paintings, timepieces, metalwork, silver and goldsmith art, and a selection of mechanical toys from the Tomi Ungerer Foundation.

The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com

The most interesting section is the Chamber of the Bishops – the suite of rooms forming the King’s apartments. Originally, there would have been portraits of bishops but in 1793, the paintings were burned by revolutionaries who replaced them with allegorical figures of the Civic Virtues, which is what we see today. One of the paintings dates from the First French Empire and displays the monogram of Napoleon I and the Empress Josephine.

Louis XV is said to have slept in this bedchamber during his visit to Strasbourg in 1744 and Marie -Antoinette in 1770 © Karen Rubin/goingplacesfarandnear.com

Among the notable occupants of the King’s bedchamber were Louix XV, himself, who stayed here in October 1744, and the Daughines Marie-Josephe de Saxe in 1747 and Marie-Antoinette in 1770. The wood paneling is among the masterpieces of the French Rocaille style. Elaborately stylized shell-like, rock-like, and scroll motifs, Rocaille is one of the more prominent aspects of the Rococo style of architecture and decoration that developed in France during the reign of King Louis XV (1715–74).

Here, there is a disorienting melding of the old with the new: You go through the Royal Suite – bedchamber, Assembly Room which have been complemented with anachronistic modern art displays.

In the Decorative Arts Museum in the Palais Rohan, a room full of fascinating clockworks, including a cock clock and an astronomical clock, designed in the 16th century © Karen Rubin/goingplacesfarandnear.com

Seeing my interest, the guide directs me to a room with clockworks – the cock clock originates from the first astronomical clock dating from the 14th century of the Strasbourg Cathedral; in the center of the room are parts of the second astronomical clock designed in the 16th century by mathematician Conrad Dasypodius.

I visit a room that originally was the Prince-Bishops’ bedchamber, but when it was refurbished in the Imperial period, the bedchamber became Emperor Napoleon’s Morning Room and the antechamber of the Prince-Bishop became a small dining room. The decoration was damaged during bombing in 1944.

Emperor Napoleon’s Morning in the Palais Rohan © Karen Rubin/goingplacesfarandnear.com

The entire Palais Rohan is an exhibit of decorative arts – it was built by Armand Gaston, Prince de Rohan Soubise, Bishop of Strasbourg from 1704-1713 who initiated the work. He wanted a building in the style of the Chateau at Versailles and commissioned plans from the King’s chief architect, Robert de Cotte. Construction, decoration and furnishing lasted from 1732-1742.

Archaeological Museum, the oldest of Strasbourg’s museums, was founded in the 18th century. It is fabulous. Housed in the basement of the Palais Rohan, the diversity and wide chronological range of the artifacts on display make it one of the most important archaeological museums in France.

The Archaeological Museum in the Palais Rohan has burial sites from the Bronze and Iron Age© Karen Rubin/goingplacesfarandnear.com

The Archaeological Museum has fascinating exhibits that date back, remarkably, from 600,000 BC through the early Middle Ages (800 A.D.) You get insights into the daily life of Paleolithic hunters and the first neolithic farmers, Bronze Age and Iron Age burials, the everyday life of Gallo-Romans, and jewelry and weapons unearthed from Frankish and Atamanic graves.

Among the highlights in the The Archaeological Museum in the Palais Rohan is this chariot for traveling through the world of the dead © Karen Rubin/goingplacesfarandnear.com

Among the highlights: A chariot for traveling through the world of the dead, taken from tombs of Celtic princes from the Iron Age (750 BC-050 BC). And you can see the oldest tool in Eastern France – a chopper made of rock used for slicing or scraping, that was found at Achenheim and dated about 600,000 B.C. There is also a funeral headstone of a Gallo-Roman farming couple wearing their everyday clothes, that dates from the late 3rd Century A.D.

Palais Rohan, 2 place du Chateau Strasbourg, +33 (0) 3 68 98 50 00, www.musees.strasbourg.eu.

Musée Historique de la Ville de Strasbourg

After returning from the canal cruise aboard the Panache and before taking the afternoon train back to Paris, I find my way down this really colorful street off Cathedral Square (that’s saying something in Strasbourg) to the Historical Museum of the City of Strasbourg. It is also not to be missed (and try to see early in your visit).

The Musée Historique de la Ville de Strasbourg is housed in what once was the Grande Boucherie (slaughterhouse) © Karen Rubin/goingplacesfarandnear.com

You wouldn’t believe that the museum, founded in 1920, is housed in what was the Grande Boucherie (the city’s slaughterhouse) built 1587-1588; it was renovated and reopened in 2013.

Entering the Musée Historique de la Ville de Strasbourg is like entering a time machine that transports you to exciting, dramatic periods of France’s history: Gutenberg’s printing press and the rise of a printing/publishing industry in Strasbourg, and what that meant. The French Revolution. The 1870 Commune Revolt. World War I. The Nazi Occupation and resistance. The museum offers an engaging tour lets you discover nine centuries of Strasbourg’s existence through 1700 works on display –paintings, artifacts, possessions – and interactive and digital devices.

Strasbourg was a free city of the Empire, which meant it had its own walls and enjoyed the privilege of holding a market and minting its own coins. Strasbourg did not take an oath of loyalty to the sovereign and did not owe the sovereign taxes or military, except for an escort for his coronation. Such a “free city” was rare. On this basis, Strasbourg had an independent constitution that was considered highly democratic by the standards of the day.

A display of Jewish ritual objects on view in Strasbourg’s City Museum. Jews were expelled from the city in 1388. © Karen Rubin/goingplacesfarandnear.com

However, among those excluded from burgher status were servants, the poor and Jews, who were massacred in 1349, and after 1388, the survivors were denied the right to live in Strasbourg. The only activity Jews could lawfully engage in was usury (money lending), and certain trades. They could pursue these occupations in the city by day but had to leave in the evening. There is a moving display showing Jewish ritual objects (and as I had seen at the Musee de l’Oeuvre Notre Dame, a collection of Jewish tombstones).

There is an excellent display about Gutenberg, who developed his printing process in Strasbourg between 1434 and 1444 (legend has it he was inspired by seeing a wine press), then returned to his hometown of Mainz where he published his first printed volume in 1454. Gutenberg’s technological revolution spread with lightning speed. In Strasbourg some dozen printing houses sprang up between 1460 and 1480. The first publications were religious books (bibles) , classical texts and calendars.

Johannes Gutenberg is said to have invented his printing press in Strasbourg, which became a major center for printing and publishing © Karen Rubin/goingplacesfarandnear.com

The invention of printing, arbitrarily dated 1440, was celebrated in Mainz (as of 1837) and in Strasbourg, which raised the statue by David d’Angers honoring Gutenberg in 1840 (the statue we see today in Place de Gutenberg).

In the early days, printing was used to diffuse knowledge as well as criticism of the Church and of society in general. But authorities soon started printing decrees. In Strasbourg, the population was divided into six social classes – the first included servants and unmarried women; second class were day workers; third class were gardeners, and up to the sixth class, representing nobles, the Magistrate and jurists.

Laws promulgated by the municipality from 1531 onwards touched every aspect of life – religion, education, marriage, burial, use of inns, dress, begging, Jews, financial matters, games, behavior in the street, defamation, publishing.

One could say that the printing press enabled the “Rule of Law”.

Historical paintings of Strasbourg are on view in the City Museum © Karen Rubin/goingplacesfarandnear.com

It is fascinating to travel through time – through the Imperial period, the French Revolution, the Commune, the back-and-forth between being part of France and the German Empire, World War I, World War II and Nazi occupation.

I learn that 22 Novembre – the name of a main boulevard where my hotel, the Hannong, is – was the date in 1918 when the French Army entered Strasbourg. “For President Poincare, the enthusiastic reaction of the population was equivalent to a plebiscite. French became compulsory in schools and the civil service. Strasbourg, the regional capital, had to re-adapt to the French system of departments. Religion, important in both educational and political terms, had to make concessions to the secular state.”

The extensive exhibits focused on the World War II period are intense.

In July1940, once Petain had signed the armistice, Alsatians were encouraged by the Vichy regime to return to their homes – exceptions were Jews, “Francophiles” and French civil servants (30% of the population) – their property was seized, and what followed was “Germanization” of the population (again, since Alsace had gone back and forth between Germany and France).

In November 1944, Strasbourg was liberated from the Germans by General LeClerc. Strasbourg was bombed by both Allies and by Germans after being liberated in 1944.

The European Union was founded in 1992 – three of its institutions are based in Strasbourg: the European Parliament, the European Mediator and the Schengen Information Service.

“A day will come when war will seem as absurd and as impossible between Paris and London, St. Petersburg and Berlin, Vienna and Turin, as today it would be impossible and seem absurd between Rouen and Amiens, Boston and Philadelphia,” Victor Hugo said in the inaugural speech at the Congress for Peace, Paris, August 21, 1849.

I don’t even remember how many hours I spent here – the displays are really captivating.

(Information and portal to collections: https://en.musees.strasbourg.eu/museums)

Strolling around the historic district of Strasbourg to take in the fabulous architecture and ambiance takes on new dimension after visiting the City’s museum of history © Karen Rubin/goingplacesfarandnear.com

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr.

Next: Stepping into the Storybook that is Colmar

See also:

DISCOVERING STRASBOURG FRANCE’S CULTURAL RICHES

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

Discovering Strasbourg France’s Cultural Riches

Strasbourg, France’s Notre-Dame Cathedral, as seen through the windows of Musee de l’Oeuvre Notre Dame © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I’ve come to Strasbourg, France, for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is my practice now when connecting with a cruise or bike tour, to arrive at least a day early, especially when you have the opportunity to overnight in such a charming historic city as Strasbourg. That way I don’t have to worry about flight or weather delays and I can experience the destination in the morning and evening light, in peace and calm without the daytrippers, and have the time to really explore, discover and become immersed in its cultural riches.

The TGV train from Paris to Strasbourg © Karen Rubin/goingplacesfarandnear.com

The TGV train ride was absolutely gorgeous. (Less than two hours from Paris, you go from Charles de Gaulle Airport into the Gare de Nord, then take an easy 15 minute walk to Gare L’Est – glad I pre-purchased my train ticket and reserved seat on raileurope.com). It is surprising to see how soon out of the bustling metropolis you are in pastoral countryside. We whisk passed solar arrays, wind turbines, cows in pasture, and see traditional villages at the far end of fields. It’s cinematic.

Leaving Paris for Strasbourg by train, you are soon in the pastoral countryside © Karen Rubin/goingplacesfarandnear.com

And I still get into Strasbourg in the afternoon with plenty of time to explore.

There is much to experience in Strasbourg and I will actually have part of four days here. We will be picked up in Strasbourg on the first afternoon and taken to Krafft to board  the barge hotel, Panache, and actually cruise back into Strasbourg on its first full day when we will have a walking tour and overnight on the canal. I will have much of a full day again at the end of the cruise, when we are delivered back to Strasbourg from Niderviller, before I take the train to Paris. I do a calculation and decide on my only full day in Strasbourg, after exploring the old city in the early morning, to hop on the train for a 45-minute ride to see Colmar, and still get to enjoy Strasbourg’s beauty at night.

Hotel Hannong is perfectly situated, walking distance to Strasbourg’s historic sites © Karen Rubin/goingplacesfarandnear.com

I must say I am clever about seeing Strasbourg, beginning with choosing a charming boutique hotel, the Hannong, which I find on hotels.com, right in the historic district and walking distance from the train station, so walking distance to everything I want to see, even walking back late at night. I am able to book a room ideal for a single person (it’s as big as a walk-in closet but has everything I need) for a very attractive rate. The pleasant stay, hospitable staff, and location add immeasurably to the way I experience Strasbourg and make the best of my time. (Hotel Hannong, 15, Rue du 22 Novembre,67000 Strasbourg, +33 03 88 32 16 22, hotel-hannong.com).

Strasbourg’s old city © Karen Rubin/goingplacesfarandnear.com

So when I arrive, I  find my way to the Hotel Hannong (I’m disoriented and finally find someone to point me in the right direction (I’ve already downloaded directions but I don’t have internet), I drop my bag and go off to immerse myself in the old city’s charm.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

It’s just a couple of blocks to where Le Petit France begins, and I wander the narrow cobblestone streets, over bridges over the River Ill, where every turn reveals a picturesque scene of quaint quays and colorfully timbered structures from the Middle Ages, reflected in the blue water. The River Ill, which divides into five arms, is what spurred the construction of mills and the installation of tanneries centuries ago.

The Tanners district in Strasbourg’s Le Petit France dates from 1572 © Karen Rubin/goingplacesfarandnear.com

So charming and tranquil today, even with the crowds of tourists in midday, Le Petit France, a UNESCO World Heritage Site, in its day would have been the stinkiest, filthiest, poorest part of town, inhabited by tanners, fishermen, and animals, but as you get closer and closer to fabulous Cathedral, the residences become nicer and fancier and is where the wealthiest merchants and officials would have lived.

Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com
Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com

I come upon Place Gutenberg with a striking monument created by David d’Angers (1788-1856), erected in 1840. It commemorates that the German inventor Johannes Gutenberg developed moveable type that revolutionized access to the Bible, news, information, books, and even the law to the masses, while living in Strasbourg from 1430-1440, spawning an entire printing and publishing industry based in Strasbourg. The bronze statue stands on a granite base with four fascinating bronze relief panels that commemorate that Gutenberg came upon his idea for moveable type inspired by how a wine press worked, and how his invention influenced every corner of the globe.

The statue for Johannes Gutenberg in Strasbourg’s Place Gutenberg © Karen Rubin/goingplacesfarandnear.com

One of the reliefs, “Detail of America,” depicts Benjamin Franklin and other signatories to the Declaration of Independence along with other famous liberators including General Lafayette and Simon Bolivar. Another, “Africa,” portrays Wilberforce and other abolitionists bringing freedom and enlightenment to the slaves. The third relief, “The Printing Press in Europe,” portrays important figures of the Enlightenment –  Erasmus, Chaucer, Milton, Molière, Rousseau, Voltaire, Kant and Schiller (the original plaster panel, which gave prominence to Martin Luther, caused an uproar, I learn).  The Asian panel is more weathered, but includes Brahmans exchanging manuscripts for books, and Chinese people reading Confucius

Strasbourg’s Guttenberg Plaza © Karen Rubin/goingplacesfarandnear.com

In this plaza, there is also an old-timey Carrousel 1900 that is a delight in the day, enchanting at night.

A traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

When I get to St. Thomas Church, I come upon an outdoor Punch & Judy puppet show, which traces back to Commedia dell’arte tradition in Italy in the 1660s. (I’m not a fan of the too accurate re-creation of its traditional slapstick humor and the tragicomic misadventures of the characters but the kids love it.) 

Families enjoy the traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com

Notre-Dame Cathedral of Strasbourg

The Notre-Dame Cathedral of Strasbourg dominates the city, in fact the entire region since it can be seen from great distances. Cathedral Square is a vibrant hub of musicians, vendors, and is ringed with some of the most important sites in the city – reminiscent of St. Marks Square in Venice. I will visit multiple times, and in the course of my visit, experience most of the important sites around the Cathedral. The streets that radiate from it are also full of colorful activity.

Chasing bubbles in Cathedral Square © Karen Rubin/goingplacesfarandnear.com

Construction of the Cathedral started in 1015, but came into its own as a monumental Gothic structure in the 1260s because of Erwin von Steinbach who designed the Cathedral to be the most modern building of its time in the whole of the Holy Roman Empire. It is still one of the most beautiful examples of Gothic architecture in the world. The hundreds of statues that decorate the Cathedral are incredible.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

Finally finished in 1439, the Cathedral, built of pink sandstone from the Vosges, features a 142-meter-tall bell tower, making it the tallest medieval building in all of Europe.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

It is an imposing structure inside, as well, with 12th and 14th century Romanesque stained glass windows in mesmerizing geometric patterns. You can climb the 332 steps to the top of the bell tower for a spectacular view and explore an 11th century crypt below the main cathedral.

Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com

On Saturday night, after I have rested a bit after coming back from Colmar, I stroll out of the hotel to Cathedral Square for the 10-minute Illuminations de la Cathedrale de Strasbourg, a free laser light show which begins nightly at 10 pm and runs continuously until midnight (in July and August). I find the neon colors jarring, but I love when the white fluttering strobe light gives the Cathedral a ghostly quality.

Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com
Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com

Musee de l’Oeuvre Notre Dame

Just across the square from The Cathedral is the Musee de l’Oeuvre Notre Dame, an absolute must-see, where you walk through seven centuries of art in Strasbourg and the Upper Rhine. Its medieval and Renaissance collections show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.

At the Musee de l’Oeuvre Notre Dame, you see up close the stunning artistry of original statues that decorated the Cathedral © Karen Rubin/goingplacesfarandnear.com

During the 13th century, the construction of Strasbourg Cathedral produced some of the most exceptional sculptures of the medieval world. Many of them – such as The Church and the Synagogue statues on the south portal, and the west façade’s Tempter and the Wise and Foolish Virgins, the Virtues Crushing the Vices, and the Prophets – were removed from the edifice in the early 20th century to protect them from bad weather and pollution, and replaced by sandstone replicas. But here you see the original sculptures that decorated the Cathedral. To see them so close, life-sized, so you can really appreciate the artistry in a way you simply can’t by gazing up at the Cathedral, is astounding.

When I visit, the museum is featuring a virtual reality, augmented reality, holograms, videos and touch screens to situate the works where they had originally been set in the Cathedral.

In one grand room, I focus on the two sculptures known as “The Church and The Synagogue,” which I would not have known to look for, just walking about the Cathedral.

So much is embodied in these two statues, and why they were chosen: Positioned on either side of the south transept portal, the statutes of The Church and The Synagogue “each personify a covenant binding God to his people: the New Covenant of the Christian Gospel and the Old Covenant of the Jewish Torah, respectively,” the notes say.

Church Triumphant and The Synagogue Vanquished © Karen Rubin/goingplacesfarandnear.com

On the left, the Church Triumphant, “wearing a crown and holding in her hands a chalice and a banner surmounted by the Cross, fixes her self-assured gaze on the Synagogue. The vanquished Synagogue, blindfolded and holding a broken lance, averts her head, expressing her inability to recognize the messiah in the person of Jesus. She appears to let fall the tablets of the Law of Moses, symbolizing the supplanting of the Old Testament. But the extreme humanity and beauty of the young woman’s features suggest an awaited revelation rather than the stigma of blindness” [as if to suggest, Jews will come into Christianity’s fold].

Now that I know where to look, later I go out to see the figures at the Cathedral.

Church Triumphant and The Synagogue Vanquished statues as they are position on the Cathedral’s south portal © Karen Rubin/goingplacesfarandnear.com

In front of these two statues is a relief representing the biblical episode of “The Sacrifice of Isaac” at the hand of his father Abraham. The notes do not mention that this event for Jews, established the covenant with God and Jews as the “Chosen People”.

A relief depicting Abraham’s near sacrifice of his son, Isaac © Karen Rubin/goingplacesfarandnear.com

Besides the statuary, there are incredible paintings, triptychs and religious art – some of the most magnificent in the world – as you walk from room to room, floor to floor.

Jewish tombstones on view at the Musee de l’Oeuvre Notre Dame. Jews were expelled from Strasbourg in 1349, during the Black Plague © Karen Rubin/goingplacesfarandnear.com

I follow an interior staircase all the way down and come to an interior courtyard in which tombstones rescued from a Jewish cemetery are displayed respectfully. The notes say that in 1349, Jews were expelled from Strasbourg because of Black Plague.

I climb the staircase to an attic room, where the innovations in architecture and engineering are explained. You also see some of the original architectural drawings of the Cathedral – the oldest architectural drawings of their type – as well as a video.

La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com
La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13th to 16th centuries.© Karen Rubin/goingplacesfarandnear.com

The museum is housed within La Maison de L’Oeuvre Notre-Dame, which has been the home of the Foundation of the Oeuvre Notre-Dame (the body responsible for administering work on the Cathedral) since the Middle Ages. It is actually two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582). Just walking through the rooms is an experience.

Musee de l’Oeuvre Notre Dame is actually in two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582) © Karen Rubin/goingplacesfarandnear.com

Fondation de l’Oeuvre Notre-Dame (Our Holy Lady Work Foundation) was established in 1224 (!!) to improve the administration of donations and legacies for the construction of Strasbourg Cathedral. Every since construction ended, the Foundation has been in charge of restoration and conservation of the monument, a UNESCO World Heritage site since 1988.

Plan on spending several hours wandering around this museum (I actually did it twice).

Musee de L’Oeuvre Notre-Dame/Aarts Du Moyen Age, 3 place duChateau, Strasbourg.

From here, I walk across the square to see the Church and Synagogue portal, before walking back through Cathedral Square (which reminds me of St. Marks Square in Venice) to the fabulous Palais Rohan.

Ancient: La Maison Kammerzell, built in 1467, and converted to Renaissance style in 1589, boasts exquisite carvings, with secular and religious themes, After refurbishing, it became a restaurant celebrated for its lavish frescoes painted by Leo Schnug © Karen Rubin/goingplacesfarandnear.com

What is so interesting (and fun) about Strasbourg is how the historic city seamlessly integrates – and respects – what is ancient and what is modern: the virtual reality in the Musee de L’Oeuvre Notre Dame, the neon laser lights that bathe The Cathedral for the nightly show, the modern art in Cathedral Square, the really modern art exhibit incorporated into the 18th century Royal Chambers of the Palais Rohan’s Decorative Arts Museum, the light rail that rings the Old City along cobblestone streets.

Modern: Strasbourg Museum of Modern and Contemporary Art in Strasbourg’s historic district © Karen Rubin/goingplacesfarandnear.com

So much to see, experience and appreciate. My exploration continues.

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr,

Next: Time Traveling Through Strasbourg

See also:

EUROPEAN WATERWAYS’ PANACHE HOTEL BARGE CRUISES FRANCE’S ALSACE-LORRAINE CANALS IN LUXURY

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: A BOAT GUILLOTINE, TWO TUNNELS AND A MONUMENTAL CHAGALL

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures 

4 Days in Paris: Wandering the Marais District Highlights Day 3

Paris’ Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and street art, and historic, heritage and cultural sites © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On the third and last full day of my stay in Paris, I could have planned a visit to Versailles, but I just want a day to wander without a plan. Still, I have on my list several places that I keep seeing street signs for in this fascinating Marais district where I have cleverly chosen a hotel.

Paris’ Marais District is a delightful mixture of venerable and contemporary © Karen Rubin/goingplacesfarandnear.com

The Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and historic, heritage and cultural sites, all packed into a relatively small (walkable) area. It is particularly wonderful to wander because the narrow, winding streets are a bit of a maze, and you keep coming upon architectural jewels – even a medieval tower – that span the centuries, trendy cafes and shops, street art, and historic places, especially sites that recall that the Marais was once a Jewish neighborhood. The main thoroughfare is Rue Vielle du Temple, and another is Rue du Temple. I had already come upon the Memorial de la Shoah, and have yet to find the Square du Temple-Elie Wiesel, le Carreau du Temple, a former clothes market that was transformed into a cultural center in 2014, or the Jardin Anne Frank.

I go in search of Place des Vosges, described as the oldest public square in Paris and an “early urban planning marvel”.

Parvis des 260 Enfants is a reminder that Le Marais used to be a Jewish neighborhood © Karen Rubin/goingplacesfarandnear.com

I get lost and instead come upon Parvis des 260 Enfants – a plaza where a marker recalls 260 Jewish school children were deported and murdered in the Holocaust. Behind a locked gate is the “Ecole Primaire Commudej Garcons Israelites Mode Mutuel.”

I finally find the Places des Vosges – which strikes me as reminiscent of Gramercy Park in Manhattan with townhouses all around. It was built for a king for jousting and festivals – the townhouses came later. It isn’t what I expected.

Places des Vosges is the oldest public square in Paris and an early urban planning marvel. One of the townhouses is now the Victor Hugo Museum © Karen Rubin/goingplacesfarandnear.com

Though I have on my mental wish list to visit the Victor Hugo Museum, I don’t realize that it is actually one of these townhouses on Places des Vosges. (Years ago, I actually visited Victor Hugo’s “home in exile” on the quaint Channel Island of Guernsey and found it fabulous). But I get distracted and forget to look for it when I leave the square.

This is a huge regret – “Discover the private world of Victor Hugo. Get to know the man, the visionary artist, the proactive thinker and, of course, the writer of genius,” the museum promises. The museum incorporates the apartment that Victor Hugo rented from 1832 to 1848 is located on the 2nd floor of 6, Place Royale (now Place des Vosges). Its layout takes you through his life by means of the furnishings, objects and works of art that he created himself, owned, or are related to his writing.

While living in this apartment, Hugo wrote some of his major works: Mary TudorRuy BlasLes Burgraves [The Commanders], Les Chants du crépuscule [Songs of Twilight], Les Voix intérieures [Inner Voices], Les Rayons et les Ombres [Beams and Shadows], a large part of Les Misérables, and the beginning of The Legend of the Ages and Contemplations.

The Marais District is full of surprises, like coming upon this medieval tower © Karen Rubin/goingplacesfarandnear.com
 

More than the writer’s house, the Maison de Victor Hugo is an important museum with a collection of 50,000 works of art- paintings, drawings, sculptures, prints, photographs, objects, a library, and collection of manuscripts and archives, all bearing witness to the life and work of Victor Hugo.

(Booking in advance is not required but is recommended. Admission to the museum’s permanent collections is free; an admission is charged for special exhibitions.)

Maison de Victor Hugo, place des Vosges, 6 place des Vosges, 75004 Paris,
Phone : 
01 42 72 10 16; open 10-6, Tuesday-Sunday, https://www.maisonsvictorhugo.paris.fr/en/paris/museum/visit-apartment-today

(Add to my regret: I discover too late that in the Marais district is an Henri Cartier-Bresson Foundation, celebrating the ground-breaking photographer and founder of Magnum and photography, at 79 Rue des Archives, 75003 Paris, www.henricartierbresson.org)

Musee Carnavalet

But leaving the Square in the opposite direction from Maison de Victor Hugo (why I didn’t see it), I happen upon the Musee Carnavalet, dedicated to recounting the history of Paris and its inhabitants. It is absolutely fabulous – for the story, the artifacts, the art it presents, and it answers the question I had been wondering about: how Paris, as fabulous a city as it is, came to be.

The Musee Carnavalet, housed in two exquisite historic mansions, is dedicated to recounting the history of Paris and its inhabitants. © Karen Rubin/goingplacesfarandnear.com

The museum occupies two neighboring historic mansions: the Hôtel Carnavalet, was purchased by the Municipal Council of Paris in 1866 and opened to the public in 1880 (the oldest of Paris city museums); and the former Hôtel Le Peletier de Saint Fargeau which was annexed and opened to the public in 1989. Both are exquisite.

The Musee Carnavalet, housed in two exquisite historic mansions, is dedicated to recounting the history of Paris and its inhabitants. © Karen Rubin/goingplacesfarandnear.com

The Carnavalet, which dates from the 16th century, contains stunning furnished rooms from different periods of Paris history, historic objects, and a huge collection of paintings of Paris life depicting the city’s history and development, as well as its notable characters. There is a huge collection of antiques and artifacts from the French Revolution that bring this era to life in your mind (I note a portrait of Ben Franklin); from the Second Republic of 1848, and the siege of the commune in 1870 (the era depicted in Hugo’s “Les Miserables”). The horror of the Nazi occupation is also represented.

Paintings arranged like a 19th century salon, at Musee Carnavalet © Karen Rubin/goingplacesfarandnear.com

You come to  a grand room that looks like the 19th century art salons the painters would exhibit in, with its walls filled with works by artists including Joos Van Cleve, Frans Pourbus the Younger, Jacques-Louis David, Hippolyte Lecomte, and Simon-Auguste.

Dramatic historic paintings on view at Musee Carnavalet help tell the story of how Paris came to be © Karen Rubin/goingplacesfarandnear.com

“At the crossroads of archaeology and history, the decorative arts and fine arts, urban history and social anthropology, the museum provides the keys to understanding the history of this unique city-capital-metropolis.”

It houses both well-known masterpieces along with little known treasures that tell the complex story of Paris, from its origins to present day, spanning 8,500 years and holds a mind-boggling 625.000 objects, presented in 85 permanent exhibition rooms

You need to spend at least two hours here. (Tuesday-Sunday, 10-6)

Musée Carnavalet, 23 Rue de Sévigné, 75003 Paris, http://carnavalet.paris.fr/en

So much fun to get lost in the Marais District © Karen Rubin/goingplacesfarandnear.com

Carnavalet Museum, which proves a highlight of my Paris stay and the best reason for just wandering around, is one of the 14 City of Paris’s museums that have been incorporated since January 1, 2013, in the public institution Paris Musees. Others include: Catacombes de Paris, Crypte archéologique de l’Ile de la Cité, Maison de Balzac, Maison de Victor Hugo – Hauteville House (and in Guernsey), Petit Palais City of Paris Museum of Fine Arts, Musée d’Art Moderne de la Ville de Paris, Musée Bourdelle, Musée Cernuschi, Museum of Asian Art, Musée Cognacq-Jay, Musée Galliera, Museum of the General Leclerc and the Paris’ Liberation – Jean Moulin Museum, Musée de la Vie Romantique, Zadkine Museum

The Musée Picasso-Paris

The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com

I set out next for the The Musée Picasso-Paris which is also in the Marais district – housed incongruously (considering Picasso’s art) in another classic historic mansion. The museum makes the claim to “the world’s richest public collection on Picasso” with 297 paintings, 368 sculptures and 3D works, 200,000 archived items, 92 illustrated books by Picasso. It also boasts a collection of 50 pieces of furniture by Diego Giacommetti.

The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com

Musée National Picasso-Paris, 5 rue de Thorigny, 75003 Paris, https://www.museepicassoparis.fr/en

Museum of Jewish Art & History

From the Picasso Museum, I find my way to the Musée d’Art et d’Histoire du Judaïsme (Museum of Jewish Art & History).

As I walk up Rue de Place Republic to Rue de Temple, I find a marker that says 76,000 Jews were deported by Nazis to concentration camps; 2000 returned. Among those who were deported were the residents of 71 Rue de Temple, a 17th century historic mansion which today houses the Jewish Museum (mahJ), and when you first go in, there is a sort of tribute to them. 

A statue of Dreyfus is in the courtyard at the entrance to the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com

The museum traces Jewish artistic and cultural heritage, focusing on the history of the Jews in France since the Middle Ages to the 20th century, and evoking the communities of Europe and North Africa. Its collection, which it boasts is one of the finest in the world, comprises religious objects, manuscripts, textiles, and archival documents, such as concerning the Dreyfus Affair. (A statue of Dreyfus is in the courtyard at the entrance to the museum).

A painting by Marc Chagall on view at the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com

Special emphasis is given to the Jewish presence in the arts. The museum’s collections include works of art from painters of the School of Paris, Marc Chagall, Kikoine Soutine and Amedeo Modigliani and contemporary artists such as Christian Boltanski and Sophie Calle.  

At the Museum of Jewish Art & History, art and religious ritual come together as in this historic shul © Karen Rubin/goingplacesfarandnear.com

I find the exhibit more about Jewish ritual objects and such, than it is about Jewish history, culture and art – but I am really at a disadvantage in understanding since there are no English translations.

Musée d’Art et d’Histoire du Judaïsme,  Hôtel de Saint-Aignan, 71 Rue du Temple, 75003 Paris, France, https://www.mahj.org

Next I head toward the Place de la Bastille where the notorious Bastille prison once stood, until it was stormed and destroyed between 14 July 1789 and 14 July 1790 during the French Revolution. No vestige of the infamous prison remains. Instead, the July Column (Colonne de Juillet) commemorating the July Revolution (1830) at the center of the square and the Opera house.

The Place de la Bastille where the notorious Bastille prison once stood is nothing like I envision © Karen Rubin/goingplacesfarandnear.com

And while the square is now the site of concerts, cafes and nightclubs, it is also often the centerpiece for political demonstrations.

Another square, the Place Royale, which is close to my hotel, Le 20 Prieure Hotel, is also important for France’s history, but today is a place for skateboarders, misting station who seem to be completely unimpressed by the fabulous plaques, reliefs and inscriptions that decorate the statue at its center.

The Place Royale © Karen Rubin/goingplacesfarandnear.com

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Day 4 in Paris: Montmartre

See also:

ROMANCE IS AT THE HEART OF THE HOTEL NAPOLEON IN PARIS, CITY OF LOVE

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures