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Anne Frank House Coming to New York City Headlines Fall Culture Calendar

October 23, 2024 krubin723

De Boekenkast: bookcase in front of Secret Annex. New Yorkers will have the opportunity to actually tour a re-creation of Anne Frank’s hiding place, never before seen outside Amsterdam (© Anne Frank House, photographer Cris Toala Olivares)

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York is one of the premier cultural capitals of the world and fall is when the culture calendar gets into gear. But here’s a heads-up: the blockbuster exhibit of the year – the opportunity to tour a full-scale re-creation of Anne Frank’s Annex as it stands in Amsterdam – opens January 27, 2025, and tickets are on sale now. Here are highlights of what’s ahead on the culture calendar:

Groundbreaking Full-Scale Re-Creation of Anne Frank’s Annex

Amsterdam and New York – The Anne Frank House, one of the most visited historical sites in Europe, is presenting a pioneering experience: the opportunity to walk through an exact replica of Anne Frank’s hiding place where she wrote her famous diary. Anne Frank The Exhibition opens in New York City on January 27, 2025. Considering that tickets to visit the Anne Frank House in Amsterdam book up three months in advance, tickets for this exhibit are now available at AnneFrankExhibit.org.

This is the first time the Anne Frank House will present this opportunity for visitors outside of Amsterdam to be immersed in a full-scale recreation of the rooms where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.

As a nonprofit organization helping to shape global understanding of the Holocaust and its contemporary relevance, including lessons on modern day antisemitism, racism, and discrimination, the Anne Frank House is entrusted with the preservation of the Annex where Anne Frank and her family hid during World War II. This exhibition, presented in New York City in partnership with the Center for Jewish History in Manhattan, opens on International Holocaust Remembrance Day, January 27, 2025, to mark the 80th commemoration of the liberation of Auschwitz.

Anne Frank The Exhibition is a first-of-its-kind, full-scale recreation of the complete Annex, furnished as it would have been when Anne and her family were forced into hiding. Moving through the exhibition, visitors will be able to immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt, Germany through the rise of the Nazi regime and the family’s 1934 move to Amsterdam, the Netherlands, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.

Designed for audiences who may not have the opportunity to visit the Netherlands, the new exhibition in New York City is anticipated to draw massive attendance for what will be among the most important presentations of Jewish historical content on view in the United States. Through the recreated Annex; exhibition galleries immersing visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam, Anne Frank The Exhibition will provide an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.

The New York City exhibition will occupy over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts will be seen in the United States—many have never been seen in public.

Artifacts in the exhibition include:

Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.

“Anne Frank’s words resonate and inspire today, a voice we carry to all corners of the world, nearly eight decades later,” Ronald Leopold, Executive Director of the Anne Frank House, said. “As a custodian of Anne’s legacy, we have an obligation to help world audiences understand the historical roots and evolution of antisemitism, including how it fueled Nazi ideology that led to the Holocaust. Anne’s legacy is remarkable, as represented in the diary she left us, and as one of the 1.5 million Jewish children who were murdered at the hands of Nazi officials and their collaborators. Through this exhibition, the Anne Frank House offers insights into how this could have happened and what it means for us today.

“The exhibition provides perspectives, geared toward younger generations, that are certain to deepen our collective understanding of Anne Frank and hopefully provide a better understanding of ourselves. By bringing this exhibition to New York—a place with many ties to Anne’s story— the Anne Frank House is expanding the reach of our work to encourage more people to remember Anne Frank, reflect on her life story, and respond by standing against antisemitism and hatred in their own communities.”

Anne Frank The Exhibition is a limited engagement, scheduled to close on April 30, 2025. Public programming and educational initiatives tied to the exhibition will be announced when the exhibition opens to the public.

Timed entry individual and family tickets are available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.

Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues

Edges of Ailey at Whitney Museum of American Art

*Edges of Ailey* (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). Courtesy of Whitney Museum of American Art; Photo by Natasha Moustache.

Edges of Ailey at the Whitney Museum of American Art through February 9, 2025, is the first large-scale museum exhibition to celebrate the life, dances, influences, and enduring legacy of visionary artist and choreographer Alvin Ailey. This dynamic showcase brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. Described as an “extravganza” by curator Adrienne Edwards, Edges of Ailey is the must-see event of the NYC fall/winter season. The landmark exhibition is on view only in NYC.

Presented at the Museum in multiple parts, Edges of Ailey consists of an immersive exhibition in the Museum’s 18,000 square-foot fifth-floor galleries that includes artworks by over 80 artists and never-before-seen archival materials. Artists featured in the exhibition include Jean-Michel Basquiat, Faith Ringgold, Alma Thomas, Jacob Lawrence, Kara Walker, and many others. A recent acquisition of Eldren Bailey and new works by Karon Davis, Jennifer Packer, Mickalene Thomas, and Lynette Yiadom-Boakye will be presented for the first time in honor of this landmark exhibition.

Edges of Ailey is part of a ‘Season of Ailey’ in New York City, which includes the Alvin Ailey American Dance Theater company’s annual engagement at New York City Center, December 4-January 5.

Also at the Whitney:

Opening November 1, Shifting Landscapes explores how evolving political, ecological, and social issues motivate artists’ representations of the world around them. The 120 works by more than 80 artists—including Firelei Báez, Jean-Michel Basquiat, Jane Dickson, Gordon Matta-Clark, Amalia Mesa-Bains, andPurvis Young—depict the effects of industrialization on the environment, grapple with the impact of geopolitical borders, and give shape to imagined spaces as a way of destabilizing the concept of a “natural” world.

On view through January 5, 2025, Survival Piece #5: Portable Orchard marks the first standalone museum presentation of the fully realized indoor citrus grove conceived and designed in 1972 by artists Helen Mayer Harrison and Newton Harrison. Stretching across the Museum’s eighth-floor gallery, this installation of 18 live citrus trees explores the need for a productive and sustainable food system in an imagined future where natural farming practices are obsolete and cannot be taken for granted.

More information at whitney.org/exhibitions.

Inaugural Perelman Performing Arts Center NYC Icons of Culture Festival

This fall, the Perelman Performing Arts Center [PAC NYC] is staging its inaugural PAC NYC ICONS OF CULTURE FESTIVAL presented by BNY from Tuesday, October 29 – Saturday, November 2, 2024.

PAC NYC ICONS OF CULTURE FESTIVAL will bring audiences into the room with trailblazers in art, music, comedy, film, sports, and more to talk about pushing boundaries, making a mark, and elevating the everyday to the iconic.

Icons to appear in conversation at the festival include Misty Copeland, The Dogist, Alex Edelman, Renée Fleming, Michael Imperioli, Baaba Maal, Philippe Petit, Questlove, Marcus Samuelsson, Kathleen Turner, Serena Williams, and Vanity Fair’s Little Gold Men Live!

A calendar of events is available at www.pacnyc.org

Rich Calendar of Cultural Events

*The Museum of the City of New York is the premier repository of the city’s 400-plus year story © Karen Rubin/news-photos-features.com*

Art Deco City: New York Postcards from the Leonard A. Lauder Collection at Museum of the City of New York, East Harlem, through February 17, 2025: Featuring over 250 postcards alongside decorative arts, fashion, and architectural models, the exhibition highlights the role postcards played in popularizing Art Deco landmarks like the Empire State Building, the Chrysler Building and Rockefeller Center.

Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde at Grey Art Museum, Noho, Manhattan, through March 1, 2025: Berthe Weill, the first woman modern art dealer, championed artists like Picasso, Matisse and Modigliani. This survey features around 110 works shown at her gallery in the early 20th century and highlights her work as a gallerist and advocate.

Pets and the City at The New-York Historical Society, Upper West Side, Manhattan, October 25, 2024—April 20, 2025: Featuring a diverse range of art, objects, memorabilia and media clips, this exhibition highlights pets’ lives in NYC, from early Indigenous cultures to today’s pampered companions. It also examines the growing pet population and addresses topics such as pet adoption and the importance of service animals. Also:

Most people think of Paul Revere solely as a silversmith, but his work as a printer and an artist was key to his role as a patriot seeking to break with Great Britain. His print of the Boston Massacre was significant to organize public opinion against the British. Paul Revere, ***The Bloody Massacre Perpetrated on King Street****, Boston. Hand colored engraving, 1770. American Antiquarian Society. Gift of Nathaniel Paine.*

From Paul Revere to Edward Hopper: Treasures from the Leonard L. Milberg Collection of American Prints, Drawings, and Watercolors, through October 27, 2024, showcases more than 140 prints, drawings, and watercolors from one of the most admired collections of historical American works on paper

Scenes of New York City: Selections from the Elie and Sarah Hirschfeld Collection, through October 27, 2024: The inaugural display in the new Hirschfeld Gallery and Hall presents a selection of artworks from an extraordinary promised gift to New-York Historical by prominent philanthropists and art collectors Elie and Sarah Hirschfeld, who have amassed a stunning collection honoring their hometown. The collection features renowned artists—both national and international—and presents vivid snapshots of Gotham and its streetscapes.

Enchanting Imagination: The Objets d’Art of André Chervin and Carvin French Jewelers, through January 5, 2025: This dazzling exhibition of meticulously created objets d’art is on view to the public for the very first time. André Chervin (born 1927 in Paris), with his New York atelier, Carvin French, is one of the most acclaimed makers of handcrafted fine jewelry in the world.

A Billion Dollar Dream: The 1964-1965 New York World’s Fair on its 60th Anniversary at Queens Museum, Flushing Meadows Corona Park, Queens, November 3, 2024—March 9, 2025: A Billion Dollar Dream celebrates the 60th anniversary of the 1964–1965 New York World’s Fair by examining its legacy through social, political and environmental lenses. Featuring materials from the Queens Museum’s collection, the exhibition highlights the Fair’s promotion of progress and nationhood while reflecting contemporary issues, including civil rights and the women’s liberation movement.

Solid Gold at The Brooklyn Museum, Prospect Heights, Brooklyn, November 16, 2024—July 6, 2025: Solid Gold celebrates the allure of gold, presenting over 500 works that explore the color and material’s significance in art, fashion, film and design throughout history. Opening for the Brooklyn Museum’s 200th anniversary, the exhibition features stunning pieces from renowned designers like Christian Dior and Yves Saint Laurent, alongside gold-ground paintings, sculptures and jewelry by notable artists such as Alexander Calder and Bulgari.

*The Metropolitan Museum of Art is featuring “Flight into Egypt: Black Artists and Ancient Egypt, 1876-Now” © Karen Rubin/goingplacesfarandnear.com*

Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now at The Metropolitan Museum of Art, Upper East Side, Manhattan, November 17, 2024—February 17, 2025: Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now examines how Black artists and cultural figures have engaged with ancient Egypt through art, literature and performance over nearly 150 years. Featuring 200 works, the exhibition explores themes like the creation of a unifying identity and the contributions of Black scholars. It also includes a dedicated gallery for performance art, featuring live performances on select days.

Lillie P. Bliss and the Birth of the Modern at The Museum of Modern Art, Midtown Manhattan, November 17, 2024—March 29, 2025: The Museum of Modern Art will host this exhibition in celebration of one of its founders and her crucial role in promoting modern art in the US. The exhibit marks 90 years since Bliss’s contributions to MoMA and will feature about 40 works. The exhibition will also display archival materials, highlighting her lasting impact on the museum and the acceptance of modern art in America.

Ceremonies Out of the Air: Ralph Lemon at MoMA PS1, Long Island City, Queens, November 14, 2024—March 25, 2025: Showcasing over 60 works by Ralph Lemon, this exhibition presents dance, sculpture, video and more. Ceremonies Out of the Air will highlight his storytelling through movement and features the central installation Rant redux (2020–24). It will also include a series of live performances that enhance the immersive experience.

Magazine Fever: Gen X Asian American Periodicals at The Museum of Chinese in America, Nolita, Manhattan, through March 30, 2025: Magazine Fever: Gen X Asian American Periodicals examines the impact of Asian American magazines in shaping identity during the 1980s and ’90s. Featuring over 80 rare issues from notable publications like A. Magazine and Hyphen, the exhibition showcases how these magazines provided a platform for Asian Americans to assert their narratives and portray their identities.

FUTURA 2000: BREAKING OUT at The Bronx Museum of the Arts, South Bronx, Through March 30, 2025: FUTURA 2000: BREAKING OUT is a retrospective of the legendary NYC artist’s career. Running through winter 2025, it showcases five decades of his work, including sculptures, drawings, prints and new installations. The exhibition highlights his signature techniques, science-fiction motifs and the iconic 1980 graffiti piece, Break, which cemented his influence in the art world.

The cast of New York Gilbert & Sullivan Players with NYGASP Founder Albert Bergeret taking bows at last season’s ‘Mikado.” NYGASP celebrates its 50^th anniversary and honors 150 years of Gilbert of Sullivan in its 2024-25 season © Karen Rubin/goingplacesfarandnear.com

New York Gilbert & Sullivan Players Celebrates 50th Anniversary Season: New York Gilbert & Sullivan Players (NYGASP), America’s preeminent professional Gilbert & Sullivan repertory company, announces a Golden Jubilee, celebrating its 50th anniversary season and honoring 150 years of the wit and wonder of Gilbert & Sullivan. The celebrated full company and orchestra will perform “Ruddigore” on Nov. 23– 24, 2024; “The Pirates of Penzance” on Jan. 4– 12, 2025; and “Iolanthe” on April 5^–6, 2025 at the Gerald Lynch Theatre at John Jay College. Info and tickets at www.nygasp.org.

And on Long Island:

Billy Joel attends the opening of the first exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician. Due to popular demand, the exhibit is being extended through Spring 2025 © Karen Rubin/going-placesfarandnear.com

‘Billy Joel – My Life, A Piano Man’s Journey’ Exhibit at LIMEHOF Extended: The Long Island Music and Entertainment Hall of Fame (LIMEHOF) has is extending the run of the first ever exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician Billy Joel through spring 2025. Billy Joel- My Life, A Piano Man’s Journey spans Joel’s life and career from growing up in Hicksville to his legendary run at Madison Square Garden. It includes over 50 years of Billy Joel’s most cherished items including rare memorabilia, behind-the-scenes video, dozens of awards, rare audio and video recordings, vintage instruments and historic photos, many donated by Billy Joel himself. Timed entry and VIP tickets and special holiday packages and gift cards are available at www.TheBillyExhibit.com (LIMEHOF, 97 Main Street, Stony Brook, Long Island, www.limusichalloffame.org).

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Driveable destinations, Family Travel, Museums and Exhibits, Places of History, See America, Skiing/Riding/Snow Destinations

Lake Placid, Where You Can Be Immersed in Olympic Sport, Spirit Year-Round

August 6, 2024 krubin723

Our three-generation family rides the new Skyride Gondola to begin our visit at the top of the highest ski jump tower at Mt. Van Hoevenberg, one of four venues included in the Olympics Legacy Site Passport © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The Olympic spirit is everywhere in Lake Placid. You can almost hear the fanfare playing. It is infectious, and fun – and what is even better, you get to participate, to see and experience it for yourself.

While so many other Olympic venues shut down after the event, Lake Placid, which hosted one of the first winter Olympics, in 1932, and then again in 1980, the facilities have not just been upgraded, enhanced and once again entice World Cup and international sports events. Lake Placid is very much a four-season destination, an outdoors paradise where you can actually experience the same Olympic venues, attractions and activities year-round, along with the athletes who live and train here, and the world-class athletes who compete here.

It offers an ideal mix of activities to appeal to the most athletic and active, to those who prefer to spectate rather than participate – perfect for our three-generation family – skiers and nonskiers and infant.

*The venues of Lake Placid’s Olympics Legacy sites © Karen Rubin/goingplacesfarandnear.com*

The best way to experience Lake Placid, we discover, is with the Olympics Legacy Sites Passport, which provides access to the four Olympic venues and experiences – so even if you don’t ski, you can take the Cloudsplitter Gondola up to the summit of Little Whiteface to enjoy the spectacular view of the Adirondacks high peaks; go to the top of the highest ski jumping tower at the Olympic Jumping Complex to see what the ski jumpers see (terrifying); tour Mt. Van Hoevenberg where the sliding sports (bobsled, skeleton and luge), Nordic skiing, and Biathalon are held; and tour the Olympic Center, where you visit the museum that houses one of the best collections of Olympics memorabilia in the world, as well as the skating arenas. (The passport includes one admission to the four venues plus 10% off shopping and dining at all the Legacy Sites, https://olympicjumpingcomplex.com/legacysitespassport/)

But if you haven’t visited Lake Placid in the last few years, you wouldn’t know about any of these experiences. So much has changed. So much is new. So much is so special.

The New York State Olympic Regional Development Authority (ORDA, now more familiarly known as the Olympic Authority), which owns and manages the facilities here in Lake Placid (as well as Gore Mountain and Belleayre ski areas), since 2018 has not only upgraded and massively improved the facilities in order to continue to host major international competitions (providing opportunities to watch the competition, training and even meet athletes), but has added attractions and activities so that we can experience much the same thrill and excitement as the athletes, year round. We even get to see their sport through their eyes.

New SkyRide, Zipline at Olympic Jumping Complex

*The Olympic Jumping Complex is visited with a new Skyride Gondola, then an elevator to the top of the highest ski jump © Karen Rubin/goingplacesfarandnear.com*

At the Olympic Jumping Complex, we ride a new, scenic Skyride Gondola to the base of the towers (athletes used to have to take a chairlift), then walk a short distance to the glass-windowed elevator that takes us up to the top of the highest ski jump tower for the view that the jumpers get (terrifying), and the setting amid the High Peaks Region (open daily but subject to weather conditions).

*New attractions and experiences put you in the Lake Placid Olympics © Karen Rubin/goingplacesfarandnear.com*

Today, this facility is the only sanctioned ski jumping facility in North America for winter and summer competition and training. For warm-weather practices, there is a kind of plastic grass that is sprayed with water, that apparently athletes like even better because it is more consistent than snow.

That is a really good thing because climate change will make Lake Placid one of only four premier winter facilities that will be able to host a winter Olympics by 2050, my ORDA guide, Jaime Collins, tells us.

The World Cup will be held here again in February 2025.

*It’s awesome to get to see and be in the places of the Olympic athletes, like riding up the elevator to the highest ski jump © Karen Rubin/goingplacesfarandnear.com*

Here at the Olympic Jumping Complex, you can also ride the new Sky Flyer Zipline adjacent to the ski jumps – and if the ski jumpers are practicing, you can seemingly fly alongside. ($20 off ticket price with the Legacy Passport).

New Coaster Ride, Bobsled Experience at Mt Van Hoevenberg

At Mt Van Hoevenberg, home to the three sliding sports – bobsled, skeleton and luge – the Legacy Passport provides a tour that starts in the newly built Mountain Pass Lodge and the push track where you learn about elite athlete development, then taken by bus up the track for a guided walk inside the sliding track.

*A view of just a portion of Mt. Van Hoevenberg famous track © Karen Rubin/goingplacesfarandnear.com*

Be sure to take in the view from the start area which offers the only place where you can get a view of all the Olympic venues at once: the Ski Jump complex, Whiteface Mountain, the track and Nordic center, and the Olympic Center in downtown Lake Placid. (Open daily; check daily updates page for current conditions and trail offerings.The pass also provides 10% off at Mt Van Hoevenberg’s 81-18 Café, Mountain Pass Mercantile and Swix Store.)

As it happens, our visit coincides with preparations for the final International Bobsled & Skeleton Federation (IBSF) World Cup competition of the 2023-2024 season and we get to watch some of the two-man bobsled practice and meet some of the athletes.

*During our visit to Mt. Van Hoevenberg, we get to watch practice runs for the two-person bobsled World Cup competition © Karen Rubin/goingplacesfarandnear.com*

We learn that this track – with 17 curves and a vertical drop of 365 feet – is considered one of the most difficult and has one of the most famous and challenging turns in the world. Turn 10 winds 180 degrees into a 20 foot-high wall that, if hit right, can slingshot the sled for a gain 6 mph. “The G forces are so severe, that they can only practice 4-5 times a day,” our ORDA guide, Jaime Collins tells us.

When the track isn’t being used for practice or competition, you can take the Bobsled Experience, where you are driven down the track with real bobsledders. You get to go through that famous Turn 10 but from Start 4, so it comes soon into the ride before you get going too fast, but you still reach speeds up to 50 mph on the lower half-mile of the track. (Be sure to reserve in advance; in summer, the bobsled uses wheels on concrete; $125/9+; $100/military, https://mtvanhoevenberg.com/todo/bobsled-experience/).

The track is set up so spectators get a real close-up view (pro tip: the best place is where the track is shaped as a heart).

Mt. Van Hoevenberg is also the Olympic Nordic ski area and we just miss watching practices for the Junior National Nordic races at the Nordic stadium on the side of the lodge.

But non-Olympians can do cross-country skiing here, as well as actually experience the Biathlon, an Olympic event which combines shooting and cross-country skiing.

In summer, Mt. Van Hoevenberg becomes a mountain biking center – you can rent bikes and take lessons.

In fact, Lake Placid was selected as the only U.S. venue to host the World Cup mountain bike competition, which will be held September 27 – 29.

*A portion of the Cliffside Coaster track at Mt. Van Hoevenberg, the longest in North America © Karen Rubin/goingplacesfarandnear.com*

Here at Mt Van Hoevenberg you not only get to see the Olympic bobsled track but you can ride alongside on the Cliffside Coaster, the longest coaster in North America, which opened in 2020. As you ride up to the top, you hear the Olympic history of the track but once at the peak, you are in the driver’s seat and control the speed, navigating sharp corners, cliffside banks and long winding stretches (open daily in season but weather dependent; make reservations in advance; 31 Van Hoevenberg Way, Lake Placid, NY 12946, https://mtvanhoevenberg.com/todo/cliffside-coaster/).

Skiers, NonSkiers Treated to View at Whiteface Mountain

At Whiteface Mountain, the Legacy Passport enables even nonskiers to experience the 15 minute ride on the scenic, eight-passenger Cloudsplitter Gondola from the Main Base Lodge to the top of Little Whiteface to enjoy the gorgeous view of the Adirondacks that the skiers get. (Open daily. The Legacy Passport gets you 10% off at these locations: 10% off at Whiteface: 4610’ Grille, Castle Gift Shop, Legends Café, and Brookside Apparel.)

You don’t have to be a skier to ride the Cloudsplitter Gondola to the summit of Little Whiteface for the view, included on the Olympic Legacy Sites Passport competition © Karen Rubin/goingplacesfarandnear.com

Another activity included on the Legacy Sites Passport is to drive (or bike) the Veterans’ Memorial Highway that rises over 2,300 feet in five miles, with scenic stops along the way. An elevator or 15-minute hike takes you to the summit of New York’s fifth highest peak. (Open daily, but subject to daily weather conditions, visit Whiteface Conditions).

Immersive New Museum at Olympic Center

The Olympic Center, in downtown Lake Placid, is really special. The Legacy Passport gives you admission to the Lake Placid Olympic Museum, which has one of the world’s largest collections of Winter Olympic memorabilia, and brilliantly tells the story of Lake Placid’s role in the development of winter sports and the Olympics.

*Lake Placid’s museum immerses you in its Olympics history and legacy © Karen Rubin/goingplacesfarandnear.com*

The state-of-the-art museum, which only has been opened two years, features interactive and engaging displays, 3D visualizations, experiential learning exhibits, marvelous videos, and interesting and intriguing artifacts. It is especially inspiring to see the names of local Olympians, some who are multi-generational.

*Speed down the Mt. Van Hoevenberg track in a bobsled in this virtual ride in Lake Placid’s Olympics Museum © Karen Rubin/goingplacesfarandnear.com*

The 3D and interactive displays are really superb. In one, you sit in a real bobsled and virtually speed down the actual bobsled track (thrilling); you can see exactly what the ski jumper sees flying off the jump.

The climax is sitting in a screening room to watch a 12-minute video of the highlights of the 1980 “Miracle on Ice” when the USA hockey team beat the Soviet Union. (Each year, there is a1980 Miracle on Ice fantasy camp – where participants get to play with the actual members of the team.)

In the museum, you get to really immerse into the personal stories of the Olympians, especially those with connections to Lake Placid.

*Lake Placid’s Olympics Museum has one of the largest collections of memorabilia, including medals, uniforms, torches, buttons © Karen Rubin/goingplacesfarandnear.com*

You learn that it wasn’t just good fortune why Lake Placid hosted one of the first winter Olympics, in 1932. Lake Placid really began America’s love affair with winter sports.

The first “modern” Olympics was held in 1896, and by the early 1900s, a Norwegian man known as “Jack Rabbit” introduced alpine and Nordic skiing to the Lake Placid area. The Lake Placid Club was formed by the strongest advocates of winter sports.

The high jumping venue, originally known as Intervales, hosted the first international ski jump competition here in 1921, drawing 3000 spectators – more than the local population.

The first winter Olympics was held in 1924, and the first gold medal was actually awarded to Charles Jewtraw, a speed skater, from Lake Placid .

The first gold medal won at the Lake Placid games was won by Lake Placid local, Jack Shea for speed skating (he won two gold in 1932,and was instrumental in the games returning to Lake Placid in 1980). His son, Jim Shea was a 1964 Olympian cross country skier, and his grandson, Jim Shea, Jr., was the men’s skeleton champion aat Salt lake City in 2002 (Jack Shea was killed by a drunk driver just two weeks before).

*The Herb Brooks arena is where the 1980 “Miracle on Ice” wowed the nation and the world, as the USA defeated the Soviet Union © Karen Rubin/goingplacesfarandnear.com*

You get to tour the famous ice arena, named for Herb Brooks, and the 1932 skating rink (really tiny seating area), and even go down to the locker room.

These historic skating rinks are open to the public for skating year-round, and we see some adorable kids starting their long journey to gold (open Tuesday – Saturday).

*Little ones start their journey to gold on the skating arena built for the 1932 Olympics Union © Karen Rubin/goingplacesfarandnear.com*

(The Olympic Center is open daily. The pass also provides 10% off at Olympic Center Roamers Café and Miracle Moments Store.)

Just across from the center is the Olympic speed skating oval, where Eric Heyden made history in 1980 for winning all five speed skating events. (He only agreed to one commercial endorsement, for Crest Toothpaste, to finance medical school and became an orthopedic surgeon.). In season, you, too, can skate on the Olympic oval well into the night (weather permitting.)

The Olympic Legacy Passport is $69/adult, $59 ages 19+, military and seniors and can be purchased at any of the venues (, https://lakeplacidlegacysites.com/legacysitespassport/). Lake Placid Legacy Sites, 518-523-1655, https://lakeplacidlegacysites.com/

Ski Whiteface

It’s March – spring skiing – and David, Laini and Karen get the ultimate Olympic experience of skiing Whiteface Mountain – even if you are stuck on the green and blue trails. David and Laini, though, were able to tour much of the mountain, tackling the advanced trails, and loved the long runs and sweeping mountain views. With the spring melt already underway, the alpine creek rushed beneath our chairlift rides and the Ausable River at the base had a Galway-esque feel. The lookout atop the Cloudsplitter Gondola was a gorgeous rest stop for us skiers as well as Laini’s non-skiing parents, who were able to enjoy the view and then easily take the gondola down. We discovered the beautiful mid-mountain lodge on our last run – a great lunch spot with high vaulted ceilings and huge pictures windows.

*Even skiing the intermediate trails, you feel the Olympic spirit on Whiteface Mountain© Karen Rubin/goingplacesfarandnear.com*

March, when we visit, is often one of snowiest and most spectacular months for outdoor winter recreation, but this year, snow was lacking and it also was the warmest since 1905, so we aren’t able to do several of the winter activities, like riding the toboggan chute onto Mirror Lake, cross-country skiing, skating on the Olympic oval, and snowshoeing the Mt Van Hoevenberg East Trail (a hiking trail in summer).

In summer, Whiteface Mountain offers disk golf, hiking, the scenic gondola, and plans to resume mountain biking.

Food & Lodging

After our visit to the Olympic Center, we stroll Lake Placid’s charming main street and enjoy the shops, cafes, bistros.

*Lunching in a gondola at the Cottage at Mirror Lake Inn © Dave E. Leiberman/goingplacesfarandnear.com*

We stop for lunch at The Cottage at Mirror Lake Inn, (17 Mirror Lake Dr.) enjoying the meal in one of the actual ski gondolas overlooking Mirror Lake with spectacular views out to the Great Range of the Adirondack High Peaks (17 Mirror Lake Dr., 518-302-3045, mirrorlakeinn.com/dining/the-cottage)

Each night of our stay in Lake Placid, we had a marvelous cocktail/dining experience (so many to choose from and return to Lake Placid for):

Big Slide Brewery, where you eat beside the giant barrels of the brewery in a comfortable dining room and semi-open kitchen. Not your typical pub grub, its menu has pizaazz – snacks like marcona almonds in hop oil and thyme, Cake Placid pretzel nuggets with beer cheese, and tater tot poutine; sandwiches like a shaved steak sandwich with thinly-sliced ribeye, Sugarhouse Creamery Dutch Knuckle cheese, sautéed onions and Mushrooms and Horseradish Aioli; Tomahawk Pork Chop or chicken fried chicken over smoked ham grits; and pizzas cooked in a 700 degree brick oven. Tomahawk Pork Chop or chicken fried chicken over smoked ham grits (5686 Cascade Road, just over a mile from downtown, bigslidebrewery.com, 518) 523-7844.

*The view over Mirror Lake to the Great Range of the Adirondack High Peaks from The Cottage at Mirror Lake Inn at sundown © Karen Rubin/goingplacesfarandnear.com*

Smoke Signals, also overlooking Mirror Lake (a gorgeous dining room and there is a patio overlooking the lake for outside dining), offering classic BBQ with some innovative twists, (2489 Main St., 518-523-2271, www.smokesignalsq.com).

We loved our culinary experience at Cafe Rustica, a quaint, old-fashioned (traditional) Italian restaurant (even the music was a throw-back) serving fabulous Northern Italian cuisine, like the Ravioli Carbonara (fresh wild mushroom ravioli, black pepper, organic egg, pancetta, baby peas, parmesan); Cavatelli Bolognese (rustica Bolognese sauce, cavatelli pasta, parmesan, rosemary oil); chicken Mediterraneo (kalamata olive, heart of plan, tomato, lemon, whitewine, capers, pepperoncini, linguini) (1936 Saranac Ave, Lake Placid, NY 12946, 518-523-7511, www.rusticalp.com)

East Wind Lake Placid Hotel

The East Wind Lake Placid Hotel, just a short distance off of Main Street, Lake Placid, proved perfect for our multi-generational getaway – like a small community of lodges and lushnas for a total of 29 units, each homey with dashes of luxury and high-style. My lushna (like a tiny house) was just the width of the (extremely comfortable) queen bed, and had all the comforts of home – refrigerator, coffee maker, bathroom, remote-controlled A/C. David and Laini and baby were comfortable in a spacious room in the house; grandparents Diane and Barry in the lodge.

*East Wind Lake Placid Hotel offers a variety of accommodations and lovely gathering places © Dave E. Leiberman/goingplacesfarandnear.com*

There are gathering areas – fire pits ringed with Adirondack chairs, a gorgeous reception room (open 24 hours, where coffee, tea and fruit are laid out, you can order breakfast, and there are cocktails and drinks at the bar); a lovely library/salon in one of the buildings (great for taking a conference call).

*East Wind Lake Placid Hotel offers a variety of accommodations and lovely gathering places © Karen Rubin/goingplacesfarandnear.com*

Eastwind Lake Placid, 6048 Sentinel Road, Lake Placid,518-837-1882, https://www.eastwindhotels.com/lake-placid-overview.

For a luxury, resort-style experience: the historic Mirror Lake Inn Resort & Spa (77 Mirror Lake Dr, Lake Placid, NY 12946, 518-523-2544, mirrorlakeinn.com; and High Peaks Resort (2384 Saranac Avenue, Lake Placid, NY 12946, 800-755-5598, highpeaksresort.com).

*Mirror Lake Inn Resort & Spa, Lake Placid © Karen Rubin/goingplacesfarandnear.com*

High Falls Gorge

Definitely make time to visit High Falls Gorge, a 22-acre nature park, just a short drive beyond the entrance to Whiteface ski area. It is a 30-minute walk – about a mile – hugging the rockface, where you can go out onto overlooks and bridges and be very close to the series of cascading waterfalls formed by the Ausable River as it drops 115 feet. There is also a trail accessible for strollers or wheelchairs.

Some of the oldest rocks in the world are here – you can touch an Anorthosite boulder 1.5 billion years old (Anorthosite, the base rock for the Adirondacks, is the same rock found on the moon). In season, High Falls Gorge also offers rock climbing, tubing and white water rafting, as well as trails through the forest. (4761 NYS Route 86, Wilmington, NY 12997 518-946-2278, https://highfallsgorge.com/)

More travel planning information:

Lake Placid 800-44PLACID, www.lakeplacid.com

Whiteface Mountain Region Visitors Bureau, 518-523-1655, whitefaceregion.com

Visit Adirondacks.com, https://visitadirondacks.com/regions/lake-placid

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Attractions, Cultural travel, Historic Places, Museums and Exhibits, US Destinations

California Pacific Highway Roadtrip: Cambria is Enchanting Base to Visit Hearst’s ‘Enchanted Hill’

July 8, 2024 krubin723

The view of William Randolph Hearst’s “Enchanted Hill” – Hearst Castle – an architectural and engineering triumph of Hearst and his architect/engineer Julia Morgan. © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin with Eric Leiberman, Travel Features Syndicate, goingplacesfarandnear.com

It’s a dark night when we pull into our hotel in Cambria, on California’s famous (and fragile) Pacific Highway 1, so it isn’t until I awake in the morning to a moist mist rising after a rain, that I realize what is just across the road from the picturesque Moonstone Beach and a magnificent boardwalk that extends 1 ½ miles over the fragile seagrass, the ocean crashing against the rocky shore just beyond, where a few seals are resting, the sun making a gorgeous sparkling light,

We’ve driven down from the north, starting at San Francisco, to Monterey (made famous by John Steinbeck’s “Cannery Row” and now with a world renowned Aquarium); following the Pacific Highway 1 as much as possible as it hugs the cliffs to Big Sur. We pull over frequently to take in those breathtaking views that look like the edge of the Continent just fell into the ocean. We spend a couple of days hiking and exploring, overnighting at the utterly enchanting and historic Deetjen’s Big Sur Inn (www.deejens.org, 831-667-2377), then have to backtrack to Monterey, driving inland three hours on Highway 101 to come into Cambria.

*Moonstone Beach, Cambria, across from our hotel, the Castle Inn © Karen Rubin/goingplacesfarandnear.com*

Cambria is an outstanding base to experience not only its own charms, but to explore Hearst Castle, San Simeon, the Piedras Blancas Elephant Seal Rookery, and even driving north on the Pacific Highway, to Ragged Point, just at the southern end of Big Sur where you can get those dramatic sheer-cliff/crashing waves against the rocky shore views.

Castle Inn, which I found on hotels.com, is a delightful motel that is absolutely perfect for our purpose – the room is spacious and has a beachy (ocean) feel; the motel serves coffee, scones, apples, muffins, oatmeal for breakfast. Later, we will take advantage of its pool and hot tub under the stars, and is so close by to all the things we want to explore – especially having the Moonstone Beach and boardwalk just across the road. (6620 Moonstone Beach Dr, Cambria, CA 93428, 805-927-8605, castle-inn-cambria.hotelsone.com)

We grab coffee and muffins and immediately head out to Hearst Castle just eight minutes up the coastal road from Cambria in San Simeon.

We have to be at the Hearst Castle’s visitor center by 8:40 am for our pre-booked 9 am Grand Rooms tour – the most popular of a selection of tours you can take and the best if you have never visited before (others include “Hearst and Hollywood” “Designing the Dream” “Art of San Simeon,” “Julia Morgan”, “Cottages & Kitchen tour” “Upstairs Suites Tour”, also accessible tours and private tours.)

We get our wristbands and go to “gate” for the bus that takes guests up to the mansion along the long winding road – just as William Randolph Hearst intended his visitors to experience his “Enchanted Hill.”

The tour starts immediately on the bus, with an excellent narration giving the background – history, architecture, biography – and pointing out the sights along the way, accompanied by music of the 1930s and 1940s.

Hearst Castle is so much more than a magnificent mansion home (one of the most spectacular in the world), even more than an architectural jewel and a breathtaking art collection. It is the story of a fascinating man (love him or hate him or something in between, you still have to give the man credit for what he accomplished) who you come to know because everything about Hearst Castle is so personal to him. It is the story of an age – the coming of age of America, the coming of age of Hollywood and ascendancy of American culture. Everything you see is mind-blowing and breath-taking. And this mansion (he called it his country home), which has come to be known as Hearst Castle, is his personal artistic creation – the architecture and the art collection.

The tour is extremely well organized – it manages to be efficient and yet personal (I’m betting the earlier you can visit the better) – you feel as so many of Hearst’s guests must have felt the first time they were invited.

*The entrance to Casa Grande. William Randolph Hearst was inspired to build his castle from his European tour with his mother when he was 10 years old © Karen Rubin/goingplacesfarandnear.com*

You realize that even if you think you know who Hearst was (and so many imagine Hearst to be the character of “Citizen Kane” but he is only a piece of that fictional character, and Marion Davies, his companion, was a smart, savvy and accomplished woman and quite a fine actress, not at all like the character of Kane’s), you come away with newfound respect and interest – in fact, as compelling a real-life story as the fictional Citizen Kane. (“Citizen Kane” screenwriter Herman J. Mankiewicz was one of Hearst’s guests here.)

You also come to learn – and admire – Hearst’s architect for his castle: Julia Morgan was one of the first female engineering majors at the University of California, Berkeley, the first woman to pass the entrance exam in architecture and graduate the École Nationale Supérieure des Beaux-Arts, Paris – the preeminent architectural school of the time – and was the first licensed woman architect in California. (In 2014, Morgan was posthumously awarded the American Institute of Architects’ Gold Medal in recognition of her pioneering career and dynamic buildings, the first woman to be awarded the medal in its 107-year history, https://pioneeringwomen.bwaf.org/julia-morgan/)

*The grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

Hearst was inspired to build his castle and collect art when he took the grand tour of Europe when 10 with his mother. And his mother, Phoebe Apperson Hearst. a philanthropist and advocate for women, introduced him to Julia Morgan. Phoebe began a lifelong interest in Morgan’s career when the two women’s paths crossed in Paris. The films and photos you get to see of Morgan, presiding over the dynamiting to level the summit and build the road, reviewing plans with Hearst, are fascinating.

Even though you are walking through the mansion with a tour group, you actually feel like you were one of Hearst’s guests arriving for the weekend – the home is set out as it would have been – most remarkably, in the grand dining room (it may well have inspired Harry Potter’s Hogwarts dining room, and interestingly, the banners on display refer to an Italian horserace), there are bottles of ketchup and mustard because Hearst himself, for all the spectacular grandeur of the art and architecture, wanted a homey feel to his country home.

*Ketchup and mustard on the table in the grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

The art is breathtaking – Hearst collected the pieces himself, and drawing from his European travels with his mother when he was 10 years old, are predominantly Gothic and medieval – a lot of religious art which Hearst appreciated for the art and the period, not the religious significance, the guide tells me.

*The oldest work of art at Hearst Castle is an Egyptian statue, 3200-3600 years old, of Sekmet, daughter of Ra © Karen Rubin/goingplacesfarandnear.com*

At the entrance to the Casa Grande – the 68,300 sq ft grand house – we stop in front of the oldest work of art here, an Egyptian statue, 3200-3600 years old of Sekmet, daughter of Ra –with a hieroglyph that translates “Good God, Lord of Two Lands.” The entrance to Casa Grande – has real gold gilding on the door, 1500-year old mosaic tiles, a 600 year old statue.

*The Assembly Room of Hearst Castle gives you your first taste of the opulence and art collection © Karen Rubin/goingplacesfarandnear.com*

We are ushered into the grand Assembly Room – 15^th century church pews, tapestries, line the wall, and the Venus Italica, one of Hearst Castle’s greatest masterpieces, created by Antonio Canova (1757-1822).

In 1935 his collections were valued at more than $20 million (in the height of the Great Depression!), but then he fell into near bankruptcy, and at the age of 75, and had to sell off two-thirds of his collection, estimated at $15 million, at “fire sale” prices. (Marion Davies, by then extremely wealthy in her own right with movies and real estate investments in places like Palm Springs, lent him $1 million so he could keep Hearst Castle; when she died, her estate was worth $8 million; when he died, she gave the Hearst Company shares he left her back to his family and they promptly kicked her out and refused to let her come to his funeral.)

You can easily picture who Hearst, Davies and Morgan were, and the glorious celebrity life they lived because there are home movies, photos!. It is thrilling to sit in Hearst’s own theater and watch Charlie Chaplin mug for the camera. (Definitely take advantage of the outstanding 40-minute documentary about Hearst’s life in the five-story theater before or after the tour.)

In many ways, William followed in his father’s footsteps.

George was a self-made millionaire, starting as a prospector – he owned interest in three of the largest mines in the U.S., including the Comstock Lode in Nevada, the Homestake gold mine in South Dakota and the Anaconda copper mine in Montana, plus the Ontario silver mine in Utah, then acquired large portions of land throughout the United States, especially in California and the West. One acquisition was 48,000 acre Piedra Blanca Rancho at San Simeon in 1865, when William was two-years old. He later purchased the adjoining Santa Rosa and San Simeon Ranchos – amassing 250,000 acres. This place became a retreat for lavish family camping trips.

*Only a small portion of the vast estate – once 250,000 acres – assembled by Hearst © Karen Rubin/goingplacesfarandnear.com*

Late in his life George Hearst served as United States Senator from California from 1887 until his death in 1891. It was during this time that he acquired the small San Francisco Examiner as a repayment for a gambling debt. Although he had little interest in the publishing business and wanted his only son, William, to take over the family’s mining and ranching holdings, William wanted to run the newspaper.

The newspaper business was William’s passion, and he ultimately amassed a huge publishing empire, and even when he was living at this remote castle in San Simeon, he would get the pages each night by teletype by 1 am, and make editorial changes by phone, well into the night.

William Hearst is probably best known for “yellow journalism” which pressured President McKinley into the Spanish-American War (that also made Theodore Roosevelt’s reputation with his Rough Riders.

And following in his father’s footsteps, he was elected to Congress but unsuccessfully ran for Governor and for President.

In 1919 when he inherited the estate, William Hearst, then 56 years old, hired architect Julia Morgan telling her, ““Miss Morgan, we are tired of camping out in the open at the ranch in San Simeon and I would like to build a little something.”

For the next 28 years, the project that we know as Hearst Castle became his life’s work, his creation and hers and unbelievably, was never actually finished, even though the mansion and villas now comprise 165 rooms atop the 1600 ft. high summit of a hill. Hearst, they say, was never as happy as when he was on his “Enchanted Hill.”

*Once this pasture would have held the largest private zoo in America © Karen Rubin/goingplacesfarandnear.com*

From the bus, we look out over the vast lands where Hearst had assembled exotic animals from around the world, ultimately creating the largest private zoo in America – you would have seen African and Asian antelope, zebras, giraffes, camels, sambar deer from India, red deer from Europe, axis deer from Asia, llamas, kangaroos, ostriches, emus, Barbary sheep, Alaskan big horned sheep, musk oxen and yaks. Though most of the animals were removed by 1937 (when Hearst was near bankrupt during the Great Depression), some that remain are descendents of the original herds, like the Oudads, and get still have 200 head of cattle on the ranch.

We drive the winding road that Julia Morgan designed so that the castle appears, disappears and reappears as you drive around the bends, climbing higher and higher to the hilltop.

Hearst’s guests would have come by private train, but some of Hearst’s guests – like the Vanderbilts, who flew in on a private plane in 1935 to an airstrip below, then would have been driven up these roads.

Hearst created a mile-long pergola of fruit trees, and would ride on horseback through the canopy, “the longest pergola in captivity” Morgan would joke. The fruit trees including oranges and pomegranates, yield 2000 lbs of citrus that are donated to local food bank.

All the food the castle used was produced on site; water was piped in, so the castle was completely self-sufficient.

As we get off the bus, our guide, Gregory Anderson, encourages us to take photos as we see them, because the tour goes in one direction But to a really excellent degree, what we see is what it would have been like to visit in Hearst’s time.

*One of the three villas at Hearst Castle where movie stars, industrial moguls, and political leaders would have stayed © Karen Rubin/goingplacesfarandnear.com*

We stop in front of the first villa, Casa del Sol, “medium sized” at 3600 sq ft., built for a sunset view, Bob and Delores Hope honeymooned here; Edward Hubble, who originated the Big Bang Theory, stayed here; Actor Cary Grant requested a different room every time stayed (came 40 times)

We come to the 2500 sq. ft Casa del Mar cottage, where David Niven (“The Pink Panther) and Winston Churchill stayed (in 1929). Up until 1976, this was the villa that Hearst family members would stay. (William had five sons between 1904-1918, and there are some 70 descendents today and the family – the 20^th wealthiest in the US – now when they come, they stay at the Senator’s House which the Hearst Corporation still owns).

King Vidor, Howard Hughes, Charlie Chaplin, buster Keaton, Jean Harlow, Carole Lombard, Harpo Marx, Joan Crawford, Greta Garbo were among the celebrities who came.

Hearst loved to take his guests on grueling horseback rides – delighted in seeing how silver screen cowboys would handle real horse.

Our guide tells us that Hearst Castle was Morgan’s 503rd of 700 projects and was one of the few architects who knew how to work with steel reinforced concrete (important for earthquakes).

Notably, she designed a new Fairmont Hotel in San Francisco, still an architectural jewel, which opened within a year after the 1906 earthquake, and propelled her career and her own practice.

Morgan had already designed the block-long Spanish Mission Revival Hearst Examiner Building (1913–15) in Los Angeles. In 1919, following his mother’s death, Hearst inherited the full Hearst estate and decided to build a “modest bungalow” on the hilltop of the ranch at San Simeon – which evolved into the castle.

I find it interesting that Morgan negotiated her commission from 6 percent for architectural services to 8.5 percent to cover the costs of “running the job.” She was providing what today would be called “design-build” services and was responsible for managing workmen, artisans, material suppliers, and warehouses of artifacts – it is fascinating to see the “home videos” of her directing the workers.

*The magnificent Neptune Pool. Julia Morgan had to design and build it three times © Karen Rubin/goingplacesfarandnear.com*

The most spellbinding features of the estate are the two pools – the Neptune Pool which has Grecian feel, is actually the third incarnation: 104 feet long, 58 feet wide and 95 feet wide at the alcove. It is 3.5 feet deep at the west end, 10 feet at the drains, and holds 345,000 gallons of water. Other notable aspects of the Neptune Pool include the oil-burning heating system, the Vermont marble that lines the basin, gutters, and alcove, and four Italian relief sculptures on the sides of the colonnades.

*The magnificent Roman Pool in Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

The indoor Roman Pool tiled indoor pool decorated with eight statues of Roman gods, goddesses and heroes. The pool appears to be styled after an ancient Roman bath such as the Baths of Caracalla in Rome c. 211-17 CE.

Be sure to make time to see the “Building the Dream” biopic in the 5 story theater (plays every 45 minutes) about William Randolph Hearst’s childhood, his travels to Europe, construction of the castle estate, and his architectural collaboration with Morgan. “They built castle but also created legacy.”

Hearst Castle, which first opened for tours in 1958 and gets 600,000-700,000 tourists/year (in the 1980s, its heyday, a million tourists would come each year), is now a California state park.

There are no individual visits to Hearst Castle – you must be registered for a tour. Ticket prices start at $30/adults, $15 children (5-12). (https://hearstcastle.org/tour-hearst-castle/daily-tours/). Reserve tickets online up to 60 days in advance; Reserve online (https://www.reservecalifornia.com/Web/Activities/HearstCastleTours.aspx)

Every year from the end of November through the end of December, Hearst Castle offers a “Holiday Twilight Tour” to experience the estate as Hearst’s guests enjoyed it during the 1920s and 1930s during the Christmas season.

Hearst Castle, 750 Hearst Castle Road, San Simeon, CA 93452-9741, 800-444-4445 (8 am-6 pm PT), hearstcastle.org.

More visitor information: visitcambriaca.com.

Next: Cambria is Great Base for Pacific Highway Roadtrip

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Cultural travel, European travel, Historic Places, International Travel, Museums and Exhibits, Places of History

Visiting Colmar, France, is Like Stepping into a Storybook

May 7, 2024 krubin723

*Maison Pfister is a centerpiece of Colmar, France and has become the historic city’s symbol © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Colmar, in France’s Alsace-Lorraine region, is a storybook village – its buildings literally decorated to tell a story. And when you wander around its narrow, twisting streets, you walk through 500 years of history, lose all sense of what century you are in and fall totally under its spell.

Almost miraculously, the city has managed to remain mostly unscathed through centuries of wars. So as you stroll around, you come upon architectural jewels from the Middle Ages and the Renaissance. (You can follow a self-guided historic walking tour of silver Statue of Liberty figures in the pavement.)

I became curious about visiting Colmar when I saw a short report about it being the childhood home of Frédéric Auguste Bartholdi, the sculptor who created the Statue of Liberty, and the images of how colorful and charming it was. I had to see if for myself.

So I take advantage of the ease of visiting Colmar from Strasbourg, the starting point for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is just 45 minutes on the train, every half hour, a most enjoyable, comfortable and scenic ride, 28E roundtrip, no need to reserve – and join the hordes of day-trippers exploring this fairytale-like place.

It’s a short, pleasant walk from the Colmar train station into Le Petit Venise (Little Venice), the historic district (really similar to Strasbourg’s Le Petit France), and I am immediately enchanted.

Colmar is famous for its half-timbered houses and richly decorated merchants’ mansions. Some date from the Middle Ages, such as the Adolf House, the oldest in Colmar, built in the second half of the 14^th century; and the “Huselin zum Swan” on Schongauer Street.

*Maison Pfister, built in 1537, manifests exquisite art and design of the Renaissance© Karen Rubin/goingplacesfarandnear.com*

The Renaissance is on display in one of Colmar’s most magnificent structures, Maison Pfister with ornate bay windows (oriels), long wooden gallery and exquisitely painted murals, which has become a symbol of the city. Maison Pfister was built in 1537 for Ludwig Scherer, a wealthy hatter from Besancon. The paintings that decorate the façade, attributed to Christian Vacksterffer, represent 16^th century Germanic Emperors, Evangelists, Church Fathers, allegorical figures and biblical characters and scenes. It is named for the merchant Francois-Xavier Pfister who acquired the mansion in 1841.

*The exquisite paintings that decorate the façade of Maison Pfister © Karen Rubin/goingplacesfarandnear.com*

I come upon a house at 34, rue des Marchands with a plaque dated 1435 and a note that says this was the residence of master painter Caspar Isenmann “(Zum Grienen hus”). Another marvelous structure is “Cour du Weinhof,” at 12-16 rue des Marchands, which is a medieval 14^th century granary.

*A plaque says this was the residence of master painter Caspar Isenmann “(Zum Grienen hus”), dated 1435* *© Karen Rubin/goingplacesfarandnear.com*

*A 14^th century granary in Colmar © Karen Rubin/goingplacesfarandnear.com*

So many of the buildings are adorned with beautiful, even playful, whimsical decoration – as if there is a competition for who can have the prettiest or cleverest or most festive, or perhaps a public ordinance that requires everyone to be incredibly festive and clever. I wonder.

*The whimsically decorated buildings make Colmar seem like a storybook © Karen Rubin/goingplacesfarandnear.com*

I go in search of the intriguingly named House of Heads. Built in1609 in German Renaissance style, it has a three-story bay window, and a façade embellished with 111 heads and masks.

*The intriguingly named House of Heads, Colmar © Karen Rubin/goingplacesfarandnear.com*

You walk through a fabulous pedestrian zone -a listed “protected sector” – that takes you from the Middle Ages to the 18^th century, from “Little Venice” to the Tanners district with its grand white-fronted houses.

Similar to Strasbourg, there are districts, or neighborhoods, built around trades.

*Colmar’s Poisonnerie quay where fish caught mainly in the River Ill were stocked and sold, dates from the 14^th century © Karen Rubin/goingplacesfarandnear.com*

The Poisonnerie quay where fish caught mainly in the River Ill were stocked and sold, dates from the 14^th century. Part of this district was damaged in a major fire in 1706 but some houses were rebuilt. The whole area underwent urban revitalization from 1976 to 1981.

The Tanners Quarter, rounded by the Rue de Montagne Vertne, Rue des Tripiers, Rue des Tanneurs and place de l’Ancienne Douane, is the epicenter of the protected old town center. Its tall, timber-framed houses built during the 17th and 18th centuries, often have a final open-worked level which was used by craftsmen to dry their pelts. The district was restored 1968-1974.

*The Tanners Quarter has been restored © Karen Rubin/goingplacesfarandnear.com*

The Koifhus (Old Customs house) completed in 1480, is the oldest public building in the city. The ground floor was used as a warehouse, where imported and exported goods were taxed. The floor was used for meetings of the deputies of the Décapole, the federation of the 10 imperial cities of Alsace, formed in 1534 and for the Magistrate. When the Revolution abolished commercial privileges, the building was used for other purposes. Around 1840, the building was used as a theater and in 1848, the first office of the discount bank. The Koïfhus was occupied by the Chamber of Commerce and Industry from 1870 to 1930 and by a Catholic boy school and an Israelite school in the late 19th century. Today it is used for various public activities.

*Colmar’s Covered Market: what is old is new again © Karen Rubin/goingplacesfarandnear.com*

A marvelous place is The Covered Market, especially to pick up picnic fixings for lunch or snack. Designed in 1865, this building is made of bricks, with a metal frame has had several functions until being returned to its original purpose of market hall. About 20 merchants offer high quality products: fruits and vegetables, butchery, cheese dairy, bakery and pastry, fish and other terroir delights – yet another example of what is old becoming new again. (13 rue des Ecoles, Quartier de la Petite Venise).

I find a sensational patisserie that has the best croissants, which I munch just outside in a tiny park.

Musee Unterlinden

I wander a bit aimlessly, just soaking in the atmosphere, and find myself at one of Colmar’s most important museums, Musee Unterlinden.

Founded in 1906, Musee Unterlinden is housed in a 13^th century convent building that was linked to the former municipal baths building by architects Herzog & de M Meuron, who added a contemporary extension. Within you wander through 7,000 years of history, culture and art from the prehistoric era to 20th century.

The museum is mainly known as a showcase of Rhenish Art, displaying a remarkable collection of paintings and sculptures of the Colmar region of the 15th and 16th centuries, a Golden Age for the Upper Rhine.

*Musee Unterlinden’s star attraction is the celebrated altarpiece of Isenheim* *© Karen Rubin/goingplacesfarandnear.com*

But its star attraction is the celebrated altarpiece of Isenheim, an exquisite polyptych created between 1512 and 1516 by the artists Niclaus of Haguenau (for the sculpted elements) and Grünewald (for the painted panels). It was created for the Antonite order’s monastic complex at Isenheim, a village about 15 miles south of Colmar, where it decorated the high altar of the monastery hospital’s chapel until the French Revolution.

The Isenheim Altarpiece is housed in the museum’s Medieval cloister, where you find the art of the Middle Ages and the Renaissance, with works by Martin Schongauer, Hans Holbein and Lucas Cranach. The former baths building that opened in 1906 is used for special exhibitions, while the works of major 20^th century artists including Monet, de Staël, Picasso and Dubuffet have a new showcase in the contemporary wing.

I wander down to the cellar of the former convent, and am fascinated to see its extensive archaeology section, with artifacts of the Haut-Rhin region dating back thousands of years. The collection has been expanding because of ongoing regional excavations. One section is devoted to prehistory and protohistory, the neighboring rooms to the Roman and Merovingian periods.

The extensive collection of historical objects and artifacts from domestic life and funerary contexts, mostly from the northern Haut-Rhine, presents an almost complete overview of the different stages of the region’s cultural evolution.

*Musee Unterlinden’s* *collection of historical objects and artifacts presents an almost complete overview of the different stages of the region’s cultural evolution.© Karen Rubin/goingplacesfarandnear.com*

I find it interesting to learn Unterlinden was founded by a man who was convinced of the importance of “making a contribution to forming and developing a sense of taste and beauty” and of “providing the lower classes with an opportunity to benefit from the knowledge and pleasures they are so often denied.” In 1847, Louis Hugot, archivist and the city librarian of Colmar since 1841, was inspired by his love of graphic art to establish the Martin Schoengauer Society with other local scholars. Two years later, the society published its plan to transform the Unterlinden Convent into a museum.

Musee Unterlinden, Place Untrlinden, https://www.musee-unterlinden.com/en/home/.

Musee Bartholdi

The climax for my enchanting tour of Colmar comes when I (finally) find my way to the Musee Bartholdi (I seem to have overshot it a couple of times, even though everything is really close, even though there are metal markers in the street leading to the museum). The museum is housed in the childhood home of sculptor Frederick Auguste Bartholdi (1834-1904), who created the statue we know as the Statue of Liberty, but was actually named “Liberty Enlightening the World,” unveiled in New York in 1886.

*Bartholdi’s inspiring statue, “Grand soutiens du monde” – four women holding up the world © Karen Rubin/goingplacesfarandnear.com*

Bartholdi was the son of a councilmember who died in 1836 when he was just two years old. The family residence was built in the 15^th century and transformed in the 18^th century into an elegant hotel particulier (town mansion).

When Bartholdi died, his widow defied his wishes (he wanted her to create a museum for sculpture) and turned his Colmar family home into a museum as a tribute to him. Opened in 1922, the Bartholdi museum is entirely dedicated to presenting the artist’s work as well as his process, so you see models, drawings, engravings and photographs. You also see family furniture and personal mementos.

*Going through Bartholdi’s childhood home, you feel you get to know him © Karen Rubin/goingplacesfarandnear.com*

You enter through an inner courtyard, where you see Bartholdi’s inspiring statue, “Grand soutiens du monde” – four women holding up the world (bronze 1902).

The collection is presented on three floors of the mansion and walking through the family’s rooms lets you see Bartholdi as a person, how his idealism was manifested in his art, and you realize that his true genius is how his art inspires that same idealism in the viewer.

*A portrait of Frederick Auguste Bartholdi in the Bartholdi Museum, Colmar © Karen Rubin/goingplacesfarandnear.com*

A whole room (surprisingly small, but that makes it more intimate) is dedicated to the Statue of Liberty – you see his inspirations and some early designs, and fantastic historic photos of its production in Paris. It is thrilling to see Bartholdi’s process for the Statue of Liberty, which he titled Liberty Enlightening the World.

Indeed, Bartholdi’s colossal Lady Liberty famously celebrates freedom, and most Americans believe his symbols refer to the American Revolution and independence from tyranny, especially since it was dedicated in New York 1886, a little over a century after the Declaration of Independence. But Bartholdi intended Liberty to commemorate America’s abolition of slavery as a result of the Civil War in 1865 – the idea for the monument originated in 1865 but was pursued only after the Third French Republic was established in 1870. We see a model of the statue that has Lady Liberty’s foot stepping on chains, as if to crush the chains of bondage.

*A model of Bartholdi’s “Liberty Enlightening the World”shows Lady Liberty crushing chains of bondage © Karen Rubin/goingplacesfarandnear.com*

Lady Liberty stands 151 feet tall, and the top of her torch brings the statue up to 305 feet – the largest statue that had ever been completed up to that time.

There are also his models for Bartholdi’s monumental statue, Lion of Belfort, which is as precious to France as Lady Liberty is to America. Bartholdi served in the Franco-Prussian War and took part in the defense of Colmar. I read that Bartholdi was distraught over Alsace’s defeat and over the years, constructed monuments celebrating French heroism in its defense against Germany. Lion of Belfort, which he created from 1871-1880, symbolizes the French resistance against Prussia’s assault during the 103-day Siege of Belfort, December 1870 to February 1871.

*Bartholdi’s “Le Martyr modern,” reinterprets the tragic myth of Prometheus© Karen Rubin/goingplacesfarandnear.com*

Colmar had always celebrated its native son, Bartholdi, and he had erected statues in the city, including his earliest works. But in the 1890s, German authorities restricted Bartholdi’s residency permit in Alsace, because several of his public monuments demonstrated support for a French Alsace. The sculptor found it increasingly difficult to travel to Colmar. In light of this, the Schoengeuer Society’s decision to set up a Bartholdi Room in the Unterlinden Museum in 1898 was a courageous move.

Bartholdi collaborated with the Schoengauer Society early on – his first major sculpture was created for the Unterlinden Museum when he was just 18 years old – a plaster statue of the founder of the Unterlinden Convent, Agnes de Hergenheim (1852), as well as the monumental fountain in honor of Martin Schongeuer, erected in the cloister of the former convent (1863). Bartholdi donated several works to the society which were transferred to the Bartholdi Museum when it opened in 1922.

Following the re-annexation of Alsace and Moselle by Nazi Germany in June 1940, Colmar was once again under German rule. The museum was shut down. The German forces destroyed Bartholdi’s monuments in the city – the statue of General Rapp was smashed on September 9, 1940; the Bruat fountain was dismantled. Figures of the four continents in red Vosges sandstone were crushed.

*Nazis crushed Bartholdi’s Figures of the four Continents but residents saved the four heads* *© Karen Rubin/goingplacesfarandnear.com*

But some Colmar residents managed to get to the site to save the four heads and a part of the foot, which they hid in their cellars. The fragments were returned to the city after the war (they are on view in the museum) and a new version of the fountain was erected in 1958.

The museum reopened in 1979, very likely spurred by preparations for celebrating the Statue of Liberty Centennial.

*Metal images of Bartholdi’s Statue of Liberty embedded in Colmar’s walkway lead the way to the Bartholdi Museum © Karen Rubin/goingplacesfarandnear.com*

(We can see his works in the United States also: Marquis de Lafayette in Union Square, NYC; Bartholdi Fountain in the Botanic Garden, Washington DC.)

There is also a 12-meter high replica of the Statue of Liberty, sculpted to commemorate the 100th anniversary of sculptor Auguste Bartholdi’s death, located at the northern entrance to the town.

*“Fontaine Schwendi”, depicting Lazarus von Schendi (1898), in the Place de L’Ancienne Douane, is one of Bartholdi’s works that can be found around Colmar* *© Karen Rubin/goingplacesfarandnear.com*

The museum has a brochure (in French) with a map of where you can find Bartholdi statues and monuments around Colmar: Monument du Général Rapp – 1856 (first shown 1855 in Paris. Bartholdi’s earliest major work); “Fontaine Schongauer” – 1863 (in front of the Unterlinden Museum); “Fontaine de l’Amiral Bruat” – 1864; “Fontaine Roeselmann” – 1888; “Monument Hirn” – 1894; “Fontaine Schwendi”, depicting Lazarus von Schendi – 1898; Les grands soutiens du monde − 1902 (statue in the courtyard of the museum).

(Musee Bartholdi, 30 rue des Marchands, 68000 Colmar, https://www.musee-bartholdi.fr/)

*Much of Colmar is a protected district, © Karen Rubin/goingplacesfarandnear.com*

Another site I miss is the Synagogue. Built 1839-1842 on the site of an old farm, the synagogue of Colmar is the seat of the Israelite Consistory and the Grand Rabbinate of the Haut-Rhin.

I learn that the Jewish community was expelled in the 16th century, but returned to Colmar during the Revolution. The Rabbi was transferred from Wintzenheim to Colmar in 1823. The synagogue of Colmar was renovated in 1885 and an annex added in 1936. Used as an arsenal during the German occupation, the synagogue was restored after the war. It is the only synagogue in the region which has a bell tower. (3 rue de la Cigogne,)

*Enjoy a boat ride to see Colmar from the river © Karen Rubin/goingplacesfarandnear*

Unfortunately, I leave Colmar before seeing its Illumination. The town is illuminated from nightfall on Fridays and Saturdays year-round and every evening during major events in Colmar such as the International Festival, Regional Alsace Wine Fair and Christmas in Colmar.

Another reason to look forward to returning.

For more information about Colmar’s museums: https://www.tourisme-colmar.com/en/visit/presentation/museums

For more visitor information, contact Tourist Office of Colmar, Place Unterlinden, +33 (0)3 89 20 68 92, [email protected], https://www.tourisme-colmar.com/en. The website is really helpful for planning: https://www.tourisme-colmar.com/en/visit/presentation/discover

TIME-TRAVELING THROUGH STRASBOURG IN FRANCE’S ALSACE-LORRAINE

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Arts, Arts & Entertainment, Attractions, Cultural travel, Historic Places, Hotels & Resorts, Museums and Exhibits, Places of History

Time-Traveling through Strasbourg in France’s Alsace-Lorraine

April 28, 2024 krubin723

*The spectacular panoramic view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Staying over in the historic city of Strasbourg in France’s Alsace-Lorraine region, means that you can go out in the early morning, before the daytrippers crowd the streets, and soak in the atmosphere.

*A cyclist rides through the Tanners Row, empty of people in the early morning © Karen Rubin/goingplacesfarandnear.com*

I walk through Tanners Row, which in this early morning hour, is peaceful. A guy on a bike rides through, a reminder that this is still a neighborhood, a community.

I go to explore Strasbourg’s Les Ponts Couverts and the Vauban Dam, located a short distance from each other.

*Strasbourg’s Les Ponts Couverts* *© Karen Rubin/goingplacesfarandnear.com*

Les Ponts Couverts (covered bridges) are three bridges spanning the River Ill, dominated by three imposing square towers, vestiges of the 13th-century city walls. A bit further, there’s a fourth tower nicknamed “the executioner’s tower.”

While I fruitlessly look for covered bridges, I finally realize that they were replaced in 1865 by these stone bridges without a roof (so not covered),where I am standing. As I observe the beautiful views from the bridge, a fellow tells me you can walk on the Panoramic Terrace on top of the Vauban Dam – in fact, the views from there are spectacular.

*Statues stored in a cell within the Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

A short walk from the bridge is the Vauban Dam. “The Great Lock” was built between 1686 and 1700 based on plans of Louix XIV’s military engineer, Vauban. Built with 13 arches, it was constructed so that they could flood part of the city to defend against an enemy attack. It is fascinating to walk through – some sculptures just hanging about gathering cobwebs – but most marvelous is a rooftop terrace, laid out in 1965, which you can walk over for a spectacular panoramic view of the old city.

*Looking out from the interior of the Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

From here, you can see the fingers of the River Ill coming together below you. (Pro tip: though amazing to see in the morning light, you are looking into the sun – the reflections on the water are amazing – but check it out in the late afternoon.)

*The view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

Palais Rohan

One of the many jewels of Strasbourg is the Palais Rohan. Constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, it was built for Cardinal Armand-Gaston de Rohan-Soubise, Prince-Bishop of Strasbourg, modeled after Paris’ grand mansions.

Following the French Revolution, the palace became the Emperor’s royal residence, and after 1870, a museum. Today, the Palais Rohan houses three stellar museums: the Archeological Museum, the Museum of Decorative Arts and the Fine Arts Museum – just walking through the palace to the various rooms where the exhibits are displayed is a phenomenal experience.

(I have to rush through in the couple of hours before I need to get to the Regent Petit France Hotel where we are getting picked up for the European Waterways canal cruise aboard the Panache. It would have been better to have four hours.)

The art and artifacts are gorgeously presented in an exquisite palace. Definitely follow the helpful “My First Visit…” brochures which detail where to find the highlights.

*The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com*

The Museum of Fine Arts presents a fascinating overview of European painting up to 1870. Located on the first floor of the Palais Rohan, the museum offers a tour through the centuries and schools: Italian and Flemish Primitives (Giotto, Memling); Renaissance and Mannerism (Botticelli, Raphael, Veronese, Lucas de Leyde, El Greco); Baroque, Naturalism and Classicism in the 17th and 18th centuries (Rubens, Vouet, Zurbarán, La Belle Strasbourgeoise de Largillière, Canaletto, Tiepolo, Goya); 19th century (Delacroix, Chassériau, Corot, Courbet).

Among the highlights is La Belle Strasbourgeoise, from 1703, a portrait of a woman from one of Strasbourg’s important families in the time of Louis XIV with her imposing two-cornered hat in black lace, painted by one of the best portrait painters of the time, Nicolas de Largilliere. Though the woman has never been identified, the painting has become a symbol of the museum, much as the Mona Lisa is to Le Louvre.

Museum of Decorative Arts is set in the historical apartments – so you visit the chambers of the King and the Bishop-Prince, with exceptional examples of “the princely style of life under the monarchy.” It continues into the wing of the old stables with a tour of rooms housing decorative arts collections tracing the diversity and development of applied arts in Strasbourg from 1681 to 1870 – world-famous Hannong ceramics, furnishings, sculpture and paintings, timepieces, metalwork, silver and goldsmith art, and a selection of mechanical toys from the Tomi Ungerer Foundation.

The most interesting section is the Chamber of the Bishops – the suite of rooms forming the King’s apartments. Originally, there would have been portraits of bishops but in 1793, the paintings were burned by revolutionaries who replaced them with allegorical figures of the Civic Virtues, which is what we see today. One of the paintings dates from the First French Empire and displays the monogram of Napoleon I and the Empress Josephine.

*Louis XV is said to have slept in this bedchamber during his visit to Strasbourg in 1744 and Marie -Antoinette in 1770 © Karen Rubin/goingplacesfarandnear.com*

Among the notable occupants of the King’s bedchamber were Louix XV, himself, who stayed here in October 1744, and the Daughines Marie-Josephe de Saxe in 1747 and Marie-Antoinette in 1770. The wood paneling is among the masterpieces of the French Rocaille style. Elaborately stylized shell-like, rock-like, and scroll motifs, Rocaille is one of the more prominent aspects of the Rococo style of architecture and decoration that developed in France during the reign of King Louis XV (1715–74).

Here, there is a disorienting melding of the old with the new: You go through the Royal Suite – bedchamber, Assembly Room which have been complemented with anachronistic modern art displays.

In the Decorative Arts Museum in the Palais Rohan, a room full of fascinating clockworks, including a cock clock and an astronomical clock, designed in the 16^th century © Karen Rubin/goingplacesfarandnear.com

Seeing my interest, the guide directs me to a room with clockworks – the cock clock originates from the first astronomical clock dating from the 14^th century of the Strasbourg Cathedral; in the center of the room are parts of the second astronomical clock designed in the 16^th century by mathematician Conrad Dasypodius.

I visit a room that originally was the Prince-Bishops’ bedchamber, but when it was refurbished in the Imperial period, the bedchamber became Emperor Napoleon’s Morning Room and the antechamber of the Prince-Bishop became a small dining room. The decoration was damaged during bombing in 1944.

*Emperor Napoleon’s Morning in the Palais Rohan © Karen Rubin/goingplacesfarandnear.com*

The entire Palais Rohan is an exhibit of decorative arts – it was built by Armand Gaston, Prince de Rohan Soubise, Bishop of Strasbourg from 1704-1713 who initiated the work. He wanted a building in the style of the Chateau at Versailles and commissioned plans from the King’s chief architect, Robert de Cotte. Construction, decoration and furnishing lasted from 1732-1742.

Archaeological Museum, the oldest of Strasbourg’s museums, was founded in the 18^th century. It is fabulous. Housed in the basement of the Palais Rohan, the diversity and wide chronological range of the artifacts on display make it one of the most important archaeological museums in France.

*The Archaeological Museum in the Palais Rohan has burial sites from the Bronze and Iron Age© Karen Rubin/goingplacesfarandnear.com*

The Archaeological Museum has fascinating exhibits that date back, remarkably, from 600,000 BC through the early Middle Ages (800 A.D.) You get insights into the daily life of Paleolithic hunters and the first neolithic farmers, Bronze Age and Iron Age burials, the everyday life of Gallo-Romans, and jewelry and weapons unearthed from Frankish and Atamanic graves.

*Among the highlights in the The Archaeological Museum in the Palais Rohan is this chariot for traveling through the world of the dead © Karen Rubin/goingplacesfarandnear.com*

Among the highlights: A chariot for traveling through the world of the dead, taken from tombs of Celtic princes from the Iron Age (750 BC-050 BC). And you can see the oldest tool in Eastern France – a chopper made of rock used for slicing or scraping, that was found at Achenheim and dated about 600,000 B.C. There is also a funeral headstone of a Gallo-Roman farming couple wearing their everyday clothes, that dates from the late 3^rd Century A.D.

Palais Rohan, 2 place du Chateau Strasbourg, +33 (0) 3 68 98 50 00, www.musees.strasbourg.eu.

Musée Historique de la Ville de Strasbourg

After returning from the canal cruise aboard the Panache and before taking the afternoon train back to Paris, I find my way down this really colorful street off Cathedral Square (that’s saying something in Strasbourg) to the Historical Museum of the City of Strasbourg. It is also not to be missed (and try to see early in your visit).

You wouldn’t believe that the museum, founded in 1920, is housed in what was the Grande Boucherie (the city’s slaughterhouse) built 1587-1588; it was renovated and reopened in 2013.

Entering the Musée Historique de la Ville de Strasbourg is like entering a time machine that transports you to exciting, dramatic periods of France’s history: Gutenberg’s printing press and the rise of a printing/publishing industry in Strasbourg, and what that meant. The French Revolution. The 1870 Commune Revolt. World War I. The Nazi Occupation and resistance. The museum offers an engaging tour lets you discover nine centuries of Strasbourg’s existence through 1700 works on display –paintings, artifacts, possessions – and interactive and digital devices.

Strasbourg was a free city of the Empire, which meant it had its own walls and enjoyed the privilege of holding a market and minting its own coins. Strasbourg did not take an oath of loyalty to the sovereign and did not owe the sovereign taxes or military, except for an escort for his coronation. Such a “free city” was rare. On this basis, Strasbourg had an independent constitution that was considered highly democratic by the standards of the day.

*A display of Jewish ritual objects on view in Strasbourg’s City Museum. Jews were expelled from the city in 1388. © Karen Rubin/goingplacesfarandnear.com*

However, among those excluded from burgher status were servants, the poor and Jews, who were massacred in 1349, and after 1388, the survivors were denied the right to live in Strasbourg. The only activity Jews could lawfully engage in was usury (money lending), and certain trades. They could pursue these occupations in the city by day but had to leave in the evening. There is a moving display showing Jewish ritual objects (and as I had seen at the Musee de l’Oeuvre Notre Dame, a collection of Jewish tombstones).

There is an excellent display about Gutenberg, who developed his printing process in Strasbourg between 1434 and 1444 (legend has it he was inspired by seeing a wine press), then returned to his hometown of Mainz where he published his first printed volume in 1454. Gutenberg’s technological revolution spread with lightning speed. In Strasbourg some dozen printing houses sprang up between 1460 and 1480. The first publications were religious books (bibles) , classical texts and calendars.

*Johannes Gutenberg is said to have invented his printing press in Strasbourg, which became a major center for printing and publishing © Karen Rubin/goingplacesfarandnear.com*

The invention of printing, arbitrarily dated 1440, was celebrated in Mainz (as of 1837) and in Strasbourg, which raised the statue by David d’Angers honoring Gutenberg in 1840 (the statue we see today in Place de Gutenberg).

In the early days, printing was used to diffuse knowledge as well as criticism of the Church and of society in general. But authorities soon started printing decrees. In Strasbourg, the population was divided into six social classes – the first included servants and unmarried women; second class were day workers; third class were gardeners, and up to the sixth class, representing nobles, the Magistrate and jurists.

Laws promulgated by the municipality from 1531 onwards touched every aspect of life – religion, education, marriage, burial, use of inns, dress, begging, Jews, financial matters, games, behavior in the street, defamation, publishing.

One could say that the printing press enabled the “Rule of Law”.

*Historical paintings of Strasbourg are on view in the City Museum © Karen Rubin/goingplacesfarandnear.com*

It is fascinating to travel through time – through the Imperial period, the French Revolution, the Commune, the back-and-forth between being part of France and the German Empire, World War I, World War II and Nazi occupation.

I learn that 22 Novembre – the name of a main boulevard where my hotel, the Hannong, is – was the date in 1918 when the French Army entered Strasbourg. “For President Poincare, the enthusiastic reaction of the population was equivalent to a plebiscite. French became compulsory in schools and the civil service. Strasbourg, the regional capital, had to re-adapt to the French system of departments. Religion, important in both educational and political terms, had to make concessions to the secular state.”

The extensive exhibits focused on the World War II period are intense.

In July1940, once Petain had signed the armistice, Alsatians were encouraged by the Vichy regime to return to their homes – exceptions were Jews, “Francophiles” and French civil servants (30% of the population) – their property was seized, and what followed was “Germanization” of the population (again, since Alsace had gone back and forth between Germany and France).

In November 1944, Strasbourg was liberated from the Germans by General LeClerc. Strasbourg was bombed by both Allies and by Germans after being liberated in 1944.

The European Union was founded in 1992 – three of its institutions are based in Strasbourg: the European Parliament, the European Mediator and the Schengen Information Service.

“A day will come when war will seem as absurd and as impossible between Paris and London, St. Petersburg and Berlin, Vienna and Turin, as today it would be impossible and seem absurd between Rouen and Amiens, Boston and Philadelphia,” Victor Hugo said in the inaugural speech at the Congress for Peace, Paris, August 21, 1849.

I don’t even remember how many hours I spent here – the displays are really captivating.

(Information and portal to collections: https://en.musees.strasbourg.eu/museums)

Strolling around the historic district of Strasbourg to take in the fabulous architecture and ambiance takes on new dimension after visiting the City’s museum of history © Karen Rubin/goingplacesfarandnear.com

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr.

Next: Stepping into the Storybook that is Colmar

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Arts & Entertainment, Attractions, Cultural travel, European travel, Historic Places, International Travel, Monuments, Museums and Exhibits, Places of History

Discovering Strasbourg France’s Cultural Riches

April 21, 2024 krubin723

*Strasbourg, France’s Notre-Dame Cathedral, as seen through the windows of Musee de l’Oeuvre Notre Dame © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I’ve come to Strasbourg, France, for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is my practice now when connecting with a cruise or bike tour, to arrive at least a day early, especially when you have the opportunity to overnight in such a charming historic city as Strasbourg. That way I don’t have to worry about flight or weather delays and I can experience the destination in the morning and evening light, in peace and calm without the daytrippers, and have the time to really explore, discover and become immersed in its cultural riches.

*The TGV train from Paris to Strasbourg © Karen Rubin/goingplacesfarandnear.com*

The TGV train ride was absolutely gorgeous. (Less than two hours from Paris, you go from Charles de Gaulle Airport into the Gare de Nord, then take an easy 15 minute walk to Gare L’Est – glad I pre-purchased my train ticket and reserved seat on raileurope.com). It is surprising to see how soon out of the bustling metropolis you are in pastoral countryside. We whisk passed solar arrays, wind turbines, cows in pasture, and see traditional villages at the far end of fields. It’s cinematic.

*Leaving Paris for Strasbourg by train, you are soon in the pastoral countryside © Karen Rubin/goingplacesfarandnear.com*

And I still get into Strasbourg in the afternoon with plenty of time to explore.

There is much to experience in Strasbourg and I will actually have part of four days here. We will be picked up in Strasbourg on the first afternoon and taken to Krafft to board the barge hotel, Panache, and actually cruise back into Strasbourg on its first full day when we will have a walking tour and overnight on the canal. I will have much of a full day again at the end of the cruise, when we are delivered back to Strasbourg from Niderviller, before I take the train to Paris. I do a calculation and decide on my only full day in Strasbourg, after exploring the old city in the early morning, to hop on the train for a 45-minute ride to see Colmar, and still get to enjoy Strasbourg’s beauty at night.

*Hotel Hannong is perfectly situated, walking distance to Strasbourg’s historic sites* *© Karen Rubin/goingplacesfarandnear.com*

I must say I am clever about seeing Strasbourg, beginning with choosing a charming boutique hotel, the Hannong, which I find on hotels.com, right in the historic district and walking distance from the train station, so walking distance to everything I want to see, even walking back late at night. I am able to book a room ideal for a single person (it’s as big as a walk-in closet but has everything I need) for a very attractive rate. The pleasant stay, hospitable staff, and location add immeasurably to the way I experience Strasbourg and make the best of my time. (Hotel Hannong, 15, Rue du 22 Novembre,67000 Strasbourg, +33 03 88 32 16 22, hotel-hannong.com).

*Strasbourg’s old city © Karen Rubin/goingplacesfarandnear.com*

So when I arrive, I find my way to the Hotel Hannong (I’m disoriented and finally find someone to point me in the right direction (I’ve already downloaded directions but I don’t have internet), I drop my bag and go off to immerse myself in the old city’s charm.

*Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com*

It’s just a couple of blocks to where Le Petit France begins, and I wander the narrow cobblestone streets, over bridges over the River Ill, where every turn reveals a picturesque scene of quaint quays and colorfully timbered structures from the Middle Ages, reflected in the blue water. The River Ill, which divides into five arms, is what spurred the construction of mills and the installation of tanneries centuries ago.

*The Tanners district in Strasbourg’s Le Petit France dates from 1572 © Karen Rubin/goingplacesfarandnear.com*

So charming and tranquil today, even with the crowds of tourists in midday, Le Petit France, a UNESCO World Heritage Site, in its day would have been the stinkiest, filthiest, poorest part of town, inhabited by tanners, fishermen, and animals, but as you get closer and closer to fabulous Cathedral, the residences become nicer and fancier and is where the wealthiest merchants and officials would have lived.

I come upon Place Gutenberg with a striking monument created by David d’Angers (1788-1856), erected in 1840. It commemorates that the German inventor Johannes Gutenberg developed moveable type that revolutionized access to the Bible, news, information, books, and even the law to the masses, while living in Strasbourg from 1430-1440, spawning an entire printing and publishing industry based in Strasbourg. The bronze statue stands on a granite base with four fascinating bronze relief panels that commemorate that Gutenberg came upon his idea for moveable type inspired by how a wine press worked, and how his invention influenced every corner of the globe.

*The statue for Johannes Gutenberg in Strasbourg’s Place Gutenberg © Karen Rubin/goingplacesfarandnear.com*

One of the reliefs, “Detail of America,” depicts Benjamin Franklin and other signatories to the Declaration of Independence along with other famous liberators including General Lafayette and Simon Bolivar. Another, “Africa,” portrays Wilberforce and other abolitionists bringing freedom and enlightenment to the slaves. The third relief, “The Printing Press in Europe,” portrays important figures of the Enlightenment – Erasmus, Chaucer, Milton, Molière, Rousseau, Voltaire, Kant and Schiller (the original plaster panel, which gave prominence to Martin Luther, caused an uproar, I learn). The Asian panel is more weathered, but includes Brahmans exchanging manuscripts for books, and Chinese people reading Confucius

*Strasbourg’s Guttenberg Plaza © Karen Rubin/goingplacesfarandnear.com*

In this plaza, there is also an old-timey Carrousel 1900 that is a delight in the day, enchanting at night.

*A traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com*

When I get to St. Thomas Church, I come upon an outdoor Punch & Judy puppet show, which traces back to Commedia dell’arte tradition in Italy in the 1660s. (I’m not a fan of the too accurate re-creation of its traditional slapstick humor and the tragicomic misadventures of the characters but the kids love it.)

*Families enjoy the traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com*

Notre-Dame Cathedral of Strasbourg

The Notre-Dame Cathedral of Strasbourg dominates the city, in fact the entire region since it can be seen from great distances. Cathedral Square is a vibrant hub of musicians, vendors, and is ringed with some of the most important sites in the city – reminiscent of St. Marks Square in Venice. I will visit multiple times, and in the course of my visit, experience most of the important sites around the Cathedral. The streets that radiate from it are also full of colorful activity.

*Chasing bubbles in Cathedral Square © Karen Rubin/goingplacesfarandnear.com*

Construction of the Cathedral started in 1015, but came into its own as a monumental Gothic structure in the 1260s because of Erwin von Steinbach who designed the Cathedral to be the most modern building of its time in the whole of the Holy Roman Empire. It is still one of the most beautiful examples of Gothic architecture in the world. The hundreds of statues that decorate the Cathedral are incredible.

*Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

Finally finished in 1439, the Cathedral, built of pink sandstone from the Vosges, features a 142-meter-tall bell tower, making it the tallest medieval building in all of Europe.

It is an imposing structure inside, as well, with 12^th and 14^th century Romanesque stained glass windows in mesmerizing geometric patterns. You can climb the 332 steps to the top of the bell tower for a spectacular view and explore an 11^th century crypt below the main cathedral.

On Saturday night, after I have rested a bit after coming back from Colmar, I stroll out of the hotel to Cathedral Square for the 10-minute Illuminations de la Cathedrale de Strasbourg, a free laser light show which begins nightly at 10 pm and runs continuously until midnight (in July and August). I find the neon colors jarring, but I love when the white fluttering strobe light gives the Cathedral a ghostly quality.

*Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com*

Musee de l’Oeuvre Notre Dame

Just across the square from The Cathedral is the Musee de l’Oeuvre Notre Dame, an absolute must-see, where you walk through seven centuries of art in Strasbourg and the Upper Rhine. Its medieval and Renaissance collections show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13^th to 16^th centuries.

During the 13th century, the construction of Strasbourg Cathedral produced some of the most exceptional sculptures of the medieval world. Many of them – such as The Church and the Synagogue statues on the south portal, and the west façade’s Tempter and the Wise and Foolish Virgins, the Virtues Crushing the Vices, and the Prophets – were removed from the edifice in the early 20^th century to protect them from bad weather and pollution, and replaced by sandstone replicas. But here you see the original sculptures that decorated the Cathedral. To see them so close, life-sized, so you can really appreciate the artistry in a way you simply can’t by gazing up at the Cathedral, is astounding.

When I visit, the museum is featuring a virtual reality, augmented reality, holograms, videos and touch screens to situate the works where they had originally been set in the Cathedral.

In one grand room, I focus on the two sculptures known as “The Church and The Synagogue,” which I would not have known to look for, just walking about the Cathedral.

So much is embodied in these two statues, and why they were chosen: Positioned on either side of the south transept portal, the statutes of The Church and The Synagogue “each personify a covenant binding God to his people: the New Covenant of the Christian Gospel and the Old Covenant of the Jewish Torah, respectively,” the notes say.

*Church Triumphant and The Synagogue Vanquished* *© Karen Rubin/goingplacesfarandnear.com*

On the left, the Church Triumphant, “wearing a crown and holding in her hands a chalice and a banner surmounted by the Cross, fixes her self-assured gaze on the Synagogue. The vanquished Synagogue, blindfolded and holding a broken lance, averts her head, expressing her inability to recognize the messiah in the person of Jesus. She appears to let fall the tablets of the Law of Moses, symbolizing the supplanting of the Old Testament. But the extreme humanity and beauty of the young woman’s features suggest an awaited revelation rather than the stigma of blindness” [as if to suggest, Jews will come into Christianity’s fold].

Now that I know where to look, later I go out to see the figures at the Cathedral.

*Church Triumphant and The Synagogue Vanquished* *statues as they are position on the Cathedral’s south portal © Karen Rubin/goingplacesfarandnear.com*

In front of these two statues is a relief representing the biblical episode of “The Sacrifice of Isaac” at the hand of his father Abraham. The notes do not mention that this event for Jews, established the covenant with God and Jews as the “Chosen People”.

*A relief depicting Abraham’s near sacrifice of his son, Isaac © Karen Rubin/goingplacesfarandnear.com*

Besides the statuary, there are incredible paintings, triptychs and religious art – some of the most magnificent in the world – as you walk from room to room, floor to floor.

*Jewish tombstones on view at the Musee de l’Oeuvre Notre Dame. Jews were expelled from Strasbourg in 1349, during the Black Plague © Karen Rubin/goingplacesfarandnear.com*

I follow an interior staircase all the way down and come to an interior courtyard in which tombstones rescued from a Jewish cemetery are displayed respectfully. The notes say that in 1349, Jews were expelled from Strasbourg because of Black Plague.

I climb the staircase to an attic room, where the innovations in architecture and engineering are explained. You also see some of the original architectural drawings of the Cathedral – the oldest architectural drawings of their type – as well as a video.

La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13^th to 16^th centuries.© Karen Rubin/goingplacesfarandnear.com

The museum is housed within La Maison de L’Oeuvre Notre-Dame, which has been the home of the Foundation of the Oeuvre Notre-Dame (the body responsible for administering work on the Cathedral) since the Middle Ages. It is actually two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582). Just walking through the rooms is an experience.

*Musee de l’Oeuvre Notre Dame* *is actually in two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582) © Karen Rubin/goingplacesfarandnear.com*

Fondation de l’Oeuvre Notre-Dame (Our Holy Lady Work Foundation) was established in 1224 (!!) to improve the administration of donations and legacies for the construction of Strasbourg Cathedral. Every since construction ended, the Foundation has been in charge of restoration and conservation of the monument, a UNESCO World Heritage site since 1988.

Plan on spending several hours wandering around this museum (I actually did it twice).

Musee de L’Oeuvre Notre-Dame/Aarts Du Moyen Age, 3 place duChateau, Strasbourg.

From here, I walk across the square to see the Church and Synagogue portal, before walking back through Cathedral Square (which reminds me of St. Marks Square in Venice) to the fabulous Palais Rohan.

Ancient: La Maison Kammerzell, built in 1467, and converted to Renaissance style in 1589, boasts exquisite carvings, with secular and religious themes, After refurbishing, it became a restaurant celebrated for its lavish frescoes painted by Leo Schnug © Karen Rubin/goingplacesfarandnear.com

What is so interesting (and fun) about Strasbourg is how the historic city seamlessly integrates – and respects – what is ancient and what is modern: the virtual reality in the Musee de L’Oeuvre Notre Dame, the neon laser lights that bathe The Cathedral for the nightly show, the modern art in Cathedral Square, the really modern art exhibit incorporated into the 18^th century Royal Chambers of the Palais Rohan’s Decorative Arts Museum, the light rail that rings the Old City along cobblestone streets.

Modern: *Strasbourg Museum of Modern and Contemporary Art* *in Strasbourg’s historic district* *© Karen Rubin/goingplacesfarandnear.com*

So much to see, experience and appreciate. My exploration continues.

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr,

Next: Time Traveling Through Strasbourg

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: A BOAT GUILLOTINE, TWO TUNNELS AND A MONUMENTAL CHAGALL

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Cruising, Cultural travel, International Travel, luxury travel, Museums and Exhibits

European Waterways Alsace-Lorraine Canal Cruise: A Boat Guillotine, Two Tunnels and a Monumental Chagall

April 16, 2024 krubin723

*European Waterways luxury hotel barge, Panache, approaches the “boat guillotine” at the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Day 6 Lutzelbourg to Niderviller

On Day 6 our European Waterways luxury hotel barge, Panache, cruises from Lutzelbourg to Niderviller where the cruise ends, during which we experience some of the most dramatic cruising – thrilling even considering how calm and restful the slow cruising on the canal is – of the trip.

I set out on the bike along the towpath but come to a fork and am confused which way to go, so return to the Panache. It’s a good thing I did return to the boat because the bike path would have taken me away from the boat.

Indeed, the canal takes a turn and we get our first view of an astonishing sight: the Arzviller boat elevator that will carry Panache 45 meters up a mountainside in mere minutes.

Captain Brian excites us with the image of a “boat guillotine”. But before we have the experience (we have to wait our turn), we tie up and walk a short distance to Cristal Lehrer (Cristallerie Lehrer) glass-blowing factory where we get to see demonstrations of the craftsmanship involved.

*Demonstrating glass making at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

In 1920, there would have been 1500 glass workers in this area. One of the workers was Charles Lehrer. Decades later, his son, Bruno Lehrer, founded this glassworks.

*Demonstrating glass blowing at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

We get to observe from an amphitheater as glassblowers heat the molten glass to 1700 degrees Celsius; use different oxides to create the different colors and shape them into a range of items.

*Bruno demonstrates how he cuts glass at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

In the cutting and etching room, a craftsman named Bruno shows us how he cuts shapes into a glass, etches images like a swan or a bird, changing the wheel for a different cut and then engraves my name in the glass, which he gives me as a gift. He tells me he has worked in this factory with his father from when he was 14 years old; now 86, the master craftsman is here every day demonstrating his skill. (It occurs to me later whether this is Bruno Lehrer, himself?)

Arzviller Boat Elevator

An engineering feat when it was installed in 1969, and still the only one of its kind in Europe, before the Arzviller boat elevator was constructed in 1969, it took boats an entire day to navigate the 17 locks over four kilometers to ascend the 146 feet in altitude. Before the Arzviller boat elevator, only one barge a day could pass through, but today, as many as 39 can make the trip each day.

*Panache heads into the “boat guillotine” to enter the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

Now back on the Panache, it is our turn to go through the “boat guillotine” – really the black door that comes down to seal the carriage, like a bathtub, into which our boat floats, to be carried, like an elevator, up the hill. Two counterweights, weighing 450 tons each, powered by two winches, lift or lower barges safely up and down the hill at a 22-degree angle. It takes four minutes for us to be lifted to the top, where the door rises and we continue our journey on the Canal de la Marne au Rhin.

*The Panache is lifted up the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

What an experience, but the drama isn’t over.

Coming out of the boat elevator, we cruise a bit further until we come to an enormous tunnel, just exactly the width of the boat, cut through the Vosges mountains.

*Panache enters the first of two tunnels through the mountain © Karen Rubin/goingplacesfarandnear.com*

It is unbelievably exciting to go through – I don’t even go down for lunch, which is served by candlelight – until we get through the tunnel, some 30 minutes later.

But that is not all, because we will soon come to a second tunnel that takes 20 minutes to get through.

*Panache navigates the narrow tunnel © Karen Rubin/goingplacesfarandnear.com*

In between the tunnels, I go down for lunch which is also an event –fennel and anchovies salad; orange duck with couscous, and selection of cheese. White wine from Alsace, Gewurztramine 2020, a vegan, “vin biologique” wine “Evidence” ( named to reflect “the respect we have for biodiversity in our vineyards as “evidenced” by the return of game birds to our land, which has inspired this label”).

*Captain Brian keeps watch as Panache navigates the narrow tunnel © Karen Rubin/goingplacesfarandnear.com*

And yet, there are still more astonishments to unfold on this day, our last full day of the cruise.

We are driven to Sarrebourg, a classic, historic French town.

*Lunch served by candlelight as Panache goes through the tunnels © Karen Rubin/goingplacesfarandnear.com*

A Monumental Chagall

The astonishing highlight in Sarrebourg comes at the Chapelle des Cordeliers. Built in 1265 by Franciscans, the church was used for barracks during the French Revolution; in 1870, during the German Annexation, the church was used for worship for German soldiers. From 1927, the History and Archaeology Society converted the chapel to a museum. But by 1970, the building, near ruin, was demolished, leaving only the choir of the chapel and an open space where a wall should have stood.

*Marc Chagall’s monumental stained glass window, La Paix, at the Chapelle des Cordeliers, Sarrebourg, France © Karen Rubin/goingplacesfarandnear.com*

The Mayor of Sarrebourg at the time, Pierre Messmer, a former Prime Minister of France, entreated his friend, the world-famous artist Marc Chagall to create stained glass windows that would close the empty space. Chagall agreed to do it as a gift to the town. It took Chagall six months, from December 1973-Febuary 1974, to produce a series of six sketches for what became his largest stained glass window, 12 meters high by 7 ½ meters wide.

*Detail from Marc Chagall’s monumental stained glass window, La Paix, at the Chapelle des Cordeliers, Sarrebourg, France © Karen Rubin/goingplacesfarandnear.com*

Messner had asked Marc Chagall for Sarrebourg to be featured. Chagall, who had never been to Sarrebourg, had planned to visit in the summer of 1974, but he was not well enough to travel, so relied on photographs. It took two more years (1974-6) for master glassmaker Charles Marq to create it in the Simon de Reims workshop, where Chagall had all his stained glass projects produced. “There is all the genius of Chagall – the monumental dimension, the light and the transparency of the final realization,” the notes say.

Chagall died in 1985 at the age of 98 after creating one more stained glass work, but never saw “The Peace” installed. (https://www.sarrebourg.fr/parcours-chagall/chapelle-des-cordeliers/)

“For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light,” Chagall wrote.

La Paix (“The Peace”) puts Adam and Eve in the Garden of Eden at the center, surrounded by a multitude of Biblical and religious symbols and subjects, as well as secular images that give a nod to the Alsace-Lorraine, our guide, Philippe Zugmeyer, explains, showing us Chagall’s sketches which we can compare to the finished work. “The face of Eve is very bright, white, brightest image. They are smiling, showing love. Look closely and you will see the face of girl from Lorraine – identified by the regional headdress she wears.”

He points us to the Prophet Isaiah in green, an important symbol for Chagall of reconciliation of all creatures. There are the lamb, cow, bear, snake, lion. There is King David with a harp. Jacob’s ladder. Jesus on a donkey heralded by people smiling and cheering. Jesus giving his Sermon on the Mount. Jesus on the cross. There is a baby to symbolize maternity (not nativity, he notes). Moses with two beams of light emitting from his head.

“This is not a religious lesson, it is profane [secular],” he tells us. “It is about the region. Peace and reconciliation.” But he adds, “There is a lot we can’t explain – it is up to you to find your own meaning in the Chagall. What is clear is that Chagall intended to bring unity – peace. There are Old Testament and New Testament themes, symbols and imagery.”

In addition to “The Peace,” the stained glass windows on the side walls were also designed by Marc Chagall.

I never expected to see anything like this on this day.

From here we walk a short distance to the affiliated Musée du pays de Sarrebourg (Museum of Sarrebourg and its surroundings). Created in 1905, it was originally only an archaeological museum. Today, it is a modern building that includes a space dedicated to Marc Chagall, tapestries and an exhibition of earthenware and porcelain from the Niderviller manufacture and Roman artifacts.

*Yvette Cauquil-Prince’s tapestry based on Marc Chagall painting on view at the Sarrebourg museum © Karen Rubin/goingplacesfarandnear.com*

We see the tapestries created by Yvette Cauquil-Prince (1928 –2005), a Belgian-born weaver and master craftswoman who reproduced the works of renowned 20^th century artists including Pablo Picasso, Max Ernst, Paul Klee, Wassily Kandinsky, Alexander Calder. But she is best known for her association with Chagall, producing over 40 tapestries of his works with meticulous, even impossible detail, several which we see here.

*Sarrebourg, France, visited on European Waterways’ Panache Alsace-Lorraine canal cruise © Karen Rubin/goingplacesfarandnear.com*

Gala Captain’s Dinner

This is our last evening aboard The Panache and while each meal has been the ultimate in fine dining, tonight’s Captain’s Dinner when Captain Brian heads the table, has the feeling of a gala with formal table setting – white tablecloth, red cloth napkins, candlelight.

*Last night’s Captain’s Dinner aboard Panache is a gala affair © Karen Rubin/goingplacesfarandnear.com*

The meal features peas and wasabi tartlet; Jerusalem artichoke; lobster tail piquillos; chocolate with truffle; cheese selection. The wine is Chablis Grand Cru Les Blanchots (2018) from Albert Bichot, founded in 1831and still family-owned, and a Pino Noir Grand Cru from Burgundy (2014).

“This wine is like walking in forest after rain- grapes come from plot of soil at bottom of hill in Burgundy,” says Brian, who comes from Burgundy. “Grown in the forest, the grapes are half protected from the morning sun. Less sun, less sugar, less alcohol. The forest brings moisture, humidity – freshness. It’s very fresh – the flavor of rose, forest flavors, then red berries, an oak barrel and voila.

*The Panache crew © Karen Rubin/goingplacesfarandnear.com*

Captain Brian, who chose tonight’s cheeses, regales us with the back stories: Comte, a favorite of cow’s milk cheese from Franche-Comte, he says, “is a treasure. This is a tiny piece of huge wheel. To make it, you need the milk from 30 cows’ full day production.

The second cheese, Valencay, a hard goat cheese from the Loire, has a fabulous story: after his disastrous campaign in Egypt, Napoleon visited the town of Valençay and was treated to this renowned cheese. For Bonaparte, the shape of the cheese – a pyramid – reminded him of his recent defeat so he furiously drew his sword and in one stroke cut off the top.

Third is Roquefort, the best blue cheese, bred where the mold comes to the cheese (instead of injected). “Legend has it that a shepherd boy left his lunch in a cave, but returned some time later to find the moldy cheese. He tried it.– don’t ask me why, he’s very French – and instead of getting sick or being poisoned, found the cheese delicious. That’s how Roquefort was discovered.” (Interesting anecdote I discover: Before penicillin was discovered, many people in France simply rubbed Penicillium roqueforti on their wounds to prevent bacterial infection.)

In the course of our six-day cruise, I calculate we sampled 36 cheeses –about half of all the controlled French cheeses – and 40 wines.

We see gorgeous scenery, to be sure, but the barge experience is about doing, being present, the camaraderie. And so there are sentimental farewells when we depart – the seven days we have spent together feeling like a long time and as no time at all.

“Travel makes the world feel big and small at the same time.” “Travel is the elixir of youth.”

The next morning, we are driven back to Strasbourg – 45 minutes to cover the distance we have traveled in six days cruising (and biking). I have enough time to continue to explore Strasbourg before I take the TGV train to Paris.

The Panache does this Alsace-Lorraine cruise on the Canal de la Marne au Rhin in both directions, but I was thrilled going the way we went, from Strasbourg to Niderviller because there is a constant build up of excitement, starting with floating through that stunning alee as we sail into Strasbourg, and climaxed by going up the incline (in this direction) and through the two tunnels, with the Marc Chagall on the last day.

*European Waterways’ luxury hotel barge Panache cruises the Marne au Rhin canal through France’s Alsace-Lorraine* *© Karen Rubin/goingplacesfarandnear.com*

The 12-passenger luxury hotel barge Panache cruises the Alsace & Lorraine in summer and autumn; Holland in the Spring, when the flowers are in full bloom, and Champagne in May & June (Champagne itineraries typically include Brie cheese tastings, a tour of the Cathedral at Reims, Epernay and of course, tastings at renowned champagne houses).

This year, European Waterways celebrates its 50^th anniversary of its founding by Derek Banks and John Wood-Dow, who helped pioneer the concept of hotel barging and itineraries that focused on culture, history, fine wine and gourmet cuisine. Among the first to operate on the Canal du Midi, their efforts helped spur a new niche travel industry that proved instrumental in the revitalization of Europe’s intricate network of scenic canals and inland waterways as tourism destinations – giving new life to villages and communities that had depended upon the canals that no longer carried commercial cargo.

With a 6-to-20 guest capacity and 1:2 crew ratio, European Waterways is able to provide lavish on-board service and can transport their guests on the narrower, more intimate inland waterways that are inaccessible to larger vessels. This fascinating network of smaller canals allows for flexibility, spontaneity and ample opportunity to hop off and explore by bicycle or on foot, in addition to walking tours of communities and daily, chauffeured excursions “off the beaten path” to experience wine tastings and private visits of stately homes.

One of the largest providers of all-inclusive luxury hotel barging in Europe, European Waterways is launching its newest, ultra deluxe vessel, the eight-passenger Kir Royale. Debuting in France’s Champagne region in May 2024, the vessel features major upgrades that include a more spacious layout with modern furnishings, three sundecks and a spa pool, an upper observation deck with a panoramic view, and four air-conditioned cabins with en suite bathrooms.

Kir Royale will cruise the River Marne and Canal latéral à la Marne, offering six-night all-inclusive sailings with exclusive excursions to some of the region’s legendary Champagne houses such as Moët & Chandon. Guests will also be treated to immersive experiences such as lunch at the boutique Grand Cru Champagne house of Frerejean Frères, and on-board gastronomic meals with wine pairings served by the vessel’s own master chef.

Kir Royal will cruise Champagne from May through October. It joins European Waterways’ 12-passenger Panache, which cruises between Château-Thierry and Châlons-en-Champagne from mid-May to late-June. Both vessels provide private transfers from a designated location in central Paris. Reservations are now open, with rates starting at $8,550 per person, based on double occupancy. Whole boat charters are also available.

Contact European Waterways, 877-879-8808, www.europeanwaterways.com.

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Cruising, Cultural travel, International Travel, luxury travel, Museums and Exhibits

European Waterways Alsatian Canal Cruise: Mystery of the Necklace in Saverne, Lalique in Lutzelbourg

April 11, 2024 krubin723

*European Waterways’ luxury hotel barge, Panache, cruises through the historic city of Saverne on the Marne au Rhin canal through France’s Alsace-Lorraine © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Day 4 Waltenheim-sur-Zorn to Saverne

On this fourth day of European Waterways’ seven-day cruise cruise on the Marne au Rhin canal through France’s Alsace-Lorraine, the luxury hotel barge Panache cruises to the enchanting town of Saverne, boasting a history that dates back 2,000 years to Gallo-Roman times. We will tie up right in the town at the foot of the Château de Rohan, a palace built for a Cardinal that is so grand, it is known as the “Versailles of Alsace.”

Sue, who hails from Australia, and I are up early enough to go with Captain Brian into the village of Waltenheim-sur-Zorn to the most remarkable patisserie I have ever seen to pick up breads and other delights for our breakfast. The boat departs at 8 am on the dot (I had just stepped off for a photo and got back just in the nick).

*Stopping into a patisserie in Waltenheim-sur-Zorn to purchase breads for breakfast aboard the Panache © Karen Rubin/goingplacesfarandnear.com*

Captain Brian tells me that I can bike up to lock 32 and the boat should be there around 2 pm. I do my calculation: Locks 42-41 are 4 km apart; locks 37-36 are 4 km (we will be there around lunchtime) while it will take the boat four hours to get to 37.

The biking on the towpath alongside the canal takes me passed some of the prettiest pastoral scenes on the route (especially between locks 39 to 37, from Lupstein to Dettwiller). It’s classic.

*Gorgeous pastoral scene just outside Saverne along the Marne au Rhin canal © Karen Rubin/goingplacesfarandnear.com*

I think I get in 20 miles riding all the way to Saverne and doubling back to lock 36 to get back on the boat for lunch

Lunch features French beans with aioli; crayfish with risotto – superb. The white wine is Sancerre La Ferriere 2021 (coincidentally, the book I am reading that day mentioned the same wine!) and the red wine-Sancerre La Louisonne (2016), a Pinot Noir from the Loire Valley.

*European Waterways’ luxury hotel barge Panache cruises on the Marne au Rhin canal to Saverne © Karen Rubin/goingplacesfarandnear.com*

We continue our onboard discovery of French cheeses with Mimolette (also known as Boule de Lille), a cow’s milk cheese produced in Flanders and Normandy, has a marvelous story: a French version of Edam, it has a distinctive orange color that was developed for King XIV in the 18^th C. A further study reveals that it was developed “on the advice of his finance minister Jean-Baptiste Colbert, that the way forward for the French economy was to export as much as possible and import as little as possible. France was pretty much bankrupt at the time and this strategy was aimed at balancing the budget. Colbert was also a big fan of taxes and micro-management.” (https://brieencounter.wordpress.com/2012/08/31/todays-cheese-is-mimolette/). We also experience Brillat-Savarin, a soft-ripened triple cream cow’s milk cheese with a natural, bloomy rind.

*Chef Leo’s crayfish with risotto* *© Karen Rubin/goingplacesfarandnear.com*

At 3:30 pm, Captain Brian takes us on a delightful walking tour of Saverne, pointing out exquisite architecture – and here, I really appreciate the difference between wandering around and having someone who can point out the interesting details.

Saverne became really important for its geographical location – set where two major Roman roads converge, where you can access the Rhine and Rhone to go to the Netherlands, or where it joins the Seine to go to southern France. Not surprisingly, Saverne’s authority changed between France and Germany several times in history, and its cultural imprint – architecture, food, language – reflect both.

We come to a statue of the city’s emblem, the Unicorn, just in front of the Chateau Rohan,

Here, Brian attempts to relay in abbreviated form the “Mystery of Necklace,” This was a colossal scandal involving “the most expensive necklace of the Middle Ages, most beautiful, with the biggest diamonds in the world” that in today’s money would have been worth $15 million, helped bring down Marie Antoinette for her perceived excess and lead, ultimately, to her execution in the French Revolution. (I subsequently learn, she actually refused the necklace, because she said her country needed ships the money would buy.) But the connection to Saverne is this Chateau de Rohan, because at the heart of the scandal was Cardinal de Rohan who built the opulent palace. The mystery comes because the necklace was stolen and never found. (The events are even more dramatic than Alexandre Dumas’ “Three Musketeers”, https://en.wikipedia.org/wiki/Affair_of_the_Diamond_Necklace)

*A 14^th century cloister in Saverne displays 17^th century frescoes © Karen Rubin/goingplacesfarandnear.com*

We walk to a 14^th century cloister, a stunning example of Gothic architecture with a garden where medicinal herbs were cultivated; it is ringed by a portico and impressive 17^th century frescoes which tell of a trial.

We walk to the Hotel de Ville – the city hall – a stunning historic building that manifests the city’s mix of culture: a Germanic balcony and a French balcony.

*Saverne’s historic Town Hall © Karen Rubin/goingplacesfarandnear.com*

It is adjacent to the oldest and most ornate building still standing, Maison Katz. Built in 1605 by Henri Katz, the Receiver General of the Bishopric, its beautiful façade of sculpted timber is a superb example of the German Renaissance style. Today, it is a popular restaurant. (Taverne Katz, 80 Grand’Rue 67700 Saverne, +33 (0)3 88 71 16 56, https://www.tavernekatz.com/en/restaurant).

*The stunning decoration of Maison Katz, dating from the 17^th century, in Saverne © Karen Rubin/goingplacesfarandnear.com*

Befitting wealthy property, it is also very close to the Church Notre Dame, built in the 12-15^th centuries, with Romanesque arch and a Gothic interior. Remarkably, the Chapel has the original 15^th century stained glass; the rest has stained glass from the 19^th century.

*Church Notre-Dame in Saverne dates from the 12^th century © Karen Rubin/goingplacesfarandnear.com*

Musée du Château de Rohan

We walk next to the Château de Rohan, overlooking the Marne-Rhine Canal that we have been cruising. Historically the residence of the bishops of Strasbourg, it was rebuilt by Cardinal de Rohan in 1779 in neoclassical style with magnificent gardens and a 140-meter-long façade made of Vosges sandstone (like the Notre-Dame of Strasbourg).

*Chateau de Rohan has been called the “Versailles of Alsace,” and today is Saverne’s city museum © Karen Rubin/goingplacesfarandnear.com*

The palace today houses the city museum. Founded in 1858, the museum exhibits art from the churches and castle of Saverne, a large archeological collection of Roman and Celtic artifacts from the excavation of the Marne-Rhine Canal, the collection of 20th century and ethnological art donated by feminist journalist and politician Louise Weiss, and a fascinating exhibit about her life and times.

Weiss trained as a teacher (against her family’s wishes), and throughout World War I worked as a war nurse and founded a hospital; from 1918-1934, she published a magazine, L’Europe nouvelle. In the 1920s, she left France to see the world “to discover true meaning,” spending time in Communist Russia, meeting Lenin and Trotsky. From 1935 to the beginning of World War II she committed herself to women’s suffrage and ran for Parliament in 1936. She was active in the French Resistance during the war and was the chief editor of a secret magazine. After World War II, she said she knew nothing of Asian people, and again set off to travel the world. In 1979 she became a member of the European Parliament. She died in 1983.She said her only regret in life was not being a candidate for president. She reminds me of a French Eleanor Roosevelt. (I learn later there is a statue of Louise Weiss at the fountain in the square.)

I walk back to the boat just before 6 pm, arriving as a trio comes on board, to regale us with French (“C’est si bon”) and gypsy jazz. Fabulous.

*A French Jazz trio entertains us aboard the Panache © Karen Rubin/goingplacesfarandnear.com*

The joy from the music carries over into dinner: trout with a tomato crumble; cod with tapioca and black garlic; a scrumptious dessert of strawberry with elderflower (that Chef Leo picked from his own garden that day). Every dish is so imaginative, distinctive, and magnificently presented.

Chef Leo, who typically introduces the main course, explains that the cod is cooked slowly at low temperature, the black garlic sauce made with burnt shallots. It gives a wonderful, unexpected flavor. “I love experimenting with different flavors,” he tells us.

*One of Chef Leo’s delectable dessert creations © Karen Rubin/goingplacesfarandnear.com*

The white wine is Grand Cru Alsatian Reisling, House of August; the red a Grand Vin d’Alsace, Pino Noir (2012).

The cheeses this evening include a creamy, buttery cow’s milk cheese, cousin to Brie; Abondance, a semi-firm cow’s milk cheese from Haute-Savoie, aged for three months on spruce blocks that has a delightful walnut taste; and Bleu de Gex, a creamy, semi-soft blue cheese made from unpasteurized milk in the Jura region).

Day 5 Saverne to Lutzelbourg

*Going through the highest lock on the Marne au Rhin canal, in Saverne © Karen Rubin/goingplacesfarandnear.com*

Leaving Saverne, we go through the most dramatic and highest lock of all – it must be 30 feet high. I watch this feat, then hop off with the bike to ride the route to Lutzelbourg.

*European Waterways’ luxury hotel barge Panache cruises on the Marne au Rhin canal from Saverne © Karen Rubin/goingplacesfarandnear.com*

I return to the boat, just in time to see Chef Leo give us a cooking demonstration of the passionfruit crème brulee he is making in response to Sue’s request. It is so much fun to watch his preparation – Captain Brian pitches in, too.

We take note of a (tongue-in-cheek) “firing board” in which Captain Brian keeps tabs on who is in the running to get fired – whoever has the least checkmarks at the end of the quarter gets a prize.

*Chef Leo gives the Panache guests a cooking demonstration of his passionfruit crème brulee © Karen Rubin/goingplacesfarandnear.com*

Lunch features asparagus and cream; beef with cheesy mash potatoes (vegetarian option salmon) and the passionfruit crème brulee (parfait!). The wines are an Alsatian Riesling, Lieu Dit Burg, and an Alsace Pinot Noir (2018), Famille Hugel.

*Chef Leo’s passionfruit crème brulee © Karen Rubin/goingplacesfarandnear.com*

After lunch, we are driven to the Lalique Museum.

Lalique Museum

Situated in the picturesque village of Wingen-sur-Moder, Lalique Museum celebrates the work of the jewelry designer and glassmaker, Rene Lalique.

Lalique founded his workshop here in 1921. Throughout his lifetime, Lalique crafted jewelry, medals, perfume bottles, vases, chandeliers and glass, and we swoon seeing the collection of more than 650 of Lalique’s most stunning creations, which incorporate enamel, precious stones, and glass, gloriously displayed, with fascinating video projections and huge photographs to tell the story of the Lalique dynasty.

*Stunning examples of Renee Lalique’s creations are on view at the Lalique Museum in Wingen-sur-Moder © Karen Rubin/goingplacesfarandnear.com*

The hallmark of Rene Lalique’s jewelry design was its exquisite precision and tiny detail in the insects, fauna, flowers– you can see the wind fluttering the flower petals, every feather on a bird, a hair comb in the Japanese style has a rising sun.

“All were his ideas, his designs. He designed every piece and could name to whom sold. Renee Lalique was a control freak – he never slept more than 3 hours.”

He was on the forefront of the Art Nouveau movement but was regarded as too modern, too eccentric for Catholic sensibility, she tells us. “Too modern for Cartier. But this became the fashion.”

Rene Lalique drew his inspiration from Egypt, from Japan, from the Middle Ages, but gave these inspirations a totally new expression, his own stamp.

He became famous after winning a gold medal at the 1900 Exposition, a celebration of modernism in which electricity in Paris and the first subway were unveiled, attended by some 50 million visitors.

Rene was as brilliant a businessman as he was an artist, inventor and entrepreneur, pioneering branding, marketing, merchandising techniques. “Every perfumer demanded a new bottle, a special stopper.”

He created a joint advertising/marketing campaign (perhaps the first) with the perfumer, Molinar. “He created demand for the next collection, for perfume, then for toilet water.”

For the 1925 Exposition, he created a17-meter high glass fountain that looked like stone during the day but was lighted at night. “People then didn’t have electricity at home – it was too modern for Paris.” At the exposition’s end, he sold the statues as a limited edition.

We learn how Renee Lalique, who lived from 1860-1945, innovated new techniques and modern mass-production processes. Though Rene knew the process to turn regular glass into crystal (by adding lead), it was his son, Marc, who took over upon his death in 1945, that steered the company into crystal glass production.

There has been a glass factory in Alsace since the 15^th century and they still find pieces. Lalique, who had been producing glass in Paris, came here in 1921 and built a modern factory to produce flat glass (it was cheaper here than Paris and the French government, which had regained control of Alsace after the war, provided funding to build the factory.)

The museum, which was conceived in 2000 and opened in 2011, is housed in an old glass factory that dates from 1750, producing flat glass for windows, that closed in 1868. The Lalique factory that is still in use – the only Lalique factory in the world – no longer has any members of the Lalique family involved.

After three generations of Lalique had led the company, with no heirs to inherit, Rene’s granddaughter, Marie-Claude Lalique, sold the company in 1994 to the Pochet Group; it was acquired in 2008 by Arts et Fragrance, a Swiss group owned by Silvio Denz. (Marie-Claude Lalique died in 2003.)

Because the Swiss bought the factory and exclusive rights to the Lalique name, our guide tells us, it was difficult to create a museum with Lalique name, but the museum, funded by the state, the Alsace region and the village, ultimately won.

Everything is produced here in the factory (which we don’t see) – “a timeless collection,” our guide says.

The delightful tour finishes with a marvelous video showing production in today’s factory. There is also a wonderful shop.

Musee Lalique, 40 rue du Hochberg, Wingen-sur-Moder, phone +33 3 88 89 08 14, https://www.musee-lalique.com/en/

La Petite Pierre

*The 15^th century castle at Le Petite Pierre © Karen Rubin/goingplacesfarandnear.com*

From here, we drive to the hilltop town of La Petite Pierre where there is a 15^th century castle. It is late in the afternoon (the setting sun makes for gorgeous colors), and the village looks absolutely vacant, abandoned – almost like a movie set. We walk the ramparts of the castle.

*La Petite Pierre seems like a movie set © Karen Rubin/goingplacesfarandnear.com*

Our drive back to Lutzelbourg takes us passed Wingen-sur-Moder, the World War II battleground where American infantry fought with distinction.

*The ruins of Château du Lutzelbourg © Karen Rubin/goingplacesfarandnear.com*

But our adventure is not over – we drive up to the top of a rocky promontory, 322 meters high, that overlooks the Zorn valley, the town of Lutzelbourg, the canal and the Panache to walk among the ruins of the Château du Lutzelbourg. Built by Pierre de Lutzelbourg in the 11th century, the castle was destroyed in 1523; in 1840, the ruins of the castle were to be sold to build the railway but saved from demolition by Adolf Germain, a notary in Phalsbourg. In 1900, the owner at the time, Eugene Koeberle, excavated the ruins. The ruins we visit are more interesting that the intact structures – especially in the late afternoon light. And what a view!

People can hike up a trail (and down) from the town, and I am itching to hike back down to the Panache, but am discouraged because it is too late in the evening.

*The view from Château du Lutzelbourg © Karen Rubin/goingplacesfarandnear.com*

We are greeted back on board with “French 75,” a cocktail of gin, champagne, lemon juice and sugar syrup (delicious).

Dinner starts with John Dory served like cerviche, with mint and horseradish in a “veil” gelatin with black lemon, Chef Leo shows us the dried black lemon he uses – it comes from Iran where it is dried for month and presents a smokey, lemon flavor. It is sensational.

*Chef Leo’s John Dory served with mint and horseradish in a “veil” gelatin with black lemon © Karen Rubin/goingplacesfarandnear.com*

The entrée is a perfectly prepared lamb with truffle and cauliflower with amazing, rich flavors that burst (monkfish is the option for vegetarians)

*Chef Leo’s dinner entree of lamb* *with truffle has amazing, rich flavors that burst © Karen Rubin/goingplacesfarandnear.com*

The wines are a Beaune Premier Cru Basion, 2017 Domaine Chanson Chardonnay, and Gasies Margaux 2014 Bordeaux. The cheeses tonight include Tomme de Brebis, a Basque-style cheese half cow, half sheep milk; a Munster from Alsace and Bleu d’Auvergne. The dessert is a phenomenal blueberry tart with white chocolate mousse.

*Chef Leo’s blueberry tart with white chocolate mousse © Karen Rubin/goingplacesfarandnear.com*

Chef Leo sits down to chat with us after the meal. The 28-year old is spending his first season on the barge hotel. Born in central France, he knew since he was just four years old that the only job he wanted was to be a chef. “My grandma cooked. I loved eating.” He moved when he was 14 to attend catering school. He spent 7 years in Alsace and 2 years in London learning pastry.

“I’ve been in many places, many helpful places.” He likes the freedom of having his own kitchen, doing his own shopping, creating his own recipes. “When I fail, it’s my fault. If I could, I would be 24 hours in the kitchen.”

*Chef Leo, aboard European Waterways’ Panache, says he loves to experiment with flavors © Karen Rubin/goingplacesfarandnear.com*

He says he feeds the crew what the guests eat. “They don’t deserve it,” he jokes. “We have a budget for the crew but I pilfer to feed them the same so they understand what I am serving you.”

His dream (of course) is to have his own restaurant, near Colmar in Alsace.

I tell him his plating is gorgeous. He says his friend is a gallerist. “She helped me with art – color, textures, shapes. Presentation is half of the dish.”

I ask his flavor philosophy. “Really clear and simple – not more than 3-4 items on plate. Popping flavor. I’m always trying new stuff. On the barge, I am free to try. Every week I have new ‘guinea pigs.’ I always try to improve myself in the kitchen. It’s best to learn on my own.”

I think we really lucked out on this European Waterways barge hotel canal cruise.

*The Panache in Lutzelbourg as morning fog lifts © Karen Rubin/goingplacesfarandnear.com*

The next morning, we wake to an atmospheric fog, and as the Panache cruises and I cycle away enroute to Niderviller where the cruise will end, we get a last view of the tops of the ruins of Chateau de Lutzelbourg.

European Waterways, 1-877-879-8808, www.europeanwaterways.com.

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

Next: A Boat Guillotine, Two Tunnels and a Chagall

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Arts & Entertainment, Cultural travel, Destinations, European travel, Historic Places, Jewish Heritage Travel, Museums and Exhibits, Places of History

4 Days in Paris: Wandering the Marais District Highlights Day 3

March 10, 2024 krubin723

*Paris’ Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and street art, and historic, heritage and cultural sites* *© Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On the third and last full day of my stay in Paris, I could have planned a visit to Versailles, but I just want a day to wander without a plan. Still, I have on my list several places that I keep seeing street signs for in this fascinating Marais district where I have cleverly chosen a hotel.

*Paris’ Marais District is a delightful mixture of venerable and contemporary © Karen Rubin/goingplacesfarandnear.com*

The Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and historic, heritage and cultural sites, all packed into a relatively small (walkable) area. It is particularly wonderful to wander because the narrow, winding streets are a bit of a maze, and you keep coming upon architectural jewels – even a medieval tower – that span the centuries, trendy cafes and shops, street art, and historic places, especially sites that recall that the Marais was once a Jewish neighborhood. The main thoroughfare is Rue Vielle du Temple, and another is Rue du Temple. I had already come upon the Memorial de la Shoah, and have yet to find the Square du Temple-Elie Wiesel, le Carreau du Temple, a former clothes market that was transformed into a cultural center in 2014, or the Jardin Anne Frank.

I go in search of Place des Vosges, described as the oldest public square in Paris and an “early urban planning marvel”.

*Parvis des 260 Enfants is a reminder that Le Marais used to be a Jewish neighborhood* *© Karen Rubin/goingplacesfarandnear.com*

I get lost and instead come upon Parvis des 260 Enfants – a plaza where a marker recalls 260 Jewish school children were deported and murdered in the Holocaust. Behind a locked gate is the “Ecole Primaire Commudej Garcons Israelites Mode Mutuel.”

I finally find the Places des Vosges – which strikes me as reminiscent of Gramercy Park in Manhattan with townhouses all around. It was built for a king for jousting and festivals – the townhouses came later. It isn’t what I expected.

***Places des Vosges*** *is the oldest public square in Paris and an early urban planning marvel. One of the townhouses is now the Victor Hugo Museum © Karen Rubin/goingplacesfarandnear.com*

Though I have on my mental wish list to visit the Victor Hugo Museum, I don’t realize that it is actually one of these townhouses on Places des Vosges. (Years ago, I actually visited Victor Hugo’s “home in exile” on the quaint Channel Island of Guernsey and found it fabulous). But I get distracted and forget to look for it when I leave the square.

This is a huge regret – “Discover the private world of Victor Hugo. Get to know the man, the visionary artist, the proactive thinker and, of course, the writer of genius,” the museum promises. The museum incorporates the apartment that Victor Hugo rented from 1832 to 1848 is located on the 2nd floor of 6, Place Royale (now Place des Vosges). Its layout takes you through his life by means of the furnishings, objects and works of art that he created himself, owned, or are related to his writing.

While living in this apartment, Hugo wrote some of his major works: Mary Tudor, Ruy Blas, Les Burgraves [The Commanders], Les Chants du crépuscule [Songs of Twilight], Les Voix intérieures [Inner Voices], Les Rayons et les Ombres [Beams and Shadows], a large part of Les Misérables, and the beginning of The Legend of the Ages and Contemplations.

*The Marais District is full of surprises, like coming upon this medieval tower © Karen Rubin/goingplacesfarandnear.com*

More than the writer’s house, the Maison de Victor Hugo is an important museum with a collection of 50,000 works of art- paintings, drawings, sculptures, prints, photographs, objects, a library, and collection of manuscripts and archives, all bearing witness to the life and work of Victor Hugo.

(Booking in advance is not required but is recommended. Admission to the museum’s permanent collections is free; an admission is charged for special exhibitions.)

Maison de Victor Hugo, place des Vosges, 6 place des Vosges, 75004 Paris,
Phone : 01 42 72 10 16; open 10-6, Tuesday-Sunday, https://www.maisonsvictorhugo.paris.fr/en/paris/museum/visit-apartment-today

(Add to my regret: I discover too late that in the Marais district is an Henri Cartier-Bresson Foundation, celebrating the ground-breaking photographer and founder of Magnum and photography, at 79 Rue des Archives, 75003 Paris, www.henricartierbresson.org)

Musee Carnavalet

But leaving the Square in the opposite direction from Maison de Victor Hugo (why I didn’t see it), I happen upon the Musee Carnavalet, dedicated to recounting the history of Paris and its inhabitants. It is absolutely fabulous – for the story, the artifacts, the art it presents, and it answers the question I had been wondering about: how Paris, as fabulous a city as it is, came to be.

The museum occupies two neighboring historic mansions: the Hôtel Carnavalet, was purchased by the Municipal Council of Paris in 1866 and opened to the public in 1880 (the oldest of Paris city museums); and the former Hôtel Le Peletier de Saint Fargeau which was annexed and opened to the public in 1989. Both are exquisite.

The Carnavalet, which dates from the 16th century, contains stunning furnished rooms from different periods of Paris history, historic objects, and a huge collection of paintings of Paris life depicting the city’s history and development, as well as its notable characters. There is a huge collection of antiques and artifacts from the French Revolution that bring this era to life in your mind (I note a portrait of Ben Franklin); from the Second Republic of 1848, and the siege of the commune in 1870 (the era depicted in Hugo’s “Les Miserables”). The horror of the Nazi occupation is also represented.

*Paintings arranged like a 19^th century salon, at Musee Carnavalet © Karen Rubin/goingplacesfarandnear.com*

You come to a grand room that looks like the 19^th century art salons the painters would exhibit in, with its walls filled with works by artists including Joos Van Cleve, Frans Pourbus the Younger, Jacques-Louis David, Hippolyte Lecomte, and Simon-Auguste.

*Dramatic historic paintings on view* *at Musee Carnavalet help tell the story of how Paris came to be © Karen Rubin/goingplacesfarandnear.com*

“At the crossroads of archaeology and history, the decorative arts and fine arts, urban history and social anthropology, the museum provides the keys to understanding the history of this unique city-capital-metropolis.”

It houses both well-known masterpieces along with little known treasures that tell the complex story of Paris, from its origins to present day, spanning 8,500 years and holds a mind-boggling 625.000 objects, presented in 85 permanent exhibition rooms

You need to spend at least two hours here. (Tuesday-Sunday, 10-6)

Musée Carnavalet, 23 Rue de Sévigné, 75003 Paris, http://carnavalet.paris.fr/en

*So much fun to get lost in the Marais District © Karen Rubin/goingplacesfarandnear.com*

Carnavalet Museum, which proves a highlight of my Paris stay and the best reason for just wandering around, is one of the 14 City of Paris’s museums that have been incorporated since January 1, 2013, in the public institution Paris Musees. Others include: Catacombes de Paris, Crypte archéologique de l’Ile de la Cité, Maison de Balzac, Maison de Victor Hugo – Hauteville House (and in Guernsey), Petit Palais City of Paris Museum of Fine Arts, Musée d’Art Moderne de la Ville de Paris, Musée Bourdelle, Musée Cernuschi, Museum of Asian Art, Musée Cognacq-Jay, Musée Galliera, Museum of the General Leclerc and the Paris’ Liberation – Jean Moulin Museum, Musée de la Vie Romantique, Zadkine Museum

The Musée Picasso-Paris

*The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com*

I set out next for the The Musée Picasso-Paris which is also in the Marais district – housed incongruously (considering Picasso’s art) in another classic historic mansion. The museum makes the claim to “the world’s richest public collection on Picasso” with 297 paintings, 368 sculptures and 3D works, 200,000 archived items, 92 illustrated books by Picasso. It also boasts a collection of 50 pieces of furniture by Diego Giacommetti.

Musée National Picasso-Paris, 5 rue de Thorigny, 75003 Paris, https://www.museepicassoparis.fr/en

Museum of Jewish Art & History

From the Picasso Museum, I find my way to the Musée d’Art et d’Histoire du Judaïsme (Museum of Jewish Art & History).

As I walk up Rue de Place Republic to Rue de Temple, I find a marker that says 76,000 Jews were deported by Nazis to concentration camps; 2000 returned. Among those who were deported were the residents of 71 Rue de Temple, a 17^th century historic mansion which today houses the Jewish Museum (mahJ), and when you first go in, there is a sort of tribute to them.

*A statue of Dreyfus is in the courtyard at the entrance to the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com*

The museum traces Jewish artistic and cultural heritage, focusing on the history of the Jews in France since the Middle Ages to the 20^th century, and evoking the communities of Europe and North Africa. Its collection, which it boasts is one of the finest in the world, comprises religious objects, manuscripts, textiles, and archival documents, such as concerning the Dreyfus Affair. (A statue of Dreyfus is in the courtyard at the entrance to the museum).

*A painting by Marc Chagall on view at the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com*

Special emphasis is given to the Jewish presence in the arts. The museum’s collections include works of art from painters of the School of Paris, Marc Chagall, Kikoine Soutine and Amedeo Modigliani and contemporary artists such as Christian Boltanski and Sophie Calle.

*At the Museum of Jewish Art & History, art and religious ritual come together as in this historic shul © Karen Rubin/goingplacesfarandnear.com*

I find the exhibit more about Jewish ritual objects and such, than it is about Jewish history, culture and art – but I am really at a disadvantage in understanding since there are no English translations.

Musée d’Art et d’Histoire du Judaïsme, Hôtel de Saint-Aignan, 71 Rue du Temple, 75003 Paris, France, https://www.mahj.org

Next I head toward the Place de la Bastille where the notorious Bastille prison once stood, until it was stormed and destroyed between 14 July 1789 and 14 July 1790 during the French Revolution. No vestige of the infamous prison remains. Instead, the July Column (Colonne de Juillet) commemorating the July Revolution (1830) at the center of the square and the Opera house.

*The Place de la Bastille where the notorious Bastille prison once stood is nothing like I envision © Karen Rubin/goingplacesfarandnear.com*

And while the square is now the site of concerts, cafes and nightclubs, it is also often the centerpiece for political demonstrations.

Another square, the Place Royale, which is close to my hotel, Le 20 Prieure Hotel, is also important for France’s history, but today is a place for skateboarders, misting station who seem to be completely unimpressed by the fabulous plaques, reliefs and inscriptions that decorate the statue at its center.

*The Place Royale © Karen Rubin/goingplacesfarandnear.com*

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Day 4 in Paris: Montmartre

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Arts & Entertainment, Attractions, Cultural travel, Destinations, European travel, Historic Places, Jewish Heritage Travel, Museums and Exhibits, Places of History, Tips for Travel

4 Days in Paris: Le Louvre Highlights Day 2

March 5, 2024 krubin723

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19^th century – the best strategy is simply to just surrender to it, go with the flow, and be surprised.

In 2018, the Louvre welcomed 10.2 million visitors, 3.5 million more than the Vatican Museums which is the second largest in Europe. The collection is valued at well over $35 billion plus another $10 billion for the building!

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

Once the home to French Kings including Louis XIV, this monumental palace began as a fortress built in the late 12^th century under King Philip II. It was converted to a museum during the French Revolution in the late 18th century. (Hence my observation that such magnificent structures that make Paris so fabulous could only have been built by a monarchy, but opened to the public by a democracy.)

The galleries span 15 acres, which is why, except for the Mona Lisa and some of the other majorly famous items, it is possible for 15,000 people a day to come through and you can still have some areas almost to yourself.

*The grand lobby of Le Louvre is at the base of the glass pyramid © Karen Rubin/goingplacesfarandnear.com*

It is massive and overwhelming – like culture shock, really, especially after having visited the comparatively calm Musee D’Orsay the day before. The connecting rooms through three wings of the palace that surround the massive courtyard seem to go on and on and on.

Considering that it would take 100 days to see all the art in Le Louvre, I decide the best thing is to just go with the flow – and get the Mona Lisa out of the way – and then just wander and be surprised. (Besides the Mona Lisa, the other blockbuster attractions are Venus de Milo, and the Winged Victory.)

It is also one of the most fabulous buildings you will ever have the chance to visit, and just going room by room (be sure to look up at the decorated ceilings), is thrilling.

I follow the signs –and the crowd – into the hall with the Mona Lisa, “La Gioconda.”

*The scramble to see Leonard DaVinci’s “Mona Lisa” © Karen Rubin/goingplacesfarandnear.com*

It’s a bit of a jungle to make your way to the painting (they could have alleviated by putting up ropes that guide you along, like they do outside at the ticket counter, which would also give everyone their turn at seeing the painting from all angles). I move through the middle, row by row.

The sitter for the portrait is believed to be Lisa Gherardini (1479-1542) who lived in Florence, the wife of Francesco del Giocondo, a wealthy silk merchant. “Leonardo aimed to bring his portrait to life by depicting Lisa as if she were naturally turning to welcome us. Her upper body is in three-quarter view, but her gently smiling face is frontal,” a poster analyzing the painting notes.

I learn that Leonardo da Vinci used the afumato painting technique of applying multiple layers of pigments bound in oil to create subtle transitions from shadow to light, which is how he brought his model’s gentle smile to life.

DaVinci never finished “Mona Lisa” but took the painting with him everywhere until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection. © Karen Rubin/goingplacesfarandnear.com

I also learn that the landscape is imaginery – “Leonardo mastered so-called ‘atmospheric perspective’ using different shades of blue to blur the outlines and give the scene a striking depth. A path on the left draws our gaze to mountains bordered by lakes. This wild majestic landscape suggests the slow formation of the Earth, the battle of the elements and the erosion caused by time.”

Leonardo began this partially experimental painting around 1503 and never finished it. Yet, it is intriguing to learn that he took it with him everywhere he went, until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection.

*Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com*

Near to where you exit from Mona Lisa is a great hall lined with monumental historical paintings.

There is one where Emperor Napoleon is crowning the Empress Josephine. Another depicting Napoleon at the Battlefield of Eylau (9 February 1807), a battle Napoleon’s troops won against Russians and Prussians but paid a high price in lives.

“For the purposes of propaganda, the artist Antoine Jean Gros (who painted it in 1808) depicted Napoleon as a compassionate conqueror ensuring aid for the wounded enemy soldiers. The zeal of the doctors and the emperor’s serenity temper the horrors of war.”

There is also Jacques-Louis David’s a portrait of Napoleon Bonaparte (1769-1821) painted when he was a young dashing fellow (1797-1798).

*Jacques-Louis David’s portrait of a young Napoleon Bonaparte © Karen Rubin/goingplacesfarandnear.com*

You realize that such paintings (as well as statues, busts, coins and stamps) were the only way people could record what someone looked like or a historic event (and therefore eminently exploitable for propaganda).

After getting the Mona Lisa under my belt, I just kind of wander, with no specific plan, just being surprised as I go through palatial rooms. (As a general rule, the further away from the Mona Lisa you get, the less crowded until you find rooms that you can have almost to yourself.)

As it happens, I practically fall upon another of Le Louvre’s famous statues, “The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase. Dating from 190 BC, “Winged Victory” is of major importance because it is one of the few surviving examples of original Hellenistic sculpture.

*“The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase, dates from 190 BC © Karen Rubin/goingplacesfarandnear.com*

But at one point, I decide to search for the Venus de Milo – the third in the triumvirate of Le Louvre’s iconic works – get lost, and, instead, find myself amid Mesopotamian, Greek and Roman artifacts, instead (I never find Venus).

Just being in Le Louvre, housed in a fabulous palace built for kings, is thrilling enough, but coming upon the Code of Hammurabi, makes for an incomparable experience © Karen Rubin/goingplacesfarandnear.com

In fact, I am stunned when I stumble upon the Code of Hammurabi – in fact, one of the most exciting works in the Louvre. This black stele of basalt stands over two meters high and is engraved with the earliest collection of written laws in human history. It was engraved in Babylon (today’s Iraq) around 1760 BC and recovered in 1901 in Susa (present-day Iran). (The Ten Commandments is dated between 16^th and 13^th centuries BCE.)

*The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice © Karen Rubin/goingplacesfarandnear.com*

Hammurabi was the first sovereign who decided to convert rules formerly passed on through oral tradition into an actual code of laws. The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice. The lower part is the text documenting 282 laws. The most prominent (famous) is establishing the legal standard of retaliation – the right to inflict damage in equal measure on those who intentionally harmed you (“an eye for an eye and a tooth for a tooth,” though equality of punishment took into account the same social level), according to an article by Stefano Zuffi e Davide Tortorella (https://mywowo.net/en/france/paris/louvre-museum/hammurabi-stele-richelieu-wing-hall-3)

*Le Louvre is a fabulous palace © Karen Rubin/goingplacesfarandnear.com*

Le Louvre is really a palace – one of the grandest you have ever seen or have the opportunity to be in. Just walking through the galleries, so opulently decorated from floor to ceiling, the ornamentation is quite fabulous.

You need at least 4 hours to visit.

If your schedule allows and you book early enough, visit the Louvre Museum at night when the vibe is less frenetic and the famous pyramid is illuminated. (Wednesday and Friday, open until 9:45 pm.). Otherwise try to book a morning time as early as possible.

There are several ways to avoid waiting in a long line to get into the Louvre: purchase the Paris Museum Pass (you still must book a time slot in order to guarantee access into the museum; you provide the serial number of your Museum Pass, https://www.ticketlouvre.fr/louvre/b2c/index.cfm/pmpevent/eventCode/PMP, here); book a timed entry ticket online in advance at the official Louvre website, €17 (https://www.louvre.fr/en/visit/hours-admission); or take a tour (https://www.getyourguide.com/louvre-museum-l3224/).

Le Louvre, https://www.louvre.fr/en/visit/.

*All the bridges across the Seine become venues for “love locks” © Karen Rubin/goingplacesfarandnear.com*

Ile de la Cite

I cross the Seine on the Pont Royale and walk along the Quai Voltaire to return to the Isle de Cite for another look at Notre-Dame Cathedral, hoping to see workmen on a Monday.

*A photo exhibit documents the destruction of Notre-Dame Cathedral, as well as the reconstruction © Karen Rubin/goingplacesfarandnear.com*

The tragic fire in April 2019 destroyed so much of the iconic 860-year-old limestone and the latticework of ancient timbers that formed Notre-Dame’s attic, melted the roof’s lead sheath, and endangered the stability of the stone structure. The cathedral’s spire was sent crashing into the interior. It has since been raised again, “one of the most visible and most potent symbols of the cathedral’s rebirth,” a newspaper account states.

There is an outstanding photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of Notre-Dame’s restoration.

“I trained with teams of rope technicians, perched on ancient stones above the abyss, to access the heights of the cathedral,” Photographer Tomas van Houtryve relates. “It felt more like being on an alpine expedition than in the center of Paris. Bit by bit, the technicians carefully removed debris and consolidated stones.”

*Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

While I am standing in front of this exhibit, I learn that Jean-Louis Georgelin, the French general in charge of Notre-Dame’s reconstruction, had died just three days before, on August 18, in a fall while trekking in the Pyrenees mountains; he was 74 years old. Regarded as the architect of Notre-Dame’s rebirth, “The nation has lost one of its greatest soldiers,” President Emmanuel Macron said of him.

In an interview with the newspaper Le Monde in April, General Georgelin had insisted that “everything is being rethought.” Innovations include “cutting-edge” fire prevention technology like misting systems, thermal cameras and fire-resistant doors, as well as a recovery system to treat rainwater running off the lead roof before it goes into Paris’s sewers. “We are rebuilding Notre-Dame identically,” Georgelin had stated. “But we are building a 21st-century cathedral.”

I wonder if this tragedy would also put a monkey wrench into the restoration efforts. So far, the plan is to reopen in December (it would have been a miracle to reopen in time for the Olympics this summer). But renovation work — especially on the exterior — will continue for years after the cathedral reopens for religious services and visitors (12 million used to visit every year).

There are signs that acknowledge and express gratitude to the worldwide community that has contributed to the restoration.

(Friends of Notre Dame publishes updates on the restoration: https://www.friendsofnotredamedeparis.org/)

*Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com*

From Île de la Cité, I cross Pont Saint-Louis to Île Saint-Louis – more of a residential neighborhood with pleasant boulangeries, quaint cafes and delightful ice cream shops, and find a small park overlooking the Seine to enjoy my ice cream.

For a different Parisian experience, I had checked out my junior suite in the five-star boutique luxury historic Hotel Napoleon just steps away from the Arc de Triomphe in the tony 8^th Arrondisement, and took an Uber to my hotel for the second part of my Paris visit, Le 20 Prieure Hotel, a modest but pleasant three star in the Marais district which I find on hotels.com (my booking includes breakfast).

From here the Ile Saint-Louis, it’s a mostly straight shot walking across the bridge and up Rue Vielle du Temple Boulevard to my hotel, Le 20 Prieure Hotel (20 Rue du Grand Prieuré, 75011 Paris, https://www.hotel20prieure.com/en/) about two miles through the Marais District.

Today, Le Marais district is considered “trendy” with charming streets full of hip cafes, boutiques, and bookstores, Gay Pride flags and rainbow-painted crosswalks, and street art.

The Marais, though, was once a predominantly Jewish neighborhood, that still has the marks, remnants, and scars of being uprooted in the Holocaust.

*Memorial de Shoah in the Marais district © Karen Rubin/goingplacesfarandnear.com*

I come upon Allee Des Justes Parmi Les Nations, which I quickly realize borders the Shoah Memorial Center, a museum, information and research center on the history of the genocide of the Jews in World War II.

*Allée des Justes at the* *Memorial de Shoah in the Marais district records the names of the righteous © Karen Rubin/goingplacesfarandnear.com*

This 60 meter section of the rue Grenier sur l‘Eau was transformed into the ‘Allée des Justes’ 12 years ago, and refers back to the “Righteous Among the Nations,” a title awarded by the World Holocaust Center in Jerusalem, Yad Vashem, to non-Jews who risked their lives during World War II by helping Jews to hide, flee or survive. The memorial lists the names of the French ‘Justes’ and the locations of their deeds. One side remembers the Jewish victims on the ‘Wall of Names’ and the other side, the “Wall of the Righteous,” the French rescuers of Jews. Since Yad Vashem still awards this title to people throughout the world each year, French names continue to be added. On January 1 2012 France counted 3.513 Justes. (The Netherland has 5,204, Poland has 6,339).

As I walk about the district, I note on schools and certain public institutions, France’s credo, “Liberte, Equalite, Fraternite” (so much better than America’s relatively recent motto, “In God We Trust” adopted in 1956 in reaction to Communism.)

On one building, there is also a plaque dated December 2001 which I translate, “Arrested by the police of the Vichy Government, complicit with the Nazi occupiers, more than 11,000 children were deported from France between 1942-1944 and sent to Auschwitz because they were Jews.”

There is a street sign pointing the way to the Museum of Jewish Art & History, and I put it on my list to visit.

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day 3 in the Marais

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

_______________________

© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

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