What is so special about New York City’s TD Five Boro Bike Tour is how, for one day, you and 32,000 of your closest friends, feel like you own the city. The streets, bridges and highways – like Sixth Avenue, the FDR Drive, the Queensborough Bridge, the Brooklyn-Queens Expressway and the Verrazano are your domain. It makes you giddy. Neighborhoods ring with sound and spirit – Greenwich Village, Harlem, Astoria, Greenpoint, DUMBO. Central Park’s blossoms seem to burst just for us.
The ride this year marked the 40th anniversary of this event, which is the largest noncompetitive bike tour in North America. The ride has come quite a long way from that first one, in 1977, when just 250 people participated.
Riders, who race to get a spot as soon as registrations open (participation is limited to 32,000 but could easily be thousands more), came from every state in the nation (yes, Hawaii and Alaska), and 1300 riders came from 43 countries, as far as Australia.
Bill Nye the Science Guy greeted the crowd as they lined up in downtown Manhattan, extending a mile, saying, “The bicycle is the most efficient machine known to humankind.” The ride, he says, brings the joy of movement, of being part of the city. Strong hearts. Free minds. Together we can change the world.”
New York City has really embraced biking, and now offers miles and miles of dedicated bike lanes – dozens more this year.
Manhattan Borough President Gail Brewer said that 750,000 New Yorkers now bike regularly, 50 percent more since 2012. “Thank you for your bike lane advocacy, for being healthy, for being part of the city’s future.”
The annual event raises money for bike education – 17,000 people a year learn how to ride, the largest free biking education program in the country. Bike New York operates bike education centers, after school programs, summer camps, and this year launched a Women’s Initiative, as well as its first membership program. “Alums” from the bike education program are joining the ride this year as “Student Ambassadors.”
Numerous charities such as Doctors Without Borders, also use the event for fundraising, purchasing registrations which participants then raise money against.
One of the charities is the Lighthouse Guild, a not-for-profit vision and healthcare organization with a long history of addressing the needs of people who are blind or visually impaired, and will have several cyclists who are blind riding tandem bikes including a former triathlete, Charles-Edward, who became blind five years ago.
The bike tour is also a model of sustainability, promoting recycling, water conservation, becoming the largest sporting event to be certified for sustainability by the Council for Responsible Sport 3 years ago and this year, earning gold level. Each rest stop featured “zero waste” recepticals.
The ride is designed to be a family friendly tour, not a competition, appealing to all abilities, ages – a pace car keeps the speed down, and keep it safe.
“Diversity is what makes the ride,” says Sam Polcer, who handles communications for Bike New York.
Indeed, everyone marvels at how well organized the ride is and all the precautions that are taken to make the ride safe. The route has also been improved to unplug some of the bottlenecks of years ago, so there is a nice flow.
And there is such a sense of liberation to take over New York City’s streets.
The ride embraces all five boroughs – and each shows off with street entertainment. In all, there were some 25 bands raising the spirits of the riders along the route, and at rest stops (Clif Bar sponsored a DJ and entertainment at the Con Ed rest area) and at the Finish Festival on Staten Island, where, for the first time, all the finishers received a commemorative 40th anniversary medal.
As in recent years, the event is preceded by a two-day Bike Expo, when cyclists can take advantage of discounts and giveaways by scores of bike, biking gear, and bike tour companies and destinations from the New York State’s Erie Canalway, to the Laurentians in Canada, to Taiwan, and special biking events like the Granfondo Campagnolo Roma, October 6-8, 2017, through the World Association of Cycling Events, along with Granfondo Campagnolo Roma.
In a first for the TD Five Boro Bike Tour’s 40th anniversary year, friends and family were able to follow their rider’s progress along the 40 mile route, by virtue of a chip embedded in the number card on each bike.
Riders could sign up to have their progress posted automatically on their Facebook or Twitter pages, or enter the phone numbers of up to three people to keep them updated via SMS (text), so that folks can know when they start the Tour, reach several rest areas along the route and finish.
In a first for the TD Five Boro Bike Tour’s 40th anniversary year, friends and family will be able to follow their rider’s progress along the 40 mile route, by virtue of a chip embedded in the bib.
The ride – which caps participation at 32,000 – is the largest noncompetitive bike tour in North America, with riders from every state (Hawaii and Alaska included) and 1300 riders from 43 countries, coming from as far as Australia.
Remarkable to consider that when the first ride was held in 1977, just 250 participated.
The annual event raises money for bike education – 17,000 people a year learn how to ride, the largest free biking education program in the country. Bike New York operates bike education centers, after school programs, summer camps, and this year launched a Women’s Initiative, as well as its first membership program. “Alums” from the bike education program are joining the ride this year as “Student Ambassadors.”
This year, Bill Nye the Science Guy will be riding and will help launch the ride which gets underway in waves, beginning at 7:30 am from downtown Manhattan.
Numerous charities such as Doctors Without Borders, also use the event for fundraising, purchasing registrations which participants then raise money against.
One of the charities is the Lighthouse Guild, a not-for-profit vision and healthcare organization with a long history of addressing the needs of people who are blind or visually impaired, and will have several cyclists who are blind riding tandem bikes including a former triathlete, Charles-Edward, who became blind five years ago.
The bike tour is also a model of sustainability, promoting recycling, water conservation, becoming the largest sporting event to be certified for sustainability by the Council for Responsible Sport 3 years ago and this year, earning gold level.
The ride is designed to be a family friendly tour, not a competition, appealing to all abilities, ages – a pace car keeps the speed down, and keep it safe.
“Diversity is what makes the ride,” says Sam Polcer, who handles communications for Bike New York.
The route has also been improved to unplug some of the bottlenecks of years ago, so there is a nice flow.
And there is such a sense of liberation to take over New York City’s streets.
The ride embraces all five boroughs – and each shows off with street entertainment. In all, there will be some 25 bands along the route, and at rest stops (Clif Bar is sponsoring a DJ and entertainment at the Con Ed rest area) and at the Finish Festival on Staten Island, where, for the first time, all the finishers will receive a commemorative 40th anniversary medal.
As in recent years, the event is preceded by a two-day Bike Expo, when bikers can take advantage of discounts and giveaways by scores of bike, biking gear, and bike tour companies and destinations from the New York State’s Erie Canalway, to the Laurentians in Canada, to Taiwan, and special biking events like the Granfondo Campagnolo Roma, October 6-8, 2017, through the World Association of Cycling Events, along with Granfondo Campagnolo Roma.
Riders can sign up (click here) to have theirr progress posted automatically on their Facebook or Twitter pages, or enter the phone numbers of up to three people to keep them updated via SMS (text), so that folks can know when they start the Tour, reach several rest areas along the route and finish.
Anyone not riding the Tour can follow along with a live broadcast produced by NTD.TV. View it here:
Also, don’t forget to follow @bikenewyork on Facebook and Instagram for the latest from the Tour.
If you want to cheer on the riders or catch any of the entertainment we have planned along the route, check out the Tour’s entertainment page for info. Tag @bikenewyork and use the official event hashtag: #TDFBBT
Bike New York, 475 Riverside Drive, New York, NY, Suite 1300, New York, NY 10115, www.bikenewyork.org.
Steve Silver’s Beach Blanket Babylon boasts being the world’s longest running musical review, and once you decide to dismiss the stupidity of the premise – Snow White’s search for her Prince Charming – you become completely enchanted with the quality of the musical performances, the costumes that would make Ziegfeld jealous (the hats are spectacularly outrageous), the choreography, and yes, the satire.
This isn’t expressly a political satire, though all your favorite political figures are zinged. Beach Blanket Babylon is really more of a spoof of popular culture, iconic brands, hot celebrities. And though the musical has been playing here in San Francisco since 1974, sections seem as if they were written just the week before, they are that timely.
In a phrase, it’s a hoot that carries you along with abandon as if you were riding a tube through rapids. Just suspend disbelief, sit back and enjoy the ride.
A mind-boggling statistic that would seem to make the show eligible for inclusion in the Guinness Book of Records, Beach Blanket Babylon has already had more than 16,000 performances and has been seen by six million people who come to the delightful theater at Club Fugazi in the North Beach district from around the world. The show doesn’t only spoof celebrities, it draws its share to its audience: HRH Queen Elizabeth II, Prince Charles and Camilla the Duchess of Cornwall as well as some of Hollywood’s biggest stars.
Beach Blanket Babylon (whatever basis in plot that title originates from seems to have been erased with the sands of time) follows Snow White as she finds herself in various locales around the world in search of her “Prince Charming.” (I can only imagine that way back in its history, these locations had more relevance to the plot.)
Our favorite bit was Donald and Melania Trump and the Trump family (done as the Von Trapp Family from “Sound of Music”). The incredibly long and varied list of characters that get their share of ribbing include Vladimir Putin, Beyoncé, Lady Gaga, Adele, Hamilton, Kellyanne Conway, Darth Vadar (Steve Bannon), Barack and Michelle Obama, Taylor Swift, Prince, Ivanka Trump, Bernie Sanders, Kim Kardashian and Kanye, Hillary Clinton and Bill, Oprah and the San Francisco Giants.
“Donald and the von Trump Family,” one of Beach Blanket Babylon production numbers spoofing political figures.
But the main reason that this show has survived all these years is the astonishing quality of the performances and yes, witty lyrics, and FABULOUS costumes (and hats!) that makes you wonder why they don’t spend a few bucks on a smarter, more updated unifying gag.
It all began on June 7, 1974, when Steve Silver produced a small show in the back room of the Savoy Tivoli Restaurant in San Francisco. There were 214 seats crammed into a tiny space. The floor was covered with two tons of sand; a lifeguard tore tickets at the door and sprayed the backs of people’s hand with Coppertone®. (Now I know where the title comes from!) For $2.50, the audience was entertained by a 45-minute show with four main performers, a chorus line of hula-dancing middle-aged housewives doing card stunts, a band dressed as poodles, one lighting man on top of a lifeguard stand manipulating Folger’s® coffee can lights and a whole lots of laughs.
The show was to run for six weeks. That was more than 40 years ago…
After a brief stint in the fall of 1974 at Club Olympus, Steve Silver’s Beach Blanket Babylon opened at Club Fugazi, a really beautiful theater that makes you think you are back in 1890s San Francisco, where it has been running since. The show became an expanded version of the Tivoli and Olympus shows, with more characters, grander sets, a larger cast and what was to become a trademark of the show, bigger hats!
This show is everybit a showy, elaborate display – you can’t believe they can get that many performers doing complicated choreography (and in those hats!) on an intimate stage. The musicians are fantastic, too.
Tickets range from $25 – $155 (based on performance date and seat location) and can be purchased online at www.beachblanketbabylon.com, in person at the box office or by calling 415-421-4222. All performances take place at Club Fugazi, 678 Beach Blanket Babylon Blvd. (Green St.) in the heart of San Francisco’s North Beach district. Shows perform on Wednesdays, Thursdays & Fridays at 8 p.m., Saturdays at 6 & 9 p.m., and Sundays at 2 & 5 p.m. (Due to liquor license restrictions, persons under 21 are not admitted to evening performances. (Minors welcome at Sunday matinees.) Valid photo I.D. is required.
Club Fugazi happens to be in North Beach which has some of the best Italian restaurants in San Francisco (and is one of San Francisco’s oldest neighborhoods). We thoroughly enjoyed our dinner at the casual and moderately priced Baonecci Ristorante – pasta with truffles, eggplant Parmigiana; Tagliatelle ai Funghi Porcini (Fresh homemade eggs pasta Porcini Mushroom, Garlic, Olive oli, Fresh Italian Parsley) and Pizza Rustica (San marzano tomato sauce, fresh mozzarella, gorgonzola cheese, salame toscano, arugula (reservations recommended, Baonecci Ristorante, 516 Green St, San Francisco, CA 94133, 415-989-1806).
North Beach was home base for The Beats, Jack Kerouac and poet Alan Ginzberg. Arrive early and stop in at The Beat Museum, which houses an extensive collection of Beat memorabilia, including original manuscripts and first editions, letters, personal effects and cultural ephemera, originally collected by Jerry Cimano, (The Beat Museum, 540 Broadway (at Columbus Ave.), San Francisco, CA 94133 (museum entrance is $8/Adults, $5/Students/Seniors), 800-KEROUAC (800-537-6822), www.kerouac.com, email [email protected], follow on Twitter @KerouacDotCom and The Beat Museum on Facebook.) (See story Beats of North Beach, Rolling Museums, Urban Oasis: San Francisco’s Cultural Highlights Where You Least Expect).
For more help planning a visit to San Francisco, contact San Francisco Travel. 415-391‑2000, www.sftravel.com.
It is quite amazing to me that just 35 minutes drive from downtown San Francisco, the fabulous urbanized city with some of the tallest structures man has devised, are the Muir Woods, with some of the tallest and most ancient trees Mother Nature has produced.
The peace, the serenity, the sheer awe and majesty envelopes you from the first steps into the national forest.
There are many tour companies that make it easy for tourists to visit, as well as various means to get you there on your own (but if you use Uber, you have to be aware that there is no cell service there).
I took Extranomical Tours’s Muir Woods Expedition which offers an excellent program, well organized, and that gives you some extra added treats: a stop in scenic Sausalito and another stop for a “unique” view of the Golden Gate Bridge (in fact, an unusual vantage point that most tourists would never have), as well as an animated, well informed guide (Jake on the tour I took), who points out the sights, relates San Francisco’s history and gives good historical and naturalist background to prime you for your visit to Muir Woods National Monument.
The Extranomical tour to Muir Woods begins with a pick-up at convenient locations – I was picked up at the Hyatt Regency Embacadero, in a smart van (flooding has wiped out part of Highway 1, so you have to take a small, winding road up to the entrance which the big buses they normally use can’t take).
Jake, a filmmaker originally, is our guide and gives pleasant commentary on the drive that orients us well when we arrive.
Muir Woods is a national monument, established on January 9, 1908 by President Roosevelt using his powers under the Antiquities Act, to protect an old-growth coast redwood forest from destruction.
Jake explains us how these woods were saved from lumbering and development by William Kent and his family. Redwood Creek contained one of the Bay Area’s last uncut stands of old-growth redwood, Congressman William Kent and his wife, Elizabeth Thacher Kent, bought 611 acres for $45,000 in 1905. To protect the redwoods the Kents donated 295 of the land to the Federal Government and, in 1908, President Theodore Roosevelt declared it a national monument. Roosevelt suggested naming the area after Kent, but Kent wanted it named for the pioneering conservationist John Muir responsible for saving Yosemite as America’s first national park.
Since Muir Woods is a national monument, Jake can’t escort us through and we pay our $10 fee to enter. But he has oriented us well and tells us the best way to explore in the two hours we have here.
Two hours proves sufficient to get the highlights of Muir Woods and hike the most popular trails (there are numerous hiking trails, some of which hadn’t opened yet for the season). The main trail is paved, flat, and can accommodate wheelchairs. This trail puts you at the base of these mammoth trees so you can the full appreciation of just how massive they are (and how small you are). You find yourself constantly craning your neck to see to the top.
And when you walk in, you do feel like you are entering a cathedral – that craning of the neck to see the treetops making an arch over the narrow path, as if looking up at the high arching roof of a Gothic cathedral like Notre Dame.
Indeed, perhaps because it is so close to San Francisco and offers such a contrast to a congested urban area, Muir Woods is very much a “cathedral” – there is even a Cathedral Grove, with a sign that says “Shhh… Quiet Refuge.”
You hear birds, the gurgling of the Redwoods Creek that flows through.
You feel small, a speck in time and space.
You feel grateful to man who saved these woods.
You are overwhelmed by the sense of awe and majesty, from your first steps through the wooden threshold.
The trees, as if elders, range in age from 400 to 800 years – that means they were already well on in years when Columbus first discovered the New World – their height up to 250 feet.
These aren’t as thick as the famous Giant Sequoias which are further inland; but these coastal redwoods are the tallest trees in the world. Even more remarkable because they grow from a tiny seed that bursts from a small pine cone that is heated by fire.
In the light gaps beneath the redwood trees are red alders, California big leaf maples, tanoaks, and Douglas fir. The forest floor is covered in redwood sorrel, ferns, fungi, duff, and debris. Wildlife includes the endangered coho salmon fingerlings that live in the lovely creek that flows through, Pacific wren, woodpeckers, owls, deer, chipmunks, skunks, river otters, and squirrels.
You walk among old growth coast redwoods, nurtured in the fresh water of Redwood Creek and by the fog.
I cross the fourth bridge over the Redwood Creek and take the Hill Top trail back -a narrow dirt path at a higher elevation – which gives a different perspective.
The Visitor Center at the Muir Woods entrance has exhibits and a vast selection of literature and information on Muir Woods. A cafe and gift shop is also located near the park entrance.
There are other ways to get to the Muir Woods on your own such as using a bus service (though it is temporarily out while they repair Highway 1; and if you use Uber or ride-share, you need to pre-arrange a pick-up because there is no cell service). Coming on your own, you can organize your visit to miss the busiest crowds during midday (best to arrive before 9 am or after 4 pm). The park opens every day at 8 am and closes at 8 pm (after March 18).
Muir Woods is open 365 days of the year, though hours vary with the season.
Muir Woods National Monument,1 Muir Woods Rd. Mill Valley, CA 94941, 415-388-2595.
The advantage of the Extranomical Tour is certainly the convenience of the pick up, plus the enhanced experience of a brief stop at Sausalito and (on our trip) the Presidio for jake’s “unique” view of the Golden Gate Bridge. Jake gives us a narration about the history of San Francisco and points out attractions on our way (like the tunnel, recently renamed for comedian Robin Williams, which is painted with a rainbow).
Extranomical Tours also includes a visit to Muir Woods National Monument in other tour offerings, such as one and two-day trips to Wine Country; and a trip that combines Muir Woods with Sausalito and Alcatraz.
The weather is overcast on the day I have set to do that iconic bike ride along San Francisco’s waterfront, over the Golden Gate Bridge into Sausalito and on to Tiburon. But that doesn’t stop me or several thousand other visitors to this engaging city. I just throw in some rain gear along with water and snacks.
I set out for Blazing Saddles, which has the largest bike fleet in California and some nine locations throughout San Francisco.
The company’s main location is at 2715 Hyde Street, ideally located in Fisherman’s Wharf, and just a block and a half from the start of the National Park Bike Path. This path takes riders on a beautiful, car-free bike ride along the bay, passed the Marina, through historic Fort Mason, and over to the Golden Gate Bridge, which is where most of the riders go.
Blazing Saddles has been in business over 30 years – it is the original “Bike the Bridge” company – but now has some new offerings, including a new electric bike model that was custom-made for the company, the Electric Blazer, and a free mobile app.
The new “e-Blazer” was customized for Blazing Saddles and they say is the lightest electric bike. The bike looks like regular bike (the battery is on the luggage rack on the back rather than where your legs are). It would be exceptional if you were riding San Francisco’s hills.
But a consideration for me, as the Blazing Saddles person explains, is that e-bikes, can only take the Blue & Gold ferry line from Sausalito or Tiburon to Pier 41, which has somewhat more limited service than the Golden Gate Ferry (which goes into the Ferry Building at Embarcadero – so I see that my last time back from Tiburon (where I am trying to get to) would be 4:15 pm and it is already noon.
I decide not to take the e-bike but to take a regular bike, which is lighter and easier for me to get on/off, and soldier through the hills, starting with Fort Mason (made it!), then the ramp up to Golden Gate Bridge (made it!).
The weather may be overcast, but I get to see that wonderful scene of the Golden Gate Bridge half-shrouded in San Francisco’s famous fog, a scene that changes moment to moment, it seems.
It is 8 miles to Sausalito – that takes about 1 ½ hours (you won’t just be riding over the Golden Gate Bridge, you will want to sightsee, stop for photos, and also have to keep stopping for pedestrians). Plan to spend time – at least an hour – in Sausalito which has really wonderful shops, galleries, eateries and scenic views, even if you are planning to continue the ride to Tiburon. (I have spent time in Sausalito a few days before on my way back from Muir Woods with Extranomical Tours.)
It is 10 more miles between Sausalito and Tiburon, which should take another 1 ½ to 2 hrs.
Blazing Saddles does an excellent job of preparing you – showing a 2-minute video of the route along the waterfront through the Marina district, up over Fort Mason (a strenuous hill) to the ramp up to Golden Gate Bridge (also strenuous hill), then down, down, down, into Sausalito.
They also give you a ticket for the ferry which you don’t actually pay for unless you use it (saves time and anxiety to buy the ticket at the ferry but I notice that the Blue & Gold lets you buy the ticket on the ferry, also). When I get back, I pay Blazing Saddles $11.50 for the ferry (the same amount as you would pay directly to the ferry). Their map/brochure even gives the time schedule for the ferries.
They tell us we should return the bikes by 7:30 pm or else call. They supply quality helmets, a lock, a pouch and luggage rack, and an excellent map (which also shows points of interest along the routes) and take care to properly fit the bike. (Blazing Saddles offers an all-day guided tour out of the 2715 Hyde Street location, departing 10 am and 1 pm, that includes the all-day Deluxe Comfort bike rental for $55/adult, $35/child).
I had really wanted to see the ride to Tiburon which is mostly on a bike trail but partly sharing the road. But once you get under the highway and go along the highway on the service road, the sign to the bike route (for Bike Route 8) to Tiburon is confusing (everyone else I met on the line to the ferry made the same mistake) – when actually, all you have to do is follow the service road maybe ¼ mile more and turn up on Belvedere Road, for a much more pleasant ride (just a few hills) which soon connects to a very nice bike trail (Bike Route 10).
I made the mistake of not biking out to Mill Valley’s Old Mill Park, where you get to see the Coastal Redwoods, and then connecting to the Bike Route #8 – which is the way Blazing Saddles recommends to go (I was in a hurry to get to Tiburon).
The weather does not cooperate, but fortunately I have prepared for rain.
Eventually you connect with Route 10 which is a dedicated bike trail along the water into Tiburon.
Even with getting lost (involving riding up three major hills in the residential area and stumbling upon the beautiful Audubon sanctuary (until a very nice man stopped his car and pointed out the route to me), I still get to Tiburon at 3:55 pm. There is not nearly as much to visit as in Sausalito, so I basically walked up and down the street in the “historic” district where the shops are and still made it to the 4:15 pm ferry for the fun 35-minute scenic “cruise” back to San Francisco’s Pier 41 at Fisherman’s Wharf, stopping at Angel Island and passing very close to Alcatraz on the way. There were a gazillion other bikes – a huge slew with the Blazing Saddles emblem – and the ferry people are extremely efficient in loading and unloading the bikers.
Besides this most popular Bike the Bridge ride (average 3 hours for the full 22 miles into Tiburon), other recommended routes include Bike the Parks (San Francisco’s bike route system connects Union Square and the “Wiggle” to the famous Golden Gate Park and the Presidio, 15 miles averaging 2-3 hours; the Marin Headlands Loop (from the north side of the Bridge, follow the coast west on Conzelman Road, out towards Point Bonita and Rodeo Beach, 10 miles, 2-3 hours; and “Conquer Mount Tamalpais, which would take you to Muir Woods National Monument, 15 miles beyond Sausalito, for a 5-6 hour trip – the elevations to Mount Tamalpais at 2,574 feet, make this especially challenging.
Indeed, San Francisco, despite its hills, is one of the most bike-friendly, welcoming cities anywhere (and if you get tired, public buses and the BART subway system accommodate bikes).
Blazing Saddles has a score of different road, hybrid and mountain bikes and types, starting at $8/hour or $32 for a 24-hour day; the best bike for biking the Bridge is a deluxe comfort hybrid, $9/hr, $36/for a 24-hour day; the e-Blazer ranges from $48-88.
Blazing Saddles Bike Rentals and Tours, 2715 Hyde Street, San Francisco, CA 94109, 415-202-8888, www.blazingsaddles.com
Maritime National Historical Park
Besides all the marvelous tourist places – souvenir shops, eateries of every stripe – there are some excellent attractions at Fisherman’s Wharf, such as the Exploratorium and the Aquarium and most especially the famous and fabulous Cable Car (expect long lines of about 30 minutes but totally worth it; along the cable car route, there is the Cable Car Museum which is free and SO fantastic).
The end of Fisherman’s Wharf is the start of the San Francisco Maritime National Historical Park and the Visitor Center which is free and fantastic (located in the Argonaut Hotel building). Here you experience the sights, sounds and textures of the city’s seafaring past, beginning with the Native Americans who lived here before the Spanish arrived. There are hands-on activities and exhibits that describe the Gold Rush, shipwrecks, and development of San Francisco. On view is the lens from the Farallon Lighthouse. There are many historic vessels along the Hyde Street Pier, where park staff volunteers lead programs where you get to participate (school children can even overnight on historic vessels). The Maritime Museum is in the Aquatic Park Boathouse building (also free). (San Francisco Maritime National Historical Park, Fort Mason Center, San Francisco, 94123, 415-447-5000, www.nps.gov/safr).
I stop in on my way to picking up the bike from Blazing Saddles, and the exhibit gives me an excellent foundation for appreciating what I will see during the ride.
It’s also where a few of the marvelous San Francisco cable cars begin and end – be prepared for a 20-30 minute wait on a line but it is so worth it and is an excellent way to either arrive at Fisherman’s Wharf or finish off the day. The one-way fare is $7. (Locals can’t get on so it is almost exclusively tourists who ride the cable car.)
Pier 39, which is celebrating its 39th anniversary in 2017, is a tourist mecca with scores of fun shops and restaurants such as the Hard Rock Café (especially fun during this Summer of Love celebration, we noticed live music going on; also, check out the autographed Grateful Dead guitar, a painting of Jerry Garcia by Grace Slick of the Jefferson Airplane, Jerry Garcia’s bomber jacket, Jimi Hendrix’ jacket and one of the last photos of Janice Joplin, www.hardrock.com/cafes/san-francisco/).
This trip we enjoyed dinner at the Pier Market Seafood Restaurant, heralded for its New England clam chowder, Mesquite-grilled seafood, and lovely setting with views of the Bay, waterfront and resident sea lions.
Pier Market Seafood is one of the Simmons family’s restaurants in San Francisco (Fog Harbor Fish House, and Wipeout Bar & Grill are the others), offering menus that showcase all sustainable seafood offerings aligned with the Monterey Bay Aquarium’s “Seafood Watch” guidelines.
“We undertook this transition based on a commitment to best practices, even in the absence of any specific demand from our customers,” Scooter Simmons commented. “It was important to our family and everyone in our company to do the right thing and lead by example. There are surprisingly few area restaurants that have made this choice.”
Three generations of Simmons’ are a part of the history of San Francisco’s hospitality industry. Warren Simmons was the creator and developer of PIER 39, which opened in 1978, and his son, Scooter, daughter-in-law, Nancy, and his grandchildren, Nicki and Ryan, now work running the four Pier 39 businesses still owned by the family.
Menu highlights include garlic roasted whole crab, fresh seafood cioppino, mesquite grilled lobster tail, red curry steamed mussels, and Anchor Steam battered fish and chips and Pier Market’s award winning clam chowder.
In addition to the sourcing of sustainable ingredients for all seafood dishes the menu reflects seasonality, the use of local purveyors, generous portions, and moderate (“non-tourist”) pricing (mains are priced from around $11 to $30). Pier Market Seafood offers a diverse selection of libations including a wine list that emphasizes California vintages and handcrafted classic, contemporary and signature cocktails, plus intriguing non-alcoholic beverages including a strawberry basil nojito.
The selections are wonderful for sharing, especially the starters like sourdough garlic bread, garlic fries (crispy fries tossed with fresh garlic, herbs and topped with parmesan cheese); Crispy Scallops (house-breaded and served with roasted jalapeño aioli); fried calamari coated with sweet & sour sauce; crab cakes, a house specialty, served with a Cajun rémoulade; clams steamed in garlic, butter and white wine; steamed mussels prepared with onions and peppers in a red curry coconut broth.
The restaurant is also very proud of its Cioppino, a classic San Francisco dish, a tomato based seafood stew with fresh fish, mussels, clams, shrimp and crab served over pasta ( for a few dollars more, they remove the crab from the shell).
The menu offers tremendous variety and selections – meats to salads, sandwiches, pastas – and the ambiance is casual, pubbish, perfect after a day of sightseeing. The restaurant serves until 10 pm.
One hour free validated parking in an easily accessed and conveniently located garage adds to the allure of the dining experience.
(Pier Market Seafood, Pier 39. San Francisco, CA 94133, 415-989-7437, piermarket.com/).
For more help planning a visit to San Francisco, contact San Francisco Travel. 415-391‑2000, www.sftravel.com.
Wes Leslie’s Wild San Francisco Summer of Love Musical Walking Tour finishes only a couple of blocks down from the entrance to Golden Gate Park (see story), which played such a role in the Hippie Movement, and where the De Young Museum is holding the Summer of Love Experience, one of the more than 60 events, exhibitions, concerts, tours and attractions taking place during this 50th Anniversary of the cosmic 1967 event when some 100,000 young people descended on the city. So, after walking around the famous Haight-Ashbury district – epicenter of the Hippie Movement – taking in the shops and scenes that slingshot you back to the 1960s, I stroll into Golden Gate Park to the museum.
The Summer of Love Experience: Art, Fashion, and Rock & Roll, on view at the De Young Museum in Golden Gate Park through August 20, 2017, is an exhilarating exhibition of iconic rock posters, photographs, interactive music and light shows, costumes and textiles, ephemera, and avant-garde films. Part of the 50th anniversary celebration of the adventurous and colorful counterculture that blossomed in the years surrounding the legendary San Francisco summer of 1967, the exhibition presents more than 300 significant cultural artifacts of the time, including almost 150 objects from the Fine Arts Museums’ extensive permanent holdings, supplemented by key, iconic loans.
As you walk in, you are immediately set on the crossroads of Haight and Ashbury streets and the pins with the iconic phrases and issues that were top-of-mind of the time.
You literally step into the whirling dervish that was the times – psychedelic colored lights and brash, electrified music of Janis Joplin and others provide the beat and backdrop for the exhibit that includes a two-story square darkened room with colored projections of what appear to be the shapes inside a lava lamp and bean-bags to sit on.
In the mid-1960s, artists, activists, writers, and musicians converged on Haight-Ashbury with hopes of creating a new social paradigm. By 1967, the neighborhood drew as many as 100,000 young people from all over the country to this tiny neighborhood, which became the epicenter for their activities, and nearby Golden Gate Park their playground.
The period was marked by groundbreaking developments in art, fashion, music, and politics (captured in the images of photojournalists and street photographers), which is what is so eloquently showcased in this exhibit.
Local bands such as Jefferson Airplane and the Grateful Dead were the progenitors of what would become known as the “San Francisco Sound,” music that found its visual counterpart in creative industries that sprang up throughout the region. Rock-poster artists such as Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson generated an exciting array of distinctive works featuring distorted hand-lettering and vibrating colors, while wildly creative light shows, such as those by Bill Ham and Ben Van Meter, served as expressions of the new psychedelic impulse.
Distinctive codes of dress also set members of the Bay Area counterculture apart from mainstream America. Local designers began to create fantastic looks using a range of techniques and materials, including leatherwork, hand-painting, knitting and crotchet, embroidery, repurposed denim, and tie-dye. These innovators included Birgitta Bjerke, aka 100% Birgitta; Mickey McGowan, aka the Apple Cobbler; Burray Olson; and Jeanne Rose – whose creations are also on view.
The Summer of Love Experience: Art, Fashion, and Rock & Roll commemorates an “only in San Francisco” social and aesthetic movement, and will remind museum visitors that in a time of international upheaval, the city played a vital role in changing society and amplifying the pulse of the nation.
de Young Museum, Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco, CA 94118, 415-750-3600, ttps://deyoung.famsf.org/summer-love-art-fashion-and-rock-roll.
San Francisco Goes All-Out for Summer of Love Celebration
San Francisco Travel, the city’s visitors bureau, and the California Historical Society have joined forces on the 50th anniversary of the Summer of Love, offering more than 60 exhibitions and events, plus special tours like Wild SF’s Summer of Love walking tour.
At www.summerof.love, the California Historical Society provides the detailed factual and cultural context for this seminal summer through its own exhibition and work with cultural partners such as the de Young Museum.
“The Hippies” at West County Museum in Sebastopol(Thru-Dec. 2017): The West County Museum in Sebastopol presents “The Hippies”. The curators have collected memorabilia from the Hippie elders to recreate the environment that these rebels against consumerism and conformity built in the forests of Graton and Occidental 1966-1973. Morning Star Ranch in Graton was owned by Lou Gottlieb, the bassist of The Limeliters, a hit folk group of the 60’s. He opened his property to all and refugees from the Haight quickly settled in. They built their own shacks, lived without electricity and often clothes and exchanged the work ethic for the ethics of living in nature in a state of “voluntary primitivism.” Sex and drugs, pot and LSD, guitars and any handy noise makers were freely enjoyed by the denizens but not by all of their neighbors. The County Sheriff and Health Department became involved after vociferous complaints and after many fines and much legal maneuvering by Gottlieb to keep his commune open, the County bulldozers destroyed the huts, and the suddenly homeless hippies were forced to relocate. Some moved to Morning Star East in New Mexico, but others went a few miles away in Occidental where Bill Wheeler felt that he had enough land to share and the hippies moved in. The land was free to all but the living was too free for a neighbor who felt that the lifestyle was a threat to his children. Again, after legal action, the bulldozers moved in and the hippie commune era in Sonoma County came to an end. The West County Museum, 261 S. Main Street, Sebastopol, is open Thursday to Sunday, from 1 p.m. to 4 p.m.
Monterey Regional Airport: “Feeling Groovy,” Art at the Airport(Thru Fall 2017): The exhibit showcases collections that reflect music, entertainment and home life in 1960s Monterey County. Artifacts featured in the exhibit are diverse, ranging from the ordinary to the extraordinary. Visitors can view everyday objects from a 1960s kitchen, iconic fashions ranging from pill box hats to Beatle boots, and beloved games, toys and comic books. See Nancy Carlen’s collection from the Big Sur Folk Festival, the first time these rare photographs and objects have been exhibited. Go back to June 1967 when the Monterey Pop Festival welcomed Jimi Hendrix, Janis Joplin and Otis Redding – and ushered in The Summer of Love. Each object – from transistor radios to martini glasses – will transport you back to this transformative decade.
2017 Summer of Love Street Celebrations with It’s Your District and Sunday Streets (Thru Oct. 1, 2017): In conjunction with Sunday Streets, the non-profit It’s Your District (IYD) is hosting the 2017 Summer of Love Street Celebrations. Block parties will be held at the eight Sunday Street locations, and will include Summer of Love exhibitions, art projects, live performances and family-friendly activities. In keeping with IYD’s mission, these celebrations will bring in and promote Bay Area non-profits, businesses, arts, cultural and community organizations, socially conscious enterprises and individuals who are committed to bringing forth the unheard voices of residents and in sustaining the vitality of our community district by district. Sunday Streets engages some 120,000 people annually and this number continues to grow.
One highlight of the celebration is the Public Mural Art Project which creates murals designed to educate members of the community about the history of their respective neighborhoods. The art will focus on prominent heroes and the events that have contributed to the development of San Francisco districts from the 1960s to present day.
“Lavender-Tinted Glasses: A Groovy Gay Look at the Summer of Love” at the GLBT History Museum (April 7-Sept. 27, 2017): An exhibition highlighting the gay, lesbian, bisexual and transgender participants in the 1967 Summer of Love in San Francisco. The show also will explore the LGBTQ community’s own simultaneous cultural revolution in the city’s Tenderloin neighborhood. The stories of queer poets, philosophers, filmmakers and musicians integral to the era will be celebrated through historic photographs, artwork, film and documents from the archives of the GLBT Historical Society and private collections.
de Young Museum; “The Summer of Love Experience: Art, Fashion and Rock & Roll” (April 8-Aug. 20, 2017): Through a wide array of iconic rock posters, interactive music and light shows, “out-of-this-world” clothing and photographs, “Summer of Love” celebrates the city’s rebellious and colorful counterculture and explores the visual and material cultures of a generation searching for personal fulfillment through social change. The exhibition includes rock posters by artists including Victor Moscoso, Stanley Mouse and Wes Wilson along with examples of the handcrafted, one-of-a-kind garments created by such designers as Brigitta Bjerke, K. Lee Manuel and Jeanne Rose.
“Love or Confusion: Jimi Hendrix in 1967” at the Museum of the African Diaspora (MoAD) (April 26-Aug. 27, 2017): As Jimi Hendrix walked out onto the stage at Monterey Pop, he was also stepping out for his American rock and roll debut. Playing as “The Jimi Hendrix Experience,” Hendrix was introduced to California at the festival before the U.S. release of his first album. A performance enlivened with rock theatrics, sexual flamboyance and magnetic guitar riffs, this moment solidified Hendrix as a rock idol. An integrated band with a black front man, “The Jimi Hendrix Experience” represented racial and sexual freedom and the goals of the 1906s counterculture. Composed of photographs taken of Jimi Hendrix in 1967, this exhibition celebrates the 50th anniversary of the famous Summer of Love and the introduction of Jimi Hendrix as one the greatest instrumentalists of all time.
“Elaine Mayes: It Happened in Monterey” at SFO Museum(May 4-Aug. 10, 2017): SFO Museum will present an exhibition of photographs by Elaine Mayes (whose work is also included in the de Young Museum exhibit) taken at the Summer of Love’s legendary rock concert, the 1967 Monterey Pop Festival. The exhibition is located post-security in Terminal 3.
“California Historical Society; “On the Road to the Summer of Love” (May 12-Sept. 10, 2017): Guest-curated by Grateful Dead historian Dennis McNally, this photographic exhibition will start in the 1950’s with “HOWL” and the Beat Generation and move through the free speech movement to LSD, rock and roll and the Haight in the 60’s.
The Cartoon Art Museum; “Comix from the Summer of Love” (June-Sept., 2017): The Cartoon Art Museum celebrates the Summer of Love with a selection of underground comix from Bay Area creators Lee Marrs (Pudge, Girl Blimp), Trina Robbins (Wimmen¹s Comix) and highlights from the collection of Ron Turner, founder of famed San Francisco publisher Last Gasp.
“A Night with Janis Joplin” at American Conservatory Theater (June 7-July 2, 2017): Like a comet that burns far too brightly to last, Janis Joplin exploded onto the music scene in 1967 and, almost overnight, became the queen of rock ’n’ roll. The unmistakable voice, laced with raw emotion and Southern Comfort, made her a must-see headliner from Monterey to Woodstock. A.C.T. presents an evening with the woman and her influences in the Bay Area premiere of the hit Broadway musical “A Night with Janis Joplin” at the Geary Theater. Fueled by such unforgettable songs as “Me and Bobby McGee,” “Piece of My Heart,” “Mercedes Benz,” “Cry Baby,” and “Summertime,” a remarkable cast and breakout performances.
San Francisco Public Library: 50th Anniversary of Love and Haight (July 15-Oct. 29, 2017): In this exhibit, historical photographs, grass roots newspapers, posters and flyers, record albums and manuscript materials from community groups and City of San Francisco collections will document the social and political upheaval of the summer of 1967 and how the city responded.
Attractions:
The legendary Fillmore Auditorium offers performances throughout the year and launched the careers of greats including James Brown, Ike and Tina Turner, the Grateful Dead, the Jefferson Airplane, Santana and more. Famous for printing posters for every single show played at the venue, the poster room is just shy of 1,000 posters since officially opening its doors in the mid-60s. Celebrate the 50th anniversary of Bill Graham’s first show at the Fillmore, which was December 10, 1965. (http://thefillmore.com/about/)
Harkening back to The Psychedelic Shop, which opened on January 3, 1966, as the first head shop in America, Love on Haight is a boutique dedicated to keeping the memory of the Summer of Love alive (www.loveonhaightsf.com).
Check out the autographed Grateful Dead guitar, a painting of Jerry Garcia by Grace Slick of the Jefferson Airplane, Jerry Garcia’s bomber jacket, Jimi Hendrix’ jacket and one of the last photos of Janice Joplin. at the Hard Rock Café at PIER 39. www.hardrock.com/cafes/san-francisco/
At Madame Tussauds, rub shoulders with iconic stars and free thinkers of the Summer of Love such as Jerry Garcia, Janis Joplin, Carlos Santana and Steve Jobs. (www.madametussauds.com)
Founded in 1959 with avant-garde performance events, today The San Francisco Mime Troupe (SFMT) produces social and politically relevant theater performances full of dance, song, satire and comedy all year long. In 1965 future rock impresario Bill Graham, then the company’s business manager, organized his first rock dance/light show at the Fillmore Auditorium as a bail benefit for the SFMT and in 1967 The Troupe clinched its radical reputation with a comedy updated to satirize the Vietnam War (www.sfmt.org/company).
Viceroy Hotel Group’s brand new Hotel Zeppelin has been reinvented as a modern take on the countercultural rebellion of the 1960s. Its historic architecture dating back to 1918 is highlighted with Instagram worthy design elements that truly exude the Summer of Love vibe. From the Giant 12 foot (and climbable) Peace Sign constructed of repurposed license plates from roadtrips long forgotten, to blacklight graffiti murals fading in and out of view at their Fireside neighborhood bar – even the guest rooms feature vintage Bill Graham posters and rockband clad wallpaper that will transport you straight to the 1960s Fillmore. Grab a drink at their signature bar and restaurant Rambler and meander your way down to their massive “Den” arcade featuring vintage games like shuffleboard, skeeball, quick shot basketball, bingo and more (www.viceroyhotelsandresorts.com/en/zeppelin).
S.O.U.L. (Summer of Unconditional LOVE), a new, non-profit, online media organization, chronicles the happenings of the 50th Anniversary of the Summer of Love, with a focus on broadcasting stories of individuals and organizations implementing solutions inspired by the ideals and wisdom of the 60’s cultural movements. The information shared is intended to help people manifest a more loving and less fearful world by giving them hope and inspiring new action to be taken. “Come join us, and discover what you can do to participate in accelerating humanity’s shift into the Love Paradigm,” say Founders Evan Hirsch and Kip Baldwin www.nowsharelove.org).
To help visitors plan their “trip,” the San Francisco Travel Association has launched a special website, www.summeroflove2017.com, which provides an ever-expanding guide to the whole groovy scene, including events and itinerary ideas. (San Francisco Travel. 415-391‑2000, www.sftravel.com)
It’s the 50th anniversary of San Francisco’s Summer of Love, when, in 1967, nearly 100,000 young people converged on the Haight-Ashbury neighborhood, turning San Francisco into the epicenter of a cultural phenomenon known as the Summer of Love. It was a transformative time, when music, fashion, art and new ideas flourished and there was a feeling that everything was possible.
“The city of San Francisco was a magnet for musicians, artists and social rebels in the mid-to-late 1960s. They created a counterculture bound by leftist politics, tribal spirit, music and art. Long stamped a literary bohemia, attracting nonconformists like the Beat Generation writers of the Fifties, it was a natural progression for free-thinking San Francisco to give birth to a radical new movement eventually embraced by the rest of the world.”
The 50th Anniversary Celebration – with some 60 different events, special tours, concerts – is already well underway in San Francisco and I’m guessing that tens of thousands of Baby Boomers will grab their tie-dye t-shirts, bell-bottom jeans, and put a flower in their hair and join in for a mind-blowing time-travel blast back into the past.
I’ve just returned from my own magical mystery tour – more precisely, Haight-Ashbury Walking Tour: A Musical Trip of The 60’s, a musical Summer of Love walking tour with Wes Leslie of Wild San Francisco Tours – when I was stunningly, and eerily transported back to my past.
Let me say at the outset that I can’t recall taking a historical tour where I personally lived the history.
Wes (he jokes that he is called “Wild Wes”) is perfect to lead this tour, using his guitar at opportune points – in front of the homes where the Jerry Garcia and the Grateful Dead, Janis Joplin, Country Joe (of the Fish) and others lived – to recreate the iconic music of that era. What is more, in keeping with the spirit of the Hippie Movement, the tour during this anniversary year is “free” (you pay a suggested donation at the end).
Though I lived through that era – memories came flooding back with Wes’ narration – there is so much more of the inside, behind-the-scenes, backstage stuff that I hadn’t known. It is kind of like sitting around a table with relatives and finding out inside scoop you hadn’t realized went on.
Wes’ anecdotes and folksy style make the tour as entertaining and fun as it is informative from a historical and cultural point of view.
What I come away with is a realization that the Summer of Love would not have happened without The Pill and how that spurred cultural changes – most significantly a willingness to challenge the entrenched White Patriarchy and Power Structure. I come away with is a new appreciation of how the Women’s Liberation movement actually fueled the Hippie movement, which, through its counter-cultural, anti-establishment, anti-institutionalism, then paved the way for civil rights, gay rights and peace movements – methods and organizations and themes which are eerily resurgent today.
During this Wild San Francisco walking tour through Haight-Ashbury (with music!), I learn about the rise – and fall– of the Hippie Movement that reached its pinnacle during that Summer of Love, when some 100,000 descended and overwhelmed San Francisco (consider that the city has a population today of 800,000), much to the horror of local Hippies who decried that famous song, “If you’re going to San Francisco, be sure to wear flowers in your hair.”
The very “success” of the Summer of Love proved the undoing of the Hippie Movement, much to the delight of Mayor Shelley at the time, who went after the hippies with such vengeance that he told area hospitals not to help young runaway teens who OD’d, and told the police to stand down so that chaos would reign. It is a complete surprise to me to learn about how brief this movement was in Haight-Ashbury – like a brief, shining light.
The Hippie Movement, which emerged 1965-1967, was aimed at overturning the 1950s culture of uniformity, conformity and obeisance to The Man (whether that is the Capitalist or the Authority of the white patriarchy power elite). The “Hippies” (named because they were the next-gen Beatniks but not quite the Hipsters the Beatniks were, according to San Francisco Chronicle columnist Herb Caen who coined the names for both) renounced capitalism and embraced everything “free” (free food, free concerts, free health clinics, free love), which is why they were considered so dangerously radical (Communists!) and vilified by The Establishment. After all, America was still in the throes of the Cold War.
The social, political ideologues shaping the movement were The Diggers, Wes explains (a group I had never heard of before even though I lived through this era) and must have been news to the other people on our tour, who hailed from Wales, Australia, Hungary, Berlin and Los Angeles (that fellow had taken two other tours with Wes).
The Haight-Ashbury district, where the Hippies were concentrated, today seems an odd locale for these counter-culture radicals, because this district is dominated by the most magnificently preserved (expensive!) Victorian-era homes, some dating from the 1890s, surviving the 1906 San Francisco earthquake and fire which destroyed 80 percent of the city. Wes explains that by the 1960s, the district was run-down and cheap to live in after white flight to the suburbs. Back then, you could rent an entire Victorian house for $175 a month and divide that among 10 people (amounting to $80 a month per person in today’s money, compared to the $3400/month rent for an apartment the district now commands). So naturally, it attracted artists, writers and musicians.
In the 1960s, half the American population was under 25 years old. These were the Baby Boomers and they were coming of age, disillusioned with income inequality, segregation, the assassination of President John F. Kennedy.
“Maybe they hadn’t figured out the solutions but they wanted whatever was furthest from whatever set those things into motion,” Wes tells us as we face one of the most magnificent Victorians, known as “Hippie Temptation”, so they reclaimed the derelict urban cities, swore off capitalism, and embraced drugs that were emerging and love and a philosophy of individual discovery and expression.
They picked up where Jack Kerouac (“On the Road” was a handbook for the Beat Generation) and Alan Ginsberg (“Howl”) left off.
The emergence of drugs (and the drug culture) was a significant element that led to the rise of the Hippie Movement– like LSD (which was legal), which led to the rise of “psychedelic” experimentation and provided the subtext for culture of “seeing the world in a new way” and a devotion to individual expression, rather than conformity. “Turn on, tune in, drop out,” declared Timothy Leary.
The Diggers, Wes explains, took their name from a 17th century group of anarchists in England who would take over unplowed fields and would give away the harvest to end inequality.
San Francisco didn’t have farms, but it did have food waste, so the Diggers would go dumpster diving and brought the food to All Saints Parish Church (where we find ourselves standing) and would make a pot of Hippie Stew which they would bring to Panhandle Park (where our tour began, named for the shape, not for handouts), to distribute for free. (The church still gives away food weekly.).
One day, The Diggers gave away free food on the steps of City Hall, which enraged San Francisco’s mayor. “’We are not a charity,’ the Diggers declared,” Wes tells us. “’We are an anarchist organization doing what government should do’.” (a philosophy that is reemergent with the anti-Trump activism) It was the act of it, in contrast to the liberals at Berkeley, the intellectual kids, who were theorizing.
“The Diggers said, ‘Just do it, don’t theorize.’ The Diggers started putting ‘free’ in front of everything: free food, free concerts, free health care.”
Wes traces the actual beginning of the Hippie Movement that led up to the Summer of Love to “The Death of Money” March the Diggers put on. The Diggers, he says, were the activist branch of the San Francisco Mime Troupe, a political satire and theater group.
Hundreds came out wearing dark clothing and carrying a coffin filled with cash and coins – “50 years before the Occupy Wall Street movement and Bitcoin.”
They opened a free store, stocked with contributions from shopkeepers and what they could scavenge. Tie-dye? That gender-bending fashion innovation developed, Wes says, because the Diggers would get contributions of white shirts and would die them.
Interestingly, Wes points out, there was a revolution within the Diggers because the men were writing the manifestos but the women were actually doing the work.
Ultimately, he relates, “the structure of the Diggers – who eschewed “leadership” (they were anarchists) – falls apart.” But they will be forever remembered for coining the famous phrase: “Today marks the first day of the rest of your life.” And for providing the template for social innovations that followed.
By now, we are standing in front of the most famous house in Haight-Ashbury: the “crash pad” for the Grateful Dead, the most beloved group in San Francisco, “hallowed ground for Haight-Ashbury.”
As Wes is talking, a 60ish man in long white beard, long flowing hair, wearing a tie-dye shirt and bright colored vest comes out of his bright colored house and into his red car, looking every bit the part.
Wes regales us with stories about Jerry Garcia, the Grateful Dead, the Hells Angels, Country Joe and the Fish, Janis Joplin as we visit their houses and important landmarks.
The Hippie Movement had its “greatest moment” not in the Summer of Love, but in January 1967, with a Human “Be-In” in Golden Gate Park. It was supposed to attract a few hundred people. Instead, some 20,000 turned out. The Diggers provided free food; the Hells Angels provided child care, Wes says. (Photos of the event are on view at the De Young Museum in Golden Gate Park, which this season has a special “Summer of Love Experience” exhibit.)
Kids 12 to 14 years old were running away from home to join the Haight-Ashbury scene, and they were overdosing on the ubiquitous drugs.
Dr. David Smith, who was then a 28-year old medical intern (he still lives here), decided to do something and opened a free medical clinic in June 1967, which despite Mayor Jack Shelley’s efforts to shut it down, actually still exists (as we discover that we are standing in front of it) and has served as the model for some 2,000 free clinics since.
As the Summer of Love event approached, the city was freaking out at what would likely be an invasion of some 50,000 (the museum says 100,000 came). Mayor Shelley shut down the clinic and the police, hoping people would be turned off from coming.
Instead, the locals who occupied those Victorian houses turned over their keys to The Diggers, so that the visitors would have some place to sleep, and left town themselves. The Diggers opened “The Switchboard” putting visitors in touch with apartments (sounds like a forerunner of Air BnB), with jobs, and provided a central place for parents to send messages to their runaway kids.
The “success” of the Summer of Love was actually the undoing of the movement, which unraveled after that, Wes explains.
The Grateful Dead left, the Hippies moved to North Bay where they created a farming commune, the Diggers disbanded.
“The Last Hurrah was the ‘Death of Hippies’ march” paralleling the “Death of Money” march which initiated the movement. The Diggers, again wearing dark clothing, carried another coffin, this time with a Hippie inside, covered with flowers and incense.
The Hippie Movement, they said, “was killed off by fame,” adding, “If you care about this, take what you learned and radicalize it.”
Indeed, they did: the Hippies willingness to take on the Establishment unleashed the Women’s Movement, the Civil Rights Movement, Gay Rights Movement and Peace Movement.
But Haight-Ashbury sunk further and further into decline, becoming an outright derelict and dangerous place, until the Dot.Com resurgence of San Francisco in the early 2000s, and tourism which has resurrected the colorfully decorated shops, including Earthsong, and Amoeba (which Wes says is the world’s largest independent record-album store).
Wild San Francisco’s other tours – such as “Radical SF”, a walking tour through the Mission and Castro districts – are focused on the people’s history and social movements (there is also a historical ghost tour for good measure).
Wild San Francisco’s co-founder Wes Leslie is a third-generation San Francisco Bay native (I admire his ring with the insignia of the Golden Gate Bridge and 3 diamonds, which he tells me was his grandfather’s, a transit driver for 3 decades). He makes “bedroom soul” music as Wes Leslie, the Bedroom Player (wesleslie.com) and fixes cocktails at Mrs. Jones on Market Street.
Special Tours Celebrate Summer of Love Anniversary
2017, the 50th Anniversary of the Summer of Love, is being marked with a year-long celebration of San Francisco’s counter culture with a 1960s throwback including some 60 exhibitions, performances, literary events, tribute concerts and recognition of significant moments in time.
While the Summer of Love remains a key moment in history, the free love movement can be experienced through a number of geography specific tours, neighborhoods and performances throughout the year. In addition to Wild San Francisco’s offerings, other tours include:
Flower Power Walking Tours: Walk in the footsteps of Janice Joplin and the Grateful Dead on the Haight Ashbury Flower Power Walking Tours touching on the history of it all, from rock and roll to art, fashion and architecture. (www.haightashburytour.com/)
FOOT! Fun Walking Tours: is presenting a special tour, Flashback: From the Summer of Love to the Winter of Discontent, from the highs of the summer of 1967 to the restlessness that followed. Follow in the footsteps of music legends like Janis Joplin and Jerry Garcia with this walking tour in the iconic Haight Ashbury neighborhood.(www.foottours.com).
San Francisco City Guides Haight-Ashbury Tour: Explore streets, sidewalks, parks and vistas that tell the story of a Victorian era resort site subsequently developed by comfortable merchants, whose gingerbread homes still grace its streets. Offered most Sundays, see website for details. Somewhat strenuous. San Francisco City Guides offers free (donations welcome), volunteer-led tours of a variety of neighborhoods, landmarks and topics. To bring eight or more walkers to a regular tour, click here for information on private group tours. (www.sfcityguides.org, [email protected].
Detour’s Walking Tour: Walk through the epicenter of the Summer of Love with Detour’s Walking Tour of the Haight, narrated by one of the activists who was at its center, Peter Coyote. (www.detour.com/san-francisco/haight-ashbury).
Avital Food Tours, Haight Ashbury: Did you know that local food co-ops were born out of this era? Delve into one of the world’s best food scenes to hear the stories of restaurant owners, chefs and industry experts for a culinary experience in San Francisco. Walking tours are available in iconic neighborhoods across the city including Haight Ashbury (http://avitaltours.com/san-francisco/).
San Francisco Love Tours: Ride a VW hippie bus with San Francisco Love Tours and experience modern day San Francisco infused with the spirit of the 60’s (http://sanfranciscolovetours.com/).
Magic Bus Experience: This two-hour+ adventure, “Time Machine to the 60’s,” is a “mind-bending” combination of professional theater, film, music and sightseeing that allows tour goers to travel back in time to the summer of 1967. The Magic Bus is an actual bus colorfully painted and filled with a sound system, micro projectors and screens that periodically lower over the windows making the bus into a moving movie theater (http://magicbussf.com).
To help visitors plan their “trip,” the San Francisco Travel Association has launched a special website, www.summeroflove2017.com, which provides an ever-expanding guide to the whole groovy scene, including events and itinerary ideas. (San Francisco Travel. 415-391‑2000, www.sftravel.com)
Next: Special Events, Exhibitions Planned for San Francisco’s 50th Anniversary Summer of Love
Like so many, we have come to Park City for its legendary powder snow and sprawling mountain peaks, home to two major ski resorts, Park City (which since Vail Resorts acquired and combined Park City and The Canyons has become the largest ski resort in the US), and the skiers-only, “retro” Deer Valley Resort.
And besides being one of the easiest world-class ski destinations to reach from every part of the country by air (I literally leave my home on Long Island in the morning and am skiing at Park City Mountain by the afternoon), it affords a perfectly delightful, charming historic town that rounds out the joyful experience.
Which is ideal because one of the major delights of a ski (or any outdoors) holiday is dining out. During our all-too brief stay in Park city, we get to sample the diverse venues.
Just a few blocks long, Park City’s historic Main Street really packs it in: one phenomenal gallery, boutique, superb restaurant after another. I visit on three evenings of our four-day stay and find new treasures to explore each time.
Park City was born in a silver mining boom of the 1880s. – today, it extracts a different kind of silver, from tourism – indeed, we are told that Park City has been ranked the most expensive small town in America (surpassing Aspen).
But the 19th century past is still very much on display – I love reading the historic markers outside some of the buildings which collectively tell the story of a town that survived explosions, flooded mineshafts, a town-wide fire in 1898 which burned 200 of the town’s 350 structures, snows heavy enough to collapse buildings, and a devastating downturn in silver prices that deflated the town’s economy in the mid-1900s, so that by 1951, it was officially named a ghost town. (There is quite a good Park City Museum, 528 Main Street, allocate about an hour.) Sixty-four of the Park City buildings are listed on the National Register of Historic Places. Meanwhile, there are more than 1,200 miles of tunnels that wind through the mountains (Park City Mountain Resort offers an on-mountain Historic Mountain Tour on skis that goes to some of the mine shafts.). There are other charming touches, like the free old-timey trolley, and the decorative lights that are strung across Main Street and around many of the buildings.
But out of a silver bust has come a new kind of cash boom: Park City today is considered the “most expensive small town” in America (actually surpassing Aspen) which you sense in the high-end galleries, shops and restaurants. Yet, the ambiance is not in the least snobby or elitist. We are struck by how very welcoming and friendly everybody is – from the shopkeepers to the visitors. The town is one perpetual smile.
There are a mind-boggling number of restaurants to choose from – nearly 150 in the area – from cozy bistros, casual eateries ideal for family gatherings, jazz and live-music venues, and fine dining establishments worthy of Michelin stars.
During our all-too brief stay, we get to sample Park City’s diverse dining options. After all, a ski holiday is one of the few times you can tell yourself, “I’m on vacation, AND I’ve spent the day outside burning up calories.”
The first place to replenish those calories is at Firewood on Main.
Firewood on Main should be a Park City institution. Though it only opened in December 2016, its chef/owner is John Murcko who is responsible for developing many of the fine dining restaurants throughout Park City (The Farm, in the Canyons village and was named one of “Utah’s 25 Best Restaurants” in 2015, is one) and Sun Valley. This is his first restaurant of his own, and you get the feeling it just gives him the freedom to express his passion for culinary creativity. What we love about it is that although the selections and taste combinations are as sophisticated as you might find in the major capital cities of the world, it still is absolutely true, in ingredients and selections (not to mention décor) to its local surroundings. So there are taste sensations that evoke South America (particularly Argentina’s penchant for grilling) and Asia, but that still feel right at home in Utah.
Chef Murcko has done some interesting things: like creating the Chef’s Library – a literal tiny, private and separated room connected to the kitchen with a pass-through for the dishes – where you get to create a menu in collaboration with the chef. There is also a second private dining room, and the Nickel Bar on the basement floor (named for the nickels that fill the bar tabletop) which is appropriately dark and woody.
The main dining room features a set of windows that let you see through to the sprawling kitchen (I like that better than when the kitchen is just open to the dining room). You get to see the activity, as well as marvel at the room-length long open grill, that was custom-built, “the Mazzerati of grills,” our server, Sean, notes.
Just about everything is grilled or seared or fired or smoked in some fashion – even the lemon garnish on the cocktail, to enhance its flavor (more about that in a bit).
I love the décor, which I dub “Mountain Moderne.” It has a quasi-agricultural/industrial heritage motif – clean lines but woodsy – that summons Utah heritage with windmill fans that are used as ceiling fans and black-and-white photos that decorate the room. Chef Murcko even crafted the tables himself.
We start off with a batch of appetizers that we share:
Grilled Oysters with spinach, wood roasted bacon and beet pickled shallot – the oysters are palm-sized huge and are brought in from Washington and Applewood Smoked Burrata with ash roasted beets and herbed pesto; pork belly (for which Firewood is known) prepared with honey wine apple vinegar, red pear and frisee; and fire-braised seasonal wild mushrooms (wood beech, royal trumpets, chanterelles) served with grilled bread. Delectable.
For our mains, we savor Port Short Rib, so succulent and perfectly prepared over creamy polenta, warm dried stone fruit chutney, and heirloom carrots fired on the grill; Rack of Lamb, with black lentil ragu, cipollini onion, eggplant and red chimichurri, had some wonderful Argentinian influences and it too was prepared and presented to perfection; and American Kobe New York (the best of both cultures!) showed off Murcko’s penchant for grilling, was sensational, served with rosemary pave, baby shiitakes and duxelle jus.
That being said, the menu (which basically touches all cylinders of offerings) shifts nightly to incorporate the freshest seasonal ingredients, locally sourced wherever possible. But the one constant is that everything is cooked over a wood fire. “Chef John Murcko’s vision blends the most primitive of cooking methods—open wood flame—with an innovative menu.” (Firewood On Main, 306 Main Street, Park City UT 84060, 435-252-9900, firewoodonmain.com).
High West Saloon and Distillery
One of the most popular places to be in Park City is High West Saloon and Distillery. It has the look of being around a century but was opened in 2006 by David Perkins and his wife, Jane. David, a former biochemist, was inspired to open his own distillery after seeing the parallels between the fermentation and distilling process and his own work in biochemistry during a trip to the Maker’s Mark Distillery in Loretto, Kentucky. The old-timey look comes from the fact that Perkins opened with just a small, 250-gallon still and Saloon in an historic livery stable and garage.
The Saloon features alpine-inspired western fare alongside the original still (you can see it) and the Nelson Cottage offering whiskey-paired dinners. It’s lots of fun and draws huge crowds willing to wait 2 ½ hours for a table (they don’t mind sampling the product in the meantime and looking at the traditional 1,600 gallon copper pot still, or perusing the small “general store”. Notably, High West was named 2016 Distiller of the Year by Whisky Advocate.
We had a fantastically fresh chicken noodle soup and amazing High West Burger 18, made with a bison and beef blend (wonderfully moist), “proprietary seasoning”, broiled aged gruyere, blue cheese, BBQ glazed sweet onion, crispy fried shallots, served with fries. The Distillery also offers tours, which you can book in advance.
The new High West Distillery and tasting room is located “high in the Wasatch-Uinta Mountains,” in Wanship, Utah, 25 minutes outside Park City and 40 minutes from Salt Lake City, and is open Wednesday-Sunday, 10 am to 5 pm).
(High West Saloon and Distillery, 703 Park Ave Park City, UT 84060, 435-649-8300, www.highwest.com).
Silver Star Café
We also got to sample Silver Star Café, which is located at one of the bases to Park City Mountain, one of the venues that regularly features live music.
Here, we enjoyed live jazz by the John Flanders Jazz Trio in a most comfortable dining room that made you feel more like being in a living room than a restaurant, with long banquettes and loads of pillows that is clearly a favorite with regulars and locals.
We thoroughly enjoyed the freshness and flavor combinations of the appetizers and salad: General Tso’s Pork Belly Wrap prepared with Butter lettuce, pickled chilies, toasted peanuts; Warm Roasted Brussels Sprout Salad with pomegranate seeds, toasted hazelnuts, pickled onion, pomegranate-balsamic dressing; Winter Greens & Apple with radicchio, arugula, endive, candied pecans, grapefruit vinaigrette.
The mains offered wonderful choices:
Pork Osso Bucco (a house specialty), featured Niman Ranch pork shank, fresh tomatillo salsa, coconut creamed corn, Queso Fresco, pork jus; Boneless Buttermilk Fried Half Chicken is prepared in a distinctive way and served with Red beans & rice, braised greens, Carolina BBQ; Seared Elk Burger, 8 oz. of our signature elk-bacon blend, fig-cherry mostarda, bacon burger sauce, served with hand-cut fries on a toasted Ciabatta bun.
James Root, the manager who is an award-winning mixologist, let’s us sample a cocktail he had only just devised: “Lost at Sea” contains Beehive Gin, Absinthe, lime and crème de violette with a cherry set at the base of the glass. It is built about Absinthe, a spirit with a colorful reputation of having been banned and therefore embraced by Parisian artists, bohemians and literati like Hemingway (it was falsely accused of having hallucinogenic properties). What I love about it is that it isn’t too sweet but has an air of intrigue. (Silver Star Cafe. 1825 Three Kings DrivePark City, UT 84060. 435-655-3456. [email protected], www.thesilverstarcafe.com)
Galleries Galore
The art galleries are simply breathtaking. The last Friday of each month is a free Park City Gallery Stroll that lets visitors and locals alike the opportunity to enjoy light refreshments while discovering what’s on in the galleries; from 6-9 pm, members of the Park city Gallery Association offer a showcase highlighting artists, special exhibits and art events.
At Burns Cowboy Shop on historic Main Street, family owned since 1876, one of oldest family owned western shops in US (the boots just take your breath away), I meet Jake Quarnberg, the hat shaper, who is steaming a hat and patiently explaining the process to two girls who listen completely enthralled. Quarnberg who used to be a cattle rancher in Utah, grew up with the 6th generation Burns.
Year-Round Destination
Park City is very much a year-round destination – after the snow melts, the mountain bikers and hikers take over.
Park City offers festivities and festivals year-round, the most famous being the Sundance Film Festival when as many as 40,000 come to town each January (remarkably, few actually ski so the slopes are relatively empty). But the whole calendar is chock-a-block with special events: beginning in June, the Park silly Summer Market festival, each Sunday, showcasing local produce and artisan crafts; in July, Independence Day parade, and Park City Food & Wine Festival; in September, Autumn Aloft hot air balloon festival; in October, the Howl-O-Ween dog parade, to list just a few that have built the town’s reputation as the “Festival City of the Rocky Mountains.” There is also the Park City Institute’s concert series; performances at the picturesque Egyptian Theater (“Annie the Musical” was being performed during our visit).
There are more than 100 lodging properties to choose, from on-mountain hotels, condos and full-service luxury hotels with ski-in/out convenience, to multi-family private homes, bed and breakfast inns, downtown properties (you can hop on the Town Lift to the Park City Mountain base).
Park City, Utah is arguably North America’s most accessible mountain recreation destination, just 35 minutes from Salt Lake City International Airport with convenient service from everywhere. Park City – home to Deer Valley Resort and Park City Mountain Resort and the Utah Olympic Park – affords more than 400 miles of public trails offering year-round outdoor recreation.
Excellent travel planning assistance is provided by the Park City Chamber of Commerce, Convention & Visitors Bureau, 800-453-1360, www.visitparkcity.com.
Park City is a veritable skiing metropolis so close to Salt Lake City (35-45 minutes drive), it may well be considered the suburbs rather than this vast Nature’s playground. Not only do you have Park City and Canyons (now combined under the Vail Resorts OneParkCity banner, making it the largest ski resort in the United States), but literally next door is Deer Valley Resort.
Deer Valley Resort is one of the only ski areas in the country that is skiers’-only (Alta, Utah is another). This makes for an old-school, European, retro atmosphere – dare we say dignified? sedate? quaint? As a skier, you don’t have that constant frantic feeling when you hear the looming scrapping sound building in intensity as snowboarders, tearing up the mountain, come upon you, like Jaws. You don’t have that hip, counter-culture vibe that tends to surround snowboarders. It is frankly more peaceful, calm, quiet.
Deer Valley has a deserved reputation of being ultra-luxurious – there are uniformed ski valets to help you with your equipment, parking lot shuttles, free overnight ski storage, groomed-to-perfection slopes, fine dining experiences in three day lodges, complimentary tours led by Mountain hosts and limited lift ticket sales so that the slopes are never crowded. It feels less like a resort and more like a country club.
It also offers luxurious on-mountain accommodations – indeed, it is the home of the world-famous, five-star Stein Ericksen Lodge which has held the title of “World’s Best and United States’ Best Ski Hotel” as well as the St. Regis Hotel, a Starwoods hotel, which is accessed by its own funicular from the parking lot.
Yet, to our eye when we visited during the last couple of week’s of the season, it seemed unpretentious. Or perhaps that is just because of the relaxed feeling that pervades.
Deer Valley affords 2,026 skiable acres over six mountains (about the size of Killington and Pico, Vermont, combined), six bowls, two chute areas. It offers a vertical rise of 3,000 feet to the highest summit, Empire, at 9570 ft. The longest run is 2.8 miles. There are 21 lifts including a high-speed gondola, 12 high speed quads, one fixed grip quad, five triples and two doubles.
Of Deer Valley’s 101 trails, 27% rated “easier”, 41% more difficult and 32% most difficult, making it ideal for families, new skiers and skiers of all abilities.
It is a snowy, foggy, generally wet day when we visit, but that doesn’t interfere with the enjoyment. Here too, the mountain is so vast, first-timers to the resort need directions to get to the peak you want to ski if you are particular (I am still working out my confidence issues, especially when visibility is a factor). A mountain Ambassador helpfully maps out for us where we will find the peak with the best selection of intermediate trails to get me started. That’s Flagstaff Peak, where we head.
Eric has exchanged his snowboard for skis – skiing for the first time in years – and immediately leaves Sarah and me in the proverbial “dust.”
After a few runs, Eric and Sarah go off to the more challenging Empire Peak (summit at 9570 ft., highest among Deer Valley’s six peaks), with only blue and black trails from the summit.
The Empire lift offers some wonderful intermediate tree skiing (not very steep, trees are nicely spaced), so Sarah, who had never skied through glades before, gives it a try. She absolutely loves the experience — it’s so quiet and peaceful in the trees, and the snow tends to be the softest on the mountain. It really feels like it’s just you and the mountain.
I continue to get my rhythm on Flagstaff (summit at 9100 ft.) with a delectable selection of blue and green trails.
We meet for lunch at the Royal Street Café in the Silver Lake Lodge – a full-service restaurant with a lovely firepit in the middle, serving breakfast, lunch, dinner, snacks and après ski from 11:30 am to 8 pm. The menu is delightful – creative American and international casual cuisine. Our waiter, Alex, makes some marvelous suggestions and we start off with Fresh Dungeness crab tower, made with fresh crab from Washington, avocado tomato crispy spiced wontons, and sauces is wasabi, soy and sweet chili. Sarah and Eric share a Maple Bacon BBQ Bison Burger, made from scratch and served with smoked habañero cheddar, sautéed onions, guacamole, barbeque sauce, habañero aioli, Tuscan bun and garlic-herb-parmesan shoestring fries; and grilled fresh ahi served with mango-avocado salsa, southwest slaw, smoked habañero mayonnaise, crisp corn tortilla shells or grilled fresh white corn tortillas (www.deervalley.com/Dining/wheretoeat/RoyalStreetCafe).
Eric and Sarah go off for even more challenging runs while I happily keep putting on the miles on the blue trails on Flagstaff Mountain.
Another option would be to take the Silver Lake Express to the Sterling Express quad up to the 9,400-foot summit of Bald Mountain. There, you have your choice of runs down the mountain or take the Wasatch and Sultan Express quads at the base back up to this beautiful peak. Intermediate and advanced skiers will enjoy Little Baldy Peak and the long run down Jordanelle, named for its sweeping views of Jordanelle Reservoir on the resort’s east face. Then, take the scenic gondola ride back up the mountain.
You can follow in the tracks of the 2002 Olympians.Know You Don’t and Champion were sites for alpine slalom and freestyle mogul events. There’s no need to pick one or the other — just ride back up on the Carpenter Express. Champion is where local skier Shannon Barhke won silver in 2002, and it’s a favorite run for another local, 2010 mogul bronze medalist Byron Wilson. Deer Valley, like the other Park City-area resorts, also features the Nastar Ski Racing slalom experience.
Summer at Deer Valley
We are at Deer Valley in the closing days, but in mid-June, the mountain resort transforms for summer: pristine mountain biking trails, hiking, chairlift rides, al fresco dining, a children’s adventure program, and outdoor concerts at the Snow Park Outdoor Amphitheater featuring headlining musicians, world-renowned artists and local bands.
Deer Valley Resort, 2250 Deer Valley Drive South, Park City, UT 84060. Where to stay, what to do, packages and deals and other visitor planning tools are at www.deervalley.com, 800-424-3337, 435-649-1000.
Park City, Utah is arguably North America’s most accessible mountain recreation destination, just 35 minutes from Salt Lake City International Airport with convenient service. Park City offers over 100 lodging properties including bed and breakfast inns, condominiums and full-service hotels. Park City is home to Deer Valley Resort and Park City Mountain Resort and more than 400 miles of public trails offering year-round outdoor recreation. The area boasts 150 restaurants, stunning boutiques and galleries lining Historic Main Street, plus attractions such as the Utah Olympic Park.
For travel planning assistance, contact Park City Chamber of Commerce, Convention & Visitors Bureau, 1850 Sidewinder Drive #320, Park City, Utah, 800-453-1360, www.visitparkcity.com.
Judges at the 5th annual final of the Gold Coast Acoustic Café’s Your Big Break talent competition had an unusually hard time picking the winners out of a talented field of six, but in the end, Paris Ray was the grand-prize winner and Julia Lambert the runner-up, at the Gold Coast Arts Center, Great Neck, Long Island, Saturday, April 1.
Paris Ray, a 21-year old from St. James who majored in Studio Composition in the Conservatory of Music at college, dazzled the judges with her original song, “Astronomy” (“I became an astronaut so I could give you space.”) off her Just Visiting EP; a second, highly personal original song that gets to the heart of domestic violence, as well as the required George Michael song (each of the contestants only a week ago was assigned a George Michael song to perform).
Julia Lambert impressed with her song-stylings on the acoustical guitar, and her original song that soon will be released on an EP (“Take a chance, it will be okay, I promise.”).
Julia Hayden, from Port Washington, backed up with a sensational band, performed two original songs plus a tribute to George Michael, which offered a MiddleEastern meets MidWest country feeling, and an really interesting song that featured the drum roll of a marching band (“Carry on”).
Lydia von Hof, just 15 years old but conveying a skill and sophistication way beyond her years (she is a classically trained pianist who will be performing Chopin at Carnegie Hall), brings a full, rich voice to her performance.
Jaclyn Manfredi, 17, brings a sultry style reflecting jazz, blues and R&B influences, and has performed at the Apollo Theater. She performed an original song, “Warehouse.”
The “Big Break” is not just a clever title. The young performers are competing for prizes that could well launch their career.
As the grand-prize winner of the 5th Annual Your Big Break talent competition, Ray will have an opening spot for national acts at major venues like The Paramount, recording time at DCITY Studios and Online TV streaming opportunities, a feature on Reverbnation.com, a $250 gift certificate from All Music Inc. and ZOOM North America, a PR and social media campaign including management, booking and label services consultation with Rick Eberle Agency.
Lambert, as the runner up, won a video camera.
In addition, Rick Eberle has also invited all the contestants to appear on his radio and TV shows.
The judges are major players in the music industry including: ReverbNation.com’sLou Plaia, All Music Inc.’s Guy Brogna, Songwriter Tara Eberle Drouin and Label Executives Stephen Marcuccio, Jerry Lembo, Linda Ingrisano, Mark Ambrosino.
The contestants for Your Big Break were selected out of 1000 submissions through Gold Coast Arts Center (www.goldcoastarts.com) and Reverbnation.com sites in response to an open call for musicians age 15 to 25 who do not currently have a recording or publishing contract. The artists have to perform with a band or solo with an acoustic guitar or sing to a backing music track. There is no fee to submit.
The six finalists came out of two semi-final competitions of performers and were paired with mentors to guide them in performing a song by George Michael, assigned to them, in tribute to the music icon who died last December: American Idol’s Robbie Rosen, Dream Recording Studio’s Jason Melker, Sojourn Record’s Mark Ambosino, arranger/producer/songwriter/remixer and former VP of A&R at Atlantic Records Jimmy Bralower, singer/songwriter John Hampson of Nine Days, and songwriter/producer Donnie Klang of MTV’s “Making the Band”.
Your Big Break talent competition is hosted by the Gold Coast Arts Center’s Acoustic Café and LoveRevolution.Org. Conceived by Rick Eberle and the Gold Coast Arts Center, the talent competition carries on the tradition of Long Island musical talent, including
Ashanti, Mariah Carey and LL Cool J (born on Long Island), Billy Joel, Lou Reed and Harry Chapin and going back to John Philip Sousa and Guy Lombardo.
The Arts Center is transformed into the Gold Coast Acoustic Café once a month, a music venue that showcases local up-and-coming talent as well as established music acts. With its black box theater performance space and a lounge in the art gallery, the Gold Coast Acoustic Café is one of the few small music venues around which makes for a special and intimate atmosphere for artists and audience alike, especially during Your Big Break.
Gold Coast Arts Center, 113 Middle Neck Road, Great Neck NY. Call 516-829-2570, www.goldcoastarts.org.
