By Eric Leiberman, David Leiberman, Laini Miranda & Sarah Falter
The nearest supermarket is almost an hour away. When the two mountain passes are closed, you’re stuck here. But for Kirkwood devotees, these are comforting perks that distinguish this Tahoe, California, ski resort from other ski resorts out west, even from Vail Resorts other two Best of Tahoe resorts: Heavenly and Northstar. The fact is, at the beginning, middle and end of the day, Kirkwood is all about the mountain.
We arrived at Kirkwood – from San Francisco and New York by way of Sacramento airport – Thursday night. The drive to Kirkwood was easy and beautiful along the dark, very straight followed by very windy, starlit Route 88 — through the Eldorado National Forest, past Tragedy Spring, and suddenly, on the side of the road, the unassuming and welcoming Kirkwood sign. Pulling in, we drifted by quiet condos on Kirkwood Meadows Drive and felt like something between exclusive guests and trespassers. We soon discovered that this is apropos for Kirkwood.
We were warmly welcomed with granola bars, a travel-sized Supergoop sunblock for each of us, trail maps, a calm “you’ll love it here” vibe, and an explicit “you’ll love it here” assertion. The lovely receptionist shared with us a nearby restaurant recommendation along with some intriguing history, in the vein of the many stories we’d soon hear from Kirkwood staff and family, about the old-timey and purportedly haunted Kirkwood Inn. We checked in to the Mountain Club, right at the base, pulled the car into the garage, took the elevator up to our room, and kicked off our cozy stay with a bottle of Rodney Strong Cabernet Sauvignon and the Winter Olympics Opening Ceremonies. We eased into the cozy condo by the warm fireplace and felt our big city pressures melt away.
Friday morning greeted us with blue skies, jagged mountain peaks, and a lift that we could practically jump onto from our terrace! We headed to pick up our gear at the demo shop, where we met soon-to-be familiar faces Carlos and team. Carlos is a young guy who we felt we would have been friends with in school and who, over the course of the next couple days, we would become friends with as he cheerfully helps us try different pairs of boots and skis. He appears to be one of many Kirkwood staffers who simply love being at Kirkwood and ski the mountain every chance they can. (Carlos points out that, in fact, he lives steps away from the gondola at the higher-trafficked Heavenly Mountain up in South Lake Tahoe, but he prefers to wake up before dawn and drive to work and ski at Kirkwood.)
When Dick Reuter and Bill Klein started Kirkwood in 1972, many viewed it as a fool’s errand. At the time, there was nothing in Kirkwood – resources and infrastructure were both sparse. But Dick and Bill saw the beautiful mountain’s promise and had a vision for building a ski resort in Kirkwood, so they got to cutting trails and installing lifts.
Almost 50 years later, that vision has yielded something spectacular. Kirkwood consistently boasts greater snow accumulation and longer retention of that snow than other Tahoe resorts. The secret is its high base (at 7,800 ft up to a summit at 9,800 ft.), steep terrain, long ridgelines and predominantly Northeast facing mountains. The combination of all these geographical assets and smart trail design (86 trails, a total of 2,300 skiable acres) makes Kirkwood’s conditions and terrain rival those of any resort in North America.
What is more, Kirkwood is now part of Vail Resorts, which also owns nearby Heavenly Mountain and Northstar in the Tahoe area, and is part of Vail’s Epic Pass. It is a credit to the Vail Resorts company that Kirkwood has retained its own character and personality.
Kirkwood is great for skiing with groups of friends of family. Unlike most resorts that have a series of peaks and different lifts servicing those peaks from various bases, Kirkwood features a long ridgeline with trails mostly funneling to the same base. As a result, it’s easy to meet up with the rest of a group, even if members of the group have varying abilities and are skiing terrain of differing difficulty. It’s quite hard to get lost at Kirkwood.
Kirkwood’s Timber Creek is one of the best training terrains in the region, with great blue and green runs. The larger Mountain Village, on the other hand, will lead you to a mix of blues and blacks, with just a few short green runs on the Snowkirk lift. For beginner or intermediate skiers, sticking to the groomed trails is the way to go. For advanced skiers, there are endless trails to explore and trees to drop into off the long ridgeline. Pay attention to the signage at the base of the lifts, as certain lifts are specified “Experts Only” and will only serve black diamond runs. (Of its 86 trails, 12% are beginner, 30% are intermediate, 38% are advanced, and 20% are rated expert; the longest trail is 2.5 miles; out of the 14 lifts, two are high-speed quads.)
For those looking to explore the side and backcountry of Tahoe, Expedition:Kirkwood offers guided excursions, specialty clinics and backcountry awareness training. Kirkwood’s terrain provides access to backcountry opportunities within resort boundaries straight from the lifts, and EK guides can help even the most advanced skiers and boarders find terrain that thrills and challenges. (To book, 209.258.7360 or email E[email protected])
While there wasn’t enough snow during our time at Kirkwood to explore the backcountry, we still found great value in the instruction and knowledge of our all-star, veteran ski instructors Tony and Steve. Tony has been teaching at Kirkwood for 20+ years, and Steve for almost 5 years. (Kirkwood employees seem to have genuine loyalty and pride. We learned that one snowcat operator has been working at the mountain for 40 years.)
In a half day, Tony coached a couple of us intermediate skiers how to appropriately shift weight to improve balance on runs of varying difficulty, clean up turns on steeper terrain, and venture down mogul runs for the first time, albeit very slowly and safely.
Steve took the more advanced skiers in our group to Sentinel and Palisades bowls and showed us some of the most insane cliff lines we’ve ever seen. As Steve put it, “I don’t care who you are or how long you’ve been skiing, there’s something inbounds on this mountain to make even the most daredevil skiers scared.”
After a long day of skiing and riding, we were ready for a hot tub session and a hearty meal.
There are several dining options and a few aprés bars at the base and on the mountain, but this is not the place you come for party scenes, pampering or gourmet meals. Again, the draw of Kirkwood is the mountain, not the village or resort amenities. So while there are a couple of good dining options, the more “Kirkwood” thing to do would just be to buy a bunch of groceries and cook for yourself in the comfort of your condo.
That being said, the on-mountain dining is quite good. We dined at The Wall once for lunch and once for dinner (and enjoyed their $3 Tequila Happy Hour special for a great aprés ski another day). Their food is rich and delicious. The plates are pricey, but most of the portions are huge and share-worthy so we recommend ordering for the table. A great starter is the Spanish Fries of potato wedges with perfectly cooked chorizo bits and cheese. If you’re looking for a big meal, get the cheeseburger. You might not rush straight back up the mountain after, but your tastebuds will be happy.
As far as dinner at The Wall is concerned, our favorites are the truffle mac & cheese appetizer, short ribs braised in red wine, and chicken schnitzel with spaetzle. The menu is constantly rotating, but if you find any of these items on the menu, we highly recommend any of them.
The aforementioned Kirkwood Inn, which has been around since 1864, is another dining option near the mountain (5-minute drive). We unfortunately did not get the opportunity to visit, but we heard wonderful things.
There are multiple lodging options when visiting Kirkwood. The three ski-in/ski-out options are The Mountain Club, The Lodge at Kirkwood, and Snowcrest Lodge. We stayed in a 2-bedroom suite at the Mountain Club and couldn’t have asked for more. Our living room looked out onto three chairlifts and each room had sweeping views of the mountain. Beds were very comfortable and the cozy living room felt like we were in our own home. Other highlights of the facilities worth taking advantage of after a long day of skiing included an outdoor hot tub, exercise room, sauna, and steam room all offer a perfect finish to a long day on the slopes.
All in all, we were blown away by Kirkwood’s simplicity and purity. We live in a fast-paced world where over-stimulation has become the norm, and ski resorts are increasingly catering to that expectation by doubling down on their resort activities and luxury offerings. But Kirkwood has stayed true to its roots. It is off the beaten path and promotes a simpler lifestyle based around the ideals of world-class skiing, enjoying time with loved ones and connecting with nature.
It also bears noting that skiing Kirkwood is less pricey than most major ski resorts.
So pick up some groceries on your way in and relish in the time away from the noise and action. This is not one of those getaways where you’ll need a vacation from your vacation. This is it. At the end of the day, it’s all about the mountain at Kirkwood. And we hope that never changes.
Kirkwood is located about 45 minutes south of Lake Tahoe, The closest airport is Reno-Tahoe International Airport, about 1 ½ hour drive away. Jetblue offers nonstop flights from JFK.
Amidst the largest snowpack in 22 years, the Best of Tahoe Resorts, a subsidiary of Vail Resorts, announced an extended ski seasons for Heavenly Mountain Resort daily through April 23, and the weekend of April 28 – 30; Northstar California through April 23. Kirkwood continues with spring skiing through April 16. (See snow.com)
They are the CLIO awards of the hospitality, travel and tourism industry – a gigantic segment of the US economy and culture which people don’t readily recognize as being so integral to everyday life, so fundamental to local economies and communities. But these are the advertising, public relations and digital marketing campaigns that excite, engage, inform and ultimately spur millions of us to venture out and experience new places, people and activities. Travel bolster local, state and national economies, creates an economic underpinning that sustains heritage, culture and the environment, while travelers are themselves enriched, often with life-enhancing, life-changing experiences; they become ambassadors, opening lines of communication and understanding between people that break down the barriers that promote conflict. And going back to the age of Marco Polo, travelers help the free exchange and spread of ideas and innovations.
The Hospitality Sales and Marketing Association International (HSMAI) hosted its 61st annual Adrian Awards Dinner Reception and Gala at the New York Marriott Marquis, celebrating innovators in hospitality advertising, digital marketing, and public relations before more than 800 industry professionals. A highlight was a look back at the organization’s 90 year-history in promoting standards for hospitality and innovations in marketing campaigns that inspire travel.
“HSMAI applauds this evening’s winners for their ingenuity and hard work,” said Robert A. Gilbert, CHME, CHA, president and CEO of HSMAI. He added, “Adrian Awards winners spark innovation throughout the entire hospitality industry.”
Established in 1956, the Adrian Awards recognize marketing achievements in hospitality across multiple segments of the industry. Award winners are selected from more than 1,200 entries by senior industry and media experts, for four main entry divisions: advertising, digital marketing, public relations, and—newly added—integrated marketing. Gold Award winners across these categories were recognized during the Adrian Awards Dinner Reception, which was co-sponsored by HSMAI, Google, and TravelClick. Platinum winners were selected from exceptional Gold Award winners.
The judges speak of authenticity, engagement, blurring of lines among media, emotionality, innovation and creativity, visual beauty, quality of content, storytelling, and most significantly measureable results in distinguishing the winners.
The stakes are huge: these advertising, marketing and public relations campaigns are a key part of the travel and tourism industry that generates $2.3 trillion in economic output (2.7% of the nation’s GDP) from domestic and international visitors. Travel expenditures support 15.3 million American jobs (8 million directly); account for $221.7 billion in wages, and generate $141.5 billion in tax revenues to federal, state and local governments, levels that increased significantly over the past decade, and have been a significant factor lifting the nation out of the Great Recession to “full” employment. International visitors to the United States in 2016 generated $212.3 billion, 9.5% of exports, but were forecast to fall by 0.6% in 2017, largely due to the political climate, travel ban, and concern over gun violence (which has accounted for several countries posting travel warnings). These are the kind of issues that the travel marketers address.
Travel and tourism is vital globally: Travel & Tourism generated $7.6 trillion (10.2% of global GDP) and 292 million jobs in 2016, equivalent to 1 in 10 jobs in the global economy. The sector accounted for 6.6% of total global exports and almost 30% of total global service exports. Travel and tourism doesn’t just improve lives, but is critical to livelihoods.
The United Nations has designated 2017 the International Year of Sustainable Tourism for Development. “As one of the world’s largest economic sectors, Travel & Tourism creates jobs, drives exports, and generates prosperity across the world. The International Year provides an enormous opportunity to further showcase the tremendous economic, social, cultural, environmental, and heritage value that the sector can bring.”
The winner of the eighth annual Leader in Sustainable Tourism Award, presented by HSMAI and National Geographic Traveler, was Terranea Resort.
Here are the award winners:
Best of Show Awards, the pinnacle of the evening, were presented to Platinum Award winners from three divisions—advertising, digital marketing, and public relations—as follows:
(Tie) Advertising “Best of Show” – Newfoundland and Labrador Tourism and its agency, Target: “Off the Beaten Path” Geo-Targeted Campaign
(Tie) Advertising “Best of Show” – Marriott International and its agency, GREY New York: “You Are Here” Campaign
Digital Marketing “Best of Show” – Amelia Island and its agency, Paradise Advertising and Marketing: “Destination Dysfunction” Video
Public Relations “Best of Show” – Mexico City Tourism Board and its agency, Weber Shandwick: “From Humble to Haute: Changing Perceptions of Mexico City”
Platinum Award winners in the advertising, digital marketing, public relations, and integrated marketing divisions are:
Advertising Platinum Winners:
Company; Agency
Space Florida; Paradise Advertising and Marketing
VisitBritain; Expedia Media Solutions
Maine Office of Tourism; BVK
NewFoundland and Labrador Tourism; TargetMarriott International; GREY New York
Digital Marketing Platinum Winners:
Company; Agency
Four Seasons Hotel New York Downtown; Connelly Partners
Best Western Hotels & Resorts; Ideas Collide
Newfoundland and Labrador Tourism; Target
Amelia Island; Paradise Advertising and Marketing
Orlando Magic; Net Conversion
Aruba Tourism Authority; Concept Farm
Public Relations Platinum Winners
Company; Agency
Greater Fort Lauderdale Convention and Visitors Bureau; Finn Partners
Singita; Imagine Communications
Hilton
Marriott Hotels; Catalyst PR
Fairmont Hotels & Resorts
Finger Lakes Tourism Promotion Agency; Quinn
Xanterra Parks & Resorts/Grand Canyon National Park Lodges; Percepture
Mexico City Tourism Board; Weber Shandwick
Visit Salt Lake
Integrated Marketing Platinum Winner
Company; Agency
Hilton Hotels + Resorts
Gold Award winners’ submissions were showcased on digital displays at the Adrian Awards Dinner Reception and featured during the Gala stage presentations. “Right in line with this year’s theme, ‘be a travel marketing superhero,’ the Adrian Award-winning campaigns demonstrated boldness, resolve, and charisma,” said Fran Brasseux, HSMAI Executive Vice President.
Selected by a panel of senior industry executives, The HSMAI Top 25: Extraordinary Minds in Hospitality Sales, Marketing, Revenue Optimization for 2017 were honored by HSMAI in a reception co-hosted by Questex Hospitality + Travel and also recognized on stage during the Gala.
Additionally, the distinguished careers of two industry leaders were celebrated with HSMAI Lifetime Achievement awards. Edwin “Ed” Fuller, president, Laguna Strategic Advisors, was honored with the 2017 Albert E. Koehl Award and Terence “Terry” Gallagher, president, Lou Hammond Group, New York, was honored with the 2017 Winthrop W. Grice Award for Public Relations.
“I’d like to thank HSMAI for giving me an honor that I wouldn’t have imagined possible more than 30 years ago when I began my own professional career,” said Gallagher, at the awards ceremony. “I’ve been blessed to be in what I feel is the greatest industry and it’s because of some wonderful people who taught me so much along the way.”
After expressing gratitude for his award, Koehl Award recipient Ed Fuller shared some advice to his industry colleagues in attendance, “Remember to work on developing your people and investing in the people you are growing.”
The Pioneer in Visual Storytelling Award, presented by HSMAI and Libris by PhotoShelter, went to Aruba Tourism Authority and its agency, Concept Farm.
Selected as one of the Top 100 Events in New York by BizBash, this year’s superhero-themed Adrian Awards incorporated eye-catching, comic book-inspired imagery and numerous other superhero references, which set an upbeat, playful tone for the evening.
The Hospitality Sales and Marketing Association International (HSMAI) is committed to growing business for hotels and their partners, and is the industry’s leading advocate for intelligent, sustainable hotel revenue growth. The association provides hotel professionals and their partners with tools, insights, and expertise to fuel sales, inspire marketing, and optimize revenue through programs such as HSMAI Digital Marketing Strategy Conference, Adrian Awards, and Revenue Optimization Conference. Founded in 1927 and celebrating 90 years in 2017, HSMAI is a membership organization comprising more than 5,000 members worldwide, with 40 chapters in the Americas Region.
Martin Luther King Jr. and Robert Kennedy are tethered together in peoples’ minds, and not only because they both were assassinated within two months of each other in that fateful year of 1968. A new, remarkable exhibit that has just opened at the New-York Historical Society commemorates the 50th anniversary of those events, examines their conjoined legacy and makes some interesting discoveries: their lives had a kind of parallel trajectory, yet, they consciously steered separate courses, intersecting finally in death.
On view through May 20, 2018, Rebel Spirits: Robert F. Kennedy and Martin Luther King Jr. showcases 61 photographs and 30 documents and artifacts that reveal the relationship between these historic figures. The exhibit is based in part on The Promise and the Dream, written by Vanity Fair contributing editor and New York Times writer David Margolick and produced by Lawrence Schiller for National Geographic Publishers. Schiller, a photojournalist who covered many of the significant events throughout the 1960s, conceived of the project and collected 21,000 photographs, sifting them down to 3,000, then 2,000, and ultimately, over the course of just three days, laid out the photographs that are presented much like a 20-page photo essay in Life Magazine, where Schiller worked, would have produced.
But in the course of gathering that material, an essential question arose: why were there so few photos of King and Kennedy together? The exhibit has just one where the two men were at the same event, with then-Vice President Lyndon Baines Johnson. Another instance where they would have been together was when King testified to a Senate Committee which included Robert Kennedy, in which he stated that the millions of dollars that were being sent to support the war in Vietnam should better be spent to revitalize America’s ghettoes (a photo is taken from behind King). Significantly, while Kennedy supported the idea of spending more in cities, he was forced for political reasons (like the fact that his brother, as President, dramatically escalated America’s role in Vietnam) to disassociate himself from King’s anti-Vietnam stance.
Margolick, who researched and wrote the book in a mere seven months time, started off with no pre-conceived notion, but wanted to come up with some original construct about these two lions of American history.
Indeed, if news is the first draft of history, books provide the room for reflection and context.
The big idea of the book and the exhibit is that “Robert Kennedy was a political person and Martin Luther King Jr. a spiritual person; they respected one another but there was a limit how closely they could ally,” Margolick said at the press opening of the exhibit.
The two men had reason to be wary of one another.
Robert Kennedy was at his core a politician from a political family; on top of that, his brother, as president, had made key decisions including significantly involving the US in war in Vietnam, and was skittish about making civil rights a key focus of his administration; as JFK’s Attorney General, Robert Kennedy had signed off on J. Edgar Hoover’s request to surveil King, whom Hoover was convinced was a Communist. But Kennedy also sent US Marshals to force school integration.
King, for his part, was a spiritual man for whom civil rights was not merely a political issue but a matter of everyday survival for millions of people who could be brutalized without repercussion under a Jim Crow regimen.
“They were initially wary of each other,” Margolick said. “There was an enormous chasm which gradually shrank, but did not entirely disappear.”
“RFK felt MLK a liability, he couldn’t get close.” There was that special night, when Robert Kennedy, who made a concerted effort to embed himself into black communities when he realized he did not have more than a superficial understanding of issues, was in “black” Indianapolis for a campaign speech and gets notice that King has just been killed, and instead of rushing away, he spoke compassionately to the crowd. “That was a special night. Death was the only time Kennedy actually embraced [the idea] of King. Kennedy was dead two months later. There was no time to carry torch of MLK.
“But even in limited time, Kennedy was reluctant to embrace King. The Kennedys were politicians King was a spiritual man. Kennedy considers the political implications of everything. Part of the purpose of this book is to examine and correct the revisionist idea that were together – really was there was always space between them.”
They also came from completely different worlds: Kennedy chose to take up the fight; the fight chose King.
Over the course of researching the book, Margolick said, “my point of view was constantly evolving. I wanted it to be as original as it could. I looked at newspapers no one had; primary documents not examined before. I came to realize the most precious thing was to talk to dwindling supply of people who knew both men – very few knew both: Andrew Young, William Vanden Heuval and some behind scenes intermediaries.
Margolick realized that an excellent source would be the photographers who photographed both – including Harry Benson, Steve Shapiro – who could even describe how differently they interacted with crowds.
“Both men had a sense of their mortality – they knew they were doomed.” One of the photographers, he thinks it was Harry Benson, said that when King was in a crowd, he would look it over carefully, mindful of his safety. He never stayed in one place longer than he had to.”
But, he adds, “Robert Kennedy didn’t care. He had a premonition of death but approached it differently. He told his security force he didn’t want precautions. There were reporters who never left RFK’s side because they expected he would be assassinated and wanted to be there when it happened.”
Lawrence Schiller, who organized the project and curated the exhibit, was one of those photographers who helped document history beginning in the 1960s. He was assigned to Robert Kennedy and followed him for the last 40 days of his life. Schiller was at the Ambassador Hotel in Los Angeles the night that Robert Kennedy delivered his last speech, tried to hurry out by going through the kitchen, where he was met by Sirhan Sirhan who shot him dead. (The portrait that opens the exhibit was taken by Schiller on board Kennedy’s plane en route to California just days before the speech.)
He was just 26 years old working as a photojournalist on a fateful day in 1963 when he was summoned from Los Angeles to Dallas after President John F. Kennedy was shot. He was in the police station when, as it happened, the police were booking Lee Harvey Oswald.
“The elevator opened to reveal Oswald, who was only 24 years old. It shocked me that evil could be in such a person – a kid my age had caused this tragedy.”
Schiller, who has several photos in the exhibit, called upon many of the photographers he knew who are represented, but there are many which had not been published before.
The exhibit is laid out chronologically for the most part, but in some cases “emotionally chronologically”, as when a portrait of Robert Kennedy, photographed on Feb. 26, 1962, with a movie slate, is juxtaposed next to a police mug shot of King from Feb. 22, 1956, upon which someone had scrawled “DEAD 4-4-68”; and in a case with artifacts, the Time Magazine editions with each on the cover, is displayed. ”King’s ‘Man of the Year’ drove people crazy,” Schiller remarks.
Asked which photo was the most impactful, Schiller points to one of a man with a broom, sweeping the blood from outside King’s hotel room in Memphis, a photo which he said had never been published; another shows the hotel room. Schiller says that people came in and collected vials of blood to keep as a memento.
The exhibit starts with Rosa Parks and ends in a field after Kennedy’s assassination, where people are holding a sign, “So long Bobby.” Several of the photos don’t feature King or Kennedy at all, but provide context: the KKK, US Marshals, Freedom Riders, the march after Medgar Evers was assassinated in June 1963, just five months before JFK was assassinated, in eerie similarity to the one-two King-Kennedy assassinations.
There is great intimacy of the experience – the photos, which were printed all at the same time in the same lab from negatives and then scanned – are 8 x 10 and smaller, the room is compact, so you are close to the images, can easily read the captions and notes.
“The insight we came to early on emerged from the question: Why were there not more photos of the two together?” Margolick said. “The book tries to fill the gap, why there were no more photos of the two together. They kept apart. We are documenting, explaining the absence of something.”
One notable absence is a still photo of Robert F. Kennedy addressing a black audience in Indianapolis the night that King was killed, which in itself, says a lot.
“No one knew how important that speech by Kennedy would be, the night MLK was killed,” Margolick said. “The event that became so important was so scantily covered, there were just two still photographers there from local papers. It was only a 6-7 minute speech, but there is no film of the entire speech.” But it was at that point that Kennedy most fulsomely embraced King. (A portion of the video is displayed.) There’s a monument in Indianapolis commemorating the event.
Born Worlds Apart
Martin Luther King Jr. (January 15, 1929 – April 4, 1968) and Robert F. Kennedy (November 20, 1925 –June 6, 1968) were born worlds apart—culturally, geographically, racially, financially, and politically—but by the time they were killed within months of each another in 1968, their worlds had come together. As their concerns expanded beyond civil rights (King) and organized crime (Kennedy), their ties deepened to encompass shared interests in supporting the poor and opposing the war in Vietnam. This unprecedented exhibition explores the overlapping paths of their lives through images taken by some of the most renowned photojournalists of the era, including Bob Adelman, Danny Lyon, Henri Dauman, Jacques Lowe, Spider Martin, Steve Schapiro, Lawrence Schiller, and Paul Schutzer, alongside original correspondence, publications, and ephemera.
“The year 1968 rocked the nation in many ways, but it would be difficult to point to anything that shocked and sickened Americans more that year than the senseless and tragic deaths of Robert Kennedy and Martin Luther King Jr.,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “Fifty years later, the legacies of Kennedy and King still reverberate. This timely exhibition underscores the two men’s lasting impact on our nation while drawing attention to the ways in which their lives intersected. ”
Exhibition highlights include images of King and his son looking at the charred remains of a cross the Ku Klux Klan burned outside his Atlanta home in 1960, King’s mug shot after being indicted for the 1956 Montgomery Bus Boycott, and Kennedy being swarmed by an adoring crowd during his 1968 presidential campaign. Also on view are posters reading “Honor King: End Racism!” and “I Am a Man” that were carried in a Memphis march led by widow Coretta Scott King and her children on April 8, 1968, as well as a black and white “Kennedy/King” button worn by a New Yorker in memory of the two slain leaders.
An adjunct display showcases the bronze sculpture of Martin Luther King Jr.―one of five existing casts created by Harlem Renaissance artist Charles Alston (1907– 1997), on loan from the Community Church of New York. Rebel Spirits is based in part on The Promise and the Dream, written by David Margolick and produced by Lawrence Schiller for National Geographic Publishers. The exhibition was curated by Lawrence Schiller, Cristian Panaite, and Marilyn Kushner. It was produced by Wiener Schiller Productions, Inc. in association with Susan Bloom International with support from Getty Images, The Jacques Lowe Estate, and Steve Schapiro.
Published by National Geographic and written by David Margolick, The Promise and the Dream: The Interrupted Lives of Robert F. Kennedy and Martin Luther King Jr. features an introduction by historian Douglas Brinkley. The book is available at the NYHistory Store.
Several public programs will provide further insights into the exhibition and its time period. On March 6, eminent legal experts survey the evolution of the U.S. Supreme Court’s interpretations of the 14th Amendment—in commemoration of its 150th anniversary—and civil rights throughout American history, highlighting landmark cases such as Brown v. Board of Education. On April 23, scholar Randall Kennedy discusses the Supreme Court and Martin Luther King Jr. On May 21, journalist Chris Matthews sits down to explore the rebel spirit of Robert Kennedy.
Vietnam War
The New-York Historical Society has a variety of fascinating exhibits, some short term and some ongoing.
The Vietnam War: 1945 – 1975 on view through April 22, 2018 is particularly timely in conjunction with the “Rebel Spirits.” Featuring interpretive displays, digital media, artwork, artifacts, photographs, and documents, the exhibit provides an enlightening account of the causes, progression, and impact of the war. Spanning the duration of U.S. involvement in Indochina, the narrative incorporates perspectives covering both the home and the war fronts.Displays touch upon the Cold War, the draft, military campaigns initiated by both sides, the growth of the antiwar movement, the role of the president, and the loss of political consensus. The exhibition explores themes of patriotism, duty, and citizenship. Key objects include a troopship berthing unit, interactive murals, vibrant antiwar posters, artwork by Vietnam vets, a Viet Cong bicycle, the Pentagon Papers, and news and film clips.
Gallery of Tiffany Lamps
Step into the Gallery of Tiffany Lamps, a permanent exhibit which is the centerpiece of a newly designed fourth floor, and you are aglow in light and beauty. The exhibit features more than 100 illuminated Tiffany lamps from N-YHS’s spectacular collection displayed within a dramatically lit jewel-like two-story space (the glass staircase is exquisite).
The presentation is breathtaking, and so insightful: it was only in the last decade that it was learned through a series of letters that some of Tiffany’s most famous and prized lamps, featuring nature imagery like wisteria, dragonflies, spider webs, were designed by Clara Driscoll, who headed the Women’s Glass Cutting Department of some 45-55 young women (mainly 16-17 year olds who would work until they went off to be engaged).
The redesigned fourth floor also offers exhibitions and interactive media that explore American history. Themed displays in the North Gallery present a variety of topics—such as slavery, war, infrastructure, childhood, recreation, and 9/11—offering unexpected and surprising perspectives on collection highlights. Touchscreens and interactive kiosks allow visitors to explore American history and engage with objects like never before. When I visit, a docent is discussing the Industrial Revolution with high school students.
Women’s Rights & Social Activism
A new Center for Women’s History enables visitors to discover hidden connections among exceptional and unknown women who left their mark on New York and the nation with the multimedia digital installation, Women’s Voices, and through rotating exhibitions in the Joyce B. Cowin Women’s History Gallery. Objects from the Billie Jean King Archive are also on view.
Hotbed, a special exhibit on view through March 25, 2018, is about Greenwich Village in the early 20th century, when it was a hotbedof political activism and social change—where men and women joined forces across the boundaries of class and race to fight for a better world. At the heart of the downtown radicals’ crusade lay women’s rights: to control their own bodies, to do meaningful work, and above all, to vote. Celebrating the centennial of women’s right to vote in New York and on view in the Joyce B. Cowin Women’s History Gallery, Hotbed features immersive installations and more than 100 artifacts and images—drawn from New-York Historical’s archives and several private collections—that bring to life the neighborhood’s bohemian scene and energetic activist spirit.
Collecting the Women’s Marches, on view through June 3, 2018, documents January 21, 2017, when hundreds of thousands rallied at the Women’s March on Washington for diverse issues including women’s rights, racial equality, and the environment. Counting more than 500 sister marches across the United States, it was the largest single-day protest in the nation’s history. As part of its History Responds program, the New-York Historical Society collected a range of artifacts, including signs, sashes, pussyhats, and colorful props, to document the moment. One year later, Collecting the Women’s Marches highlights some of the political and visual themes that emerged, as well as the efforts of individuals and groups that worked behind the scenes. An adjunct display of protest clothing by Olek (Agata Oleksiak), an artist who works in crochet, and Brick x Brick, a public art performance group, is also on view. It is odd to have an exhibit of a major historic event so recent, and to actually have been there.
New York through the Lens of George Kalinsky on view through June 3, 2018 is an amazing photo exhibition of some of New York’s most iconic cultural moments over the past 50 years as captured by George Kalinsky. Serving as Madison Square Garden’s official photographer, Kalinsky has turned truly memorable moments―sporting events, legendary performances, and notable occasions―into lasting images that have defined the city. Among the quintessential photographs on view are Pope John Paul II hoisting a seven-year-old child onto the Popemobile in Madison Square Garden, Bill Bradley celebrating a New York Knicks victory, Sloane Stephens winning the 2017 US Open, and Jesse Orosco falling to his knees on the mound as the Mets won the 1986 World Series.
Collector’s Choice: Highlights from the Permanent Collection, ongoing: Since 1804, the New-York Historical Society has been welcoming to its collection some of the most esteemed artworks of the modern world. Collector’s Choice: Highlights from the Permanent Collection showcases a selection of paintings that reflect the individual tastes of several New York City collectors who donated their holdings to New-York Historical. Joining Picasso’s Le Tricorne ballet curtain are featured American and European masterpieces spanning the 14th through the 21st centuries from Luman Reed, Thomas Jefferson Bryan, and Robert L. Stuart, including colonial portraits of children, marine and maritime subjects, and an installation showcasing recently collected contemporary works.
Hours: Tuesday – Thursday: 10 am – 6 pm; Friday: 10 am – 8 pm; Saturday: 10 am – 6 pm; Sunday: 11 am – 5 pm Admission: Adults: $21; Teachers and Seniors: $16; Students: $13; Children (5–13): $6; Children (4 and under): Free. The museum has a pay-as-you-wish policy on Fridays from 6-8 pm.
The 2018 Lunar New Year festivities got underway in Chinatown, in Lower Manhattan, with the traditional Firecracker Ceremony and Festival to welcome the Year of the Dog. Thousands lined Sara d. Roosevelt Park on Friday, February 16, to be thrilled as some 600,000 explosions were set off to ward off bad spirits.
Along the warren of streets through Chinatown you could see groups of lion dancers – performers who mimic a lion’s movements in a lion costume to bring good luck and fortune – entreating shopkeepers and celebrants for treats and tips.
At the Lunar New Year, Chinatown becomes a fantastic street party with vendors, food and festivities, and heritage and ancient traditions on view: decorations like lanterns feature the color red which is a symbol of good luck in Chinese culture; many wear traditional Chinese costumes with colorful silks to represent joy and good fortune. Many visit Chinese temples to pray for good luck and burn incense sticks.
The celebrations conclude with a fabulous Lunar New Year Parade through Chinatown on Sunday, February 25, beginning at noon, a colorful pan-Asian procession that incorporates Chinese, Korean, Japanese, Vietnamese, Taiwanese, Malaysian, and even Hispanic floats and cultural performances. Arrive early to snag a good spot. Some half-million people line the route.
Through the 10 days of celebration, people honor household and heavenly deities, as well as their ancestors, and devote the holiday as a time for family to come together. Children expect get treats.
“Lunar New Year is the liveliest and most important celebration in Chinese culture and Chinatown is the place to experience it!
New York City’s Chinatown, two square miles in lower east side of Manhattan, is the largest Chinatown in the United States and the site of the largest concentration of Chinese in the western hemisphere. Manhattan’s Chinatown is also one of the oldest ethnic Chinese communities outside of Asia.
The Museum of China in the Americas (MOCA) offers a walking tour that takes visitors through Chinatown to learn about holiday traditions and customs observed by Chinese households. Witness how the neighborhood transforms itself in preparation for the New Year and discover the characteristics that make this holiday unique.”
Tours are conducted in English and are led by MoCA docents with personal or family roots in the neighborhood. In case of inclement weather, tours will be held in the galleries. Advance reservations are required. For information and reservations call 212-619-4785 or purchase tickets online, www.mocanyc.org. (Museum of Chinese in America, 215 Centre Street New York, NY 10013, 855-955-MOCA).
After President Obama threw down barriers for Americans to travel to Cuba, the island nation saw a surge in tourism – US airlines launched new flights, cruiselines set up calls, and hotel companies were looking to build. Then the Trump Administration reversed the Obama policy, creating confusion about Americans’ ability to travel, which even travel professionals say they are having a hard time deciphering.
“Tourist travel to Cuba remains prohibited. You must obtain a license from the Department of Treasury or your travel must fall into one of 12 categories of authorized travel,” a spokesman for the US Department of State said.
“Travel to Cuba is regulated by the Office of Foreign Assets Control (OFAC) of the U.S. Department of the Treasury. Anyone located in the United States, regardless of citizenship and nationality, must comply with these regulations. Individuals seeking to travel to Cuba are not required to obtain licenses from OFAC if their travel is covered by a general license. If travel is not covered by a general license, you must seek OFAC authorization in the form of a specific license. Travelers who fail to comply with regulations may face penalties and criminal prosecution.” See the Department of Treasury webpage; also OFAC’s FAQl: https://www.treasury.gov/resource-center/sanctions/Programs/Documents/cuba_faqs_new.pdf
The Department of State also has a travel advisory on Cuba at its travel.state.gov site. “Reconsider travel to Cuba due to healthattacks directed at U.S. Embassy Havana employees.”
The change in policy specifically impacts independent travelers’ ability to visit under a broad People to People policy without joining some kind of licensed group – which those who have been advocating for opening travel to Cuba for decades say is not a surmountable problem.
Meanwhile, cruise lines like Norwegian are still coming in and even benefiting from the restrictions. “All of our ships are covered under People to People provisions,” Andy Stuart, president and CEO of Norwegian Cruise Line, said at the New York Times Travel Show industry panel. “The fact we are still going, added capacity, tells the story that this is fantastic way to visit, There is still pent-up demand. We have doubled capacity –we have the two largest ships that can sail into Havana harbor. We are excited about it. We have to get the word out that Americans can still go to Cuba.”
But USA-Cuba travel professionals argue that the Trump policy is only a blip that can easily be overcome by anyone who is interested in visiting.
“Yes You Can Still Go to Cuba!”
Despite Trump’s hard-line speech to shut down relations with Cuba last June in Miami, Americans can still travel to Cuba.
“All types of purposeful travel authorized by the Obama Administration remain legal,” stated John McAuliff, Executive Director & Founder of the Fund for Reconciliation and Development (www.ffrd.org).
Travel with groups and on cruises are unaffected by the policy.
“Even hotel restrictions have a legal work-around,” he maintains.
Independent travel by individuals, families and friends is also largely unchanged but now falls under the re-written license category of “Support for the Cuban People” instead of “People to People.”
The withdrawal of 60 percent of US diplomats in October was connected to a still unexplained medical problem that affected only US and Canadian diplomats. “It is totally unknown what happened and who is responsible, but the goal of cooling relations succeeded.” On the other hand, Canada did not withdraw its diplomats.
“There has not been a single confirmed case of similar health symptoms from the 4 million visitors to Cuba last year, including 650,000 Americans. No other country has issued any kind of health advisory.
Indeed, the International Tourism Fair in Madrid recently judged Cuba “Safest Destination in the World.”
The State Department, under internal rules, issued a Travel Warning because with the reduced staff, it could not provide the normal level of citizen services.
Those who want to travel to Cuba on their own can. Here are tips:
Book a ticket nonstop on JetBlue from JFK or United from Newark (about $300).
Select “Support for the Cuban People” as the type of travel you are undertaking.
Use AirBnB to reserve a room or an apartment (known as casa particular) from a private owner.
You can dine in a private restaurant (paladar).
You can buy handicrafts and other items from self-employed shop keepers (cuenta propistas). (The Trump Administration was hysterical about Americans traveling to Cuba because tourism dollars, they say, support the military state and maintain the Communist regime.)
You can hire a guide privately, such as Enrique Nunez, an art historian, singer-songwriter, artistic director and ‘lecturer on wheels” who drives you around in an old Soviet Lada (“The Car of the Cuban Survivor”; [email protected].)
As much as possible, use private taxis, which are also available for travel between cities.
“Whatever you do, wherever you go, be intentional and responsible that your goal is ‘a full-time schedule of activities that enhance contact with the Cuban people…and that result in meaningful interactions with individuals in Cuba’.” (What that means is up to you.)
Keep a journal or list of your “meaningful interactions” for five years.
Some two dozen travel entities were at the New York Times Travel Show with services related to Cuba travel, including Cuba/US People to People Partnership, Fund for Reconciliation & Development; Cuban Guru, LLC; Intrepid Travel; Access Trips Culinary Tours; Celestyal Cruises; New York Times Journeys; REI Adventures; Norwegian Cruise Line/Crown Cruise Vacations; International Expeditions; Intrepid Travel; Diving Unlimited International; smarTours; Dream Yacht Charter; Wild Frontiers; African Ventures.
McAuliff advises that the best, most economical group tour for Americans to get an overview of Cuba is on a fully inclusive one week cruise offered by Celestyal. Now in its fifth year, the cruise departs from Havana or Montego Bay, Jamaica, and visits three ports in distinctive regions: Santiago, Havana and Cienfuegos. (Passengers boarding in Havana have the option of creating their own program before or after the cruise.)
“A unique feature is that more than 60 Cubans are with you for the whole voyage including lecturers from the University of Havana, musicians, dancers, animators, chefs, waiters, and room attendants.”
FFRD is circulating a petition to Under Secretary of State for Political Affairs thomas Shannon, Donald Trump, House members and Senators:
“We urge the State Department to immediately rescind its politically motivated Travel Warning on Cuba and suspension of issuing US visitor and migrant visas in Havana.
“The freedom of independent and group travel to Cuba by all US citizens must also be protected by regulation and by law.”
Travel professionals at the New York Times Travel Show had somewhat mixed feelings to the US State Department’s new travel advisory and alert system (travel.state.gov) because of the newness and how consumers are processing the information. Some said they appreciated the greater specificity, but others felt that destinations were unfairly tarnished. But they observed with some amazement at the resilience of American travelers to return to destinations that have had some crisis like a natural disaster or terror attack.
“When we had those [terror attacks] in London last summer, within 48 hours we were back to normal booking patterns,” said Guy Young, global brand engagement officer of The Travel Corporation.
Jennifer Tombaugh, president of Tauck Tours, said the tour operator used to plan for up to 12 months for tourism to recover to an area that suffered from some kind of travel disruptor. Now, it only takes three months for a rebound.
“We see, whether it’s been a natural disaster or a terrorism event or just overall economic disruption that all of our guests are rebounding much, much more quickly than they did in the past,” Tombaugh said.
“For better or for worse, there is a resilience about the American traveler that we haven’t seen in a long time,” she said. “I think we’re sort of redefining what uncertainty means, and I’m not quite sure if that word even resonates for people even more. I think they’re saying, ‘The world is crazy. Life is short. Let’s go out and explore.'”
But resilience might actually reflect the high degree of confidence that travelers have in travel professionals – the tour operators, cruiselines and travel agents who are there to advise them more accurately when they book, provide more security when they travel and handle emergencies should they arise.
Citing robust advance bookings, the panel – reflecting a cross-section of travel entities – were all highly optimistic of strong sales for 2018, coming off a record 2017 for just about every destination, bolstered by a strong global economy. However, the United States, was one of only two destinations showing a downturn, with international arrivals down about 4 to 6 percent –representing a $4.5 billion hit to the economy and loss of some 46,000 jobs. They said inbound travel was hurt by Trump’s rhetoric, the travel ban, concern about gun violence, and a general discomfort to visit the US. The United States, once the most desirable destination for international travels, slipped to #3, and dropped the 8 in terms of international arrivals.
On the other hand, outbound travel by Americans is strong.
Ninan Chacko, CEO of Travel Leaders Group; Alejandro Zozaya, CEO of Apple Leisure Group; Andy Stuart, president and CEO of Norwegian Cruise Line; Guy Young, global brand engagement officer of the Travel Corporation; and Tombaugh of Tauck reported the strongest advanced bookings in years – with travelers booking as much as a year ahead.
“2018 looks like a fantastic year, the best on record if bookings continue at the same pace,” said Guy Young, global brand engagement officer of the Travel Corporation, which has 30 brands in its portfolio, ranging from youth travel to luxury travel, and travel products all over the world. “Every destination is up except for the United States. In a given year, some brands are up, others are down, but in 2018, everything is up. It will be a phenomenal year.”
Get a Passport: Hilton Passport Project
It turns out that having a passport is good for you.
Hilton Hotels & Resorts undertook a study and found that 53% of Americans with passports are content with their lives, compared to 34% of those who do not possess a passport.
Hilton, in collaboration with the US State Department, has launched the Hilton Passport Project, an initiative aimed at inspiring more Americans to apply for passports.
“For nearly 100 years, we’ve witnessed the profound impact travel has on the lives of our guests,” said Stuart Foster, vice president, global brand marketing. “With more than 570 hotels in the heart of the world’s most incredible destinations, Hilton Hotels & Resorts makes travel within reach. The Hilton Passport Project is our way of helping more Americans unlock the power of travel and realize the benefits a passport can bring them – whether that’s becoming more content with their lives or enjoying new experiences and opportunities.”
Every few weeks, a Hilton location in the United States hosts a Passport Concierge booth, where guests and the general public can have their passport pictures taken for free and apply for or renew a passport. Between one and three employees from the State Department will be on hand to answer passport-related questions and help fill out applications. For a list of coming locations, visit facebook.com/Hilton.
First-time applicants pay $110 and a $25 application fee. Passport renewals cost $110 and expedited passports are an additional $60. If you’re renewing your passport, you can do it by mail, but if you’re getting a new passport or if yours has been lost or stolen, you must apply in person.
There are more than 8,000 passport application locations around the country. Around 60 percent are post offices while the rest are courthouses and libraries. Visit the State Department’s Where to Apply link for more details. In addition, there are 27 passport agencies, where travelers can apply for rush passports – for example, if you are traveling within two weeks’ time.
On January 10, 2018, the Department of State launched changes in how information is shared with U.S. travelers, replacing Travel Alerts and Warnings for countries that warrant them to a new system where every country has a Travel Advisory with a level ranging from 1 to 4. The advisories are hosted in a redesigned hub for traveler information, travel.state.gov.
“These changes are intended to provide U.S. citizens with clear, timely, and reliable safety and security information worldwide,” the State Department stated in a press advisory.
Level 1 – Exercise Normal Precautions: This is the lowest advisory level for safety and security risk. There is some risk in any international travel. Conditions in other countries may differ from those in the United States and may change at any time.
Level 2 – Exercise Increased Caution: Be aware of heightened risks to safety and security. The Department of State provides additional advice for travelers in these areas in the Travel Advisory. Conditions in any country may change at any time.
Level 3 – Reconsider Travel: Avoid travel due to serious risks to safety and security. The Department of State provides additional advice for travelers in these areas in the Travel Advisory. Conditions in any country may change at any time.
Level 4 – Do Not Travel: This is the highest advisory level due to greater likelihood of life-threatening risks. During an emergency, the U.S. government may have very limited ability to provide assistance. The Department of State advises that U.S. citizens not travel to the country or leave as soon as it is safe to do so. The Department of State provides additional advice for travelers in these areas in the Travel Advisory. Conditions in any country may change at any time.
The Travel Advisories for each country replace previous Travel Warnings and Travel Alerts. While the State Department will issue an overall Travel Advisory level for every country, levels of advice may vary for specific locations or areas within a country. For instance, U.S. citizens may be advised to “Exercise Increased Caution” (Level 2) in a country, but to “Reconsider Travel” (Level 3) to a particular area within the country. Detailed Travel Advisories also will provide clear reasons for the level assigned, using established risk indicators, and offer specific advice to U.S. citizens who choose to travel there:
C – Crime: Widespread violent or organized crime is present in areas of the country. Local law enforcement may have limited ability to respond to serious crimes.
T – Terrorism: Terrorist attacks have occurred and/or specific threats against civilians, groups, or other targets may exist.
U – Civil Unrest: Political, economic, religious, and/or ethnic instability exists and may cause violence, major disruptions, and/or safety risks.
H – Health: Health risks, including current disease outbreaks or a crisis that disrupts a country’s medical infrastructure, are present. The issuance of a Centers for Disease Control Travel Notice may be a factor.
N – Natural Disaster: A natural disaster, or its aftermath, poses danger.
E – Time-limited Event: A short-term event, such as an election, sporting event, or other incident that may pose a safety risk.
O – Other: There are potential risks not covered by previous risk indicators. Read the country’s Travel Advisory for details.
The State Department stated it will review and update each Travel Advisory as needed, based on changes to security and safety information. Additionally, U.S. embassies and consulates will now issue Alerts to replace the current Emergency Messages and Security Messages. Alerts will inform U.S. citizens of specific safety and security concerns in a country, such as demonstrations, crime trends, and weather events.
Revamped Website, Travel.State.Gov
The Department’s newly-redesigned hub for traveler information,travel.state.gov, will host all Travel Advisories, recent Alerts issued for each country, and an interactive map in mobile friendly formats.
Country pages on the site will continue to include all travel information currently available, including details about entry/exit requirements, local laws and customs, health conditions, transportation, and other relevant topics.
To receive security and other important updates while traveling, U.S. citizens can enroll their travel plans in the Smart Traveler Enrollment Program (step.state.gov), and follow on Twitter (@travelgov) and Facebook (facebook.com/travelgov).
We posed additional questions to a spokesperson for the Department’s Bureau of Consular Affairs:
How was the new Travel Advisory system created? How has it been received by travel professionals and travelers?
“Over the past year, we received feedback about our consular safety and security messaging from State Department colleagues throughout the world and from our many outreach activities to the public and other government stakeholders. This feedback helped us tailor our new Travel Advisories to the information travelers need most.
“The revisions to consular safety and security messaging improve the Department’s ability to inform the public in an efficient and comprehensive manner. Information is easier to find, understand, and use. Travel Advisories ensure U.S. citizens receive important advice for every country, applying a consistent worldwide standard.”
“Our goal was to improve our communications with U.S. citizen travelers to provide clear, timely, and reliable safety and security information worldwide. So far, the feedback was been positive.
“One thing I’d point out: it’s important to read the full Travel Advisory for the country your visiting. In some cases, we have different Advisory levels for different parts of the country. Mexico, for example, is a Travel Advisory Level 2 – Exercise Increased Caution, but some areas of Mexico are Level 3 and 4. So it’s important to read each Advisory carefully.”
How do you determine the overall level for a country?
“We consider many factors to determine the Travel Advisory level for each country, including crime, terrorist activity, civil unrest, health, natural disaster/weather, and current events. We clearly explain the reason for the Travel Advisory level and describe the safety and security concerns.
“The information used to formulate Travel Advisories is collected from a range of sources, such as crime statistics and other information that is publicly available, information gathered from U.S. government sources, as well as assessments by our embassies and consulates. Travel Advisories also take into account decisions made to protect the security of U.S. government personnel overseas and ensure that U.S. citizens receive appropriate security information.
“This analysis is undertaken without regard to bilateral political or economic considerations. Travel Advisories represent our commitment to protect U.S. citizens traveling and residing abroad by providing them important safety and security information.
“Travel Advisories are based on safety and security conditions that could affect the lives and interests of U.S. citizens abroad, not on political considerations.”
During the Obama administration there was an attempt to make it easier for travelers to come into US. How has the Trump Administration changed the way visitors are treated? Travel into the US from abroad is down 4-6% in 2017 – an otherwise a banner year for international travel – which is estimated to cost the US economy $4.5 billion and the loss of 40,000 jobs. Is this something the State Dept is concerned about?
“The Department of State remains committed to efficiently processing applications for legitimate travel to the United States.
“At the same time, every visa decision is a national security decision, and we must ensure that applicants do not pose a security risk to the United States. We have never hesitated to spend additional time evaluating visa applications to this end.
“However, we do recognize the importance of international travel and tourism to the U.S. Economy. 75.6 million visitors traveled to the United States in 2016. These visitors spent $244.7 billion and supported 1.2 million jobs here in the United States in 2016. The U.S. travel industry (international and domestic) is a substantial component of U.S. GDP and employment, contributing $1.6 trillion in economic activity.
“Together with other agencies, we are in contact with industry groups and work with them regularly to discuss concerns and opportunities.”
Some 15 countries around the world have travel alerts about travel to the United States because of gun violence. Can you comment?
“Our responsibility is to provide information for U.S. citizens traveling overseas. We’re aware that some countries have their own travel alerts, including regarding the United States, but we’d have to refer you to those countries for information on how they develop their alerts.”
During the Obama Administration, there also were programs to facilitate and encourage young people to travel abroad, take foreign internships, join programs like Peace Corps, coordinated through the State Department. Can you comment on such programs under the Trump Administration?
“Again this year, the Open Doors student mobility numbers showed an increase in American students studying abroad, topping more than 325,000 American students in academic year 2015/16. Increasingly, U.S. colleges and universities are making study abroad an integral component of the higher education experience for Americans. And more U.S. students than ever before are taking advantage of study abroad opportunities in a wide range of countries.
“To help facilitate this growth, the State Department launched the U.S. Study Abroad Office in 2015 with the goal of further increasing and diversifying U.S. participation in study abroad, including diversity of study, geographic representation and diversity of institutional types, as well as diversity of study abroad destinations around the globe. We work with U.S. and foreign institutions to expand opportunities and highlight the value of studying abroad. Our Benjamin A. Gilman Scholarship Program increases participation in study abroad by providing resources to federal Pell grants recipients, and Critical Language Scholarship Programs provide training in over a dozen foreign languages critical to U.S. foreign policy priorities.
“Study abroad helps students understand the perspectives and values of others, enabling them to succeed in our diverse workplaces, communities and educational institutions. The State Department supports American colleges and universities in their efforts to increase study abroad. You can find more here:https://studyabroad.state.gov.”
What is the position from the State Department about the benefit of international travel – Americans going abroad and foreigners visiting the US – in terms of fostering people-to-people understanding?
“All of us who work in this field know how vital exchange programs and international study is to our shared future. It is one of the key means for the next generation of global leaders to gain the knowledge and skills they need to succeed in our global economy, foster progress in our societies, and address shared challenges.
“When people go abroad, they make connections that broaden their worldview. They become part of an international network of individuals with the shared experience of navigating new and unfamiliar languages, cultures and institutions, as they gain knowledge and develop resourcefulness and critical thinking skills. This experience is especially crucial for young people who will increasingly compete and interact in an interconnected world.
“The State Department sponsors exchange programs to increase mutual understanding and respect between the people of the United States and the people of other countries, as a goal of U.S. foreign policy. These include the International Visitor Leadership Program and Fulbright Program, our flagship exchanges, the Benjamin A. Gilman International Scholarship Program, Critical Language Scholarships, high school exchanges, as well as support for the global network of EducationUSA educational advising centers that provides information on U.S. study to international students worldwide.”
Philadelphia is like hopping from time-capsule to time-capsule because you go from one authentic site where events happened, where the Founders and builders of this nation actually stood, to another. Come, time-travel with me. And the best way to appreciate it – and be wonderfully surprised at ever twist and turn– is to walk. That’s how you come upon things you never considered – the historic markers which point out where Wanamaker’s Department Store was, the Ricketts Circus, the American Philosophical Society (founded by Ben Franklin). I practically fall over what closer inspection tells me is the very townhouse where Thomas Jefferson stayed when he wrote the Declaration of Independence (called “Declaration House”), a short walk from Independence Hall.
But I soon appreciate something more: an arts tradition that is infused throughout: the breathtaking majesty of City Hall built in the Second Empire Style; an Art Deco “Automat” sign; the stunning Art Deco architecture of a building, gorgeous giant murals that pop up out of nowhere, indeed the streetscape.
This is why it is so terrific that my hotel, the Sonesta Philadelphia Rittenhouse Square, in downtown Philadelphia, is so well located: because it’s only by walking to places that you can really enjoy these visual surprises.
It’s the afternoon when I arrive at the Sonesta (a parking garage is adjacent for added convenience) and after checking in, I have just enough time to explore one attraction on my list.
I set out down Market Street, walking through the magnificent City Hall, designed by John McArthur Jr and constructed between 1871 to 1901 within Penn Square (you can stand on a pedestal placed there to take photos of yourself as a monumental statue) and head down toward the historic district that surrounds Independence Hall. You appreciate the changes in style as traveling through époques.
This becomes my route over the course of my three days in this city, each time setting out on foot and delighting in discovering architecture, historic sites, colorful murals painted across entire building facades. And each evening, I find myself drawn to Rittenhouse Square, a few blocks away, which is hopping with activity and color, with quaint restaurants, taverns and shops alongside the charming urban park.
The Sonesta Hotel’s location makes all of this possible.
The Sonesta has everything you would want in a city-center hotel (there is even a rooftop swimming pool, in season), an ArtBar where you can have cocktails, Ruth’s Chris Steakhouse for dining, a gallery that showcases local artists. It is ideal as a base for business travelers as well as for those coming for a convention (the state convention center is walking distance) or meetings (it has 16,000 sq. ft. of meeting space and 16 conference rooms), like the conference of literary writers who are in attendance during my visit (I wished I could have hung out more with them). But I am visiting for a family occasion, and looking around at the other guests holding flowers and centerpieces and guest-bags, there are many of us who are similarly celebrating, as well as scores of visitors from around the world who appreciate having such a comfortable hub for our expeditions.
The parking garage, which is independently owned and operated, is attached to the hotel and is valet only, which is really convenient (you can check out and store your bags with the bellman and keep the car there until you are ready to pick it up; some packages include parking or discounts on parking; other options including a municipal lot, are also in the area).
The rooms are spacious, stylishly appointed in what I refer to as “retro modern,” and very comfortable with plush bedding and bathroom amenities (my stay was hosted by Sonesta). All the rooms have been redesigned and include: flat-screen LCD televisions, complimentary wireless internet service, in-room safe, iHome docking station for iPhone 4, coffee maker, and mini-refrigerator. (Feather and fragrance-free rooms are available upon request.)
Club Level Guest Rooms also feature Keurig coffee machine, bottled water, plus access to the Sonesta’s club lounge where you are provided continental breakfast daily (with one hot upgraded item), snacks throughout the day; hot and cold hors d’oeuvres; two adult beverages in the evening.
All the rooms have beautiful views of the city; the Junior One-Bedroom Suites feature a stunning view of City Hall, and has a chic living room with contemporary décor flowing into a separate modern bedroom, Queen sleeper sofa, refrigerator, wet bar, oversized bathroom with dressing area, large work station, bathrobes in addition to the other amenities.
There are also two-room King Suites and a Presidential Suite.
Guests in Executive Club Floor rooms enjoy a complimentary continental breakfast and evening refreshments in a private lounge with their accommodations on weekdays; on weekends, Club Level room guests receive two complimentary drink tickets for beer or wine at the Art Bar and a $10 breakfast voucher in the Art Bar.
Embracing & Promoting Philadelphia’s Arts Tradition
Philadelphia is a city whose appreciation for the arts is legendary, and the Sonesta is helping to promote that tradition, in its architecture, interior design, food presentation, and in its collaborations with the local art community and city.
I soon realize why its lounge is the ArtBar and why the visual arts provide a vibe for the re-designed and art-inspired hotel: it’s more than a theme, it’s a mission. The Sonesta Hotel Philadelphia embraces and fosters the creation of art in the hotel and the community by partnering with the Center for Emerging Visual Artists. Its in-house art gallery located in the lobby, showcases paintings by local artists which are available for purchase; the gallery rotates every 6 months.
It is also promoting the City of Philadelphia Mural Arts Program, with a record-breaking mural, 22-stories high, alongside its façade. The mural was completed in just two weeks time.
“We’re so committed to Art, we tattooed it on our face.”
Philadelphia is a city whose appreciation for the arts is legendary, and the Sonesta Philadelphia has partnered with Open Source on their citywide exhibition that is bringing 14 international artists to Philadelphia. These artists’ practices vary widely, from sculpture to community muralism to street art. They are working with the City of Philadelphia Mural Arts Program to create a new series of public artworks that explore and illuminate Philadelphia’s diverse urban identity. The Sonesta Hotel Philadelphia is a central Open Source venue and a hub for talks, tours, visual documentation, and direct engagement with staff, artists, and curator Pedro Alonzo.
The artist who is executing the mural on the hotel’s 25-story facade is “Momo” from New Orleans, who is regarded as a standard-bearer for abstraction in street art. “Momo” has since transitioned into creating large-scale murals in countries all over the world, including as a perennial participant in Italy’s legendary FAME Festival. (For more information on Open Source Mural Arts, visit http://opensource.muralarts.org/)
The City of Philadelphia Mural Arts Program Is the nation’s largest public art program, “dedicated to the belief that art ignites change. For 30 years, Mural Arts has united artists and communities through a collaborative process, rooted in the traditions of mural-making, to create art that transforms public spaces and individual lives.” Mural Arts engages communities in 50–100 public art projects each year, and maintains its growing collection through a restoration initiative. Each year, 12,000 residents and visitors tour Mural Arts’ outdoor art gallery (including docent-led trolley and walking tours between sites, as well as audio guides and maps for self-guided visitors, which has become part of the city’s civic landscape and a source of pride and inspiration, earning Philadelphia international recognition as the “City of Murals.”
I come upon some of these impressive murals as I walk to the historic district.
I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation through, as it were, original documents, materials and artifacts, at a time when we need to be reminded. During this all-too-brief time, I also visited the National Museum of American Jewish History, the Benjamin Franklin Museum, Betsy Ross House and the National Constitution Center. But I can’t wait to return and delve into the city’s rich arts tradition.
Sonesta Philadelphia Hotel Deals Year Round
The Sonesta Philadelphia is located close to the Convention Center, Financial District and Rittenhouse Square, and a pleasant walk to the Historic District. There are numerous special rates and packages geared to business travelers, AAA members, government employees and visiting college students as well as property specific seasonal offers and deals tied to special events
Package deals, which can be found at the website, are available, including Art of Romance Valentine’s Day Package (champagne, breakfast in bed and 2 pm late check out); VisitPhilly Overnight Winter Package, includes valet parking and winter attraction tickets; Bed and Breakfast package; Ruth’s Chris Steakhouse Package includes $100 gift card to the steakhouse (located in the hotel) and free parking. There is also a “best available rate” option. A Winter sale going on now offers 20% off.
Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.
There is a cold, institutional feel to the National Constitution Center – as if you fell into a law book. And oddly, even though this place more than any other, recognizes the impact of words on paper – the decisions, pronouncements, laws – on each and every person’s everyday life, there is that struggle between the “rule of law” without fear or favor, that objective, dispassionate application, and any sense of what is right and good for ordinary people. What emerges is a sense that law and government, like evolution, is not good or bad, but reflects politics and power: look at the restrictions on voting to “white men over 21;” the Dred Scott Decision based on 5th amendment property rights; the evolution of rulings that elevate corporations to the status of people (despite fact “corporation” is not mentioned in the Constitution) including Citizens United which established that cash is equivalent to speech and corporations have a right to spend as much as they want on political speech regardless if it is corporations spending the cash or a person (so speech is not really “free”, but whoever has more cash has more speech) and Hobby Lobby which determined that corporations could possess religious “conscience” in order to deny their female employees access to contraceptives. You realize that the progressive change on behalf of ordinary people occurred during brief episodes.
I used the opening of the brand new Museum of the American Revolution as the theme for my three-day visit to Philadelphia – a really deep dive probe of the Revolutionary War era, a return to understanding the founding of the nation through, as it were, original documents, materials and artifacts, at a time when we need to be reminded – everything from the off-hand comment by Trump Chief of Staff John Kelly that the Civil War could have been averted if only there were compromise (he should go to the National Constitution Center), to the quixotic amazement of a US Treasury official pining on his research into what’s this thing, “The American Dream,” all about before adopting the biggest redistribution of wealth since the Gilded Age, to the pronouncements by some politicians that America is a Christian Nation, to Trump’s remarks about immigrants coming from s-hole countries. I felt a driving need to go back to the beginning, the foundations, remind myself of those values and debates and compromises and circumstances.
So far, during my three-day visit to Philadelphia, I have visited the new Museum of the American Revolution, the National Museum of Jewish American History, the Ben Franklin Museum, the Betsy Ross House, the Old Burial Ground – each one adding to my understanding and appreciation of the founding values of this nation – and now I have arrived at my last stop, the National Constitution Center.
The National Constitution Center, which opened in 2003, is on federal land but is a private, independent, nonprofit, nonpartisan institution. It is the first and only institution in America established by Congress to “disseminate information about the United States Constitution on a non-partisan basis in order to increase the awareness and understanding of the Constitution among the American people.” Its mission is to spark constitutional debates that impact citizens and inspire active citizenship.
“As the Museum of We the People, the Center aims to bring the Constitution to life for visitors of all ages through interactive programs and exhibits that include coming face to face with original documents, rare artifacts and hearing personal stories. As America’s Town Hall, the Center brings the leading conservative and liberal thought leaders together to debate the Constitution on all media platforms. As a center for Civic Education, the Center delivers educational programs and online resources that inspire, excite, and engage citizens about the U.S. Constitution.”
I arrive just in time for a multi-media orientation experience, “Freedom Rising” in a theater that has the metallic feel and design of a 21st century dystopian gladiator arena. For some inexplicable reason there is a live person who is not so much a narrator as a ringmaster as video images flash around the ceiling so you can’t fully see them or process them.
‘Freedom Rising’
“Freedom Rising” is intended to highlight the primary themes of the main exhibit gallery, making an effort to tell the story of “We the People” in two senses of that phrase: First, the Constitution’s vision of “popular sovereignty,” or rule by the people; Second, how the definition of citizenship has expanded over more than 200 years of American history to gradually include those who were left out in the 18th century – white men without property, women, African Americans, other people of color. It rang hollow to me.
You walk out of the arena to the Richard and Helen DeVos Exhibit Hall, which is designed as two concentric rings. The outermost ring is presented chronologically with 13 sections which relate American history through the lens of the Constitution from 1765 until today and a central ring focused on civics and how government operates.
Exhibits along the outermost ring use multiple techniques to bring the story to life: a short general video introduction to each section; text-and-graphic based story panels and reading rails; maps and images; game-like computer interactives; video and audio segments focusing on specific historical moments; selected artifacts; and walk-in immersive environments that render key ideas, moments, and stories in three dimensions.
For instance, you enter a re-creation of the floor of the Senate during the impeachment trial of Andrew Johnson and listen to the debate; you can step into a 1940s living room and hear one of Franklin D. Roosevelt’s famous fireside chats playing on the radio.
A device that is used to fairly good effect is presenting a major Supreme Court decision or milestone event as if told as a news story that day, making it more immediate and relevant.
The “Founders’ Library,” presents a sampling of the books that the Library Company of Philadelphia made available to the delegates during the Constitutional Convention – giving visitors a sense of the intellectual origins of the Constitution and make it more accessible.
What’s on that bookshelf that helped shape the Constitution? Jonathan Swift’s Gulliver’s Travels, King James Bible, Magna Carta, Machiavelli, John Locke, Cato’s Letters, Baron Montesquieu, David Hume, Sir William Blackstone, Adam Smith, Thomas Jefferson, Thomas Paine, John Adams, John Dickerson, among others. What’s missing: anything about the Iroquois Confederacy which provided a framework for democratic leadership and a confederation of states, not to mention women’s rights.
Other features include the Civil War alcove, an exploration of the turning point year of 1863, which features a rare copy of the Emancipation Proclamation signed by Abraham Lincoln as well as pages from an autograph book with the only-known Lincoln signature from the day that he gave the Gettysburg Address. Here I encounter a docent who lets us handle some artifacts from the Civil War.
I pose to him my theory that the Civil War could have been avoided had the slave-holding states accepted the entreaty from Zachariah Kingsley, a plantation owner in Florida, which was part of Spain until 1845 when it became part of the United States and subject to its laws regarding slavery; he entreated Congress that the United States use the Spanish model of slavery that was much less cruel (if any form of slavery could be less cruel), that provided a pathway to freedom and did not automatically enslave future generations. It was ignored. (I saw a copy of Zachariah Kingsley’s letter to Congress at Kingsley Plantation on Fort George Island near Jacksonville, Florida which stuck in my mind, “What if…”.)
You also can see a fascinating display of archeological artifacts from the late 1700s that were uncovered at the site of the National Constitution Center between 2000 and 2003, only two blocks from Independence Hall where the Constitution was drafted. These historic treasures illuminate daily life in Philadelphia as a new nation was being born.
The Central Ring through the main gallery explores how the constitutional system works through a series of immersive, interactive exhibits designed with families and school groups in mind. Visitors have the opportunity to learn about the great rites of democracy, such as serving on a jury or voting.
Role-playing is a key component of the central path. In one of the most popular displays, you can stand behind a presidential podium and take the oath of office. You can try on a judge’s robe, sit at a replica of the Supreme Court bench, and decide landmark cases selected to illustrate the broad range of constitutional issues that come before the court: Katz v. United States is a wiretap case involving the Fourth Amendment and issues of privacy; Texas v. Johnson, the flag-burning case, tested the protection of the First Amendment; United States v. Nixon, the Watergate tapes case, involved separation of powers and executive privilege.
The American National Tree, another prominent exhibit, tells the stories of 100 Americans – a few of them well known, but most of them unheralded. By selecting their faces streaming by on touch screens, you can read and hear how these noteworthy Americans have shaped constitutional history.
People really enjoyed Signers’ Hall, where you walk into a stylized evocation of the Assembly Room in the Pennsylvania State House, known today as Independence Hall, where the delegates to the Constitutional Convention met in Philadelphia during the summer of 1787. The room is “peopled” with life-sized bronze statues of 42 men: the 39 delegates who signed as well as the three present on September 17, 1787, who refused to sign. We are encouraged to walk among them and to consider them as real people, imaging the dilemma they faced in creating the framework for a new nation founded on “We the People” – choices that still impact the nation, the oldest continuously surviving democratic republic. You also can add your name to a digital version of the Constitution alongside the Founding Fathers’ signatures.
Notably, Thomas Jefferson and John Adams, signers of the Declaration of Independence, are not represented in Signers Hall because they were both serving as ambassadors overseas (Jefferson in France and Adams in England) during the Constitutional Convention. Several other famous Founding Fathers who were not signers of the Constitution include John Hancock, Samuel Adams and Patrick Henry.
The statues in Signers’ Hall were created by some 50 artists – sculptors, designers, costumers, mold makers – at Studio EIS in Brooklyn, who used numerous historical sources, including portraits and written descriptions, to create the most accurate likenesses possible. The project began in early 2001 and was completed in May 2003.
Unanswered Questions: How Democratic are We?
I come away with a few new insights, but few answers to long-lingering questions I have harbored:
Everything George Washington does as president sets a precedent, including doing the unimaginable of stepping down after two terms when many wanted him to be president for life. (But having visited the Museum of the American Revolution, I wonder what would have happened if Washington had been younger and not so anxious to retire to Mount Vernon, if he would have been so interested in giving up presidency.)
We learn that slander and scandals have always been a part of the political process: A Federalist called Jefferson “a Godless man whose election would lead to reign of terror, like France.” Republicans claimed John Adams was “a British-led tyrant bent on enslaving us.”
The Supreme Court’s infamous Dred Scott Decision was based on a ruling which found that Congress in its 1820 Compromise deprived slaveholders of their 5th Amendment property rights.
I learn that 1824 was the first presidential election that counted the popular vote (though I don’t really understand what that means, to “count” the popular vote.) On the other hand, it renews a question that I had ever since visiting the Women’s Rights National Monument in Seneca Falls, NY: Without any change in the Constitution that gave voting rights only to “white men with property,” suddenly, in that election, white men without property were allowed to vote. And yet, it took the 15th amendment in 1870 to give Black men the vote, and the 19th amendment in 1920 to finally give women the vote. I’ve never seen anyone question how without any change in the Constitution, all of a sudden, white men were allowed to vote, and it enabled –Andrew Jackson, who lost in 1824 to John Quincy Adams, to win his election in 1828.
When freed black men also turned up to vote, states passed laws restricting voting to “white men over 21”.
I learn that the Bill of Rights, adopted in 1791 (itself a compromise because there were states that would not ratify the Constitution without a Bill of Rights, which are the first 10 amendments) only applied to federal law. In recent decisions, the Court ruled that their protections apply to states because certain rights are so fundamental, they are incorporated in amendment guarantee of due process.
“Like the preamble of Declaration of Independence, the Bill of Rights at the time of ratification was largely a promissory note. It was not until the 20th century when the Supreme Court vigorously applied the Bill of Rights against the states that the document becomes centerpiece of the contemporary struggle over liberty and equality. It defends the majority against an overreaching federal government but also against overreach by the state.”
What you appreciate, though, is that through all of American history, there have been “firsts” – challenges or unsettled issues of the Constitution. It was never fixed or complete. The Founders designed the Constitution to be a “living” document. So-called “originalists” who pretend to divine what was in the mind of the Founders are just that: pretenders.
A new display is an “Interactive Constitution”, where you can click on the freedoms of the Bill of Rights to see the documents that were used.
There are hands-on materials. For example, you can try on a black robe of a Supreme Court justice.
When I am visiting, I am lucky enough to see an original copy of the Bill of Rights on view in the George H.W. Bush Gallery before it was sent back to New York. It is one of 12 original copies that survive. (North Carolina’s was stolen during the Civil War but was returned in 2003 with the help of the National Constitution Center, which informed the FBI after being told they could have it back for $4 million ransom). This copy, is shared by New York and Pennsylvania which alternates every three years (it now has gone back to New York, where you can see it on camera).
There is also a first-edition Stone Engraving of the Declaration of Independence and an original copy of the US Constitution.
I’m not sure that what I came away with was the message that the Center intended: Instead of assurances that the Framers created mechanisms – fool-proof checks-and-balances – to insure a democratic republic would withstand every challenge, I am shaken by the realization of how wrong those in power, with the ability to set laws, decide laws and implement laws, have been (think Dred Scott, Citizens United). It seems that it has been a matter of luck that has let us survive this long, but one wonders how would we survive a “perfect storm” of various levers breaking down against threats that the Framers could never have foreseen, like an election that was stolen by a foreign adversary, or a president who used his office to personally profit, who sold favors to a foreign government and then defied a subpoena. Andrew Jackson defied the Supreme Court’s ruling that his Indian Removal Act was unconstitutional, daring the court to bring its army to force him to do its bidding.
I went in wondering if it would address some of the questions that I have long harbored: did the Salem Witch Trials play any part in the Founders’ interest in preserving Religious Freedom? What role did the Iroquois Confederacy play in the writing of the Constitution? How does the notion of “originalism” – the pretense of knowing what the Founders intended – carry sway since the Constitution was clearly not perfect, the Founders were not omniscient and could not predict technology of today, were not Gods, knew their own human fallibilities in devising a system of government that had never been seen before, as well as the need to compromise on such issues as slavery in order to forge a union and the fact we have already adopted 27 amendments?
The Constitution already has provision for impeachment (for “high crimes and misdemeanors”), already has an Emoluments clause, more recently adopted a 25th Amendment to provide for a President who is “unable” or unfit, but what provision is there to “re-do” (or nullify) an election that is stolen – votes literally being switched in an e-ballot box – using the advanced technology of today? I wonder about the changes that need to be made in light of expanded population and new technologies, but that are resisted.
For example, the Founders never imagined the powerful role that political parties would play – indeed, had to immediately change the procedure for “electing” the President and Vice President – but the present system almost guarantees a President elected by a minority of voters. The Electoral College, which functions mostly by tradition and not by law, but was created as a check against populism at a time when communications were slow, voting confined to a small elite, has already been demonstrated to be obsolete in its function by twice selecting as President a candidate who lost the popular vote, not to mention that it nullifies the ideal of “one person-one vote” because it gives so much unequal representation to small-population states over high-population states (as does the Senate). The Founders never imagined the fire power of an assault weapon at a time when the most sophisticated personal weapon was a single-ball musket.
I don’t find the answers to my questions.
Constitution Heritage Act
A permanent memorial to the Constitution was first proposed around the celebration of the centennial of the Constitution in 1887. It did not begin to take shape until the idea was proposed again 100 years later during the document’s bicentennial celebration in 1987.
President Ronald Reagan signed the Constitution Heritage Act of 1988 on September 16, 1988. The act directed the establishment of the National Constitution Center, an institution “within or in close proximity to the Independence National Historical Park” that “shall disseminate information about the United States Constitution on a nonpartisan basis in order to increase awareness and understanding of the Constitution among the American people.”
The Center opened on July 4, 2003, at 525 Arch Street (the date itself was significant, translating to May 25, 5/25, the date that the Constitutional Convention began in Philadelphia in 1787) in Philadelphia’s Independence National Historical Park, “America’s most historic square mile.” Designed by the architectural firm Pei Cobb Freed & Partners, the building is made of American products, including 85,000 square feet of Indiana limestone, 2.6 million pounds of steel, and a half-million cubic feet of concrete. The limestone used in the building is from the same quarry as the Empire State Building’s materials.
The National Constitution Center owns a rare, original copy of the first public printing of the Constitution. This printing was published in a newspaper, The Pennsylvania Packet and Daily Advertiser, on September 19, 1787—two days after the Constitution was signed. Since the Constitutional Convention was conducted under an oath of secrecy, this printing represents the first time that Americans (“We the People”) saw the Constitution. (The original signed, handwritten Constitution is at the National Archives in Washington, D.C.)
Now is an especially exciting time for visitors because the Center is displaying the rarest handwritten drafts of the U.S. Constitution through 2019.
In addition to exhibits, visitors can enrich their visit with daily museum programs or a Living News performance.
In Living News, today’s headlines are brought to life in a dynamic performance incorporating video, contemporary music, and current news broadcasts. Featuring three engaging actors who play multiple roles, Living News introduces controversial constitutional issues and encourages audience members to explore their own points of view during a post-show discussion.
Visitor amenities include The Delegates’ Cafe, a glass-enclosed restaurant providing the backdrop of historic Independence Mall, as well as a Museum Store, offering a wide range of gifts, books, apparel, jewelry, and toys.
The National Constitution Center also houses the Annenberg Center for Education and Outreach, the national hub for constitutional education, which offers cutting-edge civic education resources both onsite and online.
The National Constitution Center is located steps from Independence Hall, where the Constitution and the Declaration of Independence were signed.
You need a minimum of 1 hour to visit, but more likely will spend at least two to three hours.
General Admission to the museum and daily programming: Adults $14.50; Youth (6-18) $11; Students w/ID, Seniors $13. Members, active military personnel, and children ages 5 and under admitted free.
The National Constitution Center, Independence Mall, 525 Arch Street, Philadelphia, Pennsylvania 19106, 215-409- 6700, constitutioncenter.org.
Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.
My third day of my deep-dive into Revolutionary War America in Philadelphia is devoted to exploring key figures and sites that I have never visited before: Benjamin Franklin Museum, the Betsy Ross House and the National Constitution Center. I especially appreciate what I am seeing after my visits to the newly opened Museum of the American Revolution and the National Museum of Jewish American History in the first two days.
Betsy Ross was a pistol.
The Betsy Ross House, in Philadelphia’s historic district best known for Independence Hall, proved a real surprise.
I realize that all I know of Betsy Ross is that she created the first American flag. But this museum, which is operated as a private, nonprofit attraction, really conveys what a significant figure she was – independent when few women had any independence at all, a true patriot who was courageous in working on behalf of the Revolution. And, like Ben Franklin, what a modern person she was, who I can believe, would have been at the front of the Women’s Marches waving a feminist flag of her own design.
Her story would be worthy of a drama: She was shunned by her Quaker family for eloping (at age 21) with John Ross, a man of a different faith (the son of an Anglican Reverend) – imagine running off and marrying for love in 1773. She was independent: soon after they were married, John, who had joined the local militia, was killed and she found herself a widow who had to fend for herself. Because they had no children, she was able to keep her property. She rented a room in this townhouse, as well as a shop on the street level where she had her own business sewing upholstery and throughout her life was a savvy businessperson.
She would have known General George Washington from Christ Church which the young couple attended.
You traipse through the small house – to the room she rented in what was a boarding house (not just women), and realize how unusual this is, and then, as you descend the stairs into the shop, much to my surprise, you meet Betsy Ross herself, sewing some fabric. You get to ask her questions about her life.
I ask her what the date is – Nov. 5, 1776 – and really get into the spirit of the thing, knowing that she will only answer questions up to that point, when I know what comes next.
She has been working on the flag in secret, upstairs in the room, where she keeps it hidden under fabric.
Why did she take the risk? “My late husband was a patriot. I wanted to support Washington and make something to allow the spirit of my late husband live. We never had a child. [Creating the flag] this was like giving birth.”
She said that she went from father’s house to her husband’s. Now 24 years old, “the heaviness of a loss forces you to grow up in different manner. Being on my own is more difficult than I would have imagined.”
Her husband, John, passed in January and she moved in March. “This is the Widow Lithgow’s home –she rents to individuals. I rent a room and shop space from her. If I remarry, I will go to different lodging.”
She would have lived here between 1776 and 1779.
She relates how General Washington had particular design in mind when he came to her in 1776. He was open to suggestions: his original idea for the symbol for American independence had the shape of square rather than rectangle (that was her idea).
Also, Washington had wanted six-pointed stars but Ross pushed to change the shape to five-pointed stars by demonstrating that it was easier and speedier to cut, and how she would sew it in so that the design could be seen on both sides.
She tells me with an appropriate measure of sass in her tone that a trusted messenger brought her flag to Washington rather than he come himself. “He has heavier things on his mind – to win the battle, not a flag.”
I never considered, before “meeting” Betsy Ross how courageous she was to make the flag – she could have been caught and jailed for sedition.
I ask if she has met Ben Franklin (thinking that his printing shop is nearby), but she says that she knows of him but has not met him. “He’s out of town a lot. I hear he is quite taken with squirrels,” she says with a slight smile as she continues to sew.
She actually had a very good business going during the American Revolutionary War, making flags for the Pennsylvania Navy.
Betsy Ross was born in 1752, and after attending a Quaker-run school, her father apprenticed her to an upholsterer. There, she fell in love with John Ross, a fellow apprentice, the son of an Anglican priest at the historic city parish of Christ Church, and the nephew of George Ross Jr. who was a signer of the Declaration of the Independence. The young couple eloped in 1773 when she was 21, marrying at Hugg’s Tavern in Gloucester City, New Jersey. The marriage resulted in her expulsion from the Quaker congregation.
The young couple soon started their own upholstery business and later joined Christ Church, where their fellow congregants occasionally included the visiting Virginia Colony militia regimental commander who would soon become General of a newly organized Continental Army, George Washington, as well as other visiting notaries and delegates who would become leaders of the rebellion and later, members of the Continental Congress.
They were married only two years when John Ross, a member of the local militia, was killed. They had no children.
She continued working in her upholstery business for the Revolution, repairing uniforms and making tents, blankets, and stuffing paper tube cartridges with musket balls for ammunition for the Continental Army.
On June 15, 1777, she married her second husband, Joseph Ashburn, a seaman. In 1780, Ashburn’s ship was captured by a Royal Navy frigate and he was charged with treason (for being of British ancestry, because the British did not recognize American colonial citizenship) and was imprisoned at Old Mill Prison in England. During this time, their first daughter, Zilla, died at the age of nine months and their second daughter, Eliza, was born. Ashburn died in the British jail.
Three years later, in May 1783, she married John Claypoole, who had coincidentally met Joseph Ashburn in the English Old Mill Prison and had been the one to inform her of her husband’s death. (Ross must have really been something, and the young woman playing the part today conveys that spirit.)
Betsy gave birth to five daughters with John Claypoole: Clarissa, Susanna, Jane, Rachel and Harriet (who died in infancy). With the birth of their second daughter, in 1786, they moved to a larger house on Philadelphia’s Second Street, settling down to a peaceful post-war existence. Philadelphia prospered as the temporary national capital (1790–1800) of the newly independent United States of America, with George Washington as the first President,
By 1812, John Claypoole’s war injuries had left him disabled; he died in 1817 after two decades of poor health. Betsy’s young, widowed daughter Clarissa moved into their home with her five children and a sixth on the way. With Clarissa’s help, Betsy continued to run her upholstery shop and flag-making business. But after 50 years in the trade, Betsy’s rapidly failing vision led to her retirement at the age of 76. Betsy eventually became blind. She spent the last three years of her life living with her daughter Jane’s family on Cherry Street in Philadelphia. She died peacefully in her sleep on January 30, 1836, at the age of 84.
Betsy Ross’s body was first interred at the Free Quaker burial grounds on North Fifth Street in Philadelphia (interesting in that the Quaker’s shunned her); 20 years later, her remains were moved to the Mt. Moriah Cemetery in Philadelphia. Then, in 1975, in preparation for the American Bicentennial, the City ordered the remains moved to the courtyard of the Betsy Ross House. Cemetery workers found no remains beneath her tombstone, but bones found elsewhere in the family plot were deemed to be hers and were re-interred in the grave which we tourists visit at the Betsy Ross House.
The museum does an excellent job of revealing the situation of women in Revolutionary times, what it was like for the women and children left behind when their men went to war, and how they provided for themselves when they were widowed. I go down to the kitchen area where another woman interprets what it would have been like to have been a Washerwoman – one of the few professions that a woman who had to fend for herself could undertake.
“Working as a laundress was a difficult, low paying job in the 18th century; in early colonial period, many were enslaved or indentured servants; toward the end of the 18th century, most were free black women and widows struggling to support themselves.”
We are introduced to Judath, an African American washerwoman employed by Elizabeth Drinker, a wealthy Quaker woman. Jane Gray, a widowed African American washerwoman, who was a member of the “Black Class” at St. George’s Methodist church and later joined St. Thomas’ African Episcopal church. Susanna Cook, a widow with two children who lived at 3rd & Walnut Streets, whose husband died in the Yellow Fever epidemic of 1793 and to earn a living, rented out rooms and worked as a washerwoman earning $3 a week; she fell ill in 1801 and died impoverished in an almshouse.
There are special exhibits: “Stitching the Story Together: Betsy Ross and the American Flag” opens March 1; “Furnishing the Widow’s Chamber (opens March 1).
Allocate about an hour to visit.
Admission: Self-guided tour: $5/adult, $4/seniors, children, vets, students; add $2 for the audio tour (a child’s audio tour is available).
Betsy Ross House, 239 Arch Street. 215-629-5801. Operated by Historic Philadelphia, Inc. 150 S. Independence Mall West, Suite 550, Philadelphia, PA 19106, 215-629-4026, [email protected].
When I leave the Betsy Ross House, I think how appropriate that other clothing/sewing places are also on this block, and just a few doors down, come upon Women’s Resistence – The Outrage (www.the-outrage.com)
The brand was started 2016 – it was supposed to be celebratory for first woman president, but instead, has become an outlet for outrage and resistance for artists and activists. A portion of sales helps benefit organizations – ACLU, Planned Parenthood, 350.org. The first store oened in DC; this one opened this fall, with other outlets planned across the country.
My immersion into Revolutionary War Americana in Philadelphia continues at the Constitution Center.
Visit Philadelphia provides excellent trip planning tools, including hotel packages, itineraries, events listings: 30 S 17th Street, Philadelphia PA 19103, 215-599-0776, visitphilly.com.