Tag Archives: Catskills

Fall Getaway in the Great Northern Catskills: Hiking the Hudson River School Art Trail

The view from Sunset Rock, immortalized by artist Thomas Cole, the father of the Hudson River School, America’s first art movement, is much the same today © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My three-day fall getaway in the Great Northern Catskills exploring the Hudson River School Art Trail starts before I even arrive at the historic Fairlawn Inn, in Hunter, NY. Taking advantage of the time of day and beautiful weather, I stop at the parking lot on 23A for the trailhead to Kaaterskill Falls, where you get an amazing view of Kaaterskill Clove (HRSAT Site #4). You gaze out over the gorge where mountain peaks seem to thread together and compare the scene today to the way it is depicted by Hudson River School artist Asher B. Durand’s 1866 painting. The trees are just beginning to turn colors (the peak is usually around Columbus Day weekend), but I swear that the same tree, already crimson, is the same red tree in the painting, also depicting an early fall scene.

The view of Kaaterskill Clove, Hudson River School Art Trail Site #4, one of the most painted scenes, with the marker that compares the scene to Asher B. Durand’s 1866 painting © 2017 Karen Rubin/goingplacesfarandnear.com

It’s a short walk along 23A (watch out for cars on the winding narrow road) to the trailhead for one of my favorite hikes, Kaaterskill Falls (HRSAT Site #5), a stunning scene that looks remarkably just as depicted in an 1835 painting by Thomas Cole, known as the father of the Hudson River School. “It is the voice of the landscape for it strikes its own chords, and rocks and mountains re-echo in rich unison,” Cole (who was also a poet and essayist) wrote.

The Kaaterskill Falls were a favorite subject of many of the Hudson River School painters and for me, is the quintessential combination of stunning scenery plus the physical pleasure of the hike – half-mile up to the base of the double-falls, then another half-mile to the top.

Kaaterskill Falls, a favorite subject of the Hudson River School painters © 2017 Karen Rubin/goingplacesfarandnear.com

The two-tiered Kaaterskill Falls, 175 and 85 feet, is the highest in New York State and was described by James Fenimore Cooper in “The Pioneers” which Thomas Cole, a friend of Cooper’s illustrated.

The waterfalls, usually rushing, are just a trickle after a long dryspell, but the hike is still absolutely fantastic – just enough challenge (I love my walking sticks) – and means you can get much closer than you might if the falls were fuller.

© 2017 Karen Rubin/goingplacesfarandnear.com

You make it to the base of the double-falls. Last time I hiked the trail, there were barriers and warnings not to go higher because it was so steep and dangerous (people have died!), but since then, there are staircases so you can hike to the very top. (There is also access to the top from other trails and nearby Laurel House Road parking lot above).

The two-tiered Kaaterskill Falls, 175 and 85 feet, is the highest in New York State © 2017 Karen Rubin/goingplacesfarandnear.com

I climb up and take a cut-off to the bottom of the high falls where there is a pool of water. Though it is already autumn on the calendar, it is as hot as a summer’s day – record heat in fact, close to 90 degrees – and people are in the shallow pool. The ledges are beautiful and you get a wonderful view back down the valley.

Soaking in the pool at the base of the Kaaterskill Falls © 2017 Karen Rubin/ goingplacesfarandnear.com

Another half-mile climb (another new staircase gets you up the steepest part) brings me to a winding forest trail that wraps around the hilltop to the very top of the falls. I cross a bridge over what would usually be rushing water. You can look back to the steep drop of the falls, back to the valley – just as Thomas Cole and the artists would have seen it. There is a viewing platform which looks back at the falls, bookended by trees just beginning to turn into their kaleidoscope of fall colors (the peak is traditionally around Columbus Day).

The falls are normally rushing but now a trickle after a dry-spell, means you can go to the very edge © 2017 Karen Rubin/goingplacesfarandnear.com

There is a small trail through the woods to the very top of the falls. Signs admonish hikers that climbing the ledges beside Kaaterskill Falls is extremely dangerous, and  has resulted in numerous injuries and deaths. But the falls are not flowing when I come, so I get to walk on the ledges, giving me really nervous view straight down and beyond, to the Valley and letting me look at the carved initials and graffiti from  the 1920s and 30s, some even from the 1800s.  You feel a sense of kindred spirit with those who have passed through and passed on. You feel the height and the proximity to the drop off, and it makes your heart flutter.

Later, you will recognize the view in Thomas Cole’s paintings and imagine how he must have stood in this precise place where you are standing.

Generations of trekkers have carved their initials into the ledges at the top of the Kaaterskill Falls © 2017 Karen Rubin/goingplacesfarandnear.com

It is a half-mile to the base, and another half- mile to the top of the falls, for a total of 2 miles roundtrip. There are some scrambles and it is uphill almost all the way (walking sticks are really recommended), and is thoroughly fantastic.

The tranquil scene at the top of the Kaaterskill Falls © 2017 Karen Rubin/ goingplacesfarandnear.com

I’ve taken my time, really savoring the views and the scenes and the smells, and the couple of miles hiking have taken about 2 1/2 hours.

(The parking lot is just west of the trailhead and across 23A, so you park and walk back along the road, being very careful. Haines Falls NY 12436, 518-589-5058, 800-456-2267).

I set out along 23A toward Hunter and the Fairlawn Inn.

Hudson River School Art Trail Hikes in North-South Campground 

For my second day, after an amazing breakfast at the Fairlawn Inn, I head to North-South Campground, where there are several of the Hudson River School of Art Trail hikes (as well as many other hiking trails) – the lake itself depicted in paintings such as Thomas Cole’s “Lake with Dead Trees,” 1825, (HRSAT Site #6).

I take the longer and wonderfully more challenging (only moderately strenuous) hike which brings you to such spots as Artist’s Rock, Sunset Rock and Newman’s Ledge (you can continue to North Point). Other hikes bring you to Boulder Rock, the Catskill Mountain House (HRSAT Trail Site #8) and Laurel House sites.

Artists Rock along the trail to Sunset Rock © 2017 Karen Rubin/ goingplacesfarandnear.com

The hike to Sunset Rock (HRSAT Trail Site #7) begins along the well-marked blue trail (you cut off to the yellow trail to Sunset Rock) that mostly wraps around the ledges, with the amazing views that so enthralled the artists of the Hudson River Valley. Close to the beginning is a fairly interesting scramble, then the trail winds through the woods along side fabulous rock formations before coming out again to the ledges. You reach Artists Rock at about .4 miles. Continuing on, you look for the yellow trail marker to Sunset Rock.

Taking in the view of the Hudson River Valley from Sunset Rock, a cherished site for Thomas Cole and the Hudson River School artists © 2017 Karen Rubin/ goingplacesfarandnear.com

I continue on to Newman’s Point but overshoot and head up some challenging scrambles before turning back (the trail to North Point continues for another mile). I am delighted with myself to have gone what I estimate was an extra .4.

View from Newman’s Ledge © 2017 Karen Rubin/goingplacesfarandnear.com

Back at the North-South Lake (it’s taken me about three hours taking my time), people are swimming in the ridiculously unseasonably hot (near 90) weather.

I look for a relatively easy trail and find just a short distance away, Mary’s Glen trail to Ashley’s Falls (alas, the falls are all but completely dried up when I come). This is an ideal trail for families with small children who want to avoid hiking near open ledges. You go through a lovely wooded glen alongside a beaver meadow and stream to a deeply forested cascade, Ashley’s Falls. This day, though, there is no cascade. (just .6 mile roundtrip).

Hiking is not just about the long view, but the near-view: two ants transport their prey © 2017 Karen Rubin/goingplacesfarandnear.com

Mary’s Glen trail can also be the entrance to a difficult hike, to North Point, a distance of 3.2 miles with 840 feet ascent. It is a mostly moderate climb but has some short, steep scrambles over rock, but you come to large open slabs and expansive vistas at North Point, a 3,000 ft. elevation with some of the most distant views.)

On my last visit, I did a wonderful hike to the site of the Catskill Mountain House (HRSAT Site #8), one of the earliest tourist hotels. The majestic hotel, which was opened in 1823 and accommodated 400 guests a night (Presidents Arthur and Grant were among those who stayed here), burned down in 1963 but the view that attracted visitors still remains as one of the most magnificent panoramas in the region, and can be compared to Frederic Church’s “Above the Clouds at Sunrise” (1849).

It is fun to see the initials carved into the stone ledges from more than a century ago. The Mountain House began drawing thousands of guests each season from all over the country as well as from abroad, who came not just for the cooler, healthier climate but for what had already become one of the most renowned natural panoramas in the young nation: the valley 1,600 feet below, stretching east to the Taconic Mountains and the Berkshires, with the silvery thread of the Hudson visible for 60 miles from north to south.  On a clear day, you can see five states – Connecticut, Massachusetts, New Hampshire, Vermont and New York. The hike is just a half-mile with only an 80-foot ascent.

North-South Lake, Hudson River School Art Trail Site #6 © 2017 Karen Rubin/ goingplacesfarandnear.com

There is a $10/car day use fee for the NYS DEC’s North-South Lake Campground from early May through late October, however the fee is waived for NYS residents 62 years or older midweek. The campground is open for camping from May through October; 518-589-5058 or call DEC Regional Office year-round at 518-357-2234, More information at www.greatnortherncatskills.com/outdoors/north-south-lake-campground.

Get maps, directions and photographs of all the sites on the Hudson River School Art Trail at www.hudsonriverschool.org. 

Other Ways to Experience Fall in the Catskills

Those who prefer driving to experience fall foliage will find two National Scenic Byways in the Great Northern Catskills: a 21-mile route that descends from high country peaks to Durham Valley farmland., affording  views that stretch across the Hudson River Valley to summits in four New England states. Then take an excursion along Mountain Clove, a byway that meanders through ravines, historic districts, and waterfalls. In fact, one of the best foliage views in New York State, Innkeeper Chuck Tomajko notes, is just 2 miles from his Fairlawn Inn door, at the intersection of Rte 214 and 23A – which looks toward Bear Creek and some half-dozen mountains that form layers.

The intersection of Rte 23A and 214, looking out to Bear Creek, is considered one of the best spots for fall foliage in New York State © 2017 Karen Rubin/ goingplacesfarandnear.com

An Arts-Meets-Nature Driving/Exploration Route: The Kaaterskill Clove Experience provides a new self-guided discovery tour through the history of American art, and the primeval landscape that inspired it. Tailored, easy-to-follow itineraries provide a roadmap for families, adventure seekers and leisure travelers to experience the Kaaterskill Clove at your own pace, while enjoying everything that Greene County has to offer, from farm stands to charming cafes. (www.greatnortherncatskills.com/kaaterskill-clove)

Antiquing. The villages of Catskill and Tannersville are known for their antique shops. Actually the best antiquing of all turns out to be across the street from the Fairlawn Inn in Hunter: the Antique Mall, housed in what used to be the Masonic Center, is owned by innkeeper Chuck Tomajko. Among the treasures: two chairs that had been owned by Elizabeth Abell, the woman who introduced Mary Todd to Abraham Lincoln. Another chair dates from the mid 18th century, made in Philadelphia, could well have been used by Washington, Jefferson or any of the signers of the Declaration of Independence.

A colonial chair from Philadelphia which could have been used by George Washington, and two chairs owned by the woman who introduced Mary Todd to Abraham Lincoln, among the treasures at the Hunter Antique Mall © 2017 Karen Rubin/goingplacesfarandnear.com

The Bronck House Museum, where you see how eight generations of a family occupied this same house for more than 350 years.  (Greene County Historical Society, 90 County Route 42, Coxsackie, NY  12051, 518-731-6490, gchistory.org/bronckmuseum.html).

The charming town of Hudson with its galleries, antique shops, and restaurants.

Hunter Mountain is a four-season resort most famous for skiing, but offers a score of festivals and activities in fall, including weekend scenic skyrides (www.huntermtn.com).

Pick your own apples and pumpkins at Boehm Farm

Hull-O Farms offers a corn maze, as well as pumpkin picking.

There is also a Wine & Craft Beverage trail through the Hudson Valley (see TravelHudsonValley.com).

A great place to stay: The Fairlawn Inn, a historic bed-and-breakfast, 7872 Main Street (Hwy 23A), Hunter, NY 12442, 518-263-5025www.fairlawninn.com.

Further help planning a visit is available from Greene County Tourism, 700 Rte 23B, Leeds, NY 12451, 800-355-CATS, 518-943-3223, www.greatnortherncatskills.com and its fall hub www.greatnortherncatskills.com/catskills-fall-foliage

The I LOVE NEW YORK weekly foliage report – a detailed map charting fall color progress, vantage points for viewing spectacular foliage, suggested autumn getaways and weekly event listings – is available at www.iloveny.com/foliage or by calling 800/CALL-NYS (800/225-5697).

See also:

Fall Getaway in the Catskills: Thomas Cole National Historic Site is Site #1 on the Hudson River School Art Trail

Fall Getaway in the Great Northern Catskills: Frederick Edwin Church’s Olana

3-Day Fall Getaway in the Catskills: Fairlawn Inn is Superb Hub for Exploring the Hudson River Valley

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Fall Getaway in the Catskills: Thomas Cole National Historic Site is Site #1 on the Hudson River School Art Trail

Thomas Cole’s studio at Cedar Grove, a National Historic Site “Where American Art Was Born.” © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The first thing you notice about the Thomas Cole House, “Where American Art Was Born,” is the view from his porch – out to the ridges of the Catskills Mountains, the Hudson River curving around a bend. It is not hard to imagine that in Cole’s day, there would have been fields between his house and the river. But it is the same scene immortalized in paintings renowned as the “first American art movement.”

Cedar Grove, Thomas Cole’s home, is where you discover how one man invented a new way of looking at America © 2017 Karen Rubin/ goingplacesfarandnear.com

Thomas Cole’s Cedar Grove, now the Thomas Cole Historic Site and Site #1 on the Hudson River School Art Trail, has been redone since I last visited – more of the house restored to the way it was when Cole, at 35 years old, married 24-year old Maria Bartow, the niece of the man who owned the house and farm where Cole was renting studio space for 10 years..

The guided tour has also been revamped with new innovative, multi-media features as well as personal effects – I love seeing Cole’s top hat, his musical instruments which he played and posed, his paint box, his traveling trunk with his signature and date, 1829 – and original paintings, and most especially his studio with his easel and paints and a room devoted to his creative process.

The view of the Hudson River Valley and Catskill Mountains from Thomas Cole’s porch at Cedar Grove © 2017 Karen Rubin/goingplacesfarandnear.com

The presentation really personalizes the man, brings him into your presence. You start the guided tour in the parlor that Thompson, who really encouraged Cole, turned into a sales office for the artist. What appears to be Cole’s portrait – a video projection – becomes a slide show of his art as a voice narrates from Cole’s own journal and writings. Around the room are projections or digital reproductions of Cole’s paintings (some of Cole’s original paintings are in upstairs rooms we visit). He describes the inspiration and rejuvenation he feels from this wilderness, how he is “deliriously happy” at having his family, and his outrage over the “ravages of the axe” of progress.

Touring the Thomas Cole’s Cedar Grove, a National Historic Site © 2017 Karen Rubin/goingplacesfarandnear.com

These themes come together in his work: while primarily a painter of landscapes, he expressed his philosophical opinions in allegorical works, the most famous of which are the five-part series, The Course of Empire, which depict the same landscape over generations—from a near state of nature (depicting American Indians) to consummation of empire (Rome), and then decline and desolation, which is now in the collection of the New York Historical Society (and will be on display at the Metropolitan Museum of Art in 2018); and four-part The Voyage of Life, which are reproduced in his studio. (“Thomas Cole’s Journey: Atlantic Crossings” will be on view at the Met, January 30-May 13, 2018, and feature some of his most iconic works, including The Oxbow (1836) and his five-part series The Course of Empire (1834–36, www.metmuseum.org/exhibitions/listings/2018/thomas-cole,).

I appreciate Cole as very possibly America’s first environmentalist, the first to appreciate conservation and raise the alarm over the march of progress at a time when the Industrial Revolution was taking hold and technological progress was worshipped along with capitalism, as he railed against the “copper-hearted barbarians” and “dollar-godded utilitarians.”

“We are still in Eden; the wall that shuts us out of the garden is our own  ignorance and folly,” he says, as a projection of his painting, “Expulsion from the Garden of Eden” (1828) appears.

Cole worried that America’s rapid expansion and industrial development would destroy the glorious landscape – in 1836, he could see the railroad being built through the valley and he bemoaned the loss of forest along Catskill Creek, “the beauty of environment shorn away.”

Cole recognized America as a land in transition – the settled and domesticated juxtaposed with the wild and undomesticated… He witnessed the changes taking place around him.. And in the early 1800s, America was still in process of creating own culture, distinct from the European settlers.

An Immigrant Dazzled by America’s Wilderness

Thomas Cole was born in Lancashire, England, in 1801 and emigrated to the United States with his parents and sister (his father was in textiles) in 1818, settling first in Philadelphia, then Steubenville Ohio, then New York City. He had little formal art training; he picked up the basics from a wandering portrait painter. Cole soon focused on landscape and ultimately, Cole transformed the way America thought about nature and the way nature was portrayed on canvas.

Thomas Cole’s paint box © 2017 Karen Rubin/goingplacesfarandnear.com

As an immigrant, Cole was dazzled by America’s vast stretch of untamed wilderness, unlike anything that existed in Europe. At this point in time, though, most Americans did not appreciate the wilderness – they thought of it as something to be feared or exploited. Instead, America was enthralled with industrialization, technology and progress.

Thomas Cole’s signature inside his trunk © 2017 Karen Rubin/ goingplacesfarandnear.com

Cole was 24 years old when he took one of the new steamships up the Hudson River (it was “the thing to do” at the time). He made a painting which sold immediately, came again to make another painting and that sold immediately, as well. He came so often he looked around for a studio in the village of Catskill. He came to Cedar Grove, John Alexander Thompson’s 110-acre farm with an orchard and a hilltop view out to the Hudson River and the Catskill Mountains – the same view we see today – and for the next 10 years, rented a studio in a structure next door to Thompson’s house (where Temple Israel now stands).

Sketch of Mary Cole

Cole fell in love with Maria Bartow, Thompson’s niece 11 years younger than Cole, then 35 years old, and moved into Cedar Grove permanently, all living together in the modest house which Thompson had built in 1815.

Thompson provided Cole with the two parlors on the main floor to use as “sales rooms” for his painting, and built a studio for Cole, cutting out a window so he would have northern light.

Thompson also built a studio for him with a high window to bring in northern light, and we see his paints and easel as if he had just left the room for a moment.

Cole’s studio, which Mary’s uncle made for him, installing a high window to bring in northern light, has been restored. It is where he painted one of his most famous series, the four “Voyage of Life” paintings (he painted eight sets of four; one of the sets is in the New-York Historical Society and will be on display January 2018 at the Metropolitan Museum of Art).  We see his paints and easel as if he had just left the room for a moment.

Thomas Cole’s painting materials, as if he had just left his studio for a moment © 2017 Karen Rubin/goingplacesfarandnear.com

Alas, the studio probably contributed to his early death, at the age of 47, when his wife was pregnant with their fifth child – the studio in winter had little ventilation and he was working with turpentine and paints and had a respiratory illness. He died of pleurisy. Mary named their son Thomas Cole, Jr.

Frederick Edwin Church, recognized as a prodigy, was 18 years old when Cole, then 43, took him on as an art student. Cole would take his six-year old son Theodore out with them painting. Paintings by Church that have a small boy are likely Cole’s son. After Cole died, in 1848, Church, who built his Olana on a hilltop on the opposite shore of the Hudson, helped the family, even hiring Cole’s son Theodore as his farm manager.

Photo of Thomas Cole’s granddaughter below his painting © 2017 Karen Rubin/ goingplacesfarandnear.com

Cole’s Creative Process

Touring the house is remarkable because it contains many of Cole’s personal effects including several of his paintings, like “Prometheus,” and his special items like musical instruments that he played and used as props for his paintings.

All of this is fairly miraculous because the house was sold in the 1960s and the contents auctioned off – the paintings, the furnishings. Over the years, many of the sold items have since come back, like “Uncle Sandy’s” chair, which we see today, which was purchased by a local postman who donated it back to Cedar Grove.

Thomas Cole’s writing desk © 2017 Karen Rubin/goingplacesfarandnear.com

In a living room on the second floor, Cole’s letters “appear” on his actual writing desk (triggered by a motion detector); some of the paintings that decorate the room where they would have been are reproductions (the originals held in museums), but some are originals. There are black-and-white photos of his daughter in her later years, sitting in that very room. I am fascinated to see his “magic lantern” (an early slide projector with hand-painted glass slides) that drew its light from a candle inside. We appreciate Cole as a man of enormous talents –a poet, essayist and musician in addition to an artist and we see some of his instruments. We visit his bedroom and see his traveling trunk which he had made on Pearl Street, with his signature and date.

A magic lantern © 2017 Karen Rubin/goingplacesfarandnear.com

We learn that he was close friends with the novelist James Fenimore Cooper and provided illustrations for his work, including “The Last of the Mohicans” (1827) and “The Pioneers.”

My favorite room is his “Process Room” where we see his actual sketches, his paint box which he decorated with a beautiful painting and papers and his famous color wheel.

On my hikes on the Hudson River School Art Trail, I wondered how Cole would have captured the scenes – the sheer logistics of getting to these remote places that take us 20 minutes to reach by car along paved roads. Cole painted at a time before photography was a handy tool, before capped paint tubes made painting “en plein air” as feasible as it was for the Impressionists decades later.

I learn that Cole hiked with a pocket easel and pencil. He would get to a place like Sunset Rock by dark (a trail which I hike), camp and stay there a few days. He made copious notes of the smallest details – the light, color (he created a color-wheel for himself which we see), the atmosphere, the vegetation and natural forms.

Thomas Cole’s color wheel © 2017 Karen Rubin/goingplacesfarandnear.com

But then he would wait before he painted the scene, for time to pass “to put a veil over inessential detail to turn it into beautiful and sublime…He had a vision of nature as an expression of the divine.”

It is important to realize that at the time, a painting afforded the only way for people to see places without actually visiting for themselves.

He began to turn his landscapes into allegorical exposition. Over a three-year period, he painted “The Course of Empire” a series depicting the same landscape over centuries and generations as civilization rises and falls, from savage to civilized, from glory to fall and extinction. He intended the series as a warning against American unbridled expansion and materialism. It took him three years to create and earned him a veritable fortune in commissions and fame.

Thomas Cole’s top hat © 2017 Karen Rubin/goingplacesfarandnear.com

Cole also became progressively more spiritual – coinciding with a rise in spiritualism in America. – and used his landscape painting as religious allegory. This is manifest in Cole’s “Voyage of Life,” a series of four paintings that show a pilgrim from infancy to old age, led by a guardian angel, which became Cole’s most popular work.

Each year, there are always special exhibits as well – in the Cole house, oddly juxtaposed with Cole’s 18th century works (we even see the wall trim that he painted himself) is a contemporary artist, Kiki Smith. In the New Studio, a separate building, this season is “Sanford R. Gifford in the Catskills.”

A glimpse into Thomas Cole’s creative process © 2017 Karen Rubin/goingplacesfarandnear.com

Most days when you visit the Cole house, you take a guided tour, but on Saturday and Sundays, 2-5, you can tour the house on your own. The house usually closes at the end of October but this year, it is open for three weekends in November.

Thomas Cole National Historic Site, 218 Spring Street, Catskill, NY 12414, 518-943-7465, www.thomasscole.org (Normally open May-October, but will have extended season this year, three weekends in November).

Get maps, directions and photographs of all the sites on the Hudson River School Art Trail at www.hudsonriverschool.org. 

A great place to stay: The Fairlawn Inn, a historic bed-and-breakfast, 7872 Main Street (Hwy 23A), Hunter, NY 12442, 518-263-5025, www.fairlawninn.com.

Further help planning a visit, from lodging to attractions to itineraries, is available from Greene County Tourism, 700 Rte 23B, Leeds, NY 12451, 800-355-CATS, 518-943-3223, www.greatnortherncatskills.com and its fall hub http://www.greatnortherncatskills.com/catskills-fall-foliage

See also:     

3-Day Fall Getaway in the Catskills: Fairlawn Inn is Superb Hub for Exploring the Hudson River Valley

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to FamTravLtr@aol.com. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures