“Liberty’s War” Exhibit at American Merchant Marine Museum Spotlights Unsung Heroes of WWII

Scots maritime artist Jim Rae depicts a German aircraft firing on the Murmansk-bound Liberty ship, SS Cornelius Harnett, part of the convoy JW-52 in the Norwegian Sea, Jan. 25, 1943. The painting is included in the “Liberty’s War” exhibit at the American Merchant Museum Museum, Kings Point © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The first stunning realization from the new exhibit at the American Merchant Marine Museum, “Liberty’s War,” is how vital the cargo ships, manned by civilian volunteers, were to winning World War II. The second is how dangerous this was – the convoys of merchant ships under near-constant attack by U-boats, Luftwaffe and kamikaze aircraft. Indeed, more than 9,500 merchant mariners lost their lives manning nearly 3,000 ships during the war. And finally, that the merchant seamen only received $5,000 compensation if they were killed or disabled in the war, and were not eligible for any of the GI Bill benefits the soldiers received. This probably tells the story more than anything else why their heroism is unsung and virtually unknown until a memoir of one engineer, Herman Melton.

The new exhibit, which is on view through February 28, 2019, is based on the life and wartime experiences of Herman Melton, a graduate of USMMA’s class of 1944, as described in his memoir edited by his son, Will Melton, Liberty’s War: An Engineer’s Memoir of the Merchant Marine, 1942-45.. Herman Melton became an engineer, serving from 1942 to 1945 on so-called Liberty ships. His position on the ships – in the engineering room deep in the bowels of the ship– was particularly hazardous because enemy submarines would target the engine rooms as the most vulnerable part of a ship. But the men had to stay in their positions to give the ship a fighting chance for survival.

Will Melton autographs a copy of the memoir of his father, Herman Melton, an engineer on a Liberty ship in World War II, at the opening of the “Liberty’s War” exhibit at the American Merchant Marine Museum, Kings Point © 2017 Karen Rubin/goingplacesfarandnear.com

Indeed, the USMMA is the only military academy that flies the Battle Standard, in honor of the 142 of its students who died aboard merchant ships in World War II – tributes to them play in a tiny chapel-like room in the former Barstow mansion where the museum is housed. In all, more than 9,500 merchant mariners lost their lives in World War II.

The USMMA actually came into creation because of World War II – the need to staff the merchant ships was so critical that a four-year training program was compressed into 18 months.

The role of these Liberty ships – there were nearly 3,000 of the cargo ships between 1941 and 1945 – was critical to supply the war effort, to bring fuel and supplies to allies.

“They were an absolutely crucial link in the Allied supply chain that ultimately resulted in victory in 1945,” Joshua Smith, interim director of the American Merchant Marine Museum, writes in the exhibit’s brochure. “Too often that story gets ignored, but in the American Merchant Marine Museum’s latest exhibit, ‘Liberty’s War,’ the story of these valiant little freighters is told through the eyes of a young man from Texas, Herman Melton.”

Herman Melton was 89 years old when his son convinced him to write a memoir. As the exhibit notes reveal:

Melton faced combat in both the Atlantic and Pacific Theatres during World War II, always serving aboard Liberty ships, the slow but enormously useful vessels that carried the supplies that propelled the Allies to victory.  During his time on convoy duty in three oceans, Herman entered combat at sea in some of the fiercest fighting with both the Germans and the Japanese. In the treacherous Murmansk run of 1942-43, Herman sailed as a Cadet-Midshipman as American and British merchant ships delivered urgently needed Lend-Lease supplies to the Soviet Union. Allied convoys faced German U-boats and Luftwaffe torpedo bombers operating at their peak efficiency, out of Norwegian bases.  The result was that many Allied supply ships were lost, and many merchant mariners died while trying to supply the Russians.

“Liberty’s War” exhibit includes photos of some of the men who served on the Liberty ships © 2017 Karen Rubin/goingplacesfarandnear.com

During his January 1943 voyage across the Arctic Sea to north Russia, Herman’s Liberty ship, SS Cornelius Harnett, was attacked by torpedo bombers of Germany’s Coastal Air Group 406 based in Norway.  Herman’s battle station called for him to carry ammunition and reload shell magazines for the U.S. Navy Armed Guard gun crew aboard the Harnett. The gunners helped to shoot down two of the four attacking aircraft, and their commander received the Silver Star from the U.S. Navy for his performance in the action. More than fifty years later, The Russian Embassy in Washington recognized Melton in a 1992 ceremony with a medal from the Russian Government for his service.

Herman again entered a deadly combat zone during the Allies’ invasion of the Philippines in the fall of 1944. Airmen of the combined Japanese army and naval air forces waged a do-or-die battle against American forces. Herman was now the Third Assistant Engineer aboard SS Antoine Saugrain in an Allied convoy steaming from New Guinea carrying specially-trained troops and super-secret anti-aircraft equipment. During an attack by Japanese torpedo bombers, the Saugrain took two direct hits before its Master gave the order to abandon ship off Leyte Island. Although the ship’s rafts and lifeboats could carry only a fraction of the more than 200 crew and soldiers to be rescued, all hands survived thanks to two U.S. Navy frigates dispatched to pick up men in boats and swimming in the water. After two more attacks by Japanese bombers, the Saugrain was sent to the sea bottom.

Helen and Herman Melton were married in the chapel at the US Merchant Marine Academy, Kings Point © 2017 Karen Rubin/goingplacesfarandnear.com

The exhibit also tells a love story, Herman’s wartime romance with Helen Dunn, his Kansas junior college sweetheart. Before departing for service in General Douglas MacArthur’s war in the South West Pacific, Herman and Helen were married in a saber ceremony in the Academy’s chapel in the old Chrysler mansion.

It is this personalization that makes the exhibit all the more poignant.

Melton’s memoir is being published by U.S. Naval Institute Press in September, to coincide with the museum’s exhibit highlighting Herman’s experiences battling both the Germans and the Japanese.

The American Merchant Marine Museum showcases the vital role that merchant mariners play in war and peace © 2017 Karen Rubin/goingplacesfarandnear.com

The “Liberty’s War” exhibit is illustrated with wonderful photos – personal as well as military – along with period uniforms, souvenirs of Herman’s wartime assignments and documents of his training as one of the first Engineer Cadet-Midshipmen of the USMMA, artifacts, ship models, and maps that let you trace Melton’s own harrowing journey as well as a superb documentary video you can watch in a small alcove.

Scots maritime artist Jim Rae depicts a German aircraft firing on the Murmansk-bound Liberty ship, SS Cornelius Harnett, part of the convoy JW-52 in the Norwegian Sea, Jan. 25, 1943. The painting is included in the “Liberty’s War” exhibit at the American Merchant Museum Museum, Kings Point © 2017 Karen Rubin/goingplacesfarandnear.com

In addition, there are remarkable paintings that were created by Jim Rae, who came to the exhibit opening at Kings Point from his home in Scotland to attend the opening reception, September 8. Rae’s drawings and paintings, which he has been making since he was a boy, are remarkably precise and exacting – he says he can complete one in the time it takes to watch a show over lunch.

Paintings by Scots maritime artist Jim Rae show the drama of the Liberty ships © 2017 Karen Rubin/goingplacesfarandnear.com

Rae has spent his life at sea – first as a cabin boy in the British Merchant Navy and later enlisting in the Royal Navy. “It was while serving on various aircraft carriers that I took up painting once again.”

Rae says his subjects “are really quite specialized: not many people want a painting of the ‘Battle of the North Cape’ unless Granddad served in one of the ships taking part. I tend to concentrate on lesser known events, and the ‘little ship’ rather than the battleship and great battles.”

Captain Hugh Stephens, now an adjunct professor at SUNY Maritime, recalled his pwm experience serving on one of the Liberty merchant ships during World War II during the opening of the “Liberty’s War” exhibit © 2017 Karen Rubin/ goingplacesfarandnear.com

Barstow Mansion

The setting of the Barstow Mansion, now the American Merchant Marine Museum, on Kings Point, overlooking Long Island Sound, on the campus of the US Merchant Marine Academy © 2017 Karen Rubin/goingplacesfarandnear.com

The Merchant Marine Museum is housed in the former Barstow Mansion.

The Gold Coast mansion, harking back to the Gilded Age, is utterly stunning, William Slocum Barstow, the first mayor of Kings Point, made his fortune first, as a partner with Thomas Edison until he set out on his own, in 1901, one of the first electrical engineers. He founded many electric utility companies and was the man responsible for lighting the Brooklyn Bridge. He was very much involved in Great Neck community, even funding the bridge and overpass at the Long island Railroad to cut down on the fatalities when the train crossing was a street level, and he and his wife donated the funds for the Woman’s Club of Great Neck. The Mediterranean Revival-style mansion was Barstow’s main residence The Barstow Mansion was his main residence from 1 915 until the end of his life, in 1942, and then his wife’s until 1953 when it was sold to the Lundy family (of Lundy Restaurant fame). The architectural features – wood paneling, decorative ceilings – are breathtaking.

The American Merchant Marine Museum is located on the grounds of the U.S. Merchant Marine Academy, 300 Steamboat Road, Kings Point, NY 10024fammm.us. Admission is free, and it is open to the public from 10 a.m. to 3 p.m., Tuesday through Friday (closed during USMMA holidays and the month of July).  It is highly recommended that you call (516) 726-6047 or e-mail [email protected] before visiting.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

A Day in The Gunks: Out of the Gym, Ascending New Heights of Rock Climbing

A Day in The Gunks with High Xposure guide Bobby Ferrari: Laini tackles Pitch 1 of her first multi-pitch climb, Triple Bulges (photo by David Leiberman/Travel Features Syndicate)

By David Leiberman & Laini Miranda

Travel Features Syndicate, goingplacesfarandnear.com

 

As we discovered, climbing in a gym is very different from climbing a real mountain face. One of the best places in the world to learn how to climb is practically in our own backyard: the Shawgunk Mountains, affectionately nicknamed “The Gunks,” is just six miles from New Paltz and offers some of the best rock climbing in the East.

The Mohonk Preserve, New York State’s largest private, nonprofit nature preserve with over 8,000 acres, owns this section of the Shawgunk Mountains and charges a $20 day-use fee for climbers (a season pass is available, also). Of the 200,000 visitors that the Preserve welcomes in a year, 80,000 are climbers who have more than 1,000 climbing routes – five linear miles of cliff face – to venture out on, with near access to parking and sanitary facilities.

In the early 1950s, there may have been 50 climbers on a busy day in The Gunks.  By the 1990s, that number grew to 500-800. Today, The Gunks have become a world-class climbing area, offering some of the best climbing in the eastern United States. What is more, The Gunks offer particularly friendly terrain for people (like us) who have never climbed real rock faces before. The vertical cliffs and their overhangs create a wide variety of high-quality climbs of varying levels of difficulty. The distinctive, stark, white cliffs of the Gunks are as tough as they look – with sharp angles testing your skill and with quartz pebbles and deep fissures providing multiple holds.

It’s also an ideal place to climb safety, with some of the best-trained, vertical rescue teams in the northeastern United States. Indeed, guide companies have to be registered with Mohonk Preserve. In collaboration with climbing guides and groups, the Preserve regularly hosts climbing clinics.

And so, for our first climbing venture, we went out with with Bobby Ferrari of High Xposure Adventures ($350 for two for a full day program, 9 am to 4:30 pm). The conditions were ideal: bright sun and cool temperatures for a summer’s day.

High Xposure was founded in 1974, and has been guiding rock and ice climbing trips in the Gunks and Catskills Mountans for more than 40 years. Its accreditation with American Mountain Guides Association (AMGA) dates back to 1986, when the accreditation program was established.

High Xposure works with climbers of all abilities and experience – from total beginners, introducing them to outdoor rock climbing, to avid climbers visiting the Gunks from other regions and interested in climbing the Gunks classic routes. The company also organizes group climbing trips – corporate outings, family retreats, adventure groups. “We have extensive experience working with kids – during school breaks, we guide rock climbing outings for summer camps and boy scout groups.

High Xposure offers a wide range of climbing programs – rock climbing techniques, rope management and anchors, multi-pitch, and lead climbing.

It was an ideal program for us to make the transition from climbing in a gym to climbing the real thing.

The list of registered guide companies includes:

Alpine Endeavors  (845) 658-3094, alpineendeavors.com

Alpine Logic (207) 949-1736, alpine-logic.com

Eastern Mountain Sports (EMS)  (800) 310-4504, emsclimb.com

High Xposure Adventures  (800) 777-CLIMB, high-xposure.com

Mountain Skills  (845) 853-5450, mountainskills.biz

Ragged Mountain Guides (203) 228-2311, raggedmountainguides.com

Vertical Gains (845) 926-2502, verticalgains.com

Vitti Mountain Guides (845) 901-3687, vittimtguides.com

Mohonk Preserve is also popular for bouldering, with acres of boulders that offer hundreds of problems – from basic to advanced; climbers come from all over the country to try out the new problems put up almost every day.

This is a year-round destination with ice climbing. The best active time of year, and when the guide companies are most active is from April through November.

Rock Climbing Guidebooks: The Climbers Guide to the Shawangunks: The Trapps (revised 2nd ed. ©2016) by Dick Williams is available for purchase at the Nature Shop  in the Visitor Center for $34.99. Ivan Greene and Marc Russo, Bouldering in the Shawangunks, Jefe Publication

Download Gunks Apps Rock Climbing Guide to Your Mobile Device: Bring a digital guidebook with you on any mobile device. Gunks Apps climbing giudebooks are now available for purchase for Trapps RoutesNears RoutesTrapps Bouldering, and Nears Bouldering

Check out these sources for climbing and bouldering suggestions: www.gunksapps.com

Bobby Ferrari of High Xposure Adventures teaches us how to simul-rappel down Snooky’s Return

Mohonk Preserve

Mohonk Preserve is one of the few private, nonprofit (NGO) climbing areas in the United States and is financially supported by members and visitors. It is open to the public 365 days a year. (You can join online now, or you can buy a day pass or membership at a trailhead or at the Visitor Center.)

Here is more helpful info from the Preserve’s website:

Be aware that you climb at your own risk on the Preserve, which isn’t responsible for the condition of the cliffs, climbing protection, climber behavior, or training or supervising climbs. For your safety, read the Preserve’s Climbing Policy.

Help protect the resource. Prevent damage to the cliffs and to the fragile life found here:

         Use only established trails and carriage roads.

         Use the yellow-blazed climber approach trails in the Trapps.

         Avoid damaging lichen and vegetation growing on the cliff and treat the rock gently: tree cutting, rock trundling, hold chopping, and bolting or gluing of holds are prohibited.

         Minimize chalk use and brush off heavily chalked holds.

         Leave only rock-colored slings at rappel stations.

Parking is extremely limited on weekends and holidays. During peak seasons, parking lots fill early. Ease traffic congestion by carpooling or coming at off-peak times.

Dogs must be attended and leashed at all times. To avoid having your dog disturb others, don’t leave your dog tied-up at the base of a climb. If you leave your dog unattended, it will be removed by an animal control officer.

Keep the trails at the base clear so others can pass by.

Camping is available at the Samuel F. Pryor III Shawangunk Gateway Campground on Rte. 299. For more information, click here (mohonkpreserve.org/camping).

For other hotel and lodging information, see the Area Guide (mohonkpreserve.org/area-guide).

Becoming a member helps keep the cliffs open to climbers and provides ongoing support for the preserve’s climbing management program – recognized as a model by the UIAA  (International Mountaineering and Climbing Federation).

You can also:

  • Volunteer for trail maintenance and other projects that ensure climber access.
  • Become involved with the Gunks Climbers’ Coalition – a local climbing advocacy group.
  • Donate to the Thom Scheuer Memorial Fund for Land Stewardship, which helps build and maintain climber facilities, including trailheads, parking areas, and sanitary facilities. To contribute, contact the Development Department at (845) 255-0919 ext. 1240.

For more information visit www.mohonkpreserve.org/climb, 845-255-0919.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Photos Show Intensity of Action Underway at 2017 US Open Tennis Championships

Gael Monfils of France, seeded 18, defeats Jeremy Chardy of France 7-6, 6-3, 6-4 during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Some 87 matches were contested on Wednesday, August 30, to complete Round 1 after a largely rained out Tuesday. Fans were treated to an amazing array of tennis champions.

Here are highlights in photos:

Gael Monfils of France, seeded 18, in action against Jeremy Chardy of France during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Gael Monfils of France, seeded 18, in action against Jeremy Chardy of France during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Jeremy Chardy of France tries to stave off fellow countryman Gael Monfils, seeded 16, in Round One match during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Svetlana Kuznetsova of Russia, seeded 8, in action against left-hander Marketa Vondrousova of Czech Republic, triumphs after losing the first set and going to a tie-break in the third, 4-6, 6-4, 7-6, at the 2017 US Open © 2017 Karen Rubin/news-photos-features.com
Marketa Vondrousova of Czech Republic in action against 8-seed Svetlana Kuznetsova of Russia at 2017 US Open © 2017 Karen Rubin/ news-photos-features.com
Svetlana Kuznetsova of Russia serves to Marketa Vondrousova of Czech Republic, at the 2017 US Open © 2017 Karen Rubin/news-photos-features.com
David Goffin of Belgium, seeded 9 in action against Julien Benneteau of France, beating him in Round 1 in four sets, 6-4, 2-6, 6-4, 6-2, at the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Julien Benneteau tries to stave off 9-seed David Goffin of Belgium at the 2017 US Open Tennis Championships © 2017 Karen Rubin/news-photos-features.com
Agnieszka Radwanska of Poland, seeded 10, brought a precision game to defeat Petra Martic of Croatia in straight sets, 6-4, 7-6 in first-round play at the 2017 US Open Tennis championships © 2017 Karen Rubin/news-photos-features.com
Petra Martic of Croatia in first-round action against 10-seed Agnieszka Radwanska of Poland at the 2017 US Open Tennis championships © 2017 Karen Rubin/news-photos-features.com
Lucas Pouille of France, seeded 16, prevails over Jared Donaldson of the USA after five sets (7-5, 6-4, 4-6, 3-6, 6-4) in Round 2 action against during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
One of the most exciting contests of the day, Jared Donaldson of USA brought 16-seeded Lucas Pouille of France to a five-setter in Round 2 of the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Lucas Pouille of France, seeded 16, prevails over Jared Donaldson of the USA after five sets in Round 2 action against during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Jared Donaldson who came back from two sets down to win the next two sets, was ultimately broken at 5-4 in the 5th set against 16-seed Lucas Pouille of France in Round 2 of the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Shuai Zhang of China, seeded 27, defeated Sabine Lisicki of Germany 6-7, 6-3, 6-0 to move to the second round of the 2017 US Open Championships © 2017 Karen Rubin/news-photos-features.com
After winning the first set in a tie-breaker, Sabine Lisicki of Germany lost her first-round match to 27-seed Shuai Zhang of China at the 2017 US Open Championships © 2017 Karen Rubin/news-photos-features.com
Shuai Zhang of China, seeded 27, in action against Sabine Lisicki of Germany at the 2017 US Open Championships © 2017 Karen Rubin/news-photos-features.com
Marin Cilic of Croatia, seeded 5, easily dispatched Florian Mayer of Germany, 6-3, 6-3, 6-3 to move on to the third round at the 2017 US Open Tennis Championships © 2017 Karen Rubin/news-photos-features.com
Florian Mayer of Germany was no match for Marin Cilic of Croatia, seeded 5, at the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Grigor Dimitrov of Bulgaria, seeded 7, easily dispatches Vaclav Safranek of Czech Republic, 6-1, 6-4, 6-2, on the Grandstand courts at the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Vaclav Safranek of Czech Republic in action against 7-seed Grigor Dimotrov of Bulgaria Round One match during the 2017 US Open at the USTA Billie Jean King National Tennis Center in Flushing, NY © 2017 Karen Rubin/news-photos-features.com
Shelby Rogers of Charleston SC, defeated fellow American Kayla Day of Santa Barbara, 6-2, 4-6, 6-4 to advance to her second round at the 2017 US Open Tennis Championships © 2017 Karen Rubin/news-photos-features.com
Kayla Day of Santa Barbara in action against fellow American Shelby Rogers of Charleston SC at the 2017 US Open Tennis Championships © 2017 Karen Rubin/news-photos-features.com
Icing on the cake: watching tennis great Venus Williams, seeded 9 in the US Open, warming up before her night match in Arthur Ashe Stadium against Oceane Dodin of France, who she went on to defeat in straight sets, 7-5, 6-4 to move on to the third round of the 2017 US Open Tennis Championships © 2017 Karen Rubin/news-photos-features.com
Venus Williams, who won the US Open Singles title in 2000 and 2001 and Doubles title in 1999 and 2009, has played in 18 US Opens. She holds 49 career singles titles and 22 career doubles titles © 2017 Karen Rubin/news-photos-features.com

See also:

32 Qualifiers Win Their Spot in 2017 US Open Tennis Championships

Festive Atmosphere as US Open Tennis Championship Opens Gates to All for Qualifying Matches

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

12th Annual Jazz Age Lawn Party on Governors Island Ends on High Note

Dancing to the “hot jazz” of Michael Arenella and His Dreamland Orchestra at the 12th Annual Jazz Age Lawn Party on Governors Island © 2017 Karen Rubin/ goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The 12th annual Jazz Age Lawn Party on Governor’s Island nestled between the tip of Manhattan and Brooklyn ended on a high note, Sunday, August 27.

People of all ages, dressed to the nine’s in flapper dresses and glad rags, bearing wicker picnic baskets, stream from the ferries from Manhattan and Brooklyn, onto the island with its forts and structures from the Civil War and World War II. Mere minutes from Manhattan and Brooklyn, and yet a world and an era away.

Dancing the exuberant Peabody © 2017 Karen Rubin/ goingplacesfarandnear.com

A celebration of the “hot jazz” and joie de vie of the Roaring ‘20s, the festive event never fails to inspire sheer carefree happiness.  It offers the full complexion, tapestry and vibrancy of New York – people of all ages and stripes turn out and for this all-too-brief time, help turn back the clock.

Conductor, composer, musician and crooner Michael Arenalla and his Dreamland Orchestra create this literal dream, with his meticulously recreated, personally transcribed songbook of the 1920s and 30s.

Michael Arenella comes onto the dance floor © 2017 Karen Rubin/ goingplacesfarandnear.com

The entertainment abounds on two stages (and two dance floors): The Dreamland Follies evoke Ziegfeld-esque grand dance routines; Roddy Caravella and the Canarsie Wobblers is a fun-loving dance troupe that conjures the rebellious and exuberant spirit of Roaring ‘20s; Peter Mintun takes the moniker of “world’s greatest piano man”; the Gelber & Manning Band delight with their spirited music.

Roddy Carravella and wife Gretchen Fenston (wearing her own dress and hat creations) demonstrate how to dance The Peabody © 2017 Karen Rubin/ goingplacesfarandnear.com

The event on Sunday, August 27, starts with Roddy Caravella and his wife Gretchen Fenston (who is also a milliner and costume designer in addition to being a ballroom dancer) giving a marvelous lesson in dancing The Peabody (which Caravella notes was created in 1915 by William Frank Peabody, a New York police lieutenant, who was a rather portly gent, who nonetheless loved a spirited, fast-paced dance; the innovation is in holding his partner on his right side to accommodate his girth. Caravella walks an enthusiastic group through the various movements: “The steps start and finish toe to toe,” (Caravella refers to gender-neutral “leaders” and “followers”), coming to the part of swirling the partner, “delicately flowering air” and the dipping motion.

A family affair: learning to dance The Peabody © 2017 Karen Rubin/ goingplacesfarandnear.com
Dancing the Peabody © 2017 Karen Rubin/goingplacesfarandnear.com

The afternoon is interspersed with fun activities as well which you can join: Peabody Dance Contest to determine who is the Bee’s Knees; Bathing Beauties and Beaus Promenade, wearing vintage swimming outfits of the age; The High Court of Pie Contest.

Shannon Axelrod of New Jersey and James LaFarge of NYC (right) are declared winners of the Peabody Dance Contest, edging out prior years’ winners Milo Saidl of Czechoslovakia and Michael Mooney of NYC © 2017 Karen Rubin/ goingplacesfarandnear.com
Presenting the winner of the Bathing Beauties Promenade © 2017 Karen Rubin/ goingplacesfarandnear.com

The second stage features The Great Dubini and Drew Nugent and the Midnight Society.

You can immortalize the day in your own Vintage Portraits-You Ought To Be In Pictures, perched on a Paper Moons or in tintypes using the same techniques and chemicals (a mixture of gunpowder and ether) as were used more than a century ago; Antique Gramophones reanimate original recordings from the 1920s.

The only thing that bursts the illusion are the ubiquitous cell phones, but being captured in photos and videos streamed to Instagram seems as important to the happening as the music.

Adrienne Smith and Chrissie Capobianco of NYC at the Jazz Age Lawn Party © 2017 Karen Rubin/goingplacesfarandnear.com

At the end, a rather sentimental Michael Arenella, showing his appreciation to his audience and fans, notes that when he originated the Jazz Age Lawn Party 12 years ago on Governors Island, it was just a small gathering of 50 friends and fans. The event has grown in popularity over the years “because of you,” who do so much to fulfill the look and feel of the 1920s and 30s. Some 20,000 fans come from all over during the course of the two weekends, in June and August.

 

Michael Arenella, who founded the Jazz Age Lawn Party on Governors Island 12 years ago, leading his Dreamland Orchestra © 2017 Karen Rubin/ goingplacesfarandnear.com
Michael Arenella comes onto the dance floor © 2017 Karen Rubin/ goingplacesfarandnear.com

Here are highlights of the Jazz Age Lawn Party in photos:

“Paddlin Maddlin” by the Dreamland Follies © 2017 Karen Rubin/ goingplacesfarandnear.com
“Varsity Drag” by Roddy Caravella & The Canarsie Wobblers© 2017 Karen Rubin/ goingplacesfarandnear.com
Dreamland Follies dance “Temptation” choreographed by Jordana Toback © 2017 Karen Rubin/goingplacesfarandnear.com
Roddy Caravella & The Canarsie Wobblers dance “Baltimore Number 2” © 2017 Karen Rubin/goingplacesfarandnear.com
Emcee Robert Ross announces winners of the High Court of Pie contest © 2017 Karen Rubin/goingplacesfarandnear.com
Peter Mintun, “world’s greatest piano man” © 2017 Karen Rubin/ goingplacesfarandnear.com
Bathing Beauties at the Jazz Age Lawn Party © 2017 Karen Rubin/ goingplacesfarandnear.com
Jazz Age Lawn Party on Governors Island © 2017 Karen Rubin/ goingplacesfarandnear.com
Enjoying the atmosphere of the Jazz Age Lawn Party on Governors Island © 2017 Karen Rubin/goingplacesfarandnear.com
Pauline Coley of Connecticut and sister Nicola Coley of Queens © 2017 Karen Rubin/goingplacesfarandnear.com
One of the Bathing Beauties © 2017 Karen Rubin/goingplacesfarandnear.com
Alison Kelley & Willow the poodle of NYC on the Jazz Age Lawn Party dancefloor © 2017 Karen Rubin/goingplacesfarandnear.com

Can’t wait until next year’s Jazz Age Lawn Party? Michael Arenella also performs at The Clover Club, Flatiron Lounge and the Red Room. Visit www.DreamLandOrchestra.com.

See also: Gatsby-esque Jazz Age Lawn Party is Joyful Escape on Governors Island

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

32 Qualifiers Win Their Spot in 2017 US Open Tennis Championships

Denis Shapovalov of Canada, seeded #2, earned his spot in the 2017 US Open Tennis Championships after defeating Jan Satral of Czechoslovakia in the third-round of the Qualifying matches © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

32 of the 128 who entered the US Open Qualifying Matches have won their chance to compete in the US Open Tennis Championships – and earned a $50,000 purse, as well – after winning their third round matches. Along the way, top-seeds were toppled, including both the #1 seed in the Men’s tournament (Leonardo Mayer  of Argentina) who fell to 18th seed Maximillan Marterer of Germany in straight sets (4-6, 5-7) and the #1 seed in the Women’s tournament, Su-Wei Hsieh of Taipei, who also was defeated in straight sets to Kaia Kanepi of Estonia, 2-6, 4-6)

Maximillan Marterer of Germany, seeded 18th, defeated the No. 1 seed Leonardo Mayer of Argentina, to secure a place in the 2017 US Open Tennis Championships© 2017 Karen Rubin/goingplacesfarandnear.com

The popular 2nd seeded man, Denis Shapovalov of Canada, who had to qualify despite zooming up in the rankings from 143rd to 67th in the world after his performance in the Rogers Cup, drew a standing room-only crowd at his third-round match, overcame the loss of the first set tie-breaker, to go on to decisively defeat Jan Satral of Czechoslovakia (6-7, 6-1, 6-3).

Denis Shapovalov of Canada © 2017 Karen Rubin/goingplacesfarandnear.com

Here are highlights from the fourth day of the qualifying matches at the Billie Jean King Tennis Center in Flushing Meadow Park, Queens, New York, and photos of those who have won coveted chance to compete in the 2017 US Open Championships:

 

Leonardo Mayer  ARG-1

Maximillan Marterer GER-18

4-6, 5-7

Leonardo Mayer of Argentina © 2017 Karen Rubin/goingplacesfarandnear.com
Maximillan Marterer of Germany © 2017 Karen Rubin/goingplacesfarandnear.com

 

JC Aragone-USA

Akira Santillan-AUS

6-3, 2-6, 6-3

 

 

Akira Santillan of Austria © 2017 Karen Rubin/goingplacesfarandnear.com
JC Aragone of USA © 2017 Karen Rubin/goingplacesfarandnear.com

 

Su-Wei Hsieh TPE-1

Kaia Kanepi EST

2-6, 4-6

Su-Wei Hsieh of Taipei © 2017 Karen Rubin/goingplacesfarandnear.com
Kaia Kanepi of Estonia © 2017 Karen Rubin/goingplacesfarandnear.com

 

Denis Shapovalov CAN-2

Jan Satral CZE

6-7, 6-1, 6-3

Denis Shapovalov of Canada © 2017 Karen Rubin/goingplacesfarandnear.com
Jan Satral of Czechoslovakia © 2017 Karen Rubin/goingplacesfarandnear.com
Denis Shapovalov of Canada © 2017 Karen Rubin/goingplacesfarandnear.com

 

Sachla Vickery USA

Jamie Loeb USA

6-3, 6-4

Sachla Vickery and Jamie Loeb both of the USA © 2017 Karen Rubin/ goingplacesfarandnear.com

 

Nicole Gibbs USA-14

Naomi Broady GBR-18

6-4, 4-6, 6-2

Nicole Gibbs of USA © 2017 Karen Rubin/goingplacesfarandnear.com
Naomi Broady of Great Britain © 2017 Karen Rubin/goingplacesfarandnear.com
Nicole Gibbs of USA © 2017 Karen Rubin/goingplacesfarandnear.com

 

Rebecca Peterson SWE

Miyu Kato JPN

6-7, 6-3, 6-4

Rebecca Peterson of Sweden © 2017 Karen Rubin/goingplacesfarandnear.com
Miyu Kato of Japan © 2017 Karen Rubin/goingplacesfarandnear.com

 

Michael Mmoh USA-31

Evan King USA

6-3, 6-3

Evan King of USA © 2017 Karen Rubin/goingplacesfarandnear.com
Michael Mmoh of USA © 2017 Karen Rubin/goingplacesfarandnear.com

 

Nicolas Mahut FRA-14

Stefanos Tsitsipas GRE

7-6, 3-6, 6-0

Nicolas Mahut of France © 2017 Karen Rubin/goingplacesfarandnear.com
Stefanos Tsitsipas of Greece © 2017 Karen Rubin/goingplacesfarandnear.com
Nicolas Mahut of France © 2017 Karen Rubin/goingplacesfarandnear.com

 

Katernyna Kozlova UKR-10

Anna Schmiedlova SVK

6-1, 6-4, 6-1

Katernyna Kozlova of Ukraine © 2017 Karen Rubin/goingplacesfarandnear.com
Anna Schmiedlova of Slovakia © 2017 Karen Rubin/goingplacesfarandnear.com

See all the results of the final day of the Qualifiers, http://www.usopen.org/en_US/scores/completed

One of the many pleasures of coming out for the qualifying tournament – on top of seeing world-class tennis close up – is getting a chance to watch the pros practice.

Marin Cilic practicing for the 2017 US Open on the grandstand court © 2017 Karen Rubin/goingplacesfarandnear.com

This year, the USTA is continuing the tradition of Community Day, which will be held Thursday, Sept. 7, when the gates are thrown open (for free admission) beginning at noon to watch  some of the game’s biggest names in the professional, collegiate and wheelchair ranks, as well as the world’s top juniors. Tournament play features:

  • Men’s and women’s doubles
  • Men’s and women’s wheelchair competition
  • US Open Juniors
  • American Collegiate Invitational

Visit http://www.usopen.org to get daily schedules, results, videos, live streaming.

See also:

Festive Atmosphere as US Open Tennis Championship Opens Gates to All for Qualifying Matches

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Festive Atmosphere as US Open Tennis Championship Opens Gates to All for Qualifying Matches

There’s a festive atmosphere during the days of the Qualifying Matches for the US Open Tennis Championships at the Billie Jean King Tennis Center, Flushing Meadow, NY © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The US Open Tennis Championship draws tennis fans from around the world to the Billie Jean King Tennis Center in Flushing Meadow Park to what has become a glitzy and elite affair, but the week before the US Open tournament starts, there is the US Open Qualifying Matches, and for New Yorkers, a fabulous festival of tennis when the gates are flung open for all to enjoy.

From August 22-25, there is free admission to watch the US Open Qualifying matches – thrilling high quality play when all is on the line – as well as opportunities to watch your favorite pros on the practice courts (they now post the practice schedule).

Marie Bouzkova of Czechoslovakia practicing for the US Open Tennis Championships © 2017 Karen Rubin/goingplacesfarandnear.com
Lucas Pouille of France practicing for the US Open Tennis Championships © 2017 Karen Rubin/goingplacesfarandnear.com
Dalma Galfi of Hungary working out at the US Open © 2017 Karen Rubin/ goingplacesfarandnear.com

There is a festive atmosphere and an amazingly intimate quality to being able to watch the matches close up, from prime seats.

This year, you will see an amazing transformation underway – construction is still going on for what will be the completely new Armstrong stadium.

The grounds are impressive, despite the construction underway (and during the Qualifying rounds, you see all the preparations and set-up activity, as well), with gorgeous views of the iconic Unisphere, the centerpiece of the 1964 World’s Fair at Flushing Meadow Park, and a Walk of Champions.

Su-Wei Hsieh of Taipei, seeded 1 in the Qualifiers defeated Kelly Chen of USA 3-6, 6-2, 7-6 © 2017 Karen Rubin/goingplacesfarandnear.com
Kelly Chen of USA gave #1 seed Su-Wei Hsieh of Taipei, a run, going to third set tie-break on Day 1 of US Open Qualifying matches © 2017 Karen Rubin/ goingplacesfarandnear.com

The Qualifying Matches, when more than 100 players from around the world fight for a coveted spot in the Open, are exciting to watch. If they make it through three rounds of the Qualifying tournament, they will earn their spot to play in the Open; 16 out of 128 will advance. The matches are fabulous, and what is more, you can see the players really up close, you can wander around from match to match. I love the match-ups of nations: China versus a Chinese-American player; Russia versus Italy, as well as seeing how the challengers do against seeded players.

In fact, the quality of the competition rivals for your time and attention from the opportunity to watch Tennis Royalty warming up in the new Grandstand, as well as the practice courts.

Despite powerful shot-making, Xinyun Han of China, seeded 17, is defeated by Vera Zvonareva of Russia 7-6, 6-1 © 2017 Karen Rubin/ goingplacesfarandnear.com
Vera Zvonareva of Russia defeats Xinyun Han of China, seeded 17, 7-6, 6-1 © 2017 Karen Rubin/goingplacesfarandnear.com

Here, too, you can see the greats from a perch you would never have during the actual tournament.

The four days of matches are free and the festival atmosphere is enhanced with special events including Children’s Day activities, musical presentations, and the excitement of seeing the world’s best players practicing. You never know who you will encounter.

The quality of play at the qualifying matches is superb, and Everyday Joes have front-row seats to the intense action. It’s particular fun to wander from match to match.

Asia Muhammad of the USA, seeded 24, despite powerful shot-making, was defeated by Riko Sawayanagi of Japan, © 2017 Karen Rubin/ goingplacesfarandnear.com
Riko Sawayanagi of Japan, who took advantage of Asia Muhammad’s apparent injury in the third set to win, 2-6, 7-6, 6-3 © 2017 Karen Rubin/ goingplacesfarandnear.com

This year, the US TA is continuing the tradition of Community Day, which will be held Thursday, Sept. 7, when the gates are thrown open (for free admission) beginning at noon to watch  some of the game’s biggest names in the professional, collegiate and wheelchair ranks, as well as the world’s top juniors. Tournament play features:

  • Men’s and women’s doubles
  • Men’s and women’s wheelchair competition
  • US Open Juniors
  • American Collegiate Invitational
Aryna Sabalenka of Belarus, seeded 7, was defeated by Camilla Rosatello of Italy in three sets © 2017 Karen Rubin/goingplacesfarandnear.com
Camilla Rosatello of Italy overcomes the power and fury of 7-seed Aryna Sabalenka of Belarus to win 7-5, 4-6, 3-6 © 2017 Karen Rubin/ goingplacesfarandnear.com

Visit http://www.usopen.org to get daily schedules, results, videos, live streaming.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Great American Eclipse Over New York City

The Great American Solar Eclipse, August 21, 2017, as experienced in Long Island City, NYC © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City experienced 75% partial solar eclipse during the Great American Eclipse on August 21, 2017.Still, the views were exciting, since the sky was mostly clear, except, ironically, for a sudden build-up of clouds during the period of totality. Still, the clouds cleared for some good shots. The experience provided an excellent warm-up for the next total eclipse April 8, 2024, when the path of totality crosses upstate New York

I was actually able to photograph the International Space Station crossing in front of the sun, with the moon on the waning side of its journey across.

That speck is the International Space Station crossing the sun as the moon completes its passage during the Great American Eclipse, August 21, 2017 © Karen Rubin/ goingplacesfarandnear.com
The Great American Eclipse as experienced from Gantry Plaza State Park, Long Island City, August 21, 2017 © Karen Rubin/goingplacesfarandnear.com
The Great American Solar Eclipse, August 21, 2017, as experienced in Long Island City, NYC © Karen Rubin/goingplacesfarandnear.com
The Great American Solar Eclipse, August 21, 2017, as experienced in Long Island City, NYC © Karen Rubin/goingplacesfarandnear.com
The Great American Solar Eclipse, August 21, 2017, as experienced in Long Island City, NYC © Karen Rubin/goingplacesfarandnear.com
International Space Station crossing the sun as the moon completes its passage during the Great American Eclipse, August 21, 2017 © Karen Rubin/goingplacesfarandnear.com
The Great American Solar Eclipse, August 21, 2017, as experienced in Long Island City, NYC  © Karen Rubin/goingplacesfarandnear.com
David & Laini take part in the Great American Solar Eclipse from Gantry Plaza State Park, Long Island City, NYC © Karen Rubin/ goingplacesfarandnear.com

‘Monkey Business’ Documentary Paints Touching Portraits of ‘Curious George’ Creators Hans & Margret Rey

Poster for new documentary “Monkey Business: The Adventures of Curious George’s Creators,” which uses animation to tell the story of Hans and Margret Rey (courtesy of The Orchard, film distributor).

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Unlike Ema Ryan Yamazaki, the director of the new documentary “Monkey Business: The Adventures of Curious George’s Creators,” who became enchanted with Curious George as a child in Japan, I only became a fan of that impish monkey whose curiosity always gets him into trouble, when I saw an exhibit at the Jewish Museum in New York City that showed how his adventures actually mirrored the real-life adventures of its creators, the artist Hans Rey and his wife Margret, who made a harrowing escape from the Holocaust by bicycle, just steps ahead of the Nazi invasion.

Yamazaki’s documentary engagingly and cleverly incorporates animation that blends seamlessly into Rey’s own drawings along with traditional documentary techniques – newsreels, artifacts, interviews – to tell their story, which is on one level, a story about their devoted relationship and the creative process but also one of survival.

Newsreels show the context of Hans and Margret’s lives as German Jews born to upper middle class families in Germany, how dire and entrenched the economic depression became after World War I, a war that Hans, still a teenager, was recruited into as a medic. But most chilling were the images of the rise of Nazism in Germany as a response to rampant desperation, the bombing of Paris, the tanks rolling into the city, the storming of Nazi soldiers, and the long lines of people desperately trying to leave.

Hans and Margret Rey fleeing Paris on their bicycles, a scene from the documentary “Monkey Business: The Adventures of Curious George’s Creators” which merges animated images with archival footage (courtesy of The Orchard, film distributor).

The film uses an animated images of the couple fleeing Paris on the bicycles that Hans built out of spare parts (because none were available), and traces their harrowing journey to get to a train, then a port in order to flee to Portugal, a neutral country, and ultimately the United States. You see them passing by the Statue of Liberty, and their words (from interviews) of reaction: that they were finally free, in a country where everything is possible, the Land of Opportunity.

Without being preachy or hitting you over the head, the scenes are chilling echoes of what is happening today, with the greatest flight of refugees from genocide, terrorism, violence, economic deprivation, and famine since World War II.

And yet, the scenes are done without horror and brutality; instead, there is emphasis on the strangers they would call upon to give them a place to sleep and food to eat on their journey.

During the Reys’ flight, they were able to carry out only what they could fit into a bicycle basket, but they brought out the completed manuscript of the first “Curious George” book ( the character was named Fifi then) and they had the check for an advance for future books, which financed their journey.

In one scene, recreated in animation, they are stopped by thuggish police who go through their possessions, then, coming upon the book with the adorable monkey, they soften and let them pass through.

Curious George saves their lives.

And the character gave them new life in the United States.

They contact a sister who lives in Long Island who knows a book editor who turns out to be a refugee from Europe, as well, who knows their work, and immediately contracts for four books, with an advance of just $1000 (probably the best deal Houghton-Mifflin ever made).

The movie is absolutely charming and frank in describing the two different personalities, from interviews with the children, now Baby Boomer senior citizens themselves, who knew them from Waterville Valley, New Hampshire, where the couple spent summers.

An interesting note: the 1950s, we are reminded, was a period of intense anti-Semitism in the United States and Waterville Valley was not exactly welcoming to the German Jewish couple. But because of the children, who played and swam with Hans (he would play turtle with them) and watched Hans draw his character and were completely enchanted by him (Margret was described kindly as standoffish and severe, “to put it kindly”), the parents warmed up as well.

We get to know them – Margret as an independent minded, nontraditional, no-nonsense woman who was a calculating businessperson (she launched herself in advertising), who wrote the text for the books and was the “curious” one; and Hans, the “mischievous” one, who was good-humored, easy-going, and loved being with the children. He was the one who would feed squirrels (digging a tunnel so they could reach his house without crossing a road), who built a bird-feeder that the squirrels couldn’t get to and a squirrel-feeder the birds couldn’t get to. At one point, Lay Lee Ong, library executor of the Rey Estate, notes that their relationship was not based on love, and yet, they completed each other and were devoted to each other and indeed, the sum of the duo was greatly more than each one alone.

As Margret says, Curious George’s curiosity gets him into trouble, but his ingenuity gets him out of it.

Anyone who grew up loving Curious George, loves the process of making art and creating children’s books, would be fascinated, but it is also a study in relationships and a genuine drama, an adventure that resonates so strongly today.

Monkey Business is narrated by Sam Waterston (“Grace and Frankie,” “The Newsroom,” “Law And Order,” whose sister was one of the Reys’ neighbors in Waterville Valley) and is the directorial debut of filmmaker Ema Ryan Yamazaki, and animated by Jacob Kafka.

Jacob Kafka, the chief animator of “Monkey Business: The Adventures of Curios George’s Creators,” with Rodney Uhler, programmer of the Gold Coast Cinema Series takes questions from the audience after a screening the documentary © 2017 Karen Rubin/goingplacesfarandnear.com

At the screening as part of the ongoing Gold Coast Arts Center’s International Film Festival at the BowTie movie theater in Great Neck, Long Island, discussed the film in a Q&A.

Kafka, the son of a rabbi and a seismologist who has been making movies since he was five years old, in addition to making animated short films, developed the animation software for ROUGHANIMATOR for mobile devices which has been used by animators worldwide, was for a full year the only full-time animator.

Indeed, one of the most impressive aspects of the film biography is the animation, so novel for a documentary, but so appropriate for telling the Reys’ story. It is remarkable how Kafka was able to reproduce Hans Rey’s own style so seamlessly, literally animating Hans’ drawings.

“I tried as best I could to copy his style.” Indeed, the still characters take on movement and life because of his animation.

He said that the film utilizes some 15,000 individual drawings – each one hand-drawn (rather than computer-animated) – averaging 10 per second of film. Hans Rey would typically insert Margret and himself into the drawing, so he based his images of them on Hans’ own depictions.

“Each is hand-drawn, frame by frame. We ultimately had a team of 8-9 people – but only two were full time, and for the first year, it was just me. The background designer drew anything that doesn’t move; anything that moves, I drew. After a kickstarter campaign last year, we were able to bring on other animators.”

Jacob Kafka, the chief animator of “Monkey Business: The Adventures of Curios George’s Creators,” says some 15,000 images, each hand-drawn, were created for the documentary © 2017 Karen Rubin/ goingplacesfarandnear.com

It was decided early on to use animation in the documentary because there was very little actual footage of the Reys. Though they did many television interviews in the 1960s and 1970s, at that time, nothing was saved.

Among the interesting elements that were discovered, was overturning the myth (which Hans enjoyed perpetuating)  that while Hans was in Brazil, working for his brother-in-law’s import/export business, that he went up and down the Amazon River selling bathtubs. Though Hans traveled on the Amazon to see the jungle life (capturing images of monkeys, no doubt that figured into his Curious George creation), it wasn’t to sell bathtubs which would be absurd. That was a common truth that Hans indulged, and appears in many biographies, but was completely untrue, Kafka said, but only discovered well into making the film (there are scenes of Hans selling bathtubs to the tribal people along the Amazon).

But what they never uncovered was the origin of the character of the Man in the Yellow Hat.

Production on the documentary began three years ago and was finished in January. Asked whether the current refugee crisis figured into the making, he said it was coincidental timing, but became more and more relevant, especially because of director Ema Ryan Yamazaki, who grew up in Japan, had her own immigrant experience.

In an interview at the Nantucket Film Festival, she said, “I read Curious George growing up in Japan. I just assumed he was a Japanese monkey, and it was only many years later when I realized he was so international. I didn’t know anything about the authors of Curious George – I think we rarely get the chance to ask, ‘who wrote our great children’s books?’ and once I asked, what I found was incredible.”(See more of her interview at http://nantucketfilmfestival.org/blog/2017/6/22/five-questions-with-ema-ryan-yamazaki-director-of-monkey-business-the-adventures-of-curious-georges-creators and more about the director at www.emaexplorations.com)

Lay Lee Ong, library executor of the Rey Estate, has been successful in keeping alive and reviving Curious George – with movies, PBS, and a new generation of artists carrying on the tradition.

“Monkey Business: The Adventures of Curious George’s Creators,” which had its Los Angeles premiere in June and has been making rounds of film festivals (has been an official selection of the Los Angeles Film Festival, Nantucket Film Festival, and Rooftop Film Series before coming to the 2017 Summer Gold Coast Cinema Series), will be available online and on demand August 15 on iTunes, Amazon, Google Play, Comcast, TWC and others (see curiousgeorgedocumentary.com).

The 7th Annual Gold Coast International Film Festival will take place November 7-14, 2017 at venues across the town of North Hempstead, on Long Island’s fabled North Shore. (goldcoastfilmfestival.org).

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Nassau County Museum of Art Becomes Destination for Arts Education with Opening of Manes Center

Ribbon-cutting ceremony of the Manes Family Art & Education Center with Dr. Harvey Manes and grandchildren. The new center gives the Nassau County Museum of Art, housed on the former Childs Frick estate in Roslyn Harbor, Long Island, a new dimension in arts education, spanning ages and abilities © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Housed in what was Childs Frick’s natural history laboratory where he studied paleontology, the newly opened Manes Family Art & Education Center on the grounds of the Nassau County Museum of Art – Frick’s former estate – gives the museum a new dimension in arts education and appreciation.

The Manes Center, named in recognition of Museum Trustee Dr. Harvey Manes and the Manes Foundation’s $1 million gift, gives the museum the space to offer a dynamic and creative environment in which audiences of all ages and abilities can find creative engagement through a variety of activities, classes and projects. This includes new hands-on programs for children as young as 3, adults from beginners to skilled, and an ambitious curriculum for autistic individuals.

The environment is special: Childs Frick, the son of Henry Clay Frick, was a vertebrate paleontologist and a trustee of the American Museum of Natural History. The center has repurposed Frick’s labs into art “labs,” each dedicated to a specific type of art learning, to address the multiple learning styles, interests and abilities of adults and children: Hands-On Studio Lab, Indoor/Outdoor Lab, Reading Resource Lab and Design Tech Lab, as well as additional exhibit space.

This means that for the first time, the Museum will be able to offer hands-on multi-day workshops across the visual arts disciplines.

Dr. Harvey Manes, with Nassau County Museum of Art Director Karl E. Willers and Board President Angela Susan Anton, at the opening of the Manes Family Art & Education Center. “Art is my passion,” Dr. Manes said. “I believe in promoting peace through art and education.” © 2017 Karen Rubin/ goingplacesfarandnear.com

“Family programs at the Manes Center provide children and the adults in their lives the opportunity to take time from their busy schedules to reconnect while talking about and making art together. Each week we offer projects that encourage curiosity and experimentation, and creative thinking through a variety of experiences and materials inspired by current exhibitions.”

“Before, we always scrambled for space in order to run programs at the museum,” commented NCMA Director Karl E. Willers at the ribbon-cutting ceremony, August 3. “This facility allows us to enhance and expand all kinds of classes… Programs can be geared to exhibits as well as to open to the surrounding landscape. Many art programs integrate science and the natural world. It adds a new dimension to our educational offerings – extended hands-on workshops, more events going on simultaneously spanning age and ability groups, when before we were limited by the space availability in the mansion.”

The building, which was designed for Charles Frick’s paleontology research (the specimens he collected are now at the Museum of Natural History), is a series of laboratories that are being repurposed for making art in all its forms. The floors are finished to accommodate workshops and there are sinks!

“We can offer proper professional art spaces for people to look at and make art in contemporary studio facility,” said Reem Hussein, who was brought in to manage the center. We are bringing in technology – i-Pads to create art with technology. But we are mindful of people who want traditional art making.

“These are programs we don’t offer now. We will able to offer more series programs, rather than one-shots and lectures.”

She said that the rooms are called “labs” to pay homage to Frick. 


NYS Assemblymembers Charles Lavine and Michaelle C. Solages, and NYS Senator Carl L Marcellino with NCMA trustee, Dr. Harvey Manes whose $1 million donation made the Manes Family Art & Education Center possible © 2017 Karen Rubin/goingplacesfarandnear.com

The New American Garden Inaugural Exhibit

The public is invited to preview the Manes Center and take in its inaugural exhibit, “The New American Garden: The Landscape Architecture of Oehme, van Sweden.”

Organized by The Cultural Landscape Foundation, The New American Garden is a traveling photographic exhibition which chronicles the careers and influence of Wolfgang Oehme and James van Sweden who revolutionized landscape architecture with the creation of a type of garden characterized by large swaths of grasses and fields of perennials. The gardens are the penultimate merger of man and nature, and the ultimate in “installation” art’s ephemeral quality. Indeed, 10 of the gardens that are immortalized in the photographs are gone, and many others are in jeopardy.

During this introductory period, through September 7, admission to the Manes Center is free (free admission offer does not include the main building, the Saltzman Fine Art Building).

The building now looks as a low-level white box, but that will soon change. The pop/surrealist modern artist Kenny Scharf is being invited to paint the exterior. After that, it is anticipated that the landscape architects Oehme, van Sweden will create a new garden.

Pop Artist Kenny Scharf, at the opening of his exhibit at the Nassau County Museum of Art in 2016, will transform the exterior of the new Manes Family Art & Education Center © 2017 Karen Rubin/goingplacesfarandnear.com

 

The focus on gardens for the inaugural exhibit at the Manes Center is also appropriate for this grand estate.

Most of the 145 acres originally belonged to poet, lawyer, conservationist, political activist, patron of the arts and preservationist William Cullen Bryant, who settled in Roslyn in 1843. The long-time editor of the New York Post built is home, Cedarmore, and founded Roslyn’s public library. In 1862, he built a cottage for his friend and fellow poet, Miss Jerusha Dewey (you can see the cottage when you explore the hiking trails on the grounds). In 1900, Lloyd Stephens Bryce purchased Bryant’s ‘Upland Farm’ and commissioned architect Ogden Codman, Jr. to design Bryce House, the present mansion. Henry Clay Frick, co-founder of US Steel Corporation purchased Bryce House in 1919 as a gift for his son, Childs Frick, a Princeton graduate who became a vertebrate paleontologist and naturalist.

For museum-goers, the estate grounds also offer:

Sculpture Park: Approximately 30 works, many of them monumental in size, by renowned artists including Fernando Botero, Tom Otterness, George Rickey and Mark DiSuvero among others, are situated to interact with nature on the museum’s magnificent 145-acre property.

Walking Trails: The museum’s 145 acres include many marked nature trails through the woods, perfect for family hikes or independent exploration.

Gardens: From restored formal gardens of historic importance to quiet little nooks for dreaming away an afternoon, the museum’s 145 acre property features many lush examples of horticultural arts. Come view our expanded gardens and beautiful new path to the museum.

Childs Frick’s mansion home is now the Saltzman Fine Art Building of the Nassau County Museum of Art, Roslyn Harbor, Long Island © 2017 Karen Rubin/goingplacesfarandnear.com

Today, Frick’s mansion is the Saltzman Fine Arts Building, home to the Nassau County Museum of Art, which has put on world-class exhibitions and has a notable collection, including 150 Tiffany paintings and drawings which were bequeathed to the museum.

Currently on exhibit in the Saltzman Fine Art Building (through November 5, 2017)

“New York, New York”: From its earliest years, New York City was the stage on which the transformation of America played out, reflecting economic and historic upheavals that led to the city’s place as the financial and art capital of the world. This exhibition, guest curated by Director Emerita Constance Schwartz, portrays the city’s grit and glamour, its excitement and bustle, the heartbeat of a great metropolis, through more than 140 works by artists such as John Sloan, Reginald Marsh, Childe Hassam, Red Grooms, Robert Henri, Fairfield Porter, Berenice Abbott, Milton Avery and Georgia O’Keeffe among many others.

“Glamour Icons: Marc Rosen”: Through the work of the award-winning designer Marc Rosen, Glamour Icons celebrates fragrance and cosmetic packaging as an art form. This retrospective spanning the designer’s 40-year career includes many of his most iconic designs as well as some vintage 20th-century perfume bottles from Rosen’s personal collection. The designer’s work has been recognized with many industry awards and is also in the permanent collections of the Museum of Modern Art in New York and Musée de La Mode in Paris.

Family Sundays – 1– 4 pm (free with admission): Be inspired by an exhibition based gallery conversation, then explore new art materials and learn new art-based vocabulary and ideas in the studio with our museum educator.

Super Family Sundays – 1-4 pm (admission plus $10 materials fee):

Families immerse themselves in artmaking and exploring the Museum, the grounds, and sculpture collection during Super Family Sundays. Multiple activities are offered in collaboration with teaching artists in a variety of media, from performance to monumental cardboard constructions. Themes connecting the artmaking activities are inspired by the art on view in our galleries, the Museum’s history or the changing seasons on display in its forests and gardens.

Preview of Educational Programs at Manes Center

Among the arts education programs that will be available at the Manes Center beginning this fall:

Early Childhood Programs: Programs for young children and their adult companions at the Manes Center are all about discovery. Both in the galleries and in the art studio, children find opportunity for self-expression, socialization, and experimentation, through creative play and exploration through open ended developmentally appropriate experiences. Looking at and talking about art fosters visual literacy in young children.

Programs include:

Story Time for 3 to 5 year olds, featuring gallery exploration and hands-on art activities.

Young Artists (ages 3-5) programs for children and their adult companions consist of hands-on activities designed to experiment and become familiar with art materials and processes.

An Outdoor Classroom program will offer guided and self-guided activities for children to encourage the exploration of the natural environment through experiences that make the connection between art and science. Activities are designed to encourage open air exploration and imaginative play.

New outdoor education programs will encourage children to explore NCMA’s natural environment and make the connection between art and science © 2017 Karen Rubin/goingplacesfarandnear.com

A drawing class geared to children 8-11 years old, to learn the rules of traditional drawing by practicing line, shading, and perspective through drawing in the studio and gallery and using experimental materials.

A program tentatively titled “Imagine, Design & Build,” for children 11-15 to experience the design process through sketching and building as they dive deep into creative thinking and problem-solving to explore the connections between design, art, science, and technology.

A program for teens 13-17 is aimed at supporting high school students who are preparing portfolios as part of their college applications. Group and individual instruction focus on elements and principles of art and design through application to students’ own work and conversations about art work in the museum’s galleries. Student will have the opportunity for work with live models, critique sessions, and portfolio reviews. 

Adult Programs

Hands-on studio programs are being designed for adults of all levels of art making experience, taught by experienced artists. The programs focus on group and individual projects to help adults explore and learn art skills and processes, and have opportunities for personal expression. Adults will learn techniques of drawing & painting, sculpture, and printmaking and have opportunities to draw from live models. 

“The Creative Process” dovetails with every changing exhibition in the Manes Center’s contemporary art gallery: visitors are invited to create in response to the art on view through hands on activities that focus on artists’ themes, processes, and materials. Projects are designed to pique curiosity and inspire creativity, and gain new insights into the creative process. 

Life drawing at the Manes Center will present the opportunity to draw from a live model through gesture sketches and longer duration poses under the guidance of a teaching artist.

Adults can learn the basics of drawing and painting and explore materials such as graphite, charcoal, and conté crayon, watercolor and acrylic paint. Projects will be inspired by art history and current gallery exhibitions.

The center will also offer programs in using digital art tools to create traditional and experimental works of art. 

Art Talks for adults invited scholars, academics and exhibiting artists to introduce and discuss topics in the field of art with visitors in an intimate salon style setting.

Programs for Special Needs

Art education programs are also being designed for children, teens and adults with special needs. 

One program invites families affected by autism into the galleries and art studio to talk about and make art. Throughout the course of this program parents and caregivers will gain skills in behavioral methods that they can employ when bringing their child into a community setting. Families will join the Art Educator trained in Art Therapy in fun interactive gallery experiences that provide opportunities for everyone to look at and talk about art in a group setting. Then off to the studio for hands on art making activities that encourage experimentation with new materials, processes and creative play.

Another workshop is aimed at building social and vocational skills for teens and young adults with autism through arts-based workshops. During this workshop series, teens will receive hands on training in basic artistic processes that can be translated into practical job skills. Based on current exhibitions in the galleries at Nassau County Museum of Art, these workshops will encourage participants to explore different methods of art making and design and how a museum can be a resource for creative inspiration. Students with autism will have the opportunity to apply their artistic skills and functional academic learning in a real world setting.

Explore picture & art books and related resources about art history and museum exhibitions. This space is equipped with manipulatives and simple drawing materials for young children.

The Manes Center will also be available for birthday parties, with appropriate art project activities.  Party bookings are available on Saturdays 12:30 – 2 pm.

The Nassau County Museum of Art is on the 145-acre grounds of the former Childs Frick estate in Roslyn Harbor, Long Island © 2017 Karen Rubin/ goingplacesfarandnear.com

Nassau County Museum of Art, consisting of the Saltzman Fine Art Building and The Manes Family Art & Education Center, is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The Museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). During the August 3-September 10 preview of the Manes Center, there is no admission fee (this does not include admission to the Saltzman Fine Art Building). Members are admitted free. Docent-led tours of the exhibition are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Family art activities and family tours are offered Sundays from 1 pm; free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call 516-484-9338 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

Saratoga Springs is Firmly En Pointe as Center for Dance, Culture

Saratoga Springs, which is the summer home of the New York City Ballet and the location for the National Museum of Dance, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

With just one full day to explore Saratoga Springs, I am still able to take in the high points that distinguish this town, which has been so popular a place for visitors going back to the 14th century, when its mineral springs were first discovered by Native Americans. Later, it became a major center for organized horse racing, a tradition which remains today, and draws the biggest crowds during the six-weeks of racing season. But Saratoga Springs, owing to the millionaires and elites and then the colleges including Skidmore, has also become a cultural mecca, especially for dance. The Saratoga Springs Performing Arts Center is the summer home for the New York City Ballet and now the home of the National Museum of Dance. 

National Museum of Dance

During my one full day in Saratoga Springs, after thoroughly exploring its horse-racing traditions at the race track and the National Museum of Racing, I next visit the National Museum of Dance, which is located just at the entrance to the Saratoga Spa State Park in what had been the historic Washington Bathhouse (there is still an exhibit to the historic spa). This is such a surprise.

It exquisitely reflects the visual as well as the athletics and art of dance; surprised at seeing video going back to 1895 of dance. All the dance legends are represented with stunning photos, videos, costumes.

So far, 50 dance pioneers including dancers of all genres, choreographers, composers, writers and patrons have been inducted into the Dance Hall of Fame in Saratoga Springs © 2017 Karen Rubin/goingplacesfarandnear.com

Established in 1986, the National Museum of Dance & Hall of Fame is the only museum of its kind in the nation and one of only a few in the world dedicated to the art of dance (which is why they claim the name, “National.”)

It is set in the former Washington Bathhouse, a 1918 Arts & Crafts style building in the Saratoga Spa State Park which provided health spa treatments (there are rooms you can visit from that time).

The Museum’s archives house a growing collection of photographs, videos, costumes, documents, biographies and artifacts that honor all forms of dance throughout history.

The museum’s galleries feature rotating exhibits and three permanent exhibits including the Mr. and Mrs. Cornelius Vanderbilt Whitney Hall of Fame.

Dancers in Film is an enchanting ongoing exhibition at the National Museum of Dance © 2017 Karen Rubin/goingplacesfarandnear.com

Dancers in Film, a delightful ongoing exhibition, celebrates the relationship between dancers and film, and features both well-known dance stars and our favorite actors who have had world famous dance roles on the silver screen. Highlighted in the exhibit are Lifetime Achievement Award Recipients Ann-Margret (2010), John Travolta (2014), and Chita Rivera (2015). You will love sitting and watching the fast-changing videos. I am frankly amazed to see some of the oldest ones, even from 1895 (at the very dawn of movie-making).

Sparked by an abundant discourse both age-old and current, The Dancing Athlete is an innovative exhibition that explores the inherent connections between dance and sports, and dancers and athletes, and the influence and confluence of these forms throughout history. Through costumes, photographs, video, objects, and archival materials, the exhibit examines these relationships within several themes such as cross training and physiological impact, shared movement vocabularies, and sports-inspired choreography, among others. A select group of athletes and dancers including Lynn Swann, Sugar Ray Robinson, and Edward Villella are showcased as well as several choreographic works including Gene Kelly’s stunning  “A Man’s Game”. By highlighting the athletic prowess of dancers and injecting popular sports and athletes, boys, especially, will better appreciate dance.

The New York City Ballet company presented their autographed pointe shoes in honor of Peter Martins’ induction into the Dance Hall of Fame © 2017 Karen Rubin/goingplacesfarandnear.com

Opened in 1987, the Dance Hall of Fame honors dance pioneers of all types whether they are choreographers, composers, writers, dancers, or patrons; there are more than 50 who are so far included in the Hall of Fame. Among them: Fred Astaire, George Balanchine, Agnes deMille, Rudolph Nureyev, Isadora Duncan, Martha Graham, Bill “Bojangles” Robinson, Busby Berkeley, Jerome Robbins, Alvin Ailey, Merce Cunningham, Paul Taylor, The Nicholas Brothers, Bob Fosse, Marge Champion, Tommy Tune, Edward Villella and Michael Jackson and the newest inductees, Gregory Hines and Patricia Wilde who are featured in special exhibits devoted to their careers  (see a complete list of the inductees, http://dancemuseum.org/exhibits/hof.html).

The Museum campus also includes the Lewis A. Swyer Studios, a building constructed specifically for the purpose of keeping live dance as part of the Museum’s offerings. The Swyer Studios welcome frequent master classes, lecture/demonstrations, residencies, and other programs, as well as the Museum’s very own dance school, the School of the Arts, which offers dance classes to all ages, levels, and interests. The Museum also offers a wide selection of special programs, events, and workshops throughout the year.

Twist! Jump! Play! Dance! The Alfred Z. Solomon Children’s Wing is an interactive space just for kids, with a video library, reading corner, movement and balance toys, and stage area. A Kids’ Gallery showcases rotating exhibits of children’s artwork and is where visitors can create their own masterpieces.

The museum also offers a Resource Room with thousands of books, periodicals, and print items for dance research available to the public.

A young dancer photographs one of the ballet shoes outside the National Museum of Dance, which also has its own dance school on the site of the former Washington Bathhouse at Saratoga Spa State Park © 2017 Karen Rubin/ goingplacesfarandnear.com

When I visit, I notice young girls, their hair tied back in the bun typical of dancers, looking on with adoration. This is their Cooperstown.

National Museum of Dance, 99 South Broadway, Saratoga Springs, NY 12866, 518-584-2225, dancemuseum.org,  [email protected]

There is a very good reason for the National Museum of Dance to be set at Saratoga Spa State Park: Saratoga Performing Arts Center (SPAC), a stunning amphitheater, is set in the heart of The Spa State Park and is the summer residence of the New York City Ballet as well as the Philadelphia Philharmonic Orchestra. Surrounded by 2,400 acres of green hills, geysers, natural mineral springs and hiking trails, you can enjoy jazz, pop and classical concerts. (108 Avenue of the Pines, Saratoga Springs, NY 12866, spac.org).

I didn’t get a chance to really explore the Saratoga Spa State Park, but it has a score of attractions contained within it, in addition to the National Museum of Dance and the Saratoga Performing Arts Center. It also has the Saratoga Automobile Museum, which this year is featuring as its main exhibit, “The Gavel: Cars of the Saratoga Auto Auction” which gives an insider look at the workings of the classic and collector automobile auctions that have become so popular with television viewers. Vehicles on display range from a 1931 Ford Model A Woody to a very rare 1957 Chrysler 300C standard shift, a 1957 Ford Thunderbird and a 1957 Continental Mark II. Imports represented include a 2003 Maserati Spyder convertible and a 2013 Lotus Exige Factory Cup on display.  These cars, along with hundreds of others, are on display until September 17, when they are all headed for the auction block in September at the Saratoga Auto Auction. (110 Ave of the Pines, Saratoga Springs, NY 12866 , 518-587-1935, www.saratogaautomuseum.org, Tuesday-Sunday, 10 am-5 pm).

The Saratoga Spa State Park Golf Course offers two beautiful golf courses; a championship 18-hole course and a challenging 9-hole course, complete with pro shop and restaurant. (Information and to reserve a tee time online visit: Saratoga Spa Golf).

Saratoga Spa State Park, distinguished by its classical architecture and listed as a National Historic Landmark, is noted for its diverse cultural, aesthetic and recreational resources. In addition to the nationally-known Saratoga Performing Arts Center, the Spa Little Theater, the National Museum of Dance, the Saratoga Automobile Museum, the Gideon Putnam Resort and Roosevelt Baths and Spa, Spa Golf Courses, the park offers a pool complex including slide complex and historic Victoria Pool surrounded by arched promenades; hiking and walking trails, running courses, picnic areas; winter activities include cross-country skiing on approximately 12 miles of trails, ice skating, ice hockey, and two golf courses.

Saratoga Spa State Park, 19 Roosevelt Drive, Saratoga Springs, NY 12866, 518-584-2535, saratogaspastatepark.org, https://parks.ny.gov/parks/saratogaspa.

Neighborhoods

Saratoga Springs, home to the national Museum of Dance and summer home of the New York City Ballet, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/ goingplacesfarandnear.com

My walking tours from the Inn at Saratoga take me passed and through Congress Park, where in 1792, New Hampshire Congressman John Gilman discovered a mineral spring. (I also take note of a free cutey-pie trolley that operates up Broadway, but I prefer to walk). In 1822, Dr. John Clarke purchased Congress Spring and surrounding land, drained the swamp and built a park where he offered concerts. He built his impressive Greek Revival home overlooking the park, as well as a bottling plant. In 1876, Frederick Law Olmsted, the famous landscape architect who designed New York’s Central Park, designed the gardens. The Park today harbors a visitor center (built in 1915 as a trolley station); the Casino (a gaming house for men built in 1870 by prize fighter, former Congressman and gambling entrepreneur who developed Saratoga horse racing, John Morrissey, which today houses the Saratoga Springs History Museum), Italian Gardens, Congress Park Carousel, and some wonderful sculptures, fountains and monuments.

John Morrissey’s casino in Congress Park has been turned into the Saratoga Springs Historical Museum © 2017 Karen Rubin/goingplacesfarandnear.com

At the visitor center you can pick up some wonderful self-guided tours, such as North Broadway, “a neighborhood of exceptional residential architecture”; West Side Neighborhood (“The City’s first prime residential location, where many of the people who owned, supported and worked in the bustling resort industry lived.:”and East Side Neighborhood, once home to Skidmore College, rich in history and spectacular architecture, including stunning examples of Greek Revival, Victorian, Gothic, Italianate, Second Empire and Queen Anne styles.

On the Friday night I am in Saratoga Springs, I have a plethora of choices: watching harness racing, polo matches, a performance of the New York City Ballet, and any number of live music venues, including Caffe Lena.

Caffè Lena, a famous folk-music venue since 1960, has just undergone a $2 million renovation but still offers an intimate space to appreciate folk, jazz, poetry and well-established performers as well as newcomers © 2017 Karen Rubin/ goingplacesfarandnear.com

I wander over to Caffè Lena, a famous folk-music venue which the New York times in 2013 called “Folk Music Heaven, was sporting a $2 million renovation, its first since opening in the 1960, and had people lined up out the door hoping to get through a wait-list for that evening’s performance. It actually offers a range of styles – folk, jazz, poetry night, open-mike night – and still retains the intimacy of a small room and small stage, so you are mere feet away from the performer. “Opened in a former woodworking shop in 1960, the café has helped launch many of America’s best loved songwriters, ranging from Bob Dylan in 1961 to Sawyer Fredericks in 2014, with an dazzling Who’s Who list in between. When founder Lena Spencer passed away in 1989, Caffè Lena was converted to a non-profit institution supported by concert revenue, private and corporate donors, grants and bequests, and an ever-evolving team of volunteers.” (Caffè Lena, 47 Phila Street, 518-583-0022, Tickets: 800-838-3006, email:  [email protected]. caffelena.org.) 

For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/. 

Also, Saratoga Springs Heritage Area Visitor Center, 297 Broadway
Saratoga Springs, NY 12866, 518-587-3241, Email: [email protected],  www.saratogaspringsvisitorcenter.com

See also:

Historic Inn at Saratoga Captures Sense of Place, Gracious Victorian Style 

Saratoga Springs, Age-Old Mecca for Horse Racing, Gets Better with Age

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

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