One of my favorite ways to bid adieu to the year and begin anew is the annual Concert for Peace at the magnificent Cathedral Church of St. John the Divine,. This is a signature New Year’s Eve event that was founded by Leonard Bernstein in 1984 with the idea of bringing together New Yorkers and visitors from around the world for an evening filled with uplifting music.
This year’s concert, the 33rd Annual Concert for Peace, honored the centennial of Leonard Bernstein’s birth with a performance of two selections from his MASS, Almighty Father and Simple Song, sung by Jamet Pittman, and the magnificent Cathedral Choir and the Cathedral Orchestra under the direction of Kent Tritle, Director of Cathedral Music.
A highlight was the U.S. premiere of “See the Wretched Strangers” by composer Lucas Wiegerink who came up for a bow. The text, written by Shakespeare, is an impassioned commentary on immigration and refugees. “Imagine that you see the wretched strangers./Their babies at their backs and their poor luggage,/Plodding to the ports and coasts for transportation,/And that you sit as kings in your desires…And this your mountainish inhumanity. Imagine.”
It was performed by Amit Farid, piano; Arthur Fiacco, violoncello; Jamet Pittman, soprano; Katie Geissinger, mezzo-soprano; Lee Steiner, tenor; and Enrico Lagasca, bass.
A series of choral songs about our shared Earth continued the theme that has been integral to these concerts of neighborly compassion, inspiring a renewal of hope for the coming year. “Earth teach me to remember kindness./As the dry fields weep with rain./Earth teach me.”
Jason Robert Brown, Tony Award-winning composer and lyricist, performed a new piece which he described as “disco go go girl power anthem” written for an 11-year old named Gabby, called “Invisible.” He was joined by Jesse Warren-Nager, soloist, Gary Sieger, on guitar; Randy Landau on bass; Gabe Violett and Jessica Vosk, back-up vocals.
He also performed, “Hope,” the title and the longing message of a piece he wrote the day after Election Day 2016, out of despair. “When life is crazy and impossible to bear-/It must be there./ Fear never wins./ That’s what I hope,/ See? I said “hope.” The work begins.”
That sense of despair emerged from Judy Collins, Artist in Residence at the Cathedral Church, who fought back that despair by urging “Resist. Resist. Resist. Keep resisting.” She led a mournful, “To Everything, There is a Season, Turn, Turn, Turn” and “Amazing Grace.”
The Right Reverend Clifton Daniel III, the Interim Dean of the Cathedral Church of St. John the Divine, urged, “Pray no one takes for granted out gifts of speech, though, art. Do not take for granted the gifts given by those who came before, or our responsibility to preserve those gifts for the next generation.”
Harry Smith, who has hosted these events for many years, contrasted the celebration of “great leaps forward, when we felt we were moving the earth and its people toward more egalitarianism,” versus other years when there was the backward movement of war and poverty. This year, he added to the list the national scourge of opioids, epic natural disasters, homelessness, refugees.” But a highlight was that women’s voices have been heard as never before, when men were held to account…” But, he said, “Workplaces may be safer, but not equal. But we made an important step forward this year.”
He added, “We fret, worry, obsess over every tweet and prevarication.” But then he described people he met in his travels who have taken matters into their own hands, who are taking action. “People of varying politics and persuasions determined to make lives better. The antidote… is action.”
The evening always concludes with an inspirational lighting of candles – it starts from the back of the enormous hall, and the firelight comes forward until the entire cavernous space glows in the warmth and light.
The Cathedral itself is a marvel. Originally designed in 1888, with construction beginning in 1892, the cathedral has undergone radical stylistic changes and the interruption of the two World Wars. It started out in Byzantine Revival-Romanesque Revival style, but the plan was changed to Gothic Revival in 1909. A major fire on December 18, 2001 caused the cathedral to be closed for repairs until 2008. It remains unfinished with construction and restoration a continuing process – which inside, only adds to the mystique of the place. It boasts being the largest Gothic cathedral, and may be the world’s largest Anglican cathedral and church; it is also the fourth largest Christian church in the world.
The cathedral houses one of the nation’s premier textile conservation laboratories to conserve the cathedral’s textiles, including the Barberini tapestries. The laboratory also conserves tapestries, needlepoint, upholstery, costumes, and other textiles for clients.
There are concerts by the Cathedral Choir and other artists and events throughout the year. Check the website for details.
Fire light. That is the common denominator – seeing life in the orange-red glow of candlelight, a fireplace, a bonfire. One of my favorite holiday events is the Old Bethpage Village Restoration Candlelight Evening, and even the bitter cold could not keep me away.
I arrive in time for the candlelight procession into the village, to the gazebo where an 1840s brass band is playing, despite the bone-chilling cold.
The most wonderful thing about the candlelight evenings at Old Bethpage Village Restoration on Long Island, is yes, the sense of stepping back into time, into an idyllic peacefulness such as finding yourself in a Christmas card. But what I love best are the serendipitous moments when you engage the reenactors in conversation- the questions that arise just because you are immersed in that experience.
At the District No. 6 School House, which dates from c. 1845 in Manhasset, there is traditional fiddle music, played on a period instrument, a 150-year old violin that had been made in Prague, that has no chin rest or frets. We learn about the Manhasset School house – children attended the one-room school house six days a week. Music would have been widespread but there were no real professional musicians in Long Island. The school house would have been the venue for music, entertainment, and various gatherings in the evening. He tells me that all of Nassau County used to be part of Queens County, until the residents wanted to separate from New York City. He performs one of the most popular of his repertoire,“The Dancing Man,” to which his wife maneuvers a fascinating puppet-like toy to dance along.
Music was so important to the people of the mid-19th century, the period which Old Bethpage reconstructs. When you think about it, people could only appreciate music live, in the moment.
At the Hewlett House – a grand home high on the hill, which was built by the founder for which the town of Hewlett is named – Max L. Rowland regals on a banjo, reconstructed to its period, and a concertina and because I ask, he talks about the instruments . He says that in the mid-1800s, the concertina was the most popular instrument around – because it was relatively inexpensive (costing less than a violin), and compact, easy to carry and capable of such rich sound and complexity. It was extremely popular with sailors, who could tuck it away in their gear. Rowland can testify to it: this particular concertina has crossed the sea three times with Rowland, who lives on a boat.
There is also popcorn being made in the kitchen fireplace.
At the beautiful Manetto Hill Church, 1857, a Methodist church that originally was located in Plainview, there is singing and storytelling – the origin of holly (representing male), ivy (representing female), so the two entwined are a symbol of marriage; mistletoe and poinsettias.
The Noon Inn, which dates from 1850 and was owned John H. Noon, innkeeper, in East Meadow, is where you can get hot mulled cider and cookies, and climb the stairs to hear a string ensemble.
At the Luyster Store, which dates from c. 1840 and was built by John B. Luyster, a storekeeper in East Norwich, you see the rare craft of broom making (and can purchase the brooms that are made here). The fellow works on a machine from 1840, and you can see how much physical effort goes into it. He explains that a home would have had 2 brooms per room, or 18 per household; an ordinary broom might have cost 24 cents – but that was equivalent to half-day’s wages, or about $50 today (so his price of $20 is a bargain). This also was an enterprise that farmers would do to make extra money, and they would raise the special wheat (called “corn”) for that purpose. An interesting artifact here is the massive safe.
The Layton House is also the General Store dates from c. 1866 and was built by John M. Layton, a storekeeper. It had originally stood in East Norwich. He was fabulously wealthy as you can see by the large rooms and tall ceilings. Here, in the parlor, I meet Santa Claus who seems relaxed after his trip around the world; later, when I come back, there is a choral group. In the next room is the Layton General Store – the Walmart of its day – where you can purchase candy.
The Benjamin House, dating from 1829, was built for William Benjamin, a minister and farmer in Northville, where there is a bass and violin playing holiday melodies that would have been popular at the time – like Deck the Halls, which was a Welsh melody dating back to the 1600s. We discuss Christmas traditions of the time (gift-giving wasn’t yet a tradition, but Queen Victoria had popularized table-top Christmas trees as a loving gesture to Prince Albert).
I stop into the Conklin House last – this house dates from 1853 and was build by Joseph H. Conklin, a bayman in the village of Branch. It is small and I am surprised to see spinning being done in front of the fireplace where there is a roaring fire (so picturesque). She is so patient in explaining how it is done – how common it would have been for a farm woman to have spent some time in the evening spinning, but there were professional spinners (men) and spinsters (women) – spinning, was in fact, one of the ways a woman could have earned money. By the mid-1800s, though, people were importing finished textiles.
I usually save the Schenck House for last because each year, because it is here that I come upon the most unexpected encounters and find it the most illuminating. Instead of interpreting the holiday traditions of the mid 1800s, the Huntington Militia re-create a Colonial Christmas in the 17th century. The Schenck House dates from 1765, owned by a Dutch farmer. Here, our presenters speak in the style of the time, and celebrate Christmas of 1775.
I am swept into its history. I am transfixed talking with “Ambrose Everyman,” a fellow from 1775, an American of English descent really troubled by North Hempstead’s succession from the Town of Hempstead over the issue of rebellion against the King and Crown. His loyalties are clear. He raises the question over how the colonists are made so dissatisfied with the King – and questions the veracity of the crimes and accusations designed to foment rebellion. He notes that since the first Continental Congress, the Massachusetts faction of the Patriots have banned women from going to the tavern, banned theatrical entertainment – in effect, installed the Puritan societal structure on the colonies.
And because of the “attack against one of the colonies is an attack against us all,” he questions whether the attacks in Lexington and Concord, portrayed as a British massacre, really happened that way. “How do we really know?” he tells me (the original “fake news”?). Mr. Everyman was upset with the upstarts in Massachusetts who caused so much trouble, who dared to pretend to be Indians and toss tea into the sea. He called them cowards for hiding behind their disguise. He said he knew war – had fought in the French and Indian War – but was too old to fight again. If there was a break with England, he says,, his business of building and repairing houses, would be destroyed.
The Town of North Hempstead had recently split from the Town of Hempstead over the issue of whether to support “The Cause” or stay loyal to Mother England. North Hempstead, which had a substantial Dutch population, wanted to break with England, while Hempstead, which was populated mainly by English colonists, wanted to stay.
But, he says, he cannot express his feelings: the local Committee is strictly enforcing its ban on English tea and though it had no force of law, someone who broke faith would be shamed in the Gazetteer as “an Enemy of American Liberty,” would no longer get business, and ultimately be forced out of the community. So he keeps his views to himself. Taxes? What difference does it make to pay taxes to England or taxes to the Congress, he said. And doesn’t England deserve to get repayment for the expense of fighting for the colonies. How would those who would break from England confront the greatest army on earth? Would they get aid from foreign powers like France, when France would want to take over the colonies for itself?
He gives me the sense of what a difficult dilemma this was – the prospect of confronting the most powerful nation the world had never known, the superpower of its time – and how while there had never been consensus (New York patriots fled to Philadelphia), the forcefulness with which the revolutionaries pressed their cause, the violence, a literal civil war within communities.
He goes on to show the group of Candlelight visitors that has gathered how the owner of the House, Martin Schenck, would have celebrated St. Nicholas Day (Dec. 6), when the children put out wooden shoes, filled with a carrot to draw the horse that St. Nicholas rides through the sky on, and leaves them treats – an orange that would have been an expensive treat having been imported from Jamaica, and skates for the young girl, a pull-toy for the baby.
Here at the Schenck House, the Huntington Militia – a group of reenactors – are dressed in the style of the militia of this Revolutionary War era. This year they fire Christmas guns – demonstrating the painstaking task of loading their muskets.
Then, at The Barn on the fairgrounds, there are a model train show, contra dancing, a brass ensemble and a delightful performance of “Scrooge’s Dream” – a condensation of Dickens’ “Christmas Carol.”
This year, the Old Bethpage Candlelight Evenings are only five nights, Dec. 26-30, 5-9:30 pm. Old Bethpage Village Restoration, 1303 Round Swamp Road (Exit 48 of the Long Island Expressway), 516-572-8401; Adults/$10, children 5-12/$7 (under 5 are free); and $7 for seniors and volunteer firefighters.
Take the walk to see the animated windows and the holiday lights at Rockefeller Center (it’s best after 5 pm in the dark): My route typically starts at Macy’s on 34th Street, then up to Fifth Avenue to visit Lord & Taylor’s (both of these have nostalgic New York City themes this year), then up to Saks Fifth Avenue (celebrating the 80th anniversary of Snow White, with a light show that covers the entire building with Disney music) and Rockefeller Center, then up to Bergdorf Goodman (stunning displays that pay homage to New York City’s iconic institutions including the New-York Historical Society and the American Museum of Natural History.
Come walk with me:
Start at Macy’s at 34th Street, with displays along 34th Street and Broadway (amazingly, in the days before Christmas, the store is open until midnight; check schedule).
Macy’s theme this year is a nostalgic peek at New York City in miniature, with a doll house that opens; scenes of the Roosevelt Island cable cars and New York trains, in addition to its time-honored, traditional windows along 34th Street based on an actual child’s letter to the editor of the New York Sun in 1897 asking “Is there a Santa Claus?” with the reply, “Yes Virginia, there is a Santa Claus.”
Walk up to Fifth Avenue, then north up to 38th Street to Lord & Taylor. This venerable store takes its holiday windows cue from the Hallmark Channel with whimsical scenes.
Continuing on, you pass the regal edifice of the 42nd Street Public Library, with its famous lions bedecked with holly wreaths for the holiday. If you come early enough, you should stop in; there is always a wonderful exhibit.
Continuing up Fifth Avenue by 49th Street, the crowds begin to get so thick, they are impassable, but people are courteous and kind to each other, and you make your way toward Rockefeller Center and directly across, Saks Fifth Avenue.
I watch the first light show that spans the entire front of Saks’ building from 49th Street corner, diagonally across. It’s a Disney theme this year, with Disney music, paying homage to the 70th Anniversary of Snow White.
I inch my way through the crowds to Rockefeller Center, getting a view of the famous tree above the ice skating rink, and the row of angels. This is also the best place to watch the Sound & Light show on Saks Fifth Avenue’s facade.
Rockefeller Center is the epicenter for Christmas in New York – the Christmas tree, ice skating on one of the most iconic rinks in the world (therinkatrockcenter.com), ringed by giant Nutcrackers and holiday garlands and a veritable parade of angels. Perhaps little known, there are delightful eateries and shops inside at rink level.
I don’t visit Saks’ windows yet, but instead, continue on up Fifth Avenue, passing by St. Patrick’s Cathedral, and such iconic places as Cartier’s, with its famous red bow, and Tiffany’s, and the giant lighted crystal star in the middle of the crossroads of 57th Street and Fifth.
I come to Bergdorf Goodman’s, still so elegant, and once again, with the most imaginative and magnificently designed windows. This year, the windows pay homage to iconic New York City institutions including the New-York Historical Society, American Museum of Natural History, Museum of the Moving Image, New York Philharmonic and New York Botanical Gardens.
Just across the street, I take a peek at the view of the Plaza Hotel before reversing direction.
Coming back, I walk along Fifth Avenue, stop in at St. Patrick’s Cathedral, and cross the street to queue up to walk by the Saks Fifth Avenue windows, with the scenes of Snow White.
When I get to 42nd Street and the Public Library, I turn up toward 6th Avenue, to walk through the fantastic Christmas market that takes over Bryant Park with small boutique shops and eateries. There is a wonderful skating rink with its own Christmas tree. Indeed, Bryant Park has become one of the most festive places to visit in the city during the holidays.
An estimated 3.5 million people were on hand for the 91st Annual Macy’s Thanksgiving Parade, amid perfect blue-skies day. Many had staked out their place along the parade route by 4 am, bundling up in the 30-degree temperature, which thankfully warmed up when the parade got going and the sun streamed across Central Park.
Macy’s CEO Jeff Gennette along with NBC TV’s Al Roker, surrounded by a few of the 1,000 clowns and 10,000 participants, to cut the ribbon.
New this year: a Singing Christmas Tree populated with 125 Macy’s employees, which Gennette said would become a new tradition for the parade.
Fan favorites include the population of giant character balloons, now expanded to 17 with the addition this year of four giant characters: Olaf from Disney’s “Frozen,” Illumination presents Dr. Seuss’ The Grinch, Jett from Super Wings™ and PAW Patrol, plus 28 legacy balloons, balloonicles, balloonheads and trycaloons.
The balloon line-up also featured the return of Harold the Baseball Player, a legacy Macy’s character prominently featured in Twentieth Century Fox’s iconic holiday film classic “Miracle on 34th Street.” In celebration of the film’s 70th anniversary, the Harold heritage balloon was for this year’s Parade, painted in hues of black, white and grey, to look exactly as it did on-screen during a memorable scene in the 1947 film. In addition to Harold, the famed spokesduck, the Aflac Duck, debuted as an all-new balloonicle (a Macy’s Parade innovation of hybrid cold-air balloon and vehicle).
Returning giant balloon characters included Angry Birds’ Red; Charlie Brown; Diary of a Wimpy Kid®; Sinclair’s Dino®; the Elf on the Shelf®; Hello Kitty®; Ice Age’s Scrat and His Acorn; Pikachu™; Pillsbury Doughboy™; Red Mighty Morphin Power Ranger; Ronald McDonald®; SpongeBob SquarePants; and DreamWorks’ Trolls.
The balloons became a feature of the Macy’s parade after just the first three years of the parade, which began in 1924 by some Macy’s employees, who brought live animals. But by 1927, the live animals were considered a nuisance and replaced (except for New York City mounted police, followed by a team of sanitation workers who receive as loud a cheer) by the giant balloons, one of the famous unique features of the parade.
This year five new floats debuted including Everyone’s Favorite Bake Shop by Entenmann’s® (Sara Evans), Harvest in the Valley by Green Giant® (Lauren Alaina), Parade Day Mischief by Sour Patch Kids® Candy (Nicky Jam), Shimmer and Shine by Nickelodeon (Jojo Siwa) and Universal Playground by Sprout® (Angelica Hale).
The returning float roster, for a total of 26 floats, which also carry the celebrities and entertainers, included 1-2-3 Sesame Street by Sesame Street (Leslie Odom Jr. and the cast and Muppets of “Sesame Street“); The Aloha Spirit by King’s Hawaiian (Goo Goo Dolls), Big Apple by N.Y. Daily News (Bebe Rexha); Big City Cheer! by Spirit of America Productions (Miss America 2018 Cara Mund); Building a Better World by Girl Scouts of the USA (Andra Day and Common); The Colonel’s Road Trip to NYC by Kentucky Fried Chicken (Dustin Lynch); The Cranberry Cooperative by Ocean Spray®; Deck the Halls by Balsam Hill® (Olivia Holt); Discover Adventure! by Build-A-Bear (Sabrina Carpenter); Frozen Fall Fun by Discover®/NHL (Wyclef Jean) and NHL Hockey Hall of Famers Ray Bourque & Bryan Trottier); Fun House by Krazy Glue® (Flo Rida); Heartwarming Holiday Countdown by Hallmark Channel (98 Degrees); It’s All Rock & Roll by Gibson Brands (Jimmy Fallon & The Roots); Mount Rushmore’s American Pride by South Dakota Department of Tourism (Smokey Robinson); On The Roll Again by Homewood Suites by Hilton® (Andy Grammer); Santa’s Sleigh; Snoopy’s Doghouse by Peanuts Worldwide; Stirrin’ Up Sweet Sensations by Domino® Sugar (Cam); Teenage Mutant Ninja Turtles by Nickelodeon (Kat Graham); and Tom Turkey featuring Bravo’s Top Chef (Padma Lakshmi, Tom Colicchio).
Designed and created by the incredible artists of Macy’s Parade Studio, which include carpenters, painters, animators, sculptors, metal fabricators, scenic/costume designers and electricians, this year’s line-up of floats sets an unparalleled stage for entertainment. The painstaking process of creating a Macy’s Parade float is both a creative and technical endeavor. Macy’s Parade floats are often three-stories tall and several lanes of traffic wide, but must collapse to no more than 12½-feet tall and 8-feet wide in order to travel safely from the New Jersey home of the Parade Studio, to the Manhattan starting line via the Lincoln Tunnel each Thanksgiving eve. These creations are not only works of art, but also engineering marvels.
Marching bands bring a national excitement and hometown pride to the streets of the Big Apple, not to mention the musical beat to the holiday revelry. The 12 performance ensembles that marched this year came from as far as Palmer, Alaska (Colony High School), and as near as Trumbull, Conn. (Trumbull High School), and also included Davis High School (Kaysville, Utah), Rosemount High School (Rosemount, Minn.), West Harrison High School (Gulfport, Miss.), Rockford High School (Rockford, Mich.), Ohio University (Athens, Ohio), Nation Ford High School (Fort Mill, S.C.), Prairie View A&M University (Prairie View, Texas), the United States Air Force Band and Honor Guard, Macy’s Great American Marching Band (United States) and the NYPD Marching Band (New York, NY).
Specialty Parade Entertainment
Specialty Parade entertainment always provides an exciting and sometimes humorous look at the nation’s finest performance groups. Returning to the line-up this year are the dancers and cheerleaders of Spirit of America Dance Stars and Spirit of America Cheer. These groups combined feature more than 1,000 of the nation’s very best performers recruited from small towns and big cities.
Adding to the dance floor revelry was 34th & Phunk, a special group commissioned and produced by Macy’s with organizers from the United States Tournament of Dance. Choreographed by the legendary artist Willdabeast Adams and acclaimed dancer Janelle Ginestra, 34th & Phunk will be a one-of-a-kind hip-hop dance crew featuring performers of all ages and from all walks of life, who have a passion for dance and precision movement. The talented kids of Camp Broadway this year auditioned and were selected dancers/singers from military bases around the nation and paid tribute to America with their performance.
Rounding out the performance group list are the zany Red Hot Mamas (Post Falls, Idaho) who delivered their signature humorous take on the holiday season, along with the whimsical stars of the Big Apple Circus (New York, NY).
Iconic symbols of thanksgiving – The giant turkey, Pilgrim Man and women lead the parade. Finally, the most stupendous float of all: Santa Claus with his elves and reindeer ushering in Christmas. A shout turns into a rolling cheer, children and parents scream and raise their arms as he passes.
The Macy’s Parade has become the launch for the winter holiday season not just for New Yorkers, but for the entire nation. The television broadcast is watched by some 50 million.
NEW YORK –This Thanksgiving, a magical march returns to the streets of New York City and to homes across the U.S. as the 91st Annual Macy’s Thanksgiving Day Parade® kicks off the holiday season with its signature spectacle of wonder. On Thursday, Nov. 23 (9 a.m.-noon in all time zones), the streets of Manhattan fill with the sound of “Let’s Have a Parade!” Matt Lauer, Savannah Guthrie and Al Roker of NBC’s “Today” will host the broadcast. Telemundo will simulcast the parade in Spanish, with the event hosted by Carlos Ponce, Jessica Carrillo and Karim Mendiburu.
But the night before, the streets around the Museum of Natural History on Central Park West are literally flooded with hundreds of thousands of people coming to delight in seeing the massive balloons – 17 giant character balloons and 28 legacy balloons, balloonides, balloonheads and trycaloons, being inflated by hundreds of volunteers.
New York City Mayor Bill DiBlasio spoke of how iconic the Macy’s Thanksgiving Parade and the Balloon Inflation events have become, and how the parade not only kicks off the holiday season for the city, but the entire nation.
“It’s an example of what makes New York City great – hundreds of thousands here tonight, tomorrow millions, and it comes off flawlessly,” Mayor DiBlasio said. “It takes a lot of work, and working together. New York City is a beacon to the world – we have people of every background, faith, nationality, in harmony, giving thanks together.
“This is a beautiful event that happens because we’re safe. Every year, the NYPD does more to keep us safe. We live in a dangerous world. We have the strongest anti-terrorism capacity of any police force in thecountry. You will see a lot of officers so people feel good, confident, calm.
“There has been no credible or specific threat against New York or the parade. But we have precautions in place. Everyone needs to help: if you see something, say something.”
Acknowledging the terror attack that took place on Halloween in which 8 people lost their lives, he said, “That attack was an attempt to under our values, our democracy. It failed. Everyone is out, enjoying this great celebration. It is important to show how it failed.
NYPD commissioner James O’Neill said that there will be 36,000 police out on the streets, criticial response teams, mounted police, long-gun teams. “This is the reality of 2017. We have 2000 more officers on patrol than last year.”
Macy’s CEO Jeff Gennette noted that the parade started almost a century ago by employees who wanted to do something for their families and local people. For the 91st edition, the line-up will feature 17 giant character balloons; 28 legacy balloons, balloonicles, balloonheads and trycaloons; 26 floats; 1,100 cheerleaders and dancers; more than 1,000 clowns; 12 marching bands; and 6 performance groups.
A special float by Delta Air Lines will debut to commemorate the season of togetherness with the gift of song, as more than 125 Macy’s employees gather to form a one-of-a-kind cross-generational choir aboard the Macy’s Singing Christmas Tree.
“It’s the beginning of a new tradition.” Gennette said.
Here are highlights from the Balloon Inflation:
Here’s more of what to look for in the Parade:
The star power on parade will once again feature some of the nation’s most riveting performers. Taking to the streets of New York City on board one of Macy’s signature floating stages and thrilling the nation with their performances at Herald Square will be 98 Degrees, Lauren Alaina, Cam, Sabrina Carpenter, Andra Day & Common, Sara Evans, Jimmy Fallon & The Roots, Flo Rida, Goo Goo Dolls, Kat Graham, Andy Grammer, Angelica Hale, Olivia Holt, Nicky Jam, Wyclef Jean, Bravo’s Top Chef stars Padma Lakshmi & Tom Colicchio, Dustin Lynch, Miss America 2018 Cara Mund, Leslie Odom Jr. and the cast & Muppets of Sesame Street, Bebe Rexha, Smokey Robinson, Jojo Siwa and more.
On 34th Street, Broadway’s best shows will take a star turn in front of Macy’s famed flagship with special performances from the casts of “Anastasia,” “Dear Evan Hansen,” “Once On This Island” and “SpongeBob SquarePants – The Broadway Musical.” In addition, the show-stopping Radio City Rockettes® will bring their signature high-kicking magic to Herald Square.
“The Macy’s Thanksgiving Day Parade is one of our great holiday traditions and we’re thrilled to be able to once again bring the pageantry and spectacle to viewers across the country,” said Doug Vaughan, Executive Vice President, Special Programs and Late Night, NBC Entertainment. “We can’t wait to see all the balloons, floats and high-end entertainment that have become such an integral part of this wonderful event.”
“For more than 90 years, Macy’s Thanksgiving Day Parade has signaled the start of the holiday season for millions of families. We are thrilled to once again come together as a nation to give this gift of joy and wonder to all,” said Susan Tercero, group vice-president of Macy’s Thanksgiving Day Parade. She added, “Our incredible team has planned a fantastic spectacle featuring an amazing line-up of giant character balloons, floats of fantasy, the nation’s best marching bands and performance groups, a dazzling array of musical artists, all coming together to herald the arrival of the one-and-only Santa Claus.”
The Macy’s Parade is always a unique multi-level, magical march that provides spectators with different experiences, whether they watch it on television with friends and family or scout the perfect spot on the route to watch it unfold live. To give fans another unique viewing opportunity, Macy’s, along with NBCUniversal and Verizon will once again take viewers closer to the magic via up close and personal views of the event through a 360-degree livestream of the parade on Verizon’s YouTube page. The stream, found at www.youtube.com/verizon, will be synced with the start of the Parade.
Taking flight on Turkey Day will be the Parade’s signature giant character helium balloons. Since their introduction in 1927, these giants of the sky have featured some of the world’s most beloved characters. This year four giant characters will debut, including Olaf from Disney’s “Frozen,” Illumination presents Dr. Seuss’ The Grinch, Jett from Super Wings™ and PAW Patrol®.
The balloon line-up will also feature the return of Harold the Baseball Player, a legacy Macy’s character prominently featured in Twentieth Century Fox’s iconic holiday film classic “Miracle on 34th Street.” In celebration of the film’s 70th anniversary, the Harold heritage balloon has been recreated for this year’s Parade, painted in hues of black, white and grey, to look exactly as it did on-screen during a memorable scene in the 1947 film. In addition to Harold, the famed spokesduck, the Aflac Duck, will debut as an all-new balloonicle (a Macy’s Parade innovation of hybrid cold-air balloon and vehicle) and is sure to have fans quacking with joy and laughter down the route.
Returning giant balloon characters include Angry Birds’ Red; Charlie Brown; Diary of a Wimpy Kid®; Sinclair’s Dino®; the Elf on the Shelf®; Hello Kitty®; Ice Age’s Scrat and His Acorn; Pikachu™; Pillsbury Doughboy™; Red Mighty Morphin Power Ranger; Ronald McDonald®; SpongeBob SquarePants; and DreamWorks’ Trolls.
Floating down the route this Thanksgiving, the Parade’s signature floats transport spectators to worlds of wonder. Designed and created by the incredible artists of Macy’s Parade Studio, which include carpenters, painters, animators, sculptors, metal fabricators, scenic/costume designers and electricians, this year’s line-up of floats sets an unparalleled stage for entertainment. The painstaking process of creating a Macy’s Parade float is both a creative and technical endeavor. Macy’s Parade floats are often three-stories tall and several lanes of traffic wide, but must collapse to no more than 12½-feet tall and 8-feet wide in order to travel safely from the New Jersey home of the Parade Studio, to the Manhattan starting line via the Lincoln Tunnel each Thanksgiving eve. These creations are not only works of art, but also engineering marvels.
This year five new floats will debut including Everyone’s Favorite Bake Shop by Entenmann’s® (Sara Evans), Harvest in the Valley by Green Giant® (Lauren Alaina), Parade Day Mischief by Sour Patch Kids® Candy (Nicky Jam), Shimmer and Shine by Nickelodeon (Jojo Siwa) and Universal Playground by Sprout® (Angelica Hale).
The returning float roster includes 1-2-3 Sesame Street by Sesame Street (Leslie Odom Jr. and the cast and Muppets of “Sesame Street“); The Aloha Spirit by King’s Hawaiian (Goo Goo Dolls), Big Apple by N.Y. Daily News (Bebe Rexha); Big City Cheer! by Spirit of America Productions (Miss America 2018 Cara Mund); Building a Better World by Girl Scouts of the USA (Andra Day and Common); The Colonel’s Road Trip to NYC by Kentucky Fried Chicken (Dustin Lynch); The Cranberry Cooperative by Ocean Spray®; Deck the Halls by Balsam Hill® (Olivia Holt); Discover Adventure! by Build-A-Bear (Sabrina Carpenter); Frozen Fall Fun by Discover®/NHL (Wyclef Jean) and NHL Hockey Hall of Famers Ray Bourque & Bryan Trottier); Fun House by Krazy Glue® (Flo Rida); Heartwarming Holiday Countdown by Hallmark Channel (98 Degrees); It’s All Rock & Roll by Gibson Brands (Jimmy Fallon & The Roots); Mount Rushmore’s American Pride by South Dakota Department of Tourism (Smokey Robinson); On The Roll Again by Homewood Suites by Hilton® (Andy Grammer); Santa’s Sleigh; Snoopy’s Doghouse by Peanuts Worldwide; Stirrin’ Up Sweet Sensations by Domino® Sugar (Cam); Teenage Mutant Ninja Turtles by Nickelodeon (Kat Graham); and Tom Turkey featuring Bravo’s Top Chef (Padma Lakshmi, Tom Colicchio).
Drum Roll, Please…
Marching bands are a central piece of the Thanksgiving delights, bringing national excitement and hometown pride to the streets of the Big Apple, not to mention the musical beat to the holiday revelry. Twelve performance ensembles will take up the call of the baton and march down the streets of Manhattan. This year’s bands include Colony High School (Palmer, Alaska), Davis High School (Kaysville, Utah), Rosemount High School (Rosemount, Minn.), West Harrison High School (Gulfport, Miss.), Rockford High School (Rockford, Mich.), Ohio University (Athens, Ohio), Nation Ford High School (Fort Mill, S.C.), Trumbull High School (Trumbull, Conn.), Prairie View A&M University (Prairie View, Texas), the United States Air Force Band and Honor Guard, Macy’s Great American Marching Band (United States) and the NYPD Marching Band (New York, NY).
Specialty Parade entertainment always promises a unique, exciting, and sometimes humorous look at the nation’s finest performance groups. Returning to the line-up this year are the dancers and cheerleaders of Spirit of America Dance Stars and Spirit of America Cheer. These groups combined feature more than 1,000 of the nation’s very best performers recruited from small towns and big cities. Days before Thanksgiving, they will gather for the first time in NYC, ahead of their once-in-a-lifetime national spotlight. Adding to the dance floor revelry will be 34th & Phunk, a special group commissioned and produced by Macy’s with organizers from the United States Tournament of Dance. Choreographed by the legendary artist Willdabeast Adams and acclaimed dancer Janelle Ginestra, 34th & Phunk will be a one-of-a-kind hip-hop dance crew featuring performers of all ages and from all walks of life, who have a passion for dance and precision movement. Bringing a Broadway flair to the spectacle will be the talented kids of Camp Broadway, who this year have auditioned and selected dancers/singers from military bases around the nation, and who will pay tribute to America with their performance. Rounding out the performance group list are the zany Red Hot Mamas (Post Falls, Idaho) who will deliver their signature humorous take on the holiday season, along with the whimsical stars of the Big Apple Circus (New York, NY).
This year the magic of Macy’s iconic balloons and Parade artistry will head south for the winter to give fans an up close and personal experience for the holidays. Starting on Saturday, Nov. 18, Universal Orlando Resort’s destination-wide Holidays celebration begins, featuring the all-new “Universal’s Holiday Parade featuring Macy’s.” This one-of-a-kind experience is where merry and mayhem mesh to create a fantastic treat for park guests that features more than 15 incredibly detailed floats, colorful stilt-walkers and characters, and a specially created cast of all new Macy’s balloons that you can’t see anywhere else. Universal’s Holiday Parade featuring Macy’s will run daily from Nov. 18 through Jan. 6.
The 91st Annual Macy’s Thanksgiving Day Parade will begin at 9 a.m. from 77th Street and Central Park West. The procession will march to Columbus Circle, turn onto Central Park South and march down 6th Avenue/Avenue of the Americas. At 34th Street, the Parade will make its final turn west and end at 7th Avenue in front of Macy’s Herald Square. “A Holiday Treat for Children Everywhere” has been the guiding motto of this annual tradition for more than nine decades and is the mandate that continues to this day.
The Macy’s Thanksgiving Day Parade broadcast is produced by the Emmy Award-winning Brad Lachman Productions. Brad Lachman serves as executive producer, Bill Bracken will co-executive produce and Ryan Polito directs.
For more information on the Macy’s Thanksgiving Day Parade, visit www.macys.com/parade or call the Parade hotline at 212-494-4495. Follow @macys on various social networks and join the conversation using #MacysParade.
New York City’s most magical time of the year, the winter holiday season, is already underway with the annual Macy’s Thanksgiving Day Parade, continues with the iconic Christmas Tree lighting ceremony at Rockefeller Center, and constantly delights with festivals, special events and attractions, and all the dazzle of holiday decorations right through New Year’s Day.
Throughout the season, each of the city’s five boroughs welcome multicultural guests to participate in local observances of diverse holidays. Secular activities include unforgettable department store windows, artisanal markets to explore, plus attractions and cultural draws. The season concludes by welcoming in the New Year with lesser-known fireworks at Prospect Park in Brooklyn and, of course, the unforgettable New Year’s Eve ball drop in Times Square.
“New York City is a sight to behold during the festive annual holiday season—it’s a time of year when world-class hotels, attractions and shops sparkle and shine brighter, offering six million global visitors a truly memorable travel experience,” said Fred Dixon, President and CEO of NYC & Company, the official destination marketing organization for the City of New York.
Here’s an overview of what to see and do by borough:
The 91st Macy’s Thanksgiving Day Parade—featuring larger-than-life helium balloons, performances by the casts of Broadway musicals, select marching bands from across the nation and celebrity appearances—kicks off the holiday season on November 23. (macys.com). (Macy’s iconic Thanksgiving Parade that kicks off the winter holiday season actually starts the night before, with a gigantic blow-up event that has become a major festival experience, drawing tens of thousands of onlookers on the streets around the American Museum of Natural History and Central Park West. This year, the event takes place from 1-8 pm; entrance is at 74th Street.)
The Rockefeller Center Christmas tree lighting ceremony, an iconic symbol of the holidays in New York City, takes place on November 29. The tree remains lit through January 7. (rockefellercenter.com).
The Rockettes high-kick their way into the festive season, as the Christmas Spectacular Starring the Radio City Rockettes returns November 10–January 1. The production dazzles audiences with extravagant costumes and fan favorites. Of note, families should mark their calendars for November 26, the inaugural Party City Kid’s Day, featuring pre-show activities to enthrall kids of all ages (rockettes.com).
November 30–January 5, the annual Brookfield Luminaries experience in the Winter Garden at Brookfield Place is reimagined. From 8am–10pm daily, visitors can “send” a wish from one of three stations to the canopy of hundreds of lanterns above, transforming the wish into a mesmerizing display of colors (brookfieldplaceny.com).
The City’s famed window displays are a must-see over the holidays. WindowsWear operates daily tours, which begin at Macy’s in Herald Square and journey up Fifth Avenue, passing the Empire State Building, Bryant Park, Rockefeller Center, Central Park and more. In previous years, holiday tours have taken place between Thanksgiving and New Year’s Eve (windowswear.com). Our favorite walking route starts with Macy’s at 34th Street, moves to Fifth Avenue for Lord & Taylor, Saks Fifth Avenue, and Bergdorf Goodman on 57th Street. (Barneys and Bloomingdale’s also have window displays).
The New York Transit Museum Gallery Annex and Store at Grand Central Terminal is back with its 16th Annual Holiday Train Show. Lionel trains travel through a two-level, 34-foot-long miniature New York City and countryside scene. Vintage trains from the museum’s collection travel to the diorama’s North Pole from November 16 to February 4 (grandcentralterminal.com).
At Harlem’s legendary Apollo Theater, the 11th annual Kwanzaa Celebration, Regeneration Night, is December 30. The Apollo’s celebration honors family, community and culture through a joyful evening of dance and music (apollotheater.org).
Alvin Ailey American Dance Theater’s holiday engagement at New York City Center takes place from November 29 to December 31. Artistic Director Robert Battle leads the company of 32 in more than two dozen dynamic works and a series of special performances. Unique to the season are world premieres of Members Don’t Get Weary and Victoria, plus a New Year’s Eve Season Finale (alvinailey.org).
Louis Vuitton presents Volez, Voguez, Voyagez – Louis Vuitton October 27–January 7 at the former American Stock Exchange building in Lower Manhattan. Curated by Olivier Saillard and designed by Robert Carsen, the free exhibit retraces the adventure of the House of Louis Vuitton from 1854 to the present. One of the show’s 10 chapters is entirely devoted to the United States and New York City. (vvv-new-york-louisvuitton.com)
Holiday favoriteELF The Musical is in performance at the Theater at Madison Square Garden for a limited engagement. Back by popular demand, the production runs December 13–29 (theateratmsg.com).
The Metropolitan Opera presents a family-friendly holiday extravaganza, The Magic Flute. Directed by Julie Taymor (The Lion King), the abridged English language presentation is a great introduction to opera for children. Additionally, those attending the December 29 and 30 performances will be invited to participate in activities, including opera-themed “dress-up” and “show-and-tell” (metopera.org).
The Metropolitan Museum of Art once again lights a 20-foot blue spruce above an 18th-century Neapolitan nativity scene, in the museum’s Medieval Sculpture Hall. The Exhibit of the Crèche is a long-standing holiday highlight for New Yorkers and global visitors and is available to view November 21–January 7 (metmuseum.org).
Visitors can enjoy one of the City’s many outdoor skating rinks that open in October through the holiday season, such as the Rink at Rockefeller Center (therinkatrockcenter.com), Wollman Rink in Central Park (wollmanskatingrink.com) and Bank of America Winter Village at Bryant Park (wintervillage.org). The Rink at Brookfield Place opens November 1 (gpice.com).
The New York City Ballet presents George Balanchine’s The Nutcracker, one of the most beloved and anticipated holiday classics, November 24–December 31 at Lincoln Center (nycballet.com).
Other favorite venues to get into the Christmas Spirit: Bryant Park, with its massive Christmas tree, ice skating rink, festive holiday markets, cafes, and carousel (wintervillage.org) has become one of the city’s iconic holiday places.
Besides Bryant Park, there are holiday markets at Union Square, Columbus Circle, and Grand Central Terminal.
Visiting St. Patrick’s Cathedral on Fifth Avenue is a highlight of the holidays and it is remarkable that you can just walk in and enjoy an inspirational service, but a particularly favorite place is St. Thomas Church (5th Avenue and 53rd Street, www.saintthomaschurch.org), which is famous for the Saint Thomas Choir of Men and Boys, and its annual performances of Handel’s Messiah (Dec. 5, 7). Also this year, “A Ceremony of Carols” by Benjamin Britten (Dec. 14). (Purchase tickets, www.saintthomaschurch.org/music/concerts); also take a tour of this magnificent edifice, built in 1913 in the French High Gothic style.
There are also wonderful holiday concerts at historic Town Hall (123 W. 43 St., thetownhall.org).
The New York Botanical Garden’s cherished Holiday Train Show is a twinkling display of model trains traveling through a miniature landscape of 150+ iconic city structures. The 26th annual iteration spotlights Midtown Manhattan, with new versions of the Empire State Building, Chrysler Building, General Electric Building and St. Bartholomew’s Church, on view November 22–January 15 (nybg.org).
Families can enjoy making special holiday-themed crafts during the Holiday Workshop Weekend at Wave Hill, December 9–10 and can take home their very own natural wreaths, treasure boxes and other great keepsakes (wavehill.org).
In Downtown Brooklyn, the Brooklyn Ballet’s Nutcracker is an iteration of the holiday classic. It fuses ballet, hip-hop and various dance genres, plus reimagines Nutcracker characters and scenes to represent Brooklyn neighborhoods, such as Old Dutch Brooklyn and Flatbush Avenue. Performances are December 7–9, 11 and 13–16 (brooklynballet.org).
In Park Slope, Grand Army Plaza hosts nightly lightings of the Largest Menorah (32 feet tall) from December 12 to 19 during Hanukkah. A must-see in this location since 1984, there are concerts, gifts for children and celebrations each day through the festival of lights (largestmenorah.com).
Rounding out the season in Brooklyn, the Prospect Park Alliance presents annual fireworks at Grand Army Plaza to start the New Year. The best places for viewing are along Prospect Park’s West Drive and between Grand Army Plaza and 9th Street (prospectpark.org).
The Gingerbread Lane at New York Hall of Science is open from November 11 to January 14. Hopeful for the fifth straight title of Largest Gingerbread Village from Guinness World Records, over 1,000 handmade gingerbread houses and structures are on display (nysci.org).
Astoria Market Bohemian Hall offers holiday shopping December 3, 10 and 17. Featuring vintage finds, plus local artisanal wares and crafts, it’s the perfect destination for sourcing eclectic presents. The venue also offers delicious desserts and pastries from local bakers (astoriamarket.com).
The tradition continues with A Christmas Carol at Queen’s Theatre. Scrooge and the Spirits of Christmas past, present and future are in residence in the borough December 8–22, thanks to Charles Dickens and Titan Theatre Company (queenstheatre.org).
The first ever Winter Wonderland SI at Richmond County Bank Ballparkwill feature ice-skating, rides, games, a 34-vendor holiday market and more. Conveniently located steps from the Staten Island Ferry. At dusk each evening, there is a holiday light and sound show, and the Igloo Bar is a draw for adult attendees, featuring holiday cocktails and live entertainment (winterwonderlandsi.com).
A classic holiday tradition continues with the 14th Annual St. George Theatre Christmas Show December 8–10. Just steps from the Staten Island Ferry, this historic theater’s two-hour production features over 100 actors, a live orchestra and numerous holiday standards set in locales from the North Pole to Staten Island (stgeorgetheatre.com).
Midtown NYC Showcases ‘New’ NYC
Midtown NYC showcases the “new” NYC and this holiday season is an ideal time to experience new attractions:
Gulliver’s Gate, housed in the former New York Times building on West 44th Street between Seventh and Eighth Avenues, features over 300 miniature buildings and models of iconic global landmarks. A full city block wide, the attraction is a technologically advanced, interactive and immersive world that ignites the imagination of visitors young and old (gulliversgate.com).
National Geographic Encounter: Ocean Odyssey , which opened in October, is an immersive experience in Times Square (West 44th Street, between Seventh and Eighth Avenues) that uses ground-breaking technology to transport guests on an incredible underwater journey across the Pacific Ocean (natgeoencounter.com).
Beginning in November, NFL Experience Times Square, a new attraction on the corner of 47th Street and Seventh Avenue, immerses visitors in the physical challenges of professional NFL athletes. Visitors enter as a fan, become a player and leave a champion on this hero’s journey (nflexperience.com).
New Broadway musicals will entertain guests over the holiday season. Visitors can see all current and upcoming shows at nycgo.com/broadway. Highlights include SpongeBob, sure to be a hit with families and nostalgic millennials alike, and The Band’s Visit, an artistic new work starring Tony Shalhoub, among others (spongebobbroadway.com, thebandsvisitmusical.com).
In celebration of the holiday season, this short video produced by NYC & Company captures the City’s festive essence. For a full holiday guide to NYC and more information about booking a trip to NYC this holiday season, visit nycgo.com/holidays.
The holidays are a perfect time to see a show. Broadway performs every day of the week at multiple curtain times to accommodate every schedule, including holidays. During Thanksgiving and Christmas weeks, some shows are changing their performance schedules.
“During the most wonderful time of the year, theatergoers can rely on Broadway to help them celebrate by fitting a show into their holiday plans,” says Charlotte St. Martin, President of The Broadway League. “With special matinees and evening performances, Broadway provides many additional opportunities to see a production. From comedies to dramas, old favorites and new, there are so many choices that there’s something for everyone throughout the Thanksgiving and holiday weeks.”
During Thanksgiving week, some shows will play on Thanksgiving Day, and many will play Friday matinees. Fourteen shows will be playing on Christmas Day! During Christmas week, alternate curtain times will also include Friday matinees and evening performances. Check Broadway.org to see the holiday performance schedules and easily find out where and when shows are playing.
The results are in: Darkest Hour, a new film starring Gary Oldham as Winston Churchill, is the winner of Best Narrative Film at the 7th Annual Gold Coast International Film Festival. Best Documentary award was a tie: Underfire: The Untold Story of PFC Tony Vaccaro, the World War II soldier turned war photographer, who attended the sell-out screening, and the Long Island premiere of Dare to Be Different, about WLIR 92.7, the influential Long Island radio station on the cutting edge of music in the 1980s.
In all, the festival, now in its 7th year, screened more than 80 films from 12 countries – 36 of them Long Island premieres – with Q&As with dozens of visiting artists including directors, producers, and grandchildren of famous film subjects: Winston Churchill’s granddaughter, the artist Edwina Sandys; Frank Sinatra’s granddaughter, AJ Lambert who attended the 60th anniversary screening of the movie musical Pal Joey, and David Ben-Gurion’s grandson, Alon Ben-Gurion, after the screening of an extraordinary documentary based on six-hours of recently uncovered candid conversations with Israel’s founding father.
A record 15 of the screenings were sell-outs; the film-festival drew 4500 audience goers of all ages and backgrounds, from all over Long Island and the metro area – 175 different zipcodes.
“People think film festivals are elitist – but that’s not what we’re about,” said Festival Director Caroline Sorokoff. The festival featured “Free Film Friday,” with presentations of the movie classic “Sergeant York,” starring Gary Cooper; family short films at the Great Neck Library, and film shorts at the Port Washington Library (with a Q&A with Israeli filmmaker Yaniv Segalovich, director of An Average Story, Letiferet, who joined Alexandra Gil, curator of the Gold Coast International Film Festival’s short films; the film won an audience award).
“Hundreds of people took advantage.” And this year, veterans could come to any screening for free, thanks to a grand from GEICO.
The Gold Coast International Film Festival is distinguished by the fascinating events that are organized with the screenings – Q&As with producers, directors, actors, experts and people associated with the films.
Indeed, a highlight of the festival was the Long Island premiere (two weeks before general release) of Darkest Hour, featuring Academy Award nominee Gary Oldman’s brilliant performance as Winston Churchill and the terrifying early days of his appointment as Prime Minister as Hitler’s forces were taking over Europe and threatening an invasion of the British Isles. It was Britain’s darkest hour. And like the movie “Lincoln”, and “Thirteen Days” about John F. Kennedy and the Cuban Missile Crisis, which shows the backstory of a key “moment” in pivotal history, we learn of how he had to overcome intense opposition from political rivals, and the diabolical choice he faced: negotiate with Hitler to save British lives at a terrible cost or rally the nation and fight on against incredible odds. Gary Oldman brilliantly portrays the first dark days of Churchill as Prime Minister. Directed by Joe Wright, the screening at the Soundview Cinemas in Port Washington, featured a Q&A with Churchill’s granddaughter, the artist Edwina Sandys, a young child during this time, who spoke nostalgically and lovingly of her grandfather and grandmother, Clementine.
Underfire: The Untold Story of Pfc. Tony Vaccaro is the remarkable story of WWII infantryman and legendary photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night. Tony Vaccaro, himself, along with Director Max Lewkowicz and Producer Valerie Thomas participated in a post-screening Q&A session, followed by the opening reception of Tony Vaccaro’s acclaimed, wartime and celebrity photography at the Gold Coast Arts Center Gallery in Great Neck (on view through February).
The Long Island Premiere of Dare to Be Different had three sold-out screenings, and featured a Q&A with Director Ellen Goldfarb and Executive Producer and former WLIR Program Director Denis McNamara, plus a host of other special guests, including artists and DJs featured in the film. It was an event that could only happen on Long Island, where WLIR brought new wave music to America. WLIR helped launch the careers of U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, and The Cure, among others. Special guests attending the premiere include Larry “The Duck” Dunn, Michael “Eppy” Epstein, Max Leinwand, Steve North, Carol Silva, Donna Donna and “Malibu Sue” McCann.
Ben-Gurion: Epilogue, a stunning documentary compiled from six hours of never-before-seen footage, of newly discovered conversations with Israel’s founding father presents a rare and fortuitous piece of cinematic archeology – it’s as if film was found of candid conversation with George Washington. Watching, you realize you are seeing a work of undeniable historical significance with prophetic implications for Israel’s future. Presented in Partnership with American Friends of Soroka Medical Center to a standing-room-only audience at the Bowtie Cinema in Great Neck, the screening featured an extraordinary Q&A with Ben-Gurion’s grandson, Alon, who spoke personally of time spent with his grandfather.
An extraordinary documentary, Bombshell: The Hedy Lamarr Story, was the first of a new “Science on Screen” series funded by a hard-to-win grant to the Gold Coast Arts Center to better communicate science to a general audience. The documentary finally credits the dazzlingly-beautiful actress as a brilliant inventor responsible for the innovation that made possible secure WiFi, Bluetooth and GPS communications (her intent was to make the Navy’s torpedoes more effective in order to win World War II, but the Navy put the patent away in a drawer until it was rediscovered by another inventor devising military weapons). The Long Island premiere, featured a Q&A (sponsored by Edelman financial Services, LLC) with Director Alexandra Dean, Fleming Meeks, the Forbes journalist who scored amazing interviews with the reclusive actor late in life, and Dr. Christine Metz of the Feinstein Institute and was moderated by Diane Masciale of WNET.
Straight/Curve: Redefining Body Image, Long Island Premiere at the Gold Coast International Film Festival of the documentary examining the industries and obstacles responsible for the body image crisis and showcasing the dynamic leaders fighting for more diversity of size, race and age, featured a Q&A with Director Jenny McQuaile and Producer Yael Melamede and a panel of distinguished experts from Northwell Health: Dr. Gabriella Farkas, Dr. Bonny Patel and Nancy Farber, ND. The Q&A was sponsored by the Katz Institute for women’s Health at Northwell Health.
The 60th anniversary screening of Pal Joey, an Academy Award-winning musical gem, with famous classics by Richard Rogers and Lorenz Hart, celebrating its 60th anniversary this year starring Frank Sinatra, Rita Hayworth, and Kim Novak, featured a Q&A with AJ Lambert, Sinatra’s granddaughter (Nancy’s daughter) and Raj Tawney, a multi-media journalist/producer. Lambert spoke about her warm and loving grandfather.
Supergirl, the story of Naomi Kutin, an Orthodox Jewish pre-teen girl with an extraordinary talent – holding a world record in powerlifting, featured a Q&A with the film’s director, Jessie Auritt and “Supergirl” herself, Naomi Kutin and her family.
The delightful documentary Hummus! The Movie, was followed by “The Great Gold Coast Hummus Taste-Off” at Lola restaurant next door to the BowTie Theater in Great Neck Plaza.
The seventh anniversary of the not-for-profit Gold Coast International Film Festival featured over 80 films and dozens of filmmakers at screenings and events at North Shore venues, including Soundview Cinemas in Port Washington, the Bow Tie Cinemas in Great Neck, Port Washington, Manhasset and Roslyn, and the Gold Coast Arts Center in Great Neck.
Films presented this year showcased major Hollywood actors, include Gary Oldman, Kristin Scott Thomas, Patricia Arquette, Burt Reynolds, Isabelle Huppert, Rainn Wilson, Bill Nye, Rosemarie DeWitt, Imogen Poots, and Shahab Hosseini, star of the 2016 Oscar-winning film, The Salesman, which premiered at last year’s festival, featured in the East Coast premiere of the Iranian film Gholam this year.
This year’s festival included more than 40 premieres, including French movie-star Isabelle Huppert’s new film Souvenir; Burt Reynold’s new film Dog Years; Bombshell: The Hedy Lamarr Story; Yellow Birds, starring Jennifer Aniston, Toni Collette, Alden Ehrenreich and Tye Sheridan, and the timely Bill Nye: Science Guy. Award-winning feature films from the world’s most prestigious festivals (Cannes, Toronto, Sundance, Tribeca, Hamptons) were screened, along with dozens of excellent short films.
The festival featured films from 12 different countries – most that you cannot otherwise get to see – including 1945, from Hungary about a remote Hungarian town preparing for the wedding of the village magistrate’s son, when two Orthodox Jews arrive at the village train station with two coffin-shaped wooden crates, supposedly filled with soaps and perfumes. Is this a harbinger of the return of more Jews? Led by the boorish village magistrate, the townspeople fear that these strangers may be heirs of the village’s denounced and deported Jewish neighbors and have come to claim their family’s stolen property. Paranoia runs rampant, leading to tragic events and a potent, unexpected ending. “While there have been many films about the Holocaust, there are few about its immediate aftermath, when greed and material gain from the Jewish peoples’ demise was pervasive. Director Ferenc Török cleverly captures this often overlooked moment in history where one town’s actions become a metaphor for the moral decay of the whole country. Shot in elegant black and white with an eye for exquisite composition and a minimal evocative score, 1945 is a subtle and nuanced study in the collective guilt and enduring anti-Semitism of postwar Hungary,” wrote Jay Rosenblatt, San Francisco Jewish Film.
The Long Island premiere of The Insult, provided a rare look at modern-day Lebanon. The intelligent, rivetting and politically charged drama focuses on how a minor disagreement between a Christian Phalanges Party supporter and a Palestinian construction foreman sparks an unforgivable insult, which ignites a confrontation of national importance. Celebrity lawyers, TV news, and political leaders get involved in a trial that rips open raw memories of Lebanon’s violent past
Paris Opera, from France, provided a fascinating, candid behind-the-scenes view of a season at the Paris Opera, following the array of personnel – management, performers, costumers, cleaning crew – even choreographer Benjamin Millepied – who work night after night to bring breathtaking spectacle to this legendary setting.
The New York premiere of Back to Burgundy, from France, is a story of wine, family, family business, and more wine is set amid the gorgeous backdrop of Burgundy, and told with an assured mix of drama and humor. Jean, who had left his childhood home more than ten years ago, returns after his father’s death to reconcile the future of the business with his brother and sister.
This year, GCIFF again presented the work of talented young filmmakers in grades K-12 in its Young Filmmakers Program, presented in partnership with Hofstra University, a festival sponsor.
The festival finished on Wednesday November 15 with a Closing Awards Lunch at the cafe at Neiman Marcus Garden City (in Roosevelt Field). Neiman Marcus was a major sponsor of the film festival. The lunch also launched the Neiman Marcus ”Love to Give” Collection, where 10% of the proceeds from the sale of the ”Love to Give” items goes back to the Gold Coast Arts Center, based in Great Neck, Long Island, which organizes the annual Gold Coast International Film Festival.
For the past 110 years since Neiman Marcus’ founding, said Doris Wilshere, Vice President and General Manager, supporting the arts has been a priority. “It has been of particular interest to the founders. That’s why our partnership with the film festival is important to us. It’s the one budget we are encouraged to spend every $1 of, every year.”
In addition to Neiman Marcus Garden City, sponsors and partners of this year’s Gold Coast International Film Festival included: founding partners, the Town of North Hempstead and Douglas Elliman Real Estate; major partners, Hofstra University and the Nassau County Industrial Development Agency; GEICO; Deluxe Entertainment Services Group; AARP Long Island; A.L. Sarroff Fund; Katten Muchin Rosenman LLP; The Katz Institute for Women’s Health at Northwell Health; St. Mary’s Kids; Jet Blue; Biener Audi; LVR Rental; The Inn at Great Neck; The Andrew Hotel; WLIW21; Altice; New York Women in Film & Television; Anton Publications; Blank Slate Media; LI Pulse; Edelman Financial Services, LLC; and LOLA of Great Neck.
The Gold Coast International Film Festival is produced by the Gold Coast Arts Center, a 501(c)(3) not-for-profit organization dedicated to promoting and supporting the arts through education, exhibition, performance and outreach. Gold Coast Arts Center, 113 Middle Neck Road, Great Neck, NY 11021, 516-829-2570, www.goldcoastarts.org.
The Village Halloween Parade, normally an expression of exuberant creativity, this year had an added dimension of courage and defiance. The 44th annual parade went on, on schedule despite a terror attack that took place mere hours before and less than a mile from where tens of thousands of marchers and parade goers were gathering.
In what is New York City’s version of Carnival, the mile-long route along Sixth Avenue was transformed into a bestiary of fantastic hybrids, culled from the hallowed halls of Cryptozoology, fitting in with this year’s theme, “Cabinet of Curiosities: An Imaginary Menagerie”.
The theme was inspired by the likes of PT Barnum’s carnival-esque museum which featured “The Fiji Mermaid,” created with the head of a monkey on a taxidermied fish, and Mary Shelley’s Frankenstein – the real and imagined curiosities, made all the more plausible by leading edge technology like CRISPR gene-splicing technology promises to unleash “a host of unholy hybrids into our midst,” said Jeanne Fleming, long-time
Artistic and Producing Director of the Village Halloween Parade.
“Halloween, of course, revels in hybrids, mash-ups and the frisson of crossed identities. So, as we approach Frankenstein’s bicentennial, we are building our own Cabinet of Wonders, the Parade itself!”
Many of the marchers, though, abandoned the theme in favor of subtle (and not subtle) protest, another element of the traditionally irreverent display, with lots of pot-shots at Donald Trump, his administration, and his policies.
Despite the tragic event earlier in the day when eight people were killed and 11 injured when a lone-wolf, self-proclaimed terrorist careened at high speed in a pickup truck one mile down the Hudson River Conservancy bikeway on the Westside Highway, the irreverent, devil-may-care attitude that is hallmark of the Village Parade was still paramount, even with the legions of police with assault weapons – they blended right in.
This year’s parade was also distinguished by two of the marchers: Governor Andrew Cuomo and Mayor Bill DiBlasio, who joined the parade to show solidarity and hammer home the message: Go on with your lives.
One of the parade regulars put it more directly, as he embraced the parade’s artistic director Jeanne Fleming, “This is a giant F-U to the terrorists.”
Nothing could stifle was has been appropriately hailed as the “Greatest Event on Earth” by Festival International for October 31st and a top event in NYC by Events International, Citysearch and Biz Bash, the Village Halloween Parade is still the nation’s largest public Halloween celebration, with thousands of costumed marchers, hundreds of Halloween characters, giant masks and puppets, dozens of marching bands playing music from around the world stilt walkers, and street performers that turn the avenue into a mile-long stage.
The NYC Village Halloween Parade, which has always encouraged young and upcoming artists, this year selected as grand marshal an up-and-comer, Angelica Vox, who rode up the avenue on a float designed by Alexei Kazantsev, its first ever done in a New Orleans style.
The 12th annual Jazz Age Lawn Party on Governor’s Island nestled between the tip of Manhattan and Brooklyn ended on a high note, Sunday, August 27.
People of all ages, dressed to the nine’s in flapper dresses and glad rags, bearing wicker picnic baskets, stream from the ferries from Manhattan and Brooklyn, onto the island with its forts and structures from the Civil War and World War II. Mere minutes from Manhattan and Brooklyn, and yet a world and an era away.
A celebration of the “hot jazz” and joie de vie of the Roaring ‘20s, the festive event never fails to inspire sheer carefree happiness. It offers the full complexion, tapestry and vibrancy of New York – people of all ages and stripes turn out and for this all-too-brief time, help turn back the clock.
Conductor, composer, musician and crooner Michael Arenalla and his Dreamland Orchestra create this literal dream, with his meticulously recreated, personally transcribed songbook of the 1920s and 30s.
The entertainment abounds on two stages (and two dance floors): The Dreamland Follies evoke Ziegfeld-esque grand dance routines; Roddy Caravella and the Canarsie Wobblers is a fun-loving dance troupe that conjures the rebellious and exuberant spirit of Roaring ‘20s; Peter Mintun takes the moniker of “world’s greatest piano man”; the Gelber & Manning Band delight with their spirited music.
The event on Sunday, August 27, starts with Roddy Caravella and his wife Gretchen Fenston (who is also a milliner and costume designer in addition to being a ballroom dancer) giving a marvelous lesson in dancing The Peabody (which Caravella notes was created in 1915 by William Frank Peabody, a New York police lieutenant, who was a rather portly gent, who nonetheless loved a spirited, fast-paced dance; the innovation is in holding his partner on his right side to accommodate his girth. Caravella walks an enthusiastic group through the various movements: “The steps start and finish toe to toe,” (Caravella refers to gender-neutral “leaders” and “followers”), coming to the part of swirling the partner, “delicately flowering air” and the dipping motion.
The afternoon is interspersed with fun activities as well which you can join: Peabody Dance Contest to determine who is the Bee’s Knees; Bathing Beauties and Beaus Promenade, wearing vintage swimming outfits of the age; The High Court of Pie Contest.
The second stage features The Great Dubini and Drew Nugent and the Midnight Society.
You can immortalize the day in your own Vintage Portraits-You Ought To Be In Pictures, perched on a Paper Moons or in tintypes using the same techniques and chemicals (a mixture of gunpowder and ether) as were used more than a century ago; Antique Gramophones reanimate original recordings from the 1920s.
The only thing that bursts the illusion are the ubiquitous cell phones, but being captured in photos and videos streamed to Instagram seems as important to the happening as the music.
At the end, a rather sentimental Michael Arenella, showing his appreciation to his audience and fans, notes that when he originated the Jazz Age Lawn Party 12 years ago on Governors Island, it was just a small gathering of 50 friends and fans. The event has grown in popularity over the years “because of you,” who do so much to fulfill the look and feel of the 1920s and 30s. Some 20,000 fans come from all over during the course of the two weekends, in June and August.
Here are highlights of the Jazz Age Lawn Party in photos:
Can’t wait until next year’s Jazz Age Lawn Party? Michael Arenella also performs at The Clover Club, Flatiron Lounge and the Red Room. Visit www.DreamLandOrchestra.com.