All posts by krubin723

*European Waterways’ Panache hotel barge cruises the Marne-Rhin canal through the historic city of Saverne in the Alsace-Lorraine region of France © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Reflecting back, it is so interesting that a trip that is so absolutely relaxing can also be filled with activity, interesting, even astonishing, attractions, scenic sights, and cuisine that is Michelin-star caliber, and how, traveling slower than 3 mph, you can see so much, experience so much in a day.

This is European Waterways’ six-night/seven-day Marne-Rhin Canal cruise through France’s Alsace & Lorraine Region, aboard its hotel barge, Panache. The boat sleeps 12 and has a crew of six, so pampering is an understatement – this is like a floating luxury boutique hotel.

*European Waterways’ hotel barge, Panache cruising the Marne-Rhin Canal through France’s Alsace & Lorraine © Karen Rubin/goingplacesfarandnear.com*

Over the course of our cruise, we have guided tours of charming, colorful, historic cities including Strasbourg, Saverne and Sarrebourg, visit the Rene Lalique crystal museum, see Marc Chagall’s largest and grandest stained glass work, go through a boat “guillotine” and ascend a remarkable boat elevator, have a private tasting at what can only be described as a renegade/maverick winery on the Route des Vins d’Alsace, and so many more surprises that delight.

*Preparing to get back on the Panache as it rises in the lock, after biking the towpath © Karen Rubin/goingplacesfarandnear.com*

The slow pace of the barge proves an advantage because I also get to bike along the towpath the entire length of the route, return to the boat, and see the scenery again from a different perspective of the elevated perch of the boat deck.

The pace is so relaxed, and to be candid, the level of luxury and pampering so great, you don’t even realize how much you have done in a– whether it’s biking the route, sightseeing and visiting villages, historic and cultural places, enjoying fine wine and cuisine, and still have time to just hang out and watch the landscape go by and enjoy the company of fellow travelers.

We do so much in a day, it is mind-boggling to realize (well after the trip), what short distances we actually travel each day (several of the excursions involve us being picked up by van where the boat docks), and where we were the day before and will be the day after. Time and distance just kind of melt.

I have cleverly arranged to arrive two days early in Strasbourg, where the Alsace-Lorraine cruise starts – this takes into account any unexpected flight or travel delays, and gives me two half days and one full day in this picturesque old city (we actually will be visiting here with the cruise on our first full day).

Captain Brian picks us up at the Regent Petit France Hotel, which sits astride the canal with the most picturesque view of the historic district, and chauffeurs us to where the hotel barge is tied up at Krafft, where we are greeted by the crew of six with Premier Cru FrereJohn Freres Champagne and hors d’oeurves, and introduces to the boat, the crew and our fellow traveling companions for the week.

The salon/dining room is absolutely stunning, with comfortable sofas and chairs, a long dining table, large picture windows that let the light and scenery in.

Panache is a hotel barge that has been fitted out in traditional yacht style with brass and mahogany fittings and polished hardwood floors in the spacious public areas and very comfortable cabin accommodation. The salon/dining room is absolutely stunning, with comfortable sofas and chairs, a long dining table, large picture windows that let the natural light and scenery in. The separated dining area is roomy, providing a congenial setting for up to 12 to enjoy the gourmet meals and fine wines served on board at the grand table. Here we also have access to free Wifi,

Panache accommodates 12 passengers in six spacious cabins (larger than the room at the delightful Hotel Hannong I had just left in Strasbourg), that can be configured for twin or double-bed, with plush linens, plenty of lights and electric plug-ins, our own temperature control, room to store our clothes, and private bathroom (double sinks! oversized shower!). Housekeeping comes in twice a day and leaves a chocolate on the pillow at night. Truly a boutique hotel room that floats us from destination to destination in absolute luxury.

*European Waterways’ hotel barge, Panache has just six spacious cabins © Karen Rubin/goingplacesfarandnear.com*

Panache has a very comfortable sun deck with lounging chairs and table and chairs, from which you can enjoy the scenery, have cocktails and dine alfresco, and heated spa pool. There also is a plentiful number of bicycles which I take advantage of each day, virtually biking the entire route (and then getting back on board to enjoy it from the perch of the boat).

Each evening, Captain Brian (who is also the general manager, the cruise director, our tour guide and sometimes the pilot and just 25 years old) orients us to the boat and our cruise, especially the invitation that the crew “never lets a glass go empty, so if you don’t want a refill of wine, put your hand over it” (and they are only half kidding, as we discover). Each evening, he orients us to what we will do the next day – whether to visit a museum or a guided walking tour – and each day is distinguished by a special highlight.

You expect picturesque scenery and to visit fascinating cultural attractions but what is totally unexpected is the astonishing quality of the cuisine that we are treated to by Chef Leo – a young chef who, we learn, was a contestant on France’s “Top Chef”. Over the course of our six days of cruising, we experience Michelin-star quality dining, as Chef Leo enjoys experimenting. As he jokes, each cruise brings him more “guinea pigs”.

*Chef Leo’s tuna tartare © Karen Rubin/goingplacesfarandnear.com*

His cooking is really distinctive – it is not any particular cuisine, necessarily. He has a vibrant taste palate, likes a lot of flavor without overwhelming the actual flavor of the main item, and most important, is never too rich. He is really imaginative, creative, and the presentations are stunning. There are three courses for lunch and dinner, so each individual course is not too much, but not too little, either, with a different red and white wine accompanying each, and three different cheeses to finish.

*Lunch and dinner finish with three cheeses to sample © Karen Rubin/goingplacesfarandnear.com*

Each meal is an event, an experience. Chef Leo comes out to explain each course, and Emily (from England) or Martyna (from Poland) introduce the wines – where produced, the vintage, the pedigree – and the cheeses (which have fascinating stories). By the end of the cruise, including the tasting at a most distinctive (progressive) winery that Captain Brian has found, we must have tasted more than 36 wines and 36 cheeses from throughout France – each perfectly paired for what is being served to bring out the best flavors.

*Panache’s crew: Chef Leo, Captain Brian, pilot Bernard, Emily, Martyna and mate Akosh. The European Waterways canal cruises feature a 1:2 crew to guest ratio © Karen Rubin/goingplacesfarandnear.com*

They do their best to school us in the complicated classifications of French wines. We learn about Grand Cru and Premier Cru, which refer to official designations of vineyards and villages in a specific French region where the grapes are grown. Also “terroir” which describes the complete natural environment (ecosystem) in which a particular wine is produced, including factors such as the soil, geography and topography, rootstock and climate that impart the characteristic taste and flavor to the wine. We learn to recognize the region a wine comes from by the bottle – Alsace wines are served in a long, thin bottle, and that France has official appellations that wines and cheeses can use – so Champagne must be from Champagne, Bordeaux from Bordeaux. I may not have become a wine expert, but all the wines we enjoy are of superior quality and significantly, are paired so perfectly with the food.

*Each European Waterways cruise features a private wine tasting. We visit Lissner Winery to learn about pioneering sustainable practices © Karen Rubin/goingplacesfarandnear.com*

When we arrive back from an afternoon tour, we are welcomed aboard with some sort of cocktail –one day it is Mimosa, another it is French 75 (an elderberry gin spritzer).

We are small enough group that our wishes are usually accommodated – Hylton, who comes from Australia, expresses a desire for steak and Sue, his wife, wishes for passionfruit crème brulee – and don’t you know, we have both for lunch – with Leo doing a cooking demonstration in the morning as we cruise to show how he creates the crème brulee. It is a first for him creating crème brulee with passionfruit and he takes it as a sort of challenge. We watch him create it, with his precise weighing and measuring, and, later, just before serving, firing it up with a torch.

*Chef Leo, assisted by Captain Brian gives us a cooking demonstration of his passionfruit creme brulee as we cruise on the Panache © Karen Rubin/goingplacesfarandnear.com*

In fact, the one evening we dine in a pleasant village restaurant, the meal, although very good, does not compare with Chef Leo’s creations. Clearly, we have been spoiled in just these few days.

Captain Brian gives us the safety talk – noting that some of the bridges we go under are so low, we will have to sit down and the bridge has to be taken down; the canals are so narrow, with barely an inch on either side, we need to keep hands inside the boat. And don’t block the navigator’s view of the crossbars at the front of the boat. There are life jackets, an emergency red call button in our cabins (don’t use it to call for a sandwich, it will wake everyone). And another thing, Captain Brian insists: never say the name of the animal with the bushy tail and big ears and eats carrots on a boat – it’s bad luck.

*Head down, hands in the boat.* *Cruising the Marne-Rhin Canal through France’s Alsace & Lorraine requires skill – with only inches to spare to get through the locks and bridges © Karen Rubin/goingplacesfarandnear.com*

For such a small contingent, we bring an interesting variety as well as commonality. One couple is from Australia where they have an 8000-hectare farm (8 km across); another couple is from Australia as well, where he was a wine salesman and since retiring, teaches water aerobics (I have to mention he is 95 and has the body of a fit man half his age); another couple is from Minnesota who also have a farm; another couple comes from Georgia where he is a lawyer and she was a county commissioner. (All of us happen to be senior citizens but young couples, families and solo travelers would enjoy the cruise, and it is possible to charter.)

This first evening, Chef Leo’s talents become apparent: a carrot and orange salad to start with a kind of pesto sauce that surprises with flavor; roasted seabass with leek and champagne sauce, and dessert of peach tart. This evening the wines include Famille Hugel, an Alsace Pinot Blanc, 2019, and an Alsace red, Boitt Geyl Pinot Noir, 2017 (producing wines since 1775!), that pair superbly with the flavors.

The meal finishes with three cheeses: Camembert, “King of Cheeses,” from Normandy, with a golden color and buttery texture and a strong aroma (“We serve it on the first night to get it out of the refrigerator”); Morbier, a cow cheese from Franche-Comte, which traces back to the 1800s and, legend has it, a method of disguising the size of the cheese within charcoal in order to avoid paying tax; and Selles-sur-Cher, a goat cheese from the Loire Valley which, we learn is a cheese deprived of light and oxygen for 38 weeks, and is served in an edible rind.

Notably, Chef Leo doesn’t necessarily pre-arrange his menus in advance because he purchases his items fresh, bursting with flavor.

*European Waterways’ hotel barge, Panache, in Strasbourg, where we can just step off the boat to explore the city © Karen Rubin/goingplacesfarandnear.com*

Hotel barging offers an immersive and all-inclusive “gentle voyage of discovery” of the culture, history, fine wine, and gourmet cuisine of the destinations. You cruise right into villages, step off the boat, and can wander into neighborhoods and countrysides, where people live.

European Waterways, which celebrates the 50^th anniversary of its founding by Derek Banks and John Wood-Dow this year, was one of the early pioneers of hotel barging on France’s canals. They helped ignite a new niche the travel industry and cruising that proved instrumental in the revitalization of Europe’s intricate network of scenic canals and inland waterways as tourism destinations. Like our Erie Canal of New York State, these canals were no longer being used for commercial shipping; tourism and recreational boating has revitalized them, and the villages along the route.

*European Waterways’ hotel barge, Panache, moored for the night in the charming village of Waltenheim-sur-Zorn in the Alsace-Lorraine © Karen Rubin/goingplacesfarandnear.com*

This fascinating network of smaller canals allows for flexibility, spontaneity and ample opportunity to hop off and explore the beautiful surroundings by bicycle or on foot. The itineraries are built around daily, chauffeured excursions “off the beaten path” to wine tastings and visits to stately homes, historic and cultural treasures.

Panache cruises in Holland in the spring when the flowers are in full bloom, and in Champagne in May & June (Champagne itineraries typically include Brie cheese tastings, a tour of the Cathedral at Reims, Epernay and tastings at renowned champagne houses). In summer and autumn, Panache cruises the Alsace & Lorraine.

European Waterways launched its first Christmas Markets Cruises aboard Panache in 2023 in the Alsace & Lorraine region of France. This 6-night/7-day luxury barge cruise visits the Christmas Markets of Strasbourg, Colmar, and Haugenau, a chocolate museum, a glass bauble factory which is said to be the home of the traditional tree decoration (For more information, visit https://www.europeanwaterways.com/themed/christmas-market-cruises/)

With a fleet of 18 (with the recent launch of its ultra deluxe vessel, Kir Royale), that span nine countries, European Waterways is one of the largest luxury hotel barging companies in Europe.

European Waterways, 1-877-879-8808, www.europeanwaterways.com.

Next: The Panache Visits Strasbourg

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Arts, Attractions, Cultural travel, Destinations

4 Days in Paris: Montmartre’s Bohemian Spirit Highlights Day 4

March 18, 2024 krubin723

*The Musee de Montmartre’s collections on display in the apartments and gardens capture the bohemian spirit of Montmartre © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my last day in Paris (I have cleverly booked an evening flight from Charles De Gaulle airport), I just want to lose myself in Montmartre. Perched high above Paris as if its own world, Montmartre is the place of legendary cabarets like Moulin Rouge that so scandalized Parisian society, as well as artists and cultural mavericks and renegades but also (incongruously) Sacre-Coeur, the spectacular basilica that dominates the skyline.

*Sacre-Coeur Basilica crowns Montmartre © Karen Rubin/goingplacesfarandnear.com*

Perched on the Butte Montmartre, you can hike up the steps or take a funicular from Place Saint-Pierre, from the little public garden ‘Square Louise Michel’ (where there is also a delightful carousel).

*You can climb the steps or take the funicular to Montmartre © Karen Rubin/goingplacesfarandnear.com*

Picasso, Modigliani, Miro and before them Manet, Toulouse-Lautrec, Géricault, Renoir and Van Gogh, were among the painters who made Montmartre their home (because being well outside of downtown Paris, it was cheap, then), met up in cafes and worked in the many artists’ studios there.

Visitors come to take in that bohemian energy, that bon vivant, creativity, joie de vivre and romance.

Because of all the romance attached to Montmartre, it can be over-the-top touristy (though the tourism office insists this is still a neighborhood), but the true treasure here – and one of the highlights of my visit to Paris – is the Musee Montmartre, where you can really get a sense of that free culture, and see firsthand how the artists lived, what the Moulin Rouge and the scandalous can can.

*Visiting Musee de Montmartre is a highlight of my Paris visit © Karen Rubin/goingplacesfarandnear.com*

Amazingly, the Musee de Montmartre is in an unassuming house on a quiet cobblestone street only a few steps away from the frantic bustle surrounding Sacre-Coeur and the Place du Tertre where there is a hodgepodge of cafes and artists at their easels,

*You really feel the creative spirit of the artists who lived and painted in the apartments and gardens which now houses the Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com*

The Musee de Montmartre was created in 1960 in one of the oldest buildings on the Butte, built in the 17th century: La Maison du Bel Air. Surrounded by gardens, it was a place that would have been inhabited by artists including Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo,

*The Musee de Montmartre has sensational collections which document and define the cultural impact of the artists, musicians and impresarios of Montmartre © Karen Rubin/goingplacesfarandnear.com*

Here, you really feel the spirit of those artists, musicians, writers and cultural impresarios and entrepreneurs who made their community here – helped along by historic photos, video, recordings, sensational posters, documents and artifacts, and superb commentary.

*Inspired, I take artistic liberty at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com*

In the Chat Noir room, you hear piano music and singing; in a room devoted to the Moulin Rouge, you can see a video of French can can from the 1960 movie, “Can-Can” and see early photo portraits of can-can dancers; in another room, you get to see photos of important artists, like Toulouse-Lautrec at their easel.

Historic photos, documents, posters and art at Musee de Montmartre tell the story of the artists like Toulouse-Lautrec who drew their inspiration from Montmartre © Karen Rubin/goingplacesfarandnear.com

You get to visit the re-created atelier-apartment of artist Suzanne Valadon, who with her son Maurice Utrillo and André Utter settled in this apartment in 1912. Designer Huberty Le Gall, who worked with other renowned institutions, recreated the atelier-apartment faithfully based on letters, writings, historic photographs and paintings.

*Step inside Susan Valadon’s atelier-apartment at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com*

Here you really feel the presence of the artists. It is recreated to convey the character of the “infernal trio” – a frying pan, the recreated studio, the bedroom walls of Utrillo (an artist in his own right) still with its original paneling and wire on the windows.

The permanent collections are enchanting – paintings, posters and drawings that give you a taste of the artistic effervescence of its workshops, and the atmosphere of its famous cabarets.

The permanent collection immerses you in the history of Montmartre. During the 19th century, Montmartre was in transition the mills and the vineyards slowly disappeared due to urbanization (sound familiar?). In 1860, Montmartre was annexed to the city of Paris. Artists started to move to Montmartre in 1870 (for cheap rent) and the cafes and cabarets multiplied in the 1880’s. Montmartre became known for its bohemian spirit, its creative energy, which resonates today. This place, 12 Cortot, offered artists studio space and several painted it.

*One of Toulouse-Lautrec’s famous Moulin Rouge posters on view at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com*

The museum captures how Montmartre was hub for new cultural movement – art, music, dance, social mores.

There is also a modern museum with revolving exhibitions – during my visit, the extremely well done special exhibit showcased “Feminist Surealists”.

*A scene out of a Renoir painting in the Renoir Garden © Karen Rubin/goingplacesfarandnear.com*

But the most special part of this place is the garden immortalized by Auguste Renoir in his paintings including La Balancoire (“The Swing”) – you can even see same swing hanging from a tree branch that he painted. The impressionist painter lived on this very site between 1875 and 1877m where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”) and Jardin de la rue Cortot (“Rue Cortot Garden”). You easily see the scenes that he immortalized – there is even a lily pond.

*Enjoy Café Renoir in the Renoir Garden at Musee de Montmartre © Karen Rubin/goingplacesfarandnear.com*

This truly is like a Woody Allen “Midnight in Paris” moment where time has rolled back. An oasis of peace and tranquility, you can sit and enjoy refreshments from the Café Renoir and feel you have floated into Renoir’s canvas.

*The stunning grounds of Musee de Montmartre, where many artists lived and painted, captures their creative spirit © Karen Rubin/goingplacesfarandnear.com*

Here in the garden, you find Café Renoir, its glass roof decorated in the manner of a winter garden. The incredible peace of this place, where I enjoy lunch, is such a luxury, especially when you leave, walk the few steps toward the bustling Sacre-Coeur or Place du Tertre.

*See the actual swing depicted by Impressionist Auguste Renoir in his famous painting,* *La Balancoire, in the Renoir Garden at Musee de Montmartre, where the artist lived for a time © Karen Rubin/goingplacesfarandnear.com*

(You can visit the Gardens without visiting the Museum for E5, but that would be a mistake. The museum is exceptional.)

Musée de Montmartre, 12 Rue Cortot, 75018 Paris, Phone:+33 1 49 25 89 39, https://museedemontmartre.fr/en/musee-jardins/

*Artists at their easels in the Place du Tertre, continuing the Montmartre tradition © Karen Rubin/goingplacesfarandnear.com*

The tranquility of the Museum, and the undeniable feeling of going back in time, is in contrast to the bustle and press of tourists that snap you back into the present day at Sacre-Coeur and Place du Tertre. But that is where I go next (how can you not?).

There are scores of artists, in the tradition of Montmartre trying to eke out a living, selling their paintings or drawing your portrait or caricature, piggybacking the romance attached to the 19^th century artists.

Following a narrow cobblestone street, I come to Dali Paris gallery at 11 rue Poulbot for a very quick look at Salvador Dali’s creations.

*Dali Paris gallery in Montmartre © Karen Rubin/goingplacesfarandnear.com*

I miss out on seeing Le Bateau-Lavoir, a collection of small apartment buildings in Montmartre that served as the homes and studios of several artists, including Picasso, in the early 20th century.

*Sacre-Coeur Basilica dominates Montmartre and the Paris skyline © Karen Rubin/goingplacesfarandnear.com*

Next, I go to marvel at the Sacré-Cœur Basilica, a masterpiece of grace and grandeur. Built at the end of the 19th century in the Romano-Byzantine style, it houses the largest mosaic in France, measuring at 480 sq. meters, and is still actively used as a place of worship.

The forecourt of Sacre-Coeur (or if you are game, climb the 325 steps to the top of the majestic dome), provides an amazing view of Paris – which I note is like one of the paintings at the museum by Renaudin painted in 1899, depicting a landscape from this exact hilltop over Paris – how much has changed, and yet, the same. There is a continuity.

*Renaudin’s painting from 1899 at Musee de Montmartre depicts a landscape from this exact hilltop over Paris © Karen Rubin/goingplacesfarandnear.com*

Had I been able to stay longer, I would have delighted to see the Moulin Rouge, perhaps the most famous cabaret on the planet. It first opened in 1889 for the same world’s fair that brought Paris the Eiffel Tower, and for more than 125 years, 7 days a week, audiences of 1,800 have the delight of seeing the 60 performers including the 40 Doriss Girls maintain this tradition. In its day, you might see artist Toulouse-Lautrec who found inspiration in the Moulin Rouge’s audiences as well as the performers, among them La Goulue, Jane Avril or Yvette Guilbert stars of the French music hall. (I had seen Toulouse-Lautrec’s posters and photos of the can-can dancers at the Museum.) The cabaret endeavors to preserve the style of the original creators of the Moulin Rouge, Joseph Oller and Charles Zidler, but still offer a modern take on the original music hall style. (Le Moulin Rouge, 82 Boulevard de Clichy 75018 Paris, https://www.moulinrouge.fr/en/)

*Love locks on the wrought iron fence in from of Sacre-Coeur Basilica © Karen Rubin/goingplacesfarandnear.com*

I make it back to the hotel, Le 20 Prieure Hotel in the Marais district, at 3 pm (I left at 9:30 am), in time to pick up my bags and treat myself to an Uber (instead of two metros) to Charles de Gaulle Airport for my flight home.

Planning is crucial to fully enjoy your visit to Paris, especially this year, with the Olympics scheduled (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

Tourists can buy a Paris 2024 transit pass costing €16 a day, or €70 per week, allowing travel across the Île-de-France region, including to and from Charles de Gaulle and Orly airports. And if you are planning to go to venues outside of Paris requiring train travel, book in advance (raileurope.com).

This avoids having to queue up at a ticket machine and being confused about what zone ticket to purchase. Go to the helpful visitor information center right when you land at Charles de Gaulle where you can purchase the ticket, and therefore avoid the first line at the airport machines. The airport has excellent train links to the city but also the TGV trains to other parts of France (check raileurope.com).

Many of the attractions I visit during my four-day stay are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com), which also features experiences and attractions like the Seine bateaux mouches cruises.

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Olympic Venues

Be aware that Paris is abuzz with Olympics this summer (July 26-August 11), many of the venues will be in the center city – transportation will be affected (when I visited, the city was doing a drill on closing streets).

Much of the activity will be in the heart of the city itself, as well as throughout the Ile-de-France region. In all, there are 35 venues.

Many Paris iconic landmarks are being transformed into sporting arenas to offer spectators an unparalleled experience and provide an outstanding backdrop.

*Paris’ iconic landmarks, including the Eiffel Tower, will sport Olympic venues this summer © Karen Rubin/goingplacesfarandnear.com*

These include: the Eiffel Tower Stadium, Trocadéro, La Concorde Stadium, Hôtel de Ville, Alexandre III Bridge, Parc des Princes, Bercy Arena, South Paris Arena, Porte de La Chapelle Arena, Grand Palais, Champs de Mars Arena, Invalides, and Roland-Garros Stadium,

The Games will also take place throughout the Ile-de-France region, from Les Yvelines to Hauts-de-Seine, Seine-et-Marne and Seine-Saint-Denis. Seine-Saint-Denis will be home to the Olympic and Paralympic Village, the Media Village and six sports events. In addition, Seine-Saint-Denis is the venue for two Paralympic events – the Paralympic marathon and Paralympic road cycling.

Specific venues include: Le Bourget Sport climbing venue, Yves-du-Manoir Stadium, North Paris Arena, Stade de France, Aquatics Centre, Clichy-sous-Bois, Paris La Défense Arena in Nanterre, Château de Versailles, Vaires-sur-Marne Nautical Stadium, Saint-Quentin-en-Yvelines Velodrome, Saint-Quentin-en-Yvelines BMX stadium, Golf National, Elancourt Hill,

The Paris 2024 Games will extend to the whole of France, promoting the country’s rich and diverse heritage. The football (soccer) tournament will be played at six stadiums across France: Bordeaux, Nantes, Lyon, Saint-Etienne, Nice and Marseille. The handball’s final phases’ games will be played in Lille, while sailing will head to the Mediterranean, in Marseille. For the first time in history, the Games will even benefit overseas territories and their communities, with the Teahupo’o site in Tahiti to stage the Olympic surfing competition on one of the most beautiful waves in the world.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

4 DAYS IN PARIS: WANDERING THE MARAIS DISTRICT HIGHLIGHTS DAY 3

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Arts & Entertainment, Cultural travel, Destinations, European travel, Historic Places, Jewish Heritage Travel, Museums and Exhibits, Places of History

4 Days in Paris: Wandering the Marais District Highlights Day 3

March 10, 2024 krubin723

*Paris’ Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and street art, and historic, heritage and cultural sites* *© Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On the third and last full day of my stay in Paris, I could have planned a visit to Versailles, but I just want a day to wander without a plan. Still, I have on my list several places that I keep seeing street signs for in this fascinating Marais district where I have cleverly chosen a hotel.

*Paris’ Marais District is a delightful mixture of venerable and contemporary © Karen Rubin/goingplacesfarandnear.com*

The Marais District is a colorful combination of the venerable and contemporary, trendy cafes, a mélange of architecture and historic, heritage and cultural sites, all packed into a relatively small (walkable) area. It is particularly wonderful to wander because the narrow, winding streets are a bit of a maze, and you keep coming upon architectural jewels – even a medieval tower – that span the centuries, trendy cafes and shops, street art, and historic places, especially sites that recall that the Marais was once a Jewish neighborhood. The main thoroughfare is Rue Vielle du Temple, and another is Rue du Temple. I had already come upon the Memorial de la Shoah, and have yet to find the Square du Temple-Elie Wiesel, le Carreau du Temple, a former clothes market that was transformed into a cultural center in 2014, or the Jardin Anne Frank.

I go in search of Place des Vosges, described as the oldest public square in Paris and an “early urban planning marvel”.

*Parvis des 260 Enfants is a reminder that Le Marais used to be a Jewish neighborhood* *© Karen Rubin/goingplacesfarandnear.com*

I get lost and instead come upon Parvis des 260 Enfants – a plaza where a marker recalls 260 Jewish school children were deported and murdered in the Holocaust. Behind a locked gate is the “Ecole Primaire Commudej Garcons Israelites Mode Mutuel.”

I finally find the Places des Vosges – which strikes me as reminiscent of Gramercy Park in Manhattan with townhouses all around. It was built for a king for jousting and festivals – the townhouses came later. It isn’t what I expected.

***Places des Vosges*** *is the oldest public square in Paris and an early urban planning marvel. One of the townhouses is now the Victor Hugo Museum © Karen Rubin/goingplacesfarandnear.com*

Though I have on my mental wish list to visit the Victor Hugo Museum, I don’t realize that it is actually one of these townhouses on Places des Vosges. (Years ago, I actually visited Victor Hugo’s “home in exile” on the quaint Channel Island of Guernsey and found it fabulous). But I get distracted and forget to look for it when I leave the square.

This is a huge regret – “Discover the private world of Victor Hugo. Get to know the man, the visionary artist, the proactive thinker and, of course, the writer of genius,” the museum promises. The museum incorporates the apartment that Victor Hugo rented from 1832 to 1848 is located on the 2nd floor of 6, Place Royale (now Place des Vosges). Its layout takes you through his life by means of the furnishings, objects and works of art that he created himself, owned, or are related to his writing.

While living in this apartment, Hugo wrote some of his major works: Mary Tudor, Ruy Blas, Les Burgraves [The Commanders], Les Chants du crépuscule [Songs of Twilight], Les Voix intérieures [Inner Voices], Les Rayons et les Ombres [Beams and Shadows], a large part of Les Misérables, and the beginning of The Legend of the Ages and Contemplations.

*The Marais District is full of surprises, like coming upon this medieval tower © Karen Rubin/goingplacesfarandnear.com*

More than the writer’s house, the Maison de Victor Hugo is an important museum with a collection of 50,000 works of art- paintings, drawings, sculptures, prints, photographs, objects, a library, and collection of manuscripts and archives, all bearing witness to the life and work of Victor Hugo.

(Booking in advance is not required but is recommended. Admission to the museum’s permanent collections is free; an admission is charged for special exhibitions.)

Maison de Victor Hugo, place des Vosges, 6 place des Vosges, 75004 Paris,
Phone : 01 42 72 10 16; open 10-6, Tuesday-Sunday, https://www.maisonsvictorhugo.paris.fr/en/paris/museum/visit-apartment-today

(Add to my regret: I discover too late that in the Marais district is an Henri Cartier-Bresson Foundation, celebrating the ground-breaking photographer and founder of Magnum and photography, at 79 Rue des Archives, 75003 Paris, www.henricartierbresson.org)

Musee Carnavalet

But leaving the Square in the opposite direction from Maison de Victor Hugo (why I didn’t see it), I happen upon the Musee Carnavalet, dedicated to recounting the history of Paris and its inhabitants. It is absolutely fabulous – for the story, the artifacts, the art it presents, and it answers the question I had been wondering about: how Paris, as fabulous a city as it is, came to be.

The museum occupies two neighboring historic mansions: the Hôtel Carnavalet, was purchased by the Municipal Council of Paris in 1866 and opened to the public in 1880 (the oldest of Paris city museums); and the former Hôtel Le Peletier de Saint Fargeau which was annexed and opened to the public in 1989. Both are exquisite.

The Carnavalet, which dates from the 16th century, contains stunning furnished rooms from different periods of Paris history, historic objects, and a huge collection of paintings of Paris life depicting the city’s history and development, as well as its notable characters. There is a huge collection of antiques and artifacts from the French Revolution that bring this era to life in your mind (I note a portrait of Ben Franklin); from the Second Republic of 1848, and the siege of the commune in 1870 (the era depicted in Hugo’s “Les Miserables”). The horror of the Nazi occupation is also represented.

*Paintings arranged like a 19^th century salon, at Musee Carnavalet © Karen Rubin/goingplacesfarandnear.com*

You come to a grand room that looks like the 19^th century art salons the painters would exhibit in, with its walls filled with works by artists including Joos Van Cleve, Frans Pourbus the Younger, Jacques-Louis David, Hippolyte Lecomte, and Simon-Auguste.

*Dramatic historic paintings on view* *at Musee Carnavalet help tell the story of how Paris came to be © Karen Rubin/goingplacesfarandnear.com*

“At the crossroads of archaeology and history, the decorative arts and fine arts, urban history and social anthropology, the museum provides the keys to understanding the history of this unique city-capital-metropolis.”

It houses both well-known masterpieces along with little known treasures that tell the complex story of Paris, from its origins to present day, spanning 8,500 years and holds a mind-boggling 625.000 objects, presented in 85 permanent exhibition rooms

You need to spend at least two hours here. (Tuesday-Sunday, 10-6)

Musée Carnavalet, 23 Rue de Sévigné, 75003 Paris, http://carnavalet.paris.fr/en

*So much fun to get lost in the Marais District © Karen Rubin/goingplacesfarandnear.com*

Carnavalet Museum, which proves a highlight of my Paris stay and the best reason for just wandering around, is one of the 14 City of Paris’s museums that have been incorporated since January 1, 2013, in the public institution Paris Musees. Others include: Catacombes de Paris, Crypte archéologique de l’Ile de la Cité, Maison de Balzac, Maison de Victor Hugo – Hauteville House (and in Guernsey), Petit Palais City of Paris Museum of Fine Arts, Musée d’Art Moderne de la Ville de Paris, Musée Bourdelle, Musée Cernuschi, Museum of Asian Art, Musée Cognacq-Jay, Musée Galliera, Museum of the General Leclerc and the Paris’ Liberation – Jean Moulin Museum, Musée de la Vie Romantique, Zadkine Museum

The Musée Picasso-Paris

*The Musee Picasso-Paris boasts the world’s richest public collection on Picasso © Karen Rubin/goingplacesfarandnear.com*

I set out next for the The Musée Picasso-Paris which is also in the Marais district – housed incongruously (considering Picasso’s art) in another classic historic mansion. The museum makes the claim to “the world’s richest public collection on Picasso” with 297 paintings, 368 sculptures and 3D works, 200,000 archived items, 92 illustrated books by Picasso. It also boasts a collection of 50 pieces of furniture by Diego Giacommetti.

Musée National Picasso-Paris, 5 rue de Thorigny, 75003 Paris, https://www.museepicassoparis.fr/en

Museum of Jewish Art & History

From the Picasso Museum, I find my way to the Musée d’Art et d’Histoire du Judaïsme (Museum of Jewish Art & History).

As I walk up Rue de Place Republic to Rue de Temple, I find a marker that says 76,000 Jews were deported by Nazis to concentration camps; 2000 returned. Among those who were deported were the residents of 71 Rue de Temple, a 17^th century historic mansion which today houses the Jewish Museum (mahJ), and when you first go in, there is a sort of tribute to them.

*A statue of Dreyfus is in the courtyard at the entrance to the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com*

The museum traces Jewish artistic and cultural heritage, focusing on the history of the Jews in France since the Middle Ages to the 20^th century, and evoking the communities of Europe and North Africa. Its collection, which it boasts is one of the finest in the world, comprises religious objects, manuscripts, textiles, and archival documents, such as concerning the Dreyfus Affair. (A statue of Dreyfus is in the courtyard at the entrance to the museum).

*A painting by Marc Chagall on view at the Museum of Jewish Art & History © Karen Rubin/goingplacesfarandnear.com*

Special emphasis is given to the Jewish presence in the arts. The museum’s collections include works of art from painters of the School of Paris, Marc Chagall, Kikoine Soutine and Amedeo Modigliani and contemporary artists such as Christian Boltanski and Sophie Calle.

*At the Museum of Jewish Art & History, art and religious ritual come together as in this historic shul © Karen Rubin/goingplacesfarandnear.com*

I find the exhibit more about Jewish ritual objects and such, than it is about Jewish history, culture and art – but I am really at a disadvantage in understanding since there are no English translations.

Musée d’Art et d’Histoire du Judaïsme, Hôtel de Saint-Aignan, 71 Rue du Temple, 75003 Paris, France, https://www.mahj.org

Next I head toward the Place de la Bastille where the notorious Bastille prison once stood, until it was stormed and destroyed between 14 July 1789 and 14 July 1790 during the French Revolution. No vestige of the infamous prison remains. Instead, the July Column (Colonne de Juillet) commemorating the July Revolution (1830) at the center of the square and the Opera house.

*The Place de la Bastille where the notorious Bastille prison once stood is nothing like I envision © Karen Rubin/goingplacesfarandnear.com*

And while the square is now the site of concerts, cafes and nightclubs, it is also often the centerpiece for political demonstrations.

Another square, the Place Royale, which is close to my hotel, Le 20 Prieure Hotel, is also important for France’s history, but today is a place for skateboarders, misting station who seem to be completely unimpressed by the fabulous plaques, reliefs and inscriptions that decorate the statue at its center.

*The Place Royale © Karen Rubin/goingplacesfarandnear.com*

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Day 4 in Paris: Montmartre

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

4 DAYS IN PARIS: LE LOUVRE HIGHLIGHTS DAY 2

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Arts & Entertainment, Attractions, Cultural travel, Destinations, European travel, Historic Places, Jewish Heritage Travel, Museums and Exhibits, Places of History, Tips for Travel

4 Days in Paris: Le Louvre Highlights Day 2

March 5, 2024 krubin723

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Le Louvre is SOOO big, so famous and so very popular – in fact, the world’s largest art museum at 652,300 sq. ft., housing some 35,000 objects from prehistory to the 19^th century – the best strategy is simply to just surrender to it, go with the flow, and be surprised.

In 2018, the Louvre welcomed 10.2 million visitors, 3.5 million more than the Vatican Museums which is the second largest in Europe. The collection is valued at well over $35 billion plus another $10 billion for the building!

Once the home to French Kings including Louis XIV, this monumental palace, Le Louvre was converted to a museum during the French Revolution in the late 18th century © Karen Rubin/goingplacesfarandnear.com

Once the home to French Kings including Louis XIV, this monumental palace began as a fortress built in the late 12^th century under King Philip II. It was converted to a museum during the French Revolution in the late 18th century. (Hence my observation that such magnificent structures that make Paris so fabulous could only have been built by a monarchy, but opened to the public by a democracy.)

The galleries span 15 acres, which is why, except for the Mona Lisa and some of the other majorly famous items, it is possible for 15,000 people a day to come through and you can still have some areas almost to yourself.

*The grand lobby of Le Louvre is at the base of the glass pyramid © Karen Rubin/goingplacesfarandnear.com*

It is massive and overwhelming – like culture shock, really, especially after having visited the comparatively calm Musee D’Orsay the day before. The connecting rooms through three wings of the palace that surround the massive courtyard seem to go on and on and on.

Considering that it would take 100 days to see all the art in Le Louvre, I decide the best thing is to just go with the flow – and get the Mona Lisa out of the way – and then just wander and be surprised. (Besides the Mona Lisa, the other blockbuster attractions are Venus de Milo, and the Winged Victory.)

It is also one of the most fabulous buildings you will ever have the chance to visit, and just going room by room (be sure to look up at the decorated ceilings), is thrilling.

I follow the signs –and the crowd – into the hall with the Mona Lisa, “La Gioconda.”

*The scramble to see Leonard DaVinci’s “Mona Lisa” © Karen Rubin/goingplacesfarandnear.com*

It’s a bit of a jungle to make your way to the painting (they could have alleviated by putting up ropes that guide you along, like they do outside at the ticket counter, which would also give everyone their turn at seeing the painting from all angles). I move through the middle, row by row.

The sitter for the portrait is believed to be Lisa Gherardini (1479-1542) who lived in Florence, the wife of Francesco del Giocondo, a wealthy silk merchant. “Leonardo aimed to bring his portrait to life by depicting Lisa as if she were naturally turning to welcome us. Her upper body is in three-quarter view, but her gently smiling face is frontal,” a poster analyzing the painting notes.

I learn that Leonardo da Vinci used the afumato painting technique of applying multiple layers of pigments bound in oil to create subtle transitions from shadow to light, which is how he brought his model’s gentle smile to life.

DaVinci never finished “Mona Lisa” but took the painting with him everywhere until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection. © Karen Rubin/goingplacesfarandnear.com

I also learn that the landscape is imaginery – “Leonardo mastered so-called ‘atmospheric perspective’ using different shades of blue to blur the outlines and give the scene a striking depth. A path on the left draws our gaze to mountains bordered by lakes. This wild majestic landscape suggests the slow formation of the Earth, the battle of the elements and the erosion caused by time.”

Leonardo began this partially experimental painting around 1503 and never finished it. Yet, it is intriguing to learn that he took it with him everywhere he went, until his final trip to France in 1516 at the invitation of King Francois I. The king bought the painting, which is how the “Mona Lisa” entered the French royal collection.

*Monumental paintings at Le Louvre provide a record of history, or at least a version of it © Karen Rubin/goingplacesfarandnear.com*

Near to where you exit from Mona Lisa is a great hall lined with monumental historical paintings.

There is one where Emperor Napoleon is crowning the Empress Josephine. Another depicting Napoleon at the Battlefield of Eylau (9 February 1807), a battle Napoleon’s troops won against Russians and Prussians but paid a high price in lives.

“For the purposes of propaganda, the artist Antoine Jean Gros (who painted it in 1808) depicted Napoleon as a compassionate conqueror ensuring aid for the wounded enemy soldiers. The zeal of the doctors and the emperor’s serenity temper the horrors of war.”

There is also Jacques-Louis David’s a portrait of Napoleon Bonaparte (1769-1821) painted when he was a young dashing fellow (1797-1798).

*Jacques-Louis David’s portrait of a young Napoleon Bonaparte © Karen Rubin/goingplacesfarandnear.com*

You realize that such paintings (as well as statues, busts, coins and stamps) were the only way people could record what someone looked like or a historic event (and therefore eminently exploitable for propaganda).

After getting the Mona Lisa under my belt, I just kind of wander, with no specific plan, just being surprised as I go through palatial rooms. (As a general rule, the further away from the Mona Lisa you get, the less crowded until you find rooms that you can have almost to yourself.)

As it happens, I practically fall upon another of Le Louvre’s famous statues, “The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase. Dating from 190 BC, “Winged Victory” is of major importance because it is one of the few surviving examples of original Hellenistic sculpture.

*“The Winged Victory of Samothrace,” that graces the top of the monumental Daru staircase, dates from 190 BC © Karen Rubin/goingplacesfarandnear.com*

But at one point, I decide to search for the Venus de Milo – the third in the triumvirate of Le Louvre’s iconic works – get lost, and, instead, find myself amid Mesopotamian, Greek and Roman artifacts, instead (I never find Venus).

Just being in Le Louvre, housed in a fabulous palace built for kings, is thrilling enough, but coming upon the Code of Hammurabi, makes for an incomparable experience © Karen Rubin/goingplacesfarandnear.com

In fact, I am stunned when I stumble upon the Code of Hammurabi – in fact, one of the most exciting works in the Louvre. This black stele of basalt stands over two meters high and is engraved with the earliest collection of written laws in human history. It was engraved in Babylon (today’s Iraq) around 1760 BC and recovered in 1901 in Susa (present-day Iran). (The Ten Commandments is dated between 16^th and 13^th centuries BCE.)

*The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice © Karen Rubin/goingplacesfarandnear.com*

Hammurabi was the first sovereign who decided to convert rules formerly passed on through oral tradition into an actual code of laws. The upper part of the stele depicts Hammurabi himself, symbolically receiving the laws from the sun god Shamash, the patron of Justice. The lower part is the text documenting 282 laws. The most prominent (famous) is establishing the legal standard of retaliation – the right to inflict damage in equal measure on those who intentionally harmed you (“an eye for an eye and a tooth for a tooth,” though equality of punishment took into account the same social level), according to an article by Stefano Zuffi e Davide Tortorella (https://mywowo.net/en/france/paris/louvre-museum/hammurabi-stele-richelieu-wing-hall-3)

*Le Louvre is a fabulous palace © Karen Rubin/goingplacesfarandnear.com*

Le Louvre is really a palace – one of the grandest you have ever seen or have the opportunity to be in. Just walking through the galleries, so opulently decorated from floor to ceiling, the ornamentation is quite fabulous.

You need at least 4 hours to visit.

If your schedule allows and you book early enough, visit the Louvre Museum at night when the vibe is less frenetic and the famous pyramid is illuminated. (Wednesday and Friday, open until 9:45 pm.). Otherwise try to book a morning time as early as possible.

There are several ways to avoid waiting in a long line to get into the Louvre: purchase the Paris Museum Pass (you still must book a time slot in order to guarantee access into the museum; you provide the serial number of your Museum Pass, https://www.ticketlouvre.fr/louvre/b2c/index.cfm/pmpevent/eventCode/PMP, here); book a timed entry ticket online in advance at the official Louvre website, €17 (https://www.louvre.fr/en/visit/hours-admission); or take a tour (https://www.getyourguide.com/louvre-museum-l3224/).

Le Louvre, https://www.louvre.fr/en/visit/.

*All the bridges across the Seine become venues for “love locks” © Karen Rubin/goingplacesfarandnear.com*

Ile de la Cite

I cross the Seine on the Pont Royale and walk along the Quai Voltaire to return to the Isle de Cite for another look at Notre-Dame Cathedral, hoping to see workmen on a Monday.

*A photo exhibit documents the destruction of Notre-Dame Cathedral, as well as the reconstruction © Karen Rubin/goingplacesfarandnear.com*

The tragic fire in April 2019 destroyed so much of the iconic 860-year-old limestone and the latticework of ancient timbers that formed Notre-Dame’s attic, melted the roof’s lead sheath, and endangered the stability of the stone structure. The cathedral’s spire was sent crashing into the interior. It has since been raised again, “one of the most visible and most potent symbols of the cathedral’s rebirth,” a newspaper account states.

There is an outstanding photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of Notre-Dame’s restoration.

“I trained with teams of rope technicians, perched on ancient stones above the abyss, to access the heights of the cathedral,” Photographer Tomas van Houtryve relates. “It felt more like being on an alpine expedition than in the center of Paris. Bit by bit, the technicians carefully removed debris and consolidated stones.”

*Getting a glimpse of the reconstruction of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

While I am standing in front of this exhibit, I learn that Jean-Louis Georgelin, the French general in charge of Notre-Dame’s reconstruction, had died just three days before, on August 18, in a fall while trekking in the Pyrenees mountains; he was 74 years old. Regarded as the architect of Notre-Dame’s rebirth, “The nation has lost one of its greatest soldiers,” President Emmanuel Macron said of him.

In an interview with the newspaper Le Monde in April, General Georgelin had insisted that “everything is being rethought.” Innovations include “cutting-edge” fire prevention technology like misting systems, thermal cameras and fire-resistant doors, as well as a recovery system to treat rainwater running off the lead roof before it goes into Paris’s sewers. “We are rebuilding Notre-Dame identically,” Georgelin had stated. “But we are building a 21st-century cathedral.”

I wonder if this tragedy would also put a monkey wrench into the restoration efforts. So far, the plan is to reopen in December (it would have been a miracle to reopen in time for the Olympics this summer). But renovation work — especially on the exterior — will continue for years after the cathedral reopens for religious services and visitors (12 million used to visit every year).

There are signs that acknowledge and express gratitude to the worldwide community that has contributed to the restoration.

(Friends of Notre Dame publishes updates on the restoration: https://www.friendsofnotredamedeparis.org/)

*Zone of the charming cafes on Ile Saint-Louis © Karen Rubin/goingplacesfarandnear.com*

From Île de la Cité, I cross Pont Saint-Louis to Île Saint-Louis – more of a residential neighborhood with pleasant boulangeries, quaint cafes and delightful ice cream shops, and find a small park overlooking the Seine to enjoy my ice cream.

For a different Parisian experience, I had checked out my junior suite in the five-star boutique luxury historic Hotel Napoleon just steps away from the Arc de Triomphe in the tony 8^th Arrondisement, and took an Uber to my hotel for the second part of my Paris visit, Le 20 Prieure Hotel, a modest but pleasant three star in the Marais district which I find on hotels.com (my booking includes breakfast).

From here the Ile Saint-Louis, it’s a mostly straight shot walking across the bridge and up Rue Vielle du Temple Boulevard to my hotel, Le 20 Prieure Hotel (20 Rue du Grand Prieuré, 75011 Paris, https://www.hotel20prieure.com/en/) about two miles through the Marais District.

Today, Le Marais district is considered “trendy” with charming streets full of hip cafes, boutiques, and bookstores, Gay Pride flags and rainbow-painted crosswalks, and street art.

The Marais, though, was once a predominantly Jewish neighborhood, that still has the marks, remnants, and scars of being uprooted in the Holocaust.

*Memorial de Shoah in the Marais district © Karen Rubin/goingplacesfarandnear.com*

I come upon Allee Des Justes Parmi Les Nations, which I quickly realize borders the Shoah Memorial Center, a museum, information and research center on the history of the genocide of the Jews in World War II.

*Allée des Justes at the* *Memorial de Shoah in the Marais district records the names of the righteous © Karen Rubin/goingplacesfarandnear.com*

This 60 meter section of the rue Grenier sur l‘Eau was transformed into the ‘Allée des Justes’ 12 years ago, and refers back to the “Righteous Among the Nations,” a title awarded by the World Holocaust Center in Jerusalem, Yad Vashem, to non-Jews who risked their lives during World War II by helping Jews to hide, flee or survive. The memorial lists the names of the French ‘Justes’ and the locations of their deeds. One side remembers the Jewish victims on the ‘Wall of Names’ and the other side, the “Wall of the Righteous,” the French rescuers of Jews. Since Yad Vashem still awards this title to people throughout the world each year, French names continue to be added. On January 1 2012 France counted 3.513 Justes. (The Netherland has 5,204, Poland has 6,339).

As I walk about the district, I note on schools and certain public institutions, France’s credo, “Liberte, Equalite, Fraternite” (so much better than America’s relatively recent motto, “In God We Trust” adopted in 1956 in reaction to Communism.)

On one building, there is also a plaque dated December 2001 which I translate, “Arrested by the police of the Vichy Government, complicit with the Nazi occupiers, more than 11,000 children were deported from France between 1942-1944 and sent to Auschwitz because they were Jews.”

There is a street sign pointing the way to the Museum of Jewish Art & History, and I put it on my list to visit.

Many of these attractions are included in the Paris Museum Pass, http://en.parismuseumpass.com/ and Paris Pass (ParisPass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day 3 in the Marais

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

4 DAYS IN PARIS: MUSEE D’ORSAY HIGHLIGHTS DAY 1

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Arts & Entertainment, Attractions, Cultural travel, Destinations, European travel, International Travel, Monuments, Museums and Exhibits, Tips for Travel

4 Days in Paris: Musee D’Orsay Highlights Day 1

February 26, 2024 krubin723

The grand Musee D’Orsay, one of the most important museums in the world, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

On my first morning in Paris, as I set out from the Hotel Napoleon just across from the Arc de Triomphe in the tony 8^th Arrondisement, at 10 am for a beautiful walk down Champs-Elysee to Place de la Concorde, passed the Grand Palais, across the Seine, passed the National Assembly to my destination, the Musee d’Orsay, I am immediately under the city’s spell.

Paris is regal. Majestic. Monumental. The scale of the boulevards, the buildings, the structures. It is big and bustling, but curiously, you don’t feel choked or overwhelmed – probably because no structure is taller than the Eiffel Tower and you can see out, and because the city is designed around open spaces –the wide boulevards, gigantic plazas, parks, the Seine flowing through. There are places to sit, even water fountains and misting stations, while the smaller neighborhoods, with their narrow twisting roads, are quaint and quiet (little traffic).

The level of grandeur is breathtaking, and for a moment I am thinking that only a monarchy could have built this, a democracy never would have. But in the next, I am reminded that only the Revolution opened them for public purpose.

*A view of Le Louvre. Paris is one of the most beautiful cities in the world, making strolling ideal.*
*© Karen Rubin/goingplacesfarandnear.com*

I walk everywhere and Paris makes it easy (and safe). Paris is one of the most beautiful cities in the world, making strolling ideal. But for getting around, Paris is also a biking city with superb bike lanes, traffic signals (get preference over cars, in fact), and huge number of bike share stations.

It is helpful to have paper map, and not just rely on cell phone GPS (remember to download maps when you have WiFi so can access offline – I keep forgetting), but it is part of the joy of the travel experience to rely on the kindness of locals to point you in the right direction, even with limited French.

It is essential to plan your visit to Paris’ top museums and attractions in advance, and pre-purchase timed ticket, or book a time if you have the Paris Museum Pass (http://en.parismuseumpass.com/) or Paris Pass (parispass.com), and try to book as early a time as possible, or evening hours.

And though it is better to try to visit on weekdays, considering that the Musee D’Orsay is closed on Monday (I book my Le Louvre visit for that day), I pre-booked my visit for Sunday.

Musee d’Orsay

The Musee d’Orsay is housed in what had been a truly grand train station, a Beaux-Arts jewel built for the Universal Exhibition of 1900. It is famous for its fabulous collection of French art from 1848 to 1914 – paintings, sculpture, furniture, photography – including the largest collection of Impressionist and post-Impressionist masterpieces in the world.

Here you can experience for yourself (in relative peace, mind you) the exquisite works of Van Gogh, Monet, Manet, Degas, Renoir, Cezanne, Seurat, Sisley, Gaugain and Berthe Morisot – actually it seems just about all my favorite paintings by my favorite artists, as well as being introduced to outstanding works I am unfamiliar with.

The grand Musee D’Orsay, one of the most important museums in the world, famous for its collection of Impressionist and Post-Impressionist artists including Van Gogh, is housed in a magnificent Beaux-Arts train station built for the Universal Exhibition of 1900 © Karen Rubin/goingplacesfarandnear.com

The layout of the galleries is exquisite, and the views from the fifth floor gallery where the Van Goghs are displayed and from the Restaurant (you look through the massive clock to Sacre Coeur on Montmartre, like those scenes in the movie, “Hugo”) take your breath away.

*The Musee D’Orsay makes for exquisite viewing of masterpieces © Karen Rubin/goingplacesfarandnear.com*

Though the Musee D’Orsay is one of the largest museums in the world and the second most popular to visit in France after Le Louvre, it doesn’t feel large or crowded or intimidating. The clever layout – a warren of smaller galleries off a main, open hall – makes it feel more intimate and calm, even as I stand in front of such a popular painting as Van Gogh’s “Starry Night” (I think this is the equivalent of the Mona Lisa in Le Louvre). The way you realize just how vast the museum is – at any time about 3,000 art pieces are on display – is by realizing you’ve been there for four hours. Time melts away, like the humongous clocks you get to see through to Paris’ magnificent skyscape.

*View to Montmartre through the Musee D’Orsay clock© Karen Rubin/goingplacesfarandnear.com*

The museum has 24 Van Goghs including such renowned works as L’Arlésienne, Bedroom in Arles, Self Portrait, portrait of his friend Eugène Boch, The Siesta, The Church at Auvers, View from the Chevet, The Italian Woman, Starry Night, Portrait of Dr. Gachet, Doctor Gachet’s Garden in Auvers, Imperial Fritillaries in a Copper Vase, Saint-Paul Asylum, Saint-Rémy, Self Portrait.

*As popular as Van Gogh’s “Starry Night” is, you still get a moment almost to yourself to enjoy it, at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com*

The Van Gogh gallery on Level 5 has an added attraction: the most magnificent views across the Seine of Le Louvre to Montmartre from one set of windows, the Eiffel Tower from another.

*View from the Van Gogh Gallery at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com*

There are 81 Renoirs including “The Swing” (significant when I visit the Musee de Montmartre and see the spot where he painted it!), and 18 by Toulouse-Lautrec, plus James McNeill Whistler’s famous “The Artist’s Mother’, better known as “Whistler’s Mother.”

As I go through galleries of portraits, I wonder whether the sitters contemplated becoming immortal, that their visages would be admired and their personas wondered about for centuries.

*“A Street in Paris,” by Maximilien Luce shows the power of painting to document* *© Karen Rubin/goingplacesfarandnear.com*

Besides seeing “in person” the art works that are among the most famous in the world (and it seems just about all my favorites), there are masterpieces by artists that may not be as “top of mind” to explore and discover as well. One, “A Street in Paris,” by Maximilien Luce, that is so haunting, depicting “Bloody Week” of May 21-28, 1871, and the brutal suppression of the Commune, a revolutionary movement that emerged from the political chaos after the French defeat in the Franco-Prussian War of 1870 and the fall of the Second Empire, events immortalized in Victor Hugo’s “Les Miserables” and the musical “Les Mis” which Luce painted 30 years after the event that so affected Luce.

It is a further demonstration of the power of art to document history, events, and bring faraway places to people, especially before photography.

Thank goodness, the really excellent notes are presented in French and English (not so in many other places).

The atmosphere of the museum is like putting yourself into the canvas.

*Restaurant at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com*

Besides the full-service restaurant, there is an absolutely delightful café in the lower level – reasonably priced and very comfortable, where I get refueled.

Towards the end of my visit, I find myself in a grand ballroom which feels weird.

*Captivated by the clocks at Musee D’Orsay © Karen Rubin/goingplacesfarandnear.com*

It’s a feeling of complete joy of being in that space stays with you, that rushes back like warm water, even as I review my photos later.

Open from 9.30 am to 6 pm daily, except Mondays; late night on Thursdays until 9.45 pm

Musee D’Orsay, Esplanade Valéry Giscard d’Estaing, 75007 Paris, https://www.musee-orsay.fr/en/

Ile de la Cite

From the Musee D’Orsay, I stroll down the quai along the Seine, with the marvelous book/magazine sellers, to the Pont Neuf (the oldest bridge in Paris) to Île de la Cité, a small island in the center of Paris where Notre-Dame and Sainte-Chapelle are found. It is the historic heart of Paris.

*Colorful vintage magazine and newspaper sellers line the Quai © Karen Rubin/goingplacesfarandnear.com*

I am really interested to see the progress on the restoration of Notre-Dame Cathedral, after that devastating fire of April 15, 2019.

There is an excellent photo exhibit by photographer Tomas van Houtryve with notes documenting the dramatic story of the restoration.

*A photo exhibit explains the reconstruction project of Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

A short walk from Notre-Dame, in a small park, I come upon Holocaust Memorial to the 31,000 Parisians sent to Auschwitz.

*Holocaust Memorial near Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

Also close to Notre Dame on the Ile de Cite is Sainte-Chappelle, famous for its stained glass windows.

Sainte-Chapelle is considered one of the finest examples of Rayonnant period of Gothic architecture. Built between 1238-1248, the royal chapel was commissioned by King Louis IX to house his collection of Passion relics, including Christ’s Crown of Thorns – one of the most important relics in medieval Christendom. It served as the residence of France’s kings until the 14^th century.

*Sainte-Chapelle, Paris* *© Karen Rubin/goingplacesfarandnear.com*

A curious chart outside the chapel shows that Sainte-Chappelle cost 266,000 gold francs for the elevation of its spire and the restoration of the roof, equivalent to 1.06 million Euros, total weight 232.4 tons, 75 meters high from ground level, work done between 1853-1855.

Notre Dame Cathedral: cost 500,000 gold francs for the elevation of its spire, equivalent of 2 million euros today; total weight 750 tons, 96 meter high from ground, work from 1859 to 1860.

Adjacent to Sainte-Chapelle is La Conciergerie, the palace where Marie-Antoinette was held before her execution (it’s closed by the time I arrive).

*Sainte-Chapelle and Conciergerie, Paris* *© Karen Rubin/goingplacesfarandnear.com*

Sainte-Chapelle and Conciergerie are operated as a museum by the French Centre of National Monuments.

La Sainte Chapelle, https://www.sainte-chapelle.fr

I pick up food for my dinner at a boulangerie on the quai.

*Tuileries Garden, Paris © Karen Rubin/goingplacesfarandnear.com*

Walking back to the Hotel Napoleon, I stroll alongside the full length of Le Louvre museum – once a palace – stunned by how large, and how exquisitely ordained it is (I will be visiting the next day), through Tuileries Garden to the Place de la Concorde, the largest square in Paris, where King Louis XVI, Marie Antoinette and Robespierre were executed by guillotine during the French Revolution.

*Place de la Concorde, Paris © Karen Rubin/goingplacesfarandnear.com*

I walk by the Petit Palais (where there is a Sarah Bernhardt exhibit I wish I could have seen; free admission to the collections!), to the Champs-Élysées. (There is really good signage that direct you to the places visitors most want to see.)

*Petit Palais, Paris © Karen Rubin/goingplacesfarandnear.com*

Eiffel Tower

I get back to the Hotel Napoleon and rest awhile before heading out again to see the Eiffel Tower at night.

I walk down the Champs Elysee, cross over toward the Seine and take in the classic café scene. There are innumerable couples in this City of Love.

*Café George V, Paris © Karen Rubin/goingplacesfarandnear.com*

The view from across the Seine – with the Bateaux Mouches (sightseeing boats) passing by – is enchanting enough, but seeing the Tower from its base is breathtaking.

*View of Eiffel Tower across the Seine © Karen Rubin/goingplacesfarandnear.com*

The Eiffel Tower is one of most beautiful structures in world – so elegant, so graceful, seemingly as light, delicate and intricate as filigree. I am surprised to learn that the design was criticized, even ridiculed when Gustave Eiffel, the engineer whose company designed and built the tower from 1887 to 1889, proposed it.

*Eiffel Tower, Paris © Karen Rubin/goingplacesfarandnear.com*

Nicknamed “La dame de fer” (“Iron Lady”), it was constructed as the centerpiece of the 1889 World’s Fair, and to crown the centennial anniversary of the French Revolution. (The tower also was supposed to be a temporary installation, but Eiffel pushed to have its lease extended and ultimately, became a permanent fixture of the city.)

We marvel at its beauty but in 1889, the tower was celebrated more as a historic feat of engineering: the first structure in the world to surpass both the 200-meter and 300-meter marks in height. At 330 meters (1,083 ft.) high, the Eiffel Tower is equivalent to an 81-storey building, and still is the tallest structure in Paris, dominating the skyline from wherever you are. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for 41 years until dethroned by New York City’s Chrysler Building in 1930.

The tower has three levels that visitors can reach, with restaurants on the first two. The top level’s upper platform is 276 m (906 ft) above the ground – the highest observation deck accessible to the public in the European Union.

It is fascinating to learn that the top level was actually a private apartment built for Gustave Eiffel’s personal use, which he decorated with furniture by Jean Lachaise and invited friends such as American inventor Thomas Edison. Today, you can’t visit the entire apartment, but there is a reconstruction of Gustave Eiffel’s office. Through the windows, you can see wax figures of Gustave Eiffel and his daughter Claire being visited by Edison.

There is also a new immersive experience that takes you inside Gustave Eiffel’s office (accessed by scanning a QR code on the first floor). While waiting for the lift on the first floor, you can also peruse historical documents with monitors, tactile screens, display cases, digital albums and photocopies of objects.

There are also new guided tours which must be booked online

The Eiffel Tower is one of the highlights of visiting Paris – in fact, one of the most-visited pay-to-enter monuments in the world, with almost 6 million visitors a year. It is almost essential to book a timed ticket ahead of time.

The wait for tickets – if they are not totally sold out – can be long. If you have interest in going to the top, book your tickets as soon as you know your dates for Paris. (Online tickets go on sale 60 days in advance for the elevator.)

But for a completely different experience (and if tickets for the elevator are sold out), you can also climb the stairs – from ground level to the first level is over 374 steps, and 300 more to the second, making the entire ascent 674 steps – about 20 minutes per level.

Stairway tickets for the second floor are sold online (up to 10 days in advance) or sold on-site. If you want to go to the top, you would need to purchase “stairway + lift” tickets. These tickets are only sold on-site in the South leg of the tower, guaranteeing minimal queueing times (only the most gung-ho visitors), where you take the stairs up. In peak periods, another leg may be opened for stairway ascents.

Other experiences: Madame Brasserie offers a lunch and dinner menu on the first floor (reservations strongly advised; the reservation includes the ascent to the 1st floor of the Eiffel Tower, but not to visit to the 2nd floor or to the top).

Reservations for dining or eating at the Jules Verne (2nd floor) must be made on the dedicated website. If you make a reservation for the Jules Verne, a private lift in the south pillar will take you directly to the restaurant when you arrive. The visit of the Eiffel tower is not included.

You can book your ticket for the top of the Eiffel Tower and add a glass of champagne at the champagne bar. The champagne bar at the top is open every day, from 10.30 am to 10.30 pm.

I would say the most enchanting time to experience the Eiffel Tower is at night.

Eiffel Tour, Champ de Mars, 5 Av. Anatole France, 75007 Paris, France, https://www.toureiffel.paris/en/planning-smooth-visit, https://www.toureiffel.paris/en/rates-opening-times

I stand in a park at the tower’s base, where there is a festive atmosphere among the throngs of people gathered – but for the Olympics, there will be a stadium built in front of the tower, before walking back to the Hotel Napoleon.

What a day – I must have walked 12 miles plus 3 hours worth in the museum. Here’s where I went:

Musee D’Orsay

Notre-Dame Cathedral

Sainte-Chapelle

Tuileries Garden

Place de Concorde

Champs-Elysee

Eiffel Tower at night

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

Next: Day2 Highlighted by Le Louvre

VISITING PARIS THIS YEAR? PLAN IN ADVANCE

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Arts & Entertainment, Attractions, Cultural travel, European travel, International Travel, Museums and Exhibits, Tips for Travel

Visiting Paris This Year? Plan in Advance

February 19, 2024 krubin723

*If you have a hope of seeing the Mona Lisa at Le Louvre, book your timed ticket as soon as you book your travel to Paris © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

If you are planning to visit Paris his year, it is especially important to make plans really early, lock in reservations to visit the sites, attractions, restaurants, hotels, even train or bus transportation you most want to include if you are going outside Paris.

Paris (with 85,000 hotel rooms) is expecting about 15 million visitors as it hosts the Olympics (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

The fact is, Paris is so popular (for good reason), there is no longer the “shoulder” season or “off season” (especially as more travelers seek the comparative comfort of cooler seasons, known as “coolcationing”). No matter when you travel, to get the most out of your visit, it is essential to do pre-planning. The days of just strolling into the major attractions are well gone, so advance purchase of timed- and capacity-controlled tickets will still be essential. Book online as soon as you know your dates of travel. In that way, you can avoid wasting valuable time and money waiting on line for tickets (followed by the line for security). Moreover, having a set time to visit the key attraction on your list will help you structure your day – while still allowing for serendipitous experiences and discoveries.

I must admit that my decision to spend four days in Paris at the end of my European Waterways canal boat cruise in the Alsace-Lorraine was a bit spontaneous and I didn’t have as much time as I would have liked to do the research and preparation which I am recommending here. (So I didn’t get to go up the Arc de Triomphe or the Eiffel Tower.) And planning out my visit for a city as big (and yet, as I found, not so big that I couldn’t walk everywhere), with as many highlights, was intimidating from a logistics point of view. So I began as I would hope other travelers do: I consulted what other travel writers have written about “four days” in Paris, and checked the various lists of “top attractions” like on tripadvisor.com.

Listen, while most travel writers will focus on the “off the beaten track” and “hidden gems” and “local favorites,” if, like me, you haven’t been to Paris in eons or ever, you want to experience what everyone else is talking about. They are the top attractions for a reason. But by preparing in advance in order to reduce wasting time waiting on lines, you will (I guarantee) have those serendipitous discoveries of “hidden gems” and “less known” that you can then boast discovering.

I had my list of top attractions, but how to organize in the best way?

Book your tickets to Musee D’Orsay in Paris in order to have more time to really enjoy the spectacular art collection, housed in this former Beaux Arts train station, in relative calm © Karen Rubin/goingplacesfarandnear.com

I started with figuring out the priority attractions – Le Louvre, Musee D’Orsay – that would require advance, timed tickets, and made each of them the centerpiece of a day. Musee D’Orsay is closed on Monday; Le Louvre is closed on Tuesday. Then I looked to what was around, but much of how I spent my day after was pretty spontaneous.

The city was hopping with visitors this year – as tourism recovered globally after pandemic closures and it seems the world decided never to put off again their dream destinations. I visited in late August, a very busy time in any year, and the city is already preparing for the Olympics (I happened upon a city-wide practice run for security street closures.)

And most surprising to me, was how easy it is to get around Paris – especially walking and by bicycle (with loads of bicycle share stations), with its special biking lanes and traffic signals, and traffic signals and crossings that favor pedestrians. For those who prefer, the superb metro and bus system has multi-day tickets.

I walked everywhere – because it is the whole of Paris that is the attraction – the architecture, the people, the street activity, and the sheer beauty of the city, absolutely one of the most beautiful, enchanting in the world. And not just around the stunning sites of the Eiffel Tower, Le Louvre, Musee D’Orsay and Notre Dame (which you can see as it is restored), but neighborhoods that are so picturesque, interesting, and full of character. So I plot the walking time into my day.

*It is thrilling to watch the progress of the restoration project at Notre Dame © Karen Rubin/goingplacesfarandnear.com*

But walking around, is the best way to come upon those “hidden gems” that no one else knows about. You have a cascade of serendipitous experiences, compelling places and surprises around every corner. It’s like surrendering yourself to the universe, or in this case, the city, and let it find you. And sometimes, when you set out in search for something, all these other things emerge.

(GPS is only helpful when you already have internet, but you should plot your route and then download so you have the maps offline or at least download the Paris map, which I kept forgetting to do, so I often relied on actual maps and the kindness of wonderful strangers, even with my very limited French, to point me in the right direction.)

During my four days in Paris, I visited:

Arrival afternoon:

Arc de Triomphe

Stroll the quais along the Seine for the magnificent views of Eiffel Tower at sunset into the night

Day 1: (Sunday)

Musee D’Orsay

Isle de la Cite (to see the restoration of Notre Dame)

Sainte-Chappelle

Tuileries Gardens

Place de la Concorde

Stroll the quai along the Seine to the Eiffel Tower at night

Day 2 (Monday)

Le Louvre

Notre Dame (again)

Isle de France

Marais District/Holocaust Memorial

Day 3 (Tuesday)

Marais District/Holocaust memorials

Place des Vosges

Museum of Paris History (a highlight)

Musee d’Art D’Histoire du Judaism

Musee Picasso-Paris

Bastille monument

Place Royale

Day 4 (Wednesday)

Montmartre

Musee Montmartre

Dali Gallery

Sacre Coeur

(Not on my list: Versailles, which I visited many years ago but any first-timer should visit)

And here are my regrets at having missed out: Victor Hugo’s House (turns out I was right there but didn’t know to look); Petit Palais which has marvelous exhibits (couldn’t time it right); the Crype Archeologique de L’Ile de la Cite (right beside the Notre Dame, but I never time it right to visit); and Catacombs (intriguing!). And yes, I regret not climbing the stairs up the Eiffel Tower (didn’t realize you can get that ticket on the spot) and seeing the museum and climbing inside the Arc de Triomphe

Yes, these are the most popular sites, but they are popular for very good reason, and if you are not a frequent visitor to Paris, you would be doing yourself a disservice not to experience them yourself. But there are ways to make the experience your own. Your list of “highlights” might be different – like the bateaux mouches cruise on the Seine (included in the Paris attractions pass).

*Try to book your visit to Le Louvre either early in the morning or on one of the evenings the museum is open late © Karen Rubin/goingplacesfarandnear.com*

I highly recommend getting the Paris Museum Pass (https://www.parismuseumpass.fr/t-en, which provides admissions to 34 museums in Paris and 11 more in the region) or the Paris Pass (parispass.com) which not only makes attractions and experiences more affordable, but will absolutely add to what you see and do, and also provides such helpful information as hours, location, proximity to where you are. When booking, try to book the earliest available times or evening times, and midweek over weekend.

You are likely to arrive in Paris at the Charles de Gaulle Airport, which has easy train connection to downtown – purchase your metro ticket in advance at a wonderful visitor information office as you walk out, and even a multi-day ticket. This will cut down on wasted time waiting on line to buy a ticket and the confusion of knowing what zone you need. And it saves quite a lot of money. But the best part is you don’t think about how much you are spending – it all seems free.

*If you are traveling in France, remember to book your train or bus tickets in advance © Karen Rubin/goingplacesfarandnear.com*

Coming from Strasbourg by train at the end of my six-day canal cruise of the Alsace Lorraine aboard European Waterways’ Panache, I arrived at Gard d’Est and made my way on the metro (after going in the wrong direction on the metro) to a stop just in front of the Arc de Triomphe. My hotel, the Hotel Napoleon Paris, a five-star boutique hotel which put me perfectly into the atmosphere of Napoleon’s Empire period, is not even a half-block away, and one boulevard over from the magnificent Champs Elysee. (Note: book train tickets in advance, www.raileurope.com)

It was afternoon, and I quickly checked in to this charming boutique hotel, dropped my bag, and went out to explore the Arc de Triomphe.

Arc de Triomphe

This iconic symbol of France is set in the middle of a roundabout (the Place D’Etoile, like a star”) where 12 busy boulevards converge, including the magnificent Champs Elysee which is aligned with its center. Don’t even think about trying to cross the roundabout – you must walk through underground passageways to get across the busy boulevards that encircle the monument (There’s a pedestrian tunnel at Place Charles de Gaulle on the north side of the Champs-Élysées that will take you down to the arch.)

*Don’t even think about trying to walk across the roundabout encircling the Arc de Triomphe. Use the underground walkways © Karen Rubin/goingplacesfarandnear.com*

Building the Arc de Triomphe began in 1806 on Napoleon’s orders. Just a year earlier, in 1805, Napoleon’s forces won a decisive victory over Russian and Austrian troops at the Battle of Austerlitz. French architect Jean-François-Thérèse Chalgrin took his inspiration from the great arches of the world and designed Triomphe to be the largest in the world. The arch is 164 feet tall, and twice a year, the sun sets directly in the center. It took 30 years to complete the arch which was officially opened by King Louis-Phillipe on July 29, 1836.

*The Arc de Triomphe is a triumph of architecture and decoration © Karen Rubin/goingplacesfarandnear.com*

In the years since, soldiers have marched past the arch as a victory lap – France and its allies did in 1918, 1944 and 1945; Germany in 1871 and 1940. Every year, a ceremony at the Tomb of the Unknown Soldier, buried below the arch, marks the anniversary of the armistice signed on Nov. 11, 1918.

Today, the Arc de Triomphe is more of a symbol of peace and is very recognizable as the end point for the Tour de France cyclists. For the French, the Arc de Triomphe goes well beyond being commemorative, but is foundational in the French national psyche.

*Each day at the Arc de Triomphe, there is a ceremony to honor France’s fallen soldiers © Karen Rubin/goingplacesfarandnear.com*

In 1921 the Tomb of the Unknown Soldier was incorporated into the monument, and today the tomb’s flame is rekindled every evening at 6.30 p.m. to show respect for All of France’s fallen.

One such event was just winding up as I arrived.

*The Arc de Triomphe is a symbol of the French people’s national pride © Karen Rubin/goingplacesfarandnear.com*

I was transfixed by the arch, the spectacular bas-reliefs of historic events that grace each pillar – The Entry of Napoleon, The Conquest of Alexandria and The Battle of Austerlitz. The most famous of them, The Departure of the Volunteers, also known as La Marseillaise, was created by the Romantic sculptor François Rude in 1792. The others were crafted by two other sculptors, Antoine Etex and Jean-Pierre Cortot Plaques list the names of hundreds of generals and battles.

*Stunning reliefs decorate the Arc de Triomphe, recalling France’s history © Karen Rubin/goingplacesfarandnear.com*

Admittedly, I didn’t know that you could enter the monument and climb the 284 steps to to the terrace (an elevator is available for those who require it) for a view, or that there is a museum inside – The Permanent ‘Great Moments of French History’ exhibition which traces the story of the Arc de Triomphe and explains the architecture, friezes and sculptures. So I definitely did not book tickets in advance. But the line to purchase tickets was ridiculous so I happily contented myself to just study the stunning reliefs and be transfixed by the arch’s form. (Having a Paris Museum Pass would have provided free admission without the need to reserve a time.)

What I missed though was the dramatic view from the top: looking down the Champs-Élysées to the Louvre, out to La Defense, around to the Eiffel Tower. And you look straight down at one of the world’s largest round-abouts, where the 12 avenues come together.

You can purchase tickets in advance; the Arch is also included on the Paris Museum Pass http://en.parismuseumpass.com/

I continued my walk well into the evening, following the route the concierge at the Hotel Napoleon laid out for me: strolling down the Champs Elysee, turning onto the Avenue George V (and passed the famous Hotel George V), to the Seine.

Paris is truly magical, truly the City of Light and romance. Couples walk along the quai, attach a lock to just about any wrought iron they can find, pose for a selfie.

*That first view of the Eiffel Tower at night, reflected in the Seine, is breathtaking © Karen Rubin/goingplacesfarandnear.com*

That first view of the Eiffel tower from across the Seine, the bateaux mouches sailing by (I’m seeing Audrey Hepburn and Cary Grant in “Charade”) as the sky takes on the rosy tones of sunset, fills you with a giddiness that can be described as joie de vivre. By the time I headed back along the quai, passing couples in amorous embraces, night has descended and the views of the lighted tower, bridges, and reflections on the river take your breath away.

Walking back to the Hotel Napoleon on a tony residential street just off the Champs Elysee, I felt more like I am going back to my swank Parisian apartment rather than a hotel. I get another view of the Arc de Triomphe as I turn the corner.

*Walking back to the Hotel Napoleon Paris at night, you get a view of the Arc de Triomphe © Karen Rubin/goingplacesfarandnear.com*

Hôtel Napoléon Paris 5,40, av. de Friedland 75008 Paris, Direct phone +33156684480, www.hotelnapoleon.com, https://www.historichotels.org/hotels-resorts/hotel-napoleon-paris/, https://preferredhotels.com/hotels/france/hotel-napoleon-paris

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

For Olympics planning (and where you can purchase tickets that become available), https://www.paris2024.org/en/

Next: Musee D’Orsay Highlights Day 2 in Paris

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Historic Hotels, Historic Places, Hotels & Resorts, International Travel

Romance is at the Heart of the Hotel Napoleon in Paris, City of Love

February 11, 2024 krubin723

The Hotel Napoleon, a boutique five-star hotel just steps away from the Arc D’Triomphe in the fashionable 8^th Arrondisement, began with a love story that continues to this day © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Romance is at the heart of the Hotel Napoleon in Paris, the City of Love. Romance is in its genes.

The Hotel Napoleon, just steps away from the Arc D’Triomphe off the Place d’Etoile in Paris’ fashionable 8th Arrondisement, began with a love story that continues to this day.

Built on the site of the former Tolstoy family mansion in Art Deco style in 1928 by architect Henri Porteau, shortly after its opening, it was bought by Alexander Pavlovitch Kliaguine, a wealthy businessman from Russia, as a wedding present for his bride. A young Parisian student of literature, they had met at a salon, and fell in love at first sight. Kliaguine wanted to provide his bride a place to entertain Parisian high society (she later became the Baroness de Baubigny) and both resided there all their lives.

*A portrait of the bride who stole Alexander Pavlovitch Kliaguine’s heart, in the Hotel Napoleon lobby © Karen Rubin/goingplacesfarandnear.com*

To this day, the Hotel Napoléon Paris is owned by the Kliaguine family, and a new generation Kliaguine, now the general manager, still lives in the hotel with his family. Indeed, the hotel, a member of Historic Hotels Worldwide, was named to its The 2022 Top 25 Historic Hotels Worldwide Most Romantic Hotels

And as Kliaguine had promised his bride, the Hotel Napoleon became a popular gathering place for Paris’ social elite and illustrious artistic and literary expatriates (“The Lost Generation”): F. Scott Fitzgerald, Gertrude Stein, Ernest Hemingway, John Steinbeck, Salvador Dali, Pablo Picasso, Orson Welles, Errol Flynn (who nicknamed the Napoleon “The Place”), Miles Davis, Josephine Baker and Ella Fitzgerald, who signed its Golden Book.

This all prompts images of Woody Allen’s “Midnight in Paris,” (where a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight), and the Algonquin Hotel in New York (famous for its Algonquin Round Table of New York City writers, critics, actors, and wits) to dance in my mind.

The hotel has appeared in movies, such as Jean Gabin’s 1930’s movies and even had a star turn in, Le Cave se rebiffe (1961), where the character played by Jean Gabin, one of French cinema’s greatest stars, declares he is staying at The Napoléon, “as always”.

*The grand Empire décor of The Hotel Napoleon transports you back in time © Karen Rubin/goingplacesfarandnear.com*

The exterior of the seven-story hotel may be Art Deco, but the atmosphere of this luxury boutique hotel will put in mind not of the Jazz Age or Art Deco, but the elegance of the Empire Period of Napoleon.

The Napoléon Bonaparte opened in 1928 as a “hôtel de charme” (a small distinctive hotel or boutique hotel) and only a year later, in 1929, reached the grade of “petit palace” and was renamed Napoléon Paris for its location steps away from the Arc de Triomphe. It was designated a five-star hotel by the French Agency of Tourist Development in 2013.

It is perfection that the historic Hotel Napoleon is just steps away from the Arc D’Triomphe, along Avenue de Friedland, one of the 12 boulevards that radiate from the Place Etoile and just one over from the famous Champs Elysee in the toniest of Parisian neighborhoods, you might as well be in “Midnight in Paris,’ the way you feel transported back into France’s Empire period of Napoleon with its furnishings and collection of 400 historic paintings.

*The gracious lobby at The Hotel Napoleon, once a gathering place for Parisian social elite and the “Lost Generation” of literati and artists © Karen Rubin/goingplacesfarandnear.com*

The boutique hotel is elegant, yet intimate and comfortable. You feel more like you are invited to into a gracious mansion or even that you are occupying your own grand Paris flat in the toniest of Parisian neighborhoods, the fashionable 89^th Arrondissement. The Napoleon has remained an undeniably romantic retreat, offering private terraces with views of the Eiffel Tower or Arc de Triomphe and an enviable location in the Triangle d’Or.

You can’t help but swoon at the collection of art which is also featured in the sumptuous guestrooms and suites inspired by Parisian Empire design by interior design firm Malphettes & Biz.

*One of the suites at The Hotel Napoleon. Each is individually decorated family © Karen Rubin/goingplacesfarandnear.com*

The Napoleon boasts more suites (57) than hotel rooms (39), recently refreshed and renovated. Each is individually decorated and blends the extravagance of Empire design with contemporary elegance. Each has fine furnishings, sumptuous linens, grand drapery, lush fabrics and wallpaper, striking artwork, and luxurious marble-and-mahogany bathrooms, stocked with Nuxe luxury skincare products.

Some of the terrace suites overlook the Arc de Triomphe or the Eiffel Tower, while others provide views of Avenue de Friedland or the flowers of the inner courtyard. Seven of the rooms have a terrace and four have a balcony.

Suite 319-320 is opulently decorated with Chinese black-and-gold wallpaper. The most luxurious suite, 618, is named for Josephine – not Napoleon’s wife, but Josephine Baker.

There are niceties including a refrigerator stocked with snacks and soft drinks and juice that are replenished each day at no charge and free WiFi.

A battery of concierges who are members of the prestigious Les Clefs d’Or readily share knowledge of the city, make you feel really at home and get the most of the precious time you have in Paris. The hotel can even arrange child care. And small pets are welcome.

The Napoleon has a gracious lobby, a lovely dining room (which before COVID served as a restaurant, but is where breakfast is served), and a lovely bar, the 1807, with outdoor terrace which serves as an outdoor café.

Enjoy breakfast in the lovely dining room at The Hotel Napoleon, you may meet Mon. Kliaguine, the general manager and owner of the hotel, who lives in the hotel with his family © Karen Rubin/goingplacesfarandnear.com

The tradition of celebrities staying at this intimate hotel is maintained, with a photo gallery of autographed photos of sports heroes– some who stayed here, some who were friends of the owner – outside the 7^th floor fitness room (and what a fitness room it is!).

The Napoleon Hotel offers a selection of massages and treatments, available in the spa or in your room (daily from 9am to 9pm) and can be booked before your arrival or directly with the concierge.

There is also a very pleasant (and private) courtyard and for convenience of guests. Another luxury: a number of parking spots in front of the hotel (41E/day) and EV charging stations.

*The Hotel Napoleon makes available parking and EV charging for its guests © Karen Rubin/goingplacesfarandnear.com*

Hotel Napoleon Paris offers packages, such as Romance in Paris includes Champagne, chocolates, and flowers; the Family package features connecting rooms.

The hotel is walking distance to everything on the first part of my four-day itinerary.

And so, on this first afternoon after I arrive by train from Strasbourg at the end of my European Waterways canal cruise through the Alsace Lorraine and pop out of the metro station at Place Etoile, I drop my bags in my room and set out to explore the Arc d’Triomphe, stroll the Champs Elysee, and walk along the quai of the Seine for the exquisite views of the Eiffel tower at sunset into the night.

*Paris, the City of Light (and Love), is magical at night © Karen Rubin/goingplacesfarandnear.com*

I stroll back to the hotel along the grand Champs Élysées– the view up to the Arch at night is so dramatic – and for my brief time in the city, live a very Parisian experience. And the Empire ambiance completes the fantasy.

Midnight in Paris, indeed.

Hôtel Napoléon Paris 5,40, av. de Friedland 75008 Paris, Direct phone +33156684480, www.hotelnapoleon.com, https://www.historichotels.org/hotels-resorts/hotel-napoleon-paris/ https://preferredhotels.com/hotels/france/hotel-napoleon-paris

Historic Hotels Worldwide

The Hotel Napoleon is a member of Historic Hotels Worldwide since 2011, the sister collection of Historic Hotels Worldwide®, a prestigious collection of more than 350 legendary historic hotels including many that were once castles, chateaus, palaces, academies, haciendas, villas, monasteries spanning ten centuries. Historic Hotels Worldwide recognizes authentic cultural treasures that demonstrate exemplary historic preservation and their inspired architecture, cultural traditions, and authentic cuisine, and in this way, preserves them.

To be nominated and selected for induction into Historic Hotels Worldwide, historical lodging properties must be at least 75 years old; utilize historic accommodations; serve as the former home or be located on the grounds of the former home of famous persons, or be a significant location for a historic event; be located in or within walking distance of a historic district, historically significant landmark, place of a historic event, or a historic city center; be recognized by a local preservation organization or national trust; and display historic memorabilia, artwork, photography, and other examples of its historic significance.

The Empire décor and a collection of 400 historic paintings make you feel you have slipped back in time, at the Hotel Napoleon, a member of Historic Hotels Worldwide © Karen Rubin/goingplacesfarandnear.com

These historic hotels are in diverse cultural settings: a 12th-century castle set among the rolling hills, prehistoric monuments, and Celtic landmarks of Ireland’s Ancient Eastin, (Kilkea Castle, Castledermot Ireland, circa 1180); a medieval village nestled in the Tuscan countryside that dates back to the 11th century (La Bagnaia Golf & Spa Resort Siena, Curio Collection by Hilton, Siena, Italy circa 1081), a 1650 manor house which was the former summer residence of Eugénie de Montijo, Empress of France and wife of Napoleon III (Hotel Claude Marbella, Marbella, Spain).

Travelers can find and book these historic hotels them at HistoricHotels.org, which since 2012 has served as a global travel website, or call 1-800-678-8946. The Annual Directory can be found by visiting HistoricHotels.org/Directory. More information at HistoricHotelsWorldwide.com.

Must Plan in Advance

The days of just showing up in a city as popular and as culturally rich as Paris are over – and not just because the Olympics are coming to Paris this summer. There is no longer a “shoulder” or “off” season. Lines for tickets at attractions can take literally hours, or you can be shut out altogether as capacity is reached. And this caveat is especially the case this year: Paris (with 85,000 hotel rooms) is expecting about 15 million visitors as it hosts the Olympics (July 26-August 11) and Paralympics (August 28-Sept. 8. Other events to keep in mind: Tour de France, from June 29 to July 21; and Tour de France Femmes, from August 12 to 18.

As soon as you know your dates for travel, book your hotel, and pre-purchase timed tickets directly with the attractions you most want to see.

Walking back to The Hotel Napoleon, I get to appreciate this gorgeous night view of the Arc D’Triomphe. *To visit during the day, best is to pre-purchase the Paris Museum Pass* © Karen Rubin/goingplacesfarandnear.com

Even better, purchase a Paris Museums ticket, which provides admission to 55 different museums (34 within Paris and another 11 in the Paris region), including the Arc de Triomphe, the Eiffel Tower, Le Louvre and Musee d’Orsay – but you still need to pre-book a timed ticket and go through security (which also takes time). You can purchase the pass according to the number of days: 2 (E35), 4 (E70), and 6 (E85), which not only saves time (priceless), but money on buying tickets individually (https://www.parismuseumpass.fr/t-en).

There is also a Paris Pass through GoCity.com, which adds on attractions and experiences (the Paris Museum pass is included) for a total of 90. Among the experiences: Seine river cruises on the famous bateaux mouches (E18 if purchased separately); Perfume mini workshop by Fragonard (29E); French wine tasting at Les Caves du Louvre (E36); and even Ballon de Paris Generali, where you fly over Paris on the world’s largest balloon at 150 meters altitude (E20 ticket value).

The pass can save up to 50 percent off purchasing tickets individually. It comes with a GoCity app that lets you plan your visit and book your ticket. You sync your All-Inclusive Pass with the Go City app and download your Paris Museum Pass (parispass.com).

More planning help from the Paris Tourist Office, https://parisjetaime.com/eng/. Online ticketing at https://parisjetaime.com/eng/tickets.

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Arts, Arts & Entertainment, Cultural travel, New York City travel

New York Gilbert & Sullivan Players Keep These Popular Masterpieces of Musical Theater Alive

February 4, 2024 krubin723

*New York Gilbert & Sullivan Players take their bow at the end of this season’s “The Mikado” © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New York Gilbert & Sullivan Players company is one of New York City’s cultural treasures and fortunately, many outside the Big Apple will also have the opportunity to revel in the company’s artistry and talent as it finishes its stellar production of “The Mikado” and begins its annual road tour, this season featuring “The Pirates of Penzeance.”

Now in its 49^th year, this extremely talented and creative company NYGASP, which is based out of the Kaye Playhouse at Hunter College, has been hailed as “the leading custodian of the G&S classics” and has created its own special niche in the cultural mosaic of New York City and the nation. NYGASP’s mission is “giving vitality to the living legacy of Gilbert & Sullivan,” says the company’s Founder/Artistic Director/General Manager Albert Bergeret.

Bergeret typically hosts a preview and introduction during a series, typically before a performance geared to families.

The new/ updated NYGASP production of The Mikado premiered in NYC in late 2016, features an original prologue that introduces the audience to the real life characters of the D’Oyly Carte Opera Company who originated The Mikado in 1885 London. The production centers the fantastic elements of juxtaposing a Victorian world with an imagined Japanese setting allowing the opera to be a truly inclusive experience for all audiences and artists.

The show abounds with absurdity and astounding wit, clever wordplay, memorable tunes and endearing characters, performed to perfection by clever patter man David Macaluso as Sullivan and Ko-Ko (who brings extraordinary physical comedy and a sweet voice); blustering Matthew Wages who plays Richard D’Oyly Carte and pompous Pooh-Bah; creative David Auxier as author Gilbert and town leader Pish-Tush (who also authored the new Prologue and is the director, and choreographer); charming John Charles McLaughlin as romantic hero Nanki-Poo, rising star Hannah Holmes as lovelorn and overbearing Katisha; beautiful soprano Rebecca L. Hargrove as self-aware Yum Yum; Sarah Hutchison as maiden sister Peep-Bo; mellifluous mezzo Elisabeth Cernadas as adventurous Pitti-Sing; and dynamic bass David Wannen in the title role.

The brilliant ensemble is rounded out by Caitlin Borek, Camilo Estrada, Chris-Ian Sanchez, James Mills, Katie Hall, Abby Kurth, Lance Olds, Logan Pitts, Maurio Hines, Michael Galante, Michelle Seipel, Sabrina Lopez, Viet Vo and Alexandra Imbrosci-Viera.

To their artistry and talent they exude a joy of performance.

The production showcases gorgeous scenery designed by Anshuman Bhatia, clever and inventive costumes by Quinto Ott and lighting by Benjamin Weill. The Mikado is produced by NYGASP Executive Director David Wannen. Founder and Artistic Director Albert Bergeret,sharing the podium with Associate Conductor, Joseph Rubin conducting the 25-piece orchestra.

NYGASP’s brilliant re-creation of Gilbert & Sullivan’s classic, “Mikado,” was first introduced in 2016, aimed at exorcizing the production of offensive stereotypes that might offend Asians that were embedded in the 1885 original. “It is a balancing act to respect the original but take out what people considered offensive,” Bergeret says.

A specially created “prologue” and creative costuming ensure there is no confusion that “Mikado” represents Englishmen satirizing Victorian society and politics, capitalizing on British fascination with all things Japanese in the 1880s, to defuse the pointed references that might have gotten Gilbert & Sullivan (already under censorship of Lord Chamberlain) into trouble. And frankly, the depiction of The Mikado (who doesn’t even appear for the first 2 ½ hours of the three-hour show) as a cruel but ridiculous tyrant is reminiscent of how the Red Queen is depicted in “Alice’s Adventures in Wonderland” (1865). If anything, the Mikado’s character may resonate in 2024 more than in 2015 or even 1885.

The clever Prologue. authored by the director, choreographer David Auxier-Loyala takes place on June 6, 1884 – one day after their “Princess Ida” opened, brings together D’Oyly Carte, the actual producer, with Arthur Sullivan, the composer and W.S. Gilbert, the lyricist and author (played by David Auxier), and has them talking about the Japanese exhibition that is all the stir in London. D’Oyly Carte is pushing them to come up with their next musical, and in their verbal interplay, these fanciful interjections become the fanciful names for characters – Pish-Tush, Pooh-Bah – and suggest plot points. Gilbert “dreams” the performance of “Mikado” – he becomes Pish-Tush, a Noble Lord; Sullivan becomes Ko-Ko, the Lord High Executioner, and D’Oyly Carte becomes Pooh-Bah (“the Lord High Everything Else”).

Of course British audiences of 1885 could have cared less about “political correctness.” The object of Gilbert & Sullivan’s satire was British society

Before the “Family” performance of Gilbert & Sullivan’s “Mikado,” Music Director/Conductor Albert Bergeret, who founded NYGASP 49 years ago, accompanied by David Macaluso (Ko-Ko) and Hannah Holmes (Katishaw) give a playful explanation of the show © Karen Rubin/goingplacesfarandnear.com

We take advantage of seeing January 13 afternoon “Family performance”, which features a before-show talk introducing the plot and music presented by the esteemed Conductor and Musical Director Albert Bergeret, who founded the New York Gilbert & Sullivan Players 49 years ago (and was the original Nanki-Poo), I learn that my comparison of “Mikado” for Gilbert & Sullivan to “Madame Butterfly” by Puccini is not entirely unfounded. While the music that Sullivan composed runs the gamut of British musical styles (ballad, madrigal, march), he incorporates the Japanese five-note scale and an actual Japanese folk song, Miya-sama (though for this production, new English lyrics are substituted for the Japanese) – music which Puccini also appropriates in “Madame Butterfly.” (Miya-sama was not used in this production.)

“We took out what’s incomprehensible or inappropriate,” Bergeret says, who adds that Sullivan was a brilliant, classically trained musician who was well versed in all genres of music and composers from around the world. In “Mikado” Sullivan demonstrates his virtuosity in writing in many different forms.

Just as Gilbert incorporated contemporaneous digs, so too does this Ko-Ko, a “cheap tailor” (which means he made clothes for common people) taken from the county jail where he was scheduled to be executed (for flirting), and elevated to Lord High Executioner, update his “List” of those who shan’t be missed, to be as current as yesterday’s tweet, sometimes changing it each performance, surprising even the rest of the cast.

New York Gilbert & Sullivan Players production of “The Mikado” © Karen Rubin/goingplacesfarandnear.comIn an earlier season, David Macaluso (Ko-Ko) hosts audience members on a backstage tour of the Kaye Playhouse at Hunter College, homebase for the New York Gilbert & Sullivan Players © Karen Rubin/goingplacesfarandnear.com

During our performance, Ko-Ko, brilliantly played by David Macaluso, who is not only brilliant at patter but physical comedy, inserts digs at A.I. and the “plagiarist” that got him on the list, and natural gas which somehow puts the “environmentalist” also on that long, long list as the scroll unfurls.

And The Mikado’s updated long list of who to punish and how, includes the Instagrammer “made to endure a dungeon cell without not one cellular bar” and “political pundits, who must sail for weeks on a boat full of leaks on a sea of alternative facts.” (That gets tremendous laughs.)

But Bergeret notes they do not want to do too much contemporizing. “We are proud to share this production, which upholds The Mikado’s musical score, setting, characters, storytelling, themes, and most of all its universal satire of human nature.”

So, the Mikado looks to execute Ko-Ko (the Lord High Executioner), Pooh-Bah (the “Lord High Everything” and Pitti-Sing (one of the “three little maids from school” for carrying out the Mikado’s orders to execute Somebody and unwittingly execute the Mikado’s son and heir to the throne, Nanki-Poo. The Mikado appreciates their effort (he only wishes he could have witnessed the execution) but insists they still should be executed for, well, killing the heir and looks for the entertainment value in their lingering death.

The Mikado justifies executing the three because, after all, this is an unfair world where the virtuous suffer and the undeserving succeed. This leads to the song that probably best sums up the moral of Gilbert & Sullivan’s “Mikado,” in which the three condemned sing, “See how the Fates their gifts allot/For A is happy, B is not/Yet B is worthy, I dare say/Of more prosperity than A…If I were Fortune which I’m not/B should enjoy A’s happy lot/And A should die in misery/That is, assuming I am B.”

In the end The Mikado is less a jab at all-powerful monarchal misrule, than a comic contemplation of what human beings do when in faced with existential situation. Their focus is on human nature and the human condition. In Mikado, we see self-preservation – even by Yum-Yum who is willing to marry Nanki-Poo who loves her so much he is willing to be executed after just a month, until she realizes that as the wife of an executed man, she would be buried alive.

This production makes another change at the end, stopping the show for a return to the Gilbert & Sullivan characters trying to figure out an ending that would not rely on a magical or fantastical device like the “magic lozenge” they used in their 1877 opera “The Sorcerer” and almost breaks up their collaboration. (Gilbert finally gets to use the device in “The Mountebanks,” written with Alfred Cellier in 1892). Instead, Gilbert comes up with an argument that actually makes sense given the circumstance: Any order by the Mikado must be carried out, so having given the order, it must have been carried out (not much more absurd than “Anything the President does is legal and immune from prosecution, even if he orders Seal 6 to kill his political opponent.”).

*New York Gilbert & Sullivan Players perform the joyful finale of “Mikado” © Karen Rubin/goingplacesfarandnear.com*

“The Mikado, or The Town of Titipu” – the ninth of Gilbert & Sullivan’s 14 collaborations – was immensely popular when it opened on March 14 1885 in London, running for 672 performances, the second longest run for any musical theater production. By the end of 1885, some 150 companies in Europe and America were performing the operetta. It even was widely performed in Japan (apparently they took no offense).

Indeed, “The Mikado” is one of the most popular productions of musical theater of all time. Performed for the last 135 years – by the D’Oyly Carte Opera Company, NYGASP and others including Joseph Papp’s Shakespeare in the Park festival – there were decades when “Mikado” was being performed somewhere in the English speaking world any day of the year. Some of its word inventions have entered the lexicon, such as “the grand Poo-Bah” and “Let the punishment fit the crime.” They have also been performed in languages including Yiddish and French, though Bergeret notes that the French don’t seem to get the jokes.

G&S were very popular in their own time – all their 14 shows were popular and “Mikado” was one of most popular written out of their 14 (one, “Thespis,” was lost). Their nods to classical and digs at British society and conventions and their union of witty lyrics and lyrical music, appealed to high and low class. Both wrote with others but were never so successful as when they collaborated together. “They were very different characters – Sullivan was a lady’s man” – aspects that come through in the specially written “Prologue” to Mikado.

“The only one who doesn’t like Gilbert was Queen Victoria, Bergeret tells us. “We are not amused,” Queen Victoria once commented. The Queen knighted Sullivan as the “savior of English classical music.” (Her son, King Edward VII, knighted Gilbert.)

Gilbert & Sullivan actually invented musical theater. At the time Gilbert & Sullivan were writing, there were opera, light opera and music hall theatricals, but nothing like a musical show with story – music that had both class and pop – with real story lines, music advanced the story, Bergeret tells us. This is where musical theater started,. Watching “Mikado” you see a straight line to Rogers & Hammerstein and Stephen Sondheim.

Since its founding in 1974, the company has presented over 3,000 performances of the G&S masterpieces throughout the United States, Canada, and the U.K. delighting audiences of all ages.

The company’s celebrated ensemble of G&S experts, developed by introducing new singers each year from New York’s immense pool of vocal and theatrical talent, has collaborated with such guest artists as world-renowned G&S exponent the late John Reed, O.B.E. in numerous comic baritone roles, Tony winner John Rubinstein and Frank Gorshin both as King Gama in Princess Ida, John Astin as Sir Joseph in H.M.S. Pinafore, Hal Linden and Noel Harrison as the Major General in The Pirates of Penzance, Pat Carroll as Little Buttercup in H.M.S. Pinafore, and Steve Allen as The Mikado.

The company’s repertory consists of 13 complete G&S operas (cast, orchestra and crew of 50-80 people), special versions of the most popular operas designed for children’s audiences, and a variety of charming sextet concert programs. The company has also produced a cabaret act. I’ve Got a Little Twist, created and directed by David Auxier, won a 2010 Bistro Award, has toured the country and appeared at Lincoln Center’s 2011 Atrium series.

NYGASP Founder/Artistic Director/General Manager, Albert Bergeret is a career-long professional specialist in the works of Gilbert & Sullivan, having performed, staged, conducted and designed every opera in the repertoire since the company’s founding in 1974. He has conducted and staged all 13 of the works in the G&S canon as well as the company’s smash hit production of George Gershwin’s Of Thee I Sing.

New York Gilbert & Sullivan Players are worthy of a Tony Award.

Coming up, NYGASP will present G&S’s “The Sorcerer” and “Trial by Jury” on April 6-7.

Also, NYGASP regularly tours its shows, and this year is featuring “Pirates of Penzance”:

Feb. 28: An Evening of G&S Favorites, Lincoln Center, Fort Collins, CO

Feb. 29: The Pirates of Penzance in One Act/Evening of G&S Favorites, Lone Tree Arts Center, Lone Tree, CO

Mar. 3, 2024, The Pirates of Penzance, Popejoy Hall, Albuquerque, NM

Mar. 5: The Pirates of Penzance, Mesa Arts Center, Mesa, AZ

Mar. 7: The Pirates of Penzance, Gallo Center for the Arts, Modesto, CA

Mar. 8: The Pirates of Penzance, Clark Center for the Performing Art, Arroyo Grande, CA

Mar. 9: The Pirates of Penzance, Torrance Cultural Arts Center, Torrance, CA

Mar. 10: The Pirates of Penzance, McCallum Theatre, Palm Desert, CA

Apr. 26: The Pirates of Penzance in One Act/Evening of G&S Favorites, Harry M. Cornell Arts & Entertainment Complex, Joplin, MO

May 10: The Pirates of Penzance, Mayo Performing Arts Center, Morristown, NJ

More information at www.NYGASP.org, 212-772-4448.

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Benefits of travel', Cultural travel, Day Trips, Heritage Travel, International Travel, Museums and Exhibits, Outdoors Adventures, Places of History, Sustainable Travel, Tips for Travel, Travel & Tourism Industry

Experts at NY Travel Show Offer Tips for Satisfying, Meaningful, Purposeful Travel

January 30, 2024 krubin723

A wedding couple in Hangzhou, China. Travel is how ideas, innovations and progress, improved living standards and quality of life are spread among peoples, as Marco Polo proved. Travel is humanity’s best hope for peace and cooperation as people from different places see and appreciate that we are more alike than different, and appreciate the differences. © Karen Rubin/goingplacesfarandnear.com.

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

It’s like this: travel is humanity’s best invention to promote the advancement of civilization. Travel is how ideas, innovations and progress, improved living standards and quality of life are spread among peoples, as Marco Polo proved. Travel is humanity’s best hope for peace and cooperation instead of zero-sum annihilation, as people from different places see and appreciate that we are more alike than different, and appreciate the differences. Travel is a community’s best hope for providing the economic underpinnings that provide jobs, upward mobility and enable people to stay on ancestral lands, have the funds to preserve and protect the environment, culture and heritage, and yes, make the adaptations and mitigations to prevent the ravages of climate change. Indeed, just as the travel industry has led the way with e-commerce, yield management, and loyalty programs, the industry – the third largest in the world – is leading the way on climate solutions,

Tourism is what provides the economic underpinnings to support jobs and upkeep of such treasures as the Treasury at Petra, Jordan. To avoid crowds, stay overnight and enter the ancient city in the early morning © Karen Rubin/goingplacesfarandnear.com

Travel also is life-enhancing, enriching, potentially life-changing and among the best therapies against despair – providing a conduit for forging social connections, self-improvement, overcoming fear, anxiety and apprehension by fostering understanding and empathy, broadening perspectives. The experience of travel fosters resilience, self-confidence, self-reliance, adaptability, forges lasting bonds of family and friendship and broadens perspective and outlook.

That’s not just me saying it. It’s what travel experts with collective experience of decades (including myself), have seen and experienced firsthand.

“When we travel, experience the world, it changes us in a deep and profound way,” Pauline Frommer of frommer.com, told a standing room only audience at the most recent New York Travel & Adventure Show at Javits Center. “Right now we live in such a divided word – different facts inform our view but when we travel, we see the truth on the ground, that other countries have something to teach us, we can bring that back, and present an impression of America that is positive in places that may not have positive impression of America. Even with climate change, travel is one of the best tools in our ongoing search for creating world peace. So have wonderful, relaxing vacations, but your trips also can be meaningful and you can make a difference when you travel.”

“Consume news, but don’t let that make you a frightened person,” advises Rick Steves of ricksteves.com. “Be outward looking. If we want world to be peaceful, we have to build bridges. We can be challenged and stimulated by smart people who do things in smart ways. We can celebrate the Moroccan dream, the Bulgarian dream, just like the American dream – there is room for lots of dreams, As a traveler, we get to enjoy them all….[If we want a world of] peace and stability, the most powerful thing we can do as individual Americans is to travel and get to know people.”

Machu Picchu, Peru: travel has the potential to be life-enhancing, life-changing. But don’t put off your “bucket-list” experiences because you never know if there will be a pandemic, a political issue, a climate disaster. “Carpe diem,” says Patricia Schultz, author of “1000 Places to See Before You Die”

The COVID pandemic reinforced the value of travel – the three years of lockdowns and constrained travel upended local economies, while shutdowns that kept people from traveling underscored the human need for connection, for renewal, for new horizons to broaden perspectives.

“A life lesson we took away from COVID and postponed pleasure is that there is never a guarantee that we will be able to travel tomorrow or next year- our health, our need to care for people, political situation, climate disasters. Carpe diem,” says “1000 Places to See Before You Die” author Patricia Schultz. She reflects on the places that she had included but have had to drop off her list recently – Ukraine, Syria, Iran even Jerusalem. “The lesson from this image [of people at the Western Wall] is carpe diem – if some place is on your bucket list and you think, well, the Pyramids will always be there, guess what? Don’t take anything for granted.”

And so with the pandemic in the rearview mirror (at least for now), people are traveling with furor and we are back to worrying about being crowded out and the potential impacts – and actions to prevent – overtourism. COVID-generated technologies and policies for advance purchase, capacity control are here to stay.

The excitement for traveling to the four corners of the globe and in every style, from decompressing on a beach, to joining an expedition to see gorillas in Uganda, to standing up for Ukraine by showing up in Ukraine, was evident at the New York Travel & Adventure Show, where booths were crammed and talks by experts including Rick Steves, Peter Greenberg, Pauline Frommer, on traveling smart, well and meaningfully were standing room only.

But because there is a whole world out there, you can make choices of where and when to travel. Don’t like crowds? Try to visit a destination when less crowded (though there is less of an “off-season” or “shoulder” season these days); find the “hidden gems” that offer as much atmosphere, experience and character; visit attractions either very early or later in the day (to avoid the hoards of cruise passengers and daytrippers); overnight in those charming, historic cities and villages (preferably in or within walking distance of the historic district) so you are there in the early morning and the evenings to enjoy the stillness and light without the hoards of cruisers and daytrippers; and pre-purchase tickets, city/museum/attractions passes so you don’t waste valuable time and money standing in line to purchase tickets. Climate and weather also have become major issues that should factor into where and when you travel.

Their message: By all means, experience the highlights of a place, but go further afield to seek out local experiences, opportunities to visit or stay in neighborhoods. Be a mindful traveler, a purposeful traveler: enhance the experience by learning the background, the stories and back-stories, hire a local guide, take a “free” walking tour (you basically tip the guide), sign up for some volunteer opportunity to give back to the community; seek out those tour programs that provide immersive opportunities to engage with locals.

The Pont du Gard aqueduct, for example, is the most-visited ancient monument in France. A UNESCO World Heritage Site, it is one of the best-preserved Roman sites in the world. Most people see it as a pretty photo op and do not understand how innovative the engineering was – how the Romans brought water from 30 miles away – and what a difference it made in the lives of people who didn’t have to spend hours of their day in pursuit of water.

*Meet the people who live on Inle Lake, Myanmar © Karen Rubin/goingplacesfarandnear.com*

“For a lot of tour groups, it is just a pretty bridge, a potty break, a souvenir stand. [But learning the backstory], humanizes this site,” says Rick Steves says. “How to carbonate the travel experience is about how to connect with people..Too many tourists sit on folding chairs watching yodeling on stage, but not connecting, and back in the hotel, only interact with other Americans. It’s a vacation, to be sure, but what is missing is what it means to travel.

Steves urges travelers to “get out of their comfort zone, to see culture shock not as something to avoid, but as the growing pains of a broadening perspective.”

“Become a cultural chameleon – physically change from culture to culture because it’s different.” That means going to where the locals hang out in the evening, drinking Ouzo in Greece, whisky in Scotland, tea in England, red wine in Tuscany, beer in the Czech Republic.” Go three blocks off the main drag to find the restaurants popular with locals; for some meals (breakfast, lunch) go to local groceries and markets and picnic. Seek out the family owned two-star hotel, inn, lodge, hostel or AirBnB – that not only saves money but adds enrichment because of a more “authentic” experience.

Pre-planning is the way to mitigate wasting time and money in line or with crowds.

“There are two types of travelers: those who wait in lines and those who don’t. Think carefully of minimizing lines,” Steves notes.

Crowds in front of the “Mona Lisa” in Le Louvre in Paris. Travel experts at the New York Travel & Adventure Show offered tips on how to avoid crowds and the lines, especially in places like Paris, where advance purchase of tickets to major museums and attractions is essential. In Paris, purchase the “Museum Pass.” © Karen Rubin/goingplacesfarandnear.com

Before you go: get an idea of the attractions and sites you want to visit (I query “Three days in….” at TripAdvisor and other travel writers to get some idea). Then, go to the attractions’ websites to get all the visitor FAQs (can I take a water bottle into the Vatican; a backpack into Le Louvre – not likely after the latest incident of vandalism against the “Mona Lisa”). As soon as you have your travel dates (that is, your air fare), immediately reserve the tickets– if the attraction is a highlight for you it is a highlight for most others. Your priority places will set the framework for your itinerary, and the time saved by not waiting on line can go to those serendipitous experiences and discoveries. The same with restaurants you have your heart set on frequenting – book a reservation as soon as you settle your dates.

Take advantage of city passes, museum passes (a must for Paris) and attractions passes from companies like GoCity.com and CityPass.com, as well as the passes offered by the cities themselves, like the PragueCoolPass.com. They not only let you breeze through, but give extremely helpful information about current exhibitions, hours, directions, visitor information.

*The PragueCoolPass maximizes your enjoyment of this historic city, like visiting its famous Castle © Karen Rubin/goingplacesfarandnear.com.*

Try to book the earliest opening hour of the day in order to minimize the crowds, but in any case, book the earliest time available in order to have the most amount of time.

If you are visiting an outdoor site like the Acropolis in Athens, avoid mid-day when it is not only hot as blazes, but overrun with thousands of visitors who have come off cruise ships or day trippers. Come either as soon as the Acropolis opens in the morning, when it is cool and uncrowded, or at the end of the day (as I did), when the light is a gorgeous golden, the views of the city are amazing, it is cooler and the biggest crowds have left.

*Visit attractions like the Acropolis at the beginning or at the end of the day to avoid the crowds and the heat and enjoy the golden light © Karen Rubin/goingplacesfarandnear.com.*

This is also the advantage of overnighting in the most charming cities like Bruges, Strasbourg, Seville, Venice, Prague, Amsterdam, Fez and important sites like Petra – choose a hotel in the historic district that is walking distance to everything but you get to enjoy in the early morning and evening when the lights/lighting/colors are so amazing, the canals like mirrors, the city streets are quiet and empty, before the onslaught of cruisers and daytrippers.

Overnighting in the boutique Flanders Hotel in Bruges’ historic district means you get to have this impossibly picturesque city to yourself at night and in the quiet of the morning before the daytrippers overrun it © Karen Rubin/goingplacesfarandnear.com.

Take advantage of “free” walking tours in cities – local guides work for tips. These are great way to get an orientation. Search “free walking tours” and read the reviews.

Also, in major cities like Paris and London, you can buy mutli-day transit tickets for the train/bus (you can also do bikeshare), so that instead of paying the price of a taxi or Uber from airport into downtown, you can purchase the pass that includes the train or tram from the airport, and not have to wait on lines to purchase individual tickets from machines and deal with the confusion of zones and station names.

Searching muiti-day tour finders is a great way to get an idea of how to organize your time, what to see, what you should pay, and find tour programs that might best meet your needs. Frommer recommends Travelstride.com and Tourradar.com. These marketplace sites, she notes, can introduce you to local companies instead of the big-name tour operators.

Considerations for choosing the right tour company: price (per diem) is only one consideration, also consider what is inclusions (all meals aren’t necessarily a good thing, you might prefer to be able to go off and find those local favorites instead of a restaurant that caters to foreign groups); traveling companions (it is fun to travel with people from other countries, not just Americans); expertise of the guide; demographics of the tour company (often there are family itineraries; women-only; solo travelers; small groups (EF Tours, Audley Travel); price (luxury versus mass market) and age such as younger travelers (Contiki) versus older (Road Scholar) (visit www.frommers.com: How to pick the right tour company for you”).

Discovery Bicycle Tours stops at a winery at the end of the day’s ride in the Eastern Townships of Quebec. Bicycle tours are ideal for women and solo travelers © Karen Rubin/goingplacesfarandnear.com

To find day tours, attractions, guides: Getyourguide.com; airbnb.com/experiences; tripadvisor.com. Foodies could look to TravelingSpoon and Eatwith. I like contexttravel.com.

Also be sure to pre-book rail (for example, raileurope.com) and bus transportation (flixbus.com is terrific) between cities. Find schedules at Rome2Rio.com.

*Taking the train from Paris to Strasbourg, France. Be sure to book your ticket in advance © Karen Rubin/goingplacesfarandnear.com*

To find the best airfares (always tricky), Frommer recommends searching Momondo.com/Kayak.com, Skyscanner.com, and CheapoAir.com. Momondo (and Kayak, which are owned by the same entity) tended to consistently find the lowest fares, and have filters that let’s you select for everything from the type of plane (if you wanted to avoid a Boeing 737 Max 9, or if you wanted to find the airlines with the cheapest fares with a checked bag.

But the experts also recommend that after searching for the best fares, you book directly with the airline, ”because if you book through a third party, you can’t rebook as easily as directly through the airlines” if there is some delay, cancellation or need to change. “Search but don’t book,” Frommer says.

Frommer also railed against “drip pricing” – the extra fees that airlines attach (even though Biden has waged a campaign against junk fees.) US airlines average $78 in added fees; European airlines average $58. So for United, the average is 122% of the base fare; for jetblue it’s 147%; but for Sun Country its 201% and for Frontier, its 376%, so the added fees can be higher than the fare.

When you search for an airline, Frommer consistently recommends you “Hide your identity” “Use a privacy setting on the browser, or use a different browser and different computer if you return to search fares” because the airline will track you, gauge your interest and post higher fares.

Also, there are optimum times to search and book:

Purchase airfare on Sundays (6% cheaper domestic travel, 13% cheaper international)
Book 28 days out (“the sweet spot”) for domestic travel (24% savings), 2-4 months out for international (10% savings)
Start your trip on a Thursday (16% savings over flying on a Sunday)
Fly before 3 pm (to avoid the 50% increased risk of being cancelled or delayed)

For best hotel rates, book 3-plus months in advance for resorts like Hawaii, Mexico, Caribbean, Florida but just one week before in business cities (New York, London, Paris, Denver). “It takes courage to wait to book one week before travel, so book a refundable room in advance, then search a week ahead of travel.”

“For first time in 20 years, I am having to research New Jersey hotels for people coming to New York City, because on September 18, the city got rid Airbnb, and all the cheap hotels are filled with migrants. Hotels were charging $900 in December compared to $129 in January for the same room.”

Welcome to Riad el Yacout, built in 1347 for Professor Laharchi, philosophy who taught at the famous Al Qaraouvine university, which stayed in the family until 2000, when it was converted to a 33-room guesthouse, Fez, Morocco, booked on hotels.com © Karen Rubin/goingplacesfarandnear.com

To find “secret hotel discounts, Frommer is recommending seeking out travel clubs like RoomSteals, the new Travel & Leisure Club, professional associations’ travel clubs – some which have fees to join – and @Hotel on Instagram (no fee to belong).

How do clubs have “secret: rates? “Hotel companies have contracts with Expedia, Orbitz, Travelocity etc. and are not allowed to offer publicly deeper discounts (more than 5-10%) than they give to expedia, orbitz). But if they can’t fill their rooms, they turn to the clubs.” On the other hand, the clubs often do not show as much information as you need about services and the like.

Also, Frommer notes, Airbnb isn’t necessarily a bargain over hotel rates. “Now because so many extra fees, a recent study showed in 48 of 50 states you pay more at Airbnb than hotel (two exceptions are Nevada and Louisiana). But AirBnB is great for groups, families, if you need a kitchen (and want to save money cooking), but on average, you no longer save money on a rental vs. hotel.”

On the other hand, Frommer has always been a big booster for home exchanges – where you actually trade the use of your home for someone else’s – a way to save money but also really live like a local.

“You can go anywhere in the world – a Paris apartment, a houseboat in Sausalito.” Among the exchanges are HomeExchange.com.

Pauline Frommer cautions about getting too cautious – fearful – of traveling abroad,

Pointing to the recent US State Department’s worldwide travel advisory in the wake of the Israel-Hamas war, she notes that Australia, Canada, France, Germany, Japan, Mexico, Uruguay, and Venezuela all have travel advisories against coming to the US because of the gun violence epidemic. “Venezuela thinks it is too dangerous to come here.” The State Department’s worldwide caution for Americans, is as if to say, “’Don’t travel anywhere, the world is too dangerous. That’s mind boggling. Yes, listen to the US State Department, read the cautions, but understand the rest of the world is terrified to come here.” There is a lot to listen to, though – such as where women of child-bearing age should be mindful of Zika, or where there is political instability or widespread crime, and urges travelers to enroll in the State Department’s “Smart Traveler” program.

The experts advise purchasing travel insurance and soon after you purchase your flights, so that you are covered if for some reason you have to cancel.

Pauline Frommer suggests looking for travel insurance that covers “Cancel for any Reason” (CFAR), includes medical evacuation and covers pandemics (policies do not necessarily cover “fear of travel” if there is a pandemic but a destination isn’t closed by authorities).

“Say the destination has a new strand of COVID but didn’t shut down, and you decide not to go – if you cancel with regular insurance, it won’t be covered – because ‘fear of travel’ is not included. A CFAR policy allows you to cancel for any reason – it’s more expensive, but will repay 75% of costs.

All the experts discourage purchasing travel insurance from the travel provider (tour operator, cruiseline), but to use apps that give you different policy recommendations based on your needs (date of travel, who traveling, age, destinations) such as Squaremouth.com, Insuremytrip.com and Travelinsurance.com.

“Inevitably the most expensive policy covers the least, but the best is usually in the middle,” Frommer advises. “Never ever buy from the travel company you are going with – if they go belly up, you’ve lost insurance too.”

Angel Castellanos (www.angelestravellounge.com) offered more tips on traveling smart with technology, like Google Fi (which makes its own SIM cards and has free international data roaming in most countries) and T-Mobile (which do not charge roaming fees for international calls; calls are 25c/minute; unfortunately, it is rare to get internet service with T-mobile abroad; you use the available WiFi) instead of having to pay for an international phone/data plan. Also, consider purchasing an international SIM card for $2.

For digital safety, he recommends installing a VPN (a virtual private network) on to mask your identity when you are on a public network, with digital thieves trying to steal passwords. He recommends ExpressVPN which works all over the world.

Flying, definitely register for TSA Precheck (costs $75, good for 5 years, and some credit cards rebate the charge), and CLEAR, which uses biometric data to verify your identify, and let’s you go directly from the kiosk to the front of the line “like a VIP. In certain airports that can make the difference in making the flight.” And several business credit cards like American Express Platinum rebate the cost of Clear.

*Denver International Airport. Use TSA PreCheck, CLEAR, MyTSA, to breeze through the airport © Karen Rubin/goingplacesfarandnear.com*

You can also install the MyTSA app on your device, a free app that gives real time information for what is happening at airport – how long the security line is taking, if one area of the airport is closed and you need to go through TSA in a different location.

Now, the Homeland Security department offers mobile passport control, even if you are not registered for Global Entry (which is similar). You can enroll by submitting passport information and responses to CBP (Customs & Border Patrol) – the free version requires you to enter passport information each time – answer the questions, then you get to whisk through a third line (the regular line, the Global Entry kiosk, and now the Mobile Passport control).

“Google is one of biggest game changers for international travel,” he notes. You can download maps in advance so they are available when you do not have access to WiFi.

The same is true for languages. “Language is no longer a barrier. You can program a phrase like ‘I’m allergic to peanuts,’ and it will show it written as well as speak. You can download the language in advance so it can translate even when offline. You can use the camera function to translate foreign languages into English.”

Of course this eliminates the delight and satisfaction of finding a local person who can either speak English or mime an answer to “I’m lost, Can you tell me how do I get to….?”

____________________________

Camping/Hiking/Outdoors, New York State travel, Outdoors Adventures, Star Gazing

Best Viewing Spots in New York State for Total Solar Eclipse April 8 – Plan Now

January 21, 2024 krubin723

A gigantic swath of New York State will be in the path of totality of the April 8, 2024 Solar Eclipse. Miss this once-in-a-lifetime experience when the moon completely covers the sun, turning day into night and sparking all sorts of eerie reactions and you’ll have to wait 400 years for the next total solar eclipse in New York State. (Map: I LOVE NY/NYS Dept. of Economic Development)

Edited by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

A gigantic swath of New York State will be in the path of totality of the April 8, 2024 Solar Eclipse. The total solar eclipse will begin around 3:20 pm (the time will differ depending what part of the state you are in), and last up to 3 minutes and 38 seconds depending on your vantage point, with about an hour before and after totality when you see the moon begin to cover and then recede.

The regions, cities, towns and villages where the viewing is most ideal – a 124-mile wide path stretching from Chautauqua-Allegheny to the majestic Niagara Falls in Greater Niagara, over the pristine Finger Lakes, mighty Adirondacks, and magical Thousand Islands-Seaway are taking on a festival atmosphere, and attractions, from the Adirondack Sky Center & Observatory to the Rochester Museum & Science Center are hosting events even days before.

(See Part1: NYS WILL BE IN PATH OF TOTALITY: BEST PLACES TO VIEW SOLAR ECLIPSE ON APRIL 8)

Grab your eclipse glasses and head to upstate New York State for the best viewing of the Total Solar Eclipse on April 8, 2024. Many places are hosting three-day festivals. Plan early and book now. © Karen Rubin/goingplacesfarandnear.com

Best Eclipse Viewing Spots in Greater Niagara

Curated by Emma Frisbie, Digital Content Coordinator for ILOVENY.com

Imagine viewing the total solar eclipse while overlooking the roaring waters of Niagara Falls, surrounded by the 14,000-acre “Grand Canyon of the East,” or enjoying all kinds of festivities leading up to lively celebrations on the big day. At most of these sites, trained staff will be on site with proper equipment for safe viewing including telescopes with specialized filters and eclipse glasses.

Niagara Falls: Elevate your total solar eclipse viewing experience from one of the world’s greatest natural wonders, Niagara Falls State Park. The park itselfhas 400 acres of stunning landscapes, so you’re sure to find a prime location for this once-in-a-lifetime event. Prospect Point and Goat Island offer waterfall vistas with unobstructed skies. Not only will Niagara Falls prove to be an exceptional vantage point, but whenthe eclipse is viewed through the perpetual rainbow that lingers just above the falls, the color of the light will change from rainbow to monochromatic pink. About a 10-minute drive north is Whirlpool State Park where you can watch the event alongside the roaring Niagara River Rapids. On the days leading up to the eclipse, NASA will be providing free public programming and exhibits throughout the area, including Niagara Falls Public Libraries, the Niagara Falls Underground Railroad Heritage Center, the Aquarium of Niagara, the Niagara Power Vista, the Niagara Falls Culinary Institute, and Niagara Falls State Park.

Beaver Meadow Nature Center: Watch the eclipse surrounded by the natural beauty of the Beaver Meadow Nature Center with 324 acres of meadows, ponds formed by glaciers, boardwalk trails and wooded forests. Significantly, this spot is known for its breathtaking clear skies, ideal for viewing our galaxy at night throughout the year so is sure to be an amazing spot for the bigday-turned-to-night event. The center will also be hosting a family-friendly viewing event so everyone can safely admire this celestial phenomenon. Book a stay at the rustic and cozy Beaver Meadow Cabin on-site for a more secluded experience. For the days leading up to theevent, check out the Buffalo Astronomical Association Observatory’s schedule for monthly public nights where you can learn more about the eclipse, take a tour of the solar system, and pick up solar eclipse viewing glasses for a $2 donation.

Fort Niagara State Park offers unobstructed skies combined with waterside views of the Lower Niagara River and Lake Ontario. The 504-acre park is home to gorgeous scenery, woodland hiking trails, year-round living-history programs and the historic Old Fort Niagara, which controlled access to the Great Lakes during monumental wars. Check out the museum and 18th-century military architecture including the oldest building in the Great Lakes area: the French Castle. (Parking: $8/car.)

Buffalo Harbor State Park, 10 minutes from Downtown Buffalo, offers gorgeous viewing spots from sandy beachside vistas of Lake Erie to the outdoor patio at Charlie’s Boatyard restaurant. Also, the 264-acre Tifft Nature Preserve is next door with five miles of hiking trails, boardwalks, and hands-on exhibits.

Genesee County, with its sprawling rural landscapes and low light pollution, makes for an ideal eclipse viewing experience, plunging the county into a deep twilight revealing stars, planets, and a level of darkness larger metropolises won’t be able to rival. Plan to spend the weekend for four days of eclipse festivities throughout the county. The Batavia Downs Gaming & Hotel is planning an eclipse-themed party complete with on-site hotel packages, themed menus, live music, gaming promotions and giveaways and viewing glasses to watch the eclipse from the infield race track. The Genesee County Park, Forest, & Interpretive Center will be presenting informational videos, self-guided activities, crafts and activities for the kids, and a telescope with a solar filter special for eclipse viewing.

Whitworth Ferguson Planetarium at Buffalo State College, which has been holding public programs focusing on the eclipse’s main players – the sun, moon, and earth, and the mythology, history, and safety behind it all – is hosting a watch party complete with special viewing glasses.

At the 14,000-acre Letchworth State Park, known as the “Grand Canyon of the East, you can revel at totality alongside one of the three magnificent waterfalls, named Upper, Middle, and Lower Falls. Scenic views are accessible by bike or car throughout the park and on 66 miles of hiking trails.Make it an eclipse weekend and stay at one of Letchworth’s 19 cabins and cottages, which can be booked now at ReserveAmerica.com. The Glen Iris Inn is also within the park and provides a special viewing experience next to Middle Falls where it might even get a little misty. (NOTE: While Letchworth State Park will be open for public viewing, space will be limited. For public health and safety, no new visitors will be admitted once capacity is reached.)

You can also view the Eclipse at: Batavia Downs Gaming & Hotel, Genesee County Park, Forest & Interpretive Center, Lakeside State Park, Orleans County Marine Park

Campgrounds such as Four Mile Creek State Park with 50 campsites and Golden Hill State Park with 25 campsites make for great eclipse stays that can be booked now on ReserveAmerica.com.

See the full blogpost: https://www.iloveny.com/blog/post/best-2024-total-solar-eclipse-viewing-spots-in-greater-niagara/

Best Eclipse Viewing Spots in Chautauqua-Allegheny

Curated by Marta Zielinska, Managing Editor of ILOVENY.com

Chautauqua-Allegheny region offers the chance to experience solar eclipse totality amid enchanting mountains, tranquil lakes and bountiful vineyards.

Many of the best solar eclipse viewing sites are in New York State parks which have campgrounds, like Letchworth State Park, adding to adventure to the experience © Karen Rubin/goingplacesfarandnear.com

Allegany State Park Red House and Quaker areas: Allegany State Park offers 65,000 acres of primitive forested valleys, two sandy beaches, pristine lakes, miles of hiking trails, and picnic spots under the open sky for viewing the celestial spectacle. With 165 campsites, cabins and cottages open for booking, you can turn your eclipse adventure into an extraordinary eclipse getaway, giving you more time to experience the park’s natural beauty and its two museums and restaurant.

Griffis Sculpture Park, one of America’s oldest and largest sculpture parks, features 250 enormous structures of steel and other materials that set in the woods, fields, and even ponds of this sprawling 450-acre art wonderland, creating a spellbinding setting to witness the cosmic dance of the sun and moon. Typically open from May through October, the park will welcome visitors for this rare celestial spectacle.

The 360-acre Long Point State Park, a moraine left long ago by a retreating glacier, juts peninsula-like into Chautauqua Lake and is popular for fishing, hiking, and picnics. Head over to the marina or beach on April 8, 2024 for the park’s best views of the total solar eclipse over Chautauqua Lake. After the main event, explore the quaint shops, restaurants, and charm of the lakefront village of Bemus Point.

Jamestown Riverwalk: Jamestown, the hometown of the iconic comedienne Lucille Ball, is the first city in New York State to achieve totality on April 8, 2024, happening justseconds shy of 3:18 pm. Experience the cosmic phenomenon from a bridge or bench on the Jamestown Riverwalk, a five-mile urban trail system that winds its way through downtown along the Chadakoin River. The trail connects to the National Comedy Center and is an easy walk to the Lucy Desi Museum.

Views from Lake Erie: The 355-acre Lake Erie State Park in Brocton is located on a high bluff that offers breathtaking views of the sky and water. Evangola State Park’s beautiful arc-shaped shoreline and natural sand beach lined with low cliffs of Angola shale makes for another great spot for eclipse and Lake Erie views; the park has 25 campsites that can be reserved for eclipse weekend. The historic Dunkirk Lighthouse has some of the most stunning views of Lake Erie. Pick up lunch from the Boardwalk Market in Dunkirk Harbor and settle in for an eclipse watching picnic in the park grounds surrounding the 60-foot tower.

Scenic Vineyards in Lake Erie Wine Country: The oldest and largest Concord-grape-growing region in the world, is where you can raise your glass as you raise your gaze to the skies at any of the more than 20 wineries nestled along the southern shore of beautiful Lake Erie. Toast to the total solar eclipse at any of these fine choices including Johnson Estate Winery, Sparkling Ponds, and Noble Winery, which delivers stunning panoramic views of Lake Erie from its expansive porch.

Audubon Community Nature Center, a 600-acre wildlife sanctuary, has five miles of easy hiking trails that wind through fields, woods, and wetlands with observation towers and an accessible overlook offering ideal views of the natural landscape and spectacular celestial show.

You can also view the eclipse at: Roger Tory Peterson Institute of Natural History, Chautauqua Lake Rest Area, Dunkirk Harbor, Point Gratiot Park and Lighthouse, Barcelona Lighthouse State Park

See the full blogpost: https://www.iloveny.com/blog/post/best-2024-total-solar-eclipse-viewing-spots-in-chautauqua-allegheny/

Best Eclipse Viewing Spots in the Thousand Islands-Seaway

Curated by Emma Frisbie, Digital Content Coordinator for ILOVENY.com

That spot on the right is the International Space Station passing by the sun as the moon finishes its eclipse, during the Great American Eclipse, August 21, 2017 © Karen Rubin/goingplacesfarandnear.com

Thousand Islands-Seaway offers awe-inspiring lighthouses, historic battlegrounds, and celebratory atmosphere in which to experience this once-in-a-lifetime cosmic phenomenon on April 8, 2024. Here are some of the best places to view the total solar eclipse from the Thousand Islands-Seaway.

Historic Thompson Park in Watertown. has a Total Eclipse of the Park weekend of festivities starting April 5 with the grand finale viewing event on April 8. The park is 574 acres and sits atop a hill that overlooks the city of Watertown which means you’ll be able to look up and look out across the city (www.watertownnewyorkeclipse.com).

Tibbetts Point Lighthouse: Frame your eclipse experience at the point where the sparkling St. Lawrence River meets the powerful Lake Ontario at the Tibbetts Point lighthouse in Cape Vincent. Get a closer look at the lake and river through the telescope or explore the historic lighthouse which was built in 1827 and features the only working fresnel lens on Lake Ontario.

Witness this star-studded celestial occasion from the star-shaped fort dating back to the 1840s at Fort Ontario State Historic Site. This clear sky viewing spot is right on Lake Ontario and offers 36-acres of open air and waterside views. The fort was the site of many monumental battles from the French and Indian War and War of 1812, as well as a WWII US Army base. Take a guided tour where you’ll get to see officer quarters, the Enlisted Men’s Barracks, and the Storehouse. (Admission: $4/adults, $3/seniors 62+ and students, free for children under 12 and active military.)

Sackets Harbor Battlefield State Historic Site, 70 acres of open fields and lookouts of Lake Ontario makes for excellent eclipse viewing. Afterward, follow the Battlefield Historic Trail through Centennial Grove and the Navy Yard, with sweeping views of Black River Bay. For more history, follow the trail to the village’s War of 1812 Bicentennial Trail connection for a six-mile circuit.

Robert G. Wehle State Park offers 17,000-feet of Lake Ontario shoreline from which to view the eclipse. The 1,100-acre parkfeatures unobstructed skies and waterfront views, some visible from 80-foot limestone cliffs overlooking the lake. Once the estate of Robert G. Wehle, who was an avid conservationist, sculptor, and lover of English pointers (hence the canine sculptures you’ll find throughout the park), you can explore the Wehle residential compound and even make a reservation for up to eight people to stay at the cottage overnight for the ultimate secluded eclipse weekend.

Peer up at this cosmic event while you peer out at the sparkling waters of the St. Lawrence River at Wellesley Island State Park, with 2,600 acres boasting sandy beaches, miles of scenic hiking trails, and breathtaking Thousand Islands views. Plan an eclipse weekend at the campground with 21 cabins and cottages (book your reservation now at R eserveAmerica.com). Stop by the Minna Anthony Common Nature Center, one of the largest nature centers in the NYS park system.

You can also view the eclipse at Fort de La Présentation/AbbéPicquet Trail.

See the full blogpost: https://www.iloveny.com/blog/post/best-2024-total-solar-eclipse-viewing-spots-in-the-thousand-islands-seaway/

More information at iloveny.com

____________________________

Going Places, Far & Near

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