Category Archives: Museums and Exhibits

Cruising, Day Trips, Getaways, Historic Places, Museums and Exhibits, Places of History, See America, Walking Tours

A Day in Nantucket: How a Tiny Isolated Island Became a Global Powerhouse (With Lessons for Contemporary America)

The tall ship Lynx, an 1812 privateer, sails past the Brant Point Lighthouse, Nantucket, second oldest lighthouse in America, first built in 1746 © Karen Rubin/ goingplacesfarandnear.com

by Karen Rubin and Martin D. Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

Nantucket, a porkchop-shaped island just 14 by 3½-miles with just a few thousand inhabitants, hangs 30 miles out to sea off Massachusetts’ mainland. That creates a special kind of isolation and 350 years ago, made for a special incubator for culture and industry.

“Nantucket has been a microcosm of America for 350 years, a magnet and unique laboratory for some of our most powerful impulses…People around the globe knew of Nantucket whalers,” says the narrator of a documentary, “Nantucket” by Ric Burns. Nantucket, he says, has a history of reinventing itself.

“Nantucket was created by sea. In as little as 400 years, it will be taken by the sea. We are on borrowed time.”

That alone sets up the drama before our visit to Nantucket. The documentary is an evening’s activity aboard Blount Small Ship Adventures’ Grand Caribe, and now, we sail into Nantucket’s harbor in a dense fog, on the last day of our week-long voyage that has taken us to the New England islands.

Picturesque Nantucket © Karen Rubin/goingplacesfarandnear.com

This tiny place, we learn, became a global powerhouse because of whaling, which itself required technological innovations and produced a revolution in the way people lived: “Nantucket was the first global economic engine America would know.”

Indeed, here in Nantucket, we realize how revolutionary candlelight was, extending people’s days into the darkness of night. “Nantucket sperm oil made the Industrial Revolution happen.”

It also proves to be a lesson in the importance of globalization and immigration.

“In 1820, Nantucket entered its golden age. The entire Pacific its backyard, America as world power.” The square-rigged whaling ships we think of as quaint today “were state of art, decades into development, a perfect factory ship to render oil. They could go anywhere, withstand horrible conditions, serve as the home for dozens of men for three to four years at a time. They were vessels of exploration, the space ships of their day, they could travel to unknown worlds…Nantucketers were astronauts of their day.”

(I appreciate this all the more after having seen the “Spectacle of Motion: “The Grand Panorama of a Whaling Voyage ‘Round the World,”  at the New Bedford Whaling Museum, a few days before on our own voyage. See story)

But here on Nantucket, we are introduced to another aspect of the story: Quakerism and feminism.

Whaling, it turns out, became a thriving industry because of the Quakers who settled Nantucket, peacefully coexisting with the Wampanoags who had lived here for thousands of years (their numbers were decimated, though, by the diseases the Europeans brought). The Wampanoags knew how to harpoon whales that were beached and introduced the English to whaling.

But it was the Quakers’ open-mindedness, their values of modest living, hard work and practice of reinvesting money into the industry rather than on lavish living that produced the innovations. Even more significantly, Nantucket could become so successful in whaling because of the Quaker sense of egalitarianism, seeing women as having equal ability. How else could Nantucket men go off for years at a time, leaving their home, business and community to be run by the women they left behind (one street is known as Petticoat Row because of all the women-owned businesses)? Quaker women, including Lucretia Coffin Mott (who was from Nantucket) became leaders of the Woman’s Suffrage Movement.

So it is no wonder that Nantucket enabled a woman, Maria Mitchell, to thrive.

Portrait of Maria Mitchell, America’s first female astronomer, in an exhibit at the Nantucket Whaling Museum © Karen Rubin/goingplacesfarandnear.com

Born in 1818 on Nantucket, Maria Mitchell became America’s first woman astronomer (famous for discovering a comet in 1847, which was named “Miss Mitchell’s Comet”), the first woman elected Fellow of the American Academy of Arts and Sciences (1848) and of the American Association for the Advancement of Science (1850).  She was Vassar’s first professor of astronomy, president of the American Association for the Advancement of Women, and active in the Women’s Suffrage movement.

We first are introduced to her on “Gail’s Tours” of the island, then when we visit the Whaling Museum which has a whole gallery devoted to her, and after, I am so fascinated with her, I follow a self-guided “Walking in the Footsteps of Maria Mitchell”  which takes me to the Quaker Meeting House. (Ironically, Mitchell  was too skeptical and outspoken for the Quakers and “written out” so she joined the Unitarian Church instead, which today shares its building with the Congregation Shirat Ha Yam, “a pluralistic Jewish congregation”).

Nantucket has a land area of about 45 square miles (about half the size of Martha’s Vineyard), yet seems larger, somehow, to get around.  The best way to experience Nantucket when you only have a day and when mobility may be somewhat limited, is to take an island tour.

Grand Caribe passengers take the launch into Nantucket © Karen Rubin/ goingplacesfarandnear.com

So we take the launch boat into Straight Wharf (this is the only stop on the New England Islands cruise where we anchor instead of dock), and walk along the cobblestone streets about half-mile to where Gail Nickerson Johnson has her van parked in front of the Visitor Center.

The first impression of Nantucket is how much it looks like a movie set with its quaint shops and cobblestone streets. Indeed, the one square-mile National Historic District is the largest concentration of antebellum structures in the United States. I take note of a mural on the side of a building that shows how many miles from places like Iceland, Pitcairn and Cape Town are from Nantucket, as if the center of the world.

A map on the side of a building shows how many miles from places like Iceland, Pitcairn and Cape Town are from Nantucket, as if the center of the world © Karen Rubin/goingplacesfarandnear.com

We have been recommended to Gail’s Tours, and what a find this is. Gail, it turns out, is a 6th generation Nantucket native, descended from the Nickersons (her family line includes the Gardners, Coffins, Foulgers), was raised here, and knows just about everybody and every house we pass. She took over the tour business from her mother, who, she says, used to summer here before marrying her father. Her mother used to take visiting friends and relatives around in a woodie, and then got the idea to turn it into a tourist business, which she ran for 40 years.

Gail points out all the local sights:” I remember when….” “We used to ….,” “When we were kids….” “That used to be ….”

She notes that some 10,000 to 15,000 people live on Nantucket year-round, quite a jump from the 3,000 people who lived here year-round when she was growing up.

Gail jokes that Nantucket is on shaky ground – it is predicted to be under water in 400 years time. “In 300, I’m outta here.”

The Coffin House, oldest on Nantucket, dates from 1686 © Karen Rubin/ goingplacesfarandnear.com

We pass all the important sights: the island’s oldest house, built as a wedding present for Jethro Coffin and Mary Gardner Coffin in 1686. It has been restored after lightening struck the house, splitting it in two; the Old Windmill (1746); the Quaker cemetery where there some 5,000 people are buried but few headstones, so it looks more like a rolling field; the Maria Mitchell Observatory; cranberry bogs; the Life Saving Museum.

She points to the house that Frank Bunker Gilbreth owned – the efficiency expert depicted in his son’s book, “Cheaper by the Dozen.” “They found among his papers Morse code for how to take bath in 1 ½ minutes.” The family still owns the house. She points to where Peter Benchley (“Jaws”) lived, the house where John Steinbeck stayed when he wrote “East of Eden.”

The 70-foot tall Sankaty Head Lighthouse was built of brick in 1850 but moved to its location next to the fifth hole Sankaty Head Golf Course in 2007 © Karen Rubin/goingplacesfarandnear.com

We stop at Sankaty Head Lighthouse so we can get out for a closer look. The 70-foot tall lighthouse was built of brick in 1850 and automated in 1965; its beacon can be seen 26 miles away. It had to be moved and was re-lighted in its new location, just next to the fifth hole of the Sankaty Head Golf Course in November 2007.

The tour finishes just around the corner from the Nantucket Whaling Museum. We pick up phenomenal sandwiches from Walter’s, have lunch on benches outside the museum.

Gail’s Tours, 508-257-6557.

Nantucket Whaling Museum

We had been to the excellent New Bedford Whaling Museum and now come to the renowned Nantucket Whaling Museum. Interestingly, the presentations and focus are very different – so the two are like bookends that add to the telling of this dramatic story.

We arrive as a historian is describing the hunt for whales, and then join the docent-led highlights tour, which is sensational.

The sperm whale oil, she says, “is a light source, power source and lubricant and could be used in winter. Artificial light in winter revolutionized life for 3 to 4 months of the year. It was used throughout the United States and Europe, prized the world over.”

The earliest whaling industry was created by Quakers, who were austere, not vain, and reinvested income into growing the industry. Portraits were not permitted (the portraits that decorate the entire wall are made later), but by the 19th century, they were not practicing Quakerism. She points to one of the earliest portraits which, without a tradition of art education in colonial America, was probably made by a housepainter, and probably an authentic representation of her likeness without artifice. She has one blue and one brown eye, which was a genetic trait among some of the earliest Nantucket settlers.

She points to a portrait of Susan Veeder, one of the women who accompanied their husbands on a whaling voyage. She kept records of the day-to-day life. “Her journals are anthropological, whereas the men’s journals were mainly about weather, tides and number of whales caught. She is the reason we know so much about life on whaling ship.” The docent adds that Veeder delivered a baby daughter while on board, but it died. “While British whalers had to have a surgeon on board, American whalers were not required to. The ship had a medical kit with numbered vials and instructions. But if they ran out of #11 vial, a captain might just add #5 and #6 together.”

Another painting shows a wife standing beside her husband seated at a desk. “It’s a rare image. Women had roles in Nantucket – they ran the town, home and business. Her husband was a whaling captain who brought back artifacts; she set up a display in house and charged admission fee and told stories. This was the first museum on the island. The contents went to the Atheneum and now are part of the Historical society collection.”

She points to a jaw bone that is the height of the room. It would have come from 80-ft whale such as rammed the Essex (the event that inspired the story of “Moby Dick”).”For people of Nantucket (most of whom had never seen a whale) would have been seen as a sea monster. For the captain to make the decision to keep this onboard for two years or so of the journey, taking up precious space on ship, speaks to how important it was.”

We go into the part of the museum that was originally a candle factory, built by the Mitchell family immediately following the Great Fire of 1846, where there is the only surviving spermaceti lever press left in the world.

She explains, “When the ship returned to Nantucket harbor, filled with as many as 2000 barrels of oil, each holding 31.5 gallons apiece, the oil would be put in storage.

“They would wait for winter to begin processing because only highest quality oil would remain liquid in winter; then process the lowest quality in spring and summer. They kept the lowest quality in Nantucket and sold first and second pressings.

“The best oil was used for lighthouses. What was left was used for spermaceti candles.These were the best candles – they burned with no odor, no smoke, no drip. They were prized throughout US and Europe. They changed the quality of life because of having a reliable light source.”

At its height, there were 36 candle factories in Nantucket.

You become aware of hearing sea chanties in the background.

Detail of the “Ann Alexander teeth” scrimshaw in the Nantucket Whaling Museum. The Ann Alexander was also sunk by a whale, but the men were rescued © Karen Rubin/goingplacesfarandnear.com

She leads us up to the second-floor Scrimshaw gallery (those who have difficulty with steps can ask to use an elevator). “It was a way for captains to keep their sailors entertained and occupied (so they didn’t get into fights). They would soak whale teeth, burnish with shark skin (like sandpaper); sharks would be attracted to ship when processed whale – and they would kill sharks for food and use the skin.

“Sailors may be illiterate. They would trace designs from newspaper images and advertising. Victorian woman a common subject for scrimshaw because they were commonly used in fashion ads they traced.”

Some scrimshaw was functional – like pie crimpers. The men would fashion corset stays as tokens of love (they were worn close to heart). Only captains would have the space to make swifts – tools to wind skein of yarn.

Today, she says, the scrimshaw is priceless.

She notes that the Essex was not the only ship that was sunk by a whale: the Ann Alexander also was sunk by whale, but the sailors were rescued the next day and returned home.

“Another ship in the Pacific found a whale with a harpoon from the Ann Alexander in it – killed the whale and made scrimshaw out of its teeth, known as the Ann Alexander teeth” that we see here in the gallery.

There is a small room devoted to Essex story, and we come upon a storyteller retelling the story of the Essex, sunk by a whale – the event that inspired Herman Melville’s “Moby Dick” – from the point of view of the actual events as documented in Nathaniel Philbrick’s book, “In the Heart of the Sea” which ended with the men so desperate, they committed cannibalism.

The cabin boy on the Essex who 30 years later wrote his memoir, was Thomas Nickerson (one of Gail’s ancestors? I wonder).

This was the first known incident of an unprovoked whale ramming a ship. But, he says, they now believe that it was hammering to quickly repair one of the chase boats used when they go after the whale, that caused the whale to charge.

Melville, it turns out, only visited Nantucket for the first time in 1852, after he wrote Moby Dick.

Most interesting is the room devoted to Maria Mitchell’s Legacy, where we are introduced to her biography and achievements.

The Nantucket Historical Association which operates the museum also operates several other attractions which are included on an “all access ticket”($20/adult, $18/senior/student, $5/youth 6-17): the Oldest House & Kitchen Garden (the 1686 Coffin House); the 1746 Old Mill (you go inside and meet the miller); the Old Gaol (1806), the Quaker Meeting House (1836), the Fire Hose Cart House (1886, the last remaining 19th century fire hose cart on the island); and Greater Light.

Nantucket Whaling Museum, 13 Broad Street, 508-228-1894, https://nha.org/visit/museums-and-tours/whaling-museum/   Allocate at least two hours here.

In Search of Maria Mitchell

Nantucket is dramatic, of course, because of the whaling industry – an invention that revolutionized life by bringing light into winter’s darkness and what the oil meant to enabling the Industrial Revolution.

But for me, the most fascinating thing is being introduced to Maria Mitchell – we are shown important sites associated with her on the island tour and at the museum. I am so inspired that I follow a self-guided walking tour that is delightful to give structure to exploring the town.

I meet her again in a storefront display dedicated to her, and then follow the Maria Mitchell Foundation sites: the Nantucket Atheneum (she became the first librarian, at age 18); the Pacific Bank where her father was president; the Unitarian Universalist Church which she joined after leaving the Quakers; Mitchell’s House where she was born, the Observatory built after her death in 1908 and the natural history museum operated by the Maria Mitchell Foundation (mariamitchell.org).

The Maria Mitchell Observatory on Nantucket © Karen Rubin/ goingplacesfarandnear.com

This leads me to the Quaker Meeting House where I have a most unexpected – and fascinating – discussion of Quaker religion sitting in a pew.

“Quakers were the social cement of the community.” You couldn’t do business without being Quaker, but you could pretend to be Quaker.

“Quakers were seen as activists, the hippies of their day,” because they were free thinking and were egalitarian in their treatment of women and people of other races.

The Quakers were considered heretics and banned by the Puritans because they believed in an “inner light”. They refused to pay taxes to the church or accept authority, or take oaths (for this reason, they couldn’t become doctors or lawyers). It went counter to the control mandated by the Puritans, Anglicans.

“They would show up naked at an Anglican Church,” she tells me which sparks a thought: why isn’t Quakerism being revived today? It seems more consistent with modern-day approaches to organized religion.

Most heretical of all: they did not require those they sought to convert to accept Jesus. “They did not require personal knowledge or acceptance of Jesus, just to find God through Inner Light.”

“The Quakers were hanged, branded, their noses split.”

But they found safe haven in Nantucket and Martha’s Vineyard, because in 1661, Charles II ordered that all trials of Quakers had to take place in England. “They were safe in America since they wouldn’t be shipped back to England.”

And over time, the Quakers toned down the “dangerous” rhetoric.

“They were excellent businessmen. They valued education (to this day): boys were educated to 13 or 14 when they were expected to join the whaling ships; but girls were educated to 17 or 18, so they had more formalized education than men.”

The women, therefore, were left in charge of home, businesses and community when the men left for their whaling voyages. Centre Street was nicknamed Petticoat Row because women owned all the businesses.

On the other hand, Maria Mitchell must have stepped over the line, because in 1843, even though her father was an elder, her “skepticism and outspokenness resulted in her leaving Quaker Meeting and being ‘written out’ by the Society.”

A pair of Greek Revival houses tell of the heyday of Nantucket’s whaling industry © Karen Rubin/goingplacesfarandnear.com

The decline of Quakers in Nantucket followed the decline of the whaling business. A great fire in 1846 destroyed much of Nantucket’s infrastructure and the livelihoods of 8 out of 10 Nantucketers. When gold was found in California, in 1849, scores of whaling ships sailed for San Francisco and were sunk in the harbor there rather than return; when petroleum was discovered in Pennsylvania in 1859 as a cheaper, easier fuel, scores of Nantucketers went there. The ships, which had to be built bigger and bigger for the longer journeys, had trouble coming into Nantucket’s harbor because of a build-up of silt. Then the Civil War came – more than 300 Nantucket men joined the Union and 73 were killed; the whaling ships were easy targets for the Confederates. The last whaling ship sailed from Nantucket in 1869.

“By that point, Nantucket well out of picture,” the “Nantucket” documentary notes. “The city in the middle of the ocean was evacuated. It went from a population of 10,000 to 3000 in a matter of decades, like a sleeping beauty castle, waiting 100 years with only the memories of whaling.”

Now, the docent says, there is only one full-time Nantucket resident who is Quaker. “We get 5 to 8 people for Sunday meeting.” During that time, people sit and meditate; they do not even read a Bible.

I stop in at the Research Library where there is a stunning exhibition of needlepoint on display.

A display of carvings in one of the Nantucket shops © Karen Rubin/ goingplacesfarandnear.com

There is so much more to see; I make notes for my return visit:

Nantucket Lightship Basket Museum  (49 Union Street, 508-228-1177, https://www.nantucketlightshipbasketmuseum.org )

Nantucket Shipwreck & Lifesaving Museum (158 Polpis Road, 508-228-2505, http://eganmaritime.org/shipwreck-lifesaving-museum/.  The museum is located at some distance from the town; you can obtain a free Wave bus pass to the Museum at Visitor Services at 25 Federal Street in downtown Nantucket. Nantucket Regional Transit Authority is on 20 South Water Street not far from the Whaling Museum)

Cisco Brewers  (5 Bartlett Farm Road, 508-325-5929, http://ciscobrewers.com/ . The brewery operates its own free shuttle, noon to 6:30 pm daily on the half-hour, from Visitor Services at 25 Federal Street downtown.)

Bartlett’s Farm (33 Bartlett’s Farm Road, 508-228-9403, https://bartlettsfarm.com/; located about 10-minute walk from Cisco Brewers.)

There is easy access to Nantucket’s beachfront and coastline; half of the island is protected from development © Karen Rubin/goingplacesfarandnear.com

The ever-shifting sandbars lurking beneath the waters around Nantucket have caused between 700 and 800 shipwrecks, making lighthouses necessary navigational aids. Besides the Sankaty Head Lighthouse which we have seen there are two others that are worthwhile visiting:

Brant Point Lighthouse, standing at the entrance to Nantucket harbor, is the second oldest lighthouse in North America, first built in 1746 (the oldest is Boston Harbor Light c. 1716). Over the years, it has been moved and rebuilt more times than any other lighthouse in the country. The present lighthouse is the ninth one built on Brant Point. It is 26 feet tall wooden tower topped with a fifth-order Fresnel lens that was built in 1901. Still in active use, it is owned by the US Coast Guard and closed to the public, but you can visit the grounds (www.nps.gov/nr/travel/maritime).

Great Point Lighthouse (also called Nantucket Lighthouse), New England’s most powerful lighthouse, sits at the extreme northeast end of the island. A wooden tower was quickly built and the station with a light was activated in October 1784 (and destroyed by fire in 1816). The following year a stone tower was erected which stood until toppled in a storm in March 1984. The Lighthouse was rebuilt again in 1986, the stone tower was built to replicate the old one, and still remains in operation today. Modern additions include solar panels to recharge the light’s batteries, and a sheet pile foundation and 5-foot thick concrete mat to help withstand erosion.

Nantucket also offers miles upon miles of beach open to all. And thanks in large part to the early efforts of the Nantucket Conservation Foundation, nearly half of the island’s 30,000 acres are protected. A network of beautiful cycling paths wind through the island.

Contact the Nantucket Chamber of Commerce, Zero Main Street, Nantucket, MA 02554, 508-228-3643.

Now it is time to return to the Grand Caribe. (they make it very easy to step from the launch boat onto the stern of the ship through an open bay).

I’m back in time for the farewell cocktail reception, an open bar with delicious hors d’oeuvres. Dinner is lobster tail or prime rib (both fantastic); vanilla gelato or crème brule.

Fog envelops Nantucket harbor © Karen Rubin/goingplacesfarandnear.com

We are eating dinner when the fog starts rolling in most dramatically. Within minutes, it is difficult to see even the boats anchored nearby. The foghorn blasts every few minutes – which is funny as we sit in the lounge watching the movie, “Overboard,” when the blasts seem coordinated. (Jasmine, the cruise director, has opted for this romantic comedy instead of the movie “Perfect Storm.”)

It will be a nine-hour sail back to Warren, Rhode Island where the Blount Small Ship Adventures is based. Captain Patrick Moynihan tells us to anticipate three to four foot seats for about an hour when we reach Rhode Island waters.

Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955, [email protected], www.blountsmallshipadventures.com). 

Blount Small Ship Adventures’ Grand Caribe anchored in Nantucket harbor © Karen Rubin/goingplacesfarandnear.com

See also:

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

Endlessly Fascinating, Newport RI, Playground for the Rich, Makes its Attractions Accessible

Cruising into Martha’s Vineyard’s Warm Embrace

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Accessible Travel, Attractions, Cruising, Historic Places, Museums and Exhibits, Places of History, See America, US Destinations

Endlessly Fascinating, Newport RI, Playground for the Rich, Makes its Attractions Accessible

3 Comments

 

The Gold Room at Alva Vanderbilt’s Marble House in Newport, Rhode Island, epitomizes the Gilded Age © Karen Rubin/goingplacesfarandnear.com

 

by Karen Rubin & Martin D. Rubin

Travel Features Syndicate, goingplacesfarandnear.com

 

Each time I visit Newport, Rhode Island, the guided tours of these Gilded Age mansions get better and better, more immersive into the lives upstairs and downstairs, more intriguing, and the relevance to society today more apparent. The gap between rich and poor hasn’t been this great since Cornelius Vanderbilt II built his palatial summer “cottage,” The Breakers.

Newport is still a playground for the rich – it is the reason it is the home to the International Tennis Hall of Fame and considered the sailing capital of the country, why it is so associated with classic cars – but the interesting thing is you don’t have to be rich to play, too.

This most recent visit to Newport comes as a port of call on the second day of Blount Small Ship Adventures’ week-long voyage to New England islands. We have a full day to explore, and sailing in gives a very different perspective.

We also are able to experience Newport from the perspective of how well the destination accommodates visitors with mobility issues.

Our ship, Grand Caribe, docks at Fort Adams State Park, “America’s largest coastal fortification,” a short stroll to a launch or a water taxi to the “downtown”.

Many of our fellow passengers are taking the island tour that the ship offers, which will include a stop at The Breakers, and the cruiseline had also arranged a 2-hour sail aboard an America’s Cup classic yacht (which had to be canceled because of weather). But I have some particular goals for our day in Newport.

We are met by Andrea McHugh from Discover Newport who has organized an itinerary to maximize our time gives us our own island tour (as well as the gossip of which tech billionaire has just bought which house, and how Jay Leno, who visited and attended events at the new Audrain Automobile Museum (which we will visit), passed an oceanfront mansion he liked and bought it on the spot, and now is seen regularly tooling around).

The gorgeous coastal views along Newport’s 10-mile Ocean Drive © Karen Rubin/ goingplacesfarandnear.com

We drive along the magnificent 10-mile long Ocean Drive with its scenic views and rocky shore, and pass the driveway into Hammersmith Farm, the Auchincloss estate where Jackie married John Kennedy. It used to be open to the public with a fantastic exhibit of the Kennedys but was acquired by Peter Kiernan (notable for the Robin Hood Foundation, funded by John Jr.), and is no longer open.

We pass Beechwood, a mansion once owned by the Astors and for many years, where actors played their parts in period dress. It is now owned by Larry Elllison (Oracle), who, we are told, is planning to open part of the mansion as an art museum.

We pass Belcourt, once owned by Oliver H. P. Belmont (who became the second husband of Alva Vanderbilt), which was purchased in 2012, by Carolyn Rafaelian, who has spent a considerable sum on a multi-year restoration and has reopened it for public tours.

The Breakers

The Breakers, the 70-room summer “cottage” built by Cornelius Vanderbilt II in 1895 © Karen Rubin/goingplacesfarandnear.com

We arrive at The Breakers, probably the most famous (and emblematic) of the Newport Gilded Age mansions that line Bellevue Avenue. It has a new visitor center which is really well done – barely visible from the street, it blends in wonderfully architecturally while affording a very comfortable (air conditioned) place to pick up tickets (take advantage of the multi-ticket options offered by The Preservation Society, which operates 10 of these glittering Newport Mansions, each with special exhibitions and presentations (see NewportMansions.org), refresh at a delightful café (sandwiches, $9.95), and utilize accessible restrooms (before, it was difficult for people with mobility issues to access a bathroom on property).

The new visitors center at The Breakers has a lovely café and sitting areas and is particularly helpful for visitors with mobility issues © Karen Rubin/ goingplacesfarandnear.com

Each time I visit, I find new things to appreciate and understand– audio-guides, for example, which replace the scheduled docent-led tours so let you tour at your own pace, are endlessly fascinating with opportunities to click on specialized topics. (A free app, Newport Mansions, let you download the commentary on a smart phone even when you aren’t touring the property.)

(The audio-guide lets you know that people who can’t climb the stairs can ask a docent to escort them upstairs in an elevator.)

Built by Cornelius Vanderbilt II (the grandson of “The Commodore,” the founder of the fortune, who turned a ferry boat into a shipping empire into a railroad empire), this breathtakingly grand, eye-popping, 70-room Italian Renaissance “cottage,” designed by Richard Morris Hunt, replaced a wooden structure that burned down. This was 1895, and the United States was jockeying for a position as an industrial power on the global stage. Hunt, the commentary relates, had a vision for an architecture expressing an American Renaissance, one that was classic, grand in scale, but that which reflected the hope and optimism of America.

Eye-popping grandeur at The Breakers, Newport © Karen Rubin/ goingplacesfarandnear.com

It is mind-boggling to recall when you see the gilding, the carefully carved wood, the marble, the artwork, that this palace (they called it a “cottage”) was only used about eight weeks of the year, during “the season.” The Breakers would have had 40 staff in summer (Newport had 2,000 servants, mostly immigrants).

The Breakers is as much an architectural and artistic treasure as a touchstone to social, cultural and political currents of the Gilded Age.

We learn about the family and the social structure of Newport: Mrs. Alice Claypoole Gwynne Vanderbilt’s bedroom, for example, also functioned as an office from which she ran the home.

Newport was actually run by women, we learn. These grand homes were designed to present their wealthy daughters (heiresses) to be snapped up for a favorable marriage.

Dressing was important. Women would have to change something like seven times a day (a riding habit, tea gown, bathing outfit, tennis, golf, sailing). Newport was the first place women played outdoor sports; whole new fashions were created.

The Breakers had 15 bedrooms and 20 bathrooms (we see one bathtub, carved from a single block of marble that was so cold, it had to be fully filled and drained several times before it would be warm enough to bathe in.)

We see the servants corridors, hidden closets and back stairs. “Female servants were invisible.”

When we arrive in daughter Gertrude Vanderbilt’s bedroom, we learn that she was upset to learn she was an heiress. She preferred to be an artist, and became a sculptor, an art collector and patron and, in 1931, founded the Whitney Museum. (Here, I click the audio guide for more detail on specific things: Gertrude was on the forefront of the New Woman, an educated girl. The idea to become an artist came to her in a dream.)

We come to the mezzanine overlooking the grand staircase. (People who cannot climb stairs can ask to be escorted to an elevator.) “Gilded Age Newport was built, managed, and maintained by women. It was the backdrop for the presentation of women” at a time when a woman’s fortune depended upon making a favorable marriage.

The Breakers’ Grand Staircase – the steps were made two inches shorter so the debutantes would not trip on their gowns © Karen Rubin/goingplacesfarandnear.com

We learn that the grand staircase stairs were built (and even rebuilt) to be two inches shorter, so the young debutantes could be presented in their gowns without fear of tripping.

At this portion of the tour, you can click on the audio guide to hear more detail about how the Vanderbilt’s attained such wealth and privilege (but it is really, really hard to keep the players straight without a scorecard – so many have the same name like British royalty).

The Commodore left the vast majority of his enormous fortune to his eldest son, William Henry Vanderbilt (“Any fool can make a fortune; it takes a man of brains to hold onto it,” Cornelius Vanderbilt said.) Though he outlived his father by just eight years, in that time William doubled the Vanderbilt wealth from $100 million to $200 million.

In the oddest quote on the audio-guide, William Henry Vanderbilt explains why he sold controlling stock of the Vanderbilt empire to a syndicate headed by JP Morgan: “The care of $200 million is too great a load for any brain or back to bear. It is enough to kill a man. I have no son whom I am willing to afflict with the terrible burden.” The commentary adds, “Without a single visionary leader like the Commodore, there was no one to invest in the next new technology. Automobiles and airplanes replaced the railroads, the once vast fortune was split and shared among generations of descendants.”

When we visit the kitchen, we get to appreciate some of the modern innovations of the house. The first Breakers burned down so when Cornelius II rebuilt it, he had the kitchen separated from house and no burners. Zinc, the stainless steel of its day, covered the worktable. There was a separate, smaller room which could be kept cool, for preparing pastry.

The Music Room at The Breakers, Newport © Karen Rubin/ goingplacesfarandnear.com

It is worthwhile to appreciate that as we see the trappings of obscene wealth, privilege and power, we also get to appreciate that the servants – who were mainly immigrants – saw their position in these mansions as improvements, and many were able to embrace the American Dream and move up in station and class.  The Breakers’ chef, we learn, started as a kitchen boy and became known as the Omelette King.

The Butler’s pantry, a two-story affair, had a safe for the butler to lock the silver away. The butler, we are told, was like the captain of ship.

Leaving The Breakers, we walk down to the Cliff Walk, the most visited attraction in Rhode Island, and for good reason. This is a delightful walkway along the cliffs (mostly paved and accessible for someone who uses a cane or, as I urge instead, hiking sticks), behind the grand mansions such as The Breakers, and free to enjoy. It extends 3.5 miles all the way to Doris Duke’s Rough Point (where the walkway becomes more scrappy). Today, we only get a taste of it, in order to conserve time and energy.

The 3.5 mile Cliff Walk goes behind many of the magnificent Newport mansions and provides stunning views of the ocean © Karen Rubin/goingplacesfarandnear.com

Marble House

If The Breakers is about patriarchal wealth, power and privilege, Marble House, built before The Breakers by Cornelius II’s sister-in-law, Alva Erskine Smith Vanderbilt, tells the story of burgeoning feminism and what happens when a smart, ambitious woman has few outlets for her vast talents beyond making an advantageous marriage.

Of the $11 million spent to build Marble House was built for Alva Vanderbilt, $7 million was spent on 500,000 cubic feet of marble © Karen Rubin/goingplacesfarandnear.com

Marble House (which we reach by hopping Newport’s delightful trolley-style bus) was designed by the architect Richard Morris Hunt (who also designed The Breakers). Inspired by the Petit Trianon at Versailles, Marble House was built between 1888-1892 at a cost of $11 million of which $7 million was spent on 500,000 cubic feet of marble. When it was finished, William Kissam Vanderbilt, the Commodore’s grandson, gave the house to his wife as a 39th birthday present.

Alva built Marble House to be “a cottage like nothing Newport had ever seen.” As it turns out, Alva Vanderbilt was also like nothing Newport had never seen.

At a time before there were public museums, The Gothic Room at Marble House, which Alva Vanderbilt purchased “en bloc” in Europe, became a private museum © Karen Rubin/goingplacesfarandnear.com

The Gothic Room featured an important Gothic collection from Europe, which Alva purchased “en bloc” – the whole caboodle. “She considered herself equal to European collectors but didn’t want to collect over generations.” The room was designed and executed in Paris – then reassembled here piece by piece.

At a time before there were public museums, this room became a private museum.

The most revealing room into Alva’s soul is the library (the “morning room”), where you see photos of Alva’s children and a portrait of Harold, born when her oldest, Consuelo was 7, who came back one day to find she had a baby brother and was told “God had sent him to us.”

The room is Alva’s feminist declaration, decorated with images of goddesses representing beauty, wealth and power. She wove into the frame and the fabric of the room images of women’s accomplishment – women holding a quill pen, Cleo, the Greek muse of history, female images of learning and the arts – the four corners showing (mythical) women in chemistry, botany, astronomy.

Part of the ceiling decoration in the Marble House Morning Room, depicting women in intellectual roles, part of Alva Vanderbilt’s declaration of women’s rights. She later was a leader and benefactor of the Women’s Suffrage movement, holding rallies at Marble House © Karen Rubin/goingplacesfarandnear.com

“In education, women have made tremendous strides,” she said. “It is not so long since women freed themselves from their man-made belief that it was unwomanly for a woman to have an idea of her own.”

She also said, “A man’s brain is not half a brain and we are the other half. Blending of the two will make a better whole.”

Her bedroom also was a display of the power she coveted – a bed on a throne-like platform, and images of Athena – goddess of wisdom and war.In this period, though, she saw social standing – that is, marriage to wealth – as a woman’s only means to power and independence. She applied this to her daughter, Consuelo, and raised the child to marry royalty.

Alva Vanderbilt’s throne-like bedroom in Marble House © Karen Rubin/ goingplacesfarandnear.com

Consuelo seems to have been Alva’s obsessive focus. You hear how she was groomed to be married off to European royalty – from childhood forced to wear a steel rod from her neck to waist with a strap around her shoulders, to force her to sit up straight.

From her quotes, Consuelo seems to be fully aware of how she was being dominated by her mother, yet was a dutiful daughter, very close to her mother and understanding. We visit her  austere room decorated by her mother which, she says, “reflected in my mother’s love of me.”

Consuelo Vanderbilt’s bedroom at Marble House © Karen Rubin/ goingplacesfarandnear.com

We see the guest room – the only one in this fabulous mansion – decorated in rose silk, with an 18th century bed. The most famous guest was, of course, the 9th Duke of Marlborough, Consuelo’s intended. We learn there is only one guest room in the house because people who would visit the house either had their own “cottage,” rented for the season or stayed in a hotel. “Marble House is built for the family.”

Consuelo “reluctantly accepted a proposal from the Duke of Marlborough.” She was one of the “Dollar Princesses,” American heiresses who married foreign royalty.”Consuelo Vanderbilt not the first or the last, but she was the best known.”

These marriages, “were a melding of the old world and the new world. They enabled royalty to maintain property and palaces for another generation.”

Indeed, the Gilded Salon – literally painted in 22 carat gold, the very epitome of Gilded Age – had a featured role in Duke’s marriage proposal.

But after Consuelo was married off to British royalty, Alva acted for herself, divorcing William K in 1895.

My favorite quote from the audio guide, “I was the first of my set to marry a Vanderbilt and the first to get divorced – but not the last.” Alva Erskine Smith of Alabama felt herself a pioneer for her class, a female knight reassuring others. “Mine was the first, but the first of many.”

She ditched William K. Vanderbilt to marry her husband’s best friend, Oliver H.P. Belmont, moving down the street to Belcourt.

After her second husband’s death, Alva Vanderbilt Belmont reopened Marble House and had a Chinese Tea House built on the seaside cliffs, and held Women’s Suffrage rallies © Karen Rubin/goingplacesfarandnear.com

After Belmont’s death, Alva reopened Marble House and had a Chinese Tea House built on the seaside cliffs. She became active and a major donor to the Women’s Suffrage Movement, holding rallies in 1909 at Marble House.

She raised money for the cause by opening Marble House to the public: “Shop girls could mingle with socialites” for the price of a $5 ticket (which would have been equivalent to $500 in today’s money).

Alva insisted, “Women shouldn’t marry until we get vote,” a pronouncement considered hypocritical for a twice-married woman.

Following her mother’s example, after 26 years as Duchess of Marlborough living in Blenheim Palace, Consuelo ended her loveless marriage in 1921, giving him $2.5 million a year, and married “for love” a French aviator, Jacques Balsan. (More about these personal relationships in a fantastic photo gallery in the basement.)

In stark contrast to the grand (albeit austere) bedroom that Consuelo occupied, her brothers’ rooms were tiny and spartan; Willy K Jr.’s room was occupied by Marble House superintendent, William Gilmour, who joined the household when he was 16 to be Willy K’s companion.

We visit a trophy room (that had been converted from two dressing rooms that were between Alva’s bedroom and Consuelo’s), that recognizes sons William K., Jr.’s role in pioneering the sport of auto racing in America (he created the Vanderbilt Cup auto races and built the Vanderbilt Parkway which starts across from where he had a home in Lake Success); and Harold Stirling, one of the finest yachtsmen of his era who successfully defended the America’s Cup three times and invented the game of contract bridge.  Notably, as chairman of the board of Vanderbilt University, Nashville, Harold supported integration.”He wanted to be associated with positive, progressive thinking.”

In the basement kitchen (capable of feeding 100), we see yet another side of Alva in a quoted segment complaining “how the rich are exploited. When a shopkeeper learned my address, he said he made mistake of the price and added 50%.” This at a time when she paid a French chef (after all, you had to have a French chef), the massive sum of $10,000 (equivalent to $250,000 today).

We see in the cupboard silver trays etched with the children’s names and china made with “Vote for Women.”

In Marble House, too, people who have difficulty climbing stairs can ask to use an elevator, and the docents will find a place to sit and rest, as necessary.

In summer, the Preservation Society has 10 properties open, all with distinctive presentations and exhibits.

Rosecliff, the 1902 “fantasy in terra-cotta”, is presenting “Bohemian Beauty” celebrating the ideals of the Aesthetic Movement, personified by Oscar Wilde who visited Newport twice, with furniture, ceramics, wallpaper, glass, silver, paintings and clothing (thru Nov 4).

(Plan your visit in advance at The Preservation Society of Newport County, 424 Bellevue Avenue, Newport, RI 02840,  401-847-1000, [email protected], www.newportmansions.org.)

In addition, there are the homes and heritage sites operated by Newport Restoration Foundation including Rough Point and Whitehorne Museum (51 Touro St., Newport, RI 02840, 401–849–7300, newportrestoration.org).

Tennis, Classic Cars

Between The Breakers and Marble House, we take in some of Newport’s other distinctive attractions:

The grass tennis court at the International Tennis Hall of Fame in Newport, where the first US Open tournaments were played. The hall of fame honors tennis champions © Karen Rubin/goingplacesfarandnear.com

The International Tennis Hall of Fame, which features the original grass court where American tennis began. The museum features 2,000 artifacts spanning hundreds of years of tennis history (such as the patent for the game of tennis signed by Queen Victoria in 1874), displayed in redesigned galleries with some interactive exhibits. One of the newest, most novel exhibits features a hologram of tennis legend Roger Federer who offers the top 10 reason why he loves tennis. The Hall of Fame honors hundreds of the most accomplished champions, inducted since 1954. After touring the museum, you can explore the seven-acre historic grounds of what the Vanderbilts’ would have known as the Newport Casino (the Tiffany clocktower and Shingle style building was originally developed by architects McKim, Mead & White in 1880), grass courts of the Bill Talbert Stadium and newly built indoor courts (you can even rent time to play on its grass courts). Here, too, we are able to request the use of an elevator to get up to the exhibits on the second floor. (194 Bellevue Avenue, www.tennisfame.com).

Audrain Automobile Museum offers regularly changing exhibits based on its private collection of 250 cars (every one in working condition), from 1899 to modern day, as well as special events. Ever changing exhibits display 15 to 20 cars at a time around a theme. We had just missed the “Muscle Car Madness” exhibit featuring cars of the 1950s and 1970s, accompanied with surf boards and original art.) On view now are some intriguing cars I had never seen before: Messerschmidt, which after World War II when Germans were no longer allowed to build airplanes, used airplane parts to create a micro-car that basically looks like a cockpit with wheels. A French version is also on view. “They aren’t great to drive,” says the young docent who drove it and says all the cars on display have to be in working condition.  (Audrain Automobile Museum, 222 Bellevue Avenue, 401-856-4420, audrainautomuseum.org)

Audrain Automobile Museum offers regularly changing exhibits based on its private collection of 250 cars; here some of the micro cars produced after World War II that are more like an airplane cockpit (and made from airplane parts) © Karen Rubin/goingplacesfarandnear.com

We enjoy a marvelous lunch at Annie’s bistro café (176 Bellevue Ave., anniesnewport.com) – elegant dining in a casual atmosphere and the best New England clam chowder anywhere –before hopping a trolley-style bus for a short ride to Marble House (you can see the schedule on googlemaps.com on your smartphone).

Andrea returns us to the Grande Caribe, where it is too late to explore inside the fort, but I walk along the Bay Walk (a 2.5 mile  loop with gorgeous views of Narrangansett Bay and Newport Harbor) before returning to the ship for the cocktail hour and dinner.  (Blount Small Ship Adventures, 800-556-7450,  www.blountsmallshipadventures.com).

This was what you could do with one full day in Newport. There is so much more to do, and so deserving of a return multi-day visit. Top on my list: Doris Duke’s Rough Point (newportrestoration.org); Touro Synagogue and Loeb Visitors Center (tourosynagogue.org), Redwood Library and Athenaeum (opened in 1750 and has a collection of more than 200,000 titles, www.redwoodlibrary.org), and The National Museum of American Illustration (americanillustration.org), to list but a few.

See more and plan your visit: Discover Newport, 23 America’s Cup Avenue, Newport, RI 02840, 800-326-6030, 401-849-8048, www.discovernewport.org.

Blount’s Small Ship Adventures’ Grande Caribe © Karen Rubin/ goingplacesfarandnear.com

The Grande Caribe will next sail to New Bedford (see A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum) and on to Martha’s Vineyard.

Blount Small Ship Adventures, 461 Water Street, Warren, Rhode Island 02885, 800-556-7450 or 401-247-0955,  [email protected], www.blountsmallshipadventures.com). 

See also:

Blount Small Ship Adventures’ Grande Caribe Voyage to New England Islands Proves Ideal for Babyboomers Who Still Crave Thrill of Travel, Albeit at Slower Pace

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Attractions, Historic Places, Museums and Exhibits, Uncategorized, US Destinations

A Spectacle in Motion: Grand Panorama of a Whaling Voyage ‘Round the World is Once-in-a-Lifetime Must-See at New Bedford Whaling Museum

5 Comments
“The Grand Panorama of a Whaling Voyage ‘Round the World” is the longest painting in America, as long as the Empire State Building is tall © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New Bedford Whaling Museum calls its special exhibition a “A Spectacle in Motion” – a title that proves to be anything but hyperbole. Imagine before documentary, before moving pictures, before photography, where the only way people could see images of places beyond their own experience was through painting, etched drawings in newspapers, or scrimshaw. Now imagine a whaling voyage that starts in New Bedford and travels thousands of miles to Fiji, painted on one mural, nearly one-quarter mile long – the longest painting in America. I can only imagine the sensation “The Grand Panorama of a Whaling Voyage ‘Round the World,” caused when it was first exhibited in 1849.

“Purrington & Russell’s Original Panorama: Whaling Voyage Round the World. Three Miles of Canvas” a poster from the Boston showing in 1849 proclaims. “Tickets 25 cents, half-price for children” (at a time when the sailors themselves earned $1 a day).

“A Spectacle in Motion,” a special exhibit of the New Bedford Whaling Museum featuring an extraordinary quarter-mile long mural painted in 1848 (longest painting in America) depicting “The Grand Panorama of a Whaling Voyage ‘Round the World”  was the Virtual Reality of its day © Karen Rubin/goingplacesfarandnear.com

The mural, which is only rarely displayed in its entirety, has not been seen since the 1960s and is only on public view through October 8 by the New Bedford Whaling Museum, in New Bedford, Massachusetts (and very possibly never again), is a documentary of the whaling voyage, and while it stays still, it is you that gives it motion as you walk down the long, long stretch of each of the four panels – altogether nearly one-quarter mile long. But in its day, it was designed to be rolled so that it did in fact create a moving picture.

Coming upon this spectacle was one of the highlights of the Blount Small Ship Adventure cruise of New England Islands, all the more thrilling because it was completely unexpected, as most highlights and adventures are. As I was leaving the New Bedford Whaling Museum, I spotted a flyer saying that there was a free shuttle to “the mural.” I took a leap of faith and within moments, was traveling in the van for the five-minute, two-mile drive to the historic Kilburn Mills,as the van driver (a 47-year veteran of the museum who had a hand in moving it and laying it out to be photographed for the digitized exhibit) explained. Even after he gave me some sense of what the mural was about and why it needed to be housed in such a sprawling building, I was completely unprepared for what I would encounter. Indeed, seeing the Grand Panorama proved to be a thrilling experience and not a mere ‘viewing”. But as I climbed the flights of stairs to the fourth floor and got my first glimpse, it was, OMG. It took my breath away. Titling the exhibit “A Spectacle in Motion” was not over-selling.

 “The Grand Panorama of a Whaling Voyage ‘Round the World” starts with the departure from New Bedford in scenes that are mimicked today. © Karen Rubin/goingplacesfarandnear.com

The mural, in four panels each that stretches the entire length of the mill, is as long as the Empire State Building is tall; it is the longest painting in America.

Painted in 1848 by two New Bedford artists, Caleb Purrington and Benjamin Russell based on Russell’s actual around-the-world whaling journey, the mural documents every aspect of the places visited as well as key events. You see Pitcairn, settled by the Mutineers of the Bounty wound up; the scene as the whale rammed the Essex, the 1820 event that inspired Herman Melville’s “Moby Dick”; the island of Juan Fernandez off Chile, the temporary home of castaway Alexander Selkirk who was the model for Defoe’s “Robinson Crusoe.” It shows in gory detail the harpooning of a whale, blood spewing into the water; the danger as whalers are thrown into the churning sea; the 1847 eruption of the volcano at Fogo, Cape Verde, spewing its orange-red lava; sailing through a dark furious storm.

“The Grand Panorama of a Whaling Voyage ‘Round the World” by New Bedford artists Caleb Purrington and Benjamin Russell, depicts important scenes like the whale that rammed the whaler, Essex, the event Herman Melville used in his novel, “Moby Dick.” © Karen Rubin/goingplacesfarandnear.com

The voyage starts in New Bedford, with the first section looking so much as it does from the water as we have seen, coming into port on Blount Small Ship Adventures’ Grande Caribe.

The last scene is in Fiji and the last panel is curious: it seems to depict two women, one giving birth and the other a midwife.

I can only imagine the sensation that The Grand Panorama of a Whaling Voyage ‘Round the World caused when it was first exhibited in 1849 – before documentary, before moving pictures, before photography, when the only way to get a visual impression of some place beyond your own experience was through painted or drawn images. But this goes so far beyond. Over the course of 1,275 feet, the mural documents the entire whaling voyage, from its departure from New Bedford, to Fiji Islands. Along the way, it shows the blood, gore, the dangers and hardships of whaling. And because you move, it is the closest thing to a “moving” picture documentary they would have had.

The final panel of “The Grand Panorama of a Whaling Voyage ‘Round the World” is set in Fiji where there is a curious scene that seems to depict a woman giving birth and a midwife © Karen Rubin/goingplacesfarandnear.com

But where the mural transported these 19th century viewers to places on the globe they had never been – it was the 3D Imax, the Virtual Reality of its day- it transports us back in time. And in its day, it was designed to actually move. Before moving pictures, the scrolls were cranked on either side like reels of film, and displayed on a theater stage.

The New Bedford Whaling Museum calls the exhibit “Spectacle: A Voyage in Motion” in appropriate typeface that shouts its excitement. It is astonishing, captivating, awesome – on so many levels – the sheer size and ambition, the quality of the art – the delicacy and fine line of scrimshaw, stunning use of colors – the insights into the events – the importance of the subject, and on top of that, the achievement of restoring the painting – and finally, the enormity and rarity of the work being displayed at all – just the process of unrolling it and hanging it for display damages the painting.

Reproduction of a poster announcing “The Grand Panorama of a Whaling Voyage ‘Round the World” at Amory Hall, Boston. The mural was first exhibited in 1849. © Karen Rubin/goingplacesfarandnear.com

The museum spent two years restoring the mural, which originally was shown by rolling it so that the images actually did move – and important details of that conservation process, along with historical notes, are provided that are fascinating.

The mural is displayed in four sections that each cover the entire length of an historic textile mill (textile manufacturing displaced whaling when that industry collapsed, and then was replaced itself in the 1950s when climate controls made it possible to manufacture more cheaply in the South, which was then replaced by tourism).

Given the extraordinary length, the fragility of the painting, the sheer cost of moving it, setting it up, and finding a room big enough to display it, this is the first time in generations that the entire Panorama can be seen by the public.

Like a true documentary, “The Grand Panorama of a Whaling Voyage ‘Round the World” by New Bedford artists Caleb Purrington and Benjamin Russell, depicts the blood and gore, the danger and risk of a whaling voyage © Karen Rubin/ goingplacesfarandnear.com

From where it is unfurled in the building two miles from the Whaling Museum, you travel around the world and back in time with the whalers without ever leaving the city. The exhibition’s interpretive panels and kiosks are fascinating to enrich the context and content of the Panorama, as well as to give a fuller appreciation of what went into the two-year restoration project.

The notes from the museum describe the Panorama as “a maritime artwork of national historical importance, authentically depicting a whaling voyage originating from the port of New Bedford in the mid-19th century. It was painted in 1848, by New Bedford artists Caleb Purrington and Benjamin Russell, who traveled it around the country as a commercial enterprise.”

The panorama as a form of public entertainment was developed in Europe in the late 18th century and subsequently made its way to the United States after demonstrating its commercial potential to an armchair traveler audience. Robert Barker, who patented this exhibition style, defined a “panorama” as “all view.”

He felt that spectators should feel like they were “really on the very spot,” that they should feel as if they were part of the scene in a surrogate reality, an imaginary “Grand Tour” of the world.

This is precisely what visitors will experience. It was the Virtual Reality of its day.

In the late 1840’s and early 1850’s, well before the age of cinema, the Panorama was designed and performed as a moving panorama, a form of entertainment where multiple scrolls moved across a stage similar to how a reel-to-reel film would later be shown.

The Grand Panorama depicts the island of Juan Fernandez off Chile, the temporary home of castaway Alexander Selkirk who was the model for Defoe’s “Robinson Crusoe.” © Karen Rubin/goingplacesfarandnear.com

But, “after years on display, the wear and tear on the 170-year old painting was so extensive that it was deemed worthless and impossible to conserve. After decades of conservation planning and method strategy research, the Museum brought this national treasure back to life and is proud to share it with the public. However, due to the extensive conservation efforts that have been invested into the painting, it will no longer be shown in its original format – as a moving panorama – as this would undo the extensive work recently completed.”

The Panorama drew crowds in the era of public entertainment before moving pictures and films. To celebrate this origin, the exhibition is coupled with dynamic and engaging programming all summer long. Live performances, contemporary artistic presentations, and other unique interpretations accompany educational programs and cultural celebrations.

Plan on being dazzled for at least one to two hours.

The exhibit is billed as a “once-in-a-lifetime experience” and is free and open to the public, through Columbus Day, October 8, 9 am to 5 pm at Kilburn Mill (the museum provides a free shuttle service every half hour from 10 am to 5 pm through Labor Day).

The Grand Panorama: The Experience 

As the Panorama was being conserved, it was photographed at high resolution to produce this fully digitized recreation of the entire painting for the first time, allowing the Museum to create a exhibition of The Grand Panorama it calls “The Experience” – recreating the same experience the 19th century audiences had of seeing the original Panorama on a theatrical stage, with music and narration.

You stand on the bow of the world’s largest model whaleship, the Lagoda, and watch the Panorama scroll by in a life-sized digital format projected in a full theatrical setting, and experience what Benjamin Russell and other whalers saw as they left the port of New Bedford and traveled the sea in search of whales. This re-creates the experience that the 19th century viewers would have had, since the mural was originally rolled.

Visitors can stand on the bow of the world’s largest model whaleship, the Lagoda, in the New Bedford Whaling Museum and watch the Panorama scroll by in a life-sized digital format projected in a full theatrical setting, and experience what Benjamin Russell and other whalers saw as they left the port of New Bedford and traveled the sea in search of whales. © Karen Rubin/goingplacesfarandnear.com

The stage set is based on drawings and prints from the period and is installed off the Lagoda’s bow so visitors can experience the performance from the deck, from theater seating on the floor level, or from vantage points to the port and starboard of the iconic whaleship.

Since the original score and narrative have been lost over time, they have been recreated and remastered for the new installation, and includes new research and points of interest.

Visitors are able to dive deeper into the specifics of the Panorama story on a large, touch-screen, interactive kiosk. The kiosk will have thematic tabs on various subjects, including a map of the voyage, related Museum artifacts and paintings, and the Panorama’s conservation history. You will be able to zoom in close to any scene or detail that interests you and get rich context for each section.

Enhancing the experience, artifacts from the Museum’s permanent collections further illustrate Russell’s own global travels and connect locations represented in the Panorama with relevant ethnographic material and objects. Exhibitions that tell the stories of Yankee Whaling, the connections with the Azores and Cabo Verde, as well as the many stories told in the existing Whaling Voyage ‘Round the World exhibition help amplify the content of the Panorama. The Panorama in the context of its own time – the era of the “public spectacle” is explored in the exhibition, and includes complementing pieces from the Museum’s permanent Collection.

While I strongly recommend the incomparable experience of seeing the mural first-hand and this Virtual Reality experience, the museum will also have an online digital version, an interactive designed to expand access to the Panorama and to supplement both the Spectacle in Motion exhibitions, the Original at the Kilburn Mill and The Experience at the New Bedford Whaling Museum. While it will work on a phone or tablet it has been optimized for desktop viewing.

At the New Bedford Whaling Museum, you can look through etched glass to see the exact port where our ship, Blount’s Grande Caribe, is docked today and yesterday © Karen Rubin/goingplacesfarandnear.com

The quality of the collection at New Bedford Whaling Museum – consisting of the merger of two private collections of whaling artifacts – is not to be believed, including what is claimed to be the largest collection of scrimshaw. I love the way the gallery rooms are like a warren – you come upon them.

I love the theming of the rooms: From Pursuit to Preservation: The History of Human Interaction with Whales;  Energy and Enterprise: Industry an d the City of New Bedford; Enlightened Counters: the Two Nations of Manjiro Nakahama  (about a 16-year old Japanese sailor who was rescued and spent eight years in New Bedford, the first Japanese person to live here, then went back to become a major counselor to the Emperor negotiating with the US and England) and The East Unlocks its Gates: American Whalers and Trade in Asia.

The New Bedford Whaling Museum, in New Bedford, MA, a private non-profit museum, has one of the largest collections of scrimshaw in the world © Karen Rubin/ goingplacesfarandnear.com

There is (of course) a Herman Melville room (while Melville never actually visited Nantucket before writing “Moby Dick,” he sailed from New Bedford on his whaling voyage), artifacts collected from around the world brought back by the whalers and opened the New Bedford people to the cultures of the world. There are sections dedicated to the Portuguese from the Azores and the sailors recruited from Costa Verde and how they impacted the diverse community in New Bedford. I am introduced for the first time to Captain Joshua Slocum, the first to solo circumnavigate the world.

An astonishing sight is the skeleton of a whale that is suspended from the ceiling as you enter the Museum, its bones with oily brown patches. It turns out that the bones still have oil which drips out and is collected in a jar below.

Whale skeleton still drips oil from its bones at the New Bedford Whaling Museum © Karen Rubin/goingplacesfarandnear.com

There is the world’s largest model whaleship, the Lagoda, at half-scale that takes up the entirety of the Bourne building, that you can climb aboard. In addition, there is the Mariner’s Home that is used for exhibit, and the Seaman’s Bethel which offers a superb video about whaling.

It drives home the theme that is so pressing today: “Trade: Expand American Ideas” (but also bring ideas back).

New Bedford Whaling Museum, 16 Johnny Cake Hill, New Bedford MA 02740, 508-997-0046, www.whalingmuseum.org. 

They are contained within the New Bedford Whaling National Historical Park, a 13-block historic district of cobblestone streets, historic, stately buildings now juxtaposed with contemporary art galleries and funky restaurants and shops (my favorite: Sanctum – Folklorica: Apothecary and Witchwares, Tarot Reading). At the visitors Center, you can watch a 20-minute orientation movie and take in exhibits about whaling and New Bedford, “The City That Lit the World.” (www.nps.gov/nebe/planyourvisit).

Blount Small Ship Adventures’ Grand Caribe docked at the State Pier in New Bedford, Massachusetts, just steps away from the New Bedford Whaling National Historical Park © Karen Rubin/goingplacesfarandnear.com

This was one of the incredible highlights of our own voyage aboard Blount Small Ship Adventures’ Grande Caribe, on the third day of a seven-day New England Islands cruise. We docked in the port along with the largest fishing fleet on the East Coast, and could look through etched glass of the same port in 1914 of our ship. Arriving by ship – we had come from Warren, Rhode Island to Bristol and had come this morning from Newport and will be going on to Martha’s Vineyard and Nantucket – made this experience even more tangible.

Blount Small Ship Adventures, 461 Water Street Warren, RI 02885, 800-556-7450, www.blountsmallshipadventures.com.

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Arts & Entertainment, Long Island travel, Museums and Exhibits

URBAN POP Exhibit Brings 5 Notable Artists to Gold Coast Arts Center, Great Neck, Long Island

Lenny Achan, Michelle Carollo, Will Power, Shiro and Luis “Zimad” Lamboy with Gold Coast Arts Center director Regina Gil and curator Jude Amsel © Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Some of the most illustrious artists of Urban Pop are on view a short distance from the mean streets of the city: The Gold Coast Arts Center has again chosen to showcase graffiti, street artists and media savants of urban culture in its exhibit, “URBAN POP,” on view through September 8. Fans had a chance to meet the five featured artists at an opening reception, May 20, at the Great Neck, Long Island gallery.

“The art scene has developed significantly since the 1970s with the introduction of using popular culture (pop art) as a source of inspiration,” writes exhibit curator and gallery director Jude Amsel. “Many contemporary artists have now merged other modern influences such as street art, graffiti, architecture and urban culture into their work.

Gold Coast Arts Center Director Regina Gil with artist Meres One in front of his painting, at the opening of URBAN POP exhibit © Karen Rubin/ goingplacesfarandnear.com

Among the artists featured in Urban Pop, include Shiro, whose controversial work appeared on the murals at 5Pointz, a warehouse complex and graffiti mecca in Queens, and Luis “Zimad” Lamboy. Their work, along with several other artists, was subsequently destroyed when whitewashed by the property owner and was the subject of a prolonged court battle, ultimately decided in favor of the artists, awarding them $6.75 million. On hand at the reception was Jonathan “Meres One” Cohen, one of the most prominent graffiti artists and a leader at 5Pointz, who has painted sections of the arts center.

Works by Luis “Zimad” Lamboy, Will Power, Shiro, Michelle Carollo and Lenny Achan are on view at URBAN POP at the Gold Coast Arts Center Gallery, Great Neck, Long Island through Sept. 8, 2018 © Karen Rubin/ goingplacesfarandnear.com

Shiro actually provided the theme for the show, gallery director and curator Jude Amsel said. “She is marking her 20th anniversary as a graffiti artist. She is like Lady Pink – one of the world’s most famous graffiti artists.”

Her paintings feature a consistent character – her alter ego.

“Since I was little, I have been deaf in one ear. I wasn’t communicating with people. My family kept moving for my father’s job. It was hard to make new friends, so I kept drawing a character – my imaginary friend. I wasn’t lonely with my friend. Now I travel all over world by myself – India, Brazil, China – 18 countries. I can travel by myself because I have my best friend,” says Shiro.

She leaves her images like an “I was here” stamp in the places she visits.

“People call me to do the murals, big murals, with my character, my best friend. I leave her on the wall in the country. I keep creating my character.”

She covers her face when I photograph her with her painting. “I don’t want to worry about how I look, I want people to see my art,” she says.

Shiro with one of her New York City, hip-hop inspired paintings at the opening of URBAN POP at Gold Coast Art Center gallery, Great Neck, Long Island © Karen Rubin/goingplacesfarandnear.com

Shiro grew up in Tokyo and began her career as an aerosol artist in 1998. “As a young artist, I fell in love with hip-hop. In Japan, the only way to get information about hip-hop culture was to read books, watch videos, and listen to music. I used to go to clubs in Japan every weekend with friends and other artists to dance and paint, all the while imagining what it would be like to experience the movement in NYC at the time.”

She came to New York in 2002, inspired by a film, “Wild Style” to see the Bronx.

In celebration of her 20th anniversary as an aerosol artist, she began her “90’s project’” by painting walls internationally.

She’s been living in New York for the past four years, “the city I used to dream about.”

Luis “Zimad” Lamboy discusses his multi-media work in URBAN POP at Gold Coast Art Center gallery, Great Neck, Long Island © Karen Rubin/ goingplacesfarandnear.com

Luis “Zimad” Lamboy is showing pieces created for the show that draw upon his early career. “In the mid-80’s I discovered creating graffiti, collage and mixed media on paper which wasn’t being done at the time by any of my peers. It’s been awhile since I’ve gone back to doing this style of work. I felt it necessary in order to move forward in my career to look back and fine tune what I had started. The new works are vibrating with color and life and feel as it tells a story of walls I’ve done, characters I’ve created and the many people I’ve had the honor of meeting and calling brothers and sisters.

“Red Devil” (2014) by Luis “Zimad” Lamboy on view at URBAN POP at the Gold Coast Arts Center Gallery, Great Neck © Karen Rubin/ goingplacesfarandnear.com

Michelle Carollo’s major work, “Steampunk Davis,” is a large-scale (8’ x 8’ x 4’) 3-D construction, inspired by 1930s modernist painter, Stuart Davis. “This is an homage to his work.” It’s constructed of the discarded junk she found around her Brooklyn studio.

You feel the power, a kinetic energy of the piece.

“My work explores gender, pop-culture, and domestic industry,” she writes. “It uses humor and color to capture the energy, power and tension in contemporary culture. By using a series of symbols, figures and built handicraft, my work blends the playful with the serious.

Michelle Carollo with “Steampunk Davis” at the opening of URBAN POP at Gold Coast Art Center gallery, Great Neck, Long Island © Karen Rubin/ goingplacesfarandnear.com

“I draw on multiple references from cartoons to graffiti and entertainment, as well as technology and the history of art. I find there is something completely ridiculous and pleasurable in making deceptively simple imagery. The result is a visual mash-up that remixes spontaneous information with a type of balanced order.”

The drawings are her studies for the larger piece to “help figure what color, patterns, shapes,” she says.

She also is exhibiting a quilt, demonstrating the versatility of the application of her kinetic scope. “I just started working with fabric.”

Carollo, who conquers “one white wall at a time,” has exhibited at MOMA PS1.

Lenny Achan’s style reflects his experiences growing up in New York City as a graffiti and street artist in the early 1990s. The works look as if origami were sucked into a canvas, but it is an illusion: he cuts New York City transit maps into precise shapes and assembles them, adding transparent spray paint as shadow to complete the illusion of 3-D.

“People looking at NYC transit maps likely means they are stressed out. I wanted to give people a reason to smile.”

Lenny Achan with “Cityboy” in URBAN POP at Gold Coast Art Center gallery, Great Neck, Long Island © Karen Rubin/goingplacesfarandnear.com

Achan describes himself as “an artist and inventor, influenced by my time growing up in NYC” but embracing experiences outside of the traditional art world to enhance and influence his creative expression.

“I am a student of the laws of nature and sacred geometry and draw from the complexities of everyday life to create pieces that help audiences reflect on more simple times. My philosophy of modern art and the street art movement has been heavily influenced through studying and experiencing global disruption of various commercial and political industries. Art in all forms is a vehicle for innovation and communication. I used everything around me to create and share my view of the world.”

“CityBoy” by Lenny Achan on view at URBAN POP at the Gold Coast Arts Center Gallery, Great Neck © Karen Rubin/goingplacesfarandnear.com

He says, “I wanted to use sacred geometry to mimic life. Geometry is sacred to the philosophy of origami – shapes, whether a person or a bumble bee – are shapes of geometry.

“It is formulaic – they mimic and respect the complexity of math, science, biology, while at same time” break down to simpler, essential shapes.

Achan clearly achieved his desired impact: a woman reflecting on his NYC Transit Map dog, “Cityboy,” exclaims how it brought her pure joy.

Will Power is striving to make INV8ERS an iconic figure for urban art culture worldwide © Karen Rubin/goingplacesfarandnear.com

Will Power, a self-taught contemporary artist who was influenced by graffiti and hip-hop culture,  describes the INV8DERS  series of works in the exhibit as “a hybrid fusion of a New York City pigeon with spray paint can. The pigeon represents Graffiti and Street artists, the spray paint can head represents Contemporary Urban Art.” He is striving to make INV8ERS an iconic figure for urban art culture worldwide. He describes the vibrant colorful background as his foundation, his evolution from graffiti. “the ability to combine these various colors is a skill learned from many years of being a graffiti artist. The INV8DERS are a perfect amalgam of graffiti, street art and fine art.”

URBAN POP exhibit curator Jude Amsel says the five artists “bring a myriad of visual cultural influences to their fine art practice.” © Karen Rubin/ goingplacesfarandnear.com

These artists “bring a myriad of visual cultural influences to their fine art practice,” said Gold Coast Arts Center’s Gallery Director and exhibit Curator Jude Amsel,  Some hone their skills on the street, others working in the studio find their version of popular urban art, some having a unique language of their own not categorized within a specific movement.  However, each one of the artists offers something unique and different as to their expression of Urban Pop.”

For more information, visit http://goldcoastarts.org/urban-pop/ or call 516-829-2570.

The Gold Coast Arts Center is a 501(c)(3) organization dedicated to promoting the arts through education, exhibition, performance and outreach. Located on the North Shore of Long Island, it has brought the arts to tens of thousands of people throughout the region for more than 20 years. Among the Center’s offerings are its School for the Arts, which holds year-round classes in visual and performing arts for students of all ages and abilities; a free public art gallery; a concert and lecture series; film screenings and discussions; the annual Gold Coast International Film Festival; and initiatives that focus on senior citizens and underserved communities. These initiatives include artist residencies, after-school programs, school assemblies, teacher-training workshops and parent-child workshops. The Gold Coast Arts Center is an affiliate of the John F. Kennedy Center for the Performing Arts Partners in Education program, and the National Gallery of Art in Washington, D.C.

Gold Coast Arts Center, 113 Middle Neck Road, Great Neck, NY 11021, 516-829-2570, www.goldcoastarts.org.

____________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Biking Tours, Camping/Hiking/Outdoors, Historic Places, Museums and Exhibits, New York State travel, Outdoors Adventures, Places of History, See America, Sites, US Destinations

Cycle the Erie, Days 7-8: Schoharie Crossing, Mabee Farm, Cohoes Falls to Finish Line in Albany of 400-Mile BikeTour

 

Outside of Conajoharie, a Cycle the Erie rider stops off to buy some fresh-baked cookies © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

A highlight on Day 7 of Parks & Trails NY’s annual 8-day, 400-mile Cycle the Erie biketour from Buffalo to Albany is Schoharie Crossing State Historic Site. It looks fairly innocuous at first, a farm house along the canal, but here is the only place where you can see all three alignments of the Erie Canal – the 1825 “Clinton’s Ditch”, the 1836 expanded canal and the modern, 1918 “Barge Canal.”  The house, now a visitor center, contains a fascinating exhibit and is adjacent to outlines of Fort Hunter, an 18th century fort and trading post, remarkably only discovered after Hurricane Irene in 2011.

Schoharie Crossing State Historic Site dates from colonial times; it was a trading post. Here you can see all three incarnations of the Erie Canal © Karen Rubin/goingplacesfarandnear.com

The historic flooding caused the Schoharie Creek to breach its banks and destroyed the site’s parking lot. After the flood water receded, a number of stone walls and numerous artifacts associated with Fort Hunter emerged. Excavations revealed flat stone foundations upon which a fort wall and 24-foot square blockhouse would have been constructed.

After the archaeological work was completed, these original fort foundations were preserved by reburying them. Their exact locations are now represented on the surface with modern stone pavers. Artifacts recovered during excavation included a mix of domestic and military objects that represent the site’s Mohawk and British occupants. Dates associated with the artifacts suggest that the blockhouse saw greatest use from the 1740s to 1760.

Though you don’t really see anything of Fort Hunter, it points to how significant this area was in colonial times: Schoharie was a place of key interactions between Europeans and Indians, setting up a later clash of cultures.

Outlines of the foundation walls of Fort Hunter were revealed after Hurricane Irene in 2011© Karen Rubin/goingplacesfarandnear.com

During the 1600s, the British and French competed for control here. In the 1690s, the British forged an alliance with the Iroquois to establish a permanent structure – a fort/trading post – in order to solidify their standing.

The Indians at the time of the Revolutionary War were settled on farms and in towns. They employed European style farming techniques, lived in houses, and the gender roles started to shift away from the matriarchal society to male-dominated, copying the Europeans.

By the time of the Revolutionary War, there might have been about 10,000 Indians living in the area.

“They didn’t have a concept of property ownership. They were outnumbered early on” largely because of the diseases the Europeans brought that wiped out large numbers of the population, and over-trapping which pushed many further west.

“They were very good at diplomacy – well organized – and controlled access to the waterways. They played the European powers,” David Brooks, Education Coordinator says.

East Guard Lock – the original 1820s “Clinton Ditch” canal – at Schoharie Crossing State Historic State © Karen Rubin/goingplacesfarandnear.com
Historic photo of the lock at Schoharie Crossing © Karen Rubin/ goingplacesfarandnear.com

Most interesting at Schoharie Crossing is you can stand over the East Guard Lock – the original 1820s “Clinton Ditch” canal (now overgrown) – and see the same scene, minus water, as depicted in a historic photo.

Facing the other direction, standing beside the water, you can look over to what remains of the Schoharie Creek Aqueduct, built between 1835 and 1841 for the enlarged canal. This once grand 14-arch, 624-foot long aqueduct carried the canal above and apart from the Schoharie Creek (it enabled the canal to continue to function during flooding). The aqueduct was abandoned in 1917 when the Barge Canal opened on the Mohawk River, and over the years it declined so only six of the arches remain.

What remains of the Schoharie Creek Aqueduct © Karen Rubin/ goingplacesfarandnear.comA short bike ride further along the trail, you can visit Yankee Hill Lock #28 and the Putman Canal Store – the last double lock that was completed in eastern New York. The Putman’s Lock Grocery was constructed in 1856 and owned by the Garrett Putman family into the 1900s. (Schoharie Crossing State Historic Site, 129 Schoharie St., Fort Hunter, NY 12069, 518-829-7516, [email protected]).

Putman Canal Store sits amidst at the convergence of the three Erie Canals © Karen Rubin/goingplacesfarandnear.com

 

Mabee Farm

The initial appeal for me to join Parks & Trails NY’s annual Cycle the Erie bike tour was the exciting prospect of biking 400 miles, point to point, mostly without cars (and mostly on a flat trail), across New York State, with support services to carry our gear and host meals. But each and every day, I am pleasantly amazed at the array of sites to explore and discover. The Parks & Trails NY people who have designed the tour not only arrange visits at important sites along the way, but for morning and afternoon rest stops at interesting attractions that you might not have considered visiting on your own.

This is the case for our afternoon rest stop (at Mile 33.6), at the Mabee Farm Historic Site, which also houses the Schenectady Historical Society Museum.

Here, you can visit the Mabee’s 1705 Dutch-style Stone House, which was owned by the Mabee family until 1999.

This is one of the oldest homes in New York State and the oldest in the Mohawk Valley. It was first built in 1670 by Daniel Janse Van Antwerpen, who, it is believed, opened it as a fur-trading post. The property was sold to Jan Pieterse Mabee in 1705 and the house stayed in the Mabee family for a remarkable 288 years. It was given to the Schenectady County Historical Society in 1993 by George Franchere, the last descendant of the Mabee line, for the purpose of being a museum and education center.

Mabee’s 1705 Dutch-style Stone House, which was owned by the Mabee family until 1999, This is one of the oldest homes in New York State and the oldest in the Mohawk Valley © Karen Rubin/ goingplacesfarandnear.com

It is a surprise to most who visit these colonial sites to learn that slavery was practiced here, beginning after Jan Mabee’s death in 1725 and ended 100 years later in 1827 with Jacob Mabee, his great grandson (when New York State abolished slavery). Among the 583 original documents from the farm are three bills of sale for slaves, wills giving slaves to children and a receipt from the Crown Point Expedition in 1755 when a trusted slave, Jack, was sent to Fort Edward and Lake George with supplies, two weeks before the Battle of Lake George.

“What is significant about the Mabee family is that they were ordinary,” the docent says.

Jan Mabee, born in Holland, bought the property from a neighbor in 1705, and lived in the cellar as he built the house. Jan and his wife Annette had 8 kids.

The house partly made out of stone; the wood beams are 1000 years old.

Jan was likely involved in the illegal trapping business. His wife was part Mohawk so they had a good relationship with the local Indians. The Dutch were tolerant and fair with the tribes (it was the British and French who cheated them).

Over the years, the house was turned into the Mabee Inn. Simon Mabee farmed the land and when he died, he left everything but the Inn to his son, Jacob;  he left the inn to his two sisters.

It turns out that the Mabee farm is more than a history lesson, but a study of a dysfunctional family.

“Jacob was not a nice man. Jacob evicted them. He hired a carpenter and flipped the staircase around so they have no way to get up to the second floor. He built a new door. The sisters lived in one room. Jacob died 6 years later and the land passed to Margaret.”

The Mabee sisters were confined to just one room of the house by their brother, Jacob © Karen Rubin/goingplacesfarandnear.com

Just outside the house is the family cemetery. You can visit the 1760s Nilsen Dutch Barn, see the beautiful Mohawk River flow alongside the site. Tied to the dock or parked behind the Dutch Barn is a reproduction 18th century bateaux, the De Sagar and the Bobbie G , which provides an idea of how goods were shipped up and down the river.

Mabee family cemetery © Karen Rubin/goingplacesfarandnear.com

During our visit, a country fair is underway.

(Mabee Farm Historic Site, 100 Main St (Rte 5s), Rotterdam Junction, NY 12150, 518-887-5073, schenectadyhistorical.org/sites).

The Schenectady History Museum offers wonderful exhibits that follow the history of the county from the early settlers who traded with the Indians and farmed, to the 19th and 20th century. There is a collection of early American artifacts of the American Revolution era, the impact of the Erie Canal, and artifacts that show the role this area played in technological innovation and industrialization because of General Electric and the American Locomotive Company.

Coming upon a country fair at the Mabee Farm Historic Site © Karen Rubin/goingplacesfarandnear.com

We ride a newly paved bike path into Schenectady.

In Schenectady, they have arranged for us to leave our bikes in a “corral” so we can explore the city.

I spend my time riding through The Stockade District. The oldest neighborhood in Schenectady, the Stockade District has been continuously inhabited for over 300 years, and is New York State’s first Historic District (since 1962) with an amazing assortment of historic buildings with more than 40 pre-Revolutionary houses and architectural styles that include Dutch Colonial, Georgia, Federal and Victorian.(You can access a cell phone walking tour at www.historicstockade.com.)

Riding through the Stockade District in Schenectady, New York State’s oldest neighborhood and first historic district, it has been continuously inhabited for 300 years. © Karen Rubin/goingplacesfarandnear.com

I pull myself away to finish the ride to get to the Jewish Community Center at Niskayuna, a suburban neighborhood of Schenectady, where we camp. This is an incredible facility with a country-club like outdoor pool (indoor pool also).  I get there in time to swim.

This is the last night of our journey – and what a journey it has been. They have an elaborate “gala” dinner starting with beer and wine and hors d’oeuves, a fantastic catered dinner, and a “No Talent” talent show and a fashion show put on by the van drivers and baggage handlers of all the stuff that is still in the Lost & Found. And awards: like the most bones broken; the most crashes (5); most flat tires (4); the youngest solo peddling cyclist (8), the oldest cyclist (84). Side-splitting fun.

Truck drivers put on “fashion” show of Lost & Found items on last night of Parks & Trails NY’s Cycle the Erie bike tour © Karen Rubin/ goingplacesfarandnear.com

Day 8, Schenectady to Albany, 31 Miles

Our last day, the eighth of our 400-mile journey which began in Buffalo, is a breeze. Just 31 miles from Niskayuna into downtown Albany where most of us have parked our cars to take the bus to Buffalo for the start of the tour. The weather is perfect – sunny, cool.

Riding along the Mohawk River © Karen Rubin/ goingplacesfarandnear.com

The highlight of today’s ride comes at Mile 12: Cohoes Falls, one of the most powerful falls east of the Rockies which posed a major challenge for the Erie Canal engineers. Some of our riders who started in Buffalo were able to visit Niagara Falls and now are ending with Cohoes Falls, outside of Albany. What a way to bookend this journey.

Cohoes Falls, one of the most powerful falls east of the Rockies, posed a major challenge for the Erie Canal engineers © Karen Rubin/ goingplacesfarandnear.com

Just next to the falls are 19th century brick structures, built as factories that have been repurposed to apartments.

Our ride takes us onto Peebles Island State Park, Waterford, where our final rest stop of our journey is arranged at the Erie Canalway Visitor Center. During the Revolutionary War, American forces prepared defenses here to make a final stand against the British. (518-237-7000, www.eriecanalway.org).

Biking over the bridge from Peebles Island State Park © Karen Rubin/ goingplacesfarandnear.com

We ride through city streets – notable for the American flags that are flying – neighborhoods that have seen better days but nonetheless evoke a folksy feel of Americana.

Now, we come to the Hudson River, a goal in itself. We ride along a beautiful paved trail beside the Hudson that takes us into downtown Albany, New York State’s 300-year-old capital, and finally, cross the finish line, 400 miles.

You realize you haven’t just traveled 400 miles, but 400 years of American history, back to its very founding. And you understand so much better, the trajectory from colonialism and the clash of cultures with Native Americans, the transition from an agrarian economy to the Industrial Revolution, the wave of immigration and innovation, the progressive movements that followed and precipitated the explosive changes in society: labor, Women’s Rights, abolition. Most interesting of all, is how all of these seeds still flower in contemporary culture and politics. All of this unfolds before our eyes, mile by mile.

Youngest self-pedaling rider, 8-year old Sam Demeritt, with 11-year old brother, crosses the finish line in Albany, after biking 400-miles from Buffalo on the Cycle the Erie bike tour. Family, from Malta NY, also included Mom and Dad and 4-year old brother. © Karen Rubin/ goingplacesfarandnear.com

Biking adds an extra dimension to sight-seeing. It’s physical participation, an endorphin rush, an immersion. It puts you into the scene rather than merely observing – a participant, a part of the scene, rather than apart from it.

The tour is meticulously planned, well organized and supported, and how we have such wonderful opportunities to meet people from around the country (36 states are represented) and around the world (travelers from a half-dozen countries are here). A gathering like this prompts such fascinating interactions as people share their backgrounds, perspectives.

All of us have been so impressed by how well organized the trip is – from the truck drivers who pick up and drop off our gear each day, to the people who set up our breakfast and dinners and the morning and afternoon rest stops, to the SAG drivers and the riders who are there to assist if we have a problem. To the lecturers, the massage therapist and bike mechanics who travel along with us like camp followers.

Ah, this is the life. Camping on the grounds of the Schenectady Jewish Community Center in Niskayuna © Karen Rubin/ goingplacesfarandnear.com

For those who prefer not to set up their own tent (or take advantage of “indoor camping”) there is Comfy Campers, the closest thing to “glamping”. You have the luxury of having someone set up tent so it’s ready when you arrive, especially if it is raining, where you get a remarkably comfortable air mattress to put your sleeping bag on (amazing what a difference this makes), and take the tent down in the morning so you can just hit the trail again. Not to mention a fresh towel each day! Also, they set up a separate comfortable sitting area under canvas with charging stations. Those who want can also pay for coffee in the morning.

Camping on the grounds of the Schenectady Jewish Community Center in Niskayuna © Karen Rubin/goingplacesfarandnear.com

We are told that the finish line right at the Albany visitor center closes at 2 pm; UPS is on hand for those who need to ship their bikes home; a shower is made available nearby at the North YMCA; the municipal parking lot where many of us have parked our car is just next door; our luggage is deposited in the parking lot behind the visitor center for us to claim; some of us will take the shuttle bus back to Buffalo.

This has been one of the best, most memorable trips I have ever taken because the end-to-end Cycle the Erie ride hits on all cylinders: physically active and challenging so you feel you have really accomplished something at the end; communal – being with like-minded people from all over the country and the world, rich in heritage, scenic, affording real exploration and enlightenment. It’s no wonder that so many of us (myself included) have done it multiple times. (On this trip, the oldest cyclist, 84-year old, has done the tour 12 times.)

Cycle the Erie is an annual event, but you can download the route and do it all, or do segments as you like. A novel way to do it is by houseboat  through companies like Mid-Lakes Navigation Co., Ltd. (11 Jordan St., PO Box 61, Skaneateles, NY 13152, 315-685-8500, 800-545-4318, [email protected],www.midlakesnav.com, and take a bike onboard, providing a unique experience. (Be aware: they pull the plug on the Erie Canal – actually drain the water – from November through April).

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.  

See also:

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

Cycle the Erie, Day 2-3: A Sequence of Charming Canaltowns, Pastoral Landscapes, Punctuated by City Birthed by ‘Mother of Cities’

Cycle the Erie, Day 4: Seneca Falls to Syracuse, Crossing Halfway Mark of 400-Mile Biketour

Cycle the Erie, Day 5: Deep Dive into The Erie Canal: ‘Mother of Cities’, Empire Builder, Wonder of the World

Cycle the Erie: At Fort Stanwix, Rome, Time Travel Back to America’s Colonial, Native American Past

Cycle the Erie, Days 6-7: Erie Canal Spurs Rise of America as Global Industrial Power

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Biking Tours, Camping/Hiking/Outdoors, Historic Places, Museums and Exhibits, New York State travel, Outdoors Adventures, Places of History, See America, US Destinations

Cycle the Erie, Days 6-7: Erie Canal Spurs Rise of America as Global Industrial Power

2 Comments
Moss Island trails let you see prehistoric potholes, extensive growth of mosses and lichens and some of the oldest rocks in North America © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Day 6: Rome to Canajoharie, 63 Miles

It’s Day 6 of our 8-day, 400-mile Parks & Trails NY’s annual Buffalo to Albany Cycle the Erie bike tour following the Erie Canalway. I was lucky last night when the deluge we had while biking stopped just as I came into the campsite and I was able to set up my tent on the grassy area surrounding Fort Stanwix, in Rome. This morning, I am awakened at 4:15 am to another massive downpour. I check weather.com app on my cellphone which says the rain would stop by 5:45 am. So I get up at 5:45 am (which is not unusual for the Erie Canal cyclists) and sure enough, the rain has stopped. I take advantage of the dry spell to organize my packing and take down the tent to avoid more rain.

Our breakfast – freshly prepared pancakes which we consume at long tables laid out with pretty placemats – is at the local YMCA before we head out onto the Canalway for our 63-mile ride to Canajoharie – the longest ride of our trip, there are actually three rest stops along the ride today, at mile 14, 41.5 and 52.5).

Yesterday’s rain has made the trail muddy, and when we go off the trail onto the road, there are serious headwinds and some significant hills, and my gears aren’t working properly.

Remington Arms Factory, founded in 1816, closed when we pass. Its museum shows a legacy of typewriters, bridges, and guns, and early marketing branding genius: getting Annie Oakley to endorse its rifle. © Karen Rubin/goingplacesfarandnear.com

We ride past the Remington Arms Factory housed in a massive 19th century complex of brick buildings (the factory opened in 1816 and employed hundreds of people from here, which helps explain the pro-gun voting sentiment in this part of upstate New York). Two years ago, on my first Cycle the Erie biketour, I visited the Remington Museum (a highlight was seeing how they branded and marketed the guns, making a promotion deal with the celebrated Annie Oakley, for example; and how the company also produced other things, like bridges and typewriters but guns were the cash cow). I was looking forward to visiting again but it is closed and the cyclists are clearly not invited anywhere near the premises. (News update: the Remington Arms company has filed for bankruptcy protection – and I am reminded of several other periods of financial woes in its history – but I’m betting it won’t actually go out of the business of manufacturing guns.)

Fort Herkimer, named for General Herkimer , “the most important hero of the American Revolution that few have heard of,” who was fatally wounded at the Battle of Oriskany © Karen Rubin/ goingplacesfarandnear.com

I come upon Historic Fort Herkimer Church, built around 1767 which is thought to be the second-oldest surviving church. From my visits to Fort Stanwix last evening, I understand why General Herkimer is known as “the most important hero of the American Revolution that few have heard of “. General Herkimer led that ill-fated group of 800 volunteers who were ambushed at Oriskany on their way to reinforce Fort Stanwix. Oriskany turned out to be one of the bloodiest battles of the Revolutionary War, with 600 killed in the space of an hour, but by a weird chain of events, indirectly altered the course of the Revolutionary War which the Americans were losing. Herkimer died here. Later (at Mile 43.4), we pass directly in front of Herkimer’s mansion home that is literally along the Erie Canal Trail, so I take a few minutes to walk the grounds before continuing on my way, paying respects to an unsung hero.

The second rest stop is at a beautiful visitor center at the Little Falls Canal Park on the bank of the river where I buy a long-sleeve t-shirt for added warmth). The weather improves after, with 25 miles to go, and I don’t need to wear the extra shirt.

Just beyond our rest stop at mile 41.5 at the Little Falls Rotary Canal Park,  at mile 42.6, we can explore the glacial potholes of Moss Island, a National Natural Landmark and Lock 17, the highest lift lock on the Erie Canal (located .8 miles off the route but you don’t have to go back up). The geology here is most impressive: Moss Island trails let you see prehistoric potholes, extensive growth of mosses and lichens and some of the oldest rocks in North America. The Mohawk River Valley, the marker says, is the only horizontal break in the Appalachian mountain chain, which is what made it possible for the Erie Canal to be built and provide a water route west for trade and settlement of the United States interior.

Moss Island trails let you see prehistoric potholes, extensive growth of mosses and lichens and some of the oldest rocks in North America © Karen Rubin/goingplacesfarandnear.com

We pass German Flatts townpark, which you are unlikely to take note of, except that in Fort Stanwix, I had learned that German Flatts had been burned to the ground by Loyalists, part of the brutal scorched-earth strategy waged by both sides in the Revolutionary War.

This part of our ride immerses us in colonial-era America. At mile 52.5, we have an option of two routes to take into Canajoharie and consistent with my plan to do as much as possible differently from my first Erie Canal ride, I take the blue trail option along the road to three historic sites (I miss the first one, the Nellis Tavern built in 1747, which was serving travelers along this route well before the Erie Canal was opened, in 1825); I stop at Fort Klock, built in the 18th century where there is a 1750 farmhouse, a schoolhouse and a blacksmith shop);  I see the Palatine church, built in 1770 by Palatine Lutherans, from across the busy road. But I also see Amish (or Mennonite) workers using a power saw, one gets into truck; an Amish horse and buggy passes by. I am happy with my decision.

Fort Klock, built in the 18th century, where there is a 1750 farmhouse, a schoolhouse and a blacksmith shop © Karen Rubin/goingplacesfarandnear.com

One of the challenges of the entire 400-mile ride now faces us: the last mile is the steepest climb of the trip, up to the Canajoharie High School at the very top where we will camp. There is a t-shirt for anyone who makes the climb. (I almost make it but my gears fail me, and I give up.)

Taking the historic “blue” route instead of the Canal trail into Canajoharie, passing farms, I encounter this scene © Karen Rubin/ goingplacesfarandnear.com

The Parks & Trails NY biketour organizers mercifully have arranged buses to take us back down into the town center to the Arkell Art Museum where we are being treated to a fantastic barbecue chicken dinner, and the museum is staying open for us until 7:30 pm (at a reduced fee of $5).

The Arkell Art Museum was established by the millionaire founder and first president of the Beech-Nut Packing Company. I hadn’t visited the museum the last time (when we also had a fantastic chicken barbeque dinner here), so I made a point of visiting this time.

Bartlett Arkell, built the original Canajoharie Gallery in 1927 based on galleries he had visited on his travels to Europe. A museum designed by Ann Beha and DesignLAB Architects was added in 2007 to the existing Canajoharie Library and Art Gallery to provide new space for exhibitions and programs.

Visiting the Arkell Art Museum, founded by Bartlett Arkell of Beech-Nut © Karen Rubin/goingplacesfarandnear.com

“Almost all of the paintings in the permanent collection were purchased by Bartlett Arkell for the people of Canajoharie. The American painting collection includes 21 works by Winslow Homer, and significant paintings by many distinguished artists, including George Inness, William M. Chase, Childe Hassam, Mary Cassatt, Georgia O’Keeffe, Robert Henri, and other members of The Eight. Permanent and changing exhibitions also feature selections from the museum’s Mohawk Valley History collection as well as the Beech-Nut as the Beech-Nut archives of early twentieth-century advertising material.”

Artwork for Beech-Nut ad © Karen Rubin/goingplacesfarandnear.com

I am even more intrigued by the exhibit that tells the story of Arkell and the Beech-Nut company, which (at least the photos suggest) was the Google of its day in terms of providing a cafeteria for its workers and other employee niceties.

Artwork for Beech-Nut ad © Karen Rubin/goingplacesfarandnear.com

I learn that the key renovation that led to Beech-Nut’s success was the invention of the flour bag and that Beech-Nut began as a packaging enterprise; gum and candy came later (and used the peppermint oil from Hotchkiss Oil company in Lyons which we had visited).

You can see the old Beech-Nut factory (now shuttered) across the street; Beech-Nut was acquired by another company which has a new factory nearby. 

(The Arkell Museum ,2 Erie Blvd., Canajoharie, NY 13317, 518 673-2314, [email protected], arkellmuseum.org)

From the village center, we see the old high school, a cold, gothic style structure, up on another hill. The new high school, where we are camping, is luxurious. We wander around the quaint village, which has some striking Victorian architecture as a tribute to its wealth, before taking the shuttle bus back up the hill to our campsite.

I get back to the school in time for a rock n’ roll concert in the auditorium.

Day 7: Canajoharie to Schenectady, 46 Miles

It is Day 7 of our 8-day ride and we are already feeling nostalgic that the end of our 400-mile journey from Buffalo to Albany is near. It’s a nice day for biking the 46 miles to Schenectady: perfect temperature, little wind, morning sun. The trail is nice, with a slight downhill tilt.

A glimpse of the break in the Appalachians which provided the route for the Erie Canal © Karen Rubin/goingplacesfarandnear.com

A fellow has stopped on the trail and I look to where he is looking and see “Big Nose & Little Nose” –  where a glacier cut a path through Appalachians which is why this was always the place where the Erie Canal could be constructed  (it’s hard to appreciate because of the overgrowth of trees).

Unscheduled rest stop: buying cookies © Karen Rubin/ goingplacesfarandnear.com

A highlight of this day’s ride is the new pedestrian/bicycle bridge across the Mohawk River connecting to Amsterdam.

The bridge is fabulous, much like the Walkway over the Hudson in Poughkeepsie (now one of New York State’s most popular attractions). I meet Michelle Eggleston who is a good-will ambassador for the town of Amsterdam, who tells me, “The bridge gives the community a sense of place,” she tells me. “More people are enjoying the river. My daughter started a kayak business, Down by the River Kayak. There are more boats on the river.”

Amsterdam used to be a center of carpet manufacturing factories which shut down, bringing down with them the economy and living standard of the city. Now many of these buildings have been repurposed to business incubators; there is ballroom in the clock tower.

The new bridge over the Mohawk River at Amsterdam © Karen Rubin/ goingplacesfarandnear.com

“New people are moving in. Two of my four kids bought houses in Amsterdam. They are seeing it as a great place to live – the waterfront, the bike trail, restaurants they can walk to. Other business are seeing that and that Amsterdam is a great place to be, and are coming in. We had the Albany Symphony here on July 4 – thousands of people on the bridge. I’ve lived in Montgomery County my whole life – I’ve never seen that before. We have been given a sense of place; people are proud of our town.”

In one fell swoop of the space of our bikeride, today, we have gone from colonial times to the Industrial Revolution, to the post-Industrial Revolution.

Next: Schoharie Crossing, Mabee Farm, Cohoes Falls and Finish Line of 8-Day, 400-Mile Cycle the Erie BikeTour

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.  

See also:

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

Cycle the Erie, Day 2-3: A Sequence of Charming Canaltowns, Pastoral Landscapes, Punctuated by City Birthed by ‘Mother of Cities’

Cycle the Erie, Day 4: Seneca Falls to Syracuse, Crossing Halfway Mark of 400-Mile Biketour

Cycle the Erie, Day 5: Deep Dive into The Erie Canal: ‘Mother of Cities’, Empire Builder, Wonder of the World

Cycle the Erie: At Fort Stanwix, Rome, Time Travel Back to America’s Colonial, Native American Past

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Biking Tours, Camping/Hiking/Outdoors, Historic Places, Museums and Exhibits, National Parks, New York State travel, Outdoors Adventures, Places of History, See America, US Destinations

Cycle the Erie: At Fort Stanwix, Rome, Time Travel Back to America’s Colonial, Native American Past

National Park Ranger Bill Sawyer (right) and two other reenactors bring Revolutionary War-era history to life at Fort Stanwix, Rome © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Fort Stanwix, in Rome, New York, is a revelation. Hardly anyone knows of it – it doesn’t even seem to merit a footnote in history – but it played a role in two incidents, one during French & Indian War and one during Revolutionary War, that proved pivotal for American history, like a tiny peg in the giant cogwheel of history.

A National Historic Site, Fort Stanwix also offers one of the best presentations of tribal Indians and European settlers in the colonial and Revolutionary War period. Indeed, the Erie Canal was built across what was the Oneida Carrying Place, vital to the earliest traders. This fort is where the British negotiated and signed the 1768 treaty with the Six Nations of the Iroquois Confederacy. I suspect this area is also where Melinda Gage drew upon what she learned of the Oneida Indian women to form key planks of women’s rights movement.

The presentation here (in contrast to how pitiful the Womens Rights National Site in Seneca Falls is) is fantastic, both in the exhibits and the commentary. Engaging, informative, dramatic, thoughtful. Also, the park rangers are in period dress so you really feel as if you have stepped back in history. You wind up speaking to these people as if it was 250 years ago.

This part of the eight-day Cycle the Erie bike tour, 400 miles from Buffalo to Albany organized annually through Parks & Trails NY, takes us back to the very beginning of the United States, to its native American origins, European colonization and its emergence as an independent nation. It is 400 miles and 400 years of history.

Cycle the Erie riders set up tents just outside the fortifications of Fort Stanwix, in downtown Rome, a reconstruction of the 1758 fort, now a National Historic Site © Karen Rubin/goingplacesfarandnear.com

At Fort Stanwix National Monument in Rome (where the 750 of us actually camp out outside the fort, making it look like an army bivouac), we are put squarely into the drama of the American Revolution. Interpreters in period dress take on the roles of American soldiers and British prisoners in period dress – creating such realism that you appreciate so much more the context and the conditions. Most surprising, is that it also tells the story of the Native Peoples, almost entirely forgotten as having an equal stake in the Revolution. (It didn’t go well.)

The reconstruction of Fort Stanwix comes alive through the personal stories recounted inside the fort. You get to experience the American Revolution and the Siege of Fort Stanwix through the eyes of soldiers and their families, American Indians and traders. This is accomplished through the realistic recreations (especially of the fort), the costumed interpreters, outstanding markers, artifacts, the art, portraits and graphics, and superb videos. They create characters who are composites of actual people, and you hear their voices in a context.

It’s humbling to realize how little you actually know about Colonial America and the American Revolution.

The Fort puts the competing interests of the Patriots, Loyalists and Indian peoples into balance. You have empathy for each. (Especially the Native Americans, who were dragged into the fight, upsetting a long-standing peace among the Confederacy of Iroquois nations, found their whole society upended, and were literally screwed by every European and American they dealt with. George Washington, shockingly, even betrayed the Indians who were allied with the Patriots). But you also understand better the Loyalists, whose property was being seized by the Patriots, and the Patriots, who were not necessarily British subjects, but German and Dutch colonists – whose property was being burned by the Loyalists.

The National Park Service is keeping the fort open late for us and hosting tours, and is keeping the visitors center open all night (the indoor camping location, though, is off-site at a local YMCA).

We arrive at Fort Stanwix after biking 50 miles from Syracuse, a good chunk of our Day 5 ride in drenching rain. I set up my tent (fortunately, the rain stopped just as I came into Rome), grab a shower, and race over to the visitor center to join a guided tour. I am so lucky to attach myself to the same Park Ranger as I toured with two years ago, on my first Cycle the Erie tour.

Fort Stanwix as we see it today literally rose out of ash heap of history – reclaimed from earthly grave.

At one point, the fort was the reason Rome developed at all, but ultimately Rome grew up over its ruins, from fire and neglect. Then the city Rome went through a decline. But in 1960s, as part of urban renewal, planners wanted to redevelop the dilapidated downtown. A grassroots movement grew up to excavate the fort; meticulous archaeology unearthed some 400,000 artifacts. (Visitors can actually get a back-stage view of the archaeology being done during summer tours.)

The National Park Service was faced with a quandary – its mission at the time discouraged reproduction or re-creation of a historical site. But there were strong arguments in favor of reconstructing the fort: they found the original fireplace (the only part of the fort that remains of the original, which we get to see); had the original plans (obtained from British archives); plus papers and drawings so they could reproduce it accurately; and letters of soldiers so they had a better idea of what happened here.

Reenactors patrol the ramparts at Fort Stanwix © Karen Rubin/ goingplacesfarandnear.com

The location of this fort is significant. It sits along “Six Miles that Changed the Course of America,” reads the National Park Service brochure. “For thousands of years, the ancient trail that connects the Mohawk River and Wood Creek served as a vital link for people traveling between the Atlantic Ocean and Lake Ontario. Travelers used this well-worn route through Oneida Indian territory to carry trade goods and news, as well as diseases, to others far away. When Europeans arrived, they called this trail the Oneida Carrying Place and inaugurated a significant period in American history – a period when nations fought for control of not only the Oneida Carrying Place, but the Mohawk Valley, the homelands of the Six Nations Confederacy and the rich resources of North America as well. In this struggle Fort Stanwix would play a vital role.”

The British built the fort in 1758 with the permission of the Oneida to protect their commerce, but abandoned it to cut back on spending after the French & Indian War (taxes imposed by Britain to recoup their expenditures is what incited the American Revolution).

The fort was never put to the test, because the French were defeated elsewhere. But though Fort Stanwix fell into decay, the site was still important for trade and relations with the Six Nations.

Map of the Six Nations territory, according to the 1768 treaty negotiated by Sir William Johnson © Karen Rubin/goingplacesfarandnear.com

It is here at Fort Stanwix, in 1768, after the Europeans had spread into “empty” spaces and fought with the Indians, that Sir William Johnson, Indian Supervisor, negotiated a treaty with the Six Nations of the Confederacy, basically laying out the terms that everything east of the fort would be for Europeans, and everything west would be for Indians.

“Over 3,000 American Indians from the Six Nations, Shawnee, Delaware, Mingo and other dependent tribes attended the treaty negotiations,” the notes read. “Ignoring British Crown instructions, Sir William Johnson encouraged the Six Nations to draw a new boundary line favorable to their mutual interests. Rather than settling tensions, frontier strife between colonists and American Indians increased.”

“I can never look upon that (Proclamation of 1763) in any other light… than as .. temporary expedient to quiet the mind of the Indians,” land speculator George Washington wrote to surveyor William Crawford, 1767. “Any person… who neglects the opportunity of hunting out good lands…for his own, in order to keep others from settling them, will never regain it.”

Reenactors patrol the ramparts at Fort Stanwix © Karen Rubin/ goingplacesfarandnear.com

Meanwhile, British attempts to govern the growing colonies from afar and the associated costs led to strained relations. Hoping to defray the cost of colonial administration, the British parliament taxed many goods arriving in North America. But growing independence and identification as Americans caused many colonists to question British rule. Tensions steadily increased until American “Patriots” declared their independence in 1776.

The exhibit gives me a new perspective: a good number of colonists were not British – they came from Germany, Holland and other places. I realize that becoming a Patriot would not have been such a hard choice as for those with British ties.

“For colonists living on the frontier, the issues included British imposed restrictions on trade, limits on settlement, and continuing violence with American Indians. As war approached, many colonists had to choose between remaining loyal to the King or joining the movement to American independence.” Each side considered themselves “patriots”. But those who stayed loyal to the Crown became known as “Loyalists,” while those who sought independence called themselves “Patriots.”

In 1775, Patriots and Loyalists began struggling for control of the New York frontier. The British invaded the Mohawk Valley in 1777. Their strategy was to capture an important east-west supply route, deprive American soldiers of food grown in the valley, and strengthen Six Nation and Loyalist Alliances, and slice the colonies.

British General John Burgoyne led an invasion of New York from the north and west. His army advanced from Montreal towards Albany. A second force commanded by General Barry St. Leger invaded the Mohawk Valley. Strategically, St. Leger aimed to control the Oneida Carrying Place, create a diversion to split Patriot forces, and reinforce Burgoyne. Politically, he wanted to rally support among American Indian allies and Loyalists.

Patriots had taken over Fort Stanwix in 1777 and renamed it for General Schuyler. The fort was under the command of Col. Peter Gansvoort when it came under siege by the British. Some 2,000 British troops set up a blockade, helped by Indians allied with the British, which went on for months.

General Nicholas Herkimer assembled an 800-man militia to come to the fort’s aid, but was betrayed (by Molly Brant, a Mohawk woman allied with the British, and the second wife of Sir William Johnson). Herkimer’s militia was ambushed along the way at Oriskany. This became one of the bloodiest battles of the Revolutionary War, in which 600 were killed in a matter of hours. General Herkimer, himself, was fatally wounded, dying 10 days later. (Later in our trip, we pass Herkimer Church where he died, and his home.)

The British surrender at the Battles of Saratoga removed the threat of a British invasion in northern New York. Few realize how the Patriot victory was a ripple effect of events at Fort Stanwix © Karen Rubin/ goingplacesfarandnear.com

But the Indians allied with the British, hearing that the Americans had plundered their encampments, left the fort to go to their families’ aid. Fearing that more American reenforcements were on the way, the British retreated, handing the Patriots their first victory (of sorts) of the Revolutionary War. This, critically, boosted the Americans’ morale, and helped set the stage for the Patriots’ victory at Saratoga (under General Benedict Arnold).

This, then, is what changed the course of the war. Because of the victory at Saratoga, which was the unanticipated consequence of what happened at Oriskany and Fort Stanwix, Americans won the critical support of France (long time enemy of Britain), without which, the Americans could not have defeated the British and the British were forced to fight a world war.

In 1778, the British again attempted a formal invasion of New York, planning to burn the Mohawk Valley fields of grain that supplied the Continental Army.

The last battle here took place in 1780, when a work party outside the fort was ambushed by British-allied Indians and Loyalists.

National Parks Ranger Bill Sawyer guides us through Fort Stanwix © Karen Rubin/goingplacesfarandnear.com

But for most of the Revolutionary War, “It is frustrating for the troops to be here, the backwater of the Revolution,” Park Ranger Bill Sawyer, who is dressed in the uniform of the 3rd New York regiment, tells us. The men were upset because they were far from the fighting. But “Washington was vindicated in his decision to keep it fortified because the British refortified Fort Ontario. Washington wanted to block the British.”

And I am certain that those disgruntled soldiers confined to Fort Stanwix never appreciated that as a result of these events at Fort Stanwix, the British grand plan to slice off New York from the rebelling colonies and cut off the Continental Army’s source of food, failed.  Instead, the Americans had the critical support of France.

Fort Stanwix: Living History

After this introduction in the Visitors Center, Park Ranger Bill Sawyer, walks us into the Fort, where we are greeted by costumed interpreters dressed as American soldiers. A couple of teenage boys (summer interns at the fort) patrol the ramparts of the fort. You are immediately transported back centuries.

The fireplace is the only part of the original 1758 fort that remains at Fort Stanwix. The fort was rebuilt to original plans retrieved from British archives © Karen Rubin/goingplacesfarandnear.com

This fort is a nearly complete reconstruction on the original foundation – the only thing original is a fireplace (that can be seen in one of the rooms). Over the decades, Rome was built up on top of the fort. Archaeological excavations conducted in 1970-73 uncovered the site, but all the artifacts were removed, the site completely cleared, and the fort rebuilt with new materials.

The fort held 800 soldiers (twice the number the fort was built to hold); families of soldiers (who couldn’t afford to maintain them in their homes) camped in the ditch outside the wall; women would try to get jobs within the fort. People died of disease and winter cold.

By February 1778, the soldiers’ clothing was reduced to rags, they hardly had any bedding left or blankets. They would have been stationed here for anywhere from 4 months to 2 years. Morale was terrible.

We see the harsh living conditions. Artillery men, though, had somewhat better accommodations, because they were specialists. “They had to have knowledge of math and the use of measuring tools to calculate the trajectory of cannon and mortar. They had better pay and living conditions.”

We visit the different rooms for the junior officers, a family quarters, the officers’ lodging, the orderly room, the surgeon’s day room. The Commandant’s HQ had a fine room befitting his wealth and high station and had a private assigned.

National Parks Ranger Bill Sawyer guides us through Fort Stanwix © Karen Rubin/goingplacesfarandnear.com

On my first visit, two years ago, I was able to see an outstanding film that depicted life in the fort and how the soldiers suffered. “The walls imprisoned them, supplies cut off. They were overcome by boredom and hunger. They wanted to go fight. Five men deserted, headed to Canada. Gansvoort sent out a band of Indians to recapture them. They were executed as an example to the rest….It was a forsaken place. Finally, they were sent to war.”

On my first visit, one of our cyclists, Peter Reeve, was British, though living in Maryland since 1981, and gave me the British perspective:  “The British people didn’t care to keep America,” Reeve told me. “They didn’t want to spend the money fighting the Revolution. Most British generals were against the tax acts. General Howell supported the Americans’ grievance.”

While major battles took place in the South, minor battles and guerrilla-style warfare characterized the fighting in New York. General Washington lamented that crops that were being destroyed in these raids were needed to feed his army surrounding New York City. These raids and counter-raids were waged by Patriots, Loyalists, American Indians, British and British-allied Germans, alike, often against civilians, and were among the most brutal of the war.

The fort served as an isolated outpost for another four years after the siege. The inaction drained morale and the constant shortage of food and munitions made the soldier’s life insufferable. Regular petitions for transfer and increasing desertions reflected the wretched conditions.

By 1779, British strategy changed and they invaded the other colonies. Though Britain won most of the battles, they failed to destroy the Patriot army. Outmaneuvered, the British surrendered at Yorktown in 1781, bringing an unofficial end to the war.

Following their 1781 defeat at Yorktown, the English saw little value in continuing large scale war in America. Two years later, war ended with the signing of the Treaty of Paris by the US, France and Britain. As the British Army withdrew, Loyalists migrated to Canada and elsewhere.

American Independence Voids Treaty with Indians

The 1783 Treaty of Paris officially ended the war – at least between the British and the colonists. However, no terms of peace were negotiated for the American Indians. In later years, American Indians negotiated their own treaties with the Patriots (who tossed out the Treaty of 1768.)

The focus at Fort Stanwix on Indian history is very clear from the first display that greets you as you enter the Visitors Center – of trappers trading with Indians.

American Indians’ history, NPS Ranger Sawyer says, “was long ignored. Now we interpret to include it.”

Fort Stanwix also offers one of the best presentations of tribal Indians and European settlers in the colonial and Revolutionary War period © Karen Rubin/goingplacesfarandnear.com

Indeed, Fort Stanwix offers one of the most interesting and informative presentations about American Indians outside of the Smithsonian’s Museum of the American Indian in Washington DC.

I am most surprised to see that the Indians lived in villages, with a grid street plan; they wore western-style shirts and many had European names. They had many of the same household goods as the colonists – an indication of how well-developed trade had become, and in fact, how dependent the Indians had become on trade.

The constant theme in the history between the Indians and European settlers, though, was how the Indians were constantly betrayed.

The Indians wanted no part of the Revolutionary War and tried to stay neutral. That changed with the Battle of Oriskany, though.

Centuries of Peace Upended in One Day © Karen Rubin/ goingplacesfarandnear.com

The Revolutionary War split the Iroquois Confederacy (“Iroquois” was the French name for the Haudenosaunee, “People of the Longhouse”). Mohawks led by Joseph Brant (the brother of Molly Brant who triggered the ambush of Herkimer’s militia at Oriskany) adhered to their long-standing allegiance to the British, and eventually most Cayugas, Onondagas, and Senecas joined them. But Oneidas and Tuscaroras sided with the Americans, owing in large measure to the efforts of their Presbyterian missionary Samuel Kirkland. The Revolution became a civil war for the Iroquois, as Oneidas clashed with Senecas at the Battle of Oriskany in 1777. (“Centuries of peace upended in a single day,” the notes read.) Iroquois suffering was compounded in 1779 when General John Sullivan, on orders of General Washington, led an American army through their lands, burning 40 towns and destroying crops.

Iroquois suffering was compounded in 1779 when General John Sullivan, on orders of General Washington, led an American army through their lands, burning 40 towns and destroying crops © Karen Rubin/ goingplacesfarandnear.com

Both sides practiced a scorched earth strategy. “Raids by Loyalists and British-allied American Indians in 1778 destroyed Patriot settlements in Pennsylvania and New York. In 1779, General Washington ordered Generals Sullivan and Clinton to retaliate and destroy Six Nation towns, homes and food. Soldiers from Fort Stanwix tricked Patriot-allied Oneida warriors into raiding the British supply depot at Oswegatchie before leaving to destroy Onondaga towns. These raids and counter-raids continued until 1783.” Afterwards, General George Washington was given the name “Town Destroyer” by the Seneca people.

The Americans, who always wanted to take over Indian lands (another sore point that led to wanting independence from Britain), nullified the treaty of 1768 as soon as they won independence in 1783, claiming it was negotiated with the British and did not apply to the new nation. The Americans voided the treaty with the Cayuga, Canandagua and Mohicans claiming that these nations sided with the British, and pushed them further west.

In 1784, Governor George Clinton (uncle of Dewitt Clinton who launched the Erie Canal project), who was not a supporter of the federal Constitution, decided to make his own treaty. The new treaty, negotiated at Fort Stanwix with the Oneida who allied with the Patriots, effectively relegated three Oneida Indian nations to a measly 32 acres, in which they were surrounded on all sides by settlers. (The Oneida tribe had already split, with half moving to Wisconsin).

“Now, for first time in history, the Indian nation is relegated to a reservation, surrounded by Europeans (whites),” Sawyer tells us.

By the 1790s, houses were built by the fort; by the mid-1800s, the fort was demolished and the city of Rome built on top of the ruins. In 1935, a national monument established, though by then the site a commercial district with no trace of the fort.

By the 1960s,a grassroots urban renewal effort was underway to revitalize the downtown and restore the fort, but this required the National Park Service to go against its long-standing policy: “We protect, preserve, interpret any natural thing, but nothing was left of fort.” But political pressure mounted to create a new Revolutionary War “themed park” to open in time for the bicentennial in 1976.

Household items, among the 400,000 items excavated from the Fort Stanwix site, would have been similar between Indian and settler homes © Karen Rubin/goingplacesfarandnear.com

A massive excavation got underway by local volunteers and in the process, 400,000 artifacts were uncovered in three years of archaeological work.

They had a the foundation plus they had the original plans (from the British museum) and maps, clothing and receipts, enough to reconstruct the fort exactly as it would have looked.

Ranger Sawyer, who tells me his interest in becoming a park ranger was ignited during summer internship at the fort when he was a teenager and got “hooked”, says that the 400,000 artifacts are housed in a cultural conservation center in the Visitors Center.

In summer, on Wednesdays & Thursdays, at 11:15 & 1 pm, they open up back area to guided tours to see archaeologists working with the artifacts.

Our Cycle the Erie encampment at Fort Stanwix © Karen Rubin/goingplacesfarandnear.com

I am literally the last person out of the fort when they close at 9 pm, and walk a block to get some pizza for dinner (this is one of two nights when we are on our own for dinner and the city of Rome has provided a list of eateries.)

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.  

Next: Cycle the Erie, Days 6-7: Erie Canal Promotes Rise of America as Global Industrial Power 

See also:

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

Cycle the Erie, Day 2-3: A Sequence of Charming Canaltowns, Pastoral Landscapes, Punctuated by City Birthed by ‘Mother of Cities’

Cycle the Erie, Day 4: Seneca Falls to Syracuse, Crossing Halfway Mark of 400-Mile Biketour

Cycle the Erie, Day 5: Deep Dive into The Erie Canal: ‘Mother of Cities’, Empire Builder, Wonder of the World

 

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Attractions, Biking Tours, Camping/Hiking/Outdoors, Historic Places, Museums and Exhibits, New York State travel, Outdoors Adventures, Places of History, See America, US Destinations

Cycle the Erie, Day 5: Deep Dive into The Erie Canal: ‘Mother of Cities’, Empire Builder, Wonder of the World

6 Comments
Cycle the Erie riders stop in at the Syracuse Canal Museum, which opens especially early © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Day 5: Syracuse to Rome, 50 Miles

Day 5 of our 8-day, 400 mile Cycle the Erie biketour from Buffalo to Albany offers a deep-dive into the history of the Erie Canal, an appreciation for the engineering marvel that it was, and how it changed American culture and society, as our 50-mile ride today brings us to a sequence of museums and historic sites.

We begin the day riding into downtown Syracuse from our campsite at Burnet Park, adjacent to the Rosamond Gifford Zoo (we are so close, some said they could hear the animals during the night). A highlight for the entire trip is visiting the Syracuse Eric Canal Museum, which has opened early, from 7 am, especially for us. It is not to be missed and I plan to spend a couple of hours here. (The museum also was open especially for us last evening, with shuttle bus transportation from our campsite, to accommodate our riders, but I chose to visit the zoo.)

Downtown Syracuse, revitalized. The Erie Canal used to run through the city © Karen Rubin/goingplacesfarandnear.com

The downtown of Syracuse has gone through an amazing renaissance.

Erie Canal at one time went through Syracuse but President Roosevelt wanted a “modern” canal built and largely replaced the original canal.

Today, in a magnificent plaza there is an impressive Jerry Rescue Monument to William “Jerry” Henry, a freemason taken into custody under Fugitive Slave Act, despite the fact that New York State abolished slavery in 1820.

Daniel Webster, who was secretary of state under President Millard Filmore, came to Syracuse in1851 and declared that Syracuse (which was a stop on the Underground Railroad) was “a laboratory of abolitionism, libel, and treason” and warning local abolitionists and abetting slaves that any violation of the Fugitive Slave Law, which called for returning those in flight into bondage, would be “treason, treason and nothing else.”

A few months later, on October 1, a mob stormed a downtown police station, knocked down the doors and freed Jerry, and put him on a carriage traveling toward Canada.

Syracuse Canal Museum 

All along our Cycle the Erie route – mostly following the 353-mile long Erie Canalway – we have visited small canal museums and historical societies which each tell a part of the Erie Canal epic drama. At Lockport, which is itself a living-history museum, on the first day of our ride, we saw the astonishing “Flight of Five” locks and its small museum. At Camillus, the half-way mark of our 400-mile ride from Buffalo to Albany, we visited Sims Store, a re-creation of a 19th century general store that would have served the boats traveling along the canal. Still to come (later today), the Chittenango Landing Boat Museum which offers a look at how the canal boats were built and we get to look inside a reconstruction; Canastota, which offers a delightful Canal Town Museum in a tiny house that was once a bakery. Further on, we will see the Schoharie Crossing State Historic Site, featuring sections of all three alignments of the Erie Canal and a fascinating historic exhibit in a house-turned-museum.

A painting at the Syracuse Canal Museum depicts Governor Dewitt Clinton bringing water from Lake Erie to New York City, in the ceremony known as the “Wedding of the Waters,” symbolizing how the Erie Canal linked New York City to the West © Karen Rubin/ goingplacesfarandnear.com

But Syracuse is the “official” Erie Canal Museum – it offers the most expansive collection of artifacts, the most comprehensive history, starting the story well before Governor Dewitt Clinton pushed so obsessively for his Ditch. It offers the most sophisticated presentations, including lots of interactive exhibits and opportunities to engage. It is all the more remarkable because it is a maritime museum which is not on the water – indeed, the expanded canal was moved north of the city.

One of the unique features of the Canal Museum – indeed, the “most unique thing about Syracuse” – is the chance to visit the Weighlock Building, built in1850 – the only remaining weighlock building in America. You can walk aboard a replica passenger packet boat in the weighlock and get a real impression of how the Erie Canal transformed culture and society in America.

Getting a tour inside the packet boat in the Syracuse Canal Museum © Karen Rubin/goingplacesfarandnear.com

And, as we ride into the downtown historic district, with some magnificent architectural jewels (like the Niagara-Mohawk building, an Art Deco palace that is simply breathtaking), what we appreciate most is how the Erie Canal was the “Mother of Cities” – as historian Ben Willis has said – and how Syracuse is one of her children.

A chart in the museum graphs the explosive growth in population of Albany, Syracuse, Buffalo, and even small canaltowns like Lockport because of the Erie Canal, “It was the 8th Wonder of the World, the pathway to an empire, and a school of engineering.”

Indeed, in 1820, Syracuse was but a swampy settlement on Genesee Turnpike, its primary industry was salt production (a key reason that banks had already established themselves in Syracuse, before the canal). Because of the canal (“The Mother of Cities”) the population of Syracuse swelled 40-fold in just 10 years, from 250 in 1820, to 11,064 in 1830, and by 1920, a city of 171,717.

“German masons who came for the canal, stayed to build cobblestone houses, churches. The canal was a whole way of life.”

Before the Canal, it would take 6 to 8 weeks for a mule to carry less than a ton, versus 6 to8 days to transport up to 200 tons of freight on the canal. The cost dropped to one-tenth, $12 per ton and 60c for barrel of salt.

Each day, some 1,800 immigrants would come through Syracuse on the Erie Canal on their way to the west, paying 10c to travel from one town to the next.

“Land was free, you just had to get there, settle on it for a number of years. Often pioneers would work on the boat in exchange for transportation,” the notes read.

New York State financed the building of the Erie Canal (without any federal help) by selling $7.7 million in bonds; the state earned back revenue from fees on goods shipped and taxes on salt (because salt was brought out of salt springs that were owned by the state).

The success of Clinton’s Ditch was quickly apparent and in just 10 years (after paying off the $7.7 million), the Erie Canal had to be rebuilt and expanded to handle all the traffic.

Ben Willis explains some of the innovative engineering that went into building the Erie Canal to Cycle the Erie riders at the Syracuse canal Museum © Karen Rubin/ goingplacesfarandnear.com

There were no real engineers when they began to build the canal. The initial designers were surveyors. “They knew how to do property lines but were not engineers.” The biggest problem was figuring out the elevations. But when they completed the canal, these self-taught engineers started the engineering school, Rensselaer Polytechnic Institute (RPI) in Troy.

One of the innovative methods devised was a stump puller to clear the trees – a contraption that looks like a military armament, but actually had giant wheels to move it and give leverage to pull out stumps. 

There is so much that is so engaging in the museum – even the staircases are made so you can see the elevations of the different locks along the entire canal, and the elevator is painted so you feel you are stepping into a lock, yourself.

Indeed, a key message you come away with from the Erie Canal Museum, is how the canal keeps reinventing itself, and with it, the society around it.

Peak use of the Erie Canal was 1951, but it was also a time when the canal was fetid with pollution – oil slicks and raw sewage. Then the Clean Water Act of 1972, prohibiting dumping and requiring municipalities to have treatment plants, changed the way shippers and factories could do business. (My suspicion is that environmental protection and worker protections, not free trade, is what led to the demise of American manufacturing.)

So, up until the 1980s, the canal was almost exclusively for commercial traffic and was too polluted, fetid and crowded for the recreational boater, or, in fact, residential buildings anywhere near the canal. That’s all changed. Now, the canal is predominantly used for recreational purposes, there are lovely housing developments along the canal. But a changing upstate economy is seeing a resurgence of manufacturing and more commercial shipping is coming to the canal.

There are many other uses of the Erie Canal other than shipping and transportation. The canal is the largest source of irrigation for upstate agriculture. People don’t think of New York as agricultural, but it rivals other states, producing a range of foodstuffs – orchards, vineyards, dairy operations. Riding along the canal trail, you see the white pipes of the irrigation system. The canal also provides for flood control for upstate New York. Many of the dams generate electricity.

Here, I appreciate the ecology of the Erie Canal – not just for the people whose towns, livelihoods and lives revolved around the canal, but how it impacted the environment.

Cycle the Erie riders pass the Niagara-Mohawk building, an Art Deco palace, in downtown Syracuse © Karen Rubin/goingplacesfarandnear.com

And you can see the social ecology as well – as the canal is cleaned up, there are new housing developments that are popping up alongside, as we saw at Rochester, Spencerport, Fairport, changing the economic base for these communities. (They are not intrusive, though – indeed, the entire Barge Canal was just placed on the National Register of Historic Places and is part of New York State’s Heritage Corridor). The small canaltowns are reinventing themselves – and the structures that had been factories and silos and such in places like Pittsford and Cohoes have been re-purposed for condos and offices, as well as to cater to new manufacturing ventures like manufacturing wind turbines.

“Everything reinvents itself – just like the Canal,” says Daniel Ward, who curated the exhibit. “When I was boy, there was no accommodation for pleasure craft, no tie ups. It was a barge canal. Now there is balance.

“Often the Erie Canal gets separated in people’s minds from the Port of New York, but New York City is the terminal port of the canal system. Our current work is trying to reconnect idea of New York City – we’re coming up to the bicentennial of the opening of the canal (2025), which was a celebration in New York Harbor.”

The museum has a marvelous animated display of Governor Dewitt Clinton sailing into New York City to spill water from Lake Erie into the Hudson River in a ceremony called, “The Wedding of the Waters” with simulated fireworks. (There were cannons set up all along the route and it took hours for the sound that started in Buffalo to make its way to New York City.)

He points to the Mount Vernon Museum, at 421 East 61st Street, which was a hotel that opened in the 1820s to accommodate visitors who wanted to travel on the Erie Canal on packet boats.

Before the Erie Canal, “New York City was an insignificant port city, dwarfed by Boston and Philadelphia, and became a great city, as a result of this engineering.”

What I come away with: It wasn’t that people were different in 1817 when construction of the Erie Canal began, that they had more guts, gumption, daring, pioneering spirit. If anything, what this journey back in time shows is that people are exactly the same – Governor DeWitt Clinton was mocked for the project, which was called “Clinton’s Folly” and “Clinton’s Ditch”; President James Madison refused to give federal funding, questioning the role of the federal government.

Country scene outside on the Erie Canalway on our way to Rome © Karen Rubin/ goingplacesfarandnear.com

“Farmers didn’t want to give right of way,” Ward tells me, “they didn’t envision a global economy. It turned out to be great for them. They went from local subsistence economy to global. When the Erie Canal was built, it was the wave of future.”

So many morals to be drawn to today.

You can easily spend two to three hours at the Erie Canal Museum, which I happily do, even with 50 more miles to travel today.

(Erie Canal Museum, 318 Erie Boulevard East, Syracuse, NY 13202, 315.471.0593, eriecanalmuseum.org.)

Chittenango to Canastota

My deep dive into the Erie Canal’s history continues on this day’s ride.

I am fairly amazed to find some of the cyclists still at the morning rest stop when I arrive at Chittenango Landing Boat Museum, which, through preservation, reproduction, construction, and interpretation of the Chittenango Landing industrial complex, instructs about the construction and repair of canal boats and the social history of the Erie Canal era. There are people in period dress and it looks like a historic village. Here, I get to poke inside a re-creation of a canalboat, and see where the mules would have been housed on the boat with the family. (7010 Lakeport Rd, Chittenango, NY 13037, 315-687-3801, clcbm.org/)

At the Chittenango Landing Boat Museum, we get to see how the canal boats were built and to look inside a reconstruction of one of the canal boats © Karen Rubin/ goingplacesfarandnear.com

Chittenango is also the birthplace of L. Frank Blum who wrote “Wizard of Oz” (his mother-in-law was the mother of the Women’s Rights movement, Melinda Gates), and I am told the village has a yellow-brick road.

Once again, I am determined not to miss the things that I missed on my first Cycle the Erie ride two years before. I ride up the main street looking for evidence of Frank Blum – I find the yellow brick sidewalk, but before I can get to the All Things Oz Museum, which has family photos, early posters from musicals and movies before the 1939 MGM film, collectibles, it starts to rain. (Open year-round or by appointment, 219 Genesee St., Chittenango, NY 13037, 315-687-7772, allthingsoz.org).

And rain. And rain.

Riding through Old Erie Canal New York State Park – rural, quaint, with wildlife, five aqueducts, and very flat © Karen Rubin/ goingplacesfarandnear.com

It is a drenching rain by the time I get to Canastota, where I remember there is a delightful Canal Town Museum which I visited on my first Cycle the Erie ride. Inside, I find other Erie Canal cyclists huddled together in the back, happily watching a video while they get warm.

Housed in a former bakery and residence dating from 1873, Canastota Canal Town Museum is a major surprise. From the outside, you wouldn’t think much at all of the tiny frame structure, but once inside, it’s like a Harry Potter experience – the rooms are chockablock full of fascinating artifacts and portraits that make the inside seem enormous. It is a surprisingly fine museum, which adds pieces of understanding to the historic puzzle of the Erie Canal and the rise of the United States. Here the focus is on people – including important people who contributed to building the canal, like Nathan Roberts (a Canastota native who devised the ingenious “Flight of Five” Locks in Lockport which we saw on our first day of the ride); there is a portrait of him by an important 19th century artist, Frederick R. Spencer, and portraits of others who owned the very existence of their town to the canal.

Motion picture cameras on view at Canastota Canal Town Museum; Canastota was home to early movie and projection film industry © Karen Rubin/goingplacesfarandnear.com

In addition to the ingenious engineering of Nathan Roberts’ lock system, I realize an amazing array of inventions came out of this tiny village:  it was the birthplace of the American Microscope Industry; early movie and projection film industry.

I spot a photo on the wall referring to a action-adventure-comedy, “The Great Race” (1965), and only in that moment realize the movie was based on an actual event: the 1908 automobile race from New York to Paris, by way of Albany, Chicago, San Francisco, Seattle, Valdez Alaska, Japan, Vladivostok, Omsk, Moscow, St. Petersburg, Berlin and finally Paris. I learn that it was only made possible because of an innovation by Weed Chains of Canastota that enabled a car to drive across frozen Siberia. The 1908 Race was won by the American Thomas Flyer driven by George Schuster Sr. of Buffalo, NY. There is even a connection between Amelia Earhart and Canastota’s Airport opening in 1928. I am dazzled.

(Canastota Canal Town Museum, 122 Canal St., Canastota, NY 13032, 315-697-5002, www.canastota-canal.com)

Deer on the Erie Canalway © Karen Rubin/ goingplacesfarandnear.com

Of the 50 miles between Syracuse and Rome that we ride today, 36 miles are in the Old Erie Canal New York State Park – rural, quaint, with wildlife, five aqueducts, and very flat. This is where the Erie Canal building began, in the “Long Level”. And just outside of our destination for today’s ride, Fort Stanwix in the center of Rome, we come to the historic marker where the very first shovel to dig the canal went into the ground on July 4, 1817.

The Demeritt Family with their boys aged 4, 8, 11, from Malta NY. Sam Demeritt, age 8, was the youngest rider pedaling the 400 miles on his own pose in front of the historic marker where the first shovel to dig the Erie Canal went into the ground July 4, 1817, in Rome, NY © Karen Rubin/ goingplacesfarandnear.com

Mercifully, just as I ride into Rome, the rain stops, and I am able to set up my tent right outside Fort Stanwix, take a shower at the shower truck, change into dry clothes, and rush over to the Fort where they have arranged for guided tours (by costumed rangers) until 9 pm. I am literally the last one out of the Fort at closing. I walk a couple of blocks to a pizza shop for dinner (this is one of two nights that we are on our own for dinner). The National Park Rangers keep the Visitor Center open for us all night long, and I love to really linger over the exhibits.

Setting up our tents at Fort Stanwix, Rome © Karen Rubin/ goingplacesfarandnear.com

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

The entire Erie Canal corridor has been designated the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov. 

Next: Cycle the Erie: At Fort Stanwix, Time Travel Back to America’s Colonial, Native American Past

See also:

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

Cycle the Erie, Day 2-3: A Sequence of Charming Canaltowns, Pastoral Landscapes, Punctuated by City Birthed by ‘Mother of Cities’

Cycle the Erie, Day 4: Seneca Falls to Syracuse, Crossing Halfway Mark of 400-Mile Biketour

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Biking Tours, Camping/Hiking/Outdoors, Heritage Travel, Historic Places, Museums and Exhibits, National Parks, New York State travel, Places of History, See America, US Destinations

Cycle the Erie, Day 3: Seneca Falls Hails its Role in Birthing Women’s Rights

The “First Wave” statue, by Lloyd Lillie, in the lobby of the Women’s Rights National Historical Park visitor center puts you in the march toward the first Women’s Rights Convention, in Seneca Falls, July 1848 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

We finish our 62-mile ride on this third day of our 8-day, 400-mile Cycle the Erie biketour in Seneca Falls, renowned as the birthplace of Women’s Rights, where the organizers have arranged for the major sites, including the Women’s Rights National Historical Park, to stay open for us, and for a shuttle bus to take us from our campsite on the grounds of the Mynderse Academy into the downtown.   

My impression of the Women’s Rights National Historical Park, operated by the National Park Service, has not changed from my first visit two years before: It is an absolute dud, especially when you consider the innovations in museums – especially compared to Fort Stanwix National Historic Site in Rome and the Erie Canal Museum in Syracuse (both of which we will see in coming days). What is more, the NPS rangers who run the site know how antiquated and uninspiring – even disrespectful to women and the struggle for equality – the exhibit is and revealed a frustration in their inability to improve it.

There are no new insights or inspiration to be gained. The exhibit doesn’t have a clear theme, point or focus: is it about how and why the Women’s Rights movement started here in Seneca Falls (the influence of the Oneida Indians, which allowed women to become chiefs, have property and retain custody of their children, on Melinda Gage, for example; the prevalence of Quaker women among the early women’s rights leaders who had roles in their church; and the number of factories, spurred by the Erie Canal, which in turn employed women who subsequently wanted equal pay and to control their earnings)? Is it about the leaders of the movement, the courage they needed and how they persevered?   What about exploring why it took 80 more years for women to get the vote, even after former slave men got their (theoretical) right to vote after the Civil War? Nor does it confront the controversies behind the continuing fight for women’s rights: why women still don’t earn as much as men for the same work, what is the “glass ceiling”. What role does the lack of affordable, accessible child care and healthcare play, and the mother-of-all controversies: why are women’s reproductive rights still so tenuous? And, oh yes, why are women still so underrepresented in elected office, including the highest office in the land, the Presidency?

What is glaringly obvious is that the exhibit reflects the 1980s Reagan perspective – more Phyllis Schafly than Gloria Steinem – a half-assed, slap in the face, disrespectful, condescending lip service to women’s rights and the ongoing struggle. If there is a theme, it is that women should be grateful for the opportunity to work in fields beyond teaching, secretarial and nursing – but nothing about pay equity or glass ceilings or sexual harassment. To Reagan (and now Trump), women’s rights are simply a way of supplying more workers and keeping wages low.

No discussion of how laws and the lack of anti-discrimination laws helped keep women down: How a woman could be raped, beaten, killed by her husband – was not much more than property (as were children) – and how a woman’s property became her husband’s. How women could be fired from jobs once married or pregnant or had children or reached a certain age or weight, or not hired at all merely because of gender. How insurance companies could charge women more (preexisting condition for being able to give birth). How landlords could refuse to rent to a woman without a husband’s signature; banks would not loan money for a home or business; how women couldn’t get a license to practice law. Sexual harassment”? The phrase was only invented in the 1970s, as the modern Woman’s Movement came into flower.

What did not having a vote mean for women in society? What happened when women were widowed or divorced? Why were there certain professions that women were steered into – like teaching, secretarial work, factories and nursing, positions which as a result tended to be woefully underpaid?

The spartan interior of Wesleyan Methodist Chapel where the women’s Rights Convention took place in July 1848, part of the Women’s Rights National Historical Park © Karen Rubin/goingplacesfarandnear.com

What was the role of the Church in suppressing women’s rights? That is, except for the Quakers who were the earliest advocates of women’s rights.  What was the influence of the Oneida Indians, which gave women property rights, custody of children and the ability to become a tribal chief, on the early feminists including Melinda Gage (the mother-in-law of Frank Blum who wrote Wizard of Oz).

Where is the discussion of the women who opposed suffrage, equal rights (ie. Equal Rights Amendment, Phyllis Shafly), even the fact that Eleanor Roosevelt initially was not a supporter of women’s suffrage (until happened), and the women today who oppose a woman’s right to choose (then and still today)?

Instead of “women’s rights”, (and this is pretty typical of women’s issues generally) the exhibit goes off track into the bigger topic of civil rights (Abolition, the Underground Railroad). This should be seen in the context of how women were the backbone of the movement to end slavery, but after the Civil War, fully expected to win the vote along with freedmen, but instead only black men got the right to vote (such as it was, before Jim Crow). Also, it gives a nod to Jacksonian Democracy but doesn’t answer the question how white men without property got to vote without the need for a Constitutional amendment, but women didn’t get the vote until the 19th Amendment was finally ratified in 1920.

The exhibit is largely devoid of the heroic women (except for the sculpture) who fought for suffrage, and what the fight was like (locked up, force-fed).

There’s copy of Lily Ledbetter act signed by Obama in a case in the lobby, but no explanation or context.

There is a film in a lovely auditorium, “Dreams of Equality,” (delightfully cool and relaxing after biking 62 miles in the hot sun) which dramatizes the early internal debate over breaking out of the constrained role women were relegated to, is woefully and pathetically outdated – the historic elements aren’t bad but the pseudo “conversations” between girls and boys is frankly stupid and archaic.

But in the film, one of the main characters loses her husband in the Civil War and one woman says to the other, “If a woman had a say in making laws, there would be no wars,” to which the other woman replies, “If we had a say, who would listen?”

And in another bit of dialogue, the woman wonders, “Don’t women also have rights?” to which her brother responds, “What men most prize in a woman is affection.”

Wesleyan Methodist Chapel, a simple structure, was the setting for the first Women’s Rights Convention in July 1848 © Karen Rubin/goingplacesfarandnear.com

You also visit the Wesleyan Chapel where the first Women’s Rights convention was held in 1848 and the “Declaration of Sentiments,” modeled after the Declaration of Independence was signed. The structure’s history can be a metaphor for the ambivalence of American society to women’s rights: From 1843-1871 it was chapel, then an opera house/performing arts hall; then a roller skating rink, a movie theater (in 1910s), then a Ford dealership, and ironically enough, was a laundromat before facing a wrecking ball.

Women fought to save the building, and in 1982, during the Reagan Administration, it was turned into a national park.

(Womens’ Rights National Historical Park, 136 Fall Street, Seneca Falls, NY 13148, 315-568-0024, www.nps.gov/wori.)

To put faces to the women’s movement, I walk down the main street to the National Women’s Hall of Fame. It is still in a ground floor storefront in a former bank building, awaiting its move into the factory building that was the Seneca Knitting Mill across the canal. This is most appropriate because the mill was where a number of the early feminists came from (they had a taste of earning their own money and were fired when they asked for wages equal to men).

This massive factory, which dates from 1844, was owned by two men, Charles Hoskins and Jacob Chamberlain, who were among the 32  who supported women’s right and signed the Declaration of Sentiments which came out of the Women’s Rights Convention. That is saying something because out of the 300 people (40 of them men) who attended the convention in the Wesleyan Chapel in 1848, only 32 people signed the Declaration. The Seneca Knitting Mills, which operated until 1999 (can you believe it!), manufactured heavy woolen socks for 150 years, and then went the way of 50,000 other factories in the US.

The plan is to turn the 170-year-old limestone building into the hall of fame, research center and museum celebrating women and their accomplishments, to be called the Center for Great Women.

The Seneca-Cayuga Canal brought factories, like the Seneca Knitting Mill, which employed women who questioned why they couldn’t keep their own money, igniting the women’s rights movement in Seneca Falls. It will soon house the Center for Great Women © Karen Rubin/goingplacesfarandnear.com

When I was in school, I could count on one hand the number of women who were presented as heroic figures – Madame Curie, Molly Pitcher (who I learn may have been fictional but still representative of women who took up the guns when their husbands were killed in the Revolutionary War), and the reporter, Nellie Bly.

I am thrilled to find Nellie Bly among the honorees. Her real name was Elizabeth Cochrane Seaman (1864-1922, honored in 1998), and was a trail-blazing journalist considered to be the “best reporter in America” who pioneered investigative journalism (hence the pseudonym); Paulina Kellogg Wright Davis, (1813-1876, honored 2002), who headed the committee that organized the first National Women’s Rights Convention in Worcester, MA in 1850, helped found the New England Women’s Suffrage Association and established Una, one of the first women’s rights newspapers; Amelia Bloomer (1818-1894), the first woman to own, operate and edit a newspaper for women, The Lily (first published in 1849 in Seneca Falls) and whose penchant for wearing full-cut pantaloons under a short skirt (as a protest to the way women were expected to dress), gave birth to the term “bloomers”.

It turns out there were dozens and dozens of women, going back to Colonial times, who did really important things. The women who are honored here are not necessarily honored as feminists, but for their accomplishments.

“Women’s stories are not told,” the organization notes. “Less than 10% of the content of history books references women. Students cannot name 20 famous American women through history, excluding sports figures, celebrities and First Ladies. Only 20% of news article are about women. A society that values women values all of its members. By telling the stories of great American women through exhibits and educational resources, the Hall will make a future where all members of society are valued a reality.” (Indeed, the New York Times, during this year’s Women’s History Month, began publishing obituaries of women who were overlooked in their own time.)

The bank building on Fall Street where the Women’s Hall of Fame is currently located in Seneca Falls could easily be the Bailey Brothers Building and Loan from Frank Capra’s film classic, ”A Wonderful Life.” There are many connections between Seneca Falls and the mythical Bedford Falls © Karen Rubin/ goingplacesfarandnear.com

Founded in 1969, the Women’s Hall of Fame actually predates the Women’s Rights National Historic Park (one could say it even was at the very cusp of the Women’s Movement which really emerged in the 1970s). And when you contemplate the timeline of the biographies, you get a better understanding of the historical context of the Women’s Rights Movement.

Looking around: Abigail Adams, what a pistol she must have been!  She had such a strong influence on her husband but clearly was frustrated in the lack of opportunities women had to utilize their potential. (“Remember the ladies” in forming the new government,” she admonishes her husband, John Adams, in 1776).

Secagewea, Annie Oakley, Harriet Tubman. Jane Addams, Clara Barton, Margaret Bourke-White, Pearl S. Buck, Rachel Carson. Frances Perkins (Labor Secretary under Franklin Roosevelt), Eleanor Roosevelt, Anne Sullivan, Rosa Parks.

Of course, there are the suffragists Elizabeth Cady Stanton, Lucy Stone, Susan B. Anthony (there is a Susan B Anthony bench which came from the Ontario County courthouse in Canandaigua), but I also discover women identified as being early feminists (most you never heard of), and you realize that the struggle goes way, way back.

As you go through the timeline, the women honorees in the National Women’s Hall of Fame are less about struggle and more about achievement in a plethora of professions and activities. © Karen Rubin/goingplacesfarandnear.com

For example, Anne Hutchinson who lived 1591-1643 (honored 1994), was the first woman in the new world to be a religious leader and for it, was banished from the Massachusetts Bay Colony (there is a parkway in the Bronx named for her); Sarah Grimke, who lived 1792-1873 (honored 1998), who published papers championing abolition and women’s rights, and with her sister Angelina Grimké Weld, 1805 – 1879 (honored 1998), were southerners, born in South Carolina, who became the first female speakers for the American Anti-Slavery Society; Fanny Wright, 1795-1852 (honored 1994), the first American woman to speak out against slavery and for the equality of women; Mary Lyon, 1797-1849 (honored 1993), who founded Mount Holyoke in 1837, the first college for women, which became the model for institutions of higher education for women nationwide; and Maria Mitchell, 1818 – 1889 (honored 1994), an astronomer who discovered a new comet in 1847 and the first woman named to membership in the American Academy of Arts & Sciences, and a founder of the Association for the Advancement of Women.

Walking around (you can also peruse the website to find these biographies) I am introduced to all sorts of women I had not known, that fill me with pride: women on the front lines of science, civil rights, labor rights, education, human rights.

Mary “Mother” Harris Jones, 1830-1930 (honored 1984), a labor organizer and agitator who worked on behalf of the United Mine Workers and other groups; Sarah Winnemucca, c1844-1891 (honored 1994), Native American leader who dedicated her life to returning land taken by the government back to the tribes, especially the land of her own Paiute Tribe; Susette LaFlesche, 1854-1903 (honored 1994), a member of the Omaha Tribe and a tireless campaigner for native American rights; Julia Ward Howe, 1819-1910 (honored 1998), suffragist and author of “Battle Hymn of the Republic.” a lecturer on religious subjects, a playwright, an organizer of a women’s peace movement and advocate for women’s equality in public and private life; and Emma Lazarus, 1849-1887 (honored 2009), famous for authoring the words at the base of the Statue of Liberty, “Give me your tired, your poor, your huddled masses yearning to breathe free,” and an important forerunner of the Zionist movement.

There is the famous flyer Amelia Earhart but also Bessie Coleman, an aviatrix of  the1920s, who was the first African American woman to have pilot’s license (at a time when women, let alone a black woman, were not allowed to have a license; Coleman went to Europe to get her license, what does that tell you?).

I so appreciate the diversity of the women represented, especially in the 20th century, when women do have more educational and professional opportunities: astronaut Sally Ride; tennis player Billie Jean King who broke through for women’s athletics; Ruth Bader Ginsburg, Sandra Day O’Connor. Madeleine Albright, Bella Abzug, Oprah Winfrey, Lucille Ball, Dorothea Lange, Lilly Ledbetter, Margaret Sanger.

(Go to the website to see the most recent inductees as well as search all).

Susan B. Anthony beside the bench which came from the Ontario County courthouse in Canandaigua, and the Women’s Hall of Fame © Karen Rubin/ goingplacesfarandnear.com

We commiserate over the life-size portrait of Hillary Rodham Clinton, who was already in the Hall of Fame as First Lady and New York Senator, the first woman to be a presidential candidate of a major political party, but should have been the first woman President.

It is remarkable to look at the faces and read the short biographies of women who have made such important contributions, going back to colonial times.

(National Women’s Hall of Fame, 76 Fall St, Seneca Falls, NY 13148, 315- 568-8060, www.womenofthehall.org)

WomanMade Products shop on Fall Street, Seneca Falls, the birthplace of the Women’s Rights Movement. © Karen Rubin/goingplacesfarandnear.com

Across the street, I stop in at the shop, WomenMade Products (how can you not?).

I have time to wander around. I try to get to the “Wonderful Life Museum,” but it is closed. It offers a brochure for a self-guided walking tour. Seneca Falls is supposed to have been the model for Bedford Falls in the James Stewart classic movie, though it is hard to recognize today. (See: “Seneca Falls History and Connections,” www.wonderfullifemuseum.com/seneca-falls-history-and-connections.)

I wander over to the canalside park just in time, 7 pm, to enjoy an old-fashioned band concert by the Seneca Falls Community Band (33rd season!); there is a stand selling the absolutely best ice cream in the world. Perfect.

Seneca Falls evokes images of Bedford Falls, the fictional town in “It’s a Wonderful Life.” There is even an “It’s a Wonderful Life” museum. © Karen Rubin/goingplacesfarandnear.com

Our campsite tonight is on the grounds of the gorgeous Mynderse Academy, which even has a flat-screen TV where a few of us gather around to watch the All Star Baseball Game.

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

Information is also available from the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000, www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.

Next: Day 4: Seneca Falls to Syracuse, Crossing Half-way Mark of 400-mile Biketour

See also:

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

Cycle the Erie, Day 2-3: A Sequence of Charming Canaltowns, Pastoral Landscapes, Punctuated by City Birthed by ‘Mother of Cities’

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Arts & Entertainment, Cultural travel, Long Island travel, Museums and Exhibits

Nassau County Museum of Art Hits Highest Notes with ‘Anything Goes: The Jazz Age’ Exhibit

On view for the first time outside of Princeton University Library is Francis Cugat’s original painting, “Celestial Eyes” (ca 1925), that was the cover for F. Scott Fitzgerald’s “The Great Gatsby” © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

What is most remarkable about the new exhibit at the Nassau County Museum of Art, “Anything Goes: The Jazz Age” celebrating the Roaring Twenties, is the cross-connections between art, music, literature, design, furniture and fashion, and the people who were similarly cross-pollinating these cultural categories. There is a drawing by George Gershwin, another by ee cummings, the original painting by Francis Cugat (brother of Xavier, the musician) that F. Scott Fitzgerald wrote into his iconic novel, “The Great Gatsby” and had to have for its cover (and has never before been seen outside the Princeton University Library).

George Gershwin’s “Portrait of Dr. Zilboorg Reclining on a Couch” © Karen Rubin/goingplacesfarandnear.com

There are the Park Avenue Cubists, and the clique that gathered at Gerald & Sara Murphy’s beachhouse in Antibes (Sara, a famous Jazz Age muse, is the subject of a little-known Picasso drawing of her on the beach at Antibes). One room of the fantastic Frick mansion that is now home of the museum is devoted to Jazz Age music, with gramophones and Victrolas and radios that show off the design, while early records from the collection of Dr. Jay Tartell play. Even fashion and jewelry design (Tiffany is represented).

There are so many astonishments as you go through – James Joyce’s “Ulysses” was censored and burned but here in a bookcase is one of the first editions, along with a copy of F. Scott Fitzgerald’s “This Side of Paris,” based on Hobey Baker, a World War I flying ace and Princeton hockey star and in a gallery, the original Hobey Baker Memorial Trophy.

Anna Walinska’s “Self Portrait, Paris” (1927) © Karen Rubin/ goingplacesfarandnear.com

In this extraordinary multimedia exhibit, you are immersed in the masterpieces and experiments of a generation that changed the history of Modernism. The giants among the artists – Picasso, Léger, Matisse, Beckmann, Nolde, Lachaise, Man Ray, Stuart Davis, Florine Stettheimer and Tamara de Lempicka – are all represented in the show with major works, but there are so many artists – particularly women artists – who will be new for many like Anna Walinska, a teenager from Brooklyn who lived in Paris during the ‘20s and met Picasso, Matisse, Stein and others while making the drawings and paintings which are on view in a solo gallery in the show.

Florine Stettheimer, “Portrait of Louis Bouche” © Karen Rubin/ goingplacesfarandnear.com

The exhibition tracks the progress of Modernism in art from Cubism to Neoclassicism. Composers such as Gershwin and Porter were taking syncopation and the blues to new heights at this time, and their records, sheet music, and piano rolls are on view and are heard throughout the show on ’20’s-era turntables and player pianos.

Re-creating the famous RCA logo in “The Jazz Age” exhibit at Nassau County Museum of Art © Karen Rubin/goingplacesfarandnear.com

The Ballets Russes, for whom Picasso and Chanel designed productions, broke all dance conventions and inspired a new wave of fashion, with examples in the exhibition curated by noted expert on ’20’s fashion, JoAnne Olian. The exhibit’s pieces of Art Deco furniture and rare jewelry from the private collection of the Macklowe Gallery display the machine-age elegance that was in vogue.

Tess Ma of Roslyn, in a ‘20s ensemble, admires the fashions curated for “The Jazz Age” by JoAnne Olian © Karen Rubin/goingplacesfarandnear.com

“We’re used to Cubism today, but these guys were brave,” museum director Charles A. Riley II, who organized the show, said at the opening reception.

The show ties all the cultural strains together so you almost see the creative pollination from one discipline to another, all in an expression of a philosophy that defined the Jazz Age: “Living well is the best revenge” was the motto of an extraordinarily fortunate generation, anything but “lost,” that remains today the epitome of sheer creative freedom.

Riley noted that though a sense of artistic “freedom” and breaking social and cultural conventions was the theme of the Roaring Twenties, it was “freedom plus order.” Lindbergh’s flight across the Atlantic to Paris that so inspired the sense of adventure and daring, was also an exercise in discipline.

The show offers a comprehensive picture of the Jazz Age when World War I ended on November 11, 1918 and ended on October 24, 1929, when Wall Street crashed after its historic nine-year bull run. The commentaries and notes that accompany the exhibit are fascinating insights to the context for the creations and the people propelling them.

Guy Pene du Bois, “A Dramatic Moment”, from the collection of Dr. Harvey Manes © Karen Rubin/goingplacesfarandnear.com

In addition to art and design, the exhibition brings the age of superstars vividly to life with memorabilia celebrating the Golden Age of aviation, including a leather pilot’s helmet and goggles, photographs of Babe Ruth and a seat from the original Yankee Stadium built in 1923, original Victrola turntables and the first generation of radios, first editions of monumental novels and sheet music, and the original Hobey Baker trophy, the top honor for American college hockey (all players who visit wearing their team jersey during the run of the show will be admitted for free).

As Riley, who donned his own Princeton hockey jersey, noted, Hobey Baker’s life was worthy of a movie – a World War I flying ace, at the end of the war he would likely have headed to Wall Street; he took one last flight which proved fatal.

Gaston Lachaise’s “Elevation” (1912-1927) on view at “The Jazz Age” at Nassau County Museum of Art © Karen Rubin/goingplacesfarandnear.com

The exhibition unveils some important historical discoveries, including previously unknown drawings by the poet cummings that were found by his dear friend Gaston Lachaise. Their friendship and collaboration is celebrated in a gallery that includes many of Lachaise’s greatest sculptures, including a monumental cast of “Elevation,” as well as his own drawings and a stunning portrait by cummings of the legendary supermodel Marion Morehouse.

A fortunate group of American artists and writers in Paris during the ’20s, many of them in Stein’s circle, were pioneering a new style of abstraction, and the show boasts some significant canvases by Davis, as well as Charles Green Shaw, Gertrude and Balcomb Greene, Joseph Stella, Carl Holty, Jan Matulka, Charles Biederman and an unknown work on paper by Betty Parsons, who would become best known as one of the great champions of Abstract Expressionism.

Cherry and Jerry Yang of Manhasset admire the Jazz Age posters © Karen Rubin/goingplacesfarandnear.com

In another art historical coup, the show presents an unknown drawing by the model and muse Kiki de Montparnasse that had been hidden among the papers of Man Ray, whose portrait of Kiki is among the treasures on view, along with his portraits of Hemingway, Chanel, James Joyce and dancers from the Ballets Russes. The other major photographic finds in the show are by Carl Van Vechten, whose lens captured the jazz greats in Harlem nightclubs. The show also boasts an unknown drawing of Baker by the artist Paul Colin, whose posters, including rare examples included in the show, made her famous in Paris.

“When I play hockey, I leave it all on ice,” Riley said, wearing his hockey jersey.”This show is everything I’ve got – my heart and head. All laid out.”

Among the photographic treasures on view in “The Jazz Age” is this montage of George Gershwin with autographed program, loaned to the exhibit by Jay and Deborah Tartell © Karen Rubin/ goingplacesfarandnear.com

Throughout the exhibit, there are fabulous photographs of these key figures that put you right into the moment.

The Long Island connections in the show are among the highlights. F. Scott Fitzgerald published  “The Great Gatsby” on April 10, 1925, but he started it two years before over the garage in a rented house in Great Neck. In his lecture, Scribner III, whose grandfather published the novel, will reveal the backstory of its progress from manuscript to masterpiece under the editorial guidance of Maxwell Perkins, who secured the iconic cover by Cugat. And Lindbergh took off from the storied air strip at Roosevelt Field, where Elinor Smith, the “Flying Flapper of Freeport,” set new records for altitude and endurance.

Dr. Jay Tartell spins some Hot Jazz. He has provided gramophones, victrolas, and records from his collection; his notes about phonographs and the making of “superstars” and the phonograph industry are fascinating. © Karen Rubin/goingplacesfarandnear.com

Indeed, the local connections are also in the collectors who have loaned to the exhibit, including Dr. Jay Tartell and Deborah Tartell who not only loaned the stunning gramophones, phonographs and victrolas, but also that sensational photo and autographed program of George Gershwin; and Dr. Harvey Manes, a trustee, who loaned several works.

Angela Susan Anton, NCMA Board President; museum director Charles A. Riley II; and Frank Castagna, an exhibit sponsor. © Karen Rubin/goingplacesfarandnear.com

Drawing on museum, university and private collections, including those of the Heckscher Museum, Parrish Museum, Cradle of Aviation Museum, New York University Grey Art Gallery, and Princeton University, the wide-ranging exhibition has been underwritten by the Americana Manhasset and Wheatley Plaza, longtime supporters of the museum and its mission.

In addition, the programming and publications have been sponsored by generous gifts from The Ritz-Carlton Residences and by Charles Scribner III. Each week the show will feature special programming, including live jazz in the beautiful paneled library of the mansion, lectures by experts in the arts and design, and live demonstrations of the player piano and Victrola in addition to the museum’s renowned docent-led tours and education programs.

Among the programming highlights are a May 12 lecture by Scribner, a popular speaker at the Morgan Library and Metropolitan Museum of Art, among other venues; an original cabaret musical based on the lives of Scott and Zelda Fitzgerald composed and performed by Angela Sclafani and her ensemble; and tours of Jazz Age Manhattan led by museum director Charles A. Riley II, author of two books on the period. The museum is publishing a fully-illustrated catalog of the exhibition with essays on the art, music and fashion of the era, and is re-launching the official website with special features keyed to the show.

This year’s gala ball on June 9 will be themed “All That Jazz” with guests in costumes, Angela Susan Anton, Board President, announced.

“Anything Goes: The Jazz Age” is on view through July 8, 2018.

The Nassau County Museum of Art is located at One Museum Drive in Roslyn Harbor and is open Tuesday through Sunday, 11 a.m. to 4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). Members are admitted free.

For more information about the museum and exhibit, call 516-484-9338 or go to www.nassaumuseum.org.

___________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures