Category Archives: US Destinations

Cycle the Erie: 400 Miles & 400 Years of History Flow By on Canalway Bike Tour Across New York State

Cycle the Erie riders leaving Medina on Day 2 of the 8-day, 400-mile bike tour from Buffalo to Albany. The 19th Annual Cycle the Erie had a record 750 riders © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

To see how America came to be – and what really made America great – you need only to join Parks & Trails NY’s annual eight-day, 400-mile Cycle the Erie Bike Tour from Buffalo to Albany. Riding the multi-use Erie Canalway, which closely follows the towpath along the original Erie Canal that was built between 1817-1825, transports you 400 miles and through 400 years of history. Unfolding before you, at a pace that flows like a movie, are the pastoral scenes of farmlands, the canaltowns that sprang up to handle the trade, the factories that emerged to manufacture the myriad inventions and innovations spawned by Yankee ingenuity, you cross the Native American tribal areas, the colonial settlements, the Revolutionary War sites. You see the rise and fall of industrialization and urbanization, and now, most marvelous of all, you see before you the reinvention, revitalization and repurposing of these villages, towns, cities and communities that the Eric Canal spawned.

The Erie Canal turned a modest port called New York City into a global trade and financial center, New York into the Empire State, and the United States into a global industrial power, with New York City as its center. It turned a subsistence farmer in the Midwest into a purveyor to the world, and not only transformed geography, but society. The Erie Canal “was the Mother of Cities” – overnight, canal towns catering to the boat traffic sprung up from nowhere and cities like Buffalo, Rochester and Syracuse blossomed. The canal was an incubator for innovation and a transmitter for new ideas. It unified the nation, tying together East and West, and was the artery by which pioneers and immigrants made their way to the settle the frontier. You come away from this journey with renewed understanding of what it means to be an American.

Cycle the Erie riders in Lockport explore the Flight of Five– the original canal locks that were an engineering marvel © Karen Rubin/goingplacesfarandnear.com

Besides being a marvelous car-free trail (mostly flat), with gorgeous landscapes (you can’t believe this is New York State!), what distinguishes this bike  trip is that it is so interesting – the sites, and sights along the way. Every day is enlightening, inspiring, serendipitous. We go from urban to rural, pastoral lands and back to urban, from main streets into forest and into neighborhoods “tourists” would never see. There is so much to see, in fact, all along the way you have to make choices, which is why so many people come back multiple times. Indeed, this is my second Cycle the Erie tour.

This is no typical bike tour.

In the first place, it is one of the best managed, organized and supported bike tours you will ever experience – the 2017 ride (the 19th annual Cycle the Erie) which coincided with the bicentennial of  beginning the building of the Erie Canal, July 4, 1817 – had a record 750 cyclists. The bicentennial of the opening of the Erie Canal will be held in 2025 (I’m already making plans.)

Our ride is supported by 90 volunteers and you appreciate each and every one: people who go out and mark the trail for us to follow; truck drivers and baggage handlers; SAG drivers and bikers who are there to help if someone has difficulty on the trail; rest stop crew; food service people; bike repair mechanics; medical nurse; site-set up crew; even a massage therapist and yoga instructor.

Massage therapy after a day of cycling the Erie Canalway © Karen Rubin/ goingplacesfarandnear.com

What is most impressive is how everything seems to be taken into account – texting is with a severe weather alert or some emergency, orientations that let us know what to expect from the trail and what to watch out for and what weather conditions to expect, what attractions to look for along the way, the best places to stop off for lunch and the best ice cream stops and trailside breweries, even cycling safety talks (done with great creativity and humor). Shuttle buses are organized to take us from the campsite into town for the evening; they arrange for indoor camping (typically the school gym) as well as Comfy Campers (a service that sets up tent for you, the closest thing to glamping). There are shower trucks to supplement the indoor facilities; access to swimming pools; charging stations.

Fairport community puts out the welcome mat for Cycle the Erie riders © Karen Rubin/ goingplacesfarandnear.com

The routes are well marked and signed, and there are as rest stops morning and afternoon with water and snacks and restrooms. Very often the towns and villages set up welcome centers for us on the trail with special snacks and bottles of water that supplement the rest stops. Museums and attractions stay open, early in the morning or into the evening to accommodate us; we get discounts on admissions, shopping and free shipping just by waving our Cycle the Erie wristband.

Our tent city at the base of Fort Stanwyx, Rome. For those who don’t want to pitch their own tent, Comfy Campers provides a service that feels like glamping © Karen Rubin/ goingplacesfarandnear.com

The trail makes for superb cycling – most of the 400 miles are on the dedicated multi-use trail, about 75 miles on roads (that is, until the trail is completed which is in the works by New York State). Much of the trail is crushed limestone; some of it is more rugged or overgrown (making it challenging when it rains); some is paved. The trail is mostly flat except for where we come off and ride the highway overpasses to get to our campsites, most typically on gorgeous grounds of private schools (which amazingly always seem to be at the top of a hill), and then we get to see neighborhoods that we would otherwise be unlikely to visit.

Riding the Erie Canalway. The 19th Annual Cycle the Erie 400-mile ride had a record 750 riders © Karen Rubin/goingplacesfarandnear.com

And the people! A trip like this brings like-minded people who enjoy camping, biking and discovery from across the country and around the world, and who very soon form a whole nomadic tribe. Sitting around tables at breakfast and dinner, or catching up with people on the trail, and finding people who step up to help with setting up a tent or fixing a broken pole, there is this marvelous sense of community and camaraderie. This year’s ride – with the most riders ever – drew people from 36 states including DC, 15 from Canada, as well as from as far away as Denmark, Sweden, Switzerland and the United Kingdom; the oldest rider was 84 (doing the ride for her 12th time); the youngest was 3, but the youngest self-powered cyclist was just 8 years old. Three-fourths of us are doing the ride for the first time. There were families, groups like Troop 497 from Baltimore, and lots of solos. One couple rode to the start in Buffalo from Canada and was linking this 400-mile trip to biking down to New York City.

The Demeritt Family with their boys aged 4, 8, 11, from Malta NY. Sam Demeritt, age 8, was the youngest rider pedaling the 400 miles on his own © Karen Rubin/ goingplacesfarandnear.com

The unexpected treat is how fascinating the historic sites are along the way – it is so intellectually and culturally satisfying. In addition to organizing our visits so that attractions stay open for us either early in the morning or into the evening, each day there are lectures or special programs, like music.

Every day’s ride – averaging 50 miles a day but as much as 63 – is special in its own way – the sights, the experiences, the ride and its physical challenge. First timers tend to focus on the ride – making sure they can complete the distance (we travel at our own pace). But those who have done the ride before know they will be able to go the distance, so take more time to take in the sights; third timers or more explore even further afield – take that yellow brick road up to the Oz Museum, go for that farm-to-table restaurant for lunch, stop in at the brewery or ice cream shop.

Cycle the Erie riders get a tour of the Peppermint Museum, the H.G Hotchkiss Essential Oil building, in Lyons © Karen Rubin/goingplacesfarandnear.com

This was my second time doing the ride – I did it two years before. There is so much to do – so many attractions and sites and experiences – that I tried as much as possible to do things I hadn’t done on the first ride. And then there is pure serendipity, like weather, which makes a terrific difference in the experience. Knowing what to expect (and that you have done the distance before) gives you the extra confidence to take more time to explore.

Registrations have just opened for the 2018 ride, it’s 20th Annual Cycle the Erie bike tour, which will take place July 8-15. (If you don’t want to do all eight-days, 400-miles, they offer two and four-day segments but then you would have to organize getting back to your starting place.)

And We’re Off! 

The tour begins in Buffalo and a good portion of us drive to Albany where we pull up to the Visitors Center, drop off our gear, then park in the adjacent municipal lot before boarding buses for the five-hour drive to Buffalo, where we camp at the Nichols School, a magnificent private academy. (If you don’t want to set up your own tent, you can sign up for Comfy Campers, a service which sets up a truly comfortable tent, with air mattress and fresh towel daily; there is also “indoor camping,” typically in the gymnasium at the schools where we stay. There also are recommended bed-and-breakfast inns along the way.)

The bus ride from Albany to the Buffalo start of the 400-mile Cycle the Erie bike tour gives peeks at the New York State countryside that will be seen from the Canalway © Karen Rubin/goingplacesfarandnear.com

Our journey begins on Saturday night before the start of the ride on Sunday, on the campus of the Nichols School, a magnificent private academy in Buffalo, where we have a welcoming reception and gala dinner, and an orientation about the Erie Canal and our route  (Those of us who are here early enough can join an optional pre-tour ride to Niagara Falls and around historic Buffalo, but those of us who have come by bus from Albany arrive just in time to register and enjoy a festive kick-off reception and dinner and orientation meeting.)

The Erie Canal was the most successful public works project in America. Despite its cost ($7.7 million, the equivalent of $18 billion today), the opposition to the folly of Governor DeWitt Clinton’s “ditch” (nothing really changes) and the fact that the new nation did not even have the engineers nor the technology to build such a canal when the first shovel was put into the ground in Rome, on July 4, 1817, the canal actually quickly recouped its investment. In fact, the original canal only lasted until 1836, when it was essentially rebuilt and expanded, and then again, by President Theodore Roosevelt who redirected and replaced the Modern Barge canal altogether in 1903. No longer a “mom and pop” operation where barges and packet ships were pulled by mules, the new canal involved motorized boats.

Day One: Sunday, Buffalo to Medina, 54 Miles

Unlike my first time doing the Erie ride, when we all left at once with great fanfare, this time, we leave the campsite as every other morning, at our own pace (except that we have to get our gear on the trucks between 6 and 8 am and have breakfast (5:30-8:30 am).

Every morning during breakfast there is an orientation to that day’s ride (given twice, once for the early birds, 6:30 am and once for the rest of us, 7 am). They prepare us for road conditions, the weather forecast, alert us to any safety issues in the route, tell us about upcoming attractions we will come upon. We ride at our own pace.

We form a line of cyclists on the five-miles we ride through Buffalo’s streets before we get to the entrance to the Canalway The streets are well marked and there are police to help us through thoroughfares. It is exhilarating to be setting out.

At the start of the Erie Canalway in Buffalo, where the bike trial has brought new housing and revitalized communities © Karen Rubin/goingplacesfarandnear.com

We ride a new section of the Canalway into Lockport – indeed, the goal of this annual 8-day, 400-mile ride is to raise money and awareness to close the gaps. And it’s worked! New York State now has an ambitious program to not only complete the entire Buffalo-Albany trail, but to create a new north-south trail, the Empire State Trail, that will link New York City to the Canadian border – 750 miles of off-road trails all together. This would be the longest state ‘shared use’ trail in nation.

Blue paint along our route points the way to a historical/attraction (for example, the Buffalo Niagara Heritage Village); orange paint on road shows us the way to bike to our destination. There are markers before and after each turn.

We reach a rest stop at 17 miles before coming into Lockport.

Biking into Lockport on our first day of the eight-day, 400-mile Cycle the Erie bike tour © Karen Rubin/goingplacesfarandnear.com

This day brings us into Lockport, where they have arranged for anyone who wants, a free 1 ½-hour-long cruise on the canal through two locks.

Here in Lockport, you get to see in the most compressed amount of space, the entire history of the Canal, with the original Flight of Five locks just next to modern locks (the only place where there is a double lock, one after another), combined with the story how the Erie Canal spurred America’s industrialization.

The 20th Annual Cycle the Erie Canal ride is scheduled July 8 – 15, 2018 (www.ptny.org/canaltour). In the meantime, you can cycle the trail on your own – detailed info and interactive map is at the ptny.org site (www.ptny.org/bikecanal), including suggested lodgings. For more information on Cycle the Erie Canal, contact Parks & Trails New York at 518-434-1583 or visit www.ptny.org.

Information is also available from the Erie Canalway National Heritage Corridor, Waterford, NY 12188, 518-237-7000,www.eriecanalway.org.

More information about traveling on the Erie Canal is available from New York State Canal Corporation, www.canals.ny.gov.

Next: 

Cycle the Erie, Day 1: In Lockport, See Erie Canal Engineering Marvel, ‘Flight of Five’, Cruise Thru Double Locks, and Go Underground to Fathom Rise of Industrial Revolution

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

At Sonesta Philadelphia Rittenhouse Square, Art is More than a Theme, but a Mission

Sonesta Philadelphia’s LiquidArt served in its artful ArtBar (photo courtesy Sonesta)

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Philadelphia is like hopping from time-capsule to time-capsule because you go from one authentic site where events happened, where the Founders and builders of this nation actually stood, to another. Come, time-travel with me. And the best way to appreciate it – and be wonderfully surprised at ever twist and turn– is to walk. That’s how you come upon things you never considered – the historic markers which point out where Wanamaker’s Department Store was, the Ricketts Circus, the American Philosophical Society (founded by Ben Franklin). I practically fall over what closer inspection tells me is the very townhouse where Thomas Jefferson stayed when he wrote the Declaration of Independence (called “Declaration House”), a short walk from Independence Hall.

But I soon appreciate something more: an arts tradition that is infused throughout: the breathtaking majesty of City Hall built in the Second Empire Style; an Art Deco “Automat” sign; the stunning Art Deco architecture of a building, gorgeous giant murals that pop up out of nowhere, indeed the streetscape.

Walking about Philadelphia, you come across surprises like this Art Deco building © Karen Rubin/goingplacesfarandnear.com

This is why it is so terrific that my hotel, the Sonesta Philadelphia Rittenhouse Square, in downtown Philadelphia, is so well located: because it’s only by walking to places that you can really enjoy these visual surprises.

It’s the afternoon when I arrive at the Sonesta (a parking garage is adjacent for added convenience) and after checking in, I have just enough time to explore one attraction on my list.

I set out down Market Street, walking through the magnificent City Hall, designed by John McArthur Jr and constructed between 1871 to 1901 within Penn Square (you can stand on a pedestal placed there to take photos of yourself as a monumental statue) and head down toward the historic district that surrounds Independence Hall. You appreciate the changes in style as traveling through époques.

This becomes my route over the course of my three days in this city, each time setting out on foot and delighting in discovering architecture, historic sites, colorful murals painted across entire building facades. And each evening, I find myself drawn to Rittenhouse Square, a few blocks away, which is hopping with activity and color, with quaint restaurants, taverns and shops alongside the charming urban park.

Sonesta Philadephia is a short walk to Rittenhouse Square where there are pleasant restaurants © Karen Rubin/goingplacesfarandnear.com

The Sonesta Hotel’s location makes all of this possible.

The Sonesta has everything you would want in a city-center hotel (there is even a rooftop swimming pool, in season), an ArtBar where you can have cocktails, Ruth’s Chris Steakhouse for dining, a gallery that showcases local artists. It is ideal as a base for business travelers as well as for those coming for a convention (the state convention center is walking distance) or meetings (it has 16,000 sq. ft. of meeting space and 16 conference rooms), like the conference of literary writers who are in attendance during my visit (I wished I could have hung out more with them). But I am visiting for a family occasion, and looking around at the other guests holding flowers and centerpieces and guest-bags, there are many of us who are similarly celebrating, as well as scores of visitors from around the world who appreciate having such a comfortable hub for our expeditions.

The parking garage, which is independently owned and operated,  is attached to the hotel and is valet only, which is really convenient (you can check out and store your bags with the bellman and keep the car there until you are ready to pick it up; some packages include parking or discounts on parking; other options including a municipal lot, are also in the area).


The Sonesta Philadelphia’s rooftop pool, open in season (photo courtesy Sonesta)

The rooms are spacious, stylishly appointed in what I refer to as “retro modern,” and very comfortable with plush bedding and bathroom amenities (my stay was hosted by Sonesta). All the rooms have been redesigned and include: flat-screen LCD televisions, complimentary wireless internet service, in-room safe, iHome docking station for iPhone 4, coffee maker, and mini-refrigerator. (Feather and fragrance-free rooms are available upon request.)

Club Level Guest Rooms also feature Keurig coffee machine, bottled water, plus access to the Sonesta’s club lounge where you are provided continental breakfast daily (with one hot upgraded item), snacks throughout the day; hot and cold hors d’oeuvres; two adult beverages in the evening.

My room at the Sonesta Philadelphia © Karen Rubin/goingplacesfarandnear.com

All the rooms have beautiful views of the city; the Junior One-Bedroom Suites feature a stunning view of City Hall, and has a chic living room with contemporary décor flowing into a separate modern bedroom, Queen sleeper sofa, refrigerator, wet bar, oversized bathroom with dressing area, large work station, bathrobes in addition to the other amenities.

There are also two-room King Suites and a Presidential Suite.

Guests in Executive Club Floor rooms enjoy a complimentary continental breakfast and evening refreshments in a private lounge with their accommodations on weekdays; on weekends, Club Level room guests receive two complimentary drink tickets for beer or wine at the Art Bar and a $10 breakfast voucher in the Art Bar.

Embracing & Promoting Philadelphia’s Arts Tradition

Philadelphia is a city whose appreciation for the arts is legendary, and the Sonesta is helping to promote that tradition, in its architecture, interior design, food presentation, and in its collaborations with the local art community and city.

I soon realize why its lounge is the ArtBar and why the visual arts provide a vibe for the re-designed and art-inspired hotel: it’s more than a theme, it’s a mission. The Sonesta Hotel Philadelphia embraces and fosters the creation of art in the hotel and the community by partnering with the Center for Emerging Visual Artists. Its in-house art gallery located in the lobby, showcases paintings by local artists which are available for purchase; the gallery rotates every 6 months.

It is also promoting the City of Philadelphia Mural Arts Program, with a record-breaking mural, 22-stories high, alongside its façade. The mural was completed in just two weeks time.

“We’re so committed to Art, we tattooed it on our face.”

Philadelphia is a city whose appreciation for the arts is legendary, and the Sonesta Philadelphia has partnered with Open Source on their citywide exhibition that is bringing 14 international artists to Philadelphia. These artists’ practices vary widely, from sculpture to community muralism to street art. They are working with the City of Philadelphia Mural Arts Program to create a new series of public artworks that explore and illuminate Philadelphia’s diverse urban identity. The Sonesta Hotel Philadelphia is a central Open Source venue and a hub for talks, tours, visual documentation, and direct engagement with staff, artists, and curator Pedro Alonzo.

The artist who is executing the mural on the hotel’s  25-story facade is “Momo” from New Orleans, who is regarded as a standard-bearer for abstraction in street art. “Momo” has since transitioned into creating large-scale murals in countries all over the world, including as a perennial participant in Italy’s legendary FAME Festival. (For more information on Open Source Mural Arts, visit http://opensource.muralarts.org/)

One of the magnificent murals that grace Philadelphia’s streetscape © Karen Rubin/goingplacesfarandnear.com

The City of Philadelphia Mural Arts Program Is the nation’s largest public art program, “dedicated to the belief that art ignites change. For 30 years, Mural Arts has united artists and communities through a collaborative process, rooted in the traditions of mural-making, to create art that transforms public spaces and individual lives.” Mural Arts engages communities in 50–100 public art projects each year, and maintains its growing collection through a restoration initiative. Each year, 12,000 residents and visitors tour Mural Arts’ outdoor art gallery (including docent-led trolley and walking tours between sites, as well as audio guides and maps for self-guided visitors, which has become part of the city’s civic landscape and a source of pride and inspiration, earning Philadelphia international recognition as the “City of Murals.”

I come upon some of these impressive murals as I walk to the historic district.

Philadelphia’s impressive City Hall © Karen Rubin/goingplacesfarandnear.com

I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation through, as it were, original documents, materials and artifacts, at a time when we need to be reminded. During this all-too-brief time, I also visited the National Museum of American Jewish History, the Benjamin Franklin Museum, Betsy Ross House and the National Constitution Center. But I can’t wait to return and delve into the city’s rich arts tradition.

Sonesta Philadelphia Hotel Deals Year Round

The Sonesta Philadelphia is located close to the Convention Center, Financial District and Rittenhouse Square, and a pleasant walk to the Historic District. There are numerous special rates and packages geared to business travelers, AAA members, government employees and visiting college students as well as property specific seasonal offers and deals tied to special events

Package deals, which can be found at the website, are available, including Art of Romance Valentine’s Day Package (champagne, breakfast in bed and 2 pm late check out); VisitPhilly Overnight Winter Package, includes valet parking and winter attraction tickets; Bed and Breakfast package; Ruth’s Chris Steakhouse Package includes $100 gift card to the steakhouse (located in the hotel) and free parking. There is also a “best available rate” option. A Winter sale going on now offers 20% off.

Sonesta Philadelphia Rittenhouse Square, 1800 Market Street, Philadelphia PA 19103, 215-561-7500, www.sonesta.com/us/pennsylvania/philadelphia/sonesta-philadelphia-rittenhouse-square.

Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.

 

See also:

National Museum of American Jewish History is Unexpected Revelation in Philadelphia 

Philadelphia’s New Museum Immerses You into Drama of America’s Revolutionary War

72 Hours in Philadelphia: Ben Franklin, America’s Revolutionary ‘Elder Statesman,’ Would Have been Quite at Home in 21st Century 

72 Hours in Philadelphia: Meet Betsy Ross: A Thoroughly Modern Woman

72 Hours in Philadelphia: A Visit to the National Constitution Center Exposes Contradictions in ‘We the People’

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

72 Hours in Philadelphia: A Visit to the National Constitution Center Exposes Contradictions in ‘We the People’

The National Constitution Center puts life into this founding document. In Signers Hall, walk among life-size statues of the 42 Founders who hashed out the framework for ‘We the People’ government © Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

There is a cold, institutional feel to the National Constitution Center – as if you fell into a law book. And oddly, even though this place more than any other, recognizes the impact of words on paper – the decisions, pronouncements, laws – on each and every person’s everyday life, there is that struggle between the “rule of law” without fear or favor, that objective, dispassionate application, and any sense of what is right and good for ordinary people. What emerges is a sense that law and government, like evolution, is not good or bad, but reflects politics and power: look at the restrictions on voting to “white men over 21;” the Dred Scott Decision based on 5th amendment property rights; the evolution of rulings that elevate corporations to the status of people (despite fact “corporation” is not mentioned in the Constitution) including Citizens United which established that cash is equivalent to speech and corporations have a right to spend as much as they want on political speech regardless if it is corporations spending the cash or a person (so speech is not really “free”, but whoever has more cash has more speech) and Hobby Lobby which determined that corporations could possess religious “conscience” in order to deny their female employees access to contraceptives.  You realize that the progressive change on behalf of ordinary people occurred during brief episodes.

I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation through, as it were, original documents, materials and artifacts, at a time when we need to be reminded – everything from the off-hand comment by Trump Chief of Staff John Kelly that the Civil War could have been averted if only there were compromise (he should go to the National Constitution Center), to the quixotic amazement of a US Treasury official pining on his research into what’s this thing, “The American Dream,” all about before adopting the biggest redistribution of wealth since the Gilded Age, to the pronouncements by some politicians that America is a Christian Nation, to Trump’s remarks about immigrants coming from s-hole countries. I felt a driving need to go back to the beginning, the foundations, remind myself of those values and debates and compromises and circumstances.

So far, during my three-day visit to Philadelphia, I have visited the new Museum of the American Revolution, the National Museum of Jewish American History, the Ben Franklin Museum, the Betsy Ross House, the Old Burial Ground – each one adding to my understanding and appreciation of the founding values of this nation – and now I have arrived at my last stop, the National Constitution Center.

The National Constitution Center, which opened in 2003, is on federal land but is a private, independent, nonprofit, nonpartisan institution. It is the first and only institution in America established by Congress to “disseminate information about the United States Constitution on a non-partisan basis in order to increase the awareness and understanding of the Constitution among the American people.” Its mission is to spark constitutional debates that impact citizens and inspire active citizenship.

“As the Museum of We the People, the Center aims to bring the Constitution to life for visitors of all ages through interactive programs and exhibits that include coming face to face with original documents, rare artifacts and hearing personal stories. As America’s Town Hall, the Center brings the leading conservative and liberal thought leaders together to debate the Constitution on all media platforms. As a center for Civic Education, the Center delivers educational programs and online resources that inspire, excite, and engage citizens about the U.S. Constitution.”

I arrive just in time for a multi-media orientation experience, “Freedom Rising” in a theater that has the metallic feel and design of a 21st century dystopian gladiator arena. For some inexplicable reason there is a live person who is not so much a narrator as a ringmaster as video images flash around the ceiling so you can’t fully see them or process them.

‘Freedom Rising’

“Freedom Rising” is intended to highlight the primary themes of the main exhibit gallery, making an effort to tell the story of “We the People” in two senses of that phrase: First, the Constitution’s vision of “popular sovereignty,” or rule by the people; Second, how the definition of citizenship has expanded over more than 200 years of American history to gradually include those who were left out in the 18th century – white men without property, women, African Americans, other people of color.  It rang hollow to me.

‘Freedom Rising’ is presented in an arena-like setting at the National Constitution Center © Karen Rubin/goingplacesfarandnear.com

You walk out of the arena to the Richard and Helen DeVos Exhibit Hall, which is designed as two concentric rings. The outermost ring is presented chronologically with 13 sections which relate American history through the lens of the Constitution from 1765 until today and a central ring focused on civics and how government operates.

Exhibits along the outermost ring use multiple techniques to bring the story to life: a short general video introduction to each section; text-and-graphic based story panels and reading rails; maps and images; game-like computer interactives; video and audio segments focusing on specific historical moments; selected artifacts; and walk-in immersive environments that render key ideas, moments, and stories in three dimensions.

For instance, you enter a re-creation of the floor of the Senate during the impeachment trial of Andrew Johnson and listen to the debate; you can step into a 1940s living room and hear one of Franklin D. Roosevelt’s famous fireside chats playing on the radio.

A device that is used to fairly good effect is presenting a major Supreme Court decision or milestone event as if told as a news story that day, making it more immediate and relevant.

The “Founders’ Library,” presents a sampling of the books that the Library Company of Philadelphia made available to the delegates during the Constitutional Convention – giving visitors a sense of the intellectual origins of the Constitution and make it more accessible.

What’s on that bookshelf that helped shape the Constitution? Jonathan Swift’s Gulliver’s Travels, King James Bible, Magna Carta, Machiavelli, John Locke, Cato’s Letters, Baron Montesquieu, David Hume, Sir William Blackstone, Adam Smith, Thomas Jefferson, Thomas Paine, John Adams, John Dickerson, among others. What’s missing: anything about the Iroquois Confederacy which provided a framework for democratic leadership and a confederation of states, not to mention women’s rights.

Other features include the Civil War alcove, an exploration of the turning point year of 1863, which features a rare copy of the Emancipation Proclamation signed by Abraham Lincoln as well as pages from an autograph book with the only-known Lincoln signature from the day that he gave the Gettysburg Address. Here I encounter a docent who lets us handle some artifacts from the Civil War.

I pose to him my theory that the Civil War could have been avoided had the slave-holding states accepted the entreaty from Zachariah Kingsley, a plantation owner in Florida, which was part of Spain until 1845 when it became part of the United States and subject to its laws regarding slavery; he entreated Congress that the United States use the Spanish model of slavery that was much less cruel (if any form of slavery could be less cruel), that provided a pathway to freedom and did not automatically enslave future generations. It was ignored. (I saw a copy of Zachariah Kingsley’s letter to Congress at Kingsley Plantation on Fort George Island near Jacksonville, Florida which stuck in my mind, “What if…”.)

You also can see a fascinating display of archeological artifacts from the late 1700s that were uncovered at the site of the National Constitution Center between 2000 and 2003, only two blocks from Independence Hall where the Constitution was drafted. These historic treasures illuminate daily life in Philadelphia as a new nation was being born.

The Central Ring through the main gallery explores how the constitutional system works through a series of immersive, interactive exhibits designed with families and school groups in mind. Visitors have the opportunity to learn about the great rites of democracy, such as serving on a jury or voting.

Role-playing is a key component of the central path. In one of the most popular displays, you can stand behind a presidential podium and take the oath of office. You can try on a judge’s robe, sit at a replica of the Supreme Court bench, and decide landmark cases selected to illustrate the broad range of constitutional issues that come before the court: Katz v. United States is a wiretap case involving the Fourth Amendment and issues of privacy; Texas v. Johnson, the flag-burning case, tested the protection of the First Amendment; United States v. Nixon, the Watergate tapes case, involved separation of powers and executive privilege.

The American National Tree, another prominent exhibit, tells the stories of 100 Americans – a few of them well known, but most of them unheralded. By selecting their faces streaming by on touch screens, you can read and hear how these noteworthy Americans have shaped constitutional history.

The recent discussion on the Senate floor over the government shutdown was reminiscent of this scene in Signers’ Hall at the National Constitution Center © Karen Rubin/goingplacesfarandnear.com

People really enjoyed Signers’ Hall, where you walk into a stylized evocation of the Assembly Room in the Pennsylvania State House, known today as Independence Hall, where the delegates to the Constitutional Convention met in Philadelphia during the summer of 1787. The room is “peopled” with life-sized bronze statues of 42 men: the 39 delegates who signed as well as the three present on September 17, 1787, who refused to sign. We are encouraged to walk among them and to consider them as real people, imaging the dilemma they faced in creating the framework for a new nation founded on “We the People” –  choices that still impact the nation, the oldest continuously surviving democratic republic. You also can add your name to a digital version of the Constitution alongside the Founding Fathers’ signatures.

Notably, Thomas Jefferson and John Adams, signers of the Declaration of Independence, are not represented in Signers Hall because they were both serving as ambassadors overseas (Jefferson in France and Adams in England) during the Constitutional Convention. Several other famous Founding Fathers who were not signers of the Constitution include John Hancock, Samuel Adams and Patrick Henry.

The statues in Signers’ Hall were created by some 50 artists – sculptors, designers, costumers, mold makers – at Studio EIS in Brooklyn, who used numerous historical sources, including portraits and written descriptions, to create the most accurate likenesses possible. The project began in early 2001 and was completed in May 2003.

Unanswered Questions: How Democratic are We?

I come away with a few new insights, but few answers to long-lingering questions I have harbored:

Everything George Washington does as president sets a precedent, including doing the unimaginable of stepping down after two terms when many wanted him to be president for life. (But having visited the Museum of the American Revolution, I wonder what would have happened if Washington had been younger and not so anxious to retire to Mount Vernon, if he would have been so interested in giving up presidency.)

We learn that slander and scandals have always been a part of the political process: A Federalist called Jefferson “a Godless man whose election would lead to reign of terror, like France.” Republicans claimed John Adams was “a British-led tyrant bent on enslaving us.”

The Supreme Court’s infamous Dred Scott Decision was based on a ruling which found that Congress in its 1820 Compromise deprived slaveholders of their 5th Amendment property rights.

I learn that 1824 was the first presidential election that counted the popular vote (though I don’t really understand what that means, to “count” the popular vote.) On the other hand, it renews a question that I had ever since visiting the Women’s Rights National Monument in Seneca Falls, NY: Without any change in the Constitution that gave voting rights only to “white men with property,” suddenly, in that election, white men without property were allowed to vote. And yet, it took the 15th amendment in 1870 to give Black men the vote, and the 19th amendment in 1920 to finally give women the vote. I’ve never seen anyone question how without any change in the Constitution, all of a sudden, white men were allowed to vote, and it enabled –Andrew Jackson, who lost in 1824 to John Quincy Adams, to win his election in 1828.

When freed black men also turned up to vote, states passed laws restricting voting to “white men over 21”.

Benjamin Franklin, “The Sage” is the only Founding Father to have signed all four of the major documents of the founding of the United States: the Declaration of Independence, the Treaty of Alliance (1778) with France, the Treaty of Paris that ended the Revolution (1783) and the United States Constitution (1787), though he was sick and suffering in pain during the Constitutional Convention and died shortly after, in 1790 © Karen Rubin/goingplacesfarandnear.com

I learn that the Bill of Rights, adopted in 1791 (itself a compromise because there were states that would not ratify the Constitution without a Bill of Rights, which are the first 10 amendments) only applied to federal law. In recent decisions, the Court ruled that their protections apply to states because certain rights are so fundamental, they are incorporated in amendment guarantee of due process.

“Like the preamble of Declaration of Independence, the Bill of Rights at the time of ratification was largely a promissory note. It was not until the 20th century when the Supreme Court vigorously applied the Bill of Rights against the states that the document becomes centerpiece of the contemporary struggle over liberty and equality. It defends the majority against an overreaching federal government but also against overreach by the state.”

What you appreciate, though, is that through all of American history, there have been “firsts” – challenges or unsettled issues of the Constitution. It was never fixed or complete. The Founders designed the Constitution to be a “living” document. So-called “originalists” who pretend to divine what was in the mind of the Founders are just that: pretenders.

A new display is an “Interactive Constitution”, where you can click on the freedoms of the Bill of Rights to see the documents that were used.

There are hands-on materials. For example, you can try on a black robe of a Supreme Court justice.

When I am visiting, I am lucky enough to see an original copy of the Bill of Rights on view in the George H.W. Bush Gallery before it was sent back to New York. It is one of 12 original copies that survive. (North Carolina’s was stolen during the Civil War but was returned in 2003 with the help of the National Constitution Center, which  informed the FBI after being told they could have it back for $4 million ransom). This copy, is shared by New York and Pennsylvania which alternates every three years (it now has gone back to New York, where you can see it on camera).

There is also a first-edition Stone Engraving of the Declaration of Independence and an original copy of the US Constitution.

The National Constitution Center has some cavernous spaces; from the picture window, you can see out to Independence Hall where the Constitution was signed in 1787 © Karen Rubin/goingplacesfarandnear.com

I’m not sure that what I came away with was the message that the Center intended: Instead of assurances that the Framers created mechanisms – fool-proof checks-and-balances – to insure a democratic republic would withstand every challenge, I am shaken by the realization of how wrong those in power, with the ability to set laws, decide laws and implement laws, have been (think Dred Scott, Citizens United). It seems that it has been a matter of luck that has let us survive this long, but one wonders how would we survive a “perfect storm” of various levers breaking down against threats that the Framers could never have foreseen, like an election that was stolen by a foreign adversary, or a president who used his office to personally profit, who sold favors to a foreign government and then defied a subpoena. Andrew Jackson defied the Supreme Court’s ruling that his Indian Removal Act was unconstitutional, daring the court to bring its army to force him to do its bidding.

I went in wondering if it would address some of the questions that I have long harbored: did the Salem Witch Trials play any part in the Founders’ interest in preserving Religious Freedom? What role did the Iroquois Confederacy play in the writing of the Constitution? How does the notion of “originalism”  – the pretense of knowing what the Founders intended – carry sway since the Constitution was clearly not perfect, the Founders were not omniscient and could not predict technology of today, were not Gods, knew their own human fallibilities in devising a system of government that had never been seen before, as well as the need to compromise on such issues as slavery in order to forge a union and the fact we have already adopted 27 amendments?

The Constitution already has provision for impeachment (for “high crimes and misdemeanors”), already has an Emoluments clause, more recently adopted a 25th Amendment to provide for a President who is “unable” or unfit, but what provision is there to “re-do” (or nullify) an election that is stolen – votes literally being switched in an e-ballot box – using the advanced technology of today? I wonder about the changes that need to be made in light of expanded population and new technologies, but that are resisted.

For example, the Founders never imagined the powerful role that political parties would play – indeed, had to immediately change the procedure for “electing” the President and Vice President – but the present system almost guarantees a President elected by a minority of voters. The Electoral College, which functions mostly by tradition and not by law, but was created as a check against populism at a time when communications were slow, voting confined to a small elite, has already been demonstrated to be obsolete in its function by twice selecting as President a candidate who lost the popular vote, not to mention that it nullifies the ideal of “one person-one vote” because it gives so much unequal representation to small-population states over high-population states (as does the Senate). The Founders never imagined the fire power of an assault weapon at a time when the most sophisticated personal weapon was a single-ball musket.

I don’t find the answers to my questions.

Constitution Heritage Act

A permanent memorial to the Constitution was first proposed around the celebration of the centennial of the Constitution in 1887. It did not begin to take shape until the idea was proposed again 100 years later during the document’s bicentennial celebration in 1987.

President Ronald Reagan signed the Constitution Heritage Act of 1988 on September 16, 1988. The act directed the establishment of the National Constitution Center, an institution “within or in close proximity to the Independence National Historical Park” that “shall disseminate information about the United States Constitution on a nonpartisan basis in order to increase awareness and understanding of the Constitution among the American people.”

The National Constitution Center, which opened in 2003, is the first and only institution in America established by Congress to “disseminate information about the United States Constitution on a non-partisan basis in order to increase the awareness and understanding of the Constitution among the American people.” © Karen Rubin/goingplacesfarandnear.com

The Center opened on July 4, 2003, at 525 Arch Street (the date itself was significant, translating to May 25, 5/25, the date that the Constitutional Convention began in Philadelphia in 1787) in Philadelphia’s Independence National Historical Park, “America’s most historic square mile.” Designed by the architectural firm Pei Cobb Freed & Partners, the building is made of American products, including 85,000 square feet of Indiana limestone, 2.6 million pounds of steel, and a half-million cubic feet of concrete. The limestone used in the building is from the same quarry as the Empire State Building’s materials.

The National Constitution Center owns a rare, original copy of the first public printing of the Constitution. This printing was published in a newspaper, The Pennsylvania Packet and Daily Advertiser, on September 19, 1787—two days after the Constitution was signed. Since the Constitutional Convention was conducted under an oath of secrecy, this printing represents the first time that Americans (“We the People”) saw the Constitution. (The original signed, handwritten Constitution is at the National Archives in Washington, D.C.)

Now is an especially exciting time for visitors because the Center is displaying the rarest handwritten drafts of the U.S. Constitution through 2019.

In addition to exhibits, visitors can enrich their visit with daily museum programs or a Living News performance.

In Living News, today’s headlines are brought to life in a dynamic performance incorporating video, contemporary music, and current news broadcasts. Featuring three engaging actors who play multiple roles, Living News introduces controversial constitutional issues and encourages audience members to explore their own points of view during a post-show discussion.

Visitor amenities include The Delegates’ Cafe, a glass-enclosed restaurant providing the backdrop of historic Independence Mall, as well as a Museum Store, offering a wide range of gifts, books, apparel, jewelry, and toys.

The National Constitution Center also houses the Annenberg Center for Education and Outreach, the national hub for constitutional education, which offers cutting-edge civic education resources both onsite and online.

Constitution Daily Blog: constitutioncenter.org/blog

We the People Podcast: constitutioncenter.org/podcasts

America’s Town Hall Programs Live:  constitutioncenter.org/live

The National Constitution Center is located steps from Independence Hall, where the Constitution and the Declaration of Independence were signed.

You need a minimum of 1 hour to visit, but more likely will spend at least two to three hours.

General Admission to the museum and daily programming: Adults $14.50; Youth (6-18) $11; Students w/ID, Seniors $13. Members, active military personnel, and children ages 5 and under admitted free.

The National Constitution Center, Independence Mall, 525 Arch Street, Philadelphia, Pennsylvania 19106, 215-409- 6700, constitutioncenter.org.

Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.

See also:

National Museum of American Jewish History is Unexpected Revelation in Philadelphia 

Philadelphia’s New Museum Immerses You into Drama of America’s Revolutionary War

72 Hours in Philadelphia: Ben Franklin, America’s Revolutionary ‘Elder Statesman,’ Would Have been Quite at Home in 21st Century 

72 Hours in Philadelphia: Meet Betsy Ross: A Thoroughly Modern Woman

 

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

72 Hours In Philadelphia: Meet Betsy Ross: A Thoroughly Modern Woman

As she sews, “Betsy Ross” chats about her life as a single working woman in Revolutionary America and her experience making America’s first flag in her upholstery shop at the Betsy Ross House in historic Philadelphia © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My third day of my deep-dive into Revolutionary War America in Philadelphia is devoted to exploring key figures and sites that I have never visited before: Benjamin Franklin Museum, the Betsy Ross House and the National Constitution Center. I especially appreciate what I am seeing after my visits to the newly opened Museum of the American Revolution and the National Museum of Jewish American History in the first two days.

Betsy Ross was a pistol.

The Betsy Ross House, in Philadelphia’s historic district best known for Independence Hall, proved a real surprise.

I realize that all I know of Betsy Ross is that she created the first American flag. But this museum, which is operated as a private, nonprofit attraction, really conveys what a significant figure she was – independent when few women had any independence at all, a true patriot who was courageous in working on behalf of the Revolution. And, like Ben Franklin, what a modern person she was, who I can believe, would have been at the front of the Women’s Marches waving a feminist flag of her own design.

The Betsy Ross House is operated as a private, nonprofit attraction in historic Philadelphia. The small size belies the big picture that awaits inside © Karen Rubin/goingplacesfarandnear.com

Her story would be worthy of a drama: She was shunned by her Quaker family for eloping (at age 21) with John Ross, a man of a different faith (the son of an Anglican Reverend) – imagine running off and marrying for love in 1773. She was independent: soon after they were married, John, who had joined the local militia, was killed and she found herself a widow who had to fend for herself. Because they had no children, she was able to keep her property. She rented a room in this townhouse, as well as a shop on the street level where she had her own business sewing upholstery and throughout her life was a savvy businessperson.

She would have known General George Washington from Christ Church which the young couple attended.

You traipse through the small house – to the room she rented in what was a boarding house (not just women), and realize how unusual this is, and then, as you descend the stairs into the shop, much to my surprise, you meet Betsy Ross herself, sewing some fabric. You get to ask her questions about her life.

The room that Betsy Ross rented where she sewed the flag in secret © Karen Rubin/goingplacesfarandnear.com

I ask her what the date is – Nov. 5, 1776 – and really get into the spirit of the thing, knowing that she will only answer questions up to that point, when I know what comes next.

She has been working on the flag in secret, upstairs in the room, where she keeps it hidden under fabric.

Why did she take the risk? “My late husband was a patriot. I wanted to support Washington and make something to allow the spirit of my late husband live. We never had a child. [Creating the flag] this was like giving birth.”

She said that she went from father’s house to her husband’s. Now 24 years old, “the heaviness of a loss forces you to grow up in different manner. Being on my own is more difficult than I would have imagined.”

Her husband, John, passed in January and she moved in March. “This is the Widow Lithgow’s home –she rents to individuals. I rent a room and shop space from her. If I remarry, I will go to different lodging.”

She would have lived here between 1776 and 1779.

She relates how General Washington had particular design in mind when he came to her in 1776. He was open to suggestions: his original idea for the symbol for American independence had the shape of square rather than rectangle (that was her idea).

Betsy Ross designed America’s first flag © Karen Rubin/ goingplacesfarandnear.com

Also, Washington had wanted six-pointed stars but Ross pushed to change the shape to five-pointed stars by demonstrating that it was easier and speedier to cut, and how she would sew it in so that the design could be seen on both sides.

She tells me with an appropriate measure of sass in her tone that a trusted messenger brought her flag  to Washington rather than he come himself. “He has heavier things on his mind – to win the battle, not a flag.”

I never considered, before “meeting” Betsy Ross how courageous she was to make the flag – she could have been caught and jailed for sedition.

I ask if she has met Ben Franklin (thinking that his printing shop is nearby), but she says that she knows of him but has not met him. “He’s out of town a lot. I hear he is quite taken with squirrels,” she says with a slight smile as she continues to sew.

She actually had a very good business going during the American Revolutionary War, making flags for the Pennsylvania Navy.

“Betsy Ross” is happy to answer questions about her life with visitors to the Betsy Ross House © Karen Rubin/goingplacesfarandnear.com

Betsy Ross was born in 1752, and after attending a Quaker-run school, her father apprenticed her to an upholsterer. There, she fell in love with John Ross, a fellow apprentice, the son of an Anglican priest at the historic city parish of Christ Church, and the nephew of George Ross Jr. who was a signer of the Declaration of the Independence. The young couple eloped in 1773 when she was 21, marrying at Hugg’s Tavern in Gloucester City, New Jersey. The marriage resulted in her expulsion from the Quaker congregation.

The young couple soon started their own upholstery business and later joined Christ Church, where their fellow congregants occasionally included the visiting Virginia Colony militia regimental commander who would soon become General of a newly organized Continental Army, George Washington, as well as other visiting notaries and delegates who would become leaders of the rebellion and later, members of the Continental Congress.

They were married only two years when John Ross, a member of the local militia, was killed. They had no children.

She continued working in her upholstery business for the Revolution, repairing uniforms and making tents, blankets, and stuffing paper tube cartridges with musket balls for ammunition for the Continental Army.

On June 15, 1777, she married her second husband, Joseph Ashburn, a seaman. In 1780, Ashburn’s ship was captured by a Royal Navy frigate and he was charged with treason (for being of British ancestry, because the British did not recognize American colonial citizenship) and was imprisoned at Old Mill Prison in England. During this time, their first daughter, Zilla, died at the age of nine months and their second daughter, Eliza, was born. Ashburn died in the British jail.

Three years later, in May 1783, she married John Claypoole, who had coincidentally met Joseph Ashburn in the English Old Mill Prison and had been the one to inform her of her husband’s death. (Ross must have really been something, and the young woman playing the part today conveys that spirit.)

Betsy gave birth to five daughters with John Claypoole: Clarissa, Susanna, Jane, Rachel and Harriet (who died in infancy). With the birth of their second daughter, in 1786, they moved to a larger house on Philadelphia’s Second Street, settling down to a peaceful post-war existence.  Philadelphia prospered as the temporary national capital (1790–1800) of the newly independent United States of America, with George Washington as the first President,

By 1812, John Claypoole’s war injuries had left him disabled; he died in 1817 after two decades of poor health. Betsy’s young, widowed daughter Clarissa moved into their home with her five children and a sixth on the way. With Clarissa’s help, Betsy continued to run her upholstery shop and flag-making business. But after 50 years in the trade, Betsy’s rapidly failing vision led to her retirement at the age of 76. Betsy eventually became blind. She spent the last three years of her life living with her daughter Jane’s family on Cherry Street in Philadelphia. She died peacefully in her sleep on January 30, 1836, at the age of 84.

Betsy Ross’ gravesite was moved to this location in downtown historic Philadelphia in 1975 © Karen Rubin/goingplacesfarandnear.com

Betsy Ross’s body was first interred at the Free Quaker burial grounds on North Fifth Street in Philadelphia (interesting in that the Quaker’s shunned her); 20 years later, her remains were moved to the Mt. Moriah Cemetery in Philadelphia. Then, in 1975, in preparation for the American Bicentennial, the City ordered the remains moved to the courtyard of the Betsy Ross House. Cemetery workers found no remains beneath her tombstone, but bones found elsewhere in the family plot were deemed to be hers and were re-interred in the grave which we tourists visit at the Betsy Ross House.

The museum does an excellent job of revealing the situation of women in Revolutionary times, what it was like for the women and children left behind when their men went to war, and how they provided for themselves when they were widowed. I go down to the kitchen area where another woman interprets what it would have been like to have been a Washerwoman – one of the few professions that a woman who had to fend for herself could undertake.

At the Betsy Ross House you learn about how women lived and worked in the Revolutionary War era © Karen Rubin/goingplacesfarandnear.com

“Working as a laundress was a difficult, low paying job in the 18th century; in early colonial period, many were enslaved or indentured servants; toward the end of the 18th century, most were free black women and widows struggling to support themselves.”

We are introduced to Judath, an African American washerwoman employed by Elizabeth Drinker, a wealthy Quaker woman. Jane Gray, a widowed African American washerwoman, who was a member of the “Black Class” at St. George’s Methodist church and later joined St. Thomas’ African Episcopal church. Susanna Cook, a widow with two children who lived at 3rd & Walnut Streets, whose husband died in the Yellow Fever epidemic of 1793 and to earn a living, rented out rooms and worked as a washerwoman earning $3 a week; she fell ill in 1801 and died impoverished in an almshouse.

There are special exhibits: “Stitching the Story Together: Betsy Ross and the American Flag” opens March 1; “Furnishing the Widow’s Chamber (opens March 1).

Allocate about an hour to visit.

Admission: Self-guided tour: $5/adult, $4/seniors, children, vets, students; add $2 for the audio tour (a child’s audio tour is available).

Betsy Ross House, 239 Arch Street. 215-629-5801. Operated by Historic Philadelphia, Inc. 150 S. Independence Mall West, Suite 550, Philadelphia, PA 19106, 215-629-4026,  [email protected].

Shopping at The Outrage, a feminist shop that opened appropriately just a few doors down from the Betsy Ross House © Karen Rubin/ goingplacesfarandnear.com

When I leave the Betsy Ross House, I think how appropriate that other clothing/sewing places are also on this block, and just a few doors down, come upon Women’s Resistence – The Outrage (www.the-outrage.com)

The brand was started 2016 – it was supposed to be celebratory for first woman president, but instead, has become an outlet for outrage and resistance for artists and activists. A portion of sales helps benefit organizations – ACLU, Planned Parenthood, 350.org. The first store oened in DC; this one opened this fall, with other outlets planned across the country.

My immersion into Revolutionary War Americana in Philadelphia continues at the Constitution Center.

Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.

See also:

National Museum of American Jewish History is Unexpected Revelation in Philadelphia 

Philadelphia’s New Museum Immerses You into Drama of America’s Revolutionary War

72 Hours in Philadelphia: Ben Franklin, America’s Revolutionary ‘Elder Statesman,’ Would Have been Quite at Home in 21st Century 

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© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

72 Hours in Philadelphia: Ben Franklin, America’s Revolutionary ‘Elder Statesman,’ Would Have been Quite at Home in 21st Century

Benjamin Franklin, “The Sage” is the only Founding Father to have signed all four of the major documents of the founding of the United States: the Declaration of Independence, the Treaty of Alliance (1778) with France, the Treaty of Paris that ended the Revolution (1783) and the United States Constitution (1787), though he was sick and suffering in pain during the Constitutional Convention and died shortly after, in 1790 © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My third day of my deep-dive into Revolutionary War America in Philadelphia is devoted to exploring key figures and sites that I have never visited before: Benjamin Franklin Museum, the Betsy Ross House and the National Constitution Center.

Once again, the best way to connect is to walk because you are quite literally walking “in the footsteps” of these iconic individuals, and in so doing weave together the places and events, create a context. It is exciting to happen upon a site – a historic marker, a building keystone – that you would never have thought to seek out.

I set out again from my hotel, the Sonesta Downtown Rittenhouse Square, walking down Market Street, through City Hall, to Chestnut Street.

I am off to visit the Benjamin Franklin Museum, which is relatively new (open four years) and very close to the very new Museum of the American Revolution. The trick here is that you need to walk up an alley (I missed it the first few times I went by). I enter from Chestnut Street, but you can also come through from Market Street, where there is a row of townhomes (“Franklin’s Neighborhood”) that includes the post office, Franklin’s print shop, and looks back at City Hall.

Ben Franklin is, of course, a native son of Philadelphia, and justifiably the most revered figure, and here we learn why that is so deserved, why the city still has his stamp.

The “Ghost House” frames where Ben Franklin’s house would have stood, in what is now Franklin Court © Karen Rubin/goingplacesfarandnear.com

You enter a courtyard and come upon the “Ghost House” – the sculptural frame of Franklin’s home (the museum is actually in what would have been the basement) you can peek into the archeologically preserved remains of the foundation of his house. Franklin’s grandkids, unable to afford the “prohibitive” taxes, tore the house down in 1812 to sell to a real-estate developer. Eventually, a rooming house was built on the site. The National Park Service tore that down in the 1950s in order to restore the Franklin site, and after the Independence Bicentennial in 1976, it became a National Park, administered by the National Park Service.

The exhibit area is divided into five “rooms” with each room interestingly focusing on a particular trait of Franklin’s: ardent and dutiful, ambitious and rebellious, motivated to improve, curious and full of wonder, and strategic and persuasive. There are videos, touch screen interactives, mechanical interactives, and artifacts in each area. An additional area called the “Library” presents a video with excerpts from Franklin’s Autobiography.

The exhibit is well presented to give a total biography of this fascinating Renaissance, self-made man, who so epitomizes the American Dream.

I come to Franklin Museum hoping to learn more of this fascinating man, and was richly rewarded. I did not realize his humble beginnings, or fully appreciate the range of his talents, accomplishments.

But my essential question about Franklin – my theory that it was the Stamp Act (not the tea tax) which imposed taxes on newspapers – that was the key to the colonists taking up arms to “free” themselves from the greatest superpower humankind had known. Franklin was not just a printer, but a newspaper publisher who provided seed money to newspapers throughout the colonies and became (what I consider) the first syndicated columnist, sending out editorials that would have been printed in those papers. My theory (as yet unproved) is that newspaper editors were the ones who turned opinion against British rule, gave the colonists the notion that they could actually win their independence, and gave the colonists from Massachusetts to Virginia, who were then (as now) very different,  a sense of unity. Had the British not imposed the Stamp Tax, the newspaper editors may not have been so gung ho for Revolution. If my theory could be addressed at the museum, it was not at all clear to me.

Ben Franklin as inventor: glass harmonica © Karen Rubin/ goingplacesfarandnear.com

But what is clear is that Franklin lived in the Age of Enlightenment – ideas and innovations were spread by trade and globalism – and people with the wit and wisdom like Franklin – despite having only two years of formal schooling – were encouraged to learn, innovate, invent not just technology (he did experiments with electricity and invented the lightening rod, bifocals, Franklin stove, urinary catheter and glass harmonica and charted and named the Gulf Stream) but civic society (volunteer fire department, the Philadelphia hospital, library, founded what became the University of Pennsylvania) and politics. There was greater willingness to challenge authority and notions of “divine right” – even question institutionalized religion – and class rather than be ruled by them. Colonists – who hailed from many countries in addition to Britain and would not have had loyalty to the Crown – had already lived in the New World for a century, and saw themselves not as British but as Americans. And Franklin knew better than anyone that a person from humble beginnings could ascend the ranks of social status.

I am surprised to learn that Franklin never patented his inventions, believing in the equivalent of what we call “open source.”

He was a key figure in creating the Declaration of Independence – one of the committee of 5 (with Jefferson, Adams, Roger Sherman and Robert Livingston); and along with Adams nominated Jefferson to write the Declaration and made some important changes to Jefferson’s draft.

He was a generation older than Adams and was in his 80s during the Continental Congress – near death and in significant discomfort. He was considered a giant, an elder statesman, “The Sage.”

America’s ambassador to France during the Revolution, he secured critical support of the French.

I was shocked to learn that Franklin initially owned and dealt in slaves (it was a time when that was common place, even in the North) but by the 1750s, he argued against slavery from an economic perspective and became one of the most prominent abolitionists.

His personal background is worthy of a multi-part dramatic series:

Ben Franklin at 9 years old (artist’s rendering) © Karen Rubin/goingplacesfarandnear.com

Ben Franklin was born in Boston in 1706, one of 17 children of his father. He only attended two years of formal schooling which ended when he was 10; he continued his education through voracious reading.

At 12, he apprenticed to his older brother, James, a printer, who founded the first independent newspaper in the colonies. Ben started publishing columns secretly under a pseudonym (his brother was furious). When James, who was a free thinker, was jailed for three weeks in 1722 for publishing material unflattering to the governor, Ben took over the newspaper and wrote, in the character of his alter-identity Mrs. DoGood, “Without freedom of thought there can be no such thing as wisdom and no such thing as public liberty without freedom of speech.”

In 1723, Franklin escaped his apprenticeship and fled to Philadelphia, making him a fugitive. He took up lodging in the Read home, and at the age of 17, proposed marriage to 15-year old Deborah Read. But her mother refused permission for them to marry. Franklin went off to London for several years and Deborah married John Rodgers, who abandoned her, ran off with her dowry and but without a divorce, left her unable to remarry.

When Ben Franklin returned to Philadelphia, he formed a common-law marriage with Deborah who becomes a mother to Ben’s illegitimate son, William.(William grew up to become a Loyalist and self-exiled himself to London; William too had an illegitimate son who became Ben Franklin’s secretary and aide). Deborah and Ben had two more children together, but his son died at the age of 4 of smallpox; his daughter Sarah married, had children, and took care of Ben in his old age

I hadn’t realized that Franklin spent much of his life abroad, especially between 1757-1775, and as Ambassador to France from 1776-1785.

Franklin returned to the United States in 1787 and is the only Founding Father who is a signatory of all four of the major documents of the founding of the United States: the Declaration of Independence, the Treaty of Alliance (1778) with France, the Treaty of Paris that ended the Revolution (1783) and the United States Constitution (1787), though he was sick and suffering in pain during the Constitutional Convention.

A civil war reenactor at Philadelphia’s Veterans Day Parade peeks in at Franklin’s grave at the Christ Church Burial Ground © Karen Rubin/ goingplacesfarandnear.com

When Ben Franklin died in 1790, 20,000 people attended his funeral. Later, I see where he was interred in Christ Church Burial Ground. It is interesting to note that in 1728, when he was just 22, Franklin wrote his own epitaph: “The Body of B. Franklin Printer; Like the Cover of an old Book, Its Contents torn out, And stript of its Lettering and Gilding, Lies here, Food for Worms. But the Work shall not be wholly lost: For it will, as he believ’d, appear once more, In a new & more perfect Edition, Corrected and Amended By the Author.” But the tombstone simply reads, as he specified in his final will, “Benjamin and Deborah Franklin.”

You leave the museum realizing what a remarkable Renaissance man Franklin was – like Thomas Jefferson in that way – with all the inventions and areas of success. Franklin was very much a modern man; if ever there was a person who could find himself 250 years in the future, he would have been very much at home in the 21st century. And very much Philadelphia’s Favorite Son for good reason.

The Ben Franklin Museum is a very welcoming space that really humanizes and personalizes Franklin. I love Franklin’s witty quotes, the portraits of him that show him throughout his life, even his love letters (to women not his wife).

Fire insurance symbol, one of the civic innovations that Ben Franklin introduced, can still be found on Philadelphia houses © Karen Rubin/ goingplacesfarandnear.com

For children, there is a scavenger hunt for the small squirrel figurines located throughout the exhibits. Franklin delighted in pet squirrels, or skuggs as they were known in his day.

You need at least an hour to visit.

The museum and print shop are operated by the National Park Service as part of the Independence Hall.

Open daily from 9 am to 5 pm. Admission $5/adult; $2/children 4-16.

Benjamin Franklin Museum, 317 Chestnut St., Philadelphia 19106, 215-965-2305, https://www.nps.gov/inde/planyourvisit/benjaminfranklinmuseum.htm

Print Shop

From here, I go back up to the court yard and find my way to Franklin’s print shop, where there is a replica of an old-style printing press (not much different from the days of Gutenberg), where National Park Rangers run off documents (you can buy a printed Declaration of Independence though Franklin never actually printed it). If you are lucky, you may visit when the ranger is in period dress.

The Print Shop where National Park Service rangers demonstrate the printing process that would have been used in Franklin’s time © Karen Rubin/goingplacesfarandnear.com

On the Market Street side of Franklin Court, there is the B. Free Franklin Post Office, where you can get postcards hand-stamped just as one would have when Franklin was the first postmaster. The line of attached buildings are very much the way they were when Franklin lived here. You notice on Market Street and then around the historic district townhouses that still have the reliefs that show what fire insurance company protected the house. On this day, the street is closed off for a street festival. After spending some time enjoying the music and festivities.

I also pass a firehouse with a wonderful bust of Benjamin Franklin.

Philadelphia had just held a Veterans Day parade, and just as I pass the Christ Church Burial Ground where Benjamin Franklin and many other Founders are buried, I come upon Civil War re-enactors from the 3rd Regiment: Sgt  Major Joseph Lee and Corporal Robert F. Houston.

The Franklins’ tombstones – extremely modest – is easily the most visited (and can be seen through the gate from the sidewalk). People throw pennies onto the tombstone – a nod to Franklin’s motto that “a penny saved is a penny earned,” as well as a symbol of good luck.

People throw pennies onto the modest tombstone of Benjamin Franklin and Deborah at Christ Church Burial Ground © Karen Rubin/ goingplacesfarandnear.com

Others buried here include John Dunlap, who printed the Constitution and Declaration of Independence, composer and poet Francis Hopkinson and medical pioneers Dr. Benjamin Rush and Dr. Philip Syng Physick. Divided into quadrants, the ground is mapped and plots are identified with markers where the original inscriptions are gone. A book of 50 biographies is available for purchase at Christ Church. (There is an admission to the burial ground, $3 adults/$1 child or $8/$3 with guided tour.) (5th and Arch Streets, Philadelphia 19106, 215-922-1695, ext 30, http://www.christchurchphila.org/about-the-burial-grounds/

Christ Church Burial Ground © Karen Rubin/goingplacesfarandnear.com

I walk the few blocks to the Betsy Ross House, another Revolutionary character who would have been thoroughly at home in the 21st Century. 

Follow in Franklin’s Footsteps

Take a walking tour and follow in Ben Franklin’s footsteps through historic Philadelphia © Karen Rubin/goingplacesfarandnear.com

VisitPhilly.org, the city’s convention and visitor bureau, offers a marvelous walking tour to discover historic attractions visited by Franklin himself, sites dedicated to his accomplishments and local restaurants that would appeal to one of history’s most prolific men.

The Franklin’s Footsteps Itinerary starts at the Benjamin Franklin Museum, Franklin Court, the Ghost House, the Print Shop and Post Office and continues:

City Tavern (138 S. 2nd St. 215-413-1443), where Colonial America is recreated at this authentic tavern in Old City

Carpenters’ Hall (320 Chestnut St., 215-925-0167), the site of the First Continental Congress, was once the home of Franklin’s Library Company and the American Philosophical Society (APS), two organizations he founded.

Carpenter’s Hall © Karen Rubin/goingplacesfarandnear.com

Christ Church (20 N. American St., 215-922-1695), where Franklin and his family attended services, and Christ Church Burial Ground.

Fireman’s Hall Museum, (147 N. 2nd St., 215-923-1438), commemorates the history of firefighting in an old firehouse

The Liberty Bell Center (6th & Market, 215-965-2305), home of the internationally known symbol of freedom (pick up timed tickets for Independence Hall at the Independence Visitor Center, or order them online at recreation.gov).

My immersion into Revolutionary War Americana in Philadelphia, which started with the National Museum of Jewish American History and Museum of American Revolution, continues at Betsy Ross House and the National Constitution Center.

Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.

See also:

National Museum of American Jewish History is Unexpected Revelation in Philadelphia 

Philadelphia’s New Museum Immerses You into Drama of America’s Revolutionary War

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

Philadelphia’s New Museum Immerses You into Drama of America’s Revolutionary War

A mural at Philadelphia’s new Museum of the American Revolution depicts George Washington in front of his battlefield tent he stayed in virtually throughout the war; the actual tent is the crowning jewel and centerpiece of the museums extraordinary collection © Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation through, as it were, original documents, materials and artifacts, at a time when we need to be reminded. During this all-too-brief time, I also  visited the National Museum of American Jewish History, the Benjamin Franklin Museum, Betsy Ross House and the National Constitution Center. 

It’s 1770s Colonial America. Anger, resentment against the British Crown is brewing; an independent spirit is growing and spreading among the colonies. Would you have joined the American Revolution and taken arms along with other farmers, shopkeepers and merchants against the most powerful nation that history had ever known with not much more than a musket? The newly opened Museum of the American Revolution, located in the heart of Philadelphia’s most historic district, plunges visitors into the tumult and transformation of the Revolutionary era when colonials took upon themselves a new identity: Americans.

You are challenged to choose sides and it isn’t a simple matter. This was very much a civil war, with families, neighborhoods, villages and towns split in terms of which side they would support: Patriots or Loyalists. But it was a revolution in ways beyond taking arms against ruling institutions: it was every bit a revolution in ideas, in ideals, in the notion of self-governance and civil rights, a revolution the Museum would like you to realize that is still underway.

“We have it in our power to begin the world again,” Thomas Paine, an English immigrant wrote. “These are the times that try men’s souls,” he later wrote.

‘No taxation without representation’: At the Museum of American Revolution, explore the reasons that colonial Americans fought for freedom from Great Britain © Karen Rubin/goingplacesfarandnear.com

With thousands of Revolutionary-era artifacts at its core – the crown jewel of which is General George Washington’s actual wartime tent  in which he lived on the battlefield with his troops throughout the war – the Museum uses immersive experiences, dynamic theaters, recreated historical moments, and interactive digital installations to make you feel you have time-traveled back to the 18th century, giving context and making the events, people, and ideas that created this nation more immediate and relevant.

A private nonprofit institution founded by Jerry Lendfest who put up $50 million and raised $100 million more from thousands of donors, the Museum of the American Revolution goes beyond the Founding Fathers and well known key figures to explore the personal stories of the diverse range of individuals who were part of establishing our nation, including women, native people, and free and enslaved people of African descent.

The experience brings you on a chronological journey from the roots of conflict in the 1760s through the creation of the American republic. Along the way, you learn about the rise of the armed resistance to British taxation, the creation of the Declaration of Independence, the long years of brutal warfare and how the Revolution continues to be relevant today.

Walk beside a life-size re-creation of Boston’s Liberty Tree in one of the 16 galleries of the Museum of the American Revolution © Karen Rubin/goingplacesfarandnear.com

The museum experience is a journey through time and place and builds to a climax: seeing General Washington’s War Tent, one of the most significant surviving artifacts of the Revolution. (I save this experience for last, and the presentation is so riveting, I sit through it twice.)

It’s not just the history of the war, battle by battle, with amazing detail and with skillful use of multi-media to enhance the dramatic retelling, but even more interestingly, how it overlays the human dimension. These aren’t just places and dates and round numbers, but individuals, some of them heroes whose names are so familiar, and many who were just ordinary people swept up in events. You are able to explore the personal stories of the diverse individuals. There is a wealth of information, but the presentation is so engaging, children of any age will be swept up in the drama.

Witness life-size figures of Oneida Indians debate whether to support the Revolutionary cause, the British or stay neutral © Karen Rubin/goingplacesfarandnear.com

My favorite gallery is the one devoted to the Oneida Indian Nation, where there are life-size figures who you hear debating (as a video provides a visual context) whether to support the Revolutionary cause, the British or stay neutral. Indeed, the Revolutionary War split the Six Nations Confederation.

At the end of the excellent presentation, there are photos of Oneida who have served in the American military in every conflict since the Revolutionary War.

A section devoted to women introduces us to Deborah Sampson who dressed as a man to join the 4th Massachusetts Regiment and fought in New York’s Hudson Valley where she was wounded in the thigh with a musket ball and took the bullet out herself to avoid being found out by the surgeons (she was honorably discharged in 1783 and later published a memoir of her experiences.); and to Esther Reed who published an essay, “Sentiments of an American Woman.”

Abigail Adams warns her husband, the future President John Adams: “Remember the women.” © Karen Rubin/goingplacesfarandnear.com

Abigail Adams, wife of John Adams, urged the writers of the Constitution to “remember the women,” and wrote her husband, John Adams, a Congressman at the time, in March 1776, “If particular care is not paid to the ladies, we are determined to foment a rebellion and will not hold ourselves bound by any laws in which we have no voice or representation.” The King’s abuses proved that men were tyrants, she wrote, and only the influence of women could secure reason and liberty. (That revolution clearly is still going on.)

A really interesting character I had never known about before was Baroness von Riedesel who followed her husband into battle and was taken prisoner in 1777 when General Burgoyne surrendered to General Gates at the Battle of Saratoga (a pivotal battle, which had the British won, would have enabled them to separate New York, the breadbasket for the American army, from the rest of the colonies; instead, the American victory enabled Ben Franklin to persuade France to give critical support to the Americans).

Baroness von Riedesel, who followed her Hessian husband into battle and protected prisoners, is lauded for her courage and heroism © Karen Rubin/ goingplacesfarandnear.com

She is depicted as a hero: “In the final days of the siege, the Baroness guarded the lives of women, children and wounded men. She barricaded them in a basement as American cannonballs slammed the house. She cared for her own children and the most vulnerable members of the army for six days. For most of this time, the firing was so heavy that they could not leave, and the basement filled with excrement. But she probably saved dozens of lives.” She was taken prisoner along with her husband and nearly 5,000 British and Hessian troops who were moved frequently to prevent their escape or rescue and were not freed until the war ended in 1783.

(You can continue this immersion into women during the Revolutionary War era at the Betsy Ross House a few blocks away.)

The museum does a yeoman’s job of humanizing and personalizing war, revolution and nation-building. For example, we learn that “Hessians, portrayed [by propaganda, which was waged by both sides] as cruel and inhuman but were a lot like Americans: King George hired 20,000 German special troops who came from six European nations and most were poor farmers with families.”

Displays at the Museum of the American Revolution confront the issue of slavery and give voice to freed and enslaved black Americans © Karen Rubin/goingplacesfarandnear.com

In “Finding Freedom”, you can explore the different experiences of enslaved African Americans in Virginia in 1781 through a multi-kiosk touchscreen interactive based on the lives of five men and women who followed different paths to freedom during the Revolutionary War. The Museum worked with a historical illustrator who used diaries and letters to animate these stories.   

You have an extraordinary opportunity to look into the faces of the Revolutionary generation in a fascinating display of photographs of 70 people who lived through the American Revolution and survived into the age of photography.

Faces of the Revolutionary generation © Karen Rubin/goingplacesfarandnear.com

Throughout the museum, there are immersive, multi-media experiences that put you into the action: in the Battlefield Theater, you find yourself on the Continental Army’s front lines facing an attack by British soldiers (with appropriate sound effects, smoke and rumbling floor); you walk beneath the branches of a realistic, life-size replica of Boston’s Liberty Tree and can touch an embedded piece of the Annapolis Liberty Tree, a Tulip Poplar that sheltered Maryland colonists in 1775 which survived until 1999; you can climb aboard a large-scale replica of an 18th century privateer ship like the one on which 14-year-old free African American James Forten volunteered. In the Declaration of Independence Gallery, which evokes Independence Hall, you sit in your own Windsor chair to witness the unfolding debate and decision-making as delegates to the Continental Congress decide whether to declare American independence, then view authentic printings of the Declaration of Independence on display.

You get to thoroughly engage with the Museum’s rich collection of original historic artifacts. One of the premier collections of its kind, it includes several thousand objects from the Revolutionary period, and includes George Washington’s personal belongings, as well as an impressive assortment of weaponry, soldiers’ and civilians’ personal items, fine art, letters, diaries, and manuscripts. You can examine child-sized slave shackles, an intricately carved woman’s busk (corset piece), and a signed 1773 volume “Poems on Various Subjects” by Phillis Wheatley, America’s first published black female poet.

Arms of Independence: Nearly 50 Revolutionary War-era weapons and artifacts are on display and below them, a multi-kiosk touchscreen interactive enables you to virtually handle them and learn more about their uses, owners, and makers. Using the latest ultra-high definition photography, you get a 360-degree view of the glass-encased weapons and artifacts, most of which have never been displayed before.

The statue of King George III as it is about to be torn down by an angry mob in New York City is one of the historic moments depicted with life-size figures © Karen Rubin/ goingplacesfarandnear.com

There are more than 20 re-created historical moments with life-like figures, tableaux intended to broaden our view of the people who were central to the Revolution. One of these scenes is a brawl among Revolutionary soldiers that George Washington broke up in Harvard Yard; another portrays the statue of King George III as it is about to be torn down by an angry mob in New York City; another features artist Charles Willson Peale reuniting with his brother James on the banks of the Delaware River in December 1776; there is a view of Independence Hall in disarray during the British occupation of Philadelphia; a pair of Loyalist cavalry troopers in the South; and a conversation between enslaved Virginians and a black Loyalist soldier in 1781.

There are opportunities to participate in the story which is why the exhibits are so engaging for children as well as adults. You can mix-and-match pieces of a soldier’s uniform to learn about how soldiers displayed their loyalties; learn about the common soldiers and their families who endured the harsh winter at Valley Forge with flip-doors that explore the complex workings of a war camp; assume George Washington’s role as President of the Constitutional Convention by sitting in a reproduction of the “Rising Sun” chair; and try hand at an early American stitching lesson through an interactive sampler station in a gallery on the role mothers played in educating children as citizens.

Costumed educators offer a deeper understanding of the lives and times of the Revolutionaries: at the Battlefield Theater, learn to muster before marching into battle; on the Privateer Ship, discover how to load and fire one of the ship’s cannons; at Discovery Carts, handle replica artifacts to learn more about how they were made and used.

Children will be engaged by the many opportunities to handle materials at the Museum of American Revolution © Karen Rubin/goingplacesfarandnear.com

Climax: Washington’s War Tent

All of this builds to the climatic experience: and the crown jewel of the Museum and the original artifact which led to the creation of the museum to begin with: General Washington’s War Tent.

You line up for the timed show in a dedicated theater built to house one of the most iconic surviving artifacts of the Revolution: General Washington’s War Tent, which served as both his office and his sleeping quarters through much of the war. It was within the folds of this tent that key decisions were made that changed the course of history.

I was expecting to walk into an exhibit of the tent. Instead, it is dramatically revealed after a powerful 12-minute video. The movie screen rises to reveal a gauzy sheet which rises to show the tent. With surround-sound track, theatrical lighting, video projection on a front scrim and screen, as well as on a scenic wall behind the tent you see the tent, in different times of day, months, seasons, years as if marching in time.

The presentation makes you really appreciate the meaning of the tent and why it is so iconic – it is a physical link to the man who was, as Henry Lee said, “First in war, first in peace, and first in the hearts of his countrymen.”

Indeed, the tent has its own dramatic story which lives on beyond Washington.

The tent was created for use as a mobile headquarters during the Revolutionary War. It was made in Reading, Pennsylvania, while Washington was encamped at Valley Forge in 1778. He used it until 1783, including throughout the 1781 Siege of Yorktown, the last major land battle of the war. Indeed, throughout the war, Washington spent only a few days back at his Mount Vernon plantation.

The tent covers an area about 23 feet long and 14 feet wide, comprising three small chambers – a central office, a half-circle sleeping chamber for the general, and a small area for luggage and for sleeping quarters for his enslaved African American valet, William Lee, who traveled with Washington through the war.

But the drama of the tent doesn’t end there. After the war, the tent was eventually acquired by Martha Washington’s grandson, George Washington Parke Custis, and was stored at his Virginia estate, Arlington House. It passed to Custis’ daughter Mary Anna, who was the wife of General Robert E. Lee (how ironic was that? – both a revolutionary like Washington, but in pursuit of destroying the nation that Washington won and lead), only to have it seized by federal troops at the start of the Civil War when they took over Lee’s plantation. The tent remained in federal possession for 40 years before it was returned to the Lee family. Mary Custis Lee put the tent up for sale to raise money for Confederate veterans.

In the early 1900s, an Episcopal minister, Rev. W. Herbert Burk, dreamed of creating a museum to tell the story of our nation’s founding. He began collecting historical artifacts, beginning with General George Washington’s War Tent. He raised the $5,000 to purchase the tent from hundreds of ordinary Americans. The acquisition began a century of collecting – a collection which eventually came under the ownership of the Museum of the American Revolution.

George Washington’s battlefield tent is an iconic link to the man who was “first in war, first in peace, first in the hearts of his countrymen.” © Karen Rubin/ goingplacesfarandnear.com

Textile conservator Virginia Whelan spent more than 500 hours restoring the priceless hand-stitched, linen tent. “Losses” – small holes which could fray – needed to be stabilized so that original material wasn’t lost. The process involved inserting an extremely fine needle and thread between the fibers of the tent’s weave and using virtually invisible netting to stabilize the holes. The conservation effort also entailed using digital inkjet printing to reproduce new fabric that matched the original material. The new fabric swatches were then used to repair holes, rips, and a large piece that had been cut away. For this, Whelan partnered with faculty from Philadelphia University’s textile design faculty.

One of the challenges of displaying the tent was to keep the drape-like effect of the fabric without putting tension on it. To design a system that would support the artifact without inducing stress in the delicate fabric, the Museum commissioned Keast & Hood, a structural engineering firm that is a nationally recognized leader in the preservation, restoration, and rehabilitation of historic structures.

To protect the centuries-old canvas from rope tension, Keast & Hood worked with a team of conservators, historians, and craftsmen to design an innovative umbrella-like aluminum structure and canvas sub-tent membrane, creates an illusion of the tent draping naturally. The ropes that originally tensioned the tent are now purely aesthetic and representative of the earlier form.

The tent is set behind glass in a 300-square foot climate-controlled object case.

The presentation is so powerful, I watched it twice and both times, the audience applauded at the end.

The museum does an excellent job of tackling complex ideas, the span of history, the intricacies of the battles, while also bringing in a human scale. There is so much to see and absorb, it is a really good idea to take advantage of the fact the ticket is valid for two consecutive days.

Located just steps away from Independence Hall, the Museum of the American Revolution is housed in an impressive three-story state-of-the-art building. © Karen Rubin/goingplacesfarandnear.com

Located just steps away from Independence Hall, Carpenters’ Hall, and Franklin Court, the Museum, housed in an impressive three-story state-of-the-art building, serves as a portal to the region’s many Revolutionary sites, sparking interest, providing context, and encouraging exploration. The Museum is a private, non-profit, and non-partisan organization.

Guided Tours: While most visitor tours are self-guided, the Museum does offer several guided tours, including: Early Access Guided Tour, a 60-minute guided tour before the museum opens (Tues, Thurs, Sat at 9 a.m. $50 non-members; limited to 10 people). Guided Highlights Tour, a 60-minute guided tour of key artifacts and stories (daily at 10 a.m. and 4 p.m.; price of admission plus $12; limited to 15 people). Book online or at the museum.

General admission tickets to the Museum can be purchased here and are $19 for adults; $17 for seniors, students, and active or retired military; and $12 for children ages 6 and up. Children ages 5 and under are free. All tickets are valid for two consecutive days. Group tickets for parties of 15 or more are currently available for a discounted price by calling 267.858.3308. Memberships are also available for purchase here or by calling 215.454.2030.

Museum of the American Revolution, 101 South Third Street, Philadelphia, PA 19106, 215-253-6731, 877-740-1776, [email protected]www.AmRevMuseum.org.

My immersion into Revolutionary War Americana in Philadelphia continues with visits to the Betsy Ross House, the Benjamin Franklin Site, Thomas Jefferson’s Declaration House, the National Museum of American Jews, and the National Constitution Center.

Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com. 

See also:

National Museum of American Jewish History is Unexpected Revelation in Philadelphia 

_____________________________

© 2018 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Killington, ‘Beast of the East,’ is Roaring into 2018 With Powder Snow

Skiing Killington, Vermont, the “Beast of the East.” A major snowfall in December created incredible powder conditions © 2017 Karen Rubin/ goingplacesfarandnear.com

By Karen Rubin, Dave E. Leiberman & Laini Miranda

Travel Features Syndicate, goingplacesfarandnear.com

 

Whoa, what a Christmas present: December has been very kind to Killington which already had a decent base when we arrived just before Christmas, then had nearly two feet more of powder by the end of Christmas Day, much to the delight of skiers and snowboarders who clearly raced away from opening gifts to enjoy the acres and acres of fresh powder snow.  With Killington’s elevation and a 3,000 ft. vertical drop, the powder made you feel you were skiing the Rockies.

Killington, known as the “Beast of the East,” is the largest ski area in New England – sprawling across six-mountain peaks, the highest at 4,241’ elevation, affording 1,509 skiable acres, 155 trails totaling 73 miles. Of the 21 lifts, three are gondolas, and of the nine quads, five are high-speed express.  (Pico Mountain, Killington’s sister resort (Killington’s ticket is valid there), is its 7th peak; it is not connected by lift but there is shuttle service between the resorts.)

Killington, with 1,509 skiable acres, 155 trails totaling 73 miles, offers variety of terrain © 2017 Karen Rubin/goingplacesfarandnear.com

The resort offers multiple terrain features for snowboarders and freeskiers in six terrain parks including The Stash, an all-natural inspired terrain park with more than 65 features, and NeffLand, an outer-space themed terrain park with rocket and planet style jibs, as well as two pipes.

Killington is absolutely phenomenal for black-diamond skiers and skiers who are comfortable regardless of terrain – you can just go and explore and not really care what you wind up on.

Bear Mountain is great for double-black diamond skiers, and is where you will find Outer Limits and Centerpiece (glades).

A fun narrow trail in the trees for daring intermediate (don’t have to be advanced tree skier, but should be comfortable intermediate, slightly more adventurous): Roundabout (rated a black diamond, really fun, narrow, tree experience, don’t have to be a glade skier), shoots out to a long green, Bear Cub, long easy, on the perimeter.

Taking the scenic route at Killington: Launch Pad. © 2017 Karen Rubin/ goingplacesfarandnear.com

Intermediate skiers will need to plot out their route. One combination that I particularly enjoyed was riding K-1 to the summit and taking Blue Heaven to Bear Trax to Launch Pad (which has a particularly scenic stretch flanked on both sides by trees to Bitter Sweet where you will find a few, short steeps.

I also enjoyed taking the Skyship Gondola up to Great Eastern, a green, (I chickened out of taking the blue trail, Skylark, normally a long fun blue run,  because it had a caution, “Advanced skiers only” and I wasn’t in the mood to be challenged), to connect to Cruise Control, a very pleasant blue. From there, you can ride up the Northbrook Quad back up to the Snowshed slope.  Skyship tends not to be as crowded and is particularly a good place in the afternoon when it is less likely for the trails to be skied off.

There are great blues at Rams Head but this is also the area that is used for ski school and clinics, so tends to be crowded.

Killington’s famed K-1 Gondola © 2017 Karen Rubin/goingplacesfarandnear.com

Green trail skiers are more restricted – the Great Eastern is a long trail but you have to watch carefully when it crosses over black and blue trails. Snowshed offers great opportunities on gentle terrain to fine-tune your form, so I didn’t mind riding the chair five minutes for the five-minute run because I enjoyed my skiing there so much. At Rams Head there is another long green trail, Easy Street.

Killington’s Discovery programs utilize Terrain Based Learning, the latest innovation in snow sports education, coupled with the promise of free equipment for skiers and snowboarders at the end of a four-lesson series.

Novel Ways to Enjoy Killington

Snowshed, indeed, is the place for novel mountain activities.

This year, you can rent a ski bike (also known as snow-bike); lessons are available as well. Killington ski bikes operates Friday through Sunday 9 am to 4 pm and daily during holidays, and rentals are offered at the Snowshed base area. Ski biking is permitted on the Snowshed and Ramshead mountain areas which provide optimal beginner to intermediate conditions. Pricing starts at $88 for a half-day rental and includes an access ticket.

It’s also where you will find The Beast Mountain Coaster, a 4,800-foot-long alpine coaster that twists and turns through the woods with 360-degree corkscrews. It hadn’t yet started operation for the season (Dec. 26, 2017-April 1, 2018), but operates 1-4 pm weekend and peak days (operations are weather dependent; check Resort Services Report for updates in real-time. Book with a Ski & Stay Package prior to arrival and save; call 800-621-6867 for reservations.

The Snowshed area is where you will find ski bikes, The Beast Mountain Coaster, the terra maze and other novel ways to enjoy Killington © 2017 Karen Rubin/goingplacesfarandnear.com

New attractions include the four-story Skye Ropes Course, Skyeride (seated zip line ride), 5,000 square foot Terra Maze, Roaring Brook Mining for the youngest adventurers, plus motorized mountain tours by Segway and All Terrain Vehicle.

Killington and Pico are catering to increasing popularity of “uphill travel” with guests choosing to reach the peaks of Bear Mountain, Snowdon, Ramshead and Pico via human vs. machine power with designated routes for each mountain area and 24/7 access (when designed routes are open).

Experiential Dining

Killington also has Vermont’s highest elevation structure: the Peak Lodge from where, on a clear day,  you can actually catch views of five states plus Canada. The Peak Lodge is the most sustainable building at Killington, with forward thinking approaches to electricity (Cow Power), lighting, recycling, grey water, and refrigeration (Freeaire).

All food at the Peak Lodge is made to order, and ingredients are sourced from local farms to ensure the freshness of all dishes. Fresh local craft beer is also available from the full-service bar with views of gondola cabins cresting the head wall and arriving at the terminal.

At the Bear Mountain lodge, the chef very kindly prepared a gluten-free sandwich.

Also fun: the Waffle Haus at the bottom of Snowshed.

The Long Trail Pub at Snowshed is a great place to finish the day or wind down. The windows open up to see the skiers as they come down.

The Long Trail Pub at Snowshed is a great place to finish the day or wind down. The windows open up to see the skiers as they come down. © 2017 Karen Rubin/goingplacesfarandnear.com

Experiential dining at Killington ranges from fresh-made fare at the Peak Lodge to snowcat-drawn sleigh rides to the Ledgewood Yurt, a ski-in-ski-out hidden gem during the day that transforms to a cozy, candlelit slice of paradise after hours.

The Motor Room Bar, located in a retired lift tower at the top of Bear Mountain overlooking two of Killington’s most feared double-black diamond runs, is reserved by single parties for an unforgettable apres – complete with private cabin-cat transportation, libations and small bites.

While Killington doesn’t have an actual village, the Killington Access road is as famous for dining institutions like the 50 year old Wobbly Barn steakhouse as it is for high energy nightlife, and the Liquid Art Café .

Casey’s Caboose is Back!

The little toy train runs again! And you can still sit up in the caboose cab, or in a snowplow. All the fun and whimsy has returned, but with seriously improved food for an altogether outstanding dining experience on Killington Road: Casey’s Caboose is back.

The little train is back running around the ceiling at Casey’s Caboose – if you manage to hit Goofy with a quarter. © 2017 Karen Rubin/ goingplacesfarandnear.com

It is back with the color, the lights, the spirit, the toy train that runs around the room (it launches when someone hits Goofy with a quarter), and with an outstanding menu all guided by new owners who loved the Killington tradition too much to let it die. The restaurant reopened this past July after being closed for three years.

The cozy sitting area in the cab of Casey’s Caboose © 2017 Karen Rubin/ goingplacesfarandnear.com

Built around an 1876 railroad caboose and a 1910 railroad snowplow, fans (like us) will be delighted to see the fun, whimsical interior, with its toy train that still runs around the room and colorful neon lights, its tiny sitting area in the caboose cab (you have to climb up a ladder and step across a space), are even better than we remembered. But the food! That is entirely new.  Everything is homemade. The menu has a few nods to one of the new owners, a British gentleman who couldn’t bear to see the restaurant close, with fish and chips that are outstanding (the cod is really flavorful and fresh). The burger selections are out of this world. Who could imagine a New York Deli version, with fresh, homemade pastrami combined with the beef? Or a burger with lobster! Even so, Marco had them make his own version: a burger with egg and jalapenos. My Meat & Mushroom burger (prepared with Portobello mushroom and gruyere cheese) was perfectly prepared and one of the best ever (and served on a warm, not cold bun!). They were extremely accommodating to our requests: gluten free for Daniella; spicy for Marco. Everything is freshly made and beautifully presented. And the prices are still modest. The dessert that had everyone’s eyes popping was like a combination of every edible fantasy: chocolate, pumpkin pie and cheesecake. They also offer 21 draft beers and cider (including Long Trail), a gin kitchen with a surreal selection of gins, tonics and botanicals.

Casey’s Caboose offers a huge selection of local beer, cider, gins, tonics and botanicals © 2017 Karen Rubin/goingplacesfarandnear.com

Fun fact: Casey’s Caboose was named after Jonathan Luther “John” “Casey” Jones the great American railroad engineer who died in April 30 1900 saving the passengers on his train. His mother, Mrs Jones is said to have lived near Killington in her youth.

(Opens daily at 3 pm, 1930 Killington Road, 802-422-3795, caseyscaboose.com.)

Ski Rentals

The skis we rented from Peak Performance, just about a half-mile below Snowshed (2808 Killington Road) were fantastic. The Everyone is specifically measured and fitted for boots (Salomon brand). The skis (Fisher) were brand new and after each use are run through the shop’s tuning machine, one of three on the mountain (you have to see it; like a car wash for skis and snowboards) and performed amazingly. Even the poles, Scott brand, were top quality. Reserve online in advance and you get a 15% discount on the already really reasonable rates if you reserve on line – basically just filling out the rental form, you don’t even give a credit card. The website is extremely easy to use. When you arrive, they are ready for you. It is no wonder the shop has been rated the best in New England.

The cool tuning machine at Peak Performance Ski Shop on Killington Road © 2017 Karen Rubin/goingplacesfarandnear.com

It is surprising to learn that they are also the biggest race ski center in the country, selling more racing skis than anyone, even more than Colorado. Returning was equally easy and stress-free. Peak Performance has been in business for 27 years, and the shop, owned by Fred & Denise Coriell, clearly reflects pure love of the sport. (Peak Performance, 2808 Killington Road, 802-422-9447, [email protected], www.peakskishop.com.)

Lodging

There are loads of lodging choices, including several that are managed by Killington such as the Killington Grand Hotel, right at the base.

We absolutely loved our stay at the Mountaintop Inn & Resort, a 30 minutes scenic drive away in Chittenden (the hotel offers a daily shuttle to Killington), as well as its own major cross-country ski center. (Mountain Top Inn & Resort, Chittenden, VT, 802.483.2311, www.mountaintopinn.com).

Mountaintop Inn & Resort, Chittenden, Vermont © 2017 Karen Rubin/ goingplacesfarandnear.com

Killington Resort is a four-season destination set on 3,000 acres in the heart of Central Vermont’s Green Mountains. After the snow melts, Killington features an 18-hole championship golf course, the family-friendly Snowshed Adventure Center, 30 miles of mountain biking trails with expansion underway with Gravity Logic, plus 15 miles of hiking trails. The range of après (snowmobiling, snowshoe tours, sleigh rides, tubing), dining, and lodging options have made Killington a world-class destination for skiers and riders for over 55 years. Killington is part of the POWDR portfolio and participates in the M.A.X. program. Check the website for packages and specials.

You can check ski conditions at killington.com/conditions. For information, 800-621- 6867, www.killington.com.

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Fall Getaway in the Great Northern Catskills: Hiking the Hudson River School Art Trail

The view from Sunset Rock, immortalized by artist Thomas Cole, the father of the Hudson River School, America’s first art movement, is much the same today © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

My three-day fall getaway in the Great Northern Catskills exploring the Hudson River School Art Trail starts before I even arrive at the historic Fairlawn Inn, in Hunter, NY. Taking advantage of the time of day and beautiful weather, I stop at the parking lot on 23A for the trailhead to Kaaterskill Falls, where you get an amazing view of Kaaterskill Clove (HRSAT Site #4). You gaze out over the gorge where mountain peaks seem to thread together and compare the scene today to the way it is depicted by Hudson River School artist Asher B. Durand’s 1866 painting. The trees are just beginning to turn colors (the peak is usually around Columbus Day weekend), but I swear that the same tree, already crimson, is the same red tree in the painting, also depicting an early fall scene.

The view of Kaaterskill Clove, Hudson River School Art Trail Site #4, one of the most painted scenes, with the marker that compares the scene to Asher B. Durand’s 1866 painting © 2017 Karen Rubin/goingplacesfarandnear.com

It’s a short walk along 23A (watch out for cars on the winding narrow road) to the trailhead for one of my favorite hikes, Kaaterskill Falls (HRSAT Site #5), a stunning scene that looks remarkably just as depicted in an 1835 painting by Thomas Cole, known as the father of the Hudson River School. “It is the voice of the landscape for it strikes its own chords, and rocks and mountains re-echo in rich unison,” Cole (who was also a poet and essayist) wrote.

The Kaaterskill Falls were a favorite subject of many of the Hudson River School painters and for me, is the quintessential combination of stunning scenery plus the physical pleasure of the hike – half-mile up to the base of the double-falls, then another half-mile to the top.

Kaaterskill Falls, a favorite subject of the Hudson River School painters © 2017 Karen Rubin/goingplacesfarandnear.com

The two-tiered Kaaterskill Falls, 175 and 85 feet, is the highest in New York State and was described by James Fenimore Cooper in “The Pioneers” which Thomas Cole, a friend of Cooper’s illustrated.

The waterfalls, usually rushing, are just a trickle after a long dryspell, but the hike is still absolutely fantastic – just enough challenge (I love my walking sticks) – and means you can get much closer than you might if the falls were fuller.

© 2017 Karen Rubin/goingplacesfarandnear.com

You make it to the base of the double-falls. Last time I hiked the trail, there were barriers and warnings not to go higher because it was so steep and dangerous (people have died!), but since then, there are staircases so you can hike to the very top. (There is also access to the top from other trails and nearby Laurel House Road parking lot above).

The two-tiered Kaaterskill Falls, 175 and 85 feet, is the highest in New York State © 2017 Karen Rubin/goingplacesfarandnear.com

I climb up and take a cut-off to the bottom of the high falls where there is a pool of water. Though it is already autumn on the calendar, it is as hot as a summer’s day – record heat in fact, close to 90 degrees – and people are in the shallow pool. The ledges are beautiful and you get a wonderful view back down the valley.

Soaking in the pool at the base of the Kaaterskill Falls © 2017 Karen Rubin/ goingplacesfarandnear.com

Another half-mile climb (another new staircase gets you up the steepest part) brings me to a winding forest trail that wraps around the hilltop to the very top of the falls. I cross a bridge over what would usually be rushing water. You can look back to the steep drop of the falls, back to the valley – just as Thomas Cole and the artists would have seen it. There is a viewing platform which looks back at the falls, bookended by trees just beginning to turn into their kaleidoscope of fall colors (the peak is traditionally around Columbus Day).

The falls are normally rushing but now a trickle after a dry-spell, means you can go to the very edge © 2017 Karen Rubin/goingplacesfarandnear.com

There is a small trail through the woods to the very top of the falls. Signs admonish hikers that climbing the ledges beside Kaaterskill Falls is extremely dangerous, and  has resulted in numerous injuries and deaths. But the falls are not flowing when I come, so I get to walk on the ledges, giving me really nervous view straight down and beyond, to the Valley and letting me look at the carved initials and graffiti from  the 1920s and 30s, some even from the 1800s.  You feel a sense of kindred spirit with those who have passed through and passed on. You feel the height and the proximity to the drop off, and it makes your heart flutter.

Later, you will recognize the view in Thomas Cole’s paintings and imagine how he must have stood in this precise place where you are standing.

Generations of trekkers have carved their initials into the ledges at the top of the Kaaterskill Falls © 2017 Karen Rubin/goingplacesfarandnear.com

It is a half-mile to the base, and another half- mile to the top of the falls, for a total of 2 miles roundtrip. There are some scrambles and it is uphill almost all the way (walking sticks are really recommended), and is thoroughly fantastic.

The tranquil scene at the top of the Kaaterskill Falls © 2017 Karen Rubin/ goingplacesfarandnear.com

I’ve taken my time, really savoring the views and the scenes and the smells, and the couple of miles hiking have taken about 2 1/2 hours.

(The parking lot is just west of the trailhead and across 23A, so you park and walk back along the road, being very careful. Haines Falls NY 12436, 518-589-5058, 800-456-2267).

I set out along 23A toward Hunter and the Fairlawn Inn.

Hudson River School Art Trail Hikes in North-South Campground 

For my second day, after an amazing breakfast at the Fairlawn Inn, I head to North-South Campground, where there are several of the Hudson River School of Art Trail hikes (as well as many other hiking trails) – the lake itself depicted in paintings such as Thomas Cole’s “Lake with Dead Trees,” 1825, (HRSAT Site #6).

I take the longer and wonderfully more challenging (only moderately strenuous) hike which brings you to such spots as Artist’s Rock, Sunset Rock and Newman’s Ledge (you can continue to North Point). Other hikes bring you to Boulder Rock, the Catskill Mountain House (HRSAT Trail Site #8) and Laurel House sites.

Artists Rock along the trail to Sunset Rock © 2017 Karen Rubin/ goingplacesfarandnear.com

The hike to Sunset Rock (HRSAT Trail Site #7) begins along the well-marked blue trail (you cut off to the yellow trail to Sunset Rock) that mostly wraps around the ledges, with the amazing views that so enthralled the artists of the Hudson River Valley. Close to the beginning is a fairly interesting scramble, then the trail winds through the woods along side fabulous rock formations before coming out again to the ledges. You reach Artists Rock at about .4 miles. Continuing on, you look for the yellow trail marker to Sunset Rock.

Taking in the view of the Hudson River Valley from Sunset Rock, a cherished site for Thomas Cole and the Hudson River School artists © 2017 Karen Rubin/ goingplacesfarandnear.com

I continue on to Newman’s Point but overshoot and head up some challenging scrambles before turning back (the trail to North Point continues for another mile). I am delighted with myself to have gone what I estimate was an extra .4.

View from Newman’s Ledge © 2017 Karen Rubin/goingplacesfarandnear.com

Back at the North-South Lake (it’s taken me about three hours taking my time), people are swimming in the ridiculously unseasonably hot (near 90) weather.

I look for a relatively easy trail and find just a short distance away, Mary’s Glen trail to Ashley’s Falls (alas, the falls are all but completely dried up when I come). This is an ideal trail for families with small children who want to avoid hiking near open ledges. You go through a lovely wooded glen alongside a beaver meadow and stream to a deeply forested cascade, Ashley’s Falls. This day, though, there is no cascade. (just .6 mile roundtrip).

Hiking is not just about the long view, but the near-view: two ants transport their prey © 2017 Karen Rubin/goingplacesfarandnear.com

Mary’s Glen trail can also be the entrance to a difficult hike, to North Point, a distance of 3.2 miles with 840 feet ascent. It is a mostly moderate climb but has some short, steep scrambles over rock, but you come to large open slabs and expansive vistas at North Point, a 3,000 ft. elevation with some of the most distant views.)

On my last visit, I did a wonderful hike to the site of the Catskill Mountain House (HRSAT Site #8), one of the earliest tourist hotels. The majestic hotel, which was opened in 1823 and accommodated 400 guests a night (Presidents Arthur and Grant were among those who stayed here), burned down in 1963 but the view that attracted visitors still remains as one of the most magnificent panoramas in the region, and can be compared to Frederic Church’s “Above the Clouds at Sunrise” (1849).

It is fun to see the initials carved into the stone ledges from more than a century ago. The Mountain House began drawing thousands of guests each season from all over the country as well as from abroad, who came not just for the cooler, healthier climate but for what had already become one of the most renowned natural panoramas in the young nation: the valley 1,600 feet below, stretching east to the Taconic Mountains and the Berkshires, with the silvery thread of the Hudson visible for 60 miles from north to south.  On a clear day, you can see five states – Connecticut, Massachusetts, New Hampshire, Vermont and New York. The hike is just a half-mile with only an 80-foot ascent.

North-South Lake, Hudson River School Art Trail Site #6 © 2017 Karen Rubin/ goingplacesfarandnear.com

There is a $10/car day use fee for the NYS DEC’s North-South Lake Campground from early May through late October, however the fee is waived for NYS residents 62 years or older midweek. The campground is open for camping from May through October; 518-589-5058 or call DEC Regional Office year-round at 518-357-2234, More information at www.greatnortherncatskills.com/outdoors/north-south-lake-campground.

Get maps, directions and photographs of all the sites on the Hudson River School Art Trail at www.hudsonriverschool.org. 

Other Ways to Experience Fall in the Catskills

Those who prefer driving to experience fall foliage will find two National Scenic Byways in the Great Northern Catskills: a 21-mile route that descends from high country peaks to Durham Valley farmland., affording  views that stretch across the Hudson River Valley to summits in four New England states. Then take an excursion along Mountain Clove, a byway that meanders through ravines, historic districts, and waterfalls. In fact, one of the best foliage views in New York State, Innkeeper Chuck Tomajko notes, is just 2 miles from his Fairlawn Inn door, at the intersection of Rte 214 and 23A – which looks toward Bear Creek and some half-dozen mountains that form layers.

The intersection of Rte 23A and 214, looking out to Bear Creek, is considered one of the best spots for fall foliage in New York State © 2017 Karen Rubin/ goingplacesfarandnear.com

An Arts-Meets-Nature Driving/Exploration Route: The Kaaterskill Clove Experience provides a new self-guided discovery tour through the history of American art, and the primeval landscape that inspired it. Tailored, easy-to-follow itineraries provide a roadmap for families, adventure seekers and leisure travelers to experience the Kaaterskill Clove at your own pace, while enjoying everything that Greene County has to offer, from farm stands to charming cafes. (www.greatnortherncatskills.com/kaaterskill-clove)

Antiquing. The villages of Catskill and Tannersville are known for their antique shops. Actually the best antiquing of all turns out to be across the street from the Fairlawn Inn in Hunter: the Antique Mall, housed in what used to be the Masonic Center, is owned by innkeeper Chuck Tomajko. Among the treasures: two chairs that had been owned by Elizabeth Abell, the woman who introduced Mary Todd to Abraham Lincoln. Another chair dates from the mid 18th century, made in Philadelphia, could well have been used by Washington, Jefferson or any of the signers of the Declaration of Independence.

A colonial chair from Philadelphia which could have been used by George Washington, and two chairs owned by the woman who introduced Mary Todd to Abraham Lincoln, among the treasures at the Hunter Antique Mall © 2017 Karen Rubin/goingplacesfarandnear.com

The Bronck House Museum, where you see how eight generations of a family occupied this same house for more than 350 years.  (Greene County Historical Society, 90 County Route 42, Coxsackie, NY  12051, 518-731-6490, gchistory.org/bronckmuseum.html).

The charming town of Hudson with its galleries, antique shops, and restaurants.

Hunter Mountain is a four-season resort most famous for skiing, but offers a score of festivals and activities in fall, including weekend scenic skyrides (www.huntermtn.com).

Pick your own apples and pumpkins at Boehm Farm

Hull-O Farms offers a corn maze, as well as pumpkin picking.

There is also a Wine & Craft Beverage trail through the Hudson Valley (see TravelHudsonValley.com).

A great place to stay: The Fairlawn Inn, a historic bed-and-breakfast, 7872 Main Street (Hwy 23A), Hunter, NY 12442, 518-263-5025www.fairlawninn.com.

Further help planning a visit is available from Greene County Tourism, 700 Rte 23B, Leeds, NY 12451, 800-355-CATS, 518-943-3223, www.greatnortherncatskills.com and its fall hub www.greatnortherncatskills.com/catskills-fall-foliage

The I LOVE NEW YORK weekly foliage report – a detailed map charting fall color progress, vantage points for viewing spectacular foliage, suggested autumn getaways and weekly event listings – is available at www.iloveny.com/foliage or by calling 800/CALL-NYS (800/225-5697).

See also:

Fall Getaway in the Catskills: Thomas Cole National Historic Site is Site #1 on the Hudson River School Art Trail

Fall Getaway in the Great Northern Catskills: Frederick Edwin Church’s Olana

3-Day Fall Getaway in the Catskills: Fairlawn Inn is Superb Hub for Exploring the Hudson River Valley

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

Fall Getaway in the Great Northern Catskills: Frederick Edwin Church’s Olana

Frederick Edwin Church orchestrated visitors’ arrival to Olana so you would look up © 2017 Karen Rubin/goingplacesfarandnear.com

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

Just over the Rip Van Winkle Bridge from the Thomas Cole National Historic Site (#1 on the Hudson River School Art Trail), you see this grand mansion perched on the hillside, poking out from the trees. It is just a short ride off Rte 9G on eastern shore of the Hudson River to get to the long drive up to the mansion and farm, Olana, built by the Hudson River School artist Frederick Edwin Church.

View of Frederick Edwin Church’s Olana from the Rip Van Winkle Bridge © 2017 Karen Rubin/ goingplacesfarandnear.com

Spanning 250 acres, Olana is one of the most intact artist-created landscapes in America, and “the most intact artist residence of its age in the world,” our guide explains. In fact, it is the artist’s last major work. Church designed, even decorated, every aspect of the house and landscape – digging out a 10-acre lake, planting some 50,000 trees. And today, virtually all the furnishings (95% we are told) are original to the house, even in the same places as when the Church family occupied the house, up until the 1960s.

Literally saved from a wrecking ball, the Olana State Historic Site is now one of New York’s premier historical attractions (HRSAT Site #2), drawing 20,000 visitors a year. You can only visit the house on a guided tour and they only take up to 12 per tour, so tours frequently sell out by 1 pm (advance reservations are recommended).

As I approach Olana, a sign on the road introduces me to a new word, and a new concept – “viewshed.” The word intentionally evokes “watershed” – a protected resource area. Here, Olana, chosen and designed by the artist Church for the views, successfully established a “viewshed” maintaining that this is a national cultural resource worthy of protection and preservation.

The notion of preservation versus progress is the very essence of Church and his Olana, taking up the key theme from Thomas Cole, his teacher and mentor.

The protected “viewshed” from Frederick Church’s Olana © 2017 Karen Rubin/ goingplacesfarandnear.com

Church’s background is very different from Cole’s. While Cole, renowned as the father of the Hudson River School art movement, America’s first, was an immigrant from England, Church was born in Hartford, Connecticut in 1826 to a well-to-do family (his father, Joseph Church, owned several businesses including a silversmith and became a director of Aetna Life Insurance Company). Whereas Cole had little art training, Church’s father arranged for him to study with Cole for two years, 1844-46, when Church was 18 years old. Church then went to New York City to set up a studio. He became the youngest Associate of the American Academy of Design, in 1850, and within a few years, became one of the most successful artists of his generation – a veritable rock star.

Portrait of Frederick Edwin Church hangs in Olana © 2017 Karen Rubin/ goingplacesfarandnear.com

And whereas Cole, the immigrant, was enthralled by the wildness of the American landscape, Church fell under the spell of naturalist Alexander von Humboldt, who encouraged artists to travel the world. Church traveled to the Middle East, South America, Europe (one of his children was born in Rome), Labrador and Greenland. He brought these images and ideas back to the Hudson River Valley where he would build Olana, and his worldliness and world-view filled his canvases.

Ultimately, Olana became his canvas.

Over the last 40 years of his life, from 1860-1899, he designed and fashioned Olana into a three-dimensional work of art that includes the magnificent Persian-inspired home with its various collections, set within a 250-acre landscape, meticulously designed for iconic views of the Hudson River Valley.

Virtually all we see at Olana belonged to the Church family and wherever possible, is positioned where it would have been © 2017 Karen Rubin/goingplacesfarandnear.com

What is most remarkable about Olana is that the home and grounds never left the family – the furnishings, the art, even the books, are all Church’s possessions, and we see them laid out in the deliberate living canvas that Church intended.

After Church died, in 1899, his son, Louis, occupied the house, and when Louis’ widow died, in 1964, the house and estate were saved from being sold off by virtue of a public-private collaboration between New York State Parks and a private nonprofit, Olana Partnership (similar to the collaboration between the Central Park Conservancy and New York City’s parks department). Olana opened to the public as a museum in 1966.

This is most fitting, since Church served as commissioner of Central Park (he was a distant cousin of landscape designer Frederick Law Olmstead). He also was a founding trustee of the Metropolitan Museum of Art. (Church was responsible for locating Cleopatra’s needle, the obelisk, behind the museum.)

And Church, who achieved national and international prominence with his seven-foot wide painting, “Niagara” (1857), was credited with creating the Niagara Reserve – New York’s first state park and one of the first in the nation, a precursor to the national parks movement.

The Olana grounds include five miles of carriage trails, managed by New York State Parks, and are open to the public at no charge.

Artist painting the view that Frederick Church created at Olana © 2017 Karen Rubin/goingplacesfarandnear.com

The Olana Partnership has worked to restore Olana as well as the landscape. The physical landscape, in Church’s planning and today, is as much art as the landscape painting on canvas. As you walk the trails, the images are framed – markers here as along the other sites of the Hudson River School Art Trail, compare the scene today to paintings. And since my last visit, the view from the mansion to the Hudson River and Catskills beyond has been opened up.

Indeed, as I arrive at Olana, there a group of artists, in the area on a week-long workshop, are painting the scene.

Church’s Worldly View

While Thomas Cole was an immigrant from England who glorified America’s landscapes in a way that had not been done before, Frederic Edwin Church was one its most traveled among the Hudson River School artists, and he brought these images and this worldliness into his canvases.

Frederick Church’s Olana offers an astonishing collection of art. You can only tour the house with a guide © 2017 Karen Rubin/goingplacesfarandnear.com

Church finished his two-year study with Cole in1846 but Cole died soon after, in 1848. Church seems to have always maintained a connection with Cole – returning to the Hudson Valley to build his home close to Cole’s Cedar Grove, traveling with Cole’s biographer to Labrador. He found ways to help the Cole family – helping sell Cole’s paintings (he owned several himself, some of which are on view at Olana) and hired Cole’s son Theodore as Olana’s farm manager.

When Church was in his 20s, he became enamored with the renowned naturalist and explorer Alexander von Humboldt who encouraged artists to travel and paint equatorial South America. In 1853, Church made the first of two expeditions following in Humboldt’s footsteps, chiefly in Colombia; the second, in 1857, to Ecuador.

“Sunset, Jamaica.” Frederick Church traveled to exotic locales for his subjects. © 2017 Karen Rubin/goingplacesfarandnear.com

The paintings he produced from these trips made him one of the best known and most successful painters of his generation.

The New York exhibition of his ten-foot canvas, The Heart of the Andes, in 1859, “was the most popular display of a single artwork in the Civil War era, attracting 12,000 people who paid admission in three weeks to its New York premiere alone, then traveling to Britain and seven other American cities on a tour lasting two years.”

The painting sold for $10,000 to collector William Blodget, at the time, the highest price ever paid for an American painting,” says Olana curator Evelyn Trebilcock. We get to see Church’s final study for “Heart of the Andes”.

Frederick Church’s study for “The Heart of the Andes” on view at Olana © 2017 Karen Rubin/goingplacesfarandnear.com

Church set out again to travel to exotic places and intrigued by literature of Arctic exploration, in 1859, he hired a boat to take him to the north Atlantic between Labrador and Greenland to sketch icebergs, joined by Louis Legrand Noble Thomas Cole’s biographer. At the beginning of the Civil War, in 1861, Church exhibited Icebergs: The North, another grand canvas, which also was a blockbuster hit.

With his career on the rise in 1860, Church’s married Isabel Carnes and came back to the Hudson River Valley, where he had studied painting with Thomas Cole, and bought a farm overlooking the Hudson River on the opposite shore from Cole’s house.

Touring Olana: ‘Thou Art Welcome”

You walk in through the threshold to Olana under an inscription in Arabic, “Thou Art Welcome.”

Most remarkable: all the land and the contents of the grand home are intact, because they had always been within the Church family, and everything you see was meticulous conceived and planned by Church.

That’s what makes the experience of being here all the more profound – there is an immediate connection to the man and creative process of this great artist, who until now, I had only appreciated through his canvases on view in art museums.

Frederick Church used Persian architectural influences to create Olana © 2017 Karen Rubin/goingplacesfarandnear.com

Olana is every inch Church’s creation. Church traveled the world (he is a worldly person in his reading and outlook) and went to Mideast, and when came back, wanted to create a “fantasy”. He actually never went to Persia but thought the Persian style could be fanciful. But he didn’t just fabricate the designs out of his imagination, he studied Persian art and architecture. He never visited the Alhambra, but bought photos in order to incorporate the Moorish design elements. He experimented with colors and patterns.

“The desire to build attacks a man like a fever,” Church wrote.

He built the house in two years (for about $90,000, or about $2.5 million today, fairly reasonable), and spent the next four years meticulously decorating it.

Architectural detail of Frederick Church’s Olana © 2017 Karen Rubin/ goingplacesfarandnear.com

Church experimented with different designs; he mixed the colors; he based his patterns on a book of Persian architecture; the stencil designs on the door – in gold and silver paint – have a shimmering effect. The gilded patterns we see on the grand doors – Les Arts Aribe – are from original stencils.

“He meticulously arranged every room, choosing exotic items for their emotional effect, each room a composition. It took him four years to complete decoration.”

I ask whether Church produced much art during this time, and the guide explains that by 1876, when Church was 50 years old, landscape painting had fallen out of fashion and his career was on the wane, Church came down with crippling rheumatism. Home and family became more important and Olana became his primary canvas.

The exotic décor Frederick Church used at Olana; he spent two years building his mansion and four years decorating it © 2017 Karen Rubin/ goingplacesfarandnear.com

Most important to Church were the views. He oriented the house and the windows southwest to best capture the view.

“Our home will be a curiosity in architecture, but the view from every window will be fabulous,” Church said.

The paintings we see that decorate the rooms are Church’s own collections – his own paintings as well as painters he admired, including Thomas Cole.

There is also Church’s painting of “Petra,” 1868, with its unusual perspective (even for Church) – a vertical image of the temple, carved into rock cliff , as you come to it through a rock cleft, like a photograph.

The unusual perspective Frederick Church used in his painting of El Khasne Petra; the painting hangs in the family room, furnished much as it was when the family lived at Olana © 2017 Karen Rubin/goingplacesfarandnear.com

The last time I visited, I was able to see Church’s library, and what he was interested in, what informed him (almost like reading a journal, it is so telling about values, perspective, world-view, what informed him). He was interested in natural science, novels, religion (Presbyterian), “Women of the Arabs”, “Popular History of the Mexican People” “Natural Law & Spiritual World.” He owned a copy of Darwin’s “Origin of the Species.” He was friends with Mark Twain, who also lived in Hartford, where Church was born.

In 1888, at 61 years old, Church devoted himself to expanding house and building a new studio within the house. He closed the New York City studio he had rented for 30 years.

Today, his studio seems just as he left it, with various items of folk art and pre-Colombian artifacts Church collected on his travels.

Frederick Edwin Church’s studio is much as he left it © 2017 Karen Rubin/ goingplacesfarandnear.com

On the wall, “Christian on the Border of the Shadow of Death,” a dark, early painting, reminiscent of Cole. Here in the house, we can see the transition of his style, from largely emulating Cole to developing his own style and perspective.

“Church was a smart marketer of his art – people paid a fee to see just one painting. Lithographs of his work were successful,” says Olana curator Evelyn Trebilcock. “When Church studied with Cole, he painted in Cole’s style, incorporating Christian message, but Church realizes it is not commercial -not saleable- so he instead shows God in beautiful sunsets.”

We go up back stairs that would have been used by the servants – to the second floor family rooms, which were opened to the public in 2009.

Most impressive here are the tiles and the fireplace, produced by Ali Mohammed Isfahan which Church acquired in New York City (they know because they have the receipts).

The Olana dining room, set up for the Church family, has a gallery of art that Church collected on his travels © 2017 Karen Rubin/goingplacesfarandnear.com

In the dining room, set for a family meal, the walls are an art gallery – none of which are Church’s, but are the pieces he collected on his travels through Europe, artists he wanted to showcase and support.

There are also portraits of Church, his father, Joseph, who became a director of the Aetna Life Insurance Company and Church’s wife – all painted by other artists since Church never painted portraits. In my mind, it suggests the humility of the man.

Preserving Olana

After Church died, his art (along with the Hudson River School) fell out of favor.

In 1964 after Church’s daughter-in-law died, the fate of Olana was thrown into question. Then David Huntington, an art historian, got interested and reignited popularity in Church’s work.

Huntington organized a preservation group to buy Olana and got the heirs to agree to give the group two years to come up with the funds, $450,000, to buy Olana.

“The house was going to be dismantled – the items had already been tagged for auction at Sotheby’s,” Mark Prezorsky, landscape curator, says. “The Hudson School was out of style. You could buy a Cole at a garage sale.”

Olana barely escaped a date with the wrecking ball and now has one of New York State’s top attractions © 2017 Karen Rubin/goingplacesfarandnear.com

Indeed, the 1960s was not a good time for Victorian architecture – it was a time for sweeping away the “old” for the new, a period of anti-establishment frenzy. Cole’s home, Cedar Grove, for example, was put up for auction – all the possessions were sold off – and might have been knocked down altogether to make way for the Rip Van Winkle Bridge.

The Catskill Mountain House which dated from 1824 and figured in many of the Hudson River School paintings, he pointedly notes was burned down in 1963.

But Huntington, the art historian, “was able to see what Olana was.”

The preservation group got the heirs to agree to a two-year “stay of execution” so that they could raise the $430,000 purchase price – they made the deadline with 10 cents to spare. But now that they owned the house, the problem was affording to maintain it.

Each season, Olana hosts exhibits; this year’s exhibit was “OVERLOOK” a groundbreaking installation by Artist Teresita Fernández with 55 works including “Penetrable” by Jesus Rafael Soto. © 2017 Karen Rubin/ goingplacesfarandnear.com

New York State in astonishing short order had Olana declared a state historic site – the resolution went through three readings in the Assembly and Senate in a single day and Governor Nelson Rockefeller flew by helicopter to Olana for the bill signing. The site is now owned and operated by the New York State Office of Parks, Recreation and Historic Preservation.

Olana is one of first anywhere to have a preserved “viewshed” (Monticello is another) – arguing the need to preserve the view helped defeat a plan to build a nuclear power plant on the Hudson.

“The farm is big part or Olana,” Prezorsky, the landscape curator, says. “The way we experience it is how move through it –the views open up….. He composed his home as artistic masterpiece in midst of nature. This is one of the few farms where art and farming intersect.”

View from Frederick Church’s studio © 2017 Karen Rubin/ goingplacesfarandnear.com

Church had a 10-acre lake hand-dug as part of the design “before machinery; he sold off “muck” for profit.” Church, he says, was a very practical man; he wanted the farm to be a sustainable enterprise. He planted some 50,000 trees.

Thanks largely to the preservation of Olana and the Thomas Cole House, the Hudson River School regained its place in American history and culture. Olana awakened a sense of pride in scenery and conservation.

Olana resuscitated an appreciation for Church’s art. In 1979, Frederick Church’s “The Icebergs”, discovered in a home for boys in Manchester, England, broke the record for an American painting, selling at auction for $2.5 million.

Olana offers house tours from April  through October (closed Mondays), and on weekends November through March. Reservations are highly recommended; there is a car fee on weekends and holidays, and a fee for the house tour. Plan your visit and see a schedule of special events, at olana.org.

Olana State Historic Site, 5720 Route 9G, Hudson, NY 12534, 518-828-0135, olana.org.

The Hudson River School Art Trail, a project of the Thomas Cole National Historic Site, has 8 trail sites; during the course of my three-day getaway, I get to experience six of them. Get maps and directions for all the sites on the Hudson River School Art Trail site, www.hudsonriverschool.org.

A great place to stay: The Fairlawn Inn, a historic bed-and-breakfast, 7872 Main Street (Hwy 23A), Hunter, NY 12442, 518-263-5025www.fairlawninn.com.

Further help planning a visit is available from Greene County Tourism, 700 Rte 23B, Leeds, NY 12451, 800-355-CATS, 518-943-3223, www.greatnortherncatskills.com and its fall hub http://www.greatnortherncatskills.com/catskills-fall-foliage

See also:

Fall Getaway in the Catskills: Thomas Cole National Historic Site is Site #1 on the Hudson River School Art Trail

3-Day Fall Getaway in the Catskills: Fairlawn Inn is Superb Hub for Exploring the Hudson River Valley

 

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures

 

 

Saratoga Springs is Firmly En Pointe as Center for Dance, Culture

Saratoga Springs, which is the summer home of the New York City Ballet and the location for the National Museum of Dance, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/goingplacesfarandnear.com

 

By Karen Rubin, Travel Features Syndicate, goingplacesfarandnear.com

 

With just one full day to explore Saratoga Springs, I am still able to take in the high points that distinguish this town, which has been so popular a place for visitors going back to the 14th century, when its mineral springs were first discovered by Native Americans. Later, it became a major center for organized horse racing, a tradition which remains today, and draws the biggest crowds during the six-weeks of racing season. But Saratoga Springs, owing to the millionaires and elites and then the colleges including Skidmore, has also become a cultural mecca, especially for dance. The Saratoga Springs Performing Arts Center is the summer home for the New York City Ballet and now the home of the National Museum of Dance. 

National Museum of Dance

During my one full day in Saratoga Springs, after thoroughly exploring its horse-racing traditions at the race track and the National Museum of Racing, I next visit the National Museum of Dance, which is located just at the entrance to the Saratoga Spa State Park in what had been the historic Washington Bathhouse (there is still an exhibit to the historic spa). This is such a surprise.

It exquisitely reflects the visual as well as the athletics and art of dance; surprised at seeing video going back to 1895 of dance. All the dance legends are represented with stunning photos, videos, costumes.

So far, 50 dance pioneers including dancers of all genres, choreographers, composers, writers and patrons have been inducted into the Dance Hall of Fame in Saratoga Springs © 2017 Karen Rubin/goingplacesfarandnear.com

Established in 1986, the National Museum of Dance & Hall of Fame is the only museum of its kind in the nation and one of only a few in the world dedicated to the art of dance (which is why they claim the name, “National.”)

It is set in the former Washington Bathhouse, a 1918 Arts & Crafts style building in the Saratoga Spa State Park which provided health spa treatments (there are rooms you can visit from that time).

The Museum’s archives house a growing collection of photographs, videos, costumes, documents, biographies and artifacts that honor all forms of dance throughout history.

The museum’s galleries feature rotating exhibits and three permanent exhibits including the Mr. and Mrs. Cornelius Vanderbilt Whitney Hall of Fame.

Dancers in Film is an enchanting ongoing exhibition at the National Museum of Dance © 2017 Karen Rubin/goingplacesfarandnear.com

Dancers in Film, a delightful ongoing exhibition, celebrates the relationship between dancers and film, and features both well-known dance stars and our favorite actors who have had world famous dance roles on the silver screen. Highlighted in the exhibit are Lifetime Achievement Award Recipients Ann-Margret (2010), John Travolta (2014), and Chita Rivera (2015). You will love sitting and watching the fast-changing videos. I am frankly amazed to see some of the oldest ones, even from 1895 (at the very dawn of movie-making).

Sparked by an abundant discourse both age-old and current, The Dancing Athlete is an innovative exhibition that explores the inherent connections between dance and sports, and dancers and athletes, and the influence and confluence of these forms throughout history. Through costumes, photographs, video, objects, and archival materials, the exhibit examines these relationships within several themes such as cross training and physiological impact, shared movement vocabularies, and sports-inspired choreography, among others. A select group of athletes and dancers including Lynn Swann, Sugar Ray Robinson, and Edward Villella are showcased as well as several choreographic works including Gene Kelly’s stunning  “A Man’s Game”. By highlighting the athletic prowess of dancers and injecting popular sports and athletes, boys, especially, will better appreciate dance.

The New York City Ballet company presented their autographed pointe shoes in honor of Peter Martins’ induction into the Dance Hall of Fame © 2017 Karen Rubin/goingplacesfarandnear.com

Opened in 1987, the Dance Hall of Fame honors dance pioneers of all types whether they are choreographers, composers, writers, dancers, or patrons; there are more than 50 who are so far included in the Hall of Fame. Among them: Fred Astaire, George Balanchine, Agnes deMille, Rudolph Nureyev, Isadora Duncan, Martha Graham, Bill “Bojangles” Robinson, Busby Berkeley, Jerome Robbins, Alvin Ailey, Merce Cunningham, Paul Taylor, The Nicholas Brothers, Bob Fosse, Marge Champion, Tommy Tune, Edward Villella and Michael Jackson and the newest inductees, Gregory Hines and Patricia Wilde who are featured in special exhibits devoted to their careers  (see a complete list of the inductees, http://dancemuseum.org/exhibits/hof.html).

The Museum campus also includes the Lewis A. Swyer Studios, a building constructed specifically for the purpose of keeping live dance as part of the Museum’s offerings. The Swyer Studios welcome frequent master classes, lecture/demonstrations, residencies, and other programs, as well as the Museum’s very own dance school, the School of the Arts, which offers dance classes to all ages, levels, and interests. The Museum also offers a wide selection of special programs, events, and workshops throughout the year.

Twist! Jump! Play! Dance! The Alfred Z. Solomon Children’s Wing is an interactive space just for kids, with a video library, reading corner, movement and balance toys, and stage area. A Kids’ Gallery showcases rotating exhibits of children’s artwork and is where visitors can create their own masterpieces.

The museum also offers a Resource Room with thousands of books, periodicals, and print items for dance research available to the public.

A young dancer photographs one of the ballet shoes outside the National Museum of Dance, which also has its own dance school on the site of the former Washington Bathhouse at Saratoga Spa State Park © 2017 Karen Rubin/ goingplacesfarandnear.com

When I visit, I notice young girls, their hair tied back in the bun typical of dancers, looking on with adoration. This is their Cooperstown.

National Museum of Dance, 99 South Broadway, Saratoga Springs, NY 12866, 518-584-2225, dancemuseum.org,  [email protected]

There is a very good reason for the National Museum of Dance to be set at Saratoga Spa State Park: Saratoga Performing Arts Center (SPAC), a stunning amphitheater, is set in the heart of The Spa State Park and is the summer residence of the New York City Ballet as well as the Philadelphia Philharmonic Orchestra. Surrounded by 2,400 acres of green hills, geysers, natural mineral springs and hiking trails, you can enjoy jazz, pop and classical concerts. (108 Avenue of the Pines, Saratoga Springs, NY 12866, spac.org).

I didn’t get a chance to really explore the Saratoga Spa State Park, but it has a score of attractions contained within it, in addition to the National Museum of Dance and the Saratoga Performing Arts Center. It also has the Saratoga Automobile Museum, which this year is featuring as its main exhibit, “The Gavel: Cars of the Saratoga Auto Auction” which gives an insider look at the workings of the classic and collector automobile auctions that have become so popular with television viewers. Vehicles on display range from a 1931 Ford Model A Woody to a very rare 1957 Chrysler 300C standard shift, a 1957 Ford Thunderbird and a 1957 Continental Mark II. Imports represented include a 2003 Maserati Spyder convertible and a 2013 Lotus Exige Factory Cup on display.  These cars, along with hundreds of others, are on display until September 17, when they are all headed for the auction block in September at the Saratoga Auto Auction. (110 Ave of the Pines, Saratoga Springs, NY 12866 , 518-587-1935, www.saratogaautomuseum.org, Tuesday-Sunday, 10 am-5 pm).

The Saratoga Spa State Park Golf Course offers two beautiful golf courses; a championship 18-hole course and a challenging 9-hole course, complete with pro shop and restaurant. (Information and to reserve a tee time online visit: Saratoga Spa Golf).

Saratoga Spa State Park, distinguished by its classical architecture and listed as a National Historic Landmark, is noted for its diverse cultural, aesthetic and recreational resources. In addition to the nationally-known Saratoga Performing Arts Center, the Spa Little Theater, the National Museum of Dance, the Saratoga Automobile Museum, the Gideon Putnam Resort and Roosevelt Baths and Spa, Spa Golf Courses, the park offers a pool complex including slide complex and historic Victoria Pool surrounded by arched promenades; hiking and walking trails, running courses, picnic areas; winter activities include cross-country skiing on approximately 12 miles of trails, ice skating, ice hockey, and two golf courses.

Saratoga Spa State Park, 19 Roosevelt Drive, Saratoga Springs, NY 12866, 518-584-2535, saratogaspastatepark.org, https://parks.ny.gov/parks/saratogaspa.

Neighborhoods

Saratoga Springs, home to the national Museum of Dance and summer home of the New York City Ballet, celebrates its connection to dance with painted shoes that decorate the streetscape © 2017 Karen Rubin/ goingplacesfarandnear.com

My walking tours from the Inn at Saratoga take me passed and through Congress Park, where in 1792, New Hampshire Congressman John Gilman discovered a mineral spring. (I also take note of a free cutey-pie trolley that operates up Broadway, but I prefer to walk). In 1822, Dr. John Clarke purchased Congress Spring and surrounding land, drained the swamp and built a park where he offered concerts. He built his impressive Greek Revival home overlooking the park, as well as a bottling plant. In 1876, Frederick Law Olmsted, the famous landscape architect who designed New York’s Central Park, designed the gardens. The Park today harbors a visitor center (built in 1915 as a trolley station); the Casino (a gaming house for men built in 1870 by prize fighter, former Congressman and gambling entrepreneur who developed Saratoga horse racing, John Morrissey, which today houses the Saratoga Springs History Museum), Italian Gardens, Congress Park Carousel, and some wonderful sculptures, fountains and monuments.

John Morrissey’s casino in Congress Park has been turned into the Saratoga Springs Historical Museum © 2017 Karen Rubin/goingplacesfarandnear.com

At the visitor center you can pick up some wonderful self-guided tours, such as North Broadway, “a neighborhood of exceptional residential architecture”; West Side Neighborhood (“The City’s first prime residential location, where many of the people who owned, supported and worked in the bustling resort industry lived.:”and East Side Neighborhood, once home to Skidmore College, rich in history and spectacular architecture, including stunning examples of Greek Revival, Victorian, Gothic, Italianate, Second Empire and Queen Anne styles.

On the Friday night I am in Saratoga Springs, I have a plethora of choices: watching harness racing, polo matches, a performance of the New York City Ballet, and any number of live music venues, including Caffe Lena.

Caffè Lena, a famous folk-music venue since 1960, has just undergone a $2 million renovation but still offers an intimate space to appreciate folk, jazz, poetry and well-established performers as well as newcomers © 2017 Karen Rubin/ goingplacesfarandnear.com

I wander over to Caffè Lena, a famous folk-music venue which the New York times in 2013 called “Folk Music Heaven, was sporting a $2 million renovation, its first since opening in the 1960, and had people lined up out the door hoping to get through a wait-list for that evening’s performance. It actually offers a range of styles – folk, jazz, poetry night, open-mike night – and still retains the intimacy of a small room and small stage, so you are mere feet away from the performer. “Opened in a former woodworking shop in 1960, the café has helped launch many of America’s best loved songwriters, ranging from Bob Dylan in 1961 to Sawyer Fredericks in 2014, with an dazzling Who’s Who list in between. When founder Lena Spencer passed away in 1989, Caffè Lena was converted to a non-profit institution supported by concert revenue, private and corporate donors, grants and bequests, and an ever-evolving team of volunteers.” (Caffè Lena, 47 Phila Street, 518-583-0022, Tickets: 800-838-3006, email:  [email protected]. caffelena.org.) 

For more information or to help plan your visit, Saratoga Convention & Tourism Bureau, 60 Railroad Place, 855-424-6073, 518-584-1531, https://discoversaratoga.org/. 

Also, Saratoga Springs Heritage Area Visitor Center, 297 Broadway
Saratoga Springs, NY 12866, 518-587-3241, Email: [email protected],  www.saratogaspringsvisitorcenter.com

See also:

Historic Inn at Saratoga Captures Sense of Place, Gracious Victorian Style 

Saratoga Springs, Age-Old Mecca for Horse Racing, Gets Better with Age

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© 2017 Travel Features Syndicate, a division of Workstyles, Inc. All rights reserved. Visit goingplacesfarandnear.com,  www.huffingtonpost.com/author/karen-rubin , and travelwritersmagazine.com/TravelFeaturesSyndicate/. Blogging at goingplacesnearandfar.wordpress.com and moralcompasstravel.info. Send comments or questions to [email protected]. Tweet @TravelFeatures. ‘Like’ us at facebook.com/NewsPhotoFeatures