The US Open Tennis Championship draws tennis fans from around the world to the Billie Jean King Tennis Center in Flushing Meadow Park to what has become a glitzy and elite affair, but the week before the US Open tournament starts, there is the US Open Qualifying Matches, and for New Yorkers, a fabulous festival of tennis when the gates are flung open for all to enjoy.
From August 22-25, there is free admission to watch the US Open Qualifying matches – thrilling high quality play when all is on the line – as well as opportunities to watch your favorite pros on the practice courts (they now post the practice schedule).
There is a festive atmosphere and an amazingly intimate quality to being able to watch the matches close up, from prime seats.
This year, you will see an amazing transformation underway – construction is still going on for what will be the completely new Armstrong stadium.
The grounds are impressive, despite the construction underway (and during the Qualifying rounds, you see all the preparations and set-up activity, as well), with gorgeous views of the iconic Unisphere, the centerpiece of the 1964 World’s Fair at Flushing Meadow Park, and a Walk of Champions.
The Qualifying Matches, when more than 100 players from around the world fight for a coveted spot in the Open, are exciting to watch. If they make it through three rounds of the Qualifying tournament, they will earn their spot to play in the Open; 16 out of 128 will advance. The matches are fabulous, and what is more, you can see the players really up close, you can wander around from match to match. I love the match-ups of nations: China versus a Chinese-American player; Russia versus Italy, as well as seeing how the challengers do against seeded players.
In fact, the quality of the competition rivals for your time and attention from the opportunity to watch Tennis Royalty warming up in the new Grandstand, as well as the practice courts.
Here, too, you can see the greats from a perch you would never have during the actual tournament.
The four days of matches are free and the festival atmosphere is enhanced with special events including Children’s Day activities, musical presentations, and the excitement of seeing the world’s best players practicing. You never know who you will encounter.
The quality of play at the qualifying matches is superb, and Everyday Joes have front-row seats to the intense action. It’s particular fun to wander from match to match.
This year, the US TA is continuing the tradition of Community Day, which will be held Thursday, Sept. 7, when the gates are thrown open (for free admission) beginning at noon to watch some of the game’s biggest names in the professional, collegiate and wheelchair ranks, as well as the world’s top juniors. Tournament play features:
New York City experienced 75% partial solar eclipse during the Great American Eclipse on August 21, 2017.Still, the views were exciting, since the sky was mostly clear, except, ironically, for a sudden build-up of clouds during the period of totality. Still, the clouds cleared for some good shots. The experience provided an excellent warm-up for the next total eclipse April 8, 2024, when the path of totality crosses upstate New York
I was actually able to photograph the International Space Station crossing in front of the sun, with the moon on the waning side of its journey across.
Poster for new documentary “Monkey Business: The Adventures of Curious George’s Creators,” which uses animation to tell the story of Hans and Margret Rey (courtesy of The Orchard, film distributor).
Unlike Ema Ryan Yamazaki, the director of the new documentary “Monkey Business: The Adventures of Curious George’s Creators,” who became enchanted with Curious George as a child in Japan, I only became a fan of that impish monkey whose curiosity always gets him into trouble, when I saw an exhibit at the Jewish Museum in New York City that showed how his adventures actually mirrored the real-life adventures of its creators, the artist Hans Rey and his wife Margret, who made a harrowing escape from the Holocaust by bicycle, just steps ahead of the Nazi invasion.
Yamazaki’s documentary engagingly and cleverly incorporates animation that blends seamlessly into Rey’s own drawings along with traditional documentary techniques – newsreels, artifacts, interviews – to tell their story, which is on one level, a story about their devoted relationship and the creative process but also one of survival.
Newsreels show the context of Hans and Margret’s lives as German Jews born to upper middle class families in Germany, how dire and entrenched the economic depression became after World War I, a war that Hans, still a teenager, was recruited into as a medic. But most chilling were the images of the rise of Nazism in Germany as a response to rampant desperation, the bombing of Paris, the tanks rolling into the city, the storming of Nazi soldiers, and the long lines of people desperately trying to leave.
Hans and Margret Rey fleeing Paris on their bicycles, a scene from the documentary “Monkey Business: The Adventures of Curious George’s Creators” which merges animated images with archival footage (courtesy of The Orchard, film distributor).
The film uses an animated images of the couple fleeing Paris on the bicycles that Hans built out of spare parts (because none were available), and traces their harrowing journey to get to a train, then a port in order to flee to Portugal, a neutral country, and ultimately the United States. You see them passing by the Statue of Liberty, and their words (from interviews) of reaction: that they were finally free, in a country where everything is possible, the Land of Opportunity.
Without being preachy or hitting you over the head, the scenes are chilling echoes of what is happening today, with the greatest flight of refugees from genocide, terrorism, violence, economic deprivation, and famine since World War II.
And yet, the scenes are done without horror and brutality; instead, there is emphasis on the strangers they would call upon to give them a place to sleep and food to eat on their journey.
During the Reys’ flight, they were able to carry out only what they could fit into a bicycle basket, but they brought out the completed manuscript of the first “Curious George” book ( the character was named Fifi then) and they had the check for an advance for future books, which financed their journey.
In one scene, recreated in animation, they are stopped by thuggish police who go through their possessions, then, coming upon the book with the adorable monkey, they soften and let them pass through.
Curious George saves their lives.
And the character gave them new life in the United States.
They contact a sister who lives in Long Island who knows a book editor who turns out to be a refugee from Europe, as well, who knows their work, and immediately contracts for four books, with an advance of just $1000 (probably the best deal Houghton-Mifflin ever made).
The movie is absolutely charming and frank in describing the two different personalities, from interviews with the children, now Baby Boomer senior citizens themselves, who knew them from Waterville Valley, New Hampshire, where the couple spent summers.
An interesting note: the 1950s, we are reminded, was a period of intense anti-Semitism in the United States and Waterville Valley was not exactly welcoming to the German Jewish couple. But because of the children, who played and swam with Hans (he would play turtle with them) and watched Hans draw his character and were completely enchanted by him (Margret was described kindly as standoffish and severe, “to put it kindly”), the parents warmed up as well.
We get to know them – Margret as an independent minded, nontraditional, no-nonsense woman who was a calculating businessperson (she launched herself in advertising), who wrote the text for the books and was the “curious” one; and Hans, the “mischievous” one, who was good-humored, easy-going, and loved being with the children. He was the one who would feed squirrels (digging a tunnel so they could reach his house without crossing a road), who built a bird-feeder that the squirrels couldn’t get to and a squirrel-feeder the birds couldn’t get to. At one point, Lay Lee Ong, library executor of the Rey Estate, notes that their relationship was not based on love, and yet, they completed each other and were devoted to each other and indeed, the sum of the duo was greatly more than each one alone.
As Margret says, Curious George’s curiosity gets him into trouble, but his ingenuity gets him out of it.
Anyone who grew up loving Curious George, loves the process of making art and creating children’s books, would be fascinated, but it is also a study in relationships and a genuine drama, an adventure that resonates so strongly today.
Monkey Business is narrated by Sam Waterston (“Grace and Frankie,” “The Newsroom,” “Law And Order,” whose sister was one of the Reys’ neighbors in Waterville Valley) and is the directorial debut of filmmakerEma Ryan Yamazaki, and animated by Jacob Kafka.
At the screening as part of the ongoing Gold Coast Arts Center’s International Film Festival at the BowTie movie theater in Great Neck, Long Island, discussed the film in a Q&A.
Kafka, the son of a rabbi and a seismologist who has been making movies since he was five years old, in addition to making animated short films, developed the animation software for ROUGHANIMATOR for mobile devices which has been used by animators worldwide, was for a full year the only full-time animator.
Indeed, one of the most impressive aspects of the film biography is the animation, so novel for a documentary, but so appropriate for telling the Reys’ story. It is remarkable how Kafka was able to reproduce Hans Rey’s own style so seamlessly, literally animating Hans’ drawings.
“I tried as best I could to copy his style.” Indeed, the still characters take on movement and life because of his animation.
He said that the film utilizes some 15,000 individual drawings – each one hand-drawn (rather than computer-animated) – averaging 10 per second of film. Hans Rey would typically insert Margret and himself into the drawing, so he based his images of them on Hans’ own depictions.
“Each is hand-drawn, frame by frame. We ultimately had a team of 8-9 people – but only two were full time, and for the first year, it was just me. The background designer drew anything that doesn’t move; anything that moves, I drew. After a kickstarter campaign last year, we were able to bring on other animators.”
It was decided early on to use animation in the documentary because there was very little actual footage of the Reys. Though they did many television interviews in the 1960s and 1970s, at that time, nothing was saved.
Among the interesting elements that were discovered, was overturning the myth (which Hans enjoyed perpetuating) that while Hans was in Brazil, working for his brother-in-law’s import/export business, that he went up and down the Amazon River selling bathtubs. Though Hans traveled on the Amazon to see the jungle life (capturing images of monkeys, no doubt that figured into his Curious George creation), it wasn’t to sell bathtubs which would be absurd. That was a common truth that Hans indulged, and appears in many biographies, but was completely untrue, Kafka said, but only discovered well into making the film (there are scenes of Hans selling bathtubs to the tribal people along the Amazon).
But what they never uncovered was the origin of the character of the Man in the Yellow Hat.
Production on the documentary began three years ago and was finished in January. Asked whether the current refugee crisis figured into the making, he said it was coincidental timing, but became more and more relevant, especially because of director Ema Ryan Yamazaki, who grew up in Japan, had her own immigrant experience.
Lay Lee Ong, library executor of the Rey Estate, has been successful in keeping alive and reviving Curious George – with movies, PBS, and a new generation of artists carrying on the tradition.
“Monkey Business: The Adventures of Curious George’s Creators,” which had its Los Angeles premiere in June and has been making rounds of film festivals (has been an official selection of the Los Angeles Film Festival, Nantucket Film Festival, and Rooftop Film Series before coming to the 2017 Summer Gold Coast Cinema Series), will be available online and on demand August 15 on iTunes, Amazon, Google Play, Comcast, TWC and others (see curiousgeorgedocumentary.com).
The 7th Annual Gold Coast International Film Festival will take place November 7-14, 2017 at venues across the town of North Hempstead, on Long Island’s fabled North Shore. (goldcoastfilmfestival.org).
Housed in what was Childs Frick’s natural history laboratory where he studied paleontology, the newly opened Manes Family Art & Education Center on the grounds of the Nassau County Museum of Art – Frick’s former estate – gives the museum a new dimension in arts education and appreciation.
The Manes Center, named in recognition of Museum Trustee Dr. Harvey Manes and the Manes Foundation’s $1 million gift, gives the museum the space to offer a dynamic and creative environment in which audiences of all ages and abilities can find creative engagement through a variety of activities, classes and projects. This includes new hands-on programs for children as young as 3, adults from beginners to skilled, and an ambitious curriculum for autistic individuals.
The environment is special: Childs Frick, the son of Henry Clay Frick, was a vertebrate paleontologist and a trustee of the American Museum of Natural History. The center has repurposed Frick’s labs into art “labs,” each dedicated to a specific type of art learning, to address the multiple learning styles, interests and abilities of adults and children: Hands-On Studio Lab, Indoor/Outdoor Lab, Reading Resource Lab and Design Tech Lab, as well as additional exhibit space.
This means that for the first time, the Museum will be able to offer hands-on multi-day workshops across the visual arts disciplines.
“Family programs at the Manes Center provide children and the adults in their lives the opportunity to take time from their busy schedules to reconnect while talking about and making art together. Each week we offer projects that encourage curiosity and experimentation, and creative thinking through a variety of experiences and materials inspired by current exhibitions.”
“Before, we always scrambled for space in order to run programs at the museum,” commented NCMA Director Karl E. Willers at the ribbon-cutting ceremony, August 3. “This facility allows us to enhance and expand all kinds of classes… Programs can be geared to exhibits as well as to open to the surrounding landscape. Many art programs integrate science and the natural world. It adds a new dimension to our educational offerings – extended hands-on workshops, more events going on simultaneously spanning age and ability groups, when before we were limited by the space availability in the mansion.”
The building, which was designed for Charles Frick’s paleontology research (the specimens he collected are now at the Museum of Natural History), is a series of laboratories that are being repurposed for making art in all its forms. The floors are finished to accommodate workshops and there are sinks!
“We can offer proper professional art spaces for people to look at and make art in contemporary studio facility,” said Reem Hussein, who was brought in to manage the center. We are bringing in technology – i-Pads to create art with technology. But we are mindful of people who want traditional art making.
“These are programs we don’t offer now. We will able to offer more series programs, rather than one-shots and lectures.”
She said that the rooms are called “labs” to pay homage to Frick.
The public is invited to preview the Manes Center and take in its inaugural exhibit, “The New American Garden: The Landscape Architecture of Oehme, van Sweden.”
Organized by The Cultural Landscape Foundation, The New American Garden is a traveling photographic exhibition which chronicles the careers and influence of Wolfgang Oehme and James van Sweden who revolutionized landscape architecture with the creation of a type of garden characterized by large swaths of grasses and fields of perennials. The gardens are the penultimate merger of man and nature, and the ultimate in “installation” art’s ephemeral quality. Indeed, 10 of the gardens that are immortalized in the photographs are gone, and many others are in jeopardy.
During this introductory period, through September 7, admission to the Manes Center is free (free admission offer does not include the main building, the Saltzman Fine Art Building).
The building now looks as a low-level white box, but that will soon change. The pop/surrealist modern artist Kenny Scharf is being invited to paint the exterior. After that, it is anticipated that the landscape architects Oehme, van Sweden will create a new garden.
The focus on gardens for the inaugural exhibit at the Manes Center is also appropriate for this grand estate.
Most of the 145 acres originally belonged to poet, lawyer, conservationist, political activist, patron of the arts and preservationist William Cullen Bryant, who settled in Roslyn in 1843. The long-time editor of the New York Post built is home, Cedarmore, and founded Roslyn’s public library. In 1862, he built a cottage for his friend and fellow poet, Miss Jerusha Dewey (you can see the cottage when you explore the hiking trails on the grounds). In 1900, Lloyd Stephens Bryce purchased Bryant’s ‘Upland Farm’ and commissioned architect Ogden Codman, Jr. to design Bryce House, the present mansion. Henry Clay Frick, co-founder of US Steel Corporation purchased Bryce House in 1919 as a gift for his son, Childs Frick, a Princeton graduate who became a vertebrate paleontologist and naturalist.
For museum-goers, the estate grounds also offer:
Sculpture Park: Approximately 30 works, many of them monumental in size, by renowned artists including Fernando Botero, Tom Otterness, George Rickey and Mark DiSuvero among others, are situated to interact with nature on the museum’s magnificent 145-acre property.
Walking Trails: The museum’s 145 acres include many marked nature trails through the woods, perfect for family hikes or independent exploration.
Gardens: From restored formal gardens of historic importance to quiet little nooks for dreaming away an afternoon, the museum’s 145 acre property features many lush examples of horticultural arts. Come view our expanded gardens and beautiful new path to the museum.
Today, Frick’s mansion is the Saltzman Fine Arts Building, home to the Nassau County Museum of Art, which has put on world-class exhibitions and has a notable collection, including 150 Tiffany paintings and drawings which were bequeathed to the museum.
Currently on exhibit in the Saltzman Fine Art Building (through November 5, 2017)
“New York, New York”: From its earliest years, New York City was the stage on which the transformation of America played out, reflecting economic and historic upheavals that led to the city’s place as the financial and art capital of the world. This exhibition, guest curated by Director Emerita Constance Schwartz, portrays the city’s grit and glamour, its excitement and bustle, the heartbeat of a great metropolis, through more than 140 works by artists such as John Sloan, Reginald Marsh, Childe Hassam, Red Grooms, Robert Henri, Fairfield Porter, Berenice Abbott, Milton Avery and Georgia O’Keeffe among many others.
“Glamour Icons: Marc Rosen”: Through the work of the award-winning designer Marc Rosen, Glamour Icons celebrates fragrance and cosmetic packaging as an art form. This retrospective spanning the designer’s 40-year career includes many of his most iconic designs as well as some vintage 20th-century perfume bottles from Rosen’s personal collection. The designer’s work has been recognized with many industry awards and is also in the permanent collections of the Museum of Modern Art in New York and Musée de La Mode in Paris.
Family Sundays – 1– 4 pm (free with admission): Be inspired by an exhibition based gallery conversation, then explore new art materials and learn new art-based vocabulary and ideas in the studio with our museum educator.
Super Family Sundays – 1-4 pm (admission plus $10 materials fee):
Families immerse themselves in artmaking and exploring the Museum, the grounds, and sculpture collection during Super Family Sundays. Multiple activities are offered in collaboration with teaching artists in a variety of media, from performance to monumental cardboard constructions. Themes connecting the artmaking activities are inspired by the art on view in our galleries, the Museum’s history or the changing seasons on display in its forests and gardens.
Preview of Educational Programs at Manes Center
Among the arts education programs that will be available at the Manes Center beginning this fall:
Early Childhood Programs: Programs for young children and their adult companions at the Manes Center are all about discovery. Both in the galleries and in the art studio, children find opportunity for self-expression, socialization, and experimentation, through creative play and exploration through open ended developmentally appropriate experiences. Looking at and talking about art fosters visual literacy in young children.
Programs include:
Story Time for 3 to 5 year olds, featuring gallery exploration and hands-on art activities.
Young Artists (ages 3-5) programs for children and their adult companions consist of hands-on activities designed to experiment and become familiar with art materials and processes.
An Outdoor Classroom program will offer guided and self-guided activities for children to encourage the exploration of the natural environment through experiences that make the connection between art and science. Activities are designed to encourage open air exploration and imaginative play.
A drawing class geared to children 8-11 years old, to learn the rules of traditional drawing by practicing line, shading, and perspective through drawing in the studio and gallery and using experimental materials.
A program tentatively titled “Imagine, Design & Build,” for children 11-15 to experience the design process through sketching and building as they dive deep into creative thinking and problem-solving to explore the connections between design, art, science, and technology.
A program for teens 13-17 is aimed at supporting high school students who are preparing portfolios as part of their college applications. Group and individual instruction focus on elements and principles of art and design through application to students’ own work and conversations about art work in the museum’s galleries. Student will have the opportunity for work with live models, critique sessions, and portfolio reviews.
Adult Programs
Hands-on studio programs are being designed for adults of all levels of art making experience, taught by experienced artists. The programs focus on group and individual projects to help adults explore and learn art skills and processes, and have opportunities for personal expression. Adults will learn techniques of drawing & painting, sculpture, and printmaking and have opportunities to draw from live models.
“The Creative Process” dovetails with every changing exhibition in the Manes Center’s contemporary art gallery: visitors are invited to create in response to the art on view through hands on activities that focus on artists’ themes, processes, and materials. Projects are designed to pique curiosity and inspire creativity, and gain new insights into the creative process.
Life drawing at the Manes Center will present the opportunity to draw from a live model through gesture sketches and longer duration poses under the guidance of a teaching artist.
Adults can learn the basics of drawing and painting and explore materials such as graphite, charcoal, and conté crayon, watercolor and acrylic paint. Projects will be inspired by art history and current gallery exhibitions.
The center will also offer programs in using digital arttools to create traditional and experimental works of art.
Art Talksfor adults invited scholars, academics and exhibiting artists to introduce and discuss topics in the field of art with visitors in an intimate salon style setting.
Programs for Special Needs
Art education programs are also being designed for children, teens and adults with special needs.
One program invites families affected by autism into the galleries and art studio to talk about and make art. Throughout the course of this program parents and caregivers will gain skills in behavioral methods that they can employ when bringing their child into a community setting. Families will join the Art Educator trained in Art Therapy in fun interactive gallery experiences that provide opportunities for everyone to look at and talk about art in a group setting. Then off to the studio for hands on art making activities that encourage experimentation with new materials, processes and creative play.
Another workshop is aimed at building social and vocational skills for teens and young adults with autism through arts-based workshops. During this workshop series, teens will receive hands on training in basic artistic processes that can be translated into practical job skills. Based on current exhibitions in the galleries at Nassau County Museum of Art, these workshops will encourage participants to explore different methods of art making and design and how a museum can be a resource for creative inspiration. Students with autism will have the opportunity to apply their artistic skills and functional academic learning in a real world setting.
Explore picture & art books and related resources about art history and museum exhibitions. This space is equipped with manipulatives and simple drawing materials for young children.
The Manes Center will also be available for birthday parties, with appropriate art project activities. Party bookings are available on Saturdays 12:30 – 2 pm.
Nassau County Museum of Art, consisting of the Saltzman Fine Art Building and The Manes Family Art & Education Center, is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The Museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). During the August 3-September 10 preview of the Manes Center, there is no admission fee (this does not include admission to the Saltzman Fine Art Building). Members are admitted free. Docent-led tours of the exhibition are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Family art activities and family tours are offered Sundays from 1 pm; free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call 516-484-9338 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org.
With just one full day to explore Saratoga Springs, I am still able to take in the high points that distinguish this town, which has been so popular a place for visitors going back to the 14th century, when its mineral springs were first discovered by Native Americans. Later, it became a major center for organized horse racing, a tradition which remains today, and draws the biggest crowds during the six-weeks of racing season. But Saratoga Springs, owing to the millionaires and elites and then the colleges including Skidmore, has also become a cultural mecca, especially for dance. The Saratoga Springs Performing Arts Center is the summer home for the New York City Ballet and now the home of the National Museum of Dance.
National Museum of Dance
During my one full day in Saratoga Springs, after thoroughly exploring its horse-racing traditions at the race track and the National Museum of Racing, I next visit the National Museum of Dance, which is located just at the entrance to the Saratoga Spa State Park in what had been the historic Washington Bathhouse (there is still an exhibit to the historic spa). This is such a surprise.
It exquisitely reflects the visual as well as the athletics and art of dance; surprised at seeing video going back to 1895 of dance. All the dance legends are represented with stunning photos, videos, costumes.
Established in 1986, the National Museum of Dance & Hall of Fame is the only museum of its kind in the nation and one of only a few in the world dedicated to the art of dance (which is why they claim the name, “National.”)
It is set in the former Washington Bathhouse, a 1918 Arts & Crafts style building in the Saratoga Spa State Park which provided health spa treatments (there are rooms you can visit from that time).
The Museum’s archives house a growing collection of photographs, videos, costumes, documents, biographies and artifacts that honor all forms of dance throughout history.
The museum’s galleries feature rotating exhibits and three permanent exhibits including the Mr. and Mrs. Cornelius Vanderbilt Whitney Hall of Fame.
Dancers in Film, a delightful ongoing exhibition, celebrates the relationship between dancers and film, and features both well-known dance stars and our favorite actors who have had world famous dance roles on the silver screen. Highlighted in the exhibit are Lifetime Achievement Award Recipients Ann-Margret (2010), John Travolta (2014), and Chita Rivera (2015). You will love sitting and watching the fast-changing videos. I am frankly amazed to see some of the oldest ones, even from 1895 (at the very dawn of movie-making).
Sparked by an abundant discourse both age-old and current, The Dancing Athlete is an innovative exhibition that explores the inherent connections between dance and sports, and dancers and athletes, and the influence and confluence of these forms throughout history. Through costumes, photographs, video, objects, and archival materials, the exhibit examines these relationships within several themes such as cross training and physiological impact, shared movement vocabularies, and sports-inspired choreography, among others. A select group of athletes and dancers including Lynn Swann, Sugar Ray Robinson, and Edward Villella are showcased as well as several choreographic works including Gene Kelly’s stunning “A Man’s Game”. By highlighting the athletic prowess of dancers and injecting popular sports and athletes, boys, especially, will better appreciate dance.
Opened in 1987, the Dance Hall of Fame honors dance pioneers of all types whether they are choreographers, composers, writers, dancers, or patrons; there are more than 50 who are so far included in the Hall of Fame. Among them: Fred Astaire, George Balanchine, Agnes deMille, Rudolph Nureyev, Isadora Duncan, Martha Graham, Bill “Bojangles” Robinson, Busby Berkeley, Jerome Robbins, Alvin Ailey, Merce Cunningham, Paul Taylor, The Nicholas Brothers, Bob Fosse, Marge Champion, Tommy Tune, Edward Villella and Michael Jackson and the newest inductees, Gregory Hines and Patricia Wilde who are featured in special exhibits devoted to their careers (see a complete list of the inductees, http://dancemuseum.org/exhibits/hof.html).
The Museum campus also includes the Lewis A. Swyer Studios, a building constructed specifically for the purpose of keeping live dance as part of the Museum’s offerings. The Swyer Studios welcome frequent master classes, lecture/demonstrations, residencies, and other programs, as well as the Museum’s very own dance school, the School of the Arts, which offers dance classes to all ages, levels, and interests. The Museum also offers a wide selection of special programs, events, and workshops throughout the year.
Twist! Jump! Play! Dance! The Alfred Z. Solomon Children’s Wing is an interactive space just for kids, with a video library, reading corner, movement and balance toys, and stage area. A Kids’ Gallery showcases rotating exhibits of children’s artwork and is where visitors can create their own masterpieces.
The museum also offers a Resource Room with thousands of books, periodicals, and print items for dance research available to the public.
When I visit, I notice young girls, their hair tied back in the bun typical of dancers, looking on with adoration. This is their Cooperstown.
National Museum of Dance, 99 South Broadway, Saratoga Springs, NY 12866, 518-584-2225, dancemuseum.org, [email protected]
There is a very good reason for the National Museum of Dance to be set at Saratoga Spa State Park: Saratoga Performing Arts Center (SPAC), a stunning amphitheater, is set in the heart of The Spa State Park and is the summer residence of the New York City Ballet as well as the Philadelphia Philharmonic Orchestra. Surrounded by 2,400 acres of green hills, geysers, natural mineral springs and hiking trails, you can enjoy jazz, pop and classical concerts. (108 Avenue of the Pines, Saratoga Springs, NY 12866, spac.org).
I didn’t get a chance to really explore the Saratoga Spa State Park, but it has a score of attractions contained within it, in addition to the National Museum of Dance and the Saratoga Performing Arts Center. It also has the Saratoga Automobile Museum, which this year is featuring as its main exhibit, “The Gavel: Cars of the Saratoga Auto Auction” which gives an insider look at the workings of the classic and collector automobile auctions that have become so popular with television viewers. Vehicles on display range from a 1931 Ford Model A Woody to a very rare 1957 Chrysler 300C standard shift, a 1957 Ford Thunderbird and a 1957 Continental Mark II. Imports represented include a 2003 Maserati Spyder convertible and a 2013 Lotus Exige Factory Cup on display. These cars, along with hundreds of others, are on display until September 17, when they are all headed for the auction block in September at the Saratoga Auto Auction. (110 Ave of the Pines, Saratoga Springs, NY 12866 , 518-587-1935, www.saratogaautomuseum.org, Tuesday-Sunday, 10 am-5 pm).
The Saratoga Spa State Park Golf Course offers two beautiful golf courses; a championship 18-hole course and a challenging 9-hole course, complete with pro shop and restaurant. (Information and to reserve a tee time online visit: Saratoga Spa Golf).
Saratoga Spa State Park, distinguished by its classical architecture and listed as a National Historic Landmark, is noted for its diverse cultural, aesthetic and recreational resources. In addition to the nationally-known Saratoga Performing Arts Center, the Spa Little Theater, the National Museum of Dance, the Saratoga Automobile Museum, the Gideon Putnam Resort and Roosevelt Baths and Spa, Spa Golf Courses, the park offers a pool complex including slide complex and historic Victoria Pool surrounded by arched promenades; hiking and walking trails, running courses, picnic areas; winter activities include cross-country skiing on approximately 12 miles of trails, ice skating, ice hockey, and two golf courses.
My walking tours from the Inn at Saratoga take me passed and through Congress Park, where in 1792, New Hampshire Congressman John Gilman discovered a mineral spring. (I also take note of a free cutey-pie trolley that operates up Broadway, but I prefer to walk). In 1822, Dr. John Clarke purchased Congress Spring and surrounding land, drained the swamp and built a park where he offered concerts. He built his impressive Greek Revival home overlooking the park, as well as a bottling plant. In 1876, Frederick Law Olmsted, the famous landscape architect who designed New York’s Central Park, designed the gardens. The Park today harbors a visitor center (built in 1915 as a trolley station); the Casino (a gaming house for men built in 1870 by prize fighter, former Congressman and gambling entrepreneur who developed Saratoga horse racing, John Morrissey, which today houses the Saratoga Springs History Museum), Italian Gardens, Congress Park Carousel, and some wonderful sculptures, fountains and monuments.
At the visitor center you can pick up some wonderful self-guided tours, such as North Broadway, “a neighborhood of exceptional residential architecture”; West Side Neighborhood (“The City’s first prime residential location, where many of the people who owned, supported and worked in the bustling resort industry lived.:”and East Side Neighborhood, once home to Skidmore College, rich in history and spectacular architecture, including stunning examples of Greek Revival, Victorian, Gothic, Italianate, Second Empire and Queen Anne styles.
On the Friday night I am in Saratoga Springs, I have a plethora of choices: watching harness racing, polo matches, a performance of the New York City Ballet, and any number of live music venues, including Caffe Lena.
I wander over to Caffè Lena, a famous folk-music venue which the New York times in 2013 called “Folk Music Heaven, was sporting a $2 million renovation, its first since opening in the 1960, and had people lined up out the door hoping to get through a wait-list for that evening’s performance. It actually offers a range of styles – folk, jazz, poetry night, open-mike night – and still retains the intimacy of a small room and small stage, so you are mere feet away from the performer. “Opened in a former woodworking shop in 1960, the café has helped launch many of America’s best loved songwriters, ranging from Bob Dylan in 1961 to Sawyer Fredericks in 2014, with an dazzling Who’s Who list in between. When founder Lena Spencer passed away in 1989, Caffè Lena was converted to a non-profit institution supported by concert revenue, private and corporate donors, grants and bequests, and an ever-evolving team of volunteers.” (Caffè Lena, 47 Phila Street, 518-583-0022, Tickets: 800-838-3006, email:[email protected]. caffelena.org.)
For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/.
Tucked just above Albany, New York, small-town Saratoga Springs’ fortunes have been tied to tourism since forever. Its mineral springs has been drawing visitors since the 14th century, when Native Americans first discovered the healing properties of the springs, and were the first lure to America’s earliest tourists. But along the way, the village also developed organized horseracing, which brought the elites, and later on, a rich cultural menu. And all of these come together during the six weeks of summer when racing is underway at the historic track, though Saratoga Springs is very much a four-season destination.
Saratoga Springs seems to have grown up around the Inn at Saratoga, which dates from 1843 and staying here gives you a sense of place. (The Inn at Saratoga, 231 Broadway, Saratoga Springs, NY 12866, 518-583-1890, 800-274-3573, theinnatsaratoga.com.)
It’s just a very short walk from the inn down Broadway to the heart of the culturally vibrant community decorated with painted horses (evoking its historic racing tradition) and ballet shoes (a tip of the hat to its cultural heritage) and banners – a stunning streetscape lined with Victorian buildings, where I go the night I arrive. It is late but there are still some live music venues, pubs, pizza places (open til 3 am), and plenty of people out and about.
A marker in front of the historic Adelphi Hotel, which dates from 1877, makes you appreciate all the more the work underway ($30 million worth) to reopen the hotel , which has been closed for five years. It is where the colorful Irish-born prize-fighter, gambling entrepreneur credited with establishing the Saratoga Race Course , New York State Senator and Tammany Hall enforcer John Morrissey, a regular of the hotel, died in 1878.
Indeed, the immediate impression is that Saratoga Springs is a combination of Louisville, Kentucky with its strong racing tradition, and Lenox, Massachusetts, with its superlative cultural offerings, with mineral springs and health spa thrown in for good measure.
The next morning, after a delectable breakfast at the inn, I walk through Congress Park, passed the Morrissey Fountain and the Casino, the gaming house for men which Morrissey built (now home to the Saratoga Springs History Museum) to Union Street, where Skidmore College was once located (today there is the Empire College and absolutely stunning Victorian houses, several of which are bed-and-breakfast inns), to Saratoga’s historic racetrack. Passing by for the moment the National Museum of Racing, I stroll over to the track where riders are finishing up their morning workouts. The six-week racing season will begin in just a couple of weeks (July 21 this year), but there is already harness racing and polo underway.
Thoroughbred racing did not actually begin in Saratoga Springs – the legacy heralds back to colonial days, 1665, with the establishment of the Newmarket course in Salisbury, New York, a section of what is now known as the Hempstead Plains of Long Island (attractive because it was flat), in the Westbury/East Garden City section of Nassau County. (Today, Belmont Park, the third leg of the prestigious Triple Crown races, is close to where the original track would have been. As I subsequently learn at the National Museum of Racing, August Belmont originally owned, Man o’War, one of the most famous horses in all of racing, who is heralded at the museum.
The Saratoga Race Course in Saratoga Springs, one of the most famous horseracing tracks in the world, boasts being America’s oldest sporting venue of any kind. In 1863, the former undefeated bare-knuckle boxing champion John Morrissey staged the first organized thoroughbred meeting here at an old trotting course. In 1864, the racetrack hosted the Travers Stakes, named for William Travers, making it the oldest major thoroughbred horse race in America.
The racetrack grew to prominence for hosting The Travers, nicknamed the Midsummer Derby, which brings together the greatest three-year-old horses to the race course to compete for the $1.25 million purse, and the track enjoyed prosperity, expanding in 1891-92. Millionaires moved in, including the DuPonts and the Whitneys.
By 1890, there were 314 tracks operating in the United States. And in 1893, there was the Great Panic that led to an economic depression on the scale of the 1930s. The Saratoga race course was forced to close in 1896 because of financial hardship.
But the track regained renown with the dramatic match-up between Man o’ War and appropriately named Upset in the 1919 Sanford Stakes, in which Man o’ War suffered his only career defeat (Man o’ War won the 1920 Travers). .
When Triple Crown victor Gallant Fox was defeated by a horse (Jim Dandy) with 100-1 odds in 1930, Saratoga became known by an ominous nickname “The Graveyard of Champions.”
Saratoga has drawn the top names in thoroughbred racing – Secretariat, Seattle Slew, Affirmed, Rachel Alexandra, Curlin, Gallant Fox, the mighty Man o’ War, and American Pharoah.
One of the delightful aspects of the Saratoga race course is that horses walk right through the crowd, on a white-fenced path, to get to the paddock for their races so you get to see them up close. (I also find that you can come out around 5:30 am, and watch the horses being exercised from outside the fence.)
The course is stunning – with architectural majesty on par with Churchill Downs in Louisville, Kentucky – and it is interesting that it is here, rather than at one of the Triple Crown venues, that the Hall of Fame for thoroughbred horsing racing is located, honoring the most notable horses, jockeys, owners and trainers.
(Saratoga Race Course, 267 Union Avenue, Saratoga Springs, NY 12866; info about upcoming races at nyra.com.)
Even if you are not particularly engaged in horse racing (and especially so), you will be fascinated to tour the National Museum of Racing and Hall of Fame, which opened in 1950 (located directly across the boulevard from the Saratoga Race Course) and has been expanded and improved since. You see in paintings, documents, artifacts, that show how engrained horse racing is in American culture, America’s first major organized sport going back to colonial times. Early presidents including George Washington, Thomas Jefferson, James Madison up through Ulysses S. Grant were avid race-goers. Andrew Jackson’s passion for horse racing and gambling was well known and he reputedly once fought a duel over a wager; Jackson also bred racehorses at the Hermitage and operated a racing stable from the White House during his presidency.
You get to see the lineage of the hall of fame horses (they all trace back to just a couple of horses). You can even try your hand on a racing simulator – a mechanical horse synchronized to move with jockey cam videos, so you experience a race from the jockey’s point of view, racing for the finish (this is actually much harder than you would think, and some riding experience is necessary). Horse racing is visually stunning, as much as it is dramatic, and this comes through in the exhibits.
The National Museum of Racing and Hall of Fame’s honorees include horses such as Man o’ War (1957), Seabiscuit (1958) and jockeys like Willie Shoemaker (1958), and you can also watch videos of the Hall of Famers. On view this year is a special exhibit for Man o’ War at 100 (through 2018). The museum also hosts Oklahoma training track tours from June-October; reservations required. (191 Union Avenue, 518-584-0400, www.racingmuseum.org)
While thoroughbred racing had not yet started this season, harness racing and polo matches were already underway.
Saratoga Polo Matches are held every Wednesday, Friday, and Sunday night starting at 5:30 pm during the Saratoga Polo season, which runs from July 10 to Labor Day. Tickets may be purchased at the gate beginning at 4 pm the day of the match. Casual chic is the recommended attire at the highly social polo match gatherings. (Saratoga Polo Association, 2 Bloomfield Road, Greenfield Center, NY 12833, saratogapolo.com)
For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/.
Saratoga Springs, one of America’s first tourist towns, has been drawing visitors since the 14th century when Native Americans discovered the mineral springs which still draw visitors today. But it is also where formal horse racing began, and over the years, has also developed an amazingly rich cultural menu of offerings, especially in summer, when its Performing Arts Center is home to the New York City Ballet and Philadelphia Symphony Orchestra. It is fitting that among its key attractions are the National Museum of Dance (who knew there was such a thing?) as well as the National Racing Museum (fascinating), historic racetrack, lively live-music venues, stunning boutiques (you know a top-notch town by its olive oil shop and haberdashery).
It doesn’t take long, as you walk among the giant painted horses and ballet shoes to recognize this unbelievably charming town is a combination of Louisville, Kentucky and Lenox, Massachusetts, with a touch of a spa-wellness destination thrown in. And totally enchanting.
But walking around and taking in the breathtaking Victorian architecture, you also realize that Saratoga Springs has had its ups-and-downs. Indeed, the celebrated historic Racetrack even closed down in 1896 because of financial hardship, and historic markers on Broadway point to whole historic streets that were torn down in the 1960s until a preservation movement took root.
This makes you appreciate all the more the work underway ($30 million worth) on the historic Adelphi Hotel, where the colorful Irish-born prize-fighter, horse-racing impresario, gambling entrepreneur , New York State Senator and Tammany Hall enforcer John Morrissey, a regular of the hotel, died in 1878.
You get to live Saratoga Springs’ history at the Inn at Saratoga, which has basically “seen” it all. Built around 1843, it is the oldest continuously operating hotel in Saratoga Springs, and its own history mirrors that of the village.
Anyone who appreciates as I do how a historic hotel is like a direct line to a place – putting you on the inside track rather than being an outsider merely passing through – seeks out historic hotels wherever possible. They have presence, and give you a sense of place.
These historic hotels immerse you into the collective memory and heritage of a place – like being inserted into the scene of the village as it might have been 150 years ago. They are so much more than brick and mortar – they have personality, character, even soul (not for nothing that many also harbor a ghost or two).
It is also about providing the gracious hospitality we associate with times past – the personal attention, the tranquil pace, a quiet calm.
So, coming to Saratoga Springs, I do what I always do when I plan a trip: seek out Historic Hotels of America website (historichotels.org, 800-678-8946), a membership program of the National Trust for Historic Preservation with nearly 290 historic hotels that have faithfully maintained their authenticity, sense of place and architectural integrity. I discover the Inn at Saratoga, which turns out to be the oldest continuously operating inn in Saratoga Springs, dating back to 1843.
Over the years, the inn’s fortunes have had its ups and downs along with the city (now decidedly up in its fortunes) and, like the city and hospitality industry, has gone through many incarnations – a physician tapped Saratoga Springs’ legendary mineral waters for his patients and operated the inn as an early version of a spa hotel; a Cuban owner had a travel pipeline for visitors from Cuba; a rabbi catered to Jewish vacationers escaping New York City’s oppressive summers.
Fortunately, it is now in the loving hands of the Israel family, who acquired the inn in 2003, and who bring a deep appreciation for historic preservation and their role as stewards.
Indeed, when you experience such places, you cannot take their existence for granted – rather, they are to be celebrated as survivors against long odds – surviving wrecking balls, economic and natural disasters, and new owners’ predilections to go “modern.”
Owners of these historic properties take on their stewardship with a sense of obligation and humility, recognizing they are links in a chain, without which, these places will simply cease to exist.
The Israel family, who are active in Preservation Society for Saratoga Springs, has spent considerable resources removing the “modern” that previous owners had installed, and restoring the hotel’s period features and charm, while providing the amenities that guests crave today, including spacious bathrooms, in-room coffee maker, flat-screen TV, voicemail, dataports, complimentary wired and wireless high-speed Internet access and such. As they say it is “the perfect marriage of past and present.”
I joke about the hotel having an elevator (which has an exquisite pastel painting of Saratoga Springs as it might have been 150 years ago that spreads across three sides) and the receptionist says, this place didn’t even have running water in 1843. But to install the elevator, Liz Israel, who has the role of General Manager, tells me, the previous owners removed a formal staircase.
The inn once had around 100 rooms, more than twice the number, 42 rooms and suites, as today – because traditional hostelries had tiny rooms with a washbasin and guests shared a bathroom.
Big band music plays in the hallway as I make my way to my room (you can’t hear it when you are in the room) but you use a modern key-card to enter. It is pure pleasure to sink into a four-poster bed so high you need a step ladder, and of course a spacious modern bathroom. Each room is different and appointed with period furnishings.
Robert Israel, a tax attorney who first came to Saratoga Springs in the 1960s when it was in decline (and property was cheap) bought the hotel in 2003, has meticulously gone about acquiring period furnishings at auction – a stunning bookcase that adorns the dining room; wood paneling that as a young man in his 20s, he salvaged from a hotel in Newburgh that he kept for 40 years before finding just the right place, in the inn’s lobby; the side board we take our coffee cup from for breakfast came from the Waldorf=Astoria Hotel. The walls are graced with stunning oil paintings (purchased at auction) as well as prints that Israel collected from the Grand Union Hall, which when it was built, was the largest in the world (it burned down). He acquired a shuttered railway ticket cottage which he reassembled and repurposed in the inn’s garden to serve as a bar for special events. The ballroom has an intricately “carved” fireplace which came from a movie set. And the dining room has a specially made red velvet banquette that captures the Victorian ambiance perfectly.
One feature of the Inn at Saratoga is the complimentary full buffet breakfast that is included – a lavish affair that reminds you more of a bed-and-breakfast inn where the host seeks to really out do themselves with memorable meals. One breakfast consisted of delectable scrambled eggs seasoned with herbs, served on a fresh croissant, along with bacon, potatoes, selections of fresh fruit, cereals, bagels, pastries and muffins, perfectly delectable coffee, served on beautiful china.
Liz Israel was 18 years old when her father bought the property. She grew up waiting tables, handling the reception desk, and went on to get a degree in hospitality management in Ireland, where she worked at the Shelburne Hotel in Dublin before returning to the Inn at Saratoga with her Irish husband.
Liz takes me on a walking tour of the hotel, recognizing how much I appreciate the restoration.
Once an open porch, The Tavern bar has big picture windows that overlook the street bustle on Broadway, Saratoga Springs’ main street, and where there is live music five nights a week, Wednesday through Saturday.
Primo’s Restaurant, where you enjoy breakfast and which serves dinner, is a Victorian confection. Liz says that they lifted up the carpet and removed a cement layer to expose the original hardwood floors.
There is a beautiful ballroom that opens to a garden where a tent has been erected for a wedding reception; there is also an old railroad ticket cottage that Israel acquired and repurposed for a bar.
The inn has a few vintage Roadmaster bikes available for guests’ use (two hours at a time). Guests also enjoy complimentary access to Victoria Swimming Pool located in Saratoga Spa State Park and the nearby YMCA. Complimentary parking in its on-site lot is a significant amenity as well. (The inn offers a spa package with the historic Roosevelt Baths & Spa in the park.)
In addition to the hotel, there is a separate Brownell Cottage (which was purchased along with the hotel) which features four luxurious suites, accommodating up to four people depending on the suite. Beautifully appointed, the cottage offers an array of modern amenities: whirlpool tub, heated bathroom floors, steam shower with multi-head massage shower, authentic Franklin Stove fireplaces, cable TV, coffee/tea maker, speaker phones with data port, voice mail and in-room safes and free high-speed wireless Internet.
The Inn at Saratoga is an ideal venue for wedding or family function or meeting because of its scale, the charming ambiance, and facilities.
Inn Follows Fortunes of Saratoga Springs
I love the back story to the inn: it was built as a large boarding house in 1843 by Isaac Hall, a carpenter from New Hampshire, 11 years after the railroad provided easy access to Saratoga’s spa for tourists.
In 1846, Hall sold the property to Thomas Smith of Virginia, who turned over the management to Dr. Richard L. Allen, who, like other physicians of the time, operated boarding houses to treat “chronic cases” – an early version of a health spa. That lasted until 1853, when the property was sold to Hervey P. Hall (Dr. Allen remained in Saratoga Springs and published a popular guide for health seekers in Saratoga).
The hotel passed through three other owners until 1865 when it was acquired by Benjamin V. Frasier, brother-in-law of Thomas Marvin, the proprietor of the huge United States Hotel (largest hotel at the time). “The wealth created by the Civil War and the pent-up demand for pleasure created the greatest boom Saratoga had ever seen.”
It isn’t a coincidence that organized horse racing, brought by casino operator and future congressman, the prize-fighter John Morrissey, had begun in Saratoga Springs.
Frasier significantly expanded the hotel, building the three-story wing in 1866 and added a brick veneer, and re-named the hotel Everett House.
Frasier gave up the hotel in 1875 (the same year as the first Kentucky Derby was run at Churchill Downs in Louisville, Kentucky) and it was sold to Nathaniel Waterbury, a prominent Saratogan, who made improvements but quickly went into foreclosure. The US was in the midst of a major economic Depression. The property was purchased at an 1878 sheriff’s sale by Thomas Marvin’s daughters, Mary Louise Sackett and Virginia Perry. By 1882, they had leased it to Primo M. Suarez, who catered to Cuban vacationers for 35 years; he rebuilt the front of the hotel in 1887 in the High Victorian style that was fashionable at the time.
After World War I, Saratoga’s old clientele was slipping away; and instead of two-week sojourns, auto touring was the newest fad. But there was a growing audience of Jewish New Yorkers who sought to escape the city’s summer heat and could afford a country retreat. In 1919, Nathaniel Heller took over Everett House and by the 1924 season, renamed it Hotel Brenner, operated by Rabbi Charles Brenner and his extended family. That continued until 1973 when the hotel was purchased by Dom Nardelli of Saratoga Springs who “updated” the facility and renamed it the Coachman Motor Inn.
That was a fairly dark time for Saratoga Springs, when many of its historic buildings were taken down. A historic preservation movement took hold in the 1980s, and when Nardelli put the hotel on the market in 1987, it was sold to four businessmen who sought to recreate the graciousness of a Victorian hotel.
In 2003, the hotel was acquired by the current owners, Robert Israel of Franklin Square Associates, a historic preservation professional who has sought to restore the hotel’s historic quality and enhance the guest experience.
Liz tells me her father uses the inn as an excuse to shadow auctions and indulge his passion for antiques.
The Inn at Saratoga offers several package options, including:
GirlFriends Getaway Package, featuring dinner, wine, mineral baths and massage treatments at the historic Roosevelt Baths & Spa in Saratoga Spring State Park.
(The Roosevelt Baths & Spa Saratoga Springs opened in 1935 largely because at the impetus of President Franklin Roosevelt who wanted to develop the mineral baths at Saratoga Springs as well as Warm Springs, Virginia. Today, the Roosevelt Baths & Spa offers 42 original treatment rooms and a complete menu of services, including mineral baths, massages, facials, scrubs and body wraps, and a full-service salon.)
The inn’s Victorian Romance Package features a deluxe guest room or suite accommodations, a rose, chilled bottle of Champagne delivered to the room, plus morning buffet breakfast and gourmet 3 course dinner for two at The Inn at Saratoga’s Restaurant. Upgrade to a suite for the ultimate experience, most Brownell Cottage suites have a whirlpool tub, heated bathroom floors, steam showers and a Franklin stove fireplace.
The Israel family also owns another boutique hotel, in St. Thomas in the Caribbean.
Centrally located, The Inn at Saratoga is conveniently near center of the village and its attractions including Congress Park, Skidmore College, Saratoga Performing Arts Center (summer home of the New York City Ballet), the famous Saratoga Thorough-bred Racetrack, the Saratoga Harness Track, the Saratoga National Museum of Dance, the National Museum of Racing, and the Saratoga Spa State Park.
On the Friday night that I am in town, I can choose from seeing the New York City Ballet, see a polo match or a live folk performance at Café Lina, among many other options.
Besides the nearby attractions of Saratoga Springs (see story), The Inn at Saratoga is well situated to year-round attractions, including Lake George (half hour); Gore Mountain (hour), and the Revolutionary War-era Saratoga National Historical Park (20 minutes).
The Inn at Saratoga, 231 Broadway, Saratoga Springs, NY 12866, 518-583-1890, 800-274-3573,theinnatsaratoga.com.
I must admit to relishing my stay in Pittsburgh’s Shadyside neighborhood, where I am staying at Mansions on Fifth, two mansion homes originally built in the early 1900s by Willis F. McCook, a prosperous attorney and legal counsel to steel and coke magnate Henry Clay Frick for himself, his wife Mary and their 10 children, that have been turned into a boutique hotel. The neighborhood was also home to most of the city’s (and therefore, the nation’s) leading industrialists, innovators and bankers, including George Westinghouse, Frick, Andrew Mellon, Andrew Carnegie and the rest of Pittsburgh’s exceptionally wealthy families of the era, and boasts stunning mansions, churches as well as some of the city’s most important cultural attractions.
Staying at the mansion, you really feel part of that whole privileged Gilded Age society.
A young woman from the hotel spends a lot of time with me suggesting how to best spend my afternoon exploring. It turns out, the hotel (a true mansion) is only a short walk to the Carnegie Museum of Art. She also tells me about the Cathedral of Learning a few blocks beyond, in what is technically the Oakland neighborhood.
I set off for the short walk to Carnegie Museum of Art (it is attached to the Carnegie Museum of National History, two of four Carnegie museums; the others are the Carnegie Museum of Science and the Warhol Museum, downtown), dazzled when I pass the neighboring mansions along Fifth Avenue. It reminds me of Newport or Palm Beach.
The Carnegie Museum of Art is arguably the first museum of contemporary art in the United States, collecting the “Old Masters of tomorrow” since the inception of the Carnegie International in 1896 – held at various times, from which much of the present museum’s collection came (there are notes that say if the painting was in an exposition).
“While most art museums founded at the turn of the century focused on collections of well-known masters, Andrew Carnegie envisioned a museum collection consisting of the ‘Old Masters of tomorrow.’ In 1896, he initiated a series of exhibitions of contemporary art and proposed that the museum’s paintings collection be formed through purchases from this series. Carnegie, thereby, founded what is arguably the first museum of modern art in the United States. Early acquisitions of works by such artists as Winslow Homer, James McNeill Whistler, and Camille Pissarro laid the foundation for a collection that today is distinguished in American art from the mid-19th century to the present, in French Impressionist and Post-Impressionist paintings, and in significant late-20th-century works. Today the International remains an important source for the museum’s acquisitions of contemporary art. Presented every three to five years, it features works by contemporary artists from around the globe.”
It is a stunning collection – much of it coming out of annual Carnegie International Art Expositions, or from other important benefactors including Mellon and Scaife. Some of the galleries are arranged much like those expositions, with multi-levels of paintings; some of the rooms are more intimate, like private collections, and some are more institutional. The notes and themes that accompany the rooms and individual pieces are wonderful.
Just about every artist of note is represented with at least one piece – including a superb collection of Impressionists and Post-Impressionists.
I take particular note of Childe Hassam’s snow scene, “Fifth Avenue in Winter,” of New York City, painted circa 1892, when here I am on Fifth Avenue, Pittsburgh.
The entire museum, though, is a reminder of how an economy that is designed to bestow such riches on a small segment, at the expense of the vast majority produces a society in which “the public” depends on the kindness and charity of the ultra-wealthy.
This juxtaposition was absolutely clear in one room where the massive (18 feet high and 26 feet long) gilded and lacquered relief, The Chariot of Aurora, takes up an entire wall. The stunning example of Art Deco was a gift of the renowned collector Frederick K. Koch in 1994 (brother of billionaires Charles and David Koch, who have their names on the Metropolitan Museum of Art, the Smithsonian, PBS, and scores others, as well as significant donors to political candidates and entities).
Just next door is a room devoted to Pittsburgh artists, including Raymond Simboli,, whose “Pinkerton Riot” depicting the Homestead Strike at the Carnegie & Frick steel mills so brutally put down in 1892, uses the dress is of the 1940s. Another artist, Sam Rosenberg, similarly paints from the perspective of working class Pittsburghers in such stark contrast.
I set out for the Cathedral of Learning and find myself in the Carnegie Library, another cathedral of Learning, just across the street from the academic tower.
Truly an inspiring place, Pittsburgh’s Cathedral of Learning looms large over the city – in fact, I am told, the largest academic structure in North America.
It is part of the University of Pittsburgh which “was well on the way to becoming an acropolis of neoclassical buildings on an Oakland hillside when John G. Bowman became the University’s 10th chancellor in 1921. In those years following World War I, student enrollment had dramatically increased, causing a critical shortage of space. A 14-acre plot known as Frick Acres, which housed residences, gardens, and tennis courts, became the focus of Dr. Bowman’s plans to erect a monumental building. A structure expanding upward, though unorthodox, would solve the growing University’s problems of space and distance. More important, a tower would be a visible inspiration to all who approached the city. It would carry the message that education was the result of aspiring to great heights. The parallel lines of the truncated Gothic form, never meeting, would imply that learning is unending. The sweeping proportions would symbolize the spirit and achievement of Pittsburgh. Architect Charles Z. Klauder translated these concepts into drawings that guided the placement of steel and stone.”
Chancellor John Gabbert Bowman, himself, offered the reasoning behind designing such a dramatic tower: “The building was to be more than a schoolhouse; it was to be a symbol of the life that Pittsburgh through the years had wanted to live. It was to make visible something of the spirit that was in the hearts of pioneers as, long ago, they sat in their log cabins and thought by candlelight of the great city that would sometime spread out beyond their three rivers and that even they were starting to build.”
The Cathedral of Learning is as much a monument to the immigrants who flooded its halls in their quest for education as a ticket to the American Dream.
Following World War I, Chancellor Bowman was charged with developing a great university in a city richly populated with first-generation immigrant families. He wanted to provide students with unique classrooms which would reflect a highly-creative period in the motherlands of Pittsburgh’s new citizens. He conceived the idea of inviting community representatives of diverse nations to plan and build classrooms depicting an era or aspect of the heritage they had brought to America – known today as the Nationality Rooms – appointing Ruth Crawford Mitchell as his special assistant. It took 30 years.
At the Cathedral of Learning, I seek out the “Nationality Rooms” – each one for a different nationality, such as Irish, Hungarian, Polish, Armenian, of ethnic groups who settled in Allegheny County. Rooms were subsequently added – like the Israel Room, in 1987 after a 30-year hiatus, which is modeled after a 1st-century stone dwelling in Galilee.
Unfortunately, when I get to there, the rooms are locked for the weekend, but I get to peek through peep-holes to the Irish room (the other rooms have peep holes much too high).
Members of Quo Vadis, a student organization, conduct guided tours for nearly 30,000 visitors each year. Special interpretations are adapted for children, senior citizens, the handicapped, and groups with special interests such as architecture, interior design, art, mythology, or religion. (See http://www.nationalityrooms.pitt.edu/content/touring-options-requesting-group-tours ).
Pittsburgh Neighborhoods
Shadyside has been Pittsburgh’s premier upscale address for more than a century. It is fairly obvious that this was once home to Pittsburgh’s robber barons – who could enjoy the clean, cool air well away from the choking smoke belching from their steel mills that shrouded the rest of the city – and now features a legacy of stunning housing on leafy green streets, awe-inspiring churches, and two active and growing business districts (Walnut Street and Ellsworth Avenue) with retail stores and eating and drinking establishments, including several that are considered among the best in the city. Shadyside is also home to Carnegie Mellon University, Chatham University, Shadyside Hospital of UPMC, and the Hillman Cancer Center.
I take my bike for a spin around the neighborhood and am dazzled by the architecture.
The large residential area includes beautifully restored Victorian mansions alongside modern homes and condos (I notice that many of the houses have lawn signs stating in three languages, “No matter where you are from, we are glad you’re our neighbor.”)
Shadyside is also walking (or an easy bikeride) distance from two other distinctive Pittsburgh neighborhoods:
Home to prestigious museums, world-class hospitals and universities and international cuisine, Oakland is considered the cultural, academic and medical center of Pittsburgh, where you will find the Carnegie Museums of Art and Natural History, the Carnegie Library and Cathedral of Learning, among other cultural venues.. It is also one of Pittsburgh’s liveliest neighborhoods, with cool coffee shops, multi-cultural eateries and interesting specialty shops alongside grand architecture. Oakland offers all of the attractions of a major university in terms of concerts, lectures, theater and other entertainment, along with a wide variety of retail offerings, bookstores, restaurants and bars (ethnic and otherwise). (onlyinoakland.org)
I am particularly intrigued as I drive to Mansions on Fifth from the highway, to pass a synagogue. This is Squirrel Hill, one of the fastest growing sections of Pittsburgh, which has also been a home to Pittsburgh’s Jewish community for many years. That history is reflected in the storefronts of the neighborhood’s two main business streets, Forbes Avenue and Forward Avenue, which feature a variety of grocery stores, retailers and restaurants honoring the Jewish heritage. But Squirrel Hill is also one of Pittsburgh’s most delightfully diverse neighborhoods as well, with residents (many connected to nearby universities and hospitals) from all over the world, reflected in the diversity of the cuisine of the various restaurants and eateries. Five minutes from downtown Pittsburgh, Squirrel Hill combines tree lined residential streets, a bustling business district, internationally recognized educational institutions, and two large public parks spanning 1100 acres.
Mansions on Fifth,5105 Fifth Avenue, Pittsburgh, PA 15232, 412-381-5105, 800-465-9550, http://mansionsonfifth.com/.
I return to Pittsburgh when I come back to do my second Rails-to-Trails Sojourn on the Great Allegheny Passage, a fantastic rail-trail that stretches across Western Pennsylvania, from Cumberland, Md. to Pittsburgh, this time a longer trip, 150 miles, that finishes on the Montour Trail (see stories).
I had been dazzled by Pittsburgh on my first visit a year ago, and the same is true this time. It is no wonder that this city, built on steel and coal, rejuvenated, revitalized, has been named one of America’s most liveable cities. What is best about it is how it retained the best of old and new.
This time, as luck would have it, I choose a historic hotel, Mansions on Fifth, that is in the Shadyside neighborhood, a short walk away from the Carnegie Museums and the Cathedral of Learning, so that my all-too-brief time in this glorious city is spent immersed in the city’s leading cultural attractions that I had not been able to visit a year ago.
Mansions on Fifth in Pittsburgh’s tony Shadyside neighborhood is the sort of place that when you pull up, your jaw drops. And for the brief time that you are here, you feel what it must have been like to be part of Pittsburgh’s upper-crust, the society of industrial titans. You know how historic places being “living history” places because of people? That’s what you feel like when you stay and inhabit these rooms, continuing the life and spirit of these structures that seem to have a life of their own and stories to tell. People come and go, after all, but these structures remain, albeit in the care of stewards who take on the responsibility. (Whenever I travel, I first check out Historic Hotels of America’s site, historichotels.org, to see if there is a member property because the experience is always extraordinary; for my last visit, I stayed at the Omni William Penn Hotel, an iconic property right downtown. Mansions on Fifth used to be an HHA member, prior to being acquired in 2016 by Priory Hospitality Group, Pittsburgh’s premier owner, operator and developer of independent hotels and event spaces. Among its other holdings, Priory Hospitality Group owns and operates the Priory Hotel and Grand Hall at the Priory on Pittsburgh’s North Shore.)
Indeed, Mansions on Fifth puts you right back into Pittsburgh’s history and its story:
“The late 1890’s and early 1900’s were in many ways Pittsburgh’s golden age, measured by prosperity and economic might, if not by a clean environment. Pittsburgh was a financial and industrial powerhouse as well as a center of river and rail transportation. In 1900, Pittsburgh produced more than half of the crucible steel in the nation, and by 1910, it was the eighth most populous city in the country.
“It was also a time where giants of the business world traversed Shadyside’s Fifth Avenue – ‘Millionaire’s Row’ – on a daily basis. Names such as Carnegie, Mellon, Frick, Westinghouse and Heinz were among the leading citizens of the day.”
This 20,000 sq. ft. mansion was built in the early 1900s by Willis F. McCook, a prosperous attorney and legal counsel to steel and coke magnate Henry Clay Frick for himself, his wife Mary and their 10 children.
McCook was most famous for having represented Frick, but he was highly accomplished in his own right, the notes show.”A groundbreaker in modern day corporate law, McCook studied law at Columbia University following his graduation from Yale in 1873. He was also a pioneering athlete, serving as captain of Yale’s first football team and playing in the first intercollegiate football game in the nation. Later in life, he served as president and director of the Pittsburgh Steel Company, and was a partner in the law firm McCook & Jarrett. He died in 1923 at the age of 72.”
Pittsburgh’s Shadyside neighborhood, which was also home to many of the city’s leading industrialists, innovators and bankers of the city, including George Westinghouse, Frick, Andrew Mellon, Andrew Carnegie and the rest of Pittsburgh’s exceptionally wealthy families of the era.
Here among the leafy green trees on a hilltop, it is easy to imagine how clean and cool the air in comparison to the choking atmosphere of the steel mills that shrouded the city below.
As his mansion was being built, McCook’s daughter Bessie became engaged, so he contracted to build a more modest (but still spacious at 8,000 square feet) home adjacent to his own. The smaller mansion (now the Mansions on Fifth Hotel’s Amberson House) was completed first, and the main house (now called the Fifth Avenue House), was finished in 1906.
The two mansions were designed in the Elizabethan Revivalist and Tudor styles by the architectural firm Carpenter & Crocker, of Pittsburgh’s East End. Many of the firm’s other projects, which range from Florida to Washington state, exist today, including the iconic Trinity Cathedral Parish House in downtown Pittsburgh. The contractor on the McCook estate was Thomas Reilly, who also built the massive and magnificent St. Paul’s Cathedral just down Fifth Avenue from the estate. Reilly also worked with Carpenter & Crocker on the Parish House at Trinity Cathedral.
“McCook and his designers and builders spared no expense, using some of the finest craftsmen of the era, including master ironworker Cyril Colnik (fixtures and decorative items), Rudy Brothers Art Glass (leaded and stained glass installations), and Rookwood Ceramic Tile (for the decorative tile around the fireplaces in the houses). The stunning carved wood in the Grand Hall of the Fifth Avenue House was produced by Woolaeger Manufacturing of Milwaukee. The total cost of the project was $300,000 in 1906 ($7.6 million in today’s dollars).
After McCook died in, 1923, the family continued to live in the main mansion through the 1930’s. But the Great Depression took its toll and the family was unable to keep current with their property taxes. Seized for sheriff’s sale by the Allegheny County Sheriff’s Department, the mansion was purchased in 1949 by Emil Bonavita, Sr. and his wife Margaret for $28,000. The Bonavitas moved into the mansion with their two children, Emil, Jr. and Charles.
As a way to pay for upkeep for the massive building, the Bonavitas rented out rooms on the upper floors to students at nearby Carnegie Mellon University. Students were thoroughly screened, and many of those attracted to the historic property were studying at CMU’s prominent arts and theater schools. According to Pittsburgh Post-Gazette architecture writer Patricia Lowry, tenants included Albert Brooks, Andy Warhol, Shirley Jones and George Peppard. Margaret, who acted as a house mother to the many students who resided at the home over the years, resided in the McCook mansion until her much mourned death in 2003.
Bessie McCook Reed, for whom the Amberson House was built in 1905, lived in the home from the time of her marriage until her passing in 1966. Three years later, Emil Bonavita, Jr. and his wife Marie acquired the Amberson House and moved in to raise their family of four children. Emil and Marie also assisted in the boarding operations at the larger Fifth Avenue House.
In 2004, the Fifth Avenue House, the main mansion, sustained a horrific fire which caused extensive damage to the upper floors. The building became uninhabitable, and its tenure as a home for students ended. Emil and Marie looked to sell the damaged mansion to a purchaser who would restore it.
Pittsburgh preservationists, husband and wife Mary Del Brady and Richard Pearson, acquired both houses of the former McCook estate from the Bonavitas for $1.5 million. Their idea was to redevelop the property into a boutique hotel and event center. Restoration and repair work, which was extensive given the fire damage, began in January 2010. The Fifth Avenue House, the primary mansion, was completed in early 2011 and opened to the public in March of that year with 13 guest rooms and suites, the grand hall event space, a library, the Oak Room pub, and two private dining rooms. The adjacent Amberson House, with 9 guest rooms and suites, opened in November 2012. Total cost of the project exceeded $8,000,000.
The properties were recognized as an historic landmark by the National Trust for Historic Preservation in 2012.
New Era for Mansions on Fifth
In late September 2016, Pittsburgh-based boutique hotel owner/operator Priory Hospitality Group acquired the operating assets of the Mansions on Fifth Hotel and assumed operations of the Shadyside property. Owned and operated by the Graf family since 1986, the Priory Hospitality Group’s properties include the award winning Priory Hotel (a Tripadvisor Hall of Fame member), Grand Hall at the Priory event facility (Best Wedding Venue – City Paper 2016; Best of the Knot 2006-2016; Pittsburgh Magazine Best Restaurant 2012 & 13), and Priory Fine Pastries commercial and retail bakery (Runner Up – Pittsburgh Magazine Best Bakery 2012 & 13).
Priory Hospitality Group invested considerably to upgrade the properties and amenities.
The Mansions on Fifth today offers 22 elegant guest rooms (each one different; you feel more like a family guest than an out-of-towner) in the two distinct historic buildings – the main 20,000 sq. ft. Fifth Avenue House and the adjacent 8,000 sq. ft. Amberson House. The Fifth Avenue House also has the hotel’s reception desk, dining room, Oak Room pub, chapel, library and wine cellar.
The Front Desk is staffed 24 hours a day to provide help with directions, restaurant recommendations, check in, , while butlers are available from 7 a.m. to 11 p.m. every day to assist.
My room is in the Amberson House, which for your all-too-brief stay makes you feel like you are really at home in a mansion. The Amberson House offers its own cozy and comfortable first floor common areas in addition to guest rooms. It would be perfect for a family or group to take over (indeed, during my stay, there is a large wedding party.)
You can appreciate the renovations: each of the elegant guest rooms and suites features a spacious bathroom with glass and ceramic shower enclosures, Gilchrist and Soames organic bath and shower amenities, and soft, thick towels woven with bamboo fibers.
Some guest rooms and suites also feature fireplaces and jetted tubs. The spacious Presidential Suite has two separate bedrooms and baths and nearly 1,000 square feet of living space.
In addition, the Mansions on Fifth Hotel offers a wide variety of amenities and services, including: complimentary continental breakfast (with a more hearty ala carte breakfast available at an additional cost); complimentary newly upgraded Wireless Internet service; complimentary on premise parking (not a small matter in Pittsburgh); guest computer with WiFi access and printer; Fitness Center and The Oak Room pub, open 4 p.m. to 11 p.m. daily, featuring craft cocktails, fine wines, and a variety of microbrew beers.
The Oak Room pub also is the venue for a variety of weekly events, from wine flights, to whiskey tastings, to live music.
Mansions on Fifth is a delightful venue for weddings (there is one that had just finished when I arrive), family reunions and special events. You can basically take over the two mansion homes.
(I am also intrigued to visit the Priory Group’s historic, 42-room boutique hotel that was once a Benedictine monastery, built in 1888, meticulously restored to modern standards and featuring all the amenities of a large downtown property with the intimacy of a small European hotel, located in Deutschtown on the North Shore, a near walk to the Andy Warhol Museum and downtown Pittsburgh. The Priory Group spent $2.7 million to upgrade the property, adding a new, larger front desk and a cozy pub — the Monks’ Bar – in the original building, a Fitness Center and Business Center, as well as state of the art meeting space in a new wing.)
Mansions on Fifth,5105 Fifth Avenue, Pittsburgh, PA 15232, 412-381-5105, 800-465-9550, http://mansionsonfifth.com/.
Taking the Sheepskin Trail off the Great Allegheny Trail – a fantastic railtrail that extends 140 miles across Western Pennsylvania, which is the focus of Rails-to-Trails Conservancy’s Sojourn biketour – you bike through woods, over the railroad tracks, over a stream, and suddenly, the forest opens up and suddenly, Dunbar appears, like Brigadoon.
It is as if time stopped still. There are no people on the street. Nothing is moving.
Dunbar once bustled as a manufacturing center for wire corrugated glass – the kind of glass you likely grew up with in schools and government buildings; as a transit center and coke ovens. The buildings, from 1904 and 1906 (a common date we find as we go through these small towns), look vacant now. It reminds me, again, of a movie set. We are greeted here at Dunbar’s Historical Society, housed in what used to be the US Post Office building (constructed 1903-1907), which harbors a really wonderful collection of artifacts. But in just the past two years, Dunbar has acquired a world-class piece of art that has put this tiny town back on the map – and not just for the internationally renowned artist, but for how the piece, “Seated Torso” – the largest glass sculpture in the world – came to Dunbar: Donald Trump.
Pat Trimbath a member of the Historical Society’s board, tells us the wonderful story of a 60-year odyssey of this piece of glass, which began here as an abandoned two-ton chunk.
Dunbar used to be a center for glassmaking, and specifically, the manufacture of shatterproof glass reinforced with corrugated wire but when the Pennsylvania Wire Glass Company shut down in 1955, it was full of large chunks of glass, including a two-ton piece of green/blue glass in its furnace.
Artist Suzanne Regan Pascal learned of the treasure trove of glass in Dunbar in 1960 and stayed in Dunbar for an entire year, working on sculpting glass. She bought all the glass and had it moved to her Beverly Hills studio. (There is a marvelous display with photos of Pascal chiseling the “Seated Torso”.)
She produced many sculptures from the Dunbar glass between 1961-67, had various gallery shows, and ultimately sold many of them to patrons including President and Nancy Reagan, Frank and Barbara Sinatra, Henry Mancini, and Armand Hammer who presented a sculpted glass necklace to Princess Diana for her wedding.
In 1994, Pascal sold the Seated Torso to billionaire John Kluge for $3 million. He moved it to Charlottesville, Virginia, where it was placed in the center of a fountain in his Morven Carriage House.
After Kluge died in 2010, Donald Trump purchased his estate including the carriage house. About this time, Donna Myers, Dunbar Historical Society secretary, put a question on Askart.com seeking information of the Seated Torso.
In 2013, the head winemaker at what became the Trump Vineyard Winery found the two-year old question and contacted Myers, offering the Seated Torso to the Dunbar Historical Society if the society could raise the funds to move it back to Dunbar – $11,000.
Trimbath tells us that once the association with Trump was known, “donations poured in.”
The Dunbar Historical Society built an annex to its building, and the sculpture was officially opened to the public in May 2016 (coinciding with our Sojourn). We noticed a change from last year: the letter and photo from Donald J. Trump was moved to a slightly less prominent corner.
