Performers 2018: United States Navy Blue Angels – Royal Canadian Air Force Snowbirds – U.S. Air Force F-22 Raptor (Lockheed Martin) – United States Army Golden Knights – Sean D. Tucker – Team Oracle – John Klatt Airshows – “Screamin Sasquatch” – Matt Chapman – Embry Riddle – GEICO Skytypers – American Air Power Museum Warbirds – SUNY Farmingdale Aviation – 106th Rescue Wing Static Displays:NY Guard Military Vehicles Announcer: Rob Reider Airboss: Wayne Boggs
Flying stunts with unbelievable negative and positive G forces, tactical maneuvers at impossible speeds with incredible precision, zooming to stratospheric heights, nearly 400,000 who cram into Jones Beach State Park over two days of the 15th Annual Memorial Day Weekend Bethpage Air Show are thrilled beyond measure at the heart-stopping skill and daring on display directly in view, with nothing but the horizon beyond.
The U.S. Navy Blue Angels, last at Jones Beach in 2016, are returning to the Bethpage Air Show for their eighth performance during their 72nd anniversary season and will provide the climatic final performance of the show at approximately 2 p.m. The Royal Canadian Air Force Snowbirds will be making their fourth performance at the Bethpage Air Show, where they will thrill fans with more than 50 different formations and maneuvers. (See photo highlights)
The F-22 Raptor, the United States Air Force’s newest fighter aircraft, which performs both air-to-air and air-to-ground missions, will also make an appearance at the 15th anniversary show. The F-22 was designed to project air dominance, rapidly and at great distances, and defeat threats attempting to deny access to our nation’s Air Force, Navy, and Marine Corps. The F-22 cannot be matched by any known or projected fighter aircraft. The F-22 will perform for crowds with its own remarkable demonstration, as well as alongside the United States Air Force Heritage Flight Team for a special aerial performance.
Other thrilling performers at this year’s show include the United States Army Golden Knights Parachute Team, performing in their 13th Bethpage Air Show; legendary air show pilot Sean Tucker performing in his custom-built Oracle Challenger II biplane; extraordinary aerobatic pilot Matt Chapman; the John Klatt Airshows — Jack Links’ Screamin’ Sasquatch Jet Waco Aerobatic Team; the world famous GEICO Skytypers and their flight squadron of six vintage WWII aircraft; the American Airpower Museum Warbirds; Long Island’s own David Windmiller; the Yankee Lady B17, our hometown, 106th Air Rescue Wing will show their support by performing a HC-130 and HH-60 fly-by demonstration; and new for their third air show performance, the SUNY Farmingdale State College Flying Rams, who will fly seven of their 22 college-owned aircraft in a fly-by piloted by their top academic professional pilot performers.
“This year we have a remarkable lineup of world-class performers, and are very pleased to welcome back the United States Navy Blue Angels to Long Island. We are also especially excited to be included in the Grunt Style Air Show Majors Tour, which unites the most prestigious air shows in the country,” said George Gorman, deputy regional director, New York State Office of Parks, Recreation and Historic Preservation. “The tour was developed to help increase awareness for the air show industry, so we look forward to welcoming many new guests to Jones Beach for our amazing show.”
“The Bethpage Air Show is celebrating its 15th anniversary this year, due in large part to the endless enthusiasm and passion of our audience,” said Linda Armyn, senior vice president of corporate affairs, Bethpage. “We are all privileged to be able to continue to honor our nation’s military by bringing many of the world’s best military and civilian performers together for a show of this magnitude. The Bethpage Air Show has become a celebrated Long Island tradition, and we looking forward to another wonderful show.”
Two years ago, when the Blue Angels last headlined the show, the Bethpage Air Show had record-breaking attendance with 453,000 spectators. Last year, over 347,000 fans attended the Bethpage Air Show when the United States Air Force Thunderbirds headlined the show.
In addition to Bethpage Federal Credit Union and the New York State Office of Parks, Recreation and Historic Preservation, the Bethpage Air Show at Jones Beach is sponsored by Newsday, WABC-TV Channel 7, PSEG Long Island, Natural Heritage Trust, the U.S. Army, Loacker, New York Islanders and Connoisseur Media Long Island. The show can be heard in its entirety on WHLI 1100 and 1370 AM. Bethpage Air Show announcers lead air show activities from the Jones Beach State Park Central Mall Boardwalk area where food, beverages and ground activities are available.
The Bethpage Air Show is free to the public, but the standard $10 vehicle use fee is collected each day upon entry to the State Park. For the 2018 NYS Empire Passport holders, there is no vehicle use fee charge.
For $80, the Empire Passport card provides unlimited vehicle access to most facilities operated by the New York State Office of Parks, Recreation and Historic Preservation and the New York State Department of Environmental Conservation. Empire Passports are available for purchase at any Long Island State Park and can be utilized immediately to enjoy the forests, the seashores and the lakefronts of New York State’s parks through all of New York’s beautiful seasons.
For more information about this year’s show, visit http://www.bethpageairshow.com or contact the New York State Office of Parks, Recreation and Historic Preservation, Regional Office, Recreation Department at 631-321-3510.
The world-renowned United States Navy Blue Angels and the Royal Canadian Air Force Snowbirds will headline the 15th Annual Bethpage Air Show at Jones Beach, taking place Memorial Day Weekend, Saturday, May 26 and Sunday, May 27, 10 a.m. to 3 p.m. The heart-stopping event is presented by Bethpage Federal Credit Union and the New York State Office of Parks, Recreation and Historic Preservation and draws some 400,000 people.
The U.S. Navy Blue Angels, last at Jones Beach in 2016, returned to the Bethpage Air Show for their eighth performance during their 72nd anniversary season and provide the climatic final performance of the show.
The US Navy Blue Angels flying F18 Hornets, were formed in 1946 as a flight demonstration team to keep the public interested in naval aviation. The Hornet can fly at speeds of more than Mach 1.7 – that is more than 1,294 mph – but during this performance, they kept it to just half of that, just below the point they would break the sound barrier. Still, there are times when they all approached from different directions at a combined speed of 1,000 mph; and when you see opposing fighter planes come at each other at 400 mph.
Some of the most illustrious artists of Urban Pop are on view a short distance from the mean streets of the city: The Gold Coast Arts Center has again chosen to showcase graffiti, street artists and media savants of urban culture in its exhibit, “URBAN POP,” on view through September 8. Fans had a chance to meet the five featured artists at an opening reception, May 20, at the Great Neck, Long Island gallery.
“The art scene has developed significantly since the 1970s with the introduction of using popular culture (pop art) as a source of inspiration,” writes exhibit curator and gallery director Jude Amsel. “Many contemporary artists have now merged other modern influences such as street art, graffiti, architecture and urban culture into their work.
Among the artists featured in Urban Pop, include Shiro, whose controversial work appeared on the murals at 5Pointz, a warehouse complex and graffiti mecca in Queens, and Luis “Zimad” Lamboy. Their work, along with several other artists, was subsequently destroyed when whitewashed by the property owner and was the subject of a prolonged court battle, ultimately decided in favor of the artists, awarding them $6.75 million. On hand at the reception was Jonathan “Meres One” Cohen, one of the most prominent graffiti artists and a leader at 5Pointz, who has painted sections of the arts center.
Shiro actually provided the theme for the show, gallery director and curator Jude Amsel said. “She is marking her 20th anniversary as a graffiti artist. She is like Lady Pink – one of the world’s most famous graffiti artists.”
Her paintings feature a consistent character – her alter ego.
“Since I was little, I have been deaf in one ear. I wasn’t communicating with people. My family kept moving for my father’s job. It was hard to make new friends, so I kept drawing a character – my imaginary friend. I wasn’t lonely with my friend. Now I travel all over world by myself – India, Brazil, China – 18 countries. I can travel by myself because I have my best friend,” says Shiro.
She leaves her images like an “I was here” stamp in the places she visits.
“People call me to do the murals, big murals, with my character, my best friend. I leave her on the wall in the country. I keep creating my character.”
She covers her face when I photograph her with her painting. “I don’t want to worry about how I look, I want people to see my art,” she says.
Shiro grew up in Tokyo and began her career as an aerosol artist in 1998. “As a young artist, I fell in love with hip-hop. In Japan, the only way to get information about hip-hop culture was to read books, watch videos, and listen to music. I used to go to clubs in Japan every weekend with friends and other artists to dance and paint, all the while imagining what it would be like to experience the movement in NYC at the time.”
She came to New York in 2002, inspired by a film, “Wild Style” to see the Bronx.
In celebration of her 20th anniversary as an aerosol artist, she began her “90’s project’” by painting walls internationally.
She’s been living in New York for the past four years, “the city I used to dream about.”
Luis “Zimad” Lamboy is showing pieces created for the show that draw upon his early career. “In the mid-80’s I discovered creating graffiti, collage and mixed media on paper which wasn’t being done at the time by any of my peers. It’s been awhile since I’ve gone back to doing this style of work. I felt it necessary in order to move forward in my career to look back and fine tune what I had started. The new works are vibrating with color and life and feel as it tells a story of walls I’ve done, characters I’ve created and the many people I’ve had the honor of meeting and calling brothers and sisters.
Michelle Carollo’s major work, “Steampunk Davis,” is a large-scale (8’ x 8’ x 4’) 3-D construction, inspired by 1930s modernist painter, Stuart Davis. “This is an homage to his work.” It’s constructed of the discarded junk she found around her Brooklyn studio.
You feel the power, a kinetic energy of the piece.
“My work explores gender, pop-culture, and domestic industry,” she writes. “It uses humor and color to capture the energy, power and tension in contemporary culture. By using a series of symbols, figures and built handicraft, my work blends the playful with the serious.
“I draw on multiple references from cartoons to graffiti and entertainment, as well as technology and the history of art. I find there is something completely ridiculous and pleasurable in making deceptively simple imagery. The result is a visual mash-up that remixes spontaneous information with a type of balanced order.”
The drawings are her studies for the larger piece to “help figure what color, patterns, shapes,” she says.
She also is exhibiting a quilt, demonstrating the versatility of the application of her kinetic scope. “I just started working with fabric.”
Carollo, who conquers “one white wall at a time,” has exhibited at MOMA PS1.
Lenny Achan’s style reflects his experiences growing up in New York City as a graffiti and street artist in the early 1990s. The works look as if origami were sucked into a canvas, but it is an illusion: he cuts New York City transit maps into precise shapes and assembles them, adding transparent spray paint as shadow to complete the illusion of 3-D.
“People looking at NYC transit maps likely means they are stressed out. I wanted to give people a reason to smile.”
Achan describes himself as “an artist and inventor, influenced by my time growing up in NYC” but embracing experiences outside of the traditional art world to enhance and influence his creative expression.
“I am a student of the laws of nature and sacred geometry and draw from the complexities of everyday life to create pieces that help audiences reflect on more simple times. My philosophy of modern art and the street art movement has been heavily influenced through studying and experiencing global disruption of various commercial and political industries. Art in all forms is a vehicle for innovation and communication. I used everything around me to create and share my view of the world.”
He says, “I wanted to use sacred geometry to mimic life. Geometry is sacred to the philosophy of origami – shapes, whether a person or a bumble bee – are shapes of geometry.
“It is formulaic – they mimic and respect the complexity of math, science, biology, while at same time” break down to simpler, essential shapes.
Achan clearly achieved his desired impact: a woman reflecting on his NYC Transit Map dog, “Cityboy,” exclaims how it brought her pure joy.
Will Power, a self-taught contemporary artist who was influenced by graffiti and hip-hop culture, describes the INV8DERS series of works in the exhibit as “a hybrid fusion of a New York City pigeon with spray paint can. The pigeon represents Graffiti and Street artists, the spray paint can head represents Contemporary Urban Art.” He is striving to make INV8ERS an iconic figure for urban art culture worldwide. He describes the vibrant colorful background as his foundation, his evolution from graffiti. “the ability to combine these various colors is a skill learned from many years of being a graffiti artist. The INV8DERS are a perfect amalgam of graffiti, street art and fine art.”
These artists “bring a myriad of visual cultural influences to their fine art practice,” said Gold Coast Arts Center’s Gallery Director and exhibit Curator Jude Amsel, Some hone their skills on the street, others working in the studio find their version of popular urban art, some having a unique language of their own not categorized within a specific movement. However, each one of the artists offers something unique and different as to their expression of Urban Pop.”
The Gold Coast Arts Center is a 501(c)(3) organization dedicated to promoting the arts through education, exhibition, performance and outreach. Located on the North Shore of Long Island, it has brought the arts to tens of thousands of people throughout the region for more than 20 years. Among the Center’s offerings are its School for the Arts, which holds year-round classes in visual and performing arts for students of all ages and abilities; a free public art gallery; a concert and lecture series; film screenings and discussions; the annual Gold Coast International Film Festival; and initiatives that focus on senior citizens and underserved communities. These initiatives include artist residencies, after-school programs, school assemblies, teacher-training workshops and parent-child workshops. The Gold Coast Arts Center is an affiliate of the John F. Kennedy Center for the Performing Arts Partners in Education program, and the National Gallery of Art in Washington, D.C.
Gold Coast Arts Center, 113 Middle Neck Road, Great Neck, NY 11021, 516-829-2570, www.goldcoastarts.org.
I was thinking of Nancy Vadreen, the student ambassador for the 41st annual TD Five Boro Bike Tour, as I flew down the mile-long descent off of the Verrazano Bridge (after the mile-long ascent) that deposits the 32,000 cyclists into the festival venue on Staten Island, feeling the wind in my face, so refreshing and freeing.
At the send-off for the ride that morning, she had described that feeling as a yearning. She was a 30-something who had never learned to ride a bike. “I dreamed of riding.” She went on the internet and discovered that Bike New York offers free classes at many locations throughout the city. In fact, 25,000 people last year learned how to ride through Bike New York, the largest free biking education program in the country, and the annual TD Five Boro Bike Tour is the main fundraiser.
And here she was, riding in the 40-mile bike tour. “I’m proud and grateful to be riding the 40-miles at the TD Bike Tour. To learn to ride, to feel the wind when you coast downhill.”
I saw her again on the Staten Island ferry back to Manhattan after completing the ride – the thrill of accomplishment was still on her face.
REI, the presenting sponsor of the tour, pointed to the company credo, “Life outdoors is life well lived, it forges better connection to yourself.”
Such an outdoors experience does even more – it fosters such a sense of comradeship, this shared experience. And it brings you into neighborhoods that are so typically New York, with bands and entertainment to cheer and inspire the riders.
What is so special about New York City’s TD Five Boro Bike Tour is how, for one day, you and 32,000 of your closest friends, feel like you own the city. The streets, bridges and highways – like Sixth Avenue, the FDR Drive, the Queensborough Bridge, the Brooklyn-Queens Expressway and the Verrazano (the longest suspension bridge in the Americas) are your domain. It makes you giddy. Neighborhoods ring with sound and spirit – Greenwich Village, Harlem, Astoria, Williamsburg, Greenpoint, DUMBO, Staten Island, Central Park’s blossoms seem to burst just for us.
The ride this year marked the 41st year of this event, which is the largest noncompetitive bike tour in North America. The ride has come quite a long way from that first one, in 1977, when just 250 people participated.
Riders, who race to get a spot as soon as registrations open (participation is limited to 32,000 but could easily be thousands more), came from every state in the nation (yes, Hawaii and Alaska), and this year came from 40 countries.
New York City has really embraced biking, and now offers 1,000 miles of dedicated bike lanes; some 800,000 New Yorkers regularly bike, said NYC DOT Commissioner Polly Trottenberg The city is improving its connection between Manhattan and the Bronx. “There’s never been a better time to bike in New York.”
Manhattan Borough President Gale Brewer said “Thank you for your bike lane advocacy, for being healthy, for being part of the city’s future.” She thanked the DOT for making the Harlem River Bridges safe.
The annual event raises money for bike education. Bike New York operates bike education centers, after school programs, summer camps, and this year launched a Women’s Initiative, as well as its first membership program. “Alums” from the bike education program are joining the ride this year as “Student Ambassadors.”
Numerous charities also use the event for fundraising, purchasing registrations which participants then raise money against. This year, 1,200 riders representing 57 charities, collectively raised $1 million, said Ken Podziba, President & CEO of Bike New York.
The bike tour is also a model of sustainability, promoting recycling, water conservation, becoming the largest sporting event to be certified for sustainability by the Council for Responsible Sport 3 years ago. Each rest stop featured “zero waste” receptacles. Even the rider numbers were recycled.
The ride is designed to be a family friendly tour, not a competition, appealing to all abilities, ages – volunteers hold signs to slow the pace and alert riders to turns and obstacles.
TD Bank, which has been the title sponsor for the past 12 years, pointed to the continual expansion of sustainability efforts.
There’s a lot of good will here REI raises $5 million for community organizations.
But it is mostly in the one-to-one, the shared excitement that goes through all the people.
The 40-miles pass with one broad smile – we are sent off by the choral singing of Music With a Message, socially-conscious youth who inspire positive change and bring their message of love, hope in their singing.
At 6th Avenue we get our first cheering squad – there are at least one in every borough – and bands representing their borough, including Bombayo, Giant Flying Turtles, Night Spins and the Rusty Guns (one of my favorites).
“The thing that ultimately makes the event so special has remained a constant and can be summed up in one word: diversity,” writes Bike New York CEO Podziba in the official guide to the tour. “For decades, we’ve welcomed riders from dozens of countries and from every corner of this one, children and octogenarians, bike messengers, weekend warriors, everyday commuters, and even unicyclists, old pros and first timers… You never know who’ll be standing next to you at the starting line – they may be from a country you’ve never heard of.
“But diversity isn’t simply what makes our ridership so special – it’s also what makes New York City like no other place on the planet. Depending on who you ask, as many as 800 languages are spoken here. As you ride through all five of our beautiful boroughs… you’ll get the experience a 40-mile slice of the most populous, dynamic and ethnically diverse city in the country.”
There are any number of incarnations of bikes – tandems, kiddie carts, even elliptical contraptions that seem better suited to a gym (I meet a woman from Salt Lake City who said that 100 of them joined the tour from all parts of the country). There was even a grandson riding a rickshaw so his grandmother could have the joy of the Five Boro tour.
Indeed, everyone marvels at how well organized the ride is and all the precautions that are taken to make the ride safe, though we did see some spills and marveled at how quickly aid was provided..
We are 32,000 riders, but there are 2,000 volunteers who assist all along the way – marshals and course captains and EMS, and people along the route who tell us when to slow down and prepare for a turn, and rest stop people who hand out water and snacks.
And there is such a sense of liberation to take over New York City’s streets.
The ride embraces all five boroughs – and each shows off with street entertainment, raising the spirits of the riders along the route, and at rest stops (Clif Bar sponsored a DJ and entertainment at the Con Ed rest area) and at the Finish Festival on Staten Island (still three miles from the actual 40-mile mark, at the ferry terminal), where, all the finishers received a medal (and TD sponsored a free massage).
As in recent years, the bike tour is preceded by a two-day Bike Expo, when bikers can take advantage of discounts and giveaways by scores of bike, biking gear, and bike tour companies and destinations from Quebec in Canada, to Taiwan, and special biking events through the World Association of Cycling Events.
I learned about a new online biking trip planner for the state of Maine, organized by the Bicycle Coalition of Maine, various biking groups and clubs (www.bikemaine.org/wheretoride), as well as Maine’s annual 8-Day Bike Maine trip with 450 riders going 320 miles (2018 is fully booked). There’s also the Bold Cost Scenic Bikeway, 211 miles of low-traffic, on-road riding; you can get detailed online and printable maps, GPS data, and local information to organize a self-guided ride (BikeBoldCoast.com).
Also, a 45-day cross-country bike tour, from San Diego, California to St. Augustine, Florida, with luxury accommodations (none of this camping stuff), fine dining, for $13,000, through Cycle of Life Adventures (they also have less ambitious itineraries). (cycleoflifeadventures.com, 303-945-9886).
Bike New York, 475 Riverside Drive, New York, NY, Suite 1300, New York, NY 10115,www.bikenewyork.org, Follow @bikenewyork on Facebook and Instagram.
After 18 years of playing BB King’s Saturday brunch, Strawberry Fields, one of the most heralded of Beatles tribute bands, played for the last time at the celebrated live-music venue in Times Square.
The room was packed with appreciative fans, family and friends, many who have been regulars, and many who were out-of-towners enjoying this slice of New York.
The lighting deliberately shadows the bandmembers’ face because the illusion of seeing the Beatles performing live is so accurate – close your eyes and the sound is re-created note for note, tone for tone, beat for beat. But instead of an immense stadium or arena, they are playing for you in this remarkably intimate and comfortable supper-club setting – that is, until this weekend, when they played their last Saturday brunch at BB King.
They play on the same musical instruments of the Beatles’ era, with the same sound amplifiers, even the same 40-year old drum set that Ringo Starr used so the sound is as authentic as it could be.
The costumes set the timeframe for the music: dressed in mop top hair, black suits and thin ties for the early Beatles Rock n’Roll era when they burst onto the world stage that was so melodic and danceable; re-creating the album cover for the Sergeant Pepper era of innovation (where the Band re-creates the innovative instruments and multiple tracks invented in the studio after the Beatles stopped performing concerts to focus on in the extraordinary musical innovations that could only be accomplished in a studio); and finally, the “White Album,” “Abbey Road” and “Let it Be” period of social and political activism, with “John Lennon” in an army jacket.
There are any number of Beatles tribute bands, but Strawberry Fields is acknowledged to be one of the best – the musicians who have taken on the persona of John Lennon, Paul McCartney, George Harrison and Ringo Starr since the band was formed 28 years ago, have performed in Beatlemania on Broadway and in touring companies, Let it Be, the 40th Anniversary re-creation of the Shea Stadium concert, and have performed all over the country and the world: Yankee Stadium, Fenway Park, the Plaza Hotel, Paramount Theater, numerous Hard Rock Cafes – some 2000 performances.
Yet after all this time, they don’t play by rote, as if their head was some other place or that playing the same music over and over has become a chore. It is as fresh and vital as if they were the Beatles and recognized the responsibility of playing live for people who were such devoted fans of their records. They play with such purity, respect and reverence for the music and the creators – not as cliché, over-the-top, or caricature.
Tony Garofalo, the John Lennon impersonator, is Strawberry Fields’ Founder, Creator, Producer and Financier, Rhythm Guitar, Lead Guitar, Piano, Mouth Organ, Lead Vocals. Tony has continuously perfected the role as John Lennon throughout the 80’s and 90’s, performing with countless incarnations of Beatlemania. He formed Strawberry Fields in 1991 to make a complete Beatles performance accessible in variety of musical venues.
Tony was born into a musical family, with a mother who was a professional dancer/ teacher and father who is both a 25 year guitar teacher and professional Carnegie Hall alumnist with the New York Mandolin Orchestra. Tony has been playing guitar since he was five, and is also trained in the fine art of classical guitar, mastering pieces by Bach, Beethoven, Sor, Julian Bream, and Andrew Segovia.
But Tony had another life entirely as an undercover Detective and Sergeant and a first-responder who was among those who came to the World Trade Center on 9/11.
He served in the NYPD police for 20 years, with over 700 arrests to his credit and has worked in the central robbery unit, narcotics division, detective division, and internal affairs bureau. Tony was also a key contributor in the September 11th rescue and recovery effort both at Ground Zero and the Staten Island Fresh Kill location. Colleagues and police brass call him the real Sergeant Pepper.
The colorful character is also known for re-constructing the famous Chitty Chitty Bang Bang car (autographed by Dick Van Dyke).
Billy J. Ray, who has been Strawberry Fields’ Paul McCartney since 1978, was a member of the original Broadway Beatlemania cast, and plays Bass Guitar, Piano, Lead Vocals. Billy bears a certain resemblance to Paul: that boyish charm and devil-may-care attitude that captivates any audience. He can sing the rockers with unbounded energy and change gears quickly to render a soft, beautiful ballad in Paul’s inimitable style. His Hofner “Beatle Bass” and Rickenbacker Model 4001 complete the look, feel, and aura associated with Paul McCartney.
John Korba, who takes on the George Harrison part, plays Lead and Rhythm Guitar and does Vocals. John was associate conductor of the Broadway show Rent for four years, associate conductor for the Broadway productions of The Civil War and the Rocky Horror Show and has appeared in numerous Broadway productions including Taboo, Kat and the Kings, Rain and Let It Be. He has performed and recorded with Hall and Oates, Carly Simon, Todd Rundgren, Phoebe Snow, John Waite, and numerous other artists. He spends most of his time, when he’s not touring, writing, recording, and producing various projects in his own studio. In the stage lighting, John takes on an amazing resemblance to George.
Michael Bellusci, the Ringo Starr impersonator, is responsible for Drums, Percussion, Vocals, Music Orchestration and Technical Director. Michael discovered his passion for drums the moment he saw the Beatles perform on the Ed Sullivan Show, Sunday February 9, 1964. He is a multi-instrumentalist and has studied with such drumming legends as Tommy Hatch (long time staff drummer at Radio City Music Hall), Sam Ulano, Rod Morgenstein, Justin DiCioccio, and Frank Marino. Michael’s musical career has spanned four decades, from 1970 to the present, performing with a long list of musical acts that include: Get With It (with Kasey Smith of Danger Danger), the Conglomowitz, Wonderous Stories, Leslie Fradkin (original “George” from “Beatlemania”, Edison Lighthouse), the Off Broadway theater production of Cougar the Musical, The Big Apple Circus, Here Comes the Sun, George Harrison tribute with Godfrey Townsend (Allen Parsons Project Live, John Entwistle Band, Happy Together tour musical director), and most notably, was selected to perform as Ringo for well over a decade with the touring cast of Beatlemania, which starred Mark “Farquar” Vaccacio, Leslie Fradkin, and Don Linares. Michael, an original member of Strawberry Fields who toured with the band through the 1990s, is now repriseing his role as Ringo in Strawberry Fields. Some have described him as a “dead ringer” in both his resemblance to Ringo and his drumming expertise.
They are not so much “playing” the Beatles as re-creating the Beatles’ musical artistry with a respect, a reverence that is powerful. I half-expected Yoko Ono to make an appearance to express her appreciation to how Strawberry Fields keeps the Beatles legacy alive across generations (the youngest fan in the audience was just three weeks old). Or perhaps Sir Paul McCartney, who, along with Ringo Starr, and Sid Bernstein (the original Beatles concert promoter for Shea Stadium), announced the band at the 40th anniversary re-creation of the Shea Stadium concert and in July 2013, invited Strawberry Fields for a personal meeting and after-concert VIP party at the Brooklyn’s Barclay Center, when Paul was photographed holding Tony’s actual NYPD Police Sergeants badge.
How is it possible to play Beatles music in over 2,000 shows and keep it fresh and exciting? “Partly that is because all four of them are extremely talented, lifelong musicians. Another reason is that all of them were either in the touring company or the Broadway cast of Beatlemania and had to graduate from ‘Beatle boot camp’ so they are the best of the best. And it is also because they never do the identical show twice. Since they are quite literally capable of performing any of the more than 200 songs in the Beatles canon, they change up the set list every time,” says Deborah A. Sable, who met Tony Garofalo through Strawberry Fields and married him a year ago. “I was with them on tour at Busch Gardens in Tampa where I watched them do 18 shows in six days and no two were exactly the same!”
You have the opportunity to savor the musical virtuosity of the Beatles – who were self-taught musicians – to really appreciate the intricacy and the innovation of the Beatles. This isn’t just nostalgia; this is preservation of the musical artistry in the way Mozart, Bach, Beethoven and Chopin will always be a part of musical repertoire.
And they have their own fans – we meet Dina Marks, a teacher in PS 63 in Ozone Park and Wantagh, Long Island resident, who has followed them around their outdoor concerts and has come to the Saturday BB King brunches where Strawberry Fields has performed for the last 18 years “at least once a year for my birthday and anniversary” and wears a replica of the same John Lennon army jacket that Tony wears. “The minute I heard they were closing, I said, ‘I don’t care what, I will be here.’ They make me feel they are playing just for me.”
While Strawberry Fields is now on the prowl for a new indoor venue to replace BB King, the band has a series of summer outdoor concerts set:
July 10, 2018: Rocky Point Free Outdoor Concert, 7 pm, St. Anthony Padua Church, Route 25!, NY 11778 (raindate Aug 28)
July 18, 2018: Tanner Park Free Outdoor Concert, 7:30: Beach Waterfront concert Band Shell, 99 Tanner Park, Copiague, NY 11726 (10,000 are expected to attend).
July 19, 2018: Smithtown Library Free Concert, 7:30: at the Library, Northeast corner of Route 25 and route 111.
July 27, 2018: Glen Cove Free Downtown Sounds Concert Series, 7:30 pm: Village Square at intersection of Glen, School and Bridge Streets, Glen Cov e NY 11542.
Aug. 1, 2018: town of Oyster Bay Concerts Under the Stars series, 8 pm. Syosset Woodburyt Park, 7800 Rte 25 (Jericho Turnpike), Woodbury, NY 11797.
Aug. 11, 2018: Musikfest Concert at outdoor Festplatz main state, 8 pm, 101 Founders Way, Bethlehem PA 18015. Largest East Coast outdoor concert venue with 15,000 expected (artsquest.org).
“They have closed a chapter, but the book is still going on,” said Maria Milito, the popular 104.3 FM Classic Rock radio host who first introduced Strawberry Fields show at B B King 18 years ago, and closed out the last show.
“It’s a bittersweet moment for us,” Tony says in his farewell. “The greatest thing about the Beatles was love. Just go out into the world and just love.”
Two cuisine cultures are ingeniously re-mixed, breaking open the “box” of strong tradition that underpins both: Jewish and Japanese. The end-result of this culinary reimagination is New York on a plate.
Shalom Japan, a quaint restaurant and bar in Williamsburg, Brooklyn, is the ingenious creation of Aaron Israel and his wife, Sawako Okochi; Aaron hails from Great Neck, Long Island (a 2000 graduate of Great Neck North High School), and Sawako is from Hiroshima Japan.
Combining Jewish and Japanese cooking traditions is not just a gimmick. Aaron and Sawako’s flavor combinations are astonishing, a sensory surprise. And the food presentations are as artful as his painting. Indeed, Aaron has created the ceramic dishes and saki cups and his paintings decorate the walls.
The couple are respectful of culinary traditions – this is not meant to satirize or stereotype. This isn’t just a matter of combining two things – it’s really ingenious new creations – you can appreciate the trial-and-error that must have gone into creating these recipes, preparations and presentations.
“With Jewish food and with Japanese food, ‘tradition’ is a box – it’s fun and challenge,” Aaron says.
The cultural mash-up is initially disorienting and fun (blows your mind to imagine and makes you smile) – you are simultaneously thrust into something familiar and comforting, and uprooted into some strange new cultural world. It kind of makes you think about what made something familiar in the first place.
But then there is the pure pleasure of the taste and texture and visual presentation.
The dishes begin with delectable fresh, seasonal ingredients. This is especially pronounced in the Tuna Tataki with Black Tahini – a luscious tuna belly, prepared to perfection.
You find yourself just suspending all thought – and for those who just want to take a discovery tour, can take advantage of the Chef’s tasting menu ($55 or $75 per person), which is served on ceramic dishes that Aaron created.
We visit on a Thursday night (the night before Passover seder, in fact) with family who had come from various parts of the country for the holiday, and with the plates prepared with sharing in mind, the six of us are able to taste a fair amount of the menu.
Toro Toasts, Scallion Cream Cheese, Everything Spices –served on homemade challah, sliced to small squares and baked to toast – done with scallion and wasabi cream cheese, sprinkled with everything spices (like an everything bagel).
Shalom Japan Caesar prepared with white anchovy, Za’atar pita crumbs and parmesan.
Spring Jew Egg is their take on a Scotch egg which is a hard boiled, wrapped in pork and deep-fried. Instead, at Shalom Japan this is a soft boiled egg, wrapped in falafel and deep fried; the accoutrement changes with season – in spring, it is prepared with labna, a tangy middle eastern yogurt, peas carrots, and spring greens on top.
Okonomiyaki, Sauerkraut, Pastrami, Bonito is based on a traditional street food popular in Hiroshima: a savory pancake, made with batter, cabbage, beansprouts and fried. “It translates to ‘have it your way’, ‘how you like it’ – with different ingredients of choosing. We chose a homage to Jewish deli, New York style– so we chose sauerkraut and pastrami, with bonito – a style of tuna, smoked and thinly shaped.”
Sesame Temomi Mazemen, Pork Char Siu, Shishito Peppers, Shiso – this is similar to Ramen, but in a sesame sauce (not broth) with the traditional style Japanese noodle. (Shalom Japan is Jewish cooking, not Kosher).
Matzoh Ball Ramen with Foie Gras Dumpling is Aaron’s take on matzo ball soup, so it has many of the ingredients you would expect to find: grandma’s style broth, potato, Aaron’s own matzoh ball recipe instead of egg noodles, ramen noodles. Admittedly, the foie gras dumpling added in is a strange touch. The soup can be a meal in itself and you can add in extra Matzoh ball, dumpling or add egg.
Ricotta & Spinach Blintzes served with black truffle and honey. Inspired.
The wild, weird ride continues with imaginative cocktails concocted by beverage director Ian Morrison (the beverage menu pages outnumber the food selections), such as:
There is a mind-boggling list of sake choices – like Fuku Chitose (“happy owl” described as “rustic, savory, pumpkin”); Tae No Hana (“sublime beauty” which is characterized as “dry, full, frosted flake, hazelnut, malt-ball”).
Even the beer selection is ridiculously eclectic, hailing from Japan, Germany, San Francisco, North Carolina, South Carolina, Washington and Michigan.
There are surprising similarities and connections in the food traditions (like Gershwin’s melding of classical and jazz): “Both don’t use too much dairy; both do put a value on fish,” Aaron reflects.
We asked Aaron what the restaurant would be serving for Passover – Aaron makes his own matzoh – and were treated to a variation on gefilte fish that he would be serving: fried fish ball (much tastier than Mother’s).
Desserts are amazing, also – I try the Uzu sorbet that has a grapefruit flavor; there is also a scrumptious bread pudding.
Talk about a small world! Laini had known Aaron since 2005 when he was an undergraduate studying painting at the prestigious art academy, Maryland Institute College of Art (MICA) in Baltimore, and was mentored by Laini’s father who headed the Painting Department. She has been coming to Shalom Japan since it first opened five years ago; when she brought David the first time, he thought he recognized Aaron and soon realized they had gone to Great Neck North High School together.
Aaron picks up the story, saying, “by senior year [at MICA], I knew I didn’t want to paint.” Cooking was his art. He got a job in a kitchen and cooked Italian for seven years. He met his wife, Sawako, cooking.
He has worked under some of the most acclaimed chefs in New York City in numerous fine dining restaurants such as August, under chef Tony Liu, and A Voce, under chef Andrew Carmellini. He was the opening sous chef at Torrisi Italian Specialties for Rich Torrisi and Mario Carbone, helping them to develop and open the restaurant. As chef of Mile End, he launched their acclaimed dinner program. Then, he became a food consultant in London. His work has been recognized by the James Beard Foundation and by publications including the New York Times, Time Out New York, the Jewish Daily Forward, and the New York Observer.
Sawako Okochi ‘s culinary background is rooted in her Japanese upbringing in Hiroshima. She moved from Japan to Texas in 1995. In 2000 she relocated to New York City for the culinary program at the New York Restaurant School. After finishing an internship at chef David Waltuck’s Chanterelle, she worked for five years with chef Anita Lo at Annisa, rising to sous chef. She spent five years as the chef at the Good Fork and went on to be the executive chef at Lani Kai. She was named by Mother Nature Network to their list of 40 under 40 rising star chefs.
The flavor combinations which I admire so much, “don’t fight, like my relationship with my wife,” Aaron jokes. The couple have a three-year old son, Kyshu (who has already been to Japan three times) and live above the restaurant.
Shalom Japan brings to mind Helen Mirrin’s movie, “The Hundred Foot Journey,” about a cultural collaboration between Indian and French culinary traditions.
The atmosphere is most pleasant and relaxing – music from the 1930s and 1940s playing in the background – a décor that combines the best of Brooklyn with Japan. On the table, natural elements that evoke Japanese Zen sensibility, like the smooth stones (Jewish culture isn’t at all imbued with natural elements).
The room is cozy yet accommodating a surprising number of people, and on this night is packed – interestingly, a wonderful demographic cross-section of diners.
This could be because of “Free Ramen!” Thursdays, from 10 pm to midnight, where you get free ramen with purchase of any alcoholic beverage and half off Mars Iwai whisky, plus a late-night menu. But I must say, we arrived well before 10 pm, and the place pretty much filled up.
Shalom Japan serves brunch. Notable selections:
Okonomi-Latke: pastrami, house sauerkraut, fried egg
There were many locals and repeat visitors who were clued into the Thursday night happy hour, but Shalom Japan is worthy of a destination restaurant for any long-distance visitors to the city for its unique culinary experience that so expresses New York in a nutshell.
The restaurant is conveniently located just three blocks off the Williamsburg Bridge, a short walk from the J, M, Z, G, and L lines, and across from the Rodney Park Playground in the eclectically vibrant neighborhood of South Williamsburg.
Reservations accepted (you can go online); or just walk in. (Closed Monday).
Shalom Japan, 310 South Fourth St., Brooklyn, NY 11211, 718-388-4012, shalomjapannyc.com; [email protected], @ShalomJapan
All Types of Kinds is the 2018 “Your Big Break” Talent competition winner at the Gold Coast Arts Center’s Acoustic Café, organized by the Gold Coast Arts Center, Love Revolution Org, and the Rick Eberle Agency.
The band was among the top five finalists that also included two other bands – 37 Stripes and Psychopompus – and two singer/songwriters – Kaylee Shahira and Lydia Von Hof – who had won their knockout rounds held earlier this year. They performed in front of a sell-out audience and judges from the music business including producers, radio and television personalities and music business executives.
The competition really does provide a “big break”: as the talent competition winner, All Types of Kinds will have the opportunity to open for national acts at major local venues like The Paramount; recording time at DCITY Studios; a feature on Reverbnation.com; musical equipment from All Music Inc. and ZOOM North America; and public relations and social media campaign, booking and label services consultation with the Rick Eberle Agency.
All Types of Kinds, a New York City-based Alternative band consisting of guitarists Billy Conahan, Ray Rubio, and Rocco Stoker, along with percussionist Berk O, won with their polished precision, sweet harmony, musicianship, artistry, versatility and originality in their smart lyrics. As a group, they have performed from folk to rap and other genres in between, and it all came out in this performance. Their music and shows reflect the band’s diverse background: they all are singer/songwriters with an extensive repertoire of songs and experience performing in musical theater, stand-up comedy, and as actors. This all comes together in how they engage the audience, giving a very entertaining performance.
First formed at Great Neck South High/Middle School in 2010, Psychopompous is the most recent nominal iteration of the musical project formed by singer and guitarist Justin Kelly, percussionist Beni Hahitti, and bassist Maximillian Nero. The three created Psychopompous through a mutual interest primarily in progressive rock, and then expanded into an unending plethora of musical interests that continues to grow at an alarming, and often frustrating rate. Their music has taken notes from progressive rock, heavy metal, alternative, blues, funk, psychedelia, Gregorian chant, Tibetan throat singing, and occasionally whale songs. They have been known in the past for their sincere love of technical music, experimentation, improvisation, and their unbridled willingness to play music nobody wants to hear.
The band 37 Stripes, formed in the fall of 2016, consists of 8th and 9th graders. The members were introduced at the School of Music and Art on Long Island and quickly connected with one another and settled on musical upheaval as an alternative expression. 37 Stripes have been writing their music and playing at festivals and venues around New York City. Band members are Manhasset residents Andrew Hahn, who plays Fender bass, sax, and keyboard; Oscar Cellura on Fender guitars, and keyboard; and percussionist Zach Levine, a resident of Syosset, who plays the drums. The band has played at the renowned “Bitter End” in Greenwich Village and Mulcahy’s in Wantagh, NY. 37 Stripes were also finalists in the Town of Oyster Bay’s Battle of the Bands and the Morgan Park (Glen Cove) Summer Music Festival. They were invited to appear live on Rick Eberle’s “Rising Stars” radio program.
Kaylee Shahira is a young, passionate indie-pop artist with a killer sound who hails from northwest Indiana. Shahira loves writing about the questions nobody can answer — living with mental illness, personal life philosophies, and the intricacies of being a social animal. Shahira exudes promise as an emerging artist. She performed her original song, “Dime,” which contemplates the notion that a person changes every 10 years.
Lydia von Hof is a 16-year-old classically trained pianist, singer who ranges from jazz to opera, and, composer, and since her first appearance at Your Big Break, where a judge encouraged her to writer her own song lyrics, has become a passionate singer-songwriter. piano player, and songwriter whose song and performance just won first prize at the Young Performers showcase at the Hard Rock Café in Boston. The Commack High School junior performed as a soloist at Madison Square Garden at a New York Knicks halftime show and is the 2016 winner of Long Island’s Got Talent. Aside from singing pop, jazz, R&B, Broadway, and opera, Lydia has performed classical piano solos at both Carnegie Hall and Lincoln Center. She has been a returning musical guest on PATV’s “The Brick Wall.” She performed four of her own songs – evocative of Adele, who is one of her musical inspirations, along with Michael Jackson.
The headliner for the show was Budist Priest, which presented a stunning historical tour of music that went back to the “rock” of its day, in the 1600s, to Johann Pachelbel’s baroque Canon, and to “future”.
The Gold Coast Arts Center is a 501(c)(3) organization dedicated to promoting the arts through education, exhibition, performance and outreach. Located on the North Shore of Long Island, it has brought the arts to tens of thousands of people throughout the region for over 20 years. Among the Center’s offerings are its School for the Arts, which holds year-round classes in visual and performing arts for students of all ages and abilities; a free public art gallery; a concert and lecture series; film screenings and discussions; the annual Gold Coast International Film Festival; and initiatives that focus on senior citizens and underserved communities. These initiatives include artist residencies, after-school programs, school assemblies, teacher-training workshops and parent-child workshops. The Gold Coast Arts Center is an affiliate of the John F. Kennedy Center for the Performing Arts Partners in Education program, and the National Gallery of Art in Washington, D.C. More information can be found at www.goldcoastarts.org.
One of the many delights of Parks & Trails NY’s 8-day, 400-mile Cycle the Erie bike tour from Buffalo to Albany across New York State, is coming up beautiful murals that describe the history and cultural heritage of the Erie Canal and the canaltowns that were spawned. Through the course of the ride, you travel 400 miles but also 400 years through history, and see the whole story of how America came to be unfold in front of you.
Here are some of our favorites, as we bike along the Erie Canalway, on brick, on barns, on bridges, on benches, on fences:
The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.
The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.
More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.
A highlight on Day 7 of Parks & Trails NY’s annual 8-day, 400-mile Cycle the Erie biketour from Buffalo to Albany is Schoharie Crossing State Historic Site. It looks fairly innocuous at first, a farm house along the canal, but here is the only place where you can see all three alignments of the Erie Canal – the 1825 “Clinton’s Ditch”, the 1836 expanded canal and the modern, 1918 “Barge Canal.” The house, now a visitor center, contains a fascinating exhibit and is adjacent to outlines of Fort Hunter, an 18th century fort and trading post, remarkably only discovered after Hurricane Irene in 2011.
The historic flooding caused the Schoharie Creek to breach its banks and destroyed the site’s parking lot. After the flood water receded, a number of stone walls and numerous artifacts associated with Fort Hunter emerged. Excavations revealed flat stone foundations upon which a fort wall and 24-foot square blockhouse would have been constructed.
After the archaeological work was completed, these original fort foundations were preserved by reburying them. Their exact locations are now represented on the surface with modern stone pavers. Artifacts recovered during excavation included a mix of domestic and military objects that represent the site’s Mohawk and British occupants. Dates associated with the artifacts suggest that the blockhouse saw greatest use from the 1740s to 1760.
Though you don’t really see anything of Fort Hunter, it points to how significant this area was in colonial times: Schoharie was a place of key interactions between Europeans and Indians, setting up a later clash of cultures.
During the 1600s, the British and French competed for control here. In the 1690s, the British forged an alliance with the Iroquois to establish a permanent structure – a fort/trading post – in order to solidify their standing.
The Indians at the time of the Revolutionary War were settled on farms and in towns. They employed European style farming techniques, lived in houses, and the gender roles started to shift away from the matriarchal society to male-dominated, copying the Europeans.
By the time of the Revolutionary War, there might have been about 10,000 Indians living in the area.
“They didn’t have a concept of property ownership. They were outnumbered early on” largely because of the diseases the Europeans brought that wiped out large numbers of the population, and over-trapping which pushed many further west.
“They were very good at diplomacy – well organized – and controlled access to the waterways. They played the European powers,” David Brooks, Education Coordinator says.
Most interesting at Schoharie Crossing is you can stand over the East Guard Lock – the original 1820s “Clinton Ditch” canal (now overgrown) – and see the same scene, minus water, as depicted in a historic photo.
Facing the other direction, standing beside the water, you can look over to what remains of the Schoharie Creek Aqueduct, built between 1835 and 1841 for the enlarged canal. This once grand 14-arch, 624-foot long aqueduct carried the canal above and apart from the Schoharie Creek (it enabled the canal to continue to function during flooding). The aqueduct was abandoned in 1917 when the Barge Canal opened on the Mohawk River, and over the years it declined so only six of the arches remain.
The initial appeal for me to join Parks & Trails NY’s annual Cycle the Erie bike tour was the exciting prospect of biking 400 miles, point to point, mostly without cars (and mostly on a flat trail), across New York State, with support services to carry our gear and host meals. But each and every day, I am pleasantly amazed at the array of sites to explore and discover. The Parks & Trails NY people who have designed the tour not only arrange visits at important sites along the way, but for morning and afternoon rest stops at interesting attractions that you might not have considered visiting on your own.
This is the case for our afternoon rest stop (at Mile 33.6), at the Mabee Farm Historic Site, which also houses the Schenectady Historical Society Museum.
Here, you can visit the Mabee’s 1705 Dutch-style Stone House, which was owned by the Mabee family until 1999.
This is one of the oldest homes in New York State and the oldest in the Mohawk Valley. It was first built in 1670 by Daniel Janse Van Antwerpen, who, it is believed, opened it as a fur-trading post. The property was sold to Jan Pieterse Mabee in 1705 and the house stayed in the Mabee family for a remarkable 288 years. It was given to the Schenectady County Historical Society in 1993 by George Franchere, the last descendant of the Mabee line, for the purpose of being a museum and education center.
It is a surprise to most who visit these colonial sites to learn that slavery was practiced here, beginning after Jan Mabee’s death in 1725 and ended 100 years later in 1827 with Jacob Mabee, his great grandson (when New York State abolished slavery). Among the 583 original documents from the farm are three bills of sale for slaves, wills giving slaves to children and a receipt from the Crown Point Expedition in 1755 when a trusted slave, Jack, was sent to Fort Edward and Lake George with supplies, two weeks before the Battle of Lake George.
“What is significant about the Mabee family is that they were ordinary,” the docent says.
Jan Mabee, born in Holland, bought the property from a neighbor in 1705, and lived in the cellar as he built the house. Jan and his wife Annette had 8 kids.
The house partly made out of stone; the wood beams are 1000 years old.
Jan was likely involved in the illegal trapping business. His wife was part Mohawk so they had a good relationship with the local Indians. The Dutch were tolerant and fair with the tribes (it was the British and French who cheated them).
Over the years, the house was turned into the Mabee Inn. Simon Mabee farmed the land and when he died, he left everything but the Inn to his son, Jacob; he left the inn to his two sisters.
It turns out that the Mabee farm is more than a history lesson, but a study of a dysfunctional family.
“Jacob was not a nice man. Jacob evicted them. He hired a carpenter and flipped the staircase around so they have no way to get up to the second floor. He built a new door. The sisters lived in one room. Jacob died 6 years later and the land passed to Margaret.”
Just outside the house is the family cemetery. You can visit the 1760s Nilsen Dutch Barn, see the beautiful Mohawk River flow alongside the site. Tied to the dock or parked behind the Dutch Barn is a reproduction 18th century bateaux, the De Sagar and the Bobbie G , which provides an idea of how goods were shipped up and down the river.
(Mabee Farm Historic Site, 100 Main St (Rte 5s), Rotterdam Junction, NY 12150, 518-887-5073, schenectadyhistorical.org/sites).
The Schenectady History Museum offers wonderful exhibits that follow the history of the county from the early settlers who traded with the Indians and farmed, to the 19th and 20th century. There is a collection of early American artifacts of the American Revolution era, the impact of the Erie Canal, and artifacts that show the role this area played in technological innovation and industrialization because of General Electric and the American Locomotive Company.
In Schenectady, they have arranged for us to leave our bikes in a “corral” so we can explore the city.
I spend my time riding through The Stockade District. The oldest neighborhood in Schenectady, the Stockade District has been continuously inhabited for over 300 years, and is New York State’s first Historic District (since 1962) with an amazing assortment of historic buildings with more than 40 pre-Revolutionary houses and architectural styles that include Dutch Colonial, Georgia, Federal and Victorian.(You can access a cell phone walking tour at www.historicstockade.com.)
I pull myself away to finish the ride to get to the Jewish Community Center at Niskayuna, a suburban neighborhood of Schenectady, where we camp. This is an incredible facility with a country-club like outdoor pool (indoor pool also). I get there in time to swim.
This is the last night of our journey – and what a journey it has been. They have an elaborate “gala” dinner starting with beer and wine and hors d’oeuves, a fantastic catered dinner, and a “No Talent” talent show and a fashion show put on by the van drivers and baggage handlers of all the stuff that is still in the Lost & Found. And awards: like the most bones broken; the most crashes (5); most flat tires (4); the youngest solo peddling cyclist (8), the oldest cyclist (84). Side-splitting fun.
Our last day, the eighth of our 400-mile journey which began in Buffalo, is a breeze. Just 31 miles from Niskayuna into downtown Albany where most of us have parked our cars to take the bus to Buffalo for the start of the tour. The weather is perfect – sunny, cool.
The highlight of today’s ride comes at Mile 12: Cohoes Falls, one of the most powerful falls east of the Rockies which posed a major challenge for the Erie Canal engineers. Some of our riders who started in Buffalo were able to visit Niagara Falls and now are ending with Cohoes Falls, outside of Albany. What a way to bookend this journey.
Just next to the falls are 19th century brick structures, built as factories that have been repurposed to apartments.
Our ride takes us onto Peebles Island State Park, Waterford, where our final rest stop of our journey is arranged at the Erie Canalway Visitor Center. During the Revolutionary War, American forces prepared defenses here to make a final stand against the British. (518-237-7000, www.eriecanalway.org).
We ride through city streets – notable for the American flags that are flying – neighborhoods that have seen better days but nonetheless evoke a folksy feel of Americana.
Now, we come to the Hudson River, a goal in itself. We ride along a beautiful paved trail beside the Hudson that takes us into downtown Albany, New York State’s 300-year-old capital, and finally, cross the finish line, 400 miles.
You realize you haven’t just traveled 400 miles, but 400 years of American history, back to its very founding. And you understand so much better, the trajectory from colonialism and the clash of cultures with Native Americans, the transition from an agrarian economy to the Industrial Revolution, the wave of immigration and innovation, the progressive movements that followed and precipitated the explosive changes in society: labor, Women’s Rights, abolition. Most interesting of all, is how all of these seeds still flower in contemporary culture and politics. All of this unfolds before our eyes, mile by mile.
Biking adds an extra dimension to sight-seeing. It’s physical participation, an endorphin rush, an immersion. It puts you into the scene rather than merely observing – a participant, a part of the scene, rather than apart from it.
The tour is meticulously planned, well organized and supported, and how we have such wonderful opportunities to meet people from around the country (36 states are represented) and around the world (travelers from a half-dozen countries are here). A gathering like this prompts such fascinating interactions as people share their backgrounds, perspectives.
All of us have been so impressed by how well organized the trip is – from the truck drivers who pick up and drop off our gear each day, to the people who set up our breakfast and dinners and the morning and afternoon rest stops, to the SAG drivers and the riders who are there to assist if we have a problem. To the lecturers, the massage therapist and bike mechanics who travel along with us like camp followers.
For those who prefer not to set up their own tent (or take advantage of “indoor camping”) there is Comfy Campers, the closest thing to “glamping”. You have the luxury of having someone set up tent so it’s ready when you arrive, especially if it is raining, where you get a remarkably comfortable air mattress to put your sleeping bag on (amazing what a difference this makes), and take the tent down in the morning so you can just hit the trail again. Not to mention a fresh towel each day! Also, they set up a separate comfortable sitting area under canvas with charging stations. Those who want can also pay for coffee in the morning.
We are told that the finish line right at the Albany visitor center closes at 2 pm; UPS is on hand for those who need to ship their bikes home; a shower is made available nearby at the North YMCA; the municipal parking lot where many of us have parked our car is just next door; our luggage is deposited in the parking lot behind the visitor center for us to claim; some of us will take the shuttle bus back to Buffalo.
This has been one of the best, most memorable trips I have ever taken because the end-to-end Cycle the Erie ride hits on all cylinders: physically active and challenging so you feel you have really accomplished something at the end; communal – being with like-minded people from all over the country and the world, rich in heritage, scenic, affording real exploration and enlightenment. It’s no wonder that so many of us (myself included) have done it multiple times. (On this trip, the oldest cyclist, 84-year old, has done the tour 12 times.)
Cycle the Erie is an annual event, but you can download the route and do it all, or do segments as you like. A novel way to do it is by houseboat through companies like Mid-Lakes Navigation Co., Ltd. (11 Jordan St., PO Box 61, Skaneateles, NY 13152, 315-685-8500, 800-545-4318, [email protected],www.midlakesnav.com, and take a bike onboard, providing a unique experience. (Be aware: they pull the plug on the Erie Canal – actually drain the water – from November through April).
The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.
The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.
More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.
It’s Day 6 of our 8-day, 400-mile Parks & Trails NY’s annual Buffalo to Albany Cycle the Erie bike tour following the Erie Canalway. I was lucky last night when the deluge we had while biking stopped just as I came into the campsite and I was able to set up my tent on the grassy area surrounding Fort Stanwix, in Rome. This morning, I am awakened at 4:15 am to another massive downpour. I check weather.com app on my cellphone which says the rain would stop by 5:45 am. So I get up at 5:45 am (which is not unusual for the Erie Canal cyclists) and sure enough, the rain has stopped. I take advantage of the dry spell to organize my packing and take down the tent to avoid more rain.
Our breakfast – freshly prepared pancakes which we consume at long tables laid out with pretty placemats – is at the local YMCA before we head out onto the Canalway for our 63-mile ride to Canajoharie – the longest ride of our trip, there are actually three rest stops along the ride today, at mile 14, 41.5 and 52.5).
Yesterday’s rain has made the trail muddy, and when we go off the trail onto the road, there are serious headwinds and some significant hills, and my gears aren’t working properly.
We ride past the Remington Arms Factory housed in a massive 19th century complex of brick buildings (the factory opened in 1816 and employed hundreds of people from here, which helps explain the pro-gun voting sentiment in this part of upstate New York). Two years ago, on my first Cycle the Erie biketour, I visited the Remington Museum (a highlight was seeing how they branded and marketed the guns, making a promotion deal with the celebrated Annie Oakley, for example; and how the company also produced other things, like bridges and typewriters but guns were the cash cow). I was looking forward to visiting again but it is closed and the cyclists are clearly not invited anywhere near the premises. (News update: the Remington Arms company has filed for bankruptcy protection – and I am reminded of several other periods of financial woes in its history – but I’m betting it won’t actually go out of the business of manufacturing guns.)
I come upon Historic Fort Herkimer Church, built around 1767 which is thought to be the second-oldest surviving church. From my visits to Fort Stanwix last evening, I understand why General Herkimer is known as “the most important hero of the American Revolution that few have heard of “. General Herkimer led that ill-fated group of 800 volunteers who were ambushed at Oriskany on their way to reinforce Fort Stanwix. Oriskany turned out to be one of the bloodiest battles of the Revolutionary War, with 600 killed in the space of an hour, but by a weird chain of events, indirectly altered the course of the Revolutionary War which the Americans were losing. Herkimer died here. Later (at Mile 43.4), we pass directly in front of Herkimer’s mansion home that is literally along the Erie Canal Trail, so I take a few minutes to walk the grounds before continuing on my way, paying respects to an unsung hero.
The second rest stop is at a beautiful visitor center at the Little Falls Canal Park on the bank of the river where I buy a long-sleeve t-shirt for added warmth). The weather improves after, with 25 miles to go, and I don’t need to wear the extra shirt.
Just beyond our rest stop at mile 41.5 at the Little Falls Rotary Canal Park, at mile 42.6, we can explore the glacial potholes of Moss Island, a National Natural Landmark and Lock 17, the highest lift lock on the Erie Canal (located .8 miles off the route but you don’t have to go back up). The geology here is most impressive: Moss Island trails let you see prehistoric potholes, extensive growth of mosses and lichens and some of the oldest rocks in North America. The Mohawk River Valley, the marker says, is the only horizontal break in the Appalachian mountain chain, which is what made it possible for the Erie Canal to be built and provide a water route west for trade and settlement of the United States interior.
We pass German Flatts townpark, which you are unlikely to take note of, except that in Fort Stanwix, I had learned that German Flatts had been burned to the ground by Loyalists, part of the brutal scorched-earth strategy waged by both sides in the Revolutionary War.
This part of our ride immerses us in colonial-era America. At mile 52.5, we have an option of two routes to take into Canajoharie and consistent with my plan to do as much as possible differently from my first Erie Canal ride, I take the blue trail option along the road to three historic sites (I miss the first one, the Nellis Tavern built in 1747, which was serving travelers along this route well before the Erie Canal was opened, in 1825); I stop at Fort Klock, built in the 18th century where there is a 1750 farmhouse, a schoolhouse and a blacksmith shop); I see the Palatine church, built in 1770 by Palatine Lutherans, from across the busy road. But I also see Amish (or Mennonite) workers using a power saw, one gets into truck; an Amish horse and buggy passes by. I am happy with my decision.
One of the challenges of the entire 400-mile ride now faces us: the last mile is the steepest climb of the trip, up to the Canajoharie High School at the very top where we will camp. There is a t-shirt for anyone who makes the climb. (I almost make it but my gears fail me, and I give up.)
The Parks & Trails NY biketour organizers mercifully have arranged buses to take us back down into the town center to the Arkell Art Museum where we are being treated to a fantastic barbecue chicken dinner, and the museum is staying open for us until 7:30 pm (at a reduced fee of $5).
The Arkell Art Museum was established by the millionaire founder and first president of the Beech-Nut Packing Company. I hadn’t visited the museum the last time (when we also had a fantastic chicken barbeque dinner here), so I made a point of visiting this time.
Bartlett Arkell, built the original Canajoharie Gallery in 1927 based on galleries he had visited on his travels to Europe. A museum designed by Ann Beha and DesignLAB Architects was added in 2007 to the existing Canajoharie Library and Art Gallery to provide new space for exhibitions and programs.
“Almost all of the paintings in the permanent collection were purchased by Bartlett Arkell for the people of Canajoharie. The American painting collection includes 21 works by Winslow Homer, and significant paintings by many distinguished artists, including George Inness, William M. Chase, Childe Hassam, Mary Cassatt, Georgia O’Keeffe, Robert Henri, and other members of The Eight. Permanent and changing exhibitions also feature selections from the museum’s Mohawk Valley History collection as well as the Beech-Nut as the Beech-Nut archives of early twentieth-century advertising material.”
I am even more intrigued by the exhibit that tells the story of Arkell and the Beech-Nut company, which (at least the photos suggest) was the Google of its day in terms of providing a cafeteria for its workers and other employee niceties.
I learn that the key renovation that led to Beech-Nut’s success was the invention of the flour bag and that Beech-Nut began as a packaging enterprise; gum and candy came later (and used the peppermint oil from Hotchkiss Oil company in Lyons which we had visited).
You can see the old Beech-Nut factory (now shuttered) across the street; Beech-Nut was acquired by another company which has a new factory nearby.
From the village center, we see the old high school, a cold, gothic style structure, up on another hill. The new high school, where we are camping, is luxurious. We wander around the quaint village, which has some striking Victorian architecture as a tribute to its wealth, before taking the shuttle bus back up the hill to our campsite.
I get back to the school in time for a rock n’ roll concert in the auditorium.
Day 7: Canajoharie to Schenectady, 46 Miles
It is Day 7 of our 8-day ride and we are already feeling nostalgic that the end of our 400-mile journey from Buffalo to Albany is near. It’s a nice day for biking the 46 miles to Schenectady: perfect temperature, little wind, morning sun. The trail is nice, with a slight downhill tilt.
A fellow has stopped on the trail and I look to where he is looking and see “Big Nose & Little Nose” – where a glacier cut a path through Appalachians which is why this was always the place where the Erie Canal could be constructed (it’s hard to appreciate because of the overgrowth of trees).
A highlight of this day’s ride is the new pedestrian/bicycle bridge across the Mohawk River connecting to Amsterdam.
The bridge is fabulous, much like the Walkway over the Hudson in Poughkeepsie (now one of New York State’s most popular attractions). I meet Michelle Eggleston who is a good-will ambassador for the town of Amsterdam, who tells me, “The bridge gives the community a sense of place,” she tells me. “More people are enjoying the river. My daughter started a kayak business, Down by the River Kayak. There are more boats on the river.”
Amsterdam used to be a center of carpet manufacturing factories which shut down, bringing down with them the economy and living standard of the city. Now many of these buildings have been repurposed to business incubators; there is ballroom in the clock tower.
“New people are moving in. Two of my four kids bought houses in Amsterdam. They are seeing it as a great place to live – the waterfront, the bike trail, restaurants they can walk to. Other business are seeing that and that Amsterdam is a great place to be, and are coming in. We had the Albany Symphony here on July 4 – thousands of people on the bridge. I’ve lived in Montgomery County my whole life – I’ve never seen that before. We have been given a sense of place; people are proud of our town.”
In one fell swoop of the space of our bikeride, today, we have gone from colonial times to the Industrial Revolution, to the post-Industrial Revolution.
Next: Schoharie Crossing, Mabee Farm, Cohoes Falls and Finish Line of 8-Day, 400-Mile Cycle the Erie BikeTour
The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.
The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.
More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.
