“Nature has been inspiring artists for centuries, and its beauty has been captured in paintings, sculptures, photographs and a variety of other medium. But some artists take the relationship between art and the environment a step further, creating works from nature itself or producing artworks that make bold statements about the natural world and the imprint mankind has left on it.” This is what curator Jude Amsel was looking for when she put together the exhibition, COLLECTIVE CONSCIOUSNESS, on view at the Gold Coast Arts Center Gallery in Great Neck, Long Island through April 1.
The seven artists whose works are represented “are commenting on man’s relationship with our planet. These artists have the power to make environmentalism a priority and bring green initiatives to the forefront of cultural conversations,” she stated.
“With all the gloom and doom, we can feel sad with what’s happening in the world. But these artists bring an awareness,” a literal consciousness of our role and responsibility, Amsel said at the Artists’ Reception, March 4. The viewer is left with a sense of optimism that man’s better impulses will rise to the fore.
Yoon Cho’s work – multi-media performance art which combines video superimposed with digitized drawings – is the starkest commentary on this theme: her project was inspired by a difficult pregnancy after 10 years of marriage and the birth of her son, she and her husband traveled to barren landscapes to comment on extinction and procreation, the images of life forcing its way through.
Beth Williams Garrett created feminized Buddha head sculptures out of plastic bags.
Linda Cunningham turned the blighted industrial waterfront of the South Bronx into striking images on torn, furled canvas.
Nancy Gesimondo found solace in creating assemblages of natural materials, where mussel shells appear as butterflies, a metaphorical prayer flying to heaven; water chestnut seedpods are like flying bats, and peacock feathers are like tall grass.
Lauren Skelly Bailey re-creates the natural world of coral reefs in meticulous glazed ceramics, mimicking the surprise you have when you touch coral, which seem to be fluid and flowing to discover they are rock hard.
Charles Cohen uses realistic photography to get reduce household products to the shape and color of their plastic containers to force a different perspective.
Luba Lukova, whose graphic artistry can be seen in the New York Times, brings her timely commentary to an image of a green plant shielded by a hand as bombs fall, in her silkscreen, “Peace and Planet” (2015).
What is so interesting is to see such variety of media and approaches that come together to the essential message of human impact on the natural world: a collective consciousness of our responsibility.
Here’s more from the artists about their works:
Lauren Skelly Bailey’s ceramics are uncanny in the way they so realistically, meticulously yet artistically represent coral. You appreciate the beauty of nature’s own design. And like nature itself which is deceptively complex (think of a wasp’s nest), her work is exceptionally technical. “Stacking Up” (2016) for example, is crafted of porcelain, stoneware, slip, glaze, resin and flock – the pieces are each fired five to seven times. There are pieces gilded with real gold on the last firing.
She began her arts education studying painting and cartooning at Adelphi, graduating with a BA and MA, then went on to the Rhode Island School of Design (RISD) to earn her MFA. She produced many of these ceramics during a residency at the Museum of Arts & Design and had two grants from the NYS Council for the Arts.
“My work explores methods of making assemblage sculptures, conglomerations, installations, and figurines. There’s that sensation of falling for process, the chase of finding the unexpected and learning how it occurs. From that knowledgeI make intentional decisions regarding textural surfaces, glazes, slips and clay applications, changing the context of the piece from a study to a solution. I respond to changes and observe balance in my work, seeking to push an uneasy tension between materials and form. Each new sculpture is a moment, something new that has been achieved or understood, taking me further into my experience with ceramics.” (laurenskellybailey.com)
The first reaction to Nancy Gesimondo’s assemblages is how they evoke Native American references. Nancy is from Sunnyside, Queens.
“My work is an exploration of materiality and science that results in new visceral narratives. I create assemblages comprised of natural materials such as shells, feathers, seedpods, semi-precious stones, rocks and crystal formations.The juxtaposition of these found elements results in surreal landscapes, imaginal creatures and hybrid specimens that aim to suggest the exploration and sense of mystery of an archeologist assembling vestiges of a distant past with no true reference of their origin.
“My work is a reflection of my appreciation of nature’s beauty and diversity, as well as my concern for its decline. The delicate fragments imbue the work with an ethereal quality that portends a futuristic glimpse of the place we call home.”
Her assemblages draw upon natural materials she regularly collects – feathers, shells, seedpods, semi-precious stones, rocks and crystal formations. “It shows a reverence for Earth.”
“I’ve been collecting feathers forever – they are like little signs from beyond to me.”
She added, “I let the materials guide me towards the image. I very rarely see the composition in advance.”
The overall feeling is of tranquility, a peacefulness, a poetic aesthetic. The natural elements are used as metaphors.
“A Winged Victory for the Sullen” (2016) is an assemblage with amethyst crystal, iridescent feathers, and water chestnut seedpods (collected at Beacon NY), that look like flying birds. It is mounted on 300 lb watercolor paper, and she explained how she had to puncture roofing nails from the back, then glue the seedpods on.
“Evening Prayers III,” (2017) draws upon mussels that look like butterflies, and a strip of peacock features that look like tall grass. “It’s difficult to find mussels that are still together, but after my father died, I wanted to go to the beach. I went to Long Beach where I know there are mussels, but on this day, I never saw so many whole mussels as then. I collected four bags worth. I felt it was a sign from my father, “Abundance. Don’t worry.”
“The shells poetically morph into butterflies. They are like prayers – wishes and wants that fly to heaven.,”
Linda Cunningham makes an artful plea on behalf of South Bronx in her series, “South Bronx Waterfront Sagas-shards: The New Vision” (2016).
“Collaged canvas with torn edges convey contradictions documented with photo-transferred images, layered with acrylic and pastel revealing a broken South Bronx history, an urban renewal tragedy, an area once the retreat of choice for fresh air and greenery. The shards of information and vistas evoke the Port Morris harbor where barges once docked and youth swam off a pier in the East River. The beautiful open vistas are now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by deteriorating remains, rotting remnants of piers, power stations and City Waste transfer stations.”
Cunningham’s work centers upon time, transience, contradictions, and compelling environmental concerns juxtaposed against industry and urban blight.
The canvas itself is twisted and tortured in its way – not at all the neat rectangles that fit into frames.
“Life doesn’t come in a convenient box – I can’t work in a square (or rectangle). Life is one torn edge to another.”
Beth Williams Garrett, who studied painting at the Rhode Island School of Design and has shown her artwork up and down the East Coast, said, “I was a painter for 30 years, until 2010, when I felt the need to make sculpture. I was searching for a suitable sculpting material, I stumbled upon using plastic bags as a medium… Plastic bags were being thrown away – that’s no good for environment. They present themselves to me as a material to make sculpture with.”
“The inspiration for my first sculptures came from my travels to Buddhist temples in Japan and ancient ruins in Rome.”
Indeed, the sculptures fashioned of plastic bags evoke Buddha, but then there is a twist. “I have always felt my work was autobiographical, as a woman and focused on the female figure.
The result is a feminized Buddha – “girl Buddhas” she said.
Her skill as a painter comes through in the way she uses the colors and patterns in the plastic bags to great effect. One of the pieces draws on both her painting and the sculpting.
“Since then, I have been exploring what I can do with the plastic bags. My newest endeavors have been combining the 3-dimensional work with the 2-dimensional work as relief/multi media pieces and I continue making heads as I love how the plastic bags lend themselves to creating facial expressions.”
“It happened by accident in the studio. I propped the plastic bag head on a canvas to take a picture and decided to combine the two. I usually paint bodies without a head, so it made me laugh to make plastic bag without the body. (bethwilliamsgarrettart.webs.com)
Yoon Cho’s Desert Walk Photo and Video Series explores the connection with our environments by featuring America’s diverse desert landscapes with superimposed digital drawings of various biological life forms over the artist’s walk performance. The silhouette graphics of biological life forms such as cells, pollen, reproductive organs, embryos, and skeletons in the sky tell a story of the cycle of life and our co-existence with the Earth.
Cho’s personal journey from a difficult pregnancy to motherhood and upbringing in a family of physicians encouraged her to examine the relationship between the biological life forms and their habitats. The Desert Walk encapsulates beauty, destruction, and preservation of the land we live in.
The work is based on photographs from 20 different sites in four states (New Mexico, California, Nevada and Arizona). The final scene is at the Array where astronomers listen for signs of life from outer space. “That represents the future,” she says.
Her work was supported by the Puffin Foundation and New York State Foundation of Arts. (www.yooncho.com)
Charles Cohen uses photography to change perspective.
“From the threshold between participation and observation, I break with day to day experience. Familiar with the ethnographer’s dilemma, I embrace this betwixt state as the key to being human: we act as protagonist and critic in our own lives so that we can bridge the gap between individual and collective.
“My work exposes reductive dualities and challenges the ordinary relationship between perceiver and perceived by provoking reflexive thought… My work explores a range of subjects, literal and figurative, in an embrace of liminality and in confrontation with a binary view. The result transforms the subject/object relationship from real to metaphor and liberates a state of being—one. (www.promulgator.com)
Luba Lukova creates images that she hopes will catalyze action and change the world. Her thought-provoking posters address essential themes of humanity and injustice worldwide. Her messages help viewers develop empathetic understanding for social and cultural issues through indelible metaphors and an economy of line, color, and text. Lukova’s work is included in the permanent collections of MoMa; Denver Art Museum; Bibliothèque nationale de France; Hong Kong Heritage Museum; Centre de la Gravure et de l’Image imprimée, La Louvière, Belgium; the Library of Congress; and the World Bank, Washington, D.C. (www.lukova.net)
The Gold Coast Arts Center is a 501(c)(3) not-for-profit organization dedicated to promoting and supporting the arts through education, exhibition, performance and outreach. It offers classes for tots to seniors in art, music, dance and performance;, events, gallery, film festivals and outreach programs.
Take the walk to see the animated windows and the holiday lights at Rockefeller Center (it’s best after 5 pm in the dark): My route typically starts at Macy’s on 34th Street, then up to Fifth Avenue to visit Lord & Taylor’s (both of these have nostalgic New York City themes this year), then up to Saks Fifth Avenue (celebrating the 80th anniversary of Snow White, with a light show that covers the entire building with Disney music) and Rockefeller Center, then up to Bergdorf Goodman (stunning displays that pay homage to New York City’s iconic institutions including the New-York Historical Society and the American Museum of Natural History.
Come walk with me:
Start at Macy’s at 34th Street, with displays along 34th Street and Broadway (amazingly, in the days before Christmas, the store is open until midnight; check schedule).
Macy’s theme this year is a nostalgic peek at New York City in miniature, with a doll house that opens; scenes of the Roosevelt Island cable cars and New York trains, in addition to its time-honored, traditional windows along 34th Street based on an actual child’s letter to the editor of the New York Sun in 1897 asking “Is there a Santa Claus?” with the reply, “Yes Virginia, there is a Santa Claus.”
Walk up to Fifth Avenue, then north up to 38th Street to Lord & Taylor. This venerable store takes its holiday windows cue from the Hallmark Channel with whimsical scenes.
Continuing on, you pass the regal edifice of the 42nd Street Public Library, with its famous lions bedecked with holly wreaths for the holiday. If you come early enough, you should stop in; there is always a wonderful exhibit.
Continuing up Fifth Avenue by 49th Street, the crowds begin to get so thick, they are impassable, but people are courteous and kind to each other, and you make your way toward Rockefeller Center and directly across, Saks Fifth Avenue.
I watch the first light show that spans the entire front of Saks’ building from 49th Street corner, diagonally across. It’s a Disney theme this year, with Disney music, paying homage to the 70th Anniversary of Snow White.
I inch my way through the crowds to Rockefeller Center, getting a view of the famous tree above the ice skating rink, and the row of angels. This is also the best place to watch the Sound & Light show on Saks Fifth Avenue’s facade.
Rockefeller Center is the epicenter for Christmas in New York – the Christmas tree, ice skating on one of the most iconic rinks in the world (therinkatrockcenter.com), ringed by giant Nutcrackers and holiday garlands and a veritable parade of angels. Perhaps little known, there are delightful eateries and shops inside at rink level.
I don’t visit Saks’ windows yet, but instead, continue on up Fifth Avenue, passing by St. Patrick’s Cathedral, and such iconic places as Cartier’s, with its famous red bow, and Tiffany’s, and the giant lighted crystal star in the middle of the crossroads of 57th Street and Fifth.
I come to Bergdorf Goodman’s, still so elegant, and once again, with the most imaginative and magnificently designed windows. This year, the windows pay homage to iconic New York City institutions including the New-York Historical Society, American Museum of Natural History, Museum of the Moving Image, New York Philharmonic and New York Botanical Gardens.
Just across the street, I take a peek at the view of the Plaza Hotel before reversing direction.
Coming back, I walk along Fifth Avenue, stop in at St. Patrick’s Cathedral, and cross the street to queue up to walk by the Saks Fifth Avenue windows, with the scenes of Snow White.
When I get to 42nd Street and the Public Library, I turn up toward 6th Avenue, to walk through the fantastic Christmas market that takes over Bryant Park with small boutique shops and eateries. There is a wonderful skating rink with its own Christmas tree. Indeed, Bryant Park has become one of the most festive places to visit in the city during the holidays.
NEW YORK –This Thanksgiving, a magical march returns to the streets of New York City and to homes across the U.S. as the 91st Annual Macy’s Thanksgiving Day Parade® kicks off the holiday season with its signature spectacle of wonder. On Thursday, Nov. 23 (9 a.m.-noon in all time zones), the streets of Manhattan fill with the sound of “Let’s Have a Parade!” Matt Lauer, Savannah Guthrie and Al Roker of NBC’s “Today” will host the broadcast. Telemundo will simulcast the parade in Spanish, with the event hosted by Carlos Ponce, Jessica Carrillo and Karim Mendiburu.
But the night before, the streets around the Museum of Natural History on Central Park West are literally flooded with hundreds of thousands of people coming to delight in seeing the massive balloons – 17 giant character balloons and 28 legacy balloons, balloonides, balloonheads and trycaloons, being inflated by hundreds of volunteers.
New York City Mayor Bill DiBlasio spoke of how iconic the Macy’s Thanksgiving Parade and the Balloon Inflation events have become, and how the parade not only kicks off the holiday season for the city, but the entire nation.
“It’s an example of what makes New York City great – hundreds of thousands here tonight, tomorrow millions, and it comes off flawlessly,” Mayor DiBlasio said. “It takes a lot of work, and working together. New York City is a beacon to the world – we have people of every background, faith, nationality, in harmony, giving thanks together.
“This is a beautiful event that happens because we’re safe. Every year, the NYPD does more to keep us safe. We live in a dangerous world. We have the strongest anti-terrorism capacity of any police force in thecountry. You will see a lot of officers so people feel good, confident, calm.
“There has been no credible or specific threat against New York or the parade. But we have precautions in place. Everyone needs to help: if you see something, say something.”
Acknowledging the terror attack that took place on Halloween in which 8 people lost their lives, he said, “That attack was an attempt to under our values, our democracy. It failed. Everyone is out, enjoying this great celebration. It is important to show how it failed.
NYPD commissioner James O’Neill said that there will be 36,000 police out on the streets, criticial response teams, mounted police, long-gun teams. “This is the reality of 2017. We have 2000 more officers on patrol than last year.”
Macy’s CEO Jeff Gennette noted that the parade started almost a century ago by employees who wanted to do something for their families and local people. For the 91st edition, the line-up will feature 17 giant character balloons; 28 legacy balloons, balloonicles, balloonheads and trycaloons; 26 floats; 1,100 cheerleaders and dancers; more than 1,000 clowns; 12 marching bands; and 6 performance groups.
A special float by Delta Air Lines will debut to commemorate the season of togetherness with the gift of song, as more than 125 Macy’s employees gather to form a one-of-a-kind cross-generational choir aboard the Macy’s Singing Christmas Tree.
“It’s the beginning of a new tradition.” Gennette said.
Here are highlights from the Balloon Inflation:
Here’s more of what to look for in the Parade:
The star power on parade will once again feature some of the nation’s most riveting performers. Taking to the streets of New York City on board one of Macy’s signature floating stages and thrilling the nation with their performances at Herald Square will be 98 Degrees, Lauren Alaina, Cam, Sabrina Carpenter, Andra Day & Common, Sara Evans, Jimmy Fallon & The Roots, Flo Rida, Goo Goo Dolls, Kat Graham, Andy Grammer, Angelica Hale, Olivia Holt, Nicky Jam, Wyclef Jean, Bravo’s Top Chef stars Padma Lakshmi & Tom Colicchio, Dustin Lynch, Miss America 2018 Cara Mund, Leslie Odom Jr. and the cast & Muppets of Sesame Street, Bebe Rexha, Smokey Robinson, Jojo Siwa and more.
On 34th Street, Broadway’s best shows will take a star turn in front of Macy’s famed flagship with special performances from the casts of “Anastasia,” “Dear Evan Hansen,” “Once On This Island” and “SpongeBob SquarePants – The Broadway Musical.” In addition, the show-stopping Radio City Rockettes® will bring their signature high-kicking magic to Herald Square.
“The Macy’s Thanksgiving Day Parade is one of our great holiday traditions and we’re thrilled to be able to once again bring the pageantry and spectacle to viewers across the country,” said Doug Vaughan, Executive Vice President, Special Programs and Late Night, NBC Entertainment. “We can’t wait to see all the balloons, floats and high-end entertainment that have become such an integral part of this wonderful event.”
“For more than 90 years, Macy’s Thanksgiving Day Parade has signaled the start of the holiday season for millions of families. We are thrilled to once again come together as a nation to give this gift of joy and wonder to all,” said Susan Tercero, group vice-president of Macy’s Thanksgiving Day Parade. She added, “Our incredible team has planned a fantastic spectacle featuring an amazing line-up of giant character balloons, floats of fantasy, the nation’s best marching bands and performance groups, a dazzling array of musical artists, all coming together to herald the arrival of the one-and-only Santa Claus.”
The Macy’s Parade is always a unique multi-level, magical march that provides spectators with different experiences, whether they watch it on television with friends and family or scout the perfect spot on the route to watch it unfold live. To give fans another unique viewing opportunity, Macy’s, along with NBCUniversal and Verizon will once again take viewers closer to the magic via up close and personal views of the event through a 360-degree livestream of the parade on Verizon’s YouTube page. The stream, found at www.youtube.com/verizon, will be synced with the start of the Parade.
Taking flight on Turkey Day will be the Parade’s signature giant character helium balloons. Since their introduction in 1927, these giants of the sky have featured some of the world’s most beloved characters. This year four giant characters will debut, including Olaf from Disney’s “Frozen,” Illumination presents Dr. Seuss’ The Grinch, Jett from Super Wings™ and PAW Patrol®.
The balloon line-up will also feature the return of Harold the Baseball Player, a legacy Macy’s character prominently featured in Twentieth Century Fox’s iconic holiday film classic “Miracle on 34th Street.” In celebration of the film’s 70th anniversary, the Harold heritage balloon has been recreated for this year’s Parade, painted in hues of black, white and grey, to look exactly as it did on-screen during a memorable scene in the 1947 film. In addition to Harold, the famed spokesduck, the Aflac Duck, will debut as an all-new balloonicle (a Macy’s Parade innovation of hybrid cold-air balloon and vehicle) and is sure to have fans quacking with joy and laughter down the route.
Returning giant balloon characters include Angry Birds’ Red; Charlie Brown; Diary of a Wimpy Kid®; Sinclair’s Dino®; the Elf on the Shelf®; Hello Kitty®; Ice Age’s Scrat and His Acorn; Pikachu™; Pillsbury Doughboy™; Red Mighty Morphin Power Ranger; Ronald McDonald®; SpongeBob SquarePants; and DreamWorks’ Trolls.
Floating down the route this Thanksgiving, the Parade’s signature floats transport spectators to worlds of wonder. Designed and created by the incredible artists of Macy’s Parade Studio, which include carpenters, painters, animators, sculptors, metal fabricators, scenic/costume designers and electricians, this year’s line-up of floats sets an unparalleled stage for entertainment. The painstaking process of creating a Macy’s Parade float is both a creative and technical endeavor. Macy’s Parade floats are often three-stories tall and several lanes of traffic wide, but must collapse to no more than 12½-feet tall and 8-feet wide in order to travel safely from the New Jersey home of the Parade Studio, to the Manhattan starting line via the Lincoln Tunnel each Thanksgiving eve. These creations are not only works of art, but also engineering marvels.
This year five new floats will debut including Everyone’s Favorite Bake Shop by Entenmann’s® (Sara Evans), Harvest in the Valley by Green Giant® (Lauren Alaina), Parade Day Mischief by Sour Patch Kids® Candy (Nicky Jam), Shimmer and Shine by Nickelodeon (Jojo Siwa) and Universal Playground by Sprout® (Angelica Hale).
The returning float roster includes 1-2-3 Sesame Street by Sesame Street (Leslie Odom Jr. and the cast and Muppets of “Sesame Street“); The Aloha Spirit by King’s Hawaiian (Goo Goo Dolls), Big Apple by N.Y. Daily News (Bebe Rexha); Big City Cheer! by Spirit of America Productions (Miss America 2018 Cara Mund); Building a Better World by Girl Scouts of the USA (Andra Day and Common); The Colonel’s Road Trip to NYC by Kentucky Fried Chicken (Dustin Lynch); The Cranberry Cooperative by Ocean Spray®; Deck the Halls by Balsam Hill® (Olivia Holt); Discover Adventure! by Build-A-Bear (Sabrina Carpenter); Frozen Fall Fun by Discover®/NHL (Wyclef Jean) and NHL Hockey Hall of Famers Ray Bourque & Bryan Trottier); Fun House by Krazy Glue® (Flo Rida); Heartwarming Holiday Countdown by Hallmark Channel (98 Degrees); It’s All Rock & Roll by Gibson Brands (Jimmy Fallon & The Roots); Mount Rushmore’s American Pride by South Dakota Department of Tourism (Smokey Robinson); On The Roll Again by Homewood Suites by Hilton® (Andy Grammer); Santa’s Sleigh; Snoopy’s Doghouse by Peanuts Worldwide; Stirrin’ Up Sweet Sensations by Domino® Sugar (Cam); Teenage Mutant Ninja Turtles by Nickelodeon (Kat Graham); and Tom Turkey featuring Bravo’s Top Chef (Padma Lakshmi, Tom Colicchio).
Drum Roll, Please…
Marching bands are a central piece of the Thanksgiving delights, bringing national excitement and hometown pride to the streets of the Big Apple, not to mention the musical beat to the holiday revelry. Twelve performance ensembles will take up the call of the baton and march down the streets of Manhattan. This year’s bands include Colony High School (Palmer, Alaska), Davis High School (Kaysville, Utah), Rosemount High School (Rosemount, Minn.), West Harrison High School (Gulfport, Miss.), Rockford High School (Rockford, Mich.), Ohio University (Athens, Ohio), Nation Ford High School (Fort Mill, S.C.), Trumbull High School (Trumbull, Conn.), Prairie View A&M University (Prairie View, Texas), the United States Air Force Band and Honor Guard, Macy’s Great American Marching Band (United States) and the NYPD Marching Band (New York, NY).
Specialty Parade entertainment always promises a unique, exciting, and sometimes humorous look at the nation’s finest performance groups. Returning to the line-up this year are the dancers and cheerleaders of Spirit of America Dance Stars and Spirit of America Cheer. These groups combined feature more than 1,000 of the nation’s very best performers recruited from small towns and big cities. Days before Thanksgiving, they will gather for the first time in NYC, ahead of their once-in-a-lifetime national spotlight. Adding to the dance floor revelry will be 34th & Phunk, a special group commissioned and produced by Macy’s with organizers from the United States Tournament of Dance. Choreographed by the legendary artist Willdabeast Adams and acclaimed dancer Janelle Ginestra, 34th & Phunk will be a one-of-a-kind hip-hop dance crew featuring performers of all ages and from all walks of life, who have a passion for dance and precision movement. Bringing a Broadway flair to the spectacle will be the talented kids of Camp Broadway, who this year have auditioned and selected dancers/singers from military bases around the nation, and who will pay tribute to America with their performance. Rounding out the performance group list are the zany Red Hot Mamas (Post Falls, Idaho) who will deliver their signature humorous take on the holiday season, along with the whimsical stars of the Big Apple Circus (New York, NY).
This year the magic of Macy’s iconic balloons and Parade artistry will head south for the winter to give fans an up close and personal experience for the holidays. Starting on Saturday, Nov. 18, Universal Orlando Resort’s destination-wide Holidays celebration begins, featuring the all-new “Universal’s Holiday Parade featuring Macy’s.” This one-of-a-kind experience is where merry and mayhem mesh to create a fantastic treat for park guests that features more than 15 incredibly detailed floats, colorful stilt-walkers and characters, and a specially created cast of all new Macy’s balloons that you can’t see anywhere else. Universal’s Holiday Parade featuring Macy’s will run daily from Nov. 18 through Jan. 6.
The 91st Annual Macy’s Thanksgiving Day Parade will begin at 9 a.m. from 77th Street and Central Park West. The procession will march to Columbus Circle, turn onto Central Park South and march down 6th Avenue/Avenue of the Americas. At 34th Street, the Parade will make its final turn west and end at 7th Avenue in front of Macy’s Herald Square. “A Holiday Treat for Children Everywhere” has been the guiding motto of this annual tradition for more than nine decades and is the mandate that continues to this day.
The Macy’s Thanksgiving Day Parade broadcast is produced by the Emmy Award-winning Brad Lachman Productions. Brad Lachman serves as executive producer, Bill Bracken will co-executive produce and Ryan Polito directs.
For more information on the Macy’s Thanksgiving Day Parade, visit www.macys.com/parade or call the Parade hotline at 212-494-4495. Follow @macys on various social networks and join the conversation using #MacysParade.
You walk into the Nassau County Museum of Art, housed in the stunning mansion built for Childs Frick in 1919, the scion of Henry Clay Frick, and are confronted by a guard, hands crossed in front of his chest. You do a double-take – it takes a bit of questioning in your own mind what you are seeing to realize the guy isn’t moving, isn’t even breathing. In fact, it is a sculpture, so realistic you have to double-check your brain. This is just the first of an entire exhibition devoted to art that literally “fools the eye.”
One could argue that all art fools the eye – you are, after all, taking a living, changing, three-dimensional (even four-dimensional) subject and using manufactured materials and constructions converting it to two- or three-dimensions, in an assimilation or approximation of what is lives in a moment in time.
But these artists, gathered together in the “Fool the Eye” exhibit now on view at NCMA, employ fascinating techniques that keep you guessing as you walk from gallery to gallery: Is it a flat surface or a sculpture? Is it a photograph or a painting? Is it made of wood or bronze, rubber or steel? Is it real or faux? The works on view date back to 1870 (“A Canvas Back” by William Davis), to as recently as a weeks ago (Ben Schonzeit’s “The Fantasticks”) showing that these artistic devices of fooling the eye are well entrenched in artists’ palette.
You see a re-creation of a portion of the famous Van Gogh self-portrait with all the vibrant color and exciting brushstrokes, only to realize that David Mach created “Blue Weave” (2013) as a postcard collage out of individual strips. Similarly, a vibrant, richly textured portrait, “Blue Hair” by Federico Uribe (2014) is a collage made entirely of small colored pencils, and Chuck Close’s “Self Portrait” (2004) is actually a woodcut in 19 colors.
You see a famous photo of Marilyn Monroe taped to a board, and realize that except for the tape, the entire piece is a painting (“Gold Marilyn” by Otto Duecker); similarly, Dueker has made such a painting of a Frank Sinatra “photo.” “Drowning Girl Secret Hearts Vol. 1, No. 83,” is Sharon Moody’s oil painting that you are convinced is an actual comic book appended to a board. Then there are the hypnotic geometric abstractions, like Victor Vasarelly’s “TITOK-L” (1972).
Fool the Eye, on view at Nassau County Museum of Art’s Saltzman Fine Arts Building through March 4, 2018, challenges you to experience the wonder of masterful artistic techniques. This exhibition includes examples of traditional trompe l’oeil (meticulously painted, hyper-real images) and a wide range of other approaches to illusion. See larger-than-life oversized objects, hypnotic geometric abstractions, sculptures made of unexpected materials, images with mind-bending impossibilities and fine art so seemingly realistic, they are (nearly) indistinguishable from real things. The magic will provoke debates in every gallery about reality and deception.
There is the shocking sense that a work of art is “following you” – changing as you move slightly and change your angle of view. Disorienting. Jarring. Creepy even. That’s the case with Patrick Hughes’ “Living Library” (2017), and two stacked Brillo boxes, Patrick Hughes’ oil on board construction homage to Andy Warhol, “Warholly,” 2008). Most of the time, though, you come away with a sense of amusement, realizing you’ve been played.
Artists throughout the ages have been intrigued by perceptual illusions, devising visual tricks to manipulate the perception of space, incorporating spatial illusion as an aspect of their art. Featured in this exhibition are 20th- and 21st-century artists whose work has explored illusion, including Salvador Dali, Janet Fish, Audrey Flack, Jasper Johns, Judith Leiber, Roy Lichtenstein, Vik Muniz, Ben Schoenzeit, and Victor Vasarely.
“Fool the Eye” is guest-curated by Franklin Hill Perrell with Debbie Wells whose previous collaborations for the Museum have included Feast for the Eyes (July 2016), The Moderns: Long Island Collects (July 2015) and Garden Party (March 2014).
“This show is the work of a superstar curator,” Charles A. Riley II, NCMA’s Director, said. “One thing that brings it all together: when an artist guides you in how to see… How artists create the illusion of life. Is it real or isn’t it? Is it or isn’t it? That question prevails through the whole show…There is a vitality.”
“All the art has to come from some place, someone has to arrange,” Perrell tells the gathering at the opening reception on November 17. “No other museum scurries around country convincing people to give up things they don’t want to give up- then have to get it here.”
Perrell rattles off a long list of nearly 60 galleries and private collections where the works have come, including NCMA trustee Dr. Harvey Manes who loaned five works including two Salvador Dalis and a Roy Lichtenstein.
One of the works – Ben Schoenzeit’s “The Fantasticks” – was painted specifically for the show, as I learn (one of the best things about an opening reception is that some of the artists show up).
“I was just finishing a piece when Franklin came to my studio in Soho and wanted a painting not yet finished,” says Schoenzeit, who has been featured often at NCMA. “I didn’t know how to finish it. I knew [the show’s theme] was tromp d’oeil, so I painted this with this show in mind.”
He says it took a month to make “The Fantasticks” (in between other projects), which is based on a collage.
“It’s funny – it came out funny,” he says, using the word “they” to describe his paintings. “They surprise me…I don’t have a finished concept when I start. They tell me. These things come to me.”
How do you know when it’s done? “When it walks away. When I have nothing more to say. When adding more makes it worse, or the idea you add doesn’t fit,” Schoenzeit says.
He steps back from the over-sized canvas. “I like to see it out of the studio, how it feels in real world, rather than in the chaos of my loft.”
Why “The Fantasticks?” “This was a long-running show in Greenwich Village [which he saw more than 30 years ago]. At the end, they threw colored tissue paper squares into the audience. I picked [some] up and put them in a collage. The paper is the envelope that I wrote ‘The Fantasticks’ on: There are other references in the painting (acrylic on linen): a stage, curtain.
Programs that NCMA is offering the public in conjunction with Fool the Eye include: Paper Medium Rare: All Things Paper, a film that is screening daily; Fool the Eye Meets Fool the Palate, a December 10 talk by guest curator Franklin Hill Perrell; Brown Bag Lectures presented by Museum Docent Riva Ettus on December 14, January 4 and February 1; Sketching in the Galleries with Glenna Kubit on December 19, January 9 and February 6; and artist Dale Zinkowski in the galleries on March 4 to meet with visitors and answer questions about his work. Docent-led tours of the exhibition are offered every day at 2 p.m. Call 516-484-9338 for current exhibitions, events, days/times and directions or log to nassaumuseum.org/events for details and registration.
“Fool the Eye” exhibit also marks the first in the museum under the helm of its new director Charles A. Riley II.
Dr. Riley’s long association with Nassau County Museum of Art includes having served as curator-at-large and popular presenter of many lectures offered for many exhibitions. He helped curate the Museum’s Picasso, Surrealism and Abstract Expressionist exhibitions and recently curated the permanent installation of Western art at a major new private museum in Taiwan as well as several exhibitions in Berlin, Amsterdam, Lausanne, Manhattan and Long Island’s East End.
Dr. Riley is a prolific arts journalist, reviewer and essayist and a celebrated public speaker. His 32 books on art, business and public policy include the recently published Free as Gods: How the Jazz Age Reinvented Modernism, The Jazz Age in France, The Art of Peter Max, Art at Lincoln Center, The Arts and the World Economy, Color Codes, and The Saints of Modern Art. Dr. Riley’s next book, a study of Rodin in Chinese and English, will be published by the Chimei Museum in fall 2017.
The next exhibit to open is “The Jazz Age: Picasso, Matisse, Chanel, Gerwin, Joyce, Fitzgerald and Hemingway” (March 17-July 8, 2018), based on Riley’s book, “Free as Gods.”
An Art Destination
The Nassau County Museum of Art is an entire art destination:
Sculpture Park has some 30 works, many of them monumental in size, by renowned artists including Fernando Botero, Tom Otterness, George Rickey and Mark DiSuvero among others, are situated to interact with nature on the museum’s magnificent 145-acre property.
Walking Trails: The museum’s 145 acres include many marked nature trails through the woods, perfect for family hikes or independent exploration.
Gardens: From restored formal gardens of historic importance to quiet little nooks for dreaming away an afternoon, the museum’s 145 acre property features many lush examples of horticultural arts. Come view our expanded gardens and beautiful new path to the museum.
Nassau County Museum of Art, consisting of the Arnold & Joan Saltzman Fine Art Building and The Manes Family Art & Education Center, is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The Museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). Admission to the Saltzman Fine Art Building includes admission to The Manes Family Art & Education Center. Members are admitted free. Docent-led tours of the Saltzman Building exhibitions are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call (516) 484-9338 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org. Call (516) 626-5280 to reach The Manes Center directly.
Time is running out to purchase Vail Resorts’ Epic Pass and for the first time, because of Vail’s acquisition of Stowe Mountain in Vermont – its first Eastern resort – it makes epic sense for Northeastern skiers. The deadline to purchase is November 19.
Considered one of the best values among ski passes, Vail Resorts’ Epic Pass gives you full unlimited, unrestricted access to 15 resorts in three countries (just three weekend visits to Stowe pays for the Epic Pass) plus limited access to 30 European ski resorts.
New for the 2017-2018 season, the Epic Pass also provides unlimited, unrestricted access to its newest acquisitions, Whistler Blackcomb in Canada (the largest ski resort in North America) and Stowe Mountain in Vermont, as well as at Vail, Beaver Creek, Breckenridge, Keystone and Arapahoe Basin in Colorado; Park City in Utah (the largest ski resort in the US); Heavenly, Northstar and Kirkwood in Lake Tahoe; Afton Alps near Minneapolis, Mt. Brighton near Detroit, Wilmot Mountain near Chicago, and the 2018 Perisher season in Australia. Also, Epic Pass holders again enjoy limited access to 30 European ski resorts including Verbier and Les 4 Vallées in Switzerland, Les 3 Vallées in France; Arlberg in Austria; and Skirama Dolomiti Adamello Brenta in Italy.
Season pass holders save more than 40 percent compared to lift ticket window prices.
2017-2018 Ski and Snowboard Season Pass Options
Epic Pass™: Ski unlimited and unrestricted from opening day to closing day for only $899. The Epic Pass pays for itself in just over four days of skiing or snowboarding. Enjoy full access to Vail, Beaver Creek, Breckenridge, Keystone and Arapahoe Basin in Colorado; Park City in Utah; Heavenly, Northstar and Kirkwood at Lake Tahoe; Stowe Mountain Resort in Vermont; Afton Alps in Minnesota; Mt. Brighton in Michigan; Wilmot Mountain in Wisconsin; Whistler Blackcomb in Canada; and Perisher in Australia for the 2018 season. The Epic Pass grants limited access to Les 3 Vallées, Paradiski and Tignes-Val D’Isere in France; 4 Vallées in Switzerland; Arlberg in Austria and Skirama Dolomiti in Italy. A child pass (ages five to 12) is $469.
Epic Local Pass™: For $679, receive unlimited and unrestricted skiing or riding at Breckenridge, Keystone, Arapahoe Basin, Wilmot, Afton Alps and Mt. Brighton with limited restrictions at Park City, Heavenly, Northstar and Kirkwood, plus a total of 10 days at Vail, Beaver Creek, Stowe, and Whistler Blackcomb with holiday restrictions. The Epic Local Pass pays for itself in just over three days. A child pass (ages five to 12) is $359.
Epic 4-Day™: A convenient option for a short ski trip. The pass pays for itself in just over two days andincludes a total of four unrestricted days valid at Whistler Blackcomb, Vail, Beaver Creek, Breckenridge, Keystone, Park City, Heavenly, Northstar, Kirkwood, Stowe and Arapahoe Basin, plus four additional free days at Afton Alps, Mt. Brighton or Wilmot Mountain. The Epic 4-Day Pass is $459 for adults and $249 for children (ages five to 12).
The deadline to purchase a 2017-2018 season pass is Sunday, Nov. 19. For additional information on season pass options and to purchase, visit EpicPass.com.
EpicMix Time Insights
New for 2017-18, Vail Resorts has launched EpicMix Time Insights, a website designed to help guests make the most of planning their ski day at Vail, Beaver Creek, Breckenridge, Keystone and Park City by providing full visibility into lift line wait times. Vail Resorts is the first in the mountain resort industry to provide guests full transparency on historic lift line wait times, setting a new guest service standard for the industry. Guests can select a specific resort and date from last season to access resort trail maps that display individual lift line wait times for every lift collected by the EpicMix Time app during the 2016-17 season, sliding across the day in 15-minute increments from the time the lifts open until they close. Insights also highlights new lift upgrades for the 2017-18 winter season and provides mountain tips on how to best navigate each resort. Insights offers guests full visibility on actual lift line data from last ski season so they can maximize their day on the mountain during their next trip. To explore Insights, visit Time.EpicMix.com
Here are highlights of what is new for the 2017-18 season at Vail Resorts:
Stowe Mountain, Vermont
Stowe Adventure Center opens at Stowe Mountain. This $30 million, state-of-the art facility literally sets a new standard in the industry for kids and family amenities. Located at Spruce Peak, Stowe’s Adventure Center is home to all the children’s programs. From beautiful daycare facilities to ski and ride programs for kids 3 and up, the new Adventure Center has significantly advanced and expanded luxurious family amenities and services at the resort. The building also includes new shops, an Indoor Climbing Center (called Stowe Rocks) and family-friendly dining in The Canteen restaurant
Outdoor Ice Skating Rink. Also new for Stowe is the Spruce Peak outdoor Ice Skating rink, Ice skating is complimentary and open to the public daily from 11am to 9pm. Skate rentals are available.
New Spruce Peak Village Center Includes: Vermont crepe restaurant, Skinny Pancake, gourmet food and beverage markets, an artisan coffee shop and retail shopping. Spruce Peak is also home to the relatively new Stowe Mountain Lodge, one of the most awarded new ski-in ski-out luxury hotels & spas in the world.
Whistler Blackcomb, British Colombia
New this season is the WhistlerPeak Suspension Bridge and West Ridge Viewpoint. The Whistler Peak Suspension Bridge spans 426.5 ft from Whistler Peak to the West Ridge Viewpoint, a multi-tiered viewing platform with 360° views, offering guests a thrilling new way to experience this iconic spot. The cantilevered walkway extends 40.7 ft out from the West Ridge and an exhilarating 164 ft. above Whistler Bowl.
Signature Experiences t Whistler Blackcomb include Ski With An Olympian. Ski with an Olympian is Snow School’s most exclusive program and allows guests to experience a full day private lesson with an Olympian, so you can follow in their tracks, copy their technique and hear neat stories.
Fresh Tracks Mountain-Top Breakfast, presented by The Globe and Mail, lets you board the Whistler Village Gondola at 7:15 am and head up to the Roundhouse Lodge for the ultimate mountain-sized breakfast buffet. Then, as an added bonus, you get to ski fresh powder or perfectly groomed corduroy on the upper mountain before the rest of world is even out of bed. This unique experience is not limited to skiers and boarders; sightseers can get an early jump on the day by enjoying a Fresh Tracks mountain top breakfast before setting out on the PEAK 2 PEAK.
Whistler Heli-Skiing is the pinnacle of Whistler’s skiing experience. With exclusive rights to 432,000 acres of big mountain terrain that includes 173 glaciers and 475 runs, Whistler Heli-Skiing offers a variety of packages for everyone, from strong intermediates to seasoned experts. All heli-adventures are lead by a professional, certified heli-ski guide and include the use of avalanche transceiver, on mountain lunch and return ground transportation from Whistler Village. The Guide will choose the best ski area for the day and will ski or board with the group.
Park City Utah
With acquisition and connection with Canyons, Park City is now the largest ski resort in the United States, and one of the easiest to reach, just about 45 minutes from Salt Lake City airport (so you can actually fly from New York and be on the slopes by noon).
$15 Million Grand Summit Hotel Renovation: Now a RockResorts Property: The Grand Summit Hotel, located in Canyons Village, opened for the season after an extensive $15 million renovation and has been branded as a RockResorts property. The renovation included a complete overhaul of all 212 suites, including new interior finishes, furnishings, soft goods, appliances, artwork and technology. The property’s communal spaces were also incorporated into the renovation, including the lobby and front desk, full remodel of the on-site spa, café and general store, and refresh of the meeting spaces. More information here.
New Signature Experience: Silver to Slopes Historic Mining Tour: New this season, Park City Mountain will debut the Silver to Slopes Historic Mining Tour. On this complimentary, guided ski tour, guests will explore the mountain with an expert guide and uncover the historic mining buildings and hidden relics scattered across the resort. They’ll learn how Park City Mountain evolved from a silver mining camp to an internationally recognized winter sports destination and hear the stories behind the authentic mining structures seen on the mountain. Tours are recommended for intermediate level skiers/riders and above and depart daily from the Park City Resort Mountain Village at 10 a.m. and at the Trail Map near the top of Bonanza lift at 1 p.m. After the tour, participants will receive a signature pin to commemorate their visit to Park City Mountain.
Special Events: Park City Mountain is making the holidays even more special for guests by hosting unforgettable holiday events this Christmas, New Years and Spring Break. The Holiday Season kicks off on Saturday, Dec. 16 with Park City Mountain’s annual Snowfest Celebration, a 16-day festival including morning and après musical acts, village entertainers, annual torchlight parade, fireworks and a special visit from Santa on Town Lift. Park City Mountain’s annual Spring Grüv Celebration will return just in time for Spring Break this March with 16 days of free concerts and the famous Pond Skimming Contest. Beyond the holidays, Park City Mountain hosts free concerts, family activities and events all season long at both base areas including free s’mores on Saturdays and Sundays and an hour to meet the avalanche dogs on Fridays and Saturdays.
New Event: Seven Summits Challenge: Can you hit seven summits and cover 7,300 acres of terrain in one day? Brand new this season, Park City Mountain will host the inaugural Seven Summits Challenge on Saturday, Feb. 24. Participants will conquer a pre-set course that takes them on a journey across Park City Mountain’s seven peaks and 7,300 acres in one day. It’s the ultimate adventure at the largest ski resort in the United States. More details, including a course description, will be announced in January.
New Beginner Ski and Snowboard Area at the Park City Mountain Village: This summer, Park City Mountain installed a new, enclosed surface lift and a new designated beginner trail to serve entry-level skiers and snowboarders at the Park City Mountain Village. The new area will provide a comfortable and spacious learning area for those just starting to ski or ride.
Ski and Snowboard School: Your Personal Guide to 7,300 Acres of Terrain. Park City Mountain’s signature Peak-to-Peak Guided Mountain Tour pairs you up with an expert guide who will take you peak to peak uncovering the best runs and conditions on the mountain. And if you’re skiing with the whole family, a Private Family Lesson is a great way to learn and transform your day on the slopes into a real family adventure.
Heavenly Lake Tahoe & Kirkwood
The new Red Cliffs Family Lodge features family activities every weekend. Enjoy family movie night each Friday with popcorn, snacks, hot cocoa, beer, wine, s’mores. Themed nights throughout the season, events and parties such as family feud night, ski trivia night and holiday themed evenings. The Red Cliffs Family lodge also has board games, corn hole, foosball, air hockey, giant jenga and checkers.
Women’s Clinics and Camps for all ages and skill levels. This experience is about escaping, having fun, developing friendships, seeking adventure and doing something just for you. Throughout the day you tackle a variety of terrain and snow conditions while working on the terrain selection, tactical approach and off-piste skiing and riding technique.
New GoPro Ski and Ride School is an instructed lesson where you learn how to use a GoPro camera to capture first-person footage of Heavenly’s secret stashes and powder pockets. You get to keep your memory card full of the day’s footage and can purchase a GoPro at discount in the Heavenly Sports stores.
Expedition: Kirkwood combines Kirkwood Mountain Resort’s legendary terrain and secret powder pockets with qualified guides and expert coaches. Elevating safety and avalanche education will allow you to hone in on your skills while navigating Kirkwood’s signature chutes, cornices, and bowls led by our team.
Specialty Experiences, Instruction and Guiding. Northstar California’s new Platinum program allows skiers and snowboarders with Platinum Season or Day Passes gain access to the exclusive run offered on Saturdays, experiencing the best conditions throughout the day Platinum Season and Day Passes are perfect for skiers and snowboarders seeking solitude by unlocking private gates at the front of each lift line. Other experiences in the Platinum family include Platinum Lockers, featuring private boot warmers and house-made sweets, and Platinum tōst, a European-style lunch paired with Veuve Clicquot off East Ridge Run.
Northstar Traditions Every afternoon skiers and snowboarders gather off of East Ridge Run for a complimentary glass of champagne or sparkling cider and tōst to the mountains, Lake Tahoe, and friends and family. After ski school gets out each day, S’mores Ambassadors descend upon the Village carrying silver platters covered in ooey-gooey chocolate, graham cracker and marshmallow treats.
Set at Zephyr Lodge, the Mountain Table Dinner Series marries food and wine for a private dinner culminating with a surprise transportation twist. This winter’s series features SIMI, Prisoner, Charles Krug and Rodney Strong Vineyards.
New: First Tracks, where Adventure Guiding and Learning Center mountain guides take two intimate groups on a tour of the mountain before lifts open to the public. This shamelessly indulgent experience gives private access to freshly groomed runs and sparkling powder across the entire mountain. Convenient and inviting, the Adventure Guiding and Learning Center welcomes guests into the lounge with fresh espresso and custom equipment fitting, prior to meeting a hand-picked mountain guide. Northstar mountain guides and instructors provide what you need – including tours to the most serene locations on the mountain. After a full day of skiing Northstar like a local, visitors return to the Village for a well-earned champagne toast. Next door at the exclusive Burton Snowboard Academy, snowboarders of all levels enter a realm of terrain-based learning. Leather-seated couches and a fireplace surrounded by top-of-the-line Burton equipment make for a cozy setting to lace up boots. On-mountain, little tykes learn the essentials in the Ripperoo Riglet Park, while more mature boarders progress on the trail, in one of the five nationally-renowned progression parks or off-piste. For breaks, the private Burton Academy Lounge at Mid-Mountain offers one-on-one time with Burton-certified instructors, hot cocoa and fire pits.
New:Six-Passenger Northwoods Express Lift (#11) marks the 10th lift replacement in the last 11 years at Vail. Northwoods Express is a primary lift on the front side of Vail Mountain, serving intermediate and advanced terrain. The new lift reduces wait times and increases capacity by 25%. The increase also improves the flow of skiers and snowboarders to the legendary Back Bowls and Blue Sky Basin throughout the day, as well as creates a better flow of traffic exiting Blue Sky Basin and moving across the mountain at the end of the day.
The Arrabelle at Vail Square, A RockResort, celebrates 10 years in January 2018. A celebration of the anniversary will take place in December and special activities will be held in Vail Square including musicians and ice sculptures during the winter season.
New: Beaver Creek’s Red Buffalo Park Adventure 200-acre family learning area accessed by a new high-speed lift. Located at the mountain’s highest elevation, 11,440 feet, Red Buffalo Park provides 13 trails designated as a family adventure zone and features family-friendly amenities such as snow sculptures through the park, Kids Adventure Zones and a dedicated Ski School Skills Zone. Guests enrolled in Beaver Creek Ski School will have exclusive access to the Cookie Cabin, a mountaintop refuge serving up Beaver Creek’s famed, fresh-baked chocolate chip cookies all-day long. At the heart of the experience, the new Red Buffalo Express Lift (#5), a high-speed quad, allows for easier access to the dedicated beginner terrain while decreasing lift lines and providing a shorter, 4.3-minute ride to the top of the mountain.
White Carpet Club is an exclusive, private retreat within the heart of Beaver Creek Village which you can join for the duration of your visit. Located steps from the escalator leading to Centennial Express Lift, the White Carpet Club hosts spacious lockers for storing apparel and accessories; boot dryers; a continental service offering coffees, teas, cocoa, and decadent morsels; private restroom facilities and an intimate lounge adorned with soft, cozy seating. The dedicated on-site concierge offers instant assistance with lift ticket and pass purchases, as well as dinner and activity guidance and reservations. Priority access to SaddleRidge Restaurant – renowned for ski-in fine dining during lunch and dinner – is also a distinct benefit. Other benefits include preferred parking and slope side equipment-check.
Beaver Creek’s First Tracks experience invites guests to cherish unrivaled scenic beauty at sunrise, delight over premier access to flawless snow surface conditions, and savor a five-star gourmet breakfast on the mountain at the exclusive Allie’s Cabin. Guests board the Centennial Express Lift at 7:30 a.m., enjoy a private, guided tour of the mountain’s flawlessly curated slopes and relax over breakfast – all before the resort opens for the day. (Reserve First Tracks by dialing +1-866.250.1679 or +1.970.754.5310.)
Allie’s CabinWine Dinners and Family Dinners via Open Sleigh. Allie’s Cabin, a fine dining retreat atop a peaceful aspen grove on Beaver Creek Mountain, features Wine Dinners with a celebrated group of wineries, accompanied by a stunning fireworks display over Beaver Creek Village. On select Thursday evenings December through March, guests arrive via open-air sleigh for a gourmet culinary experience in the cozy cabin. While savoring exquisite food and wine pairings, guests enjoy a warm fireplace and sweeping views of the Beaver Creek Village, illuminated by Thursday Night Lights Fireworks. Classic contemporary regional fare has been crafted to offer the perfect pairing for the featured wines of the evening. New this winter and offered during select weekends, Allie’s Cabin Family Dinners welcome guests to savor gourmet fare which caters exclusively to children and families.
Artisan Chocolates found pnly at Beaver Creek Candy Cabin Located at the top of Strawberry Park Express and Upper Beaver Creek Mountain Express lifts, myriad palate-pleasing sweets are created locally by fifth-generation chocolatier, Michael Mootz, presented in a custom Beaver Creek gold box; individual chocolate snowflakes, snowmen or ski boots.
The Falcon SuperChair is being upgraded from a quad to a high-speed, six-passenger lift, offering an easier and faster ride up Peak 10. Breck’s Ten Mile Station is going a little “Willy Wonka” this winter season, adding an old fashioned sweet shop. It’s sure to guarantee you a sugar high as you ascend the Imperial Express, North America’s highest chairlift! The resort’s newest restaurant, Pioneer Crossing (opened December 2016), is also sweetening up its menu, adding sweet and savory crepes to its breakfast lineup this winter. Located just steps from the top of the Independence SuperChair on Peak 7 – one of the resort’s five iconic peaks on the north side of the mountain – the slope-side restaurant offers panoramic views of the mountain and Summit County. Also on the menu, a variety of house made options like fresh made salads to order, signature dishes like Pioneer Lamb Pie and a Mediterranean inspired station.
The Dew Tour returns to Breck for its 10th year, December 14-17, 2017 (presented by Mountain Dew® and TEN: The Enthusiast Network), as an Olympic qualifying event for the 2018 Winter Games in PyeongChang, South Korea. The four-day event kicks off the competition season, featuring individual superpipe and slopestyle competitions with the best skiers and snowboarders in the world, along with live concerts, the interactive Dew Tour Experience and in-town events. The Team Challenge is also back for another year and features invited teams of riders representing the biggest brands competing on a unique three-course layout.
Spring Fever! Breck will be one of the last major resorts still open when the biggest spring skiing party in the Rocky Mountains returns March 17 through April 22, 2018. Breckenridge’s elevation – 9,600 feet in town – makes the snow last longer and the bluebird spring days even sweeter. To celebrate, Spring Fever brings a month-long lineup of activities for families, beer drinkers, music lovers, mountaineers and more. www.BreckSpringFever.com
Breck Into Epic Above Tree-Line Terrain and Bowls From Blues and Blacks to Double Diamonds, Breck’s 11 bowls truly offer some of the best above tree-line skiing and snowboarding in North America. Hop off the Imperial Express, North America’s highest chairlift, and it’s like being transported to a winter vacation in the Alps. On a clear day Peak 8’s treeless, powdery slopes offer views for miles, and a bird’s eye look at historic Breckenridge. For a snow-sensory overload drop in on E.S.P. on powder days. Sign up for a Breck Guide for the day, for the inside scoop on hidden powder stashes and top terrain.
Visitors will find The Montezuma Express Lift, a primary lift on Dercum Mountain serving popular intermediate and beginner ski terrain, has been replaced with a high-speed six-passenger chair that increases efficiency and capacity by up to 25 percent, while improving skier and snowboarder circulation on the mountain.
Kids Still Ski Free. Every day, all season long, kids 12 and younger ski for free at Keystone with no blackout dates when family’s book two or more nights in one of Keystone’s numerous accommodation options, which span from affordable hotel rooms to family-sized condominiums. (Keystone is one of the only Colorado ski resorts offering nighttime skiing; it also provides access on its ticket to ski Arapahoe Basin.)
Kidtopia: Free Family Programming Offered Every Day of the Season. The Kidtopia lineup includes activities such as the village parade and fireworks, snowball launches, ice cream parties and meeting Keystone’s Ski Patrol rescue dogs. All Kidtopia programs are free.
New for 2017-2018, the Kidtopia Signature Event Series will feature three distinct events throughout the winter to complement the family experience at Keystone. The Kidtopia Spectacular, Dec. 15-24, marks the first signature event of the winter and kicks off the holiday season with a bounce house party, a mountaintop celebration and lighting ceremony of the world’s largest snow fort, and an evening with Santa Claus himself. The first-ever Kidtopia Culinary Festival debuts for the 2017-2018 winter, Feb. 9-17, with a savory lineup tailored to the youngest of foodies with cooking demonstrations, chocolate fountains, bakery tours, dessert specials and a celebrity chef event. The Kidtopia Music Experience, March 2-10, is the last of the signature event series and kicks-off the spring skiing and snowboarding season with music-themed fun including rock ‘n’ roll themed parties and the Snow Pants Dance Party, featuring live outdoor music performances from popular kid-friendly acts.
The Inn at Keystone is being rebranded to Hyatt Place Keystone following a significant renovation of the property. The rebranding marks the first significant hotel brand in Keystone as well as the first Hyatt select service hotel to be announced for the Colorado Rocky Mountains. Guests of the hotel will also be able to enjoy a new fitness center, an alternative grab-and-go dining option and new outdoor communal spaces.
The Village Halloween Parade, normally an expression of exuberant creativity, this year had an added dimension of courage and defiance. The 44th annual parade went on, on schedule despite a terror attack that took place mere hours before and less than a mile from where tens of thousands of marchers and parade goers were gathering.
In what is New York City’s version of Carnival, the mile-long route along Sixth Avenue was transformed into a bestiary of fantastic hybrids, culled from the hallowed halls of Cryptozoology, fitting in with this year’s theme, “Cabinet of Curiosities: An Imaginary Menagerie”.
The theme was inspired by the likes of PT Barnum’s carnival-esque museum which featured “The Fiji Mermaid,” created with the head of a monkey on a taxidermied fish, and Mary Shelley’s Frankenstein – the real and imagined curiosities, made all the more plausible by leading edge technology like CRISPR gene-splicing technology promises to unleash “a host of unholy hybrids into our midst,” said Jeanne Fleming, long-time
Artistic and Producing Director of the Village Halloween Parade.
“Halloween, of course, revels in hybrids, mash-ups and the frisson of crossed identities. So, as we approach Frankenstein’s bicentennial, we are building our own Cabinet of Wonders, the Parade itself!”
Many of the marchers, though, abandoned the theme in favor of subtle (and not subtle) protest, another element of the traditionally irreverent display, with lots of pot-shots at Donald Trump, his administration, and his policies.
Despite the tragic event earlier in the day when eight people were killed and 11 injured when a lone-wolf, self-proclaimed terrorist careened at high speed in a pickup truck one mile down the Hudson River Conservancy bikeway on the Westside Highway, the irreverent, devil-may-care attitude that is hallmark of the Village Parade was still paramount, even with the legions of police with assault weapons – they blended right in.
This year’s parade was also distinguished by two of the marchers: Governor Andrew Cuomo and Mayor Bill DiBlasio, who joined the parade to show solidarity and hammer home the message: Go on with your lives.
One of the parade regulars put it more directly, as he embraced the parade’s artistic director Jeanne Fleming, “This is a giant F-U to the terrorists.”
Nothing could stifle was has been appropriately hailed as the “Greatest Event on Earth” by Festival International for October 31st and a top event in NYC by Events International, Citysearch and Biz Bash, the Village Halloween Parade is still the nation’s largest public Halloween celebration, with thousands of costumed marchers, hundreds of Halloween characters, giant masks and puppets, dozens of marching bands playing music from around the world stilt walkers, and street performers that turn the avenue into a mile-long stage.
The NYC Village Halloween Parade, which has always encouraged young and upcoming artists, this year selected as grand marshal an up-and-comer, Angelica Vox, who rode up the avenue on a float designed by Alexei Kazantsev, its first ever done in a New Orleans style.
A not-surprising number of Historic Hotels of America’s 300 members are reported to have some spirited guests who continue to roam the halls of these legendary places long after they should have checked out. These ghosts represent all ages, males and females, hired help to wealthy patrons, numerous professions, and others suffering from broken hearts to broken fortunes. If you are interested in a stay in a historic hotel with a paranormal twist, here is the Historic Hotels of America Top 25 Most Haunted Historic Hotels for 2017 along with some of America’s best hotel ghost stories:
Concord’s Colonial Inn(1716) Concord, Massachusetts Due to the hotel’s age and role in the Revolutionary War, the Inn has been rumored to have a few resident ghosts. Many wounded patriot soldiers were taken to Concord’s Colonial Inn, which served as a hospital during the war. The most famous and sought-out spooky guestroom is 424. The room was once the operating room of Dr. James Minot, who had a practice in the inn during the Revolutionary War. Many guests who’ve spent the night in the infamously haunted room have reported some strange activity.
Admiral Fell Inn(1770) Baltimore, Maryland The Admiral Fell Inn is no stranger to ghost stories. Guests have often reported seeing floating sailors and disappearing butlers knocking on their doors. A hotel manager is also said to have heard a loud party after the hotel was evacuated during a hurricane. This comes as no surprise as parts of the building dates back to the 1770s when it was a theater and boarding house where seamen, immigrants and “ladies of the night” would pass through.
The Red Lion Inn(1773) Stockbridge, Massachusetts Ghostly rumors continue to swirl at the inn which has seen the likes of many paranormal investigators and mediums. The fourth floor, in particular, has been said to have the most activity. Both cleaning staff and guests have claimed to see a “ghostly young girl carrying flowers” and “a man in a top hat.” It has been said that guests have awoken to the feeling of someone standing over them at the foot of the bed. Cold spots, unexplained knocks, and electrical disturbances have all been reported. Guestroom 301 is also known to be a haunted hot spot.
Hanover Inn Dartmouth(1780) Hanover, New Hampshire Dartmouth College ghost stories include the tale of nine fraternity brothers who perished in 1934. More than one Dartmouth student has come face to face with a room that isn’t there and a party of those young men and their dates. Ghosts may also haunt Baker Library, Panarchy and the Inn.
Omni Parker House, Boston(1855) Boston, Massachusetts This hotel was opened by Harvey Parker and he was involved with the operations of the building until his death in 1884. Over the years, many guests have reported seeing him inquiring about their stay—a true “spirited” hotelier even after his death.
The Sagamore(1883) Bolton Landing, New York The Sagamore has its own American ghost story. Opened in 1883 as a playground resort for summer residents of Millionaire’s Row, this rambling historic hotel sits on a 6 million-acre state park is rumored to accommodate a ghost or two. Stories persist of the ghost of a silver-haired woman wearing a blue polka-dot dress descending from the second floor to the Trillium, the hotel’s fine dining restaurant.
1886 Crescent Hotel & Spa(1886) Eureka Springs, Arkansas Many people know of the most of famous “guests who check out but never leave” at the 1886 Crescent Hotel and Spa. They include Michael, the Irish stonemason who helped build the hotel in 1885; Theodora, a patient of Baker’s Cancer Curing Hospital in the late 1930s; and “the lady in the Victorian nightgown”, who likes to stand at the foot of the bed in Room 3500 and stare at guests while they sleep. These are only three of the dozens upon dozens of spirits that guests and visitors have reported encountering in this historic hotel in the Ozark Mountains.
Hotel Monteleone(1886) New Orleans, Louisiana A maid, known as “Mrs. Clean” reputedly haunts the hotel. Paranormal researchers once asked why she stayed, and the maid, whose mother, grandmother and great-grandmother also worked at the hotel, said she was picking up after housekeeping to ensure high standards.
Jekyll Island Club Resort(1886) Jekyll Island, Georgia This hotel has a rumored bellman with a cap and suit like the ones we see in movies of the 1920s, a far different look from actual bellmen who greet you at this historic hotel today. This bellman, from post WWI days, is very particular about delivering freshly pressed suits to bridegrooms. He has been seen, mostly on the second floor of the club building, knocking gently on a guest room door and announcing his purpose. Many guests, who had not ordered these services, have inquired about the mysterious bellman.
Green Park Inn(1891) Blowing Rock, North Carolina This 1891 hotel also keeps a “Ghost Log” in the lobby for its guests to peruse (and add to when they have their own encounters to share). Pay attention to notes regarding Room 318, where Laura Green died. Laura was the daughter of the inn’s founding family and she was jilted at the altar. Reports are that she and her would be groom continue to be seen on the third floor.
The Pfister Hotel(1893) Milwaukee, Wisconsin Countless visiting athletes and celebrities have seen hauntings by the ghost of this hotel’s original owner. It is rumored that Charles Pfister still roams the halls to ensure that his guests are well taken care of at his century-old “Grand Hotel of the West.”
Moana Surfrider, A Westin Resort & Spa(1901) Honolulu, Hawaii On February 28, 1905, the untimely death of Jane Stanford, co-founder of Stanford University, made headlines everywhere. Stanford, who was vacationing in Hawaii following a strychnine poisoning attempt on her life, died in her room at the Moana. There have been reports that the ghost of Stanford still frequents the hotel, whose beautiful ocean vistas brought her short-lived peace. Guests and hotel staff have said that they’ve seen her walking at night trying to find her room.
Omni Mount Washington Resort, Bretton Woods(1902) New Hampshire Known affectionately by staff members as “the princess”, Caroline Foster, was a long-time inhabitant of the hotel. Princess Caroline Foster’s ties to the resort go back to its inception when her husband, railroad tycoon Joseph Stickney, built the grand resort in 1902. Incorporating special accommodations for his wife, construction of the resort included an indoor swimming pool and a private dining room for Caroline known today as the “Princess Room.” A prominent figure at the resort since its opening, many guests who have visited continue to report sightings of the regal Caroline. Visions of an elegant woman in Victorian dress are often spotted in the hallways of the hotel, there are light taps on doors when no one is outside and items suddenly disappear and then reappear in the exact place they were lost. But perhaps the most common sighting of the beloved Caroline is in room 314, where guests report seeing the vision of the woman sitting at the edge of their bed.
The Seelbach Hilton Louisville(1905) Louisville, Kentucky Legend says two lovers were to be married at the hotel in 1907, but the groom met an untimely death on his way to the wedding. His then distraught bride threw herself down the elevator shaft, falling fell ten stories to her death. The bride is said to continue to haunt the halls of this historic hotel.
Boone Tavern Hotel of Bera College(1909) Berea, Kentucky The historic Boone Tavern Hotel attracts ghosts hunters by the score with its three-day ghost hunts, and some guests report seeing the apparition of a young boy in their photographs. In the hotel basement, the voice of a boy named Timmy can sometimes be heard.
The Stanley(1909) Estes Park, Colorado The inspiration for Stephen King’s book, “The Shining,” The Stanley has lots of haunting appeal, especially when guests tour the creepy underground tunnel that runs beneath the hotel. But that’s not the hotel’s most haunting aspect. The hotel’s original owner, F.O. Stanley is known to haunt the hotel. He and his wife have been seen dressed in formal attire on the main staircase and in other public areas, and Flora’s piano occasionally echoes in the ballroom.
The Omni Grove Park Inn(1913) Asheville, North Carolina For nearly half a century there has been the belief that there is a ghost who roams the hallways of the main inn. She is referred to as the Pink Lady because of the flowing pink gown she wears. It is believed that this young woman was a guest in room 545 in the 1920s and that she either jumped or was pushed to her death in the Palm Court, five floors below. No records exist that support any of these claims but it may have been hushed up to avoid negative publicity. Reports of her sightings still occur, some say they just see a pink mist, others a full apparition of a young long-haired beauty in a pink gown.
La Fonda(1922) Santa Fe, New Mexico Shot to death in 1867 in the hotel lobby, John P. Slough, Chief Justice of the Territorial Supreme Court, is said to have never left. Meanwhile, a distraught salesman, who jumped into the hotel well after losing a card game, has been seen emerging from the fountain by visitors and guests alike.
The Emily Morgan San Antonio – a DoubleTree by Hilton Hotel(1924) San Antonio, Texas This hotel, known as “the official hotel of the Alamo” has known to have ghosts haunt the halls. At one time, the hotel housed a medical facility, which had a morgue and a psychiatric ward on site. Reports of unexplained noises, apparitions, and the feeling of being touched have been reported by guests. The floors with the most paranormal activity that have been reported are the seventh, ninth, eleventh and twelfth floors.
Francis Marion Hotel(1924) Charleston, South Carolina In the early 1930s, New Yorker Ned Cohen was visiting his Southern lady friend in Charleston. Whatever happened was never clear, but he was found face down, body smashed in the middle of King Street facing toward the old Citadel’s parade grounds. Today, visitors hear eerie and unexplained sounds at night, all too familiar to the bell staff and room attendants walking the halls. Sounds of rustling silk drapes, rattling windows, and an unexplained vision of a man questioning either himself or the witness. Some see the image in shirt sleeves, others just feel his presence throughout the hotel.
Hawthorne Hotel(1925) Salem, Massachusetts The city of Salem is notorious for the Salem Witch Trials in 1692 and is prone to hauntings and spirits of its own. The hotel has ghost stories of its own, mostly attributed to the sea captains who were returning to their gathering place. In particular, rooms 621 and 325 have had reports of lights turning off and on and a general uneasy feeling throughout the rooms.
The Hollywood Roosevelt(1927) Hollywood, California This historic hotel is haunted by multitudes of ghosts including the most famous, Marilyn Monroe. She has been said to haunt the full length mirror that was once in her suite. Room 928 is believed to be haunted by the restless spirit of Montgomery Cliff, the film and stage actor best known in the film Red River in 1948.
Lord Baltimore Hotel(1928) Baltimore, Maryland Guests and staff alike numerous times have seen a little girl, wearing a long, cream-colored dress and black, shiny shoes, running by the open doorway, bouncing a red ball before her. There have been many times when guests have asked, “Little girl, are you lost?” and the hallway has been completely empty.
The Don CeSar(1928) St. Pete Beach, Florida Thomas Rowe met his beloved Lucinda in the 1890s when Rowe was studying in Europe. Lucinda’s parents forbade the relationship and the forlorn Rowe returned to America. For years his letters to her were returned unopened. In 1925, Rowe built the Don CeSar Beach Resort and Spa. The lobby of the hotel included a replica of the courtyard and fountain where Rowe and Lucinda used to meet. Although the fountain no longer exists, employees at the Don CeSar tell tales of seeing a couple who suddenly appear walking hand-in-hand in the hotel and then disappearing.
Omni Shoreham Hotel, Washington, DC(1930) Washington, DC During the Shoreham’s early years, three people died unexpectedly in suite 870. At that time the apartment was occupied by one of the hotel’s owners, Henry Doherty. Juliette Brown, the family’s housekeeper dropped dead mysteriously one night at 4 am. Doherty’s daughter and wife also perished mysteriously in the same suite. During its vacancy there were claims of mysterious noises, doors slamming shut and furniture moving—many of which happened around 4 am, the time of Juliette’s death.
“The best guest comment a hotelier likes to hear is we don’t want to leave or we can’t wait to come back,” said Lawrence Horwitz, Executive Director, Historic Hotels of America and Historic Hotels Worldwide. “At many historic hotels across the USA, hoteliers have told us that they have former guests that never left and these ghosts are visible only to some guests, most frequently at night, and even more frequently during the fall and winter. Or, as I understand, they checked in and never checked out.”
Historic Hotels of America® is the official program of the National Trust for Historic Preservation for recognizing and celebrating historic hotels which have faithfully maintained their authenticity, sense of place, and architectural integrity in the United States, including 46 states, the District of Columbia, the U.S. Virgin Islands, and Puerto Rico. Historic Hotels of America is comprised of mostly independently owned and operated historic hotels. More than 30 of the world’s finest hospitality brands, chains, and collections are represented in Historic Hotels of America. To be nominated and selected for membership into this prestigious program, a hotel must be at least 50 years old; have been designated by the U.S. Secretary of the Interior as a National Historic Landmark or listed in or eligible for listing in the National Register of Historic Places; and recognized as having historic significance.
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I set out for Park City Mountain in Utah to see if it could really be true: you could leave your house on Long Island in the morning and be skiing the Rockies, or more precisely, the Wasatch Range, by noon.
The combination of great nonstop airline service into Salt Lake City and the remarkably close proximity of the international airport to Park City- just 35 minutes drive, literally as far from the airport as my house to JFK, the “suburbs” of the city – makes this all possible. Not to mention the choice of condo-style lodgings right at the Canyons base, the efficient ski rental process.
Sure enough, I was greeted at the airport and whisked away by Park City Transportation car service, checked into the Hyatt Centric Park City Hotel at Park City Mountain’s Canyons village base, picked up my pre-ordered skis through RentSkis.com (the fellow assisting me took the extra time to wax the skis to give me a better experience on the spring slush at the lower sections), used my Epic Pass, Vail Resort’s seasonal pass, which speeds you through the lift access with a point of a laser gun, and hopped the Red Pine Gondola to mid-mountain.
There I warmed up and got comfortable in my equipment on the couple of green runs, then found a gentle blue trail, Snow Dancer, off the Saddleback Express lift, to warm up my legs as I regaled in the view, and was happy as a clam.
(There is a caveat, though: by skiing immediately and not taking time to acclimate, you can avoid altitude sickness by drinking lots of water beginning the day before and throughout the day, and avoiding alcohol the first day. If you do feel the effects of altitude sickness, take Tylenol and drink water and if necessary, come down to lower altitude.)
We Northeastern skiers will revel in actual snow, Park City’s legendary powder – even in spring conditions. You don’t just ski Park City – which with Vail’s acquisition and unification with The Canyons is now the largest ski resort in the US – you explore it. It is so vast, it becomes a game for the first-time visitor to get from Canyons – where the trails tend to be tougher (only a couple of greens), but less crowded, more sun, and more snow – to Park City.
I only ski a couple of times a season so I am still tentative though I can handle just about any blue (intermediate) trail provided there is snow and not sheer ice (as we New England skiers are more familiar with). But I lack confidence.
Joined by Eric and Sarah who arrive late Thursday from San Francisco, Sarah and I spend our first morning together taking a half-day private lesson with Alex Fleet, one of the top instructors at Park City with nearly two decades of experience who is originally from Great Britain (you pay one price for up to 6 people).
Lessons are not just for beginners and certainly not just for kids. Skiing is a skill that you acquire in layers (and with practice). A lesson helps you acquire the proper form and technique so you can handle any terrain. But the most important ingredient is feeling relaxed and confident so you get a better flow and can use your proper technique.
Our goal is to feel comfortable when challenged, and for me, not to be so skittish at taking on new trails, but to have the confidence that I could do it.
Secondly, I want to see how to get over from Canyons to Park City (there are no green trails to get you there – it is a series of blues or blacks to a half-dozen lifts). I had been told the “trip” could take as much as two hours from Canyons to Park City (about 45 minutes to get back). So Alex, starting us on the green trail (stopping to take in the incredible view) to check us out, progresses swiftly to Snow Dancer (a stunning blue), and then moves us over, peak by peak, to Park City.
Alex gets us over to the Park City area (about one-third the size of the Canyons) in much less time than the two hours, where we find a blue heaven, and where there is vastly more green terrain (the longest trail is 3.5 miles), not to mention the blacks and the glades (we can look forward to that another time). He takes us around a few of the peaks on blue trails before starting back to the Canyons, enough to get a feel for Park City. Throughout, Alex is refining our technique – weighting skis, turning, edging – and building confidence for the climatic challenge: Sidewinder.
He takes us back to the Canyons side, finishing our lesson off the Tombstone lift on Sidewinder (Alex says the popular name is “Slidewinder”), a double-blue square trail, where I take note of an actual sign that warns off all but advanced skiers. Alex says he knows we can do it, “Just follow me!” (and don’t look down because it basically goes straight down without flattening out.)
Alex has made sure to take us here at the best possible condition of the day – not icy or fast in the morning, nor too slushy in the afternoon’s spring heat (the temperature has gone as high as 60 degrees during our stay). Conditions are just right as the noon hour approaches.
It is the confidence builder we have asked Alex for at the start (Sarah had said she wanted to feel challenged), because if you can do the toughest blue on the mountain, you feel you can do anything (assuming the conditions are decent).
While we are at our lesson, Eric, who is an advanced snowboarder, has been tearing up the slopes.
Eric takes the Ninety Nine 90 chairlift, hiking 10 minutes to an “out-of-bounds” bowl, “where there were endless spots to drop in from to have your own fresh lines; then you go from the steep fresh powder bowl to glades and moguls; a beautiful 10-minute trail, even for the speediest of skiers, made the 10-minute hike at the top of the lift well worth it.” (By midday when we meet up at the bottom of the Tombstone lift, his Epic Pass, the seasonal pass to Vail Resorts which is also plugged into tracking where you’ve been and your accumulated altitude, showed he had already done 17,000 ft of elevation.)
Armed with my confidence, on my last full day at Park City, I set out to get from Canyons to Park City on my own, which necessitates handling new trails each time. I start out at Guest Services and ask the kindly attendant to recommend an itinerary, so I don’t have to think about which blues to take. Based on the map of what has been groomed, she uses a yellow marker to map my day. And what a day!
Indeed, when Vail Resorts acquired Park City Mountain Resort and then Canyons Resort, combining them in the summer of 2015, it created the largest single ski and snowboard resort in the United States. Vail immediately invested $50 million, building a spectacular new 8 passenger Quicksilver Gondola to connect the two areas (breathtaking ride!), along with the new King Con Express six-pack and Motherlode Express Quad among the improvements. The combined One Park City offers more than 7,300 acres of skiable terrain, more than 300 trails (and they don’t count tiny spurs as named trails like they do in New England), 41 lifts, 8 terrain parks, one super pipe and one mini pipe.
We’re talking 17 mountain peaks! 14 bowls! A vertical of 3200 feet from the base at 6,800 feet to the summit at 10,000 feet! And even though it is just two weeks before the mid-April close of the season, and the springtime temperatures have soared, Park City averages 370 inches of snow a year, so still has an amazing base of actual snow to ski on. (This makes for a wonderful incentive for people to come out for the these last days of the season, to apply the day’s lift ticket to the cost of a discounted Epic Pass for next season that much more valuable; indeed, a woman from St. Louis said she bought next year’s Epic Local Pass, which is expected to also include Stowe Mountain Vermont, for just over $500.)
It’s a “blue-bird” day – when the sun is brilliant and the sky the deep blue color of a blue bird’s belly. It is just perfection.
I take my time, and have a thrilling experience really exploring and discovering the mountain, enjoying my skiing and literally accumulating the mileage which is the only way to really bump up your skills. Skiing with confidence is key because when you are tense, your muscles tense, you don’t get that nice flow and balance and you use more energy than necessary.
The scenery is intoxicating – not just the sparkling pure air and the altitude that gets your heart racing, but the stunning glades of Aspen trees, pine trees sprinkled in, the peaks and canyons, and the perspective, as well as the ride the chairlifts give you.
It takes me 2 hours (savoring the stunning scenery, stopping for photos, checking the map and enjoying making turns) and I get to the Park City side. I take the SilverLode Express to the top, do Parley’s Park trail, and after a chat on the lift with a Park City regular, go back up for a run on Assessment before starting back to the Canyons.
Everyone we meet – and during the course of the day, I meet people from all over the country – and especially the Ambassadors and lift operators – are incredibly nice. When I seem a little confused about how to get to the Timberline lift, a woman from St. Louis I meet on the gondola waits for me where the trails split, to make sure I take the right trail.
I make my way back to Tombstone, and take the Red Pine Road trail back to the mid-mountain base, but I am feeling so good, I pass up going back down on the Red Pine Gondola, and ski down Boomer to the Canyons base (the big issue was the amount of slushy snow because of the warm conditions), feeling very satisfied with myself for being adventurous. I achieved my goal: skiing new trails.
Unfortunately, we didn’t get to take in one of the experiences that are unique to Park City skiing: the Historic Mountain Tour. You need to be intermediate or above to take this free, two-hour skiing adventure to the various mining shafts from Park City’s silver days.
The Historic Mountain tours depart daily from the Park City resort base area by the Eagle Statue at 10 am and again at the Trail Map near the top of Bonanza lift at 1 pm. During the course of the tour, you get to appreciate how the mountain developed from a mining camp in the 1880s to an internationally recognized winter sports destination. The guides relate the stories behind the authentic structures you see on the mountain (there are some 1,200 miles of tunnels that wind through the mountains and you get to see some of the mine shafts), how Park City emerged as a ski jump arena, its World Cup Racing heritage and how it came to international prominence with the 2002 Winter Olympic Games. You get to experience some of the same runs that the Olympians did and ski or ride past some of Park City’s historic mining buildings with an expert tour guide. We have it on the list for our return visit.
Park City Mountain’s trails are wonderfully carved, superbly maintained and groomed (500 acres of the 7300 have snowmaking) – unless the appeal are the trails and glades that they are not. I appreciate the great signage (otherwise, you could easily get lost or waste time constantly opening up the humongous map).
(Eric saw the best sign, on Nine-Nine 90, named for the elevation of the peak, 9990 ft.: “You are Leaving the Ski Resort. You Can Die. This is Your Decision” with skull and bones to emphasize the point.)
Sure enough, I was able to ski a full day on the last day – leaving the Hyatt Centric Park City Hotel at 9:30 pm for the 11:50 pm Delta nonstop flight back to JFK.
So, my four-days in Park City afforded four full days of skiing. Mission accomplished.
Hyatt Centric Park City
TheHyatt Centric Park City at the Canyons base, which has been a superb lodging for our stay and has its own lift for ski in/out convenience, and is just a five-minute walk to the shops and restaurants, let us use the outdoor heated pool, hot tubs, sauna and lockers after we were checked out. Our two-bedroom condo (the hotel has 27 two-bedroom suites, which can be turned into 3 bedroom suites, and 15 one-bedroom suites) is unbelievably spacious, outfitted with every possible amenity including a full-kitchen, a dining table that seats eight, three TVs, a Jacuzzi bathtub in the master bedroom, four balconies, windows everywhere there open up to the gorgeous outdoors, and washer/dryer (so convenient when you ski).
It also offers a free nighttime shuttle into historic Park City (on the hour from 5 pm; last one returning at 10:30 pm), and on my last evening, instead of waiting in the lobby, I hopped a ride for a final visit, stopping in at more of the gorgeous galleries that line Main Street. I returned with plenty of time to relax in the Hyatt Centric lounge before the car service picked me up to get to the airport.
Park City is very much a year-round adventure destination, and the Hyatt Centric also offers an in-house activities company, Wasatch Adventure Guides, offering fly fishing, heli skiing, hiking (Hyatt Centric Park City, 3551 North Escala Court, Park City, Utah, USA, 84098, 435 940 1234, parkcity.centric.hyatt.com).
So Much More to Do at Park City Mountain
We were so enthralled with skiing, we didn’t have time to take in the many other adventures and experiences of the area. But there is plenty to do, especially for regulars:
Alpine Coaster: Climb into toboggan-style cars for a special way of experiencing the magnificent Wasatch mountain scenery. The automated lift system whisks you to the top of the track and you fly down the mountain on nearly 4,000 feet of curves, bends and loops. It is one of the longest slides in the world.
Guided Snowshoe Tours: Park City offers a network of snowshoe trails hidden among the spectacular skiing. Guided tours are created with a unique destination, experience or adventure in mind.
Horse Drawn Sleigh Rides: Snuggle in for a scenic 30-minute horse drawn sleigh ride through Willow Draw showcasing a night-time winter wonderland after the lifts have closed.
Additional winter experiences include Dog Sledding, Snowmobile Tours and Cross Country Ski Tours.
Also, the Utah Olympic Park where you can take a guided tour, take a thrilling ride on the Winter Comet Bobsled on the Olympic track, experiencing 3+ Gs and hitting speeds of 60 mph (open year round); the Extreme Zipline replicates flying off the K120 Nordic ski jump, propelling you to up to 50 mph. There’s also an adventure course, scenic chairlifts, and the George Eccles 2002 Olympic Games Museum (look for Great Neck’s own figure skating gold medalist Sarah Hughes). Still a year-round US Olympic training site, you also get to watch athletes of all ages training for Nordic Ski Jumping (in summer, they jump into a pool), Freestyle skiing, bobsled, skeleton and luge. (Open year-round, free admission to the park, www.uolf.com).
But we have time each day to enjoy discovering historic Park City, with its astonishingly fine galleries and shops and fine-dining venues (more to come).
Park City Mountain (www.parkcitymountain.com) is part of Vail Resorts, Inc., which through its subsidiaries, is a leading global mountain resort operator of 10 world-class mountain resorts and three urban ski areas, which in addition to Park City in Utah includes Vail, Beaver Creek, Breckenridge and Keystone in Colorado; Heavenly, Northstar and Kirkwood in the Lake Tahoe area of California and Nevada; Perisher in Australia; Whistler Blackcomb in Canada; Afton Alps in Minnesota, Mt. Brighton in Michigan and Wilmot Mountain in Wisconsin. Vail Resorts also owns and/or manages a collection of casually elegant hotels under the RockResorts brand, as well as the Grand Teton Lodge Company in Jackson Hole, Wyo.