Category Archives: Attractions

New Brunswick Roadtrip: Exploring French Acadia’s Culture, Heritage by Bike!

Biking the beautiful boardwalk in Shippagan, New Brunswick © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, with Dave E. Leiberman & Laini Miranda

Travel Features Syndicate, www.goingplacesfarandnear.com

Our New Brunswick roadtrip that has so enthralled us with the natural wonders of the Bay of Fundy, now takes us to the Acadien Peninsula, where its French heritage is most pronounced and you really feel you are in another country. We are also excited to explore a portion of a marvelous new cycling trail, the Veloroute Peninsule Acadeienne, which opened in 2019, consisting of 14 cycling circuits, totaling 379 miles, that go through 14 coastal French fishing villages and communities. 

Because the Veloroute is so new, it seems, it is not well set up for a supported, self-guided multi-day trip, so we stitch together our own, with the help of Neil Hodge at New Brunswick Tourism. Neil arranges a multi-day bike rental for us from the Villegiature Deux Rivieres Resort (more geared for day rental), and an itinerary that follows the C15 circuit. Fortunately, Laini prefers to spend the day painting, so volunteers to drive the car to the next stop and then take my bike for a shorter ride with Dave at the end of the day. And we have to ferry the bike back to the rental shop (not really difficult, it is less than one hour’s drive back to Tracadie, and we’ve prepared by taking our bike rack). It is exciting to feel like we are pioneering a new biking destination.

This is an opportunity to take advantage of what is best about cycling (and clearly, this is an extremely popular activity throughout New Brunswick and Quebec): you ride at a perfect pace through local communities, small villages, see where and how people live. And there is such freedom during the day, to stop and explore, and really be immersed in a place.

Biking the New Brunswick’s new cycling trail, the Veloroute Peninsule Acadeienne,  from Tracadie to Shippagan © Karen Rubin/goingplacesfarandnear.com

This first day, we bike on the trail 22 miles from Tracadie at one end of the circuit, to Shippagan, riding mainly through woods and then along marshes, arriving at Shippagan at about 2:30. We have a delightful late-lunch in a Mediterranean-style restaurant, Chez Aicha (197 Bd J. D. Gauthier, +1 506-336-8989), then Dave and I continue exploring Shippagan, picturesquely set between Saint-Simon Bay and the Chaleur Bay inlet that goes into the Gulf of St. Lawrence, stopping at its most popular beach, Le Goulet.

Shippagan, New Brunswick’s beautiful boardwalk © Karen Rubin/goingplacesfarandnear.com

We discover the boardwalk along Shippagan’s waterfront, and that we can bike all the way to Point Brule, the road that leads us to the cottage Laini has booked for two nights on Airbnb. We calculate we cycled 40 miles for the day.

Our charming Airbnb cottage on Point Brule, Shippagan © Karen Rubin/goingplacesfarandnear.com

Dave and I are giddy with delight when we see the sweet, cozy aquamarine-colored cottage and how it is poised on the tip of Point Brule, perched on a ridge with our own ladder to the beach into the bay.

Who can resist? We quickly change and play in the water (surprisingly not too cold), then set out to watch the sunset on Miscou Island, which sits between the Bay of Chaleur and the Gulf of St. Lawrence, at its magnificent historic lighthouse.

The picturesque Miscou Lighthouse © Karen Rubin/goingplacesfarandnear.com

We reach the Miscou Island Lighthouse on the northeastern tip of the island, just before sunset. The lighthouse was built in 1856 and designated a National Historic Site of Canada in 1974.

The picturesque Miscou Lighthouse © Karen Rubin/goingplacesfarandnear.com

It is surprising how long (how far) Miscou Island actually is (24 km long by 16 km wide – small for an island but a good distance by bike), because this is the route we are supposed to bike tomorrow. Even on our itinerary, the route is 26 miles each way, hilly, on a two-lane, windy road. But Miscou is fabulous to explore – for birds and wildlife (we see a family of foxes), peat bogs, and not to be missed.

Steve of the popular Terasse a Steve restaurant on Miscou Island © Karen Rubin/goingplacesfarandnear.com

Our plan is to have dinner at Terasse à Steve a fun, rustic place so beautifully set overlooking the Miscou wharf that is legendary in the community, but when we pull up, we discover Steve has closed early (for mosquitoes!).

That means we have to race back to Shippagan before the restaurants close (at 8:30 pm). We’ve called ahead to Pinokkio’s who tell us to just get there by 9 pm. We race back, arriving at 9 pm on the dot, and sure enough, they seat us. The wood-fired pizzas (fungi pizza, margarita), with the freshest, most flavorful ingredients, are fantastic. ((Pinokkio Pizzeria Resto-Bar, 121 16e rue, Shippagan, 506-336-0051, www.pinokkio.ca).

Sunset from our cottage on Point Brule, Shippagan © Karen Rubin/goingplacesfarandnear.com

Instead of biking back to Miscou Island (Veloroute map shows the Miscou route as 41 km just on the island), Dave and I decide to explore Lameque Island, which is in between Shippagan and Miscou (so glad we toured by car).

We set out again from the cottage on the road that leads to the entrance to the beautiful wooden boardwalk and connects to our biking routes, winding passed the colorful marina, then over the bridge to Lameque.

Biking around Lameque, on the Acadian Peninsula, New Brunswick © Karen Rubin/goingplacesfarandnear.com

We first find a lovely bike trail in the woods that parallels the busy Route 113, cross another small bridge, and then find a beautiful, if short, trail along the water. But when that ends, we ride on the shoulder of Route 113, which serves as a bike path. We come upon an eco-park on Lameque, and explore that before continuing our cycling,

Enjoying a meal at Steve’s Terrasse on Miscou © Karen Rubin/goingplacesfarandnear.com

We are determined to dine at Steve’s Terrasse on Miscou, which is just on the other side of the (high) bridge from Lameque. Laini pulls away from her painting and meets us there for a late lunch – a sensational meal of lobster with spaghetti, pesto and parmesan; steamed clams; and a whole lobster (9650 route 113, Miscou, +1 506-344-7000)

Biking around Lameque, on the Acadian Peninsula, New Brunswick © Karen Rubin/goingplacesfarandnear.com

Biking back to Lameque (back again over the steep bridge!), we follow a route that takes us along the eastern side of the island along the road (with ups and downs, unlike the bikeway) – it is marked in purple on the map – that give us some lovely views of the water as we ride through neighborhoods. (Amazingly, we don’t find actual stores or restaurants, absolutely nothing for the people to do except for some churches).

Each day, our ride begins and ends on the Shippagan boardwalk, my favorite part of the ride.

Enjoying a second dinner in a row at Pinokkio, Shippagan © Karen Rubin/goingplacesfarandnear.com

By the time Dave and I get back to our cottage in Shippagan, we calculate we’ve biked 45 miles. But now we have to race back into town to find a restaurant. The recommended places we call are all booked solid (it’s graduation day), so we (happily) call again to Pinokkio, and sure enough, they are booked too, but make room for us. The mushroom risotto is sensational. (Pinokkio Pizzeria Resto-Bar, serving up wood-fired pizzeria, appetizers, salads, pasta, seafood, steak, international cuisine, wine list, selection of domestic and imported beers, and decadent desserts, 121 16e rue, Shippagan, 506-336-0051, www.pinokkio.ca).

Biking Shippagan, New Brunswick’s beautiful boardwalk © Karen Rubin/goingplacesfarandnear.com

We really have to pull ourselves away from Shippagan (regrettably we don’t have time to visit the Aquarium which we keep passing on the boardwalk, 100 Aquarium St., Shippagan, 506-336-3013, [email protected], aquariumnb.ca).

(Shippagan, https://tourismepeninsuleacadienne.ca/en/region-shippagan/, 506.336.3900).

Caraquet

Biking the new cycling trail, the Veloroute Peninsule Acadeienne, along New Brunswick, Canada’’s Acadian Peninsula, from Shippagan © Karen Rubin/goingplacesfarandnear.com

Today’s ride takes us back onto the delightful Veloroute to Caraquet, 20 miles on the trail. Basically we back track from Shippagan 10 miles to a fork in the trail and then back up 10 miles to Caraquet, most of it in the trees (so refreshing).

We find our way to a charming waterfront village of cute shops, a small artist’s collective, eateries and a picturesque wharf and marina, where we have lunch.

An artisan village within Caraquet © Karen Rubin/goingplacesfarandnear.com

We consider biking back the 20 miles from Caraquet to Tracadie to return the bikes, but realize we would be doubling back 20 miles on the trail we had already taken, and prefer instead to spend the afternoon exploring the rest of the trail, 7 miles further along Caraquet Bay to where it ends at Bertrand.

Biking along the shore from Caraquet © Karen Rubin/goingplacesfarandnear.com

It is the best choice! This part of the trail is particularly scenic, hugging the coast along Caraquet Bay (an inlet of Chaleur Bay), passing some gorgeous houses and views of the water, adding about 14 miles to our total for the day. We then drive the bikes back Tracadie, racing to get to the rental shop by closing time.

(Veloroute de la Peninsule acadienne, 506-336-4116, [email protected], www.veloroutepa.ca)

Caraquet is an extremely nice place to live, and clearly, very popular for tourists, judging by the string of hotels along the main street.

My hotel is the Super 8 By Wyndham (9 Avenue du Carrefour, 506-727-0888), is ideally located right in the waterfront village, alongside the coastal trail.

Returning the bikes the afternoon before works out superbly for me, because it gives me time to visit Caraquet’s major, not-to-be missed attraction, the Historic Acadian Village, which proves such a highlight of our New Brunswick roadtrip.

“Leave the 21st Century behind at Historic Acadien Village”

“Leave the 21st Century behind at Historic Acadien Village” a highlight of our visit to New Brunswick © Karen Rubin/goingplacesfarandnear.com

Historic Acadien Village is an open air living history museum with costumed (fully bilingual) interpreters who recreate the roles of real people. What makes this place so extraordinary, though, is that you walk a 2.2 km circuit through 200 years of history – the 40 buildings represent a different time, the oldest from 1773 up to 1895, then, you walk through a covered bridge built in 1900 into the 20th century village where the buildings date from 1905 to 1949.

As you walk about, you literally feel yourself stepping across the threshold back in time.

Walking through this idyllic village, looking at the goats, the sheep, the cows which supply the milk, meat, fiber for clothes, the fields and streams for fish, you would imagine they had everything they needed, life was tranquil, sustainable. But I soon learn from my conversation with the interpreter in the 1852 Cyr house that it was a daily struggle for survival.

An idyllic Acadien village masks how hard life would have been like for the Acadiens Brunswick © Karen Rubin/goingplacesfarandnear.com

This arises when I watch her sewing and she says she baked 25 loaves yesterday, enough that would have lasted her family of 8 including grandparent and a farmhand, a week (but actually supplies the village restaurants which serve menus appropriate to the time). I suggest that must be a lot of work. She tells me that her children help. Don’t they go to school? “The children don’t go to school, they are needed at home. It’s a question of surviving. We would have been too isolated to go to school in winter, and they are needed in summer.” Homeschool? “We cannot read; we depend on the priest to read any letter that might come.”

On the stove, she is preparing a pie with pork, onion, turnip, potato. “The pot is on legs so it doesn’t burn; we put wood chips on top so the food cooks from the top and bottom.”

This house came from Saint-Basile, New Brunswick, near the St. John River near Maine/Quebec. I observe that it seems quite large. “We’re not rich, but there was enough wood to build.”

What she tells me next seems to explain why the French Acadiens are so fiercely French (and why, as we travel, we see many flags of French Acadia but few of New Brunswick or Canada):

It was during the French and Indian War, when Britain battled France for control of the New World colonies. “In 1755, the British took the French men in one boat and women and children in another – they didn’t want families together. They felt there were too many Acadiens in same place and would be able to fight British. They made the Acadiens sign a contract to be British, not French, and those who refused were sent away. The boat took them far away – they didn’t know where they were going- some were sent to Charleston, South Carolina, to Louisiana.”

Seeing how life would have been like over 200 years at the living history museum, Village Historique Acadien, Bertrand, New Brunswick © Karen Rubin/goingplacesfarandnear.com

The war ended with the Treaty of Paris in 1763, with France giving Great Britain its colonial possessions in North America, except the islands of St. Pierre and Miquelon, off the coast of Newfoundland (which remain French colonies even today). In 1764, the British allowed Acadians to return in small isolated groups, but by then as many as 18,000 had been forcibly removed and thousands more killed. (See: https://www.cbc.ca/acadian/timeline.html)

Seeing how life would have been like over 200 years at the living history museum, Village Historique Acadien, Bertrand, New Brunswick © Karen Rubin/goingplacesfarandnear.com

She says that when the French colonists were kicked out of Nova Scotia, they would send word to each other to come “a Cadia” (“to Cadia”), a name derived from an Indian word meaning “the place.”

Indeed, all these buildings were collected from other places in New Brunswick during the mid-1970s, creating a what appears to me to be an idyllic “Pleasantville” community.

I continue my walk through these fascinating homesteads. You also get to visit the chapel (1831), post office, general store (1889), tavern (1880), blacksmith’s shop and forge (1874), all with interpreters demonstrating their crafts.

The 1867 printing office at the living history museum, Village Historique Acadien, Bertrand, New Brunswick © Karen Rubin/goingplacesfarandnear.com

My personal favorite: the newspaper/printing office (1867), which had been owned by Israel Londry who had five employees putting out 2000 copies of a four-page weekly paper (delivered to the post office), that would cost $1 for a six-month subscription. There are copies you can read.

There is also a one-room schoolhouse (1869), where the teacher tells me that on any day, she might have 20 students or 2, depending upon whether they were needed at home. “Before 1941, there were no mandates to attend school – children stayed home as free labor. It was a matter of survival.”

The one-room schoolhouse where the teacher could have 2 or 20 children a day depending if they were needed on the farm © Karen Rubin/goingplacesfarandnear.com

I love seeing the machinery of the 1895 grist mill. Originally it would have milled flour, sawed wood, made cedar shingles, serving a 50-mile radius. The miller would keep 10% of the flour, which he would trade for something else. “There was not much currency,” the miller tells me.. But in 1918, the miller closed the flour mill over a dispute of $125 from a bill for repair parts that went back to 1890, when new repairs were needed in 1914, and the $125 was again added to the bill, he shut it down, but kept the saw mill, carting machine and cedar shingles.

Cross the Kissing Bridge into the 20th century to visit the Irving Gas Station at the living history museum, Village Historique Acadien, Bertrand, New Brunswick © Karen Rubin/goingplacesfarandnear.com

Then you walk across the covered bridge (1900), called “the Kissing Bridge,” and you are in a 20th century town. There is an Irving Gas Station with antique cars; a saw mill (1949), general store (1924), tinsmith’s shop (1905) where you can buy a stove, cobbler’s shop (1945), a railroad station (1930). The Thomas Cooperage that dated from 1937 actually made barrels until 1980, employing 60 people who made 200 a day, until plastic barrels made the wood ones obsolete.

The Irving Gas Station at the living history museum, Village Historique Acadien, Bertrand, New Brunswick © Karen Rubin/goingplacesfarandnear.com

You not only visit but can actually book a room to stay at the Hotel Chateau Albert (1910). Albert opened hotel in 1870 but had financial problems from the beginning and was put out of business by Canadian Pacific railroad.. The building was destroyed in a fire in 1955, and restored using the original plans. It now offers 14 rooms (with bathrooms) that you actually can book to stay overnight. (hotelchateaualbert.com, 506-726-2600).

You can stay over in the Village Historique Acadien, at the Hotel Chateau Albert © Karen Rubin/goingplacesfarandnear.com

There is a really nice café in the (modern) visitor center before you go back in time, plus a restaurant in the historic village serving a menu appropriate to the period.

Plan on staying at least three hours. Open June through mid-September.

Historique Acadien Village, 5 rue du Pont, Bertrand, NB, 1-0877-721-2200, [email protected], villagehistoriqueacadien.com  

Travel planning assistance from Tourism New Brunswick, 800-561-0123www.tourismnewbrunswick.ca.

See also:

NEW BRUNSWICK ROADTRIP BEGINS IN ST. ANDREWS

NEW BRUNSWICK, CANADA ROADTRIP: SAINT JOHN, CITY OF FIRSTS, OLDESTS, AMAZEMENTS

NEW BRUNSWICK ROADTRIP: DISCOVERING FUNDY TRAIL PARKWAY, FUNDY NATIONAL PARK, CAPE ENRAGE

NEW BRUNSWICK ROADTRIP: MESMERIZING HOPEWELL ROCKS

NEW BRUNSWICK ROADTRIP: METEPENAGIAG HERITAGE CENTER HIGHLIGHTS MIRAMICHI VISIT

____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

New Brunswick Roadtrip: Metepenagiag Heritage Center Highlights Miramichi Visit

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Metepenagiag Heritage Center has artifacts that show 3,000 years of habitation of the Mi’kmaq people in Miramichi, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

So often the best travel experiences happen by serendipity. I had left the Bay of Fundy coastal trail behind in Moncton this morning to continue our New Brunswick roadtrip, driving 90 minutes to Miramichi, a small city that’s the gateway to northern New Brunswick, Canada, renowned for hunting and fishing. I meet up with Amanda Craig, from Miramichi’s tourism office who was taking me to hike a mile-long trail to Fall Brook Falls (at 108 feet high is the highest in New Brunswick). It’s located in Irving Woodlands private preserve, but alas, the access road is closed. I had spotted a sign along the highway to the Metepenagiag Heritage Park and was really excited to learn more about New Brunswick’s First Nations history and so we head there.

Metepenagiag is so much more than a museum exhibition – it preserves, documents, honors and resurrects the Mi’kmaq heritage and culture.

Metepenagiag is an active archaeological site and research center where artifacts unearthed have provided proof the Mi’kmaq have been occupying this land for at least 3,000 years. When you first walk into the exhibition building, you can look into the lab where researchers examine artifacts. Some of the items, like a 1200-year old Earthenware pot, arrowheads and other items are on display.

Earthenware 1200 years old is on display at Metepenagiag Heritage Center, Miramichi, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com

The significance of this place is clear when you learn that it was after decades and generations of a national policy to eradicate First Nations’ cultural heritage, when even speaking the language, so critical to passing along its oral history and tradition, was banned and children were forced from their community into residential schools to strip away their native identity, that in the 1970s, a Mi’kmaq member, Joe Augustine, discovered the Augustine Mound and Oxbow.

“When a company was planning to expand its gravel pit in our community, our beloved and respected Elder Joe Augustine remembered being told from his Elders before him of an old burial ground in the area,” state the notes accompanying a photo of Joe Augustine and Yvonne (Paul) Meunier digging at the pit state. “He went to the site they described and found what was to become the Augustine Mound – a cemetery dating back to over 600 BC.

Mi’kmaq Elder Joe Augustine discovered the Augustine Mound and Oxbow archaeological sites in the 1970s which provide evidence of 3,000 years of habitation in Miramichi, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com
 

The concept of preserving, protecting and presenting the rich Mi’kmaq culture is expressed by our Elder and lives on in our community.”

In 1977, archaeological work began on another site Elder Joe Augustine uncovered: the Oxbow, a village site situated at the head tide, showing Metepenagiag has had over 3,000 years of continuous settlements right to the present day.

Artifacts uncovered at the Augustine Mound and Oxbow show that for the past three millennia, aboriginal people have repeatedly come to this oxbow in the Miramichi River to fish, hunt and gather plants © Karen Rubin/goingplacesfarandnear.com

Constructed about 2500 years ago, the circular Augustine Mound is a rare example in the Maratimes of the elaborate burial tradition associated with the Adena culture, which originated in the Ohio River Valley and then spread throughout eastern North America. The rich archaeological record found at the site includes well-preserved textiles and basketry, ornaments of Lake Superior native copper, Ohio fireclay pipes, and distinctive Adena-type stone tools dating back 7000 years.

The types of objects retrieved from the Augustine Mound are exceptional for this area of Canada – copper beads on leather, small pieces of baskets, textiles, animal hides, moose-hair work, porcupine quills, feathers and wooden-handled tools. The salts from thousands of copper beads helped save the raw natural fibers from decomposing.

Artifacts uncovered at the Augustine Mound and Oxbow show that for the past three millennia, aboriginal people have repeatedly come to this oxbow in the Miramichi River to fish, hunt and gather plants © Karen Rubin/goingplacesfarandnear.com

The earth mound, the types of burials and the artifacts suggest that the Mi’kmaq of Metepenagiag probably carried on complex trading and cultural relations with other Aboriginal societies as distant as central Ohio.

Oxbow is one of the largest pre-contact archeological sites in the Maritimes and remarkable for its rich and deeply stratified record of almost continuous human occupation. The artifacts uncovered show that for the past three millennia, aboriginal people have repeatedly come to this oxbow in the Miramichi River to fish, hunt and gather plants. Seasonal flooding covered their camps with silt, preserving evidence of their everyday life, including stone tools, ceramics, and fire pits.

Archaeological research is actively underway at Metepenagiag Heritage Center, Miramichi, New Brunswick, Canada © Karen Rubin/goingplacesfarandnear.com
 

Known today as the Mi’kmaq (from the word nikmaq, meaning my kin-friend), in ancient times they called themselves Lnu’k, The People. The Mi’kmaq are an Eastern Algonkian-speaking people closely related to the Wolastoqiyik, Passamaquoddy, Penobscot and the Eastern and Western Abenaki. Together, these nations formed the Wabanaki Confederacy.

“The findings of these two archeological sites scientifically prove the ancient oral history we have always known, passed down through many generations. This is our legacy and how two national historic sites came to be.”

“Elder Joseph (Joe Mike) Michael Augustine (1911-1995) left an important legacy: the rediscovery of the Mi’kmaq identity and culture as a people and as a nation.” Joe Mike served two terms each as Chief and as a Band Councillor.

Metepenagiag Heritage Center guide Marcus Alexander LaViolette poses with a photo of his great grandfather, Mi’kmaq Elder Joe Augustine discovered the Augustine Mound and Oxbow archaeological sites that proved Mi’kmaq habitation for 3,000 years © Karen Rubin/goingplacesfarandnear.com

“This is archaeological proof of living here 3000 years,” says our guide,  Marcus Alexander LaViolette, heritage interpreter, a 20-something fellow who turns out to be the great grandson of Joe Augustine, making his remarks all the more poignant.  

One room displays how the Mi’kmaq would have lived, season by season (they lived along the river in warm seasons, and moved to the forest in cold).

Mi’kmaq ancestors lived in wikuoms (wigwams), not tipis. Some cone- shaped wigwams could hold up to 30 people; A or V-type usually held large groups, which typically would have been built by women.

Marcus shows us a re-created canoe and the skin of an Atlantic sturgeon, which grew to a size “as long as a canoe.” A main food source for generations, the sturgeon, which could grow over 3 meters long and weigh 400 kilos, are now exceptionally rare – the last one was caught 30 years ago. “Sturgeon are an ancient fish in an ancient river; they haven’t evolved,” Marcus tells us.

Metepenagiag Heritage Center guide Marcus Alexander LaViolette with a canoe and skin of a sturgeon that once provided sustenance to Mi’kmaq, but now is virtually extinct © Karen Rubin/goingplacesfarandnear.com

The birchbark canoe “was likely the most remarkable Mi’kmaq construction.” It ranged from 3 to 8 meters long; with high ends and raised sides, a uniquely Mi’kmaq design, that kept the canoe from taking on water. Using this type of canoe, the Mi’kmaq ancestors traveled out to sea, up streams and down rapids. The canoe could transport large loads but was light enough so one or two people could easily carry it.

“We lost the tradition of canoe making,” Marcus tells us, “so this is a generic style for birch bark canoe.”

The exhibit hall is a portal to ancient history, he tells us, stressing that it is a point of pride that all the notes are equally translated in English, French, and Mi’kmaq, especially since only 5% of Mi’kmaq people can understand their native language. There are about 200,000 Mi’kmaq in Canada and in Maine.

Marcus notes that there the pots do not have a flat bottom but would be designed to wedge into the ground. They would boil or cook using superheated sand – which would form a crust around bread and not get into the bread. When it was done, they would pat it like a drum so the sand comes off, leaving the bread. “That they can recreate the process shows proof of concept – shows can do it, re-creatable.” (In the “Taste of Metepenagiag” package, guests learn how to make traditional bread.)

Metepenagiag Heritage Center displays how the Mi’kmaq would have lived, season by season © Karen Rubin/goingplacesfarandnear.com
 

The ancient Oxbow village was next to one of the best salmon fishing pools. For centuries the Miramichi River was a river of fish – so many salmon swam up the river that they would keep villagers awake at night as they fell on the water after leaping into the air. The ancestors smoke-dried a lot of the salmon catch for winter or to use in trade.

The Mi’kmaq ancesters knew the names and uses of trees, plants, flowers and herbs. Foods included fiddleheads, cat-tail roots, raspberries and blueberries. The bloodroot plant provided dye. Balsam fir helped to cure wounds. Canoes and containers were made from birchbark, wood and root, and mats from reeds and rushes. Sweetgrass and tobacco are still used in ceremonies.

Metepenagiag Heritage Center displays how the Mi’kmaq would have lived, season by season © Karen Rubin/goingplacesfarandnear.com
 

“We slowed down First Contact,” Marcus says, then adds, “The Mi’kmaq way of life did not last. With the first Europeans came dramatic changes. The ancestors began to spend more time gathering furs to trade for the prized European goods. They became dependent on Europeans for food. European diseases killed whole Mi’kmaq villages. With few people left to pass on tradition, much knowledge and history was lost.” In fact, the British barred them from hunting or fishing.

This place had always been important for trade – there is even evidence of the Vikings having come. European merchant traders set up a commercial fishery on the Miramichi River in the 1760s that destroyed much of the traditional salmon fishery. “The few Mi’kmaq living at Metepenagiag struggled to survive.”

Local women made this re-creation of the magnificent embroidered, beaded coat made in 1841 for British sea captain Henry O’Halloran who was made an honorary chief of the Mi’kmaq, on view at the Metepenagiag Heritage Center © Karen Rubin/goingplacesfarandnear.com

This is what made a magnificent embroidered, beaded coat that is on exhibit all the more significant, and treasured by the community: it is a re-creation of a fabulous coat, meticulously crafted by local women for a British sea captain, Henry O’Halloran. At a time when the Mi’kmaq were forced onto a reserve and weren’t allowed to hunt or fish, Captain O’Halloran traded with the indigenous people, provided food and formed a close relationship. The coat was made in 1841on the occasion of making him an honorary chief. This one is an exact replica, made by the local women, which if sold, would be valued at $300,000. (Marcus proudly says he got to model it.)

Marcus points to the Treaties of Peace and Friendship, saying, “When our ancestors signed treaties with the British Crown, such as in 1779, they did not give up ownership of our traditional lands. They also kept our rights to fish, hunt, gather and trade.” But these rights were not honored.

In 1994 Metepenagiag signed a historic “loss of land-use” agreement with the government of Canada. But it did not include all of the lands and access to resources that have been taken from our community. Negotiations are continuing in an effort to obtain a fair settlement.” Only recently, each tribal member received $20,000 from the Canadian government as compensation for land.

It is important to note that First Nations people – there are about 2 million in Canada – only received the right to vote without losing their native Indian status in 1960; the last residential school closed as recently as 1995. In 2014, Canada passed the Truth & Reconciliation Act, apologizing for the harm in trying to eradicate indigenous heritage, prompting a policy toward promoting indigenous rights and heritage. Indigenous tourism, a key tool for both economic development and preservation of indigenous heritage and culture, is now Canada’s the fastest growing industry, Amanda says.

At the end of our visit, Marcus says, “First Nations people don’t believe in goodbye – everything is a circle, comes back – even if in next life.”

Metepenagiag Heritage Park has 1800 meters of groomed trails (30 minutes walking time) that let you “walk in the footsteps of our ancestors” to the water.

You can overnight at the Metepenagiag Heritage Center in a tipi, lodge or cabin and be immersed in Mi’kmaq experience © Karen Rubin/goingplacesfarandnear.com

What is more, you can overnight in a tipi (glamping), cabin or lodge, have a First Nations dining experience, storytelling and be immersed in the 3,000-year heritage around a campfire. Or take part in “A Taste of Metepenagiag” and learn about foods and cooking techniques. New experiences are also being developed.

The Mi’kmaq operate SP First Nations Outdoor Tours, authentic indigenous experiences that begin with a traditional welcome, a river tour by canoe or kayak, storytelling; and authentic First Nations dining and accommodations (56 Shore Road, Red Bank NB, Metepenagiag, 506-626-2718).

Metepenagiag Heritage Park, 2156 Micmac Road, Red Bank NB, 506-836-6118, [email protected] 1-888-380-3555, metpark.ca.

To get to the Metepenagiag Heritage Center, you go through a Mi’kmaq residential community of about 600 people, where you have to be a community member to own the home (but do not own the land). It looks like a typical suburban neighborhood. with its own school (the federal government subsidizes the public school but teachers are paid less than regular school teachers) and shopping center. After the museum was built, the community opened a woman’s shelter, health center. The community also owns Riverside Entertainment (gaming room, restaurant), downtown.

Sportsman’s Paradise

Miramichi is world renowned as a sportsman’s paradise for fishing, hunting, hiking, kayaking, tubing down the rivers, and the longest zipline in New Brunswick (1200 feet). Indeed, the rivers, filled with salmon, and lush wilderness that provided the food and shelter to sustain the Mi’kmaq even 3,000 years ago, continues to sustain Miramichi today.

Miramichi is so prominent for salmon fishing (baseball star Ted Williams used to invite major celebrities including Marilyn Monroe to his family cottage in Blackville), that there is actually an Atlantic Salmon Museum, founded by the local historical society in 1982, that displays 5,000 artifacts “celebrating the artistry of fly tying, the beauty of a well-crafted rod and, above all, the nobility of that ‘king of fish’ the Atlantic salmon.”

One of John William Keith-King collection of 150 plates on view at the Atlantic Salmon Museum in Doaktown, New Brunswick © Karen Rubin/goingplacesfarandnear.com

Most notably, the museum is the repository for the internationally revered John William Keith-King collection of 150 plates that feature exquisite flies combined with stunning artwork and historic photos, plus artwork, reels, fishing rods, fishing tackle, fish replicas and antique outboard motors. The collection is valued at $500,000 (the plates alone valued at $5,000 each), Believe me, I never thought such a museum could be so fascinating even to someone who has never fished for salmon. This place is pure bliss for fishing enthusiasts. (Admission is free. Check hours. 263 Main St, Doaktown NB, 506-365-7787, www.atlanticsalmonmuseum.com

The Ledges Inn, a sportsman’s retreat, Doaktown, New Brunswick © Karen Rubin/goingplacesfarandnear.com
 

People come from all over for the opportunity to fish and hunt, staying in upscale places like The Ledges Inn,  a 4.5-star outfitter with 10-room lodge, picturesquely set on the bank of the Miramichi River, where you can enjoy salmon fishing, upland bird-hunting, four-wheeling, snowmobiling (30 Ledges Inn lane, Doaktown NB, 1-506-365-1820, Ledgesinn.com); and the historic Wilson’s Sporting Camps, family-owned hunting lodge, offering sportsmen retreats since 1855(23 Big Murphy Lane, McNamee NB, 1-877-365-7962, Wilsoncamps.nb.ca).

Another local attraction is the Priceville Footbridge, which, local lore has it, was built in 1938 to unite two lovers who lived in villages separated by the river. At 656 feet, it’s the longest suspension bridge in New Brunswick, was damaged and rebuilt in 1939, then replaced in 1988 (McNamee Road. https://tourismnewbrunswick.ca/listing/priceville-suspension-footbridge).

Enjoying a plate of mussels at Vera’s at Richie Wharf, Miramichi, as the sun sets © Karen Rubin/goingplacesfarandnear.com

Back in Miramichi, I spend a pleasant evening at Richie Wharf, a charming waterfront park and historic site, where on Friday nights locals come out for music and dancing, After enjoying this scene, I have a delightful dinner (mussels!) at Vera’s patio with a gorgeous view of the sunset on the river. (84 Norton’s Lane, Miramichi, 506-625-2300)

Other Miramichi highlights: There are loads of historic sites we didn’t have time to visit but sound so interesting: Doak House commemorates Scottish entrepreneur Robert Doak who settled here in the early 1820s (386 Main St. Doaktown, 506-365-2026); Wilson’s Point Historic Site, a provincial historic site, contains the Scottish ancestry of Miramichi, but has archaeological significance for the Mi’kmaq people as well as the French Acadians and Loyalists (8 Enclosure Rd., Derby Junction, www.wilsonspoint.com, 506-627-0162); Miramichi History Museum (182 Wellington St., 506-778-4050); Tabusintac Library & Museum (4490 Rte 11, Tabusintac); and W.S. Loggie House & Cultural Centre, a Victorian home with artifacts from 1850 to 2000 (222 Wellington St., Miramichi, 506-775-4996).

Also: Miramichi River Interpretive Trail (1.4 km long, 158 main Street, Blackville; 90-min, Miramichi River Boat Tours out of Richie Wharf; Gallan’s Miramichi River Tubing (Doyles Brook, miramichirivertubing.com); Escuminac Beach (escuminacbeach.com); Historical Beaverbrook House Haunted Tour.

Rodd Miramichi River Hotel © Karen Rubin/goingplacesfarandnear.com

I overnight at the Rodd Miramichi River Hotel, picturesquely set in the waterfront village (1809 Water Street, 506-773-3111).

The next morning, I meet up with David and Laini at the Calico Café; they have been exploring Prince Edward Island and Shediac, where they had a fabulous dinner at Le Mogue Tortue, a restaurant with an Alice-in-Wonderland like setting (tea cups,clocks!), and we continue on our roadtrip to French Acadia, where we will bike on the new Veloroute (bikeway) along the coast, through French fishing villages.

Miramichi Tourism, 800-459-3131, discovermiramichi.com.

Travel planning assistance from Tourism New Brunswick, 800-561-0123www.tourismnewbrunswick.ca.

See also:

NEW BRUNSWICK ROADTRIP BEGINS IN ST. ANDREWS

NEW BRUNSWICK, CANADA ROADTRIP: SAINT JOHN, CITY OF FIRSTS, OLDESTS, AMAZEMENTS

NEW BRUNSWICK ROADTRIP: DISCOVERING FUNDY TRAIL PARKWAY, FUNDY NATIONAL PARK, CAPE ENRAGE

NEW BRUNSWICK ROADTRIP: MESMERIZING HOPEWELL ROCKS

Next: Exploring French Acadia’s culture and heritage by bike!

____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Granville Island, Vancouver’s Nearby Getaway, is Cornucopia of Art, Culture

One of the most photographed scenes in Vancouver: “The Giants” at the cement factory on Granville Island, painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo (known as OSGEMEOS). Granville Island is a mecca for arts and culture © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I have cleverly arranged for a late flight from Vancouver, so I would have a whole day to continue to explore.

Indigenous Tourism BC which has arranged my itinerary has offered a number of suggestions: rent a bike and riding around the seawall at Stanley Park; visit the Vancouver Art Gallery (750 Hornby St, Vancouver); visit Museum of Vancouver (1100 Chestnut St, Vancouver) to see Indigenous micro-exhibition Spirit Journeys: Walking with Resilience, Wellbeing and Respect; visit Granville Island.

Rick, the Skwachàys Lodge manager, just the evening before, had raved about how much he loves visiting to Granville Island – it has the best public market – and was planning to go himself.

I map out a delightful 3.3 km walk from the hotel to David Lam Park where I hop the cute Aquabus ferry for the few minutes ride to Granville Island. (Aquabus, $6/roundtrip, which also offers a 40-minute ferry ride tour)

Arriving on Granville Island by ferry © Karen Rubin/goingplacesfarandnear.com

As soon as I climb the stairs from the ferry dock, I appreciate why Granville Island very properly boasts of being a “magical escape within a city.” I would add: playful, whimsical, fantastical, a place of endless delight, a non-stop smile.

The public market on Granville Island is one of the best, most fun in the world © Karen Rubin/goingplacesfarandnear.com
The public market on Granville Island is a place of endless delight © Karen Rubin/goingplacesfarandnear.com

The charm of Granville Island lies in its unexpected mix of uses which reveal themselves as you simply wander around. People come for the most spectacular public market (open daily 9am-7pm) with 70 purveyors of all manner of fresh produce and fine foods (some famous, like Lee Donuts, where as Rick tells me to expect, there is a line outside to get in).

People queue up to enter Lee’s Donuts in the public market on Granville Island © Karen Rubin/goingplacesfarandnear.com
Bringing his child back to the Granville Island public market he enjoyed as a child © Karen Rubin/goingplacesfarandnear.com

There is the Net Loft featuring “offbeat artisan goods” and marvelous boutiques and shops with local creations and imported crafts from Latin America, Asia and Africa like Mondo Company (“Step into our world and discover fairly traded, ethically sourced, handcrafted products from artisans around the globe”, www.mondoandcompany.com); a bustling Artisan District where you see and meet artists at work in their studios and galleries; a children’s district (toy stores!); and performance venues (Ballet BC coming to Granville Island), plus special events and festivals, all taking over vacated (and for a time decrepit) industrial buildings. There is even a hotel.

Granville Island has an entire Children’s District © Karen Rubin/goingplacesfarandnear.com
Silk weaving on Granville Island © Karen Rubin/goingplacesfarandnear.com

Art (and music) is everywhere- even the cement factory (one of the few industrial uses that remains) has painted “Giants”on its gi-normous silos (painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo, known collectively as OSGEMEOS (Portuguese for THETWINS), which was commissioned in 2014 by Vancouver Biennale as part of an open-air museum, and were only expected to be up temporarily. It cost $180,000 and 1400 cans of spray paint and costs $17,000 a year to maintain. (https://www.atlasobscura.com/places/giants-on-granville-island-silos)

One of the most photographed scenes in Vancouver: the Giants at the cement factory on Granville Island painted by Brazilian graffiti artists Gustavo and Otavio Pandolfo, known as OSGEMEOS © Karen Rubin/goingplacesfarandnear.com

But before Granville Island was a cultural mecca, before it was an urban wasteland, before it was an industrial hub, it was the meeting place for three First Nations summer potlatch.

“The xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) peoples are indigenous to the area around Vancouver and have lived on these lands for thousands of years…” Chief Janice George, Skwxwú7mesh, writes. “The Salish, the Indigenous people of the area, used a large sand bar (later filled in to become an Industrial Island, then Granville Island), and the surrounding areas for traditional purposes such as hunting, gathering, travel, and everyday living and cultural activities. The resources were so plentiful, the Salish people had a saying, ‘when the tide went out, the table was set,’ meaning that when the tide went out, they could walk with the tide and have enough food for their families.”  

Re-creating the meeting place the indigenous people who occupied this land for thousands of years, on Granville Island © Karen Rubin/goingplacesfarandnear.com

As Vancouver was colonized in the 1860s, it became shipping port (there are still the railroad tracks), but as industries shuttered, it descended into a derelict industrial wasteland from 1950-60s. A few artists squirreled away, making art in studios within the Quonset huts.

Silk weaving on Granville Island © Karen Rubin/goingplacesfarandnear.com

A historic marker notes that Granville Island was created between 1913 and 1916 when the government of Canada and the newly created federal Vancouver Harbour Commission contracted to pump and dredge over 1 million cubic yards from the bottom of False Creek and deposit the material behind pilings ringing several sandbars and First Nation fishing weirs. “Over the next 50 years, heavy industry waxed and waned” on Granville Island. By the early 1960s it had become a squalid, seedy and derelict industrial area.” For the next 10 years, while politicians debated, four entrepreneurs began buying up four buildings which they renovated into “The Creekhouse,” interestingly, retaining the industrial look.

“Creekside” that spurred the repurposing and redevelopment of Granville Island, from a dilapidated industrial wasteland to a mecca for culture and art  © Karen Rubin/goingplacesfarandnear.com
Granville Island has been redeveloped and repurposed from a dilapidated industrial wasteland to a mecca for culture and art, food and fun © Karen Rubin/goingplacesfarandnear.com

In the 1970s, MP Ron Basford arranged for the Canadian government to buy the land and experiment with public spaces and venues for food, culture, and  artists. Today, Granville Island provides space for 300 businesses employing more than 3,000 people and is “an active public space showcasing Vancouver culture to locals and rest of world,” a marker states.

On Granville Island you see artists and artisans at work in their studios, like this art glass studio © Karen Rubin/goingplacesfarandnear.com

In the Artisan District, I meet artists Cheryl Hamilton and Michael Vandermere in their enormous, factory-sized studio space, ie creative artworks (her imaginative sculptures lately have been themed about climate change); BC Blacksmith Miran Elbakyan (www.bcblacksmith.com); Benjamin Kikkert who works in hot glass and mixed media sculpture; carver Todd Woffinden; silk weavers (www.silkweavingstudio.com), broommakers Mary and Sarah Schwieger (broomcompany.com). There are also indigenous art galleries.

One of the indigenous art galleries on Granville Island © Karen Rubin/goingplacesfarandnear.com

At my last stop, I find myself in front of a gold plaque identifying this place as the site of renowned artist Bill Reid’s studio, where he created the sculpture that is now at Vancouver Airport.

A gold plaque marks the former studio of acclaimed Haida artist Bill Reid where he created some of his famous monumental works© Karen Rubin/goingplacesfarandnear.com

This is now the Nutter Studio, where glass artisan John Nutter does the etching in glass that many of the indigenous artists design. He even created the glass windows for Young Israel Synagogue in Hillcrest, Queens NY (my old neighborhood!) and seven windows for Atlantic Beach Jewish Center on Long Island (my brother’s neighborhood!) Small world! (www.johnnutterglassstudio.com).

Glass craftsmanJohn Nutter now occupies Bill Reid’s studio © Karen Rubin/goingplacesfarandnear.com

We have a vigorous discussion of art versus craft, the revival of indigenous arts (or is it crafts?) and artists who feel obligated to re-create traditional symbols, images and techniques, versus developing their own style and statement.

Glass craftsman John Nutter now occupies Bill Reid’s studio © Karen Rubin/goingplacesfarandnear.com

Throughout Granville Island, there are homages to its Indigenous origins, and the website offers this statement: CMHC-Granville Island would like to acknowledge that we are located on the traditional territory of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) First Nations.

Glass craftsman John Nutter, whose studio is the site of Bill Reid’s studio on Granville Island, shows a $20 bill featuring Bill Reid’s famous “The Spirit of Haida Gwaii” © Karen Rubin/goingplacesfarandnear.com

Check the Granville Island website for events (Sunset Dragonboat and Saturday Dragonboat drop in Sessions!), https://granvilleisland.com/

Skwachàys Lodge, Canada’s First Aboriginal Art Hotel

Staying at the Skwachàys Lodge – Canada’s first Aboriginal Art Hotel – enhances my experience in Vancouver with this immersion into local Indigenous art and culture.

Vancouver Native Housing Society (VNHS opened the Skwachàys Lodge, the Urban Aboriginal Fair-Trade Gallery, and the Artists in Residence Program in June 2012, transforming a derelict SRO hotel into a social enterprise consisting of a boutique hotel with a street-level art gallery and on-site housing and studio space for 24 Indigenous artists © Karen Rubin/goingplacesfarandnear.com

Vancouver Native Housing Society (VNHS opened the Skwachàys Lodge, the Urban Aboriginal Fair-Trade Gallery, and the Artists in Residence Program in June 2012, transforming a derelict SRO hotel into a social enterprise consisting of a boutique hotel with a street-level art gallery and on-site housing and studio space for 24 Indigenous artists.

“VNHS identified the vulnerability of many urban Indigenous artists – artists in need of housing, artists who for various reasons are not able to properly represent and market themselves or their work. Often these artists are commercially exploited through a long established ‘street or underground’ market that takes advantage of their vulnerability. They try to live ‘off their work’ by selling on the street or in the bars or through the commercial dealer network that purchases original, gallery quality art for, at times, only five or ten cents on the dollar,” the notes state.

“By creating a live/work supportive complex with a built-in gallery and community production space, VNHS took a lead role in addressing the social and economic inequities that Indigenous artists can face.”

The Artists in Residence Program provides up to three years of affordable housing, 24/7 access to workshops, and opportunities for personal and professional development that help artists develop their craft and move into the next phase of their careers. To date, 110 Indigenous artists have participated in the program.

The Lodge, the Urban Aboriginal Fair-Trade Gallery and production space are operated as a self-sustaining social enterprise. Artists are paid a fair price for their work (30%-60% of the retail price depending on the artist’s reputation and the cost that is underwritten by the gallery (framing, marketing and promotional expenses).

The gallery at Skwachàys Lodge is part of the social enterprise that supports indigenous artists © Karen Rubin/goingplacesfarandnear.com

In this way, each hotel guest’s travel dollars, and each purchase of art at the Skwachàys Lodge has a social impact.

“A simple purchase fights cultural misappropriation and ensures that Indigenous artists are paid fairly for their work. Cultural tourism is one of the fastest growing segments of the tourism sector and there is absolutely a place for our urban Indigenous artists to participate in this industry as a means of reclaiming their lives and independence.”

Skwachàys Lodge goes way beyond living in and supporting art – there are also opportunities for guests to engage in authentic Indigenous cultural experiences  

Sweat Lodge Ceremony: Skwachàys has a traditional First Nations Sweat Lodge and offers private Sweat Lodge Purification Ceremonies lead by a Sweat Lodge Keeper. The Sweat Lodge, located in the rooftop garden, is a domed structure constructed from inter-woven willow branches symbolizing Mother Nature’s womb. During the ceremony, the Keeper places heated rocks –known as “grandmothers and grandfathers” – to cleanse and purify the participant’s heart, soul and spirit, bringing life balance and connection to Mother Nature.

Traditional Smudge Ceremony:  Skwachàys has an authentic Indigenous Smudge Room on its Raven Level. In a Smudging Ceremony, sacred plants are burned, surrounding the participants’ body and senses in the aromatic smoke to purify body, spirit and home. Three different kinds of plants are used: cedar bows are burned for cleansing; sage to drive out ill feelings or influences, protecting the place of ceremony; and sweet grass, one of the most sacred plants, is burned to bring in positive influences and energies.

These ceremonies are personal and private, so arrangements must be made in advance. A minimum number of people is required. (For more information and costs, [email protected]).

Studio Visits With Artists: Visitors can also arrange studio visits with Indigenous artists in residence. Artists including jewelers, painters, carvers, sculptors work on projects in the shared Artist Studio, located in the basement  throughout the year.

Kayachtn Room (the Salishan word for “welcome”) is a space where the Lodge community can come together to connect, create memories and share a meal – and is where breakfast is served at Skwachàys Lodge © Karen Rubin/goingplacesfarandnear.com

The Skwachàys Lodge has a Kayachtn Room  (the Salishan word for “welcome”), a space where the Lodge community can come together to connect, create memories and share a meal – and is where breakfast is served.

“Indigenous culture rests on a communal social structure, one that values living in harmony with one another, as well as with the natural world.”

Skwàchays Lodge 31 W Pender St Vancouver, BC V6B 1R3 604.687.3589,   1 888 998 0797,   [email protected], https://skwachays.com/.

Indigenous Tourism BC

With 204 Indigenous communities and more than 30 Indigenous languages – about one-third of Canada’s First nations population – British Columbia offer extensive authentic Indigenous experiences on reserves, in remote areas and even cities like Vancouver.

The best guide to these experiences is Indigenous British Columbia, a tourism development and promotion organization that connects visitors with Indigenous-owned, operated and staffed lodges, museums, culture centers, restaurants, wineries, hiking (indigenous guide), bear viewing, whale watching, outdoors adventures, wellness and other experiences.

Indigenous Tourism BC connects visitors to experiences such as Vancouver’s only indigenous restaurant, Salmon n’ Bannock Bistro © Karen Rubin/goingplacesfarandnear.com

In addition to the experiences I have (the Bill Reid Gallery, Talaysay Tours, Salmon n’ Bannock Bistro, Granville Island, the Skwàchays Lodge in Vancouver, and the Squamish Lil’wat Cultural Centre and the Audain Art Museum in Whistler), other entities include:

  • Takaya Tours: Open during summer, guests can experience an array of tours, from cultural experiences, to canoe tours and even multi-day experiences
  • Great River Fishing Adventures: Another great tour company where guests can learn about the history of BC, as it started in this area from the mining era. A top experience is going sturgeon fishing, and these are not normal-sized fish!
  • Gulf Island Seaplanes: New this spring, they have introduced scenic cultural tours which involve a flight over Vancouver, along with the history and story-telling of the land

Multi-day itineraries are available. For example, a two-day Kamloops-Chase-Barriere-Merritt itinerary features a stay at Quaaout Lodge and Spa on Little Shuswap Lake in Squilax (Chase, British Columbia), Indigenous fusion cuisine, golf and spa facilities, visit to Tsutswecw Provincial Park and a 14-km Moccasin Trails Canoe Journey from Lafarge Landing to Valleyview with a local knowledge guide, down the South Thompson River along the traditional Secwepemc water route to Tkemlups.

“Immersive Indigenous destinations and experiences are expansive and transformational. Augment your reality with an Indigenous point-of-view and see old places with new eyes. By their nature, Indigenous perspectives cannot be understood as a bystander or simple witness. Step out of ordinary time and daily routine with Indigenous hosts around BC,” the tourism office says.

Indeed, the indigenous peoples’ respect for Mother Earth that is so fundamental to their culture and society – that the colonizers so intentionally sought to eradicate – is being validated as human-caused climate change is wreaking disaster after disaster. It is important that this sensibility, these philosophies, this approach to living in the world be elevated and embraced in modern terms. Travel helps us see and experience and take lessons back to our own homes and communities.

Indigenous Tourism BC offers travel ideas, things to do, places to go, places to stay, and suggested itineraries. Download a trip planning app (https://www.indigenousbc.com/indigenous-bc-trip-planner-app/)

Indigenous Tourism BC, 100 Park Royal S #707, West Vancouver, BC V7T 1A2, 604-921-1070, https://www.indigenousbc.com

See also: 

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

TRAIL TO DISCOVER BRITISH COLUMBIA’S INDIGENOUS HERITAGE WEAVES THROUGH WHISTLER-BLACKCOMB

____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Trail to Discover British Columbia’s Indigenous Heritage Weaves Through Whistler-Blackcomb

Audain Art Museum, Whistler, is a world-class art museum with one of finest collections of indigenous masks going back to mid-1800s and British Columbia artists © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My whirlwind odyssey to learn about the renaissance of British Columbia’s indigenous heritage takes me to Whistler-Blackcomb, the world-famous ski resort. The mountain resort, one of the largest in North America, is on First Nations land and is where a cultural center, a joint endeavor of the Lil’wat and the Squamash nations, has opened.

I hop the Skylynx shuttle bus, packed with skiers, that leaves from the Hyatt Regency Vancouver downtown (also close to the Bill Reid Gallery and the Fairmont Hotel) for a pleasant, scenic two-hour ride to Whistler Village Centre.

The skiing even this late in the season looks fantastic but I am here to continue my study of the indigenous heritage – past and present – that permeates this place. The spirit is very strong here in Whistler. While the skiers all head to the gondola, I find my way to a trail that leads to the Squamish Lil’wat Cultural Centre.

The idea for a world-class cultural center originated with the Resort Municipality of Whistler in 1997, which met with the Lil’wat Nation to discuss its participation and presence in Whistler. Mindful of its historic collaboration and shared interest in land stewardship with the Squamish Nation, in 2001, the two nations signed a historic Protocol Agreement, the only one of its kind in Canada. The Squamish Lil’wat Cultural Centre opened in 2008. In 2020, a framework Agreement was signed between the Nations and the Resort Municipality of Whistler, providing for collaborations on economic development, tourism and promotion of cultural awareness.

Dalilah conducts a “What We Treasure” tour of Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

The building is a beautiful space with floor-to-ceiling windows that look out to the woods. I join nine others for the center’s signature tour, “What We Treasure,” which are led by cultural ambassadors who share their own stories and first-hand cultural experiences. The tour begins with an excellent 15-minute orientation film.

Our guide is Dalilah, whose Lil’wat name is T’ac T’ac , or “sweet sweet” like sweetie or sweatheart. She is a 17-year old high school student interning on her spring break. She begins by singing in her native language, “We belong to the land, the land is our people, we belong to the land.” We view artifacts and hear stories that give us a sense of the past and present way of life of the Squamish and Lil’wat peoples. 

It is fascinating to seen the differences in clothes at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

As we go through the center, I am struck by how different the clothes, foods and therefore the traditions and daily habits are for these two peoples who live “where rivers and mountains meet.”  It is starkly clear how culture and lifestyle is linked to the ecology and topography of their land and the materials and resources at hand. The Squamash are coastal, the Lil’wat live on the mountain.  Culture is a manifestation of the ecosystem we inhabit – even and especially today.

It is fascinating to seen the differences in clothes at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

It is these traditions and lessons of living in close harmony with nature (Mother Earth), to the point of spiritual devotion, that the indigenous people impart today, all the more relevant in light of the climate disasters of a planet out of sync with nature.

The displays are less historic artifacts and more contemporary examples of the traditional arts and crafts being revived; often these are not just re-creations of centuries-old design and form, but with modern twists.

We learn how their societies were so careful to live in harmony with their environment – their canoes are made from red cedar bark, but they only harvest a precise section of the tree – hugging the tree so that there are two hand-widths.

“We make sure to only take a piece of the tree so we don’t kill it. We are connected to the cedar through the things we make with it,” notes Joy Joseph-McCullough, a Squamish weaver.

Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

There is an element of mythology, mysticism, handed down from the ancients, that continues to underpin their worldview, reflected in the urgency to save language, and the oral tradition, and resurrect traditional arts and crafts.

It is reflected in Joy McCullough-Joseph’s notes about the traditional Coast Salish Blanket she named “The Message.” “I twilled and twined on a Traditional Coast Salish Loom. I named my blanket, “The Message’ because the design for the blanket came to me in a dream. In my dream our Ancestors told me to weave in Mother Earth to remind us of our responsibility to the Earth. The second message is to honour and remember the sixteen families that amalgamated to form the Squamish Nation. The last message is to honour our Ancestors who were weavers.”

Another note reads “when you wear the blankets, you feel the protection of all who have been called to protect you… We feel the prayers offered by the weaver and our ancestors, when we wear the robes.”

You have to wait a year before you can weave cedar bark and it can three apprentices six months to weave a cedar mat, Dalilah tells us. “When we are sad, we don’t weave, otherwise it would transfer negative thoughts.”

Dalilah the importance of weaving at the Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com

We learn how mountain goat wool was used in Salish weaving, an ancient art form that dates back to the ice age. A mountain goat wool blanket in those times could mean the difference between surviving or succumbing to the elements. The inner wool of the mountain goat was gathered during spring molt, collected off of bushes from wool shed by the goat or from harvested animals. “It takes 5 to 10 years to collect enough for a blanket,” she tells us.

The wool was mixed with hair from a specially bred dog. Natural dyes were derived from plants, berries and clays. Intricate geometric designs reflected elements of nature and families held the rights to use those designs.

I am lucky to see a special photography exhibit on view: “Unceded – Photographic Journey into Belonging”. This temporary exhibit makes graphic the meaning of “unceded” – land that was considered stolen, taken by force, without a legal treaty. The photos show contemporary indigenous people in places like downtown Vancouver. But it is actually speaking more to the First Nations people, prodding them to see themselves in this modern world, but retaining their connection to their heritage. Unceded “doesn’t mean our people aren’t still there.”

“As urban cities, farmland, towns, and recreation parks built up around us, our Ancestors are still here, living in the blood of the people of this land. While pop culture, fashion trends and global connection are influencing how people move through society, people residing on and off reserve are living deeply in their culture, engaged socially and politically with the world around them, reviving ancient traditions, re-enforcing a stewardship that guides their climate and lands safely through the first 50 thousand years before contact.”

I have a delightful lunch at Thunderbird Café, and survey a marvelous gift shop at the center before heading off to do a bit of sightseeing on Whistler’s famous Peak 2 Peak Gondola.

Squamish Lil’wat Cultural Centre, 4584 Blackcomb Way, Whistler, 1 866 441 SLCC (7522), https://slcc.ca/.

Peak 2 Peak Gondola

Considering how vast Whistler-Blackcomb is, it is actually surprisingly easy to get around (once I figure it out).

Whistler-Blackcomb, the site of 2010 Winter Olympics events, is a world-class ski resort and one of the biggest in North America © Karen Rubin/goingplacesfarandnear.com

I take the Blackcomb Gondola from the base of Blackcomb Mountain for the ride to the top of Blackcomb Mountain. From here it is a short walk – skirting the skiers and snowboarders – to the Peak 2 Peak Gondola which links Blackcomb Mountain to Whistler Mountain. I’m feeling jealous of the skiers but I am sightseeing today and this is an absolutely gorgeous ride. A man I ride up the Blackcomb Gondola with tells me to look for special sightseeing gondolas that have a plexiglass bottom you can look through – we sightseers stand on a separate line so we get first dibs when the car comes around.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

After opening on December 12, 2008, the massive gondola revolutionized the way skiers, riders and hikers experienced the mountains. The Peak 2 Peak Gondola, as part of the world’s longest continuous lift system, isn’t just to move skiers, it also gives summer guests access to Whistler Blackcomb’s high alpine for sightseeing, hiking and mountain-top dining.

The Peak 2 Peak Gondola travels a span of 2.73 miles giving sightseers and hikers a serene aerial flight showcasing flora and fauna (even black bears in their protected habitats), Whistler and Blackcomb Mountains; the Coast Mountain Range’s many glaciers and peaks; and Whistler Village, surrounded by lakes.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

It is notable that Whistler Blackcomb (now part of Vail Resorts, which means the resort is part of the Epic Pass) is consistently ranked one of the top ski resorts in North America. With more than 8,100 acres of terrain, variety is an understatement: there are steeps, deeps, chutes, bowls, glades, long cruisers, and high alpine and gentle rollers. And the numbers speak for themselves: one vertical mile drop; two side-by-side mountains connected by a pedestrian village, more than 200 trails, three glaciers, 37 lifts, and 16 alpine bowls – all of it top quality.

Sightseeing on the Peak 2 Peak Gondola linking Whistler and Blackcomb mountains © Karen Rubin/goingplacesfarandnear.com

Even this late in the season, the snow looks great and the trails look gorgeous– plenty of easy, intermediate runs!

Riding the Peak 2 Peak Gondola is such fun and the view so beautiful, that I actually ride it back and forth and back again for an hour before downloading via Whistler Village Gondola into Skiers Plaza in Whistler Village. (Whistler Blackcomb, https://www.whistlerblackcomb.com/)

Audain Art Museum

Audain Art Museum, Whistler, is a world-class art museum with one of finest collections of indigenous masks going back to mid-1800s and British Columbia artists © Karen Rubin/goingplacesfarandnear.com

Back down in the charming village, I pass lovely shops and eateries on my way to the Audain Art Museum. Outside is the invitation to see the “Masters of Print: Rembrandt and Beyond”- a clue that this is a world-class museum. I did not expect to see Rembrandt prints at Whistler. Nor did I expect to see what is arguably the world’s finest collection of First Nations masks, dating from the mid 1800s.

Sure enough, the Audain Art Museum delivers on its promise of a transformative experience for appreciating the art of British Columbia as well as exhibitions from around Canada and around the world. It’s in this part of the world but very much of the world. It is as local as local can be but brings the reaches of the globe into this small section of it.

The Audain Art Museum’s Permanent Collection of some 200 works  – nearly all of it from the collection of Michael Audain and his wife, Yoshiko Karasawa, or purchased with their funding – is a visual journey through the history of art from coastal British Columbia.

Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com

Most astonishing is the room housing Audain’s collection of Northwest Coast First Nations masks. They are extraordinary because you see the individualism of the artist as well as the subject (many seem to be representations of actual people rather than mythic figures) and different techniques. I wonder if this reflects changes over time (spanning the mid 1800s to the present), regional differences and styles or perhaps just the artist’s own creativity.

Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases one of finest collections of indigenous masks going back to mid-1800s © Karen Rubin/goingplacesfarandnear.com

A truly monumental piece, an exquisitely carved red cedar “Dance Screen” (2010-2013) by Haida Chief 7idansuu (James Hart) who was a friend and collaborator of Bill Reid, takes up an entire wall of this room.

James Hart’s striking ‘The Dance Screen (The Scream Too)’, 2010-2013, red cedar panel takes up an entire wall at the Audain Art Museum Collection, gift of Michael Audain and Yoshiko Karasawa © Karen Rubin/goingplacesfarandnear.com

The next room has a huge collection of a beloved British Columbia artist, Emily Carr. You see her in her Impressionist phase, when she studied in France in 1911; how she incorporated First Nations elements into her landscapes when she returned in 1912. There are also post-war modernists including E.J. Hughes, Gordon Smith and Jack Shadbolt as well as works by internationally renowned, contemporary British Columbia artists including Jeff Wall, Dana Claxton, Marianne Nicolson, Rodney Graham and Stan Douglas.

Emily Carr is a beloved British Columbia artist who studied impressionism in France, then integrated indigenous subjects into her landscapes when she returned © Karen Rubin/goingplacesfarandnear.com
Audain Art Museum, Whistler, showcases a stunning collection of Emily Carr’s work © Karen Rubin/goingplacesfarandnear.com

I’m told that Audain had never even been to Whistler before, but his friend, who designed Whistler Village in the 1980s, encouraged him that he could build a museum in Whistler which would connect to nature, where people could quietly contemplate art. They worked with award-winning architects John and Patricia Patkau. The museum opened in 2016. (Open Thursday to Monday 11am – 6pm).

It is fascinating to see traditional symbols, subjects reflected in contemporary indigenous British Columbia artists work, on view at the Audain Art Museum, Whistler © Karen Rubin/goingplacesfarandnear.com
It is fascinating to see traditional symbols, subjects reflected in contemporary indigenous British Columbia artists work, on view at the Audain Art Museum, Whistler © Karen Rubin/goingplacesfarandnear.com

The website includes this statement:  “Audain Art Museum is grateful to be on the shared, unceded territory of the Sḵwx̱wú7mesh (Squamish) Nation and Lil̓wat7úl (Lil’wat) Nation.”

Audain Art Museum, 4350 Blackcomb Way, Whistler, British Columbia, Canada, V8E 1N3,  [email protected]  604-962-0413, https://audainartmuseum.com/

The stunning design of the Audain Art Museum, Whistler, provides an exquisite ambiance to experience art © Karen Rubin/goingplacesfarandnear.com

I have a rushed dinner at Caramba! Restaurant (#12 4314 Main Street (Town Plaza), Whistler, BC V0N 1B0 Phone: 604.938.1879 www.carambarestaurant.com/), a fun, casual place before I get back on the Skylynx shuttle for the 7 pm departure back to Vancouver (get there early because the bus fills up), arriving back to downtown Vancouver at 9:30 pm.

Indigenous Tourism BC offers travel ideas, things to do, places to go, places to stay, and suggested itineraries and a trip planning app (https://www.indigenousbc.com/)

Next: GRANVILLE ISLAND, VANCOUVER’S NEARBY GETAWAY, IS CORNUCOPIA OF ART, CULTURE

See also: 

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Walking Tours, Dining Experiences Reveal Vancouver’s Revived Indigenous Heritage

Totem poles at Brockton Point in Stanley Park are the most visited attraction in British Columbia, but few visitors realize they tell the personal stories of First Nations families © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Vancouver’s Stanley Park is much like Central Park in New York or Golden Gate Park in San Francisco – an incredibly vast (1001-acre) green oasis in a metropolis. It is absolutely stunning, on a point that juts into the Burrard Inlet and English Bay, with scenic views of water, mountains, sky, the natural West Coast rainforest, and the Park’s famous Seawall.. You can ride a miniature train, rent bikes, go to the Teahouse, take a ride on a horse-drawn carriage, visit the Vancouver Aquarium (65,000 animals, 120 world-class exhibits), walk the many marvelous trails and paths. Most of the manmade structures present in the park– like the lighthouse – were built between 1911 and 1937 by then superintendent W.S. Rawlings. Additional attractions, such as a polar bear exhibit, aquarium, and a miniature train, were added in the post-war period.

A horse-drawn carriage tour is one of the many ways to enjoy Stanley Park, Vancouver’s oasis © Karen Rubin/goingplacesfarandnear.com

But the tranquility of Stanley Park belies its history. The park occupies land that had been used by indigenous peoples for thousands of years – it was one of the most important salmon fisheries in the region and was rich in other resources, including beaver and lumber. British colonizers came in force to British Columbia during the 1858 Fraser Canyon Gold Rush, and extract other resources including lumber. The British then set up military fortifications at Hallelujah Point to guard the entrance to Vancouver harbor (there is still a Navy outpost and the city’s marina).

(A federation of colonies in British North America – New Brunswick, Nova Scotia, Quebec, and Ontario – joined together to become the Dominion of Canada on July 1, 1867; Canada only became wholly independent of Great Britain in 1982.)

In 1886, the city incorporated the land and turned it into Vancouver’s first park. It was named for Lord Stanley, 16th Earl of Derby, a British politician who had recently been appointed Canada’s Governor General. Lord Stanley (better known today for hockey’s Stanley Cup) became the first Governor General to visit Vancouver when he came in 1888 to officially open the park.

And that is what brings me together with Patrick, an indigenous guide from Talaysay Tours, who leads me and a woman with her two daughters on a “Spoken Treasures” walking tour of the park.

Talaysay Tours guide Patrick explains the significance of the totem poles and gateway portals at Brockton Point during a Spoken Treasures” walking tour of Stanley Park © Karen Rubin/goingplacesfarandnear.com

Patrick says that Indigenous peoples have occupied this area for 8,000 years and there is still a 4,000-year old shell midden within the park. Where Lord Stanley gave his speech was an indigenous burial ground.

Indigenous people who had already been pushed out of their villages in the north had migrated here to the point they outnumbered the settlers, so there was a campaign to force them out or decimate the population. Smallpox was intentionally spread, Patrick says. One way was to inoculate, but not vaccinate people (those who were inoculated could still spread the disease). One cartographer alerted the indigenous people to what was happening.

The park – in fact all of Vancouver – is on “unceded land” – Canada never signed a treaty to acquire it, which means that under Crown and Canadian law, the land is still illegally occupied.

(By way of mitigation, if not restitution, on various websites including Stanley Park, you find a note like this, “The City of Vancouver acknowledges that it is situated on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam Indian Band), Sḵwx̱wú7mesh (Squamish Nation), and səlilwətaɬ (Tsleil-Waututh Nation.”)

The view from the seawall at Stanley Park across Burrard Inlet to West Vancouver, where indigenous peoples had lived for thousands of years taking advantage of rich fishing and hunting before being forced out of land considered “unceded.” Expression of indigenous culture was banned in Canada for more than 100 years © Karen Rubin/goingplacesfarandnear.com

There is a marker at Hallelujah Point that describes this place as a thriving settlement which for several millennia was inhabited by the Coast Salish people. From the 1860s, Europeans, Chinese and others built houses and lived along the shoreline. After Stanley Park opened in 1888, the Chinese, who were brought in as laborers and built the park road and the yacht club, were removed; others lived here until evicted in 1931, with the last person leaving in 1957.

Hallelujah Point was taken over as a military fortification to protect Vancouver Harbor and the Canadian Navy still has a small outpost. Patrick says that this was the site of a battlefield with war canoes and was a burial site.

Beaver Lake, one of the park’s major attractions and a place of urban tranquility, “was a sacred site where they brought in beavers,” Patrick said.

Patrick brings us to a grouping of nine Totem Poles, set near Brockton Point and the Brockton Point Lighthouse – considered British Columbia’s most visited tourist attraction.

Totem poles at Brockton Point in Stanley Park are the most visited attraction in British Columbia, but few visitors realize they tell the personal stories of First Nations families © Karen Rubin/goingplacesfarandnear.com

The collection started at Lumberman’s Arch in the 1920s (originally the village of X’ay’x’ay, which would have had long houses and in 1885, held a great potlatch ceremony attended by 2000 First Nations and European residents of Burrard Inlet), when the Park Board bought four totems from Vancouver Island’s Alert Bay. More purchased totems came from Haida Gwaii (Queen Charlotte Islands) and the BC central coast Rivers Inlet, to celebrate the 1936 Golden Jubilee. In the mid 1960s, the totem poles were moved to Brockton Point. Several of the poles are re-creations, replicas or replacements.

Totem poles at Brockton Point in Stanley Park are the most visited attraction in British Columbia, but few visitors realize they tell the personal stories of First Nations families © Karen Rubin/goingplacesfarandnear.com

Each has a story.

The Ga’akstalas was carved by Wayne Alfred and Beau Dick in 1991 based on a design by Russell Smith. “We wanted this pole to be a beacon of strength of our young people and show respect for our elders. It is to all our people who have made contributions to our culture,” Beau Dick wrote.

The Chief Skedans Mortuary Pole was carved by Bill Reid with assistant Werner True in 1964 to replace an older version that was raised in the Haida village of Skidegate about 1870, to honor the Raven Chief. The pole has two tiny figures in the bear’s ears to represent the chief’s daughter and son-in-law who erected the pole and gave a potlatch for the chief’s memorial. A rectangular board at the top of the original pole covered a cavity that would have held the chief’s remains.

Patrick isn’t exactly happy with the totem poles being here, which he considers appropriation (exploitation? a balm to soothe a guilty conscience?) rather than a way of raising awareness, respect and honor for indigenous heritage.

A totem pole, he explains, was like legal title to property, marking the land as yours, and would be carved with symbols that basically tell the story of that family.  

The Rose Cole Yelton Memorial Pole, erected in front of the house site where the Cole family lived until 1935 © Karen Rubin/goingplacesfarandnear.com

Only one of the totem poles is legitimately where it should be, he says: the Rose Cole Yelton Memorial Pole of the Squamish Nation, raised in 2009, to honor Yelton, her family and all those who lived in Stanley Park. It was erected in front of the home site where the Cole family lived until 1935. She was the last surviving resident of the Brockton community when she passed away in 2002.

“The Totem was the British Columbia Indians coat of arms,” a bronze plaque reads, using language that might be considered inappropriate today. I had not realized that these poles are unique to the northwest coast of B.C. and lower Alaska. Carved from western red cedar, each carving tells of a real or mythical event. “They were not idols, nor were they worshipped. Each carving on each pole has a meaning. The eagle represents the kingdom of the air; the whale, the lordship of the sea; the wolf, the genius of the land, and the front, the transitional link between the land and sea.”

Totem poles at Brockton Point in Stanley Park are the most visited attraction in British Columbia, but few visitors realize they tell the personal stories of First Nations families © Karen Rubin/goingplacesfarandnear.com

Such skills, though, had to be resurrected because the government criminalized indigenous art, language and culture, with the intention of eradicating indigenous culture and assimilating the people into Christian society. Because art – the shapes, line and symbols – took the place of written language, the practical effect was cultural genocide.  

“Art was criminalized – it is hard to relearn it, but people found other ways to preserve their art,” Patrick tells us. For example, people would make bentwood boxes but weren’t allowed to give them away (that would be considered an illegal potlatch), but could sell them.

“For 100 years, indigenous people were forced into residential schools,” Patrick says. “Oral history made it easy to eradicate. Potlatch, language was criminalized, but people practiced in secret. We have to relearn history.” These house poles, he says, tell the story of that family.

One of the three carved red cedar portals created by Coast Salish artist Susan Point, installed in 2008 © Karen Rubin/goingplacesfarandnear.com

Three beautifully carved, red cedar portals welcome visitors to the Brockton Point Visitor Centre and to the traditional lands of the Coast Salish people. Installed in 2008, the gateways were created by Coast Salish artist Susan Point, in collaboration with Coast Salish Arts; Vancouver Storyscapes (a City of Vancouver Social Planning project to encourage Indigenous people to share their stories through a variety of media); the Musqueam, Squamish, and Tsleil-Waututh First Nations; and the Vancouver Park Board.

“Shore to Shore” carved in cedar then cast in bronze by Stz’uminus Master Carver Luke Marston, is a tribute to the ancestral connection between the area’s aboriginal and Portuguese communities. © Karen Rubin/goingplacesfarandnear.com

“Shore to Shore” carved in cedar then cast in bronze by Stz’uminus Master Carver Luke Marston, is a tribute to the ancestral connection between the area’s aboriginal and Portuguese communities. Joe Silvey came to BC from the Azores around 1860 and married Pqaltanat, a high-born matriarch of Musqueam and Squamish descent, who died; Silvey then married Kwatleematt a Sechelt matriarch who is depicted in the sculpture. The Silvey family lived at Brockton Point in a community of First Nations, Portuguese and Hawaiian people.

Founded in 2002, Talaysay Tours is owned and operated by Candace and Larry Campo, Shíshálh (Sechelt) and Sḵwx̱wú7mesh (Squamish) Nation members. “Our goal is to support culture revitalization, education and reclamation.”

Talaysay Tours, 334 Skawshen Rd, West Vancouver, V7P 3T1, [email protected], 1 (800) 605-4643, 1 (604) 628-8555, www.talaysay.com.

Salmon n’ Bannock Bistro

Celebrating a birthday at Salmon n’Bannock, Vancouver’s original indigenous restaurant © Karen Rubin/goingplacesfarandnear.com

From Stanley Park, I take an Uber across a bridge to a neighborhood that reminds me of going to Brooklyn from Manhattan.

Salmon n’ Bannock Bistro is (so far) the only indigenous restaurant in Vancouver (though Inez Cook, the owner, has just opened a second location at the international departure terminal at Vancouver International Airport).

“It was always a dream,” she tells me – not just to have a restaurant, but to revive and share indigenous culture.

Inez says that like so many of her generation, she was not raised with native heritage.

She shows me a children’s book, “Sixties Scoop,” she has written which describes how she is Nuxalk, born in Bella Coola, BC, but was taken away when she was one year old and adopted by a Caucasian family in Vancouver.

“I am part of what’s called Sixties Scoop, when the government took native kids and adopted them out to non-native families. Our native status was given up and we were supposed to grow up without our culture, without our heritage,” she writes. The “Sixties Scoop” began in the 1950s and lasted until the 1980s.

As an adult, she went to find her native roots and discovered she had a younger sister who was also given up for adoption.

That has made her all the more purposeful in showcasing her heritage with pride. (Inez also serves on the board of the Aboriginal Tourism British Columbia.)

Cook says she was inspired after seeing the Kekuli Café in Kellown, a Canadian Aboriginal bannock restaurant with contemporary twist – bannock, burgers, Indian Tacos, and espresso. (Kekuli Café, which also has restaurants in West Kelowna, Kamloops, and Merritt, BC, has decidedly 21st century marketing techniques including franchising, apps, rewards points and clever slogan, “Don’t panic, we have bannock” https://www.kekulicafe.com).

Cook was raised with the foods of her adoptive mother’s family who were Dutch Mennonite, so when she decided to open an indigenous restaurant, she needed to research native ingredients and First Nations cooking techniques.

“I wanted the restaurant to showcase food from the land and sea that the Indigenous people had traditionally hunted, harvested and eaten – everything from fiddlehead ferns to bison and sock-eye salmon,” she told the BBC. “I wanted to incorporate their traditional methods too: how they smoked food or preserved it over the long winters. I did a lot of asking and learning, then began to improvise.”

“The Olympics was coming. I dove in.” She opened Salmon n’ Bannock in 2010 to offer native cuisine with a modern twist.

Her team is indigenous, the menu based on what’s in season and available. She would ask them, “What’s your favorite dish?” and bring modern inspiration.

Inez Cook opened her indigenous restaurant Salmon n’Bannock to revive and share First Nations culture, which she had to discover for herself © Karen Rubin/goingplacesfarandnear.com

Some of the more interesting items on the menu this evening: pemmican mousse with bannock crackers; game sausage (this evening it is elk and huckleberry which is sensational); bison bone marrow served with sage rub and bannock crostini; bison pot roast with mash; smoked sablefish on Haudenosaunee corn polento,. I have the Fish n’ Rice” – wild sockeye with Anishinaabe wild rice.

She will take a native ingredient like soapberries or kelp, or a traditional recipe, and turn it into something new.

Her twist on pemmican, a staple for her ancestors, is an example.  The traditional way of serving pemmican was as a mixture of dried meat and berries, which were buried to provide food on a journey. Instead, here the pemmican is made of bison meat, smoked, dried and ground before blending it with cream cheese and sage-infused berries.

Cook worked for airlines for 33 years which enabled her to experience other cultures around the world including Saudi Arabia, India,Egypt, Chad, Nigeria, Indonesia and England, returning to Vancouver in time to open her second  2nd location, at Vancouver airport.

“I’ve lived all over the world- I wanted to take people on a journey to experience the culture of land…Food and culture bring people together,”

She doesn’t miss an opportunity to share the experience and educate. Even the menu features these interesting facts:

  • Present day Canada is set on land of 600 indigenous nations, over 200 of them in present day British Columbia. “There’s a cousin behind every corner and a Cree behind every tree.”
  • “Indigenous” is an umbrella term that represents First Nations, Inuit and Metis peoples –distinct groups with distinct cultures.
  • There are more than 70 indigenous languages, coast to coast in Canada, “many of them endangered due to systemic efforts to separate indigenous people from their culture.”

(I subsequently learn that 1,807,250 Canadians identify as Indigenous, according to the 2021 Census, accounting for 5% of the country’s total population, of which 290,210 live in British Columbia. The population that identifies as Indigenous is the fastest growing demographic group in Canada, increasing by 42.5% between 2006 and 2016.)

For Inez, the restaurant is a chance to show indigenous culture and real people in a contemporary setting, rather than as displays in a museum or separated on a reserve. “We could be your doctor, lawyer, your neighbor,”

It’s an intimate bistro setting – only about eight tables (24 guests) – but its reputation is going global. Time, Elle Magazine have raved and on this evening, seven media people from France have arrived, and Inez greets them in French.

Salmon n’ Bannock Address: 1128 W Broadway #7, Vancouver, BC, 604-568-8971, [email protected], www.salmonandbannock.net

The famous steam clock in Gastown © Karen Rubin/goingplacesfarandnear.com

I leave the restaurant and have Uber take me to Gastown – with its famous steam clock – to enjoy that nighttime vibe and then take the 15 minute walk back to the Skwachays Lodge just after dark. (Skwàchays Lodge 31 W Pender St Vancouver, BC V6B 1R3 604.687.3589,   1 888 998 0797,   [email protected], https://skwachays.com/)

Indigenous Tourism BC offers travel ideas, things to do, places to go, places to stay, and suggested itineraries and a trip planning app (https://www.indigenousbc.com/)

Next: Trail to Discover British Columbia’s Indigenous Heritage Goes Through Whistler-Blackcomb

See also: ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

_____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Summer in the City: Festivals! Events! Happenings! Make the City Hot, Hot, Hot and Cool Man, Cool

The iconic Metropolitan Museum of Art is one of the anchors of the annual Museum Mile Festival, this year, with eight major museums opening their doors for free admission and special programs, June 13 6-9 pm © Karen Rubin/goingplacesfarandnear.com
 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s summer cultural season kicks off with the 45th Annual Museum Mile Festival – the Big Apple’s “biggest block party” –on Tuesday, June 13, from 6 to 9 pm, rain or shine. Walk the mile on Fifth Avenue between 82nd Street and 104th Street while visiting eight of New York City’s finest cultural institutions, open free during these extended hours: The Africa Center, El Museo del Barrio, the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art, the Cooper Hewitt Smithsonian Design Museum, the Jewish Museum, Neue Galerie and the Museum of the City of New York (which is celebrating its 100th Anniversary this year). It’s an electric, eclectic festive atmosphere, with live music and street performers all along the avenue, plus special exhibitions, works from permanent collections and special family-oriented activities inside.

The Museum Mile Festival is the Big Apple’s biggest block party, with street entertainment and free admissions to museums © Karen Rubin/goingplacesfarandnear.com

It is also an opportunity to see the major exhibits underway throughout the summer:

The Metropolitan Museum of Art: Van Gogh’s Cypresses, thru August 27: Vincent van Gogh’s most famous artworks, Wheat Field with Cypresses and The Starry Night, take center stage at Van Gogh’s Cypresses, the first exhibition to focus on the trees immortalized by one of the most beloved artists of our time. Karl Lagerfeld: A Line of Beauty thru July 16, highlighting the designer’s body of work spanning from the 1950s to his final collection in 2019, the show will have approximately 150 pieces on display.

Solomon R. Guggenheim Museum: Sarah Sze: Timelapse  thru September 10: For this solo exhibition, Sarah Sze created a series of site-specific installations that weave a trail of discovery through multiple spaces of the Guggenheim’s iconic Frank Lloyd Wright building.

100th Anniversary of The Museum of the City of New York: The museum has amassed a collection of over 750,000 objects including photographs, prints, costumes, paintings and more to celebrate, document and interpret the City’s past, present and soon-to-be-announced future. These major exhibits are on view: This Is New York: 100 Years of the City in Art and Pop Culture exhibit explores how the City has served as a muse for storytelling over the past century; through a variety of mediums such as film, music, literature and visual arts, the exhibit presents a diverse and engaging portrayal of NYC. Food in New York: Bigger Than the Platethru September 17, highlights the City’s raucous and diverse food culture all while examining the various challenges of NYC’s food systems. From sustainability to equitable access to food, the exhibition explores the ways artists and designers are creating solutions to address the global and local challenges we face when it comes to the food system.

El Museo del Barrio: Something Beautiful: Reframing La Colección, thru March 10, 2024. One of El Museo del Barrio’s most ambitious presentations to date features a complex and culturally diverse permanent collection of 500 artworks, including artist commissions and acquisitions, focusing on the contributions of Amerindian, African and European cultures, through rotating displays over the course of a year.

The Museum Mile Festival is just the first of a whole series of festivals, special events, cultural happenings that make the city hot, hot, hot, or cool man, really cool. Here’s a roundup:

New York Philharmonic Concerts in the Parks: priceless music for free © Karen Rubin/goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks, presented by Didi and Oscar Schafer, have become an iconic New York summer experience since they began in 1965, transforming parks throughout the city into a patchwork of picnickers enjoying friends, family, and music under the stars, for free! This summer Music Director Jaap van Zweden conducts two iconic masterpieces — Beethoven’s Fifth Symphony and Copland’s Fanfare for the Common Man — plus a potpourri of overtures by Rossini and J. Strauss II, and works by NY Phil Very Young Composers. June 13, Van Cortlandt Park, Bronx; June 14, Central Park, Manhattan; June 15, Cunningham Park, Queens; June 16, Prospect Park, Brooklyn; – these concerts begin at 8 pm followed by fireworks. Also, June 18, Staten Island at 4 pm. For weather and updates, call Concert Info Hotline at 212-875-5709, https://nyphil.org/

Picnicking in Central Park, a tradition before the start of the New York Philharmonic concert © Karen Rubin/goingplacesfarandnear.com

Shakespeare in the Park presents: Hamlet by The Public Theater, Delacorte Theater, Central Park, Manhattan, June 8–August 6, 2023 directed by Tony Award–winner Kenny Leon and featuring Tony Award–nominee Ato Blankson-Wood in the title role. Same-day tickets can be obtained by lining up (early) at The Delacorte or at a borough distribution site (2 tix pp), or by  an in-person lottery in the lobby of The Public Theater at 425 Lafayette Street, or through a digital lottery via the TodayTix mobile app or website. A limited number of advance reservation tickets can be had by making a contribution in support of Free Shakespeare in the Park. Info at 212-967-7555 or visit publictheater.org.

More free Shakespeare! New York Classical theater company is performing Shakespeare’s Richard III, Tuesday through Sunday, 7-9 pm (Central Park West & 103 St., June 13-25); Brooklyn Commons (Myrtle Avenue & Bridge Streets, June 27-July 2) and Carl Schurz Park (East 87th St., July 4-9).  You can also watch the rehearsals taking place in Central Park, 10 am-3:30 pm Tuesdays through Sundays until June 9. (You can also watch the rehearsals taking place in Central Park, 10 am-3:30 pm Tuesdays through Sundays until June 9.) Make a FREE reservation and receive pre-show notice of weather cancellations at https://nyclassical.org/richardiii.

Jazz Age Lawn Party on Governors Island, NYC with Michael Arenella and his Dreamland Orchestra © Karen Rubin/goingplacesfarandnear.com

Jazz Age Lawn Party, now celebrating its 18th year, is one of the world’s most authentic Prohibition-era-inspired gathering, taking place this year June 10-11 and August 12-13, on Governor’s Island. Hosted by Michael Arenella and His Dreamland Orchestra, one of the world’s premier Jazz Age dance orchestras, specializing in the Hot Jazz of the 1920s. Featuring Dreamland Follies, a ten-lady Art Deco dance spectacle evoking the great Ziegfeld; Queen Esther; Peter Mintun; Gelber & Manning band; Roddy Caravella and The Canarsie Wobblers, with their scandalous Charleston numbers and rebellious and exuberant spirit of Roaring ‘20s youth. Plus dance lessons, bathing beauty contest. Purchase tickets in advance. Governor’s Island (a getaway destination in itself), reached by ferry from Lower Manhattan (Battery Maritime Building located at 10 South Street, adjacent to the Staten Island Ferry)and Brooklyn. (https://jazzagelawnparty.com/)

Free Summer Programming at Little Island, Chelsea, Manhattan, June 7–September 3: The award-winning public park on the Hudson River Greenway, hosts an array of free programming including performances from Tony-, Grammy-, and Emmy Award–winners and nominees; drag bingo; DJs; dance parties; Teen Night; Broadway performances.

Free concerts and programs are underway at Little Island, the award-winning oasis off the Hudson River Greenway © Karen Rubin/goingplacesfarandnear.com

BRIC Celebrate Brooklyn!, Brooklyn, June 7–August 24, celebrates its 45th anniversary, with a lineup of artists from around the world honoring the diversity of Brooklyn and the broader BRIC community. This year’s lineup includes Corinne Bailey Rae, Kelela, Liv.e, Robert Glasper, NxWorries (Anderson .Paak & Knxwledge).

Bargemusic free concerts, Saturdays, 4 pm through August, Music in Motion” Series — a one hour performance (no intermission), including a Q & A session with the musicians. Brooklyn Bridge Park, Pier 1; close to the base of the Brooklyn Bridge, Brooklyn (https://www.bargemusic.org/admission-free-concerts/).

Forest Hills Stadium’s 100th Anniversary Concert Lineup, Forest Hills, Queens, thru September 30: music and comedy performances from some of the biggest names in music and entertainment, including The Strokes, Fall Out Boy, Kevin Hart, Steve Lacy, LL Cool J’s Rock The Bells Festival, Duran Duran, Maggie Rogers, Toro y Moi, Weezer, Arctic Monkeys, LCD Soundsystem, Dave Matthews Band.

Carnegie Hall Citywide, Citywide, June 9–August 4: Celebrating its 50th anniversary, the beloved free concert series highlights renowned local artists from an array of musical genres. 

SummerStage 2023, Citywide, June 3–September 30: now in its 37th season, hosting free and benefit live performances in 13 parks across the five boroughs from a range of musical genres including salsa, jazz, country, opera, Afrobeats, hip hop. The annual concert series will also celebrate the 50th anniversary of hip-hop with concerts featuring artists from NYC.

Blockbuster Exhibitions

“Invisible Worlds” at the American Museum of Natural History’s new Gilder Center for Science, Education and Innovation puts you inside the body’s nerve system © Karen Rubin/goingplacesfarandnear.com

Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History: The newly opened $465 million addition to the museum has been hailed internationally as a soaring architectural achievement, and houses world-class research facilities and scientific collections and innovative exhibitions. Admission by timed entry, reserved online. Open daily, 10 am–5:30 pm. American Museum of Natural History,200 Central Park West, 212-769-5606, amnh.org. (See: AMERICAN MUSEUM OF NATURAL HISTORY’S NEW GILDER CENTER IS LIGHTYEARS FORWARD IN IMMERSING, ENGAGING UNDERSTANDING OF THE SECRETS OF LIFE )

The imaginative architecture of the new Gilder Center at the American Museum of Natural History sets the tone for the experience that awaits within © Karen Rubin/goingplacesfarandnear.com

Harry Potter: The Exhibition, Herald Square, Manhattan, opened May 2023 for a limited time: Fans can celebrate Harry Potter and the entire Wizarding World with the most comprehensive touring exhibit in world. Featuring favorite moments, props, costumes, characters, and locations, the exhibition delights visitors with powerful storytelling married with interactive technology to explore iconic film scenes, creatures and characters from the Harry Potter and Fantastic Beasts films as well as the Tony Award–winning Broadway production Harry Potter and the Cursed Child. Harry Potter™: Tickets (for timed entry, but you can stay as long as you want) start at $29 for adults. 50 W. 34th Street (34th Street and Broadway). www.harrypotterexhibition.com. (See: IMMERSIVE WORLD OF HARRY POTTER EXHIBITION ENCHANTS NEW YORK BUT ONLY FOR LIMITED TIME)

Fans and superfans alike will be ecstatic to be immersed in the newly opened Harry Potter: The Exhibition, the most comprehensive touring exhibition ever presented on Harry Potter and the entire Wizarding World, is on view in Herald Square in midtown Manhattan but only for a limited time © Karen Rubin/goingplacesfarandnear.com

Africa Fashion at Brooklyn Museum, Prospect Heights, Brooklyn, June 23–October 22 180 works celebrating the global impact of African fashions from the 1950s to present day; 180 works are presented. 

Gardens & Works by Ebony G. Patterson at New York Botanical Garden, The Bronx, thru September 17: known for her lavishly detailed mixed media installations, this major site-specific exhibition showcases her breathtaking and provocative displays of art and nature. 

Shelley Niro: 500 Year Itch at National Museum of the American Indian, Lower Manhattan, through January 1, 2024, examines and celebrate more than 50 years of Shelley Niro’s paintings, photographs, films and more. Filled with humor and references to pop culture, the exhibition offers a glimpse into the artist’s timeless cultural knowledge and generational history of her Six Nations Kanyen’kehá:ka (Mohawk) community. 

New Photography 2023: Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, Logo Oluwamuyiw at Museum of Modern Art, Midtown Manhattan, through September 16. The return of its beloved series, New Photography for the first time since 2018, the new exhibition will explore the photographic work of seven artists united by their critical use of photography and their ties to the artistic scene in Lagos, Nigeria. This is also the museum’s first group exhibition in its history engaging in the work of living West African photographers. 

Hispanic Society of America,Washington Heights, Manhattan, reopens its Main Building June 2023 after six years of renovations and improvements. Since 1904, the museum has been the home to over 750,000 objects including rare books and masterpieces from Spanish- and Portuguese-speaking countries. 

Armstrong Corona Campus (formerly the Louis Armstrong House),Corona, Queens, Summer 2023, after undergoing a physical and programmatic expansion debuts a new cultural center with an interactive exhibit, archival collections, a 75-seat performance venue and store, all dedicated to celebrating and preserving the life and legacy of the legendary jazz musician Louis Armstrong.

Ukrainian Institute of America, Upper East Side, Manhattan, a nonprofit organization dedicated to promoting the art, music and literature of Ukraine and the Ukrainian diaspora, celebrates its 75th anniversary in 2023.

Malibu Barbie Café New York, The Seaport, Manhattan, thru September 15: Barbie fans will be transported to a 1970s Malibu California café filled with the beloved doll’s signature colors and casual, family-friendly fare including Pacific Paradise Pancakes, West Coast Wedge Salad and a California Dreamin’ Club Sandwich, all made by Master Chef finalist Chef Becky Brown. The pop-up will also be complete with photo ops inspired by Malibu Barbie including a life-size doll box, exclusive merchandise and more.

New York City is the epicenter of the art world and not just the famous, prominent, important museums but a plethora of galleries tucked into neighborhoods like The Lower East Side (who would have expected such magnificent art around the corner from the Bowery Mission, where you will also find the New Museum of Contemporary Art), Tribeca, Chelsea and the Meat Packing district under the High Line, and East and West Village. You get to experience the works of artists who should be displayed in the major museums, and perhaps will be. David Barnett’s “Collectomania” is on view at Ivy Brown Gallery through June 6 (artist talk on June 6, 6-8 pm) © Karen Rubin/goingplacesfarandnear.com

Under Cover: J.C. Leyendecker and American Masculinity at New-York Historical Society Museum & Library, Upper West Side, Manhattan, thru August 13 explores the work of J.C. Leyendecker, a prominent American illustrator, and his influence on shaping ideals of masculinity in the early 20th century. Through a collection of his iconic magazine covers, the exhibit examines Leyendecker’s depictions of stylish, confident and athletic men, highlighting their impact on shaping cultural perceptions of masculinity during that time. 

Craft Front & Center: Exploring the Permanent Collection at Museum of Arts and Design, Columbus Circle, Manhattan, thru January 14, 2024, featuring a collection of over 3,500 objects, as well as a fresh installation of more than 60 historic works and new acquisitions dating from the golden age of the American Craft movement to the present day. 

Yayoi Kusama: I Spend Each Day Embracing Flowers at David Zwirner Gallery, Chelsea, Manhattan, thru July 21: In one of her largest gallery exhibitions to date, celebrated contemporary artist Yayoi Kusama features new paintings, sculptures, flowers, and an Infinity Mirrored Room. 

Collections of Culture: 50 Years of Hip Hop Inside Libraries, Museums and Archives at Queens Public Library, Flushing, Queens, thru August 21, a celebration hosting an array of in-person and lived-streamed programs.

Oceanic, Portal at Leslie-Lohman Museum of Art, Soho, Manhattan, thru August 13, through various mediums and perspectives, the exhibit invites viewers to contemplate the fluidity, liberation and transformative power represented by the vastness of the ocean and its connection to LGBTQ+ identities. 

Vulnerable Landscapes at Staten Island Museum, Randall Manor, Staten Island, thru December 30, highlights the Staten Island shorelines at the forefront of climate change in NYC, examining the past while navigating the route forward. 

Darrel Ellis: Regeneration at The Bronx Museum of the Arts, South Bronx, thru September 10, the first comprehensive, scholarly survey of pioneering artist Darrel Ellis, the exhibition highlights Ellis’s body of work that combines painting, printmaking, photography and drawing before his untimely passing in 1992, co-organized by The Baltimore Museum of Art, 

Uniquely NYC Tours

Brooklyn Chocolate Tour – A Slice of Brooklyn Bus Tours, Brooklyn: Enjoy chocolates from some of the finest traditional and artisanal chocolates out of Brooklyn on this recently resumed tour. Guests can learn more about the history of chocolate and watch demonstrations as they explore many of the borough’s most beloved chocolate shops, including the Brooklyn Ice Cream Factory, The Chocolate Room, Raaka Chocolate and Li-Lac Chocolates. 

Sustainable Harlem – Like a Local Tours, Harlem, Manhattan: support hyper-local and community-based organizations in the historic neighborhood of Harlem with this socially impactful tour. Guests will learn about many of the sustainable movements within Harlem and the people behind them such as the New York Fair Trade Coalition at the Sustainable Fashion Community Center, Simone from Green and Blue Eco Care and more. 

Culinary Tour in Washington Heights – MAD Tours & Events, Washington Heights, Manhattan: Explore this culturally rich neighborhood (featured in Lin-Manuel Miranda’s “In the Heights”) on a special food tour. Known as one of Manhattan’s Latino hubs, Washington Heights is home to some of the City’s best Dominican, Mexican, and Cuban food. 

Food Cart Tour: Jackson Heights – Turnstile Tours, Jackson Heights, Queens: Explore many of the local flavors in one of the City’s most diverse neighborhoods right in the heart of Queens on a two-hour walking and tasting tour. Sample delicious favorites from around the world while learning more about the people and organizations helping the City’s street vendors continue to thrive. 

Retail Store Tours, Brooklyn & Manhattan: Explore the driving forces changing the retail landscape and the best of retail innovation in this two-hour tour led by industry professionals.  

The Alice Austen House,Staten Island © Karen Rubin/goingplacesfarandnear.com

New York City Borough Pass, Citywide: a new sightseeing pass designed to showcase the beauty of the neighborhoods and cultures across all five boroughs. The pass features a diverse roster of popular attractions, museums, performing arts venues, including the Alice Austen House Museum, MoMA PS1, New York Botanical Garden, Van Cortlandt House Museum, Staten Island Children’s Museum.

The Go City Pass for New York City offers 100 different options in all five boroughs. For example, the two-day all inclusive pass, giving access to as much as you want/can do from among 105 attractions is $134 – regardless of how much the actual attractions charge (GoCity.com, 800 887 9103).


During US Open Fan Week, which takes lace the week before the US Open Tennis starts, you get to watch the qualifiers, as well as a front-row seat to watch tennis stars, like Nadel, working out  © Karen Rubin/goingplacesfarandnear.com

The grand finale to New York’s summer sensations: US Open Tennis Championships, Corona, Queens, August 28–September 10: It begins with US Open Fan Week, August 23-28, when the grounds are open to the public with free admission, so you can watch the (thrilling) US Open Qualifying Tournament, watch open practices of the tennis stars, and additional scheduled exhibitions. This year, there is the first ever US Open Food Event Thursday August 25, 2022, 7pm-9pm; special appearances by athletes like former Top 5 ATP Player James Blake, and entertainment. (https://www.usopen.org/

For more New York City visitor information, visit https://www.nycgo.com/

_______________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin

Immersive World of Harry Potter Exhibition Enchants New York But Only for Limited Time

Fans and superfans alike will be ecstatic to be immersed in the newly opened Harry Potter: The Exhibition, the most comprehensive touring exhibition ever presented on Harry Potter and the entire Wizarding World, is on view in Herald Square in midtown Manhattan but only for a limited time © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Fans and superfans alike will be ecstatic to be immersed in the newly opened Harry Potter: The Exhibition, the most comprehensive touring exhibition ever presented on Harry Potter and the entire Wizarding World, is on view in Herald Square in midtown Manhattan but only for a limited time.

To call it an “exhibition” is an understatement. On every level – from the actual costumes, wands, props (the Sorting Hat! The Sword of Gryffindor! The Elder Wand! The Resurrection Stone!) from all the Harry Potter plus Fantastic Beasts™ movies and Broadway’s Tony-award winning Harry Potter and the Cursed Child – to the opportunity to compete for points for your House by casting a spell, preparing a potion, trying your hand at Quidditch, summoning your Patronus– you feel you are part of this magical world. The experience is completely personalized, individualized for you as you take this journey through magnificently crafted, magical environments with the aid of remarkable design and technology. It is truly immersive, truly interactive, truly experiential, truly enchanting.

Our visit starts with choosing a Hogwarts House (a photo is snapped of you in the sorting hat), a wand, a Patronus, all encoded in an RFID wristband that you use to log in at various stations to capture interactions and deliver an absolutely personalized experience, designed to not merely put you in the story, but put you into the films’ creation.

We are ushered into the From Page to Screen Gallery where a first edition of J.K. Rowling’s Harry Potter and the Sorcerer’s Stone is ensconced in a Gringotts-inspired vault. We are surrounded by inspirational video and literary quotes and enthusiastic guides introduce us “first years” to the exhibition – we feel the same sense of wonder and being new to Hogwarts as Harry, Ron and Hermione would have felt as first years. 

Find out how the paintings that line the walls of the Great Hall Gallery were created © Karen Rubin/goingplacesfarandnear.com

We next move into the Hogwarts Castle Gallery featuring an immersive multimedia experience with the castle as a backdrop for iconic elements like the Whomping Willow and Dementors and see ourselves on the Marauder’s Map. 

Walking through the Great Hall Gallery we get to see the same paintings as the students would see going into their House, and learn that filmmakers lined the walls with more than 200 paintings, some based on real art and some on subjects that included members of the film crew and their families. Production designer Stuart Craig, producer David Heyman, and property master Barry Wilkinson all are represented on the wall. Original pieces by studio artists often painted “in the style” of famous artists, representing the history of painting from Egypt to the Renaissance to the 20th century.

Walking through the Great Hall Gallery we get to see the same paintings as the students would see going into their House, © Karen Rubin/goingplacesfarandnear.com

The Hogwarts Houses gallery allows us personalized moments with the Hogwarts house we selected during our registration (I selected Gryffindor) but we still get to experience noteworthy tidbits about all the Hogwarts houses and their important characters. The celebratory hall feature an iconic Sorting Hat (perfect for photo ops) and Sword of Gryffindor, and house crests on meticulously created stained glass windows. The notes give the history of the houses and important biographical notes, and we get to see costumes and artifacts from each of the houses, with backstory about the particular film or scene they appeared. I love learning about the costume designer’s thinking, the choices that were made, and how the actors reacted to their costume.

Hogwarts’ Sorting Hat is on view in Harry Potter™: The Exhibition  © Karen Rubin/goingplacesfarandnear.com

In a room devoted to the wands (Harry’s!), we learn that in the first film, they were very basic in construction but by the third film, the art designers personalized each one to the character, choosing special woods and carvings, but then the versions used for filming were made of resin for everyday and rubber for stunts (because they would break; Harry broke 50 of his wands). About the Elder Wand, the designers had no idea how important it would be when they fashioned it, so were grateful they had designed it with a distinctive appearance.

Sit at a table in The Great Hall © Karen Rubin/goingplacesfarandnear.com

The Great Hall has some tables where we can sit, with the backdrop from the movie, and learn that the set designer made the floor of York stones that lasted through 10 years of onscreen Hogwarts students walking, running, dancing; there were four 100 ft custom-made tables that were distressed to suggest their longevity and the actors were encouraged to write and draw on the tables. In the first film, real candles were suspended from the ceiling but there were safety concerns, so they switched to digital and had five sizes of CGI candles coded for six varied flames so no two were the same.

Mix your own potion in the Potions Classroom© Karen Rubin/goingplacesfarandnear.com

Hogwarts Classrooms are filled with iconic props, creatures, and costumes. We get to interact with magical lessons and games through digital touchscreens to reveal behind-the-scenes secrets about iconic classroom moments. We even get to brew potions in the Potions Classroom (there’s a recipe book), predict the future in Divination, pot a mandrake in the Herbology Greenhouse, and use their digital wand to defeat a boggart in Defense Against the Dark Arts – all earning points for our House.

Mix your own potion in the Potions Classroom© Karen Rubin/goingplacesfarandnear.com

Hagrid’s Hut and The Forbidden Forest offer an interactive Patronus charm experience (I get to conjure up mine, a terrier). We then uncover iconic creatures, such as centaurs and Acromantula, hidden in the forest. Exploring inside a re-creation of Hagrid’s Hut, I find it interesting that to film Hagrid’s Hut scenes, they made two sets – one with furniture and all the furnishings to be in scale with half the Giant’s size, but everything oversized when seeing Harry, Ron and Hermione in the shot – and filmed each scene twice.

In the Tri Wizard tournament section, we learn that 35 costumes were created just for Harry (these included the before and after and costumes for doubles and stunt doubles) – we see the costume that was distressed to look like Harry had already fought the dragon and then get to see the enormous dragon (selfie! – in fact, so many Instagrammable scenes throughout).

Try your hand at Quidditch and see Harry Potter’s uniform © Karen Rubin/goingplacesfarandnear.com

In the Quidditch section (there’s an actual Golden Snitch!), we get to throw a Quaffle through a hoop to rack up points. We learn that filming was a grueling experience for the actors who had to straddle the brooms while suspended in air. But in the “Azkaban” film, they finally put foot pedals and bicycle seats on the broom and gave the actors extra padding for their behinds that would be concealed under their uniforms. The cinematographer made an effort to film as a live sport, with multiple moving camera angles and flying camera operator. (Chris Columbus wanted Quidditch to have the same flair and excitement of Muggle sports but needed a crash course in the rules from author J.K. Rowling before filming. Screenwriter Steve Kloves also consulted her and learned Quidditch had been partially inspired by her enjoyment of American basketball. Costume designer Judianna Makovsky wanted to give the Quidditch player uniforms both familiarity and timelessness – she was inspired by 19th century sports and combined fencing, cricket and polo wear.

The Golden Snitch! © Karen Rubin/goingplacesfarandnear.com

I love learning about how the costumes, wands and such changed over the course of the different films, as the characters grew and matured, as mores changed, how the designers literally weave the character into the costume with subtle touches, textures, lines, and learning the actors’ reactions as well as their input – how Hermione loved to finally be wearing regular clothes and not only school robes by the later films, how Newt Scamander’s coat was inspired by the design for a Muggle coat but with the secret pockets common to magician’s coats, with a color palette of deep peacock, having the vibe of his creatures, in contrast to the brown and gray of the1920s outfits; 12 copies of his coat were created from material that designer Colleen Atwood had  in storage for years.

As a superfan, I am particularly enthralled by the notes that accompany each of the rooms – like chapters in the book or scenes in the movie  – that begin with putting you back into the story, but then adding on the fascinating creative backstory.

Asked by graphic designers to create Sirius Black’s family tree, JK Rowling almost immediately sent five generations of names indicating births, marriages and deaths, plus the family crest and motto for the the Noble 7 Most Ancient House of Black.© Karen Rubin/goingplacesfarandnear.com

So we learn that when graphic designers Miraphorn Mina and Eduardo lima were tasked with creating four-walls-worth of a tapestry portraying Sirius Black’s family tree in number Twelve, Grimmauld Place, they knew the names of some of his relatives from the books, but needed many more to fill an entire room. So producer David Heyman called JK Rowling and asked if she could provide further information on the Noble 7 Most Ancient House of Black. Almost immediately, she sent back several pages with five generations of names indicating births, marriages and deaths, plus the family crest and motto.

Importantly, learning the backstory of how the effect was created doesn’t burst the bubble or the delight in the illusion that is film.

Tom Zaller, the CEO of Imagine Exhibitions that created the Harry Potter exhibition in partnership with Warner Bros. Discovery Global Themed Entertainment and EMC Presents, knows the importance of preserving the magic – his backstory includes a longtime association with the magician David Copperfield. His company, renowned for creating blockbuster exhibitions (Titanic, Jurassic World, Downtown Abbey, DaVinci), was approached by Warner Bros. to create this exhibition. (Imagine currently has 45 different exhibitions on view around the world, including a second World of Harry Potter Exhibition in Paris with different original elements, for example instead of Professor McGonagall’s robes in the Great Room, Paris has Dumbledore’s). All the original costumes, artifacts and props belong to Warner Bros. – Imagine created the sets, the immersive experiences, and the illuminating notes that explain the exhibits.

The Harry Potter:The Exhibition premiered in Philadelphia a year ago, then went to Atlanta, and has already drawn one million visitors in the two venues, and will continue to tour after leaving New York City.

Tom Zaller, Imagine Exhibitions’ CEO, sits behind Dolores Umbridge’s desk © Karen Rubin/goingplacesfarandnear.com

After using the portkey to travel to the Ministry of Magic, I find Zaller sitting behind Dolores Umbridge’s desk. I ask how the notes were made – they have so much information yet are so concise; they put you into the story, but then give you the creative backstory. He tells me they worked closely with Warner Bros. and the people who worked on the film, the play and the themepark. “We went behind the scenes to learn why choices were made.”

Zaller, who has been producing block buster exhibitions for decades, says, “This is the biggest, baddest, most wonderful… We try to satisfy the fan and the super fan.”

The sword of Gryffindor© Karen Rubin/goingplacesfarandnear.com

I confess my thrill at seeing the actual Sorting Hat, the actual sword of Gryffindor, the actual Golden Snitch, the actual Elder Wand, the actual Resurrection Stone, mixing a potion, throwing a Quaffle, conjuring up my Patronus (10 points for Gryffindor!), and being in the places in three-dimension, that you either imagine in your mind from the books, or see on film.

The exhibit is well set up for the numbers of people who will be coming through – many stations for photos, wands, spells, divination, potions, repotting the howling mandrakes (which turns out to have been a real thing that jk Rowling incorporated, among the other real spells and magic traditions, like the Sorcerer’s stone).

Clever use of video (film), sound effects, even smells, and thank goodness the musical score of the films is so marvelous, because musical segments provide the soundtrack in each of the areas (and smartly the sound tracks do not overreach)

Tom Riddle’s diary and the Basilisk fang used to destroy it in “Chamber of Secrets” © Karen Rubin/goingplacesfarandnear.com

We get to see the Voldemort’s horcruxes – Tom Riddle’s diary and the Basilisk fang used to destroy the diary in “Chamber of Secrets”, Hufflepuff’s Cup, Ravenclaw’s diadem, , the iconic Resurrection stone, …., Deatheater’s cloak, even the invisibility cloak (spoiler alert: it’s invisible), Dumbledore’s Elder Wand,

You even get to fight the final battle of Hogwarts, activating the wands held by Harry and Voldemort (choose who you want to be).

Here’s a challenge: think of something you would most like to see and see if it isn’t in the exhibit.

It is so much fun – during our press preview visit, superfans went through with their Hogwarts robes, really getting into the spirit. And so many selfie and Instagram opportunities!

At the end, you can purchase print and digital photos of your experience and visit the gift shop where you can find an exclusive collection of Harry Potter: The Exhibition merchandise – apparel, jewelry, and edible treats, including fan-favorite Chocolate Frogs and bottled Butterbeer, as well as merchandise not available at any other Wizarding World experience. 

It’s supposed to take 60 to 90 minutes to go through, but I love reading the notes and studying the objects so much, I spend over two hours.

See it here in New York, then go see it in Paris.

Harry Potter™: The Exhibition has transformed its space at 50 W. 34th Street (34th Street and Broadway), easily accessible from Penn Station, Port Authority and many subway stations. Tickets (for timed entry, but you can stay as long as you want) start at $29 for adults. The exhibition also offers a VIP ticket experiences with a flex schedule, commemorative lanyard, free access to the Harry Potter: The Exhibition Audio Guide and a $10 credit to spend in the retail store. A full schedule of dates and times to visit Harry Potter™: The Exhibition can be found at www.harrypotterexhibition.com.  Fans are encouraged to follow Harry Potter: The Exhibition on FacebookInstagram, and Twitter. #HarryPotterExhibition

_____________________________

© 2023 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/KarenBRubin 

Newly Opened Museum of Broadway Celebrates Artistry, Legacy of Theater

A ticket for admission to one of George M. Cohan’s shows © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

There are actual top hat and dance shoes from A Chorus Line. You step into Doc’s drugstore from West Side Story. See costumes from Phantom of the Opera. There are scores of artifacts, music sheets, props, director notes, rehearsal photos. You see the original Playbills of iconic shows and theater posters going back to the very beginning of American (that is New York and ultimately Broadway) theater. And then you go “backstage” to see how all the creative and technical processes all come together, that speaks to you not so much as star-struck audience member but as a person yearning to be in theater. “Hey gang, let’s put on a show!”

This is the Museum of Broadway, newly opened in November, 2022.

Top hat and dance shoes from A Chorus Line, on display at the Museum of Broadway © Karen Rubin/goingplacesfarandnear.com

Rather than burst any star-studied illusions or theater magic, this opportunity to go behind the curtain is tremendously exciting – you get to see (and appreciate) what goes into such show-stoppers, cultural icons as Show Boat, Oklahoma, West Side Story, Fiddler on the Roof, Cats, Phantom of the Opera, Company, Rent, A Chorus Line, Lion King, The Wiz, Ain’t Misbehavin’ and Hamilton, several offering immersive experiences.

In all (believe it or not), the Museum limelights more than 500 individual productions from the 1700s to what is on stage now.

And you get insights into such theater luminaries as Ziegfeld, Sondheim, Webber, Fosse. You come away even more awestruck and under theater’s spell than when you entered.

The Museum features work from Emmy Award winning illustrator I. Javier Ameijeiras (Rent Live!), neon artist Dani B, Tony Award nominated dancer Robert Fairchild (An American in Paris, former NYCB principal), Drama Desk Award winning scenic designer David Korins (Hamilton, Beetlejuice), choreographer Julio Monge (West Side Story), and dancer Tanairi Vazquez (West Side Story, Hamilton). (Find a full list of the artists featured in the Museum at https://www.themuseumofbroadway.com/artists)

A Museum of Broadway homage to “Cats,” Andrew Lloyd Webber’s landmark musical based on the 1939 poetry collection Old Possum’s Book of Practical Cats by T. S. Eliot © Karen Rubin/goingplacesfarandnear.com

The Museum of Broadway is an immersive and interactive theatrical experience devoted to musicals, plays, and the people who make them. Featuring the work of dozens of designers, artists, and theatre historians, you are taken on a journey along the timeline of Broadway, from its birth to present day.

You travel through a visual history of Broadway, highlighting groundbreaking moments in a series of exhibits that showcase – and show off – dazzling costumes, props, renderings, rare photos, videos, artifacts, awards. Stops along the way highlight the pivotal shows or “game changers” that transformed the landscape of Broadway – the moments that pushed creative boundaries, challenged social norms, and paved the way for those who would follow.

Your visit to the Museum of Broadway starts back stage with sound effects, photos, that show how typical it would be for the Broadway performers to use the back stairs for warm ups © Karen Rubin/goingplacesfarandnear.com
 

Your visit to the Museum of Broadway starts back stage (actually on the back stairs of the building, next door to historic Lyceum theater),  with sound effects, photos, that show how typical it would be for the Broadway performers to use the back stairs for warm ups.

Walk up three flights, where you hear “warm-ups” as you climb the stairs and go past rooms to show where hair, make-up would have been (performers are taught how to apply their own); the dressing rooms (one labeled “dressing room” is actually the bathroom) and get introduced to the traditions (even superstitions) of Broadway performers. (There is an elevator for those who cannot climb the stairs.)

You are brought into a waiting room before the introductory video – showcasing the Playbills and synopsis of shows currently on Broadway (can point to a QR code and purchase tickets right there), as the music for “Company” plays.

Then you are taken into a small screening room to see a video packing 250 years of history of New York theater into just four minutes. (It is surprising to learn the first actual public performance was in 1732 at the Playhouse, way downtown.)

The history of Broadway theater, told in a four-minute video at the Museum of Broadway dates back to 1732 © Karen Rubin/goingplacesfarandnear.com

New York Theater at first was centered in lower Manhattan – where Financial District and Chinatown are today, then, as rents moved up, theaters moved uptown along Broadway to Union Square, Herald Square and finally to Times Square (renamed for the New York Times newspaper, which took up residence in 1904).

Oscar Hammerstein I (grandfather of lyricist Oscar Hammerstein II) was instrumental in opening a number of theater houses, beginning 1895 with the Olympia; the Schubert Brothers (Sam, Lee and JJ) soon followed, becoming a major powerhouse among theater owners.

Times Square became known as the Great White Way because of the lamps and electric white lights on marquees.

The Great Depression hit the theater industry hard – many theaters were converted to other purposes. But the end of World War II led to a Golden Age of Broadway, and Jujamcyn and Nederlander emerged as theater behemoths. Then, with the decline of New York City in the 1960s – crime, deteriorating condition – theaters were empty.

The city was desperate to revitalize the Times Square area and allowed the Marriott Marquis to build its new hotel (with a theater inside) to spur a renaissance. But that resulted in the destruction of five Broadway theaters – the so-called “Great Theater Massacre” of 1982. The outcry led to a new landmark preservation law to protect Broadway theaters.

Andrew Lloyd Webber’s record-breaking, longest-running “Phantom of the Opera,” has been seen by more than 19 million people over 35 years on Broadway. It is due to close in 2023 to make room for Webber’s new musical, “Bad Cinderella” © Karen Rubin/goingplacesfarandnear.com

The revitalization really was spurred in the mid-1990s, when Disney signed a 99-year lease for the New Amsterdam Theater on 42nd Street and the city cleaned up Times Square. Broadway was back and “family friendly”, to the point there was a waiting list for incoming shows.

Then COVID hit in March 2020, shutting down the theaters -“the heartbeat of the city” – for 18 months, the longest period in theater history. Since Broadway is one of the top reasons visitors come to the city, and one of its top revenue-makers as well as employers, shutting down theater took its toll on the city’s finances.

After the video (I sit through it twice), you are brought into a sequence of rooms in a Timeline, showcasing the people and key productions – plays and musicals – that shaped the past, present and point to the future of Broadway theater.

Timeline panels at the Museum of Broadway showcase the people and key productions – plays and musicals – that shaped the past, present and point to the future of Broadway theater, going back to the earliest days with historic posters and photos © Karen Rubin/goingplacesfarandnear.com

The first panels are really interesting, featuring posters of plays starring Edwin and John Wilkes Booth, and (ironically) a production of “An American Cousin,” starring Laura Keene at the New American Theater in March 3, 1859 – the play Abraham Lincoln was watching at Ford Theater in Washington DC when John Wilkes Booth assassinated him. There is also, an interesting discussion of censorship – when Olga Nethersole, who played Sapho, was arrested for corrupting public morals (indecency). The scandal, first unleashed by the producer to generate audience interest and then played up by newspapers to sell papers (Yellow Journalism), backfired on the show, which though actually quite tame, was censored, but Nethersole was ultimately acquitted.

The panels also highlight the contribution and breakthroughs of Black Americans in American theater and breakthroughs by women. But it is odd that the contribution by Jewish creators is hardly a footnote, while incorporating photos and hard-to-read photo captions of the Marx Brothers, Irving Berlin, showcasing Showboat without mentioning Oscar Hammerstein II and Jerome Kern, and Porgy and Bess without bothering to mention the Gershwins who wrote them.  

The influence of Irving Berlin, Jerome Kern, George and Ira Gershwin, Lorenz Hart, Richard Rodgers, Oscar Hammerstein II, Kurt Weill, Sheldon Harnick, Jerry Bock, Leonard Bernstein, Stephen Sondheim, Stephen Schwartz, Jule Styne is undeniable throughout the museum because of the productions that are highlighted, but unremarked. The only mention of Yiddish Theater comes in a tiny reference in a panel for a 1990 show, “Those Were the Days”) (For this part of history, see “Broadway Musicals: A Jewish Legacy” from Great Performances on pbs.org (https://www.pbs.org/wnet/gperf/broadway-musicals-a-jewish-legacy-about-the-film/1476/)

There is a showcase of Ziegfeld Follies, as if you are in the (very pink and feathery) dressing room, with stunning costumes. There’s a photo but much information about Fanny Brice and a photo of Irving Berlin at the piano, but the notes emphasize how Ziegfeld reacted “when a few Follies cast members complained about sharing the stage with Black comedian Bert Williams, Ziegfeld’s reply was ‘The stage door is that way. I can do this show without any of you, but I cannot do it without Bert.’ And that was that.”

There is a whole set up for Showboat and how the musical changed the course of theater, redirecting the emphasis from the heavy operettas and the superficial music comedies which had dominated Broadway, providing complex, realistic characters, and integrating music and plot (but only passing mention of lyricist Oscar Hammerstein II and composer Jerome Kern who wrote the breakthrough musical based on Edna Ferber’s 1926 novel).

Hammerstein lambasted racial prejudice again in South Pacific:

 You’ve got to be taught to hate and fear/You’ve got to be taught from year to year/It’s got to be drummed in your dear little ear/You’ve got to be carefully taught.

You’ve got to be taught to be afraid/Of people whose eyes are oddly made/And people whose skin is a diff’rent shade/You’ve got to be carefully taught.

Show Boat, with music by Jerome Kern and book and lyrics by Oscar Hammerstein II based on Edna Ferber’s best-selling 1926 novel, changed the course of musical theater, redirecting the emphasis from the heavy operettas and the superficial music comedies which had dominated Broadway, providing complex, realistic characters, and integrating music and plot © Karen Rubin/goingplacesfarandnear.com

It isn’t until the 1990s panel that there is any mention of Yiddish Theater – arguably the progenitor if not the incubator of Broadway theater – when we learn that “Those Were the Days” in 1990 brought “the Shteltl” and “The Music Hall” to Broadway in an intimate two-part review performed in both English and Yiddish. “The show evokes a period,” director Eleanor Reissa explained. “Created by Zalmen Mlotek and Moishe Rosenfeld, the musical honored the legacy of a vibrant and influential Yiddish stage that flourished on New York’s Lower East Side in the late 1800s and early 1900s. One of the district’s most formidable figures was Boris Thomashefsky, who opened a Yiddish theater on Broadway in 1923.”

A room is devoted to the coveted Tony Awards and its namesake, Antoinette Perry, an actress, director, producer, and the dynamic wartime leader of the American Theatre Wing who had recently passed away when The Tony Awards made their official debut at a dinner in the Grand Ballroom of the Waldorf Astoria hotel on Easter Sunday, April 6, 1947.

You walk through rooms devoted to Oklahoma and a set for Doc’s drugstore in the homage to “West Side Story” (there’s a Jets jacket on display as well). A small room crams together Fiddler on the Roof, Hello Dolly, Neil Simon’s comedies before getting to the rock musicals – Jesus Christ Superstar – that led a new era on the Broadway stage.

Walk through the West Side Story set for Doc’s drugstore © Karen Rubin/goingplacesfarandnear.com

Thankfully, a major exhibit is devoted to Sondheim and you walk through what appears to be the set for Company.

The Wiz, we learn, got bad reviews, but the audience gave it a standing ovation and four curtain calls (the musical used a new marketing strategy of television commercials) – and you ease down yellow stairs.

A Chorus Line – one of the longest-running shows and the first to use computerized light board – features original costumes, marvelous 8×10 photos of the cast, plus I loved seeing original creative notes.

Notes for the opening song for A Chorus Line © Karen Rubin/goingplacesfarandnear.com
Notes for “Handful of Keys” from A Chorus Line © Karen Rubin/goingplacesfarandnear.com

(There is so much information crammed into a small space and the captions and notes are so small and hard to read (bring glasses), but you are encouraged to download an app where you can listen or read the notes.)

Honoring Broadway’s longest-running musical, “Phantom of the Opera”: a chandelier made of 13,917 glass beads – for the number of Broadway performances – and if you look at it to an angle, the Phantom’s mask emerges © Karen Rubin/goingplacesfarandnear.com

Then you come to Phantom of the Opera – with some sensational costumes (from 1986) and artifacts from the show. Phantom is now the longest-running production in Broadway history (it was scheduled to close in 2023, when a new Andrew Lloyd Webber musical, “Bad Cinderella” is due to open). Among Phantom’s plaudits: it is the largest generator of money and jobs in Broadway history and has been seen by 19.5 million people over 35 years. There is an amazing chandelier made of 13,917 glass beads – for the number of Broadway performances – and if you look at it to an angle, the Phantom’s mask emerges.

Along the way, staff people offer their own anecdotes or point you to artifacts or parts of the exhibit you might not have seen. And there are various interactive and videos, as Broadway tunes play in each exhibit.

The innovative costume/props for The Lion King on display at the Museum of Broadway © Karen Rubin/goingplacesfarandnear.com

The setting for “Rent” was designed for the museum by the original set designer. I love seeing some of the innovative props/costumes that turn human actors into animals for Lion King. You walk through the “office” for Producers” (a Tony is in the bookcase), costumes from Hamilton, and there is a whole line of costumes representing the shows currently playing.

Costumes from “Hamilton” on display at the Museum of Broadway © Karen Rubin/goingplacesfarandnear.com
 

Then you go down the stairs to the first floor where you are really treated to the back-stage, “let’s put on a show” tutorial.

This part of the Museum celebrates the behind-the-scenes of this dazzling American art form with a special exhibit, “The Making of a Broadway Show,” justifiably honoring the entirety of the community of brilliantly talented professionals – both onstage and off – who bring Broadway plays and musicals to life every night.

This section features multiple videos of directors of lighting, sound, music, as well as costumers and set designers discussing their craft. (Here, they should have given way more space and separated the sections of the exhibit better because the videos and sound overlap – even three and four at once – and the room is dark.)

Hey gang! Let’s put on a show: An entire floor Museum of Broadway is devoted to how a theater production comes together. Computerized lighting board © Karen Rubin/goingplacesfarandnear.com

But if you put in some effort – and time – you are treated to absolutely fascinating information about producing, designing the music, the lights, the sound, costumes (and tricks of “distressing” costumes), direction, choreography. This whole section – most of an entire floor – is a goldmine for anyone who harbors any interest in pursuing a career in theater production. There are even time sheets for what a costumer’s day is like, and a timeline from conception to opening night of a production.

Techniques of a costumer at the Museum of Broadway © Karen Rubin/goingplacesfarandnear.com

Want to be a costume designer? Check out what a day looks like at the Museum of Broadway © Karen Rubin/goingplacesfarandnear.com

At the end, I follow an arrow and found myself in a fantastic exhibit of Al Hirschfeld – the extraordinary cartoonist/caricaturist who was synonymous with every Broadway opening. We see many of his illustrations – from newspapers, posters, the originals, and I love the display of his sketchbooks that give a glimpse into his creative process – and learn about the origin of his iconic “Nina” embedded into his illustration (that became an obsession, much like Wordle is today, for New York Times readers). There is even a photo of him with his daughter, Nina, and a caricature of Nina, herself.

The origin of the famous Nina’s in Al Hirschfeld’s caricatures that so defined Broadway productions © Karen Rubin/goingplacesfarandnear.com

The Museum of Broadway is founded by entrepreneur and two-time Tony Award-winning producer Julie Boardman and founder of the award-winning experiential agency, Rubik Marketing,Diane Nicoletti. Elie Landauis the general manager.

The team of expert curators for The Museum of Broadway is headed by Ben West (Resident Historian and Curator, Timeline & Special Exhibits) and includes Jennifer Ashley Tepper (Curator, Historical Buildings), John Kenrick (Curator, Game Changer History), Faye Armon-Troncoso (Set Decorator & Props Supervisor, Making of a Broadway Show), Lisa Zinni (Costume & Props Curator) and Michael McDonald (Historical Assets Manager).

The Museum of Broadway is founded in collaboration with Playbill, Broadway Cares/Equity Fights AIDS, The Billy Rose Theatre Division at the New York Public Library for the Performing Arts, The Al Hirschfeld Foundation, Goodspeed Musicals, Creative Goods, and Concord Theatricals.

There is so much to delight anyone who enjoys, appreciates theater – you don’t have to be an avid theatergoer or aficionado or maven.

The artifacts, costumes, inside (backstage) info, and insights throughout the Museum of Broadway are fabulous. You need at least two to three hours to go through. And bring reading eyeglasses or magnifying glass to read the tiny captions and notes. Open 7 days a week, 10 am – 10 pm.

Indeed, the Museum of Broadway seems to be very much a hit – the museum had a steady stream of visitors.

The Museum of Broadway, 145 West 45th Street, New York, NY 10036, 212-239-6200 or 800-447-7400, www.themuseumofbroadway.com, follow @museumofbroadway on social channels.

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Top Things to Do to Celebrate the Holidays in New York City

Rockefeller Center, NYC © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Santa has arrived on his sleigh to close out the 96th Macy’s Thanksgiving Day Parade.  The tree is alight at Rockefeller Center. Saks has its sound-and-light show and decorated windows. Macy’s and Bergdorf Goodman have their windows decorated. People flock into St. Patrick’s Cathedral, stop to hear a choral concert at St. Thomas. Cartier and Tiffany’s come gift wrapped. Fifth Avenue is decked out for the holiday. It’s Christmas time in the city. Here are some of the best ways to enjoy the city:

Macy’s windows theme for Holidays 2022: Give Love © Karen Rubin/goingplacesfarandnear.com

As one of the most iconic holiday destinations in the world, New York City once again hosts a potpourri of festive experiences, attractions and events across dining, shopping, culture and entertainment throughout the five boros.

Macy’s windows theme for Holidays 2022: Give Love © Karen Rubin/goingplacesfarandnear.com
Macy’s windows theme for Holidays 2022: Give Love © Karen Rubin/goingplacesfarandnear.com

Over the past few years, Bryant Park has emerged as the quintessential holiday destination in New York City – crammed with the most picturesque holiday market (actually marvelous items) in the city, a skating rink (free skating; skate rentals available) below a Christmas tree, an enchanting carousel, lovely eateries and snack places. It is the synthesis of the holiday.

Holidays in New York City: Bank of America Winter Village at Bryant Park © Karen Rubin/goingplacesfarandnear.com

Here are more highlights of Holidays in the City:

HOLIDAY PERFORMANCES

A New York City holiday staple: Radio City Rockettes performing Christmas Spectacular Wooden Soldiers © Karen Rubin/goingplacesfarandnear.com
  • DREAM BIG: Big Apple Circus Returns to Lincoln Center for 45th Anniversary, through Jan. 1. For eight weeks, Big Top at Lincoln Center will be home to astonishing wonders and daring acrobatics, setting imaginations soaring to the most astounding, awe-inspiring heights.
  • Christmas Spectacular Starring the Radio City Rockettes, Nov. 18–Jan. 2 has dazzled audiences of all ages for nearly a century with incredible costumes, festive songs, synchronized high kicks, new acts and several shows daily.
  • A Christmas Carola one-man show on Broadway, Nov. 21–Jan. 1. In this astonishing Broadway adaptation, Tony Award–winning actor Jefferson Mays tackles more than 50 roles in this season’s limited run of A Christmas Carol at the Nederlander Theatre. The beloved Dickens story featuring notable characters—Ebenezer Scrooge, Tiny Tim and the four ghosts—is making its return for the first time since 2019 and will enchant theatergoers with its redemptive story.
  • George Balanchine’s The Nutcracker Presented by New York City Ballet, Nov. 25–Dec. 31 at the David H. Koch Theater at Lincoln Center returns for its annual performance featuring exquisite costumes, magnificent sets and Tchaikovsky’s iconic score that transports audiences to a land of twirling snowflakes, leaping candy canes, waltzing flowers and more. On November 27, TDF Autism Friendly Performances will present the first-ever Autism-Friendly Performance of New York City Ballet’s production of The Nutcracker.
  • Alvin Ailey American Dance Theater at New York City Center, Nov. 30–Dec. 24, returns to New York City Center for a season that has become a joyous winter tradition. Led by Artistic Director Robert Battle, Ailey’s extraordinary dancers will move audiences with world and company premieres by Kyle Abraham, Jamar Roberts, Paul Taylor, and Twyla Tharp. In addition to repertory favorites, founder Alvin Ailey’s choreography is spotlighted with a new production of Survivors and the staging of over a half dozen classic works, including the must-see American masterpiece Revelations.
  • The Magic Flute Holiday Presentation at The Met Opera, Dec. 16–Jan. 6. The Met Opera’s abridged, English-language version of Mozart’s magical fairy tale is a classic holiday treat for audiences of all ages, bringing the charming story and enchanting music to life. This year’s series features Maestro Duncan Ward, making his company debut conducting Julie Taymor’s irresistible production.

CULTURAL EVENTS

Fifth Avenue, decked out for the holidays © Karen Rubin/goingplacesfarandnear.com
Holidays in New York City: St. Patrick’s Cathedral © Karen Rubin/goingplacesfarandnear.com

HOLIDAY LIGHTS

Amaze Light Festival is the newest holiday attraction in New York City © Karen Rubin/goingplacesfarandnear.com
  • Shine Bright Only at Hudson Yards, throughout the holidays, Hudson Yards, Manhattan. Featuring over 2 million twinkling lights, Shine Bright Only at Hudson Yards, presented by Wells Fargo, adorns the neighborhood with 115-miles of string lights, 725 evergreen trees dressed and 16-foot-tall illuminated set pieces in the shape of hot air balloons arranged through the Public Square and Gardens with a 32-foot hot air balloon centerpiece suspended in The Great Room of The Shops and Restaurants.
  • Lightscape at Brooklyn Botanic Garden, Nov. 16–Jan. 8, Prospect Heights, Brooklyn. Explore the garden after dark at the illuminated Lightscape, celebrating the beauty of nature with an enchanting one-mile trail through BBG’s 52-acre landscape. Sold out in its first season, this year’s after-dark, illuminated spectacular features new works of art alongside returning favorites. Enjoy the Winter Cathedral tunnel, Fire Garden and Sea of Light, as well as new site-specific light works by local artists, accompanied by a curated soundtrack.
  • Bronx Zoo Holiday Lights, Nov. 18–Jan. 8, Bronx Park, The Bronx. With more than 360 lanterns representing nearly 90 animal and plant species, Bronx Zoo’s family-centric holiday lights festival will connect visitors with real wildlife and wild places. During the evenings, the park comes to life with holiday cheer as immersive light displays, custom-designed animal lanterns (with some life-size, some larger-than-life-size) and animated light shows sparkle across the zoo. The celebration is complete with seasonal treats, classic holiday music and other festive entertainment. The beloved tradition is sure to enchant visitors of all ages, making it the perfect way to kick off the holidays this year.
  • NYBG GLOW, Select dates from November 18–January 14, Bedford Park, The Bronx. Discover the beauty of New York Botanical Garden through NYBG GLOW, which will illuminate the garden’s landmark landscape and historic buildings after dark with a newly expanded 1.5-mile colorful experience. Building upon sold-out evenings the past two years, the event is expanded across more of the garden’s collections.
  • Amaze Light Festival at Citi Field, Select dates from Nov. 20–Jan. 8, Flushing, Queens. Guests are greeted by the lovable characters Zing and Sparky from the Amaze storybook, who bring the stage dancers, singers and light show to life with their magic powers. Visit the holiday market and grab a treat at Sparky’s Sweet Spot. Enjoy culinary treats, specialty drinks and cocktails. Zip down Zing’s icy Thrill Hill, take in the wonder on a train ride, and write a letter to Santa.
  • NYC Winter Lantern Festival: Journey to the East, Oct. 21–Jan. 8, St. George, Staten Island. The NYC Winter Lantern Festival is back for its fourth year to transform a new venue, SIUH Community Park in Staten Island, into an immersive world of light. Enjoy over eight acres of luminescence, live DJ, projection mapping, food vendors.
  • NYC Winter Lantern Festival: Illuminate the Farm at Queens County Farm Museum, Nov. 11–Jan. 8, Glen Oaks, Queens. Back for its second year, the NYC Winter Lantern Festival transforms Queens County Farm into an immersive and radiant oasis with festive lights and handmade lanterns in the shape of flowers, tractors, farm animals.
  • Christmas Lights Tour of Dyker Heights from A Slice of Brooklyn Bus Tours, Dec. 1–31 (except 24 & 25), Dyker Heights, Brooklyn. Experience the extravagant Christmas light displays in Dyker Heights, also known as “Dyker Lights.” This guided bus tour, departing from Manhattan, offers visitors a special experience to view the uniquely decorated homes, learn about the history and stories of the neighborhood tradition.
Holidays in New York City: Bergdorf Goodman’s stunning window displays © Karen Rubin/goingplacesfarandnear.com

ICE-SKATING, OUTDOOR ACTIVITIES:

Holidays in New York City: Ice skating at Bryant Park © Karen Rubin/goingplacesfarandnear.com
  • The Rink at Rockefeller Center, Skate under the iconic Christmas tree, a quintessential NYC experience on the world-famous rink. In collaboration with Coach, Rockefeller Center will unveil this year’s activations, including a bespoke holiday gift shop, custom hospitality cart serving special treats, and live onsite patch customization for a curated line of Coach products. Santa will join visitors on the ice in December.
  • The Rink at Bryant Park, Midtown Manhattan. Enjoy NYC’s free 17,000-square-foot outdoor ice-skating rink at Bryant Park’s Winter Village. Visitors can also enjoy the Holiday Shops, free shows, events, activities, and eats and drinks at The Lodge.
  • Wollman Rink in Central Park, Midtown Manhattan. Enjoy skating in Central Park with the picturesque Manhattan skyline in the background. This year, Wollman Rink is partnering with Culture Pass.
  •  Classic Harbor Line Holiday-Themed Cruises, Manhattan. Enjoy four-course holiday brunch cruises, a Cocoa and Carols cruise and more holiday themes, while sailing across the East and Hudson Rivers with views of the NYC skyline and Lady Liberty.
  • City Cruises Holiday-Themed Cruises, Manhattan. Enjoy a NYC dining cruise (available Christmas Eve, Christmas Day and New Year’s) featuring festive decor, meals and stunning views of the City while sailing across the East and Hudson Rivers from the glass-enclosed deck.
Holidays in New York City: Watching Saks’ light show at Rockefeller Center © Karen Rubin/goingplacesfarandnear.com

FESTIVE HOLIDAY SHOPPING

Holidays in New York City: Bank of America Winter Village at Bryant Park © Karen Rubin/goingplacesfarandnear.com
  • Bank of America Winter Village at Bryant Park, Bryant Park, Manhattan.
  • Shop at Grand Central Terminal, through Dec. 24, Midtown Manhattan. Grand Central Terminal welcomes back its famous indoor Holiday Fair to the splendor of Vanderbilt Hall after a two-year hiatus. The Grand Central Holiday Fair is one of New York City’s most coveted attractions, welcoming thousands of locals, commuters and visitors for a curated holiday shopping and gifting experience. This year’s event features 36 vendors, including Ekologic, Garden of Silver and Rebel Designs.
  • Union Square Holiday Market, throughDec. 24, Union Square, Manhattan. Urbanspace’s longest running holiday market returns with over 160 vendors featuring unique gifts created by local craftsmen, artists and entrepreneurs.
  • Brooklyn Flea Holiday Market, Sundays, through Dec. 24, Dumbo, Brooklyn. Come to Pearl Street for Dumbo’s iconic Brooklyn Flea Holiday Market. One of the borough’s most popular attractions, shoppers support local vendors and cross off holiday shopping with vintage and antique items, crafts and gourmet food stands.
  • Columbus Circle Holiday Market, through Dec. 24, Upper West Side, Manhattan. Known as one of the most elegant places for holiday shopping, visitors will lose themselves in aisles of art, jewelry, home goods and delicious eats from local artisans and designers, with the backdrop of NYC’s iconic Central Park.
Strolling Fifth Avenue is one of the highlights of Holidays in New York City © Karen Rubin/goingplacesfarandnear.com
Strolling Fifth Avenue is one of the highlights of Holidays in New York City © Karen Rubin/goingplacesfarandnear.com

NEW YEAR’S  

Gotta do it at least once in a lifetime: Watch the ball drop on New Year’s Eve in Times Square © Karen Rubin/goingplacesfarandnear.com
  • New Year’s Eve Times Square Ball Drop, Times Square, Manhattan: The Waterford Crystal Times Square New Year’s Eve Ball will sparkle in Times Square all season, but watching its descent in person on New Year’s Eve is a spectacular, once-in-a-lifetime way to ring in the New Year. Guests can also stop by the New Year’s Eve Confetti Wishing Wall from December 1 on to submit (in person and online herefor nye wishing wall) a wish for the New Year on a piece of official NYE confetti that will be dropped at midnight as the ball drops. 
  •  NYRR Midnight Run in Central Park, Midtown Manhattan: Start the new year off on the right—and left—foot at the NYRR Midnight Run. Join the fun and celebrate as 2022 comes to a close; the countdown to 2023 begins at 11:59pm, and at the stroke of midnight, a fireworks display will light up the night sky and kick off the start of the 4-mile race.
  • Coney Island Polar Plunge, January 1, Coney Island, Brooklyn: Each year on January 1, members of the Polar Bear Club and anyone else brave enough to participate venture into the frigid waters at Coney Island. Watch hundreds of daring souls plunge into the Atlantic Ocean, where the temperature of the water hovers right above 40 degrees Fahrenheit and the air temperature can be well below freezing. The event is free, but in lieu of admission, participants are encouraged to donate to community organizations.

For additional holiday celebrations and itineraries, visit nycgo.com/holidays.

For the official source on all there is to see and do in New York City, go to nycgo.com

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Long Island Has New Destination Attraction: Long Island Music & Entertainment Hall of Fame Opens in Stony Brook

Guitarist Randy Jackson, bassist Felix Hanemann and drummer Guy Gelso of Zebra perform under a vintage poster from way back when, at the opening of the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Your eyes open wide as you enter the new, permanent location of the Long Island Music & Entertainment Hall of Fame, housed in a former Ward Melville Historical Organization building in historic Stony Brook Village, and realize the prominent musicians who grew up, got their start, built their careers on Long Island. That is, the whole of Long Island, from Queens and Brooklyn through Nassau and Suffolk.

While the Hall of Fame has been inducting honorees since 2004, this is its first permanent home, so is the first opportunity to really see the breadth and depth of the talent nurtured on the island. And it is so much fun to see the original posters, costumes, musical instruments, memorabilia from inductees including Twisted Sister, Zebra, Blue Oyster, Public Enemy, Vanilla Fudge, even Billy Joel’s actual motorcycle and Joan Jett’s 1983 Jaguar.

Dee Snider, frontman of Twisted Sister, donated 12 costumes that hadn’t been seen in years, designed by Suzette Snyder © Karen Rubin/goingplacesfarandnear.com

Jay Jay French, founding member and bassist of the heavy metal band Twisted Sister, manager and record producer, went so far as to declare, “Without Long Island, Brooklyn and Queens, you got nothing.  The circuit never existed before, and will never exist again.”

Jay Jay French of Twisted Sister; Kevin O’Callahan, Hall of Fame creative director and board member;  and Ernie Canadeo, LIMEHoF chairman © Karen Rubin/goingplacesfarandnear.com

That might be hyperbole, but he can be forgiven when you go up to the second floor, where there is the “Hall of Fame” with plaques and exhibits that recognize over 120 inductees, displayed across the walls the inductees year by year. In fact, you can easily imagine they will soon run out of wall space entirely when beginning next year, they also induct people from television and film. There are also cases chock full of memorabilia such as Perry Como’s Emmy (you have to really search – it’s like an attic).

An eclectic assemblage of memorabilia from Long Island Music and Entertainment Hall of Famers © Karen Rubin/goingplacesfarandnear.com

There are also areas for a library, classrooms for educational programs, and master classes, a surround sound theater, and a gift shop with music and entertainment-themed memorabilia.

Having an actual space means that the Hall of Fame also can present special exhibits.

Created by renowned designer Kevin o’Callaghan, “Long Island’s Legendary Club Scene – 1960s-1980s” is laid out to be like a club crawl, sparking those pangs of nostalgia for those places © Karen Rubin/goingplacesfarandnear.com

Its first exhibit now on display re-creates those cherished clubs. Created by renowned designer Kevin o’Callaghan, “Long Island’s Legendary Club Scene – 1960s-1980s” is laid out to be like a club crawl, sparking those pangs of nostalgia for those places. The exhibit features replicas of clubs – My Father’s Place, The Mad Hatter in Stony Brook, Oak Beach Inn, Malibu in Lido Beach, Speaks in Island Park and Pips Comedy Club in Brooklyn -with videos of artists performing, ads, posters, instruments. There is also a replica of a typical 1960s stage, complete with vintage equipment and sound system (donated by Zebra).

At the opening, guitarist Randy Jackson, bassist Felix Hanemann and drummer Guy Gelso of Zebra performed on that stage with the very sound equipment they used at clubs in the 1970s and donated to the museum (in order to better re-create the sound), and below a poster which showed their 1970s selves. Surreal time warp.

Blue Öyster Cult perform at the opening of the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

Also performing, bassist Joe Bouchard and drummer Albert Bouchard of Blue Öyster Cult, Paula Janis and Carole Demas of “The Magic Garden,” singer/songwriter Elliott Murphy, and Jen Chapin, daughter of Harry Chapin.

The newest honoree in the Hall of Fame, Wayne Robins, had to wait two years (because of COVID) to officially be inducted. At the official opening, Robins, who for more than 50 years has been a leading music and pop culture journalist, waxed nostalgic as he recalled being at Shea stadium for the Beatles Concert, Diana Ross sitting in his lap at her concert at Westbury Music Fair, using fake ID to get into music venues before he was 18. He began his career in 1972 at CBS Records, then writing for Rolling Stone, the New Musical Express, Melody Maker, the Village Voice and Creem Magazine before joining Newsday in 1975 as its pop music writer, where he worked for the next 20 years.

The 2020 inductee to the Long Island Music & Entertainment Hall of Fame is Wayne Robins, a longtime music and culture journalist, who was presented with his award by Norm Prusslin and Chairman Ernie Canadeo © Karen Rubin/goingplacesfarandnear.com
 

Throughout, there are compelling visual elements and artifacts on display. Among the inducted artists who have donated memorabilia, are Billy Joel, Joan Jett, Debbie Gibson, Blue Oyster Cult, Twisted Sister, and the families and estates of Harry Chapin, Guy Lombardo, John Coltraine. Donations include various musical instruments, performance outfits, vintage automobiles and motorcycles, rare posters and photos, and handwritten lyrics.

Jen Chapin, daughter of Harry Chapin, performs at the opening of the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

Dee Snider, frontman of Twisted Sister, donated 12 costumes that hadn’t been seen in years, designed by Suzette Snyder. Suzette was 15 years old when she first met Dee, having borrowed her cousin’s ID to sneak into a show. She designed an outfit – pink with fringes – and created the ‘Twisted Sisters look’.”

Suzette was 15 years old when she first met Dee Snider. She designed an outfit – pink with fringes – and created the “Twisted Sisters look” © Karen Rubin/goingplacesfarandnear.com

The opening night event included performances by guitarist Randy Jackson, bassist Felix Hanemann and drummer Guy Gelso of Zebra, bassist Joe Bouchard and drummer Albert Bouchard of Blue Öyster Cult, singer/songwriter Jen Chapin, Paula Janis and Carole Demas of “The Magic Garden,” singer/songwriter Elliott Murphy, and Jen Chapin.

Rich L’Hommedieu, one of the co-founders of the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

Rich L’Hommedieu, one of the co-founders, said, “The music industry started on Long Island – song sheet sellers came from Manhattan, Jazz musicians who couldn’t afford Manhattan had homes in Queens. Duke Ellington, Louie Armstrong. Then there were the street corner doo wop groups, the hip hop. Garages in suburbia incubated rock bands.

It’s mind-bending to realize how many music groups and musicians have ties to Long Island © Karen Rubin/goingplacesfarandnear.com

In fact, every musical genre is represented among the122  honorees (so far) – there’s Aaron Copland, Brooklyn (2008), Barbra Streisand, Brooklyn (2008), Beverly Sills, Brooklyn (2008), Eddie Palmieri, Queens (2010, George Gershwin, Brooklyn (2006), George M. Cohan, Kings Point (2006), Carole King, Brooklyn (2008), Ervin Drake, Great Neck (2012), Cyndi Lauper, Brooklyn/Queens, (2006), Guy Lombardo, Freeport (2008), Marvin Hamlisch, Westhampton Beach (2008), Morton Gould, Queens/Great Neck (2010, Oscar Brand, Brooklyn/Great Neck (2010), Perry Como, Port Washington (2006), Simon & Garfunkel, Queens (2008), Steve Martin, Long island (2010), Tony Bennett, Queens (2006), Vince Giordano, Brooklyn/Hauppauge (2016), William “Count” Basie, Queens (2008), and Cousin Brucie Morrow, Brooklyn (2018), Arlo Guthrie, Coney Island (2008), LL Cool J, Bayshore (2008) (The full list is mind-blowing.)

It’s mind-bending to realize how many music groups and musicians have ties to Long Island © Karen Rubin/goingplacesfarandnear.com

Among the groups with roots on Long Island: Gary U.S. Bonds; the Lovin’ Spponful; Johnny Maestro & the Brooklyn Bridge; Public Enemy; Salt-N-Pepa; The Ramones; The Shangri-las; The Tokens; Twisted Sister, Vanilla Fudge, Zebra, Blue Oyster Cult, little Anthony and the Imperials

Also among the honorees: My Father’s Place, Dream Theater, WALK 97-5 FM, Westbury Music Fair, Jones Beach theater, Stony Brook University, CSS Security Service.

The idea for the Hall of Fame originated with co-founders Jim Faith, Rich L’Hommedieu and Norm Prusslin, who met at Stony Brook University in the fall of 2003 and by January 2004, launched the nonprofit without any government assistance at all, but with lots of volunteer help.

It was created as a place of community that inspires and explores Long Island music in all its forms. In addition to the Hall of Fame, the organization also offers education programs and scholarships to Long Island students, sponsors the Long Island Sound Award, and features traveling educational exhibits, including a state-of-the-art mobile museum.

Billy Joel’s motorcycle is on view at the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

In 2014, when the Billy Joel Band was inducted into the Long Island Music and Entertainment Hall of Fame, Billy Joel said this in a statement: “After The Stranger was released, people began to recognize that the ‘Long Island Sound’ wasn’t just a body of water.” Indeed, it isn’t. Over the years, Long Island has produced some of the most talented and accomplished musicians and has become a respected music scene.

But, according to the museum’s history, it didn’t start off that way.

In the late 1960s and early 1970s, the Long Island music landscape was rather barren and more of a stepchild to that of New York City, which had become a focal point of the music industry, with recording sudios and iconic music venues such as Max’s Kansas City, Fillmore East, and Electric Circus. Beside some local bars, schools and Westbury Music Fair (which had sporadic star performances, such as Judy Barland in 1967, The Who in 1968 and Bruce Springsteen in 1975), there were few live venues on Long Island.

Paula Janis and Carole Demas of “The Magic Garden” at the opening of the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

According to Norm Prusslin, music historian and a founding member of the Long Island Music and Entertainment Hall of Fame, in the late 1960s Stony Brook University, emerged as an important venue to bring music to Long Island.

FM radio stations began popping up on Long Island, giving national recording artists Long Island airplay, and college radio stations began to showcase Long Island’s burgeoning musicians.

 “Long Island college radio stations were important in bringing to the airwaves local musicians of all genres, and that certainly contributed to Long Island artists getting heard and getting spoken about,” Prusslin stated.

Joan Jett’s jaguar is on view at the Long Island Music & Entertainment Hall of Fame and Museum © Karen Rubin/goingplacesfarandnear.com

At the same time,  Long Island-based publications, such as Good Times magazine, began pioneering local music coverage and talking up Long Island artists. And venues, such as My Father’s Place in Roslyn, brought in a lot of local bands who didn’t have the opportunity for commercial exposure before.

By the early 1980s, some of the commercial radio stations, particularly WLIR and WBAB, began to follow Long Island college radio’s lead, focusing on Long Island artists.

An eclectic assemblage of memorabilia from Long Island Music and Entertainment Hall of Famers © Karen Rubin/goingplacesfarandnear.com

By the early 2000s, Long Island had become a hotbed for upcoming musicians as well as a sophisticated music scene. It now had its own music festivals, such as the Great South Bay Music Festival (established in 2006) and the Long Island Bluegrass Festival (which premiered in 2002), as well as the establishment of music-specific societies and organizations such as the Long Island Blues Society and the Long Island Traditional Music Society.

Co-founder Norm Prusslin reflects on how the Long Island Music and Entertainment Hall of Fame came to be © Karen Rubin/goingplacesfarandnear.com

In August 2003, Prusslin had been reading an editorial in a local music magazine written by Richard L’Hommedieu—who would go on to become the founding chairman of the Long Island Music and Entertainment Hall of Fame—about the new Georgia Music Hall of Fame, which had opened in 1996. L’Hommedieu wrote that it would be great if Long Island had its own music hall of fame.

In January 2004, this enterprising group of founding members including Prusslin, L’Hommedieu, and other music educators, held an event at the Patchogue Theater announcing the creation of “a nonprofit organization that would recognize, honor, and preserve Long Island’s longstanding and diverse music heritage—a heritage that fought its way out of the shadow of New York City and would go on to inspire generations of music lovers.”

The Long Island Music and Entertainment Hall of Fame was born.

“This is your home, your place, personal space, when can come and remember where great music came from on Long Island,” Jay Jay French said. “It’s your legacy.”

LIMEHoF is open Wednesday-Sunday, 12-5 pm. Tickets are $19.50/adult, $17/seniors (65+)/Veterans; $15/students with id, 12 and under free.

Long Island Music & Entertainment Hall of Fame, 97 Main Street, Stony Brook Village, https://www.limusichalloffame.org/.

__________________

© 2022 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com, www.huffingtonpost.com/author/karen-rubin, and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures