Category Archives: Cultural travel

Arts & Entertainment, Attractions, Cultural travel, Culture, Museums and Exhibits, New York City travel

Anne Frank House Coming to New York City Headlines Fall Culture Calendar

October 23, 2024 krubin723

De Boekenkast: bookcase in front of Secret Annex. New Yorkers will have the opportunity to actually tour a re-creation of Anne Frank’s hiding place, never before seen outside Amsterdam (© Anne Frank House, photographer Cris Toala Olivares)

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York is one of the premier cultural capitals of the world and fall is when the culture calendar gets into gear. But here’s a heads-up: the blockbuster exhibit of the year – the opportunity to tour a full-scale re-creation of Anne Frank’s Annex as it stands in Amsterdam – opens January 27, 2025, and tickets are on sale now. Here are highlights of what’s ahead on the culture calendar:

Groundbreaking Full-Scale Re-Creation of Anne Frank’s Annex

Amsterdam and New York – The Anne Frank House, one of the most visited historical sites in Europe, is presenting a pioneering experience: the opportunity to walk through an exact replica of Anne Frank’s hiding place where she wrote her famous diary. Anne Frank The Exhibition opens in New York City on January 27, 2025. Considering that tickets to visit the Anne Frank House in Amsterdam book up three months in advance, tickets for this exhibit are now available at AnneFrankExhibit.org.

This is the first time the Anne Frank House will present this opportunity for visitors outside of Amsterdam to be immersed in a full-scale recreation of the rooms where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.

As a nonprofit organization helping to shape global understanding of the Holocaust and its contemporary relevance, including lessons on modern day antisemitism, racism, and discrimination, the Anne Frank House is entrusted with the preservation of the Annex where Anne Frank and her family hid during World War II. This exhibition, presented in New York City in partnership with the Center for Jewish History in Manhattan, opens on International Holocaust Remembrance Day, January 27, 2025, to mark the 80th commemoration of the liberation of Auschwitz.

Anne Frank The Exhibition is a first-of-its-kind, full-scale recreation of the complete Annex, furnished as it would have been when Anne and her family were forced into hiding. Moving through the exhibition, visitors will be able to immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt, Germany through the rise of the Nazi regime and the family’s 1934 move to Amsterdam, the Netherlands, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.

Designed for audiences who may not have the opportunity to visit the Netherlands, the new exhibition in New York City is anticipated to draw massive attendance for what will be among the most important presentations of Jewish historical content on view in the United States. Through the recreated Annex; exhibition galleries immersing visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam, Anne Frank The Exhibition will provide an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.

The New York City exhibition will occupy over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts will be seen in the United States—many have never been seen in public.

Artifacts in the exhibition include:

Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.

“Anne Frank’s words resonate and inspire today, a voice we carry to all corners of the world, nearly eight decades later,” Ronald Leopold, Executive Director of the Anne Frank House, said. “As a custodian of Anne’s legacy, we have an obligation to help world audiences understand the historical roots and evolution of antisemitism, including how it fueled Nazi ideology that led to the Holocaust. Anne’s legacy is remarkable, as represented in the diary she left us, and as one of the 1.5 million Jewish children who were murdered at the hands of Nazi officials and their collaborators. Through this exhibition, the Anne Frank House offers insights into how this could have happened and what it means for us today.

“The exhibition provides perspectives, geared toward younger generations, that are certain to deepen our collective understanding of Anne Frank and hopefully provide a better understanding of ourselves. By bringing this exhibition to New York—a place with many ties to Anne’s story— the Anne Frank House is expanding the reach of our work to encourage more people to remember Anne Frank, reflect on her life story, and respond by standing against antisemitism and hatred in their own communities.”

Anne Frank The Exhibition is a limited engagement, scheduled to close on April 30, 2025. Public programming and educational initiatives tied to the exhibition will be announced when the exhibition opens to the public.

Timed entry individual and family tickets are available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.

Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues

Edges of Ailey at Whitney Museum of American Art

*Edges of Ailey* (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). Courtesy of Whitney Museum of American Art; Photo by Natasha Moustache.

Edges of Ailey at the Whitney Museum of American Art through February 9, 2025, is the first large-scale museum exhibition to celebrate the life, dances, influences, and enduring legacy of visionary artist and choreographer Alvin Ailey. This dynamic showcase brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. Described as an “extravganza” by curator Adrienne Edwards, Edges of Ailey is the must-see event of the NYC fall/winter season. The landmark exhibition is on view only in NYC.

Presented at the Museum in multiple parts, Edges of Ailey consists of an immersive exhibition in the Museum’s 18,000 square-foot fifth-floor galleries that includes artworks by over 80 artists and never-before-seen archival materials. Artists featured in the exhibition include Jean-Michel Basquiat, Faith Ringgold, Alma Thomas, Jacob Lawrence, Kara Walker, and many others. A recent acquisition of Eldren Bailey and new works by Karon Davis, Jennifer Packer, Mickalene Thomas, and Lynette Yiadom-Boakye will be presented for the first time in honor of this landmark exhibition.

Edges of Ailey is part of a ‘Season of Ailey’ in New York City, which includes the Alvin Ailey American Dance Theater company’s annual engagement at New York City Center, December 4-January 5.

Also at the Whitney:

Opening November 1, Shifting Landscapes explores how evolving political, ecological, and social issues motivate artists’ representations of the world around them. The 120 works by more than 80 artists—including Firelei Báez, Jean-Michel Basquiat, Jane Dickson, Gordon Matta-Clark, Amalia Mesa-Bains, andPurvis Young—depict the effects of industrialization on the environment, grapple with the impact of geopolitical borders, and give shape to imagined spaces as a way of destabilizing the concept of a “natural” world.

On view through January 5, 2025, Survival Piece #5: Portable Orchard marks the first standalone museum presentation of the fully realized indoor citrus grove conceived and designed in 1972 by artists Helen Mayer Harrison and Newton Harrison. Stretching across the Museum’s eighth-floor gallery, this installation of 18 live citrus trees explores the need for a productive and sustainable food system in an imagined future where natural farming practices are obsolete and cannot be taken for granted.

More information at whitney.org/exhibitions.

Inaugural Perelman Performing Arts Center NYC Icons of Culture Festival

This fall, the Perelman Performing Arts Center [PAC NYC] is staging its inaugural PAC NYC ICONS OF CULTURE FESTIVAL presented by BNY from Tuesday, October 29 – Saturday, November 2, 2024.

PAC NYC ICONS OF CULTURE FESTIVAL will bring audiences into the room with trailblazers in art, music, comedy, film, sports, and more to talk about pushing boundaries, making a mark, and elevating the everyday to the iconic.

Icons to appear in conversation at the festival include Misty Copeland, The Dogist, Alex Edelman, Renée Fleming, Michael Imperioli, Baaba Maal, Philippe Petit, Questlove, Marcus Samuelsson, Kathleen Turner, Serena Williams, and Vanity Fair’s Little Gold Men Live!

A calendar of events is available at www.pacnyc.org

Rich Calendar of Cultural Events

*The Museum of the City of New York is the premier repository of the city’s 400-plus year story © Karen Rubin/news-photos-features.com*

Art Deco City: New York Postcards from the Leonard A. Lauder Collection at Museum of the City of New York, East Harlem, through February 17, 2025: Featuring over 250 postcards alongside decorative arts, fashion, and architectural models, the exhibition highlights the role postcards played in popularizing Art Deco landmarks like the Empire State Building, the Chrysler Building and Rockefeller Center.

Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde at Grey Art Museum, Noho, Manhattan, through March 1, 2025: Berthe Weill, the first woman modern art dealer, championed artists like Picasso, Matisse and Modigliani. This survey features around 110 works shown at her gallery in the early 20th century and highlights her work as a gallerist and advocate.

Pets and the City at The New-York Historical Society, Upper West Side, Manhattan, October 25, 2024—April 20, 2025: Featuring a diverse range of art, objects, memorabilia and media clips, this exhibition highlights pets’ lives in NYC, from early Indigenous cultures to today’s pampered companions. It also examines the growing pet population and addresses topics such as pet adoption and the importance of service animals. Also:

Most people think of Paul Revere solely as a silversmith, but his work as a printer and an artist was key to his role as a patriot seeking to break with Great Britain. His print of the Boston Massacre was significant to organize public opinion against the British. Paul Revere, ***The Bloody Massacre Perpetrated on King Street****, Boston. Hand colored engraving, 1770. American Antiquarian Society. Gift of Nathaniel Paine.*

From Paul Revere to Edward Hopper: Treasures from the Leonard L. Milberg Collection of American Prints, Drawings, and Watercolors, through October 27, 2024, showcases more than 140 prints, drawings, and watercolors from one of the most admired collections of historical American works on paper

Scenes of New York City: Selections from the Elie and Sarah Hirschfeld Collection, through October 27, 2024: The inaugural display in the new Hirschfeld Gallery and Hall presents a selection of artworks from an extraordinary promised gift to New-York Historical by prominent philanthropists and art collectors Elie and Sarah Hirschfeld, who have amassed a stunning collection honoring their hometown. The collection features renowned artists—both national and international—and presents vivid snapshots of Gotham and its streetscapes.

Enchanting Imagination: The Objets d’Art of André Chervin and Carvin French Jewelers, through January 5, 2025: This dazzling exhibition of meticulously created objets d’art is on view to the public for the very first time. André Chervin (born 1927 in Paris), with his New York atelier, Carvin French, is one of the most acclaimed makers of handcrafted fine jewelry in the world.

A Billion Dollar Dream: The 1964-1965 New York World’s Fair on its 60th Anniversary at Queens Museum, Flushing Meadows Corona Park, Queens, November 3, 2024—March 9, 2025: A Billion Dollar Dream celebrates the 60th anniversary of the 1964–1965 New York World’s Fair by examining its legacy through social, political and environmental lenses. Featuring materials from the Queens Museum’s collection, the exhibition highlights the Fair’s promotion of progress and nationhood while reflecting contemporary issues, including civil rights and the women’s liberation movement.

Solid Gold at The Brooklyn Museum, Prospect Heights, Brooklyn, November 16, 2024—July 6, 2025: Solid Gold celebrates the allure of gold, presenting over 500 works that explore the color and material’s significance in art, fashion, film and design throughout history. Opening for the Brooklyn Museum’s 200th anniversary, the exhibition features stunning pieces from renowned designers like Christian Dior and Yves Saint Laurent, alongside gold-ground paintings, sculptures and jewelry by notable artists such as Alexander Calder and Bulgari.

*The Metropolitan Museum of Art is featuring “Flight into Egypt: Black Artists and Ancient Egypt, 1876-Now” © Karen Rubin/goingplacesfarandnear.com*

Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now at The Metropolitan Museum of Art, Upper East Side, Manhattan, November 17, 2024—February 17, 2025: Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now examines how Black artists and cultural figures have engaged with ancient Egypt through art, literature and performance over nearly 150 years. Featuring 200 works, the exhibition explores themes like the creation of a unifying identity and the contributions of Black scholars. It also includes a dedicated gallery for performance art, featuring live performances on select days.

Lillie P. Bliss and the Birth of the Modern at The Museum of Modern Art, Midtown Manhattan, November 17, 2024—March 29, 2025: The Museum of Modern Art will host this exhibition in celebration of one of its founders and her crucial role in promoting modern art in the US. The exhibit marks 90 years since Bliss’s contributions to MoMA and will feature about 40 works. The exhibition will also display archival materials, highlighting her lasting impact on the museum and the acceptance of modern art in America.

Ceremonies Out of the Air: Ralph Lemon at MoMA PS1, Long Island City, Queens, November 14, 2024—March 25, 2025: Showcasing over 60 works by Ralph Lemon, this exhibition presents dance, sculpture, video and more. Ceremonies Out of the Air will highlight his storytelling through movement and features the central installation Rant redux (2020–24). It will also include a series of live performances that enhance the immersive experience.

Magazine Fever: Gen X Asian American Periodicals at The Museum of Chinese in America, Nolita, Manhattan, through March 30, 2025: Magazine Fever: Gen X Asian American Periodicals examines the impact of Asian American magazines in shaping identity during the 1980s and ’90s. Featuring over 80 rare issues from notable publications like A. Magazine and Hyphen, the exhibition showcases how these magazines provided a platform for Asian Americans to assert their narratives and portray their identities.

FUTURA 2000: BREAKING OUT at The Bronx Museum of the Arts, South Bronx, Through March 30, 2025: FUTURA 2000: BREAKING OUT is a retrospective of the legendary NYC artist’s career. Running through winter 2025, it showcases five decades of his work, including sculptures, drawings, prints and new installations. The exhibition highlights his signature techniques, science-fiction motifs and the iconic 1980 graffiti piece, Break, which cemented his influence in the art world.

The cast of New York Gilbert & Sullivan Players with NYGASP Founder Albert Bergeret taking bows at last season’s ‘Mikado.” NYGASP celebrates its 50^th anniversary and honors 150 years of Gilbert of Sullivan in its 2024-25 season © Karen Rubin/goingplacesfarandnear.com

New York Gilbert & Sullivan Players Celebrates 50th Anniversary Season: New York Gilbert & Sullivan Players (NYGASP), America’s preeminent professional Gilbert & Sullivan repertory company, announces a Golden Jubilee, celebrating its 50th anniversary season and honoring 150 years of the wit and wonder of Gilbert & Sullivan. The celebrated full company and orchestra will perform “Ruddigore” on Nov. 23– 24, 2024; “The Pirates of Penzance” on Jan. 4– 12, 2025; and “Iolanthe” on April 5^–6, 2025 at the Gerald Lynch Theatre at John Jay College. Info and tickets at www.nygasp.org.

And on Long Island:

Billy Joel attends the opening of the first exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician. Due to popular demand, the exhibit is being extended through Spring 2025 © Karen Rubin/going-placesfarandnear.com

‘Billy Joel – My Life, A Piano Man’s Journey’ Exhibit at LIMEHOF Extended: The Long Island Music and Entertainment Hall of Fame (LIMEHOF) has is extending the run of the first ever exhibit dedicated exclusively to LIMEHOF Inductee and Legendary Long Island Musician Billy Joel through spring 2025. Billy Joel- My Life, A Piano Man’s Journey spans Joel’s life and career from growing up in Hicksville to his legendary run at Madison Square Garden. It includes over 50 years of Billy Joel’s most cherished items including rare memorabilia, behind-the-scenes video, dozens of awards, rare audio and video recordings, vintage instruments and historic photos, many donated by Billy Joel himself. Timed entry and VIP tickets and special holiday packages and gift cards are available at www.TheBillyExhibit.com (LIMEHOF, 97 Main Street, Stony Brook, Long Island, www.limusichalloffame.org).

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Attractions, Cultural travel, Ecotourism, Heritage Travel, Indigenous Tourism

Native People’s Day on Oct. 14 and Native American Heritage Month in November Spark Interest in Indigenous Tourism

September 4, 2024 krubin723

*The Crazy Horse Memorial, Mickelson Trail, South Dakota, makes a profound statement about Native Americans © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

More and more people are finding comfort and wisdom in ancient ways and showing new respect and appreciation for indigenous culture and heritage, especially what they can teach us today about living sustainably and in harmony with nature and each other.

“The interest in Indigenous culture and history has been on the rise for a number of years,” states Elena Junes, Director of Program Operations for Road Scholar, and a member of the Ohkay Owingeh Pueblo. “It is consistent with the rise in eco/sustainable and cultural tourism. Worldwide, although Indigenous peoples make up less than 5% of the total human population, traditional indigenous territories encompass between 22-25% of the world’s land surface, and they coincide with areas that hold 80-90% of the planet’s biodiversity. As travelers seek out new places to visit that are in line with sustainable/experiential tourism, they will find that they are often traveling to traditional indigenous areas. As Road Scholar visits these places, we will always do our best to provide responsible, beneficial experiences with the local communities.

And there are more and more opportunities to embark on this journey of discovery as (colonial) governments are showing new sense of responsibility in making restitution, providing the resources for economic development – infrastructure development and marketing – to enable tribal communities preserve what is left of the heritage and culture.

Metepenagiag Heritage Center in Miramichi, New Brunswick, Canada, tribal guide Marcus Alexander LaViolette
discusses how the Mi’kmaq would have lived, season by season © Karen Rubin/goingplacesfarandnear.com

Canada, which has made the most ambitious “Truth and Reconciliation” campaign with its indigenous communities, has excellent programs to link travelers to experiences. The Indigenous Tourism Association of Canada (ITAC) is a national non-profit Indigenous tourism industry organization established in 2015, tasked with growing and promoting the Indigenous tourism industry across the country. Inspired by a vision for a thriving Indigenous tourism economy sharing authentic, memorable and enriching experiences, ITAC develops relationships with groups and regions with similar mandates to enable collective support, product development, promotion and marketing of authentic Indigenous tourism businesses in a respectful protocol. (For information, visit www.destinationindigenous.ca)

*Talaysay Tours guide Patrick explains the significance of the totem poles and gateway portals at Brockton Point during a Spoken Treasures” walking* *tour of Stanley Park© Karen Rubin/goingplacesfarandnear.com*

“Sharing our stories and our history on cultural homeland is an integral part of the experience,” said Clyde Mansell, Tasmanian palawa Aboriginal Elder and founder of wukalina Walk, which is part of Discover Aboriginal Experiences Australia. “It also allows us to increase employment, involve our young people and contribute to our self-determination, by creating more opportunities for the palawa community.

“We’ve had comments over the years where guests have said it’s changed their lives and their whole thinking about how they should relate to Aboriginal people,” Mansell added.

Indeed, the indigenous tourism movement is part of the Sustainable/Responsible Tourism movement. It also dovetails with rising interest in Wellness Travel.

Indigenous healing offerings have gained prominence as part of the broader trend towards holistic wellness and the search for authentic, transformative experiences. These experiences draw on the wisdom and practices of indigenous cultures around the world, offering healing techniques that have been developed and passed down through generations. The interest in and drive behind these retreats are linked to an acknowledgement of indigenous healing practices, the holistic approach, and reconnection with the land, is a significant wellness travel trend, a study by Global Wellness Institute found. 

For example, at Wai Ariki Hot Springs, in Rotorua New Zealand you can discover the ancient healing methods of these indigenous cultures, from the deeply cultural touch of mirri mirri or romi romi massage to the revitalizing power of blessed stones and herbal remedies. Each experience is thoughtfully crafted incorporates local healers and wellness practitioners, herbal medicine practice and ceremonies that honor the community and the land. Asian traditional therapies and medicine are growing in popularity for the wellness traveler across the globe. Traditional Thai, Chinese & Ayurvedic Medicinal offerings encompass rich diagnostic protocols, herbal formulas, and treatment techniques as part of the guest experience.

Here are just a sampling of the plethora of indigenous experiences available to travelers around the world:

Road Scholar Integrates Immersive Indigenous Experiences into Cultural Programs

Road Scholar, which provides immersive, educational travel programs for seniors, has incorporated immersive indigenous cultural experiences in many of its programs.

“As an educational organization, Road Scholar strives to provide impactful experiences. We recognize that changing narratives will always inform our choice of experience. We choose to visit Indigenous communities and hear about their history and culture from the people who have the lived experience. Whenever possible, we include meals and activities with local community members as a way to encourage dialogue and enhance cultural discourse. When we visit archaeological sites, we include the voices of descendant communities as part of the educational content we provide. We recognize these sites not as “ruins” but as deeply personal and sacred spaces to the people whose ancestors resided there.”

Here is a collection of programs with Native American themes, but this is just a sampling. There are many other Road Scholar programs across the country and around that world that incorporate Indigenous culture and history, even when it’s not explicitly outlined in the itinerary:

In Oklahoma, Road Scholars visit Tahlequah, the capitol of the Cherokee Nation, for a presentation by a Cherokee artist, Traci Rabbit.

In New Mexico, Road Scholars visit the campus of the Institute of American Indian Arts, a congressionally chartered college for Native students, where a student shows them around campus. They also take in a presentation by Louie Hena, from Tesuque Pueblo, and a traditional meal with his family.

In Wisconsin, Road Scholars visit Wisconsin Point Indian Burial Ground with a local tribal historian and environmental scientists who gives a presentation on the history and culture of the area.

In Louisiana, participants visit the Chitimacha Museum to learn about the first inhabitants of the region through the study of artifacts and find out about the efforts to preserve their tribal language.

*Dalilah conducts a “What We Treasure” tour* of *Squamish Lil’wat Cultural Centre © Karen Rubin/goingplacesfarandnear.com*

In British Columbia, participants visit the Squamish Lil’wat Cultural Centre in Whistler to learn from an Indigenous educator about First Nations history, customs, and traditions through dance, storytelling and material artifacts.

In Mexico, Road Scholars stop in a traditional village to get to know the traditions and lifestyle of the Mazahua indigenous people and learn how the women’s clothing helps them maintain their identity.

In Guatemala, participants ferry to Santiago La Laguna village to delve into the way of life of the indigenous community on the shores of Lake Atitlan.

In New Zealand, participants visit Te Puia, the New Zealand Maori Arts and Crafts Institute, to learn how young Maori train in the traditional Maori arts and crafts. Later they experience a hangi, the traditional Maori method of cooking food in the ground, accompanied by a Maori cultural performance that includes the “Haka” war dance.

Road Scholar is a university of the world inspiring adults to learn, discover and travel, www.roadscholar.org

Celebrate Indigenous People’s Day Where It was First Named a State Holiday: South Dakota

With Indigenous People’s Day fast approaching on Monday, October 14, there’s no better destination to honor and celebrate the holiday than in South Dakota, home to the third-largest Native American population in the US across nine Tribal Nations and the first state to officially replace Columbus Day with Native Americans’ Day as a state holiday in 1990.

One of the most profound monuments in South Dakota is Crazy Horse Memorial which, it is amazing to learn, is still being carved by the third generation of its original sculptor, Korczak Ziolkowski, and will soon be the largest mountain sculpture in the world (30x larger than neighboring Mount Rushmore). It was here that the first Native Americans’ Day celebration was held nearly 35 years ago. An incredible attraction and education center year-round, each Indigenous Peoples’ Day celebration brings tradition, immersive performances, artist displays, storytelling, hands-on activities for children, and the naming the Crazy Horse Memorial Educator of the Year honored for significant contributions to Native American education.

*A vision of what the Crazy Horse Memorial, South Dakota, will look like; when completed it will be the largest mountain sculpture in the world © Karen Rubin/goingplacesfarandnear.com*

When completed, the Crazy Horse Mountain carving will be the world’s largest sculpture, measuring 563 feet high by 641 feet long, carved in the round. The nine-story high face of Crazy Horse was completed on June 3, 1998; work began on the 22-story high horse’s head soon after.

There is also a superb Museum of Native Americans of North America (it rivals the Smithsonian’s Museum in Washington DC) where you watch a terrific video that tells the story of the America’s indigenous people, and can visit the studio/home of the sculptor, Korczak Ziolkowski.

The visit was a highlight of my six-day Wilderness Voyageurs “Badlands and Mickelson Trail” bike tour of South Dakota. (See: DISCOVERING MARVELS OF CRAZY HORSE MEMORIAL ON BADLANDS, BLACK HILLS & MICKELSON TRAIL BIKE TOUR)

(Crazy Horse Memorial, 12151 Avenue of the Chiefs, Crazy Horse, SD, 605-673-4681, crazyhorsememorial.org.)

Access + Education: Travel South Dakota’s Great 8 for Native American Culture is an incredible itinerary to follow for indigenous tourism, with significant places, including: Mitchell Prehistoric Indian Village, South Dakota’s only active archaeological site, and one of the most important in the Great Plains region according to the U.S. Department of the Interior; and Bear Butte State Park, Black Elk Peak and Sica Hollow State Park, all sacred sites to Native Americans. Other itineraries include the Native American Attraction Trail, and the Native American National and State Scenic Byway.

Powwows: While Powwows are available to find and attend throughout the state throughout the year, Rapid City is home to one of North America’s largest and premier Native American events, the Black Hills Powwow every October is where thousands of spectators engage with artisans, artists, championship singers and dancers, the He Sapa Win pageant and more.

Tour Companies:

Tatanka Rez Tours, based on the Pine Ridge Reservation, is the only Native American-owned tour company in South Dakota. Various tour packages give in-depth background on the Ogala Lakota Oyate tribe and provides an experience on the reservation that only those who live there can offer.

Black Hills Adventure tours teamed up with Tatanka Rez Tours to provide this nine-hour interactive cultural experience, where you listen to traditional stories and songs performed by Tatanka Rez Tours owners Guss, and Tianna and visit the Cultural Art Space, the Pine Ridge Chamber of Commerce, Thunder Valley, Pine Ridge, and the Red Cloud Indian School. Also, a Black Hills Monument Package departs Rapid City at 8:30am, travels to Mount Rushmore where guests can hike around the monument then to Crazy Horse Memorial, finishing with exploring Custer State Park to see wildlife close up.

Tours are available year-round.

Arts & Culture:

One of the most incredible ways to experience Native American Culture is through the The Lakota Music Project, the South Dakota Symphony Orchestra’s flagship Bridging Cultures Program. Created between 2005-2008, the Lakota Music Project (LMP) addresses a history of racial tension, builds bridges between Native and non-Native Americans, and creates an environment of openness through sharing music. Essentially, it is a practical demonstration between white and American Indian musicians to advance cultural understanding. The LMP concert program features combinations of South Dakota Symphony musicians, the Creekside Singers, a Lakota drumming group, and Dakota cedar flutist Bryan Akipa, each performing music of their heritages as well as unique repertoire commissioned for the musicians to play together.

*The Prairie Edge & Sioux Trading Post in Rapid City, South Dakota is more of a gallery than a store © Karen Rubin/goingplacesfarandnear.com*

Visit Native American businesses such as Rapid City’s Prairie Edge & Sioux Trading Post and Dakota Drum Company, both of which feature the works of generational Native artists and artisans from buffalo hide canvas paintings to star quilts, bead work. Both are really more like galleries and are marvelous to visit.

For Native American flavors, try food-truck-turned-restaurant Watecha Bowl, known for Indian tacos, and Crow Peak Brewing both in Sioux Falls. Laughing Water Restaurant in Custer, on the site of Crazy Horse Memorial, is also known for its Custer Tatanka Stew made with prime cuts of tender Black Hills buffalo.

South Dakota’s Guide to Tribal Nations: Oceti Sakowin Homelands, a joint effort between the South Dakota Department of Tourism and South Dakota Native Tourism Alliance, is a great resource year-round featuring a map of tribal lands, brief history of each tribe, visitor etiquette suggestions, and educational opportunities.

TIME Names wukalina Walk in Tasmania, Australia to 2024 World’s Greatest Places List

wukalina Walk, a member of Discover Aboriginal Experiences, has been named one of TIME‘s 2024 World’s Greatest Places, an exclusive list of 100 extraordinary destinations to explore, stayand visit produced by its editors and correspondents around the world.

wukalina Walk is a multi-award winning Indigenous/palawa-owned tourism experience. Led by Aboriginal guides, the walk offers a rare window into Tasmania/lutruwita’s Aboriginal culture. For the first two nights, hikers sleep at the architecturally designed standing camp, krakani lumi (resting place), in domed-ceiling huts designed to reflect the shape of the palawa shelters that once lined the east coast of Tasmania/lutruwita. The third night is spent in a beautifully repurposed and restored lightkeeper’s cottage at the most northern end of larapuna (Bay of Fires).

A group of up to 10 people are led on foot by Aboriginal guides to learn about land and sea Country. wukalina guides have lived experience and thousands of generations of Ancestral connections to the knowledge they share. They share their knowledge and perspectives as they lead travelers through bushland and along the coastline of wukalina (Mt William National Park) and larapuna (Bay of Fires). Hikers learn about the colonial history of Tasmania/lutruwita, and the brutal treatment of the palawa people. But the tour highlights their resilience, strength of culture, language and the ongoing connection that the palawa community has to Country.

wukalina Walk is a proudly Blak-owned business and different to anything else offered in Tasmania, and anywhere in the world. wukalina Walk was winner of the 2023 Australian National Tourism Awards for Aboriginal & Torres Strait Islander Tourism Experience.

More Discover Aboriginal Experiences:

Discover Aboriginal Experiences is a flagship suite of some 200 Australian Aboriginal-guided experiences from 48 businesses around Australia. Travelers learn about and connect with the diverse histories, cultures and languages of Aboriginal peoples, which date back more than 65,000 years. Here is a sampling:

Jarramali Rock Art Tours explores a 20,000-year-old outback museum of rock art. The ‘Magnificent Gallery,’ in Quinkan Country near Laura, Far North Queensland, has been recognized by UNESCO as one of the 10 most significant rock-art sites in the world. Jarramali Rock Art Tours showcases the Quinkan rock art within the so-called ‘Magnificent Gallery’.

Kakadu National Park, in Kakadu, Northern Territory, is a World heritage-listedhome to Aboriginal peoples for more than 65,000 years. It is about half the size of Switzerland and a habitat for approximately a third of all bird species in Australia. Travelers can experience the park and its flora and fauna at night with an indigenous guide on a new Stargazing Boat tour, which intertwines the ancient wisdom of Bininj knowledge with classical constellations. Discover the night life and nocturnal sounds of the billabong while learning the history of the world as told in Dreaming stories and illustrated in the stars. Alternatively, spend time with the local Indigenous community on the new Kakadu Billabong Safari Camp tour.

Wula Gura Nyinda’s 3 day World Heritage Walking Tour at Shark Bay, Western Australia, is a new walking tour of two national parks located in the Shark Bay World Heritage area – Francois Peron National Park and Dirk Hartog Island. Learn about local Aboriginal culture and history, spot wildlife, explore spectacular natural landscapes and sit under the stars listening to the ancient sounds of the digeridoo. This is a rare opportunity to spend time on Country with an Indigenous guide and to really ‘feel Country’.

Wintjiri Wiru, a spectacular light show involving 1,000 drones and Anangu culture, at Uluru, Northern Territory, brings to life a chapter of the Mala ancestral story and was developed in close consultation with Anangu custodians. The show was designed and produced by world-renowned media architecture studio RAMUS, with the goal of illuminating the Central Desert with a spectacle of lights, projections and lasers shining on the spinifex and mulga. This is the first time this kind of technology has been used to share Anangu culture and is a new experience for Uluru.

Tali Wiru is fine dining under the Southern Desert sky, with Uluru as a backdrop. Each dish in a four-course meal showcases native produce in an innovative way, using Indigenous herbs and spices. A local Aboriginal storyteller shares insights about Anangu culture and history. Dinner might be pressed wallaby with fermented quandong, or roasted toothfish nestling beside coastal greens, desert oak and fermented muntries.

Discover Aboriginal Experiences, discoveraboriginalexperiences.com

NEW BRUNSWICK ROADTRIP: METEPENAGIAG HERITAGE CENTER HIGHLIGHTS MIRAMICHI VISIT

ON THE TRAIL TO DISCOVER VANCOUVER’S REVIVED INDIGENOUS HERITAGE

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

TRAIL TO DISCOVER BRITISH COLUMBIA’S INDIGENOUS HERITAGE WEAVES THROUGH WHISTLER-BLACKCOMB

DISCOVERING MARVELS OF CRAZY HORSE MEMORIAL ON BADLANDS, BLACK HILLS & MICKELSON TRAIL BIKE TOUR

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Attractions, Cultural travel, Historic Places, Museums and Exhibits, US Destinations

California Pacific Highway Roadtrip: Cambria is Enchanting Base to Visit Hearst’s ‘Enchanted Hill’

July 8, 2024 krubin723

The view of William Randolph Hearst’s “Enchanted Hill” – Hearst Castle – an architectural and engineering triumph of Hearst and his architect/engineer Julia Morgan. © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin with Eric Leiberman, Travel Features Syndicate, goingplacesfarandnear.com

It’s a dark night when we pull into our hotel in Cambria, on California’s famous (and fragile) Pacific Highway 1, so it isn’t until I awake in the morning to a moist mist rising after a rain, that I realize what is just across the road from the picturesque Moonstone Beach and a magnificent boardwalk that extends 1 ½ miles over the fragile seagrass, the ocean crashing against the rocky shore just beyond, where a few seals are resting, the sun making a gorgeous sparkling light,

We’ve driven down from the north, starting at San Francisco, to Monterey (made famous by John Steinbeck’s “Cannery Row” and now with a world renowned Aquarium); following the Pacific Highway 1 as much as possible as it hugs the cliffs to Big Sur. We pull over frequently to take in those breathtaking views that look like the edge of the Continent just fell into the ocean. We spend a couple of days hiking and exploring, overnighting at the utterly enchanting and historic Deetjen’s Big Sur Inn (www.deejens.org, 831-667-2377), then have to backtrack to Monterey, driving inland three hours on Highway 101 to come into Cambria.

*Moonstone Beach, Cambria, across from our hotel, the Castle Inn © Karen Rubin/goingplacesfarandnear.com*

Cambria is an outstanding base to experience not only its own charms, but to explore Hearst Castle, San Simeon, the Piedras Blancas Elephant Seal Rookery, and even driving north on the Pacific Highway, to Ragged Point, just at the southern end of Big Sur where you can get those dramatic sheer-cliff/crashing waves against the rocky shore views.

Castle Inn, which I found on hotels.com, is a delightful motel that is absolutely perfect for our purpose – the room is spacious and has a beachy (ocean) feel; the motel serves coffee, scones, apples, muffins, oatmeal for breakfast. Later, we will take advantage of its pool and hot tub under the stars, and is so close by to all the things we want to explore – especially having the Moonstone Beach and boardwalk just across the road. (6620 Moonstone Beach Dr, Cambria, CA 93428, 805-927-8605, castle-inn-cambria.hotelsone.com)

We grab coffee and muffins and immediately head out to Hearst Castle just eight minutes up the coastal road from Cambria in San Simeon.

We have to be at the Hearst Castle’s visitor center by 8:40 am for our pre-booked 9 am Grand Rooms tour – the most popular of a selection of tours you can take and the best if you have never visited before (others include “Hearst and Hollywood” “Designing the Dream” “Art of San Simeon,” “Julia Morgan”, “Cottages & Kitchen tour” “Upstairs Suites Tour”, also accessible tours and private tours.)

We get our wristbands and go to “gate” for the bus that takes guests up to the mansion along the long winding road – just as William Randolph Hearst intended his visitors to experience his “Enchanted Hill.”

The tour starts immediately on the bus, with an excellent narration giving the background – history, architecture, biography – and pointing out the sights along the way, accompanied by music of the 1930s and 1940s.

Hearst Castle is so much more than a magnificent mansion home (one of the most spectacular in the world), even more than an architectural jewel and a breathtaking art collection. It is the story of a fascinating man (love him or hate him or something in between, you still have to give the man credit for what he accomplished) who you come to know because everything about Hearst Castle is so personal to him. It is the story of an age – the coming of age of America, the coming of age of Hollywood and ascendancy of American culture. Everything you see is mind-blowing and breath-taking. And this mansion (he called it his country home), which has come to be known as Hearst Castle, is his personal artistic creation – the architecture and the art collection.

The tour is extremely well organized – it manages to be efficient and yet personal (I’m betting the earlier you can visit the better) – you feel as so many of Hearst’s guests must have felt the first time they were invited.

*The entrance to Casa Grande. William Randolph Hearst was inspired to build his castle from his European tour with his mother when he was 10 years old © Karen Rubin/goingplacesfarandnear.com*

You realize that even if you think you know who Hearst was (and so many imagine Hearst to be the character of “Citizen Kane” but he is only a piece of that fictional character, and Marion Davies, his companion, was a smart, savvy and accomplished woman and quite a fine actress, not at all like the character of Kane’s), you come away with newfound respect and interest – in fact, as compelling a real-life story as the fictional Citizen Kane. (“Citizen Kane” screenwriter Herman J. Mankiewicz was one of Hearst’s guests here.)

You also come to learn – and admire – Hearst’s architect for his castle: Julia Morgan was one of the first female engineering majors at the University of California, Berkeley, the first woman to pass the entrance exam in architecture and graduate the École Nationale Supérieure des Beaux-Arts, Paris – the preeminent architectural school of the time – and was the first licensed woman architect in California. (In 2014, Morgan was posthumously awarded the American Institute of Architects’ Gold Medal in recognition of her pioneering career and dynamic buildings, the first woman to be awarded the medal in its 107-year history, https://pioneeringwomen.bwaf.org/julia-morgan/)

*The grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

Hearst was inspired to build his castle and collect art when he took the grand tour of Europe when 10 with his mother. And his mother, Phoebe Apperson Hearst. a philanthropist and advocate for women, introduced him to Julia Morgan. Phoebe began a lifelong interest in Morgan’s career when the two women’s paths crossed in Paris. The films and photos you get to see of Morgan, presiding over the dynamiting to level the summit and build the road, reviewing plans with Hearst, are fascinating.

Even though you are walking through the mansion with a tour group, you actually feel like you were one of Hearst’s guests arriving for the weekend – the home is set out as it would have been – most remarkably, in the grand dining room (it may well have inspired Harry Potter’s Hogwarts dining room, and interestingly, the banners on display refer to an Italian horserace), there are bottles of ketchup and mustard because Hearst himself, for all the spectacular grandeur of the art and architecture, wanted a homey feel to his country home.

*Ketchup and mustard on the table in the grand dining room at Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

The art is breathtaking – Hearst collected the pieces himself, and drawing from his European travels with his mother when he was 10 years old, are predominantly Gothic and medieval – a lot of religious art which Hearst appreciated for the art and the period, not the religious significance, the guide tells me.

*The oldest work of art at Hearst Castle is an Egyptian statue, 3200-3600 years old, of Sekmet, daughter of Ra © Karen Rubin/goingplacesfarandnear.com*

At the entrance to the Casa Grande – the 68,300 sq ft grand house – we stop in front of the oldest work of art here, an Egyptian statue, 3200-3600 years old of Sekmet, daughter of Ra –with a hieroglyph that translates “Good God, Lord of Two Lands.” The entrance to Casa Grande – has real gold gilding on the door, 1500-year old mosaic tiles, a 600 year old statue.

*The Assembly Room of Hearst Castle gives you your first taste of the opulence and art collection © Karen Rubin/goingplacesfarandnear.com*

We are ushered into the grand Assembly Room – 15^th century church pews, tapestries, line the wall, and the Venus Italica, one of Hearst Castle’s greatest masterpieces, created by Antonio Canova (1757-1822).

In 1935 his collections were valued at more than $20 million (in the height of the Great Depression!), but then he fell into near bankruptcy, and at the age of 75, and had to sell off two-thirds of his collection, estimated at $15 million, at “fire sale” prices. (Marion Davies, by then extremely wealthy in her own right with movies and real estate investments in places like Palm Springs, lent him $1 million so he could keep Hearst Castle; when she died, her estate was worth $8 million; when he died, she gave the Hearst Company shares he left her back to his family and they promptly kicked her out and refused to let her come to his funeral.)

You can easily picture who Hearst, Davies and Morgan were, and the glorious celebrity life they lived because there are home movies, photos!. It is thrilling to sit in Hearst’s own theater and watch Charlie Chaplin mug for the camera. (Definitely take advantage of the outstanding 40-minute documentary about Hearst’s life in the five-story theater before or after the tour.)

In many ways, William followed in his father’s footsteps.

George was a self-made millionaire, starting as a prospector – he owned interest in three of the largest mines in the U.S., including the Comstock Lode in Nevada, the Homestake gold mine in South Dakota and the Anaconda copper mine in Montana, plus the Ontario silver mine in Utah, then acquired large portions of land throughout the United States, especially in California and the West. One acquisition was 48,000 acre Piedra Blanca Rancho at San Simeon in 1865, when William was two-years old. He later purchased the adjoining Santa Rosa and San Simeon Ranchos – amassing 250,000 acres. This place became a retreat for lavish family camping trips.

*Only a small portion of the vast estate – once 250,000 acres – assembled by Hearst © Karen Rubin/goingplacesfarandnear.com*

Late in his life George Hearst served as United States Senator from California from 1887 until his death in 1891. It was during this time that he acquired the small San Francisco Examiner as a repayment for a gambling debt. Although he had little interest in the publishing business and wanted his only son, William, to take over the family’s mining and ranching holdings, William wanted to run the newspaper.

The newspaper business was William’s passion, and he ultimately amassed a huge publishing empire, and even when he was living at this remote castle in San Simeon, he would get the pages each night by teletype by 1 am, and make editorial changes by phone, well into the night.

William Hearst is probably best known for “yellow journalism” which pressured President McKinley into the Spanish-American War (that also made Theodore Roosevelt’s reputation with his Rough Riders.

And following in his father’s footsteps, he was elected to Congress but unsuccessfully ran for Governor and for President.

In 1919 when he inherited the estate, William Hearst, then 56 years old, hired architect Julia Morgan telling her, ““Miss Morgan, we are tired of camping out in the open at the ranch in San Simeon and I would like to build a little something.”

For the next 28 years, the project that we know as Hearst Castle became his life’s work, his creation and hers and unbelievably, was never actually finished, even though the mansion and villas now comprise 165 rooms atop the 1600 ft. high summit of a hill. Hearst, they say, was never as happy as when he was on his “Enchanted Hill.”

*Once this pasture would have held the largest private zoo in America © Karen Rubin/goingplacesfarandnear.com*

From the bus, we look out over the vast lands where Hearst had assembled exotic animals from around the world, ultimately creating the largest private zoo in America – you would have seen African and Asian antelope, zebras, giraffes, camels, sambar deer from India, red deer from Europe, axis deer from Asia, llamas, kangaroos, ostriches, emus, Barbary sheep, Alaskan big horned sheep, musk oxen and yaks. Though most of the animals were removed by 1937 (when Hearst was near bankrupt during the Great Depression), some that remain are descendents of the original herds, like the Oudads, and get still have 200 head of cattle on the ranch.

We drive the winding road that Julia Morgan designed so that the castle appears, disappears and reappears as you drive around the bends, climbing higher and higher to the hilltop.

Hearst’s guests would have come by private train, but some of Hearst’s guests – like the Vanderbilts, who flew in on a private plane in 1935 to an airstrip below, then would have been driven up these roads.

Hearst created a mile-long pergola of fruit trees, and would ride on horseback through the canopy, “the longest pergola in captivity” Morgan would joke. The fruit trees including oranges and pomegranates, yield 2000 lbs of citrus that are donated to local food bank.

All the food the castle used was produced on site; water was piped in, so the castle was completely self-sufficient.

As we get off the bus, our guide, Gregory Anderson, encourages us to take photos as we see them, because the tour goes in one direction But to a really excellent degree, what we see is what it would have been like to visit in Hearst’s time.

*One of the three villas at Hearst Castle where movie stars, industrial moguls, and political leaders would have stayed © Karen Rubin/goingplacesfarandnear.com*

We stop in front of the first villa, Casa del Sol, “medium sized” at 3600 sq ft., built for a sunset view, Bob and Delores Hope honeymooned here; Edward Hubble, who originated the Big Bang Theory, stayed here; Actor Cary Grant requested a different room every time stayed (came 40 times)

We come to the 2500 sq. ft Casa del Mar cottage, where David Niven (“The Pink Panther) and Winston Churchill stayed (in 1929). Up until 1976, this was the villa that Hearst family members would stay. (William had five sons between 1904-1918, and there are some 70 descendents today and the family – the 20^th wealthiest in the US – now when they come, they stay at the Senator’s House which the Hearst Corporation still owns).

King Vidor, Howard Hughes, Charlie Chaplin, buster Keaton, Jean Harlow, Carole Lombard, Harpo Marx, Joan Crawford, Greta Garbo were among the celebrities who came.

Hearst loved to take his guests on grueling horseback rides – delighted in seeing how silver screen cowboys would handle real horse.

Our guide tells us that Hearst Castle was Morgan’s 503rd of 700 projects and was one of the few architects who knew how to work with steel reinforced concrete (important for earthquakes).

Notably, she designed a new Fairmont Hotel in San Francisco, still an architectural jewel, which opened within a year after the 1906 earthquake, and propelled her career and her own practice.

Morgan had already designed the block-long Spanish Mission Revival Hearst Examiner Building (1913–15) in Los Angeles. In 1919, following his mother’s death, Hearst inherited the full Hearst estate and decided to build a “modest bungalow” on the hilltop of the ranch at San Simeon – which evolved into the castle.

I find it interesting that Morgan negotiated her commission from 6 percent for architectural services to 8.5 percent to cover the costs of “running the job.” She was providing what today would be called “design-build” services and was responsible for managing workmen, artisans, material suppliers, and warehouses of artifacts – it is fascinating to see the “home videos” of her directing the workers.

*The magnificent Neptune Pool. Julia Morgan had to design and build it three times © Karen Rubin/goingplacesfarandnear.com*

The most spellbinding features of the estate are the two pools – the Neptune Pool which has Grecian feel, is actually the third incarnation: 104 feet long, 58 feet wide and 95 feet wide at the alcove. It is 3.5 feet deep at the west end, 10 feet at the drains, and holds 345,000 gallons of water. Other notable aspects of the Neptune Pool include the oil-burning heating system, the Vermont marble that lines the basin, gutters, and alcove, and four Italian relief sculptures on the sides of the colonnades.

*The magnificent Roman Pool in Hearst Castle © Karen Rubin/goingplacesfarandnear.com*

The indoor Roman Pool tiled indoor pool decorated with eight statues of Roman gods, goddesses and heroes. The pool appears to be styled after an ancient Roman bath such as the Baths of Caracalla in Rome c. 211-17 CE.

Be sure to make time to see the “Building the Dream” biopic in the 5 story theater (plays every 45 minutes) about William Randolph Hearst’s childhood, his travels to Europe, construction of the castle estate, and his architectural collaboration with Morgan. “They built castle but also created legacy.”

Hearst Castle, which first opened for tours in 1958 and gets 600,000-700,000 tourists/year (in the 1980s, its heyday, a million tourists would come each year), is now a California state park.

There are no individual visits to Hearst Castle – you must be registered for a tour. Ticket prices start at $30/adults, $15 children (5-12). (https://hearstcastle.org/tour-hearst-castle/daily-tours/). Reserve tickets online up to 60 days in advance; Reserve online (https://www.reservecalifornia.com/Web/Activities/HearstCastleTours.aspx)

Every year from the end of November through the end of December, Hearst Castle offers a “Holiday Twilight Tour” to experience the estate as Hearst’s guests enjoyed it during the 1920s and 1930s during the Christmas season.

Hearst Castle, 750 Hearst Castle Road, San Simeon, CA 93452-9741, 800-444-4445 (8 am-6 pm PT), hearstcastle.org.

More visitor information: visitcambriaca.com.

Next: Cambria is Great Base for Pacific Highway Roadtrip

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Arts & Entertainment, Cultural travel, Festivals and Events, New York City travel

Summer in the City: New York Philharmonic Free Concerts in the Parks is Cherished Summer Tradition

June 14, 2024 krubin723

*The New York Philharmonic is conducted by Thomas Wilkins in this summer’s Concerts in the Parks Presented by Didi and Oscar Schaefer series © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

The New York Philharmonic Concerts in the Parks Presented by Didi and Oscar Schaefer is an extraordinary gift to New Yorkers and visitors. For almost 60 years, this world-famous orchestra has presented these free performances in parks in all five boroughs bringing “priceless music, absolutely free” to communities and reinforcing the bond that exists between New York’s hometown orchestra and its people. In the process, the orchestra brings people together in shared joy.

*The New York Philharmonic is conducted by Thomas Wilkins in this summer’s Concerts in the Parks series which featured violin soloist Randall Goosby © Karen Rubin/goingplacesfarandnear.com*

The world renowned orchestra has offered these free summer concerts in the parks since 1965 – since 2007, presented by Didi and Oscar Schaefer – and over that time, have brought “priceless music, absolutely free” to 15 million music lovers.

This year’s program included Beethoven’s Egmont Overture; Felix Mendelssohn’s Violin Concerto in E minor, featuring Randall Goosby — who made his NY Phil debut on a Young People’s Concert at age 13 — as soloist; Elgar’s Wand of Youth Overture; the New York Premiere of Carlos Simon’s Four Black American Dances; Rimsky-Korsakov’s Capriccio Espagnol.

*Conductor Thomas Wilkins gives fascinating, folksy notes for the musical selections in this summer’s Concerts in the Parks series © Karen Rubin/goingplacesfarandnear.com*

Conductor Thomas Wilkins, who is the principal conductor of the Hollywood Bowl Orchestra, introduced the pieces. About Mendelssohn’s exquisite Concerto in E minor for Violin and Orchestra, Op. 64 (1844), with the virtuoso violinist Randall Goosby who so exquisitely brought out the melodic sweetness, Wilkins said, “it is so magical – one of the few where the movements are all connected. At the end of the first, there is one B-Natural hanging in the air – the bassoonist is not done – that says ‘follow me into the second.’ There is more impact between the second and third movements – no break but one note of silence, like a ball in the air that hangs until the soloist enters.”

Violin soloist Randall Goosby, an alum of the Lincoln Center Young People’s Orchestra program, performs the exquisite Mendelssohn Concerto in E minor for Violin and Orchestra © Karen Rubin/goingplacesfarandnear.com

Wilkins loves to engage with the audience, and makes the music so accessible with his folksy anecdotes that make your ears perk up at key portions with new appreciation. We get to preview Carlos Simon’s “Four Black American Dances” (2023), which will be part of the orchestra’s fall repertoire, in the concerts he returns to the NY Phil to conduct, October 17 and 19,and learn how the four dances span Black American heritage – the first, recasting a traditional dance of enslaved Blacks into the voice of the orchestra including shuffling feet and clapping hands; the second, a waltz depicting how young Black girls in the 1930s would have their “coming out” parties, then a tap dance, and finally, we are taken to church for a “holy dance” with the instruments evoking the murmurings and exultations of a church service. And then, we get to meet the composer who comes on stage.

*“Four Black American Dances composer Carlos Simon joins Conductor Thomas Wilkins on stage. The piece will also be featured in October © Karen Rubin/goingplacesfarandnear.com*

For the past several years, the concerts have also provided a platform and a showcase for young composers who absolutely astonish with their talent (most astonishing: they not only compose the piece but do the orchestration). It is like seeing a young Mozart, or Elgar, whose Overture from the Wand of Youth (Music to a Child’s Play) Suite No.1, Op.1a, written when Elgar was just eight years old (he later expanded it), and imagining where these prodigies will be in 20 years.

This year, 16-year old Dalya Shaman’s “Floating in the Stars” and 10-year old David Wright’s “Tarzan’s Rage” dazzled the audience.

*16-year old Dalya Shaman’s stunning tone-poem, “Floating in the Stars,” is performed as part of the Young Composers* *© Karen Rubin/goingplacesfarandnear.com*

Dalya Shaman, a tenth grader at NEST+m High School, has been composing music for six years and plays the cello. She described the inspiration for her tone-poem, “Floating in the Stars” which uses harp and orchestra bells to evoke the whimsy and wonder of star gazing and the sensation of drifting among the stars, as the artwork of VYC students Vivian and Odette Iannetta.

*Conductor Thomas Wilkins congratulates 10-year old composer David Wright after performing his “Tarzan’s Rage.”© Karen Rubin/goingplacesfarandnear.com*

David Wright, a fifth grader at PS 11 in Brooklyn who is also an accomplished baseball player, said his work, “Tarzan’s Rage” also was inspired by the Iannettas art, and seeing a man jumping which he imagined as Tarzan and the contrast of dark and light colors as a war, which is how he came to “Tarzan’s Rage.” The music is thrilling, and one can imagine David composing movie scores.

*Conductor Thomas Wilkins leads the New York Philharmonic in this summer’s Concerts in the Parks series © Karen Rubin/goingplacesfarandnear.com*

Wilkins’ conducting style is very relaxed, with minimal movement and theatrics. He is a joy to watch. He likes the music to be well punctuated, defined, the complex seemingly more simple and elemental than it is, so it is more accessible and can be better appreciated in such an open setting. You immediately appreciate why he is also the Boston Symphony’s artistic adviser for Education and Community Engagement, professor of orchestral conducting at Indiana University, and is actively engaged with the NY Phil’s Young People’s Concerts, begun 100 years ago and popularized by Leonard Bernstein.

Violin soloist Randall Goosby with conductor Thomas Wilkins and concertmaster Frank Huang and the New York Philharmonic performing Mendelssohn’s Concerto in E Minor © Karen Rubin/goingplacesfarandnear.com

“At this stage of my life,” Wilkins reflects in the festival program, “I just want to invite the orchestra that is in front of me to experience what it means to be in love with music.”

“He remains devout in his belief in assuring access to the infinitely renewable power of music,” Mark Burford reports. ‘Who else deserves to experience beauty for the first time? Who else needs to find wonder?’”

The evening concludes with Rimsky-Korsakov’s Capriccio Espagnol Op. 34, which flows immediately into Santore’s World Famous Fireworks display, putting just the right crescendo on the evening.

The span and diversity of the pieces is enlightening and exciting, especially with such a focus on Simon’s 2023 composition and the young composers.

The New York Philharmonic is performing these summer concerts in all five boroughs: Central Park, Cunningham Park concert in Queens, Van Cortlandt Park, Bronx, and Prospect Park, Brooklyn. Then, musicians from NY Phil perform a free Indoor Concert, Presented by Didi and Oscar Schafer,on Sunday, June 16, 2024, at 4:00 p.m., at St. George Theatre in Staten Island; the program includes Clarke’s Prelude, Allegro, and Pastorale for clarinet and viola; Mozart’s Oboe Quartet; and Prokofiev’s Quintet (tickets need to be reserved).

“It is a joy to see tens of thousands of New Yorkers turn out to enjoy free concerts under the stars, creating a sense of community and shared experience that is rare and vital,” said New York Philharmonic President & CEO Gary Ginstling. *© Karen Rubin/goingplacesfarandnear.com*

“The New York Philharmonic’s annual Concerts in the Parks, Presented by Didi and Oscar Schafer, are always a highlight of our year,” New York Philharmonic President & CEO Gary Ginstling said. “It is a joy to see tens of thousands of New Yorkers turn out to enjoy free concerts under the stars, creating a sense of community and shared experience that is rare and vital. We are deeply grateful to Didi and Oscar, the visionary and generous couple whose love of music and of New York City’s parks is essential to making possible the ambitious tour of our hometown.”

*Fireworks provide a crescendo to the New York Philharmonic’s concert in Central Park © Karen Rubin/goingplacesfarandnear.com*

The free summer concerts provide a wonderful taste of the cultural treasure that awaits at the Philharmonic’s concert venue, Geffen Hall at Lincoln Center, that makes you want more.

The New York Philharmonic has announced updates to its 2024–25 season:

Updates to the Orchestra’s concerts:

• Augusta Read Thomas’s new work, commissioned by the NY Phil, is titled Bebop Kaleidoscope — Homage to Duke Ellington. Ken-David Masur, in his NY Phil subscription debut, will conduct its World Premiere on September 19 and 21, 2024, part of the program curated by NY Phil musicians — who serve as the first of the 2024–25 season’s Artistic Partners — that explores the Orchestra’s past and future.

• The Opening Gala concert on September 24, 2024 — conducted by Manfred Honeck — will include Suppé’s Light Cavalry Overture and Puccini’s Turandot Suite, and will feature vocalist Cynthia Erivo making her NY Phil debut in selections from Broadway and the popular songbook.

*In October, Thomas Wilkins will conduct NY Phil’s exploration of Afromodernism* *when Carlos Simon’s “Four Black American Dances” (2003) will be presented* *© Karen Rubin/goingplacesfarandnear.com*

• Nathalie Joachim’s new work is titled Had To Be and receives its New York Premiere on October 17 and 18, 2024 — on concerts that are part of the NY Phil’s exploration of Afromodernism — conducted by Thomas Wilkins, with cellist Seth Parker Woods (NY Phil debut) as soloist. The piece is co-commissioned by the NY Phil, Spoleto Festival USA, Orchestre Métropolitain, and Chautauqua Institution.

• Estonian composer Arvo Pärt’s Cantus in memoriam Benjamin Britten has been added as the opening work in the November 14 and 16, 2024, subscription concerts, conducted by John Adams, one of the 2024–25 season’s Artistic Partners.

• Tenor Kieran White will make his NY Phil debut in Handel’s Messiah, Presented by Gary W. Parr, December 11–14, 2024. Ton Koopman conducts.

• Baritone Leon Košavić (NY Phil debut) will perform J.S. Bach’s Cantata BWV 56, Ich will den Kreuzstab gerne tragen, and soprano Talise Trevigne (NY Phil debut) will perform the same composer’s Cantata BWV 51, Jauchzet Gott in Allen Landen, on the Free Concert at The Cathedral Church of Saint John the Divine, January 17, 2025, joining conductor and 2024–25 season Artistic Partner Nathalie Stutzmann and Members of the New York Philharmonic. Additional repertoire will be announced at a later date.

• Justin Jay Hines will co-host the Young People’s Concerts for Schools on February 5–7, 2025, as well as the Young People’s Concert: The Future Is Innovation, on February 8, 2025, alongside Jerry Hou, who also conducts.

• The Lunar New Year Gala concert on February 11, 2025 — conducted by Tianyi Lu (NY Phil debut) — will include Li Huanzhi’s Spring Festival Overture; Unsuk Chin’s The Mad Tea Party, from Alice in Wonderland; Casella’s La donna serpente, Suite No. 1; Chen Yi’s Chinese Folk Dance Suite, featuring violinist Inmo Yang (NY Phil debut) as soloist; and Bizet’s Carmen Suite No. 1.

• The performances of Star Wars: The Empire Strikes Back in Concert, June 11–14, 2025 — part of The Art of the Score — will be conducted by Sarah Hicks (NY Phil conducting debut).

Updates to NY Phil presentations:

• Details of the season’s Kravis Nightcap series — featuring New York City Ballet principal dancer Tiler Peck as dancer and choreographer, as well as Musicians from the NY Phil — are announced. In the first, on September 21, 2024, Peck will collaborate with NY Phil Musicians, the first of the season’s Artistic Partners; on January 25, 2025, Peck will be joined by pianist Yuja Wang, the 2024–25 season Mary and James G. Wallach Artist-in-Residence; and on February 27, 2025, Peck will reunite with violinist Hilary Hahn, with whom she performed on a Kravis Nightcap in January 2024. All three performances will take place at the Wu Tsai Theater, David Geffen Hall.

• The season’s six New York Philharmonic Ensembles at Merkin Hall concerts, featuring Musicians from the NY Phil, will take place on September 29, November 3, and November 24, 2024, and January 12, February 16, and May 4, 2025.

• The Sound On presentation Composing While Black, Volume II, featuring Artistic Partner International Contemporary Ensemble (ICE) — part of the NY Phil’s exploration of Afromodernism — will now take place on October 25, 2024. The location and time will be announced at a later date.

• The Sound On presentation on November 17, 2024 — curated and conducted by Artistic Partner John Adams and featuring Members of the NY Phil — will take place at The Museum of Modern Art, and will include Dylan Mattingly’s Sunt Lacrimae Rerum and Gabriella Smith’s Maré. Additional repertoire will be announced at a later date.

• The season’s series of Very Young People’s Concerts (VYPCs) — titled Philharmonic Playground — will be held in Merkin Hall at Kaufman Music Center, and will take place on February 22, 2025 (“Allegro and Adagio”); March 22, 2025 (“Forte and Piano”); and June 7, 2025 (“Treble and Bass”). The series will feature Associate Principal Viola Rebecca Young as host and Musicians from the New York Philharmonic.

New York Philharmonic, David Geffen Hall, 10 Lincoln Center Plaza, New York, NY 10023-6970, 212) 875-5656, www.nyphil.org.

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Adventure Travel, Cultural travel, Ecotourism, Heritage Travel, Outdoors Adventures, Responsible Travel, Summer Vacations, Sustainable Travel

Coast to Coast, Canada’s Heritage, Culture, Wilderness Beckon Ecotourists in Summer

June 10, 2024 krubin723

*Celebrating a birthday at Salmon n’Bannock, Vancouver’s original indigenous restaurant © Karen Rubin/goingplacesfarandnear.com*

Edited by Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

From coast to coast, Canada’s heritage, culture, wilderness beckon ecotourists this summer.

Experience Indigenous Cultures in British Columbia

June is National Indigenous History Month in Canada, culminating in National Indigenous Peoples Day on June 21, but all summer long, British Columbia offers any number of ways to experience histories, traditions and values of First Nations, Inuit, and Métis Peoples. Indigenous tourism encourages visitors to understand and respect different perspectives of the world, and to experience histories, traditions, and values in an authentic and unfiltered way.

British Columbia has the greatest diversity of Indigenous cultures in Canada: of the 12 unique Indigenous language families in the country, seven are located exclusively in BC. Together, there are 204 unique Indigenous communities in BC. Here are 11 ways to engage in Indigenous experiences in British Columbia this summer.

A Three-Hour Song, Dance & Cultural Experience – During festivals, weddings, and potlatches, the Tla-o-qui-aht People come together to share a wholesome meal while exchanging wisdom and stories, with the belief that good food facilitates an easier reception to teachings. Visitors can join the tradition at the Best Western Plus Tin Wis Resort in Tofino, where the Tla-o-qui-aht Nation will host naaʔuu (which means “feast” in the Tla-o-qui-aht Nation language), an immersive experience taking place on select dates in June. The three-hour experience tells stories from the Nation’s history through song, dance, and traditional carvings, presented during a symphony of cultural delicacies and foraged ingredients. Proceeds go back to the Tla-o-qui-aht Nation to support language and cultural resurgence. Tickets start at $199 per person and can be purchased here. (Get there: From Vancouver, fly into Tofino-Long Beach Airport with Pacific Coastal Airlines, or right into Tofino Harbour with Harbour Air. Alternatively, you can take a ferry from Vancouver to Nanaimo or Comox and drive approximately 3.5 hours to Tofino).

*naaʔuu expereince at Best Western Plus Tin Wis Resort in Tofino (photo: Indigenous Tourism BC/Melissa Renwick)*

Indigenous tour operators lead visitors into their traditional territory, providing a new perspective of local wildlife, plants, and waters:

Guided nature adventures led by the local Nation – Explore Ahousaht territory with Ahous Adventures, which is owned by a nation that has stewarded the lands and waters of Vancouver Island since time immemorial. The popular hot springs tour cruises the coast and inlets of Clayoquot Sound, with guides pointing out wildlife along the way. Once onshore, guests take a 30-minute walk via wooden boardwalk through old-growth rainforest, leading to the healing mineral waters of the hot springs. Throughout the journey, guides will discuss the history and cultural significance of Hot Springs Cove, a site that has been used for centuries by the Ahousat Nation for medicinal and spiritual benefits. Dates: Tours are available throughout summer and beyond.

Cruise an Island Archipelago – Sidney Whale Watching, serving Sidney (just 30 minutes from Victoria, BC) and the Saanich Peninsula on Vancouver Island, is owned and operated by the Tsawout First Nation, with whale-watching experiences taking place on the traditional territories of the W̱SÁNEĆ Nation. The three-hour whale watching tour cruises through the Gulf Island Archipelago, winding past orcas, sea lions, and bald eagles hunting for salmon. Sidney Whale Watching has a 95% whale-sighting rate throughout the year; if guests don’t spot a whale, they are welcome to join another tour free of charge, anytime. Dates: Whale-watching tours take place daily between March and October.

*A group with Takaya Tours, rowing a traditional First Nations canoe in Deep Cove (photo: Destination BC/Hubert Kang)*

Take a cultural tour in a 35′ canoe – Takaya Tours, based in Whey-ah-wichen, or Cates Park, in North Vancouver, leads guests through the territory of the Tsleil-Waututh Nation. Guests can paddle the protected waters of Indian Arm in replica ocean-going canoes, while guides share songs and stories of ancient villages. There’s also an option to add a rainforest walking tour to your paddling adventure. Dates: The Cates Park location is open between May and September for guided tours, as well as rentals of kayak, surf-skis, and stand-up paddleboards.

BC Tourism Industry Awards Best Indigenous Tourism Operator Winner 2024 – Homalco Wildlife & Cultural Tours, which stewards the grizzly bear population in Bute Inlet—the ancestral home of the Homalco Nation—welcomes visitors to discover the area’s longstanding cultural and historical significance. The company’s full-day bear-watching and cultural tour leads guests to viewing areas that showcase grizzlies feeding on spawning salmon, along with plenty of opportunities to whale watch and bird watch. Guests can also wander through Aupe, an uninhabited Homalco village site. Dates: Tours are offered between August and October.

2023 Yelp Travelers Choice – Sea Wolf Adventures, which leads tours in the Broughton Archipelago and the Great Bear Rainforest, on Musgamakw Dzawada’enuxw Nation territory, combines cultural experiences with grizzly- and whale-watching safaris. The Grizzly Bears of the Wild tour connects guests with the iconic grizzly inhabitants of the Great Bear Rainforest, with bonus viewings of Pacific white-sided dolphins, eagles, orcas, and other wildlife. The full-day tour departs from Port McNeill, and includes Indigenous interpretations of local landscapes, as well as stories about the Musgamakw Dzawada’enuxw People. Dates: Tours run from May 31 through October.

*Skwachays Lodge, Canada’s first aboriginal art hotel, affords the nearest thing to staying in a First Nations community you might find in a major modern city © Karen Rubin/goingplacesfarandnear.com*

Try Plant Medicine Lemonade – Opened in February 2024, The Ancestor Café in Fort Langley brings traditional Indigenous nourishment to locals and visitors while supporting Indigenous food sovereignty. The eatery is owned by Chef Sarah Meconse Mierau, a member of the Sayisi Dene Nation. On the menu: bison and elk Bannock tacos, handcrafted plant-medicine jams and lattes, and other delicacies made with traditional Indigenous ingredients. Beyond the food, the café features a fair-trade gallery displaying works by local Indigenous artists and brands.

Indigenous-owned and operated accommodation welcome visitors come into their community to experience warm hospitality alongside stories and culture—all with a deep-rooted respect for nature:

Gorge Harbour Marina Resort – One of the most desirable cruising destinations in BC – Located at the edge of Desolation Sound, on Klahoose Nation land, Gorge Harbour Marina Resort offers an idyllic home base for adventurers eager to explore the sound, Cortes Island, and the Discovery Islands. The resort offers a multitude of overnight options, including a rustic lodge with four rooms, a cottage enclosed by lush gardens, and two self-contained trailers. Summer-specific options include 21 full-service RV sites, six glamping domes, and six tent sites—open for the season now. Summer activities span live music on the waterfront, yoga at the harbour, family movie nights, as well as whale-watching tours offered between May 1 and October 15. (Get there: Take a ferry from Vancouver to Nanaimo, then drive 1 hour and 45 minutes to Campbell River. From here, take a 10-minute ferry to Quadra Island, then a 45-minute boat trip to Cortes Island. You can also fly direct to the resort from Campbell River, Vancouver, or Seattle, Washington.)

Nemiah Valley Lodge – Off-grid & highly requested – Open year round, Nemiah Valley Lodge is located in the Chilcotin region, on Tŝilhqot’in Nation land. Here, guests are immersed in the food, history, and traditions of the Xeni Gwet’in community through local events, cultural experiences, and wildlife viewing. The all-inclusive packages include lodge activities such as lakeside yoga and meditation, canoeing and stand-up paddleboarding, fishing, archery. Note: Nemiah Valley is taking bookings for 2025. (Get there: The lodge is a 30-minute floatplane ride from Whistler. Alternatively, take a flight from Vancouver International Airport to Williams Lake (available throughout the summer), and drive 2.5 hours to your destination. The lodge also offers a transfer from Williams Lake.)

*Talaysay Walking Indigenous Tours experience in Stanley Park in Vancouver (photo: Destination Vancouver/Kindred & Scout)*

Tsawaak RV Resort – A 2024 Indigenous Tourism Award Winner – Whether you’re seeking a cozy wilderness cabin or a place to park your RV, Tsawaak RV Resort— located in Tofino, on Tla-o-qui-aht Nation land—offers a tranquil space for rest and rejuvenation. Guests can choose from 34 RV sites and 13 longhouse-style cedar cabins—all situated close to Mackenzie Beach and a 30-minute walk from town. The central amenities building offers laundry facilities and vending machines, while the visitor center houses an art gallery and retail shop. The resort provides easy access to Tofino’s most popular adventures, including surfing, hot springs, and hiking. (Get there: From Vancouver, fly into Tofino-Long Beach Airport with Pacific Coastal Airlines, or right into Tofino Harbour with Harbour Air. Alternatively, you can take a ferry from Vancouver to Nanaimo or Comox and drive approximately 3.5 hours to Tofino.)

Spirit Bear Lodge – Located in the largest, temperate coastal rainforest in the world – Wildlife viewing and cultural experiences take centre stage at Spirit Bear Lodge, located in Klemtu, on Kitasoo Xai’xais Nation land. The lodge’s all-inclusive adventures are anchored by visits to cultural sites of the Kitasoo Xai’xai People, who have lived for thousands of years in the Great Bear Rainforest—the largest temperate coastal rainforest in the world. Guests can search for the elusive Spirit bear, watch grizzlies roam lush estuaries, see whales and other marine life, and explore the remnants of ancient villages. Open from August to October, with limited reservations available. (Get there: Board a flight at Vancouver International Airport with Pacific Coastal Airlines to Bella Bella. You’ll be met by Spirit Bear Lodge staff and shuttled to the dock, where a lodge boat will take you on the two-hour journey to Klemtu.)

*Wildlife viewing experience at Spirit Bear Lodge (photo: Indigenous Tourism BC*)

For more authentic Indigenous experiences in British Columbia visit www.indigenousbc.com

Nova Scotia Hosts Worldwide Celebration of Acadian Heritage

This August 10-18, Nova Scotia will host the Congrés mondial acadien (CMA), a worldwide celebration that takes place every five years and brings together the Acadian diaspora from around the world for musical events, culinary and cultural attractions and family gatherings. Several major outdoor concerts featuring noted Acadian artists are scheduled, including Canada’s National Acadian Day on August 15. From the brightly painted houses of Yarmouth and picturesque views of seaside villages like Belliveau Cove and Pointe-de-l’Eglise, visitors will find vivid reminders of the French settlers who first claimed Nova Scotia as their home in the early 1600s. The CMA reunites and welcomes communities, families, and visitors to the province to honor Acadian history and to commemorate the thousands displaced in 1755 when the Acadian people were expelled from the province by the British for not taking a vow of loyalty to King George III. (https://cma2024.ca/en/).

Throughout the summer, there are important Acadian historic sites to visit in Nova Scotia:

Grand Pré National Historic Site: Open from May 17 to October 14, the Grand Pré National Historic Site is a powerful way to discover the history of l’Acadie (a historical Acadian village in Nova Scotia settled from 1682 to 1755), its people and its culture. The location is a monument that unites the Acadian people, and for many, it is the heart of their ancestral homeland. Guided tours lead visitors through the center of this Acadian settlement and where they can learn about the history of the mass deportation of the Acadians, “Le Grand Derangement,” that began in 1755. This tragic event continues to shape the vibrant culture of modern-day Acadians across the globe. Tours are available in July and August.

*Explore the oldest Acadian region still inhabited by descendants of its founder in Le Village Historique Acadien de la Nouvelle Ecosse.*

Le Village Historique Acadien de la Nouvelle-Écosse: Explore the oldest Acadian region still inhabited by descendants of its founder in Le Village Historique Acadien de la Nouvelle-Écosse. Founded in 1653 by Sieur Philippe Mius-d’Entremont, the village is a breathtaking, 17-acre space overlooking Pubnico Harbour. Attractions include historical buildings and original 19th century wooden homes like Duon House and Maximin d’Entremont House, a lighthouse and local cemetery, nature trails with natural fauna and flora indigenous to the area, and opportunities to learn about the historic Acadian fishing and farming traditions.

Rendez-vous de la Baie Visitor Centre: Open year-round and located on the campus of Université Sainte-Anne in Clare, Rendez-vous de la Baie Visitor Centre is an Acadian cultural and interpretive center. Attractions include an artist-run gallery, a souvenir boutique, a 263-seat performance theatre, and an outdoor performance area. Travelers can experience the interpretive center and museum which delve into the Acadian peoples’ history through multimedia displays of music and language with free guided tours available. The venue is also a trailhead for a three-mile network of walking trails leading to the breathtaking Nova Scotian coast (guided walking tours available).

More information: Nova Scotia, www.novascotia.com

New Brunswick’s Acadian Heritage and new Travel Experiences

Another place to experience Acadian heritage is in New Brunswick, just across the strait from Nova Scotia:

Historic Acadien Village is an open air living history museum with costumed (fully bilingual) interpreters who recreate the roles of real people. What makes this place so extraordinary, though, is that you walk a 2.2 km circuit through 200 years of history – the 40 buildings represent a different time, the oldest from 1773 up to 1895, then, you walk through a covered bridge built in 1900 into the 20^th century village where the buildings date from 1905 to 1949. As you walk about, you literally feel yourself stepping across the threshold back in time.

You not only visit but can actually book a room to stay at the Hotel Chateau Albert (1910). Albert opened hotel in 1870 but had financial problems from the beginning and was put out of business by Canadian Pacific railroad.. The building was destroyed in a fire in 1955, and restored using the original plans. It now offers 14 rooms (with bathrooms) that you actually can book to stay overnight. (hotelchateaualbert.com, 506-726-2600).

Historique Acadien Village, 5 rue du Pont, Bertrand, NB, 1-0877-721-2200, [email protected], villagehistoriqueacadien.com

*Metepenagiag Heritage Center displays how the Mi’kmaq would have lived, season by season © Karen Rubin/goingplacesfarandnear.com*

Also in New Brunswick, Metepenagiag is an active archaeological site and research center where artifacts unearthed have provided proof the Mi’kmaq have been occupying this land for at least 3,000 years. When you first walk into the exhibition building, you can look into the lab where researchers examine artifacts. Some of the items, like a 1200-year old Earthenware pot, arrowheads and other items are on display.

What is more, you can overnight in a tipi (glamping), cabin or lodge, have a First Nations dining experience, storytelling and be immersed in the 3,000-year heritage around a campfire. Or take part in “A Taste of Metepenagiag” and learn about foods and cooking techniques. New experiences are also being developed.The Mi’kmaq operate SP First Nations Outdoor Tours, authentic indigenous experiences that begin with a traditional welcome, a river tour by canoe or kayak, storytelling; and authentic First Nations dining and accommodations (56 Shore Road, Red Bank NB, Metepenagiag, 506-626-2718).

Metepenagiag Heritage Park, 2156 Micmac Road, Red Bank NB, 506-836-6118, [email protected] 1-888-380-3555, metpark.ca.

In 2024, New Brunswick, the Atlantic Canadian province just over the Maine border, unveils novel experiences for visitors including new ways to explore the capital city of Fredericton, dining the bottom of the ocean floor at the Bay of Fundy, a revitalization of a favorite gathering spot in Canada’s oldest city, Saint John, and 60th anniversary celebrations of the FDR International Park on Campobello Island.

Visitors to Hopewell Rocks Provincial Park this year can not only observe the natural phenomenon of low and high tides alternating as much as 40-plus feet, they can also dine on the ocean floor © Karen Rubin/goingplacesfarandnear.com

Dining on the Ocean Floor: Visitors to Hopewell Rocks Provincial Park this year can not only observe the natural phenomenon of low and high tides alternating as much as 40-plus feet, they can also dine on the ocean floor. In 2024, Hopewell Rocks will offer its new culinary adventure: “Dining on the ocean floor”. Travelers will relish in the magic of dining among some of the most extraordinary rock formations in the world with a private, locally sourced three-course meal and specialties served from Magnetic Hill Winery in Moncton. After enjoying cuisine by the sea, park-goers can return the next day at no additional admission cost, which starts at $15.85 CAD, to behold both high and low tides. For more information about Hopewell Rocks Provincial Park and updates about dining on the ocean floor, visit https://www.thehopewellrocks.ca/.

Coffee Connoisseur Tour with Barista Brian: Home to top attractions like Odell Park, Boyce Farmers Market, and Beaverbrook Art Gallery, Fredericton, New Brunswick, is also an ideal location for coffee lovers wishing to expand their knowledge and taste buds. For a new way to explore the city, visitors can join internationally celebrated latte artist Barista Brian on the new “Coffee Connoisseur” walking tour. Brian has earned his title while decorating lattes for attendees of the Sundance and Toronto International film festivals and for multiple Hollywood celebrities. Participants will sip, savor, and learn about locally roasted coffee at four independent coffee shops in the capital. Barista Brian is famous for his renowned latte art creations and has produced multiple latte portraits of celebrities including Meryl Streep, Conan O’Brien, Jennifer Lopez, Kristen Stewart, and more. While touring, Brian will provide education about everything from single origin beans to sustainable coffee, the history of coffee, and how to properly taste. Attendees will enjoy tastings of several coffee drinks such as a blend, delicious espresso, single roast, and will finish off with a latte displaying the handcrafted art of Brian. For more information about Barista Brian and his work, head to https://www.baristabrian.com/. To purchase tour tickets and view available dates, https://www.eventbrite.ca/e/coffee-connoisseur-tour-with-barista-brian-tickets-764462898107.

Campobello Island’s FDR International Park Celebrates 60th Anniversary: A symbol of international cooperation, the Franklin D. Roosevelt International Park on Campobello Island is jointly administered, staffed, and funded by the people of Canada and the United States. In 2024, the landmark is celebrating its 60th year standing as a representation of global collaboration. Throughout the month of July, special anniversary festivities will unfold amidst the breathtaking views of the New Brunswick Island connected to Maine by bridge. The former U.S. president and his family would spend their summers on Campobello Island, and visitors can now experience the former 34-room summer mansion firsthand. Given as a wedding gift to Franklin and Eleanor in 1908 by Franklin’s mother Sara Roosevelt, the cottage quickly became a key piece of the couple’s beloved island. Activities include “Tea with Eleanor” in the backyard and guided tours. For further details and event updates, visit https://www.rooseveltcampobello.org/.

Market Square Boardwalk Revitalization: In Uptown Saint John, Canada’s oldest incorporated city, the Market Square Boardwalk will show off a new look in 2024. It is now known as Ihtoli-maqahamok (The Gathering Space), chosen through a community process between Saint John citizens, the Civic Commemoration Committee, Common Council, City of Saint John staff, and consultation with First Nations’ leaders from The Wolastoqey Nation in New Brunswick. The boardwalk has undergone a rejuvenation that includes a larger 360-degree stage with increased public space for live performances, tidal steps leading to the Bay of Fundy, and the installation of a winter outdoor skating surface that will convert to a verdant green space in the summer. The restaurants of Market square were also upgraded with glass-panel installations, creating patios with year-round dining. Ihtoli-magahamok (The Gathering Space) draws its design inspiration from the three foundations of Saint John: its people, the water, and the rugged rocks that define the city’s character. To learn more about the reimagined Market Square Boardwalk, head to https://saintjohn.ca/en/parks-and-recreation/ihtoli-maqahamok-gathering-space

Travel planning assistance from Tourism New Brunswick, 800-561-0123, www.tourismnewbrunswick.ca.

Summer is a 5 Sensory Season in Newfoundland and Labrador

From the rolling waves lapping off the coastline to the colorful clotheslines dancing in the ocean breeze, Newfoundland and Labrador is home to the slow way of life, especially when the seasons change. As spring rolls into summer, regular visitors to the province return, including the whales, birds and icebergs that heighten all senses. Visitors can experience the first sunrise in North America, witness the migration and play of whale species that return to the shores each year, and taste food foraged from land and sea. For relaxation, guests can soak in the bounty of the ocean in a bath with seaweed gathered off the coast of Grates Cove, go for a cold-water dip in the many outdoor locations including the North Atlantic Ocean, or sit and listen to the push and pull of the beach rocks as they roll with the waves.

Sea of Whales Adventures: The Atlantic Ocean surrounding Newfoundland and Labrador boasts as many as 22 diverse whale species. Just off the Bonavista Peninsula, travelers will smell the ocean breeze and be humbled by the spectacle of whale species like humpbacks, sperm, orcas, feeding, migrating, and playing on Sea of Whales Adventures whale watching boat tours. Family owned and operated since 2009, Sea of Whales Adventures offers three-hour whale watching tours daily from May 15 to October 14 and two-hour tours daily from June 15 to September 3. The two-hour tour rates start at $90 CAD for adults and $60 CAD for children, while the three-hour tour rates start at $110 CAD for adults and $80 for children.

*Family owned and operated since 2009, Sea of Whales Adventures offers three-hour whale watching tours daily*

Preserving the Dark Sky: Terra Nova National Park, the first designated Dark Sky Preserve in the province, allows travelers to gaze into the cosmos untouched by light pollution. Under the Dark Sky Preserve Program, the park is committed to protecting and improving nocturnal ecology by adjusting, retrofitting, or eliminating light fixtures while delivering new educational and interpretive programs on astronomy and various dark sky themes. The most popular viewing locations include Sandy Pond, rated to have the darkest skies in the park, Ochre Hill, historically used as a fire-watch station, Blue Hill, the highest point in the park putting guests among the stars, and Visitor Centre, with the starlit sky reflected across the water. New in 2024, UNESCO World Heritage Site Gros Morne National Park is applying to the Royal Astronomical Society of Canada for designation as a Dark Sky Preserve, offering visitors even more unaltered space to bask in the celestial views.

Wild Island Kitchen: Open year round, Wild Island Kitchen offers travelers the chance to dine aside breathtaking seascapes listening to the crashing waves while wild and sustainably caught seafood is cooked over an open fire. The locally owned tour and culinary group provides menus that change daily based on what is foraged and discovered each day, with guides teaching guests how to cook and prepare the cuisine. The “From Sea to Plate” Tour features sustainable, high-quality seafood cooked with water from the sea and cooked over an open fire, and guests can expect four to five courses over a three-hour period. For a shorter, one-hour experience, visitors can book the “Mug-Up” Tour which typically departs at 10 a.m. and includes a trip down the cove for a cup of tea or coffee and an interpretative food journey inspired by traditional coastal delights. Tour rates start at $175 CAD, but guests are encouraged to email [email protected] for specific pricing per tour. Pre-booking is required for both culinary experiences.

Grates Cove Seaweed Baths: In the northernmost part of Newfoundland and Labrador, weary travelers can soak in a seaweed bath at Grates Cave Co. Known for its healing and rejuvenating properties, seaweed is harvested off the coast of Grates Cove and transformed into 7 Fathoms skincare, producing a high-quality, highly bioactive brown seaweed extract suited for personal care. Grates Cove Co. uses the product, densely packed with essential nutrients and minerals, for the fresh seaweed baths in the comfort of the bathhouse overlooking the North Atlantic. The bathhouse is bookable from Monday to Sunday for two-hour time slots from 11 a.m. to 1 p.m., 2-4 p.m., and 5-7 p.m., and the price per couple is $110 CAD + HST (Harmonized Sales Tax).

More information: Newfoundland and Labrador, www.newfoundlandlabrador.com

WALKING TOURS, DINING EXPERIENCES REVEAL VANCOUVER’S REVIVED INDIGENOUS HERITAGE

TRAIL TO DISCOVER BRITISH COLUMBIA’S INDIGENOUS HERITAGE WEAVES THROUGH WHISTLER-BLACKCOMB

NEW BRUNSWICK ROADTRIP: EXPLORING FRENCH ACADIA’S CULTURE, HERITAGE BY BIKE!

NEW BRUNSWICK ROADTRIP: METEPENAGIAG HERITAGE CENTER HIGHLIGHTS MIRAMICHI VISIT

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us atfacebook.com/NewsPhotoFeatures

Arts & Entertainment, Attractions, Cultural travel, Culture, Festivals and Events, New York City travel, Summer Vacations

Summer in the City Opens with Museum Mile Festival, Finishes with US Open

May 28, 2024 krubin723

*The Guggenheim Museum is one of eight major institutions that are free to explore during the annual Museum Mile Festival © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

New York City’s summer cultural season kicks off with the 46^th Annual Museum Mile Festival – the Big Apple’s “biggest block party” –on Tuesday, June 18, from 6 to 9 pm, rain or shine. Walk the mile on Fifth Avenue between 82nd Street and 104th Street while visiting eight of New York City’s finest cultural institutions, open free during these extended hours: The Metropolitan Museum of Art; Neue Galerie New York; Solomon R. Guggenheim Museum; Cooper Hewitt, Smithsonian Design Museum; The Jewish Museum; Museum of the City of New York; El Museo del Barrio; and The Africa Center. Several neighborhood partners, including the New York Academy of Medicine, the Church of the Heavenly Rest, Asia Society, and AKC Museum of the Dog will also join in this celebration.

*The Museum Mile Festival is the Big Apple’s biggest block party, with street entertainment and free admissions to museums © Karen Rubin/goingplacesfarandnear.com*

It’s an electric, eclectic festive atmosphere, with live music and street performers all along the avenue, plus special exhibitions, works from permanent collections and special family-oriented activities inside.

One of our favorite stops is the Museum of the City of New York (celebrating its 100^th anniversary this year), where you can visit its newest exhibition Changing the Face of Democracy: Shirley Chisolm at 100 and the send off of its centennial exhibition This is New York: 100 Years of the City in Art and Pop Culture . Grab a Kids’ Activity Guide for the little ones.

*Dancing to the 1920s Hot Jazz of Michael Arenella and His Dreamland Orchestra at the Jazz Age Lawn Party on Governors Island © Karen Rubin/goingplacesfarandnear.com*

Jazz Age Lawn Party on Governors Island (June 8-9 and August 10-11, 2024, 11 am-5 pm), starts with a magical ferry ride from Battery Park or the Brooklyn Navy Yard. People come dressed to the 9s in 1920s/Gatsby-style outfits, bringing picnics and take part in the music and zeitgeist of the 1920s. With music and dancing led by festival founder and host Michael Arenella & His Dreamland Orchestra, the merriment continues with a score of other entertainers: the bedazzling Dreamland Follies, a 10-lady Art Deco dance spectacle evoking the Great Ziegfeld, the fantastic Queen Esther paying tribute to jazz royalty of yore, Peter Mintun tickling the ivories with his incredible piano skills and the Gelber & Manning band. Enjoy the renowned and fun-loving dance troupe, Roddy Caravella and The Canarsie Wobblers with their scandalous Charleston numbers and rebellious and exuberant spirit of the Roaring ‘20s. Entertainments are interspersed with fun events like dance lessons and a period bathing suit contest. This isn’t free – it’s a ticketed event. Tickets and info at www.jazzagelawnparty.com. (Reserve a ferry ride to access the location.)

*The New York Philharmonic returns to Central Park for its free summer concert series © Karen Rubin/goingplacesfarandnear.com*

The New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, have become an iconic New York summer experience since they began in 1965, transforming parks throughout the city into a patchwork of picnickers enjoying friends, family, and priceless music under the stars, for free! This summer, Thomas Wilkins conducts the Orchestra in a program that ranges from classics by Beethoven, Elgar, and Rimsky-Korsakov to Felix Mendelssohn’s Violin Concerto, with Randall Goosby as soloist, to new music by Carlos Simon and NY Phil Very Young Composers. All outdoor performances begin at 8 PM and conclude with fireworks! (The Free Indoor Concert in Staten Island begins at 4 PM.): June 11 Van Cortlandt Park, Bronx; June 12 Concerts in the Parks: Central Park, Manhattan; June 13, Concerts in the Parks: Cunningham Park, Queens; June 14, Concerts in the Parks: Prospect Park, Brooklyn; June 16 Free Indoor Concert: St. George Theatre, Staten Island.

*The New York Philharmonic Summer in the Parks performances finish with a dramatic fireworks display© Karen Rubin/goingplacesfarandnear.com*

The cherished Shakespeare in the Park, traditionally held at the Delacorte Theater in Central Park, this year is a traveling show while the Delacorte is undergoing its most significant revitalization of its 62-year history. Instead, this year the Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) is offering a “GO PUBLIC!” festival of of free summer programming taking place across all five boroughs. Its Mobile Unit is presenting a joyful, bilingual (English/Spanish) musical adaptation of “The Comedy of Errors,” May 28-June 2 – The New York Public Library and Bryant Park on the Fifth Avenue Terrace (Manhattan) June 6-9, June 13-14, June 20-21 – Hudson Yards (Manhattan). Also: A.R.R.O.W. Field House (Queens) J. Hood Wright Park (Manhattan) Maria Hernandez Park (Brooklyn) Roy Wilkins Park (Queens) St. John the Divine (Manhattan) St. Mary’s Park (Bronx) Sunset Park (Brooklyn) Wolfe’s Pond Park (Staten Island).

Next up is Movie in the Parks (July 11–September 6), bringing free screenings of Shakespeare in the Park’s version of Much Ado About Nothing to parks throughout the City. (Can’t make it to any of them? This recording and other Shakespeare favorites are available to stream for free.) Visit the website for specific dates and locations (https://publictheater.org/programs/shakespeare-in-the-park/summer-24/go-public/).

*In summer, all the city is a stage, and every lawn a picnic table © Karen Rubin/goingplacesfarandnear.com*

Bryant Park is also hosting picnic performances of New York City Opera’s full production of the perennial favorite, Puccini’s Tosca on May 31, June 1, August 23 and 24, at 7 pm. (New York City Opera: Puccini Celebration) as part of a summer-long arts and culture festival, sponsored by Bank of America, from June 6 to September 13, featuring an amazing series of dance, music, theater, movies, plus eateries, shops and a carousel. (https://bryantpark.org/activities/picnic-performances for schedule).

The Hudson River Greenway is a whole destination in itself, and one of the best places to bike. In fact, it is part of the Empire State Trail Network, that goes from Lower Manhattan up to the Canadian border © Karen Rubin/goingplacesfarandnear.com

The Hudson River Greenway is a whole destination in itself, with every imaginable sport (tennis, pickleball, basketball, kayaking), fabulous eateries, even a sand beach, plus along the way, historic and cultural places like the monument to the Irish famine, the Museum of Jewish Heritage, the Whitney Museum, Battery Park and ferry access to the Statue of Liberty and Ellis Island, plus concerts such at two venues within the enchanting “Little Island.”

From June through September, Little Island presents a series of all new work across dance, music, theater and opera in the Amph ($25, tickets and schedule, https://www.littleislandtickets.com/). In addition, there are free concerts Wednesday-Sunday in the Glade.

Little Island is a unique green space unlike any other in New York City. The award-winning public park is located in Hudson River Park and features two performance venues where visitors can experience cultural events all summer long © Karen Rubin/goingplacesfarandnear.com

The newest experience on the Hudson River Greenway is Gansevoort Peninsula. Located in Hudson River Park between Gansevoort Street and Little West 12th Street, and opposite the Whitney Museum of American Art, which affords an actual sand beach (1200 tons of sand, beach umbrellas, Adirondack-style chairs, even misting stations, and boardwalk) for lounging. Also look for “Day’s End”, a public art installation by artist David Hammons, donated to Hudson River Park by the Whitney Museum of American Art. See the full events calendar, https://hudsonriverpark.org/, https://hudsonriverpark.org/the-park/piers-and-places/

New York City has been named the most cultural city in the USA. Here’s what’s of note happening this summer, compiled by the New York City Tourism + Conventions, the official destination marketing organization and convention and visitors bureau:

*NYC The Metropolitan Museum of Art is presenting “The Harlem Renaissance and Transatlantic Modernism” through July 28 © Karen Rubin/goingplacesfarandnear.com*

Through July 28, The Metropolitan Museum of Art presents The Harlem Renaissance and Transatlantic Modernism, an exhibition exploring how Black artists portrayed everyday modern life during the 1920s–40s in Harlem and across the United States amid the Great Migration. Featuring 160 works including painting, sculpture, photography, film and ephemera, it’s the first art museum survey of its kind in New York City since 1987.

The Whitney Museum of American Art has unveiled the roster for Whitney Biennial 2024: Even Better Than the Real Thing, featuring 69 artists and two collectives. This edition marks the 81st installment of the museum’s esteemed exhibition series, the longest-running survey of American art. The program is now open and runs through August 11. Beginning September 25, The Whitney will unveil Edges of Ailey, a comprehensive exhibition celebrating the life and impact of American dancer Alvin Ailey, featuring daily performances, workshops and a diverse range of artworks and archival materials.

Experience a surreal journey inspired by Alice’s Adventures in Wonderland at the Bronx’s New York Botanical Garden, with Wonderland: Curious Nature, from May 18–October 27. Follow iconic characters through whimsical scenes in the garden and explore imaginative horticultural displays inside the Haupt Conservatory, featuring installations from renowned artists including Yoko Ono, Alyson Shotz and Abelardo Morell.

A tribute to Ming Dynasty architecture, the New York Chinese Scholar’s Garden at Snug Harbor Cultural Center & Botanical Garden in Staten Island—one of just two authentic classical outdoor Chinese gardens in the US—is celebrating its 25th anniversary this year. Crafted in Suzhou, China, its elements include roof tiles, pavilions and bridges. Inspired by ancient poetry and paintings, the garden features magnificent rock formations resembling mountains. Visitors can explore pavilions, a bamboo forest path, waterfalls and a koi-filled pond.

The Morgan Library & Museum, which is marking 100 years since its establishment as a public institution by Jack Morgan as a repository of fabulous documents, is exhibiting Beatrix Potter: Drawn to Nature and Walton Ford: Birds and Beasts of the Studio. The next exhibition in the campaign will be Liberty to the Imagination: Drawings from the Eveillard Gift, on view beginning June 7.

Since its inception in 1824, the Brooklyn Museum has become a global cultural center, driven by the innovative spirit of its borough. As it celebrates two centuries of groundbreaking initiatives, the museum invites audiences to explore special exhibitions and events showcasing its vibrant artistic community. Highlights include the launch of immersive exhibitions like Solid Gold and Brooklyn Made. Notably, the museum boasts an in-residence composer, Niles Luther, who scores music for various exhibitions and artwork on-site, making it the only museum in the United States to offer such an immersive experience. Visitors can expect a year of discovery and celebration in honor of its bicentennial—kicking off with a 200th Birthday Bash on October 5.

A destination that takes you to other worlds, Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History offers fabulous innovative exhibitions. Admission by timed entry, reserved online. Open daily, 10 am–5:30 pm. American Museum of Natural History,200 Central Park West, 212-769-5606, amnh.org.

*Be prepared to be dazzled and fascinated when you visit the American Museum of Natural History and the Gilder Center © Karen Rubin/goingplacesfarandnear.com*

New performing arts offerings are revitalizing New York City’s cultural landscape with the expansion of iconic venues and the emergence of new stages. The historic Apollo Theater recently debuted the Victoria Theater, its first expansion in 90 years, which introduced two new stages and created an arts campus in Harlem. The inaugural season promises a diverse lineup including Alex Harsley, Stefon Harris and David Hammons. Meanwhile, in Brooklyn, the newly restored Brooklyn Paramount, now a concert hall, hosts various shows featuring acclaimed acts like Sting, Liam Gallagher, St. Vincent, Orville Peck and many more in its 2024 lineup. Across the East River, the Ronald O. Perelman Performing Arts Center (PAC) stands as a beacon of artistic expression in Lower Manhattan, welcoming emerging and established artists across various disciplines since its launch in September 2023. The PAC’s inaugural 2023–24 season continues this summer with the opening of An American Soldier, The Survival, Cats: “The Jellicle Ball”.

*One of New York City’s newest performing arts venues, the Ronald O. Perelman Performing Arts Center, in Lower Manhattan © Karen Rubin/goingplacesfarandnear.com*

The Jackie Robinson Museum commemorates the groundbreaking contributions of Jackie Robinson, the first African American to play Major League Baseball and one of the most celebrated baseball players of all time. Robinson’s legacy extends far beyond the baseball diamond, as he also made significant strides in civil rights, economic empowerment and social justice. From now through December 31, the museum is offering a free self-guided walking tour, Jackie Robinson’s Harlem, for visitors looking to dive deeper into Robinson’s connection to the neighborhood.

*The Alice Austen House,Staten Island © Karen Rubin/goingplacesfarandnear.com*

New York City is the birthplace of the modern LGBTQ+ movement. The Stonewall Inn, site of the historic 1969 riots, stands as a symbol of resilience and is soon to be complemented by a dedicated visitor center opening in June. Other cultural sites include theLeslie-Lohman Museum of Art, which celebrates LGBTQ+ identity through exhibitions and programs that showcase the ever-evolving queer experience, as well as the Alice Austen House Museum, which features the pioneering photographer’s work and has been a National Site of LGBTQ+ History since 2017. On the Upper West Side, the forthcoming American LGBTQ+ Museum at the New-York Historical Society, set to open its doors in 2026, will be the nation’s first museum dedicated to LGBTQ+ history.

One of the best parts of the US Open at the Billie Jean Tennis Center in Flushing Meadows Park, Queens, is getting to see tennis greats like Rafael Nadal practice © Karen Rubin/goingplacesfarandnear.com

If Summer in the City starts with the Museum Mile Festival, for me, the end of New York’s summer comes with the US Open Tennis Championships, the fourth and final Grand Slam tournament of the year. The tournament dates back to 1881, and since 1978, the tournament has found its home at the USTA Billie Jean King National Tennis Center in Queens’ Flushing Meadows Corona Park, a magnet for the best tennis talent worldwide such as reigning champions Coco Gauff, Novak Djokovic, Diede de Groot and Alfie Hewett. The tournament takes place August 26–September 8, 2024. Insiders tip: the week before, it is free to watch the thrilling play of the qualifiers’ tournament, and see the tennis stars practice.

New York City Borough Pass, Citywide: a new sightseeing pass designed to showcase the beauty of the neighborhoods and cultures across all five boroughs. The pass features a diverse roster of popular attractions, museums, performing arts venues, including the Alice Austen House Museum, MoMA PS1, New York Botanical Garden, Van Cortlandt House Museum, Staten Island Children’s Museum. (888-921-5333, https://www.nycboroughpass.com/)

The Go City Pass for New York City offers 100 different options in all five boroughs. For example, the two-day all inclusive pass, giving access to as much as you want/can do from among 105 attractions is $134 – regardless of how much the actual attractions charge (GoCity.com, 800 887 9103).

For all there is to do and see in New York City, visit nyctourism.com.

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Cultural travel, European travel, Historic Places, International Travel, Museums and Exhibits, Places of History

Visiting Colmar, France, is Like Stepping into a Storybook

May 7, 2024 krubin723

*Maison Pfister is a centerpiece of Colmar, France and has become the historic city’s symbol © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Colmar, in France’s Alsace-Lorraine region, is a storybook village – its buildings literally decorated to tell a story. And when you wander around its narrow, twisting streets, you walk through 500 years of history, lose all sense of what century you are in and fall totally under its spell.

Almost miraculously, the city has managed to remain mostly unscathed through centuries of wars. So as you stroll around, you come upon architectural jewels from the Middle Ages and the Renaissance. (You can follow a self-guided historic walking tour of silver Statue of Liberty figures in the pavement.)

I became curious about visiting Colmar when I saw a short report about it being the childhood home of Frédéric Auguste Bartholdi, the sculptor who created the Statue of Liberty, and the images of how colorful and charming it was. I had to see if for myself.

So I take advantage of the ease of visiting Colmar from Strasbourg, the starting point for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is just 45 minutes on the train, every half hour, a most enjoyable, comfortable and scenic ride, 28E roundtrip, no need to reserve – and join the hordes of day-trippers exploring this fairytale-like place.

It’s a short, pleasant walk from the Colmar train station into Le Petit Venise (Little Venice), the historic district (really similar to Strasbourg’s Le Petit France), and I am immediately enchanted.

Colmar is famous for its half-timbered houses and richly decorated merchants’ mansions. Some date from the Middle Ages, such as the Adolf House, the oldest in Colmar, built in the second half of the 14^th century; and the “Huselin zum Swan” on Schongauer Street.

*Maison Pfister, built in 1537, manifests exquisite art and design of the Renaissance© Karen Rubin/goingplacesfarandnear.com*

The Renaissance is on display in one of Colmar’s most magnificent structures, Maison Pfister with ornate bay windows (oriels), long wooden gallery and exquisitely painted murals, which has become a symbol of the city. Maison Pfister was built in 1537 for Ludwig Scherer, a wealthy hatter from Besancon. The paintings that decorate the façade, attributed to Christian Vacksterffer, represent 16^th century Germanic Emperors, Evangelists, Church Fathers, allegorical figures and biblical characters and scenes. It is named for the merchant Francois-Xavier Pfister who acquired the mansion in 1841.

*The exquisite paintings that decorate the façade of Maison Pfister © Karen Rubin/goingplacesfarandnear.com*

I come upon a house at 34, rue des Marchands with a plaque dated 1435 and a note that says this was the residence of master painter Caspar Isenmann “(Zum Grienen hus”). Another marvelous structure is “Cour du Weinhof,” at 12-16 rue des Marchands, which is a medieval 14^th century granary.

*A plaque says this was the residence of master painter Caspar Isenmann “(Zum Grienen hus”), dated 1435* *© Karen Rubin/goingplacesfarandnear.com*

*A 14^th century granary in Colmar © Karen Rubin/goingplacesfarandnear.com*

So many of the buildings are adorned with beautiful, even playful, whimsical decoration – as if there is a competition for who can have the prettiest or cleverest or most festive, or perhaps a public ordinance that requires everyone to be incredibly festive and clever. I wonder.

*The whimsically decorated buildings make Colmar seem like a storybook © Karen Rubin/goingplacesfarandnear.com*

I go in search of the intriguingly named House of Heads. Built in1609 in German Renaissance style, it has a three-story bay window, and a façade embellished with 111 heads and masks.

*The intriguingly named House of Heads, Colmar © Karen Rubin/goingplacesfarandnear.com*

You walk through a fabulous pedestrian zone -a listed “protected sector” – that takes you from the Middle Ages to the 18^th century, from “Little Venice” to the Tanners district with its grand white-fronted houses.

Similar to Strasbourg, there are districts, or neighborhoods, built around trades.

*Colmar’s Poisonnerie quay where fish caught mainly in the River Ill were stocked and sold, dates from the 14^th century © Karen Rubin/goingplacesfarandnear.com*

The Poisonnerie quay where fish caught mainly in the River Ill were stocked and sold, dates from the 14^th century. Part of this district was damaged in a major fire in 1706 but some houses were rebuilt. The whole area underwent urban revitalization from 1976 to 1981.

The Tanners Quarter, rounded by the Rue de Montagne Vertne, Rue des Tripiers, Rue des Tanneurs and place de l’Ancienne Douane, is the epicenter of the protected old town center. Its tall, timber-framed houses built during the 17th and 18th centuries, often have a final open-worked level which was used by craftsmen to dry their pelts. The district was restored 1968-1974.

*The Tanners Quarter has been restored © Karen Rubin/goingplacesfarandnear.com*

The Koifhus (Old Customs house) completed in 1480, is the oldest public building in the city. The ground floor was used as a warehouse, where imported and exported goods were taxed. The floor was used for meetings of the deputies of the Décapole, the federation of the 10 imperial cities of Alsace, formed in 1534 and for the Magistrate. When the Revolution abolished commercial privileges, the building was used for other purposes. Around 1840, the building was used as a theater and in 1848, the first office of the discount bank. The Koïfhus was occupied by the Chamber of Commerce and Industry from 1870 to 1930 and by a Catholic boy school and an Israelite school in the late 19th century. Today it is used for various public activities.

*Colmar’s Covered Market: what is old is new again © Karen Rubin/goingplacesfarandnear.com*

A marvelous place is The Covered Market, especially to pick up picnic fixings for lunch or snack. Designed in 1865, this building is made of bricks, with a metal frame has had several functions until being returned to its original purpose of market hall. About 20 merchants offer high quality products: fruits and vegetables, butchery, cheese dairy, bakery and pastry, fish and other terroir delights – yet another example of what is old becoming new again. (13 rue des Ecoles, Quartier de la Petite Venise).

I find a sensational patisserie that has the best croissants, which I munch just outside in a tiny park.

Musee Unterlinden

I wander a bit aimlessly, just soaking in the atmosphere, and find myself at one of Colmar’s most important museums, Musee Unterlinden.

Founded in 1906, Musee Unterlinden is housed in a 13^th century convent building that was linked to the former municipal baths building by architects Herzog & de M Meuron, who added a contemporary extension. Within you wander through 7,000 years of history, culture and art from the prehistoric era to 20th century.

The museum is mainly known as a showcase of Rhenish Art, displaying a remarkable collection of paintings and sculptures of the Colmar region of the 15th and 16th centuries, a Golden Age for the Upper Rhine.

*Musee Unterlinden’s star attraction is the celebrated altarpiece of Isenheim* *© Karen Rubin/goingplacesfarandnear.com*

But its star attraction is the celebrated altarpiece of Isenheim, an exquisite polyptych created between 1512 and 1516 by the artists Niclaus of Haguenau (for the sculpted elements) and Grünewald (for the painted panels). It was created for the Antonite order’s monastic complex at Isenheim, a village about 15 miles south of Colmar, where it decorated the high altar of the monastery hospital’s chapel until the French Revolution.

The Isenheim Altarpiece is housed in the museum’s Medieval cloister, where you find the art of the Middle Ages and the Renaissance, with works by Martin Schongauer, Hans Holbein and Lucas Cranach. The former baths building that opened in 1906 is used for special exhibitions, while the works of major 20^th century artists including Monet, de Staël, Picasso and Dubuffet have a new showcase in the contemporary wing.

I wander down to the cellar of the former convent, and am fascinated to see its extensive archaeology section, with artifacts of the Haut-Rhin region dating back thousands of years. The collection has been expanding because of ongoing regional excavations. One section is devoted to prehistory and protohistory, the neighboring rooms to the Roman and Merovingian periods.

The extensive collection of historical objects and artifacts from domestic life and funerary contexts, mostly from the northern Haut-Rhine, presents an almost complete overview of the different stages of the region’s cultural evolution.

*Musee Unterlinden’s* *collection of historical objects and artifacts presents an almost complete overview of the different stages of the region’s cultural evolution.© Karen Rubin/goingplacesfarandnear.com*

I find it interesting to learn Unterlinden was founded by a man who was convinced of the importance of “making a contribution to forming and developing a sense of taste and beauty” and of “providing the lower classes with an opportunity to benefit from the knowledge and pleasures they are so often denied.” In 1847, Louis Hugot, archivist and the city librarian of Colmar since 1841, was inspired by his love of graphic art to establish the Martin Schoengauer Society with other local scholars. Two years later, the society published its plan to transform the Unterlinden Convent into a museum.

Musee Unterlinden, Place Untrlinden, https://www.musee-unterlinden.com/en/home/.

Musee Bartholdi

The climax for my enchanting tour of Colmar comes when I (finally) find my way to the Musee Bartholdi (I seem to have overshot it a couple of times, even though everything is really close, even though there are metal markers in the street leading to the museum). The museum is housed in the childhood home of sculptor Frederick Auguste Bartholdi (1834-1904), who created the statue we know as the Statue of Liberty, but was actually named “Liberty Enlightening the World,” unveiled in New York in 1886.

*Bartholdi’s inspiring statue, “Grand soutiens du monde” – four women holding up the world © Karen Rubin/goingplacesfarandnear.com*

Bartholdi was the son of a councilmember who died in 1836 when he was just two years old. The family residence was built in the 15^th century and transformed in the 18^th century into an elegant hotel particulier (town mansion).

When Bartholdi died, his widow defied his wishes (he wanted her to create a museum for sculpture) and turned his Colmar family home into a museum as a tribute to him. Opened in 1922, the Bartholdi museum is entirely dedicated to presenting the artist’s work as well as his process, so you see models, drawings, engravings and photographs. You also see family furniture and personal mementos.

*Going through Bartholdi’s childhood home, you feel you get to know him © Karen Rubin/goingplacesfarandnear.com*

You enter through an inner courtyard, where you see Bartholdi’s inspiring statue, “Grand soutiens du monde” – four women holding up the world (bronze 1902).

The collection is presented on three floors of the mansion and walking through the family’s rooms lets you see Bartholdi as a person, how his idealism was manifested in his art, and you realize that his true genius is how his art inspires that same idealism in the viewer.

*A portrait of Frederick Auguste Bartholdi in the Bartholdi Museum, Colmar © Karen Rubin/goingplacesfarandnear.com*

A whole room (surprisingly small, but that makes it more intimate) is dedicated to the Statue of Liberty – you see his inspirations and some early designs, and fantastic historic photos of its production in Paris. It is thrilling to see Bartholdi’s process for the Statue of Liberty, which he titled Liberty Enlightening the World.

Indeed, Bartholdi’s colossal Lady Liberty famously celebrates freedom, and most Americans believe his symbols refer to the American Revolution and independence from tyranny, especially since it was dedicated in New York 1886, a little over a century after the Declaration of Independence. But Bartholdi intended Liberty to commemorate America’s abolition of slavery as a result of the Civil War in 1865 – the idea for the monument originated in 1865 but was pursued only after the Third French Republic was established in 1870. We see a model of the statue that has Lady Liberty’s foot stepping on chains, as if to crush the chains of bondage.

*A model of Bartholdi’s “Liberty Enlightening the World”shows Lady Liberty crushing chains of bondage © Karen Rubin/goingplacesfarandnear.com*

Lady Liberty stands 151 feet tall, and the top of her torch brings the statue up to 305 feet – the largest statue that had ever been completed up to that time.

There are also his models for Bartholdi’s monumental statue, Lion of Belfort, which is as precious to France as Lady Liberty is to America. Bartholdi served in the Franco-Prussian War and took part in the defense of Colmar. I read that Bartholdi was distraught over Alsace’s defeat and over the years, constructed monuments celebrating French heroism in its defense against Germany. Lion of Belfort, which he created from 1871-1880, symbolizes the French resistance against Prussia’s assault during the 103-day Siege of Belfort, December 1870 to February 1871.

*Bartholdi’s “Le Martyr modern,” reinterprets the tragic myth of Prometheus© Karen Rubin/goingplacesfarandnear.com*

Colmar had always celebrated its native son, Bartholdi, and he had erected statues in the city, including his earliest works. But in the 1890s, German authorities restricted Bartholdi’s residency permit in Alsace, because several of his public monuments demonstrated support for a French Alsace. The sculptor found it increasingly difficult to travel to Colmar. In light of this, the Schoengeuer Society’s decision to set up a Bartholdi Room in the Unterlinden Museum in 1898 was a courageous move.

Bartholdi collaborated with the Schoengauer Society early on – his first major sculpture was created for the Unterlinden Museum when he was just 18 years old – a plaster statue of the founder of the Unterlinden Convent, Agnes de Hergenheim (1852), as well as the monumental fountain in honor of Martin Schongeuer, erected in the cloister of the former convent (1863). Bartholdi donated several works to the society which were transferred to the Bartholdi Museum when it opened in 1922.

Following the re-annexation of Alsace and Moselle by Nazi Germany in June 1940, Colmar was once again under German rule. The museum was shut down. The German forces destroyed Bartholdi’s monuments in the city – the statue of General Rapp was smashed on September 9, 1940; the Bruat fountain was dismantled. Figures of the four continents in red Vosges sandstone were crushed.

*Nazis crushed Bartholdi’s Figures of the four Continents but residents saved the four heads* *© Karen Rubin/goingplacesfarandnear.com*

But some Colmar residents managed to get to the site to save the four heads and a part of the foot, which they hid in their cellars. The fragments were returned to the city after the war (they are on view in the museum) and a new version of the fountain was erected in 1958.

The museum reopened in 1979, very likely spurred by preparations for celebrating the Statue of Liberty Centennial.

*Metal images of Bartholdi’s Statue of Liberty embedded in Colmar’s walkway lead the way to the Bartholdi Museum © Karen Rubin/goingplacesfarandnear.com*

(We can see his works in the United States also: Marquis de Lafayette in Union Square, NYC; Bartholdi Fountain in the Botanic Garden, Washington DC.)

There is also a 12-meter high replica of the Statue of Liberty, sculpted to commemorate the 100th anniversary of sculptor Auguste Bartholdi’s death, located at the northern entrance to the town.

*“Fontaine Schwendi”, depicting Lazarus von Schendi (1898), in the Place de L’Ancienne Douane, is one of Bartholdi’s works that can be found around Colmar* *© Karen Rubin/goingplacesfarandnear.com*

The museum has a brochure (in French) with a map of where you can find Bartholdi statues and monuments around Colmar: Monument du Général Rapp – 1856 (first shown 1855 in Paris. Bartholdi’s earliest major work); “Fontaine Schongauer” – 1863 (in front of the Unterlinden Museum); “Fontaine de l’Amiral Bruat” – 1864; “Fontaine Roeselmann” – 1888; “Monument Hirn” – 1894; “Fontaine Schwendi”, depicting Lazarus von Schendi – 1898; Les grands soutiens du monde − 1902 (statue in the courtyard of the museum).

(Musee Bartholdi, 30 rue des Marchands, 68000 Colmar, https://www.musee-bartholdi.fr/)

*Much of Colmar is a protected district, © Karen Rubin/goingplacesfarandnear.com*

Another site I miss is the Synagogue. Built 1839-1842 on the site of an old farm, the synagogue of Colmar is the seat of the Israelite Consistory and the Grand Rabbinate of the Haut-Rhin.

I learn that the Jewish community was expelled in the 16th century, but returned to Colmar during the Revolution. The Rabbi was transferred from Wintzenheim to Colmar in 1823. The synagogue of Colmar was renovated in 1885 and an annex added in 1936. Used as an arsenal during the German occupation, the synagogue was restored after the war. It is the only synagogue in the region which has a bell tower. (3 rue de la Cigogne,)

*Enjoy a boat ride to see Colmar from the river © Karen Rubin/goingplacesfarandnear*

Unfortunately, I leave Colmar before seeing its Illumination. The town is illuminated from nightfall on Fridays and Saturdays year-round and every evening during major events in Colmar such as the International Festival, Regional Alsace Wine Fair and Christmas in Colmar.

Another reason to look forward to returning.

For more information about Colmar’s museums: https://www.tourisme-colmar.com/en/visit/presentation/museums

For more visitor information, contact Tourist Office of Colmar, Place Unterlinden, +33 (0)3 89 20 68 92, [email protected], https://www.tourisme-colmar.com/en. The website is really helpful for planning: https://www.tourisme-colmar.com/en/visit/presentation/discover

TIME-TRAVELING THROUGH STRASBOURG IN FRANCE’S ALSACE-LORRAINE

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Arts, Arts & Entertainment, Attractions, Cultural travel, Historic Places, Hotels & Resorts, Museums and Exhibits, Places of History

Time-Traveling through Strasbourg in France’s Alsace-Lorraine

April 28, 2024 krubin723

*The spectacular panoramic view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Staying over in the historic city of Strasbourg in France’s Alsace-Lorraine region, means that you can go out in the early morning, before the daytrippers crowd the streets, and soak in the atmosphere.

*A cyclist rides through the Tanners Row, empty of people in the early morning © Karen Rubin/goingplacesfarandnear.com*

I walk through Tanners Row, which in this early morning hour, is peaceful. A guy on a bike rides through, a reminder that this is still a neighborhood, a community.

I go to explore Strasbourg’s Les Ponts Couverts and the Vauban Dam, located a short distance from each other.

*Strasbourg’s Les Ponts Couverts* *© Karen Rubin/goingplacesfarandnear.com*

Les Ponts Couverts (covered bridges) are three bridges spanning the River Ill, dominated by three imposing square towers, vestiges of the 13th-century city walls. A bit further, there’s a fourth tower nicknamed “the executioner’s tower.”

While I fruitlessly look for covered bridges, I finally realize that they were replaced in 1865 by these stone bridges without a roof (so not covered),where I am standing. As I observe the beautiful views from the bridge, a fellow tells me you can walk on the Panoramic Terrace on top of the Vauban Dam – in fact, the views from there are spectacular.

*Statues stored in a cell within the Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

A short walk from the bridge is the Vauban Dam. “The Great Lock” was built between 1686 and 1700 based on plans of Louix XIV’s military engineer, Vauban. Built with 13 arches, it was constructed so that they could flood part of the city to defend against an enemy attack. It is fascinating to walk through – some sculptures just hanging about gathering cobwebs – but most marvelous is a rooftop terrace, laid out in 1965, which you can walk over for a spectacular panoramic view of the old city.

*Looking out from the interior of the Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

From here, you can see the fingers of the River Ill coming together below you. (Pro tip: though amazing to see in the morning light, you are looking into the sun – the reflections on the water are amazing – but check it out in the late afternoon.)

*The view of Le Petit France from the terrace atop Vauban Dam © Karen Rubin/goingplacesfarandnear.com*

Palais Rohan

One of the many jewels of Strasbourg is the Palais Rohan. Constructed between 1732 and 1742 from blueprints by Robert deCotte, First Architect to the King, it was built for Cardinal Armand-Gaston de Rohan-Soubise, Prince-Bishop of Strasbourg, modeled after Paris’ grand mansions.

Following the French Revolution, the palace became the Emperor’s royal residence, and after 1870, a museum. Today, the Palais Rohan houses three stellar museums: the Archeological Museum, the Museum of Decorative Arts and the Fine Arts Museum – just walking through the palace to the various rooms where the exhibits are displayed is a phenomenal experience.

(I have to rush through in the couple of hours before I need to get to the Regent Petit France Hotel where we are getting picked up for the European Waterways canal cruise aboard the Panache. It would have been better to have four hours.)

The art and artifacts are gorgeously presented in an exquisite palace. Definitely follow the helpful “My First Visit…” brochures which detail where to find the highlights.

*The Museum of Decorative Arts is set in the historical royal apartments in the Palais Rohan, today with the juxtaposition of a modern art exhibit © Karen Rubin/goingplacesfarandnear.com*

The Museum of Fine Arts presents a fascinating overview of European painting up to 1870. Located on the first floor of the Palais Rohan, the museum offers a tour through the centuries and schools: Italian and Flemish Primitives (Giotto, Memling); Renaissance and Mannerism (Botticelli, Raphael, Veronese, Lucas de Leyde, El Greco); Baroque, Naturalism and Classicism in the 17th and 18th centuries (Rubens, Vouet, Zurbarán, La Belle Strasbourgeoise de Largillière, Canaletto, Tiepolo, Goya); 19th century (Delacroix, Chassériau, Corot, Courbet).

Among the highlights is La Belle Strasbourgeoise, from 1703, a portrait of a woman from one of Strasbourg’s important families in the time of Louis XIV with her imposing two-cornered hat in black lace, painted by one of the best portrait painters of the time, Nicolas de Largilliere. Though the woman has never been identified, the painting has become a symbol of the museum, much as the Mona Lisa is to Le Louvre.

Museum of Decorative Arts is set in the historical apartments – so you visit the chambers of the King and the Bishop-Prince, with exceptional examples of “the princely style of life under the monarchy.” It continues into the wing of the old stables with a tour of rooms housing decorative arts collections tracing the diversity and development of applied arts in Strasbourg from 1681 to 1870 – world-famous Hannong ceramics, furnishings, sculpture and paintings, timepieces, metalwork, silver and goldsmith art, and a selection of mechanical toys from the Tomi Ungerer Foundation.

The most interesting section is the Chamber of the Bishops – the suite of rooms forming the King’s apartments. Originally, there would have been portraits of bishops but in 1793, the paintings were burned by revolutionaries who replaced them with allegorical figures of the Civic Virtues, which is what we see today. One of the paintings dates from the First French Empire and displays the monogram of Napoleon I and the Empress Josephine.

*Louis XV is said to have slept in this bedchamber during his visit to Strasbourg in 1744 and Marie -Antoinette in 1770 © Karen Rubin/goingplacesfarandnear.com*

Among the notable occupants of the King’s bedchamber were Louix XV, himself, who stayed here in October 1744, and the Daughines Marie-Josephe de Saxe in 1747 and Marie-Antoinette in 1770. The wood paneling is among the masterpieces of the French Rocaille style. Elaborately stylized shell-like, rock-like, and scroll motifs, Rocaille is one of the more prominent aspects of the Rococo style of architecture and decoration that developed in France during the reign of King Louis XV (1715–74).

Here, there is a disorienting melding of the old with the new: You go through the Royal Suite – bedchamber, Assembly Room which have been complemented with anachronistic modern art displays.

In the Decorative Arts Museum in the Palais Rohan, a room full of fascinating clockworks, including a cock clock and an astronomical clock, designed in the 16^th century © Karen Rubin/goingplacesfarandnear.com

Seeing my interest, the guide directs me to a room with clockworks – the cock clock originates from the first astronomical clock dating from the 14^th century of the Strasbourg Cathedral; in the center of the room are parts of the second astronomical clock designed in the 16^th century by mathematician Conrad Dasypodius.

I visit a room that originally was the Prince-Bishops’ bedchamber, but when it was refurbished in the Imperial period, the bedchamber became Emperor Napoleon’s Morning Room and the antechamber of the Prince-Bishop became a small dining room. The decoration was damaged during bombing in 1944.

*Emperor Napoleon’s Morning in the Palais Rohan © Karen Rubin/goingplacesfarandnear.com*

The entire Palais Rohan is an exhibit of decorative arts – it was built by Armand Gaston, Prince de Rohan Soubise, Bishop of Strasbourg from 1704-1713 who initiated the work. He wanted a building in the style of the Chateau at Versailles and commissioned plans from the King’s chief architect, Robert de Cotte. Construction, decoration and furnishing lasted from 1732-1742.

Archaeological Museum, the oldest of Strasbourg’s museums, was founded in the 18^th century. It is fabulous. Housed in the basement of the Palais Rohan, the diversity and wide chronological range of the artifacts on display make it one of the most important archaeological museums in France.

*The Archaeological Museum in the Palais Rohan has burial sites from the Bronze and Iron Age© Karen Rubin/goingplacesfarandnear.com*

The Archaeological Museum has fascinating exhibits that date back, remarkably, from 600,000 BC through the early Middle Ages (800 A.D.) You get insights into the daily life of Paleolithic hunters and the first neolithic farmers, Bronze Age and Iron Age burials, the everyday life of Gallo-Romans, and jewelry and weapons unearthed from Frankish and Atamanic graves.

*Among the highlights in the The Archaeological Museum in the Palais Rohan is this chariot for traveling through the world of the dead © Karen Rubin/goingplacesfarandnear.com*

Among the highlights: A chariot for traveling through the world of the dead, taken from tombs of Celtic princes from the Iron Age (750 BC-050 BC). And you can see the oldest tool in Eastern France – a chopper made of rock used for slicing or scraping, that was found at Achenheim and dated about 600,000 B.C. There is also a funeral headstone of a Gallo-Roman farming couple wearing their everyday clothes, that dates from the late 3^rd Century A.D.

Palais Rohan, 2 place du Chateau Strasbourg, +33 (0) 3 68 98 50 00, www.musees.strasbourg.eu.

Musée Historique de la Ville de Strasbourg

After returning from the canal cruise aboard the Panache and before taking the afternoon train back to Paris, I find my way down this really colorful street off Cathedral Square (that’s saying something in Strasbourg) to the Historical Museum of the City of Strasbourg. It is also not to be missed (and try to see early in your visit).

You wouldn’t believe that the museum, founded in 1920, is housed in what was the Grande Boucherie (the city’s slaughterhouse) built 1587-1588; it was renovated and reopened in 2013.

Entering the Musée Historique de la Ville de Strasbourg is like entering a time machine that transports you to exciting, dramatic periods of France’s history: Gutenberg’s printing press and the rise of a printing/publishing industry in Strasbourg, and what that meant. The French Revolution. The 1870 Commune Revolt. World War I. The Nazi Occupation and resistance. The museum offers an engaging tour lets you discover nine centuries of Strasbourg’s existence through 1700 works on display –paintings, artifacts, possessions – and interactive and digital devices.

Strasbourg was a free city of the Empire, which meant it had its own walls and enjoyed the privilege of holding a market and minting its own coins. Strasbourg did not take an oath of loyalty to the sovereign and did not owe the sovereign taxes or military, except for an escort for his coronation. Such a “free city” was rare. On this basis, Strasbourg had an independent constitution that was considered highly democratic by the standards of the day.

*A display of Jewish ritual objects on view in Strasbourg’s City Museum. Jews were expelled from the city in 1388. © Karen Rubin/goingplacesfarandnear.com*

However, among those excluded from burgher status were servants, the poor and Jews, who were massacred in 1349, and after 1388, the survivors were denied the right to live in Strasbourg. The only activity Jews could lawfully engage in was usury (money lending), and certain trades. They could pursue these occupations in the city by day but had to leave in the evening. There is a moving display showing Jewish ritual objects (and as I had seen at the Musee de l’Oeuvre Notre Dame, a collection of Jewish tombstones).

There is an excellent display about Gutenberg, who developed his printing process in Strasbourg between 1434 and 1444 (legend has it he was inspired by seeing a wine press), then returned to his hometown of Mainz where he published his first printed volume in 1454. Gutenberg’s technological revolution spread with lightning speed. In Strasbourg some dozen printing houses sprang up between 1460 and 1480. The first publications were religious books (bibles) , classical texts and calendars.

*Johannes Gutenberg is said to have invented his printing press in Strasbourg, which became a major center for printing and publishing © Karen Rubin/goingplacesfarandnear.com*

The invention of printing, arbitrarily dated 1440, was celebrated in Mainz (as of 1837) and in Strasbourg, which raised the statue by David d’Angers honoring Gutenberg in 1840 (the statue we see today in Place de Gutenberg).

In the early days, printing was used to diffuse knowledge as well as criticism of the Church and of society in general. But authorities soon started printing decrees. In Strasbourg, the population was divided into six social classes – the first included servants and unmarried women; second class were day workers; third class were gardeners, and up to the sixth class, representing nobles, the Magistrate and jurists.

Laws promulgated by the municipality from 1531 onwards touched every aspect of life – religion, education, marriage, burial, use of inns, dress, begging, Jews, financial matters, games, behavior in the street, defamation, publishing.

One could say that the printing press enabled the “Rule of Law”.

*Historical paintings of Strasbourg are on view in the City Museum © Karen Rubin/goingplacesfarandnear.com*

It is fascinating to travel through time – through the Imperial period, the French Revolution, the Commune, the back-and-forth between being part of France and the German Empire, World War I, World War II and Nazi occupation.

I learn that 22 Novembre – the name of a main boulevard where my hotel, the Hannong, is – was the date in 1918 when the French Army entered Strasbourg. “For President Poincare, the enthusiastic reaction of the population was equivalent to a plebiscite. French became compulsory in schools and the civil service. Strasbourg, the regional capital, had to re-adapt to the French system of departments. Religion, important in both educational and political terms, had to make concessions to the secular state.”

The extensive exhibits focused on the World War II period are intense.

In July1940, once Petain had signed the armistice, Alsatians were encouraged by the Vichy regime to return to their homes – exceptions were Jews, “Francophiles” and French civil servants (30% of the population) – their property was seized, and what followed was “Germanization” of the population (again, since Alsace had gone back and forth between Germany and France).

In November 1944, Strasbourg was liberated from the Germans by General LeClerc. Strasbourg was bombed by both Allies and by Germans after being liberated in 1944.

The European Union was founded in 1992 – three of its institutions are based in Strasbourg: the European Parliament, the European Mediator and the Schengen Information Service.

“A day will come when war will seem as absurd and as impossible between Paris and London, St. Petersburg and Berlin, Vienna and Turin, as today it would be impossible and seem absurd between Rouen and Amiens, Boston and Philadelphia,” Victor Hugo said in the inaugural speech at the Congress for Peace, Paris, August 21, 1849.

I don’t even remember how many hours I spent here – the displays are really captivating.

(Information and portal to collections: https://en.musees.strasbourg.eu/museums)

Strolling around the historic district of Strasbourg to take in the fabulous architecture and ambiance takes on new dimension after visiting the City’s museum of history © Karen Rubin/goingplacesfarandnear.com

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr.

Next: Stepping into the Storybook that is Colmar

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Arts & Entertainment, Attractions, Cultural travel, European travel, Historic Places, International Travel, Monuments, Museums and Exhibits, Places of History

Discovering Strasbourg France’s Cultural Riches

April 21, 2024 krubin723

*Strasbourg, France’s Notre-Dame Cathedral, as seen through the windows of Musee de l’Oeuvre Notre Dame © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I’ve come to Strasbourg, France, for a European Waterways canal cruise through the Alsace Lorraine on its luxury hotel barge, Panache. It is my practice now when connecting with a cruise or bike tour, to arrive at least a day early, especially when you have the opportunity to overnight in such a charming historic city as Strasbourg. That way I don’t have to worry about flight or weather delays and I can experience the destination in the morning and evening light, in peace and calm without the daytrippers, and have the time to really explore, discover and become immersed in its cultural riches.

*The TGV train from Paris to Strasbourg © Karen Rubin/goingplacesfarandnear.com*

The TGV train ride was absolutely gorgeous. (Less than two hours from Paris, you go from Charles de Gaulle Airport into the Gare de Nord, then take an easy 15 minute walk to Gare L’Est – glad I pre-purchased my train ticket and reserved seat on raileurope.com). It is surprising to see how soon out of the bustling metropolis you are in pastoral countryside. We whisk passed solar arrays, wind turbines, cows in pasture, and see traditional villages at the far end of fields. It’s cinematic.

*Leaving Paris for Strasbourg by train, you are soon in the pastoral countryside © Karen Rubin/goingplacesfarandnear.com*

And I still get into Strasbourg in the afternoon with plenty of time to explore.

There is much to experience in Strasbourg and I will actually have part of four days here. We will be picked up in Strasbourg on the first afternoon and taken to Krafft to board the barge hotel, Panache, and actually cruise back into Strasbourg on its first full day when we will have a walking tour and overnight on the canal. I will have much of a full day again at the end of the cruise, when we are delivered back to Strasbourg from Niderviller, before I take the train to Paris. I do a calculation and decide on my only full day in Strasbourg, after exploring the old city in the early morning, to hop on the train for a 45-minute ride to see Colmar, and still get to enjoy Strasbourg’s beauty at night.

*Hotel Hannong is perfectly situated, walking distance to Strasbourg’s historic sites* *© Karen Rubin/goingplacesfarandnear.com*

I must say I am clever about seeing Strasbourg, beginning with choosing a charming boutique hotel, the Hannong, which I find on hotels.com, right in the historic district and walking distance from the train station, so walking distance to everything I want to see, even walking back late at night. I am able to book a room ideal for a single person (it’s as big as a walk-in closet but has everything I need) for a very attractive rate. The pleasant stay, hospitable staff, and location add immeasurably to the way I experience Strasbourg and make the best of my time. (Hotel Hannong, 15, Rue du 22 Novembre,67000 Strasbourg, +33 03 88 32 16 22, hotel-hannong.com).

*Strasbourg’s old city © Karen Rubin/goingplacesfarandnear.com*

So when I arrive, I find my way to the Hotel Hannong (I’m disoriented and finally find someone to point me in the right direction (I’ve already downloaded directions but I don’t have internet), I drop my bag and go off to immerse myself in the old city’s charm.

*Strasbourg’s picturesque Le Petit France is a UNESCO Heritage Site © Karen Rubin/goingplacesfarandnear.com*

It’s just a couple of blocks to where Le Petit France begins, and I wander the narrow cobblestone streets, over bridges over the River Ill, where every turn reveals a picturesque scene of quaint quays and colorfully timbered structures from the Middle Ages, reflected in the blue water. The River Ill, which divides into five arms, is what spurred the construction of mills and the installation of tanneries centuries ago.

*The Tanners district in Strasbourg’s Le Petit France dates from 1572 © Karen Rubin/goingplacesfarandnear.com*

So charming and tranquil today, even with the crowds of tourists in midday, Le Petit France, a UNESCO World Heritage Site, in its day would have been the stinkiest, filthiest, poorest part of town, inhabited by tanners, fishermen, and animals, but as you get closer and closer to fabulous Cathedral, the residences become nicer and fancier and is where the wealthiest merchants and officials would have lived.

I come upon Place Gutenberg with a striking monument created by David d’Angers (1788-1856), erected in 1840. It commemorates that the German inventor Johannes Gutenberg developed moveable type that revolutionized access to the Bible, news, information, books, and even the law to the masses, while living in Strasbourg from 1430-1440, spawning an entire printing and publishing industry based in Strasbourg. The bronze statue stands on a granite base with four fascinating bronze relief panels that commemorate that Gutenberg came upon his idea for moveable type inspired by how a wine press worked, and how his invention influenced every corner of the globe.

*The statue for Johannes Gutenberg in Strasbourg’s Place Gutenberg © Karen Rubin/goingplacesfarandnear.com*

One of the reliefs, “Detail of America,” depicts Benjamin Franklin and other signatories to the Declaration of Independence along with other famous liberators including General Lafayette and Simon Bolivar. Another, “Africa,” portrays Wilberforce and other abolitionists bringing freedom and enlightenment to the slaves. The third relief, “The Printing Press in Europe,” portrays important figures of the Enlightenment – Erasmus, Chaucer, Milton, Molière, Rousseau, Voltaire, Kant and Schiller (the original plaster panel, which gave prominence to Martin Luther, caused an uproar, I learn). The Asian panel is more weathered, but includes Brahmans exchanging manuscripts for books, and Chinese people reading Confucius

*Strasbourg’s Guttenberg Plaza © Karen Rubin/goingplacesfarandnear.com*

In this plaza, there is also an old-timey Carrousel 1900 that is a delight in the day, enchanting at night.

*A traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com*

When I get to St. Thomas Church, I come upon an outdoor Punch & Judy puppet show, which traces back to Commedia dell’arte tradition in Italy in the 1660s. (I’m not a fan of the too accurate re-creation of its traditional slapstick humor and the tragicomic misadventures of the characters but the kids love it.)

*Families enjoy the traditional Punch & Judy show © Karen Rubin/goingplacesfarandnear.com*

Notre-Dame Cathedral of Strasbourg

The Notre-Dame Cathedral of Strasbourg dominates the city, in fact the entire region since it can be seen from great distances. Cathedral Square is a vibrant hub of musicians, vendors, and is ringed with some of the most important sites in the city – reminiscent of St. Marks Square in Venice. I will visit multiple times, and in the course of my visit, experience most of the important sites around the Cathedral. The streets that radiate from it are also full of colorful activity.

*Chasing bubbles in Cathedral Square © Karen Rubin/goingplacesfarandnear.com*

Construction of the Cathedral started in 1015, but came into its own as a monumental Gothic structure in the 1260s because of Erwin von Steinbach who designed the Cathedral to be the most modern building of its time in the whole of the Holy Roman Empire. It is still one of the most beautiful examples of Gothic architecture in the world. The hundreds of statues that decorate the Cathedral are incredible.

*Strasbourg, France’s Notre-Dame Cathedral © Karen Rubin/goingplacesfarandnear.com*

Finally finished in 1439, the Cathedral, built of pink sandstone from the Vosges, features a 142-meter-tall bell tower, making it the tallest medieval building in all of Europe.

It is an imposing structure inside, as well, with 12^th and 14^th century Romanesque stained glass windows in mesmerizing geometric patterns. You can climb the 332 steps to the top of the bell tower for a spectacular view and explore an 11^th century crypt below the main cathedral.

On Saturday night, after I have rested a bit after coming back from Colmar, I stroll out of the hotel to Cathedral Square for the 10-minute Illuminations de la Cathedrale de Strasbourg, a free laser light show which begins nightly at 10 pm and runs continuously until midnight (in July and August). I find the neon colors jarring, but I love when the white fluttering strobe light gives the Cathedral a ghostly quality.

*Strasbourg, France’s Notre-Dame Cathedral during the Illumination © Karen Rubin/goingplacesfarandnear.com*

Musee de l’Oeuvre Notre Dame

Just across the square from The Cathedral is the Musee de l’Oeuvre Notre Dame, an absolute must-see, where you walk through seven centuries of art in Strasbourg and the Upper Rhine. Its medieval and Renaissance collections show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13^th to 16^th centuries.

During the 13th century, the construction of Strasbourg Cathedral produced some of the most exceptional sculptures of the medieval world. Many of them – such as The Church and the Synagogue statues on the south portal, and the west façade’s Tempter and the Wise and Foolish Virgins, the Virtues Crushing the Vices, and the Prophets – were removed from the edifice in the early 20^th century to protect them from bad weather and pollution, and replaced by sandstone replicas. But here you see the original sculptures that decorated the Cathedral. To see them so close, life-sized, so you can really appreciate the artistry in a way you simply can’t by gazing up at the Cathedral, is astounding.

When I visit, the museum is featuring a virtual reality, augmented reality, holograms, videos and touch screens to situate the works where they had originally been set in the Cathedral.

In one grand room, I focus on the two sculptures known as “The Church and The Synagogue,” which I would not have known to look for, just walking about the Cathedral.

So much is embodied in these two statues, and why they were chosen: Positioned on either side of the south transept portal, the statutes of The Church and The Synagogue “each personify a covenant binding God to his people: the New Covenant of the Christian Gospel and the Old Covenant of the Jewish Torah, respectively,” the notes say.

*Church Triumphant and The Synagogue Vanquished* *© Karen Rubin/goingplacesfarandnear.com*

On the left, the Church Triumphant, “wearing a crown and holding in her hands a chalice and a banner surmounted by the Cross, fixes her self-assured gaze on the Synagogue. The vanquished Synagogue, blindfolded and holding a broken lance, averts her head, expressing her inability to recognize the messiah in the person of Jesus. She appears to let fall the tablets of the Law of Moses, symbolizing the supplanting of the Old Testament. But the extreme humanity and beauty of the young woman’s features suggest an awaited revelation rather than the stigma of blindness” [as if to suggest, Jews will come into Christianity’s fold].

Now that I know where to look, later I go out to see the figures at the Cathedral.

*Church Triumphant and The Synagogue Vanquished* *statues as they are position on the Cathedral’s south portal © Karen Rubin/goingplacesfarandnear.com*

In front of these two statues is a relief representing the biblical episode of “The Sacrifice of Isaac” at the hand of his father Abraham. The notes do not mention that this event for Jews, established the covenant with God and Jews as the “Chosen People”.

*A relief depicting Abraham’s near sacrifice of his son, Isaac © Karen Rubin/goingplacesfarandnear.com*

Besides the statuary, there are incredible paintings, triptychs and religious art – some of the most magnificent in the world – as you walk from room to room, floor to floor.

*Jewish tombstones on view at the Musee de l’Oeuvre Notre Dame. Jews were expelled from Strasbourg in 1349, during the Black Plague © Karen Rubin/goingplacesfarandnear.com*

I follow an interior staircase all the way down and come to an interior courtyard in which tombstones rescued from a Jewish cemetery are displayed respectfully. The notes say that in 1349, Jews were expelled from Strasbourg because of Black Plague.

I climb the staircase to an attic room, where the innovations in architecture and engineering are explained. You also see some of the original architectural drawings of the Cathedral – the oldest architectural drawings of their type – as well as a video.

La Nativite de la Vierge. At the Musee de l’Oeuvre Notre Dame, you see works that show why Strasbourg is considered one of the most important artistic centers of the Germanic Empire from the 13^th to 16^th centuries.© Karen Rubin/goingplacesfarandnear.com

The museum is housed within La Maison de L’Oeuvre Notre-Dame, which has been the home of the Foundation of the Oeuvre Notre-Dame (the body responsible for administering work on the Cathedral) since the Middle Ages. It is actually two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582). Just walking through the rooms is an experience.

*Musee de l’Oeuvre Notre Dame* *is actually in two buildings: a Gothic house with its crow-stepped gable (1347) and a Renaissance wing with a scroll gable (1582) © Karen Rubin/goingplacesfarandnear.com*

Fondation de l’Oeuvre Notre-Dame (Our Holy Lady Work Foundation) was established in 1224 (!!) to improve the administration of donations and legacies for the construction of Strasbourg Cathedral. Every since construction ended, the Foundation has been in charge of restoration and conservation of the monument, a UNESCO World Heritage site since 1988.

Plan on spending several hours wandering around this museum (I actually did it twice).

Musee de L’Oeuvre Notre-Dame/Aarts Du Moyen Age, 3 place duChateau, Strasbourg.

From here, I walk across the square to see the Church and Synagogue portal, before walking back through Cathedral Square (which reminds me of St. Marks Square in Venice) to the fabulous Palais Rohan.

Ancient: La Maison Kammerzell, built in 1467, and converted to Renaissance style in 1589, boasts exquisite carvings, with secular and religious themes, After refurbishing, it became a restaurant celebrated for its lavish frescoes painted by Leo Schnug © Karen Rubin/goingplacesfarandnear.com

What is so interesting (and fun) about Strasbourg is how the historic city seamlessly integrates – and respects – what is ancient and what is modern: the virtual reality in the Musee de L’Oeuvre Notre Dame, the neon laser lights that bathe The Cathedral for the nightly show, the modern art in Cathedral Square, the really modern art exhibit incorporated into the 18^th century Royal Chambers of the Palais Rohan’s Decorative Arts Museum, the light rail that rings the Old City along cobblestone streets.

Modern: *Strasbourg Museum of Modern and Contemporary Art* *in Strasbourg’s historic district* *© Karen Rubin/goingplacesfarandnear.com*

So much to see, experience and appreciate. My exploration continues.

More information at https://www.strasbourg.info and https://www.visitstrasbourg.fr,

Next: Time Traveling Through Strasbourg

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: A BOAT GUILLOTINE, TWO TUNNELS AND A MONUMENTAL CHAGALL

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Cruising, Cultural travel, International Travel, luxury travel, Museums and Exhibits

European Waterways Alsace-Lorraine Canal Cruise: A Boat Guillotine, Two Tunnels and a Monumental Chagall

April 16, 2024 krubin723

*European Waterways luxury hotel barge, Panache, approaches the “boat guillotine” at the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Day 6 Lutzelbourg to Niderviller

On Day 6 our European Waterways luxury hotel barge, Panache, cruises from Lutzelbourg to Niderviller where the cruise ends, during which we experience some of the most dramatic cruising – thrilling even considering how calm and restful the slow cruising on the canal is – of the trip.

I set out on the bike along the towpath but come to a fork and am confused which way to go, so return to the Panache. It’s a good thing I did return to the boat because the bike path would have taken me away from the boat.

Indeed, the canal takes a turn and we get our first view of an astonishing sight: the Arzviller boat elevator that will carry Panache 45 meters up a mountainside in mere minutes.

Captain Brian excites us with the image of a “boat guillotine”. But before we have the experience (we have to wait our turn), we tie up and walk a short distance to Cristal Lehrer (Cristallerie Lehrer) glass-blowing factory where we get to see demonstrations of the craftsmanship involved.

*Demonstrating glass making at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

In 1920, there would have been 1500 glass workers in this area. One of the workers was Charles Lehrer. Decades later, his son, Bruno Lehrer, founded this glassworks.

*Demonstrating glass blowing at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

We get to observe from an amphitheater as glassblowers heat the molten glass to 1700 degrees Celsius; use different oxides to create the different colors and shape them into a range of items.

*Bruno demonstrates how he cuts glass at the Cristal Lehrer glass factory © Karen Rubin/goingplacesfarandnear.com*

In the cutting and etching room, a craftsman named Bruno shows us how he cuts shapes into a glass, etches images like a swan or a bird, changing the wheel for a different cut and then engraves my name in the glass, which he gives me as a gift. He tells me he has worked in this factory with his father from when he was 14 years old; now 86, the master craftsman is here every day demonstrating his skill. (It occurs to me later whether this is Bruno Lehrer, himself?)

Arzviller Boat Elevator

An engineering feat when it was installed in 1969, and still the only one of its kind in Europe, before the Arzviller boat elevator was constructed in 1969, it took boats an entire day to navigate the 17 locks over four kilometers to ascend the 146 feet in altitude. Before the Arzviller boat elevator, only one barge a day could pass through, but today, as many as 39 can make the trip each day.

*Panache heads into the “boat guillotine” to enter the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

Now back on the Panache, it is our turn to go through the “boat guillotine” – really the black door that comes down to seal the carriage, like a bathtub, into which our boat floats, to be carried, like an elevator, up the hill. Two counterweights, weighing 450 tons each, powered by two winches, lift or lower barges safely up and down the hill at a 22-degree angle. It takes four minutes for us to be lifted to the top, where the door rises and we continue our journey on the Canal de la Marne au Rhin.

*The Panache is lifted up the Arzviller boat elevator © Karen Rubin/goingplacesfarandnear.com*

What an experience, but the drama isn’t over.

Coming out of the boat elevator, we cruise a bit further until we come to an enormous tunnel, just exactly the width of the boat, cut through the Vosges mountains.

*Panache enters the first of two tunnels through the mountain © Karen Rubin/goingplacesfarandnear.com*

It is unbelievably exciting to go through – I don’t even go down for lunch, which is served by candlelight – until we get through the tunnel, some 30 minutes later.

But that is not all, because we will soon come to a second tunnel that takes 20 minutes to get through.

*Panache navigates the narrow tunnel © Karen Rubin/goingplacesfarandnear.com*

In between the tunnels, I go down for lunch which is also an event –fennel and anchovies salad; orange duck with couscous, and selection of cheese. White wine from Alsace, Gewurztramine 2020, a vegan, “vin biologique” wine “Evidence” ( named to reflect “the respect we have for biodiversity in our vineyards as “evidenced” by the return of game birds to our land, which has inspired this label”).

*Captain Brian keeps watch as Panache navigates the narrow tunnel © Karen Rubin/goingplacesfarandnear.com*

And yet, there are still more astonishments to unfold on this day, our last full day of the cruise.

We are driven to Sarrebourg, a classic, historic French town.

*Lunch served by candlelight as Panache goes through the tunnels © Karen Rubin/goingplacesfarandnear.com*

A Monumental Chagall

The astonishing highlight in Sarrebourg comes at the Chapelle des Cordeliers. Built in 1265 by Franciscans, the church was used for barracks during the French Revolution; in 1870, during the German Annexation, the church was used for worship for German soldiers. From 1927, the History and Archaeology Society converted the chapel to a museum. But by 1970, the building, near ruin, was demolished, leaving only the choir of the chapel and an open space where a wall should have stood.

*Marc Chagall’s monumental stained glass window, La Paix, at the Chapelle des Cordeliers, Sarrebourg, France © Karen Rubin/goingplacesfarandnear.com*

The Mayor of Sarrebourg at the time, Pierre Messmer, a former Prime Minister of France, entreated his friend, the world-famous artist Marc Chagall to create stained glass windows that would close the empty space. Chagall agreed to do it as a gift to the town. It took Chagall six months, from December 1973-Febuary 1974, to produce a series of six sketches for what became his largest stained glass window, 12 meters high by 7 ½ meters wide.

*Detail from Marc Chagall’s monumental stained glass window, La Paix, at the Chapelle des Cordeliers, Sarrebourg, France © Karen Rubin/goingplacesfarandnear.com*

Messner had asked Marc Chagall for Sarrebourg to be featured. Chagall, who had never been to Sarrebourg, had planned to visit in the summer of 1974, but he was not well enough to travel, so relied on photographs. It took two more years (1974-6) for master glassmaker Charles Marq to create it in the Simon de Reims workshop, where Chagall had all his stained glass projects produced. “There is all the genius of Chagall – the monumental dimension, the light and the transparency of the final realization,” the notes say.

Chagall died in 1985 at the age of 98 after creating one more stained glass work, but never saw “The Peace” installed. (https://www.sarrebourg.fr/parcours-chagall/chapelle-des-cordeliers/)

“For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light,” Chagall wrote.

La Paix (“The Peace”) puts Adam and Eve in the Garden of Eden at the center, surrounded by a multitude of Biblical and religious symbols and subjects, as well as secular images that give a nod to the Alsace-Lorraine, our guide, Philippe Zugmeyer, explains, showing us Chagall’s sketches which we can compare to the finished work. “The face of Eve is very bright, white, brightest image. They are smiling, showing love. Look closely and you will see the face of girl from Lorraine – identified by the regional headdress she wears.”

He points us to the Prophet Isaiah in green, an important symbol for Chagall of reconciliation of all creatures. There are the lamb, cow, bear, snake, lion. There is King David with a harp. Jacob’s ladder. Jesus on a donkey heralded by people smiling and cheering. Jesus giving his Sermon on the Mount. Jesus on the cross. There is a baby to symbolize maternity (not nativity, he notes). Moses with two beams of light emitting from his head.

“This is not a religious lesson, it is profane [secular],” he tells us. “It is about the region. Peace and reconciliation.” But he adds, “There is a lot we can’t explain – it is up to you to find your own meaning in the Chagall. What is clear is that Chagall intended to bring unity – peace. There are Old Testament and New Testament themes, symbols and imagery.”

In addition to “The Peace,” the stained glass windows on the side walls were also designed by Marc Chagall.

I never expected to see anything like this on this day.

From here we walk a short distance to the affiliated Musée du pays de Sarrebourg (Museum of Sarrebourg and its surroundings). Created in 1905, it was originally only an archaeological museum. Today, it is a modern building that includes a space dedicated to Marc Chagall, tapestries and an exhibition of earthenware and porcelain from the Niderviller manufacture and Roman artifacts.

*Yvette Cauquil-Prince’s tapestry based on Marc Chagall painting on view at the Sarrebourg museum © Karen Rubin/goingplacesfarandnear.com*

We see the tapestries created by Yvette Cauquil-Prince (1928 –2005), a Belgian-born weaver and master craftswoman who reproduced the works of renowned 20^th century artists including Pablo Picasso, Max Ernst, Paul Klee, Wassily Kandinsky, Alexander Calder. But she is best known for her association with Chagall, producing over 40 tapestries of his works with meticulous, even impossible detail, several which we see here.

*Sarrebourg, France, visited on European Waterways’ Panache Alsace-Lorraine canal cruise © Karen Rubin/goingplacesfarandnear.com*

Gala Captain’s Dinner

This is our last evening aboard The Panache and while each meal has been the ultimate in fine dining, tonight’s Captain’s Dinner when Captain Brian heads the table, has the feeling of a gala with formal table setting – white tablecloth, red cloth napkins, candlelight.

*Last night’s Captain’s Dinner aboard Panache is a gala affair © Karen Rubin/goingplacesfarandnear.com*

The meal features peas and wasabi tartlet; Jerusalem artichoke; lobster tail piquillos; chocolate with truffle; cheese selection. The wine is Chablis Grand Cru Les Blanchots (2018) from Albert Bichot, founded in 1831and still family-owned, and a Pino Noir Grand Cru from Burgundy (2014).

“This wine is like walking in forest after rain- grapes come from plot of soil at bottom of hill in Burgundy,” says Brian, who comes from Burgundy. “Grown in the forest, the grapes are half protected from the morning sun. Less sun, less sugar, less alcohol. The forest brings moisture, humidity – freshness. It’s very fresh – the flavor of rose, forest flavors, then red berries, an oak barrel and voila.

*The Panache crew © Karen Rubin/goingplacesfarandnear.com*

Captain Brian, who chose tonight’s cheeses, regales us with the back stories: Comte, a favorite of cow’s milk cheese from Franche-Comte, he says, “is a treasure. This is a tiny piece of huge wheel. To make it, you need the milk from 30 cows’ full day production.

The second cheese, Valencay, a hard goat cheese from the Loire, has a fabulous story: after his disastrous campaign in Egypt, Napoleon visited the town of Valençay and was treated to this renowned cheese. For Bonaparte, the shape of the cheese – a pyramid – reminded him of his recent defeat so he furiously drew his sword and in one stroke cut off the top.

Third is Roquefort, the best blue cheese, bred where the mold comes to the cheese (instead of injected). “Legend has it that a shepherd boy left his lunch in a cave, but returned some time later to find the moldy cheese. He tried it.– don’t ask me why, he’s very French – and instead of getting sick or being poisoned, found the cheese delicious. That’s how Roquefort was discovered.” (Interesting anecdote I discover: Before penicillin was discovered, many people in France simply rubbed Penicillium roqueforti on their wounds to prevent bacterial infection.)

In the course of our six-day cruise, I calculate we sampled 36 cheeses –about half of all the controlled French cheeses – and 40 wines.

We see gorgeous scenery, to be sure, but the barge experience is about doing, being present, the camaraderie. And so there are sentimental farewells when we depart – the seven days we have spent together feeling like a long time and as no time at all.

“Travel makes the world feel big and small at the same time.” “Travel is the elixir of youth.”

The next morning, we are driven back to Strasbourg – 45 minutes to cover the distance we have traveled in six days cruising (and biking). I have enough time to continue to explore Strasbourg before I take the TGV train to Paris.

The Panache does this Alsace-Lorraine cruise on the Canal de la Marne au Rhin in both directions, but I was thrilled going the way we went, from Strasbourg to Niderviller because there is a constant build up of excitement, starting with floating through that stunning alee as we sail into Strasbourg, and climaxed by going up the incline (in this direction) and through the two tunnels, with the Marc Chagall on the last day.

*European Waterways’ luxury hotel barge Panache cruises the Marne au Rhin canal through France’s Alsace-Lorraine* *© Karen Rubin/goingplacesfarandnear.com*

The 12-passenger luxury hotel barge Panache cruises the Alsace & Lorraine in summer and autumn; Holland in the Spring, when the flowers are in full bloom, and Champagne in May & June (Champagne itineraries typically include Brie cheese tastings, a tour of the Cathedral at Reims, Epernay and of course, tastings at renowned champagne houses).

This year, European Waterways celebrates its 50^th anniversary of its founding by Derek Banks and John Wood-Dow, who helped pioneer the concept of hotel barging and itineraries that focused on culture, history, fine wine and gourmet cuisine. Among the first to operate on the Canal du Midi, their efforts helped spur a new niche travel industry that proved instrumental in the revitalization of Europe’s intricate network of scenic canals and inland waterways as tourism destinations – giving new life to villages and communities that had depended upon the canals that no longer carried commercial cargo.

With a 6-to-20 guest capacity and 1:2 crew ratio, European Waterways is able to provide lavish on-board service and can transport their guests on the narrower, more intimate inland waterways that are inaccessible to larger vessels. This fascinating network of smaller canals allows for flexibility, spontaneity and ample opportunity to hop off and explore by bicycle or on foot, in addition to walking tours of communities and daily, chauffeured excursions “off the beaten path” to experience wine tastings and private visits of stately homes.

One of the largest providers of all-inclusive luxury hotel barging in Europe, European Waterways is launching its newest, ultra deluxe vessel, the eight-passenger Kir Royale. Debuting in France’s Champagne region in May 2024, the vessel features major upgrades that include a more spacious layout with modern furnishings, three sundecks and a spa pool, an upper observation deck with a panoramic view, and four air-conditioned cabins with en suite bathrooms.

Kir Royale will cruise the River Marne and Canal latéral à la Marne, offering six-night all-inclusive sailings with exclusive excursions to some of the region’s legendary Champagne houses such as Moët & Chandon. Guests will also be treated to immersive experiences such as lunch at the boutique Grand Cru Champagne house of Frerejean Frères, and on-board gastronomic meals with wine pairings served by the vessel’s own master chef.

Kir Royal will cruise Champagne from May through October. It joins European Waterways’ 12-passenger Panache, which cruises between Château-Thierry and Châlons-en-Champagne from mid-May to late-June. Both vessels provide private transfers from a designated location in central Paris. Reservations are now open, with rates starting at $8,550 per person, based on double occupancy. Whole boat charters are also available.

Contact European Waterways, 877-879-8808, www.europeanwaterways.com.

EUROPEAN WATERWAYS ALSACE-LORRAINE CANAL CRUISE: STRASBOURG’S CATHEDRAL, WINE TASTING ON ROUTE DES VINS

EUROPEAN WATERWAYS ALSATIAN CANAL CRUISE: MYSTERY OF THE NECKLACE IN SAVERNE, LALIQUE IN LUTZELBOURG

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© 2024 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Visit instagram.com/going_places_far_and_near and instagram.com/bigbackpacktraveler/ Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

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