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Nassau County Museum of Art Becomes Destination for Arts Education with Opening of Manes Center

Ribbon-cutting ceremony of the Manes Family Art & Education Center with Dr. Harvey Manes and grandchildren. The new center gives the Nassau County Museum of Art, housed on the former Childs Frick estate in Roslyn Harbor, Long Island, a new dimension in arts education, spanning ages and abilities © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Housed in what was Childs Frick’s natural history laboratory where he studied paleontology, the newly opened Manes Family Art & Education Center on the grounds of the Nassau County Museum of Art – Frick’s former estate – gives the museum a new dimension in arts education and appreciation.

The Manes Center, named in recognition of Museum Trustee Dr. Harvey Manes and the Manes Foundation’s $1 million gift, gives the museum the space to offer a dynamic and creative environment in which audiences of all ages and abilities can find creative engagement through a variety of activities, classes and projects. This includes new hands-on programs for children as young as 3, adults from beginners to skilled, and an ambitious curriculum for autistic individuals.

The environment is special: Childs Frick, the son of Henry Clay Frick, was a vertebrate paleontologist and a trustee of the American Museum of Natural History. The center has repurposed Frick’s labs into art “labs,” each dedicated to a specific type of art learning, to address the multiple learning styles, interests and abilities of adults and children: Hands-On Studio Lab, Indoor/Outdoor Lab, Reading Resource Lab and Design Tech Lab, as well as additional exhibit space.

This means that for the first time, the Museum will be able to offer hands-on multi-day workshops across the visual arts disciplines.

Dr. Harvey Manes, with Nassau County Museum of Art Director Karl E. Willers and Board President Angela Susan Anton, at the opening of the Manes Family Art & Education Center. “Art is my passion,” Dr. Manes said. “I believe in promoting peace through art and education.” © 2017 Karen Rubin/ goingplacesfarandnear.com

“Family programs at the Manes Center provide children and the adults in their lives the opportunity to take time from their busy schedules to reconnect while talking about and making art together. Each week we offer projects that encourage curiosity and experimentation, and creative thinking through a variety of experiences and materials inspired by current exhibitions.”

“Before, we always scrambled for space in order to run programs at the museum,” commented NCMA Director Karl E. Willers at the ribbon-cutting ceremony, August 3. “This facility allows us to enhance and expand all kinds of classes… Programs can be geared to exhibits as well as to open to the surrounding landscape. Many art programs integrate science and the natural world. It adds a new dimension to our educational offerings – extended hands-on workshops, more events going on simultaneously spanning age and ability groups, when before we were limited by the space availability in the mansion.”

The building, which was designed for Charles Frick’s paleontology research (the specimens he collected are now at the Museum of Natural History), is a series of laboratories that are being repurposed for making art in all its forms. The floors are finished to accommodate workshops and there are sinks!

“We can offer proper professional art spaces for people to look at and make art in contemporary studio facility,” said Reem Hussein, who was brought in to manage the center. We are bringing in technology – i-Pads to create art with technology. But we are mindful of people who want traditional art making.

“These are programs we don’t offer now. We will able to offer more series programs, rather than one-shots and lectures.”

She said that the rooms are called “labs” to pay homage to Frick. 


NYS Assemblymembers Charles Lavine and Michaelle C. Solages, and NYS Senator Carl L Marcellino with NCMA trustee, Dr. Harvey Manes whose $1 million donation made the Manes Family Art & Education Center possible © 2017 Karen Rubin/goingplacesfarandnear.com

The New American Garden Inaugural Exhibit

The public is invited to preview the Manes Center and take in its inaugural exhibit, “The New American Garden: The Landscape Architecture of Oehme, van Sweden.”

Organized by The Cultural Landscape Foundation, The New American Garden is a traveling photographic exhibition which chronicles the careers and influence of Wolfgang Oehme and James van Sweden who revolutionized landscape architecture with the creation of a type of garden characterized by large swaths of grasses and fields of perennials. The gardens are the penultimate merger of man and nature, and the ultimate in “installation” art’s ephemeral quality. Indeed, 10 of the gardens that are immortalized in the photographs are gone, and many others are in jeopardy.

During this introductory period, through September 7, admission to the Manes Center is free (free admission offer does not include the main building, the Saltzman Fine Art Building).

The building now looks as a low-level white box, but that will soon change. The pop/surrealist modern artist Kenny Scharf is being invited to paint the exterior. After that, it is anticipated that the landscape architects Oehme, van Sweden will create a new garden.

Pop Artist Kenny Scharf, at the opening of his exhibit at the Nassau County Museum of Art in 2016, will transform the exterior of the new Manes Family Art & Education Center © 2017 Karen Rubin/goingplacesfarandnear.com

 

The focus on gardens for the inaugural exhibit at the Manes Center is also appropriate for this grand estate.

Most of the 145 acres originally belonged to poet, lawyer, conservationist, political activist, patron of the arts and preservationist William Cullen Bryant, who settled in Roslyn in 1843. The long-time editor of the New York Post built is home, Cedarmore, and founded Roslyn’s public library. In 1862, he built a cottage for his friend and fellow poet, Miss Jerusha Dewey (you can see the cottage when you explore the hiking trails on the grounds). In 1900, Lloyd Stephens Bryce purchased Bryant’s ‘Upland Farm’ and commissioned architect Ogden Codman, Jr. to design Bryce House, the present mansion. Henry Clay Frick, co-founder of US Steel Corporation purchased Bryce House in 1919 as a gift for his son, Childs Frick, a Princeton graduate who became a vertebrate paleontologist and naturalist.

For museum-goers, the estate grounds also offer:

Sculpture Park: Approximately 30 works, many of them monumental in size, by renowned artists including Fernando Botero, Tom Otterness, George Rickey and Mark DiSuvero among others, are situated to interact with nature on the museum’s magnificent 145-acre property.

Walking Trails: The museum’s 145 acres include many marked nature trails through the woods, perfect for family hikes or independent exploration.

Gardens: From restored formal gardens of historic importance to quiet little nooks for dreaming away an afternoon, the museum’s 145 acre property features many lush examples of horticultural arts. Come view our expanded gardens and beautiful new path to the museum.

Childs Frick’s mansion home is now the Saltzman Fine Art Building of the Nassau County Museum of Art, Roslyn Harbor, Long Island © 2017 Karen Rubin/goingplacesfarandnear.com

Today, Frick’s mansion is the Saltzman Fine Arts Building, home to the Nassau County Museum of Art, which has put on world-class exhibitions and has a notable collection, including 150 Tiffany paintings and drawings which were bequeathed to the museum.

Currently on exhibit in the Saltzman Fine Art Building (through November 5, 2017)

“New York, New York”: From its earliest years, New York City was the stage on which the transformation of America played out, reflecting economic and historic upheavals that led to the city’s place as the financial and art capital of the world. This exhibition, guest curated by Director Emerita Constance Schwartz, portrays the city’s grit and glamour, its excitement and bustle, the heartbeat of a great metropolis, through more than 140 works by artists such as John Sloan, Reginald Marsh, Childe Hassam, Red Grooms, Robert Henri, Fairfield Porter, Berenice Abbott, Milton Avery and Georgia O’Keeffe among many others.

“Glamour Icons: Marc Rosen”: Through the work of the award-winning designer Marc Rosen, Glamour Icons celebrates fragrance and cosmetic packaging as an art form. This retrospective spanning the designer’s 40-year career includes many of his most iconic designs as well as some vintage 20th-century perfume bottles from Rosen’s personal collection. The designer’s work has been recognized with many industry awards and is also in the permanent collections of the Museum of Modern Art in New York and Musée de La Mode in Paris.

Family Sundays – 1– 4 pm (free with admission): Be inspired by an exhibition based gallery conversation, then explore new art materials and learn new art-based vocabulary and ideas in the studio with our museum educator.

Super Family Sundays – 1-4 pm (admission plus $10 materials fee):

Families immerse themselves in artmaking and exploring the Museum, the grounds, and sculpture collection during Super Family Sundays. Multiple activities are offered in collaboration with teaching artists in a variety of media, from performance to monumental cardboard constructions. Themes connecting the artmaking activities are inspired by the art on view in our galleries, the Museum’s history or the changing seasons on display in its forests and gardens.

Preview of Educational Programs at Manes Center

Among the arts education programs that will be available at the Manes Center beginning this fall:

Early Childhood Programs: Programs for young children and their adult companions at the Manes Center are all about discovery. Both in the galleries and in the art studio, children find opportunity for self-expression, socialization, and experimentation, through creative play and exploration through open ended developmentally appropriate experiences. Looking at and talking about art fosters visual literacy in young children.

Programs include:

Story Time for 3 to 5 year olds, featuring gallery exploration and hands-on art activities.

Young Artists (ages 3-5) programs for children and their adult companions consist of hands-on activities designed to experiment and become familiar with art materials and processes.

An Outdoor Classroom program will offer guided and self-guided activities for children to encourage the exploration of the natural environment through experiences that make the connection between art and science. Activities are designed to encourage open air exploration and imaginative play.

New outdoor education programs will encourage children to explore NCMA’s natural environment and make the connection between art and science © 2017 Karen Rubin/goingplacesfarandnear.com

A drawing class geared to children 8-11 years old, to learn the rules of traditional drawing by practicing line, shading, and perspective through drawing in the studio and gallery and using experimental materials.

A program tentatively titled “Imagine, Design & Build,” for children 11-15 to experience the design process through sketching and building as they dive deep into creative thinking and problem-solving to explore the connections between design, art, science, and technology.

A program for teens 13-17 is aimed at supporting high school students who are preparing portfolios as part of their college applications. Group and individual instruction focus on elements and principles of art and design through application to students’ own work and conversations about art work in the museum’s galleries. Student will have the opportunity for work with live models, critique sessions, and portfolio reviews. 

Adult Programs

Hands-on studio programs are being designed for adults of all levels of art making experience, taught by experienced artists. The programs focus on group and individual projects to help adults explore and learn art skills and processes, and have opportunities for personal expression. Adults will learn techniques of drawing & painting, sculpture, and printmaking and have opportunities to draw from live models. 

“The Creative Process” dovetails with every changing exhibition in the Manes Center’s contemporary art gallery: visitors are invited to create in response to the art on view through hands on activities that focus on artists’ themes, processes, and materials. Projects are designed to pique curiosity and inspire creativity, and gain new insights into the creative process. 

Life drawing at the Manes Center will present the opportunity to draw from a live model through gesture sketches and longer duration poses under the guidance of a teaching artist.

Adults can learn the basics of drawing and painting and explore materials such as graphite, charcoal, and conté crayon, watercolor and acrylic paint. Projects will be inspired by art history and current gallery exhibitions.

The center will also offer programs in using digital art tools to create traditional and experimental works of art. 

Art Talks for adults invited scholars, academics and exhibiting artists to introduce and discuss topics in the field of art with visitors in an intimate salon style setting.

Programs for Special Needs

Art education programs are also being designed for children, teens and adults with special needs. 

One program invites families affected by autism into the galleries and art studio to talk about and make art. Throughout the course of this program parents and caregivers will gain skills in behavioral methods that they can employ when bringing their child into a community setting. Families will join the Art Educator trained in Art Therapy in fun interactive gallery experiences that provide opportunities for everyone to look at and talk about art in a group setting. Then off to the studio for hands on art making activities that encourage experimentation with new materials, processes and creative play.

Another workshop is aimed at building social and vocational skills for teens and young adults with autism through arts-based workshops. During this workshop series, teens will receive hands on training in basic artistic processes that can be translated into practical job skills. Based on current exhibitions in the galleries at Nassau County Museum of Art, these workshops will encourage participants to explore different methods of art making and design and how a museum can be a resource for creative inspiration. Students with autism will have the opportunity to apply their artistic skills and functional academic learning in a real world setting.

Explore picture & art books and related resources about art history and museum exhibitions. This space is equipped with manipulatives and simple drawing materials for young children.

The Manes Center will also be available for birthday parties, with appropriate art project activities.  Party bookings are available on Saturdays 12:30 – 2 pm.

The Nassau County Museum of Art is on the 145-acre grounds of the former Childs Frick estate in Roslyn Harbor, Long Island © 2017 Karen Rubin/ goingplacesfarandnear.com

Nassau County Museum of Art, consisting of the Saltzman Fine Art Building and The Manes Family Art & Education Center, is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The Museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). During the August 3-September 10 preview of the Manes Center, there is no admission fee (this does not include admission to the Saltzman Fine Art Building). Members are admitted free. Docent-led tours of the exhibition are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Family art activities and family tours are offered Sundays from 1 pm; free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call 516-484-9338 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

Saratoga Springs is Firmly En Pointe as Center for Dance, Culture

Saratoga Springs, which is the summer home of the New York City Ballet and the location for the National Museum of Dance, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

With just one full day to explore Saratoga Springs, I am still able to take in the high points that distinguish this town, which has been so popular a place for visitors going back to the 14th century, when its mineral springs were first discovered by Native Americans. Later, it became a major center for organized horse racing, a tradition which remains today, and draws the biggest crowds during the six-weeks of racing season. But Saratoga Springs, owing to the millionaires and elites and then the colleges including Skidmore, has also become a cultural mecca, especially for dance. The Saratoga Springs Performing Arts Center is the summer home for the New York City Ballet and now the home of the National Museum of Dance. 

National Museum of Dance

During my one full day in Saratoga Springs, after thoroughly exploring its horse-racing traditions at the race track and the National Museum of Racing, I next visit the National Museum of Dance, which is located just at the entrance to the Saratoga Spa State Park in what had been the historic Washington Bathhouse (there is still an exhibit to the historic spa). This is such a surprise.

It exquisitely reflects the visual as well as the athletics and art of dance; surprised at seeing video going back to 1895 of dance. All the dance legends are represented with stunning photos, videos, costumes.

So far, 50 dance pioneers including dancers of all genres, choreographers, composers, writers and patrons have been inducted into the Dance Hall of Fame in Saratoga Springs © 2017 Karen Rubin/goingplacesfarandnear.com

Established in 1986, the National Museum of Dance & Hall of Fame is the only museum of its kind in the nation and one of only a few in the world dedicated to the art of dance (which is why they claim the name, “National.”)

It is set in the former Washington Bathhouse, a 1918 Arts & Crafts style building in the Saratoga Spa State Park which provided health spa treatments (there are rooms you can visit from that time).

The Museum’s archives house a growing collection of photographs, videos, costumes, documents, biographies and artifacts that honor all forms of dance throughout history.

The museum’s galleries feature rotating exhibits and three permanent exhibits including the Mr. and Mrs. Cornelius Vanderbilt Whitney Hall of Fame.

Dancers in Film is an enchanting ongoing exhibition at the National Museum of Dance © 2017 Karen Rubin/goingplacesfarandnear.com

Dancers in Film, a delightful ongoing exhibition, celebrates the relationship between dancers and film, and features both well-known dance stars and our favorite actors who have had world famous dance roles on the silver screen. Highlighted in the exhibit are Lifetime Achievement Award Recipients Ann-Margret (2010), John Travolta (2014), and Chita Rivera (2015). You will love sitting and watching the fast-changing videos. I am frankly amazed to see some of the oldest ones, even from 1895 (at the very dawn of movie-making).

Sparked by an abundant discourse both age-old and current, The Dancing Athlete is an innovative exhibition that explores the inherent connections between dance and sports, and dancers and athletes, and the influence and confluence of these forms throughout history. Through costumes, photographs, video, objects, and archival materials, the exhibit examines these relationships within several themes such as cross training and physiological impact, shared movement vocabularies, and sports-inspired choreography, among others. A select group of athletes and dancers including Lynn Swann, Sugar Ray Robinson, and Edward Villella are showcased as well as several choreographic works including Gene Kelly’s stunning  “A Man’s Game”. By highlighting the athletic prowess of dancers and injecting popular sports and athletes, boys, especially, will better appreciate dance.

The New York City Ballet company presented their autographed pointe shoes in honor of Peter Martins’ induction into the Dance Hall of Fame © 2017 Karen Rubin/goingplacesfarandnear.com

Opened in 1987, the Dance Hall of Fame honors dance pioneers of all types whether they are choreographers, composers, writers, dancers, or patrons; there are more than 50 who are so far included in the Hall of Fame. Among them: Fred Astaire, George Balanchine, Agnes deMille, Rudolph Nureyev, Isadora Duncan, Martha Graham, Bill “Bojangles” Robinson, Busby Berkeley, Jerome Robbins, Alvin Ailey, Merce Cunningham, Paul Taylor, The Nicholas Brothers, Bob Fosse, Marge Champion, Tommy Tune, Edward Villella and Michael Jackson and the newest inductees, Gregory Hines and Patricia Wilde who are featured in special exhibits devoted to their careers  (see a complete list of the inductees, http://dancemuseum.org/exhibits/hof.html).

The Museum campus also includes the Lewis A. Swyer Studios, a building constructed specifically for the purpose of keeping live dance as part of the Museum’s offerings. The Swyer Studios welcome frequent master classes, lecture/demonstrations, residencies, and other programs, as well as the Museum’s very own dance school, the School of the Arts, which offers dance classes to all ages, levels, and interests. The Museum also offers a wide selection of special programs, events, and workshops throughout the year.

Twist! Jump! Play! Dance! The Alfred Z. Solomon Children’s Wing is an interactive space just for kids, with a video library, reading corner, movement and balance toys, and stage area. A Kids’ Gallery showcases rotating exhibits of children’s artwork and is where visitors can create their own masterpieces.

The museum also offers a Resource Room with thousands of books, periodicals, and print items for dance research available to the public.

A young dancer photographs one of the ballet shoes outside the National Museum of Dance, which also has its own dance school on the site of the former Washington Bathhouse at Saratoga Spa State Park © 2017 Karen Rubin/ goingplacesfarandnear.com

When I visit, I notice young girls, their hair tied back in the bun typical of dancers, looking on with adoration. This is their Cooperstown.

National Museum of Dance, 99 South Broadway, Saratoga Springs, NY 12866, 518-584-2225, dancemuseum.org,  [email protected]

There is a very good reason for the National Museum of Dance to be set at Saratoga Spa State Park: Saratoga Performing Arts Center (SPAC), a stunning amphitheater, is set in the heart of The Spa State Park and is the summer residence of the New York City Ballet as well as the Philadelphia Philharmonic Orchestra. Surrounded by 2,400 acres of green hills, geysers, natural mineral springs and hiking trails, you can enjoy jazz, pop and classical concerts. (108 Avenue of the Pines, Saratoga Springs, NY 12866, spac.org).

I didn’t get a chance to really explore the Saratoga Spa State Park, but it has a score of attractions contained within it, in addition to the National Museum of Dance and the Saratoga Performing Arts Center. It also has the Saratoga Automobile Museum, which this year is featuring as its main exhibit, “The Gavel: Cars of the Saratoga Auto Auction” which gives an insider look at the workings of the classic and collector automobile auctions that have become so popular with television viewers. Vehicles on display range from a 1931 Ford Model A Woody to a very rare 1957 Chrysler 300C standard shift, a 1957 Ford Thunderbird and a 1957 Continental Mark II. Imports represented include a 2003 Maserati Spyder convertible and a 2013 Lotus Exige Factory Cup on display.  These cars, along with hundreds of others, are on display until September 17, when they are all headed for the auction block in September at the Saratoga Auto Auction. (110 Ave of the Pines, Saratoga Springs, NY 12866 , 518-587-1935, www.saratogaautomuseum.org, Tuesday-Sunday, 10 am-5 pm).

The Saratoga Spa State Park Golf Course offers two beautiful golf courses; a championship 18-hole course and a challenging 9-hole course, complete with pro shop and restaurant. (Information and to reserve a tee time online visit: Saratoga Spa Golf).

Saratoga Spa State Park, distinguished by its classical architecture and listed as a National Historic Landmark, is noted for its diverse cultural, aesthetic and recreational resources. In addition to the nationally-known Saratoga Performing Arts Center, the Spa Little Theater, the National Museum of Dance, the Saratoga Automobile Museum, the Gideon Putnam Resort and Roosevelt Baths and Spa, Spa Golf Courses, the park offers a pool complex including slide complex and historic Victoria Pool surrounded by arched promenades; hiking and walking trails, running courses, picnic areas; winter activities include cross-country skiing on approximately 12 miles of trails, ice skating, ice hockey, and two golf courses.

Saratoga Spa State Park, 19 Roosevelt Drive, Saratoga Springs, NY 12866, 518-584-2535, saratogaspastatepark.org, https://parks.ny.gov/parks/saratogaspa.

Neighborhoods

Saratoga Springs, home to the national Museum of Dance and summer home of the New York City Ballet, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/ goingplacesfarandnear.com

My walking tours from the Inn at Saratoga take me passed and through Congress Park, where in 1792, New Hampshire Congressman John Gilman discovered a mineral spring. (I also take note of a free cutey-pie trolley that operates up Broadway, but I prefer to walk). In 1822, Dr. John Clarke purchased Congress Spring and surrounding land, drained the swamp and built a park where he offered concerts. He built his impressive Greek Revival home overlooking the park, as well as a bottling plant. In 1876, Frederick Law Olmsted, the famous landscape architect who designed New York’s Central Park, designed the gardens. The Park today harbors a visitor center (built in 1915 as a trolley station); the Casino (a gaming house for men built in 1870 by prize fighter, former Congressman and gambling entrepreneur who developed Saratoga horse racing, John Morrissey, which today houses the Saratoga Springs History Museum), Italian Gardens, Congress Park Carousel, and some wonderful sculptures, fountains and monuments.

John Morrissey’s casino in Congress Park has been turned into the Saratoga Springs Historical Museum © 2017 Karen Rubin/goingplacesfarandnear.com

At the visitor center you can pick up some wonderful self-guided tours, such as North Broadway, “a neighborhood of exceptional residential architecture”; West Side Neighborhood (“The City’s first prime residential location, where many of the people who owned, supported and worked in the bustling resort industry lived.:”and East Side Neighborhood, once home to Skidmore College, rich in history and spectacular architecture, including stunning examples of Greek Revival, Victorian, Gothic, Italianate, Second Empire and Queen Anne styles.

On the Friday night I am in Saratoga Springs, I have a plethora of choices: watching harness racing, polo matches, a performance of the New York City Ballet, and any number of live music venues, including Caffe Lena.

Caffè Lena, a famous folk-music venue since 1960, has just undergone a $2 million renovation but still offers an intimate space to appreciate folk, jazz, poetry and well-established performers as well as newcomers © 2017 Karen Rubin/ goingplacesfarandnear.com

I wander over to Caffè Lena, a famous folk-music venue which the New York times in 2013 called “Folk Music Heaven, was sporting a $2 million renovation, its first since opening in the 1960, and had people lined up out the door hoping to get through a wait-list for that evening’s performance. It actually offers a range of styles – folk, jazz, poetry night, open-mike night – and still retains the intimacy of a small room and small stage, so you are mere feet away from the performer. “Opened in a former woodworking shop in 1960, the café has helped launch many of America’s best loved songwriters, ranging from Bob Dylan in 1961 to Sawyer Fredericks in 2014, with an dazzling Who’s Who list in between. When founder Lena Spencer passed away in 1989, Caffè Lena was converted to a non-profit institution supported by concert revenue, private and corporate donors, grants and bequests, and an ever-evolving team of volunteers.” (Caffè Lena, 47 Phila Street, 518-583-0022, Tickets: 800-838-3006, email:  [email protected]. caffelena.org.) 

For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/. 

Also, Saratoga Springs Heritage Area Visitor Center, 297 Broadway
Saratoga Springs, NY 12866, 518-587-3241, Email: [email protected],  www.saratogaspringsvisitorcenter.com

See also:

Historic Inn at Saratoga Captures Sense of Place, Gracious Victorian Style 

Saratoga Springs, Age-Old Mecca for Horse Racing, Gets Better with Age

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

Saratoga Springs, Age-Old Mecca for Horse Racing, Gets Better with Age

 

Saratoga Springs, with its healthful mineral springs, has been attracting visitors since forever, but organized horse-racing is what put the village on the tourist map © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Tucked just above Albany, New York, small-town Saratoga Springs’ fortunes have been tied to tourism since forever. Its mineral springs has been drawing visitors since the 14th century, when Native Americans first discovered the healing properties of the springs, and were the first lure to America’s earliest tourists. But along the way, the village also developed organized horseracing, which brought the elites, and later on, a rich cultural menu. And all of these come together during the six weeks of summer when racing is underway at the historic track, though Saratoga Springs is very much a four-season destination.

Saratoga Springs seems to have grown up around the Inn at Saratoga, which dates from 1843 and staying here gives you a sense of place. (The Inn at Saratoga, 231 Broadway, Saratoga Springs, NY 12866, 518-583-1890, 800-274-3573, theinnatsaratoga.com.)

It’s just a very short walk from the inn down Broadway to the heart of the culturally vibrant community decorated with painted horses (evoking its historic racing tradition) and ballet shoes (a tip of the hat to its cultural heritage) and banners – a stunning streetscape lined with Victorian buildings, where I go the night I arrive. It is late but there are still some live music venues, pubs, pizza places (open til 3 am), and plenty of people out and about.

A marker in front of the historic Adelphi Hotel, which dates from 1877, makes you appreciate all the more the work underway ($30 million worth) to reopen the hotel , which has been closed for five years. It is where the colorful Irish-born prize-fighter,  gambling entrepreneur credited with establishing the Saratoga Race Course , New York State Senator and Tammany Hall enforcer John Morrissey, a regular of the hotel, died in 1878.

Prize-fighter John Morrissey, who brought organized horse-racing and gambling to Saratoga Springs, was a regular at the Adelphi Hotel and died there in 1878 just a year after the hotel opened; the historic hotel has been closed for five years, undergoing a $30 million restoration © 2017 Karen Rubin/ goingplacesfarandnear.com

Indeed, the immediate impression is that Saratoga Springs is a combination of Louisville, Kentucky with its strong racing tradition, and Lenox, Massachusetts, with its superlative cultural offerings, with mineral springs and health spa thrown in for good measure.

The next morning, after a delectable breakfast at the inn, I walk through Congress Park, passed the Morrissey Fountain and the Casino, the gaming house for men which Morrissey built (now home to the Saratoga Springs History Museum) to Union Street, where Skidmore College was once located (today there is the Empire College and absolutely stunning Victorian houses, several of which are bed-and-breakfast inns), to Saratoga’s historic racetrack. Passing by for the moment the National Museum of Racing, I stroll over to the track where riders are finishing up their morning workouts. The six-week racing season will begin in just a couple of weeks (July 21 this year), but there is already harness racing and polo underway.

One of the painted horses that decorate Saratoga Springs graces the Inn at Saratoga © 2017 Karen Rubin/goingplacesfarandnear.com

Thoroughbred racing did not actually begin in Saratoga Springs – the legacy heralds back to colonial days, 1665, with the establishment of the Newmarket course in Salisbury, New York, a section of what is now known as the Hempstead Plains of Long Island (attractive because it was flat), in the Westbury/East Garden City section of Nassau County. (Today, Belmont Park, the third leg of the prestigious Triple Crown races, is close to where the original track would have been. As I subsequently learn at the National Museum of Racing, August Belmont originally owned, Man o’War, one of the most famous horses in all of racing, who is heralded at the museum.

Horses are a key part of the Saratoga Springs experience © 2017 Karen Rubin/ goingplacesfarandnear.com

The Saratoga Race Course in Saratoga Springs, one of the most famous horseracing tracks in the world, boasts being America’s oldest sporting venue of any kind. In 1863, the former undefeated bare-knuckle boxing champion John Morrissey staged the first organized thoroughbred meeting here at an old trotting course. In 1864, the racetrack hosted the Travers Stakes, named for William Travers, making it the oldest major thoroughbred horse race in America.

The racetrack grew to prominence for hosting The Travers, nicknamed the Midsummer Derby, which brings together the greatest three-year-old horses to the race course to compete for the $1.25 million purse, and the track enjoyed prosperity, expanding in 1891-92. Millionaires moved in, including the DuPonts and the Whitneys.

By 1890, there were 314 tracks operating in the United States. And in 1893, there was the Great Panic that led to an economic depression on the scale of the 1930s. The Saratoga race course was forced to close in 1896 because of financial hardship.

But the track regained renown with the dramatic match-up between Man o’ War and appropriately named Upset in the 1919 Sanford Stakes, in which Man o’ War suffered his only career defeat (Man o’ War won the 1920 Travers).  .

When Triple Crown victor Gallant Fox was defeated by a horse (Jim Dandy) with 100-1 odds in 1930, Saratoga became known by an ominous nickname “The Graveyard of Champions.”

Saratoga has drawn the top names in thoroughbred racing – Secretariat, Seattle Slew, Affirmed, Rachel Alexandra, Curlin, Gallant Fox, the mighty Man o’ War, and American Pharoah.

Come out early in the morning at watch the race horses working out © 2017 Karen Rubin/goingplacesfarandnear.com

One of the delightful aspects of the Saratoga race course is that horses walk right through the crowd, on a white-fenced path, to get to the paddock for their races so you get to see them up close. (I also find that you can come out around 5:30 am, and watch the horses being exercised from outside the fence.)

The course is stunning – with architectural majesty on par with Churchill Downs in Louisville, Kentucky – and it is interesting that it is here, rather than at one of the Triple Crown venues, that the Hall of Fame for thoroughbred horsing racing is located, honoring the most notable horses, jockeys, owners and trainers.

(Saratoga Race Course, 267 Union Avenue, Saratoga Springs, NY 12866; info about upcoming races at nyra.com.)

National Museum of Racing and Hall of Fame 

Visit the Racing Hall of Fame at the National Museum of Racing, where you can also see videos of Hall of Famers © 2017 Karen Rubin/ goingplacesfarandnear.com

Even if you are not particularly engaged in horse racing (and especially so), you will be fascinated to tour the National Museum of Racing and Hall of Fame, which opened in 1950 (located directly across the boulevard from the Saratoga Race Course) and has been expanded and improved since. You see in paintings, documents, artifacts, that show how engrained horse racing is in American culture, America’s first major organized sport going back to colonial times. Early presidents including George Washington, Thomas Jefferson, James Madison up through Ulysses S. Grant were avid race-goers. Andrew Jackson’s passion for horse racing and gambling was well known and he reputedly once fought a duel over a wager; Jackson also bred racehorses at the Hermitage and operated a racing stable from the White House during his presidency.

At the National Museum of Racing, you can ride a racing simulator to experience the thrill of the race from the jockey’s perspective © 2017 Karen Rubin/ goingplacesfarandnear.com

You get to see the lineage of the hall of fame horses (they all trace back to just a couple of horses). You can even try your hand on a racing simulator – a mechanical horse synchronized to move with jockey cam videos, so you experience a race from the jockey’s point of view, racing for the finish (this is actually much harder than you would think, and some riding experience is necessary). Horse racing is visually stunning, as much as it is dramatic, and this comes through in the exhibits.

The National Museum of Racing and Hall of Fame’s honorees include horses such as Man o’ War (1957), Seabiscuit (1958) and jockeys like Willie Shoemaker (1958), and you can also watch videos of the Hall of Famers. On view this year is a special exhibit for Man o’ War at 100 (through 2018).  The museum also hosts Oklahoma training track tours from June-October; reservations required. (191 Union Avenue, 518-584-0400, www.racingmuseum.org)

At Saratoga Springs, there are many ways to experience thoroughbred horseracing © 2017 Karen Rubin/goingplacesfarandnear.com

While thoroughbred racing had not yet started this season, harness racing and polo matches were already underway.

Saratoga Polo Matches are held every Wednesday, Friday, and Sunday night starting at 5:30 pm during the Saratoga Polo season, which runs from July 10 to Labor Day. Tickets may be purchased at the gate beginning at 4 pm the day of the match. Casual chic is the recommended attire at the highly social polo match gatherings. (Saratoga Polo Association, 2 Bloomfield Road, Greenfield Center, NY 12833, saratogapolo.com)

For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/. 

Also, Saratoga Springs Heritage Area Visitor Center, 297 Broadway
Saratoga Springs, NY 12866, 518-587-3241, Email: [email protected],  www.saratogaspringsvisitorcenter.com

See next:

Saratoga Springs is Firmly En Pointe as Center for Dance, Culture

See also:

Historic Inn at Saratoga Captures Sense of Place, Gracious Victorian Style 

____________________

© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Historic Inn at Saratoga Captures Sense of Place, Gracious Victorian Style

The Inn at Saratoga, Saratoga Springs’ oldest continuously operating hotel, dating from 1843, offers Victorian gracious style and a sense of place © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Saratoga Springs, one of America’s first tourist towns, has been drawing visitors since the 14th century when Native Americans discovered the mineral springs which still draw visitors today. But it is also where formal horse racing began, and over the years, has also developed an amazingly rich cultural menu of offerings, especially in summer, when its Performing Arts Center is home to the New York City Ballet and Philadelphia Symphony Orchestra. It is fitting that among its key attractions are the National Museum of Dance (who knew there was such a thing?) as well as the National Racing Museum (fascinating), historic racetrack, lively live-music venues, stunning boutiques (you know a top-notch town by its olive oil shop and haberdashery).

It doesn’t take long, as you walk among the giant painted horses and ballet shoes to recognize this unbelievably charming town is a combination of Louisville, Kentucky and Lenox, Massachusetts, with a touch of a spa-wellness destination thrown in. And totally enchanting.

But walking around and taking in the breathtaking Victorian architecture, you also realize that Saratoga Springs has had its ups-and-downs. Indeed, the celebrated historic Racetrack even closed down in 1896 because of financial hardship, and historic markers on Broadway point to whole historic streets that were torn down in the 1960s until a preservation movement took root.

This makes you appreciate all the more the work underway ($30 million worth) on the historic Adelphi Hotel, where the colorful Irish-born prize-fighter, horse-racing impresario, gambling entrepreneur , New York State Senator and Tammany Hall enforcer John Morrissey, a regular of the hotel, died in 1878.

You get to live Saratoga Springs’ history at the Inn at Saratoga, which has basically “seen” it all. Built around 1843, it is the oldest continuously operating hotel in Saratoga Springs, and its own history mirrors that of the village.

The Inn at Saratoga, which dates from 1843, puts you into the city’s story © 2017 Karen Rubin/goingplacesfarandnear.com

Anyone who appreciates as I do how a historic hotel is like a direct line to a place – putting you on the inside track rather than being an outsider merely passing through – seeks out historic hotels wherever possible. They have presence, and give you a sense of place.

These historic hotels immerse you into the collective memory and heritage of a place – like being inserted into the scene of the village as it might have been 150 years ago. They are so much more than brick and mortar – they have personality, character, even soul (not for nothing that many also harbor a ghost or two).

It is also about providing the gracious hospitality we associate with times past – the personal attention, the tranquil pace, a quiet calm.

So, coming to Saratoga Springs, I do what I always do when I plan a trip: seek out Historic Hotels of America website (historichotels.org, 800-678-8946), a membership program of the National Trust for Historic Preservation with nearly 290 historic hotels that have faithfully maintained their authenticity, sense of place and architectural integrity. I discover the Inn at Saratoga, which turns out to be the oldest continuously operating inn in Saratoga Springs, dating back to 1843.

Over the years, the inn’s fortunes have had its ups and downs along with the city (now decidedly up in its fortunes)  and, like the city and hospitality industry, has gone through many incarnations – a physician tapped Saratoga Springs’ legendary mineral waters for his patients and operated the inn as an early version of a spa hotel; a Cuban owner had a travel pipeline for visitors from Cuba; a rabbi catered to Jewish vacationers escaping New York City’s oppressive summers.

Fortunately, it is now in the loving hands of the Israel family, who acquired the inn in 2003, and who bring a deep appreciation for historic preservation and their role as stewards.

Indeed, when you experience such places, you cannot take their existence for granted – rather, they are to be celebrated as survivors against long odds – surviving wrecking balls, economic and natural disasters, and new owners’ predilections to go “modern.”

Owners of these historic properties take on their stewardship with a sense of obligation and humility, recognizing they are links in a chain, without which, these places will simply cease to exist.

The Israel family, who are active in Preservation Society for Saratoga Springs, has spent considerable resources removing the “modern” that previous owners had installed, and restoring the hotel’s period features and charm, while providing the amenities that guests crave today, including spacious bathrooms, in-room coffee maker, flat-screen TV, voicemail, dataports, complimentary wired and wireless high-speed Internet access and such.  As they say it is “the perfect marriage of past and present.”

Painting along three sides of the inn’s elevator depicts Saratoga Springs of 150 years ago © 2017 Karen Rubin/goingplacesfarandnear.com

I joke about the hotel having an elevator (which has an exquisite pastel painting of Saratoga Springs as it might have been 150 years ago that spreads across three sides) and the receptionist says, this place didn’t even have running water in 1843. But to install the elevator, Liz Israel, who has the role of General Manager, tells me, the previous owners removed a formal staircase.

The inn once had around 100 rooms, more than twice the number, 42 rooms and suites, as today – because traditional hostelries had tiny rooms with a washbasin and guests shared a bathroom.

Best of the past and present: four-poster bed and period furnishings create the atmosphere in the guest room at the Inn at Saratoga; modern amenities including spacious bathroom, TV and WiFi heighten the guest experience © 2017 Karen Rubin/goingplacesfarandnear.com

Big band music plays in the hallway as I make my way to my room (you can’t hear it when you are in the room) but you use a modern key-card to enter. It is pure pleasure to sink into a four-poster bed so high you need a step ladder, and of course a spacious modern bathroom. Each room is different and appointed with period furnishings.

Robert Israel, a tax attorney who first came to Saratoga Springs in the 1960s when it was in decline (and property was cheap) bought the hotel in 2003, has meticulously gone about acquiring period furnishings at auction – a stunning bookcase that adorns the dining room; wood paneling that as a young man in his 20s, he salvaged from a hotel in Newburgh that he kept for 40 years before finding just the right place, in the inn’s lobby; the side board we take our coffee cup from for breakfast came from the Waldorf=Astoria Hotel. The walls are graced with stunning oil paintings (purchased at auction) as well as prints that Israel collected from the Grand Union Hall, which when it was built, was the largest in the world (it burned down). He acquired a shuttered railway ticket cottage which he reassembled and repurposed in the inn’s garden to serve as a bar for special events. The ballroom has an intricately “carved” fireplace which came  from a movie set. And the dining room has a specially made red velvet banquette that captures the Victorian ambiance perfectly.

Inn at Saratoga is justifiably proud of the full breakfast served buffet style in the tradition of a bed-and-breakfast inn © 2017 Karen Rubin/ goingplacesfarandnear.com

One feature of the Inn at Saratoga is the complimentary full buffet breakfast that is included – a lavish affair that reminds you more of a bed-and-breakfast inn where the host seeks to really out do themselves with memorable meals. One breakfast consisted of delectable scrambled eggs seasoned with herbs, served on a fresh croissant, along with bacon, potatoes, selections of fresh fruit, cereals, bagels, pastries and muffins, perfectly delectable coffee, served on beautiful china.

Liz Israel was 18 years old when her father bought the property. She grew up waiting tables, handling the reception desk, and went on to get a degree in hospitality management in Ireland, where she worked at the Shelburne Hotel in Dublin before returning to the Inn at Saratoga with her Irish husband.

Liz takes me on a walking tour of the hotel, recognizing how much I appreciate the restoration.

Once an open porch, The Tavern bar has big picture windows that overlook the street bustle on Broadway, Saratoga Springs’ main street, and where there is live music five nights a week, Wednesday through Saturday.

The inn’s original lobby is repurposed for a dining and lounge space; the couch is an Israel family heirloom © 2017 Karen Rubin/goingplacesfarandnear.com

Primo’s Restaurant, where you enjoy breakfast and which serves dinner, is a Victorian confection. Liz says that they lifted up the carpet and removed a cement layer to expose the original hardwood floors.

There is a beautiful ballroom that opens to a garden where a tent has been erected for a wedding reception; there is also an old railroad ticket cottage that Israel acquired and repurposed for a bar.

The inn has a few vintage Roadmaster bikes available for guests’ use (two hours at a time). Guests also enjoy complimentary access to Victoria Swimming Pool located in Saratoga Spa State Park and the nearby YMCA. Complimentary parking in its on-site lot is a significant amenity as well. (The inn offers a spa package with the historic Roosevelt Baths & Spa in the park.)

The Inn at Saratoga offers a gracious setting © 2017 Karen Rubin/ goingplacesfarandnear.com

In addition to the hotel, there is a separate Brownell Cottage (which was purchased along with the hotel) which features four luxurious suites, accommodating up to four people depending on the suite. Beautifully appointed, the cottage offers an array of modern amenities: whirlpool tub, heated bathroom floors, steam shower with multi-head massage shower, authentic Franklin Stove fireplaces, cable TV, coffee/tea maker, speaker phones with data port, voice mail and in-room safes and free high-speed wireless Internet.

The Inn at Saratoga is an ideal venue for wedding or family function or meeting because of its scale, the charming ambiance, and facilities.

Inn Follows Fortunes of Saratoga Springs

I love the back story to the inn: it was built as a large boarding house in 1843 by Isaac Hall, a carpenter from New Hampshire, 11 years after the railroad provided easy access to Saratoga’s spa for tourists.

In 1846, Hall sold the property to Thomas Smith of Virginia, who turned over the management to Dr. Richard L. Allen, who, like other physicians of the time, operated boarding houses to treat “chronic cases” – an early version of a health spa. That lasted until 1853, when the property was sold to Hervey P. Hall (Dr. Allen remained in Saratoga Springs and published a popular guide for health seekers in Saratoga).

The hotel passed through three other owners until 1865 when it was acquired by Benjamin V. Frasier, brother-in-law of Thomas Marvin, the proprietor of the huge United States Hotel (largest hotel at the time). “The wealth created by the Civil War and the pent-up demand for pleasure created the greatest boom Saratoga had ever seen.”

It isn’t a coincidence that organized horse racing, brought by casino operator and future congressman, the prize-fighter John Morrissey, had begun in Saratoga Springs.

Frasier significantly expanded the hotel, building the three-story wing in 1866 and added a brick veneer, and re-named the hotel Everett House.

The historic Inn at Saratoga pays tribute to Saratoga Springs’ horse-racing tradition with one of the painted horses © 2017 Karen Rubin/ goingplacesfarandnear.com

Frasier gave up the hotel in 1875 (the same year as the first Kentucky Derby was run at Churchill Downs in Louisville, Kentucky) and it was sold to Nathaniel Waterbury, a prominent Saratogan, who made improvements but quickly  went into foreclosure. The US was in the midst of a major economic Depression. The property was purchased at an 1878 sheriff’s sale by Thomas Marvin’s daughters, Mary Louise Sackett and Virginia Perry. By 1882, they had leased it to Primo M. Suarez, who catered to Cuban vacationers for 35 years; he rebuilt the front of the hotel in 1887 in the High Victorian style that was fashionable at the time.

After World War I, Saratoga’s old clientele was slipping away; and instead of two-week sojourns, auto touring was the newest fad. But there was a growing audience of Jewish New Yorkers who sought to escape the city’s summer heat and could afford a country retreat. In 1919, Nathaniel Heller took over Everett House and by the 1924 season, renamed it Hotel Brenner, operated by Rabbi Charles Brenner and his extended family. That continued until 1973 when the hotel was purchased by Dom Nardelli of Saratoga Springs who “updated” the facility and renamed it the Coachman Motor Inn.

That was a fairly dark time for Saratoga Springs, when many of its historic buildings were taken down. A historic preservation movement took hold in the 1980s, and when Nardelli put the hotel on the market in 1987, it was sold to four businessmen who sought to recreate the graciousness of a Victorian hotel.

In 2003, the hotel was acquired by the current owners, Robert Israel of Franklin Square Associates, a historic preservation professional who has sought to restore the hotel’s historic quality and enhance the guest experience.

Liz tells me her father uses the inn as an excuse to shadow auctions and indulge his passion for antiques.

The Inn at Saratoga offers several package options, including:

GirlFriends Getaway Package, featuring dinner, wine, mineral baths and massage treatments at the historic Roosevelt Baths & Spa in Saratoga Spring State Park.

(The Roosevelt Baths & Spa Saratoga Springs opened in 1935 largely because at the impetus of President Franklin Roosevelt who wanted to develop the mineral baths at Saratoga Springs as well as Warm Springs, Virginia. Today, the Roosevelt Baths & Spa offers 42 original treatment rooms and a complete menu of services, including mineral baths, massages, facials, scrubs and body wraps, and a full-service salon.)

The inn’s Victorian Romance Package features a deluxe guest room or suite accommodations, a rose, chilled bottle of Champagne delivered to the room, plus morning buffet breakfast and gourmet 3 course dinner for two at The Inn at Saratoga’s Restaurant. Upgrade to a suite for the ultimate experience, most Brownell Cottage suites have a whirlpool tub, heated bathroom floors, steam showers and a Franklin stove fireplace.

The Israel family also owns another boutique hotel, in St. Thomas in the Caribbean.

The Inn at Saratoga is near most of Saratoga Springs’ attractions, such as the National Museum of Dance and the Saratoga Performing Arts Center is summer home to the New York City Ballet © 2017 Karen Rubin/ goingplacesfarandnear.com

Centrally located, The Inn at Saratoga is conveniently near center of the village and its attractions including Congress Park, Skidmore College, Saratoga Performing Arts Center (summer home of the New York City Ballet), the famous Saratoga Thorough-bred Racetrack, the Saratoga Harness Track, the Saratoga National Museum of Dance, the National Museum of Racing, and the Saratoga Spa State Park.

On the Friday night that I am in town, I can choose from seeing the New York City Ballet, see a polo match or a live folk performance at Café Lina, among many other options.

Besides the nearby attractions of Saratoga Springs (see story), The Inn at Saratoga is well situated to year-round attractions, including Lake George (half hour); Gore Mountain (hour), and the Revolutionary War-era Saratoga National Historical Park (20 minutes).

The Inn at Saratoga, 231 Broadway, Saratoga Springs, NY 12866, 518-583-1890, 800-274-3573, theinnatsaratoga.com. 

See next: Exploring Saratoga Springs 

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Mansions on Fifth Historic Hotel is Steps Away from Pittsburgh’s Top Cultural Attractions

A parting shot of the Carnegie Museum of Art © 2017 Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I must admit to relishing my stay in Pittsburgh’s Shadyside neighborhood, where I am staying at Mansions on Fifth, two mansion homes originally built in the early 1900s by Willis F. McCook, a prosperous attorney and legal counsel to steel and coke magnate Henry Clay Frick for himself, his wife Mary and their 10 children, that have been turned into a boutique hotel. The neighborhood was also home to most of the city’s (and therefore, the nation’s) leading industrialists, innovators and bankers, including George Westinghouse, Frick, Andrew Mellon, Andrew Carnegie and the rest of Pittsburgh’s exceptionally wealthy families of the era, and boasts stunning mansions, churches as well as some of the city’s most important cultural attractions.

Staying at the mansion, you really feel part of that whole privileged Gilded Age society.

A young woman from the hotel spends a lot of time with me suggesting how to best spend my afternoon exploring. It turns out, the hotel (a true mansion) is only a short walk to the Carnegie Museum of Art. She also tells me about the Cathedral of Learning a few blocks beyond, in what is technically the Oakland neighborhood.

The neighboring mansion to Mansions on Fifth in Pittsburgh’s tony Shadyside neighborhood © 2017 Karen Rubin/goingplacesfarandnear.com

I set off for the short walk to Carnegie Museum of Art (it is attached to the Carnegie Museum of National History, two of four Carnegie museums; the others are the Carnegie Museum of Science and the Warhol Museum, downtown), dazzled when I pass the neighboring mansions along Fifth Avenue. It reminds me of Newport or Palm Beach.

The Carnegie Museum of Art is arguably the first museum of contemporary art in the United States, collecting the “Old Masters of tomorrow” since the inception of the Carnegie International in 1896 – held at various times, from which much of the present museum’s collection came (there are notes that say if the painting was in an exposition).

“While most art museums founded at the turn of the century focused on collections of well-known masters, Andrew Carnegie envisioned a museum collection consisting of the ‘Old Masters of tomorrow.’ In 1896, he initiated a series of exhibitions of contemporary art and proposed that the museum’s paintings collection be formed through purchases from this series. Carnegie, thereby, founded what is arguably the first museum of modern art in the United States. Early acquisitions of works by such artists as Winslow Homer, James McNeill Whistler, and Camille Pissarro laid the foundation for a collection that today is distinguished in American art from the mid-19th century to the present, in French Impressionist and Post-Impressionist paintings, and in significant late-20th-century works. Today the International remains an important source for the museum’s acquisitions of contemporary art. Presented every three to five years, it features works by contemporary artists from around the globe.”

Some of the galleries at the Carnegie Museum of Art are organized as you might expect the Carnegie International exhibits of a century ago © 2017 Karen Rubin/goingplacesfarandnear.com

It is a stunning collection – much of it coming out of annual Carnegie International Art Expositions, or from other important benefactors including Mellon and Scaife. Some of the galleries are arranged much like those expositions, with multi-levels of paintings; some of the rooms are more intimate, like private collections, and some are more institutional. The notes and themes that accompany the rooms and individual pieces are wonderful.

Just about every artist of note is represented with at least one piece – including a superb collection of Impressionists and Post-Impressionists.

I take particular note of Childe Hassam’s snow scene, “Fifth Avenue in Winter,” of New York City, painted circa 1892, when here I am on Fifth Avenue, Pittsburgh.

The entire museum, though, is a reminder of how an economy that is designed to bestow such riches on a small segment, at the expense of the vast majority produces a society in which “the public” depends on the kindness and charity of the ultra-wealthy.

“The Chariot of Aurora,” an Art Deco bas-relief masterpiece, was a gift to the Carnegie Museum of Art by the renowned collector Frederick K. Koch in 1994 © 2017 Karen Rubin/goingplacesfarandnear.com

This juxtaposition was absolutely clear in one room where the massive (18 feet high and 26 feet long) gilded and lacquered relief, The Chariot of Aurora, takes up an entire wall. The stunning example of Art Deco was a gift of the renowned collector Frederick K. Koch in 1994 (brother of billionaires Charles and David Koch, who have their names on the Metropolitan Museum of Art, the Smithsonian, PBS, and scores others, as well as significant donors to political candidates and entities).

Pittsburgh artist Raymond Simboli’s “Pinkerton Riot” is an homage to the Homestead Strike at the Carnegie & Frick steel mills so brutally put down in 1892 © 2017 Karen Rubin/goingplacesfarandnear.com

Just next door is a room devoted to Pittsburgh artists, including Raymond Simboli,, whose “Pinkerton Riot” depicting the Homestead Strike at the Carnegie & Frick steel mills so brutally put down in 1892, uses the dress is of the 1940s. Another artist, Sam Rosenberg, similarly paints from the perspective of working class Pittsburghers in such stark contrast.

I set out for the Cathedral of Learning and find myself in the Carnegie Library, another cathedral of Learning, just across the street from the academic tower.

Truly an inspiring place, Pittsburgh’s Cathedral of Learning looms large over the city – in fact, I am told, the largest academic structure in North America.

The Cathedral of Learning, Pittsburgh Historic Landmark, 1926-37, Charles Z. Klauder, Architect © 2017 Karen Rubin/goingplacesfarandnear.com

It is part of the University of Pittsburgh which “was well on the way to becoming an acropolis of neoclassical buildings on an Oakland hillside when John G. Bowman became the University’s 10th chancellor in 1921. In those years following World War I, student enrollment had dramatically increased, causing a critical shortage of space. A 14-acre plot known as Frick Acres, which housed residences, gardens, and tennis courts, became the focus of Dr. Bowman’s plans to erect a monumental building. A structure expanding upward, though unorthodox, would solve the growing University’s problems of space and distance. More important, a tower would be a visible inspiration to all who approached the city. It would carry the message that education was the result of aspiring to great heights. The parallel lines of the truncated Gothic form, never meeting, would imply that learning is unending. The sweeping proportions would symbolize the spirit and achievement of Pittsburgh.  Architect Charles Z. Klauder translated these concepts into drawings that guided the placement of steel and stone.”

Chancellor John Gabbert Bowman, himself, offered the reasoning behind designing such a dramatic tower: “The building was to be more than a schoolhouse; it was to be a symbol of the life that Pittsburgh through the years had wanted to live. It was to make visible something of the spirit that was in the hearts of pioneers as, long ago, they sat in their log cabins and thought by candlelight of the great city that would sometime spread out beyond their three rivers and that even they were starting to build.”

The Cathedral of Learning is as much a monument to the immigrants who flooded its halls in their quest for education as a ticket to the American Dream.

Following World War I, Chancellor Bowman was charged with developing a great university in a city richly populated with first-generation immigrant families. He wanted to provide students with unique classrooms which would reflect a highly-creative period in the motherlands of Pittsburgh’s new citizens. He conceived the idea of inviting community representatives of diverse nations to plan and build classrooms depicting an era or aspect of the heritage they had brought to America – known today as the Nationality Rooms – appointing Ruth Crawford Mitchell as his special assistant. It took 30 years.

Peeking through peepholes to the Irish Room, one of dozens of Nationality Rooms in Pittsburgh’s Cathedral of Learning © 2017 Karen Rubin/ goingplacesfarandnear.com

At the Cathedral of Learning, I seek out the “Nationality Rooms” – each one for a different nationality, such as Irish, Hungarian, Polish, Armenian, of ethnic groups who settled in Allegheny County. Rooms were subsequently added – like the Israel Room, in 1987 after a 30-year hiatus, which is modeled after a 1st-century stone dwelling in Galilee.

Unfortunately, when I get to there, the rooms are locked for the weekend, but I get to peek through peep-holes to the Irish room (the other rooms have peep holes much too high).

Members of Quo Vadis, a student organization, conduct guided tours for nearly 30,000 visitors each year. Special interpretations are adapted for children, senior citizens, the handicapped, and groups with special interests such as architecture, interior design, art, mythology, or religion. (See http://www.nationalityrooms.pitt.edu/content/touring-options-requesting-group-tours ).

 

Pittsburgh Neighborhoods

Shadyside has been Pittsburgh’s premier upscale address for more than a century. It is fairly obvious that this was once home to Pittsburgh’s robber barons – who could enjoy the clean, cool air well away from the choking smoke belching from their steel mills that shrouded the rest of the city – and now features a legacy of stunning housing on leafy green streets, awe-inspiring churches, and two active and growing business districts (Walnut Street and Ellsworth Avenue) with retail stores and eating and drinking establishments, including several that are considered among the best in the city. Shadyside is also home to Carnegie Mellon University, Chatham University, Shadyside Hospital of UPMC, and the Hillman Cancer Center.

I take my bike for a spin around the neighborhood and am dazzled by the architecture.

Shadyside is distinguished with stunning homes built by Pittsburgh’s high society © 2017 Karen Rubin/goingplacesfarandnear.com

The large residential area includes beautifully restored Victorian mansions alongside modern homes and condos (I notice that many of the houses have lawn signs stating in three languages, “No matter where you are from, we are glad you’re our neighbor.”)

Shadyside is also walking (or an easy bikeride) distance from two other distinctive Pittsburgh neighborhoods:

Home to prestigious museums, world-class hospitals and universities and international cuisine, Oakland is considered the cultural, academic and medical center of Pittsburgh, where you will find the Carnegie Museums of Art and Natural History, the Carnegie Library and Cathedral of Learning, among other cultural venues.. It is also one of Pittsburgh’s liveliest neighborhoods, with cool coffee shops, multi-cultural eateries and interesting specialty shops alongside grand architecture. Oakland offers all of the attractions of a major university in terms of concerts, lectures, theater and other entertainment, along with a wide variety of retail offerings, bookstores, restaurants and bars (ethnic and otherwise). (onlyinoakland.org)

I am particularly intrigued as I drive to Mansions on Fifth from the highway, to pass a synagogue. This is Squirrel Hill, one of the fastest growing sections of Pittsburgh, which has also been a home to Pittsburgh’s Jewish community for many years. That history is reflected in the storefronts of the neighborhood’s two main business streets, Forbes Avenue and Forward Avenue, which feature a variety of grocery stores, retailers and restaurants honoring the Jewish heritage. But Squirrel Hill is also one of Pittsburgh’s most delightfully diverse neighborhoods as well, with residents (many connected to nearby universities and hospitals) from all over the world, reflected in the diversity of the cuisine of the various restaurants and eateries. Five minutes from downtown Pittsburgh, Squirrel Hill combines tree lined residential streets, a bustling business district, internationally recognized educational institutions, and two large public parks spanning 1100 acres.

Mansions on Fifth, 5105 Fifth Avenue, Pittsburgh, PA 15232, 412-381-5105, 800-465-9550, http://mansionsonfifth.com/.

For more information, contact Visit Pittsburgh, 412-281-7711, 800-359-0758, 877-LOVE PGH (568-3744), [email protected]www.visitpittsburgh.com.

See also:

Mansions on Fifth Historic Boutique Hotel in Pittsburgh’s Shadyside Sends You Back to Gilded Age

One Day, Two Nights in Pittsburgh: From Grey to Green, A Proud City Revitalized

36 Hours in Pittsburgh: Point State Park Proves Highlight of Walking Tour

36 Hours in Pittsburgh: Andy Warhol Museum is at Center of Revitalized City

36 Hours in Pittsburgh: Strip District Exemplifies City’s Past, Future

Two Nights, One Day in Pittsburgh: Historic Omni William Penn Hotel Connects to City’s Proud Heritage

Rails-to-Trails Conservancy’s BikeTour on Great Allegheny Passage Highlights Benefits of RailTrails

Rails-to-Trails Conservancy’s Sojourn Biketour on Great Allegheny Passage Showcases Forgotten Towns

‘World’s Largest’ Glass Sculpture with Trump Connection is Boon for Dunbar, Pennsylvania

____________________

 

© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Mansions on Fifth Historic Boutique Hotel in Pittsburgh’s Shadyside Sends You Back to Gilded Age

The jaw-dropping grand Mansion on Fifth, in Pittsburgh’s tony Shadyside neighborhood, home to Carnegie, Frick and other celebrated industrialists and bankers, now a boutique hotel where you get to feel as if you were transported back to the Gilded Age © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

I return to Pittsburgh when I come back to do my second Rails-to-Trails Sojourn on the Great Allegheny Passage, a fantastic rail-trail that stretches across Western Pennsylvania, from Cumberland, Md. to Pittsburgh, this time a longer trip, 150 miles, that finishes on the Montour Trail (see stories).

I had been dazzled by Pittsburgh on my first visit a year ago, and the same is true this time. It is no wonder that this city, built on steel and coal, rejuvenated, revitalized, has been named one of America’s most liveable cities. What is best about it is how it retained the best of old and new.

This time, as luck would have it, I choose a historic hotel, Mansions on Fifth, that is in the Shadyside neighborhood, a short walk away from the Carnegie Museums and the Cathedral of Learning, so that my all-too-brief time in this glorious city is spent immersed in the city’s leading cultural attractions that I had not been able to visit a year ago.

Mansions on Fifth in Pittsburgh’s tony Shadyside neighborhood is the sort of place that when you pull up, your jaw drops. And for the brief time that you are here, you feel what it must have been like to be part of Pittsburgh’s upper-crust, the society of industrial titans. You know how historic places being “living history” places because of people? That’s what you feel like when you stay and inhabit these rooms, continuing the life and spirit of these structures that seem to have a life of their own and stories to tell. People come and go, after all, but these structures remain, albeit in the care of stewards who take on the responsibility. (Whenever I travel, I first check out Historic Hotels of America’s site, historichotels.org, to see if there is a member property because the experience is always extraordinary; for my last visit, I stayed at the Omni William Penn Hotel, an iconic property right downtown. Mansions on Fifth used to be an HHA member, prior to being acquired in 2016 by Priory Hospitality Group, Pittsburgh’s premier owner, operator and developer of independent hotels and event spaces. Among its other holdings, Priory Hospitality Group owns and operates the Priory Hotel and Grand Hall at the Priory on Pittsburgh’s North Shore.)

Indeed, Mansions on Fifth puts you right back into Pittsburgh’s history and its story:

“The late 1890’s and early 1900’s were in many ways Pittsburgh’s golden age, measured by prosperity and economic might, if not by a clean environment. Pittsburgh was a financial and industrial powerhouse as well as a center of river and rail transportation. In 1900, Pittsburgh produced more than half of the crucible steel in the nation, and by 1910, it was the eighth most populous city in the country.

“It was also a time where giants of the business world traversed Shadyside’s Fifth Avenue – ‘Millionaire’s Row’ – on a daily basis. Names such as Carnegie, Mellon, Frick, Westinghouse and Heinz were among the leading citizens of the day.”

This 20,000 sq. ft. mansion was built in the early 1900s by Willis F. McCook, a prosperous attorney and legal counsel to steel and coke magnate Henry Clay Frick for himself, his wife Mary and their 10 children.

The main house of Mansions on Fifth, built in the early 1900s by Willis F. McCook, a prosperous attorney and legal counsel to steel and coke magnate Henry Clay Frick © 2017 Karen Rubin/goingplacesfarandnear.com

McCook was most famous for having represented Frick, but he was highly accomplished in his own right, the notes show.”A groundbreaker in modern day corporate law, McCook studied law at Columbia University following his graduation from Yale in 1873. He was also a pioneering athlete, serving as captain of Yale’s first football team and playing in the first intercollegiate football game in the nation. Later in life, he served as president and director of the Pittsburgh Steel Company, and was a partner in the law firm McCook & Jarrett. He died in 1923 at the age of 72.”

Pittsburgh’s Shadyside neighborhood, which was also home to many of the city’s leading industrialists, innovators and bankers of the city, including George Westinghouse, Frick, Andrew Mellon, Andrew Carnegie and the rest of Pittsburgh’s exceptionally wealthy families of the era.

Here among the leafy green trees on a hilltop, it is easy to imagine how clean and cool the air in comparison to the choking atmosphere of the steel mills that shrouded the city below.

The Amberson House, built for McCook’s daughter, Bessie McCook Reed, next door to the main mansion. She lived in the home from the time of her marriage until her passing in 1966. It is now part of the Mansions on Fifth historic hotel © 2017 Karen Rubin/goingplacesfarandnear.com

As his mansion was being built, McCook’s daughter Bessie became engaged, so he contracted to build a more modest (but still spacious at 8,000 square feet) home adjacent to his own. The smaller mansion (now the Mansions on Fifth Hotel’s Amberson House) was completed first, and the main house (now called the Fifth Avenue House), was finished in 1906.

The two mansions were designed in the Elizabethan Revivalist and Tudor styles by the architectural firm Carpenter & Crocker, of Pittsburgh’s East End. Many of the firm’s other projects, which range from Florida to Washington state, exist today, including the iconic Trinity Cathedral Parish House in downtown Pittsburgh. The contractor on the McCook estate was Thomas Reilly, who also built the massive and magnificent St. Paul’s Cathedral just down Fifth Avenue from the estate. Reilly also worked with Carpenter & Crocker on the Parish House at Trinity Cathedral.

“McCook and his designers and builders spared no expense, using some of the finest craftsmen of the era, including master ironworker Cyril Colnik (fixtures and decorative items), Rudy Brothers Art Glass (leaded and stained glass installations), and Rookwood Ceramic Tile (for the decorative tile around the fireplaces in the houses). The stunning carved wood in the Grand Hall of the Fifth Avenue House was produced by Woolaeger Manufacturing of Milwaukee. The total cost of the project was $300,000 in 1906 ($7.6 million in today’s dollars).

Light streams in to a wood-paneled lobby from stained glass windows on the staircase of the Mansion on Fifth to one of the cozy sitting areas in front of a fireplace © 2017 Karen Rubin/goingplacesfarandnear.com

After McCook died in, 1923, the family continued to live in the main mansion through the 1930’s. But the Great Depression took its toll and the family was unable to keep current with their property taxes. Seized for sheriff’s sale by the Allegheny County Sheriff’s Department, the mansion was purchased in 1949 by Emil Bonavita, Sr. and his wife Margaret for $28,000. The Bonavitas moved into the mansion with their two children, Emil, Jr. and Charles.

As a way to pay for upkeep for the massive building, the Bonavitas rented out rooms on the upper floors to students at nearby Carnegie Mellon University. Students were thoroughly screened, and many of those attracted to the historic property were studying at CMU’s prominent arts and theater schools. According to Pittsburgh Post-Gazette architecture writer Patricia Lowry, tenants included Albert Brooks, Andy Warhol, Shirley Jones and George Peppard. Margaret, who acted as a house mother to the many students who resided at the home over the years, resided in the McCook mansion until her much mourned death in 2003.

Bessie McCook Reed, for whom the Amberson House was built in 1905, lived in the home from the time of her marriage until her passing in 1966. Three years later, Emil Bonavita, Jr. and his wife Marie acquired the Amberson House and moved in to raise their family of four children. Emil and Marie also assisted in the boarding operations at the larger Fifth Avenue House.

In 2004, the Fifth Avenue House, the main mansion, sustained a horrific fire which caused extensive damage to the upper floors. The building became uninhabitable, and its tenure as a home for students ended. Emil and Marie looked to sell the damaged mansion to a purchaser who would restore it.

Pittsburgh preservationists, husband and wife Mary Del Brady and Richard Pearson, acquired both houses of the former McCook estate from the Bonavitas for $1.5 million. Their idea was to redevelop the property into a boutique hotel and event center. Restoration and repair work, which was extensive given the fire damage, began in January 2010. The Fifth Avenue House, the primary mansion, was completed in early 2011 and opened to the public in March of that year with 13 guest rooms and suites, the grand hall event space, a library, the Oak Room pub, and two private dining rooms. The adjacent Amberson House, with 9 guest rooms and suites, opened in November 2012. Total cost of the project exceeded $8,000,000.

The properties were recognized as an historic landmark by the National Trust for Historic Preservation in 2012.

New Era for Mansions on Fifth

In late September 2016, Pittsburgh-based boutique hotel owner/operator Priory Hospitality Group acquired the operating assets of the Mansions on Fifth Hotel and assumed operations of the Shadyside property. Owned and operated by the Graf family since 1986, the Priory Hospitality Group’s properties include the award winning Priory Hotel (a Tripadvisor Hall of Fame member), Grand Hall at the Priory event facility (Best Wedding Venue – City Paper 2016; Best of the Knot 2006-2016; Pittsburgh Magazine Best Restaurant 2012 & 13), and Priory Fine Pastries commercial and retail bakery (Runner Up – Pittsburgh Magazine Best Bakery 2012 & 13).

Priory Hospitality Group invested considerably to upgrade the properties and amenities.

The Mansions on Fifth today offers 22 elegant guest rooms (each one different; you feel more like a family guest than an out-of-towner) in the two distinct historic buildings – the main 20,000 sq. ft. Fifth Avenue House and the adjacent 8,000 sq. ft. Amberson House. The Fifth Avenue House also has the hotel’s reception desk, dining room, Oak Room pub, chapel, library and wine cellar.

The Front Desk is staffed 24 hours a day to provide help with directions, restaurant recommendations, check in, , while butlers are available from 7 a.m. to 11 p.m. every day to assist.

My room is in the Amberson House, which for your all-too-brief stay makes you feel like you are really at home in a mansion. The Amberson House offers its own cozy and comfortable first floor common areas in addition to guest rooms. It would be perfect for a family or group to take over (indeed, during my stay, there is a large wedding party.)

One of the cozy sitting areas in front of a fireplace at Mansions on Fifth, a Gilded Age mansion converted to a boutique hotel © 2017 Karen Rubin/goingplacesfarandnear.com

You can appreciate the renovations: each of the elegant guest rooms and suites features a spacious bathroom with glass and ceramic shower enclosures, Gilchrist and Soames organic bath and shower amenities, and soft, thick towels woven with bamboo fibers.

Some guest rooms and suites also feature fireplaces and jetted tubs. The spacious Presidential Suite has two separate bedrooms and baths and nearly 1,000 square feet of living space.

My room at Amberson House makes you feel more like a weekend guest of the McCook family rather than an out-of-towner © 2017 Karen Rubin/goingplacesfarandnear.com

In addition, the Mansions on Fifth Hotel offers a wide variety of amenities and services, including:  complimentary continental breakfast (with a more hearty ala carte breakfast available at an additional cost); complimentary newly upgraded Wireless Internet service; complimentary on premise parking (not a small matter in Pittsburgh); guest computer with WiFi access and printer; Fitness Center and The Oak Room pub, open 4 p.m. to 11 p.m. daily, featuring craft cocktails, fine wines, and a variety of microbrew beers.

The Oak Room pub also is the venue for a variety of weekly events, from wine flights, to whiskey tastings, to live music.

Mansions on Fifth is a delightful venue for weddings (there is one that had just finished when I arrive), family reunions and special events. You can basically take over the two mansion homes.

(I am also intrigued to visit the Priory Group’s historic, 42-room boutique hotel that was once a Benedictine monastery, built in 1888, meticulously restored to modern standards and featuring all the amenities of a large downtown property with the intimacy of a small European hotel, located in Deutschtown on the North Shore, a near walk to the Andy Warhol Museum and downtown Pittsburgh. The Priory Group spent $2.7 million to upgrade the property, adding a new, larger front desk and a cozy pub — the Monks’ Bar – in the original building, a Fitness Center and Business Center, as well as state of the art meeting space in a new wing.)

Mansions on Fifth, 5105 Fifth Avenue, Pittsburgh, PA 15232, 412-381-5105, 800-465-9550, http://mansionsonfifth.com/.

For more information, contact Visit Pittsburgh, 412-281-7711, 800-359-0758, 877-LOVE PGH (568-3744), [email protected]www.visitpittsburgh.com.

Next:

Mansions on Fifth Historic Hotel is Steps Away from Pittsburgh’s Top Cultural Attractions

See also:

One Day, Two Nights in Pittsburgh: From Grey to Green, A Proud City Revitalized

36 Hours in Pittsburgh: Point State Park Proves Highlight of Walking Tour

36 Hours in Pittsburgh: Andy Warhol Museum is at Center of Revitalized City

36 Hours in Pittsburgh: Strip District Exemplifies City’s Past, Future

Two Nights, One Day in Pittsburgh: Historic Omni William Penn Hotel Connects to City’s Proud Heritage

Rails-to-Trails Conservancy’s BikeTour on Great Allegheny Passage Highlights Benefits of RailTrails

Rails-to-Trails Conservancy’s Sojourn Biketour on Great Allegheny Passage Showcases Forgotten Towns

‘World’s Largest’ Glass Sculpture with Trump Connection is Boon for Dunbar, Pennsylvania

____________________

© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

‘World’s Largest’ Glass Sculpture with Trump Connection is Boon for Dunbar, Pennsylvania

Pascal’s “Seated Torso,” the largest glass sculpture in the world, is now in an annex the Dunbar Historical Society built, to house the piece, donated to the town by Donald Trump © 2017 Karen Rubin/ goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Taking the Sheepskin Trail off the Great Allegheny Trail – a fantastic railtrail that extends 140 miles across Western Pennsylvania, which is the focus of Rails-to-Trails Conservancy’s Sojourn biketour – you bike through woods, over the railroad tracks, over a stream, and suddenly, the forest opens up and suddenly, Dunbar appears, like Brigadoon.

It is as if time stopped still. There are no people on the street. Nothing is moving.

Dunbar, PA was a bustling town a century ago largely because of glass manufacturing; a piece of glass that began here 60 years ago may hold key to the town’s resurgence © 2017 Karen Rubin/ goingplacesfarandnear.com

Dunbar once bustled as a manufacturing center for wire corrugated glass – the kind of glass you likely grew up with in schools and government buildings; as a transit center and coke ovens. The buildings, from 1904 and 1906 (a common date we find as we go through these small towns), look vacant now. It reminds me, again, of a movie set. We are greeted here at Dunbar’s Historical Society, housed in what used to be the US Post Office building (constructed 1903-1907), which harbors a really wonderful collection of artifacts. But in just the past two years, Dunbar has acquired a world-class piece of art that has put this tiny town back on the map – and not just for the internationally renowned artist, but for how the piece, “Seated Torso” – the largest glass sculpture in the world – came to Dunbar: Donald Trump.

Pat Trimbath a member of the Historical Society’s board, tells us the wonderful story of a 60-year odyssey of this piece of glass, which began here as an abandoned two-ton chunk.

Pat Trimbath a member of the Dunbar Historical Society’s board, tells us the story of the 60-year odyssey of this piece of glass, which began in Dunbar as an abandoned two-ton chunk. © 2017 Karen Rubin/ goingplacesfarandnear.com

Dunbar used to be a center for glassmaking, and specifically, the manufacture of shatterproof glass reinforced with corrugated wire but when the Pennsylvania Wire Glass Company shut down in 1955, it was full of large chunks of glass, including a two-ton piece of green/blue glass in its furnace.

Artist Suzanne Regan Pascal learned of the treasure trove of glass in Dunbar in 1960 and stayed in Dunbar for an entire year, working on sculpting glass. She bought all the glass and had it moved to her Beverly Hills studio. (There is a marvelous display with photos of Pascal chiseling the “Seated Torso”.)

A photo of Pascal chiseling her “Seated Torso” is part of the exhibit on display at the Dunbar Historical Society, where the sculpture is now housed © 2017 Karen Rubin/goingplacesfarandnear.com

She produced many sculptures from the Dunbar glass between 1961-67, had various gallery shows, and ultimately sold many of them to patrons including President and Nancy Reagan, Frank and Barbara Sinatra, Henry Mancini, and Armand Hammer who presented a sculpted glass necklace to Princess Diana for her wedding.

In 1994, Pascal sold the Seated Torso to billionaire John Kluge for $3 million. He moved it to Charlottesville, Virginia, where it was placed in the center of a fountain in his Morven Carriage House.

After Kluge died in 2010, Donald Trump purchased his estate including the carriage house. About this time, Donna Myers, Dunbar Historical Society secretary, put a question on Askart.com seeking information of the Seated Torso.

In 2013, the head winemaker at what became the Trump Vineyard Winery found the two-year old question and contacted Myers, offering the Seated Torso to the Dunbar Historical Society if the society could raise the funds to move it back to Dunbar – $11,000.

Trimbath tells us that once the association with Trump was known, “donations poured in.”

The framed letter and photo sent by Donald J. Trump to the Dunbar Historical Society donating a glass sculpture by Pascal valued at $3.5 million, though the Trump Organization, which acquired it when it bought the Kluge estate, never actually paid for the sculpture and even had the town raise $11,000 to pay to move it © 2017 Karen Rubin/ goingplacesfarandnear.com

The Dunbar Historical Society built an annex to its building, and the sculpture was officially opened to the public in May 2016 (coinciding with our Sojourn). We noticed a change from last year: the letter and photo from Donald J. Trump was moved to a slightly less prominent corner.

The sculpture and the rest of the historical society is really worth seeing (www.dunbarhistoricalsociety.com).

See also:

Rails-to-Trails Conservancy’s BikeTour on Great Allegheny Passage Highlights Benefits of RailTrails

Rails-to-Trails Conservancy’s Sojourn Biketour on Great Allegheny Passage Showcases Forgotten Towns

Rails-to-Trails’ Great Allegheny Passage Bike Tour Side Trip into Dunbar Brings Surprise Encounter with TrumpWorld

$3.5 Million Glass Sculpture in Dunbar, PA is Clue to Donald Trump’s ‘Charitable’ Donations

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Rails-to-Trails Conservancy’s Sojourn Biketour on Great Allegheny Passage Showcases Forgotten Towns

Biking through the Pinkerton Tunnel on the Great Allegheny Trail on the way to Confluence, PA © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

Our first day on this year’s Rails-to-Trails Conservancy’s Sojourn biketour on the Great Allegheny Passage and the Montour Trail, 140-miles biking over six days through Western Pennsylvania, brought us from Deal to Meyersdale with a side-trip that brings us across the Eastern Continental Divide (with gorgeous murals on the tunnel depicting the story), to the Mason-Dixon Line and a striking monument. It is a relatively short ride that brings us to the tented city we create at Meyersdale’s community park. We have time to explore, and to enjoy the town’s gracious hospitality with a dinner at the firehouse and pancake breakfast, complete with Meyerdale’s famous maple syrup, in the gym of the former high school. 

Meyersdale, PA © 2017 Karen Rubin/goingplacesfarandnear.com

Day 2: On the second day, we also have an option: to cruise an easy 31 miles downhill to the Confluence Outflow Campground, riding through an enchanting tree tunnel, or taking an on-the-road route to ride up to Pennsylvania’s highest point, Mount Davis. 

The forecast of rain all day makes the choice an easy one: the easy tree-tunnel route through tranquil forest. Despite some shelter from the trees, we get soaked, but it is a warm rain, and the amount of good cheer keeps us warmer still. The rain stops just as we arrive at Confluence, where we are greeted with two representatives of Confluence in period dress, inviting us to follow the balloons lining a route into the town center for free bike washes at the local cycle shop (and a gift!) and ice cream at the gazebo on the village green. Confluence, I am told, has a population of 700; for these two days, the census swells by 200 more. That evening, no one complains about the rain.

Rails-to-Trails Sojourners are welcomed to Confluence, PA © 2017 Karen Rubin/goingplacesfarandnear.com

The campground is absolutely magnificent, literally at the base below the enormous dam, constructed in 1944 to control flooding and more recently, to generate hydroelectric power. It is a popular place for fishermen.

Just after our evening “talk” (a workshop on repairing our bike), and sitting around waiting for phones to recharge, we get word that there is a major storm at Ohiopyle, about 11 miles away. We have 10 minutes before it hits us. Sure enough, small drops start to fall as I am just steps away from the tent. By the time I get there, rain is coming down in sheets. 

The Rails-to-Trails Sojourn campsite in the Outflow Campground, beneath the dam at Confluence, PA © 2017 Karen Rubin/ goingplacesfarandnear.com

Day 3 is our “Fun Day” when we don’t cycle (unless we want to), but instead have a choice of activities: Fallingwater tour (designed by Frank Lloyd Wright), Kentuck Knob tour (designed by Frank Lloyd Wright), a rafting trip on the Middle Yough Class 1 – 2, or, the one I choose, a class 3 whitewater rafting trip on the Lower Yough.

In fact, 81 of us choose this option, organized by Wilderness Voyageurs, the same company that organizes the Rails-to-Trails Conservancy’s Sojourn rides including this one (the company has a catalog full of bike tours). I’ve done a fair amount of white water rafting trips in the past, but this one on the wonderfully scenic Youghiogheny River was absolutely the best – truly thrills and chills, especially since this is the only Class 3 rafting experience offered as a “guide-assisted” instead of having a guide in each raft. That means we are arbitrarily put into rafts and we “elect” a captain. This proves a great challenge and  a great experience (I lasted about 5 minutes as captain, exactly one set of rapids, when one of our four rafters got bounced out and we all decided to go into other rafts, leaving one of the guides to portage the raft to a point where he could deflate it and pick it up later). Getting bounced out of the raft – going for a “swim” – is not unusual and we have been cautioned to only wear what can get wet or lost.

We aren’t really on our own – one guide positions himself on a rock and gives us hand signals how we should “attack” the rapid, where to enter and so forth (though the instructions are for naught when inexperienced paddlers can’t follow directions, forget which is left and right, or are being bounced so high, they can’t reach paddle into the water); other guides in a kayak and in a raft are there to pick up anyone who is bounced out, and three of the rafts have guides in them (that’s the one I go into). Over the course of the trip, several of us get tossed out of the raft; one fellow gets a bit beat up.

A view of a portion of the lower Youghiogheny River where we had our class III whitewater rafting trip just the day from the overpass on the Great Allegheny Trail © 2017 Karen Rubin/goingplacesfarandnear.com

There is one point, though, where we come to an ominous sign warning that anyone who doesn’t want to raft through this particular set of rapids can portage their raft around it. The reason is because there is an underwater cavern, and if you get bounced out here, it is possible to be sucked down under. (Our guide says that most people die of heart failure rather than drowning. Small comfort.) The lead guide says that if any one of us in a raft wants to portage, the whole raft has to. We are in the lead raft and get to watch everybody coming through, cheering them on. Everyone makes it through.

We pull in for lunch at a small lagoon – we fill pita with chicken salad (fantastic) or tuna, cheese, lettuce and tomato, and have a wonderful time before continuing on down the river.

I don’t even know how long we are on the river – it all goes by so fast. But we are back at the campground by around 3 pm.

Storyteller Pennsylvania Jack © 2017 Karen Rubin/ goingplacesfarandnear.com

A few of us climb up to walk across the dam – the lake that was formed is popular for swimming and boating.

That evening, we are regaled by Pennsylvania Jack, a storyteller, and there is a campfire with s’mores.

Day 4 is our longest ride – 58 miles on the schedule (albeit mostly downhill), but with an option that increases the distance to a touch over 62. This section of the Great Allegheny Passage, between Confluence and West Newton, where we camp, is the most scenic, with much of it going through the stunning Ohiopyle State Park (Pennsylvania’s largest in land area). We ride along the river for just about the entire distance. When we reach the Ohiopyle State Park Visitors Center, about 11 miles into the ride, I go off the trail to do a hike that I had heard about the year before: Cucumber Falls. I had seen a painting of it in the Visitors’ Center, where there is an excellent historic exhibit, and heard about a hike starting a short walk from the center, and always regretted not doing the hike then.

Biking the Great Allegheny Passage, Confluence to Ohiopyle © 2017 Karen Rubin/goingplacesfarandnear.com

“Follow the yellow feet on the sidewalk,” they tell me. The hike is just about 25 minutes each way – a little over a mile – and proves absolutely enchanting: you follow yellow markings on trees and rocks, do some scrambling, and then, you make a turn and there ahead of you is the most magnificent falls, tucked into the woods. I felt as if I were John Muir coming upon Yosemite Falls for the first time.

Cucumber Falls, Ohiopyle State Park, PA, reached by an enchanting hike scrambling through the woods, along the Youghiogheny River from the Visitors Center © 2017 Karen Rubin/goingplacesfarandnear.com

The lighting is perfect – just a touch of sunlight hitting the waterfall. It is a magical experience and I am transfixed.

(I heartily recommend this hike, which should add 1 to 1 ½ hrs to the day’s ride time.)

Climbing up behind Cucumber Falls © 2017 Karen Rubin/ goingplacesfarandnear.com

I’m calculating the extra time, as I get to mile 25.9 (not even halfway), when we have another option: to steer off about 2.1 miles on the Sheepskin Trail connector off the GAP, to go into the tiny town of Dunbar. Having visited last year, I knew this was an off-trail visit not to be missed, especially when you come in this way, off a back trail (even worth the half-mile over a rocky unimproved section). (See: Pascal Glass Sculpture with Trump Connection is Boon for Dunbar) 

The sculpture and the rest of the historical society is really worth seeing (www.dunbarhistoricalsociety.com).

Dunbar, PA, once a glass-manufacturing center that depended upon railroads, now seeing a new lease on life with rail-trails and the Pascal “Seated Torso” sculpture, donated by Donald Trump, on view in the historical society © 2017 Karen Rubin/goingplacesfarandnear.com

The train tracks come straight through the middle, as if a main street. On the village green is a coke oven and a memorial to those who died in a nearby mine accident.

RTC has basically adopted Dunbar as an example of how a town can be revitalized through tourism and culture.

Dunbar, PA was a bustling town a century ago, © 2017 Karen Rubin/ goingplacesfarandnear.com

Day 5: This proves our most challenging day – not just because it is 48 miles of cycling after yesterday’s long ride, but I suspect because of the humidity and also because much of it, it seems, is uphill. But it also proves very interesting, as we leave the GAP after 17 miles (just after Boston, PA, where the trail becomes very urban, bringing a certain culture shock after such pastoral scenes.). To get from the GAP to the Montour Trail, we ride six miles on urban streets, through a small town of Glassport (where we are treated to snacks and cold water at a church), ride over a bridge to Clairton that gives us an eyeful into what I expect defined Pittsburgh just a couple of decades ago: a humongous pile of coal dwarfing the trucks scooping it up, and across the railroad tracks, a giant carbon materials and chemical plant. We finally get to the beginning of the Montour Trail, which includes several places where you are on/off the trail, on/off a shared road.

Culture shock as we leave the pastoral Great Allegheny Trail, ride through Clairton, on our way to the Montour Trail © 2017 Karen Rubin/ goingplacesfarandnear.com

At one point, I ride around a bend and find myself in a different time zone or the Twilight Zone – a hodgepodge of train cars, trucks, firetrucks, gas pumps and signs from the 1940s or so, as if they were just left there.  After a rocky start, the Montour Trail becomes as idyllic as the GAP, nestled in trees. A highlight is the 600-foot long National Tunnel.

Biking through the National Tunnel on the Montour Trail © 2017 Karen Rubin/goingplacesfarandnear.com

We finally arrive at the small town of Cecil, where we camp at the Cecil Township Ballfield Park, and are treated to an absolute banquet (no kidding), Sierra Nevada beer, and finish off with a talent show.

It pours during the night (I am snug in the Comfy Camper tent), but amazingly stops just in time for breakfast. We are told to expect a break in the rain from 8 to 11am – exactly how much time we need to go the 26 miles to the end of our ride, including the last mile of the Montour Trail (actually an added mile that goes beyond the zero-milepost that they are working to improve), which is very definitely “off road”. The trail is really nice – it is wonderful to see how local communities show their pride and appreciation for the trail with beautiful gardens and rest stations. It also offers an example of the serendipity that takes place on the trail: I suddenly come upon what appears a depot of antique trucks, cars, gas station pumps and signs – either the historical society or a warehouse for theatrical props.

Local volunteers worked to improve rail bridges for bikers on the Montour Trail © 2017 Karen Rubin/goingplacesfarandnear.com

This last day’s ride also lets us see some of the “hybrids” and innovations in repurposed multi-use trails – a section of the Montour is a trail-beside-a-rail – the multipurpose trail is carved out of the right-of-way beside the active rail line.

We also literally ride over the “Panhandle” Trail which goes to Parkersburg West Virginia, with the connector that ultimately will allow bikers to cycle from Pittsburgh to Parkersburg (PtoP).

As for the rain, sure enough, as I pull into the parking lot at 11:15 am, the drops turn into deluge in a matter of moments.

Rails-to-Trails Conservancy, Washington, DC 20037, 202-974-5150, Railstotrails.orgTrailLink.com. 

Rails-to-Trails Conservancy’s Sojourn is a wonderful introduction to bike touring.

Wilderness Voyageurs, which operates the Sojourn on the GAP for Rails-to-Trails Conservancy, offers Ride the GAP trips with bed-and-breakfast accommodations (they portage luggage from inn to inn), as well as a full catalog of guided bike tours that includes Colorado; Missouri’s Katy Trail; Idaho’s Hiawatha & Coeur D’Alene; South Dakota’s Mickelson & the Badlands; the Erie Canal, Finger Lakes, and Adirondacks in New York; Shenandoah and the Civil War; Gettysburg & the Civil War; Maryland’s Chesapeake Bay; Pittsburgh to DC on the GAP & C&O; Pennsylvania’s Amish Country; Kentucky’s Bike & Bourbon; Georgia’s Gold Coast; and a biking trip in Cuba. (855-550-7705, Wilderness-Voyageurs.com)

See also:

Rails-to-Trails Conservancy’s BikeTour on Great Allegheny Passage Highlights Benefits of RailTrails

Pascal Glass Sculpture with Trump Connection is Boon for Dunbar, Pennsylvania

 

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Rails-to-Trails Conservancy’s BikeTour on Great Allegheny Passage Highlights Benefits of RailTrails

Riding over the Eastern Continental Divide on the Great Allegheny Passage railtrail on the first day of Rails-to-Trails Conservancy’s Sojourn biketour © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

The ages of the 200 of us on this year’s Rails-to-Trails Conservancy Sojourn, biking 150-miles along the Great Allegheny Passage (GAP) and Montour Trail across western Pennsylvania, ranges from 9 to 83 years old. Indeed, there are 15 young people and three octogenarians among us.

A bike tour such as this, along relatively flat trails free of cars and other hazards, is a great equalizer: youngsters feel competent, accomplished, adventurous; and oldsters, well, feel competent, accomplished, adventurous and youthful.

Our group comes from more than 30 states plus Canada and as far as Alaska, including families, three generations (a grandfather who is a retired physics professor, his three sons and two grandsons); grandfathers with grandsons, a mother with her son; husbands without wives; wives without husbands; and single women relishing the simultaneous independence with community.

Three generations of the Parsegian family who have come from Massachusetts, Texas, Michigan and New York to bike the Great Allegheny Passage on the RTC Sojourn © 2017 Karen Rubin/ goingplacesfarandnear.com

I reconnect with a couple from DC whom I first met on the 400-mile Erie Canal bikeride two years ago, again last year on this RTC Sojourn on the GAP, and this year, we find ourselves sitting next to each other on the bus from the drop-off to the start of the ride – he is the 83-year old. I meet people like Ed Holowinko of Connecticut, who was one of the activists who helped save the Walk over the Hudson, when otherwise, the bridge would have been taken down and instead has become one of the most popular attractions in the state. I meet people who defy the stereotype of an environmentalist cyclist: a woman who is as comfortable riding her motorcycle as her bike and a man who proudly defends the NRA (though political discussions are assiduously avoided, just as at any family gathering).

Comfy Campers set up 81 tents for the RTC Sojourners – the closest thing to “glamping” – creating a tent city at Meyersdale © 2017 Karen Rubin/goingplacesfarandnear.com

The supported ride is ideal for singles and families as well as those on their first biketour or experiencing their first long-distance ride: a luggage truck brings your stuff from one campsite to the next; there is breakfast and dinner provided daily; shower trucks and portasans supplement the campsite’s facilities; charging stations. If you don’t want to set up a tent, you can luxuriate in hiring Comfy Campers which provides a terrifically comfortable, watertight tent with air mattress, chair, fresh towel daily, cooling area with water and lemonade and chargers – the closest thing to “glamping” you can find. (Those who don’t want to camp can take advantage of bed-and-breakfast accommodations along the route.) In addition, there is a bike mechanic and massage therapists, and a volunteer nurse who travel with us.

There is such a sense of community that immediately forms in our tent city – sitting around long tables at breakfast and dinner; waiting for a turn at the shower truck, brushing teeth at the sinks – it’s like a giant pajama party. The kids come together in games and activities; we gather around for an evening talk (one night Pennsylvania Jack, a storyteller, regaled us), a campfire, and, for the final night, a talent show (contestants competed for the grand prize, a Fuji bike!). Another nice feature this year: Sierra Nevada Brewing Company joined as a sponsor, and we have free beer (terrific Pale Ale!) on a few of our dinners.

Oldest and youngest among us on Rails-to-Trails Conservancy’s 140-mile Sojourn on the Great Allegheny Passage and Montour Trail © 2017 Karen Rubin/goingplacesfarandnear.com

There are endless conversations with people who have never heard your stories before that typically begin, “Where are you from?” I meet a woman from Michigan who, now retired, takes one of these long-distance biketours on rail-trails practically monthly – Michigan’s Upper Peninsula; the Katy Trail, in Missouri; the Louisiana Bayou.

Many of us (one-third, in fact), had been on this Sojourn on the Great Allegheny Passage before, including me, but the destination and the experience is so fantastic, it is delightful to return over and over. Each day provides a different highlight, and each person will have a different experience. And each day brings its own serendipity, its own uniqueness – the season, weather, lighting, chance encounters, different things to explore. Indeed, even the sections of the Great Allegheny Passage that I had traveled last year in spring were very different this summer.

The Great Allegheny Passage crosses over the Mason-Dixon Line © 2017 Karen Rubin/goingplacesfarandnear.com

What is more, there are significant differences in the itinerary – this year’s trip was longer in distance and days, starting out closer to the Mason-Dixon Line and the Eastern Continental Divide (and the beginning of the 150-mile long GAP, which starts in Cumberland, Maryland, 21 miles further east from the Mason-Dixon line, but would involve a steep uphill climb; the way we do it, there is only a slight incline and most of us ride the mere 4 miles out and back, adding a mere 8 miles to the first day’s tally); featured a “fun day” in Pennsylvania’s magnificent Ohiopyle State Park when we get to choose among four different activities (I choose a Class III whitewater river rafting experience which is sensational; others choose a milder Class I river rafting trip, or visits to one of two Frank Lloyd Wright-designed homes, Fallingwaters or Kentuck Nob, and still others just do their own thing), which also meant we had two days at one campsite.

Also, the ending of the trip takes us back toward Pittsburgh (actually Coraopolis, PA) on the Montour Trail, which, like the Great Allegheny Passage – both award-winning trails – and a superb example of how obsolete rail lines (or canalways, or right-of-ways alongside active rail lines) can be turned into multi-use recreational trails. These linear parks, if you will, not only provide wellness and outdoor activities for families to do together, but also revitalize towns and villages whose economies have been upended by shuttered factories and mines, towns and villages that for so long had been defined by the railroads, the steel mills, the coal mines. Along the way, I will capture images of the cyclists on the rail trail cutting into hillsides topped with wind turbines above the Pennsylvania towns founded on oil, coal and gas. The rail-trails provide a new lease on life, as it were, and we realize it as the chambers of commerce, tourist bureaus, volunteer firefighters, Rotary and Lions Clubs go out of their way to greet us.

RTC bikers on the Great Allegheny Trail pass by wind turbines on the Pennsylvania hilltops © 2017 Karen Rubin/goingplacesfarandnear.com

And so we are welcomed at Meyersdale, our first night’s destination, where the railroad station along the Great Allegheny Passage has been turned into a delightful historical society display, refreshment stand and shop, by representatives of local chamber; a special Sunday evening service at the church features a prayer for all the Sojourners to have a safe ride, dinner at the fire department and breakfast at what used to be the town’s high school. This is a town that once supported six hotels, a bank, a high school and elementary school – today, all but the bank (built in 1904) are shuttered. And while the GAP goes over one railroad line that has been turned into the railtrail, there is still an active railroad line that goes right through the middle of town.

Walking about after our dinner, there is this eerie quiet and stillness – a sense of being in a movie set, rather than a town, or a scene in Twilight Zone (granted, it is Sunday and Fathers’ Day at that). I pass a barber shop and peer in: there is a crumbled newspaper, brown and deteriorating with age; the leather barber chairs are cracked; the shop seems to have been left alone for decades- I take note of a Sheriff’s notice on the door handle. I pass a porch with a Confederate flag and “Don’t tread on me” banner.

Meyersdale shows its pride © 2017 Karen Rubin/ goingplacesfarandnear.com

Meyersdale is a very proud community – it showcases its history on markers, on magnificent painted murals that fill entire sides of buildings, even on the placemats that picture the town’s history and attractions which are laid out for our breakfast that features Meyersdale’s famous maple syrup (who knew this was the capital of maple syrup making?).

The towns we get to visit are absolutely wonderful – quite literally, Smalltown America -and the contrast with seeing nothing but trees, rocks and river along the trail is stimulating and intriguing.

You are deep in the forest – for much of the way, riding alongside a river or creek on one side, and outcroppings of rocks on the other, riding through a literal “tree tunnel” that envelopes you. Occasionally we ride by a farm, but most of the time, the solitude is just stunning – the kind of serenity you feel when you are hiking. The only sound is the wind you create by riding, the crunching sound of the bike wheels on the hard-packed gravel, and birds. Many, many birds. Occasionally we pass by a small waterfall. It is surprising with so much land all around we don’t see that many animals, though on one day, we come upon several deer on the trail; chipmunks who scurry across the path (amazing how they time their dash), making a huge leap into the bushes just as I am about to reach them. The quiet is occasionally broken by a train whistle and the chugging as they haul something like 8000 tons of coal on tracks on the opposite riverbank.

The serenity of biking on the Great Allegheny Passage © 2017 Karen Rubin/goingplacesfarandnear.com

If you are a writer or poet, this is better to get creative juices flowing than holing up in isolated cabin – your imagination and your thoughts dance in your head as you ride, nurtured by the rhythms and the endorphins. If you are an artist, you will be inspired by the scenes that stream by.

At one point, I think to myself, “We are like nomads, like pioneers, steadily picking up stakes and moving on, each time setting up a new community.”

The trail also has some wonderfully thrilling  and dramatic features – it is tremendous fun (exciting too) going through these old rail tunnels, over viaducts and steel bridges – that have been built for the trains, but now rebuilt and repurposed, largely because of the efforts of local communities and volunteers, for bikes.

Riding through the Pinkerton Tunnel on the Great Allegheny Passage © 2017 Karen Rubin/goingplacesfarandnear.com

We ride at our own pace – and can go off the trail to explore if we like – and depending upon the length of ride (from about 30 miles to the longest ride, 62 miles with some optional add-ons, averaging 35-40 miles a day), we would have one or two rest stops with snacks and cold water. They offer suggestions for lunch or ice cream or attractions we might want to explore, like Rockwood’s Opera House (our cue sheets offer great detail). And in many cases, people from the town set up to welcome us.

This is clear from the first day, when we have the option of either riding a mere 8 miles to the first night’s campsite, just 8 miles to Meyersdale, or add four miles out and back to explore several iconic sites, including the Eastern Continental Divide, the Big Savage Tunnel, the Big Savage Overlook and the Mason-Dixon Line monument.

At that night’s dinner, held in the Meyersdale Fire House, the trip leader, Tom Sexton, Director of the Northeast Regional Office of the Rails-to-Trails Conservancy. Who is leading the Sojourn, talks about the mission of Rails-to-Trails Conservancy, and our role as Sojourners.

Rails-to-Trails Conservancy (RTC) has played a key advocacy role to promote the creation and use of these repurposed trails. RTC has been a partner, providing technical assistance – such as negotiating with railroads, advising localities on visioning and feasibility studies as well as construction, and coordination with nonprofits and volunteer efforts, such as the Montour Trail Council that has been so active in building and improving the trail we will take.

A current project underway will link trails in four states, New York, Pennsylvania, Ohio, West Virginia, creating an Industrial Heartland Trail Network. (New York State, which has the Erie Canalway that extends from Buffalo to Albany, is creating the Empire State Trail, finishing 350-miles of new trails that would complete the Eric Canalway and the Hudson River Valley Greenway, and connecting them to form a 750-mile pathway, the longest in the nation, from New York Harbor, through the Adirondack Mountains, to the Canadian border, and from Lake Erie to Albany.

Rails-to-Trails Conservancy promotes the use of rail-trails – there are some 23,000 miles of rail-trails- and its TrailLink.com website helps you locate them.

RTC is also an advocacy group lobbying Congress and the administration, which will be important coming up, because Trump’s proposed budget would eliminate the earmarks for rail-trails.

RTC’s Tom Sexton: federal funding for rail-to-trail projects like the Great Allegheny Passage and Montour Trail are in jeopardy © 2017 Karen Rubin /goingplacesfarandnear.com

As Sexton explains, since 1991, the major funding for these rail-to-trail projects has come from the federal government, with matching funds from states and localities. The Highway Bill had typically included mass transit and railroad funding but beginning in 1991, also earmarked funding for 10 categories, including rail-trails, given as grants to states to use for acquisition, planning and construction.

But that is under threat by the new administration:

“The president’s budget proposal eliminates all funding for the wildly popular TIGER program, which is bad news for trails and active transportation,” RTC states. “Without TIGER, trails could miss out on hundreds of millions in funding. Since the program began in 2009, TIGER has provided nearly $340 million in funding for active transportation projects and trail networks like the Circuit Trails in PhiladelphiaCleveland Metroparks and the Atlanta BeltLine. What’s more, using the American Association of State Highway Transportation Officials’ methodology to calculate jobs per mile of trail built, we project that TIGER investments in active transportation have generated thousands of jobs.

“TIGER is much more than a program that supports trails; it funds all transportation modes and is unique in that it encourages cross-jurisdictional and multimodal cooperation, breaking down traditional bureaucratic silos and looking at balanced transportation systems as a whole. This makes the program intentional, focused and efficient in the projects it selects—and effective in achieving outcomes after construction.

“The U.S. Department of Transportation has thus far awarded TIGER funding to diverse projects including roads and bridges, ports, railways, transit, freight operations and, of course, trails and other walking and biking infrastructure. However, the new president and transportation secretary will set their own funding priorities….

“The budget also calls for an end to general fund infusions to the Highway Trust Fund, eliminating $95 billion in expected transportation spending over the same 10 years, raising further doubts about the extent to which infrastructure investment would increase if the president’s budget proposal were to pass.”

Map of our 2017 Rails-to-Trails Conservancy Sojourn ride on the Great Allegheny Passage and Montour Trail © 2017 Karen Rubin/ goingplacesfarandnear.com

Indeed, we Sojourners are ambassadors and advocates and increasingly now, also activists.

“Everyone here is an ambassador,” says Brandi Horton, RTC’s VP of Communications. “We show the towns, the communities, city and town and state governments just how important rail trails are to building community, generating economic development, building tourism and getting people out together.”

Tips for advocating include bringing a friend out with you on the trail, use social media, lobby state and federal legislators to make sure trails are included in infrastructure funding; let your Congressmember know you use the trails, send a photo.

RTC has also its “take action” section of the website, where you can plug in your zipcode, find your official and send a note.

“Be a spokesperson, do community outreach. If you want to get a trail in your community, you need your voice heard not just at the federal, state and regional level, but at the local level.”

Rails-to-Trails Conservancy, Washington, DC 20037, 202-974-5150, Railstotrails.orgTrailLink.com.

See next:

Rails-to-Trails Conservancy’s Sojourn Biketour on Great Allegheny Passage Showcases Forgotten Towns

Pascal Glass Sculpture with Trump Connection is Boon for Dunbar, Pennsylvania

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

Alan Gilbert, in His Final Season Leading NY Philharmonic, Conducts Big Hug-and-Kiss to New Yorkers in Free Parks Concerts

Alan Gilbert, in his final season as music director of the New York Philharmonic, conducts the orchestra in the free summer Concerts in the Parks series in Cunningham Park, Queens © 2017 Karen Rubin/ goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

This year’s New York Philharmonic Concerts in the Parks – its 52nd summer – provided a way to say farewell to Music Director Alan Gilbert. The series, presented for the past 11 years by Didi and Oscar Schafer, was a hug and a kiss to the 100,000 music lovers who come out to the free summer concerts (“priceless music, absolutely free”), at the Great Lawn in Central Park, Manhattan; Cunningham Park, Queens; Prospect Park, Brooklyn and Van Cortlandt Park, Bronx. This season’s program was also the Philharmonic’s 175th anniversary season celebration of its hometown, featuring masterworks by Dvořák (Symphony No. 9, From the New World), Leonard Bernstein (Symphonic Dances from West Side Story), and George Gershwin (An American in Paris) — all written in New York and premiered by the Philharmonic  – and was the culmination of its season-long “The New World Initiative”.

Throughout the 2016–17 season, The New World Initiative has explored the New World Symphony’s theme of home and honors New York City and its role as an adopted home. The Philharmonic gave the World Premiere of the New World Symphony in 1893, marking the Orchestra’s first World Premiere of a work written in New York City that would become part of the standard repertoire. The Largo theme was later set to the words “Goin’ Home” by Dvořák’s student William Arms Fisher.

New York Philharmonic conductor Alan Gilbert conducts a community sing-along of “Goin Home” them from Dvořák’s New World Symphony, all part of The New World Initiative and the Philharmonic’s 175th anniversary season celebration of its hometown © 2017 Karen Rubin/ goingplacesfarandnear.com

The New York Philharmonic’s free parks concerts have become an iconic New York summer experience since they began in 1965, transforming parks throughout the New York area into a patchwork of picnickers, and providing music lovers with an opportunity to hear the best classical music under the stars. More than 14 million listeners have been delighted by the performances since their inception.

Before the New York Philharmonic takes the stage, it has become a new custom to “Share the Stage” with local musicians. This year, that included BombaYo (Van Cortlandt Park); The Ebony Hillbillies and Zulal (Central Park), The queen’s Cartoonists and Slum Suit (Cunningham Park) and The Side Project (Prospect Park).

And at this year’s concerts in the parks series, audiences joined the Orchestra in community performances of the “Goin’ Home” theme from Dvořák’s New World Symphony, all part of The New World Initiative and the Philharmonic’s 175th anniversary season celebration of its hometown. (Dvořák’s  symphony also incorporates the Shaker hymn, “Simple Gifts.”)

We caught the concert at Cunningham Park, in Queens, which also featured fireworks display.

Alan Gilbert, in his final season as music director of the New York Philharmonic, conducts the orchestra in the free summer Concerts in the Parks series in Cunningham Park, Queens © 2017 Karen Rubin/ goingplacesfarandnear.com

The program was a crowd-pleaser – the Symphonic Dances from West Side Story were simply transporting – and Gilbert looked extremely relaxed and joyful.

Alan Gilbert, who has stepped down as music director of NY Philharmonic, just revealed that he will be trading New York for Hamburg, Germany, leading the Elbphilharmonie Orchestra in the new Elbphilharmonie concert hall as chief conductor.

Alan Gilbert, in his final season as music director of the New York Philharmonic, conducts the orchestra in the free summer Concerts in the Parks series in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com

In a phone interview with the New York Times, Gilbert, a frequent guest conductor in Hamburg, said that the Elbphilharmonie’s vision aligned perfectly with his own paradigm for successful 21st-century orchestras. “It’s about how they connect to the cities they serve,” he said. “And one condition for that is the existence of a perfectly appropriate physical space. What’s going on there is related to what’s potentially going to happen here in New York with the idea of redoing David Geffen Hall.”

Gilbert bids farewell to New York in the parks concert program, writing, “It has been a privilege to stand upon this august platform and make decisions that have altered and enhanced New York City’s cultural landscape. When this Orchestra does artistic things, they are noticed, and they inspire others, far and wide. Ultimately, I know my tenure is just one chapter in the Philharmonic’s long story, and I look forward to seeing what comes next.”

Alan Gilbert, in his final season as music director of the New York Philharmonic, conducts the orchestra in the free summer Concerts in the Parks series in Cunningham Park, Queens © 2017 Karen Rubin/ goingplacesfarandnear.com

As Music Director of the New York Philharmonic since 2009, Alan Gilbert has introduced the positions of The Marie-Josée Kravis Composer-in-Residence, The Mary and James G. Wallach Artist-in-Residence, and Artist-in-Association; CONTACT!, the new-music series; the NY PHIL BIENNIAL, an exploration of today’s music; and the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. The Financial Times called him “the imaginative maestro-impresario in residence.”

Alan Gilbert conducts the New York Philharmonic in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com

Alan Gilbert concludes his final season as Music Director with four programs that reflect themes, works, and musicians that hold particular meaning for him, including Beethoven’s Ninth Symphony alongside Schoenberg’s A Survivor from Warsaw, Wagner’s complete Das Rheingold in concert, and an exploration of how music can effect positive change in the world. Other highlights include four World Premieres, Mahler’s Fourth Symphony, Ligeti’s Mysteries of the Macabre, and Manhattan, performed live to film. He also leads the Orchestra on the EUROPE / SPRING 2017 tour and in performance residencies in Shanghai and Santa Barbara. Past highlights include acclaimed stagings of Ligeti’s Le Grand Macabre, Janáček’s The Cunning Little Vixen, Stephen Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson (2015 Emmy nomination), and Honegger’s Joan of Arc at the Stake starring Marion Cotillard; 28 World Premieres; a tribute to Boulez and Stucky during the 2016 NY PHIL BIENNIAL; The Nielsen Project; the Verdi Requiem and Bach’s B-minor Mass; the score from 2001: A Space Odyssey, performed live to film; Mahler’s Resurrection Symphony on the tenth anniversary of 9/11; performing violin in Messiaen’s Quartet for the End of Time; and ten tours around the world.

Alan Gilbert and the New York Philharmonic take bow at the end of the concert in Cunningham Park, Queens © 2017 Karen Rubin/ goingplacesfarandnear.com

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, Alan Gilbert regularly conducts leading orchestras around the world. This season he returns to the foremost European orchestras, including the Leipzig Gewandhaus, Munich Philharmonic, Amsterdam’s Royal Concertgebouw, and Orchestra dell’Accademia Nazionale di Santa Cecilia. He will record Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conduct Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there. He made his acclaimed Metropolitan Opera debut conducting John Adams’s Doctor Atomic in 2008, the DVD of which received a Grammy Award, and he conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival. Mr. Gilbert is Director of Conducting and Orchestral Studies at The Juilliard School, where he holds the William Schuman Chair in Musical Studies. His honors include Honorary Doctor of Music degrees from The Curtis Institute of Music (2010) and Westminster Choir College (2016), Columbia University’s Ditson Conductor’s Award (2011), election to The American Academy of Arts & Sciences (2014), a Foreign Policy Association Medal for his commitment to cultural diplomacy (2015), Officier de l’Ordre des Arts et des Lettres (2015), and New York University’s Lewis Rudin Award for Exemplary Service to New York City (2016).

Here are some parting shots of the meistro.

Alan Gilbert conducts the New York Philharmonic in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com
Alan Gilbert conducts the New York Philharmonic in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com
Alan Gilbert conducts the New York Philharmonic in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com
Alan Gilbert conducts the New York Philharmonic in Cunningham Park, Queens © 2017 Karen Rubin/goingplacesfarandnear.com
Alan Gilbert and the New York Philharmonic take bow at the end of the concert in Cunningham Park, Queens © 2017 Karen Rubin/ goingplacesfarandnear.com

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures