By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
Capacity, if not record crowds are expected for this year’s Memorial Day Bethpage Air Show at Jones Beach, Long Island, a combination of ideal weather and the US Air Force Thunderbirds headlining a crowd-pleasing lineup of aviation and aerobatic attractions.
The thrilling line-up also includes The United States Army Golden Knights Parachute Team will make their 17th appearance; the U.S. Navy F-35C Tac Demonstration Team; US Navy Growler (F-18 Super Hornet), the only electric attack aircraft; the U.S. Coast Guard, and the 106th Rescue Wing NY Air National Guard HC – 130 / HH 60 Demonstration Team.
We also get to witness the daring do of Jessy Panzer, a renowned female aerobatic pilot, flying for her second time at Jones Beach in a bi-plane; three of the American Air Power Museum’s flying fleet of Warbirds; the SUNY Farmingdale State College Flying Rams; Long Island’s own David Windmiller; and Mike Goulian, the most decorated aerobatic pilot in North America, and my personal favorite, the Skytypers who have been in every Jones Beach Air Show since 2004.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
As I walk through a corridor lined with interactive displays on my way into seeing “Invisible Worlds” in the American Museum of Natural History’s new Gilder Center for Science, Education, Innovation, these are the lessons I learn:
All life is related through DNA.
All life is connected with an ecosystem.
All life is connected through food nets – the sun’s energy is in every bite.
Life requires energy.
All of life’s dramas play out in ecosystems as individuals cooperate and compete to survive.
In Nature, nothing exists alone.
And as you go through the iconic American Museum of Natural History, and especially the newly opened Gilder Center, what strikes you is this: the differences among all living creatures are intriguing but the similarities are even more edifying.
The new Gilder Center which opened in May, goes further than anything before in this iconic institution to engage, immerse, create interactions that make the transfer of knowledge, the act of active learning, the probing and understanding of the Secrets of Life absolutely thrilling.
The presentations are genius in the way they appeal to all ages and levels of understanding. From the dramatic architecture and physical space, to the state-of-the-art delivery to maximize immersion and engagement, to how smartly complex ideas are presented in simple terms without pandering, getting down to the essence, then inviting you to go deeper as you choose.
For the first time, we have access to see so much more of the Museum’s collections with the innovative displays of the Louis V. Gerstner, Jr. Collections Core, posing these basic questions:
Why do we study? Why do we collect? What do we learn? Why is it important? What can New York rocks tell us about the history of our continent? What can we learn from a pot? What can a footprint tell us that fossilized dinosaur bones cannot?
I watch as people are transfixed gazing into the spectacular displays, featuring more than 3,000 objects on three levels, representing every area of the Museum’s collections: vertebrate and invertebrate zoology, paleontology, geology, anthropology, and archaeology, with materials ranging from dinosaur tracks to astronomical instruments, and from antlers to pottery.
A series of digital exhibits feature stories about how scientists analyze various types of collections and introduce Museum researchers, while the glass-paneled exhibits, including those in the Macaulay Family Foundation Collection Galleries on the first and second floors, let us glimpse into working collections areas situated behind the displays. Together with the collections stored in the new Lepidoptera facility, which is also visible to visitors (located next to the Collections Core on the second floor), the Gilder Center houses more than 4 million scientific specimens
The Gilder Center is where you can see the astounding “Invisible Worlds,” an extraordinary 360-degree immersive science-and-art experience that represents the next generation in scientific visualization with interactive, immersive elements, stunning photography, graphics, sound and narration. It is visually exciting (you are flushed with the lights, the floor reacts to your movements) – highly instagrammable as you are bathed in color and pattern.
As you walk into “Invisible Worlds” (clever in that it is on a repeating 12-minute loop so you flow in and out on your own time, and don’t have to wait for start times and audiences to empty and fill an auditorium – I watched it twice), you first go through the Susan S. and Kenneth L. Wallach Gallery, where you engage at stations that pose questions you get to choose an answer and learn from the correct answer. (This requires a separate admission ticket.) They make learning so incredibly exciting – I am even fascinated to review the list of acknowledgements of the scientists and institutions that contributed to creating “Invisible Worlds” posted as you exit. The experience was designed by the Berlin-based Tamschick Media+Space with the Seville-based Boris Micka Associates, who worked closely with data visualization specialists and scientists from the Museum and researchers from around the world.
The 230,000-square-foot $465 million, seven-story Gilder Center is brilliantly situated to create 33 connections among 10 Museum buildings, linking the entire campus. I go through one hall and find myself among Pacific Peoples (the Moai ancestor statue from Rapa Nui, better known as Easter Island, is a BIG hit). Through another doorway and into the Hall of Vertebrate Origins (how fossils explain evolution and show a family tree of life of who we are related to full of surprises).
On the main floor, I find myself walking through an incomparable photo exhibit of mural-sized insects that are endangered or near instinct (photographer Levon Biss, took 1000 images of insects from AMNH’s collection under a microscope to achieve such extraordinary detail) with fascinating descriptions about the animals, then, go down a ramp into the Big Bang (I still can’t wrap my head around the concept that from the size of an atom, the universe burst out within seconds). From here, I walk along the ramp, where every step is 450 million years, through 13 billion years of the formation of the universe, expanding, expanding, expanding; then find myself in the Hall of Earth (still can’t fathom how the moon was formed in just 24 hours), then back in the Gilder Center in the new Insectarium, where you can conduct an insect orchestra, go inside a bee hive, and, as I find myself doing, watch two gigantic grasshoppers mating (fascinating).
“Pay attention to insects. Many pollinate plants. Some recycle plants and animal matter into the soil. They are food for countless other things – and even on another, often keeping pest populations in check. Whether beetles, bees or butterflies, insects help natural ecosystems stay healthy.”
For someone who doesn’t (didn’t) particularly care for insects, I have never been so delighted and fascinated to be amid them. The displays are INCREDIBLE.
The display of ants, coming from their nests, each hauling their leaf, traveling, down, up, across metal tubes above the walkway, then down and through a huge enclosure, then up, down, up, down a series of tubes – they work hard!
The key message: insects are not “pests” but vital as the basis of the ecosystem that sustains all life.
Altogether, the exhibits show these critical themes: all life is connected. All life is related. There are very real threats to survival, to extinction and when you go through the Dinosaur exhibits, you appreciate just how real that is. The notion of extinction also becomes very real when you go through another favorite section, the Hall of Human Evolution (check out how many hominid species have already gone extinct before we homo sapiens came to be dominant).
I love the reaction of the children, from the youngest toddlers, to the various experiences. And couples on a date (this is very date-worthy place).
The Gilder Center also houses a now-permanent Butterfly Vivarium (separate ticket required). The year-round, 2,500-square-foot Davis Family Butterfly Vivarium is where you can mingle with up to 1,000 free-flying butterflies (as many as 80 species) in various micro-environments along a meandering route. The Vivarium let’s you closely observe one of nature’s vital environmental barometers as well as a view into the pupae incubator, where you can learn about the butterfly life cycle and observe chrysalises (perhaps even see a butterfly emerge!). Staff also helps you view butterflies through a digital microscope.
The 230,000-square-foot $465 million, seven-story Gilder Center creates 33 connections among 10 Museum buildings to link the entire campus, with a new entrance on the Museum’s west side, at Columbus Avenue and 79th Street from the Theodore Roosevelt Park.
The Gilder Center’s undulating façade, with its inviting expanses of bird-safe fritted glass, is clad in Milford pink granite, the same stone used on the Central Park West entrance. The diagonal pattern of the stone panels evokes both the phenomenon of geological layering and the design of the richly textured, coursing surface of the masonry on the Museum’s 77th Street side.
The Gilder Center architecture – it was designed by Studio Gang, the international architecture and urban design practice led by Jeanne Gang – evokes the habitats of its subjects. Is this what an ant’s habitat would be like? Or where our cave dwelling ancestors would live? The shapes, patterns are so exciting, it invites instagrammable photos and selfies, as we saw. And so do the exhibits, especially Invisible Worlds, where the lights, lines, shapes wash over you and the entire room, getting everyone snapping and clicking.
Upon entering the Gilder Center, you find yourself in the five-story Kenneth C. Griffin Exploration Atrium, a grand space illuminated with natural light admitted through large-scale skylights. The building’s design is informed by the ways in which wind and water carve out landscapes that are exciting to explore, as well as the forms that hot water etches in blocks of ice.
The texture, color, and flowing forms of the Griffin Atrium were inspired by canyons in the southwestern U.S. and animate the Gilder Center’s grand entrance, evoking awe, excitement, and discovery. Its striking structure was created by spraying concrete directly onto rebar without traditional formwork in a technique known as “shotcrete,” invented in the early 1900s by Museum naturalist and taxidermy artist Carl Akeley. The bridges and openings in the hand-finished shotcrete connect visitors physically and visually to multiple levels housing new exhibition galleries, designed by Ralph Appelbaum Associates with the Museum’s Exhibition Department, education spaces, and collections facilities, creating welcoming sightlines that encourage movement into and throughout the building. The verticality of the Griffin Atrium also acts as a key sustainability feature, providing natural light and air circulation to the heart of the building’s interior.
A broad, grand staircase on the east side of the Griffin Atrium, on axis with the entrance, is designed with one side as seating steps, featuring deep, walnut-covered treads and high risers that is popular for visitors to gather for rest and conversation and programs.
I discover the Museum’s David S. and Ruth L. Gottesman Research Library and Learning Center, which houses one of the largest and most important natural history libraries in the world. An elegant new Reading Room on the fourth floor of the Gilder Center, with sweeping views to the west, is an oasis of tranquility with comfortable sofas, sitting areas and reading areas. With dedicated spaces for researchers and small meetings, as well as an alcove gallery for rotating exhibits, this new learning center serves as an intellectual hub for research, education, and convening, connecting visitors to its resources as never before. As part of expanded access to the Gottesman Library’s collections for visitors, the alcove gallery showcases materials from the Rare Book Collection and other holdings. The inaugural exhibit, What’s in a Name?, explores scientific nomenclature through rare books, art, and current research on insects.
“The Gilder Center for Science, Education, and Innovation is a glorious new facility that fulfills a critical need at a critical time: to help visitors to understand the natural world more deeply, to appreciate that all life is interdependent, to trust science, and to be inspired to protect our precious planet and its myriad life forms,” said Ellen Futter, President Emerita of the American Museum of Natural History. “This opening represents a milestone moment for the Museum in its ongoing efforts to improve science literacy while highlighting for our visitors everything the Museum has to offer, and sparking wonder and curiosity.”
“The Gilder Center is designed to invite exploration and discovery that is not only emblematic of science, but also such a big part of being human. It aims to draw everyone in—all ages, backgrounds, and abilities—to share the excitement of learning about the natural world,” said Jeanne Gang, founding principal and partner of Studio Gang. “Stepping inside the large day-lit atrium, you are offered glimpses of the different exhibits on multiple levels. You can let your curiosity lead you. And with the many new connections that the architecture creates between buildings, it also improves your ability to navigate the Museum’s campus as a whole.”
Among its 33 connections, the Gilder Center links to some of the Museum’s most iconic Halls, including to the Allison and Roberto Mignone Halls of Gems and Minerals, connected on the first floor through the dazzling Yurman Family Crystalline Pass, and to the Hall of Vertebrate Origins on the fourth floor.
The fifth and sixth floors of the Gilder Center house the Department of Ichthyology, including research spaces and specialized laboratories. These facilities complement the building’s new collections storage which houses the Museum’s ichthyology collection with more than 2.5 million research specimens, one of the world’s largest. The Museum’s Education Department is also located on these floors. (Its Richard Gilder Graduate School, the Museum offers two of the only free-standing, degree-granting programs of their kind at any museum in the U.S.: the Ph.D. program in Comparative Biology and the Master of Arts in Teaching (MAT) Earth Science residency program.)
You can spend eons roaming about here, so it is good that there is also a new table-service restaurant within the Gilder serving contemporary American cuisine with regional and global influences, as well as beverages showcasing local breweries and vineyards (the main museum also has the lower level cafeteria). There are also two sensational gift shops in the Center.
For anyone who hasn’t been to a museum of the quality like AMNH in awhile and expect static, boring displays with complex notes, this is leaps, bounds and lightyears beyond. Even the iconic dinosaur displays have interactive, engaging elements and make key points that are most relevant to our lives. You really feel you are having a conversation with sheer genius. “State of the art” doesn’t begin to describe it.
The development of the Gilder Center facilities and exhibitions involved nearly every department in the Museum, from operations and exhibition to education and science. The core project team also includes Arup, Atelier Ten, Bergen Street Studio, BuroHappold Engineering, Davis Brody Bond (executive architect), Design & Production Museum Studio, Event Network, Hadley Exhibits, Langan Engineering, Ralph Applebaum Associates, Reed Hilderbrand, Tamschick Media+Space, AECOM Tishman, Venable LLP, and Zubatkin Owner Representation.
And when you think about it, what is so remarkable about AMNH is how what is contained here spans the entirety of history, culture, life, the natural world, the planet and even the known universe. And you get to explore it all.
All admission to the Museum is by timed entry and must be reserved online. Open daily, 10 am–5:30 pm. New York and New Jersey residents pay a suggested amount (all the attractions though are separately priced); standard pricing is Adults: $28 for general admission, $34 plus one, $39 plus all the attractions; Seniors and students are $22, $27, $31; Child 3-012 is $16, $20, $24.
The American Museum of Natural History, founded in 1869 with a dual mission of scientific research and science education, is one of the world’s preeminent scientific, educational, and cultural institutions. The Museum encompasses more than 40 permanent exhibition halls, galleries for temporary exhibitions, the Rose Center for Earth and Space including the Hayden Planetarium, and the Richard Gilder Center for Science, Education, and Innovation. The Museum’s scientists draw on a world-class permanent collection of more than 34 million specimens and artifacts, some of which are billions of years old, and on one of the largest natural history libraries in the world.
American Museum of Natural History,200 Central Park West, New York, NY 10024, 212-769-5606.Visit amnh.org for more information.
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
Fans and superfans alike will be ecstatic to be immersed in the newly opened Harry Potter: The Exhibition, the most comprehensive touring exhibition ever presented on Harry Potter and the entire Wizarding World, is on view in Herald Square in midtown Manhattan but only for a limited time.
To call it an “exhibition” is an understatement. On every level – from the actual costumes, wands, props (the Sorting Hat! The Sword of Gryffindor! The Elder Wand! The Resurrection Stone!) from all the Harry Potter plus Fantastic Beasts™ movies and Broadway’s Tony-award winning Harry Potter and the Cursed Child – to the opportunity to compete for points for your House by casting a spell, preparing a potion, trying your hand at Quidditch, summoning your Patronus– you feel you are part of this magical world. The experience is completely personalized, individualized for you as you take this journey through magnificently crafted, magical environments with the aid of remarkable design and technology. It is truly immersive, truly interactive, truly experiential, truly enchanting.
Our visit starts with choosing a Hogwarts House (a photo is snapped of you in the sorting hat), a wand, a Patronus, all encoded in an RFID wristband that you use to log in at various stations to capture interactions and deliver an absolutely personalized experience, designed to not merely put you in the story, but put you into the films’ creation.
We are ushered into the From Page to Screen Gallery where a first edition of J.K. Rowling’s Harry Potter and the Sorcerer’s Stone is ensconced in a Gringotts-inspired vault. We are surrounded by inspirational video and literary quotes and enthusiastic guides introduce us “first years” to the exhibition – we feel the same sense of wonder and being new to Hogwarts as Harry, Ron and Hermione would have felt as first years.
We next move into the Hogwarts Castle Gallery featuring an immersive multimedia experience with the castle as a backdrop for iconic elements like the Whomping Willow and Dementors and see ourselves on the Marauder’s Map.
Walking through the Great Hall Gallery we get to see the same paintings as the students would see going into their House, and learn that filmmakers lined the walls with more than 200 paintings, some based on real art and some on subjects that included members of the film crew and their families. Production designer Stuart Craig, producer David Heyman, and property master Barry Wilkinson all are represented on the wall. Original pieces by studio artists often painted “in the style” of famous artists, representing the history of painting from Egypt to the Renaissance to the 20th century.
The Hogwarts Houses gallery allows us personalized moments with the Hogwarts house we selected during our registration (I selected Gryffindor) but we still get to experience noteworthy tidbits about all the Hogwarts houses and their important characters. The celebratory hall feature an iconic Sorting Hat (perfect for photo ops) and Sword of Gryffindor, and house crests on meticulously created stained glass windows. The notes give the history of the houses and important biographical notes, and we get to see costumes and artifacts from each of the houses, with backstory about the particular film or scene they appeared. I love learning about the costume designer’s thinking, the choices that were made, and how the actors reacted to their costume.
In a room devoted to the wands (Harry’s!), we learn that in the first film, they were very basic in construction but by the third film, the art designers personalized each one to the character, choosing special woods and carvings, but then the versions used for filming were made of resin for everyday and rubber for stunts (because they would break; Harry broke 50 of his wands). About the Elder Wand, the designers had no idea how important it would be when they fashioned it, so were grateful they had designed it with a distinctive appearance.
The Great Hall has some tables where we can sit, with the backdrop from the movie, and learn that the set designer made the floor of York stones that lasted through 10 years of onscreen Hogwarts students walking, running, dancing; there were four 100 ft custom-made tables that were distressed to suggest their longevity and the actors were encouraged to write and draw on the tables. In the first film, real candles were suspended from the ceiling but there were safety concerns, so they switched to digital and had five sizes of CGI candles coded for six varied flames so no two were the same.
Hogwarts Classrooms are filled with iconic props, creatures, and costumes. We get to interact with magical lessons and games through digital touchscreens to reveal behind-the-scenes secrets about iconic classroom moments. We even get to brew potions in the Potions Classroom (there’s a recipe book), predict the future in Divination, pot a mandrake in the Herbology Greenhouse, and use their digital wand to defeat a boggart in Defense Against the Dark Arts – all earning points for our House.
Hagrid’s Hut and The Forbidden Forest offer an interactive Patronus charm experience (I get to conjure up mine, a terrier). We then uncover iconic creatures, such as centaurs and Acromantula, hidden in the forest. Exploring inside a re-creation of Hagrid’s Hut, I find it interesting that to film Hagrid’s Hut scenes, they made two sets – one with furniture and all the furnishings to be in scale with half the Giant’s size, but everything oversized when seeing Harry, Ron and Hermione in the shot – and filmed each scene twice.
In the Tri Wizard tournament section, we learn that 35 costumes were created just for Harry (these included the before and after and costumes for doubles and stunt doubles) – we see the costume that was distressed to look like Harry had already fought the dragon and then get to see the enormous dragon (selfie! – in fact, so many Instagrammable scenes throughout).
In the Quidditch section (there’s an actual Golden Snitch!), we get to throw a Quaffle through a hoop to rack up points. We learn that filming was a grueling experience for the actors who had to straddle the brooms while suspended in air. But in the “Azkaban” film, they finally put foot pedals and bicycle seats on the broom and gave the actors extra padding for their behinds that would be concealed under their uniforms. The cinematographer made an effort to film as a live sport, with multiple moving camera angles and flying camera operator. (Chris Columbus wanted Quidditch to have the same flair and excitement of Muggle sports but needed a crash course in the rules from author J.K. Rowling before filming. Screenwriter Steve Kloves also consulted her and learned Quidditch had been partially inspired by her enjoyment of American basketball. Costume designer Judianna Makovsky wanted to give the Quidditch player uniforms both familiarity and timelessness – she was inspired by 19th century sports and combined fencing, cricket and polo wear.
I love learning about how the costumes, wands and such changed over the course of the different films, as the characters grew and matured, as mores changed, how the designers literally weave the character into the costume with subtle touches, textures, lines, and learning the actors’ reactions as well as their input – how Hermione loved to finally be wearing regular clothes and not only school robes by the later films, how Newt Scamander’s coat was inspired by the design for a Muggle coat but with the secret pockets common to magician’s coats, with a color palette of deep peacock, having the vibe of his creatures, in contrast to the brown and gray of the1920s outfits; 12 copies of his coat were created from material that designer Colleen Atwood had in storage for years.
As a superfan, I am particularly enthralled by the notes that accompany each of the rooms – like chapters in the book or scenes in the movie – that begin with putting you back into the story, but then adding on the fascinating creative backstory.
So we learn that when graphic designers Miraphorn Mina and Eduardo lima were tasked with creating four-walls-worth of a tapestry portraying Sirius Black’s family tree in number Twelve, Grimmauld Place, they knew the names of some of his relatives from the books, but needed many more to fill an entire room. So producer David Heyman called JK Rowling and asked if she could provide further information on the Noble 7 Most Ancient House of Black. Almost immediately, she sent back several pages with five generations of names indicating births, marriages and deaths, plus the family crest and motto.
Importantly, learning the backstory of how the effect was created doesn’t burst the bubble or the delight in the illusion that is film.
Tom Zaller, the CEO of Imagine Exhibitions that created the Harry Potter exhibition in partnership with Warner Bros. Discovery Global Themed Entertainment and EMC Presents, knows the importance of preserving the magic – his backstory includes a longtime association with the magician David Copperfield. His company, renowned for creating blockbuster exhibitions (Titanic, Jurassic World, Downtown Abbey, DaVinci), was approached by Warner Bros. to create this exhibition. (Imagine currently has 45 different exhibitions on view around the world, including a second World of Harry Potter Exhibition in Paris with different original elements, for example instead of Professor McGonagall’s robes in the Great Room, Paris has Dumbledore’s). All the original costumes, artifacts and props belong to Warner Bros. – Imagine created the sets, the immersive experiences, and the illuminating notes that explain the exhibits.
The Harry Potter:The Exhibition premiered in Philadelphia a year ago, then went to Atlanta, and has already drawn one million visitors in the two venues, and will continue to tour after leaving New York City.
After using the portkey to travel to the Ministry of Magic, I find Zaller sitting behind Dolores Umbridge’s desk. I ask how the notes were made – they have so much information yet are so concise; they put you into the story, but then give you the creative backstory. He tells me they worked closely with Warner Bros. and the people who worked on the film, the play and the themepark. “We went behind the scenes to learn why choices were made.”
Zaller, who has been producing block buster exhibitions for decades, says, “This is the biggest, baddest, most wonderful… We try to satisfy the fan and the super fan.”
I confess my thrill at seeing the actual Sorting Hat, the actual sword of Gryffindor, the actual Golden Snitch, the actual Elder Wand, the actual Resurrection Stone, mixing a potion, throwing a Quaffle, conjuring up my Patronus (10 points for Gryffindor!), and being in the places in three-dimension, that you either imagine in your mind from the books, or see on film.
The exhibit is well set up for the numbers of people who will be coming through – many stations for photos, wands, spells, divination, potions, repotting the howling mandrakes (which turns out to have been a real thing that jk Rowling incorporated, among the other real spells and magic traditions, like the Sorcerer’s stone).
Clever use of video (film), sound effects, even smells, and thank goodness the musical score of the films is so marvelous, because musical segments provide the soundtrack in each of the areas (and smartly the sound tracks do not overreach)
We get to see the Voldemort’s horcruxes – Tom Riddle’s diary and the Basilisk fang used to destroy the diary in “Chamber of Secrets”, Hufflepuff’s Cup, Ravenclaw’s diadem, , the iconic Resurrection stone, …., Deatheater’s cloak, even the invisibility cloak (spoiler alert: it’s invisible), Dumbledore’s Elder Wand,
You even get to fight the final battle of Hogwarts, activating the wands held by Harry and Voldemort (choose who you want to be).
Here’s a challenge: think of something you would most like to see and see if it isn’t in the exhibit.
It is so much fun – during our press preview visit, superfans went through with their Hogwarts robes, really getting into the spirit. And so many selfie and Instagram opportunities!
At the end, you can purchase print and digital photos of your experience and visit the gift shop where you can find an exclusive collection of Harry Potter: The Exhibition merchandise – apparel, jewelry, and edible treats, including fan-favorite Chocolate Frogs and bottled Butterbeer, as well as merchandise not available at any other Wizarding World experience.
It’s supposed to take 60 to 90 minutes to go through, but I love reading the notes and studying the objects so much, I spend over two hours.
See it here in New York, then go see it in Paris.
Harry Potter™: The Exhibition has transformed its space at 50 W. 34th Street (34th Street and Broadway), easily accessible from Penn Station, Port Authority and many subway stations. Tickets (for timed entry, but you can stay as long as you want) start at $29 for adults. The exhibition also offers a VIP ticket experiences with a flex schedule, commemorative lanyard, free access to the Harry Potter: The Exhibition Audio Guide and a $10 credit to spend in the retail store. A full schedule of dates and times to visit Harry Potter™: The Exhibition can be found at www.harrypotterexhibition.com. Fans are encouraged to follow Harry Potter: The Exhibition on Facebook, Instagram, and Twitter. #HarryPotterExhibition
By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com
There are many apps and websites to help you get to a destination (skyscanner, kayak, expedia, momondo, googleflights, flighthub, travelocity, cheapflights, flightfinder, hotwire, cheapoair) and apps and websites that help you find a place to stay (hotels.com, booking.com, trivago, agoda, airbnb, vrbo, glampinghub), but which can help you plan what to do when you get there?
Go City
Go City sells passes that let you experience as many attractions as you want in a city at one set price. You can purchase the pass for an unlimited number of visits for the number of days you want to, and use the pass to choose which attractions (museums, etc.) you want to visit, seek out experiences based on whether you are a couple or family traveling, or find “hidden gems”. Or you can purchase an “Explorer Pass,” that lets you access four or five attractions (you don’t have to choose in advance and have 60 days to visit).
In New York City, the Go City pass offers 100 different options in all five boroughs. The two-day all inclusive pass, giving access to as much as you want/can do from among 105 attractions is $134 – regardless of how much the actual attractions charge.
Go City offers 1,500 attractions in over 30 destinations from major metropolises like London and New York to oceanfront oases like Sydney, Cancun and Oahu. Among the newest entrees: Madrid and re-launching Hong Kong. There are also Go City passes to Boston, Philadelphia, Miami, Orlando, San Antonio, San Francisco, San Diego, Chicago; Paris, Dublin, Stockholm, Vienna in Europe; and a growing presence in Asia.
The app is helpful because you can see the full list of attractions, heart/star the ones you are interested in want; it will notify you if the attraction requires advance booking or recommend purchasing the ticket in advance, and you can do that on the app – like a sunset view from an observation deck.
Some cities – like Prague (praguecoolpass.com) and Antwerp (visit.antwerpen.be/en/antwerp-city-pass-en) – offer their own inclusive city pass (highly recommended as we found in Prague), and Go City operates some city programs for them (like London and Paris).
Go City, which began as Smart Destination, then Leisurepass, has been around for 25 years.
In some cases, the pass provides experiences that are exclusive to Go City customers– such as behind the scenes experience to Yankee Stadium– and can give you ideas that you might not have considered – like the Top Observation decks, a Central Park bike rental; an East Village walking tour; a food tour in Williamsburg. The app also provides an interactive map, so that while you are walking around, it can highlight some interesting attraction – like the Whitney Museum – that you might decide to check out, even for a short time (it’s included!).
“A lot of people say they did something that wouldn’t have otherwise.”
It’s very likely you will save money if you take full advantage of the pass (the app let’s you compare the cost). For example, Top of the Rock costs $43.55 and a one-day pass is $142, so that if you did three other things, it would save money. (I found that the inclusive pass means you can run in and do an attraction if you have an hour or two that otherwise wouldn’t be worth the admission price for that amount of time.).
The app also offers sample itineraries, and you can compare the price of going a la carte or purchasing the three-day all-inclusive. Say you do the bus hop on/off sightseeing trip, the Empire State Building, Madam Toussaud’s, the Statue of Liberty and the 9/11 Museum, the pass would save 42% off the face-value cost of $218.
Prices are based on adult or child (a family pass is under consideration). And the passes can be sent as a gift.
“A lot of cities have a family friendly option, so teenagers can split off and do their own thing.”
TourRadar claims to be the world’s first Adventure Booking Platform, where you can effortlessly book private, group, and tailor-made multi-day organized adventures worldwide.
Founded in 2010, TourRadar was among the first to transition multi-day tours to an online marketplace. In 2021, TourRadar introduced the Adventure Booking Platform, connecting travelers, operators, and travel agents to organized tours through one, easy-to-use platform. Whether booking directly with TourRadar.com or through your trusted travel advisor, you can access large and small operators providing a broad spectrum of experiences. TourRadar works with 2,500+ operatorsto offer 50,000+ adventures in 160+ countries.
It offers a live inventory, so you can book on line at tourradar.com – whether river cruises, biking tours or bird watching, seeing llamas in Colorado, self-guided trips, or if you are planning to go solo.
“There is an artificial intelligence component – a robust search engine,” said Lisa Verbeck, head of communications.
Solo trips are now 40% of travelers. “People are traveling on their own independently. We have a department that will put together a curated trip – Italy for a week, wine tasting in Tuscany.”
Tourradar’s inventory includes everything from big-name operators like Trafalgar, Cosmos, Globus to the smaller specialty companies like Intrepid, river cruises in Europe, hiking, biking, sailing.
“We are an aggregator, an Expedia for multi-day tours.”
One of the best features is access to a whole category of self-guided trips – for example self-guided bike tours where a tour operator has laid out an itinerary, mapped out the route, booked accommodations (such as inn-to-inn), picks up the luggage each day and delivers to the next inn, but you go at your own pace rather than with a group, guides and support vehicle. It’s ideal for couples, families, or your own group of friends.
You can also use TourRadar to customize, tailor or craft a tour especially for you; plan an independent tour; organize a self-drive tour where you take to the open road with car and trip notes, or organize a private tour where you get your own vehicle, your own guide and everything to yourself.
Founded in 2010 in Australia by two Australian brothers, TourRadar is getting 3 million visitors a month – many do their research on the platform, then book with a travel agent, but many book directly on the site.
TourRadar also spotlights deals of the week, home page spotlight tours, discounts like 2-for-1, extra add-ons, and great deals. (www.tourradar.com).
More Sources
Drive an exotic car, learn to fly, rock climb, skydive, bungee jump. Virgin Experience lists some 3000 different experiences in 122 regions from 600 “best in class” partners that their gift card can be applied to (bioluminescent kayak adventure in Tomales Bay, CA; drive a stock car on Thompson Speedway, CT; learn to fly in Mesa, AZ. (www.virginexperience.com)
Whether retracing the Revolution in Paris, diving into the ecology of Venetian canals, or exploring Kyoto’s teahouses at twilight, Context Travel offers tours with experts. Context offers personal walking tours in 60 cities across 6 continents. Skip the line and get off-hours access to popular sites in the world’s cultural and historical capitals. Tours range from half-day to 7-days plus. Context Travel also offers the “gift of learning” – virtual and in-person sessions with top experts– you can explore the Colosseum with an archaeologist, uncover masterpieces of the Louvre with an art historian, or explore the palaces of Istanbul with an architect — from home, or in person. Gift cards available. (www.contexttravel.com)
TripAdvisor.com is excellent for doing research about what to do, and provides the links to the listings to book. I typically Google “highlights of a visit to….” to get ideas and traveler reviews.
Want to hire your own local guide? ToursbyLocals.com can hook you up with 4,715 guides in 187 countries.
Spafinder.com offers a compendium of resorts, wellness centers and day spas, which you can book (or buy gift card).
Destination websites also provide listings, links, often suggested itineraries based on interest, and to varying degrees the opportunity to link to sites to book/purchase tickets directly, such as Philadelphia’s visitphilly.com, Wilmington/Brandywine’s CVB’s www.visitwilmingtonde.com and Washington DC’s washington.org.
Organizing your own tour and need to get place to place? I findRome2Rio extremely helpful – you can find local transportation, and then click links to get to the site. Rome2rio searches any city, town, landmark, attraction or address across the globe with thousands of multi-modal routes to easily get you from A to B. It links up to 162,238 train lines via 4594 train operators; 854,876 bus routes via 79,480 bus operators; 12,998 ferries via 4,128 ferry operators; 53,532 flight paths via 1,142 airlines. It also includes schedules, routes and price/fare-ranges.
I used Rome2Rio to figure out a complicated link up from one tour that ended in Porec, Croatia to my next tour that began the same day in Llubjana Slovenia. That’s how I found Flixbus in Europe, which is now in North America and Brazil offering inexpensive fares on wonderfully comfortable buses (and now intermodal with trains) with 350,000 daily connections in 2500 destinations in 38 countries (Europe’s largest long-distance bus network), and since 2018, train connections and intermodal travel options. Flixbus now even offers trip ideas. (https://www.flixbus.com/discover)
I also used Rome2Rio to find local train connections and book my ticket on raileurope.com from Berlin where I ended a CroisiEurope river cruise, to Bruges to start a BoatBike tour.
Life Rewards
Imagine you have booked a really expensive luxury hotel stay at a premium rate during a major event – think Oscars, World Series, Superbowl – and you find you can’t attend after all and the room can’t be cancelled for a refund. Well, a new online travel service, Life Rewards, for the first time ever will facilitate the sale to someone else, and you may even score a profit on the deal. The travel tech company plans soon to make it possible to resell airline tickets.
Life Rewards seeks to be the next big thing in travel, an alternative to other online hotel and airline booking services (OTAs) but with this twist: the ability to resell, much the way people sell NFTs (digital assets), shaking up things the same way as Priceline’s audacious travel auction program did (LIFE Rewards’ founder and CEO Eduardo Ibañez, was Priceline’s Chief Scientist). Life Rewards’s fee is 2% from both the buyer and the seller.
Life Rewards claims it will be the first online booking platform to make large volumes of hotel bookings available for trading on secondary markets, just as baseball or Broadway tickets are today. By creating liquidity in bookings, both hotels and travelers will get more flexibility and an improved booking experience, the company maintains. Users can pay via credit, debit card and (no surprise) crypto currency.
Based on AI (artificial intelligence) that services a large online travel agency, LIFE also offers discounted prices and negotiated rates for hotels globally.
Life Rewards hopes to become the next thing in travel bookings by embracing cutting edge AI and blockchain technologies, it is also going old school: travelers who pay an annual $500 membership fee can access a network of (human) concierges who can help plan, arrange and book what happens at the destination – opera tickets, a Michelin-starred restaurant, excursions – your “admin” of travel.
Using NFTs to digitize your hotel reservations and events bookings will enable travelers who want access to hotels and events that are sold out on the primary market to find bookings on a secondary market. If travelers are unable to go-away, they can re-sell, much like a concert ticket. Or if a hotel is sold out and someone wants to stay there specifically, one can still work a deal out with someone else who owns a room night. A two-way marketplace for travel makes it all possible. Hotels and travelers get more flexibility and an improved booking experience by creating liquidity in bookings.
“Travel and entertainment are ripe for disruption by the blockchain, which enables travel reservations and event tickets to be tokenized and traded securely and seamlessly,” said Ibañez, who launched the web-based travel platform in December.
The company insists the reselling will not run afoul of laws prohibiting scalping tickets and that hotels will be amenable to someone reserving a room at $500 and reselling it at $1000 – because it is more important to have a high occupancy rate in the bag and not worry about an unsold room or one that it would have to heavily discount to fill.
How to get around the security involved in booking an airline ticket? The agency will reserve the seat and lock in the fare, but hold back the actual reservation until 24 hours before the flight.
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
Arches National Park is a fantastical place, a geologic wonderland, and being able to wake up before the sun in the Devils Garden Campground and stroll along the Devils Garden Trail as the formations come alive with color, is extraordinary.
Arches’ sprawling landscape of 2,000 natural stone arches – the highest concentration of arches on the planet – plus hundreds of soaring pinnacles, massive rock fins, giant balanced rocks, coupled with its accessibility and ease of getting around (well, except for traffic and difficulty finding parking) and access (through Moab) draws hundreds of thousands of visitors each year, making it one of the most popular national parks. Indeed, Arches is so popular (and crowded) that it requires advance purchase, timed entry reservations just to enter, between April 1 and October 31.
We are lucky because Laini has cleverly booked two nights at the Devils Garden campground months before our trip. The campsite reservation acts as the entry ticket and for this reason but especially because of being immersed in the landscape, this is the absolute best way to experience Arches National Park. (Devils Garden Campground is pen year-round, with 52 sites, reservations for individual sites can be made up to six months in advance; for group sites can be reserved up to year in advance, www.nps.gov/arch)
Arches is the most touristic of all the places we have visited this trip and offers such a contrast with the wild camping and communion with ancient spirits (Bears Ears), the remote unmarked hikes (Grand Staircase-Escalante), the long meandering hikes (Capitol Reef) and our search through muck and mud to find archaeological sites (Glen Canyon).
Here, we go sightseeing for the dazzling arches that give the park its name, like the amazing Double Arch, the Windows, Landscape Arch and Delicate Arch, accessed along paved paths from parking lots, with restroom facilities.
Throughout Arches, there are formations – eroded monoliths – that inspire names, like Parade of Elephants, Petrified Dunes, Tower of Babel and Fiery Furnace, also trigger imagination. Some look so much like mudmen, we name them (we rechristen Balanced Rock “E.T.”, the Gossips we rename “The Suffragists,” and formations that look to me as if Nefertiti and Croesus had just been turned to rock.
The source of what we see is a salt bed, thousands of feet thick in places, that was deposited across the Colorado Plateau 300 million years ago when a sea flowed into the region and eventually evaporated, according to the Arches National Park notes. The salt bed was unstable and unable to hold the weight of the thick cover of rock formed from compressed debris. It shifted, buckled, liquefied and repositioned, thrusting rock layers upward as domes, while whole sections fell into cavities.
Faults make the surface even more unstable. From the visitor center, you can see the result of a 2,500-foot displacement, the Moab Fault. The faults caused vertical cracks and wind and water over 100 million years of erosion and weathering, ultimately formed the arches of salmon-colored Entrada Sandstone and buff-colored Navajo Sandstone.
The process is ongoing – new features are being formed as old ones are transformed.
Sometimes the changes happen suddenly, violently. That was the case at the Skyline Arch, just next door to Devils Garden, where a massive boulder tumbled down in the 1940s, expanding the arch.
The most ambitious hikes in Arches National Park are to the Double O Arch (4.1 miles); the Primitive trail (2.1 miles one way, considered most difficult), and if you would do the whole Devils Garden Trail (7.8 miles, that goes to the Landscape Arch, Double O Arch, Dark Angel along a primitive trail, with narrow ledges, rock scrambling and few trail markers; be sure to take enough water— 1 liter of water per person, per hour).
We do none of these, holding out for our most ambitious hike, to Delicate Arch, for sunset but I already have my trepidations.
And, in addition to the outstanding Devils Garden trail, from the campground (which feels luxurious to us for its restrooms and running water), you can hikethe Broken Arch Loop Trail which runs past Tapestry Arch and Broken Arch, then swings south towards Sand Dune Arch and back up passed Skyline Arch before returning to the campground. (Unfortunately, we don’t have time for that hike. Next time!)
For my sunrise hike, I do the easy, paved trail, rushing to get to a good position for photos, and then continue on to do more of it, going to where I see the famous Landscape Arch. After my walk through the easy part of the Devils Garden Trail (it is surprising how fast the sun comes up, washing out the colors), I go back to the campsite where we have breakfast.
(Actually, we have to move from one campsite to another for our second night and Dave and Laini figure out to just put the tent with the sleeping bags and stuff on top of the Jeep and drive it over, which we do by check-out time.)
We only have one full day at Arches National Park, and it’s the end of our hiking/camping adventure, so we kind of go with the flow. We drive to the different sites, and do short hikes up to the various formations, basically doing the tourist thing.
We follow a route, starting with the Skyline Arch adjacent to Devils Garden. Dave climbs to the top of that humongous boulder that fell down (scary to contemplate). The Skyline Arch Trail is short and easy, less than a half-mile roundtrip hike from the parking lot and back. The arch itself is one of the more popular landmarks in Arches. It makes for spectacular photographs, owing to its position, literally, on the skyline. And its proximity to the Devils Garden Campground makes it a perfect hike if you arrive late in the afternoon. (We arrived too late.)
We go next to the observation area that overlooks The Fiery Furnace, a labyrinth of narrow sandstone canyons. (Hiking the Fiery Furnace requires agility and a permit, or a ticket for a ranger-led hike that must be reserved in advance through Recreation.gov; one route is marked, but getting lost is still possible.)
Next, we drive to one of the famous highlights of Arches (there are many, but this one is tops for me): the Double Arch Viewpoint and Trail. The tallest arch in the park at 122 ft., there seems to be this intricate dance between the two arches. An easy gravel path leads to the base of the two huge, arching spans. Of course Dave and Alli climb up to the arches, while Laini draws.
Balanced Rock is another signature landmark and just about everyone (who can get a parking space) walks the short hike around the base for up-close perspectives. We re-name Balanced Rock E. T. because from a certain angle, it’s a dead ringer for the endearing character.
(The Arches National Park newsletter guide is invaluable – it recommends how much water to take, and gives excellent information about distance and time and difficulty for each of the hikes.)
Dinosaurs, Indians!
Arches National Park (believe it or not), has no food or lodging (that is, beyond the sensational Devils Garden campground) – so we drive out of the park into the delightful, hopping town of Moab for lunch at the food truck park, and a bit of shopping.
From here, we drive a short distance to where Laini promises we will encounter both dinosaurs and Indians.
We drive along Utah Scenic Byway 279 to the trailhead of the Poison Spider Dinosaur Tracksite and Rock Art Trail. It’s a quarter-mile walk up a steep, crumbly trail up a rocky hillside to two rock slabs where tracks made by three-toed meat-eating dinosaurs can be seen, as well as a wall with a good collection of petroglyphs.
This area was once a vast sand dune sea, known as an erg. These tracks would have been found along the edge of a lake between dunes. As the wind would blow across the dunes these tracks would have been gently buried in shifting sand and preserved. The preserved tracks were unearthed when the slabs fell from the sandstone cliffs above.
The trail switchbacks up the hill before coming alongside the petroglyph wall and then descends back to the parking lot. (Use caution: though short, there are a few steep areas and the trail can be hard to follow.)
(From this trailhead you can also connect to the Longbow Arch hiking trail that goes into a canyon to an arch, 2.4 miles roundtrip.)
A short distance along Potash Road is the Utah Highway 279 Rock Art Site, where a huge rock wall face has the most amazing sets of petroglyphs and pictographs. It looks like a museum exhibit, except this is where they were made and it is astonishing to contemplate that this is where people so very long ago stood here and carved and painted them.
Archaeologists believe most of the rock art found here was created during the Archaic (6,000 – 1,000 B.C.) and Fremont (450-1300 A.D.) cultural periods. The art consists of pictographs (painted images) and petroglyphs (pecked, incised or chiseled images). The majority of the rock art features anthropomorphic (human forms) and zoomorphic (animal forms) but there are also curvilean lines, zigzags, wavy lines, concentric circles and abstract symbols. Sometimes both Archaic and Fremont petroglyphs can be found on the same rock art panel.
Some of the rock art panels depict religious rituals and are considered sacred sites. Some depict migration routes, fertility, hunting, ceremonies, and cosmic events.
These petroglyphs were exposed when the road was widened, and it is a surreal experience to see these magnificent, huge murals just along the road – especially because it is beside a section popular with rock climbers (one was prosecuted for rock climbing where the protected petroglyphs are).
Fremont rock art often depicts trapezoidal anthropomorphs with horns, bighorn sheep, dogs, hunting scenes with weapons, and abstract objects – and sure enough, we see plenty of examples – there are horned anthropomorphs holding shields and paper doll-like cut-outs; at the southern end of the panel, we see a large bear with a hunter at its nose and another hunter over its back. The notes say this art is 3000 to 8000 years old.
At the northern end of the panel, round holes carved into the sandstone underneath the left side would have once held roof poles of a structure which was excavated by archaeologists before the road construction. The rock panels extend 125 feet along Potash Road.
Sunset and Star-Gazing
We return to Arches National Park for sunset (there is still a long line of cars getting in with their timed admission tickets, but because we are camping, we breeze right in).
Laini suggests we hike the 3 miles roundtrip to Delicate Arch for the sunset, but I’m actually dreading it (my feet are actually bleeding from yesterday’s 11-mile Kane Gulch hike – the folly of hiking in boots that haven’t been broken in).
My trepidation comes from the description of the hike: The Delicate Arch hike is ranked difficult – the trail climbs 480 feet up a steep slickrock slope, and just before you get to Delicate Arch, follows a narrow rock ledge for about 200 yards). I am especially nervous about hiking the 1.5 miles back in the dark.
Laini, who has done the hike on their previous trip, admits she also has been dreading it but only wanted to do it for me, because I would have been disappointed not to see the iconic rock formation that Utah uses for its state symbol.
We set out and I ask what exactly we will see and she pulls up the photo she took on a previous trip. I suggest we not bother, but rather go to The Windows where I’ve been told is a popular place for sunset.
But before we leave the trail to the Delicate Arch, we explore the Wolfe Ranch historic site and walk a little further along a path to see an excellent example of historic Ute rock art – a huge bonus to coming here.
The panel depicts a stylized horse and rider surrounded by bighorn sheep and dog-like animals which are typical of Ute rock art. The petroglyphs were carved sometime between 1660-1860.
The historic marker is fascinating because it also shows photos of an Ute on horseback in 1909. “The Utes’ acquisition of horses by the mid-1600s radically changed the way they hunted, worked and traveled.” Another photo depicts a Ute warrior and his bride, circa 1873. Utah’s name is derived from the Ute Indians who moved into this area around 1300 AD.
I’m thrilled we came here, and even more thrilled to go to The Windows for the sunset, which I had read in the park’s newsletter (so helpful!) is one of the great spots to watch the sunset.
The Windows – just across from the Double Arch where we had been in the morning – is a pleasant half mile walk. We arrive just as the light is turning the rock deep gold, to orange, to red. I find a “comfortable” rock to sit on at the bottom of the arch while Dave, Laini and Alli (of course) climb up into the Windows. Our view looks out to the Turret Arch and a wide open expanse, to where the sun dips below the horizon.
We drive back to Moab to stop in for a bite and beer flight at Moab Brewery, and then return to the national park to do some stargazing before settling into our campsite.
Arches National Park is a great family park where a short walk brings you to many of the iconic features, and you can even see a lot from a car and the observation areas. Stop at the visitor center for advice, where you can watch an orientation film and see exhibits. A self-guiding audio tour is available. Ranger programs are offered seasonally.
On our last morning, I awake again before sunrise and scramble up a small hill across the road from our campsite for a different view.
We pack up quickly for our departure which also entails packing up the rental sleeping bags and pads, which we ship back to Moosejaw.com from Moab, pick up breakfast from a delightful cafe, and head out for the drive back to Salt Lake City and our flight home, having had the most marvelous Utah Adventure, a trip of a lifetime for me.
From April 1 to Oct. 1, 2023, you need to secure in advance a timed entry reservation in order to enter Arches National Park between 7 a.m. and 4 p.m. Reservations must be secured three months in advance of the anticipated date of visiting Arches. A single booking of a timed entry ticket covers each registered visitor (an individual, couple, group or family). You can enjoy the park all day, entering and re-entering at will with the validated ticket. A $2 processing fee is added nto the standard park entry fee. Reservations are accepted on a first-come, first-served basis on Recreation.gov. (It may also be possible to obtain a limited number of tickets through Recreation.gov up to midnight the day before planning to visit the park.).
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
What is truly special about Bears Ears National Monument-Cedar Mesa – and what draws Laini back time and again, are the remnants, artifacts and structures left by Ancestral Puebloans – ancestors of the Hopi and Zuni – who inhabited these canyons and cliffs between 700 and 2500 years ago. Arrowheads and other artifacts dating back 10,000 years have also been found in this region. Some of these sites are at once accessible yet also feel remote – so you feel you are the first archaeologist to discover, though obviously that can’t be since the BLM Rangers have left laminated info packets in metal cases in some of the dwellings. Still, we can pretend.
Our hikes bring us to these places that seem as if the occupants only recently vacated, leaving behind painted pottery shards, tiny corn husks, stone and bone tools, even their hand-prints, pictographs and petroglyphs that speak to us through time, as if to say, “We were here. We still are.”
Because these lands are sacred, all of us must be respectful of the dwellings and the archaeological artifacts that we come upon. And these sites truly feel sacred – precisely because of the artifacts, the pictographs and petroglyphs, you feel the presence of those who lived here. And because those of us who visit do show proper respect, these mud-and-stick (jacal) constructions delicate pictographs and petroglyphs etched into sandstone and artifacts, though incredibly fragile, are here for us to discover, as if we are among the first.
It’s fairly miraculous these sites have survived Mother Nature, let alone humans.
After hiking to the Arch Canyon Ruins, Laini leads us to a trail to one of the outstanding highlights of the Bears Ears National Monument: the House on Fire, one of the most photographed (spectacular) sites in the region.
This site features five granaries built into overhanging Cedar Mesa Sandstone with a streaked pattern that, in the early morning light, resembles flames (photo tip: because these dwellings were built to be south-facing, the most dramatic light is around 10-11 am depending upon time of year). (https://bearsearsmonument.org/house-on-fire/)
“As you take in the view, imagine how the ancient Puebloans lived here between 700 and 2,500 years ago,” Matcha writes at the visitutah.com site. “The granaries perched high in the cliffs stored corn, a main source of food. The Puebloans also ground Indian ricegrass into meal to make bread, and they ate abundant prickly pears. The ever-present yucca was invaluable, as its leaves were spun into fiber and woven into baskets, sandals, and bags, as well as ropes that are said to have helped reach some of the higher, less accessible granaries. The Native Americans used the root of the yucca for soap, and they roasted and ate the base of the plant.
“The pinyon pines that you weave around and duck under to reach the ancient sites were a key source of building material, fuel, and food. When burned, the wood created the high temperatures needed for firing pottery, while pine bark served as roofing and padding, and pinon nuts provided much-needed vitamins and protein.” (https://www.visitutah.com/articles/exploring-mule-canyon-house-on-fire-cave-tower)
Matcha further advises to search for rock art located beneath an overhanging boulder in the wash below the House on Fire. And if you continue on the trail, there are several more sites worth seeing. While some sit right off the trail, you either need binoculars to see or have to climb 200 feet to reach them. “Toward the end of the canyon is the spectacular Wall Site, which has several intact rooms built into small caves in the pock-marked cliff. Some of the roofs still have the original roof timbers.”
(South Fork of Mule Canyon trail is 4.3 miles one-way, and elevation gain is 250 feet. Cave Tower Site is 1-1.5 miles round trip, and elevation change is less than 200 feet. Passes are required for day hiking, check with the Bureau of Land Management for the current fee amount. Be prepared with exact change.)
After this spectacular hike, we drive west on Hwy 95 near milepost 103, then drive onto a dirt road for half a mile. We hike in and across the way, we see TheTower Ruin – a rare, two-story structure on the other side of the canyon.
At first, it seems too steep a scramble for me, but Dave and Laini go down. Dave makes it look easy. Sure enough, he comes back to guide me to the site (so glad he did!).
This site is so secluded, remote and untouched, it feels as if we discovered it on our own (though I’m sure that’s not true, the feeling is still so exciting).
The tower construction seems to be “modern” – Laini says there is evidence of three different generations having a hand in the construction. There are fabulous pictographs and petrolyphs here. I imagine that one is a symbol for the chief.
Altogether, we have hiked about 9 to 10 miles today – so satisfying.
We drive into the town of Blanding for dinner and supplies, seeing signs along the way for Native American Crafts, Dinosaur Museum, State Edges of the Cedars Native American Museum.
Take seriously the need to obtain permits in advance for certain hikes. We changed our plans in order to stay this second day in Cedar Mesa so did not get the necessary permit (limited to just 20 a day) to hike to Moon House – the only day hike that requires a permit instead of just a hiking day pass. We thought we might get away with it because we are here on Easter Sunday, but no such luck (the permit allocations fill up even months before). It is easier to get permits in summer months, which is when Laini and David found themselves the only ones at the site when they last visited (likely because of the heat; when we are here, in early spring, the weather is perfect).
Instead, at the Kane Gulch Visitor Center, the Ranger suggests we hike the Kane Gulch Trail which starts right across the road. We purchase our day hiking passes ($5 pp – my America the Beautiful pass doesn’t count). She suggests what to look for at what distances.
Dave gets out our hot-water maker and we have our breakfast at the picnic table outside the visitor center, then set out. Our plan is to go five miles, to the Stimper Arch, and five miles back.
It’s four miles to the Junction Ruin which has some fabulous dwellings, pottery shards, and pictographs.Dave and Laini climb up sheer rock to get to an upper level (a defensive watchtower?) and could see remnants of a ladder that would have been used.
Another .7 mile and we come to a site known as Turkey Pen. Looking up from the trail, it seems the cliff dwellings are cramped and close to the edge, but when we get up here, it is surprising how much space there actually is.
Here, we see some fabulous examples of mud and stick method of construction (jacal) and some exquisite painted pottery shards, pictographs, even the remnants of the actual turkey pen formed with sticks – so it almost seems you are coming upon a dwelling just after the residents left. You feel you are the archaeologist making the discovery – except for the printed notes left by the National Park Service- but still.
You wonder about whether the site was designed to defend and who to defend from – people who would take food stored in the granary? One of the pictographs depicts sheep being killed, another of “lizard man.”
As we hike, we keep our eyes peeled on the cliffs above for evidence of dwellings, well off the trail and likely minimally visited. Laini says there were thousands of cliff dwellings here and only a fraction have been discovered (or are still intact, but when you consider they are 1000 years old, and the crumbling rock all around, it is amazing any remain). We spot one and Laini goes off to try to find a way to climb up to it.
This hike has everything – it has just the right amount of physical challenge – a section where you scramble a bit and walk a narrow edge – gorgeous greenery, stunning rock formations, water features (but not too watery to hike), but best and most spectacular of all, these cliff dwellings that look like we have just discovered them, with relatively large and stunningly painted pottery shards, stone tools, stunning pictographs (I start thinking they are either indications of how many people lived in the dwelling like a census; markers of whose dwelling it is, like a family name? or just being playful, artful?).
Even though this is a popular trail, we come upon other people only occasionally (but it kind of reassures us we are going the right way).
The trail actually goes on for miles (days), connecting to other trails. (We meet a group of college students who are making a multi-day backpacking trip and will return on the Fish and Owl trail.)
We get back to the start at 6:30 pm (we set out around 10 am), having hiked about 11 miles. (It took us 5 hours to get 5 miles (including the time exploring the archaeological sites) and 3 ½ hours to hike back.
After this full day’s hike, we drive to Arches National Park. It’s a fairly long drive and already sunset by the time we arrive. This is the first time we have to set up camp in the dark and there is a strong wind that makes it difficult to keep the tent from blowing away (especially since I can’t find my tent stakes so we improvise, until they are ultimately found under the footprint.)
Dave makes a fire and we prepare dinner from our supplies.
The Moon House Ruin is one of the best archaeology sites on Cedar Mesa, consists of three separate structures with 49 rooms; well preserved pictographs grace the walls of an interior courtyard and some of the rooms (the hike is 3.2-5.6 miles roundtrip). More of the best hikes in Bears Ears at http://www.hikingwalking.com/index.php/destinations/ut/ut_se/blanding
Day hiking in Bears Ears National Monument requires a day hiking pass. Day hiking passes are unlimited.
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
Bears Ears National Monument-Cedar Mesa is the highlight (out of so many) of our Utah Adventure – hitting on all cylinders of stunning landscape, fascinating cultural heritage, and the opportunity to really explore, adventure and discover for ourselves on some of the most wonderful hikes (Kane Gulch!) anywhere.
Finally! I get to do wild camping that I have been so intrigued about ever since Dave and Laini spent much of a summer exploring the West in their Subaru Forester which they converted into a campervan.
Dave drives our rental Jeep down a dirt road into Arch Canyon until we find a spot we can claim for our own (it happens to be immediately adjacent to an Indian reservation, with a warning sign posted on a fence, “No trespassing.”). There are many other wild campers in this area in the spring and we get one of the last suitable spots. (But this is still so much more interesting than going further down the road to an actual campground where you need advance reservations for official campgrounds, recreation.gov, information at 435-587-1500 M-F, 8 am-noon. No reservation is required for any BLM land that does not clearly prohibit camping and the custom is to find a site that already has a stone circle for a fire pit.)
Where we set up is just a walk down a path that leads to the Arch Canyon trailhead and the Arch Canyon Ruins, where we get to explore cliff dwellings.
Indeed, Cedar Mesa is a network of canyons that are home to ancient archaeological ruins and rock art panels – the ultimate combination of spectacular scenery and fascinating cultural sites.
Streams carve into the banded yellow-gray and reddish-orange sandstone, creating fabulous formations and arches – Mother Nature’s sculpture. Cliffs are streaked with “desert varnish” – thin deposits of minerals including iron, manganese, magnetite and clay particles, combined with bacteria – which add to the painterly ambiance. And some of these have provided the overhang for dwellings.
What is truly special about Bears Ears National Monument-Cedar Mesa – and what draws Laini back time and again, are the remnants, artifacts and structures left by Ancestral Puebloans – ancestors of the Hopi and Zuni – who inhabited these canyons and cliffs between 700 and 2500 years ago. Arrowheads and other artifacts dating back 10,000 years have also been found in this region. Some of these sites are at once accessible yet also feel remote – so you feel you are the first archaeologist to discover, though obviously that can’t be since the BLM Rangers have left laminated info packets in metal cases in some of the dwellings. Still, we can pretend.
Our hikes bring us to these places that seem as if the occupants only recently vacated, leaving behind painted pottery shards, tiny corn husks, stone and bone tools, even their hand-prints, pictographs and petroglyphs that speak to us through time, as if to say, “We were here. We still are.”
Indeed, there are a mind-boggling 100,000 known archaeological sites protected within the Bears Ears National Monument, which spans 1.35 million acres. The buttes and surroundings have long been held as sacred or significant by a number of the region’s Native American tribes.
But it has not been without controversy.
Bears Ears National Monument was established in 2016 by President Barack Obama to preserve thousands of these indigenous cultural and archaeological sites. The Bears Ears Inter-Tribal Coalition, an alliance of five sovereign Tribal nations with ties to Bears Ears (the Hopi, Navajo, Uintah and Ouray Ute Indian Tribe, Ute Mountain Ute and Zuni Tribe), was the driving force behind its designation and are partners in managing the monument along with the federal Bureau of Land Management and US Forest Service.
In their proposal to have Bears Ears designated as a national monument, the Coalition described these canyonlands as ancestral land and the Southern Utah Wilderness Alliance (SUWA) described the Bears Ears as “the most significant unprotected cultural landscape in the U.S.”
But in 2017, catering to mining, fossil fuel and other extraction industry interests, Donald Trump drastically reduced the size of Bears Ears (by 85 percent) and Grand Staircase-Escalante (by half) – the single largest rollback of public lands protection in history. These changes exposed archaeological and paleontological sites to vandalism, looting and opened the door to drilling and mining. Moreover, Trump’s Interior Department, under Secretary Ryan Zinke (who left in 2019 in disgrace) offered meager plans for managing what remained of the monuments, leaving important cultural sites and wildlife habitat vulnerable.
Various groups brought lawsuits and President Joe Biden (who appointed Deb Haaland Interior Secretary, the first native American to hold the cabinet position and the first to lead the department which historically oversees the Bureau of Indian Affairs) restored the territory under protection in October 2021. The Bears Ears Inter-Tribal Coalition and the federal government officially signed a cooperative agreement, unveiling the first monument boundary sign on June 18, 2022,
The monument is named Bears Ears for a pair of buttes that rise to elevations of 8,900 feet and 9,000 feet – more than 2,000 feet above Utah state routes 95 and 261. The monument includes the area around the Bears Ears formation and adjacent land to the southeast along the Comb Ridge formation, as well as Indian Creek Canyon to the northeast. The monument also includes the Valley of the Gods to the south, the western part of the Manti-La Sal National Forest’s Monticello unit, and the Dark Canyon Wilderness to the north and west.
Because these lands are sacred, all of us must be respectful of the dwellings and the archaeological artifacts that we come upon. And these sites truly feel sacred – precisely because of the artifacts, the pictographs and petroglyphs, you feel the presence of those who lived here. And because those of us who visit do show proper respect, these mud-and-stick (jacal) constructions delicate pictographs and petroglyphs etched into sandstone and artifacts, though incredibly fragile, are here for us to discover, as if we are among the first.
It’s fairly miraculous these sites have survived Mother Nature, let alone humans.
Indeed, we are able to see artifacts and sites that date back 1000 years, but it is mind-boggling to contemplate that this area has been inhabited since 12,000 BC to 6000 BC by the PaleoIndians; the Archaic (6000-2000 BC); Early Agriculture (2000-500 BC); Basketmaker II (500 BC to 500 AD); Basketmaker III (500-750 AD); Pueblo I (750-900 AD), Pueblo II (900-1150 AD-we see evidence of their kivas, plain gray pottery, black-on-white pottery); Pueblo III (1150-1290 AD, when the Four Corners Area was abandoned).
Each day of our Utah Adventure, which so far has taken us through Capitol Reef National Park, Grand Staircase-Escalante, and Glen Canyon National Recreation Area, has been so different in highlights, experience and even theme. Today’s theme is cultural, as we go in search of cliff dwellings through these canyons.
We wake up in our “wild” campsite and after breakfast, stroll down Arch Canyon Road and soon come to the Arch Canyon Ruin.
Seeing these structures, how they were built high up in the rock overhangs, camouflaged in rock, you wonder whether they were designed for defense: Who or what were they defending against? The fact that the Navajo named the Ancestral Pueblo people who were there before them, Anasazi – “enemy ancestors” (as we learned at the Anasazi State Park Museum in Boulder) suggests that there were conflicts among tribes or clans. Were these groups afraid of being attacked for their food or water? Or were they built so far above the river because of flash floods?
A panel provides background about the Puebloan People and these cliff dwellings: Few people lived in Cedar Mesa from 700-1050 AD, but by 1050, there were many Pueblo communities throughout the mesa and its canyons. During this time, Cedar Mesa’s cultural landscapes were interconnected with those of Chaco Canyon to the southeast, Mesa Verde to the east and the kayenta region to the south. Later, smaller groups moved into Cedar Mesa’s canyons to occupy nearly inaccessible but defensible places such as cliff face alcoves and ledges. But by 1280 AD, a combination of social and environmental factors prompted the Puebloan people to migrate again from Cedar Mesa to lands to the south and east. Cedar Mesa’s descendant populations now reside among the Hopi of Arizona, the Zuni and Keres-speaking pueblos of New Mexico and the Tanoan peoples along the Rio Grande.
I note the word “defensible” and wonder about who and what they were defending against.
In one of the structures, we see an innovation: shelves! We climb under boulders and see a pictograph of four hands.
We spend about two hours in this section, and then get the Jeep to go to the next destination. (You can hike between Arch Canyon and House on Fire, via Arch Canyon Road and Mule Canyon trail, 5.7 miles, or two hours, one way.)
We stop for a picnic lunch at Mule Canyon Ruin site along the road (almost a rest stop, complete with two bathrooms).
Laini leads us to a trail to one of the outstanding highlights of the Bears Ears National Monument: the House on Fire, one of the most photographed (spectacular) sites in the region.
If You Go….
Day hiking in Bears Ears National Monument requires a day hiking pass (there is no limit on the number of day hiking passes issued).
Bears Ears National Monument does not charge an entry fee where your America the Beautiful Pass would typically apply. However, activity fees called “Individual Special Recreation Permits” are charged for day hiking and backpacking (typically $2 at the trailhead). Because your America the Beautiful Pass does not cover Individual Special Recreation Permits, it does not apply toward your backpacking permit, Moon House permit, nor day hiking pass. Visit the permits page for more information.
Visitor Centers:
Kane Gulch BLM Ranger Station, UT-261 36 miles west of Blanding. Open: March 1-June 15, September 1-October 31, 8:00 a.m. – 12:00 p.m., 7 days a week
Monticello Visitor Center, 216 S Main St., Hours: 9:00 a.m. – 5:00 p.m., Closes early at 3:00 p.m. on Sunday, Phone: 435-587-3401
Blanding Visitor Center, 12 North Grayson Parkway, 9:00 a.m. – 5:00 p.m., closed Sunday
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
It’s the afternoon when we leave the Grand Staircase-Escalante after having a sensational hike through Big Horn Canyon, and drive through the Dixie National Forest on our way to Glen Canyon Recreation Area.
We stop in Boulder where the Magnolia burrito food truck that Dave and Laini love is based in the parking lot of the Anasazi State Park Museum. I wander into the museum for a quick look – the displays are really wonderful and had I had the time, I would have taken advantage of the interactive exhibits (you can grind corn using a mano and metate, identify seeds with a microscope, make rubbings of pottery designs).
I find it fascinating that “Anasazi” is actually a Navajo word meaning “ancient enemies” or “enemy ancestors” but it is not actually known what these people – Ancestral Pueblo who inhabited the area before the Navajo – called themselves. Still, the name has stuck. They were village-dwelling farmers – that is to say, not nomadic people – who lived in the Four Corners between 1 and 1300 AD, when there is some mystery about why they suddenly left en masse (some suspect it was the drought of historic proportions, only rivaled by our current 20-year drought). Behind the museum you can walk a short trail to the Coombs Site Ruins and a life-size, six-room replica of part of the pueblo as it would have existed 800-900 years ago. Beyond that are several more unexcavated areas. (Anasazi State Park Museum, Boulder, UT, 435-335-7308, www.stateparks.utah.gov)
Just down the road from the museum, we turn onto the Burr Trail Scenic Backway, considered one of the most picturesque drives in Utah. Paved and graded in some sections, gravel and dirt in others, the road extends 66 miles from Boulder, passing the slickrock canyons of the Grand Staircase–Escalante National Monument, the Badlands of Capitol Reef National Park, the Waterpocket Fold, and painted rock desert of Glen Canyon National Recreation Area, ending at Bullfrog Basin on Lake Powell – our destination on the fourth day of our Utah Adventure.
I find it interesting to learn that the Burr Trail was originally developed as a cattle trail by stockman John Atlantic Burr (born in 1846 aboard the SS Brooklyn sailing across the Atlantic; his family established Burrville, Utah, in 1876). Burr developed the trail so he could take his herd through the rough, nearly impassable country around the Waterpocket Fold, Burr Canyon and Muley Twist Canyon.
We drive through Long Canyon and soon come to one of the highlights along the route, which accounts for its nickname, Singing Canyon. It looks like a setting for Jurassic Park. We walk in, feeling so small against these gigantic, high cliffs of red rock. Dave gets out his mini-guitar for the occasion and we revel in the acoustics that give the canyon its name (I can imagine proposals and weddings happening here).
As we drive this rustic highway, we see giant red rock boulders strewn all over, having broken off from these cliffs, so close to road. Some are precariously balanced. We wonder over what period of time they came down (last century, or last week?), and whether more are likely to come down anytime soon.
This is a landscape that seems at once fixed and yet is constantly changing. Burr Trail is like driving through destruction – you see these enormous, massive walls of rock collapsed in heaps and think how fragile it all is, how even the mighty can fall. It is as if it is all falling apart and you wonder how long before these rocks turn to mounds of sand.
We next come to the famous Burr Trail Switchbacks. The view from the top to the Henry Mountains and Waterpocket Fold is stunning. The intriguingly named “Waterpocket Fold” is a geologic wonder: a nearly 100-mile long warp in the Earth’s crust. Aclassic monocline – a “step-up” in the rock layers – it formed between 50 and 70 million years ago when a major mountain building event in western North America, the Laramide Orogeny, reactivated an ancient buried fault in this region.
[A note from the Bureau of Land Management: Although in dry weather the Burr Trail is easily accessible to passenger cars, wet weather may make the road impassable even for 4WD vehicles. Check with rangers or local officials for weather and road conditions. Recreational vehicles are not recommended. (https://www.visitutah.com/places-to-go/cities-and-towns/boulder/burr-trail)
We don’t get to do our wild camping tonight either, but rather have found what seems one of the few motels around, Tikaboo Lodge, and make do with the remaining food supplies we have.
(Note that there are very minimal amenities in the Bullfrog/Ticaboo area during the off-season. There are, however, two helpful outdoor outfitters/gas stations open until 4pm. )
Boating in Glen Canyon, Wild Camping in Arch Canyon
Our destination the next morning is Glen Canyon National Recreation Area. Spanning 1.25 million acres, it stretches for hundreds of miles from Lees Ferry in Arizona to the Orange Cliffs of southern Utah.
Lake Powell is only 13% of the National Recreation Area, but is (or rather was) one of the largest man-made lakes in North America. At full pool (3700′ elevation) it is 186 miles long, has 1,960 miles of shoreline, some 96 major side canyons, and a capacity of 27 million acre-feet (32 million cubic meters). Its maximum depth (at Glen Canyon Dam) is 561 feet.
But since 2001, declining water levels (the lake had dropped over 100 feet over a two-year period at the time of our visit) due to climate change and 20 years of drought have reshaped Lake Powell’s shoreline and changed or closed boat ramp access points, on-lake facilities, and dramatically altered the landscape. (Check conditions, www.nps.gov/glca/learn/changing-lake-levels.htm)
I think that similar conditions must have been what caused the Ancestral Puebloans to leave their communities in 1300 AD after hundreds of years living here, because they also had experienced a 20-year long drought; the drought today is the worst since then.
Laini has rented a power boat from Bullfrog Boat Rentals (435-684-3010) at the Bullfrog Marina so we can explore the canyons that were flooded when they created the controversial Glen Canyon Dam on the Colorado River. We are in search of signs of cliff dwellings or petroglyphs that may have been exposed with the drop in water level.
We get a map from the boat rental company and try to follow the mile markers on the lake that help us orient.
Compared to our two days of adventuring in Grand Staircase-Escalante, this day is like a resort vacation, with the luxury of a boat allowing us to traverse 20+ miles in one afternoon.
The water level has dropped so much over the past two years that trees are poking out from the bottom.
Dave navigates to Forgotten Canyon where Laini has information that a trail will lead to Defiance House Archaeological Site, an 800-year old cliff dwelling (nps.gov, 800-227-7286).
Because the water level is so low, we come to the edge of the water much earlier than expected, and pull up the boat onto a beach, have a picnic lunch (avocado on bread, peanut butter/jelly) under a rock awning (like the Ancestral Puebloans might have), and then set off on foot in search of the cliff dwelling.
This really feels like Indiana Jones, because there is no actual trail. We follow the water – slogging along the deep mud, crisscrossing to avoid deeper water. Dave comes with me as Laini and Alli bound ahead to explore in the limited time we have before we have to get back to the boat.
The site (which is only reachable by boat then foot) is usually just a quarter mile past the end of the water, but with the water level so much lower, it’s now over two miles away and we don’t have the time. Also there is so much overgrowth and prickly thickets that Laini and Alli can’t get through wearing shorts. They turn around and tell us we should make our way back to the boat.
We are close to the time when we need to return the boat, but Dave pilots us into the Lost Eden Canyon. This turns out to be an absolutely magical (overused word but really apt) place – a superb finale to our adventure.
There are golden dapples on the gray rock faces like gold coins shimmering in sunlight. The water is a surreal emerald green under a brilliant blue sky, the rocks are orange, tan and gray, making interesting patterns, as we wind through the narrow canyon.
When we get back to the marina, it takes 30 minutes just to refill the tank ($200!) – which we hadn’t calculated for in getting the boat back in time.
Driving from Lake Powell on our way to our next stop, Bears Ears National Monument-Cedar Mesa, we stop at Outpost Marine Trading Post – as significant today as it must have been for early pioneers. It has a fabulous selection of gear and groceries for camping as well as fantastic sandwiches at incredibly reasonable prices (considering how desperate people can be at this point in their journey) – Reuben, probably best outside of NYC, $8; thick burgers; fresh sliced turkey only $4.99/lb (Dave can’t believe it so buys 2 pounds). Everyone is absolutely delighted as we savor our car dinner when we get back on the road.
We soon see a dead calf on the road and vultures hovering.
We stop at Hite Overlook for spectacular, iconic views of the Western landscape.
The historic marker here relates how in 1883 Navajo Chief Hoskininni led Cass Hite to the Canyon below, where he found gold. He opened a small store and post office, making his fortune off the miners. After World War II, the town’s population “swelled” to more than 200. This time, miners were searching for “hot” rocks (uranium). This mining boom also went bust and Hite returned to its small town existence. But in 1964, the waters of Lake Powell swallowed up Hite, leaving behind the only true treasure: the view.
We drive to Bears Ears-Cedar Mesa where we finally get to do the wild camping I have been so excited about (that means no services at all, just wilderness). The sun is descending and we are hoping to set up camp before dark.
Dave finds his way down a dirt road leading to Arch Canyon and we finally find a suitable site literally next door to a sign marking an Indian reservation (no trespassing!).
We set up in time before dark, but the full moon shines like a giant lantern, rising just as the sun sets, making flashlights unnecessary.
We sit around the campfire, enjoying the peace and reveling in our adventure. We will finally get to use our winter-rated sleeping bags and pads Dave had rented from Moosejaw (https://www.moosejaw.com/content/gear-rental, 877-666-7352).
Each day of our trip, we are immersed in landscape that manifests different personality, character, color, texture, ambiance, even theme, and provide the contours for our experience.
Tomorrow we will get to meet Bears Ears and the spirits of the Ancestral Pueblo people.
Glen Canyon National Recreation Area, www.nps.gov/glca, 928-608-6200; Bullfrog Visitors Center, 435-684-7423.
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
Grand Staircase-Escalante National Monument is a Delaware-sized museum of sedimentary erosion that takes you down a 200-million-year-old “staircase” – a series of plateaus that descend from Bryce Canyon south toward the Grand Canyon.
But it’s relatively new and unexplored: it was the last part of the Lower 48 United States to get cartographed. President Bill Clinton set aside these 1.87 million acres as a national monument in 1996 because its untrammeled significance distinguishes it for researchers and explorers alike – but it has been controversial ever since, as Trump and Republicans sought to reverse its protected status, slash the size of Grand Staircase in half and neighboring Bears Ears by 85%,and open up vast sections of both – including areas sacred to indigenous people – to extraction and exploitation. Biden reinstated the protected areas in 2021.
Unlike the exceptionally popular and trafficked Capitol Reef (which we visited on our first two days of our Utah Adventure), Zion, Bryce Canyon and Arches National Park, Grand Staircase-Escalante is for more hard-core adventures – most of the trails are barely marked, require four-wheel drive to reach the trailhead, and have minimal services (you are on your own).
David and Laini have been here before, so have scouted and know the ropes – like how to drive down the rustic, 55-mile long Hole-in-the-Rock road that begins on Highway 12, just southeast of the town of Escalante, and ends at the edge of a cliff. That road leads to the trailheads of the minimally marked trails into many slot canyons that Laini most wants to explore. When they came the last time, the road was almost impassable – we are lucky today, that the gravel and sand are not so deep. (Pro tip: go in early spring shortly after the road is regarded; in summer and fall, the washboard road has been so well-traveled and destroyed that it takes over an hour to drive just 20 miles, even in a four-wheel drive car with high clearance, as David and Laini learned through experience).
Hole in the Rock Road is actually a famous historic Mormon Trail. The off-highway portion begins/ends near Halls Crossing on Utah Highway 276 and goes near to the pioneer crossing of the Colorado River (now Lake Powell). A large group of Mormon settlers in wagons traveled this route on a journey from Escalante to Bluff, which they expected to take six weeks but actually took six months. It is an amazing expanse of open country. This is also the famed road featured in Edward Abbey’s cult classic, “The Monkey Wrench Gang”.
Names here are very descriptive and should give you some idea (they might as well use skull and crossbones instead of trail markers): Devils Garden (the easiest and most enchanting hike), Spooky Gulch (a moderate hike), Little Death Hollow, Death Hollow (a difficult hike). And then there’s Hell’s Backbone – a rugged, 45-mile long mostly unpaved mountain road from Escalante to Boulder through Dixie National Forest into Box Death Hollow Wilderness area that climbs far up the southern slopes of Boulder Mountain, reaching the summit at 9,200 feet; without stops takes nearly 2 hours to drive, is closed in winter and usually impassable during the snowmelt season of late spring.
The canyons are a rugged, desolate adventurers’ paradise – Jurassic Park comes to mind – and draws hard-core hikers, canyoneers and other outdoors enthusiasts. There are very few people around (the town is tiny), even reaching the trailhead requires four-wheel drive capable of off-road, and the trails are not marked, beyond a sign at the trailhead, and even these are rare.
As we head out for hikes, we have to be extremely mindful of carrying enough water and snacks. David hauls a 5-gallon collapsible water jug that he stashes for the trip back, and carries a 4L Hydrapak water bladder that he uses to refill our personal water bottles. We’re here in cool weather, but in summer, it can be dangerously hot. You are cautioned not to start out on these hikes after 10 am. David and Laini are also big fans of the lightweight Clif Energy Bloks that you can stock up on at Escalante Outfitters in town, where we get breakfast before heading out.
Besides water, hat, sunglasses, sunscreen, snacks (and me a camera), a light compactable jacket, we try to carry as little as possible. (This means I can’t take my Nikon Z5 mirrorless –too big, bulky; on the more challenging hikes I rely on my Panasonic Lumix, my Olympus T6, and my Google Pixel phone, which actually capture the richest colors). Laini and David advise us that in some spots the slot canyons are only 10” wide and simply cannot accommodate a backpack.
On a previous trip, David and Laini had a sophic guide named Ace (or Yoda), who said things like, “Let the land reveal itself to you and you will ultimately find the red zone.” (I have no idea what the red zone represents but it sounds very Zen and I think it has something to do with the fact that there is no real trail – we have to find our own way using instinct, intuition, or just common sense, as well as the verbal descriptions of landmarks.)
(Actually, you don’t have to go off on your own – the Visitor Center can provide a list of outfitters in Escalante. David and Laini hired Ace Kvale on their first trip to the area; he’s a photographer and guide, https://acekvale.com/; see https://www.visitutah.com/Articles/Roaming-Grand-Staircase-Escalante. And apparently, there is actually a “red zone’, Laini tells me later, “literally an area of red swirly mounds in the middle of the otherwise white and yellow landscape.”)
This first morning, we hike to the Zebra Canyon – a slot canyon which is often too flooded to visit, as it was when Laini and David were last here. It’s a two-mile hike across flat open terrain to get to the entrance (virtually no shade).
Laini reads notes to direct our route that sound like Indiana Jones navigating by looking out for cryptic descriptions of land formations.
“Named after the vivid stripes that line its walls, Zebra Slot Canyon in Grand Staircase Escalante is perhaps the most unique canyon in Southern Utah,” the notes read. “To reach the stunning canyon requires an 8-mile drive down a dirt road, a 5-mile round trip hike that can be tricky to follow, and a challenging climb through very narrow canyon walls. Even though the Zebra Slot Canyon itself is only about a quarter-mile long, the long journey to reach it is completely worth the effort.”
The landscape here in the Grand Staircase Escalante is so different from Capitol Reef – swirls and folds, amazing color, the formations sensuous.
We come upon a literal pile of perfectly round rocks (“Moqui marbles”)—that look like chocolate bon bons or rubber balls formed by hand–that native peoples used like marbles or balls.
Zebra Canyon is wide open where it joins Harris Wash, but within 10 minutes, becomes deeper and narrower. Where it narrows, there can be a few pools of water from ankle to waist deep (you may want to take off your boots, but keep them with you); “15 minutes up the canyon you enter the short, but amazing Zebra section that ends at a small dryfall you can upclimb. This is the best section of Zebra. Above the small dryfall is a large pothole and the canyon opens. Head back down to Harris Wash when finished,“ the notes say.(www.roadtripryan.com/go/t/utah/escalante/zebratunnel)
I make it through a little ways, squeezing my way in, but then it becomes even narrower, with barely 10 inches to get through. This is much more technical, requiring real climbing skill, where you have to use your hands and legs to shimmy up the walls of the canyon and slither through. Essentially, every “step” is problem-solving a puzzle – involving seeing the puzzle in its full-dimension, thinking out of the box to use all your resources, and transfigure/manipulate/reshape your body. You need to be flexible (I’m not), have good strength in your upper body, hands and knees (I don’t), and it helps to be thin (no comment).
This is my first experience in a slot canyon, and I am intimidated. I don’t want to hold back the others or have them worry that I will be completely trapped inside (my worry), so I tell them to go on ahead and wait for them in a small wider section, enjoying watching others go through (and not return).
It feels surreal, but I can hear people laughing through the rock walls, as if embedded in the rock (it’s weird). While I wait, I watch the various techniques people use to scramble up the sides and solve the problem of slithering through. Very creative! (I’m sorry to have missed the experience but I did not want David and Laini to be concerned for me.)
Our plan is to next go to Tunnel Slot. The directions say to go down Harris Wash a little less than a mile (20-30 minutes) from Zebra to the first side canyon coming in on the left. Go up this side canyon about 10 minutes to reach the Tunnel. It can be dry, or a deep pool.
But instead of exiting to the other end of Zebra where I would expect these directions apply, David, Laini and Alli come back to where I am at the beginning, and we continue on in search of the Tunnel Slot Canyon that is supposed to be nearby.
Canyons don’t have signs or markers. People just know where to go. In some instances we find cairns (a marker made of piled-up rocks that leads you to the right path. I keep that in mind to throw back at bigots who have turned my name, Karen, into a slur: cairns lead the way to the right path).
But mostly, we just go (a tad unnerving because of the vastness of emptiness and the thought of actually wandering around totally lost, as I’ve seen in Survivor and/or Disaster movies).
Laini recalls another of Ace’s sagacious aphorisms, “Whichever way you go, that’s the best way.”
So, we find ourselves paving our own trail (that’s fun too) , walking over a vast section of slickrock – amazing white, swirled smooth mounds of rock like petrified ice cream – and instead find another slot to explore. This time, I scramble over boulders to get in (very proud of myself), but it doesn’t go far. Still. I did it and it gives me confidence for another day. We don’t actually find the Tunnel Slot Canyon.
We find our way to the trail we came in on (whew!), and return to the trailhead.
We’re back to the Jeep by 4:10 pm, having hiked for 6 hours (6 miles).
The slots are reached along Hole in the Rock Road. And after these ambitious hikes, we continue driving on the road to Devils Garden, 13 miles south of Escalante
Devils Garden is an astonishing sight – a whole cityscape of hoodoos and arches. These are incredibly dramatic, mysterious – not rock at all, but seem to be imbued with spirits (hence the name, no doubt). To me, this place evokes Easter Island (and I wonder if that’s how the Easter Island statues were actually formed – originally hoodoos that islanders then carved). How is this place not so famous that everyone knows about it and comes? Don’t miss the Metate Arch.
This is probably the easiest trail in the area, and is absolutely magical. There is also a lovely picnic area and bathrooms.
Back in the Jeep, Laini leads us down a wild path to the no-name hoodoos overlook that she and David discovered wild camping on a previous trip (the drive was harrowing enough, like being in an ATV). From this high elevation we look through these towering rock formations to the vast expanse below. It’s tempting to camp here, but we return to our cozy cabin at Canyons of Escalante RV Park in Escalante.
At the trailhead, we had met two “influencers” who seemed to us to be amateurs since they were not even carrying much water. We see them again in Zebra Canyon, where they were dressed incongruously in flowy blue dresses for a fashion shoot. At the end of the day, we happen upon them again at a restaurant adjacent to our campground, and learn they had completed Zebra, Tunnel, Spooky, and Pickaboo slot canyons all in one day!
For our second day exploring Grand Staircase-Escalante, we head to Big Horn Canyon.
I’m more prepared today for this hike and basically, go with the flow (as Ace would say).
Big Horn Canyon is a tributary of Harris Wash. It runs for three miles through alternating slickrock and sand – the first two miles are in the wash. The slots cut into the Navajo sandstone rock layers displaying an unusually wide range of colors and forms.
We follow instructions which say to park at the two blue containers, then make our way down to the river bed (exactly where do we start?) and follow Harris Wash of the Escalante River, crossing it many times (and can be hard to reach when the water is higher.)
This first part of the hike to reach the canyon is pleasant – we go back and forth over a riverbed which on this day, is mostly dry.
There are two slot canyons. The first over to the left is shorter and the hike ends when it becomes too narrow to pass through. The second one is long and the colors are spectacular. For a change in perspective, once the canyon walls open you can hike on the creamsicle swirled ice cream rocks.
Big Horn Canyon is magnificent. Nature puts on a fantastic display of colors, patterns, swirls and shapes. You can imagine how the ancients got their inspiration for their art. Walking through, it feels like you are the ball in a psychedelic pin ball machine.
This hike reminds Laini of Dr. Seuss’ “Oh the Places You Will Go.”
And I think to myself, how is this canyon not more popular!?! In fact, for the most part, we are completely alone – not a soul around (in contrast to Zebra which seemed to draw lots of people, despite its difficulty). It makes it all the more surreal when a couple does pop up in our space, bursting the reverie.
The hike altogether is about six miles – absolute perfection.
We are back in the car at 2:14 pm, and head out to drive to our next stop, Glen Canyon, via the Burr Trail, a scenic byway.
I have it on my list to tackle more of the best hikes in Escalante:
Spooky Gulch is a short slot canyon hike in the Grand Staircase-Escalante area, considered moderate difficulty. You can also visit Dry Fork and Peek-a-boo as a six-mile loop, each slot slightly more difficult and narrow than the last. Laini says this was one of her most favorite hikes. (Spooky gets to be only 10-inches narrow in some spots).
Calf Creek Falls is one of the most enchanting areas of the Grand Staircase-Escalante area, a verdant oasis amid tumbled stone monoliths, considered moderate difficulty.
Coyote Gulch isa winding, semi-narrow canyon that snakes its way down through incredible red rock, considered difficult. Laini says that she has had this one on her list, but it requires an overnight on the hike, or a 16+ mile hiking day, 8-10 hours.
Other moderate-rated hikes include Fortymile Gulch; Golden Cathedral; Little Death Hollow; Peek-a-boo Gulch and Round Valley Draw.
By Karen Rubin, with Laini Miranda and Dave E. Leiberman
Travel Features Syndicate, goingplacesfarandnear.com
Travel is as much about resilience, adaptability and problem-solving, as it is about personal growth, rejuvenation, and human connection. And so, though our intent was to camp (mostly wild camping) for our 8-day expedition through Utah’s wilderness and immerse ourselves in the topography and indigenous culture, the forecast for the first half of our trip in mid-April was for temps down to the 20s. In fact, when we arrived, there was a fierce gale-force wind blowing at 60 mph that pushed our rental Jeep around and made it difficult even to open the door.
Laini and Dave have taken the temperature into account and fortunately booked a spacious two-bedroom AirBnB in Teasdale (https://www.airbnb.com/rooms/41151071) just outside Capitol Reef National Park for our first night, and a one-room cabin at Canyons of Escalante RV Park for two nights in Escalante (where Dave has arranged for delivery of winter-grade sleeping bags and pads from Moosejaw.com).
Laini and Dave – who are making their third trip back to Utah and have invited their friend Alli and me to join – have carefully planned the itinerary. Each day has its own highlight and each destination its own topography and character and therefore, the experience we have. At Capitol Reef National Park it is the colored rock formations; Grand Staircase Escalante National Monument (for hard-core adventurers) offers slot canyons and hoodoos; Lake Powell in the Glen Canyon Recreation Area is our boat expedition into the flooded canyon; Cedar Mesa offers hiking expeditions in search of cliff dwellings and petroglyphs; and Arches National Park offers the most dramatic, expansive landscapes.
Fortunately, during the course of our trip, just about all the hikes and experiences we have are new for Dave and Laini.
We land at Salt Lake City Airport and pick up an off-road Jeep capable of plowing through deep gravel and sand from Alamo, and set out for the four-hour drive. Laini has planned to stop off at Walmart in Provo along the way to pick up food and camping supplies, and we find a delightful coffee shop (Java Junkie) for a snack and what becomes our all-time favorite coffee (Isis Roasters’ Grogg).
We arrive at Capitol Reef in the late afternoon and (I suggest) we take advantage of the gorgeous light and weather and drive the Scenic Drive to get a sense of the park. It is utterly perfect – the warm light, rich colors – and we get such a wonderful introduction.
The Scenic Drive is a 7.9 mile (12.7 km) paved road, suitable for passenger vehicles. You would need about an hour and half roundtrip to drive the Scenic Drive and the two dirt spur roads, Grand Wash and Capitol Gorge which go into canyons and lead to trailheads. (You can follow the Park Service’s Virtual Tour: https://www.nps.gov/care/planyourvisit/scenicdrive.htm; the tour is free but you still need to pay the $20 park entrance fee when you drive the Scenic Drive – though my America the Beautiful Pass satisfies.)
(The Scenic Drive, Grand Wash, and Capitol Gorge roads can be closed due to snow, ice, mud, and flash floods. Check at the visitor center or call 435-425-3791, for possible road closures.)
‘A Wrinkle in the Earth’s Crust’
“A Wrinkle in the Earth’s Crust” is the poetic description of Capitol Reef – referring to how this stunning landscape was formed. “The light seems to flow or shine out of the rock rather than to be reflected from it,” is how Clarence Dutton, a geologist and early explorer, described it in the 1880s.
Located in south-central Utah in the heart of red rock country, Capitol Reef National Park is a tapestry of cliffs, canyons, domes, and bridges. What makes Capitol Reef so special is how the rock layers tilt. The notes say that this was caused by intense crustal pressure which reactivated a fault buried deep beneath the sedimentary rock layers of the Colorado Plateau. This caused the overlying sedimentary rock layers to fold or bend into a one-sided slope called a monocline, which is uplifted 6,800 feet higher on the west side.
It is named the Waterpocket Fold because of the numerous small potholes, tanks, or “pockets” that hold rainwater and snowmelt and extends almost 100 miles from Thousand Lake Mountain to Lake Powell. The Waterpocket Fold has been impacted and shaped over eons by the geological processes of erosion, deposition, and uplift, all playing a part in the “drama” of Capitol Reef. This geologic feature is what accounts for the vibrant palette of constantly changing hues, as the light hits the towering cliffs, massive domes, arches, bridges and twisting canyons.
On the way back from our Scenic drive, we stop at a fascinating site, the Fremont Culture petroglyphs, not far from the Capitol Reef Visitor Center. The petroglyphs are reached after a short stroll on two boardwalks. The shorter boardwalk provides views of large, anthropomorphic (human-like) petroglyphs, zoomorphic (animal) petroglyphs of bighorn sheep and other animals, as well as geometric designs; the longer boardwalk parallels the cliffs and the petroglyphs along it are closer to the viewer but harder to see because of a patina that has developed over them.
The indigenous people who lived in what is now Utah for about 1000 years, from 300-1300 CE are known as The Fremont Culture, named by the archaeologists for the Fremont River canyon where they were first defined as a distinct culture. These petroglyphs (images carved or pecked into stone) are one of the most visible aspects of their culture that remains, according to the historic panels at the site.
Prehistoric people of Fremont Culture used area rock for tools and projectile points, and for the foundations of their homes. Clay was used for pottery, construction and to make figurines. Fertile floodplains supported crops of corn, beans, and squash along the streams of Capitol Reef until about 1300 CE.
Pickyavit says that unlike his ancestors, who were nomadic, the Fremont people settled in these canyons and became farmers and hunter-gatherers. It is not known if they were related to the better-known Ancestral Puebloans. What is known about the Fremont people’s daily lives comes mainly from artifacts and from these petroglyphs, but it is not known where they came from or why they left suddenly in the 13th century (though I believe it is now widely accepted that the people left after a historic, 20-year drought). “As you walk these paths and hidden places, do not even touch the petroglyphs. Protect their legacy, even as I respect it.”
It is natural to imagine the meaning of the images, but, Pickyavit says, “Caution must always rule in the interpretation of petroglyphs. With few exceptions, we cannot really be sure what the ancient maker of the petroglyphs had in mind. Some consider almost all petroglyphs a form of writing, while others consider most of them to be art, not writing. The large trapezoid-shaped human figures excite interest. Many have headgear and horns. Figures are commonly seen with necklaces, earrings and sashes. Animals, especially bighorn sheep, appear in many petroglyphs, indications that they were hunted and perhaps revered.”
I wonder, since these were created by different people in different times, isn’t it possible some were messages (writing, information) and some were art?
He notes that “Following the disappearance of the Fremont people in the 13th century, no one resided in the Waterpocket Fold country for 500 years. During this time, however, Ute and Southern Paiute hunters and gatherers roamed the region. They lived in close harmony with the natural environment and left little evidence of their presence.”
We stop in Torrey at the Torrey Grill and BBQ which offers a sheltered outdoor setting complete with firepit (we are still concerned about COVID) and is serving late.
The wind is still howling when we get to the AirBnB – home with gorgeous interior design, so cozy and comforting. I wake in the middle of the night to a blizzard – gale force winds, giant flakes of snow – that leaves 3-5 inches by morning. I feel (without hyperbole) we would have died –crushed under the snow or frozen to death – had we camped. I imagine us in some Survivor (or Disaster) movie based on fact (not the last time this image occurs to me during our Utah Adventure).
Considering the weather, we phone the Visitor Center to get their recommendation for hikes, and the Ranger recommends Hickman Bridge and Cohab Canyon, both in the nearby Fruita area (435-425-2791). The snow, so gorgeous in the morning, is gone by the time we arrive at Capitol Reef but for some oddly frozen patches, and we have perfect winter hiking weather.
Both these trails are extremely popular – and for good reason.
Hickman Bridge Trail, just 1.8 miles roundtrip, is the most popular trail (so the most crowded): it is geologically fascinating, relatively easy, great for families, with each step offering stunning visuals – red rock with beige and blond striations, textures, overhangs – and eminently doable to get the full appreciation, with the climax of a spectacular arch. The hike encapsulates for us what Capitol Reef is about.
Along the Hickman Bridge Trail, you see high-desert views, traces of prehistoric American Indian culture, and evidence of the Civilian Conservation Corps’ work in the 1940s. After ascending through a scenic sandstone side-canyon, the trail loops under the grand 133-foot span of the Hickman Natural Bridge. This is considered a “moderate” trail, but I would say it is easy. What an introduction!
From the same parking lot (and when it’s popular, it may well be difficult to find a parking spot so you have to wait for one to open), you can walk something like two miles to one end of the Cohab Trail. We smartly decide to move the car to a small, dirt parking lot, 1.2 miles down the Scenic Drive from the Capitol Reef Visitor Center, diagonally across from the picturesque historic Pendleton Barn, to access the trailhead at the other end (actually it is the beginning). (If this dirt parking lot is filled, you can backtrack 2/10 mile and park at the picnic area.)
We have our lunch in the picnic area before starting out on the Cohab Trail.
Cohab Canyon trail is of easy-to-moderate difficulty with gorgeous vividly-colored rock formations and shapes. The first 0.3 mile is a tad steep (I’m glad I brought my hiking poles for this hike). A series of switchbacks lift you up 400 feet, all the while you gaze out at gorgeous views of the Johnson Mesa and Fruita Cliffs. But once within the canyon, the hiking is fairly easy.
Cohab Canyon is called a “hanging canyon” because it sits above the Fremont River floodplain. The entire trail is so beautiful – we come upon a few slots to explore, a 20-foot high mushroom shaped hoodoo (a tree is growing out of the top!) surrounded by slickrock, the Cohab Canyon arch, then some stunning overlooks of the valley and Fruita.
We opt not to do the whole hike, which goes 2.9 miles one way to the Hickman Trail parking lot (which would require taking a shuttle back, or, if you do the round trip, would take 4 hours). We hike in about 1.7 miles and return.
The two hikes – Hickman and Cohab Canyon – afford a very different experience, though both offer dramatic landscapes that are signature Capitol Reef. Hickman is well-traveled, ideal for families, and you feel like a tourist – but Cohab Canyon is all but devoid of other people so you feel the isolation (even if you do come upon another hiker here and there).
Laini had The Castle Trail hike on her to-do list but unfortunately, we don’t have the time. (It’s described as an old trail that apparently is no longer “advertised” to the enigmatic “back side” of the Castle, exploring a hidden canyon lined with mammoth boulders and violet-colored hoodoos, taking about two hours.)
You can see the cragged hunk of The Castle from just outside the Visitor Center. One of Capitol Reef National Park’s iconic landmarks, The Castle is a prominent sandstone formation made up of three primary layers: the bottom sandstone layer, the Moenkopi Formation, is 245 million years old; the middle gray-green layer, the Chinle Formation, was laid down as volcanic ash 225 million years ago; the top layer, including the Castle, Wingate Sandstone, formed 200 million years ago.
Also, though we didn’t hike Grand Wash on this trip, Laini and Dave hike it on their next one and highly recommend entering through the lower trailhead for an easy 20-30 minute walk through the most dramatic and narrowest part of the canyon, with towering walls over 100 feet overhead.
In the Fruita area, there are 15 hiking trails with trailheads located along Utah Highway 24 and the Scenic Drive. These offer a wide variety of hiking options from easy strolls over level ground to strenuous hikes involving steep climbs over uneven terrain near cliff edges. Round trip distances range from a mere quarter mile to 10 miles, and are well-marked with signs at the trailhead and at trail junctions and by cairns (stacks of rocks) along the way. Some trails have self-guiding brochures, available for a fee at the trailhead and visitor center.
Capitol Reef also offers many hiking options for serious backpackers and those who enjoy exploring remote areas. Minimally marked hiking routes lead into narrow, twisting gorges, slot canyons, and to spectacular viewpoints high atop the Waterpocket Fold. Popular backcountry hikes in the southern section of the park include Upper and Lower Muley Twist Canyons and Halls Creek and in the Cathedral Valley area. A backcountry permit is required for camping outside of established campgrounds. The permit is free and can be obtained in person at the visitor center during normal business hours.
Capitol Reef offers so much to explore, Laini says, you really need more time there. Tourists overrun the main part, but there is a whole “backcountry” side that most miss.
Driving out of Capitol Reef we come to an overlook just as the sun is at a perfect angle to make the red rocks blaze.
We drive 64 of the 124 miles of the Scenic Byway 12 to Escalante. Scenic Byway 12 is Utah’s first “All-American Road,” (and one of Laini’s favorite roads in the country) winding through vast slickrock benches and canyons. We reach the summit, 9,600 feet – and the temp has dropped to 15 degrees – with sweeping vistas of the Henry Mountains,Grand Staircase–Escalante National Monument and Capitol Reef National Park.
Because the forecast had been for temps in the 20-30s, Dave and Laini booked a cabin at Canyons of Escalante RV Park, right in Escalante. It is one room for the four of us– very cozy (we still have to go outside for the bathroom, so we have that camping experience). And we’re able to have dinner at one of their favorite places from their previous adventures, Escalante Outfitters, serving up the best pizza outside of New York.
I find this day’s hikes in Capitol Reef perfect to acclimate and just become immersed in the spectacular scenery. And, I soon find out, these hikes are so very different from what we have yet to experience in the Grand Staircase-Escalante, where our Utah Adventure continues. Because Grand Staircase-Escalante National Monument is for more hardcore hikers.
